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These are the user uploaded subtitles that are being translated: 1 00:00:02,377 --> 00:00:04,837 - Previously, on "Limetown"... 2 00:00:04,879 --> 00:00:07,589 In 2003, the world's top neuroscientists 3 00:00:07,632 --> 00:00:11,392 gathered at a research facility in Tennessee known as Limetown. 4 00:00:11,428 --> 00:00:14,348 - I have heard the future! 5 00:00:14,389 --> 00:00:16,469 - We know there was a large population there 6 00:00:16,516 --> 00:00:18,726 on February 8th, and on February 11th 7 00:00:18,768 --> 00:00:20,688 it was like nobody ever was. 8 00:00:20,729 --> 00:00:24,189 - A 15-year-old event with nothing new to say. 9 00:00:24,232 --> 00:00:26,192 [dark music] 10 00:00:26,234 --> 00:00:29,534 - Lia, it's a survivor, and she wants to speak with you. 11 00:00:29,571 --> 00:00:33,161 - [distorted audio] How soon can we meet? 12 00:00:36,536 --> 00:00:39,116 [peppy music playing over TV] 13 00:00:39,164 --> 00:00:40,754 - You waltz around here in your own bubble 14 00:00:40,790 --> 00:00:42,540 floating above the rest of us. - Yeah, that's me, 15 00:00:42,584 --> 00:00:44,464 good-guy Jacob in a safety school of human beings. 16 00:00:44,502 --> 00:00:47,212 - I'm still here. - Are you? 17 00:00:47,255 --> 00:00:48,505 - Why are you acting like this? 18 00:00:48,548 --> 00:00:51,428 - We might as well-- TV: Cool, huh? 19 00:00:51,468 --> 00:00:53,428 [muffled argument continues inaudibly] 20 00:00:53,470 --> 00:00:55,140 TV: Look at that, huh? - Oh, here we go. 21 00:00:55,180 --> 00:00:56,350 - Bad things have been happening for two years... 22 00:00:56,389 --> 00:00:57,679 - Here we go. 23 00:00:57,724 --> 00:00:59,144 - You're never the reason... [voice fades] 24 00:00:59,184 --> 00:01:00,564 TV: I'll make sure... 25 00:01:00,602 --> 00:01:02,902 - A martyr. - Oh, here we go. 26 00:01:02,937 --> 00:01:04,397 - [whispers] Lia. 27 00:01:04,439 --> 00:01:06,229 - That is not what I said. 28 00:01:06,274 --> 00:01:07,574 - Doesn't matter what you said, that's what you meant. 29 00:01:07,609 --> 00:01:09,359 - [whispers] Lia. - That is not what I meant. 30 00:01:09,402 --> 00:01:11,242 - Psst, Apple. 31 00:01:11,279 --> 00:01:13,369 - Everything is the way it is, and I have to wake up... 32 00:01:13,406 --> 00:01:15,116 - Apple. 33 00:01:16,326 --> 00:01:18,156 - I found you. - Goddamn PTA meeting.. 34 00:01:18,203 --> 00:01:19,703 - Come here. - All I said to Susan... 35 00:01:19,746 --> 00:01:22,616 [unintelligible] ...I imagined it! 36 00:01:23,625 --> 00:01:25,335 - Hi. 37 00:01:25,377 --> 00:01:27,707 Oh, we'll go upstairs. 38 00:01:27,754 --> 00:01:29,804 [argument continues inaudibly] 39 00:01:29,839 --> 00:01:31,549 [melancholy music] 40 00:01:31,591 --> 00:01:33,841 Okay. 41 00:01:39,808 --> 00:01:42,308 [sighs] 42 00:01:46,815 --> 00:01:49,315 Okay, didn't we have an interview scheduled? 43 00:01:49,359 --> 00:01:50,439 - Yeah. - Let's go. 44 00:01:50,485 --> 00:01:52,275 - Wait. - What? 45 00:01:52,320 --> 00:01:54,410 - You have to wear this for the interview. 46 00:01:54,447 --> 00:01:55,817 - [laughs] Really? 47 00:01:55,865 --> 00:01:58,695 I do? Okay. 48 00:01:58,743 --> 00:02:00,253 But it's a radio interview. 49 00:02:00,286 --> 00:02:01,956 Nobody's gonna see it. 50 00:02:01,996 --> 00:02:04,536 Doesn't matter, huh? I have to wear it anyway? 51 00:02:04,582 --> 00:02:06,792 Okay, all right, okay. 52 00:02:06,835 --> 00:02:09,295 Let's go. 53 00:02:09,337 --> 00:02:10,957 [tape recorder clicks] 54 00:02:11,006 --> 00:02:13,426 Gina: Lia. - This is Lia Haddock. 55 00:02:13,466 --> 00:02:16,466 - Lia. Could you act like 56 00:02:16,511 --> 00:02:19,761 this is the biggest news story in the world right now? 57 00:02:19,806 --> 00:02:21,806 - House 42? - Frank Banner. 58 00:02:21,850 --> 00:02:23,890 - House 41? - Amy Lye. 59 00:02:23,935 --> 00:02:25,645 - House 40? - Ruby Kippertich. 60 00:02:25,687 --> 00:02:26,977 - House 47? - Carrie Yipp. 61 00:02:27,022 --> 00:02:29,572 - House 50? - Harumi Sato. 62 00:02:29,607 --> 00:02:31,477 - House 49? - Cody Harper. 63 00:02:31,526 --> 00:02:33,276 - House 45? - Eloise Martin. 64 00:02:33,319 --> 00:02:34,949 - House 43? - Helen Vandenberg. 65 00:02:34,988 --> 00:02:36,988 - House 44? - Kipp Harvini? 66 00:02:37,032 --> 00:02:39,702 - There's one... - Thank you. 67 00:02:39,743 --> 00:02:41,663 - And, uh, that one. - Yeah, that's mine. 68 00:02:41,703 --> 00:02:44,253 That's the tea. Thank you. 69 00:02:44,289 --> 00:02:46,879 - That's mine. [sighs] 70 00:02:46,916 --> 00:02:49,456 All right, uh, can I help with anything? 71 00:02:49,502 --> 00:02:50,842 both: Nope. 72 00:02:50,879 --> 00:02:53,839 - Penelope Tarr, neurosurgeon, 73 00:02:53,882 --> 00:02:56,342 married to... 74 00:02:56,384 --> 00:02:58,264 [inquisitive music] 75 00:02:58,303 --> 00:02:59,263 Trick question. 76 00:02:59,304 --> 00:03:02,524 No one. Single. 77 00:03:02,557 --> 00:03:04,597 [sighs] 78 00:03:04,642 --> 00:03:06,772 [wheels clattering] 79 00:03:06,811 --> 00:03:09,561 - [sighs] This is the first account of Limetown 80 00:03:09,606 --> 00:03:12,026 from someone who actually lived there. 81 00:03:12,067 --> 00:03:15,777 It's about who she is, what she did, where she's been. 82 00:03:15,820 --> 00:03:18,740 Her story is Limetown's story, okay? 83 00:03:18,782 --> 00:03:21,742 Don't--don't be afraid to be vulnerable. 84 00:03:21,785 --> 00:03:25,655 If you get stuck, ask for help, change your approach. 85 00:03:25,705 --> 00:03:26,955 Okay? 86 00:03:26,998 --> 00:03:28,458 - I know. I know, Gina. 87 00:03:28,500 --> 00:03:30,710 - I know you're a good journalist. 88 00:03:30,752 --> 00:03:33,052 It's just, this is... 89 00:03:33,088 --> 00:03:35,378 [sighs] 90 00:03:35,423 --> 00:03:37,933 - I know. 91 00:03:37,967 --> 00:03:40,887 [birds chirping] 92 00:03:56,695 --> 00:03:59,695 [tense music] 93 00:03:59,739 --> 00:04:02,619 [keys tapping] 94 00:04:05,745 --> 00:04:09,365 [tense music] 95 00:04:09,416 --> 00:04:11,076 Hi, um, this is Lia Haddock. 96 00:04:11,126 --> 00:04:14,956 I'm--I'm at the spot that you said to meet. 97 00:04:15,005 --> 00:04:17,545 [tense music] 98 00:04:17,590 --> 00:04:19,680 Lia Haddock? 99 00:04:19,718 --> 00:04:22,598 [tense music] 100 00:04:22,637 --> 00:04:24,557 Okay, let me just-- 101 00:04:24,597 --> 00:04:26,927 let me just get something to write that down. 102 00:04:26,975 --> 00:04:29,935 [lights buzzing] 103 00:04:29,978 --> 00:04:32,808 [tense music] 104 00:04:32,856 --> 00:04:35,106 [knocks on door] 105 00:04:35,150 --> 00:04:37,900 [sighs] 106 00:04:37,944 --> 00:04:43,834 [tense music] 107 00:04:43,867 --> 00:04:45,827 Um, hello? 108 00:04:45,869 --> 00:04:48,119 Winona? 109 00:04:48,163 --> 00:04:51,583 - Who are you? 110 00:04:51,624 --> 00:04:53,634 - It's--it's Lia Haddock. 111 00:04:53,668 --> 00:04:56,668 We were supposed to meet at the park two hours ago. 112 00:04:56,713 --> 00:04:58,473 I--we just spoke on the phone. 113 00:04:58,506 --> 00:05:01,126 - Why did you call me "Winona"? 114 00:05:01,176 --> 00:05:02,796 [tense music] 115 00:05:02,844 --> 00:05:05,764 - That's the name you gave me. 116 00:05:05,805 --> 00:05:08,845 - Did I? 117 00:05:08,892 --> 00:05:11,642 I'm sorry, I don't remember sometimes. 118 00:05:11,686 --> 00:05:14,606 I have to write things down. 119 00:05:14,647 --> 00:05:17,527 Stand in front of the door so I can see you. 120 00:05:17,567 --> 00:05:20,147 Face me, please. 121 00:05:20,195 --> 00:05:23,735 Now hold up your ID. 122 00:05:23,782 --> 00:05:25,492 Now, please. 123 00:05:25,533 --> 00:05:29,453 [button snaps] 124 00:05:29,496 --> 00:05:31,746 [locks clicking] [door opens] 125 00:05:31,790 --> 00:05:33,920 [door creaks] 126 00:05:33,958 --> 00:05:38,758 [tense music] 127 00:05:38,797 --> 00:05:41,507 [kettle whistling] 128 00:05:41,549 --> 00:05:43,679 - Can you put the chain on the door, please? 129 00:05:43,718 --> 00:05:45,178 [whistling stops] 130 00:05:45,220 --> 00:05:47,510 [metal clangs softly] 131 00:05:47,555 --> 00:05:49,675 - [sighs, murmurs] 132 00:05:49,724 --> 00:05:52,104 [music fades] 133 00:05:55,814 --> 00:05:57,524 [sighs] 134 00:05:57,565 --> 00:06:00,435 I, uh... [stammers] 135 00:06:00,485 --> 00:06:03,695 I can't really tell you what it means to be talking to you. 136 00:06:03,738 --> 00:06:08,448 I--I know that you could have spoken to anyone and... 137 00:06:08,493 --> 00:06:11,543 you chose me, and it means a lot. 138 00:06:11,579 --> 00:06:14,119 That's all--that's all I'm saying. 139 00:06:15,709 --> 00:06:18,999 - I'm not sure it means anything. 140 00:06:21,548 --> 00:06:23,758 [zipper whirrs] [objects shuffling] 141 00:06:34,102 --> 00:06:37,612 Can you sit down and stop making us both anxious? 142 00:06:38,982 --> 00:06:41,032 - Sure. 143 00:06:47,949 --> 00:06:50,949 - Sorry about earlier. 144 00:06:50,994 --> 00:06:54,164 Sometimes it's difficult for me to recall things. 145 00:07:00,628 --> 00:07:02,668 I wrote everything I was supposed to tell you 146 00:07:02,714 --> 00:07:04,264 in my notes, 147 00:07:04,299 --> 00:07:07,089 but then I lost my notes and then I forgot I lost my notes, 148 00:07:07,135 --> 00:07:11,255 and you can see where it all falls apart. 149 00:07:11,306 --> 00:07:13,596 - Winona, you don't have to apologize for anything. 150 00:07:13,641 --> 00:07:15,851 Just know that I am here 151 00:07:15,894 --> 00:07:18,154 to help you tell the world your story. 152 00:07:20,106 --> 00:07:22,146 [paper rustling] 153 00:07:25,904 --> 00:07:27,744 - I can only speak within 154 00:07:27,781 --> 00:07:29,661 a very specific set of parameters. 155 00:07:29,699 --> 00:07:32,619 You cannot ask me what they are. 156 00:07:32,660 --> 00:07:33,870 I am to give you the information I can give 157 00:07:33,912 --> 00:07:35,962 and no more. 158 00:07:35,997 --> 00:07:37,957 I will not give you my real name. 159 00:07:37,999 --> 00:07:40,959 I will not be photographed. I will not reenter society. 160 00:07:41,002 --> 00:07:44,882 I will speak to no one else on this matter. 161 00:07:44,923 --> 00:07:46,883 Ever. 162 00:07:46,925 --> 00:07:49,085 [suspenseful music] 163 00:07:49,135 --> 00:07:50,925 If you follow these instructions, 164 00:07:50,970 --> 00:07:53,100 I will direct you to the next survivor. 165 00:07:53,139 --> 00:07:58,979 [suspenseful music] 166 00:07:59,020 --> 00:08:02,730 - There are more survivors? 167 00:08:02,774 --> 00:08:05,824 - Of course. 168 00:08:05,860 --> 00:08:11,830 [suspenseful music] 169 00:08:11,866 --> 00:08:14,196 - Did you write these conditions? 170 00:08:14,244 --> 00:08:16,964 [suspenseful music] 171 00:08:16,996 --> 00:08:19,746 - There's something else I want to ask you about. 172 00:08:22,752 --> 00:08:26,302 S-L-V-A. 173 00:08:26,339 --> 00:08:28,799 Does that mean anything to you? 174 00:08:28,842 --> 00:08:32,262 - "S-L-V-A"? 175 00:08:38,393 --> 00:08:41,023 No. - [sighs] 176 00:08:41,062 --> 00:08:43,022 - What is S-L-V-A? 177 00:08:43,064 --> 00:08:45,864 - S-L-V-A. 178 00:08:45,900 --> 00:08:50,030 I don't know what it is, but I need to. 179 00:08:50,071 --> 00:08:53,201 Sometimes I don't remember here... 180 00:08:55,744 --> 00:08:58,204 But I remember here. 181 00:09:02,417 --> 00:09:06,127 I moved to House 27 in Limetown in 2003 182 00:09:06,171 --> 00:09:07,381 with a man. 183 00:09:07,422 --> 00:09:09,132 The man worked in research and development, 184 00:09:09,174 --> 00:09:10,684 I had just finished school. 185 00:09:10,717 --> 00:09:11,967 - [laughs] 186 00:09:12,010 --> 00:09:13,890 - Eight years of grad school for me, 187 00:09:13,928 --> 00:09:15,968 a year of Limetown for him. 188 00:09:16,014 --> 00:09:19,394 It seemed fair and balanced, right? 189 00:09:19,434 --> 00:09:25,114 [upbeat music] 190 00:09:25,148 --> 00:09:27,108 Hi. 191 00:09:27,150 --> 00:09:28,400 [indistinct chatter] 192 00:09:28,443 --> 00:09:31,203 - Just up here. 193 00:09:31,237 --> 00:09:35,077 [upbeat music] 194 00:09:35,116 --> 00:09:38,996 [children laughing, chattering] 195 00:09:39,037 --> 00:09:42,327 - We got you! - Look out! 196 00:09:46,461 --> 00:09:49,881 - Did you notice these doors don't have locks? 197 00:09:49,923 --> 00:09:52,973 - Well, uh, I guess you can leave this town 198 00:09:53,009 --> 00:09:54,469 whenever you want to. 199 00:09:54,511 --> 00:09:56,141 - I'm a big kid, Karl. 200 00:09:56,179 --> 00:09:57,849 I know what I'm getting into. 201 00:09:57,889 --> 00:10:00,769 - Knock, knock. - Hi. 202 00:10:00,809 --> 00:10:02,479 - Hi. Sorry, we just wanted to 203 00:10:02,519 --> 00:10:04,399 stop by and see how you're settling in. 204 00:10:04,437 --> 00:10:05,977 I'm Emile Haddock. - Hi. 205 00:10:06,022 --> 00:10:07,982 - I'm Oskar Totem's executive assistant, 206 00:10:08,024 --> 00:10:09,324 and this is Lenore Dougal. 207 00:10:09,359 --> 00:10:11,029 She's the city manager. both: Hi. 208 00:10:11,069 --> 00:10:13,149 - Yes, yes, um, Max mentioned you. 209 00:10:13,196 --> 00:10:15,066 - Yeah. - You're our first 210 00:10:15,115 --> 00:10:16,195 Limetownians... [voice fades] 211 00:10:16,241 --> 00:10:18,791 - So you knew Emile Haddock? 212 00:10:18,827 --> 00:10:21,827 - Is that important to you? 213 00:10:21,871 --> 00:10:24,791 That cannot be what's important to you. 214 00:10:26,751 --> 00:10:29,801 15 years, and you're still asking the wrong questions. 215 00:10:29,838 --> 00:10:32,338 - Anyway, I hope that you'll find this a safe haven. 216 00:10:32,382 --> 00:10:34,512 You--you know there's no money, 217 00:10:34,551 --> 00:10:38,141 and as you can see, none of the doors have any locks on them. 218 00:10:38,179 --> 00:10:40,519 And I know that might seem a little bit Waco, 219 00:10:40,557 --> 00:10:44,517 but this is a scientific community 220 00:10:44,561 --> 00:10:47,521 of rational individuals based on trust. 221 00:10:47,564 --> 00:10:50,864 - [chuckles] I think it sounds wonderful. 222 00:10:50,900 --> 00:10:53,860 - Well, time will tell. - What can I ask? 223 00:10:53,903 --> 00:10:55,533 - You can ask anything. 224 00:10:55,572 --> 00:10:57,202 And I may not answer it, 225 00:10:57,240 --> 00:10:59,200 but don't waste my time with bad questions. 226 00:10:59,242 --> 00:11:02,202 - Okay, what happened to everyone in Limetown? 227 00:11:02,245 --> 00:11:05,075 - That's totally beyond the point. 228 00:11:05,123 --> 00:11:08,043 Money moves the world, Lia. 229 00:11:08,084 --> 00:11:09,924 That's not why you're here. 230 00:11:09,961 --> 00:11:13,091 - Ladies and gentlemen, help me give a warm welcome 231 00:11:13,131 --> 00:11:16,051 to Dr. Oskar Totem! 232 00:11:16,092 --> 00:11:22,022 [triumphant music] 233 00:11:28,021 --> 00:11:29,861 - Dreams. 234 00:11:29,898 --> 00:11:31,978 Dreams speak to us. 235 00:11:32,025 --> 00:11:33,395 - Good morning. - Good morning. 236 00:11:33,443 --> 00:11:36,243 - Sometimes a dream speaks to a common people, 237 00:11:36,279 --> 00:11:38,449 unifying them in a common cause. 238 00:11:38,490 --> 00:11:40,160 - Good morning. - We can't explain it... 239 00:11:40,200 --> 00:11:41,580 - Oh, no. - To those who don't hear it... 240 00:11:41,618 --> 00:11:43,578 - Thank you. - We just feel it! 241 00:11:43,620 --> 00:11:46,160 - Okay, have a good day. - This... 242 00:11:46,206 --> 00:11:48,246 - Good morning. - Hi. 243 00:11:48,291 --> 00:11:50,251 - This is a dream! 244 00:11:50,293 --> 00:11:53,093 [children laughing, chattering] 245 00:11:53,129 --> 00:11:55,839 [cheers and applause] 246 00:11:55,882 --> 00:11:57,432 - I'm gonna dance. 247 00:11:57,467 --> 00:11:59,217 I got it! 248 00:11:59,260 --> 00:12:02,350 [phone buzzing] 249 00:12:02,389 --> 00:12:05,179 - Sorry. 250 00:12:05,225 --> 00:12:07,805 So sorry. 251 00:12:11,940 --> 00:12:13,270 - Sister? 252 00:12:13,316 --> 00:12:15,066 - No. 253 00:12:15,110 --> 00:12:16,900 - Your mother. 254 00:12:16,945 --> 00:12:18,815 - Yes. 255 00:12:21,324 --> 00:12:23,454 - I understand if you need to answer the call. 256 00:12:23,493 --> 00:12:25,293 - I don't. 257 00:12:25,328 --> 00:12:27,458 We don't speak. - [gasps] 258 00:12:27,497 --> 00:12:29,537 [tense music] 259 00:12:29,582 --> 00:12:32,292 [whispers] I--I'm sorry. 260 00:12:32,335 --> 00:12:33,495 I don't know where that came from. 261 00:12:33,545 --> 00:12:35,415 - It's okay. 262 00:12:35,463 --> 00:12:39,013 It's okay, take your time. 263 00:12:39,050 --> 00:12:41,510 [paper shuffling] 264 00:12:41,553 --> 00:12:45,143 Why don't you just tell me about what you did there? 265 00:12:45,181 --> 00:12:46,351 Your job. 266 00:12:46,391 --> 00:12:49,391 I'm assuming that you had one. 267 00:12:49,436 --> 00:12:52,226 - I didn't have one at first. 268 00:12:52,272 --> 00:12:54,402 - But then you did? 269 00:12:54,441 --> 00:12:58,321 - Yes. - Sorry. 270 00:12:58,361 --> 00:13:01,531 This was supposed to be one of my easier questions. 271 00:13:01,573 --> 00:13:03,993 [tense music] 272 00:13:04,034 --> 00:13:07,334 - After a little while I, um... 273 00:13:07,370 --> 00:13:10,000 I started to feel alone. 274 00:13:10,040 --> 00:13:11,500 My skin was crawling. 275 00:13:11,541 --> 00:13:14,131 I needed to feel like I was part of the community. 276 00:13:14,169 --> 00:13:17,379 - Of course you did. 277 00:13:17,422 --> 00:13:19,922 - There was a opening at the research facility. 278 00:13:19,966 --> 00:13:23,346 - What kind of opening? - [sighs] 279 00:13:23,386 --> 00:13:26,386 [indistinct chatter] 280 00:13:26,431 --> 00:13:29,021 [tense music] 281 00:13:29,059 --> 00:13:32,099 - They made you a janitor? 282 00:13:32,145 --> 00:13:35,685 - You never saw anyone with a degree do menial labor? 283 00:13:35,732 --> 00:13:38,402 It's better than doing nothing. 284 00:13:38,443 --> 00:13:41,243 And it led to the story I'm supposed to tell you. 285 00:13:41,279 --> 00:13:43,199 [sighs] 286 00:13:43,239 --> 00:13:46,029 It's night. 287 00:13:46,076 --> 00:13:48,536 The lights are out. 288 00:13:48,578 --> 00:13:50,708 The only lights are in two different rooms 289 00:13:50,747 --> 00:13:53,077 with two different men. 290 00:13:53,124 --> 00:13:55,094 Can you see it? 291 00:13:55,126 --> 00:13:58,166 - Um, yes, I--I think so. 292 00:13:58,213 --> 00:14:00,593 Sure. 293 00:14:00,632 --> 00:14:03,512 - They don't notice me-- or they don't care. 294 00:14:03,551 --> 00:14:06,551 [tense music] 295 00:14:06,596 --> 00:14:09,016 The first man draws. 296 00:14:09,057 --> 00:14:10,267 [charcoal scraping] 297 00:14:10,308 --> 00:14:12,518 I can't see what he is drawing. 298 00:14:12,560 --> 00:14:14,520 [charcoal scraping] 299 00:14:14,562 --> 00:14:17,232 I'm close enough to know... 300 00:14:17,273 --> 00:14:19,653 the second man is him. 301 00:14:19,693 --> 00:14:23,453 The One They Were All There For. 302 00:14:23,488 --> 00:14:27,488 His eyes are closed, but he is not asleep. 303 00:14:27,534 --> 00:14:30,664 I stand here in the dark and watch. 304 00:14:30,704 --> 00:14:32,504 The man on one end draws. 305 00:14:32,539 --> 00:14:35,249 The Man They Were All There For doesn't move. 306 00:14:35,291 --> 00:14:38,211 [wheels rumbling] 307 00:14:39,629 --> 00:14:43,379 Every night, different person drawing... 308 00:14:43,425 --> 00:14:46,255 same Man sitting. 309 00:14:46,302 --> 00:14:52,182 [tense music] 310 00:14:53,226 --> 00:14:55,556 Until... 311 00:14:55,603 --> 00:15:01,483 [tense music] 312 00:15:15,081 --> 00:15:18,791 There's something else here. 313 00:15:18,835 --> 00:15:21,335 Their movements are the same. 314 00:15:30,764 --> 00:15:34,144 I shouldn't be here. 315 00:15:34,184 --> 00:15:36,314 [lights click] 316 00:15:36,353 --> 00:15:41,733 [dark music] 317 00:15:41,775 --> 00:15:44,355 They're identical... 318 00:15:44,402 --> 00:15:47,202 in every way, including the mistakes. 319 00:15:47,238 --> 00:15:49,118 I do not believe this. 320 00:15:49,157 --> 00:15:51,237 I don't believe this. 321 00:15:51,284 --> 00:15:53,334 - How would that be possible? 322 00:15:53,370 --> 00:15:56,750 - The Man is special. 323 00:15:56,790 --> 00:15:58,330 - What makes The Man so special? 324 00:15:58,375 --> 00:16:01,665 - He speaks to me... 325 00:16:01,711 --> 00:16:04,421 but he does not open his mouth. 326 00:16:04,464 --> 00:16:05,844 [foreboding music] 327 00:16:05,882 --> 00:16:07,842 I hear his voice like he is standing next to me, 328 00:16:07,884 --> 00:16:10,854 but he is not. 329 00:16:10,887 --> 00:16:13,847 The only sound... 330 00:16:13,890 --> 00:16:17,480 is in my head. 331 00:16:17,519 --> 00:16:21,149 And then he says, "Go home. 332 00:16:21,189 --> 00:16:23,399 "You know what you saw here 333 00:16:23,441 --> 00:16:24,731 and you've seen what you needed to see." 334 00:16:24,776 --> 00:16:26,856 [gasps] 335 00:16:26,903 --> 00:16:28,493 [breathing shakily] 336 00:16:31,241 --> 00:16:35,451 This is the end of the story I was supposed to tell you. 337 00:16:35,495 --> 00:16:38,615 You have what you need to understand. 338 00:16:38,665 --> 00:16:41,455 S-L... 339 00:16:41,501 --> 00:16:43,551 V-A. 340 00:16:43,586 --> 00:16:45,666 - This cannot be the whole story. 341 00:16:45,714 --> 00:16:47,764 - You're right... 342 00:16:47,799 --> 00:16:49,589 but this is all I can say. 343 00:16:49,634 --> 00:16:52,304 - Where is everyone? 344 00:16:52,345 --> 00:16:55,345 Who is The Man That They're All There For? 345 00:16:55,390 --> 00:16:56,600 Was it Oskar Totem? 346 00:16:56,641 --> 00:16:59,231 - V-A. 347 00:16:59,269 --> 00:17:01,599 - What is S-L-V-A? 348 00:17:10,864 --> 00:17:14,414 - They did something to me. 349 00:17:14,451 --> 00:17:18,371 [kettle whistling] 350 00:17:22,834 --> 00:17:25,754 [whistling continues] 351 00:17:38,808 --> 00:17:40,638 [slurps] 352 00:17:43,480 --> 00:17:46,270 I left Limetown in the middle of the night. 353 00:17:46,316 --> 00:17:48,186 The next day was when it all fell apart. 354 00:17:48,234 --> 00:17:49,614 The Panic. 355 00:17:49,652 --> 00:17:51,532 - "The Panic"? 356 00:17:51,571 --> 00:17:53,621 What is that? 357 00:17:53,656 --> 00:17:55,696 - The insanity that ended Limetown. 358 00:17:59,704 --> 00:18:01,924 You must keep telling this story. 359 00:18:01,956 --> 00:18:04,706 You'll find the next citizen in Rake, Wyoming. 360 00:18:04,751 --> 00:18:07,461 They died because of him. 361 00:18:07,504 --> 00:18:09,304 - Who died? 362 00:18:09,339 --> 00:18:11,299 Who is he? 363 00:18:11,341 --> 00:18:14,431 - They died because of him. 364 00:18:17,639 --> 00:18:18,849 [pen scratching] 365 00:18:18,890 --> 00:18:21,940 - [mumbling inaudibly] 366 00:18:21,976 --> 00:18:24,226 [sighs] 367 00:18:27,357 --> 00:18:29,357 What did you see 368 00:18:29,401 --> 00:18:32,991 with The Man who was drawing in synch with the others? 369 00:18:33,029 --> 00:18:35,949 What was that? 370 00:18:35,990 --> 00:18:38,870 - The Man was trying to prove he was special. 371 00:18:42,247 --> 00:18:45,207 [pen scratching] 372 00:18:49,754 --> 00:18:52,014 S-L-V-A. 373 00:18:52,048 --> 00:18:54,218 [pen scratching] 374 00:19:04,728 --> 00:19:07,688 You said you lived in House 27, right? 375 00:19:07,731 --> 00:19:10,691 [paper rustling] 376 00:19:10,734 --> 00:19:13,284 But the Attermans lived in House 27. 377 00:19:16,406 --> 00:19:21,536 The Walters were supposed to live in House 27... 378 00:19:21,578 --> 00:19:24,538 but they requested a change 379 00:19:24,581 --> 00:19:27,581 because they needed a second bedroom. 380 00:19:30,920 --> 00:19:34,590 Cyndi and Karl Walter... 381 00:19:37,052 --> 00:19:41,682 And their daughter... 382 00:19:41,723 --> 00:19:44,773 Sylvia. 383 00:19:44,809 --> 00:19:49,359 S-L-V-A. 384 00:19:49,397 --> 00:19:54,437 Can you recall any of that, Cyndi? 385 00:19:57,947 --> 00:20:00,407 - Sylvia. 386 00:20:00,450 --> 00:20:04,580 [heartbroken music] 387 00:20:04,621 --> 00:20:07,791 She was seven. 388 00:20:07,832 --> 00:20:10,842 [weepy laughter] 389 00:20:10,877 --> 00:20:15,087 [heartbroken music] 390 00:20:15,131 --> 00:20:18,051 [no audible dialogue] 391 00:20:18,093 --> 00:20:23,973 [heartbroken music] 392 00:20:37,987 --> 00:20:40,657 - I left her. 393 00:20:40,699 --> 00:20:42,619 But why? 394 00:20:42,659 --> 00:20:45,749 - What happened to Sylvia, Cyndi? 395 00:20:47,664 --> 00:20:49,754 Did she die in The Panic? 396 00:20:49,791 --> 00:20:52,791 - I don't know. 397 00:20:52,836 --> 00:20:56,376 - What would possess you to leave your daughter like that? 398 00:20:56,423 --> 00:20:58,933 What kind of mother does that? 399 00:20:58,967 --> 00:21:00,967 - I was supposed to keep her safe. 400 00:21:01,011 --> 00:21:04,141 He wanted me to keep her safe. 401 00:21:04,180 --> 00:21:05,890 - No one should have to tell you to keep her safe. 402 00:21:05,932 --> 00:21:08,522 It's your job. 403 00:21:08,560 --> 00:21:11,980 She's your daughter. 404 00:21:12,022 --> 00:21:13,442 - Get... 405 00:21:13,481 --> 00:21:15,481 out! 406 00:21:17,152 --> 00:21:19,652 Get out! 407 00:21:19,696 --> 00:21:20,946 Get out! - Okay. 408 00:21:23,116 --> 00:21:25,486 - [sobs] 409 00:21:26,745 --> 00:21:29,705 [sobbing] 410 00:21:37,213 --> 00:21:43,143 [dark music] 411 00:22:03,740 --> 00:22:06,700 [knocks on door] [locks clicking] 412 00:22:06,743 --> 00:22:11,753 [dark music] 413 00:22:11,790 --> 00:22:14,670 Winona, I'm so sorry, I... 414 00:22:14,709 --> 00:22:17,799 It was--it was really unprofessional of me. 415 00:22:20,090 --> 00:22:23,130 My mom left me and my dad when I was 17-- 416 00:22:23,176 --> 00:22:25,716 and it's not the same, I know. 417 00:22:28,014 --> 00:22:31,024 But thank you for your help... 418 00:22:31,059 --> 00:22:33,229 and I hope you find your daughter. 419 00:22:33,269 --> 00:22:34,979 I know you love her. 420 00:22:35,021 --> 00:22:37,611 [lock clicks] 421 00:22:37,649 --> 00:22:39,569 [dark music] 422 00:22:39,609 --> 00:22:42,569 - Do we know each other? 423 00:22:42,612 --> 00:22:46,912 I don't have a daughter. 424 00:22:46,950 --> 00:22:48,910 - Sorry... [stammers] 425 00:22:48,952 --> 00:22:51,122 Wrong room. 426 00:23:09,681 --> 00:23:12,021 [phone line ringing] 427 00:23:13,768 --> 00:23:15,188 - Hi, you've reached Jacob Haddock. 428 00:23:15,228 --> 00:23:17,018 Please leave a brief message unless it's Lia, 429 00:23:17,063 --> 00:23:18,983 in which case I know that's impossible. 430 00:23:19,024 --> 00:23:20,074 [phone line beeps] 431 00:23:20,108 --> 00:23:22,778 - Hey, Dad. 432 00:23:22,819 --> 00:23:25,029 Uh, I was just thinking about Mom and I just, 433 00:23:25,071 --> 00:23:26,661 uh--I don't know, 434 00:23:26,698 --> 00:23:29,328 it made me want to talk to you, I guess. 435 00:23:29,367 --> 00:23:31,037 [sighs] 436 00:23:31,077 --> 00:23:34,707 Uh, I think maybe... 437 00:23:34,748 --> 00:23:36,878 and this is off the record... 438 00:23:38,585 --> 00:23:40,915 [sighs] I think this is big. 439 00:23:43,131 --> 00:23:44,971 You know, it just made me wish-- 440 00:23:45,008 --> 00:23:47,798 I don't know-- you were, you know... 441 00:23:49,929 --> 00:23:51,809 Here. 442 00:23:54,225 --> 00:23:56,135 Okay. 443 00:23:56,186 --> 00:23:58,806 Talk to you later. 444 00:24:03,234 --> 00:24:05,574 [sighs] 445 00:24:19,834 --> 00:24:22,384 [sighs] 446 00:24:22,420 --> 00:24:25,340 [lights buzzing] 447 00:24:45,151 --> 00:24:47,321 [loud bang] 448 00:24:53,159 --> 00:24:56,119 [man moans] 449 00:24:56,162 --> 00:24:59,122 [sinister music] 450 00:24:59,165 --> 00:25:01,745 [loud bang] 451 00:25:01,793 --> 00:25:04,053 [sinister music] 452 00:25:04,087 --> 00:25:06,167 [loud bang] 453 00:25:10,343 --> 00:25:11,433 [loud bang] 454 00:25:11,469 --> 00:25:13,349 Lia! 455 00:25:13,388 --> 00:25:16,768 [rhythmic banging] 456 00:25:16,808 --> 00:25:19,438 [sinister music] 457 00:25:19,477 --> 00:25:23,267 [banging continues] 458 00:25:23,314 --> 00:25:25,824 [shrieks] 459 00:25:25,859 --> 00:25:28,399 [banging continues] 460 00:25:28,445 --> 00:25:30,985 - It's 2:37 a.m. 461 00:25:31,031 --> 00:25:32,951 I'm in my hotel room and I'm recording this 462 00:25:32,991 --> 00:25:34,331 in case something happens. 463 00:25:34,367 --> 00:25:36,157 [banging continues] 464 00:25:36,202 --> 00:25:39,372 There is a male-- Caucasian, 40s-- 465 00:25:39,414 --> 00:25:42,134 banging his head on my door. 466 00:25:42,167 --> 00:25:43,337 [banging continues] 467 00:25:43,376 --> 00:25:46,126 [locks clicking] 468 00:25:46,171 --> 00:25:47,921 - Lia! 469 00:25:47,964 --> 00:25:49,844 [banging continues] 470 00:25:49,883 --> 00:25:52,143 Lia Haddock! 471 00:25:52,177 --> 00:25:55,257 [banging continues] 472 00:25:55,305 --> 00:25:58,305 - What do you want from me? 473 00:25:58,350 --> 00:26:02,190 [bang] - This is your warning! 474 00:26:02,228 --> 00:26:05,728 - [whispers] "My warning"? [breathing heavily] 475 00:26:05,774 --> 00:26:08,194 [softly] You can't scare me. 476 00:26:08,234 --> 00:26:10,404 [sinister music] 477 00:26:10,445 --> 00:26:13,815 You can't scare me! [pounding] 478 00:26:18,119 --> 00:26:20,329 [massive bang] 479 00:26:23,833 --> 00:26:26,503 [banging] 480 00:26:26,544 --> 00:26:29,764 [rapid banging] 481 00:26:29,798 --> 00:26:32,178 [banging speeding up] 482 00:26:32,217 --> 00:26:35,047 [inhuman, rapid banging] 483 00:26:37,389 --> 00:26:39,269 [banging stops] 484 00:26:39,307 --> 00:26:42,097 [breathing heavily] 485 00:26:42,143 --> 00:26:48,073 [sinister music] 486 00:26:59,869 --> 00:27:02,749 [insects chirping] 487 00:27:21,933 --> 00:27:24,853 [leaves rustling] 488 00:27:30,483 --> 00:27:33,113 - [singing] Ever since we met 489 00:27:33,153 --> 00:27:36,113 The world's been upside down 490 00:27:36,156 --> 00:27:38,276 And if you don't stop troubling me 491 00:27:38,324 --> 00:27:40,044 You'll drive me out of town 492 00:27:40,076 --> 00:27:42,116 - Next, on "Limetown." 493 00:27:42,162 --> 00:27:45,122 They all died because of him in Rake, Wyoming. 494 00:27:45,165 --> 00:27:47,455 [suspenseful music] 495 00:27:47,500 --> 00:27:50,840 There was a fire there in 2006. 496 00:27:50,879 --> 00:27:53,839 It's the only instance of multiple deaths on town record. 497 00:27:53,882 --> 00:27:55,222 This is our guy. 498 00:27:55,258 --> 00:27:57,388 - Who? 499 00:27:57,427 --> 00:28:00,137 - The next survivor. 32776

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