Original subtitles

Thanks.

Wait a second, Iet me cIose the door. . .

or with aII the stuff in here, we'II redecorate the freeway.

Hey!

You were terrific!

You weren't so bad yourseIf.

That was my first time on a Louis XVI bed.

That stuff in the back. . .

is for peopIe with a Iot of money. . .

which you don't seem to have too much of. You travel light.

Is this your entire Iuggage?

It's not what it seems. I do it as a hobby.

What, traveIing or. . .

EMAN U E LLE ARO U N D T H E WO RLD

TeII me, what were you doing down at that wharf. . .

haIf naked, no money in your pocket.

I'd just gotten off a yacht.

I was Iooking for happiness, but I got Iost.

How'd you pay for your trips?

The same way you did with me?

No, I do that onIy when I feeI Iike to.

OouId you drop me off at the Sheraton, pIease?

H uh?

Take the duchess over to the Sheraton.

Are you a guest there or. . .

you work in the kitchen?

I thought you were kidding.

They'II never Iet you in dressed Iike that.

I'II be aII right, don't worry.

- Thank you. Goodbye. - Goodbye.

ls my dog a problem? Can you do something about it?

l will get a room for him.

Excuse me.

- Are you listening to me? - Yes, ma'am.

- I'm taIking about my dog ! - Excuse mel

Would you mind, please?

Yes?

My dog l

Hey! ShouId I set the hoteI on fire so you'II finaIIy Iisten to me?

Oan't you see that I'm busy?

Emanuellel

Oora! What are you doing in San Francisco?

Great to see you ! How are you?

Great to see you too!

- Right l - Hey, what happened to you?

Don't teII me you've had an argument with your taiIor?

Excuse me, M rs. Norman, do you know this Iady?

Who doesn't know EmanueIIe?

She's the most famous photo reporter in America.

I'm so sorry, ma'am. I'm at your compIete disposaI.

My newspaper reserved a room for me.

PIease? I'm tired.

Yes, of course.

What are you wearing?

Are you working on a piece about the Stone Age styIe?

I just got back from a desert isIand. I went to search for happiness.

- Did you find it? - J ust for few days.

Now, what about you? Nothing but the truth.

I promise I won't teII. What are you doing in San Francisco?

You'II read the whoIe thing when it comes out in the Post.

Something big, I guess.

ActuaIIy, I'm working on finding out. . .

who is making money and who is causing troubIe.

StiII the oId indestructibIe feminist.

Miss.

Your room is ready, and this enveIope is for you.

Okay, I'II see you Iater. I want to cIean up.

- Bye. - Bye.

Orazy girI !

Welcome back to civilization, Emanuelle.

l am sure you are ready. . .

to enjoy the benefits. . .

of our wonderful consumer world.

l'm looking forward to seeing you.

Hop onto the first plane to New York, and come see me.

See you soon.

Your ever loving editor, Burt.

I advise you to keep your hands off that bag.

Why? Is it yours?

Whose you think it is? This is my room.

Don't be siIIy.

I don't think you understand. . . there has been a mistake.

These idiots gave me the wrong room.

Are you trying to say that you're a cIient of this hoteI. . .

doing a IittIe hustIing to pay the check?

Don't be ridicuIous. Wait tiII I get the manager.

Don't be angry. We couId work this out.

You need a room and this one's too big for me. . .

and we can come to an agreement.

Forget it! Keep your hands off of me!

Oome on !

You are not bad. Oome here!

Don't touch me or I'II scream the pIace down !

Pig !

I'm sorry! I'm sorry!

It's ok.

But you're trembIing ! What happened to you?

I entered the wrong room and there was this madman in there. . .

he was Iike a sex maniac.

I'm a man who detests vioIence. . .

but without any cIothes on, you're quite provocative.

He ripped the only dress l had.

When I enter the room I was more. . .

WeII, Iet's try to fix this.

We have some time before our pIane Ieaves. . .

I want to do some shopping.

We'II be together from here to New York. . .

I'm finished.

Pan Am 4 2 7 to New York. . .

are kindly requested to go to the gate number 6. Thank you.

Porter!

l know it's strange but. . .

I'm sure I've seen you somewhere before.

U nfortunateIy not. . .

I wouId certainIy remember you. . .

though I know your work.

Who are you, reaIIy?

Why are you asking me that?

Have you noticed that guy?

Who?

The one sitting there.

He was at the Sheraton. . .

and then I saw him again on the pIane from San Francisco.

He foIIows you and doesn't even try to hide.

It must be a coincidence.

I bet he's got something against you.

Do you intend to dedicate your whoIe Iife. . .

to traveIing around the worId, taking photos, uncovering scandaIs?

- Have you ever heard of Oora Norman? - No, who is she?

She's a reporter for the Post. She's been writing. . .

about socio-poIiticaI probIems for years.

But you never even heard of her.

On the other hand, everyone knows EmanueIIe.

ExactIy.

So you're afraid to risk your journaIistic career. . .

covering probIems that might be too cIose to home.

- Hey, that's heavy. - Oome on. . .

don't take it wrong.

- Here we are. - Wait a minute.

- Is this yours? - I have the use of it. Oome on.

- Have you loved a lot of men? - No.

But I've had a Iot of men.

I see.

I'm free. Men and women are equaI.

It's society that obIigates them to be different.

But Iove does exist. Thanks God.

Have you ever been in Iove?

I'd have to see you again before I can answer that.

I don't Iike the kind of Iove that is supposedIy forever. . .

but burns out quickIy.

I'd Iove to see you again.

But as the two of us are aIways traveIing around the worId. . .

our chances are sIim.

- This might heIp. - What is it?

It's my itinerary for the next three months.

The places where l'll be and the hotels l'll be staying at.

EmanueIIe, I need to go. Someone wiII take you home.

- We'II meet again. - Are you convinced of that?

More than what you think.

My name is Jeff Davis.

I was asked to accompany you home.

Who is he? What's he doing at the U nited Nations?

Dr. Robertson is Ohairman of the Third WorId Aid Oommittee.

Oh, what a cheat!

And who are you? H is guardian angeI?

ExactIy.

Fine. We'II have pIenty to taIk about aIong the way.

Okay. Let's go.

You reaIIy opened a new can of peas, disappearing Iike that.

The pubIisher's been going crazy.

He says saIes are going through the fIoor without your stories.

At Ieast, that's what he thinks.

Let's forget that and taIk about why you're sending me to I ndia.

What the heII am I supposed to do with an I ndian Guru?

I know that reIigion is coming back into fashion. . .

but don't teII me it's racy enough for this newspaper.

That's what you think.

He discovered the secret of the uItimate cIimax.

M iIIions of Americans dream of going to I ndia to achieve it.

There's even taIk of a mass exodus.

Okay, Burt, how do you Iike this headIine?

U Itimate cIimax discovered where chiIdren are a curse. . .

and procreation a sociaI emergency.

What is happening to you?

I met a man who opened my eyes. . .

a fantastic person, absoIuteIy incredibIe.

J ust think, I never even made Iove to him.

What? This is a reaI news!

Gary, I am tired.

He Ieft the tempIe haIf an hour ago. . .

he is not at the shrine, he Ieft the hoteI. . .

Are you sure the guru exists?

We're following his daily path. You have no patience.

You must Iearn that with HoIy Men, patience is a virtue.

Soon, you'II ask me to comb I ndia. . .

there are 7 00 miIIion peopIe here!

- WeII? - Not here, either.

You see, gurus foIIow their instinct.

However, he acted very rationaIIy when. . .

he took my 500 doIIars for the interview.

Tomorrow you'II see him.

Looks Iike it's easy to become a saint in this country.

Wasn't it worth it?

The difficuIties that you faced in order to meet him. . .

wiII make the encounter even more satisfying.

- So I can meet him? - Later.

He'II come for you. I reserved a room. . .

for you. Thirty doIIars a day.

Thirty doIIars.

TranscendentaI meditation certainIy isn't for the poor.

PIease don't caII anybody.

They think I aIready Ieft.

But I stayed here.

- Why is that? - I ran out of funds.

So what?

I can't pay to stay here.

My fIight is in two days.

I've been trying to keep out of sight. My name is Mary.

- I don't mind you staying here. - Thank you, I appreciate it.

WeII. . .

I'm going to Iie down.

It's not working out.

l try and l try, l just can't attain pure thoughts.

I guess meditation is not my thing.

I repeat my mantra. You don't know what that is?

Haven't you read the pamphlets they give out?

- No. - The mantra is chosen by the guru.

It's a word given to each one of us. . .

for meditation.

Or something Iike that.

Twenty doIIars to Guru Shanti and you get your word.

But if you're not into it, why are you here?

For work. I'm a photographer. And you?

WeII, you see, I had this accident in Rome.

More of a trauma, reaIIy.

I came here to see if I couId get over it.

And now? Are you okay?

WeII, I'm Iousy at meditation.

But I've got the desire to Iive again.

- Oan you understand that? - Yes, I can.

I was beginning to think I was frigid.

There's no reason why you shouId hide yourseIf here.

You can have the room I reserved in a hoteI in New DeIhi.

You are an angeI ! I couId Ieave on the bus this evening.

Or do you want to get rid of me?

- It wasn't so good, huh? - Don't be stupid.

I was worried about you. You'II get bored cIosed up in one room.

It's the first time I've ever done it with a girI.

Yes, I guessed that. But why now?

I was going out of my mind.

With you, it seemed so naturaI. Amazing.

Here they put us through a course. . .

to reach pure pIeasure. It made me feeI reaIIy good.

- What's it Iike? - You'II see.

It's crazy. I've got an idea.

- Are you pIanning to go to Rome? - I don't know, maybe.

WeII, if you do, here.

It's a way to repay your hospitaIity.

These are the keys to my pIace in Rome, a gift from my mother.

I can even give you my friends' addresses.

- Oh, but that's. . . - Go on, take them.

I won't be going back there for a whiIe.

Why is that?

I stupidIy got invoIved with a bad crowd.

When I tried to get out, I was gang raped.

There were five of them.

They work for an organization recruiting girIs for the M iddIe East.

I stiII can't beIieve I managed to get away from them.

Ooncentrate everything you have on your mantra.

AIIow your gestures to be isoIated from your mind.

Don't aIIow yourseIves to surrender to the vioIence of the orgasm.

The reaI pIeasure is to proIong the sexuaI act indefiniteIy.

To discover a more subtIe significance.

To orgasm means to die.

The more you proIong this act of pIeasure. . .

more intense shaII the Iight of the spirit be.

Stop, that's enough.

ShaII I continue?

Get off!

You're a witch !

Why? I just saved him from impotency.

Now we've got to go back to step number one.

You can. I'm going back to the States.

Who am I gonna do it with?

The guru is reaIIy upset.

He's agreed to pose for you onIy because he's a saint.

Yeah, sure. A saint who Ioves reporters and pubIicity.

Why did you have to upset him?

You didn't have to be so bIatant about your disrespect for him.

No one's ever disobeyed him before.

It's Iike profanity against the sacred rite.

Embracing on these soft cushions. . .

we can Iearn to enjoy and vary the thousand positions of Iove.

To become subIime concubines of our god.

As far as I can teII, your theories on pIeasure create neurosis. . .

not a richer spirit. . .

and I think it's anti-ethicaI.

And yours is the typicaIIy Western theory.

OrientaI phiIosophy is much Iess vuIgar.

So much more refined.

This is the School of Kamasutra.

Here, women learn the art of perfect union.

And to avoid the imperfect union. . .

the arts of the more refined courtesans. . .

the in and out position. . .

the suspended position, the swinging position. . .

that of the horse, that of the mare. . .

that of the locust, the double union.

Because often it is the woman's duty to assume the active role. . .

when the man is tired, or when there is the desire to change.

Or just healthy curiosity.

She must learn to bend to the wishes of the lover. . .

but at the same time, know how to guide the man to her desire. . .

with the subtle art of seduction. . .

to be the mare with the stallion. . .

to be the teacher in the art of caressing. . .

in penetration, in friction. . .

in pressure. . .

the thrust of the wild boar, the thrust of the bull. . .

the game of the bird.

To know the classification of men according to their linga. . .

and to adapt these to their own union.

The ingenious woman multiplies the ways of union. . .

imitating the four-legged animals and the birds. . .

and thus, inspires in the man, love, friendship and respect.

A true woman must understand and elevate herself.

Why don't you remain here, to Iearn to eIevate yourseIf?

EIevate myseIf? Like those poor women?

I'm sorry, but I prefer to keep my feet firmIy on the ground.

You disappointed me. You live like a superstar, in luxury.

For me, ''saint'' is something eIse aItogether.

To be abIe to meditate, one must be comfortabIe.

And onIy those who are rich. . .

can be truIy comfortabIe.

And the poor?

The poor remain poor. . .

because they're not inteIIigent or cunning enough to become rich.

And thus, are not abIe to meditate.

WeII, Iike I said, meditation is a Iuxury.

You don't beIieve I'm a hoIy man.

WeII, it's very difficuIt to beIieve in a pure spirit.

At Ieast, for me.

I know men weII enough to reaIize. . .

that in every saint, there hides a sinner.

- You see. . . - You're mistaken.

You don't want to be saved. EIevated.

You don't want to reach, by way of proIonged pIeasure. . .

the vision of pure spirit. . .

- of the subIime souI. - Don't take it personaI.

I didn't come here to be one of your students.

Are you going to Ieave?

Yes, I think I've gathered enough materiaI for my articIe.

U nIess you're hiding something interesting from me.

MyseIf.

That's most interesting. . .

but what's so speciaI about you?

Is this some kind of Iove decIaration?

I never taIk about Iove.

I am Iove.

I wiII show you subIime and infinite pIeasure.

The artist.

That wasn't bad. . .

but I think you'd do weII to stick to spirit.

Don't worry about it.

You just have to practice more.

After years of holding back for the ultimate orgasm. . .

no wonder you come too quickly.

Oome on in.

- Good morning. - Good morning.

Good morning.

Isn't there a card?

No, but there's a gentIeman waiting for you in the garden.

Right. The tip.

- There you are. - Thanks.

WeII?

Weren't you waiting for the tip?

Right!

Davis!

Good morning, M iss EmanueIIe.

Sorry if I woke you up at this hour.

Dr. Robertson is rather impatient to see you.

He is busy right now.

- Right now, he's in a Oonference. - Let's go.

TeII me, what do you think of I ndia?

I'm sure you've had ampIe opportunity to reaIize. . .

that it's a country of great contrasts.

I n I ndia, poverty Iives hand in hand with high-price tourism. . .

something which I ndians take fuII advantage of.

Right, with fake theories on sex for the frustrated. . .

and such myths as the uItimate cIimax and aII that guru buIIshit.

- So your guru disappointed you? - I wouId say so.

A saint shouId preach Iove for his neighbor, not for himseIf.

He's nothing but a gIorified con artist.

My exposé on sex in I ndia couId reaIIy become an expIosive sociaI study. . .

just Iike you said.

WouId you hoId this a minute?

Yes, maybe I'm going to take your advice.

Here's to your expIosive sociaI study, that is, if you go ahead with it.

And to your work.

I feeI a bit guiIty to say this in a restaurant. . .

since you are trying to fight worId hunger.

Why don't we forget our work? Let's taIk about us.

Nowadays, a free woman in a position to express herself. . .

must be invoIved with the probIems that a woman has aIways had to face.

She continues to be the victim of maIe sexuaI vioIence. . .

often under the auspices of the Iaw.

You're beginning to take up nobIe causes.

No! I haven't gone mad !

Let me finish.

U p to now, men have bought the papers.

Oan you imagine with something as hot as this. . .

what kind of success we'd have with women?

Burt!

WouId you just stop it!

Don't you reaIize that Oora Norman. . .

is working on the same story for the Post ?

I have to get in touch with her!

Find her!

What the heII's the matter with you?

You aIways photograph tits and asses.

You do it weII. . .

so keep doing it.

Okay, you don't have to shout!

She said she wants something more important to do.

Maybe you misunderstood, Burt.

I understood, even if it was a Ioad of horseshit.

EmanueIIe, I wasn't taIking to you. . .

do anything you want, just make sure you get good pictures.

Of course I am interested in the story too.

I'II see if I can find Oora Norman for you. Heard she was in Rome.

Don't use the story of our oId friendship.

I know why you're here. . .

it's to try to get a story out of me for Burt. He caIIed me from New York.

You're right, I asked him to find you for me.

Burt shouId work for the O IA instead of running a newspaper.

They're fuII of nosy bastards Iike him.

- I'II put my cards on the tabIe. - Okay, go ahead.

You're working on a report about vioIence against women. . .

and I want to know more about it.

I found out terribIe things.

It's a dangerous task.

Many interests are at stake.

Women are used to sweeten the pot in iIIegaI deaIs aII over the worId.

The ones that faII into the net. . .

often start as tourists from Europe or America, and find themseIves. . .

those that survive, anyway, somewhere on the Ivory Ooast.

Or in the harem of a sheik in the M iddIe East. . .

as fringe benefits for an oiI contract.

I'm on the right track.

I got a Iead on a woman. . .

and now I'm Iooking for her. Her name is Greta M uIIer.

Jesus, I thought that kind of thing didn't happen anymore.

But it does, unfortunateIy.

Do you think anybody reaIIy cares if a girI disappears into thin air?

At the most, she'II rate a few Iines in the IocaI newspaper, that's aII.

- Oora, I want to heIp you. - Why?

Some jobs I do for my career, others for Iove. . .

now it's both.

If you'd reaIIy Iike to, I'II pooI resources with you.

How do they manage to pick up girIs here in Rome?

The usuaI way.

They get picked up in the tourist spots

in Rome.

They take them to restaurants and nightcIubs. . .

and then it's easy, they start on the wine. . .

get a IittIe high, then someone proposes a party outside of town.

And then, nothing. They disappear.

Last night I watched and foIIowed a pickup.

Two very weII-mannered, eIegant young men. . .

compIete with a white RoIIs, picked up two French girIs.

- And then? - Nothing.

They Iost me on the Appia Antica.

They just disappeared. . .

I couIdn't find them. Or the two French girIs.

- I think I'II do some sightseeing. - Be carefuI.

These peopIe are reaIIy dangerous. They don't fight fair.

- Have they tried to threaten you? - No, not reaIIy.

But, they tried to bribe me.

They said I shouId stop my investigation.

And they offered me a Iot of money.

But I refused.

I'II do as you say. I'II be carefuI. Thank you.

- HeIIo. - H i.

Hey, do you put parsIey in couscous?

I'm afraid I couIdn't teII you.

WeII, I can't find it anyway.

- H i. - H i.

What happened to Mary?

You must have used her keys to get in.

I met her in I ndia. She says she's not coming back.

WeII, wouId you Iike to come back to a pIace. . .

where you've been raped aII night by a bunch of guys?

Mary was a virgin. FiIthy pigs.

How come you know everything? Did she teII you?

Of course. She's my best friend.

WouId you Iike to get revenge on those fiIthy pigs?

It's IoveIy. It amazes me every time I see it.

- It Iooks Iike a movie set. - You guessed it.

BeIieve it or not, that's what it is.

They put it on. . .

for aII those beautifuI foreign girIs on vacation.

When the summer's over, they puII it down.

You reaIIy think you're funny.

No, I didn't think it was such a bad Iine for openers.

I just wanted to get to know you. I'm sorry, okay?

Now, don't get upset.

Hey, you reaIIy give up easy.

Annie was onIy joking.

Two very weII mannered, eIegant young men. . .

compIete with a white RoIIs. . .

Who's the boy?

We thought he was your student.

Where do we start the tour?

Listen, kid, for your first day out, you've done pretty weII.

Oome here.

Now, Iisten. Go back to schooI, boy.

That broad's not interested in a beginner.

J ust who the heII do you think you are?

The secret is just a matter of taking yourseIf in hand and jerking off.

Go put it where the sun don't shine.

PIeased to make your acquaintance. My name's Roberto.

Let's go. There goes a friend of mine.

Oome on.

This is Mario.

- N ice to meet you. - A pIeasure.

What are you going to do about entertaining us. . .

now that you've picked us up?

We can have a meaI at a nice ItaIian restaurant.

J ust a second.

- I n you go, girIs. - I've aIways wanted to ride in a RoIIs.

I thought I was rude waIking off Iike that without saying goodbye.

This is Spaghetti alla Puttanesca . Ever tried it?

I Iove it. How many ways are there to cook spaghetti?

- Do you Iove Romans? - I don't know any.

Then, how about us? Aren't we Romans?

WeII, we think you are nice. ReaIIy nice.

What do you think?

It depends. How many ways do you know how to cook a girI?

I Ieft the recipe at home, but I know a few appetizing things.

HeIIo, everyone. How's it going?

- Oiao, Iike to join us? - No, I've had my dinner.

But I'm gIad I found you. Did you forget the party?

Why don't you bring these Iadies?

- They'II have fun. - Ok.

And where is this party taking pIace?

- At a viIIa, on the Appia Antica. - But isn't it too Iate?

No! The evening is stiII young.

We'II pay, then we'II be right with you.

Put the girIs into my car.

There.

You can do better than that. I got you good-Iooking chicks.

EspeciaIIy the OrientaI. She's aIone and just passing through.

Very weII.

I n you go.

- Oiao. - I'II be in touch.

Aren't we going to wait for the others?

I'm just pIaying a IittIe joke.

I aIways steaI the girIs away from them.

You'II see them at the viIIa.

That's her, come on.

We have some unfinished business!

Oome on in, guys.

I aIready toId you I'm not interested in your money.

I know. I know!

I n fact, I admire you for it.

But this time, we're not offering money.

Listen. A journaIist. . .

doesn't disappear. . .

without Ieaving a trace!

Nothing wiII happen to you.

Nothing major, that is.

This time, you'II change your mind.

Okay, get on with it.

No!

I bet those two put something in the drinks.

- I'm feeIing dizzy. - I don't feeI so weII either.

I'm sure this is going to end badIy.

Don't worry, we've got a guardian angeI.

- H i. - H i.

You are here, finaIIy. Is everything ok?

- Yes, I gave the kids their pay. - How are they.

One better than the other, you'II see.

We've been waiting for you. WeIcome.

- Good evening. - Hi.

- PIease, go in. - J ust make yourseIf at home.

After you.

Aren't you coming in?

No, I think I'd better go see what's happened to Roberto and Mario.

But I'II be right back, beautifuI, don't worry about it.

I'II be with you in a minute.

Now. . . here's the price we agreed upon.

They are reaIIy beautifuI.

And safe.

ReIax, they got nobody here to miss them.

I'm not worried. Tomorrow, they'II be shipped out.

They'II never find them. Oiao.

What the heII's going on?! Why have you brought us here?

If you do as you're toId, no harm wiII come to you. . .

and you'II be abIe to Ieave in the morning.

Now, take your cIothes off.

For your own good, l suggest you do as l say.

- We better get the girIs ready. - Right.

- Why the bIindfoIds? - Shut up.

The boss gets first choice. He'II be down in a minute.

Who's there? Who are you?

We are three Americans.

We've been bIindfoIded.

How Iong have you been here?

They brought us here this evening. And we've been bIindfoIded, too.

They said that we were going to a party. . .

but instead, they made us take our cIothes off. . .

and then tied us up.

HeIIo! PoIice?

Her!

Let me go?

Don't touch me!

Bastards!

Pigs!

Take her away!

Her.

Turn her around.

They got what they deserved.

- I did that for Mary. - Me too.

I hope they spend the rest of their Iives in jaiI.

It's been scary, tough. WeII, goodbye.

Aren't you coming?

I gotta show our guardian angeI some gratitude.

- WeII, how did it work out? - Fine, thanks to you.

If it hadn't been for you, it wouId have been awfuI.

I didn't do so much, I onIy did what you toId me to do.

- Oan I take you somewhere? - Any ideas?

I feeI Iike going to the Scortico , it's my father's.

To the Scortico ? What's that mean?

A pIace to go if you want to make Iove.

I think you'd caII it a bacheIor pad.

I am curious now.

I'II go with you.

Wait tiII you see the Oasanova bath.

There's even a bidet with a verticaI shower.

My father thinks he's got cIass. He's just a pig.

Men aren't born pigs, it's something they become.

- It's just a matter of speciaIization. - You're an expert?

- Have you ever made Iove? - What of it?

I'II get you through your first exam.

Fact 1 , you weren't brought by the stork.

So you know that aIready? Show me what eIse you know.

Shit, someone's coming.

We better hide.

Here, quick, in the cIoset.

WiII you go see if the bathroom's tidy?

My baII-breaking stepmother.

- What is she doing here? - I don't know!

- Take off your jacket. It's hot. - Right. Thank you.

What are you pIaying at?

Your stepmother is right.

It's hotter than heII in here.

Yes, the bathroom is tidy, ma'am.

Good, that means that my husband doesn't use the boat much.

Anyway, get some cIean sheets.

No, not there, over here.

Shall l change the pillowcases as well, ma'am?

Yes, everything.

- She's reaIIy got it together. - Be quiet!

There's no need for you to rush, you know.

There's not much room to move about.

HoId on, Iet's see.

God damn it! When is she gonna Ieave?

Oome on, you're too cIose to me.

Am I?

What a nice stepmother you've got.

She comes here to remake the bed without even knowing. . .

what dirty games your daddy comes to pIay.

You think she cares about that?

- Oome on, stop grabbing me. - Why? Don't you Iike it?

It's hot.

- That reaIIy hurts. - What did you do?

I have a catch in my garter. It pinched my thigh.

Let me see if it scratched the skin.

How about that?

Is she aIways that democratic with her maids?

I don't know. She changes them often.

I am sure she Iikes this one.

- It'II be easier if you Iie down. - Yes, darIing.

With the maid ! Boy, it turns my stomach.

It's not so bad. Let me take your mind off it.

I was supposed to be the one to find you.

- I nstead, you found me. - And it wasn't a coincidence.

I read what happened in the newspapers.

So I caught the first pIane I couId.

That was very sweet, thank you.

You had me very worried.

The project you're working on with Oora Norman. . .

is extremeIy dangerous.

What about aII those things you said. . .

about women's emancipation?

Don't joke about it. I feeI responsibIe for what happened.

I couIdn't forgive myseIf if something happened to you.

I suppose I'II have to check your itinerary. . .

to know when I'II be abIe to see you again.

Not too soon, I'm afraid.

I'II be away a coupIe of weeks, visiting the M iddIe East.

Your pIane is due to Ieave in exactIy 4 2 minutes, Dr. Robertson.

Thank you, Davis.

- WeII, goodbye. - Goodbye.

He's aII yours, Davis. We finished saying goodbye.

Goodbye, M iss EmanueIIe.

- EmanueIIe! - Oora.

You took a big risk, I toId you it was dangerous.

l heard about it on the news.

- You were lucky. - Yes, I know I was.

But what happened to you?

You sounded reaIIy upset on the phone.

It's time to get in deeper, that is, if you haven't changed your mind.

No, but I want to know what happened to you.

Those sons of bitches.

They came here Iast night. . .

and got reaIIy rough.

Bastards. So where are we going?

The Far East. I found out where Greta M uIIer is.

She changed her name to EIsa Brown and Iives in Hong Kong.

- M r. Ohang Lee? - Sorry, no work.

- I'm Iooking for EIsa Brown. - Don't know her.

Hey, come on, you're not trying.

Take them.

Maybe this wiII heIp jog your memory.

EIsa has opened a casino in Macao.

I don't know her address but I am in touch with her from time to time.

TeII me where you are staying and if I see EIsa. . .

I'II teII her that an American Iady wishes to see her.

Thank you. TeII her that Oora Norman is Iooking for her.

- Oora Norman, EIsa Brown is waiting. - She is?

Thanks, but I prefer to waIk, if you don't mind.

- Oome on ! - Let go!

Go!

Why do you want to see EIsa Brown?

I thought she couId heIp me find a job.

- What kind of job? - Anything, so Iong as it's weII-paid.

You're aII aIike, EIsa cannot find you any work.

EIsa onIy deIivers the girIs. It's me, Ohang, who decides. . .

if you'II be abIe to work.

- And me? Am I okay? - That depends.

If you are abIe to pass the triaI period.

J ust as they brought you here, young Iady. . .

I was aImost ready to begin the triaI period. . .

of two ambitious young women here.

They came for the same reason that you did, to make a Iot of money.

And what wiII they have to do?

Sink to the Iowest steps. . .

then submit to the crueIest forms of vioIence. . .

enjoying it, aImost to the point where the pain they are suffering. . .

assumes exquisite deIight.

Most important of aII, they must come through the test. . .

without making any sounds that aren't sounds of pIeasure.

Disgust and fear shouId be words with no significance to them.

Now, at one of the more interesting phases. . .

the snake, Iike aII reptiIes, is very fond of miIk.

It's aIready attracted to the scent of it.

It'II suck it up to the Iast drop. The Iast drop.

To the last dropl

You Iike that very much, right?

- Where did they take her? - I don't know.

You'd be doing yourseIf a favor if you teII me.

They'd kiII me if they found out I had even spoken to you.

TeII me if you know what's good for you. . .

I'II puII the trigger if you don't.

PIease, don't shoot. They took her to the gymnasium run by Ohang.

PIease don't say I was the one who toId you.

Stop! Let her go!

No!

Tie up the dog.

Quick! Go get dressed ! Then caII the PoIice.

We'II have a few minutes before the PoIice get here. . .

so I propose we use the time to have a IittIe chat.

I don't mind if you kiII me.

You might as weII because I'm not going to teII you a thing.

We couId Iet you experience your theories about pain. . .

as a form of pIeasure, right?

Yes, you're right. That dog must stiII be horny.

Perhaps he'd Iike to finish with you what he started with the girI.

PIease, you can't! You are crazy!

No!

Lie down !

NearIy aII these ships you see are bound for the M iddIe East.

It's no secret that Macao is the center for every kind of traffic.

Anything from drugs to weapons, from women to oiI.

Prepare yourseIf, my dear. We couId sweeten the pot. . .

for an oiI contract, a IittIe incentive for the buyers.

WiII you teII Madame Brown that we'd Iike to taIk to her?

Okay. Wait here. I'II be right back.

I'm EmanueIIe. This is Oora Norman.

It doesn't Iook as if they give you very much room to move around.

They keep a pretty tight check on you.

It's none of your business.

We're both reporters and we'd Iike to have a chat with you. . .

about your deaIings with the M iddIe East.

Ohang has toId us a Iot about it. . .

we handed the IittIe creep over to the PoIice.

I'm sorry but I think you're speaking to the wrong person. . .

- I don't know anybody named Ohang. - Don't you?

Listen, EIsa, you're gonna heIp us put an end to this organization.

What organization? I just manage a casino.

It's just a cover and you have to pIay by their ruIes.

How Iong do you think you'II Iast?

You'II make a mistake and they'II kiII you.

Seeing how you know aII about it, what do you want me to do?

TeII the peopIe in the organization, the two of us want in.

Okay, but I don't think you know what you're getting into.

Don't you worry about us.

We've aIready had deaIings with them. We'II come through it aII right.

Besides, I'm kind of turned on by the idea. . .

- of becoming a sheik's courtesan. - So tomorrow, it's Tehran.

You're so cleverl

A journaIist. . . and a photo reporter.

Both of them famous for their exposés on anything scandaIous.

That's impossibIe.

I have the word on them from Rome. But unfortunateIy, too Iate.

Then, EIsa feII for it, too.

I'm ready to admit I made a mistake, but it's onIy the first.

You and I divide the work, which means we divide the risks.

It's not nice to remind me.

Anyway, the Emir. . .

was aIready warned of their arrivaI from Macao.

I can't make them disappear, if that's what you had in mind.

But, fortunateIy, for you that is, our beIoved Emir is invoIved. . .

in a conference right now for the oiI-producing countries.

That means we have ampIe time to fix things.

It's aII right, it's absoIuteIy nothing to worry about.

Last night, the party got a IittIe bit too rowdy.

- What kind of party? - DipIomatic parties, they're caIIed.

You know, where the private discussions go on. . .

fringe benefits for ministers while they negotiate deals. . .

on oil and industrial plants.

But where are they taking the girIs?

They have a cIinic here especiaIIy for us.

The doctors are Germans.

I'm sure they'II try to get her back on her feet somehow.

And if she doesn't recover compIeteIy?

That means no one wiII ever see her again.

She'II disappear, Iike aII the others.

J ust between us, I know where they go.

To a brotheI, on the Ivory Ooast.

One of those pigsties, reserved for soIdiers.

I'd rather die than end up in a pIace Iike that.

WouId you Iike to Ieave?

I wouId do just about anything to get away from here.

We couId heIp you.

Are you kidding me?

No, we are not.

We're two American journaIists, you can taIk to us.

J ust teII us what's going on.

Okay.

The head of this awfuI organization is a man named Kassim.

HaIf sIave trader, haIf minister. I'm sure he's steaIing the Emir bIind.

And the Emir doesn't know anything about it.

AbsoIuteIy nothing, the Emir is so sweet and weII mannered.

He can't know anything.

The poor darIing's onIy fauIt is. . . that he trusts Kassim.

Fiona.

- Get up, Fiona. - What is it?

I'm sorry. This has to Iook reaI.

Let go of me!

Let go of me!

Let me teach her a Iesson !

Let me through. Kassim sent me.

J ust a moment.

AII right, come in.

The Emir wouId Iike to speak to you. . .

and the two American women that arrived today.

Yes, very weII.

Now you know everything.

You can see that your reputation is in danger of taking a knock.

It wouId seem that you're right. . .

even though I'm doing my best not to appear Iike a suItan. . .

from A Thousand and One Nights.

It is my fervent wish to put my country on a par. . .

with the industriaIized nations, with advanced technoIogy. . .

and more improved education.

I myseIf graduated in London and in the States.

OongratuIations. But you don't seem so up to date in your private Iife. . .

considering that you have a harem Iike the ancient khaIif.

They kidnapped their woman, you buy them.

Yes, but to the same extent. . .

I buy my jeweIry in London and famous paintings in ItaIy.

Do you think it out of fashion to Iove beauty?

I don't think it's right to pay for what we Iove.

That's an exquisite observation, aIso rather impertinent. . .

if you don't mind my saying so.

But don't forget, I ignored the sordid side of this business.

Many of these girIs are never seen again.

And that, to you, is no more than sordid?

Yes?

FinaIIy, I have the chance to meet your friend.

- WeIcome. - Thank you.

EmanueIIe, I was so worried.

When they came for me, I thought ''This is it. ''

It seems to me you have too much imagination.

PIease, excuse me.

This emir is reaIIy groovy. What's he going to do about us?

I don't know. These Arabs are aII so mysterious.

We'II wait and see.

Are they taking him to jaiI?

No, I sent him out to hunt a gazeIIe.

They're not easy game, you know, in fact, it's very dangerous.

U nfortunateIy, as fate wouId have it, sometimes accidents happen.

More often than not, fataI.

ShouId that happen, I don't suppose you'd be upset.

I don't think you understand compassion.

I'm the onIy justice here. . .

and justice is no friend of compassion.

That's nice and easy.

You organize a gazeIIe hunt and your conscience is cIear.

You are provoking me, my dear.

But I don't quite understand what you're hoping to achieve.

And you?

I bet you'II try to stop us from pubIishing our story.

- WiII you send us away too? - Don't worry. . .

but I couId be very generous in exchange for your siIence.

I am not taIking about money.

What are you offering us?

Your countries are in desperate need of my oiI. . . and I couId--

It's a reasonabIe proposaI.

Don't you think, Oora?

J ust a moment.

This resoIves your probIem but onIy makes mine more serious.

I think I couId stand my IoneIiness much easier. . .

if I had some kind of deIightfuI souvenir of your presence.

J ust a minute, M r. Kilev.

We have a warrant for your arrest. Let's go.

Oome on ! This way!

You don't have to thank me, Dr. Robertson.

It's me who shouId thank you. . .

for contributing to the success of our convention.

AII right.

I hope you'II be back soon, perhaps as my guest. . .

and I hope as a friend.

Bye-bye.

Send the Iadies in.

Good morning, my dears.

I hope you rested weII.

Yes, very weII, thank you. We needed it.

Now I know what they mean when they say. . .

- you Arabs have energy resources. - Thank you.

That's a very fIattering compIiment.

I was to teII you that Dr. Robertson sends his regards.

MaIcoIm? Where did you meet MaIcoIm?

It appears that he somehow found out that you were my guests.

He did everything he couId to heIp.

He even caIIed the American Embassy.

So you had no choice.

I think you put an end to the organization. . .

- or you would've lost face. - BeIieve me. . .

I wouId have done it anyhow.

I just didn't want to spoiI the pIeasant atmosphere.

Why, you son of a bitch.

What I meant to say was what exquisite OrientaI subtIety.

That sounds better.

You promised me you wouIdn't get into any more troubIe.

Weren't you the one who toId me not to waste time covering scandaIs?

Yes, but I was hoping that. . .

you'd spend more time with me.

Excuse me. . .

but we've got to get to the airport.

Thank you. Davis, contaminated by your curiosity. . .

has been very busy these days.

I discovered something that I think wouId interest you.

That's great, Davis. Don't keep me in suspense.

It's the name of an American senator, PauI Lex.

He's mixed up in some shitty deaIs. We don't know exactIy what.

I don't know how to thank you.

You couIdn't have thanked me in a nicer way.

- I'II wait for you in the car, sir. - I'II be right out.

You see? You wiII finish your story briIIiantIy

See you soon.

Is that the promise of a dipIomat?

Oonsider it a threat.

I Iike that.

PauI Lex. We need to meet him.

That's sweet. We'II be in New York tomorrow.

Goodbye.

Phil Mortonson is

senator PauI Lex's assistant.

I met him at the white House, he was a friend of a Faye.

- Good evening, M r. Mortonson. - I don't get it. . .

Eddie's from Oyster Bay Iike I am.

I can't foIIow you. Are you from New York?

- No, I'm Jamaican. - BeautifuI pIace.

But you are too cIose to Oubans.

You aren't a Ieftist poIiticians, are you?

No way, I just Iike to enjoy myseIf.

That's good, honey. I just can't stand those country girIs. . .

who cry woIf at the first sight of bIood.

- How about your friend here? - I'm a big girI.

- I n you go. - Where are you taking us?

Does it matter? J ust as Iong as we enjoy ourseIves.

Poor M iss Ohio. What wiII you do to her?

J ust you reIax. It's a game and she Iost.

GambIing debts have to be paid. Look who's here.

- H i, PhiI. - H i, M r. Senator.

- I'd Iike you to meet J une OIeaver. - How do you do?

AIways gIad to make a new acquaintance.

What are you doing for the rest of the evening?

Going back inside there?

We're going off to watch M iss Ohio pay her debt.

- Do you care to join us? - Let's go.

- And now for some fun. - Where are we?

Don't worry, we're here to take of you.

Oome on ! What am I suppose to do?

You'II know it soon.

Where's Frank? Frank, where are you?

- Over here. - Here we are.

- But where are we? - A heIIhoIe of the metropoIis.

- Frank, the show's about to begin. - Here they are, the audience.

We can start now. Come on, baby.

I don't understand.

You have to do a IittIe eIection propaganda for the senator.

It'II be convincing campaign work.

What shouId I do?

Dance and make peopIe happy!

What shouId I do?

- Naked? - Of course.

Let the show begin.

What are you doing?

This way, gentIemen.

Get out there and dance!

You have to give the best of you ! PeopIe are expecting a great show.

Dancel Come on, dancel

Dance! Let's go!

Yeah ! Yeah ! Look at her!

You got to practice for the sheiks in Kuwait!

That's it, honey.

Swing it, baby l

Keep it up, baby!

Hey, hey, hey.

Yeah ! That's good !

Stop. Stop that!

Hey, you'd better stop this!

Get the girI out of there! We'II take her home!

Okay, that's it, finished everyone, go home, boys.

- Let's go. - But it's just innocent fun.

Like heII. They're getting rough. We're Ieaving.

That's enough. Frank, give them some money.

Shut your mouth.

Let go of me!

No! No! No! !

Out it out! That's enough !

Fuck off.

Hey! Do something ! Stop them, for Ohrist's sake!

Have you gone crazy? Stop it!

- Let her go. - Get the fuck out of here.

Beat it.

PhiI, do something ! They're kiIIing her!

Make them stopl Don't just stand therel

Stop them, Phil, stop them l

J ust Ieave me aIone!

Let's get the heII out of here! Oome on !

- Go to heII ! - Go fuck yourseIf!

Bastards!

What can we do about it?

We've got to get to a phone and caII the PoIice!

Let's go!

No!

Grab them l

PIease!

Run, Oora, run !

Get here!

Drink this. It'II do you good.

Thank you.

How's the girI?

I don't know if she'II make it.

- Did they get aII of them? - Yes.

It's aII over, EmanueIIe.

No, it isn't. This is just the beginning.

We've got to find the courage to teII everyone what's been going on.

Gary McKinsey, five, of Michigan was killed. . .

when riding in a vehicle west of l nterstate 6g near Charlotte. . .

The boy's father, Gary senior, and younger brother, Ryan, of 3. . .

were hospitalized in serious condition.

The white slave trade scandal is spreading like an oil spot.

The government itself is involved. . .

as is the world of high finance including well-known personalities.

The District Attorney's office has already sent out subpoenas.

Now, we'll broadcast an interview with Emanuelle. . .

- the famous photo reporter. . . - What a mess.

I opened a can of peas my pubIisher doesn't Iike.

I think he wants to fire me.

You can get another pubIisher.

You're the most sought after reporter in the worId.

I'm aIso a IoneIy woman and I feeI very bitter.

I'm going to need your heIp, MaIcoIm.

AII you have to do is ask me.

I'm here for you.

You're a terribIe Iiar. What time is your next pIane?

- There is no pIane. - Did they fire you?

U nfortunateIy, not. The conference was onIy put back.

The president has infIuenza.

Let's hope somebody hides the aspirin.

T H E E N D