Original subtitles

[Scary music]

[Dynamic music]

[Traffic light beeps]

[Music stops]

[Scary music starts]

[Fast music]

[car honks]

[Music stops]

[Distant siren]

[Tension music]

[Tension music increases]

[Scream] [Van honks]

[Ambulance sirens]

[Low music from headset]

[Hugh sings along]

[Music coming from Arthur's headset]

Maybe.

Maybe.

Maybe.

Good morning.

Hey.

Hey darling, how did you sleep?

Yeah, good, thanks. The bed is really comfortable.

Good. You got the best room.

- Really? - No, not really.

- Do you want a coffee? - Yes, please.

Don't worry, I'll do it. You get to know the guys.

They're fun.

Looks interesting.

[Hugh sings] Because I'm happy.

Maybe.

[Hugh sings along]

[Arthur sings] I said maybe.

Happy, happy, happy.

[Hugh] Happy, happy, happy.

Motherfucker! Who did this?

Arthur.

Arthur!

What?

Oh let me guess.

- Yeah, exactly. - It's Hugh!

Hugh, what is this doing in the recycling bin?

Hugh.

What?

Banana peel?

No thanks.

[Doorbell sound]

Wait wait wait.

Check this out.

Hey, Sheila, show me who is at the door.

[Sheila] You have a guest.

Is that live?

Oh, yes.

Hey Sheila, open the door.

[Hugh] Hey, Mike, it should be open. Give it a push.

[Sheila] My name is not Mike.

My name is Sheila.

[Hugh] I said, hey, Sheila.

Why does it always have to be a female name?

Shush.

[Sheila] Don't tell me to shush.

Way to go Sheila.

[Doorbell sound]

- I'll get it. - [Hugh] No no no.

She needs to learn.

Sheila, open the door.

Don't do it, Sheila.

Hugh can do it himself.

[Sheila] Sheila. My name is Sheila.

Sheila, open the fucking door.

[Sheila] Did you say "fuck the door"?

[Arthur] No Sheila, hold the door.

[Sheila] Did you say "hold door"? [Doorbell sound]

[Sheila] The weather tomorrow will be...

I'll get it.

- [Arthur] Hold door! - [Sheila] Hold door!

[Sheila] Liverpool one,

Manchester United, two. [Doorbell sound]

- [Sheila] Hold door! - [Arthur] Hold door!

Please.

[Sheila] A fridge.

You just ordered a fridge. Hold door.

Mike I'm coming down just a sec. - [Sheila] My name is Holdor.

Sheila, Sheila.

Sheila, Sheila, hold door.

Bye Sheila, bye bye.

- Welcome to the mad house. - Thanks.

[Door closes]

Oh, my God!

What's up?

Harry.

Yeah, I know Harry.

It says he was killed yesterday.

Killed?

Like in a car crash?

No, it says he's been murdered.

What?

Yeah.

God, that's terrible.

You're ready?

- Are you ready? - [Mike] Yes.

Action.

No. Cut cut cut.

Sorry dude, I messed up again.

Back to your position. Back to your position.

[Muffled] It was my best work.

What?

[Muffled] This is so undignified.

- What went wrong this time? - You're out of focus.

Oh, and that's my fault is it? Not yours?

It's contrast based. It gets confused by the colours.

Anyway, back to your position.

But why?

Because we need to start again.

But why all the...

Why am I... like this?

I've told you before, I'm going to green screen you.

But what for?

It's a Hollywood technique, it will make you disappear.

Oh, you didn't say anything about making me disappear.

You will disappear, but the skates can still be seen.

So it's like...

Like I'm the invisible man, on skates.

Listen, listen. The hierarchy is...

I don't have to explain myself to you.

Director, actor, director, actor.

I'm director. You're actor.

Okay? it doesn't matter.

How exactly is that supposed to help me get work as an actor?

Who the hell is going to want to see me covered like this?

It's not how Hollywood works.

Oh really, tell me how Hollywood works, Hugh.

There's a difference between being famous and

being a celebrity.

- Really? - Look at the guy who plays

Chewbacca.

He's super famous but not a celebrity.

Mr Blobby!

- Mr Blobby? - Mr Blobby.

He's super famous, but not a celebrity.

Well, he is a celebrity because everyone knows who

- Mr Blobby is, Hugh. - Who is he?

I don't fucking know who he actually is.

I don't know the actor. I've never met him.

I just know him as Mr Blobby.

You know Mr Blobby though. That's proven my point.

Of course I know Mr Blobby, I don't know who the guy is

inside the suit, it might be more than one person.

Back to your position.

- To my position? - Yes, to your position.

- Back to your position. - Okay okay!

Okay. Camera rolling.

And action.

Action! Mike!

This is so unprofessional.

[Scary music] [Train sound]

Well, I'm on Fulham Road right now, so I'll take the

short cut through the cemetery. I'll be

there in three minutes, okay?

[Music starts]

[Tension music]

Boo!

[Pierre laughs]

You're okay?

- Come on, it was just a prank. - A prank?

- Yes. - Your friend fucking scared me!

What are you talking about?

[Crows cawing]

[Phone rings]

[Voicemail] Please leave your message.

[Voice message] [Leo] Hey, Soph, it's Leo.

I hope you're settling okay with your new flatmates.

[Car honks]

It feels really empty here without you.

Give me a call when you've got some time.

I miss you. [Voicemail beeps]

[mystery music]

[Arthur growls]

[Phone rings]

Hey.

What?

Tell me.

He died on the way to the hospital.

I need to hang up now. I'll see you at home.

Yeah.

[Phone tone]

What's happening?

Can you play it again?

[Audio from computer] You're ready?

- [Hugh] Are you ready? - [Mike] Yes!

- [Hugh] Action.

[Hugh] Wait, no. Cut cut cut. Sorry dude, I messed up.

- [Hugh] Back to your position. - [Mike] Alright.

What were you trying to achieve exactly?

It's just a...

Nothing.

Play the stabbing part again.

[Audio from the laptop] - [Hugh] Action!

This is so unprofessional.

[Sound of struggle]

We don't even see the back of his head with the hood.

Was your friend involved in gangs or any sort of

criminal activity?

I told you before. No.

What about drugs? Using? Selling?

No.

Play the videos again.

- The last one? - All of them.

[Audio from the laptop] - [Hugh] Action

Oh, okay. Cut cut cut. Back to your position.

- Next. - [Mike] Hope you get polio.

Next.

- [Hugh] Mr Blobby? - [Mike] Mr Blobby. He's super

- famous but not a celebrity - Out of focus. Next.

[Hugh] Go fuck yourself.

- Next. Next. - [Hugh] You know nothing.

- [Hugh] Big green piece of... - Next. Out of focus, again.

- [Hugh] We're here to work. - Not this one, too blurry.

- Next.

[Hugh] Get back to your position.

Next. Useless. Next.

[Mike] I don't fucking know who the man is inside the suit.

Stop!

Look.

- Over there. - [Hugh] Back to your position.

[Multiple mouse clicks]

[Mystery music]

That's him.

Are you sure?

I'm positive.

Do they think it is the same guy that killed Harry?

To them is two separate cases for the moment.

Hello.

Did you all have a good day?

Why is it so blurry?

I thought your phone was going to be 8K or something.

[Phone rings]

Yeah look, I'll call you back in a bit alright?

So what are they gonna do?

I don't think they'll do anything.

They're just waiting for him to make a mistake.

Like what?

They say criminals often can't resist boasting on social media.

Guys, what's going on?

You don't know.

Know what?

Hugh's friend was killed in front of him.

What, Mike?

Yeah.

I'm going to warn others.

I'm going to put a post on the London skaters forum.

Good idea. We should probably talk to some

people in person too.

[Phone tone]

[Voice message] [Leo] Hey Soph, it's Leo.

Could you please return my calls? Please just call...

[Phone notification] Message deleted.

[Happy music starts]

Did you get some sleep last night?

Yeah.

No.

Hugh.

It's not your fault.

It's not your fault.

"It's not your fault".

"Look at me son".

"It's not your fault. It's not your fault, Will".

Matt Damon. Robin Williams.

The film.

Forget it.

- It's not your fault, really. - I get it. Thank you Kat.

It's also not your fault.

What, that Mike died?

No, Harry!

Oh, yeah, of course.

What do you mean "of course"?

Obviously, it's not my fault that Harry died.

I know, and obviously it's not my fault that Mike died.

Of course.

"Of course".

But

if I hadn't told him to meet me at that specific place at that

specific time, then he'd still be alive.

So it's not my fault he died, but it still is a little bit,

right?

Yeah.

You're a terrible friend.

No, no, Hugh.

Come on.

Show me something on your phone.

My phone?

Yeah, you're always like

"Hey Kat, I can tell you

how many planes there are in the sky

in Australia" or

"Hey, Kat, if I was an old lady, I'd look like this."

Are you taking the piss?

No! Okay, those are terrible examples, but

it's interesting, sometimes.

Please.

Okay.

Oh, it's the view from our doorbell camera.

Uh uh, look closer.

Oh, that's our house!

Yes.

Viewed from the house across the street.

Yes.

Did you hack our neighbours' doorbell camera?

It is not hacking if your password is 1234.

Oh my God, Hugh!

Come on, it's not private, it's the street.

Now we can see our house from a different angle.

More security.

I wonder if I can upscale this...

Is that Leo?

Oh, yeah.

Do you still talk to him?

He calls me sometimes.

He's trying to get inside information on Sophie.

Jesus, is he still not over their break up?

Nope. Total denial.

Hey Sophie.

It's Arthur actually, I'm using Sophie's phone because

she's using mine. Where are you?

With Hugh, at the skatepark.

Oh shit.

Do you know anyone who is in the Moorgate area right now?

Oh, we saw Angela earlier, she said she was heading that

way to meet Tony. Do you want...

Okay thanks bye.

What's going on?

I have no idea.

Hi Soph.

It's Arthur actually, no time to explain.

Where are you guys?

Close to Old Street, why?

Okay, Kat told you about the killer, right?

Well, someone spotted him and called me.

What? Who called?

A girl called Cristina, but anyway

Why don't you call the police?

Yeah, yeah no, I will. But they might be too slow.

So we need skaters and Kat told me that you and Tony might be

in the area.

But where are they?

Where are they?

[Sophie] Cristina where are you?

[Cristina] Close to Liverpool Station.

Going towards Brick Lane.

Close towards Liverpool Street Station

going towards Brick Lane.

- Close to Liverpool Street, go there. - Anything else?

[Angela] Okay, but you call the cops too, right?

Yeah yeah, let me get off the phone and do it, okay?

[999 Operator] 999, what's your emergency?

Hi yeah, okay, we spotted the

killer, you know the one who's been killing the skaters?

Right, so he's near Liverpool Street Station so we need you

to send a police car there straightaway, because this guy

[999 Operator] Sir, I need you to slow down.

- What's your emergency? - Are you still moving?

We spotted the killer.

[999 Operator] Who did you spot, sir?

Well, not me personally, but Cristina,

she spotted him, and she called me on my phone, because I put a

post on social media, with my phone number.

So she called me on my phone.

I've given my phone to Sophie and...

[999 Operator] Sir, this is really difficult to follow,

Who called who and why?

So I'm calling you on Sophie's phone because this guy is

dangerous and I don't want her to get hurt!

Cristina I mean, not Sophie.

[999 Operator] Sir, I do not understand a single word

you're saying I need you to calm down.

Can you please give me the

precise address of the location

where the incident is taking place?

[Cristina] He's crossing Commercial Street now.

He is crossing Commercial Street now.

He's crossing Commercial Street now.

[999 Operator] Sir, I asked you for a precise address.

Look, I'm just telling you what she's saying, what Cristina is

saying to Sophie, to me, to you.

[999 Operator] Sir, what's your postcode?

"My postcode"? What, where I live?

[999 Operator] No, the postcode corresponding to the location

where the incident is taking place.

[Sophie] Cristina, don't approach him.

You really need to keep your distance with this guy,

if he's the killer, he's super dangerous.

Safety first, okay?

Okay.

What's the postcode?

There's a lot of graffiti.

She says there's a lot of graffiti.

[999 Operator] I can't work with that,

I need a specific postcode

or a full address.

Cristina?

[Dynamic music starts]

Cristina can you hear me?

What's happening?

[999 Operator] Are you talking to me?

- I lost her! - [999 Operator] Sir,

are you still there?

[Music accelerates]

I have Angela, she said Cristina is really shaken but not hurt.

Tony is chasing the killer now!

- Did you hang up? - No they hung up!

- What! - I know, right?

That was a complete fucking fiasco.

Tony should never have chased him alone.

It's not my fault the police would not send a car

without an address. They kept asking for a postcode.

I told you street names.

They were asking for postcode.

How was I supposed to provide postcodes?

No, exactly.

[Sophie and Arthur talk, unintelligible]

[Music starts]

[Suspens music]

[Tablet rings]

Hey babe, I'll be here in five minutes.

What's the story with that memory you just shared?

Oh, that's about the time when Felix and Osama caught that guy.

What guy?

Remember the skater who was robbing shops at knifepoint?

The police could not catch him, he was way too fast.

I don't remember.

Oh, maybe you were not in London yet.

Well, basically the guy tried to rob a skate shop and Osama

and Felix were there. They managed to catch him.

That's the guy I saw in the cemetery the other day.

No way.

He must be in jail now.

[phone rings]

Hey Claire.

Yeah what,on Pierre's feed?

Okay, give me a second.

[Mystery music starts]

Hey Hugh.

What?

Does this guy look familiar to you?

Oh, shit.

What is it?

- It's... - ...him?

Yes, him, the killer.

What makes you think...

Not "think", it's him.

I remember him very well from when he killed Mike.

You previously stated that you hardly saw his face.

Well, yeah, I did. But it's definitely him!

He almost assaulted one of our friends in a cemetery

the other day and she saw him very clearly.

Was it reported?

No, because at the time she wasn't aware he was dangerous.

So this person who eventually didn't get assaulted.

- "Claire". - Claire.

So she saw a skater in the cemetery.

And then a few days later, she's like "hey, that reminds

me of a picture I saw six years ago."

Well, no, not exactly like that.

We should have asked Tony. He saw the guy.

Yes!

Who is Tony?

He's another skater.

He was chasing the killer with Angela.

Arthur called her because Cristina called him because

she was following the skater and...

Guys guys, this is not a birthday party.

Okay?

Can we agree that this guy looks exactly

like the guy in Hugh's video?

We didn't see much in Hugh's video.

It's blurry.

Okay, what about the CCTV from Harry's assault?

- They were moving too fast. - It's totally blurry.

Okay, one question, very simple.

Not "blurry".

Is this guy still in jail, or not?

Interesting.

What?

He was released last month.

See? It's got to be him!

But, why would he do that?

Revenge.

What do you mean?

Well, if you're thinking about it, this guy spent six

years of his life behind bars because he was caught by a

couple of skaters, and now he wants revenge.

The guys who caught him...

Omar.

Osama and Felix, they're not in London anymore.

So he's probably just going after random skaters.

Look it's an interesting theory.

And we'll look into it.

But it's not us you have to convince.

It's the judiciary system.

Let me tell you. Nobody goes to prison on vague assumptions,

vague memories or blurry videos.

So what else do we need?

Perhaps the murder weapon with victim's DNA on it.

You said he was using a switchblade knife,

and they're harder to clean.

So we could be lucky and find some DNA traces there.

Okay, what do we do?

"We"? There is no "we".

You both go home and try to avoid skating on your own.

Or avoid skating altogether if I'm honest.

But he's going to hurt our friends!

Look, sooner or later, we'll catch him.

But I have to admit that it won't be an easy one

because he moves so fast.

But he'll make a mistake.

Is that all?

For today, yes.

You need to do more.

It's just, you don't really care, do you?

Do not say that.

There are 150 people killed by knife in London every year.

And most of the victims are poor and they're young

and they're black, and nobody cares, but we do.

And we do care, but we do what we can with what we have.

Do you understand?

[phone rings] Oh, uh,

Uh, uh.

It's Kat.

How did it go?

Not good, but we're on the right track,

this guy left jail about a month ago.

Okay, so what are they going to do about it?

Nothing.

These guys are just overwhelmed with cases.

We'll have to figure this one out on our own.

Hey, I want to run a quick test. Is my computer still on?

- Yeah. - Okay, my password is

A.R.T.H.U.R.I.S.A.D.I.C.K.

"Arthur is a dick".

It's no, it's an anagram for some...

Never mind, enter your phone number and click "locate",

then "house".

You should receive notification on your

phone click "accept".

Okay, a little icon comes up where our house is.

Great, draw a rectangle around it and then

click on the cameras.

Hmm, Okay, I can see the video feed from our doorbell camera.

Hang on, this is our neighbours' camera?

Did you hack our neighbours' camera?

It's not hacking if your password is 1234.

Precisely.

Actually, it's not exactly 123...

Never mind.

Now enter my phone number 087 8786 5436.

Then click "locate", draw a rectangle around and

click on the cameras.

[Sophie] Give us a wave.

Cool, but that would only work if we have the killer's

phone number, right?

Yeah, and that's the thing. I need to do more work.

Oh, my god.

What?

Another victim, Amanda.

Is she dead?

No, seriously wounded though.

- We've got to catch this guy. - We need to catch him now.

We need skaters, fast ones.

[Leo on voicemail] Sophie, we need to talk. Please just call me.

- Hey Kat. - Hey Leo.

So did you talk to Sophie about me?

She is my housemate, so I talk to her every day.

But did you talk to her about me?

To be honest, Sophie, she's not that forthcoming when it comes

to talking about you guys, I'm sorry.

Why not?

Leo, sometimes you need to try and read into the

silence a bit.

Look, I'm a guy. I use words to communicate, not cryptic

language or ambiguous signs.

"Silence" is, in fact, a word.

"Over" it's another word.

I know you're familiar with that one. "Distance", a word.

Oh "break up", that's a word. Technically that's two words.

Those are your words, I want Sophie's words.

Oh, my God, but you're asking me!

Leo, I'm not trying to upset you.

I just don't want to see you get hurt again.

Did you just come here to tell me that?

No.

You heard about the skaters who got attacked?

I've heard the rumours.

We're putting together a team and we're gonna catch the guy.

The thing is, he's super fast. So um...

So we need people like you.

So why do you need me? Why can't you get him yourself?

Leo come on, I'm a dancer. I'm not a racer.

Arthur's not fast enough, Hugh

is not fast enough.

Listen, I haven't got time right now for this.

Maybe Luis can help you out, but I'm sorry.

Yeah.

Let me know if you change your mind.

- Wow. - Very nice.

Awesome.

Ladies and gentlemen, welcome to Virtual Eagle One.

That's cool. I like it, snazzy.

I think it's a really good name, personally.

Good choice Hugh.

Eagles are spectacular birds.

Hey, Roberto.

Oh "Roberto"!

What happened to Sheila, did she get the boot?

Roberto, set the lights to Primrose Morning.

[Female voice] [Roberto] My name is Roberto.

Really?

[Roberto] Did you say "tomorrow morning"?

No Roberto I said "Primrose Morning".

[Roberto] Antarctica Glory.

That's Antarctica Glory, Roberto, I said...

[Roberto] Did you say "Antarctica Glory"?

No, I didn't say "Antarctica"

[Roberto] Antarctica Glory. You just said "Antarctica Glory".

You did just say "Antarctica Glory".

[Roberto] My name is Roberta.

- No "Primrose Morning". - [Roberto] Roberty is my name.

Roberto, I said....

[Roberto] Your fridge will be delivered Monday at 11 a.m.

Holdor. In the afternoon.

Roberty. Morning. Holdor. Holdor.

Whatever.

Tell us about your set up, Hugh. I like the monitor stand

thing, very convenient.

Okay. Each chaser is going to be geolocalised

with their mobile phone device.

We'll track them using live maps and give them directions

via a conference call system.

What about the killer? How are we going to track him?

Hey hey, here's the idea.

It's an ML based target system using sequential

learning like AB-list.

First, we get a representation of the input vector and then

extrapolate an activation in free forward back propagation.

Artificial Intelligence.

Oh.

"A.I.", right, good old A.I.

Let me do a quick demo.

This camera

corresponds to this feed.

See that cyclist? Let's say she's our target.

The system has now scanned our target, assigned a unique

identifier to it, and a localisation.

The system is then able to track our target and based on

the data gathered, create a trajectory that corresponds to

our moving target.

Boom. And the area covered automatically moves

with the target.

Boom.

So what if we had like two identical cars, right?

Same make, same model.

Would it be able to tell the difference between them?

We're looking for a skater, right? Not a car.

Yeah, yeah, I guess, yeah.

Just a few more days and we'll be ready to go.

We still need time to find more chasers anyway.

And how do we locate the killer in the first place?

We can't just wait around and hope for someone to call us

like last time.

What we could do is patiently go through every street in

London looking for skaters, hoping that we eventually

find this guy.

Yeah, but I mean, there's loads of skaters in London,

look there's one there.

I don't know.

Wait go back.

Where?

Over there, you were on the left. No before.

Up up, up a bit.

It's just a random skater.

Shit, that looks like him.

Shit, it is him!

What? How can you guys be so sure?

It's not even his face, it's his style.

Every skater has a type of signature, and I remember

his very well.

So what do we do?

We're not ready.

No.

No, but...

All right, here is what I suggest

Let's do it!

Track him Hugh, track him.

Oh you're still here?

Where's my phone?

I call George, you call Phil and Sophie.

I'm Sophie.

Sorry, I mean, Phil and Luis.

I'm going to join the other skaters, what do you think?

No you're too slow, you call Tony and Angela and

Nigel and Joey.

He's going towards Saint Paul's, tell everyone

he's going towards Saint Paul's.

Tell each chaser to accept the notification I'm going

to push to their phone so I can track them.

Understood? Notification. Phone. Accept. Simple.

Phone numbers for tracking. Phone numbers, give them to me.

Start with Angela and Tony, you already have theirs.

Yes right now, it might be our only chance.

Guys, I need to set up a conf call.

Just fucking do it then.

Don't panic. Guys don't panic!

- Stop shouting! - You're shouting!

- You're shouting! - You're shouting!

You're all shouting.

Yeah. How far away are you from Saint Paul's?

You're going to receive a notification to your phone.

You need to accept it so we can track you okay?

Keep heading towards Saint Paul's.

We can end this call now and we'll call you back

- on a shared line. - okay got it.

Let's go.

Are you still moving?

Phil, did you receive the notification?

Okay, I've got it.

Great, head for Saint Paul's, I'm going to hang up, but we'll

call you back on a shared line.

George, I'm going to hang up, and we'll call you back

from a shared line.

Okay, I'm hanging up.

Hello can you hear me?

[George] Guys this is George, can you hear me?

Yes we can. Who else do we have on?

Hey, guys, it's Phil here.

[Luis] I can't hear you, is this the conference call?

Yes, welcome to Virtual Eagle One.

Come on pick up, pick up.

Who are we missing?

Nigel's in Brighton and I'm trying to get hold of Jerry,

but he's not picking up for some reason.

[Relaxing music]

[Phone rings]

[Tony] Hugh, I'm going to connect my phone to my camera.

What what what?

I'm sending you a video feed from my camera.

[Tony] You should receive it by now.

[Hugh] Jesus.

[Tony] I got the camera on eBay, really cheap.

- [Hugh] No shit? - [Tony] What did you say?

Nothing Tony it's great, really lovely footage.

Very helpful. Thank you.

[Tony] Is the image okay?

It's not too shaky, is it?

It's wonderful Tony.

Just focus on getting there as soon as you can.

Yeah, not too fast.

[Hugh] To all chasers, this is Virtual Eagle One speaking.

Keep heading towards Saint Paul's.

Can you all state your name and confirm that you can hear me?

[All talk, unintelligible]

Thank you.

I'll update you on the target location as soon as possible.

Who's this guy?

Virtual Eagle One speaking, who is yellow dot?

Guys, this is Virtual...

Can we just not do that Virtual whatever Eagle?

Fine. Who is yellow dot?

They don't know their colours.

Who's in Mile End?

- Mile End? - [Hugh] Yes.

That would be me, Phil.

Why are you going east Phil?

You should be going west then right.

Oh, like the opposite.

Yeah, the exact opposite.

This guy is going to arrive first.

Guys, priority number one is your safety.

No one approaches the killer on their own.

Do you understand?

Purple dot, who's near Waterloo?

Yes, that's me, why?

Nothing, you're just a bit further away from the target

- compared to the others. - Hurry up dude.

- Not too fast. - Stop saying that!

Luis, go as fast as you possibly can, okay?

[Phil] Can I confirm I'm going in the right direction?

[Hugh] You are?

[Phil] Phil, I was in Mile End.

Yellow dot.

Why are you going north now?

She said "turn right", and that's what I did.

[Phil] You have to give me clear directions.

I'm not from London.

I told you we should have hired more women.

Women don't get lost.

Are you kidding me?

Phil you need to...

You need to turn around and head south and in about a

kilometre turn right.

Now "Pink", whoever is in Clerkenwell.

Yes that would be me, George.

George, you're the closest.

Keep going towards the Museum of London.

You know, the big roundabout.

George, slow down. You need to wait for the others.

No initiative before there's a minimum of three skaters.

Thank you.

You keep telling them to slow down. Guys go as

fast as you can. This isn't a Sunday stroll.

And the rule is "two skaters".

- Three. - Three is including the killer.

Didn't we say a minimum of three skaters?

- Yes we said "three skaters". - No, we didn't!

- [Roberto] My name is... - Okay everyone stop! Stop!

Why are we stopping?

- No, not you, them. - [Angela] Who's "them"?

Skaters get back to skating.

So we're still going to Saint Paul's?

Yes, go, go, go.

The rules are very clear.

Minimum two skaters, I mean, two chasers,

three including the killer.

Okay, so the killer isn't a chaser, he's a skater.

So three minus one equals two.

- Three. - Makes sense?

Am I on mute?

They're not responding because you're shouting at them.

I am not shoot...

What is he doing?

Guys, the target is heading towards the Barbican, if you

could make your way towards the Barbican.

Barbican? What the fuck?

I thought we were going to Saint Paul's.

Shut up Phil. Just shut up!

You shut up, don't fucking yell at me!

I am not...

You're alright?

This is so frustrating.

Here, have a glass of water.

Thanks Kat.

Hugh.

Ladies and gentlemen, this is virtual pigeon numero uno,

the one and only.

[George] Can we please focus on the target.

Okay, all right sorry.

Okay ladies and gentlemen, our target is going

down Aldersgate Street.

[Luis] Where is that?

Passed Barbican Station.

Still going.

What happened?

Hugh, where's my red dot, it's gone?

It's a business district, maybe there are no video

buzzers in the area.

- Where's Hugh? - Hugh's fine.

I don't care if he's fine, I need tech support, Hugh!

Guys, I think I see him.

[Arthur] Where?

[George] Just, like you said,

the big roundabout near the Museum of London.

- [Arthur] "Pink". - [Sophie] "George".

[Arthur] George, be super careful remember,

he's likely to be armed.

"Armed"?

Oh hell yeah, knife, maybe more.

Are you kidding me?

You sound surprised. This is no picnic, but you guys

worked on this during the fighting workshop, right?

What workshop?

It was supposed to be next weekend.

Where the hell have you been?

Focus.

Look, I'm happy to help.

I just don't want to die.

No, no, no, nobody's going to die, I think.

Guys, I've got a bad feeling about this.

Let's be honest.

If something goes wrong, we're all responsible.

What we're doing is called incitement. It's a crime.

Sorry to be blunt team, but yeah, what we're doing

is super dangerous. We're not forcing anyone.

If any of you don't feel comfortable...

[Luis] I don't care. He's the one who should be afraid.

[Angela] Yeah, if we don't do anything, he's going to hurt

us some day.

I'm not so sure, guys.

I mean, I heard Anabelle was pregnant yesterday.

Oh, well, congratulations to you and...

No no no, it's his cat.

What do you mean "cat", she's called "Cat"?

No, it's a cat, like a natural...

Meow. Meow. Meow.

Pregnant from whom, him?

No dickhead, from another cat.

- Which one? - How the fuck would I know?

Guys!

[George] You know, I can hear you?

[Arthur] Oh, sorry, shit, I wasn't on mute.

He's getting into a lift.

What, a lift in the street?

Yes a lift in the street.

Oh, he's skating on top of a bridge now.

[Phil] Oh great, I see it.

[Arthur] The killer?

No, the bridge.

- Yellow, yellow - "Phil".

Phil, can you describe the bridge you see?

[Phil] It's the one with the two big towers on it.

What?

Phil, are you honestly trying to tell me that you're at

Tower Bridge right now?

You said "go west".

You're miles away from the target.

Jesus, "yellow" you're not even trying, are you mate?

Oh, "I'm not even trying"?

Phil, do not take the bridge, okay?

You need to go north, not south, north.

[Luis] Hey, guys, I found a lift, I go up one level.

[Angela] This is Angela, where exactly is the lift?

[Luis] On London Wall, there is a number of lifts.

He stopped make sure you don't go too fast, Luis.

[Angela] We're in Farringdon, we'll get there soon.

[George] You've got to hide when you arrive.

[George] He's got a vantage point.

Who needs to hide, me?

No Phil, you don't need to hide from the killer

because you're in the wrong fucking city!

You know what? Fuck you guys!

I'm out of this shit.

It's okay, good riddance. He was slowing us down.

Why are you yelling at the skaters?

We already don't have enough of them.

Oh, I'm yelling at them?

[George] He is on the move now.

[Luis] I think I see him, black hoodie, right?

Yes, I see you Luis, right behind him right?

Grey and black top, right?.

[Luis] Yeah, that's me, I'm on his tail.

- Don't go to close Luis. - Again you're holding them off.

You can extrapolate Luis' position to estimate where

the target is.

What?

Luis is purple dot, he's following our target so we

can assume the target is here, in red.

Yes Hugh, extrapolate, extrapolate as much as you want.

[George] He's still going east for now.

[Luis] Oh shit. I think he saw me.

He's going faster.

He's crossing the bridge. He's going to take the ramp.

- The "wamp"? - The "ramp".

What is he talking about?

What the hell, how can they be on top of each other?

Shit.

[Angela] We found the lift.

We're arriving at the bridge level.

[Luis] No no don't, we're down to street level now.

[Angela] Street level? Why didn't you say so?

[Luis] I told you we were taking the ramp.

[Angela] What's a "ramper"?

[Angela] We saw you, we're trying to catch up.

Luis, he is at street level, right?

[Luis] No.

No. He's underground.

What the fuck?

Luis, where are you?

[unintelligible]

- [unintelligible] - Can you hear me guys?

[Luis] [unintelligible]

He's underground, that's why

the sound's breaking.

[Angela] Luis, how do you access the level down?

[unintelligible]

Fuck!

Luis?

- Luis? - We lost connection.

[Angela] Arthur, how do you access the level down?

I don't know.

[Angela] Well you should know with all your fancy tools.

This is bullshit!

[Angela] You're not really helping here.

Hey, guys, it's George.

I'm going to go home guys.

I'm sorry.

[Fast music]

[Religious music]

[Tap water running]

Are you feeling all right?

[Water thrown]

[Phone rings]

Yeah.

Oh, come on, what do you want me to do, beg you?

Okay great, you think about it then.

[water tap dripping]

Really?

Are you kidding me?

What?

What is this doing in the recycling?

It's not mine.

What are you eating?

This?

This one came without a peel.

Look, it's a like paper, okay?

Paper grows on trees, bananas grow on trees.

We recycle paper, we should recycle banana leaves too.

What are they going to recycle them into?

I don't know, they'll plant them into the ground and

they'll grow into a new banana tree.

Really?

Look, I know about computers and Hollywood.

Don't ask me about how to grow banana trees, what the

difference between a satsuma and an orange is,

how to determine the gender of a chicken, what the difference

between an easy peeler and a tangerine is.

Why some apples are called Granny Smith.

Who's Granny Smith's cat? I don't know, I don't care.

Oh, whatever.

If anyone wants me, I'll be in my room.

Me too.

"My room"?

No, I meant...

I meant "my room", not your...

I meant my room.

I'm kidding.

What shall we do? Go home?

I'm going to tighten my wheels first.

[Angela] Guys, we are thinking of going home.

Guys?

[Fast music]

[Angela] Guys!

Guys are you here?

[Angela] We see him.

Hugh!

Hi, yes.

Angela, I can hear you.

Hugh! It's back on again.

No, no, no, I can't do all this computer stuff.

You do it.

- Me? - Yeah, go go, go!

Yeah.

Luis, Luis can you hear me?

Angela, Tony, can you hear me ?

[Angela] Yes we can. We see Luis and the killer,

they're about 30 meters away.

Hugh, are these two Angela and Tony?

Yes.

So the other two must be about here.

There.

Yes, tag him.

Can you extrapolate to get Luis?

[Tony] Luis we're behind you, can you hear us?

Hey Angela, wait.

Why?

[Tony] It's not safe.

[Angela] Guys, Luis and the killer are in some dodgy alleys,

it seems really dangerous.

Don't go if you don't feel safe.

There doesn't seem to be much camera coverage down there.

[Phone rings] There has to be cameras.

Yeah.

Really?

Yeah, no, okay. Brilliant.

I'll loop you in. Hang on.

Don't do that.

There's got to be at least one camera.

This is very CPU intensive.

It can overload the system.

Oh oh.

What the fuck is wrong with you?

God, I've always wanted to do that.

Sorry.

No, no, no, you're right.

- I think I'm going to cry. - Oh no.

Don't worry about it.

[Luis screams]

[Tension music]

Guys, what's happening?

Over there.

[Angela] Oh shit.

[Angela] Guys, Luis is hurt.

Oh my god, is he alright?

I need to hang up. I have to call an ambulance.

- Can you loop him in? - Sorry what?

Put him in the conf call and tracking system thingy.

- Really? - Yeah.

Sorry Tony, I can't help you right now.

Tada.

Who's that?

[Leo] Guys, can you hear me?

What!

[Tony] Hey Leo, is that you man?

You bet.

[Leo] Tony, long time no see.

It's not about you Soph,

we've got to catch this guy, whatever it takes.

Well, you talk to him since you like him so much.

- Why are you being so... - So what?

Nothing.

Hey Leo, please go towards...

Holborn Viaduct.

Holborn Viaduct.

God, he's so fast.

[Leo] I'm approaching Holborn but I can't see anyone.

Where exactly are you?

Tony, is that you? I think I just saw you.

No Leo, it's definitely not Tony, he's in

a different location.

I think that's our target, he's heading south.

Hugh, how do you do the rectangle stuff?

- Just drag and click. - I can't do it.

Tony, take a left right now.

It's a large road, Farringdon road.

This is going to be epic.

Hugh do you mind if I connect the projector?

- What for? - Just say "yes".

- Yes. - Cool!

To what?

Tony I can see you, I'm right on your tail.

Man, what happened?

Tony, are your alright?

Is Tony back on track?

No, I think he handed the camera to...

Hello!

Look Leo, we've go a rule, it's minimum two skaters.

You have a rule, I don't.

Kat, he needs to stop.

Leo, it's Sophie here.

[Leo] Oh, finally!

The kind of shit I need to do to get your attention, right?

OK, well done you win. Now stop skating please.

The moment I stop skating, you're going to hang up.

No, I promise we'll talk. But just us.

[Leo] I want to catch him anyway.

So, how have you been honey?

- Shall we...? - No!

[Leo] Why are you always running away from me like this?

I get that you need a bit of distance from all of this,

but why won't you at least return my calls?

That's not relevant.

[Leo] Babe I can't sleep, I can't even eat.

Leo, everyone is listening. This isn't the time.

[Leo] Every day I think about you.

I need to hear your voice. I need you in my life Soph.

Me me me.

My life, my food, my precious little sleep.

Do you even care about how I feel?

I've been avoiding you and this conversation because

I'm fucking scared.

I'm scared of how you'll react to the truth.

Scared of your anger,

I'm scared of your volatility. I worry you might...

Hurt yourself.

This relationship has never been about you and me,

it's always been about you.

It never made me happy and you didn't even notice.

I love you Leo, but not in the way you want me to.

You need to move on. I've moved on, I...

I moved on.

[Tension music]

No!

[Fast music]

[Car honks]

[Bus honks]

Boom.

[Police sirens]

[Seagulls]

[easy going music]

Whoa, sorry!

Be careful.

You can do it, mate.

[Hugh] Come on, it's just 15 steps.

[Hugh] Close your eyes. It will be easier.

[Sophie] Tony, you're leading him on.

[Hugh] If you don't grab, it doesn't count.

[Sophie] Why don't you put your helmet on?

[Hugh] Do it backwards.

[Hugh] Come on.

[Sophie] Why do you encourage him?

You know he's gonna end up on the floor.

[Hugh] Oh, nearly!

- [Hugh] Oh, come on. - [Arthur] Okay, why not?

[Hugh] What's the worst that can happen?

[Sophie] Hugh shut up! Take it easy Arthur.

So, do the police know that I was chasing him?

They don't really need to know.

They found the victims' DNA on the knife and that's exactly

what they needed. So...

Hey, sorry about the way I've been acting lately.

I haven't really been feeling like myself.

Yeah.

We all go through stuff sometimes.

I've actually been reading a book lately about picking and

choosing the right battles, something I haven't really

been doing properly.

Sometimes you just have to let it go and move on.

[Hugh] Easy.

[Sophie] Tony, he doesn't need encouragement.

Arthur, I don't think it's a good idea.

[Arthur] Soph, don't worry, I'm gonna do it backwards.

[Hugh] You can do it Arthur.

[Sophie] Whoa, whoa, whoa, whoa!

[Hugh] I've done it twice, it's easy.

[Sophie] Arthur come on!

[Sophie] Easy!

[Hugh] Go as fast as you can.

[Sophie] No no no!

[Hugh] Faster, faster.

[Sophie] Arthur! Oh!

[Arthur falling heavily]

[Arthur in pain] Oh, oh.

- Boom. - Boom!

[Spanish music]

♪