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SINCE 1970,
2
00:00:03,404 --> 00:00:04,681
THE FEDERAL WITNESS
PROTECTION PROGRAM
3
00:00:04,705 --> 00:00:06,150
HAS RELOCATED
THOUSANDS OF WITNESSES...
4
00:00:06,174 --> 00:00:08,309
SOME CRIMINAL, SOME NOT...
5
00:00:08,342 --> 00:00:10,611
TO NEIGHBORHOODS ALL
ACROSS THE COUNTRY.
6
00:00:10,644 --> 00:00:12,246
EVERY ONE OF THOSE INDIVIDUALS
7
00:00:12,280 --> 00:00:14,182
SHARES A UNIQUE ATTRIBUTE,
DISTINGUISHING THEM
8
00:00:14,215 --> 00:00:16,384
FROM THE REST OF THE
GENERAL POPULATION,
9
00:00:16,417 --> 00:00:21,422
AND THAT IS: SOMEBODY
WANTS THEM DEAD.
10
00:00:27,561 --> 00:00:30,698
♪ I CAN'T SEE ME LOVIN'
NOBODY BUT YOU ♪
11
00:00:30,731 --> 00:00:32,433
YOU PUT ON SUN BLOCK?
12
00:00:32,466 --> 00:00:34,135
I'll PUT IT ON WHEN
WE GET TO THE BEACH.
13
00:00:34,168 --> 00:00:36,404
NO, NO, YOU GOTTA PUT
IT ON A HALF HOUR BEFORE.
14
00:00:36,437 --> 00:00:37,738
BABE. ALL RIGHT.
15
00:00:37,771 --> 00:00:38,839
I'll PUT THE SUNSCREEN ON.
16
00:00:38,872 --> 00:00:40,108
GOOD.
17
00:00:40,141 --> 00:00:42,310
YOU TWO ARE MAKING ME CARSICK.
18
00:00:42,343 --> 00:00:43,777
OH, YEAH?
19
00:00:43,811 --> 00:00:45,389
I CAN'T WAIT TILL YOU
HAVE KIDS AND THEY THINK
20
00:00:45,413 --> 00:00:46,847
YOU'RE A RIDICULOUS OLD FOOL.
21
00:00:46,880 --> 00:00:49,217
SORRY TO RUN YOUR FUN,
BUT I'M NOT HAVING KIDS.
22
00:00:49,250 --> 00:00:51,319
BITE YOUR TONGUE, YOU.
23
00:00:51,352 --> 00:00:52,686
YOU'RE GIVING ME GRANDBABIES.
24
00:00:52,720 --> 00:00:55,689
OR ELSE... WHY ARE WE STOPPING?
25
00:00:55,723 --> 00:00:57,358
WELL, PETEY'S SICK,
26
00:00:57,391 --> 00:01:00,094
AND I PROMISED DOMINIC I'D, UH,
27
00:01:00,128 --> 00:01:01,795
I'D DROP OFF SOME STUFF FOR HIM.
28
00:01:01,829 --> 00:01:04,865
ALL RI... TRY AND
HURRY, BECAUSE IF NOT,
29
00:01:04,898 --> 00:01:06,600
WE DON'T GET A GOOD SPOT, FRANK.
30
00:01:06,634 --> 00:01:08,302
DON'T WORRY, I'll
JUST BE A MINUTE.
31
00:01:08,336 --> 00:01:13,174
NOT EVEN.
32
00:01:13,207 --> 00:01:15,743
TELL PETEY I HOPE
HE FEELS BETTER.
33
00:01:15,776 --> 00:01:17,778
WILL DO.
34
00:01:17,811 --> 00:01:19,747
AND YOU, DON'T SCREW WITH ME.
35
00:01:19,780 --> 00:01:20,890
YOU'RE GONNA GIVE
ME GRANDCHILDREN.
36
00:01:20,914 --> 00:01:22,583
YOU HEAR ME? YES, MOM.
37
00:01:22,616 --> 00:01:26,220
THAT'S RIGHT.
38
00:01:26,254 --> 00:01:28,689
OH, MY GOD.
39
00:01:28,722 --> 00:01:30,824
HOW DOES THAT FAT
BASTARD GET UP AND DOWN
40
00:01:30,858 --> 00:01:34,094
THOSE STAIRS EVERY DAY?
41
00:01:36,864 --> 00:01:37,865
WHO IS IT?
42
00:01:37,898 --> 00:01:39,300
IT'S CAPTAIN KANGAROO.
43
00:01:39,333 --> 00:01:40,334
FRANKIE, IS THAT YOU?
44
00:01:40,368 --> 00:01:42,136
YEAH, YEAH, IT'S FRANKIE.
45
00:01:42,170 --> 00:01:46,374
COME ON, COME ON.
I'M IN A HURRY, PETEY.
46
00:01:46,407 --> 00:01:47,375
YO, FRANKIE.
47
00:01:47,408 --> 00:01:49,610
HEY, PETEY.
48
00:01:49,643 --> 00:01:51,379
I GOT A DELIVERY FOR
YOU FROM DOMINIC.
49
00:01:51,412 --> 00:01:52,846
OH, YEAH?
50
00:01:52,880 --> 00:01:54,482
YEAH.
51
00:02:06,194 --> 00:02:08,729
PETEY?
52
00:02:08,762 --> 00:02:10,564
WHERE ARE YOU?
53
00:02:10,598 --> 00:02:13,501
ARE YOU DEAD?
54
00:02:15,903 --> 00:02:19,740
OH, NO.
55
00:02:19,773 --> 00:02:24,245
OH... ♪ I CAN'T SEE ME
56
00:02:24,278 --> 00:02:28,816
♪ LOVIN' NOBODY BUT
YOU ♪ FOR ALL MY LIFE
57
00:02:28,849 --> 00:02:32,186
I HAVE NO IDEA HOW
THAT HAPPENED.
58
00:02:33,387 --> 00:02:36,190
♪ THE SKIES WILL BE BLUE
59
00:02:36,224 --> 00:02:39,227
ALL RIGHT, GET BACK. LET'S GO.
60
00:03:04,785 --> 00:03:06,854
GOD, IT'S SO BEYOND RETARDED.
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00:03:06,887 --> 00:03:08,256
FIRST OF ALL,
62
00:03:08,289 --> 00:03:11,292
WE DON'T SAY "RETARDED" ANYMORE.
63
00:03:15,496 --> 00:03:17,831
DON'T EVEN THINK
ABOUT PARKING THERE.
64
00:03:17,865 --> 00:03:19,667
U.S. MARSHALS.
65
00:03:19,700 --> 00:03:21,802
CARS BETTER BE HERE
WHEN WE GET BACK.
66
00:03:21,835 --> 00:03:24,505
AND SECOND,
67
00:03:24,538 --> 00:03:25,749
IT'S NOT RETARDED...
IT'S MARKETING.
68
00:03:25,773 --> 00:03:27,408
THEN IT'S RETARDED MARKETING.
69
00:03:27,441 --> 00:03:28,952
LOOK, IMAGERY AND
METAPHOR HAVE BEEN USED...
70
00:03:28,976 --> 00:03:30,911
OH, THANK GOD.
71
00:03:30,944 --> 00:03:32,746
HEY, WHAT'S UP?
72
00:03:32,780 --> 00:03:33,990
IT SEEMS YOUR
SISTER WOULD PREFER
73
00:03:34,014 --> 00:03:35,549
SOMEONE ELSE TO PICK HER UP.
74
00:03:35,583 --> 00:03:37,518
WHAT? PUT HER ON.
75
00:03:37,551 --> 00:03:39,987
MARY WOULD LIKE A WORD.
76
00:03:40,020 --> 00:03:41,455
HEY.
77
00:03:41,489 --> 00:03:42,756
DON'T "HEY" ME.
78
00:03:42,790 --> 00:03:44,033
WHAT THE HELL DO YOU
THINK YOU'RE DOING?
79
00:03:44,057 --> 00:03:45,426
NOTHING, BUT
THERE'S NO WAY IN HELL
80
00:03:45,459 --> 00:03:46,527
I'M TAKING A RIDE FROM SOME
81
00:03:46,560 --> 00:03:48,296
RICO SUAVE WANNABE
82
00:03:48,329 --> 00:03:49,830
I'VE NEVER EVEN SEEN BEFORE.
83
00:03:49,863 --> 00:03:51,665
WHY CAN'T YOU PICK ME UP?
84
00:03:51,699 --> 00:03:52,966
BECAUSE I'M WORKING...
85
00:03:53,000 --> 00:03:54,344
ALL THE WAY ON THE
OTHER SIDE OF TOWN.
86
00:03:54,368 --> 00:03:55,636
BUT I'M YOUR SISTER.
87
00:03:55,669 --> 00:03:58,306
HEY, YOU KNOW
WHAT... YOU CAN EITHER
88
00:03:58,339 --> 00:04:00,508
ACCEPT MY FRIEND'S GENEROUS
OFFER OR START WALKING.
89
00:04:00,541 --> 00:04:01,909
FINE, I'll TAKE THE RIDE.
90
00:04:01,942 --> 00:04:04,578
YOU DO THAT.
91
00:04:04,612 --> 00:04:07,515
HERE.
92
00:04:07,548 --> 00:04:08,649
PROBLEMS?
93
00:04:08,682 --> 00:04:10,318
BRANDI GOT IN THIS MORNING.
94
00:04:10,351 --> 00:04:12,520
FOR MY SURPRISE PARTY, NO DOUBT.
95
00:04:12,553 --> 00:04:13,821
MY CONDOLENCES.
96
00:04:13,854 --> 00:04:15,456
NOW, AS I WAS SAYING...
97
00:04:15,489 --> 00:04:18,459
IMAGERY AND METAPHOR
HAVE BEEN USED
98
00:04:18,492 --> 00:04:19,560
TO SELL PRODUCTS FOREVER.
99
00:04:19,593 --> 00:04:21,462
PLEASE, JESUS, TAKE ME NOW.
100
00:04:21,495 --> 00:04:22,996
TAKE THE FORD
MUSTANG, FOR INSTANCE.
101
00:04:23,030 --> 00:04:25,799
NAMED FOR A POWERFUL
AND AGILE ANIMAL,
102
00:04:25,833 --> 00:04:27,935
QUALITIES WE ALSO
SEEK IN AN AUTOMOBILE.
103
00:04:27,968 --> 00:04:29,603
IT'S CALLED "TRANSFERENCE."
104
00:04:29,637 --> 00:04:31,071
YEAH, OKAY. WHAT ABOUT MY PROBE?
105
00:04:31,104 --> 00:04:33,474
EXACTLY WHAT IMAGE IS
THAT SUPPOSED TO TRANSFER?
106
00:04:33,507 --> 00:04:34,784
'CAUSE ALL I'M GETTING
IS PAPER DRESS,
107
00:04:34,808 --> 00:04:36,744
METAL STIRRUPS, AND LEGS AKIMBO.
108
00:04:36,777 --> 00:04:38,054
EXACTLY WHAT WAS
THE THOUGHT PROCESS
109
00:04:38,078 --> 00:04:39,380
BEHIND THAT MARKETING COUP?
110
00:04:39,413 --> 00:04:40,681
"SAY, BOB,
111
00:04:40,714 --> 00:04:42,483
"WHAT'S A METAPHOR
FOR AN INVASIVE,
112
00:04:42,516 --> 00:04:43,884
"SOMEWHAT HUMILIATING PROCEDURE?
113
00:04:43,917 --> 00:04:45,319
"'CAUSE WE REALLY NEED SOMETHING
114
00:04:45,353 --> 00:04:47,855
TO COMPETE WITH
THE CHEVY SPECULUM."
115
00:04:47,888 --> 00:04:49,957
UGH, WHY AM I EATING THIS CRAP?
116
00:04:49,990 --> 00:04:53,060
YOU GONNA BE LIKE THIS ALL DAY?
117
00:04:53,093 --> 00:04:54,094
WHAT?
118
00:04:54,127 --> 00:04:56,530
LIKE YOU KNOW.
119
00:04:56,564 --> 00:04:58,866
GUESS IT DEPENDS HOW LONG
IT'S GONNA BE MY BIRTHDAY.
120
00:04:58,899 --> 00:04:59,933
ALL DAY.
121
00:04:59,967 --> 00:05:03,437
THERE YOU GO.
122
00:05:04,972 --> 00:05:07,975
HERE WE GO.
123
00:05:12,613 --> 00:05:14,047
IT'S A COMMON MISCONCEPTION
124
00:05:14,081 --> 00:05:16,450
THAT THE MEMBERSHIP IN THE
FRATERNITY OF GOODFELLAS
125
00:05:16,484 --> 00:05:17,985
IS A PREREQUISITE FOR ADMISSION
126
00:05:18,018 --> 00:05:21,021
INTO THE FEDERAL WITNESS
PROTECTION PROGRAM.
127
00:05:22,556 --> 00:05:25,526
GOD, IF ONLY THAT WERE TRUE.
128
00:05:28,429 --> 00:05:30,631
MANY WITNESSES ARE
EVERYDAY FOLK WHO,
129
00:05:30,664 --> 00:05:32,566
THROUGH NO CRIMINAL
ENTERPRISE OF THEIR OWN,
130
00:05:32,600 --> 00:05:34,067
HAVE COME TO
POSSESS DAMNING INFO
131
00:05:34,101 --> 00:05:35,703
ABOUT SOME VERY
DANGEROUS PEOPLE.
132
00:05:35,736 --> 00:05:38,038
THESE UNLUCKY LOSERS
ARE TROUBLE MAGNETS
133
00:05:38,071 --> 00:05:39,773
AND SHOULD BE AVOIDED
WHENEVER POSSIBLE.
134
00:05:39,807 --> 00:05:41,375
THANKS.
135
00:05:41,409 --> 00:05:42,410
UH-HUH.
136
00:05:42,443 --> 00:05:45,513
WHICH, IN MY LINE OF
WORK, IS ALMOST NEVER.
137
00:05:45,546 --> 00:05:48,382
A TICKET? ARE YOU KIDDING ME?
138
00:05:48,416 --> 00:05:50,684
CAR'S STILL THERE, AIN'T IT?
139
00:05:50,718 --> 00:05:51,719
ASS-WIPE.
140
00:05:51,752 --> 00:05:52,986
IT'S ALL RIGHT.
141
00:05:53,020 --> 00:05:54,588
WE'LL TAKE CARE
OF YOU. YOU'RE SAFE.
142
00:05:54,622 --> 00:05:56,757
SO THIS IS HOW WE'RE
TRANSPORTING WITNESSES NOW?
143
00:05:56,790 --> 00:05:58,158
IT'S A METAPHOR.
144
00:05:58,191 --> 00:05:59,660
OH, YEAH? FOR WHAT, CRAP?
145
00:05:59,693 --> 00:06:01,061
LET'S GO.
146
00:06:02,430 --> 00:06:05,433
THANK YOU. YOU'RE WELCOME.
147
00:06:23,083 --> 00:06:25,419
SO WELCOME TO ALBUQUERQUE.
IS THIS YOUR FIRST TIME?
148
00:06:25,453 --> 00:06:27,421
DA. UH, YES.
149
00:06:27,455 --> 00:06:29,089
HOW LONG YOU BEEN IN THE STATES?
150
00:06:29,122 --> 00:06:31,792
THREE YEARS IN NEW YORK.
151
00:06:31,825 --> 00:06:34,695
WELL, THIS IS A FAR
CRY FROM MANHATTAN.
152
00:06:34,728 --> 00:06:36,697
AND A UNIVERSE FROM MOSCOW.
153
00:06:36,730 --> 00:06:38,098
I AM FROM KIEV.
154
00:06:42,169 --> 00:06:44,538
YOU SPEAK RUSSIAN.
155
00:06:44,572 --> 00:06:45,539
A LITTLE.
156
00:06:45,573 --> 00:06:46,640
I LEARNED IT IN THE '80s.
157
00:06:46,674 --> 00:06:49,009
WHEN YOU GUYS
WERE STILL COMMIES.
158
00:06:49,042 --> 00:06:50,878
IN UKRAINE, WE SPEAK UKRAINIAN.
159
00:06:51,945 --> 00:06:57,485
UH... SHUT UP.
160
00:06:59,252 --> 00:07:00,521
HI, STAN.
161
00:07:00,554 --> 00:07:01,655
HI, MARY. IT'S STAN.
162
00:07:01,689 --> 00:07:02,923
I KNOW IT'S YOU, STAN.
163
00:07:02,956 --> 00:07:03,967
THAT'S WHY I SAID, "HI, STAN."
164
00:07:03,991 --> 00:07:05,493
OH, RIGHT.
165
00:07:05,526 --> 00:07:06,994
SO DID YOU PICK UP THE WITNESS?
166
00:07:07,027 --> 00:07:07,995
YEAH, WE'RE ON THE WAY
TO THE APARTMENT NOW.
167
00:07:08,028 --> 00:07:09,196
LISTEN, I JUST GOT A CALL
168
00:07:09,229 --> 00:07:11,932
FROM ALBUQUERQUE
P.D. AND, UH... OH, BOY.
169
00:07:11,965 --> 00:07:13,233
AND "OH, BOY" WHAT, STAN?
170
00:07:13,266 --> 00:07:14,968
I KNOW THAT TONE.
SOMETHING HAPPENED.
171
00:07:15,002 --> 00:07:16,670
YEAH, FRANKIE SANTORO'S KID
172
00:07:16,704 --> 00:07:17,971
MIGHT HAVE BEEN SHOT LAST NIGHT.
173
00:07:18,005 --> 00:07:19,139
WHAT IS HE DEAD?
174
00:07:19,172 --> 00:07:20,173
I SAID "MIGHT."
175
00:07:20,207 --> 00:07:21,675
ALL RIGHT, MIGHT.
176
00:07:21,709 --> 00:07:23,010
THEY FOUND A BODY
ON ONE OF THOSE
177
00:07:23,043 --> 00:07:24,120
DEVELOPMENT SITES
OUT THE PAN AM FREEWAY.
178
00:07:24,144 --> 00:07:25,746
I'M ON MY WAY.
179
00:07:25,779 --> 00:07:27,190
THAT'S ONE CHOICE,
BUT BRINGING A WITNESS
180
00:07:27,214 --> 00:07:29,149
TO THE MURDER SITE
OF ANOTHER WITNESS...
181
00:07:29,182 --> 00:07:30,727
THAT VIOLATES AT LEAST SIX
WITSEC CODES OF CONDUCT.
182
00:07:30,751 --> 00:07:31,985
STAN? I KNOW WHAT YOU'RE DOING.
183
00:07:32,019 --> 00:07:33,921
YOU'RE HOLDING THE
PHONE OUT THE WINDOW.
184
00:07:33,954 --> 00:07:34,922
WHAT'S THAT? I CAN'T HEAR YOU.
185
00:07:34,955 --> 00:07:36,189
YOU'RE BREAKING UP.
186
00:07:36,223 --> 00:07:37,634
SHE'S HOLDING THE
PHONE OUT THE WINDOW.
187
00:07:37,658 --> 00:07:38,726
MARY, YOU LISTEN... STAN?
188
00:07:38,759 --> 00:07:42,796
I ABSOLUTELY FOR...
CHANGE OF PLANS.
189
00:07:42,830 --> 00:07:45,933
FRANKIE SANTORO'S KID MAY
HAVE BEEN HIT LAST NIGHT.
190
00:07:45,966 --> 00:07:47,000
GOTTA SEE FOR MYSELF.
191
00:07:47,034 --> 00:07:50,971
WHAT ABOUT... SHE'S COMING WITH.
192
00:07:51,004 --> 00:07:52,004
FUN.
193
00:07:56,009 --> 00:07:57,277
HI, STAN.
194
00:07:57,310 --> 00:07:58,612
MARSHALL.
195
00:07:58,646 --> 00:08:00,180
WHAT?
196
00:08:00,213 --> 00:08:03,817
I'M SORRY, STAN.
YOU'RE BREAKING UP.
197
00:08:03,851 --> 00:08:07,187
FRANKIE SANTORO,
A.K.A. FRANKIE NUTS...
198
00:08:07,220 --> 00:08:09,657
A NICKNAME NOT BESTOWED
FOR HIS LOVE OF FILBERTS...
199
00:08:09,690 --> 00:08:11,625
EARNED HIS TICKET INTO
WITNESS PROTECTION
200
00:08:11,659 --> 00:08:13,894
BY AGREEING TO TESTIFY
AGAINST HIS FORMER BOSS,
201
00:08:13,927 --> 00:08:17,064
DOMINIC MASTRO, LAST
OF THE BIG-TIME DONS.
202
00:08:17,097 --> 00:08:19,667
FRANKIE HAD THE MISFORTUNE
OF WHACKING PETEY LORUSSO
203
00:08:19,700 --> 00:08:21,301
WHILE HE WAS UNDER
FBI SURVEILLANCE,
204
00:08:21,334 --> 00:08:26,206
WHICH, COINCIDENTALLY,
WAS ALSO PETEY'S MISFORTUNE.
205
00:08:33,614 --> 00:08:37,651
WOW, JUST LIKE THE
MOTION PICTURES.
206
00:08:37,685 --> 00:08:39,553
CAN I GET YOU
SOMETHING? A BROMO?
207
00:08:39,587 --> 00:08:40,888
TASHA, JUST STAY IN THE CAR.
208
00:08:40,921 --> 00:08:42,031
THIS'LL JUST TAKE A FEW MINUTES.
209
00:08:42,055 --> 00:08:45,192
OKAY.
210
00:08:45,225 --> 00:08:48,095
PLEASE DON'T LET
THIS BE FRANKIE'S KID.
211
00:08:48,128 --> 00:08:49,196
SHOULD I CALL JINX NOW
212
00:08:49,229 --> 00:08:50,631
AND TELL HER TO
CANCEL YOUR PARTY?
213
00:08:50,664 --> 00:08:51,865
IF YOU WERE ANY KIND OF FRIEND,
214
00:08:51,899 --> 00:08:56,704
YOU WOULD HAVE DONE
IT A LONG TIME AGO.
215
00:08:56,737 --> 00:08:57,738
YOU THE LEAD ON THIS?
216
00:08:57,771 --> 00:09:00,040
YEAH, UNFORTUNATELY.
217
00:09:00,073 --> 00:09:01,341
DETECTIVE DERSHOWITZ.
218
00:09:01,374 --> 00:09:03,811
DERSHOWITZ. REALLY?
219
00:09:03,844 --> 00:09:04,878
YEAH, A LONG STORY.
220
00:09:04,912 --> 00:09:06,113
I'll BET.
221
00:09:06,146 --> 00:09:07,715
EVERYONE CALLS ME "BOBBY."
222
00:09:07,748 --> 00:09:08,849
OR "BOBBY D."
223
00:09:08,882 --> 00:09:10,884
MARY SHANNON. U.S. MARSHALS.
224
00:09:10,918 --> 00:09:12,820
SO WHY'D YOU CALL THE
MARSHALS, DETECTIVE?
225
00:09:12,853 --> 00:09:14,121
WELL, WE GOT TWO DEAD KIDS.
226
00:09:14,154 --> 00:09:16,289
WE HAVE A GIRL NAMED
SIENNA BURKE OVER THERE.
227
00:09:16,323 --> 00:09:17,825
AND A BOY WITH
THIS IN HIS WALLET.
228
00:09:17,858 --> 00:09:19,326
AND THIS.
229
00:09:19,359 --> 00:09:21,194
IT WAS TUCKED
BEHIND THE OTHER ONE.
230
00:09:21,228 --> 00:09:22,796
KID WITH TWO IDENTITIES,
231
00:09:22,830 --> 00:09:24,798
OCCURRED TO ME HE MIGHT
BE IN WITNESS PROTECTION.
232
00:09:24,832 --> 00:09:26,767
YOU GOT ALL THAT
FROM A FAKE I.D.?
233
00:09:26,800 --> 00:09:29,903
YEAH, I'M INTUITIVE THAT WAY.
234
00:09:29,937 --> 00:09:30,971
ALL RIGHT, THANKS.
235
00:09:31,004 --> 00:09:32,740
UH, THAT'S EVIDENCE.
236
00:09:32,773 --> 00:09:34,007
UH-HUH.
237
00:09:34,041 --> 00:09:35,976
ANY THOUGHTS ABOUT
WHAT HAPPENED?
238
00:09:36,009 --> 00:09:38,679
YOU'RE ASKING ME, WHAT, OUT
OF PROFESSIONAL CURIOSITY?
239
00:09:38,712 --> 00:09:41,181
SURE, LET'S GO WITH THAT.
240
00:09:41,214 --> 00:09:43,784
WELL, THE GIRL'S
FATHER IS CALE BURKE.
241
00:09:43,817 --> 00:09:44,928
HE'S THE DEVELOPER OF THIS LAND,
242
00:09:44,952 --> 00:09:46,153
A PROJECT THAT'S BEEN CONTESTED
243
00:09:46,186 --> 00:09:47,855
IN AND OUT OF COURT
FOR ABOUT A DECADE.
244
00:09:47,888 --> 00:09:49,032
AND YOU THINK SOMEBODY
UNHAPPY ABOUT THE PROJECT
245
00:09:49,056 --> 00:09:50,357
MIGHT HAVE DONE THIS?
246
00:09:50,390 --> 00:09:52,059
HELL IF I KNOW, BUT
IT'S A PLACE TO START.
247
00:09:52,092 --> 00:09:53,393
RIGHT?
248
00:09:53,426 --> 00:09:54,904
UNLESS OF COURSE YOU
THINK I SHOULD BE LOOKING
249
00:09:54,928 --> 00:09:55,896
SOMEPLACE ELSE.
250
00:09:55,929 --> 00:09:57,831
NOPE, SOUNDS TO ME
251
00:09:57,865 --> 00:10:00,033
LIKE YOU'RE HEADING
IN THE RIGHT DIRECTION.
252
00:10:00,067 --> 00:10:01,935
THAT'S WHAT I THOUGHT.
253
00:10:01,969 --> 00:10:03,236
THANKS FOR THE CALL. MM-HMM.
254
00:10:03,270 --> 00:10:05,673
HEY, WHAT'S WITH
THE SILENT SENTINELS?
255
00:10:05,706 --> 00:10:07,307
HUH? GUYS ON THE BIKES.
256
00:10:07,340 --> 00:10:09,042
OH, THEY'VE BEEN
WATCHING ALL MORNING.
257
00:10:09,076 --> 00:10:10,778
YOU'RE NOT QUESTIONING
THEM 'CAUSE...
258
00:10:10,811 --> 00:10:12,913
BECAUSE CHASING
INDIANS ON DIRT BIKES
259
00:10:12,946 --> 00:10:15,716
THROUGH THE DESERT SEEMS
LIKE A POOR USE OF MY TALENT.
260
00:10:15,749 --> 00:10:17,184
MAKES SENSE.
261
00:10:17,217 --> 00:10:18,886
HEY, HOW 'BOUT IT?
262
00:10:18,919 --> 00:10:19,987
HE ONE OF YOURS?
263
00:10:20,020 --> 00:10:21,989
OH, AFRAID I DON'T KNOW
264
00:10:22,022 --> 00:10:23,691
WHAT YOU'RE TALKING ABOUT.
265
00:10:23,724 --> 00:10:25,358
THANKS AGAIN FOR THE CALL.
266
00:10:25,392 --> 00:10:27,394
THAT'S RIGHT, YOU'RE THE
BRANCH OF LAW ENFORCEMENT
267
00:10:27,427 --> 00:10:28,938
THAT PUTS CRIMINALS
BACK ON THE STREET,
268
00:10:28,962 --> 00:10:31,965
RIGHT?
269
00:10:38,171 --> 00:10:39,907
OH, GOD.
270
00:10:39,940 --> 00:10:41,942
WHAT A WASTE.
271
00:10:41,975 --> 00:10:44,177
HEY.
272
00:10:44,211 --> 00:10:45,445
DON'T TOUCH THAT.
273
00:10:45,478 --> 00:10:47,280
CAN'T YOU SHUT HIS EYES?
274
00:10:47,314 --> 00:10:50,984
ONLY IF YOU GOT A
NEEDLE AND THREAD.
275
00:11:00,427 --> 00:11:02,405
ANY THOUGHTS ON WHY HE
GETS IT IN THE BACK OF THE HEAD
276
00:11:02,429 --> 00:11:03,472
AND SHE GETS HERS IN THE FACE?
277
00:11:03,496 --> 00:11:05,032
SHE WAS RUNNING.
278
00:11:05,065 --> 00:11:06,834
TOOK TWO IN THE SPINE,
TAKING OUT HER LEGS.
279
00:11:06,867 --> 00:11:08,702
THEN THEY TURNED HER OVER.
280
00:11:08,736 --> 00:11:10,237
AND FINISHED HER
OFF IN THE FACE?
281
00:11:10,270 --> 00:11:13,273
NOT QUITE.
282
00:11:13,306 --> 00:11:15,408
GOOD GOD.
283
00:11:15,442 --> 00:11:16,977
SOMEBODY WAS PISSED OFF.
284
00:11:17,010 --> 00:11:19,046
THIS GOES WAY BEYOND PISSED OFF.
285
00:11:19,079 --> 00:11:22,082
SHE WAS ALIVE FOR MOST OF THIS.
286
00:11:29,957 --> 00:11:31,100
SO YOU THINK THIS WAS A MESSAGE
287
00:11:31,124 --> 00:11:32,325
TO FRANKIE SENIOR?
288
00:11:32,359 --> 00:11:33,961
I DON'T KNOW...
THAT KINDA VIOLENCE,
289
00:11:33,994 --> 00:11:35,896
YOU GOTTA BELIEVE
SHE WAS THE TARGET.
290
00:11:35,929 --> 00:11:37,865
PLUS, THEY FIND JUNIOR,
THEY FOUND SENIOR.
291
00:11:37,898 --> 00:11:39,900
SO WHY NOT JUST
TAKE FRANKIE OUT?
292
00:11:39,933 --> 00:11:41,869
WHY NOT JUST TAKE FRANKIE OUT?
293
00:11:41,902 --> 00:11:43,270
UNLESS THEY DON'T WANT HIM DEAD.
294
00:11:43,303 --> 00:11:45,181
MAYBE THEY JUST WANT
HIM TO QUEER HIS TESTIMONY.
295
00:11:45,205 --> 00:11:50,143
THAT COULD HURT A CASE
WORSE THAN HIM NOT SHOWING UP.
296
00:11:50,177 --> 00:11:52,245
PLEASE STOP THAT.
297
00:11:52,279 --> 00:11:53,981
THEN AGAIN, ANYONE
WHO KNOWS FRANKIE
298
00:11:54,014 --> 00:11:55,792
KNOWS KILLING HIS KID'S
NOT THE WAY TO MOTIVATE HIM.
299
00:11:55,816 --> 00:11:57,426
SO YOU THINK HE'S NOT
GONNA BE HAPPY ABOUT THIS?
300
00:11:57,450 --> 00:11:59,419
HAVE YOU NOTICED I'M
NOT IN A JOKING MOOD?
301
00:11:59,452 --> 00:12:00,520
SORRY.
302
00:12:00,553 --> 00:12:03,523
I GOTTA GO FIND FRANKIE.
303
00:12:03,556 --> 00:12:04,992
TASHA.
304
00:12:05,025 --> 00:12:06,259
I TOLD YOU TO WAIT IN THE CAR.
305
00:12:06,293 --> 00:12:08,028
IT'S OKAY. COME ON.
306
00:12:08,061 --> 00:12:11,064
LET'S GET YOU HOME.
307
00:12:13,200 --> 00:12:15,102
AWW, THAT MAKES ME SAD.
308
00:12:18,138 --> 00:12:22,742
♪
309
00:12:23,877 --> 00:12:25,478
WHY ARE WE STOPPING HERE?
310
00:12:25,512 --> 00:12:27,948
JUST STAY IN THE CAR
AND DON'T TOUCH ANYTHING.
311
00:12:27,981 --> 00:12:29,082
NO... HEY, WAIT!
312
00:12:29,116 --> 00:12:30,450
NO.
313
00:12:30,483 --> 00:12:32,219
HEY, AMIGO. QUE PASA?
314
00:12:32,252 --> 00:12:33,220
YO, G. TODO BIEN.
315
00:12:33,253 --> 00:12:34,354
HEY, WHAT'S UP?
316
00:12:34,387 --> 00:12:36,023
JUST KEEP AN EYE
ON THE RIDE FOR ME.
317
00:12:36,056 --> 00:12:38,959
MAKE SURE NOTHING BAD
HAPPENS TO THE CAR OR TO HER.
318
00:12:40,961 --> 00:12:42,562
MOSTLY TO THE CAR.
319
00:12:42,595 --> 00:12:44,064
ALL RIGHT.
320
00:12:45,098 --> 00:12:46,399
HEY, MAMI.
321
00:12:46,433 --> 00:12:47,534
WHAT'S CRACKIN'?
322
00:12:47,567 --> 00:12:49,302
YOU WANNA EFF OFF?
323
00:12:53,974 --> 00:12:55,008
HERE YOU GO, PADRE.
324
00:12:55,042 --> 00:12:57,010
20 TICKETS FOR WEDNESDAY NIGHT.
325
00:12:57,044 --> 00:12:58,111
GRACIAS.
326
00:12:58,145 --> 00:12:59,112
DE NADA.
327
00:12:59,146 --> 00:13:01,849
"BLEACHERS"?
328
00:13:04,317 --> 00:13:06,019
SO DID YOU TAKE HER TO MY HOUSE?
329
00:13:06,053 --> 00:13:07,287
NOT EXACTLY.
330
00:13:07,320 --> 00:13:08,421
RAPH, WHAT DID YOU DO?
331
00:13:08,455 --> 00:13:10,023
I LEFT HER SITTING IN MY CAR
332
00:13:10,057 --> 00:13:11,224
IN FRONT OF THE YOUTH CENTER,
333
00:13:11,258 --> 00:13:12,425
WITH A COUPLE OF
334
00:13:12,459 --> 00:13:15,262
JUNIOR CHOLOS SCOPING HER OUT.
335
00:13:15,295 --> 00:13:16,305
SHE'S TOTALLY FREAKING OUT.
336
00:13:16,329 --> 00:13:17,364
YOU DID THAT?
337
00:13:17,397 --> 00:13:19,132
YEAH. PRETTY FUNNY, HUH?
338
00:13:19,166 --> 00:13:20,467
OH, YEAH.
339
00:13:20,500 --> 00:13:21,568
BUT NOT THE WAY YOU THINK.
340
00:13:21,601 --> 00:13:22,970
WHAT'S THAT MEAN?
341
00:13:23,003 --> 00:13:24,838
IT MEANS MY SISTER
HAS A PENCHANT
342
00:13:24,872 --> 00:13:26,606
FOR BOOSTING CARS.
343
00:13:26,639 --> 00:13:27,908
A PENCHANT?
344
00:13:27,941 --> 00:13:29,509
MORE LIKE A COMPULSION.
345
00:13:34,948 --> 00:13:37,484
SON OF A BITCH.
346
00:13:37,517 --> 00:13:39,586
I THOUGHT I TOLD YOU
TO WATCH THE CAR.
347
00:13:39,619 --> 00:13:40,888
WE DID, ESE.
348
00:13:40,921 --> 00:13:43,957
YEAH, G. THERE IT GO.
349
00:13:43,991 --> 00:13:47,127
MARY, YOU BETTER
COME PICK ME UP.
350
00:13:47,160 --> 00:13:49,096
AHH, I'M SORRY, I
CAN'T HEAR YOU.
351
00:13:49,129 --> 00:13:52,832
YOU'RE BREAKING UP.
352
00:14:01,074 --> 00:14:02,275
JUST A SECOND.
353
00:14:08,048 --> 00:14:09,983
OKAY.
354
00:14:10,017 --> 00:14:11,885
PHONE WORKS.
355
00:14:11,919 --> 00:14:13,386
PHONES WORK.
356
00:14:13,420 --> 00:14:15,622
NO.
357
00:14:15,655 --> 00:14:17,624
NO, NO, NO, I CAN'T.
358
00:14:17,657 --> 00:14:19,426
I WISH TO GO HOME.
359
00:14:19,459 --> 00:14:20,527
THIS IS YOUR HOME NOW.
360
00:14:20,560 --> 00:14:22,262
NO, PLEASE!
361
00:14:22,295 --> 00:14:23,430
IT'S NOT POSSIBLE.
362
00:14:23,463 --> 00:14:24,564
TASHA, LISTEN TO ME.
363
00:14:24,597 --> 00:14:25,565
YOU CAN'T GO BACK.
364
00:14:25,598 --> 00:14:26,934
YOU CAN NEVER GO BACK.
365
00:14:26,967 --> 00:14:28,268
YOU KNOW WHAT THEY'LL DO TO YOU.
366
00:14:28,301 --> 00:14:30,370
I AM JUST BOOKKEEPER.
367
00:14:30,403 --> 00:14:32,205
I KNOW.
368
00:14:33,473 --> 00:14:36,076
I KNOW. I KNOW.
369
00:14:36,109 --> 00:14:37,244
SHH.
370
00:14:37,277 --> 00:14:38,345
LET IT OUT.
371
00:14:38,378 --> 00:14:39,412
OKAY. OKAY.
372
00:14:39,446 --> 00:14:41,214
SHH, IT'S OKAY.
373
00:14:41,248 --> 00:14:44,051
LET IT OUT.
374
00:14:44,084 --> 00:14:46,486
HOW THIS CAN HAPPEN?
375
00:14:46,519 --> 00:14:47,988
MY LIFE.
376
00:14:48,021 --> 00:14:51,925
MY... FAMILY.
377
00:14:51,959 --> 00:14:56,363
EVERYTHING GONE.
378
00:14:56,396 --> 00:14:59,499
THEY DON'T EVEN LET
ME BRING PICTURES.
379
00:14:59,532 --> 00:15:02,569
I KNOW, IT ISN'T FAIR.
380
00:15:02,602 --> 00:15:04,437
BUT LISTEN TO ME...
381
00:15:04,471 --> 00:15:07,640
YOU DID A GREAT,
COURAGEOUS THING, TESTIFYING.
382
00:15:07,674 --> 00:15:10,510
OKAY, AND NOW IT'S TIME
TO FOCUS ON THE FUTURE.
383
00:15:10,543 --> 00:15:12,079
THINK OF IT AS A CHANCE
384
00:15:12,112 --> 00:15:14,647
TO BUILD A WHOLE NEW LIFE.
385
00:15:14,681 --> 00:15:18,218
EVEN BETTER THAN THE
ONE YOU HAD BEFORE.
386
00:15:18,251 --> 00:15:21,588
BUT YOU CANNOT UNDER
ANY CIRCUMSTANCES,
387
00:15:21,621 --> 00:15:24,157
NOT MATTER HOW HOMESICK
OR LONELY YOU GET,
388
00:15:24,191 --> 00:15:25,358
GO BACK HOME
389
00:15:25,392 --> 00:15:27,727
OR CONTACT ANYONE
FROM YOUR PAST.
390
00:15:27,760 --> 00:15:30,730
IN THE HISTORY OF THE
WITNESS PROTECTION PROGRAM,
391
00:15:30,763 --> 00:15:33,366
NO ONE WHO'S FOLLOWED THE
RULES HAS EVER BEEN HARMED.
392
00:15:33,400 --> 00:15:35,368
YOU CAN DO THIS. OKAY?
393
00:15:35,402 --> 00:15:37,504
I KNOW YOU CAN.
394
00:15:37,537 --> 00:15:40,207
COME ON. OKAY, COME ON.
395
00:15:40,240 --> 00:15:43,243
STAND UP. COME ON.
396
00:15:43,276 --> 00:15:45,212
HOW 'BOUT YOU REST
FOR A LITTLE WHILE,
397
00:15:45,245 --> 00:15:48,281
WATCH SOME TV... CABLE'S
NOT HOOKED UP YET.
398
00:15:48,315 --> 00:15:49,983
YEAH, ALL RIGHT.
399
00:15:50,017 --> 00:15:52,019
UM, I'll GET THE
CABLE TURNED ON.
400
00:15:52,052 --> 00:15:53,286
AND A LITTLE LATER,
401
00:15:53,320 --> 00:15:55,722
I'll COME BY WITH
SOME GROCERIES.
402
00:15:55,755 --> 00:15:59,659
IS THERE ANYTHING
SPECIAL YOU NEED?
403
00:15:59,692 --> 00:16:03,263
THEY PROMISED ME NEW BREASTS.
404
00:16:05,032 --> 00:16:08,535
WHEN I CAN GET THEM?
405
00:16:10,203 --> 00:16:11,704
NO, BETWEEN 1:00 AND 5:00
406
00:16:11,738 --> 00:16:13,106
ISN'T GOOD ENOUGH, FEDERICO.
407
00:16:13,140 --> 00:16:15,242
OUR FRIEND NEEDS
HER CABLE ON NOW.
408
00:16:15,275 --> 00:16:17,444
SO GET IT DONE OR WE'RE
SWITCHING TO SATELLITE.
409
00:16:17,477 --> 00:16:18,678
THAT'S FUNNY?
410
00:16:18,711 --> 00:16:19,722
HOW ABOUT WE
SWITCH TO SATELLITE,
411
00:16:19,746 --> 00:16:20,713
THEN I PUNCH YOU IN THE FACE?
412
00:16:20,747 --> 00:16:22,349
SHE'S HOME NOW.
413
00:16:22,382 --> 00:16:23,716
I'll TELL HER YOU'RE
ON YOUR WAY.
414
00:16:23,750 --> 00:16:25,561
SO ANYWAY, IF YOU COULD
START PROCESSING INFO...
415
00:16:25,585 --> 00:16:27,320
LITTLE FRANKIE, THE
GIRL, HER FATHER,
416
00:16:27,354 --> 00:16:28,588
FRIENDS AND FAMILY OF EVERYONE
417
00:16:28,621 --> 00:16:30,057
FRANKIE'S TESTIFYING AGAINST.
418
00:16:30,090 --> 00:16:32,225
WHATEVER ELSE YOU CAN THINK OF.
419
00:16:32,259 --> 00:16:35,495
YOU KNOW, I'M NOT
YOUR ASSISTANT.
420
00:16:35,528 --> 00:16:37,230
I HAVE A COUPLE DOZEN WITNESSES
421
00:16:37,264 --> 00:16:38,298
OF MY OWN TO DEAL WITH.
422
00:16:38,331 --> 00:16:39,599
OH, YEAH?
423
00:16:39,632 --> 00:16:41,110
ANY OF THEIR KIDS GET
MURDERED LAST NIGHT?
424
00:16:41,134 --> 00:16:44,671
I'll HAVE TO CHECK.
425
00:16:44,704 --> 00:16:46,139
OH, FINE.
426
00:16:46,173 --> 00:16:48,108
THANK YOU.
427
00:16:48,141 --> 00:16:49,542
PISSY LITTLE GIRL.
428
00:16:49,576 --> 00:16:51,278
I HEARD THAT.
429
00:16:56,449 --> 00:16:58,194
I DON'T GIVE A RAT'S ASS
ABOUT YOUR PROTOCOL.
430
00:16:58,218 --> 00:17:00,220
I'VE GOT TWO PARENTS
ON THEIR WAY DOWN HERE
431
00:17:00,253 --> 00:17:01,697
TO SEE THEIR SON, AND
TRUST ME ON THIS ONE,
432
00:17:01,721 --> 00:17:03,399
THIS IS NOT WHERE YOU
WANT THEM TO FIND HIM.
433
00:17:03,423 --> 00:17:04,533
THEN YOU BETTER
KEEP THEM OUTTA HERE.
434
00:17:04,557 --> 00:17:05,792
BECAUSE A VAN FULL OF ILLEGALS
435
00:17:05,825 --> 00:17:08,095
PLOWED INTO A BRIDGE
ABUTMENT THIS MORNING.
436
00:17:08,128 --> 00:17:09,362
AND I'M UNDER-STAFFED.
437
00:17:09,396 --> 00:17:10,506
I WON'T KNOW WHICH
ONE OF THESE IS YOURS
438
00:17:10,530 --> 00:17:11,731
UNTIL I START PROCESSING THEM.
439
00:17:11,764 --> 00:17:12,841
WELL, HOW LONG IS
THAT GONNA TAKE?
440
00:17:12,865 --> 00:17:14,534
AS LONG AS IT TAKES.
441
00:17:14,567 --> 00:17:17,104
WELL, WORK QUICKLY.
442
00:17:17,137 --> 00:17:18,705
FRANKIE, FELICIA. LOOK, COME ON.
443
00:17:18,738 --> 00:17:19,706
WHERE IS HE?
444
00:17:19,739 --> 00:17:20,773
COME BACK INSIDE.
445
00:17:20,807 --> 00:17:22,142
IS MY BOY IN ONE OF THESE BAGS?
446
00:17:22,175 --> 00:17:23,376
EXCUSE ME, SIR, YOU CANNOT...
447
00:17:23,410 --> 00:17:26,379
HEY, YOU CAN'T... OKAY, OKAY.
448
00:17:26,413 --> 00:17:29,249
WHERE'S MY BOY?!
449
00:17:29,282 --> 00:17:31,251
OKAY, FRANKIE, PLEASE.
PLEASE STOP THIS.
450
00:17:34,221 --> 00:17:36,123
FRANKIE, STOP IT! STOP IT!
451
00:17:36,156 --> 00:17:39,626
GET OFF ME.
452
00:17:43,663 --> 00:17:49,269
FELICIA.
453
00:17:49,302 --> 00:17:51,238
OH, MY GOD. FELICIA.
454
00:17:51,271 --> 00:17:58,245
OH, GOD. I'M SORRY.
455
00:18:05,252 --> 00:18:07,620
FRANKIE, WAIT.
456
00:18:07,654 --> 00:18:11,191
FRANKIE!
457
00:18:11,224 --> 00:18:14,327
FRANKIE... FRANKIE!
458
00:18:14,361 --> 00:18:15,762
FRANKIE, WAIT!
459
00:18:15,795 --> 00:18:16,763
WHAT, WHAT DO YOU WANT?!
460
00:18:16,796 --> 00:18:18,265
DON'T "WHAT" ME.
461
00:18:18,298 --> 00:18:19,375
I KNOW YOU. I KNOW
WHAT YOU'RE THINKING.
462
00:18:19,399 --> 00:18:20,767
OH, CONGRATULATIONS.
463
00:18:20,800 --> 00:18:22,145
YOU'RE THE AMAZING
FREAKIN' KRESKIN.
464
00:18:22,169 --> 00:18:23,512
NO IDEA WHO THAT
IS, BUT LISTEN TO ME.
465
00:18:23,536 --> 00:18:25,181
IF YOU GO OFF GUNNING
FOR WHOEVER DID THIS,
466
00:18:25,205 --> 00:18:26,482
YOU'RE GONNA BLOW YOUR
WHOLE PLEA AGREEMENT.
467
00:18:26,506 --> 00:18:29,209
DID YOU JUST SEE
MY BOY IN THERE?
468
00:18:29,242 --> 00:18:30,843
I KNOW, FRANKIE. I KNOW.
469
00:18:30,877 --> 00:18:32,612
I'M SO SORRY.
470
00:18:32,645 --> 00:18:34,281
BUT FELICIA NEEDS YOU NOW.
471
00:18:34,314 --> 00:18:35,515
OKAY, PLEASE.
472
00:18:35,548 --> 00:18:37,150
PLEASE, GO TAKE CARE OF HER.
473
00:18:37,184 --> 00:18:40,920
I SWEAR TO YOU, YOU'LL
GET YOUR JUSTICE.
474
00:18:40,953 --> 00:18:44,157
YOU GOT 24 HOURS.
475
00:18:44,191 --> 00:18:46,226
AFTER THAT, I TAKE
MATTERS INTO MY OWN HANDS.
476
00:18:46,259 --> 00:18:47,460
AND TO HELL WITH THIS PLEA.
477
00:18:47,494 --> 00:18:49,929
FRANKIE... AS FAR AS JUSTICE,
478
00:18:49,962 --> 00:18:53,666
YOU'VE GOT YOUR
VERSION, I'VE GOT MINE.
479
00:19:07,747 --> 00:19:08,715
WHAT ARE YOU DOING HERE?
480
00:19:08,748 --> 00:19:10,283
I WORK HERE, STAN.
481
00:19:10,317 --> 00:19:12,185
WHY AREN'T YOU HELPING
MARY MOVE FRANKIE NUTS?
482
00:19:12,219 --> 00:19:13,329
SHE WANTED ME HERE DOING THIS.
483
00:19:13,353 --> 00:19:14,654
AND YOU THOUGHT IT WAS OKAY
484
00:19:14,687 --> 00:19:16,432
TO LET HER HANDLE THAT
SICK BASTARD BY HERSELF?
485
00:19:16,456 --> 00:19:17,957
HER WITNESS, HER CALL.
486
00:19:17,990 --> 00:19:21,461
IT HOW WE DO, G.
487
00:19:21,494 --> 00:19:24,464
IF ANYTHING HAPPENS
TO HER... RELAX.
488
00:19:24,497 --> 00:19:29,336
MARY KNOWS WHAT SHE'S DOING.
489
00:19:29,369 --> 00:19:31,438
SO'D YOU GET HER A
BIRTHDAY PRESENT?
490
00:19:31,471 --> 00:19:32,939
I'M WORKING HER CASE.
491
00:19:32,972 --> 00:19:34,274
YOU DON'T THINK THAT'S ENOUGH?
492
00:19:34,307 --> 00:19:35,508
YOU'RE NOT THAT DUMB.
493
00:19:35,542 --> 00:19:36,709
I'M SMART ENOUGH TO KNOW
494
00:19:36,743 --> 00:19:40,747
YOU CAN'T SHOP FOR MARY.
495
00:19:40,780 --> 00:19:42,449
WHAT ABOUT YOU?
496
00:19:42,482 --> 00:19:45,552
OH, WELL, I JUST GOT HER A...
497
00:19:45,585 --> 00:19:48,555
BOTTLE OF REALLY
EXPENSIVE PERFUME.
498
00:19:48,588 --> 00:19:50,290
MARY DOESN'T WEAR PERFUME.
499
00:19:50,323 --> 00:19:51,424
YES, SHE DOES.
500
00:19:51,458 --> 00:19:52,459
NUH-UH.
501
00:19:52,492 --> 00:19:53,793
YOU SURE?
502
00:19:53,826 --> 00:19:55,003
I MEAN, SHE ALWAYS
SMELLS SO GOOD.
503
00:19:55,027 --> 00:19:59,899
THAT'S JUST HER.
504
00:19:59,932 --> 00:20:01,801
HUH.
505
00:20:01,834 --> 00:20:04,337
THE CARE AND FEEDING
OF CAREER CRIMINALS,
506
00:20:04,371 --> 00:20:06,673
LIKE FRANKIE NUTS, IS A
DICEY PROPOSITION AT BEST.
507
00:20:06,706 --> 00:20:08,007
ON ANY GIVEN DAY, I GET TO PLAY
508
00:20:08,040 --> 00:20:09,642
MOTHER, FATHER,
509
00:20:09,676 --> 00:20:12,379
BEST FRIEND, PRIEST,
RABBI, MARRIAGE COUNSELOR,
510
00:20:12,412 --> 00:20:13,613
AND YES, UNFORTUNATELY,
511
00:20:13,646 --> 00:20:15,615
OCCASIONALLY HOMICIDE DETECTIVE.
512
00:20:15,648 --> 00:20:16,959
WHICH IS WHY I
FIND MYSELF DRIVING
513
00:20:16,983 --> 00:20:18,785
MY MISOGYNIST METAPHOR
ACROSS THE DESERT
514
00:20:18,818 --> 00:20:20,387
WITH A BUSTED AIR CONDITIONER
515
00:20:20,420 --> 00:20:21,821
TO HUNT DOWN THE
MURDERER OF THE SON
516
00:20:21,854 --> 00:20:23,523
OF MY MURDERER WITNESS.
517
00:20:23,556 --> 00:20:25,758
NO BACKUP. NO PLAN TO SPEAK OF.
518
00:20:25,792 --> 00:20:27,394
NO ALTERNATIVE.
519
00:20:27,427 --> 00:20:29,562
ALSO, FRANKIE JUNIOR
GOT KILLED ON MY WATCH.
520
00:20:29,596 --> 00:20:31,764
THAT JUST PISSES ME OFF.
521
00:20:34,801 --> 00:20:39,806
♪
522
00:20:43,443 --> 00:20:45,845
NICE CHAPS.
523
00:20:48,481 --> 00:20:51,951
AW.
524
00:20:51,984 --> 00:20:55,688
WRITE DOWN YOUR
CUSTOMERS' NAMES.
525
00:20:55,722 --> 00:20:57,590
I'VE NEVER SEEN
THESE PEOPLE BEFORE.
526
00:20:57,624 --> 00:21:00,827
LISTEN.
527
00:21:00,860 --> 00:21:02,362
HERE'S THE DEAL...
528
00:21:02,395 --> 00:21:03,972
TWO KIDS WERE KILLED
ABOUT A MILE FROM HERE,
529
00:21:03,996 --> 00:21:05,565
AND AT LEAST A FEW OF THESE GUYS
530
00:21:05,598 --> 00:21:06,899
WERE AT THE MURDER SITE.
531
00:21:06,933 --> 00:21:09,068
SO PLEASE, SAVE US
BOTH A LOT OF TROUBLE
532
00:21:09,101 --> 00:21:10,670
AND JUST WRITE THE DAMN NAMES
533
00:21:10,703 --> 00:21:12,805
BEFORE GREAT WHITE
FATHER BACK IN WASHINGTON
534
00:21:12,839 --> 00:21:14,674
GOES ALL LITTLE
BIGHORN ON YOUR ASS.
535
00:21:14,707 --> 00:21:17,744
YOU'RE KIDDING ME, RIGHT?
536
00:21:17,777 --> 00:21:20,547
WAS THAT OVER THE TOP?
537
00:21:20,580 --> 00:21:22,549
LOOK, FIRST OF ALL,
IT WAS YOU GUYS
538
00:21:22,582 --> 00:21:23,622
THAT GOT YOUR ASSES KICKED
539
00:21:23,650 --> 00:21:24,684
AT LITTLE BIGHORN.
540
00:21:24,717 --> 00:21:25,918
REALLY?
541
00:21:25,952 --> 00:21:27,720
AND SECOND OF ALL,
542
00:21:27,754 --> 00:21:29,756
TODAY'S MY FIRST
DAY OF WORK HERE.
543
00:21:29,789 --> 00:21:32,425
AND I HAVE REALLY NEVER
SEEN THESE PEOPLE BEFORE.
544
00:21:32,459 --> 00:21:33,560
SORRY.
545
00:21:33,593 --> 00:21:37,497
THOUGHT YOU WERE
BEING DIFFICULT.
546
00:21:43,636 --> 00:21:46,906
EXCUSE ME.
547
00:21:48,908 --> 00:21:51,411
WHEW!
548
00:21:51,444 --> 00:21:52,912
GOOD LORD.
549
00:21:52,945 --> 00:21:54,881
WHAT IS IT WITH MEN'S RESTROOMS?
550
00:21:54,914 --> 00:21:56,683
DO YOU ALL LIKE THE
SMELL OF STALE URINE?
551
00:21:56,716 --> 00:21:57,784
IS THAT WHAT IT IS?
552
00:21:57,817 --> 00:21:58,951
OKAY, ENOUGH CHIT-CHAT.
553
00:21:58,985 --> 00:22:00,387
WHAT'S YOUR NAME?
554
00:22:00,420 --> 00:22:02,389
AND DID YOU KILL THOSE TWO KIDS?
555
00:22:02,422 --> 00:22:03,923
I'M SORRY.
556
00:22:03,956 --> 00:22:06,559
ARE YOU TALKING TO ME?
557
00:22:07,760 --> 00:22:08,761
AW.
558
00:22:08,795 --> 00:22:09,896
WHAT'S SO FUNNY?
559
00:22:09,929 --> 00:22:11,598
WELL, IT'S SO CUTE.
560
00:22:11,631 --> 00:22:13,366
IT'S LIKE ONE OF
THOSE MINI-TAQUITOS
561
00:22:13,400 --> 00:22:14,434
THEY SERVE AT HAPPY HOUR.
562
00:22:14,467 --> 00:22:16,035
OH, YEAH? YOU WANT SOME?
563
00:22:16,068 --> 00:22:17,570
EW.
564
00:22:19,105 --> 00:22:21,574
MANLY, YES, BUT I LIKE IT TOO.
565
00:22:21,608 --> 00:22:23,085
NOW, WHAT DO YOU SAY
YOU ANSWER MY QUESTIONS
566
00:22:23,109 --> 00:22:24,477
BEFORE I DRAG YOU OUTTA HERE
567
00:22:24,511 --> 00:22:25,854
BY YOUR SURPRISINGLY
SMALL WEE-WEE.
568
00:22:25,878 --> 00:22:28,381
OKAY. OKAY.
569
00:22:28,415 --> 00:22:30,016
MY NAME IS GEORGE PARKER.
570
00:22:30,049 --> 00:22:32,485
AND NO, I DIDN'T
KILL THOSE TWO KIDS.
571
00:22:32,519 --> 00:22:33,962
SO WHAT WERE YOU DOING
THERE THIS MORNING, GEORGE?
572
00:22:33,986 --> 00:22:36,022
PULLING UP SURVEYOR'S STAKES,
573
00:22:36,055 --> 00:22:37,524
HASSLING WORKERS.
574
00:22:37,557 --> 00:22:38,701
WHAT'S YOUR BEEF
WITH THE PROJECT?
575
00:22:38,725 --> 00:22:39,859
SAME OLD STORY.
576
00:22:39,892 --> 00:22:42,762
INDIANS GETTING
THEIR LAND RIPPED OFF
577
00:22:42,795 --> 00:22:44,096
FOR COMMERCIAL DEVELOPMENT.
578
00:22:44,130 --> 00:22:45,532
HUH.
579
00:22:45,565 --> 00:22:46,675
SO KILLING THE
DEVELOPER'S DAUGHTER
580
00:22:46,699 --> 00:22:47,710
SOUNDS LIKE PRETTY GOOD PAYBACK.
581
00:22:47,734 --> 00:22:49,135
MAYBE.
582
00:22:49,168 --> 00:22:50,413
EXCEPT THE
DEVELOPER ISN'T THE ONE
583
00:22:50,437 --> 00:22:51,704
THAT SCREWED US OUT OF THE LAND.
584
00:22:51,738 --> 00:22:54,641
HUH?
585
00:22:54,674 --> 00:22:57,043
TALK TO A DUDE NAMED
EDWIN TALLTREES.
586
00:22:57,076 --> 00:22:58,545
HE'S THE GUY THAT RIPPED US OFF.
587
00:22:58,578 --> 00:22:59,846
AN INDIAN?
588
00:22:59,879 --> 00:23:01,614
THAT'S RIGHT.
589
00:23:01,648 --> 00:23:03,616
WHY WOULD HE KILL TWO
KIDS ON HIS OWN LAND?
590
00:23:03,650 --> 00:23:05,518
BECAUSE IT ISN'T
HIS LAND ANYMORE.
591
00:23:05,552 --> 00:23:06,819
AFTER HE SCREWED US,
592
00:23:06,853 --> 00:23:08,755
THE DEAD GIRL'S
FATHER SCREWED HIM.
593
00:23:08,788 --> 00:23:11,491
SOUNDS LIKE A LOT OF
SCREWING GOING ON.
594
00:23:11,524 --> 00:23:12,992
UH-HUH.
595
00:23:13,025 --> 00:23:16,596
ALL RIGHT, THEN,
GEORGE, YOU CAN ZIP IT UP.
596
00:23:16,629 --> 00:23:18,565
SORRY ABOUT THE
SMALL WEE-WEE CRACK.
597
00:23:18,598 --> 00:23:21,033
IT'S BEEN A BITCH OF A DAY.
598
00:23:25,071 --> 00:23:27,940
THAT IS ONE SPECIAL GUY.
599
00:23:27,974 --> 00:23:31,678
GOD, I HOPE HE CALLS.
600
00:23:45,958 --> 00:23:48,160
APPARENTLY, RIPPING
OFF YOUR OWN PEOPLE
601
00:23:48,194 --> 00:23:51,898
HAS ITS UPSIDE.
602
00:23:51,931 --> 00:23:56,002
WISH I HAD PEOPLE TO RIP OFF.
603
00:23:56,035 --> 00:23:58,037
CAN I HELP YOU? HI.
604
00:23:58,070 --> 00:24:00,006
MARY SHANNON WITH
THE U.S. MARSHALS.
605
00:24:00,039 --> 00:24:01,941
YOU EDWIN TALLTREES? I AM.
606
00:24:01,974 --> 00:24:05,512
ALL RIGHT.
607
00:24:05,545 --> 00:24:08,581
MUST BE A BITCH GETTING
PIZZA DELIVERED UP HERE.
608
00:24:12,619 --> 00:24:15,154
HI.
609
00:24:15,187 --> 00:24:16,523
HAVE A SEAT.
610
00:24:16,556 --> 00:24:17,556
THANKS.
611
00:24:19,626 --> 00:24:21,694
I SUPPOSE YOU'RE HERE
ABOUT SIENNA BURKE
612
00:24:21,728 --> 00:24:22,829
AND THAT BOY.
613
00:24:22,862 --> 00:24:23,963
WHY WOULD YOU SUPPOSE THAT?
614
00:24:23,996 --> 00:24:25,932
IT'S NO SECRET CALE BURKE AND I
615
00:24:25,965 --> 00:24:28,568
HAD A DISPUTE ABOUT THAT
SPECIFIC PIECE OF LAND.
616
00:24:28,601 --> 00:24:30,603
YOU'D BE REMISS
NOT TO QUESTION ME.
617
00:24:30,637 --> 00:24:34,040
GOD KNOWS I HATE BEING REMISS.
618
00:24:34,073 --> 00:24:37,977
WHAT CAN YOU TELL
ME ABOUT THE MURDERS?
619
00:24:38,010 --> 00:24:41,013
I'M CURIOUS.
620
00:24:41,047 --> 00:24:42,849
WHY IS THE U.S. MARSHAL SERVICE
621
00:24:42,882 --> 00:24:46,553
INTERESTED IN A LOCAL MURDER?
622
00:24:48,621 --> 00:24:50,790
HEY.
623
00:24:50,823 --> 00:24:52,525
HERE'S AN IDEA.
624
00:24:52,559 --> 00:24:54,627
SINCE I'M THE ONE
WEARING THE BADGE
625
00:24:54,661 --> 00:24:57,697
AND YOU'RE THE MURDER SUSPECT,
626
00:24:57,730 --> 00:25:01,734
HOW 'BOUT WE STICK TO
ME ASKING THE QUESTIONS?
627
00:25:01,768 --> 00:25:03,169
ALL RIGHT.
628
00:25:03,202 --> 00:25:06,138
CALE BURKE AND I ATTENDED
STANFORD TOGETHER.
629
00:25:06,172 --> 00:25:08,074
I STOOD UP FOR
HIM AT HIS WEDDING.
630
00:25:08,107 --> 00:25:11,077
I WAS AT THE HOSPITAL
THE DAY SIENNA WAS BORN.
631
00:25:11,110 --> 00:25:13,813
SHE AND MY SON KYLE
PLAYED TOGETHER
632
00:25:13,846 --> 00:25:15,948
EVERY DAY...
633
00:25:15,982 --> 00:25:18,585
UNTIL THEY WENT OFF TO
DIFFERENT PRIVATE SCHOOLS.
634
00:25:18,618 --> 00:25:21,721
I WOULD GIVE
ANYTHING, EVERYTHING,
635
00:25:21,754 --> 00:25:24,691
TO BRING HER BACK.
636
00:25:24,724 --> 00:25:27,760
WHAT ELSE?
637
00:25:27,794 --> 00:25:29,729
WHERE WERE YOU LAST NIGHT?
638
00:25:29,762 --> 00:25:30,863
HERE.
639
00:25:30,897 --> 00:25:32,098
WITH KYLE.
640
00:25:32,131 --> 00:25:33,275
WATCHING THE
KARATE CHAMPIONSHIPS
641
00:25:33,299 --> 00:25:34,667
ON PAY-PER-VIEW.
642
00:25:34,701 --> 00:25:36,969
WE'RE BOTH STUDENTS
OF TAE KWAN DO.
643
00:25:37,003 --> 00:25:40,139
GET MUCH CALL FOR
THAT IN REAL ESTATE?
644
00:25:40,172 --> 00:25:43,643
IS THERE ANYTHING ELSE, MARSHAL?
645
00:25:43,676 --> 00:25:46,679
IS KYLE AVAILABLE?
646
00:25:46,713 --> 00:25:48,748
I'D RATHER YOU
DIDN'T SPEAK TO KYLE.
647
00:25:48,781 --> 00:25:50,282
HE'S VERY UPSET ABOUT SIENNA.
648
00:25:50,316 --> 00:25:54,020
WOULD YOU RATHER I TAKE
HIM IN FOR QUESTIONING?
649
00:25:56,689 --> 00:25:59,091
KYLE, COME DOWN HERE, PLEASE.
650
00:25:59,125 --> 00:26:02,829
OKAY.
651
00:26:05,331 --> 00:26:07,667
AHH.
652
00:26:07,700 --> 00:26:11,170
YUMMY.
653
00:26:13,706 --> 00:26:15,074
KYLE.
654
00:26:15,107 --> 00:26:16,843
THIS IS MARSHAL SHANNON.
655
00:26:16,876 --> 00:26:19,712
SHE WANTS TO ASK
YOU ABOUT SIENNA.
656
00:26:19,746 --> 00:26:20,880
OKAY.
657
00:26:20,913 --> 00:26:22,882
I UNDERSTAND YOU
WERE GOOD FRIENDS.
658
00:26:22,915 --> 00:26:24,984
WERE.
659
00:26:25,017 --> 00:26:26,318
SINCE DAD AND UNCLE CALE
660
00:26:26,352 --> 00:26:27,954
HAD THEIR DISAGREEMENT,
661
00:26:27,987 --> 00:26:30,222
WE WEREN'T ALLOWED TO
SEE EACH OTHER ANYMORE.
662
00:26:30,256 --> 00:26:32,391
DID YOU KNOW THE
BOY SHE WAS WITH?
663
00:26:32,424 --> 00:26:34,326
UH-UH.
664
00:26:34,360 --> 00:26:35,962
I JUST HEARD HE
WENT TO HER SCHOOL.
665
00:26:35,995 --> 00:26:37,630
CAN YOU THINK OF
ANYONE WHO WOULD WANT
666
00:26:37,664 --> 00:26:40,032
TO DO THIS TO SIENNA?
667
00:26:40,066 --> 00:26:41,668
EVERYBODY LOVED HER.
668
00:26:41,701 --> 00:26:45,872
SHE WAS LIKE...
669
00:26:45,905 --> 00:26:48,340
WELL, YOU JUST COULDN'T
HELP IT, YOU KNOW?
670
00:26:48,374 --> 00:26:51,110
IS THAT ENOUGH?
671
00:26:51,143 --> 00:26:52,679
SURE.
672
00:26:52,712 --> 00:26:54,246
JUST ONE MORE THING.
673
00:26:54,280 --> 00:26:55,715
WHERE WERE YOU LAST NIGHT?
674
00:26:55,748 --> 00:26:57,684
I WAS HERE WITH MY DAD
675
00:26:57,717 --> 00:26:59,051
WATCHING THE
KARATE CHAMPIONSHIP.
676
00:26:59,085 --> 00:27:02,421
THAT'S WHAT I THOUGHT.
677
00:27:02,454 --> 00:27:04,023
BY THE WAY, WHO WON?
678
00:27:04,056 --> 00:27:08,861
EDGAR SANCHEZ. EDGAR SANCHEZ.
679
00:27:08,895 --> 00:27:11,297
I'M REALLY SORRY
ABOUT YOUR FRIEND.
680
00:27:11,330 --> 00:27:12,699
YEAH, IT SUCKS.
681
00:27:12,732 --> 00:27:16,202
THANKS.
682
00:27:19,138 --> 00:27:20,773
I REALLY WANTED TO TURN AROUND
683
00:27:20,807 --> 00:27:22,675
AND POP OFF ONE OF
THOSE COLUMBO QUESTIONS.
684
00:27:22,709 --> 00:27:24,343
YOU KNOW, THE
INNOCUOUS AFTERTHOUGHT
685
00:27:24,376 --> 00:27:26,345
THAT LETS THE KILLER
KNOW THAT I KNOW HE DID IT.
686
00:27:26,378 --> 00:27:27,914
EXCUSE ME,
687
00:27:27,947 --> 00:27:30,683
DO YOU ALWAYS WEAR WHITE
SHOES AFTER LABOR DAY?
688
00:27:30,717 --> 00:27:32,151
UNFORTUNATELY, I HAD NO IDEA
689
00:27:32,184 --> 00:27:34,120
IF TALLTREES HAD ANYTHING
TO DO WITH THE MURDERS.
690
00:27:34,153 --> 00:27:37,857
AND, MORE IMPORTANTLY,
HE WASN'T WEARING SHOES.
691
00:27:40,492 --> 00:27:42,128
AS GOOD AS I AM AT SORTING OUT
692
00:27:42,161 --> 00:27:43,395
OTHER PEOPLE'S LIVES...
693
00:27:43,429 --> 00:27:44,873
YOU'LL JUST HAVE TO
TAKE MY WORD FOR IT,
694
00:27:44,897 --> 00:27:46,232
I'M REALLY GOOD...
695
00:27:46,265 --> 00:27:48,200
THAT TALENT PALES
COMPARED TO MY GENIUS
696
00:27:48,234 --> 00:27:49,435
FOR KEEPING MY OWN LIFE
697
00:27:49,468 --> 00:27:52,905
IN A CONSTANT STATE OF TURMOIL.
698
00:27:52,939 --> 00:27:55,975
I SHOULD HAVE JUST LET
YOU WALK FROM THE AIRPORT,
699
00:27:56,008 --> 00:27:58,044
YOU PSYCHO WHACK-JOB.
700
00:27:58,077 --> 00:28:00,046
JUST GIVE ME... JUST
GIVE ME THE KEYS.
701
00:28:00,079 --> 00:28:01,890
A COUPLE OF YEARS FROM
NOW, YOU'RE JUST GONNA BE
702
00:28:01,914 --> 00:28:04,116
ANOTHER HAIRNET-WEARIN' CHOLO.
703
00:28:04,150 --> 00:28:05,351
JUST PLEASE GIVE ME MY KEYS.
704
00:28:05,384 --> 00:28:06,719
ARE YOU GONNA HIT ME?
705
00:28:06,753 --> 00:28:07,887
NO, BUT GIVE ME THE KEYS.
706
00:28:07,920 --> 00:28:08,888
COME ON, HIT ME.
707
00:28:08,921 --> 00:28:10,022
ENOUGH. ENOUGH.
708
00:28:10,056 --> 00:28:11,991
JUST GIVE ME MY KEYS. ENOUGH.
709
00:28:12,024 --> 00:28:13,168
I'VE GOT ENOUGH GOING
ON WITHOUT HAVING TO DEAL
710
00:28:13,192 --> 00:28:14,493
WITH THIS B.S.
711
00:28:14,526 --> 00:28:16,128
MARY, THANK GOD YOU'RE HERE.
712
00:28:16,162 --> 00:28:17,172
THEY'VE BEEN LIKE
THIS FOR HALF AN HOUR.
713
00:28:17,196 --> 00:28:18,898
SHE STOLE MY CAR.
714
00:28:18,931 --> 00:28:20,175
YOU LEFT ME SITTING IN
THE MIDDLE OF THE GHETTO.
715
00:28:20,199 --> 00:28:21,734
MARY, PLEASE, WOULD
YOU DO SOMETHING
716
00:28:21,768 --> 00:28:22,969
BEFORE THE NEIGHBORS THINK
717
00:28:23,002 --> 00:28:24,303
WE'RE POOR WHITE TRASH?
718
00:28:24,336 --> 00:28:27,173
OH, OBVIOUSLY NOT YOU, RAPHAEL.
719
00:28:27,206 --> 00:28:28,908
GOD, MY HEAD IS JUST SPLITTING.
720
00:28:28,941 --> 00:28:30,476
SHE'S LUCKY I DON'T
CALL THE COPS.
721
00:28:30,509 --> 00:28:32,278
RAPHAEL, SHE WAS SCARED.
722
00:28:32,311 --> 00:28:33,913
GO AHEAD, YOU KNOW
WHAT, CALL THE COPS.
723
00:28:33,946 --> 00:28:35,782
I'll JUST TELL THEM
ABOUT THAT DIME BAG
724
00:28:35,815 --> 00:28:37,149
I FOUND IN THE CENTER CONSOLE.
725
00:28:37,183 --> 00:28:38,150
IT'S NOT MINE.
726
00:28:38,184 --> 00:28:39,185
DIME BAG OF WHAT?
727
00:28:39,218 --> 00:28:40,286
YOU DON'T GET HIGH?
728
00:28:40,319 --> 00:28:41,754
IS THAT WHAT YOU'RE TELLING ME?
729
00:28:41,788 --> 00:28:42,755
I DON'T GET HIGH.
730
00:28:42,789 --> 00:28:43,956
OKAY, ALL RIGHT.
731
00:28:43,990 --> 00:28:45,792
BOTH OF YOU, STOP IT, STOP IT.
732
00:28:45,825 --> 00:28:46,793
I DON'T KNOW WHOSE
DOPE IT IS, AND I DON'T CARE.
733
00:28:46,826 --> 00:28:48,260
I WANT IT OUT OF HERE NOW.
734
00:28:48,294 --> 00:28:50,396
I'M A U.S. MARSHAL,
FOR CHRIST'S SAKE.
735
00:28:50,429 --> 00:28:51,898
MA, GO INSIDE AND
TAKE SOME ASPIRIN.
736
00:28:51,931 --> 00:28:53,933
BRANDI, GIVE HIM HIS KEYS.
737
00:28:53,966 --> 00:28:55,177
YOU BETTER DON'T
THINK THAT STUFF IS MINE.
738
00:28:55,201 --> 00:28:56,202
WHAT KIND OF STUFF?
739
00:28:56,235 --> 00:28:57,536
"YOU BETTER DON'T"?
740
00:28:57,569 --> 00:28:58,914
OH, GOD. IT DOESN'T
MATTER, RAPHAEL.
741
00:28:58,938 --> 00:29:00,039
NO, THE HELL IT DOESN'T.
742
00:29:00,072 --> 00:29:01,407
YOU'RE TAKING HER
WORD OVER MINE.
743
00:29:01,440 --> 00:29:02,942
I'M NOT TAKING ANYBODY'S WORD.
744
00:29:02,975 --> 00:29:03,943
WHAT PART OF "I DON'T
CARE WHOSE IT IS"
745
00:29:03,976 --> 00:29:04,944
IS DIFFICULT FOR YOU?
746
00:29:04,977 --> 00:29:06,112
IS THIS HOW YOU THANK ME
747
00:29:06,145 --> 00:29:07,222
FOR TAKING TIME
OUT OF MY DAY OFF
748
00:29:07,246 --> 00:29:08,848
TO PICK UP YOUR
PSYCHOTIC SISTER?
749
00:29:08,881 --> 00:29:10,258
YOU WERE SUPPOSED TO
DRIVE HER TO MY HOUSE,
750
00:29:10,282 --> 00:29:11,459
NOT INTENTIONALLY
SCARE THE CRAP OUTTA HER.
751
00:29:11,483 --> 00:29:13,820
I HAD TO STOP AT
THE YOUTH CENTER.
752
00:29:13,853 --> 00:29:14,821
THE SCARING THE
CRAP OUT OF HER PART
753
00:29:14,854 --> 00:29:16,355
WAS JUST A BONUS.
754
00:29:16,388 --> 00:29:18,357
IT'S A JUVENILE PRANK
THAT BLEW UP IN YOUR FACE.
755
00:29:18,390 --> 00:29:19,558
THEN AFTER SHE STEALS MY CAR,
756
00:29:19,591 --> 00:29:20,559
YOU DON'T EVEN
COME AND PICK ME UP.
757
00:29:20,592 --> 00:29:22,194
I WAS BUSY.
758
00:29:22,228 --> 00:29:23,238
WHY CAN'T ANYONE GET
IT THROUGH THEIR HEADS?
759
00:29:23,262 --> 00:29:24,230
I HAVE A JOB.
760
00:29:24,263 --> 00:29:25,965
OH, THAT'S RIGHT...
761
00:29:25,998 --> 00:29:27,275
EVERYBODY'S GOTTA MAKE
TIME IN THEIR DAY, BUT NOT MARY.
762
00:29:27,299 --> 00:29:29,068
CRY ME A RIVER.
763
00:29:29,101 --> 00:29:30,278
WHAT DID I PULL YOU AWAY
FROM, AN EXTRA SET OF CRUNCHES?
764
00:29:30,302 --> 00:29:31,871
IS THAT ALL YOU THINK I DO?
765
00:29:31,904 --> 00:29:33,906
NO, SOMETIMES I THINK
YOU WORK ON YOUR LATS.
766
00:29:33,940 --> 00:29:36,375
HAVE A HAPPY BIRTHDAY.
767
00:29:36,408 --> 00:29:39,011
I'M OUTTA HERE. SEE YA.
768
00:29:39,045 --> 00:29:40,312
YOU HAPPY?
769
00:29:40,346 --> 00:29:41,313
WHAT, I ALREADY
GOT RID OF THE STUFF.
770
00:29:41,347 --> 00:29:42,949
WHAT'S THE BIG DRAMA?
771
00:29:42,982 --> 00:29:44,559
OH, MY GOD, BRANDI, WHEN
ARE YOU GONNA GROW UP
772
00:29:44,583 --> 00:29:46,318
AND STOP MAKING LIFE MISERABLE
773
00:29:46,352 --> 00:29:47,887
FOR EVERYONE AROUND YOU?
774
00:29:47,920 --> 00:29:49,221
OH, COME ON.
775
00:29:49,255 --> 00:29:50,489
YOU COULDN'T TAKE AN HOUR OFF
776
00:29:50,522 --> 00:29:52,324
FROM SERVING WARRANTS?
777
00:29:52,358 --> 00:29:53,993
OR DRINKING COFFEE
AT THE COURTHOUSE?
778
00:29:54,026 --> 00:29:56,095
OR WHATEVER THE
HELL IT IS YOU DO
779
00:29:56,128 --> 00:29:58,297
TO PICK UP YOUR SISTER?
780
00:29:58,330 --> 00:30:00,867
OKAY, MA, I KNOW YOU THINK
BRANDI'S YOUR PRECIOUS BABY.
781
00:30:00,900 --> 00:30:02,501
SHE'S NOT.
782
00:30:02,534 --> 00:30:04,336
SHE'S A VIRUS, INFECTING
EVERYONE AROUND HER.
783
00:30:04,370 --> 00:30:05,972
ALL RIGHT, THAT'S ENOUGH.
784
00:30:06,005 --> 00:30:07,549
AS LONG AS YOU KEEP PROPPING
HER UP AND MAKING EXCUSES,
785
00:30:07,573 --> 00:30:09,308
THAT'S ALL SHE'S EVER GONNA BE.
786
00:30:09,341 --> 00:30:10,509
GOD, WOULD YOU STOP IT?
787
00:30:10,542 --> 00:30:11,944
THIS IS YOUR BABY SISTER...
788
00:30:11,978 --> 00:30:13,846
NOW SHE'S GONNA CRY,
789
00:30:13,880 --> 00:30:15,190
AND YOU'RE GONNA TELL
HER EVERYTHING'S OKAY.
790
00:30:15,214 --> 00:30:16,859
AND SOMEHOW, THIS IS ALL
GONNA WIND UP MY FAULT.
791
00:30:16,883 --> 00:30:18,217
SO IF YOU DON'T MIND,
792
00:30:18,250 --> 00:30:19,862
I'M GONNA SKIP THE NEXT
PART OF THE PROGRAM.
793
00:30:19,886 --> 00:30:21,429
I HAVE TO GET BACK TO
WHATEVER THE HELL IT IS I DO.
794
00:30:21,453 --> 00:30:22,421
UGH!
795
00:30:22,454 --> 00:30:25,257
EXCUSE ME.
796
00:30:25,291 --> 00:30:27,994
JUST GIVE ME THE DAMN KEYS.
797
00:30:28,027 --> 00:30:29,261
YOU WANT 'EM?
798
00:30:29,295 --> 00:30:32,999
YEAH.
799
00:30:35,301 --> 00:30:37,236
GO GET 'EM.
800
00:30:40,306 --> 00:30:42,108
NO! DON'T TOUCH ME!
801
00:30:42,141 --> 00:30:44,076
GET YOUR HANDS OFF
OF ME! PUT ME DOWN!
802
00:30:48,380 --> 00:30:50,149
YOU GET OUT WHEN I GET THE KEYS.
803
00:30:50,182 --> 00:30:51,283
UP YOURS!
804
00:30:51,317 --> 00:30:53,285
OH, CLASSY.
805
00:30:57,423 --> 00:30:58,590
MARSHALL.
806
00:30:58,624 --> 00:30:59,591
HEY, HOW'S IT COMING?
807
00:30:59,625 --> 00:31:01,093
DRIPS AND DRABS.
808
00:31:01,127 --> 00:31:02,628
I TRACKED DOWN THE
GIRL'S BEST FRIEND.
809
00:31:02,661 --> 00:31:04,530
SHE'S AT WORK AT ELSA ROSS.
810
00:31:04,563 --> 00:31:06,198
SO SHE DOESN'T KNOW?
811
00:31:06,232 --> 00:31:08,167
EITHER THAT OR SHE'S
GOT A GREAT WORK ETHIC.
812
00:31:08,200 --> 00:31:09,535
ALL RIGHT, I'M ON MY WAY.
813
00:31:09,568 --> 00:31:11,070
TREAD LIGHTLY.
814
00:31:11,103 --> 00:31:14,306
HEY, GIVE ME A LITTLE CREDIT.
815
00:31:16,375 --> 00:31:18,677
OH, GOD.
816
00:31:18,710 --> 00:31:20,913
I CAN'T BELIEVE SHE'S DEAD.
817
00:31:20,947 --> 00:31:22,949
I'M SO SORRY.
818
00:31:22,982 --> 00:31:24,459
AND I CAN'T BELIEVE
YOU TRIED ON CLOTHES
819
00:31:24,483 --> 00:31:26,152
BEFORE TELLING ME.
820
00:31:26,185 --> 00:31:30,589
YEAH, AGAIN, I'M REALLY SORRY.
821
00:31:30,622 --> 00:31:32,458
THOUGHT IT WOULD
HELP EASE INTO IT.
822
00:31:34,026 --> 00:31:36,362
I CAN SEE NOW
THAT WAS A MISTAKE.
823
00:31:36,395 --> 00:31:37,529
I DON'T KNOW ANYONE
824
00:31:37,563 --> 00:31:40,166
WHO WOULD DO ANYTHING LIKE THIS.
825
00:31:40,199 --> 00:31:42,134
ALL MY FRIENDS ARE REALLY NICE.
826
00:31:42,168 --> 00:31:43,402
WHAT ABOUT FRANKIE?
827
00:31:43,435 --> 00:31:44,937
DID HE HAVE ANY ENEMIES?
828
00:31:44,971 --> 00:31:46,505
I DON'T KNOW.
829
00:31:46,538 --> 00:31:48,140
HE WAS NEW.
830
00:31:48,174 --> 00:31:50,676
HOW LONG HAD HE AND
SIENNA BEEN GOING OUT?
831
00:31:50,709 --> 00:31:52,378
THEY WEREN'T GOING OUT.
832
00:31:52,411 --> 00:31:55,647
SIENNA WAS JUST
BEING NICE TO HIM.
833
00:31:55,681 --> 00:31:57,683
HE WAS A VIRGIN.
834
00:31:57,716 --> 00:32:04,056
SO SHE WAS GONNA... YOU KNOW.
835
00:32:04,090 --> 00:32:06,158
THAT IS NICE.
836
00:32:06,192 --> 00:32:08,027
SIENNA WAS LIKE THAT.
837
00:32:08,060 --> 00:32:09,595
OKAY. OKAY.
838
00:32:09,628 --> 00:32:11,530
IS THERE ANYONE
WE SHOULD TALK TO?
839
00:32:11,563 --> 00:32:13,108
ANYONE YOU'D WANT TO
TALK TO IF YOU WERE ME?
840
00:32:13,132 --> 00:32:15,267
SHE HAD A BOYFRIEND.
841
00:32:15,301 --> 00:32:17,469
I'D WANT TO TALK TO HIM.
842
00:32:17,503 --> 00:32:19,371
OKAY, GOOD.
843
00:32:19,405 --> 00:32:21,340
HE WAS THIS BIG SECRET.
844
00:32:21,373 --> 00:32:22,975
AND I MEAN, REALLY BIG.
845
00:32:23,009 --> 00:32:25,011
SHE WOULDN'T EVEN TELL
ME WHAT HE LOOKED LIKE,
846
00:32:25,044 --> 00:32:27,379
AND SHE TOLD ME EVERYTHING.
847
00:32:27,413 --> 00:32:28,590
DID SHE TELL YOU
ANYTHING ABOUT HIM?
848
00:32:28,614 --> 00:32:30,116
ANYTHING AT ALL?
849
00:32:30,149 --> 00:32:32,284
JUST THAT HE MADE HER
GET THIS STUPID TATTOO.
850
00:32:32,318 --> 00:32:34,320
YOU MEAN THE ONE ON HER CHEST?
851
00:32:34,353 --> 00:32:36,055
OVER HER HEART.
852
00:32:36,088 --> 00:32:38,124
SO HOW COME SHE
WAS WITH FRANKIE?
853
00:32:38,157 --> 00:32:39,458
I MEAN, IF SHE HAD
854
00:32:39,491 --> 00:32:41,427
THIS SECRET BOYFRIEND AND ALL?
855
00:32:41,460 --> 00:32:45,731
'CAUSE THEY BROKE
UP, LIKE, A MONTH AGO.
856
00:32:45,764 --> 00:32:48,000
DID I FORGET TO MENTION THAT?
857
00:32:48,034 --> 00:32:49,468
YEAH.
858
00:32:49,501 --> 00:32:51,003
YOU KINDA DID.
859
00:32:51,037 --> 00:32:52,638
I'M SORRY.
860
00:32:52,671 --> 00:32:56,375
IT'S OKAY. I'M SORRY.
861
00:32:58,344 --> 00:33:00,179
BEFORE YOU HEAR IT
FROM SOMEBODY ELSE,
862
00:33:00,212 --> 00:33:03,382
I SMACKED AN INDIAN'S JOHNSON
WITH A BAR OF SOAP TODAY.
863
00:33:03,415 --> 00:33:05,284
JUST THOUGHT YOU SHOULD KNOW.
864
00:33:05,317 --> 00:33:06,728
HAVEN'T WE DONE
ENOUGH TO THOSE PEOPLE?
865
00:33:06,752 --> 00:33:08,220
I'M NOT PROUD OF MYSELF.
866
00:33:08,254 --> 00:33:09,455
DID YOU COME UP WITH ANYTHING?
867
00:33:09,488 --> 00:33:10,789
NOT REALLY.
868
00:33:10,822 --> 00:33:12,358
OH, EXCEPT THAT TWO DAYS AGO
869
00:33:12,391 --> 00:33:14,593
A THREE-SECOND CALL
CAME INTO SANTORO'S HOUSE
870
00:33:14,626 --> 00:33:17,329
FROM A CELL REGISTERED
TO RICHIE MASTRO.
871
00:33:17,363 --> 00:33:19,431
RICHIE MASTRO, SON
OF DOMINIC MASTRO.
872
00:33:19,465 --> 00:33:20,475
DON OF DONS, HEAD
OF THE FIVE FAMILIES,
873
00:33:20,499 --> 00:33:22,034
CALLED MY FRANKIE?
874
00:33:22,068 --> 00:33:23,535
YES, FREDO.
875
00:33:23,569 --> 00:33:25,037
YOU SURE?
876
00:33:25,071 --> 00:33:26,348
YOU KNOW, IT HURTS
WHEN YOU DOUBT ME.
877
00:33:26,372 --> 00:33:27,339
ALL RIGHT, LET'S GO.
878
00:33:27,373 --> 00:33:28,774
NOW WHERE?
879
00:33:28,807 --> 00:33:30,542
FRANKIE NUTS HAS GOT
SOME 'SPLAINING TO DO.
880
00:33:30,576 --> 00:33:32,311
DO I GET TO PLAY BAD COP?
881
00:33:32,344 --> 00:33:33,445
LIKE YOU COULD.
882
00:33:33,479 --> 00:33:36,548
OH, DAMN.
883
00:33:36,582 --> 00:33:37,783
WHAT'S THE MATTER?
884
00:33:39,785 --> 00:33:41,420
HI, TASHA. IT'S ME, MARY.
885
00:33:41,453 --> 00:33:43,489
IS YOUR CABLE ON YET?
886
00:33:43,522 --> 00:33:46,525
GOOD.
887
00:33:46,558 --> 00:33:48,727
NO, WE CAN ONLY PAY
FOR THE BASIC PACKAGE.
888
00:33:48,760 --> 00:33:51,597
HBO AND SHOWTIME ARE EXTRA.
889
00:33:51,630 --> 00:33:54,400
LISTEN, ABOUT YOUR GROCERIES,
890
00:33:54,433 --> 00:33:55,667
SOMETHING'S COME UP.
891
00:33:55,701 --> 00:33:58,670
SO WHAT'S THE BOOK
ON YOUNG RICHIE?
892
00:33:58,704 --> 00:34:00,639
WELL, FOR STARTERS,
YOU'D HAVE TO SAY
893
00:34:00,672 --> 00:34:02,374
HE'S OF QUESTIONABLE CHARACTER.
894
00:34:02,408 --> 00:34:03,809
TOSSED OUT OF CHOATE, WAS HE?
895
00:34:03,842 --> 00:34:05,844
NYPD HAS HIM UNDER INVESTIGATION
896
00:34:05,877 --> 00:34:07,513
FOR A HANDFUL OF MURDERS.
897
00:34:07,546 --> 00:34:09,315
AND OF PARTICULAR INTEREST,
898
00:34:09,348 --> 00:34:11,550
A FORMER GIRLFRIEND GOT A
RESTRAINING ORDER AGAINST HIM
899
00:34:11,583 --> 00:34:14,220
AFTER HE BROKE FOUR OF HER RIBS.
900
00:34:14,253 --> 00:34:16,222
THEN, GUESS WHAT, TWO DAYS LATER
901
00:34:16,255 --> 00:34:17,489
SHE TURNS UP HACKED TO BITS.
902
00:34:17,523 --> 00:34:18,657
NO.
903
00:34:18,690 --> 00:34:20,226
AFRAID SO.
904
00:34:20,259 --> 00:34:22,094
APPARENTLY, OUR
BOY'S GOT GIRL ISSUES.
905
00:34:22,128 --> 00:34:23,362
AND LIKES KNIVES.
906
00:34:23,395 --> 00:34:24,496
SO HE DOES JUNIOR,
907
00:34:24,530 --> 00:34:25,497
THEN HAS HIS JOLLIES
WITH THE GIRL?
908
00:34:25,531 --> 00:34:26,765
COULD BE.
909
00:34:26,798 --> 00:34:28,300
SOMEHOW HE GOT FRANKIE'S NUMBER.
910
00:34:28,334 --> 00:34:29,335
SO IT WOULD SEEM.
911
00:34:29,368 --> 00:34:30,569
SON OF A BITCH.
912
00:34:30,602 --> 00:34:33,105
A WEEK BEFORE HE
TESTIFIES AGAINST DOMINIC.
913
00:34:33,139 --> 00:34:35,607
I BET YOU ANYTHING FRANKIE
WAS TRYING TO BROKER A DEAL.
914
00:34:35,641 --> 00:34:37,476
YOU KNOW WHAT I THINK? WHAT?
915
00:34:37,509 --> 00:34:39,421
I THINK FRANKIE MIGHT HAVE
BEEN TRYING TO BROKER A DEAL.
916
00:34:39,445 --> 00:34:43,115
YOU'RE AN IDIOT.
917
00:35:02,234 --> 00:35:05,804
WHERE ARE THE PEOPLE
WHO WERE STAYING HERE?
918
00:35:05,837 --> 00:35:07,906
LA GENTE, A DONDE ESTAN?
919
00:35:07,939 --> 00:35:10,676
DAMN IT, WHAT
LANGUAGE DO YOU SPEAK?
920
00:35:10,709 --> 00:35:12,344
OH, PERFECT, SHE'S DEAF.
921
00:35:12,378 --> 00:35:15,847
YOU HAVE A PEN?
922
00:35:17,616 --> 00:35:18,650
THEY'RE GONE.
923
00:35:18,684 --> 00:35:21,453
SHE DOESN'T KNOW WHERE.
924
00:35:21,487 --> 00:35:23,355
WHAT?
925
00:35:23,389 --> 00:35:26,858
COME ON.
926
00:35:42,974 --> 00:35:44,176
YOU CALLING IN A PHONE TRACE?
927
00:35:44,210 --> 00:35:45,244
THAT'LL TAKE HOURS.
928
00:35:45,277 --> 00:35:46,578
GET A WARRANT, BLAH, BLAH, BLAH.
929
00:35:46,612 --> 00:35:48,356
I NEED TO FIND MASTRO
BEFORE HE FINDS FRANKIE,
930
00:35:48,380 --> 00:35:49,515
OR VICE VERSA.
931
00:35:49,548 --> 00:35:51,750
SINCE WHEN DO YOU
KNOW SIGN LANGUAGE?
932
00:35:51,783 --> 00:35:53,585
APPARENTLY I DON'T.
933
00:35:53,619 --> 00:35:54,753
HELLO?
934
00:35:54,786 --> 00:35:56,488
HELLO, IS THIS RICHIE?
935
00:35:56,522 --> 00:35:57,623
YOU GOTTA BE KIDDING.
936
00:35:57,656 --> 00:35:59,225
YEAH, WHO'S THIS?
937
00:35:59,258 --> 00:36:01,393
THIS IS NOMI.
938
00:36:01,427 --> 00:36:02,570
I DON'T KNOW IF YOU REMEMBER,
939
00:36:02,594 --> 00:36:04,363
ME AND MY GIRLFRIEND PIA MET YOU
940
00:36:04,396 --> 00:36:05,864
AT COSMO'S A FEW WEEKS AGO.
941
00:36:05,897 --> 00:36:07,733
MAYBE, I MEET A LOT OF CHICKS.
942
00:36:07,766 --> 00:36:09,201
WHAT'S UP?
943
00:36:09,235 --> 00:36:10,736
WELL, PIA AND I
WERE JUST TALKING
944
00:36:10,769 --> 00:36:13,305
ABOUT HOW MUCH FUN IT
WAS TO HANG OUT WITH YOU,
945
00:36:13,339 --> 00:36:15,774
AND HOW MUCH WE WANTED
TO PARTY WITH YOU THAT NIGHT.
946
00:36:15,807 --> 00:36:17,576
AND PIA SAID WE
SHOULD JUST CALL YOU
947
00:36:17,609 --> 00:36:18,577
AND SEE WHAT YOU WAS DOING.
948
00:36:18,610 --> 00:36:19,778
NO WAY IN HELL THIS WORKS.
949
00:36:19,811 --> 00:36:21,913
YEAH, MAYBE SOME OTHER TIME.
950
00:36:21,947 --> 00:36:23,382
OH. OH!
951
00:36:23,415 --> 00:36:25,451
OH!
952
00:36:25,484 --> 00:36:26,952
PIA.
953
00:36:26,985 --> 00:36:28,354
WHAT ARE YOU DOING?
954
00:36:28,387 --> 00:36:29,888
PLEASE DON'T TALK DIRTY.
955
00:36:29,921 --> 00:36:31,957
OH, RICHIE, I WISH
YOU COULD SEE THIS.
956
00:36:31,990 --> 00:36:33,592
ME TOO.
957
00:36:33,625 --> 00:36:36,728
WHAT EXACTLY IS,
UH, PIA DOING TO YOU?
958
00:36:36,762 --> 00:36:39,865
WELL, FIRST OF ALL,
I'M LYING ON MY TUMMY,
959
00:36:39,898 --> 00:36:43,702
AND I'M WEARING THIS
REAL SHORT SKIRT.
960
00:36:43,735 --> 00:36:45,437
AND PIA'S TAKING HER TONGUE
961
00:36:45,471 --> 00:36:48,740
AND RUNNING IT ALL
THE WAY UP MY... OY.
962
00:36:48,774 --> 00:36:50,642
OH!
963
00:36:50,676 --> 00:36:53,011
SWEET MOTHER.
964
00:36:53,044 --> 00:36:57,983
OH!
965
00:36:58,016 --> 00:36:59,785
AHH!
966
00:36:59,818 --> 00:37:01,820
AH!
967
00:37:01,853 --> 00:37:03,355
AHHHH.
968
00:37:03,389 --> 00:37:05,791
SHE'S TALKING TO HER MOTHER.
969
00:37:05,824 --> 00:37:07,993
OHH.
970
00:37:08,026 --> 00:37:09,961
AHH.
971
00:37:09,995 --> 00:37:12,598
OH, RICHIE.
972
00:37:12,631 --> 00:37:14,933
I WANT TO DO YOU
LIKE PIA JUST DID ME.
973
00:37:14,966 --> 00:37:16,368
TELL ME WHERE YOU ARE.
974
00:37:16,402 --> 00:37:18,270
WE'LL COME OVER IN A CAB.
975
00:37:18,304 --> 00:37:21,407
THAT IS, IF YOU THINK YOU
CAN HANDLE BOTH OF US.
976
00:37:21,440 --> 00:37:23,975
LISTEN, UH, ROMY... NOMI.
977
00:37:24,009 --> 00:37:25,877
OKAY, LISTEN, NOMI,
978
00:37:25,911 --> 00:37:27,755
AS MUCH AS I'D LOVE TO
PARTY WITH YOU AND PIA...
979
00:37:27,779 --> 00:37:29,348
AND TRUST ME,
980
00:37:29,381 --> 00:37:30,892
I GOT MORE THAN
ENOUGH FOR BOTH OF YOU...
981
00:37:30,916 --> 00:37:32,460
THAT'S GONNA BE AN
AWFULLY PRICEY CAB RIDE.
982
00:37:32,484 --> 00:37:33,985
WHY'S THAT?
983
00:37:34,019 --> 00:37:37,423
'CAUSE I'M IN
ALBUQUERQUE, CUPCAKE.
984
00:37:37,456 --> 00:37:38,824
ALBUQUERQUE?!
985
00:37:38,857 --> 00:37:40,025
UNBELIEVABLE.
986
00:37:40,058 --> 00:37:41,427
HOW FUNNY.
987
00:37:41,460 --> 00:37:42,737
SOME GUY JUST
INVITED ME OUT THERE
988
00:37:42,761 --> 00:37:43,962
TO SOME BALLOON FESTIVAL,
989
00:37:43,995 --> 00:37:45,764
WHATEVER THE HELL THAT IS.
990
00:37:45,797 --> 00:37:46,965
NO KIDDING?
991
00:37:46,998 --> 00:37:48,834
SOME COINCIDENCE, RIGHT?
992
00:37:48,867 --> 00:37:50,536
HEY, ARE THERE ANY DECENT PLACES
993
00:37:50,569 --> 00:37:52,003
TO STAY OUT THERE?
994
00:37:52,037 --> 00:37:53,505
YEAH, THEY GOT ONE
REALLY NICE RESORT
995
00:37:53,539 --> 00:37:54,706
JUST OUTTA TOWN.
996
00:37:54,740 --> 00:37:57,743
GOLF, SPA, THE WHOLE DEAL.
997
00:37:57,776 --> 00:37:59,345
THAT SOUNDS...
998
00:37:59,378 --> 00:38:02,681
UH-OH, I THINK MY
HUSBAND JUST GOT HOME.
999
00:38:08,053 --> 00:38:09,921
HONEY, I'M HOME.
1000
00:38:09,955 --> 00:38:12,891
MOTHER MARY AND JOSEPH,
1001
00:38:12,924 --> 00:38:14,793
WHAT'S GOING ON HERE?
1002
00:38:14,826 --> 00:38:16,795
WHERE ARE YOUR PANTIES?
1003
00:38:16,828 --> 00:38:19,898
YOU BAD, BAD GIRL.
1004
00:38:19,931 --> 00:38:22,334
I GOTTA GO.
1005
00:38:22,368 --> 00:38:25,103
I'll CALL YOU BACK.
1006
00:38:25,136 --> 00:38:29,708
THAT'S JUST... NOMI?
1007
00:38:29,741 --> 00:38:31,977
FROM SHOWGIRLS.
1008
00:38:32,010 --> 00:38:35,714
SWEET.
1009
00:38:42,654 --> 00:38:43,755
WHO IS IT?
1010
00:38:43,789 --> 00:38:45,491
ROOM SERVICE, MR. MARTELL.
1011
00:38:45,524 --> 00:38:46,925
I HAVE A FRUIT BASKET
1012
00:38:46,958 --> 00:38:47,959
COMPLIMENTS OF THE HOTEL.
1013
00:38:47,993 --> 00:38:50,862
LEAVE IT BY THE DOOR.
1014
00:38:50,896 --> 00:38:54,466
AND A BOTTLE OF DOM PERIGNON.
1015
00:38:54,500 --> 00:38:56,702
I'M NOT ALLOWED
TO LEAVE IT OUTSIDE.
1016
00:38:56,735 --> 00:38:58,103
ALL RIGHT, HOLD ON.
1017
00:38:58,136 --> 00:39:02,408
PAIN IN THE ASS.
1018
00:39:02,441 --> 00:39:05,911
FREEZE!
1019
00:39:09,080 --> 00:39:10,382
DON'T EVEN FART.
1020
00:39:10,416 --> 00:39:11,617
MY WALLET'S ON THE BAR.
1021
00:39:11,650 --> 00:39:13,018
TAKE WHATEVER YOU WANT.
1022
00:39:13,051 --> 00:39:14,753
WE'RE NOT HERE TO ROB
YOU, YOU STUPID HUMP.
1023
00:39:14,786 --> 00:39:16,422
WE'RE U.S. MARSHALS.
1024
00:39:16,455 --> 00:39:17,756
I DIDN'T DO NOTHING.
1025
00:39:17,789 --> 00:39:19,124
OH, YEAH?
1026
00:39:19,157 --> 00:39:20,125
ISN'T THAT CUTE?
1027
00:39:20,158 --> 00:39:24,463
THAT AIN'T MINE.
1028
00:39:28,166 --> 00:39:29,568
WHERE'S FRANKIE?
1029
00:39:29,601 --> 00:39:30,836
FRANKIE WHO?
1030
00:39:30,869 --> 00:39:33,038
SANTORO, WHERE IS HE?
1031
00:39:33,071 --> 00:39:36,174
FRANKIE NUTS, HOW
THE HELL SHOULD I KNOW?
1032
00:39:36,207 --> 00:39:37,843
AHH, WHAT ARE YOU, A NUN?
1033
00:39:37,876 --> 00:39:39,411
QUIT SCREWING WITH ME.
1034
00:39:39,445 --> 00:39:40,655
I KNOW YOUR FATHER
SENT YOU TO KILL HIM.
1035
00:39:40,679 --> 00:39:42,180
NOW TELL ME WHERE
HE IS, OR SO HELP ME
1036
00:39:42,213 --> 00:39:44,550
I WILL FEED THIS EAR TO
MY MOTHER'S POODLES.
1037
00:39:44,583 --> 00:39:45,751
I THOUGHT THEY WERE SHIH TZUS.
1038
00:39:45,784 --> 00:39:46,985
FOCUS, MARSHALL.
1039
00:39:50,088 --> 00:39:52,023
WHERE THE HELL ARE YOU?
1040
00:39:52,057 --> 00:39:54,593
I THOUGHT I TOLD
YOU TO STAY PUT.
1041
00:39:54,626 --> 00:39:56,628
NO, IT ISN'T ALL
RIGHT. STAY THERE.
1042
00:39:56,662 --> 00:39:57,996
I'M COMING OVER.
1043
00:39:58,029 --> 00:39:59,765
SOMETHING'S COME UP.
1044
00:39:59,798 --> 00:40:01,199
BE A DEAR AND TAKE HIM IN.
1045
00:40:01,232 --> 00:40:02,601
YES, HONEY.
1046
00:40:02,634 --> 00:40:03,911
SHALL I PICK UP
YOUR DRY CLEANING
1047
00:40:03,935 --> 00:40:05,103
WHILE I'M AT IT?
1048
00:40:05,136 --> 00:40:06,472
TAKE ME IN?
1049
00:40:06,505 --> 00:40:07,939
WHAT FOR?
1050
00:40:07,973 --> 00:40:10,075
FOR ENDING AN INTERROGATORY
WITH A PREPOSITION.
1051
00:40:10,108 --> 00:40:12,678
HEY, THAT'S A $6 CANDY BAR.
1052
00:40:12,711 --> 00:40:14,112
PUT THESE ON, AND SHUT UP.
1053
00:40:14,145 --> 00:40:17,816
EASY.
1054
00:40:30,496 --> 00:40:32,230
HEY.
1055
00:40:32,263 --> 00:40:33,832
LET ME EXPLAIN SOMETHING TO YOU.
1056
00:40:33,865 --> 00:40:34,876
WHEN I TELL YOU
TO STAY SOMEPLACE,
1057
00:40:34,900 --> 00:40:36,001
YOU STAY THERE.
1058
00:40:36,034 --> 00:40:37,178
YOU CAN'T JUST CHANGE LOCATIONS
1059
00:40:37,202 --> 00:40:38,637
WITHOUT TELLING ME.
1060
00:40:38,670 --> 00:40:39,971
I DON'T HAVE TIME TO GO CHASING
1061
00:40:40,005 --> 00:40:42,608
ALL OVER HELL AND HIGH
WATER LOOKING FOR YOU.
1062
00:40:42,641 --> 00:40:44,643
THIS GOES FOR YOU, TOO, FELICIA.
1063
00:40:44,676 --> 00:40:49,014
I NEEDED TO LIGHT A CANDLE.
1064
00:40:49,047 --> 00:40:50,582
LISTEN, I KNOW YOU
TWO ARE HURTING,
1065
00:40:50,616 --> 00:40:52,117
BUT THIS...
1066
00:40:52,150 --> 00:40:55,587
THIS IS NOT HOW
THE PROGRAM WORKS.
1067
00:40:55,621 --> 00:40:57,055
WE CHECKED INTO THE MARRIOTT.
1068
00:40:57,088 --> 00:40:58,957
THE OTHER PLACE
WAS TOO DEPRESSING.
1069
00:40:58,990 --> 00:41:01,993
THE BEDSPREADS HAD STAINS.
1070
00:41:04,062 --> 00:41:06,197
HOW DOES RICHIE MASTRO
HAVE YOUR PHONE NUMBER?
1071
00:41:06,231 --> 00:41:07,833
WHAT?
1072
00:41:07,866 --> 00:41:09,134
YOU HEARD ME.
1073
00:41:09,167 --> 00:41:10,277
HE CALLED YOUR HOUSE
TWO DAYS AGO AND HUNG UP
1074
00:41:10,301 --> 00:41:11,870
LIKE HE WAS CHECKING THE NUMBER.
1075
00:41:11,903 --> 00:41:12,871
I KNOW I DIDN'T GIVE IT TO HIM.
1076
00:41:12,904 --> 00:41:14,105
SO WHO DID?
1077
00:41:14,139 --> 00:41:15,674
WELL, IT CERTAINLY WASN'T ME.
1078
00:41:15,707 --> 00:41:17,709
I HAVEN'T CONTACTED ANYBODY.
1079
00:41:17,743 --> 00:41:18,710
OH, GOD.
1080
00:41:18,744 --> 00:41:19,911
WHAT?
1081
00:41:19,945 --> 00:41:22,981
OH, GOD, DID I GET
FRANKIE KILLED?
1082
00:41:23,014 --> 00:41:24,258
WHAT? TELL US
WHAT YOU DID, FELICIA.
1083
00:41:24,282 --> 00:41:26,618
YOU STUPID... SHH!
1084
00:41:26,652 --> 00:41:27,919
WHAT HAPPENED?
1085
00:41:27,953 --> 00:41:28,963
HAVE YOU BEEN
TALKING TO SOMEONE?
1086
00:41:28,987 --> 00:41:31,156
NO, NO. NO, I SWEAR.
1087
00:41:31,189 --> 00:41:33,058
NOT ON THE PHONE.
1088
00:41:33,091 --> 00:41:34,960
ON THE INTERNET.
1089
00:41:34,993 --> 00:41:36,662
ME AND CATHY, WE BEEN
EMAILING EACH OTHER.
1090
00:41:36,695 --> 00:41:38,229
BUT I NEVER TOLD
HER WHERE WE WERE.
1091
00:41:38,263 --> 00:41:39,565
AND I DIDN'T GIVE OUR NUMBER.
1092
00:41:39,598 --> 00:41:40,599
I SWEAR ON MY LIFE.
1093
00:41:40,632 --> 00:41:41,633
WHO'S CATHY?
1094
00:41:41,667 --> 00:41:43,068
IT'S MASTRO'S WIFE.
1095
00:41:43,101 --> 00:41:44,703
THEY'VE BEEN FRIENDS
SINCE GRADE SCHOOL.
1096
00:41:44,736 --> 00:41:46,037
HE MUST HAVE FOUND OUT,
1097
00:41:46,071 --> 00:41:47,873
AND HE TAPPED OUR ISP.
1098
00:41:47,906 --> 00:41:49,307
LISTEN, FELICIA, WE DON'T KNOW
1099
00:41:49,340 --> 00:41:51,009
THAT MASTRO HAD
ANYTHING TO DO WITH THIS.
1100
00:41:51,042 --> 00:41:53,044
I KILLED MY SON.
1101
00:41:53,078 --> 00:41:55,647
HEY, DON'T DO THIS TO YOURSELF.
1102
00:41:55,681 --> 00:41:56,982
YOU TELL ME WHERE
1103
00:41:57,015 --> 00:41:59,317
THAT SON OF A BITCH
MASTRO IS RIGHT NOW.
1104
00:41:59,350 --> 00:42:01,086
OH.
1105
00:42:01,119 --> 00:42:02,988
DO WE HAVE ANYTHING
TO HOLD HIM ON?
1106
00:42:03,021 --> 00:42:04,289
TAMPERING WITH A WITNESS.
1107
00:42:04,322 --> 00:42:05,624
MAYBE HAMPERING A PROSECUTION.
1108
00:42:05,657 --> 00:42:07,659
YEAH. WHAT ABOUT THE MURDER?
1109
00:42:07,693 --> 00:42:10,195
UNLESS SOMETHING TURNS
UP, HE WALKS IN 48 HOURS.
1110
00:42:10,228 --> 00:42:11,563
YEAH, YEAH, THAT'S
WHAT I FIGURED.
1111
00:42:11,597 --> 00:42:17,002
SO, I, UH... RETURNED
THE PERFUME.
1112
00:42:17,035 --> 00:42:18,837
SMART MOVE.
1113
00:42:18,870 --> 00:42:23,609
AND... I GOT HER THESE.
1114
00:42:23,642 --> 00:42:24,676
WOW.
1115
00:42:24,710 --> 00:42:26,077
I'll BET THESE SET YOU BACK.
1116
00:42:26,111 --> 00:42:27,112
OH, SURE.
1117
00:42:27,145 --> 00:42:28,279
VERY PRETTY.
1118
00:42:28,313 --> 00:42:29,323
SO YOU THINK SHE'LL LIKE 'EM?
1119
00:42:29,347 --> 00:42:31,750
HAVE YOU EVER MET MARY?
1120
00:42:31,783 --> 00:42:33,585
WHAT THEY'RE SHOES.
1121
00:42:33,619 --> 00:42:35,120
ALL WOMEN LOVE
SHOES. MARY'S A WOMAN.
1122
00:42:35,153 --> 00:42:36,955
IPSO FACTO, MARY LOVES SHOES.
1123
00:42:36,988 --> 00:42:38,356
SO SAD.
1124
00:42:38,389 --> 00:42:39,767
NO, NO, OKAY, THIS
TIME YOU'RE WRONG.
1125
00:42:39,791 --> 00:42:41,126
MARY'S GONNA LO... HEY, GUYS.
1126
00:42:41,159 --> 00:42:42,928
OH, MY GOD.
1127
00:42:42,961 --> 00:42:44,896
THAT'S JUST EVIDENCE... EVIDENCE
1128
00:42:44,930 --> 00:42:46,131
FROM A CASE... ANOTHER CASE.
1129
00:42:46,164 --> 00:42:47,675
CAN YOU BELIEVE WOMEN
ACTUALLY WEAR THESE?
1130
00:42:47,699 --> 00:42:49,100
"OH, MY GOD, LOOK AT ME.
1131
00:42:49,134 --> 00:42:51,937
I'M A COSMO-DRINKING
MANHATTAN WHORE."
1132
00:42:51,970 --> 00:42:54,239
IMAGINE THAT.
1133
00:42:54,272 --> 00:42:55,841
NOT A WORD.
1134
00:42:55,874 --> 00:42:57,643
ANYONE TALK TO HIM YET?
1135
00:42:57,676 --> 00:42:59,120
YEAH, THE FBI'S SENDING
SOMEBODY DOWN.
1136
00:42:59,144 --> 00:43:00,278
I NEED TO TALK TO HIM FIRST.
1137
00:43:00,311 --> 00:43:01,680
JUST HANG ON A SECOND, MARY.
1138
00:43:01,713 --> 00:43:02,790
ALL RIGHT, YOUR WITNESS IS SAFE.
1139
00:43:02,814 --> 00:43:04,049
YOU DID YOUR JOB.
1140
00:43:04,082 --> 00:43:05,651
HOW 'BOUT WE JUST
LET THE FBI DO THEIRS?
1141
00:43:05,684 --> 00:43:07,052
HOW 'BOUT WE SCREW THE FBI?
1142
00:43:07,085 --> 00:43:08,295
I NEED TO KNOW IF MASTRO
KILLED FRANKIE JUNIOR.
1143
00:43:08,319 --> 00:43:09,864
AND YOU KNOW AS SOON
AS THE FEDS GET HERE
1144
00:43:09,888 --> 00:43:11,022
WE'RE OUT OF THE LOOP.
1145
00:43:11,056 --> 00:43:12,090
AM I RIGHT, STAN?
1146
00:43:12,123 --> 00:43:14,092
ALL RIGHT, DO WHAT YOU GOTTA DO.
1147
00:43:14,125 --> 00:43:17,095
THE FEDS SHOW
UP, I'll DEAL WITH 'EM.
1148
00:43:17,128 --> 00:43:21,266
ALL RIGHT THEN.
1149
00:43:21,299 --> 00:43:22,834
WHAT ARE YOU GONNA DO,
1150
00:43:22,868 --> 00:43:25,737
BEAT THEM OFF WITH YOUR
STRAPPY LITTLE PUMPS?
1151
00:43:25,771 --> 00:43:27,806
WAKE UP, DOUCHEBAG.
1152
00:43:27,839 --> 00:43:28,974
WISH I HAD A NICKEL
1153
00:43:29,007 --> 00:43:30,375
FOR EVERY TIME I HEARD THAT.
1154
00:43:30,408 --> 00:43:31,677
WHY ARE YOU IN ALBUQUERQUE?
1155
00:43:31,710 --> 00:43:32,820
WHY ARE YOU BUSTING MY BALLS?
1156
00:43:32,844 --> 00:43:33,812
'CAUSE I CAN.
1157
00:43:33,845 --> 00:43:35,146
NOW ANSWER MY QUESTION.
1158
00:43:35,180 --> 00:43:38,049
I BET YOU'RE A
TIGHT LITTLE RIDE.
1159
00:43:38,083 --> 00:43:41,753
OOH, THAT WAS A MISTAKE.
1160
00:43:44,455 --> 00:43:45,891
YOU LITTLE BITCH.
1161
00:43:45,924 --> 00:43:47,292
DID YOU KILL FRANKIE JUNIOR?
1162
00:43:47,325 --> 00:43:49,160
I ASSUME THAT'S A
RHETORICAL QUESTION.
1163
00:43:49,194 --> 00:43:50,729
"RHETORICAL."
1164
00:43:50,762 --> 00:43:52,363
THAT'S A PRETTY BIG
WORD FOR A MORON.
1165
00:43:52,397 --> 00:43:55,366
INTERESTING
INTERROGATION TECHNIQUE.
1166
00:43:55,400 --> 00:43:57,769
DOES THE NAME CALLING THING
USUALLY GET GUYS TO CONFESS?
1167
00:43:57,803 --> 00:44:00,138
'CAUSE FRANKLY, I FIND
IT A LITTLE OFF-PUTTING.
1168
00:44:00,171 --> 00:44:02,240
OH, COME ON. JUST TELL ME.
1169
00:44:02,273 --> 00:44:04,109
NO ONE ELSE HAS TO KNOW.
1170
00:44:04,142 --> 00:44:05,877
ARE THOSE REAL?
1171
00:44:05,911 --> 00:44:09,047
GO AHEAD, TAKE A GOOD LONG LOOK.
1172
00:44:09,080 --> 00:44:10,758
'CAUSE IT'S THE LAST PAIR
YOU'RE EVER GONNA SEE.
1173
00:44:10,782 --> 00:44:13,018
AND WHY'S THAT, PUSSYCAT?
1174
00:44:13,051 --> 00:44:15,320
'CAUSE, RICHIE BABY,
1175
00:44:15,353 --> 00:44:17,989
ME AND MY FRIEND PIA WOULD
DOUBLE-TEAM DICK CHENEY,
1176
00:44:18,023 --> 00:44:19,925
IF THAT'S WHAT IT
TAKES TO PUT YOU AWAY.
1177
00:44:26,497 --> 00:44:27,933
DID HE DO IT?
1178
00:44:27,966 --> 00:44:31,302
DON'T KNOW.
1179
00:44:33,471 --> 00:44:35,106
SO WHO'S PIA?
1180
00:44:35,140 --> 00:44:37,408
AND WHAT DOES DICK
CHENEY HAVE TO DO WITH THIS?
1181
00:44:37,442 --> 00:44:39,110
HMM?
1182
00:44:39,144 --> 00:44:40,822
AND WHY IS IT I NEVER
KNOW WHAT'S GOING ON?
1183
00:44:40,846 --> 00:44:44,049
YOU'RE A BIG PICTURE GUY, STAN.
1184
00:44:44,082 --> 00:44:48,720
MM-HMM.
1185
00:44:57,362 --> 00:44:59,965
SO THIS IS WHERE THE
REAL POLICE WORK, HUH?
1186
00:44:59,998 --> 00:45:01,099
HEY, MARSHAL.
1187
00:45:01,132 --> 00:45:04,369
AND MAY I ADD, HAPPY BIRTHDAY.
1188
00:45:04,402 --> 00:45:06,071
YEAH.
1189
00:45:06,104 --> 00:45:08,239
SO FAR IT'S BEEN A REAL PISSER.
1190
00:45:08,273 --> 00:45:10,876
SO YOU COME UP WITH
ANYTHING INTERESTING?
1191
00:45:10,909 --> 00:45:12,143
OH, IT'S ALL INTERESTING.
1192
00:45:12,177 --> 00:45:13,879
SPOKE WITH THE GIRL'S
PARENTS, FRIENDS.
1193
00:45:13,912 --> 00:45:15,180
CHECKED THE CELL PHONE RECORDS.
1194
00:45:15,213 --> 00:45:16,390
ACCORDING TO
SIENNA'S BEST FRIEND,
1195
00:45:16,414 --> 00:45:17,382
SHE HAD A SECRET BOYFRIEND.
1196
00:45:17,415 --> 00:45:19,150
NOBODY'S EVER SEEN HIM.
1197
00:45:19,184 --> 00:45:21,152
DOESN'T EVEN GET A
MENTION IN HER DIARY.
1198
00:45:21,186 --> 00:45:22,320
SO IF THERE WAS A BOYFRIEND,
1199
00:45:22,353 --> 00:45:23,354
THE GUY'S A GHOST.
1200
00:45:23,388 --> 00:45:24,956
MAYBE IT'S SOMEONE OLDER.
1201
00:45:24,990 --> 00:45:25,991
NEEDED PROTECTION?
1202
00:45:26,024 --> 00:45:27,392
LIKE A TEACHER, OR MAYBE
1203
00:45:27,425 --> 00:45:29,360
AN EX-BUSINESS
ASSOCIATE OF HER FATHER.
1204
00:45:29,394 --> 00:45:32,063
HEY, YOU THINK JUST LIKE A COP.
1205
00:45:32,097 --> 00:45:33,832
GO FIGURE.
1206
00:45:33,865 --> 00:45:34,866
WHAT ABOUT FORENSICS?
1207
00:45:34,900 --> 00:45:36,101
ANYTHING COME IN YET?
1208
00:45:36,134 --> 00:45:37,769
NO, WON'T SEE ANYTHING
UNTIL TOMORROW.
1209
00:45:37,803 --> 00:45:39,938
I WAS JUST ABOUT TO
PACK IT IN FOR THE DAY.
1210
00:45:39,971 --> 00:45:42,007
THAT'S PROBABLY A GOOD IDEA.
1211
00:45:42,040 --> 00:45:45,143
DID YOU CHECK OUT
TALLTREES AND HIS SON?
1212
00:45:45,176 --> 00:45:47,312
YEAH, GUY'S A REAL
PIECE OF WORK.
1213
00:45:47,345 --> 00:45:49,380
UNFORTUNATELY, THERE'S
NOTHING TO CONNECT
1214
00:45:49,414 --> 00:45:51,082
HIM OR HIS SON TO ANY OF THIS.
1215
00:45:51,116 --> 00:45:52,918
KINDA WHAT I GOT TOO.
1216
00:45:52,951 --> 00:45:56,521
SO, UH, HOW 'BOUT YOU?
1217
00:45:56,554 --> 00:45:59,090
WHAT CAN YOU TELL ME ABOUT
THE BOY WITH TWO NAMES?
1218
00:45:59,124 --> 00:46:00,859
I WAS SUPPOSED TO
INTERVIEW HIS PARENTS,
1219
00:46:00,892 --> 00:46:02,260
BUT GUESS WHAT...
THEY'RE SUDDENLY
1220
00:46:02,293 --> 00:46:03,561
NOWHERE TO BE FOUND.
1221
00:46:03,594 --> 00:46:06,998
HUH, MAYBE THEY'RE ON VACATION.
1222
00:46:07,032 --> 00:46:10,435
LOOK, MARSHAL, I GET IT.
1223
00:46:10,468 --> 00:46:13,138
YOU OPERATE UNDER
THE CLOAK OF DARKNESS.
1224
00:46:13,171 --> 00:46:14,940
ONLY BOY WONDER
KNOWS YOUR TRUE IDENTITY.
1225
00:46:14,973 --> 00:46:16,141
BUT GUESS WHAT,
1226
00:46:16,174 --> 00:46:17,876
I TAKE THIS
MURDER-SOLVING BUSINESS
1227
00:46:17,909 --> 00:46:19,510
PRETTY SERIOUSLY.
1228
00:46:19,544 --> 00:46:20,912
SO EITHER SHARE WHAT YOU'VE GOT
1229
00:46:20,946 --> 00:46:24,782
OR QUIT WASTING MY TIME.
1230
00:46:31,122 --> 00:46:32,390
OH, AND BY THE WAY,
1231
00:46:32,423 --> 00:46:34,101
TOOK ME ALL OF TWO
MINUTES TO GET ON THE PHONE
1232
00:46:34,125 --> 00:46:35,460
WITH AN NYPD CAPTAIN,
1233
00:46:35,493 --> 00:46:38,897
GET THE WHOLE 411
ON FRANKIE NUTS.
1234
00:46:38,930 --> 00:46:41,332
SO WHAT'S IT GONNA BE?
1235
00:46:41,366 --> 00:46:43,869
SORRY.
1236
00:46:43,902 --> 00:46:47,105
I GOT NOTHING.
1237
00:46:47,138 --> 00:46:48,974
THAT'S WHAT I FIGURED.
1238
00:46:49,007 --> 00:46:50,308
IT'S MARY'S WORLD.
1239
00:46:50,341 --> 00:46:51,986
THE REST OF US ARE JUST
HERE FOR HOUSEKEEPING.
1240
00:46:52,010 --> 00:46:53,011
HEY, YOU DON'T KNOW ME.
1241
00:46:53,044 --> 00:46:54,880
REALLY?
1242
00:46:54,913 --> 00:46:56,381
LET'S SEE.
1243
00:46:56,414 --> 00:46:58,583
TYPICAL RELATIONSHIP
HAS A SHELF LIFE
1244
00:46:58,616 --> 00:47:01,619
OF, OH, I'D SAY
ABOUT A MONTH TOPS.
1245
00:47:01,652 --> 00:47:03,321
NO REAL FRIENDS.
1246
00:47:03,354 --> 00:47:04,899
CAN'T QUITE FIGURE
OUT WHY YOU'RE ALWAYS
1247
00:47:04,923 --> 00:47:06,024
ON THE OUTSIDE LOOKING IN.
1248
00:47:06,057 --> 00:47:07,859
NO ONE "GETS YOU."
1249
00:47:07,893 --> 00:47:09,928
BUT HEY, THAT'S THEIR PROBLEM.
1250
00:47:09,961 --> 00:47:13,464
HOW AM I DOING?
1251
00:47:27,012 --> 00:47:31,983
THAT'S REAL MATURE.
1252
00:47:32,017 --> 00:47:36,087
AND SHE STOLE MY DAMN PEN.
1253
00:47:36,121 --> 00:47:38,323
OKAY, IT'S BEEN
SAID I DON'T ALWAYS
1254
00:47:38,356 --> 00:47:39,958
PLAY WELL WITH OTHERS.
1255
00:47:39,991 --> 00:47:41,126
MAYBE EVEN AT TIMES
1256
00:47:41,159 --> 00:47:43,628
I PROJECT A PRICKLY EXTERIOR.
1257
00:47:43,661 --> 00:47:48,199
BUT IN RESPONSE TO
THAT, AND IN MY DEFENSE...
1258
00:47:48,233 --> 00:47:49,935
I HAVE SOMETHING TO SAY.
1259
00:47:49,968 --> 00:47:51,269
COME IN.
1260
00:47:51,302 --> 00:47:52,637
NO, I STILL HAVE WORK TO DO.
1261
00:47:52,670 --> 00:47:54,148
AND WE BOTH KNOW
WHAT'LL HAPPEN IF I COME IN.
1262
00:47:54,172 --> 00:47:56,942
WELL, BUT IT'S,
LIKE, 112 OUT THERE.
1263
00:47:56,975 --> 00:47:59,510
THIS'LL JUST TAKE A MINUTE.
1264
00:47:59,544 --> 00:48:03,248
EARLIER AT MY HOUSE,
I MAY HAVE GIVEN
1265
00:48:03,281 --> 00:48:05,550
THE IMPRESSION THAT
I DIDN'T BELIEVE YOU,
1266
00:48:05,583 --> 00:48:09,988
OR THAT I WASN'T APPRECIATIVE
OF YOU PICKING UP BRANDI.
1267
00:48:10,021 --> 00:48:11,689
IS THIS AN APOLOGY?
1268
00:48:11,722 --> 00:48:15,126
PLEASE DON'T PUT
WORDS IN MY MOUTH.
1269
00:48:15,160 --> 00:48:17,595
I JUST WANT TO CLARIFY.
1270
00:48:17,628 --> 00:48:22,267
THAT IS, UM, EXPLAIN...
1271
00:48:22,300 --> 00:48:24,602
MY GOD, IT'S HOT OUT HERE.
1272
00:48:24,635 --> 00:48:26,304
WOULD YOU PLEASE COME INSIDE?
1273
00:48:26,337 --> 00:48:31,042
YOU'RE LETTING ALL
THE COOL AIR OUT.
1274
00:48:31,076 --> 00:48:32,543
OKAY, BUT JUST SO I CAN EXPLAIN.
1275
00:48:32,577 --> 00:48:37,415
YEAH.
1276
00:48:46,191 --> 00:48:48,493
YOUR EXPLANATIONS HAVE...
1277
00:48:48,526 --> 00:48:51,997
HAVE A CERTAIN JE NE SAIS QUOI.
1278
00:48:56,134 --> 00:48:57,635
IS THAT WHAT I JUST DID? YEAH.
1279
00:48:57,668 --> 00:48:59,204
I MEAN, I KNEW IT WAS FRENCH.
1280
00:48:59,237 --> 00:49:01,306
I JUST DIDN'T KNOW
THEY HAD A NAME FOR IT.
1281
00:49:01,339 --> 00:49:05,476
OH, THEY HAVE A
NAME FOR EVERYTHING.
1282
00:49:05,510 --> 00:49:09,180
OH, MAN.
1283
00:49:18,656 --> 00:49:21,092
I'M SORRY ABOUT BEFORE.
1284
00:49:21,126 --> 00:49:23,428
I KNOW.
1285
00:49:23,461 --> 00:49:29,634
HAPPY BIRTHDAY.
1286
00:49:29,667 --> 00:49:31,036
HEY, WOULD YOU BE UPSET
1287
00:49:31,069 --> 00:49:34,572
IF I SKIP YOUR SURPRISE PARTY?
1288
00:49:36,741 --> 00:49:39,277
UH, I DON'T KNOW.
1289
00:49:39,310 --> 00:49:40,445
I GUESS NOT.
1290
00:49:40,478 --> 00:49:41,679
WHY?
1291
00:49:41,712 --> 00:49:44,449
WELL, TRUTH, I KINDA HAD MY FILL
1292
00:49:44,482 --> 00:49:47,418
OF YOUR FAMILY FOR ONE DAY.
1293
00:49:47,452 --> 00:49:51,156
AND BESIDES, YOU AND ME KINDA
1294
00:49:51,189 --> 00:49:52,723
ALREADY DID OUR THING.
1295
00:49:52,757 --> 00:49:55,293
YOU KNOW?
1296
00:49:55,326 --> 00:49:58,563
OKAY.
1297
00:49:58,596 --> 00:49:59,564
YOU WANT ME TO COME?
1298
00:49:59,597 --> 00:50:01,232
NO, I DON'T.
1299
00:50:01,266 --> 00:50:02,276
YOU SHOULD DO WHAT YOU WANT.
1300
00:50:02,300 --> 00:50:03,434
YOU DON'T CARE, HUH?
1301
00:50:03,468 --> 00:50:04,769
NO, I DON'T.
1302
00:50:04,802 --> 00:50:07,438
LIKE YOU SAID, WE
ALREADY DID OUR THING.
1303
00:50:07,472 --> 00:50:09,374
WHEN IT COMES RIGHT DOWN TO IT,
1304
00:50:09,407 --> 00:50:12,643
I DON'T HAVE A
REASONABLE RIGHT TO CARE.
1305
00:50:12,677 --> 00:50:15,413
WELL, YOU'RE GONNA
HAVE TO EXPLAIN THAT ONE.
1306
00:50:15,446 --> 00:50:16,447
THIS IS WHAT WE DO.
1307
00:50:16,481 --> 00:50:17,448
RAPHAEL, THIS IS OUR THING.
1308
00:50:17,482 --> 00:50:18,783
WE HAVE SEX,
1309
00:50:18,816 --> 00:50:21,286
THEN WE SAY
GOOD-BYE, WHICH IS FINE.
1310
00:50:21,319 --> 00:50:24,789
WE'RE BOTH SMART ENOUGH
TO KNOW WE'RE NEVER...
1311
00:50:24,822 --> 00:50:25,790
I DON'T HAVE A
REASONABLE RIGHT TO CARE
1312
00:50:25,823 --> 00:50:27,292
WHAT YOU DO BEYOND THIS,
1313
00:50:27,325 --> 00:50:32,163
BECAUSE THIS IS AS FAR AS WE GO.
1314
00:50:32,197 --> 00:50:34,832
HOW CAN SOMEONE
THAT BURNS SO HOT
1315
00:50:34,865 --> 00:50:38,403
BE SO COLD?
1316
00:50:38,436 --> 00:50:39,713
I DON'T KNOW, IT'S
A GREAT QUESTION.
1317
00:50:39,737 --> 00:50:41,539
GIVE ME A CALL IF
YOU FIGURE IT OUT.
1318
00:50:43,808 --> 00:50:46,777
[Paul Simon's
Something So Right]
1319
00:50:46,811 --> 00:50:53,184
♪ YOU GOT THE COOL WATER ♪
1320
00:50:53,218 --> 00:50:56,321
♪ WHEN THE FEVER RUNS HIGH ♪
1321
00:50:56,354 --> 00:51:02,360
♪ YOU GOT THE LOOK
1322
00:51:02,393 --> 00:51:05,596
♪ OF LOVE LIGHT IN YOUR EYES ♪
1323
00:51:05,630 --> 00:51:08,433
♪ AND I WAS IN CRAZY MOTION
1324
00:51:08,466 --> 00:51:10,335
WE ALL LIVE IN HIDING.
1325
00:51:10,368 --> 00:51:11,636
IN ONE WAY OR ANOTHER,
1326
00:51:11,669 --> 00:51:13,147
EACH OF US CONCEALS
PIECES OF OURSELVES
1327
00:51:13,171 --> 00:51:14,505
FROM THE REST OF THE WORLD.
1328
00:51:14,539 --> 00:51:15,740
SOME PEOPLE HIDE
1329
00:51:15,773 --> 00:51:17,775
BECAUSE THEIR
LIVES DEPEND ON IT.
1330
00:51:17,808 --> 00:51:20,311
OTHERS BECAUSE THEY
DON'T LIKE BEING SEEN.
1331
00:51:20,345 --> 00:51:22,380
AND THEN THERE ARE
THOSE SPECIAL CASES...
1332
00:51:22,413 --> 00:51:26,351
THE ONES WHO HIDE
BECAUSE... BECAUSE...
1333
00:51:26,384 --> 00:51:28,819
BECAUSE THEY JUST WANT
SOMEONE TO CARE ENOUGH
1334
00:51:28,853 --> 00:51:30,388
TO LOOK FOR THEM.
1335
00:51:30,421 --> 00:51:32,823
♪ I'M THE FIRST TO ADMIT IT ♪
1336
00:51:32,857 --> 00:51:36,294
♪ AND THE LAST ONE TO KNOW ♪
1337
00:51:36,327 --> 00:51:38,596
♪ WHEN SOMETHING GOES RIGHT
1338
00:51:38,629 --> 00:51:43,168
♪ OH, IT'S LIKELY TO LOSE ME ♪
1339
00:51:43,201 --> 00:51:45,303
♪ IT'S APT TO CONFUSE ME
1340
00:51:45,336 --> 00:51:47,438
♪ IT'S SUCH AN UNUSUAL SIGHT ♪
1341
00:51:47,472 --> 00:51:49,640
♪ OH, I CAN'T
1342
00:51:49,674 --> 00:51:53,211
♪ I CAN'T GET USED TO
SOMETHING SO RIGHT ♪
1343
00:51:53,244 --> 00:52:00,818
♪ SOMETHING SO RIGHT ♪
1344
00:52:06,957 --> 00:52:08,626
DID YOU TELL THAT
HOMICIDE DETECTIVE
1345
00:52:08,659 --> 00:52:11,729
TODAY'S MY BIRTHDAY?
1346
00:52:11,762 --> 00:52:14,699
WHAT HOMICIDE... WHO?
1347
00:52:14,732 --> 00:52:16,301
FORGET IT.
1348
00:52:16,334 --> 00:52:17,902
MAYBE I SHOULD TALK
TO MASTRO AGAIN.
1349
00:52:17,935 --> 00:52:19,704
I DON'T KNOW.
1350
00:52:19,737 --> 00:52:21,206
YOU THINK THE FBI
1351
00:52:21,239 --> 00:52:22,516
WILL LET ME TAKE
ANOTHER CRACK AT HIM?
1352
00:52:22,540 --> 00:52:24,709
IF I CAN'T I.D. THE KILLER,
1353
00:52:24,742 --> 00:52:27,345
I NEED TO AT LEAST START
ELIMINATING SUSPECTS.
1354
00:52:27,378 --> 00:52:30,281
YOU'RE GONNA HAVE A TOUGH
TIME ELIMINATING MASTRO.
1355
00:52:30,315 --> 00:52:31,516
WHAT'S THAT MEAN?
1356
00:52:31,549 --> 00:52:33,851
20 MINUTES AFTER YOU LEFT,
1357
00:52:33,884 --> 00:52:35,620
THE FBI SHOWED UP WITH DNA
1358
00:52:35,653 --> 00:52:37,555
ON HIS DEAD GIRLFRIEND.
1359
00:52:37,588 --> 00:52:40,191
HE AGREED TO FLIP ON HIS FAMILY.
1360
00:52:40,225 --> 00:52:42,527
AND THEY CUT HIM A DEAL.
1361
00:52:42,560 --> 00:52:44,462
HE'S IN THE PROGRAM.
1362
00:52:44,495 --> 00:52:48,233
PLEASE TELL ME THIS IS ONE
OF YOUR UNFUNNY JOKES.
1363
00:52:48,266 --> 00:52:49,967
THAT'S NOT THE WORST OF IT.
1364
00:52:50,000 --> 00:52:52,403
WHAT?
1365
00:52:52,437 --> 00:52:54,805
HALF HOUR AGO, MASTRO WALKED OUT
1366
00:52:54,839 --> 00:52:56,907
THE BACK DOOR OF
THE FED'S SAFE HOUSE.
1367
00:52:56,941 --> 00:52:58,643
HE'S IN THE WIND.
1368
00:52:58,676 --> 00:53:00,911
OH, CRAP.
1369
00:53:00,945 --> 00:53:02,847
I TOLD FRANKIE THEY COULD SPEND
1370
00:53:02,880 --> 00:53:05,950
ONE LAST NIGHT AT HOME.
1371
00:53:09,587 --> 00:53:13,591
COME ON, FRANKIE.
ANSWER YOUR DAMN PHONE.
1372
00:53:25,002 --> 00:53:26,437
FRANKIE?
1373
00:53:26,471 --> 00:53:29,940
OPEN UP. IT'S ME, MARY.
1374
00:53:31,976 --> 00:53:33,244
WHAT ARE YOU DOING?
1375
00:53:33,278 --> 00:53:37,415
CALLING MASTRO.
1376
00:53:46,957 --> 00:53:49,627
FRANKIE, OPEN UP!
1377
00:53:49,660 --> 00:53:51,862
ALL RIGHT. ALL RIGHT.
1378
00:53:51,896 --> 00:53:53,264
WHAT?
1379
00:53:58,369 --> 00:53:59,637
FELICIA, WHAT ARE YOU DOING?
1380
00:53:59,670 --> 00:54:01,839
IS THIS WHAT YOU WERE EXPECTING?
1381
00:54:01,872 --> 00:54:02,883
BECAUSE I, FOR ONE,
AM FLABBERGASTED.
1382
00:54:02,907 --> 00:54:04,742
WHAT'S GOING ON, FELICIA?
1383
00:54:04,775 --> 00:54:06,311
RICHIE FOUND OUT I
WAS EMAILING CATHY,
1384
00:54:06,344 --> 00:54:07,745
AND HE CAME HERE TO KILL US ALL.
1385
00:54:07,778 --> 00:54:09,347
BUT I SHOT HIM.
1386
00:54:09,380 --> 00:54:10,681
I CAN SEE THAT.
1387
00:54:10,715 --> 00:54:11,682
WHY ARE YOU POINTING
THE GUN AT FRANKIE?
1388
00:54:11,716 --> 00:54:15,786
BECAUSE THIS BASTARD
RUINED MY WHOLE LIFE.
1389
00:54:15,820 --> 00:54:18,055
AND NOW I'M GONNA
SHOOT HIM, TOO.
1390
00:54:18,088 --> 00:54:19,357
OKAY, OKAY.
1391
00:54:19,390 --> 00:54:20,758
WELL, YOU COULD DO THAT.
1392
00:54:20,791 --> 00:54:22,593
BUT LET'S JUST
THINK THIS THROUGH.
1393
00:54:22,627 --> 00:54:24,629
IF YOU KILL FRANKIE, I'M
GONNA HAVE TO KILL YOU.
1394
00:54:24,662 --> 00:54:26,331
I DON'T CARE.
1395
00:54:26,364 --> 00:54:27,965
I HAVE NOTHING TO
LIVE FOR ANYMORE.
1396
00:54:27,998 --> 00:54:29,900
OKAY, LOOK.
1397
00:54:29,934 --> 00:54:31,302
HERE'S THE THING...
1398
00:54:31,336 --> 00:54:33,804
MEN LIE, THEY CHEAT,
THEY START WARS.
1399
00:54:33,838 --> 00:54:35,606
THEY'RE SLOBS
UNLESS THEY'RE GAY,
1400
00:54:35,640 --> 00:54:36,783
AND THERE'S PRECIOUS FEW
OF THEM WALKING THE PLANET
1401
00:54:36,807 --> 00:54:37,951
WORTH PUTTING ON LIPSTICK FOR,
1402
00:54:37,975 --> 00:54:39,377
LET ALONE THROWING
YOUR LIFE AWAY.
1403
00:54:39,410 --> 00:54:40,878
WHICH IS WHAT YOU'LL BE DOING
1404
00:54:40,911 --> 00:54:43,448
IF YOU SHOOT YOUR FESTERING
CRAP-BAG OF A HUSBAND.
1405
00:54:43,481 --> 00:54:44,515
IS THAT REALLY NECESSARY?
1406
00:54:44,549 --> 00:54:45,783
SHUT UP OR I'll SHOOT YOU.
1407
00:54:45,816 --> 00:54:48,953
I CAN'T LIVE WITH HIM ANYMORE.
1408
00:54:48,986 --> 00:54:51,489
THEN DON'T. YOU DON'T HAVE TO.
1409
00:54:51,522 --> 00:54:54,725
OKAY.
1410
00:54:54,759 --> 00:54:57,895
FELICIA, AS HARD
AS IT IS TO IMAGINE,
1411
00:54:57,928 --> 00:54:59,464
YOU HAVE DAYS AHEAD OF YOU
1412
00:54:59,497 --> 00:55:01,766
WHERE YOU WILL SMILE AND LAUGH
1413
00:55:01,799 --> 00:55:03,568
AND LOOK FORWARD TO THINGS.
1414
00:55:03,601 --> 00:55:05,570
AND MAYBE EVEN
FALL IN LOVE AGAIN.
1415
00:55:05,603 --> 00:55:09,507
IF YOU DON'T THROW IT ALL AWAY.
1416
00:55:09,540 --> 00:55:12,610
I PROMISE.
1417
00:55:12,643 --> 00:55:14,044
OH, GOD.
1418
00:55:16,847 --> 00:55:18,716
IT'S OKAY.
1419
00:55:18,749 --> 00:55:20,551
SHH.
1420
00:55:31,829 --> 00:55:35,533
I'll CATCH UP WITH YOU LATER.
1421
00:55:37,568 --> 00:55:41,138
SO WHAT'S GONNA HAPPEN TO HER?
1422
00:55:41,171 --> 00:55:42,973
WELL, SINCE SHE SHOT
MASTRO IN SELF-DEFENSE,
1423
00:55:43,007 --> 00:55:44,509
SHE'LL PROBABLY
GET A NEW IDENTITY
1424
00:55:44,542 --> 00:55:46,911
AND BE MOVED SOMEPLACE
YOU CAN'T FIND HER.
1425
00:55:46,944 --> 00:55:48,979
YOU KNOW, IT'S A
HELL OF A THING...
1426
00:55:49,013 --> 00:55:50,381
LOSING YOUR WIFE AND YOUR SON
1427
00:55:50,415 --> 00:55:51,816
ALL IN THE SAME DAY.
1428
00:55:51,849 --> 00:55:53,984
DO YOU EVER THINK ABOUT
ALL THE PEOPLE, THE FAMILIES,
1429
00:55:54,018 --> 00:55:56,787
HAD DAYS LIKE
THIS 'CAUSE OF YOU?
1430
00:55:56,821 --> 00:55:58,489
THE CLOCK'S STILL TICKING.
1431
00:55:58,523 --> 00:56:00,033
EITHER YOU GET ME A
NAME BY THIS TIME TOM...
1432
00:56:00,057 --> 00:56:01,959
ACTUALLY, FRANKIE,
NAME OR NO NAME,
1433
00:56:01,992 --> 00:56:03,093
THIS TIME TOMORROW
1434
00:56:03,127 --> 00:56:04,094
YOU'RE ON YOUR
WAY TO A NEW CITY,
1435
00:56:04,128 --> 00:56:05,095
AND OUT OF MY HAIR.
1436
00:56:05,129 --> 00:56:06,497
I'M SORRY FOR YOUR LOSS,
1437
00:56:06,531 --> 00:56:10,000
BUT SCREW YOU AND YOUR CLOCK.
1438
00:56:25,750 --> 00:56:27,485
I JUST WANNA WASH THE
STENCH OF THIS DAY OFF
1439
00:56:27,518 --> 00:56:28,853
AND GO TO BED.
1440
00:56:28,886 --> 00:56:31,155
I KNOW, BUT THERE ARE
ABOUT 60 PEOPLE IN THERE
1441
00:56:31,188 --> 00:56:32,490
HIDING BEHIND FURNITURE
1442
00:56:32,523 --> 00:56:33,834
JUST WAITING FOR
YOU TO OPEN THE DOOR
1443
00:56:33,858 --> 00:56:35,993
SO THEY CAN JUMP UP
AND YELL "SURPRISE."
1444
00:56:36,026 --> 00:56:37,528
YUCK.
1445
00:56:37,562 --> 00:56:38,963
COME ON, IT'S YOUR BIRTHDAY.
1446
00:56:38,996 --> 00:56:40,565
THIS ISN'T ABOUT YOU.
1447
00:56:40,598 --> 00:56:43,568
NOW GET READY TO ACT SURPRISED.
1448
00:56:43,601 --> 00:56:44,769
ALL RIGHT, ALL RIGHT.
1449
00:56:44,802 --> 00:56:46,604
LET'S GET IT OVER WITH.
1450
00:56:46,637 --> 00:56:48,806
THAT'S MY GIRL.
1451
00:56:54,512 --> 00:56:57,848
SURPRISE.
1452
00:56:57,882 --> 00:56:59,717
OH, HAPPY BIRTHDAY, SWEET PEA.
1453
00:56:59,750 --> 00:57:01,051
THANKS, MOM. AWW,
YOU'RE WELCOME.
1454
00:57:01,085 --> 00:57:03,488
WHOOP, OKAY.
1455
00:57:03,521 --> 00:57:05,022
HOW'D YOU KEEP THIS A SECRET?
1456
00:57:05,055 --> 00:57:06,924
PFFT.
1457
00:57:06,957 --> 00:57:08,659
YOU KNEW THAT I KNEW.
1458
00:57:08,693 --> 00:57:10,027
I KNEW THAT YOU KNEW.
1459
00:57:10,060 --> 00:57:11,929
AT LEAST THAT WAS A SURPRISE.
1460
00:57:11,962 --> 00:57:14,198
I KNEW IT WOULD BE.
1461
00:57:14,231 --> 00:57:17,535
HEY, MARY, A LITTLE
SOMETHING FOR YOU.
1462
00:57:17,568 --> 00:57:18,969
OH, STAN. I KNOW, I GOT IT.
1463
00:57:19,003 --> 00:57:20,905
OPEN IT. OPEN IT. OKAY.
1464
00:57:20,938 --> 00:57:24,542
IT'S... A 50.
1465
00:57:24,575 --> 00:57:26,911
YOU GAVE HER MONEY?
1466
00:57:26,944 --> 00:57:29,013
IT'S JUST WHAT I ALWAYS WANTED.
1467
00:57:29,046 --> 00:57:30,080
THANK YOU.
1468
00:57:30,114 --> 00:57:31,582
SEE? SEE THAT?
1469
00:57:31,616 --> 00:57:34,552
IS, UM... IS RAPH HERE?
1470
00:57:34,585 --> 00:57:35,753
NO, I'M SORRY.
1471
00:57:35,786 --> 00:57:37,822
THAT'S OKAY. I TOLD HIM NOT TO.
1472
00:57:37,855 --> 00:57:40,991
WHAT ABOUT BRANDI?
1473
00:57:41,025 --> 00:57:44,729
SHE THINKS YOU DON'T
WANT HER AT YOUR PARTY.
1474
00:57:44,762 --> 00:57:46,631
I SEE.
1475
00:57:46,664 --> 00:57:48,799
YOU'RE GONNA KEEP LOOKING
AT ME WITH THOSE SAD EYES
1476
00:57:48,833 --> 00:57:49,800
UNTIL I GO TALK TO
HER, AREN'T YOU?
1477
00:57:49,834 --> 00:57:53,604
MM.
1478
00:57:53,638 --> 00:57:56,240
I KNOW YOU MEAN WELL.
1479
00:57:56,273 --> 00:57:58,075
BUT YOU'RE NOT A
VERY GOOD MOTHER.
1480
00:57:58,108 --> 00:58:01,278
OH.
1481
00:58:01,311 --> 00:58:04,114
I CAN'T BELIEVE
YOU GAVE HER CASH.
1482
00:58:04,148 --> 00:58:08,218
HUH... THIS IS A
GOOD PARTY, HUH?
1483
00:58:10,588 --> 00:58:13,891
HEY, SQUISH, WHAT'S GOING ON?
1484
00:58:13,924 --> 00:58:18,262
NOTHING.
1485
00:58:18,295 --> 00:58:19,263
YOU OKAY?
1486
00:58:19,296 --> 00:58:22,066
YEAH.
1487
00:58:23,601 --> 00:58:25,670
OKAY, COME HERE.
1488
00:58:25,703 --> 00:58:28,005
IT'S OKAY.
1489
00:58:28,038 --> 00:58:30,775
COME ON.
1490
00:58:30,808 --> 00:58:34,311
I'M SO SORRY I MAKE
YOUR LIFE SO MISERABLE.
1491
00:58:34,344 --> 00:58:35,580
OH, GOD.
1492
00:58:35,613 --> 00:58:36,814
LISTEN TO ME.
1493
00:58:36,847 --> 00:58:39,617
YOU DON'T MAKE MY
LIFE MISERABLE, OKAY?
1494
00:58:39,650 --> 00:58:42,019
I GET FRUSTRATED SOMETIMES.
1495
00:58:42,052 --> 00:58:43,688
YOU KNOW, I WANT
YOU TO BE HAPPY.
1496
00:58:43,721 --> 00:58:45,890
AND I WANT YOU
1497
00:58:45,923 --> 00:58:47,133
TO STOP DOING STUFF
THAT HURTS YOURSELF
1498
00:58:47,157 --> 00:58:49,026
AND MAKES YOU MISERABLE.
1499
00:58:49,059 --> 00:58:50,160
THAT'S ALL.
1500
00:58:50,194 --> 00:58:51,596
COME ON.
1501
00:58:51,629 --> 00:58:54,665
SHH.
1502
00:58:54,699 --> 00:58:57,602
STOP.
1503
00:58:57,635 --> 00:59:00,037
COME ON.
1504
00:59:00,070 --> 00:59:01,138
SHH.
1505
00:59:01,171 --> 00:59:04,842
THERE'S MY PRETTY BABY SISTER.
1506
00:59:08,813 --> 00:59:12,917
I GOT YOU SOMETHING
FOR YOUR BIRTHDAY.
1507
00:59:12,950 --> 00:59:13,918
REALLY?
1508
00:59:13,951 --> 00:59:16,253
YEAH.
1509
00:59:16,286 --> 00:59:17,722
YOU DIDN'T HAVE TO.
1510
00:59:17,755 --> 00:59:21,225
I KNOW, I KNOW. I
JUST WANTED TO.
1511
00:59:25,195 --> 00:59:28,899
AWW.
1512
00:59:30,400 --> 00:59:31,802
WOW.
1513
00:59:31,836 --> 00:59:34,705
IT'S AN INDIAN TALISMAN.
1514
00:59:34,739 --> 00:59:36,273
OR TOTEM?
1515
00:59:36,306 --> 00:59:37,708
MAYBE.
1516
00:59:37,742 --> 00:59:39,810
I FORGET WHICH, BUT, UM,
1517
00:59:39,844 --> 00:59:42,780
I GOT IT FROM THIS INDIAN STAND
1518
00:59:42,813 --> 00:59:44,181
AFTER I TOOK OFF
WITH CHICO'S CAR.
1519
00:59:44,214 --> 00:59:45,315
RAPHAEL.
1520
00:59:45,349 --> 00:59:46,684
RIGHT.
1521
00:59:46,717 --> 00:59:49,720
IT'S FROM THE iOS LOBOS TRIBE.
1522
00:59:49,754 --> 00:59:53,824
SWEETIE, iOS LOBOS IS A BAND.
1523
00:59:53,858 --> 00:59:55,359
A BAND OF INDIANS?
1524
00:59:55,392 --> 00:59:57,862
NO, JUST A BAND.
1525
00:59:57,895 --> 01:00:00,931
OH, WELL, ANYWAY, IT MEANS:
1526
01:00:00,965 --> 01:00:05,002
MAY YOU ALWAYS SLEEP
UNDER THE TALL TREES, SO...
1527
01:00:05,035 --> 01:00:08,739
THAT'S NICE, RIGHT?
1528
01:00:12,843 --> 01:00:14,244
THAT'S REALLY NICE.
1529
01:00:14,278 --> 01:00:18,115
SO YOU LIKE IT?
1530
01:00:18,148 --> 01:00:19,784
I LIKE IT.
1531
01:00:19,817 --> 01:00:21,819
I LIKE IT A LOT.
1532
01:00:21,852 --> 01:00:26,090
THANK YOU. THANK YOU SO MUCH.
1533
01:00:26,123 --> 01:00:28,192
LISTEN, I HAVE TO
GO DO SOMETHING,
1534
01:00:28,225 --> 01:00:30,895
BUT WHEN I COME BACK,
I WANT TO TALK, OKAY?
1535
01:00:30,928 --> 01:00:35,700
OKAY.
1536
01:01:15,740 --> 01:01:17,250
OKAY, HERE'S HOW I THINK
WE SHOULD PROCEED.
1537
01:01:17,274 --> 01:01:19,143
OPEN UP, TALLTREES!
1538
01:01:19,176 --> 01:01:20,787
I THINK I'll JUST STAND HERE
WITH MY THUMB UP MY ASS.
1539
01:01:20,811 --> 01:01:22,780
WHILE YOU START SHOUTING
LIKE A CRAZY PERSON.
1540
01:01:22,813 --> 01:01:25,049
AFTER A WHILE IT
BECOMES CHARMING.
1541
01:01:25,082 --> 01:01:27,251
WHAT IS ALL THIS?
1542
01:01:27,284 --> 01:01:29,053
WHAT HAPPENED?
1543
01:01:29,086 --> 01:01:31,455
SIENNA GET TIRED OF SLEEPING
UNDER THE TALL TREES?
1544
01:01:31,488 --> 01:01:33,991
YOU THINK I WAS HAVING
AN AFFAIR WITH SIENNA?
1545
01:01:34,024 --> 01:01:38,195
NOT ONLY IS THAT
DISGUSTING, IT'S SLANDER.
1546
01:01:38,228 --> 01:01:40,330
AND YOU HAD BETTER BE
VERY CAREFUL WITH YOUR...
1547
01:01:40,364 --> 01:01:43,233
EXCUSE ME. DO YOU MIND?
1548
01:01:43,267 --> 01:01:44,234
GO AHEAD.
1549
01:01:44,268 --> 01:01:46,470
EDWIN TALLTREES,
1550
01:01:46,503 --> 01:01:48,238
I HAVE A WARRANT TO
SEARCH THIS PROPERTY
1551
01:01:48,272 --> 01:01:50,174
FOR ANY AND ALL EVIDENCE
RELATING TO THE MURDER
1552
01:01:50,207 --> 01:01:52,442
OF FRANCIS AMATO
JUNIOR AND SIENNA BURKE.
1553
01:01:52,476 --> 01:01:56,146
PLEASE STEP OUTSIDE.
1554
01:02:07,457 --> 01:02:11,796
WAIT.
1555
01:02:11,829 --> 01:02:12,963
WHAT?
1556
01:02:12,997 --> 01:02:15,199
LOOK.
1557
01:02:15,232 --> 01:02:16,200
AT WHAT?
1558
01:02:16,233 --> 01:02:19,937
OH.
1559
01:02:28,078 --> 01:02:29,980
STOP RIGHT THERE.
1560
01:02:30,014 --> 01:02:31,457
DON'T COME ANY
CLOSER. I SWEAR I'll...
1561
01:02:31,481 --> 01:02:33,250
WHAT?
1562
01:02:33,283 --> 01:02:36,987
KICK THE STOOL OUT?
1563
01:02:40,324 --> 01:02:42,026
PLEASE.
1564
01:02:42,059 --> 01:02:43,027
LET ME.
1565
01:02:43,060 --> 01:02:46,530
HEY, WHAT ARE YOU DOING?
1566
01:02:47,898 --> 01:02:50,000
SO AFTER SPENDING
1567
01:02:50,034 --> 01:02:52,102
ALMOST THEIR ENTIRE
LIVES TOGETHER,
1568
01:02:52,136 --> 01:02:53,537
SIENNA BURKE BROKE UP WITH KYLE
1569
01:02:53,570 --> 01:02:55,039
BECAUSE SHE COULDN'T
TELL HER FRIENDS
1570
01:02:55,072 --> 01:02:56,941
SHE WAS WITH AN INDIAN.
1571
01:02:56,974 --> 01:02:58,242
SHE BROKE HIS HEART.
1572
01:02:58,275 --> 01:03:00,477
SO HE CUT OUT HERS.
1573
01:03:00,510 --> 01:03:02,046
IT ALMOST SEEMS FAIR.
1574
01:03:06,083 --> 01:03:09,053
THANKS FOR THE CALL.
1575
01:03:09,086 --> 01:03:10,287
IT'S YOUR CASE.
1576
01:03:10,320 --> 01:03:12,289
U.S. MARSHALS
HAVE A LONG HISTORY
1577
01:03:12,322 --> 01:03:14,191
OF COOPERATING WITH
LOCAL LAW ENFORCEMENT.
1578
01:03:14,224 --> 01:03:16,326
UH-HUH.
1579
01:03:16,360 --> 01:03:18,462
AFTER ALL I'VE DONE TO GET
US OFF THE RESERVATION,
1580
01:03:18,495 --> 01:03:21,431
TO GIVE MY SON THE SAME
OPPORTUNITIES AS THE WHITES,
1581
01:03:21,465 --> 01:03:23,267
THEY STILL TREAT
HIM LIKE A REDSKIN.
1582
01:03:23,300 --> 01:03:25,135
BUT HE WON'T BE TRIED LIKE ONE.
1583
01:03:25,169 --> 01:03:26,871
WHATEVER.
1584
01:03:26,904 --> 01:03:27,872
I'VE GOT WHITE MAN'S MONEY,
1585
01:03:27,905 --> 01:03:30,140
A WHITE MAN'S LAWYER,
AND I PROMISE YOU...
1586
01:03:30,174 --> 01:03:33,043
MY SON WON'T SPEND
A DAY IN PRISON.
1587
01:03:33,077 --> 01:03:35,145
HEY, CHUCKLES.
1588
01:03:35,179 --> 01:03:37,081
YOUR SON'S A MONSTER.
1589
01:03:37,114 --> 01:03:38,115
HE GUTTED SIENNA BURKE
1590
01:03:38,148 --> 01:03:39,149
WHILE SHE WAS STILL ALIVE,
1591
01:03:39,183 --> 01:03:40,150
AND HE NEEDS TO BE PUT DOWN.
1592
01:03:40,184 --> 01:03:42,186
BUT GUESS WHAT,
1593
01:03:42,219 --> 01:03:43,229
HE'S NOT THE ONLY
MONSTER ON THE BLOCK.
1594
01:03:43,253 --> 01:03:44,454
NOT BY A LONG SHOT.
1595
01:03:44,488 --> 01:03:46,223
PRISON OR NO PRISON,
1596
01:03:46,256 --> 01:03:48,492
TOMORROW MORNING THE
VERY WORST OF THOSE MONSTERS
1597
01:03:48,525 --> 01:03:50,160
IS COMING FOR HIM.
1598
01:03:50,194 --> 01:03:51,637
SO GOOD LUCK WITH YOUR
WHITE MAN'S DEFENSE.
1599
01:03:51,661 --> 01:03:56,300
LET ME KNOW HOW THAT
WORKS OUT FOR YOU.
1600
01:03:56,333 --> 01:03:58,468
OH, AND YOU MIGHT
WANT TO THINK ABOUT
1601
01:03:58,502 --> 01:04:00,871
ADDING A LITTLE
SECURITY FOR YOURSELF.
1602
01:04:03,240 --> 01:04:06,276
HEY, HEY, HEY.
1603
01:04:06,310 --> 01:04:07,912
SHE SEEING ANYONE?
1604
01:04:50,187 --> 01:04:53,657
OH, CRUD.
1605
01:04:58,228 --> 01:04:59,196
HI.
1606
01:04:59,229 --> 01:05:00,497
YOU'RE AWAKE.
1607
01:05:00,530 --> 01:05:02,132
DA.
1608
01:05:02,166 --> 01:05:04,434
I DIDN'T WANT TO
MISS MY GROCERIES.
1609
01:05:04,468 --> 01:05:05,702
SORRY.
1610
01:05:05,735 --> 01:05:07,404
I GOT HUNG UP.
1611
01:05:07,437 --> 01:05:08,939
IS THIS WHAT YOU
MEAN WHEN YOU SAY,
1612
01:05:08,973 --> 01:05:10,540
"I BE BACK A LITTLE LATER"?
1613
01:05:10,574 --> 01:05:12,576
I WISH TO KNOW FOR FUTURE.
1614
01:05:12,609 --> 01:05:14,311
NO, I'M USUALLY VERY PROMPT.
1615
01:05:14,344 --> 01:05:18,048
I... I... SOMETHING HAPPENED.
1616
01:05:18,082 --> 01:05:21,551
ANYWAY, IT'S LATE. AND
HERE'S YOUR GROCERIES.
1617
01:05:26,456 --> 01:05:29,126
YOU BRING ME PORNO.
1618
01:05:29,159 --> 01:05:32,462
TO HELP YOU PICK OUT
YOUR NEW BREASTS.
1619
01:05:41,471 --> 01:05:45,509
SEE, ALL DIFFERENT
SHAPES AND SIZES.
1620
01:05:49,679 --> 01:05:51,315
MY NAME IS MARY.
1621
01:05:51,348 --> 01:05:52,516
TODAY'S MY BIRTHDAY.
1622
01:05:52,549 --> 01:05:54,051
AND IF I EVER
1623
01:05:54,084 --> 01:05:55,761
RUN INTO THE SON OF A
BITCH THAT PROMISED ME
1624
01:05:55,785 --> 01:05:57,563
A LIFE OF EXCITEMENT AND
UNLIMITED OPPORTUNITY
1625
01:05:57,587 --> 01:05:59,423
AS A U.S. MARSHAL,
1626
01:05:59,456 --> 01:06:02,559
I'll SHOOT OFF
BOTH HIS KNEECAPS.
108557
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