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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,302 --> 00:00:03,302 >> O'Brien: TONIGHT ON 2 00:00:03,303 --> 00:00:04,803 "HOT PACKAGE" -- OUCH! 3 00:00:04,804 --> 00:00:06,844 >> Beckles: JOHN KELLY IS BACK, 4 00:00:06,840 --> 00:00:08,380 AND YOU'LL WANT TO KILL YOURSELF 5 00:00:08,376 --> 00:00:09,906 AFTER SEEING HIS NEW DANCE MOVES 6 00:00:09,910 --> 00:00:11,410 THAT WILL MAKE YOU WANT TO LIVE 7 00:00:11,412 --> 00:00:12,112 ALL OVER AGAIN. 8 00:00:12,112 --> 00:00:12,952 >> O'Brien: IT'S AN 9 00:00:12,945 --> 00:00:15,215 "H.P. EXCLUSIVE." 10 00:00:15,215 --> 00:00:17,545 SPEAKING OF SUICIDE, YOU DECIDE. 11 00:00:17,551 --> 00:00:18,821 >> Beckles: IT'S THE ULTIMATE 12 00:00:18,819 --> 00:00:19,319 SHOWDOWN. 13 00:00:19,352 --> 00:00:20,922 MEGA STAR LUCILLE CATALDO... 14 00:00:20,920 --> 00:00:23,220 >> * HAIRDRESSER, HAIRDRESSER 15 00:00:23,223 --> 00:00:24,063 * WHOA-OH 16 00:00:24,092 --> 00:00:26,162 >> Beckles: ...VERSUS MEGA STAR 17 00:00:26,159 --> 00:00:26,929 JAN TERRI. 18 00:00:26,926 --> 00:00:28,396 >> * DON'T WANT TO LOSE YOU 19 00:00:28,396 --> 00:00:29,896 TONIGHT * 20 00:00:29,897 --> 00:00:31,767 >> Beckles: BATTLE OF THE MEGA 21 00:00:31,765 --> 00:00:33,095 STARS. 22 00:00:33,101 --> 00:00:35,071 >> Roark: DON'T FORGET ABOUT ME. 23 00:00:35,069 --> 00:00:36,499 >> Beckles: YOU'RE INVITED TO AN 24 00:00:36,503 --> 00:00:37,643 EXCLUSIVE DANCE PARTY IN 25 00:00:37,638 --> 00:00:39,708 STUDIO B, WHERE THE WINNER WILL 26 00:00:39,707 --> 00:00:40,467 PERFORM. 27 00:00:40,473 --> 00:00:41,373 >> Roark: MM! YEAH! 28 00:00:41,374 --> 00:00:42,214 >> O'Brien: THEN THIS... 29 00:00:42,210 --> 00:00:42,880 >> Beckles: AND THE 30 00:00:42,875 --> 00:00:44,935 "WRAP-UP ZONE" GETS A MAKEOVER. 31 00:00:44,944 --> 00:00:47,124 IT BECOMES MASTER CONTROL, WHERE 32 00:00:47,115 --> 00:00:50,215 PAT KEEPS AN EYE ON THE VOTING. 33 00:00:50,218 --> 00:00:51,588 JEFF DEANE TURNER HAS HIS 34 00:00:51,585 --> 00:00:52,885 TOP-THREE HOT RELEASES. 35 00:00:52,885 --> 00:00:53,945 >> SO -- 36 00:00:53,953 --> 00:00:55,393 >> Beckles: [ LAUGHS ] 37 00:00:55,388 --> 00:00:56,118 THAT'S RIGHT. 38 00:00:56,124 --> 00:00:57,394 I SIT DOWN WITH THE STAR OF 39 00:00:57,390 --> 00:00:59,360 "TRUNK," ACTRESS AND SINGER 40 00:00:59,359 --> 00:01:00,059 JENNIFER DAY IN A VERY 41 00:01:00,060 --> 00:01:02,830 NOTEWORTHY "ONES ON ONE" 42 00:01:02,829 --> 00:01:04,269 EXCLUSIVE. 43 00:01:04,265 --> 00:01:05,265 >> YAY! [ CHUCKLES ] 44 00:01:05,266 --> 00:01:06,196 >> Beckles: ALL THOSE STORIES 45 00:01:06,200 --> 00:01:08,770 AND MUCH MORE ONLY HERE TONIGHT 46 00:01:08,802 --> 00:01:10,202 ON "HOT PACKAGE." 47 00:01:10,203 --> 00:01:11,573 >> O'Brien: YOU'RE WATCHING 48 00:01:11,572 --> 00:01:13,012 "HOT PACKAGE" -- THE BEST AND 49 00:01:13,005 --> 00:01:14,435 ONLY AND CURRENT 50 00:01:14,442 --> 00:01:16,682 ENTERTAINMENT-NEWS PROGRAMMING. 51 00:01:19,346 --> 00:01:22,146 LIVE FROM "H.P." STUDIO A, IT'S 52 00:01:22,150 --> 00:01:22,680 "HOT PACKAGE." 53 00:01:22,683 --> 00:01:23,523 >> Beckles: WELCOME BACK, 54 00:01:23,516 --> 00:01:24,046 NORTH AMERICA. 55 00:01:24,050 --> 00:01:24,920 I'M DERRICK BECKLES. 56 00:01:24,917 --> 00:01:26,087 >> O'Brien: I'M PAT O'BRIEN. 57 00:01:26,086 --> 00:01:27,156 >> Roark: AND DON'T FORGET ABOUT 58 00:01:27,155 --> 00:01:27,685 ME. 59 00:01:27,688 --> 00:01:28,658 I'LL BE IN HIGH ENERGY -- 60 00:01:28,656 --> 00:01:29,856 >> Beckles: THANKS, PAT. 61 00:01:29,856 --> 00:01:31,516 I'M A HUGE AND ENORMOUS FAN OF 62 00:01:31,524 --> 00:01:33,064 WORLD-RENOWNED CHOREOGRAPHER 63 00:01:33,059 --> 00:01:33,829 JOHN KELLY. 64 00:01:33,826 --> 00:01:34,956 SO WHEN JOHN INVITED 65 00:01:34,961 --> 00:01:36,431 "HOT PACKAGE" TO HIS UPSCALE 66 00:01:36,429 --> 00:01:38,029 FLORIDA RETREAT TO TAKE A PEEK 67 00:01:38,030 --> 00:01:39,600 AT HIS LATEST NEW DANCE MOVES, 68 00:01:39,600 --> 00:01:43,370 THE ANSWER WAS, "I DO." 69 00:01:43,403 --> 00:01:44,943 CASUAL, CONFIDENT, SIMPLE, YET 70 00:01:44,937 --> 00:01:46,567 COMPLICATED -- I FELT LIKE A KID 71 00:01:46,573 --> 00:01:48,183 IN A DANCE STUDIO, WATCHING THE 72 00:01:48,176 --> 00:01:50,136 MASTER OF MOVES AT WORK. 73 00:01:53,147 --> 00:01:53,707 >> LIKE SO. 74 00:01:53,714 --> 00:01:54,854 >> Beckles: GAZING INTO THE 75 00:01:54,847 --> 00:01:56,117 FUTURE OF NORTH AMERICA'S DANCE 76 00:01:56,116 --> 00:01:57,816 FLOORS, I WATCHED JOHN CYCLE 77 00:01:57,818 --> 00:02:00,118 THROUGH DANCE MOVE AFTER MOVE. 78 00:02:00,120 --> 00:02:01,690 >> SO, THIS IS SPINNING WHILE 79 00:02:01,689 --> 00:02:05,089 WALKING. 80 00:02:05,091 --> 00:02:06,361 IT'S GOOD, HUH? 81 00:02:06,359 --> 00:02:07,229 THEN SOMETIMES, YOU'RE JUST 82 00:02:07,227 --> 00:02:08,127 PLAYING YOUR GUITAR -- YOU'RE 83 00:02:08,128 --> 00:02:09,928 JUST HOPPING. 84 00:02:09,930 --> 00:02:11,060 >> Beckles: AND [CHUCKLES] WHAT 85 00:02:11,063 --> 00:02:12,203 ABOUT WHEN YOU ADD THE SHOW BIZ 86 00:02:12,200 --> 00:02:13,970 AND SHOCK EFFECT OF A NEW DANCE 87 00:02:13,967 --> 00:02:14,727 PARTNER? 88 00:02:14,734 --> 00:02:16,844 NOT A PROBLEM FOR JOHN. 89 00:02:16,836 --> 00:02:18,336 >> JUST FOLLOWING YOUR KNEE, 90 00:02:18,338 --> 00:02:19,808 JUST LIKE THE LOWLY DOG THAT YOU 91 00:02:19,807 --> 00:02:21,407 ARE. 92 00:02:21,408 --> 00:02:22,808 IT'S ANOTHER MOVE -- TWO, THREE, 93 00:02:22,810 --> 00:02:24,340 FOUR SECONDS. 94 00:02:24,344 --> 00:02:27,054 SWEAT FLYING, VEINS BULGING OUT 95 00:02:27,046 --> 00:02:27,646 MY FOREHEAD. 96 00:02:27,648 --> 00:02:29,178 >> Beckles: IN TRUE JOHN KELLY 97 00:02:29,183 --> 00:02:30,923 FASHION, HE SIMPLY TELLS IT LIKE 98 00:02:30,917 --> 00:02:32,587 IT IS. 99 00:02:32,585 --> 00:02:33,815 >> WE'RE GONNA TRY TO DO... 100 00:02:33,821 --> 00:02:35,051 >> Beckles: IT'S A ONE-SHOT 101 00:02:35,054 --> 00:02:35,794 DEAL. 102 00:02:35,789 --> 00:02:38,159 >> IT'S A ONE-SHOT DEAL. 103 00:02:38,158 --> 00:02:39,358 THAT'S ALSO A ONE-SHOT DEAL. 104 00:02:39,392 --> 00:02:40,392 >> Beckles: [ LAUGHS ] 105 00:02:40,393 --> 00:02:41,333 >> O'Brien: CLASSIC. 106 00:02:41,329 --> 00:02:42,459 >> Beckles: CLASSIC KELLY. 107 00:02:42,462 --> 00:02:43,402 >> Roark: TIME FOR A 108 00:02:43,396 --> 00:02:45,626 JEFF DEANE TURNER HOT RELEASE. 109 00:02:45,632 --> 00:02:47,002 >> HOT. 110 00:02:47,033 --> 00:02:48,803 >> NUMBER THREE. 111 00:02:48,802 --> 00:02:49,472 >> SHUT UP! 112 00:02:49,469 --> 00:02:50,599 THIS IS STILL MY CLUB! 113 00:02:50,603 --> 00:02:51,603 I'M STILL THE BOSS! 114 00:02:51,604 --> 00:02:53,274 SHE'S FINE. 115 00:02:53,274 --> 00:02:55,244 AND YOU SHUT UP! SHUT UP! 116 00:02:55,243 --> 00:02:56,243 >> [BLEEP] 117 00:02:56,244 --> 00:02:57,414 >> YOU'RE SCARING THE [BLEEP] 118 00:02:57,410 --> 00:02:58,310 OUT OF THE CUSTOMERS! 119 00:02:58,312 --> 00:02:59,482 YOU'RE ACTING LIKE A BUNCH OF 120 00:02:59,479 --> 00:03:00,179 ANIMALS. 121 00:03:00,180 --> 00:03:01,380 NOW, THAT'S IT. 122 00:03:01,415 --> 00:03:02,475 >> Beckles: [ CHUCKLES ] 123 00:03:02,482 --> 00:03:02,952 INDEED. 124 00:03:02,949 --> 00:03:04,549 LET'S GO TO OUR GORGEOUS FEMALE 125 00:03:04,552 --> 00:03:06,192 "H.P." REPORTER AND FIND OUT WHO 126 00:03:06,186 --> 00:03:08,556 PEOPLE ARE VOTING FOR -- JAN OR 127 00:03:08,556 --> 00:03:09,156 LUCILLE? 128 00:03:09,189 --> 00:03:12,259 [ Dialing ] 129 00:03:12,260 --> 00:03:12,930 >> NO COMMENT. 130 00:03:12,959 --> 00:03:14,229 >> OKAY, THANK YOU VERY MUCH. 131 00:03:14,227 --> 00:03:15,627 WE'RE GONNA GO OVER HERE NOW AND 132 00:03:15,628 --> 00:03:17,658 SEE IF WE CAN'T GET SOME ACTION 133 00:03:17,698 --> 00:03:19,098 FROM THIS, UH -- THIS WOMAN 134 00:03:19,098 --> 00:03:20,668 SPEAKING HERE, FIND OUT WHO SHE 135 00:03:20,667 --> 00:03:21,667 IS. 136 00:03:21,702 --> 00:03:22,602 EXCUSE ME, MISS. 137 00:03:22,602 --> 00:03:24,512 WHAT IS YOUR NAME? 138 00:03:24,505 --> 00:03:25,165 >> [ SIGHS ] 139 00:03:25,171 --> 00:03:26,771 THAT'S A STUPID QUESTION. 140 00:03:26,774 --> 00:03:27,844 >> WE'RE NOW GOING BACK TO THE 141 00:03:27,840 --> 00:03:28,940 NEWSROOM, WHERE WE'LL BRING YOU 142 00:03:28,942 --> 00:03:30,642 UPDATED REPORTS MOMENT TO 143 00:03:30,643 --> 00:03:31,343 MOMENT. 144 00:03:31,344 --> 00:03:32,014 >> Beckles: WHOA. 145 00:03:32,012 --> 00:03:32,912 JUST WHAT WE NEED -- MORE 146 00:03:32,913 --> 00:03:33,753 SUSPENSE. 147 00:03:33,747 --> 00:03:35,107 [ CHUCKLES ] 148 00:03:35,114 --> 00:03:36,954 LET'S DO THIS -- TIME FOR A 149 00:03:36,949 --> 00:03:38,989 HOLLYWOOD MAKEOVER. 150 00:03:38,986 --> 00:03:39,816 SAY HELLO TO ROY. 151 00:03:39,820 --> 00:03:40,990 >> IT'S A DREAM COME TRUE. 152 00:03:40,988 --> 00:03:42,258 >> Beckles: HIS 19th-CENTURY 153 00:03:42,256 --> 00:03:43,186 OUTDATED LOOKS SCREAM 154 00:03:43,189 --> 00:03:44,859 "CRIME AND PUNISHMENT," SO WE 155 00:03:44,858 --> 00:03:46,458 CONSULTED THE "HOT PACKAGE" 156 00:03:46,459 --> 00:03:48,259 HOLLYWOOD-HUNK VIDEO VAULT, AND 157 00:03:48,262 --> 00:03:50,102 I FOUND THE PERFECT SPECIMEN TO 158 00:03:50,096 --> 00:03:54,696 BASE ROY'S NEW MAKEOVER LOOK ON. 159 00:03:54,701 --> 00:03:56,271 >> JESUS H. CHRIST. 160 00:03:56,270 --> 00:03:58,070 THIS CRUMB CAN'T EVEN PAY HIS 161 00:03:58,070 --> 00:03:59,340 RENT. 162 00:03:59,340 --> 00:04:00,240 RENT...DUE...NOW! 163 00:04:00,240 --> 00:04:02,140 >> [ SHOUTING INDISTINCTLY ] 164 00:04:02,141 --> 00:04:03,041 >> I WANT MY RENT NOW! 165 00:04:03,042 --> 00:04:05,112 I WANT MY RENT NOW! 166 00:04:05,112 --> 00:04:06,652 I WANT IT NOW! 167 00:04:06,647 --> 00:04:07,547 >> Beckles: WOW. 168 00:04:07,547 --> 00:04:08,777 >> O'Brien: WOW. 169 00:04:08,781 --> 00:04:10,121 >> Beckles: STAY TUNED FOR ROY'S 170 00:04:10,117 --> 00:04:11,447 MAKEOVER RESULTS. 171 00:04:11,451 --> 00:04:12,521 [ CHUCKLES ] 172 00:04:12,519 --> 00:04:14,219 JUST WHAT WE NEED -- MORE 173 00:04:14,221 --> 00:04:15,021 SUSPENSE. 174 00:04:15,021 --> 00:04:17,161 PAT, WHAT'S CRACKING WITH THOSE 175 00:04:17,156 --> 00:04:18,956 VOTES, MY MAN? 176 00:04:18,958 --> 00:04:19,858 [ MACHINERY WHIRRING ] 177 00:04:19,860 --> 00:04:21,830 >> O'Brien: YEAH. UH, LET'S SEE. 178 00:04:31,671 --> 00:04:34,211 WHOA! OH, WOW. 179 00:04:34,206 --> 00:04:36,106 QUITE A BIT GOING ON, RIGHT, 180 00:04:36,108 --> 00:04:36,678 DERRICK? 181 00:04:36,676 --> 00:04:37,676 >> Beckles: TOO VERY TRUE. 182 00:04:37,677 --> 00:04:38,607 [ CHUCKLES ] 183 00:04:38,611 --> 00:04:40,151 LET'S BLAST OVER TO ANASTASIA IN 184 00:04:40,146 --> 00:04:41,846 HIGH ENERGY STUDIO B, IN 185 00:04:41,849 --> 00:04:42,449 PROGRESS. 186 00:04:42,450 --> 00:04:43,820 >> Roark: REMEMBER THIS JAM? 187 00:04:43,851 --> 00:04:45,821 >> * HAIRDRESSER, WHOA-OH 188 00:04:45,819 --> 00:04:48,119 * HAIRDRESSER, HAIRDRESSER 189 00:04:48,120 --> 00:04:49,190 * OH-OH 190 00:04:49,188 --> 00:04:52,288 * HAIRDRESSER, HAIRDRESSER 191 00:04:52,292 --> 00:04:54,632 * HAIRDRESSER, HAIRDRESSER 192 00:04:54,627 --> 00:04:55,457 * OH-OH 193 00:04:55,463 --> 00:04:56,733 >> * HAIRDRESSER, HAIRDRESSER 194 00:04:56,729 --> 00:04:58,929 >> * HAIRDRESSER 195 00:04:58,932 --> 00:05:00,302 * HAIRDRESSER, HAIRDRESSER 196 00:05:00,300 --> 00:05:02,200 * OH-OH 197 00:05:02,201 --> 00:05:05,471 * HAIRDRESSER, HAIRDRESSER 198 00:05:05,472 --> 00:05:07,812 * HAIRDRESSER, HAIRDRESSER 199 00:05:07,808 --> 00:05:08,478 * OH-OH * 200 00:05:08,475 --> 00:05:09,905 >> Roark: REMEMBER THIS JAM? 201 00:05:09,909 --> 00:05:11,409 >> * I DON'T WANT TO LOSE YOU 202 00:05:11,411 --> 00:05:13,211 TONIGHT * 203 00:05:13,213 --> 00:05:15,013 * YOU'RE THE ONLY THING THAT 204 00:05:15,014 --> 00:05:16,284 MATTERS * 205 00:05:16,283 --> 00:05:18,523 * I DON'T WANT TO LOSE YOU THIS 206 00:05:18,518 --> 00:05:19,218 WAY * 207 00:05:19,218 --> 00:05:23,088 * I JUST NEED YOUR LOVE 208 00:05:23,089 --> 00:05:25,129 * I DON'T WANT TO LOSE YOU 209 00:05:25,125 --> 00:05:26,355 TONIGHT * 210 00:05:26,360 --> 00:05:27,660 >> O'Brien: WHO WILL BE 211 00:05:27,660 --> 00:05:29,360 PERFORMING FOR US LIVE FROM 212 00:05:29,363 --> 00:05:31,733 STUDIO B -- JAN TERRI OR 213 00:05:31,731 --> 00:05:33,071 LUCILLE CATALDO? 214 00:05:33,065 --> 00:05:34,225 >> IT'S A ONE-SHOT DEAL. 215 00:05:34,266 --> 00:05:35,296 >> Roark: TIME FOR A 216 00:05:35,301 --> 00:05:39,071 JEFF DEANE TURNER HOT RELEASE. 217 00:05:39,071 --> 00:05:40,641 >> NUMBER TWO. 218 00:05:40,640 --> 00:05:42,610 [ DANCE MUSIC PLAYS ] 219 00:05:50,783 --> 00:05:53,223 [ DRAMATIC MUSIC PLAYS ] 220 00:05:53,219 --> 00:05:54,219 >> Beckles: [ CHUCKLES ] 221 00:05:54,220 --> 00:05:54,960 INDEED. 222 00:05:54,955 --> 00:05:56,685 LET'S GO TO OUR GORGEOUS FEMALE 223 00:05:56,689 --> 00:05:58,259 "H.P." REPORTER, LIVE ON THE 224 00:05:58,257 --> 00:05:59,257 SCENE. 225 00:05:59,258 --> 00:06:00,188 >> WE ARE AT THE SCENE. 226 00:06:00,192 --> 00:06:01,502 AND I JUST WANT TO LET YOU KNOW, 227 00:06:01,495 --> 00:06:02,525 AND I WOULD LIKE TO LET THE 228 00:06:02,529 --> 00:06:03,599 PUBLIC KNOW THAT YOU PEOPLE 229 00:06:03,597 --> 00:06:04,257 DON'T SCARE ME. 230 00:06:04,263 --> 00:06:05,473 YOU THINK YOU'RE BIG AND BRAVE, 231 00:06:05,465 --> 00:06:06,825 BUT YOU'RE A BUNCH OF SCUM. 232 00:06:06,833 --> 00:06:07,603 >> OH, YEAH?! 233 00:06:07,600 --> 00:06:08,170 >> OH, YEAH?! 234 00:06:08,167 --> 00:06:09,337 >> WHO THE HELL DO YOU THINK YOU 235 00:06:09,336 --> 00:06:09,736 ARE?! 236 00:06:09,737 --> 00:06:10,737 >> O'Brien: QUITE A BIT GOING 237 00:06:10,738 --> 00:06:11,198 ON. 238 00:06:11,204 --> 00:06:13,274 LET'S TAKE THE EMOTIONS DOWN AN 239 00:06:13,273 --> 00:06:14,973 OCTAVE WITH MEGA POP STAR 240 00:06:14,974 --> 00:06:16,044 JENNIFER DAY. 241 00:06:16,042 --> 00:06:17,842 MY MAIN MAN, DERRICK BECKLES, 242 00:06:17,844 --> 00:06:18,784 DOES IT AGAIN. 243 00:06:18,778 --> 00:06:21,008 IT'S TIME FOR "ONES ON ONE." 244 00:06:21,048 --> 00:06:22,078 DERRICK. 245 00:06:22,081 --> 00:06:22,751 >> HEY, GUYS. 246 00:06:22,782 --> 00:06:23,282 >> GUYS. 247 00:06:23,282 --> 00:06:23,782 >> GUYS. 248 00:06:23,783 --> 00:06:24,653 >> GUYS. GUYS. 249 00:06:24,651 --> 00:06:25,251 >> GUYS. 250 00:06:25,252 --> 00:06:25,722 >> GUYS. 251 00:06:25,718 --> 00:06:26,148 >> GUYS. 252 00:06:26,152 --> 00:06:27,152 >> DO YOU LIKE WHAT YOU SEE? 253 00:06:27,153 --> 00:06:28,023 >> Beckles: WE SURE DO. 254 00:06:28,020 --> 00:06:29,390 "H.P." GOT THE EXCLUSIVE 255 00:06:29,389 --> 00:06:30,819 SIT-DOWN WITH JENNIFER, WHERE WE 256 00:06:30,823 --> 00:06:32,393 TALKED HOLLYWOOD, ACTING, 257 00:06:32,392 --> 00:06:33,862 TRUNKS, AND AUTOGRAPHS. 258 00:06:33,860 --> 00:06:35,030 >> AND I'M SO GLAD TO BE HERE 259 00:06:35,028 --> 00:06:36,158 AND SEE YOUR BEAUTIFUL SMILE 260 00:06:36,163 --> 00:06:36,563 AGAIN. 261 00:06:36,564 --> 00:06:37,204 [ BOTH CHUCKLE ] 262 00:06:37,196 --> 00:06:38,196 >> Beckles: THANKS SO MUCH. 263 00:06:38,197 --> 00:06:39,967 WELL, I REALLY LOVE YOUR FILM 264 00:06:39,967 --> 00:06:40,627 "TRUNK." 265 00:06:40,633 --> 00:06:42,173 TAKE US THROUGH THE FILM. 266 00:06:42,169 --> 00:06:43,439 >> UM, IT'S A PSYCHOLOGICAL 267 00:06:43,437 --> 00:06:46,037 THRILLER, AND A SERIAL KILLER 268 00:06:46,039 --> 00:06:47,679 ACTUALLY KIDNAPS ME AND PUTS ME 269 00:06:47,675 --> 00:06:48,205 IN THE TRUNK. 270 00:06:48,207 --> 00:06:48,777 >> Beckles: OH. 271 00:06:48,775 --> 00:06:49,405 [ LAUGHS ] 272 00:06:49,409 --> 00:06:50,879 >> LATER, DURING THE MOVIE, HE 273 00:06:50,877 --> 00:06:52,277 GETS PULLED OVER BY A POLICE 274 00:06:52,278 --> 00:06:53,748 OFFICER, AND SHE'S HOPING THAT 275 00:06:53,746 --> 00:06:55,476 THE POLICE OFFICER WILL, YOU 276 00:06:55,483 --> 00:06:56,523 KNOW, SAVE HER. 277 00:06:56,517 --> 00:06:57,777 I DON'T REALLY WANT TO GIVE AWAY 278 00:06:57,784 --> 00:06:58,894 THE ENDING COMPLETELY IF YOU 279 00:06:58,885 --> 00:06:59,815 HAVEN'T SEEN THE FILM. 280 00:06:59,819 --> 00:07:00,419 >> Beckles: YOU CAN SAY IT. 281 00:07:00,420 --> 00:07:03,090 >> HE SHOOTS THE POLICE OFFICER. 282 00:07:03,089 --> 00:07:03,519 OHH! 283 00:07:03,524 --> 00:07:04,224 >> Beckles: OH. 284 00:07:04,223 --> 00:07:04,723 [ LAUGHS ] 285 00:07:04,724 --> 00:07:05,834 AND JENNIFER SHOT FROM THE HIP 286 00:07:05,826 --> 00:07:06,786 WHEN I ASKED HER ABOUT HER 287 00:07:06,794 --> 00:07:08,064 FAVORITE LINES FROM "TRUNK." 288 00:07:08,061 --> 00:07:09,401 WHAT ARE SOME OF YOUR FAVORITE 289 00:07:09,396 --> 00:07:10,426 LINES FROM "TRUNK"? 290 00:07:10,430 --> 00:07:11,600 >> DURING THE FILM, THE 291 00:07:11,598 --> 00:07:13,098 CHARACTER WANTS ME TO CALL HIM 292 00:07:13,099 --> 00:07:15,569 DADDY, WHICH IS REALLY TWISTED. 293 00:07:15,568 --> 00:07:17,268 AND SO THEN I SAY, "[BLEEP] YOU, 294 00:07:17,269 --> 00:07:17,739 DADDY." 295 00:07:17,738 --> 00:07:18,738 >> Beckles: AND WHAT ABOUT MIND 296 00:07:18,739 --> 00:07:19,209 GAMES? 297 00:07:19,205 --> 00:07:20,365 SO MANY GREAT MOMENTS WHERE 298 00:07:20,372 --> 00:07:21,742 YOU'RE PLAYING MIND GAMES WITH 299 00:07:21,742 --> 00:07:22,112 HIM. 300 00:07:22,109 --> 00:07:22,609 >> YES. 301 00:07:22,610 --> 00:07:24,140 AND YOU'RE GONNA LISTEN LIKE THE 302 00:07:24,143 --> 00:07:28,253 LITTLE BABY BOY THAT YOU ARE -- 303 00:07:28,248 --> 00:07:30,278 NOT SOMEONE WHO CAN CONTROL THE 304 00:07:30,282 --> 00:07:30,822 WORLD. 305 00:07:30,818 --> 00:07:32,488 I AM GOING TO GET OUT OF HERE, 306 00:07:32,486 --> 00:07:34,016 AND I AM GOING TO KILL YOU. 307 00:07:34,021 --> 00:07:34,791 >> [ GRUNTS ] 308 00:07:34,787 --> 00:07:35,857 >> Beckles: I WAS WATCHING, AND 309 00:07:35,855 --> 00:07:37,015 I WAS JUST WONDERING, "HAS THIS 310 00:07:37,024 --> 00:07:38,234 GIRL EVER BEEN IN A CAR TRUNK?" 311 00:07:38,225 --> 00:07:39,325 YOU MADE IT LOOK SO REAL. 312 00:07:39,325 --> 00:07:40,585 HAVE YOU BEEN IN A CAR TRUNK? 313 00:07:40,594 --> 00:07:41,764 >> I HAVE NOT, THANK GOODNESS. 314 00:07:41,761 --> 00:07:42,131 NO. 315 00:07:42,129 --> 00:07:44,029 HOWEVER, I HAVE A TV SHOW. 316 00:07:44,031 --> 00:07:46,201 IT'S CALLED "JENNIFER DAY TV." 317 00:07:46,198 --> 00:07:47,738 AND IT'S REALLY FUN. 318 00:07:47,735 --> 00:07:48,935 I SING AND DANCE WITH MY 319 00:07:48,935 --> 00:07:50,095 GIRLFRIENDS IN BIKINIS. 320 00:07:50,103 --> 00:07:50,903 >> Beckles: OH. 321 00:07:50,903 --> 00:07:51,543 [ LAUGHS ] 322 00:07:51,539 --> 00:07:54,579 >> AND, UM, I HAVE VISIONS OF 323 00:07:54,575 --> 00:07:57,405 BEING A HUGE STAR, AND, UM, I 324 00:07:57,409 --> 00:07:59,079 ALWAYS APPRECIATE ANYONE WHO 325 00:07:59,079 --> 00:08:00,479 RECOGNIZES ME ON THE STREET FROM 326 00:08:00,480 --> 00:08:02,880 MY TV SHOW, WHICH IS REALLY FUN. 327 00:08:02,882 --> 00:08:04,082 AND A LOT OF TIMES, PEOPLE WILL 328 00:08:04,084 --> 00:08:05,254 WANT TO TAKE A PICTURE WITH ME 329 00:08:05,252 --> 00:08:06,152 OR GET AN AUTOGRAPH OR 330 00:08:06,152 --> 00:08:07,222 SOMETHING, WHICH IS PRETTY FUN. 331 00:08:07,219 --> 00:08:08,289 >> Beckles: HOW DOES IT FEEL TO 332 00:08:08,287 --> 00:08:08,957 GIVE AN AUTOGRAPH? 333 00:08:08,956 --> 00:08:10,256 >> [ LAUGHS ] 334 00:08:10,256 --> 00:08:11,916 IT'S SO COOL! YOU SHOULD KNOW! 335 00:08:11,924 --> 00:08:12,464 [ CHUCKLES ] 336 00:08:12,459 --> 00:08:13,559 WOULD YOU GIVE ME YOUR 337 00:08:13,561 --> 00:08:14,531 AUTOGRAPH, DERRICK? 338 00:08:14,527 --> 00:08:15,157 I WOULD LOVE IT. 339 00:08:15,161 --> 00:08:16,201 >> Beckles: [ LAUGHS ] 340 00:08:16,195 --> 00:08:17,325 >> YAY! [ CHUCKLES ] 341 00:08:17,329 --> 00:08:18,569 >> Beckles: A SIGNATURE OF 342 00:08:18,566 --> 00:08:21,326 BEAUTY FOR THIS SIGNATURE 343 00:08:21,333 --> 00:08:21,973 BEAUTY. 344 00:08:21,968 --> 00:08:23,798 >> O'Brien: WOW. BRILLIANT! 345 00:08:23,804 --> 00:08:24,774 >> Beckles: THANKS, PAT. 346 00:08:24,771 --> 00:08:26,041 >> O'Brien: OKAY, ANY VIBES FROM 347 00:08:26,039 --> 00:08:27,509 YOU KIDS IN STUDIO B? 348 00:08:27,507 --> 00:08:28,537 [ STATIC BUZZING ] 349 00:08:31,844 --> 00:08:33,354 ALL RIGHT. HERE WE GO AGAIN. 350 00:08:33,345 --> 00:08:34,975 LET'S COOL OFF WITH THE MAKEOVER 351 00:08:34,981 --> 00:08:36,421 RESULTS WITH THE MAESTRO OF 352 00:08:36,415 --> 00:08:38,415 MAKEOVERS, DERRICK BECKLES. 353 00:08:38,417 --> 00:08:39,747 >> Beckles: REMEMBER ROY? 354 00:08:39,752 --> 00:08:41,292 HIS LOOK WAS IMPOSSIBLE TO 355 00:08:41,288 --> 00:08:42,958 ENJOY UNTIL I STEPPED IN WITH 356 00:08:42,955 --> 00:08:44,725 THE "HOT PACKAGE" MAKEOVER TEAM 357 00:08:44,725 --> 00:08:46,425 AND BASED HIS MAKEOVER LOOK ON 358 00:08:46,425 --> 00:08:47,655 THIS HOLLYWOOD HUNK. 359 00:08:47,661 --> 00:08:49,201 >> RENT...DUE...NOW! 360 00:08:49,196 --> 00:08:50,996 >> Beckles: FROM COY BOY TO 361 00:08:50,997 --> 00:08:54,027 BOY TOY, HERE'S ROY! 362 00:08:54,034 --> 00:08:54,804 WE WASHED HIS HANDS... 363 00:08:54,802 --> 00:08:55,472 >> O'Brien: OH, WOW. 364 00:08:55,467 --> 00:08:56,397 >> Beckles: ...GLISTENED HIS 365 00:08:56,402 --> 00:08:58,712 BEARD, TRIPLED HIS BALANCE WITH 366 00:08:58,706 --> 00:09:00,536 NEW SHOES, BLASTED HIM INTO THE 367 00:09:00,540 --> 00:09:04,280 21st CENTURY WITH PIERCED LOBES 368 00:09:04,277 --> 00:09:06,907 AND SUPER HOOPS, AND BANISHED 369 00:09:06,914 --> 00:09:08,854 THOSE BROWS SO HIS EYEBALLS 370 00:09:08,849 --> 00:09:09,779 CAN FEEL THAT BREEZE. 371 00:09:09,783 --> 00:09:10,823 >> O'Brien: [ CHUCKLES ] 372 00:09:10,817 --> 00:09:11,717 >> THANKS, DERRICK. 373 00:09:11,718 --> 00:09:13,088 FEEL THAT BREEZE. 374 00:09:13,085 --> 00:09:14,215 >> Roark: TIME FOR A 375 00:09:14,253 --> 00:09:16,993 JEFF DEANE TURNER HOT RELEASE. 376 00:09:16,989 --> 00:09:18,159 >> HOT. 377 00:09:18,190 --> 00:09:19,190 >> NUMBER ONE. 378 00:09:19,191 --> 00:09:20,761 [ MID-TEMPO MUSIC PLAYS ] 379 00:09:20,760 --> 00:09:21,860 >> [ SCREAMING ] 380 00:09:26,766 --> 00:09:27,966 [ SNAKE HISSES ] 381 00:09:27,967 --> 00:09:28,767 >> GRAB THE HANDGUN! 382 00:09:28,768 --> 00:09:30,168 >> [ SHOUTS INDISTINCTLY ] 383 00:09:30,170 --> 00:09:31,270 >> DAMN. 384 00:09:35,175 --> 00:09:36,775 >> O'Brien: OKAY, ANY VIBES FROM 385 00:09:36,777 --> 00:09:40,007 YOU KIDS AT STUDIO B? 386 00:09:40,046 --> 00:09:41,616 ANY VIBES FROM YOU KIDS OVER IN 387 00:09:41,615 --> 00:09:44,315 STUDIO B? 388 00:09:44,351 --> 00:09:46,091 ANY VIBES? 389 00:09:46,086 --> 00:09:47,586 >> Roark: BEFORE THIS GOES ANY 390 00:09:47,587 --> 00:09:49,557 FURTHER, I IMPLORE EVERYONE TO 391 00:09:49,555 --> 00:09:50,185 CALM DOWN. 392 00:09:50,190 --> 00:09:51,760 >> Beckles: PAT, WE REALLY HAVE 393 00:09:51,759 --> 00:09:53,559 AN ALL-OUT MUSICAL CIVIL WAR ON 394 00:09:53,559 --> 00:09:54,529 OUR HANDS, I THINK. 395 00:09:54,526 --> 00:09:55,796 [ DRAMATIC MUSIC PLAYS ] 396 00:09:55,796 --> 00:09:58,056 >> O'Brien: [BLEEP] THIS. 397 00:09:58,064 --> 00:09:59,274 >> Beckles: UH, WE'VE REALLY 398 00:09:59,266 --> 00:10:00,396 OPENED UP PANDORA'S IN-BOX. 399 00:10:00,399 --> 00:10:01,869 JAN AND LUCILLE HAVE VERY 400 00:10:01,868 --> 00:10:02,868 HARD-CORE FANS. 401 00:10:02,869 --> 00:10:04,369 PAT, LET'S GO TO OUR GORGEOUS 402 00:10:04,370 --> 00:10:05,940 "HOT PACKAGE" REPORTER, LIVE ON 403 00:10:05,973 --> 00:10:07,243 THE SCENE. 404 00:10:07,240 --> 00:10:08,340 >> I DON'T CARE... 405 00:10:08,340 --> 00:10:09,710 >> YOU DON'T SCARE ME! 406 00:10:09,709 --> 00:10:10,379 >> OH, YEAH? 407 00:10:10,376 --> 00:10:12,276 [ GUNSHOT ] 408 00:10:12,278 --> 00:10:13,008 >> Beckles: WHOA. 409 00:10:13,013 --> 00:10:14,053 THAT'S JUST WHAT WE NEED -- MORE 410 00:10:14,046 --> 00:10:15,116 SUSPENSE. 411 00:10:15,115 --> 00:10:16,945 >> GIVE US JAN AND LUCILLE, OR 412 00:10:16,949 --> 00:10:17,849 EVERYONE AT "HOT PACKAGE" 413 00:10:17,851 --> 00:10:19,851 [Echoing] DIES...DIES...DIES... 414 00:10:19,853 --> 00:10:21,893 DIES...DIES...DIES... 415 00:10:21,888 --> 00:10:24,018 DIES...DIES...DIES... 416 00:10:24,023 --> 00:10:24,593 DIES... 417 00:10:24,624 --> 00:10:25,894 [ Deep voice ] DIES. 418 00:10:25,892 --> 00:10:27,332 >> IT'S A ONE-SHOT DEAL. 419 00:10:27,326 --> 00:10:29,456 >> Beckles: IT'S A TIE! 420 00:10:29,461 --> 00:10:30,461 LET'S GO LIVE TO 421 00:10:30,462 --> 00:10:32,002 HIGH ENERGY STUDIO B. 422 00:10:31,999 --> 00:10:33,899 [ WOMEN SCREAMING ] 423 00:10:33,901 --> 00:10:34,771 PERFORMING THEIR HITS 424 00:10:34,768 --> 00:10:35,938 "HAIRDRESSER" AND "LOSING YOU," 425 00:10:35,935 --> 00:10:37,835 IT'S JAN TERRI AND 426 00:10:37,870 --> 00:10:39,210 LUCILLE CATALDO. 427 00:10:39,206 --> 00:10:40,236 >> * HAIRDRESSER, HAIRDRESSER 428 00:10:40,240 --> 00:10:42,210 >> * I DON'T WANT TO LOSE YOU 429 00:10:42,209 --> 00:10:42,739 TONIGHT * 430 00:10:42,743 --> 00:10:44,583 >> * HAIRDRESSER, HAIRDRESSER 431 00:10:44,576 --> 00:10:45,576 * OH-OH 432 00:10:45,577 --> 00:10:47,177 * HAIRDRESSER, HAIRDRESSER 433 00:10:47,180 --> 00:10:49,080 >> * I DON'T WANT TO LOSE YOU 434 00:10:49,081 --> 00:10:49,881 THIS WAY * 435 00:10:49,882 --> 00:10:51,982 >> * HAIRDRESSER 436 00:10:51,984 --> 00:10:53,854 * HAIRDRESSER, WOULD YOU SET ME 437 00:10:53,854 --> 00:10:54,394 UP? * 438 00:10:54,386 --> 00:10:55,986 >> * I DON'T WANT TO LOSE YOU 439 00:10:55,988 --> 00:10:57,858 TONIGHT * 440 00:10:57,858 --> 00:10:59,728 >> * MAKE ME INTO SOMETHING 441 00:10:59,727 --> 00:11:00,657 NEW * 442 00:11:00,660 --> 00:11:03,030 >> * I DON'T WANT TO LOSE YOU 443 00:11:03,030 --> 00:11:03,900 THIS WAY * 444 00:11:03,897 --> 00:11:05,567 * JUST NEED YOUR LOVE 445 00:11:05,565 --> 00:11:07,395 >> * I'LL GIVE YOU A CHANCE 446 00:11:07,399 --> 00:11:08,399 >> THANK YOU. THANK YOU. 447 00:11:08,400 --> 00:11:10,040 OH, WHAT A NICE CROWD. 27588

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