All language subtitles for The Fugitive S02e19 Fun And Games And Party Favors

( all cheering )

Hey. Hey, come on!

( rock 'n' roll music playing )

( cheering )

Hey, man.

( all arguing incoherently )

Please. Oh, no,
get off me.

Come on, now.

I thought I told you
you weren't invited.

Now, come on.
Whoa, whoa,

hold it, big daddy.
We got an invitation.

Let's go. You too.
No, you too, come on outta here.

Hey, Phil,
come on, buddy-boy.

Or what?

The police?

You gonna
call the fuzz?

( all cheering loudly )

( loud crashing )

I gotta talk to you.

He's making noise
about calling the cops.

Wouldn't you?
He can't.

Why?

( slow, dramatic theme playing )

NARRATOR:

( dramatic theme playing )

A QM Production.

Starring David Janssen
as Dr. Richard Kimble.

An innocent victim
of blind justice,

falsely convicted
for the murder of his wife,

reprieved by fate
when a train wreck freed him

en route to the death house.

Freed him to hide
in lonely desperation,

to change his identity,
to toil at many jobs.

Freed him to search
for a one-armed man

he saw leave the scene
of the crime.

Freed him to run
before the relentless pursuit

of the police lieutenant
obsessed with his capture.

ANNOUNCER:
The co-stars
in tonight's story:

Katherine Crawford.

Mark Goddard.

Joan Tompkins.

Anthony Call.

NARRATOR:

( slow, dramatic theme playing )

Douglas.

I came out to see
if my car had been cleaned.

I may want to use it.

Yes, ma'am,
I did it first thing.

Thank you.

NARRATOR:
Two years ago,
this man was Richard Kimble,

Doctor of Medicine.

Today, he is Douglas Beckett,

employed in the hills
above Los Angeles,

he is a trusted chauffeur
and gateman.

He is also still a fugitive.

( light, dramatic theme
playing )

( sighs )

Oh, Danny,
where've you been?

Just working.

I telephoned everywhere.

( sighs )

Oh.

Wonderful things
are happening.

You know
my party tonight?

Mm-hm.

I want you to come.

It's okay
with your folks?

It doesn't matter,
they won't be home.

( murmurs quietly )

It's just perfect.

Senator Barnes
flew into town yesterday

and tonight there's this dinner
party at the Cooper's.

And Mother just
couldn't let Daddy miss a--

A supper with Senator Barnes

and all those
government contracts.

So you see,
it's just perfect.

I know, I know.

A duchess
and a stable boy.

Oh, Danny.

Look, I--

I never wanted
a party without you there.

It was only that--
Well, I didn't ask you

because I wanted to save you
being embarrassed by anything--

Yeah,

by anything your mother
might say or do.

Aw, honey,
I know, but--

(phone ringing )

But I don't know
about this.

Yes?

Uh, Joanne?

Phil Andrews
is here to see you, dear.

Oh, Mother, can't you tell him
that I'm not in?

Uh, Warren, show Mr. Andrews
into the study, please.

Uh, Joanne?

He wants you to go
sailing with him, dear.

And really, it's been a month
since you've seen him at all.

Now, uh,

he's waiting
in the study for you.

Please come up.

I've gotta go get rid
of Phil Andrews.

Jonesy?

I don't wanna come tonight
behind their backs.

Can't we talk to your mother?

Do you want to tell her?

Well, I'd rather
go through that again than, uh,

sneak around anymore.

( slow, dramatic theme playing )

All right.

I'll go get rid of Phil Andrews
and we'll talk to her.

I won't be long.

Douglas.

Hi, Doug.

What's the good word?

Oh, chlorine.

I live in a whole little world
of chemical smells.

Chlorine,
formaldehyde.

You know,
I may give up pre-med

and take up
making stink bombs.

Yeah.
Have you registered yet?

No, registration's
Monday.

You know, I think I might
take that course in embryology

I told you about.

I'd be the only senior
in the class--

WOMAN:
Douglas?

Oh, Douglas, I want you inside
for a minute, please.

Good morning,
Mrs. Glenn.

Well, Danny,
isn't tomorrow your day?

Yes, for the pool, uh--

But I, uh, wanted
to see Joanne so...

Why, I'm sorry,

Joanne has a visitor
just now.

May I give her
a message?

No, thanks. I was--

Well, uh, Douglas,
as soon as you're finished

then I'll see you
inside.

Thank you.
Yes, ma'am.

Hm. I really blew that.

What do you mean?

I wanted to ask her something
about the party tonight.

There still
gonna be a party?

Yeah, why wouldn't there be?

I got the, uh,
feeling that Joney

was going away
for the weekend.

No, maybe tomorrow.

She, uh,

she wants me
to come tonight.

Seems, uh, her folks
won't be home to com--

Object.

Since you volunteered
your confidence,

I'll volunteer
a little, uh,

advice for what it's worth.

If you're really serious
about Jonesy,

I think she needs a guy

that'll stand up
to her mother and father.

For what it's worth.

We wouldn't
have to go sailing, Joanne.

We could do anything
you like.

Just, uh, bum around,

uh, fly someplace.

I don't know.

Well, I have
several things planned,

but it's very lovely
seeing you again, Phil.

Bye, now.

( chuckles ):
Okay, bye.

Goodbye, Mrs. Glenn.

Goodbye, Phil.

Joanne.

Hey, there,
good buddy.

Phil.

New car?

Yeah, I traded
with my cousin.

Real nice.

Uh, you coming
to the party tonight?

What party?

Oh, uh,

I heard Joanne was having
some kind of a blast,

but I'm probably wrong.

Ah, maybe
she'll call me later.

You, uh,
doing our pool today?

Yeah,
in a little while.

Holler for me, I've got a cold
beer.

Okay, you've got yourself
a customer.

( starts engine )

Darling, Phil Andrews
is right for you

and you've had
a-a nice friendship

and you'll both
mature together.

I'm asking you, Mother,

stop pushing him at me.

Pushing him at you?

He irritates me. Hasn't anyone
ever irritated you?

Isn't that a little petty?

I hope you won't be
as rude to him tonight

as you were just now.

He isn't coming tonight.

I didn't invite him, Mother.

Remember, I don't want him.

But they're all
your mutual friends,

I mean, people
who know both of you.

What of it?

Joanne, I'm afraid I'm
going to have to instruct you.

Call Phil and invite him.

Is that quite clear?

Douglas,
I've already told Warren

where I want the furniture.

Uh, but I think you'll have to
help him move it.

My suggestion is
we start with the sofa.

( light, somber theme playing )

JOANNE:
Danny?

Danny?

Can we
talk to her now?

No, forget it.
Just come tonight.

What happened?

Same thing
that always happens.

Mother arranges things.

But this isn't her party,
it's mine.

It's ours.

Danny, I told you
that it was important

for you to come tonight.

This is going to be
our wedding party.

We're going to elope.

Aw, Jonesy,
come on, now.

We've been over this
and over it.

Look, I'm sick and tired

of talking about
getting married someday.

I want it to be now.

I love you. I mean it.

And I love you. And I don't want
your folks being sore at you

for the rest of your life.

They'll accept it
after it's done.

No, Jonesy.

Look, it's not far
to Mexico,

and-and this is
the perfect night.

The kids will keep
the party alive to cover for us.

We'll use my car.

Danny.

Please?

No, Jonesy, I-- I don't think
I'd even better come tonight.

Danny,

please.

Now, Douglas,
I'm sure you understand

that it will by impossible

for Mr. Glenn and me to stay in
tonight.

I understand.

And the youngsters
seem to respect you,

so, um,

I'm putting you
in charge.

You're to chaperon
my daughter's party.

Uh, these are the guests.

The, uh,
only guests.

( slow, dramatic theme playing )

Anyway, uh,

I, uh-- I didn't mean
to mention a party, Phil.

Forget it.
What the hey?

I just don't score
with Joanne, you know?

She just probably forgot.
Forget it.

That's a kooky hobby
you've got.

( slow, mysterious theme
playing )

Some guys collect stamps...

...some guys collect dames.

( sighs )

Look, Phil, uh,
thanks for the beer.

I better go down
and do your pool.

Okay, so what if
I just showed up over there?

Just went?

( chuckles nervously )

It's not my party.

It's none of my business.

Well, who'd be there
to stop us?

I mean, like, say,
Buzzy and Joe and I went over?

The chauffeur
and the houseman, I guess.

Warren?

( scoffs )

What about the chauffeur?
He give us any trouble?

Oh, you'd have to ask him.

Wanna go with us?

No, thanks.

Okay.

But, uh,

maybe I'll try it.

( dramatic theme playing )

Uh, Buzz?

Phil.

Yeah, yeah. Uh,

how'd you and, uh, Joe
like to go to a party tonight?

( suspenseful theme playing )

( rock 'n' roll music
playing inside )

Charles, we're gonna be
very late.

What are you doing, dear?

CHARLES:
Hm?

Well, actually,
I'm kind of regretting

that we made this engagement
for tonight.

( giggles ):
Oh, Charles,

you and your insecurity.

Oh, I don't mean
Senator Barnes.

Well, of course not.

He doesn't impress you,

you impress him.

Senators are not
superior beings, you know,

they just have superior
influence where it counts.

Well, I could see him during
business hours, you know.

Darling, you're
a brilliant organizer.

I want the Senator
to know

that you are a charming,
brilliant organizer.

Well, it still bothers me
leaving Joanne

with this party.
A house full of kids.

They're young adults,
my dear,

and they're all from
the very best families.

You know,

I think we can look forward
to a very nice match

for our daughter.

Young Phil Andrews is coming

and he is seriously interested.

( rock 'n' roll music playing )

( doorbell rings )

Hello, Warren.
Good evening, Warren.

I know all these kids,
they're on the list.

( all chatting )

Well, Douglas,

try to maintain reasonable
order, won't you?

They're good kids.
They won't be any trouble.

And I think
you should give Douglas

the Cooper's
phone number, dear.

Oh, it's Brighton
something or oth--

It's, uh, in the book
by the phone in the study.

Yes, sir.
I want you to call us,

uh, say about 10:00?
All right.

Mm-hm, in case your evening
gets dull.

Oh, Charles,
we're terribly late.

Where's, uh--?
Oh, there.

Excuse me.

Have a lovely evening,
dear.

We'll try not
to be late.

Thank you.
What do I wish you?

Success?

Thank you.

Is, uh--?

Phil's not here.

I didn't ask him.

"Etiology of Delinquent
and Criminal Behavior."

You know, you gotta be a brain
just to read the titles.

What's etiology?

Causes and reasons.

Oh.

You know, you could start
your own FBI.

Just a hobby.

Keeps me
out of trouble.

You know, man, if you ever
grabbed somebody like that,

can you imagine?

Pow.

Pictures in the paper,
TV, flashbulbs.

A long shot.
( car horn honking )

Joe's here, come on.
Party time.

Oh, wait.

Just the chauffeur.
You're sure?

I'm sure.

Okay.

Charge.

( rock 'n' roll music playing)

How's it goin'?

Welcome
to the party.

Excuse us, I've gotta
steal him away.

We'll be right back.

You came, you came,

I knew you'd come.

Mm.

Okay, I--
I came to the party.

That doesn't mean
we're eloping.

But, Danny,
it does.

Honey, people just don't elope
without making plans.

Oh, but I have.
I have a suitcase all packed

for us in my car.

Seriously?
Mm-hm.

I did it this morning
before I saw you at the pool.

And yesterday
I went shopping for you

and bought everything.

Size 10 and a half socks.
And 15 and a half 33 shirt.

And a razor and
your favorite shaving things.

Mm.

And the Country Squire
in Laguna

has the bridal suite
reserved

for Mr. and Mrs.
Daniel Harvey Holt.

Why didn't you tell me?

Well, I thought it would be
a pleasant surprise.

Maybe I'm wrong, hm?

Honey, uh, you know
I love you, but...

Well, I know
you say you do.

Well, now if there's any doubt
in your mind about that, uh,

you sure don't want me
for a husband.

Danny,

all I want is you.

If you don't
take me away I'll be--

I'll be sent
to the proper schools,

and married
to the proper man,

and join
all the proper clubs,

and live a lovely,
proper,

nothing life.

And the thought of it
tears me apart.

Look, I-I love my mother

but I can't stand up
to her any longer

so it's got to be now,

tonight for us,
or...

I don't know
what I'll do.

All right, Jonesy.

Okay.

Now our only hurdle
is Douglas.

Once we get passed him,
I'm free.

( doorbell rings )

Hi, there.
Name please.

Joe.
Just a moment--

( arguing indistinctly )

Only invited guests are--

( all talking indistinctly )

( talking continues )

Now is the time
for all good crashers

to come to the aid
of the party.

Am I right? Huh?

Uh, you're wrong.

Oh, if you're
the Glenn's chauffeur,

I'm Phil Andrews, uh,

we're friends of Joanne's.

KIMBLE:
Are your names on the list?

No, he isn't.

Joanne,
it's three more guys.

Maybe it's my fault,
Jonesy.

No, I'm sorry,
my mother set a limit.

( chuckles unsurely )

That's it, fellows.
Sorry.

Only the names
on the list,

let's go.

Come on.

It's all right.

They just got
a little mixed up.

Now,
everybody happy?

( all responding positively )

Crash, he said.

Big operator.

Yeah, I wonder if he's got
any other big ideas.

( laughs )
So what do we care?

Let's go to the castle.
I'll buy, okay?

Oh, heh,
I'm not hungry.

Hey, why don't we
drop Phil off at his place?

We've had it.

( starts engine )

Gee, honey, I'm awfully sorry
about Phil,

I-I made
a bigmouth goof,

I mentioned
the party to him.

Well, at least
we got rid of him.

He's the type that would try
to make trouble for us.

You didn't tell him
about the elopement, did you?

No. No.

I've got a feeling
Douglas is wise.

Why?

Well, this afternoon,

he said something
about, uh, you going away.

He must have seen me
put my things in the car.

He's pretty sharp.

( slow, dramatic theme playing )

Hey.
( whistles )

Hey, baby,
over here, chop, chop.

Right here.
Coming.

Here, honey,

for your hope chest.

Hey, there,
good buddies.

All of a sudden
I got so hungry.

Still wanna go
to the party?

Do you like getting kicked out
on your tail?

Not tonight.
Not anymore.

It just so happens
I got a pass.

Oh, a pass, huh?

Maybe your, uh,
chauffeur-type can't read.

He can read this.

I'll have him
down on his knees, begging.

"Yes, sir, please sir.

Walk right in, sir".

What do you say?

What do you say?

He means it.

Let's get it on.

Twist my arm.

( laughs )

( grunts )

Hey, Dave?
Party, come on.

Hey, party time.
( everyone talking excitedly )

Hey, hey,
come on, guys.

Not the whole gang.

You guys know
where it is?

Joanne Glenn's place.
( all arguing )

Listen,
they can't, not all of them.

( everyone cheering excitedly )

( suspenseful theme playing )

( rock 'n' roll music playing )

All right, you'll have to move
some cars to get mine out.

The keys are in it. Hurry.

No, no trouble,
Mr. Glenn.

I had to turn away
a couple of boys

who came without invitations.

But they left peacefully.

Well, Douglas, I'm sorry
this has happened.

I'm sorry you got
saddled with it.

Now, you're sure that nobody's
feelings were hurt?

All right. Now, uh,

we'll be here at the Cooper's
for perhaps another hour

and then we're coming home.

Charles.

Yes, now,
call if you need us.

Yes, sir.

Thank you.

What happened?

Well, Douglas had to turn away
a few uninvited friends.

Oh, is that all?

Well, it's enough.

Well,
it isn't a crisis.

Oh, I didn't call it that.

But you said we'd be home
in an hour. We can't.

We should be home now.

Oh, Charles, why don't you have
some confidence in Joanne?

I do. I do.

But I just don't like
leaving her welfare

to a chauffeur
and a butler.

Well, really, you--

It isn't the time
or the place to argue.

Madge?

Look, can't we--?
Can't we just politely say

our thank you's
and leave?

No, we cannot.

The senator wants to go
to that new little club on Pico.

Well, get us
out of it.

No, Charles,
it was my suggestion.

Then get me
out of it.

I'm not going
on any round of night clubs,

I'm going home.

Alone?

Wouldn't that be sweet?

Madge...

Madge, does this nonsense--?

Is it really
so important to you?

Your position is important to
your wife and to your daughter,

even if you don't think so.

Now, Charles,
I've worked hard

for whatever
we've achieved tonight.

Don't throw it away, hm?

( slow, dramatic theme playing )

Shut it off.

Where are you going?

Out.

Come on, Danny.

I need some fresh air.

Where's your car?

I like this one better.

Because it comes complete with
Joney's suitcase in the trunk?

All right, what are you, uh,

the Gestapo
or just a nosey guy?

You sound like, uh,
about 10 years old.

You're not
gonna stop us, Douglas.

You and Joney think you're going
to elope, is that it?

You're a real smart guy.

No, actually,
I'm pretty stupid.

I thought you and Joney
were a couple of kids

who might really be in love.

We are.

Yeah, sure.

You act like it.

You face the problems
like real adults, don't you?

What other chance have we got?

Her folks treat me like dirt.

My-my aunt and uncle,
they just laugh.

They call it puppy love.

What are you
making it look like?

Douglas, Joanne
and I have been in love

for almost three years.

Do you know
what that's like?

One girl, nobody else.

And loving her

and wanting all the time
to touch her

and at the same time hating
yourself for wanting to.

Yeah.

You got, uh, a year
of college left, right?

Then what about med school?

JOANNE:
He's going to med school.

I don't suggest you
interfere with this, Douglas,

stick to your cars

or you may
be fired tomorrow.

Tomorrow.

Tonight, your parents
left me in charge.

Oh, and does my mother pay you
an extra bonus for spying?

Look, Douglas,
we love each other.

Well, then why do this
behind peoples' backs?

We're not
hurting anyone, we're--

We're going to get married
and he'll go to medical school.

With a wife
to support?

I've got money of my own.

And if it's not enough,
I'll get a job.

Where are you
gonna leave the baby?

There won't be any baby.

At least not for a while.

Oh, I don't think you're mature
enough to handle that either.

So go ahead, run away.
She can afford it.

But you can't
buy an M.D. degree.

Med school is tough.
It's very tough.

You won't see much of each other
but you won't be bored.

No, you'll be studying
night and day.

Saturdays and Sundays.

And you'll be running things.

Your own life your own way,
that's all you want, isn't it?

Douglas,
it's tough to wait.

People wait.
Animals don't.

All right,
so he'll call my parents

but it'll be too late.
Let's go.

Joanne.

What're you doing?

We're not going.

Danny.

Danny, look, you can't let him
talk us out of this.

Just because he said--

A couple of
pretty important things.

He can't tell us what to do.
Nobody can.

I am not going to let
another person ever

arrange one more day
of my life.

But you're arranging mine.

Danny...

Danny, look, it's us.

Jonesy, honey,

it makes me sick to my stomach
to argue with you.

Maybe that's why your father
never argues with your mother.

That's why she rules him. Well,
now she's ruling us.

She's making us do something
that isn't right

just because
she disapproves of me.

Well, that's not reason enough.

Danny, I'm warning you, don't--

Jonesy,
don't put it like that.

Let's try
to stand up to people.

Jonesy--

( car tires screeching )

( all cheering )

( cheering loudly )

( people gasping and cheering )

Hey--
Please.

You can't just--

Please. Stop it.

( all talking indistinctly )

I thought I told you
you weren't invited.

Now, come on.
Whoa, hold it,
big daddy.

We got
an invitation.

Let's go, you too. No, you too,
come on, out of here.

Hey, Phil,
come on, buddy-boy.

Or what?

The police?

You gonna call the fuzz?

I'd rather not do that.

PHIL:
Why not?

You need help.
Go ahead, call 'em.

Look, I don't wanna
get you kids into trouble.

I just want you out of here.

Hey, Joanne?

Douglas.

My, you're persistent,
aren't you?

I'm sorry, Joanne, I didn't
think there'd be so many.

Let them stay.

I want them here.

Douglas,
pick up the vase.

Oh, they're all friends
of hers, Douglas,

uh, they're
pretty good kids.

Hm.

( dark, suspenseful theme
playing )

I'm going upstairs
to change my clothes.

Be down
in a little while.

Have fun.

( chuckling )

( rock 'n' roll music playing )

( laughter )

Yes.

Well, no, I was trying
to reach a Mr. Charles Glenn.

(loud crash)

Forget it.

( music slows to a stop )

Hey, guys, look.
Spaghetti.

( laughing and cheering )

( whistles )

( all shouting loudly )

( loud cheering )

( guests groaning )

( cheering )

MAN:
Hey, here we go!

I betcha there's
some upstairs, huh?

No. Listen--

Do you wanna
go get some booze?

Dave--?

Hello, sergeant,
there's a party going on

at the Charles Glenn
residence,

uh, that's on Little Fox Road
above Sunset.

(crashing)

L-look, it's getting
a little out of hand, uh,

maybe you better send one
of your patrol cars over here.

Yes, it's, uh, 7-1-3...

Now, I went along with this
because somebody said

that you were friends
of the Glenns,

and that you were
nice kids.

Now, if there's
any more damage,

I'm gonna do
everything I have to

to get you out of here.

Thank you.

PHIL:
Danny.

I gotta talk to you.

He's making noise
about calling the cops.

Wouldn't you?
He can't.

Why?

( slow, dramatic theme playing )

I, uh, read
the background stuff on him.

Supposed to have killed
his wife.

He confess?

You don't confess
when you got a chance.

Circumstantial evidence
like that.

That's all
and nothing else?

He was tried
and convicted.

Danny, we could call
the cops--
Shut up.

Danny, you don't get
many chances like this.

Headlines, pictures
in the papers, TV.

We split it down the middle,
you and me--

Would you lay off?

I'm gonna
handle this, Phil.

I want you
to keep your mouth shut,

and I mean it.

( all talking excitedly )

( shouting )

( crashing )
( shouting )

( grunts )

My ankle.

It's twisted, Doug.

Clean this place up.

I'm gonna take him
to his room.

The party's over.

Understand?
The party is over.

Come on.

Don't break your back.

( chuckles dryly )

No, you just
don't walk away.

( gasps sarcastically )

( laughs )

( people shouting )

Hey, liquor cabinet's
locked.

We couldn't get it open.

Maybe we better
forget it.

Wonder where
Joanne's room is.

She probably knows
where the key is.

Hey, Joanne?
JOANNE: Who called?

Hey, Joanne--
Hey...

Uh, Joanne, where's the key
to the liquor cabinet?

What's the matter? The party
getting dull?

No, we just thought that maybe
we'd spike the punch, you know?

Oh, well, I'll be down
after a while

and we'll see
what we can do.

Hm.

Uh, Buzzy,
listen, don't--

Need any help, Joanne?

( screaming and shouting )

Come on, now,

all I want
is one lousy little kiss.

Me, too, baby.

Come on.

( screaming )

Now, you get 'em
out of here.

All of them,
right now. Come on.

( Joanne screams )

( dramatic theme playing )

All right, come on,
let's get out of here.

KIMBLE:
Come on.

Danny, I'm sorry.

KIMBLE:
That goes
for you too, kid.

( sobbing ):
Savages. Savages. Savages.

Are you all right?

Didn't you see?

I didn't like what I saw.

I saw you ask for that.

Now are--?
Are you all right

or are you just
feeling sorry for yourself?

Danny--

( gasping )

You better
take a cold shower.

Danny--

Danny.

( crying )

Danny, I'm sorry.

I'm sorry. I'm sorry.

DANNY:
Douglas?

Doug, I, uh...

...I just called the cops
a few minutes ago.

( dramatic theme playing )

Thanks, Danny.

Make sure they get
the right kids.

( yawning ):
In my opinion,

it was just a thoroughly
successful evening.

That's what Joanne wished us
when we left.

Remember?

( giggles ):
Did she?

Success?

I'm wondering if she was
avoiding things like, uh,

have a good time,

have fun,
be happy...

Oh, Charles, you're not
still peeved, are you?

Everything's going so well.

According to plan?

You know, we built everything
according to your plan

and specifications, Madge,

and I'm not real sure we haven't
built something ugly.

OFFICER:
Who's in charge here?

I, uh, I--
I made the call, officer.

Party-crashers, huh?

You think
we got 'em all?

I don't know.
I'd have to check.

You the chaperon?

Mrs. Glenn
left me in charge, yes.

Okay, Danny, now?

You open your mouth, Phil,

and I'll tell them exactly
who started this little circus.

Wait.

Wait.

Well, it looks like
we got here none too soon.

You wanna
prefer charges?

That'll be up to
Mr. and Mrs. Glenn.

Where are they?

Out.

( loud gasping )

What does this mean? What does
this mean?

Now, easy, Madge.
Mrs. Glenn,

if you'll just try to calm--
You shut up.

I left you in charge.
Where were you?

Where were you?

Officer, I want the
responsibility for this fixed.

Maybe Douglas
just did that, Mrs. Glenn.

( slow, dramatic theme playing )

You.
He's the one.

No, he's not.

He was the one
that called us.

KIMBLE:
I tried to reach you
at the Cooper's residence.

Then I called two
or three night clubs.

You folks wanna
prefer charges?

Well, I don't know-- Th--

MRS. GLENN:
But that's Phil Andrews,

and Buzzy Phelps?

Mary--

Uh, Charles?

Well, I-- I guess
you better move the car.

OFFICER:
I'm afraid we'll have to know

if you intend to press charges,
Mrs. Glenn.

They're all
from good families,

people we know socially.

People my husband
does business with.

We'll press charges.

All right, whose nice,

bright little idea was this?

The brain.

Big time Charlie.

( chuckles ):
Look, I just wanted--

He's gone.

Grab him. That's Kimble.

That's Richard Kimble.

Look, you'll lose him.
He's an interstate fugitive,

a murderer.
That's Kimble!

Danny, show them.
Show them the picture.

There's, uh, been a little bit
of drinking going on--

I bet there was.
Danny--

What did you say
your name was?

I asked for your name.
Please!

PHIL:
Andrews. Phil Andrews.

Where's Joanne?

So we finally
get around to your daughter.

Is she all right?

Well, that all depends

how you mean
the questions, Mr. Glenn.

Uh, some of her friends
gave her a pretty bad time.

They might have even treated her
worse than they did

your house
or your reputation.

She's upstairs.

( gasps softly )

( intense theme playing )

( dramatic theme playing )

Danny, we're, uh,

not unwilling to discuss
these matters with you,

it's just that...

I'm still
so terribly upset.

Mother,
so am I.

And, uh, I have
business people here.

Mrs. Glenn,

Joanne and I
are going to be married.

Now or later.
We don't have to wait.

I have the permission
of my guardians

and Joanne's old enough.

She doesn't need yours.

Well, now, you are planning
to go back to school.

How do you expect
to support my daughter?

Not your daughter.

My wife.

Charles?

Go on, Danny.

I've worked very hard
for my education, Mrs. Glenn.

I want the rest of it.
All of it.

We also want your blessings.

We'll work for that.

Right now we wanna talk

about how, and when,
and where.

( tender theme playing )

I think we ought to
talk about it now.

All right, dear.

Go tell the insurance man
to call me later tonight.

NARRATOR:
The world in which
young people get married,

and share love
and build dreams,

is a thousand miles
from the world

in which Richard Kimble walks.

The world of pursuit and fear.

The world of a fugitive.

( dramatic theme playing )

( dramatic theme playing )