All language subtitles for 19751975

[Heartbeat Pounding]

[Pounding Continues]

[Clicking]

[Yells]

It's me, Carlo. Listen.

L'm afraid Evelyn's had it. What the hell?
that supposed t0 mean, Doc?

She had a massive coronary.
That's what it means.

Well, get over here.
Help me take her home.

Jesus, what a mess
We//, why to her house?

Listen. I want you
to get your ass over here.

When they find her here,
they'll think it was a natural death.

We better hope so.

Let's go.

♪♪ [Funk Intro ]

4M Woman Vocal/Zing]

♪♪ [Continues]

J." [Ends]

[Dog Barking]

[Barking Continues]

[Heavy Breathing]

No! No!
[Screaming]

[Heavy Breathing]

[Squishing]

[Woman Screaming]

[Chattering]

Carlo, you think she's real?
Who can say?

She'sjust the model
l've been looking for.

Ifyou need help,
don't forget your pals, huh?

Yeah, we'd do anything for you.
Hey, where's Carlo going?

I thought we were
going to have a game.

He's after big game this time.
[Laughing]

[Mutters]
Uh, miss.

Smile for the press, please.
[Shutter Clicks]

Oh, I haven't seen such a face
in such a long time.

Oh, that's swell.
Great. Perfect.

[Shutter Clicks]

Ah.
[Shutter Clicks]

Say, what do you say we try
another angle for a change, huh?

[Shutter Clicks]
Oh!

Boy, I can see you're a natural.

[Shutter Clicks]
Hi, Carlo.

Hi. Sorry. l'm working. But
you were gonna see me now.

L'll call you this evening around
7:30, all right? What about our date?

L'm sorry, honey. l'm working.
[Scofikl

l'll wait for you here.

[Shutter Clicks]

[Shutter Clicks] Here's your
grapefruit juice, miss.

Thank you.
[Shutter Clicks]

What can I get for you, sir?
Oh, nothing, thanks.

Never while l'm working.
Right.

[Shutter Clicks]
Ah.

[Shutter Clicks] You're making me nervous.
Put it away.

I find nature
fascinating.

Your idea of nature
is a wild girlie show, I think.

Oh, hold still, please, huh?
Yeah. That's it.

Oh, put your hands down.

Miss, I must say you've
got a beautiful profile.

You're one girl that doesn't
have anything to hide.

Thanks for the information, sir.

[Shutter Clicks]
You'd better stop.

Hmm. All right.

You don't know
what you're missing.

What?

To have me photograph them, most
girls are willing to do anything.

Oh, yeah? Not me.

I suppose you've come across
Harpefls Bazaar, Vogue, E/le.

Mm-hmm. So what?

They're fashion magazines, the biggest
in the world, and I work for them.

Mm.

And you think I can model
for fashions in Vogue?

Yeah. Pretty sure.

ReaHy? We'd better have ahook.

Yeah. Let's see.

Well, first of all, you're gonna have
to lose a bit of that tummy, baby.

Huh?
Yeah.

Hey, listen, there's a place
I wanna take you. Come on.

What kind of place? Thesauna.
just what you need.

Healthy.

And besides, it'll help you
take those inches off.

Hey, move that little thing, will ya?
[Woman Laughs]

What are you doing?
My dear,

l'mjust getting rid of
these silly encumbrances.

They're no use at all. In fact,
they do more harm than good.

You've gotta give the skin air.
Let the pores breathe.

See what I mean?
What a pair of pores.

Now-
Are you crazy?

What if someone should come in?
What the hell do you care?

They'd see us. This could be the
beginning of your career, baby.

Ifyou knew how many of the great names in fashion
modeling began just like you're doing now-

Oh, really?
Yeah. Okay.

There we are.
Now, lie down.

How do you want me to be?
It doesn't matter.

Whichever way it is,
it'll be beautiful.

Oh, what a piece of- Okay. Uh-

Good. Turn over a little, huh?

That's fine.

Perfect. Now, don't look.

Why not? What I mean is
don't look at the camera.

That's good.

Yeah. Marvelous.
How come it's not clicking?

It's not clicking? Oh.

It's not clicking. You're right.
Gee, I don't know.

Oh! I must have a faulty shutter.
Strange.

What now?

I don't know.
Well, I guess we could, uh-

Hey, you know, I do have an idea.
Oh?

Since it's so hot,
I think l'll get into something else.

Hey, you're really out
ofyour gourd, aren't you?

Oh, no. lt'sjust time
for the in-depth interview.

Carlo.
Huh?

L've been waiting half an hour. Bug
off, will ya? Can't you see l'm busy?

Oh, go to hell!

Now, let's see. Where was I?
There.

Oh, yeah, I remember.
[Woman Moaning]

[Woman] Franco, come over here a
minute, will you? Sure, Magda.

Look, I don't need this
for today's rehearsal,

but when you shoot for real
tomorrow, could you do me a favor?

Put on a bit more eye shadow.
Sure.

And play down these big highlights
under her cheeks. Mm-hmm.

I want the girl to look cool.

She mustn't come on too strong
for this product.

Okay?
Yeah. Right. Uh-huh.

Don't forget now, huh?

Okay, Franco,
l'll leave it up to you.

All right, stop the presses.

Ladies and gents, cast your eyes on the
new model for tomorrow's photo service.

[Woman Laughs]

Open it. Show it off, honey.
That's right. Huh?

This is Lucia.

Oh. You're up to your old tricks again?

Pretty nice,
wouldn't you say, Magda, huh?

Tom0rrow's work
has Patrizia as the model.

You can pay the girl
for prior services.

Hey, come on,
what she bitchin' about?

Honey, let me handle this. You'd
do best to stay out of this.

Ifyou want to become
a great photographer,

you gotta pick your models with
your head, never mind the heart.

And never discuss
a colleague's choice, all right?

And anyway, all jokes aside for the
moment, take a good look at her. Go on.

She's first-class merchandise.
Lookathen

Yes, but how are we going to photograph all
that stuff? We'd need a Cinerama screen.

Please, Carlo, what is all this?
Calm down. Calm down, honey.

Leave it all up to me.

Mario, will you take some shots
of Patrizia this afternoon?

[ Mario] Whatever you say.
Behave yourself, will you, huh?

She has
real possibilities.

And who's this?

[Carlo]
A discovery of mine.

Do you think she'll
work out, Gisella?

Yes. Shejust might.

[Carlo] Wait till you see her stripped.
She's got a sensational body.

I feel we should talk this over.
Come into my office, will you?

Well?
To the office.

[Mario]
Come on, little lady. lt's time to work.

[Laughs]

She'll have her hands full
with Gisella.

Oh, the hell with all ofya. Go on.

[Sighs]
That new one there, she's nice.

You think she puts out?

Ask your wife, you jerk.

Hmph.

Perfect.

Now, don't move a muscle.

Look over here.

Look at me. N0, no.

Look at me. That's it.

Ready?

Waiter!

No, please, Maurizio,
there's no sense ordering another bottle.

I can't be late for tomorrow morning,
and I don't want to either.

L'm sorry.

Really, Patrizia,
the evening'sjust started.

Now, we made an agreement.
If you want to stay, stay.

But please call me taxi.
Now, come on.

Please. You're not going
to leave me here all alone. Are you?

L'm very sorry, but I have work tomorrow.

Hmm. lt's the first important
assignment l've ever had.

Your wife is very demanding, and she's right.
l've got to be there rested and in shape.

Yeah.

Come on. just another half hour.
l'm sorry, Maurizio.

Well, when then?
Maybe monday we will try.

Give me the check, will ya?

Well?
The bill. The bill.

[Sighs]

You know, you aren't
really very nice to me.

I can do a lot for you
to get your career moving.

Strange.
Yeah, well-

lt's the very same thing
your wife told mejust this morning.

Hmm?

[Whirring]

Hmm.
[ Door Opens]

Oh, hi.
What are you doing here?

What, is there
something you wanted or-

[Zipper Unzips]

Just a second, Cecil Beaton.

Well, well.

How about using me as a model?

Well, take a look, Carlo. What
do you think? Anything missing?

Mmm. Turn around.

Uh-huh.

You've got possibilities.

And I don't think
there's anything missing.

But it'd be stupid for you
to ruin your career and do modeling.

You got a good future as a photographer.
You know that.

And fashion models are finished
in a couple ofyears.

Three, four at the most.

Plus, you have to know
what you're in for.

At least l'm worth a tryout.

4M Woman Vocal/Zing]

♪♪ [Continues]

Oh, yeah.

[Moans]

[Both Laughing]

After you, princess.

[Laughing Continues] Ah, honey, you're
beautiful, the greatest, stupendous.

Stop it.
You're making me dizzy.

So what else is new?

What's new is that l'd like
to start all over again.

Mmm. Honey,
you said a mouthful.

[Both Chuckle]

Mmm.

Mmm.
[Laughs]

[Laughs] So that's where
you hide your car, huh?

Nothing like a woman parker.
Better than being a nosy one like you.

Ooh. Shut up now
and give me your keys, will ya?

Here.

[Door Creaking]

[Door Squeaking, Closes]

[Switch Clicks]
[Whirring]

[Heavy Breathing]

[Sighs]

[Clattering, Squeaking]

[Heavy Breathing]

[Knocking]

Darling, you lookjust marvelous.

Marvelous. I didn't know
you were a motorcyclist.

[Chuckles]
Well, come in, come in.

Well, ifyou like something to drink,
just help yourself.

Make yourself at home.

Oh, I got that picture
just like you asked me to.

Well, let's see.

Ah, yes. Here it is.

I can't imagine what you want with it,
but since you asked.

It'sjust a snap ofthe group at the studio.

We're all in it.
Me- I look awful-

Magda, Carlo, Gisella, Maurizio
and that poor girl-

What's her name? She was pregnant.
Oh, yes.

Evelyn. Poor dear.

[Gasps] But- Are you trying to be funny?
What are you doing?

You're spilling my whiskey.

[Metal Clicks]
No. No.

What are you doing?
What's that knife for?

No! No!

[Whimpers]
No! No! N0!

Please put that down. No!

[Whimpering]
What did I ever do to you?

No, please!
[Screaming]

Mario?

[Screaming]

[Body Thuds]

[Camera Shutter Clicks]

Have you finished now?

Uh, with the body, yes, sir.

Then it can be removed.
Fine.

You can take this away, hmm?
Yes, sir.

The witness is in here, sir.

You came here this morning, hmm?
What did you see?

L'm a model for a photo agency.

Well, today was supposed
to be my first big chance,

and... I was to pose for him.

This morning, yeah?

Also he asked ifl would come by
and pick him up.

You were very good friends then,
you and this Mario Ferreri?

No. It was purely professional.

But- But in our kind of business,

a person doesn't take long to know
who he does and doesn't like.

And you'd never come
to this house before today?

No. Not once.

He was supposed to come downstairs.
He wasn't there, so I asked the doorman.

I was in a hurry.
I was double-parked.

I stepped inside
because nobody answered.

L'm not sure then what I did.

I know I shouted and-

and I must have passed out.

[Carlo] Come on. Get that leg up.
There we go. [Woman] Okay.

And get Rino in here.
Have him clean up the stand.

Doris, try to be natural.
Don't stiffen up.

Open that coat a little, for God's sake.
Do I have to tell you everything?

Come on, Stefano.
Please, relax.

You look like you got
a telephone pole up your ass.

That's it. Now, relax.

Magda, give me
some light, huh?

Maybe l'll get a picture this morning.
What's with him today?

I wish I knew. He's crazier than usual.
Magda, throw the light up.

N0, to the left.

To the left. Oh, no.

Jesus, Stefano, you look like
your pet cobra just died.

Look, you're wearing a coat
that's worth thousands ofdollars.

It's not plastic. lt's warm. lt's soft.
You gotta let us feel that, huh?

And, Doris, you, the same thing.
But, Ca rlo, l-

lt's a fabulous coat you're wearing. Now,
make the guy who wants to buy it wanna come.

What do you mean, come? Come, as
ifyou're in the sack with Stefano.

Listen, Carlo, you're asking for a fat lip.
Enough's enough, Carlo.

Get off it. Who the hell
does he think he is?

Magda, I don't want you
to wash them out completely.

You don't understand
a goddamn thing.

Why d0n't you just put a flag over them,
they'll really look like corpses.

Look, l've had it. lfyou think you're being
funny, you're pretty wide of the mark.

Wonderful, isn't he?
l've had it.

L've had six months ofyou this morning.
Throw me that robe, Magda.

Oh, okay, kids.
Okay, you're right.

I think we can use
a little break, huh?

I humbly ask your
kind forgiveness, all right?

Oh, l'm sorry, Doris, honey. Really I am.
Sure. Forget it.

Nothing's working out this morning.
Forget it, Ca rlo.

No kidding, Stefano.
Well, we're try this afternoon, huh?

Yeah. Sure.
Okay.

[Carlo] l'm going out for coffee.
[Stefano] Oh, yeah?

Well, have them put some milk on in it,
some saltpeter.

[Carlo Laughs]
Maybe I should at that. Come on.

[Stefano]
Try it. It might do you some good.

Thank you, Inspector.
Not at all.

Well, poor Mario had been working for
me for the last two and a halfyears...

as an assistant photographer...

and even as chief photographer
on some ofthe less important assignments.

Who's usually to be found in the studio?
[Chuckles]

Well, this is really
Grand Central Station.

For certainjobs,
I call in other photographers.

Then there's a great turnover
in models of both sexes.

[ Inspector] However, Mario Ferreri
was a salaried employee, wasn't he?

[Gisella] Not salaried, no. ltjust
so happens he only worked here.

The same is true of Carlo Bianchi
and Magda Contini.

But there are no fixed contracts
in any oftheir cases.

This Mario, isn't there anything
you can tell me of his, uh-

Well, a little more-

You know, I wonder ifany
particular man or woman you knew of...

had any sort ofclose relationship with him.

L'm sure you understand
what l'm driving at.

Once my employees are out ofthe studio,
they're free to do whatever they please.

I don't know anything at all
concerning their private lives.

The ideal employer.
I admire that.

Only you're far from being
the police's ideal witness.

There's nothing you can tell me about him
even after two and a halfyears?

L'm not fond of spreading
dirt or gossip, you know.

I suppose there's one thing I could say.

Mario gave the impression of not being
at all interested in women.

- He was a homosexual?
- That wasn't what I told you.

All I said was I got the impression
he wasn't interested in the opposite sex.

A lot of girls pass
through these doors, Inspector.

Ijust find it a little strange that he
never made a pass at any of them. [Moans]

I don't know ifthere was anything
more concrete to it than that...

or if he had any particular friends anwvhere.

And ifyou come right down to it, isn't it
yourjob to find these things out, Inspector?

Yes, of course.

Well, thanks for your help.
l'll act on it.

And you have my word
that l'll disturb you as little as possible.

Good-bye.

Ah, just one more thing.

Have you, by chance,
come across the name Giulio Castelli?

No. ls he a model?
Or perhaps he's with another agency.

N0, he's not a model.

He was an M.D.,
and he was murdered over a month ago.

Opened upjust like Mario Ferreri.

Good evening, Mrs. Mayer.

[Chuckles]
Good evening. Evening.

[Chuckles]

[ Door Closes]

[Moaning]

- [ Shrieks]
- You bitch, you love it, don't you?

Are you crazy?

Oh! What was that for?

You're a cheap whore.

Why am I a whore?
Do you mind telling me?

Come on, you freaked out.
What did I do?

What's going on
with you and Carlo, huh?

How long have you known him?
You've been banging him.

Yeah, we're big buddies.

He promised to find me work,
obviously with you.

I see.
And you'rejust buddies, is that it?

Well, young lady, ifyou see Carlo
one more time, you've had it.

That's none ofyour business.
Do you think you own me or what?

I wanna be a fashion model,
not a kept woman or a slave.

[ Footsteps]

I have a business dinner.
l'm going now.

And yourjob is to sit here
and wait for me. Don't move.

We'll talk about your career
when I come back.

And d0n't answer the telephone.
Anything you say, Mrs. Legree.

Remember what
I told you about Carlo.

Stay away from him
for your own good.

Ah, yes. Well, ifyou give me ajob,
I can do what you want.

If not, you'll have
to do without me.

How clever.
A little blackmail, is that it?

Don't get any ideas
into your empty little head, my sweet.

You could be very sorry.
Oh, sure.

Anyhow, I know whatever
you're going to do for me,

you'll do out of pure friendship.

Isn't that right?

L've warned you.

[Heavy Breathing]

[Door OpenS]

[Door Squeaks]

Gisella, is that you?

Gisella?

[Sighs]

[Water Splashes]
[Gasps]

[Water Running]

[Water Continues]

[Water Stops]

[Water Splashes]
[Gasps]

[Water Running]
[Whimpers]

[Water Continues]

[Water Stops]
[Thud]

[Gasps]

[WhimperS]

[Screaming]

[Heavy Breathing]

Mwah!

[Groans]
Good morning.

Got in kind of late,
didn't you?

Morning.

How much sugar do you want?
[Groans]

Just one, thank you.
[Sighs]

And a little milk.

A little what?
Milk.

You're a barbarian. You can't
ruin good coffee like that.

[Laughs]
You really want it?

Damn right I do.

Cold?
That's right.

Freezing.

- I haven't got any.
- Well, since it's the first time, l'll pardon you.

But next time,
I better not have to remind you.

Milk is good for you.

It gets your corpuscles going,
especially after a strenuous evening.

[Sighs]

Ah, it could be at the door.
[Yawns]

[Groans]
I certainly hope so.

[YawnS]

Hurry, honey.
The coffee will get cold.

[Yawning]

Hup, hup, hup, hUP,

hup, hup, hup, hup-

What's that for?

Let the blood get back to my head.

Get the rocks out first.
Ah-ah!

Anyhow, coffee's served, master.

But remember one thing.
This isjust for today.

Don't get used to it, huh?

Mmm. I know the old trick.

The first time
you treat us all like kings.

Coffee and the paper in bed, eh?

After a bit,
we get the plates in our faces, huh?

Shut up.
Your coffee needs drinking.

Mmm.

Mmm.

Ahh. lt's marvelous, my dear.
Thank you.

You ruined it with milk.
I don't see how you can drink it at all.

Well, it's better. When you put milk in it,
you get bigger molecules. That's physics.

Uh-

lt's stupid of rne to explain.
You don't understand a damn thing anyhow.

Mm. A person doesn't
have to be Einstein...

to know ifa cup of coffee
is good or not.

Mm. Milk and coffee is
like water and wine.

Both are ruined.
That's the truth.

Aspiring model savagely murdered
Found naked and horribly mutilated in her car

You see this? Look.

It's Lucia.
[Gasps]

She was killed like Mario.

Oh, God.
ljust d0n't believe it, Carlo.

Hey, wait a minute.

How did you know her?

What?

You're the one
who brought her to the studio.

Now, listen.

Don't start asking
stupid questions.

This whole thing's
too complicated already.

That girl showed up all alone that day,

and Gisella liked her face a lot.

I took a little film of her,
but I didn't know her.

L'd never seen her before.
I hope you understand.

Yeah.
ls that clear?

Yes. You don't have to strangle me.

I'm sorry. Sorry, honey.

“Found in the baggage compartment
ofhercan

the girl was grasping an earring.

And this is the only lead
the police announced.”

Hey, look at this, Carlo.

Doesn't that earring look familiar?
Mm.

No. Doesn't mean
a thing to me.

I can hardly see it.

Carlo, I have a strange feeling.

I swear l've seen that earring.

[Inspector]
So, Mr. Bianchi,

you confirm that you had never
seen the victim, Lucia Cerrazini,

before the time two days ago
when she first came to the studio.

Is that correct?

Yeah, not before she came to the studio.

So obviously, you hadn't
known her before then.

N0, l'd never known her. No.

However, the doorman says he saw
the two ofyou coming in together.

Can you explain that?

Explain? Yeah, of course.
You're absolutely right.

Well, she was standing
at the main entrance.

L- I figured she was looking
for the studio,

and I took her in.

She was here when I came.

I did not call her, send for her
or have her taken in.

I figured
someone else brought her.

Perhaps Mario.

[Laughs]
Yeah.

Mario Ferreri.

Too bad that Mario Ferreri...
was murdered...

and can't confirm
that little particular.

His testimony
would be highly valued.

And dead men don't talk,
do they?

Would you mind telling us where you
were in the early evening yesterday?

Right here. Working, in fact.

About 8:00 or shortly after,
I went out for a business dinner at Fourrier's.

The waiter can confirm that.

And so...

I suppose...

there's no way you could have seen
Lucia Cerrazini last evening, am I right?

Now, look here.
l've told you all I could dredge up for you.

It's all I know.

Please understand.
l'm very behind in my work because ofall this,

and I can't lose any more time.

May I ask ifthere are any other questions
you want me to answer, sir?

I have the impression that you've forgotten
that l'm investigating two murders...

and that both ofthe victims
can be linked up to your studio.

Just hold on a second, Inspector.
I don't happen to think that's true.

Why, I saw that girl Lucia just once only.

It means nothing.
Once only. That's true.

That wasjust enough
to get the girl murdered.

Too many coincidences
and too many dead bodies, l'm afraid.

At any rate, l'm told you made
an offer of work to the young lady.

I said l'd run a test on her,
nothing more.

Well, l'd appreciate it
ifyou kept in touch.

Of course. If l'm not here, l'll leave
a message telling where l've gone.

[ Inspector]
That's very kind ofyou.

Thank you. Good-bye.
Good-bye, Inspector.

Ma'am.

[Lock Clicks]

Now, hold on.
Hold on, Gisella, will you?

L'm a little confused.

How could it happen, a thing like this?

You're asking HTIG, for God's sake?
Of course.

You were with her last night.
You didn't tell that to the police.

But you were the one
who brought her here, Carlo,

and I didn't tell that
to the police either.

But, by God, I know.

What do you know, Gisella?
What do you know?

Go on. Say it.
Bastard!

L'm not going to put up with you
one minute longer.

You were the one this time too,
weren't you?

You're out ofyour freaking mind.
You don't know a damn thing.

You ought to be in a bug house.

Listen. l'm warning you.

Go carefully before you get
into even worse trouble.

[Door OpenS]

Doris! Hop in.
l'll give you a lift.

No, thanks. l'm almost there.
Don't bother about me, Maurizio.

Oh, ifl offeryou a lift,
it means it's no bother at all.

On the contrary. Come on in, Doris.
I really would like it ifyou would.

Really, there's no need.
Oh, come on.

It's a bit silly. I mean,
because l'm almost at the studio.

You know that. Honey, please get in.
I gotta talk to you.

It's important.
All right. What about?

L'll tell you right away, but not
here, huh? Okay? [Engine Starts]

Not here? What do you mean? We're going
to a place where we can talk in comfort.

What's wrong with the car?
Wait. You'll see. You'll see.

This is a lucky day for you.
just sit back and relax.

[Horn Honks] Hey, MauriziO,
you're driving crazy.

You can't pass here.

[Chuckles] Don't be afraid.
Don't be afraid, young lady.

You're with one of the world's
greatest drivers. [Chuckfing]

Look at this, huh? Huh?

Not bad, huh? I should have
been a race driver. [Gasps]

I love fast, powerful cars.
They excite me.

[Horn Honking]
Don't they get to you too?

[Tires Squealing]
Not me. l'm scared to death.

Would you please let me out now?
Oh, no. No way at all.

Besides, I told you
I have to talk to you.

Then stop here and we'll talk.
N0, no. Not here. Not here.

[Tires Squealing] Where the hell
do youa think you're taking I116?

You'll see, little girl. You'll see.
lt's a marvelous place.

And afterwards- Oh, ho!
Afterwards you'll be a very happy girl.

Will you please let me out?
Oh, it's impossible, my dear.

Besides, you can't flip this car over.
Let me show you how it holds the road.

[Gasps]
Oh! Slow down!

Don't worry. Don't worry. Watch out!
There's a red light!

What are you talking about, red?
lt's as green as your face.

[Laughing]
Watch this. Watch this.

Oh-oh! Olé!

Oh, please slow down.
I think l'm sick.

- Nonsense. Fight it. Mind over matter.
- [ Engine Revs]

Come on, Maurkiziio; l've had it.
Ta ke it easy.

Will you stop now? Stop it.
Stop, please.

Hold on. We're almost there. Be patient.
l'm out of patience.

Come on now.
Will you let me out ofthis car?

One more minute. We're nearly there.
[Chuckfing]

Maurizio, l'm not kidding anymore.
l've had it.

Take it easy.
Let me out!

Sure. You can get out.
You can get out. We're here now.

[Tires Screeching]

[ Grunts] Thank God. [Chuckles]

Why did I have to get
the craziest boob in Milan?

You stay away from me from now on.
N0, no, no, please.

No! Don't go anywhere.
Doris, stay here.

Quiet. Quiet. Quiet down, Doris.
Let go of me, damn you.

Everybody'll hear you. I don't give a
good goddamn if the whole world hears it.

I wanna get out of here. I understand. l'll
call you a taxi. just quiet down. Don't yell.

L'll yell all I want to.
just relax, honey.

There's a pretty thing I wanted
to show you. Ah, sure, sure.

I can imagine
what a pretty thing you have.

Here. Wait a minute. l'll
turn the light on. Jesus.

There we are. lsn't it beautiful?
lsn't it great?

Look at this place, huh?
You like it?

I know this place.
l've seen it already.

Yeah.
Take your hands off me.

What are you talking about?
You were here before?

[Laughs] A couple of
times with your wife.

Now I really must go.
N0, no, Doris, please don't.

How much do you want?
l'll give you whatever you want.

A hundred thou? l'll do a hundred thou-
Halfa million? Whatever you want.

L'll give you all this money,
whateverl have.

But promise you'll make love
to me, huh? Huh? Please.

Boy, you're off base, Maurizio.

I don't know what kind of ideas
you've got in your head, but l'm no chippy.

And what about your wife?

Ifshe should ever learn that I was here
playing games like this with you,

I wouldn't be working much.

I know Gisella.
Come on, please.

Do you really think she gives
a damn about me or what I do?

[Sighs]
I don't know really.

Ijust know that she'd never forgive us
for having a quick fling.

[Phone Rings]

I wonder who that is.

[Rings]

Hello.

Hello.

Hel- Hello!

Oh, it must have been
a wrong number.

Okay, enough is enough.
l'm going. l've had it.

No, you're not going anwvhere.
Get back here. Sit down!

There. Don't move, understand?

[Groans]

Oh, you kicked me. Watch out.

You're gonna make me lose
my head, Doris. [Shfieks]

You know what I might do?
l'll-l'll-l'll murderyou!

Let go! You're a madman!
Let go of me!

Yeah, l'm a madman! l'm mad about you!
Okay. Okay.

L'll do whatever you want.

You will?
Yeah. Sure.

You're so wonderful.
Hey, come on.

Not like that. That hurts.

You're crushing me.just a minute.
Ah, yeah.

Let's get undressed at least.

[ChucHes]
Yeah.

Get undressed.
[Chuckles]

Vvhataboutyou? Get undressed.
[Chuckles]

Who, me?
[Chuckles]

L'll get undressed. Look.
[Chuckling]

[Laughing]
You're so pretty, Doris.

[ Groans ]
So pretty.

[Groans]

Come on.
just one second.

[Laughing]
Look at you!

[Sighs]
[Laughing Continues]

Hey, hurry it up, willyou?

Yeah, l'll be right there.
Oh, you're a wonder.

There.

Doris. Oh, Doris.
You're wonderful.

[Groaning]

[Moans]

[Both Moaning]

Dofls

[Sobbing]

Well?

No.
[Sobbing]

What happened?

Nothing.

What?

Just what I said.

Oh, don't take on so-
Don't cry.

Don't worry.
lt's not tragic.

It is tra- tragic.

You can do it.
You can do it.

No, I can't do it.

All right. We'll wait.

[Groaning]
All right?

All right.
[Sobbing]

You're not the first person who's gone
through that. Don't make an opera of it.

[Sobbing Continues]

Ah, l've never made it with a girl.

Never once!

My mother told me that I would,
but I haven't- not yet.

You will soon.

Soon.

And right now you can come help me do
up the back of my dress, all right?

Yeah.
Find the button?

Yeah. Doris-

Thank you very much.
Listen.

Huh?

You won't tell anyone?
l'd just be cutting my own throat.

In two minutes it'd get
straight back to your wife.

You're marvelous.
Thank you, dear.

There you go. Yeah.

Here, Doris.
Huh?

I want you to take this anyhow.
I promised it before.

N0, it's a lot better
I don't take it.

Oh, you must. You made love with me.
You were nice to me.

No, please. I really mustn't.

You know, ifyour wife finds out
you've spent all this money,

she could ask what in the
world you spent it on.

No, I would never tell her
anything like that.

No, really.

Suppose- Suppose we pretend l've clone
all of this out ofa sense of duty.

For the excitement of sinning.

But above all of that,
to get back at my boss.

Do you want me to drive you
to town? Huh?

N0. A cab will
take me there slower.

And besides, we shouldn't be seen
together, you and me. Mmm. Yeah.

Solong.
Solong.

You've really been
very nice, Doris.

Bye.
Bye-bye.

[Crying]

Oh, Mama, Mama.
Why does it always end this way?

[Sighs]

You're the only one
that can make it happen.

The only one.

[Blowing]

[Water Running]

[Water Continues]

[Water Continues]

[Water Running]

[Water Continues]

[Water Continues]

[Grunting]

[Stabbing]
[Screaming]

[Groans]

[Shudders]
ls that your husband?

Mm-hmm.

I asked you-

What have you found out about
the vicious killer? Cover him.

Have you found him?

I assure you
the police have not been idle.

Would you look carefully
at this earring, please?

Is it familiar?
ls it yours?

No.

I can wait.

Think it over.
[Sighs]

Signora,
aren't you feeling well?

L'm so sorry. lt's foolish.
You must understand-

it's so horrible,
everything l've been going through.

Of course.
I understand completely.

Please, may I go now?

Certainly.
We'll drive you home now.

[ Inspector] Think it over carefully.
First a photographer.

Then one ofyour models.

But most ofall,
the proprietor ofyour studio.

The key to the whole mess
is at the Albatross Agency.

And, lady, you're the one
who can find it.

[Sighs]

[Phone Rings]

[Ringing Continues]

Hello? [ Man ] A lba
tross S tud/os?

Yes, this is the studio.
Who's speaking, may I ask?

Doesn '1' make a damn bit
ofd/fierence who lam.

Look, please, who's speaking?
Who is it, for God's sake?

L/mow quite a bit
about what y0u've been up to,

and ifyou don '2' want me
to stan' telling people,

you have t0 bring me 70 mil/ion
lire the da y afier tomorro w.

Ten million lire?
You must be crazy.

You heard me.

But how do you expect me to make that?
It': not much.

Any newspaper would pa y
a hell ofa lot more.

N0, l'm afraid it can't be done.

I think it can. And I think you '//
bring the money t0 Via Mossara...

at I 0:00 Wednesday night,
beneath the overpass.

Via Mossara at 10:00
on Wednesday night.

That's fine. l'll be there.
l'll see you.

[Doorbell Buzzes]

Caflo?

Who iS it?

Who is it? Who's there?

[Knocking]

[Line Ringing]

- [ K n o c kin g ] - Police Station.
Sergeant R0551' speaking.

May / he/pyou? [Carlo] Magda,
open the door, for God's sake!

Carlo, is that you? Hold on a minute.
l'm terribly sorry. My mistake.

Will you open the damn door, please?
Here I am!

L'm coming.

[Sighs]
Oh, Carlo.

Give me a hand
with these, will you?

Ifyour b0yfriend's here, l'll leave
peacefully. You don't have to hide him.

[Laughing]
Um-

[Both Moaning]

[Moaning Continues]

No,just a minute. There's something I
wanted to show you first. Come on.

[Groans]
What is it now?

Listen, we were off to such a good
start there. Shut up, will you?

- Look, you shouldn't interrupt
things like that. - Come on.

It's bad for my corpuscles.

Well, let's see what was so
important to stop all that, huh?

[Sighs]
Look at this.

What's so important about that?
Look.

The earring.

Here.

Hmm?

They're identical.
Maybe, but what's the big news?

What do you mean maybe?

Well, there could be a million of that
type of earring around town. [Groans]

Well, you got a point, all right.

We should look forthe answer
around the studio.

Yeah. lt's strange.

I don't know.

Know what, honey?

I don't know how it happened.

The murderer...

could be one of us.

Hmm. Why not?

One of us. Yep.

I could have done it.

Or you.

Now don't talk nonsense.

Or Gisella.

[ Mutters]

Yeah. There were four men.

Two have been gotten rid of.

That leaves me.

And I feel too hot
to be a corpse, baby.

And the telephone call?

So what?
What does that mean?

They made an appointment
on Via Mossara.

Ifthey were talking about money,
it wasjust a business thing.

Ten million lire worth.

[Moans]

But... shouldn't we call
the police? Huh?

What? Are you crazy?

You call the police,
you're asking for bad trouble.

We better keep our noses clean.

I got better things to do,
and l'm gonna do one right now.

[Moans]
Aw, come on, honey.

[Laughs]

Did I ever tell you
you look terrible with clothes on?

Well, at least
you're predictable.

[Laughs]

4M Woman Vocal/Zing]

♪♪ [Continues]

[Moaning]

♪♪ [Continues]

♪♪ [Funk Intro ]

4M Woman Vocal/Zing]

♪♪ [Continues]

[Clattering]

[Shutter Clicks]

[Shutter Clicks]

No! No!

[Screams]

[Car Door Opens, Closes]

[Engine Revs]
[Tires Squeal]

Oh.

You.Caflo.

Bastard. You-
[Groans]

[Train Whistle Blows]

[Train Passes]

Forget it. He's gone.
No way we can find him now.

Yeah, I guess you're right. But l'm not
looking forward to telling the inspector.

Ah, we'll have to call in to headquarters.
Bastard's probably home by now.

Get them send out some more men
and a couple searchlights.

[ Inspector]
Any luck there?

[ Detective] No, sir. He
gave us the slip. Too dark.

[Train Passing]

[Train Whistle Blows]

[Tires Screech ]

[Engine Revving]

[Tires Screeching]

[Screams]

[Car Drives Off]

[Groaning]

[Gunshots]

[Groans]
This is agent71.

Agent 71 . Come in, please. [ Man
On Rad/o ] l/l/hat l}; it, 77 .7

Get an ambulance over to Via Brasile on
the double. I got a hit-and-run here.

Scissors.

Dressing.

We can exclude fracture,
l'd say.

Mm-hmm.

However,
there might be complications.

Lucky he has
such a hard head.

[Doctor]
Very lucky.

And I hope
there's no concussion.

You never know
with blows of this nature.

Better take him to his room now
and let him rest.

And, nurse,
no visitors till morning.

You finished?
Uh-huh.

Okay, we can go. Got another
date with Gino tonight?

[Nurse #1 ] Are you kidding? I volunteered
for overtime tonight, like an idiot.

[Winces]

[Groans]

[Groaning Continues]

[Groaning Continues]

[Am3$i1/ 1H%flb? HeHo,h0ney.

Car/o, where are you?
Whafs happened?

Nothing What'5 new?

l'vejust seen the inspector.
He was looking for you.

He came there t0 the house?
What did he want?

He said Gisella
was murdered tonight.

Yeah, I know.

Carlo, where are you?
Are you all right?

Now listen to me. l'm absolutely perfect.
Don't worry.

But l- There's something
to do right away.

Go look in that trash can in the alley
behind the agency.

Look inside.
You'll find a reel there.

Boy, I sure hope you can find it.

Infrared. lt's been exposed. You
know the kind? Yes, 0f c0 urse.

You've got to go and get it
and develop the film immediately.

Why? I don 'z' understand

just move it.

Go on, honey. Please. l'll call you
in the studio in an hour. Good-bye.

[Groaning]

[Sighs]

[Groans]
Oh, damn.

[Gasps]

[Engine Cranking]

[Engine Starts]

[Heavy Breathing]

[ Mutters]

[Panting]

Huh.

[Heavy Breathing]

[Water Splashes]

[Whirring]

[Phone Rings]

[Ringing Continues]

Hello. Carlo? How are you?

Magda, this isn't a social call. Don't
worry about me. Did you get it?

Yes, I went and got it.
The film was where you said.

[Door Creaks]

[ Magda]
Yes. Yes, I developed it already.

No, no, it's very clear.
The negative is perfect.

Of course I know
how to do it, darling.

Yes, I did. I did.

Have you made prints?

Yes, but they haven't dried yet.
A few more minutes.

Yes, of course.

Sure, I looked at the negatives.
You can see-

[Gasps]
[Rattling]

Magda. Magda!
Magda, what's going on?

What the he//'s happening there?
Where are you?

Carlo, Carlo,
the Iightsjust went out.

What should I do?
Carlo, l'm afraid.

Ah, it's only ajump
in the current.

Just to be safe, you'd better
go to the locker in the corner.

There's a revolver beneath all the papers.
You better get it.

All right, but hang on.

Okay but hurry, honey

[Shrieks]

[Sighs]

[Heavy Breathing]

[Gasps]

He//0.? Magda?
He//0.? Are you there?

I found it.

What am I supposed
to do now?

G0 to the main l/ght switch
near the door and turn it back on.

That's al/ you have t0 do.
Now go on.

All right. Only please stay right there.
Will you, please?

Go on! Get with it.
You're wasting too much time, honey.

Okay, okay.

[Gasps]

[Gasps]
[Crashing]

[Sighs]

[Gasping]

- [Screams]
- Magda! What is it?

Hello?

HGHO? Magda!

What happened?

Damn it!

[Heavy Breathing]

[ll/Ian On TV] Drastic new austerity measures
were announced b y the government today...

which w/l/ afiecz' a/l sectors
of the economy.

Increases in the price 0f gasoline,
meat, grains and vegetables...

w/l/ g0 into effect at midnight.

A government spokesman
confirmed the likelihood...

of a neWspec/a/ tax on
incomes 0 ver e/g/n' mil/ion lire.

Here 's a flash bullet/n
from our Milan desk.

The murderer who has been terrorizing the
me tropol/ls' for the last 70 days...

seems t0 ha ve struck again.

772/3 evening, a woman was
brutal/y murdered in Via Mossara...

beneath the overpass
on the outskirts of the city.

The name of the v/ttinv 11s'
G/kel/a Mon tan/- [Gasps] Oh, no!

Th/rty-se ven years 0/01 director of
the A lba tross Photograph/c S tud/o,

the place that seems to be in the middle
ofth/s terrible series ofcrinves.

She was the wife
of Maurizio Manta/w}

a man murdered
less than 24 hours ago.

For those of our l/steners
who may not be flvmi/iar with the case,

we remind you that this is
a chain 0f five brutal murders...

which the author/ties are sure
were committed by the same person.

The first t0 fiir/l v/ct/n? t0 th/l; mad
killer was Dr. G /1///'0 C aste/l/j

a noted Milanese gynecologist

The second victim
was Mar/o Ferren}

a photographer
for the Alba tross studio.

The third was an asp/ring young fashion
model named L uc/a ('erraz/h/Q

who 119 belie ved t0 ha ve
worked at the Albatross agency.

As we said earlier; the succession of e
vents has terrorized the city 0f Milan.

The d/ktr/tt attorney, 0h an in
terv/e' w made less than an hour ago,

has said that the police are stepping up
the pace ofth eir in vest/ga tions. . .

And it seems that positive results
can be expected soon.

Ano' now fora look at the weather.
[TVOFF]

Oh, Stefano.
I didn't hear the door open.

Did you hear about Gisella?
She's been murdered too.

L'm terrified, Stefano.
Aren't you?

Don't worry about it.

Oh, my God.
How is it you're not afraid?

L'm living a nightmare.

L'm so afraid,
and you're never here.

I didn't tell you before.

The other day after work
I ran into Signor Montani.

It was on the same day
that he was killed.

He was waiting for me in his car.

God knows why he picked on me,
poor bastard.

He wanted to take me to that little house
they had- the one outside the city.

Of course
I wasn't interested.

Maybe you don't know,
but he tried to put the make...

on every girl
who came in the agency.

I almost felt sorry for him.

Magda!

[Whirring]

Son ofa bitch.

Stefano.

Hey, but...

this evening-

Weren't you supposed
to see her tonight?

[Gasps]

I can't stand any more beatings.
Honestly, I can't.

Why do you treat me this way?

What have I done to you?
Ah!

What have I done to deserve this?

Oh, God, l'm afraid I can't take it.
[Gasps]

Shut up and stop bugging me all the time!
You talk too much!

[Gasps, Crying]

Stefano, I only talk to you.
Not anyone else!

You know, l'm your girl,
d0n't forget.

You know I always did
every single thing you'd ask.

Certain things I never thought anybody could
ask me ever. If it pleased you, I didn't mind.

[Door Squeaking]

[ Panting ] Stefano, why- why
are you like this? Ah, shut up.

Please tell me what's going on.
Why won't you tell me anything?

Please, darling.

[Doris]
I love you.

[Scraping]

Please take me away from here.
I can't live like this.

Someone opened that door.

Stefano, do you remember-

Did you close the door
when you came in tonight?

Oh, darling, l'm afraid.

No! [Groans] [Gasps]

- Stefano!
- [ Stomping]

Stefano? Stefano?

[Clattering]
Answer me!

[Clattering, Thumping]
Stefano!

[Water Running]

[Gasps, Screams]

[Shrieking]

[Screaming]

[Groaning]

[Exhales]

[Dog Barking]

[Water Running]

Oh, no.

Oh, my God.

[Groans]

Magda. Magda!

[Knife Clatters]

Magda, wake up.

Come on, honey. Wake up.

It's me- Carlo. Come on.
Wake up! [Groaning]

Carlo.

[Sirens Wailing]
Oh, God.

We gotta get out here quick.
Come on.

[Groaning]

Come on.
[Groaning]

[Magda Groaning]

[Groaning Continues]
Quiet, honey.

Shut up.
Where are we going?

Just a few more steps now.

We're almost there now.

I don't feel so great.
[Groans]

Yeah, I know.
Hang on to me.

[Groaning Continues]

Hold on now.

Let's sit down.
Yeah, okay.

Sit here.

There you are.
[Groaning]

You feel better now?
Yeah.

Now don't move.
Hold it now.

There. [Groans]
What are you doing?

Nothing. lt'sjust water.
That's not nice.

It'sjust water.
Now wake up.

My head hurts. Yeah, I know, honey.
Here.

Gee, you smell like a still.

Somebody must have slipped you half a
bottle of whiskey. But my head hurts!

I know.
Now try to wake up, baby.

Come on. Be a good girl.
Yeah.

You can do it.
Come on.

I feel much, much better.

Oh, good.
l'm proud ofyou.

Hey, quit punching me out, will you?
Okay, okay. Now come on.

[Groaning] Come on. You can stand up now.
We've gotta get out of here.

Hold on a second.
Somebody stole my legs.

Magda, please try to understand.
We can't waste the whole night here.

Why not, h°"@y?

Because we haven't got
a second to lose, that's why.

Oh, Carlo, sweetheart, did I
ever tell you that I love you?

Oh, give me strength.

Please, do you think this is really the
time to start talking shit like that?

We've got more
important things to do.

Oh, yeah. You know the man
in the picture was Stefano?

Yeah, I know. I saw it. But the
fact is, Stefano's been killed too.

Stefa no? Dead and clone for.
And Doris too.

Doris?
Yeah, Doris. Doris.

Stefano was trying
to blackmail Gisella.

He might have seen her with Lucia.
I don't know.

But when Gisella was killed, Stefano was
two or three yards in front of her.

But the murderer hit her from
the back, you understand?

Here, look. Look.

Look here. You see? You get it?
All you can see is Stefano.

My head's not working so good. When I saw the
murderer, he was wearing a motorcycle getup,

The same one I saw
coming out of Doris's house.

Then he means to kill all of us.
Yeah. Seems so, doesn't it?

It's got to be the one
who attacked you at the studio...

then took you to Doris's
to throw the suspicion on you.

Oh, I don't know anything. All I remember
is the sound of water coming out ofa tap.

Of course, the tap!
Yeah, it's gotta be that.

You know, we should
call the police now.

No. Get that idea
out ofyour head, baby.

Come on. l've got to make sure
of one thing first. [Groaning]

Where's your car?
At the studio.

Okay. Let's go get it.

Okay, I think this is it.

Would you mind telling me
who or what-

Later, later.
Don't worry about a thing.

Shall I come with you? No, wait right here.
And don't move.

[Clattering]

[Nervous Breathing]

[Gasps]

[Grunting]

♪♪ [Funk Intro ]
[Groaning]

[Magda]
Carlo! Carlo, help!

No! Carlo, please, help me!

Magda!

[Grunting]

Carlo! Help!

Magda! Magda!

- Are you all right? Are you hurt?
- l'll be okay.

Get in the car. Hurry.

4M Woman Vocal/Zing]

[Grunting]

J." [Ends]

[Gasping]

Oh, no.

Patrizia.

[Gasping]

Evelyn.

[ Patrizia]
Evelyn!

You- May God curse you.

[ Patrizia ] You were
responsible for her death.

You should have-

should have been
the last person to pay.

[Gasps]

[Carlo] Evelyn. You remember
Evelyn, don't you? [Magda] Mm-hmm.

Oh. Evelyn and
Patrizia were sisters.

And that's not all.

There was something much more between
them than just old sisterly love.

Mmm.
Something much stronger.

Then Evelyn got herself knocked
up and got an abortion.

But she died
of cardiac collapse.

And that drove Patrizia crazy, huh?
You'd better believe it.

Not so much because of Evelyn's
death, but because she betrayed her.

So Patrizia decided to take it
out on everyone at the studio,

as if we were responsible.

Who got her pregnant?
Do you know?

No. ljust helped her
find a doctor.

[Exclaims]
[Gasps]

[Laughs] Scared you, didn't I?
Carlo!

Don't do that anymore, okay?

I apologize.
[Laughing]

L'll show you
just how sorry I am.

[Laughs]

What are you waiting for?
Are you being careful?

Don't worry.
l'm on the pill, honey.

Oh. How nice.

It's better not to run
any risks though.

That's my girl.

Hey, what do you think you're-
just a minute. You'll see.

No! No!

There.
No!

There.
No!

L- I wasjustjoking.

Oh.

4M Woman Vocal/Zing]

♪♪ [Continues]

J." [Ends]