All language subtitles for Acapulco.H.E.A.T.S01E02.Code.Name_Checkmate.Part.Two.WEB-DL.H.264-JiTB_Legendas01_Sem Nome.ENG

‐ [Narrator] Last week
on Acapulco H. E. A. T.

The HEAT team was
in Rio de Janeiro

where they confronted an
international assassin.

‐ Save the dogs deep
end, we have contact.

‐ [Narrator] And stop
the murder for hire

of a foreign diplomat

but the killer they
thought was dead is alive

and has a new target.

Now, to accomplish his
mission, he's kidnapped

a beautiful princess.

‐ You're never going
to get away with this.

Do you know who I am?

‐ Be quiet.

‐ She's been kidnapped,
your highness.

‐ [Smith] That puts C5
in a very bad position.

‐ [Narrator] And
only the HEAT team

of specialists
can save her life.

‐ [Strake] Whether she
lives depends entirely

on how well you
follow my orders.

‐ Did you trace em?

Damn it!

‐ [Narrator] It's
a high stakes game

of beauty, adventure,
and intrigue.

‐ [Strake] Who do you people
think you're dealing with?

‐ We don't do business
with terrorists.

‐ [Narrator] Only
the best can play,

only one will win.

‐ Ever feel like we're
getting too old for this?

‐ Never.

‐ [Narrator] Catch the heat

on the next Acapulco H. E. A. T.

(energetic 80s electronic music)

♪ I feel the heat

♪ Hey

♪ I feel the heat

♪ I feel the heat

♪ Sweat

♪ Dripping down my spine

♪ Making me crazy

♪ Wet

♪ Fingers touching mine

♪ Making me hazy

♪ I love the streets

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the

♪ How can you feel it

♪ Still deep in your soul

♪ Feel the

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ Hot

♪ Feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

♪ Burning inside me

♪ Burning hot

♪ I feel the heat

(tense dramatic music)

‐ Let's go, come on.

‐ Let go of me!

Let go of me.

How dare you treat me like this.

Who do you think you are?

‐ Move.

‐ Stop!

‐ Shut up.

‐ Release her, ladies.

‐ You must be crazy.

Do you know what they're going

to do to you when
they catch you?

‐ Sit her down.

‐ Do you know who I am?

‐ Be quiet.

‐ You're never going
to get away with this.

‐ One of the
kidnappers must of been

that same redhead we
saw with Strake in Rio.

‐ Strake a kidnapper?

That's not his MO.

(alarm blares)
‐ Hey gang,

someone is trying to break
into our security link.

They've accessed the data base.

Whoever it is is
coming up on the wall.

‐ Try and trace it.

(electronic beeping)

‐ Chess pieces?

‐ Hello, friends.

I want you to take
a look at something.

Take a good long look.

Whether she lives or dies

depends entirely on how
well you follow my orders.

‐ Yeah well we don't do
business with terrorists.

‐ You're dancing with
someones life here, my friend.

‐ What do you want?

‐ I demand the release
of those fundamentalists

being held unjustly in Honduras.

‐ Fine, we'll pass
your message along

to the proper authorities.

‐ Do, 12 hours is all
the time you've got.

12 hours.

Tick tick tick tick.

I'll be in touch.

‐ We need more time.

Wait.

‐ For what?

Oh for you to trace this call.

Who do you people think
you're dealing with?

Oh, and I haven't forgotten Rio.

‐ Neither have we.

‐ Good and that
makes this business

between us personal, doesn't it

and I always settle my accounts.

‐ Yeah, well we'll
keep that in mind.

‐ Keep this in mind
too, my friend.

You got lucky in
Rio, very lucky.

But you're no match
for me, either of you.

Smile.

‐ Did you trace him?

Damn it!

‐ The Hondurans will never
agree to the exchange.

Caving in now will undermine

the whole purpose of
the summit meeting.

‐ So what's the game plan?

‐ Put in a call to Mr. Smith.

‐ What are you nuts or do you
just like being unemployed?

‐ Neither but we need his help.

Now do you make
the call or do I?

‐ Krissie, I don't think you
want to be here for this.

‐ Strake has kidnapped
the princess?

That puts C5 in a
very bad position.

‐ We know, we need your help.

‐ How?

‐ Contact Interpol, we need
everything you've got on Strake.

‐ Especially photographs.

We have no idea what
the hell he looks like.

For all we know, he could
be living in this building.

‐ I'll do what I can.

Meanwhile, don't tell anyone
Sabella's been kidnapped.

However unofficial, the woman
was under your protection

and get her back safely

or C5 might pull the plug
on this whole operation.

‐ You can't be serious?

‐ Trust me, I am.

‐ Whatever happened to goodbye?

‐ I don't know about you

but I'm in no hurry to go back

to warming a desk at MI6.

‐ Yeah well it's
a lot better than

tending my dad's
bar in Brooklyn.

‐ I suggest we get
our act together fast.

‐ I don't believe this.

‐ Hey you need some help?

‐ No, absolutely,
unequivocally, no.

‐ Did you get your flowers okay?

‐ Thank you for your concern,

yes I got my flowers
and no I don't want

to buy anything, nor
do I need a cab ride,

tour guide, or any
further assistance.

‐ Who said I was a tour guide?

‐ My dear young man, I do
not want to talk to you.

‐ Beach balls are
just a cover, right?

‐ Have you been reading
too much James Bond

or is this just your
idea of being annoying?

‐ Better watch it man,
I may surprise you

one of these days.

‐ Well we live in hope.

Now goodbye.

(upbeat marching music)

‐ [Ashley Voiceover] The
prince was coming here

to be the chairman of
the anti terrorist summit

and I have to tell him he's
wife has been kidnapped

by Strake.

Something about
that bothered me.

Strake wasn't a kidnapper.

He was a first class assassin

with a very stylish MO and
I only knew two things,

Strake was here
in Puerto Vallarta

and he was here to kill someone

but who and where and when?

‐ Welcome to Puerto
Vallarta, Prince Edward.

Our city's most honored
by your presence.

‐ Thank you.

Colonel Rodriquez?

‐ Rodriquez, yes.

Please, sir.

‐ Well how nice to
see you again my dear.

It's been almost
a year, hasn't it?

‐ Actually more like two, sir.

I hope you had a
pleasant voyage.

‐ It was quite pleasant.

It would of been
much nicer if wife

had been able to accompany me

and where is Sabella?

‐ I was wondering if I
might have a word with you.

‐ (mumbles).

I hardly dare ask.

Is something the
matter with Sabella?

‐ She's been kidnapped,
your highness.

‐ Come with me.

‐ [Krissie] Heres
the photo C5 text me.

‐ Is there anything more you
can come up with, Krissie?

‐ Well, in spite of
Strake's plastic surgery,

there's a couple constants
that never change.

He's skull shape,
width of his eyes.

‐ But we can't ID
him off of these.

‐ Yes they can.

Thanks to the wonderful
world of cyberspace.

I just downloaded a program from

the Institute of Technology.

They should be able
to mark these photos.

‐ what was that?

‐ She's gonna blend
the photos together

and make a composite.

‐ Here we go.

‐ Okay, sweetheart.

‐ Alright.

‐ Alright team, I want
you to go hit the streets.

Go downtown, on the beach,

and if you see anything that
even resembles this guy,

vaguely, I want to
know about it fast.

‐ Where you be, chief?

‐ I'm gonna be
somewhere I never go.

‐ Club Disco?

‐ For a walk on the beach.

(soft thoughtful rock music)

♪ Sometimes I wake up

♪ And wonder if
you're still here

♪ Loves like a story

♪ The endings not always clear

♪ All I want is

‐ Michael, I owe you an apology.

You were right about Sabella.

Letting her stay
was a big mistake.

I should have listened to you.

‐ I shouldn't of let
you talk me into it.

I'm such a pushover sometimes.

‐ Well I can be
pretty convincing

when I want to.

We've got one thing
going in our favor.

‐ whats that?

‐ We have been on the
brink of disaster before

and come out winners.

Do you remember West Berlin?

That was a nightmare.

I can still see your expression

when that guy gave us the
slip across the border.

‐ Good thing you remembered
he had a lover in Frankfurt.

Caught him two days later with
his pants down, red handed.

‐ Poor old Malko.

‐ I guess we pulled that one
out of the hat, didn't we?

‐ And we can do
it again, Michael.

‐ You think so?

‐ Do you remember Frankfurt
was the first place

you asked me (mumbles).

‐ And what did you say?

‐ I said no.

‐ That's what you always say.

‐ Come on partner,
let's go back to work.

(low tense instrumental music)

‐ [Ashley Voiceover]
Cat, I want you

to go help Tommy and
Brett check out (mumbles).

(upbeat tense rock music)

(tires screech)

(horn honks)

‐ Let's go.

(horn honks)

(horn honks)

‐ Terrorism can only be stamped
out, ladies and gentlemen.

If all countries
attending the conference

sign this treaty.

‐ Thank you.
‐ Right here, please.

‐ [Reporter] Getting
countries to sign the treaty

is one thing, your highness,

making sure they adhere
to it as another.

Just how do you intend
to do that, sir?

‐ We will be working in
conjunction with United Nations

peacekeeping forces.

The whole purpose of this summit

is to ratify the treaty,

guaranteeing that
all member nations

will refuse to harbor terrorist

or condone terrorism
in any form whatsoever.

That's all I have
to say at present,

thank you very much.

‐ He's a fine man.

He's a man of honor
and compassion.

‐ Sounds like you know
him there, Claudio.

‐ I'm proud to
call him my friend.

‐ Is there anybody you
don't know, Claudio?

(sultry piano music)

‐ If you or team ever need help,

please don't
hesitate to call me.

(tense dramatic music)

‐ Manuel, oh excuse me.

Are those for the banquet?

‐ That's right, sir.

‐ What on earth was
Manuel thinking?

‐ [Micheal] Any luck on
Strake's location yet?

‐ We're working on it but
it's strictly elimination

at this point.

‐ We checked every
hotel in town.

Passports are all in
order and accounted for.

‐ How bout the marina?

‐ The harbor master's
records are clean.

There's nobody here that's
not supposed to be here.

‐ Best bets Private Reynolds

but it's gonna be a
needle in a hay stack.

‐ [Michael] We gotta find him.

‐ [Ashley] What
is this guy up to?

‐ That's Marcos, the cab
driver I told you about.

Remember the one
who said he'd try

to help me catch the red head?

‐ You didn't tell him why you
were chasing her, did you?

‐ Of course not.

I just told him that
she owed me some money

and I wanted to catch her.

‐ Did he buy it?

‐ No, says he thinks
we're all secret agents.

‐ Oh wonderful.

That's all we need,
another guy poking around

in our business.

‐ I'll take care of it.

‐ no, I'll take care
of this clown myself.

‐ I think I better
go with him, guys.

Mike, wait for me.

Mike, get Colonel Rodriquez

and have this
peeping tom arrested.

‐ I'm not a peeping tom.

‐ What are you
snooping around for?

‐ No reason.

I uh.

Okay, okay, okay.

Just trying to figure
out what you guys do.

‐ Well Ashley here
designs swimwear.

‐ No, no not that stuff.

The kind of action you're into.

CIA, freelance?

(laughs)

Whats so funny?

‐ Cat said you thought
we were secret agents.

Sounded a little
far fetched for me.

‐ You got us pegged
all wrong, pal.

What you see is what you get.

No more, no less.

Now why don't you be a
good guy and buzz off.

‐ Is any problem here?

‐ No, no problem.

Senor Divanti, I
was just leaving.

‐ I have to leave the
hotel for a couple hours

but I'll be back before
the banquet begin.

‐ Well I don't know how
we're gonna get along

without you, pal.

‐ You are, as you Americans
say, a big kidder, aren't you?

‐ I trust that guy about as
far as you could throw him.

‐ Jealous

‐ Extremely.

‐ Ashley, Mike.

‐ What seems to be the
problem this time, Arthur?

‐ Manuel must of gone
completely off his mind.

Not only does he
have strange people

delivering flowers,
he's now started

to use tacky pinatas
as decorations.

‐ What's the big deal?

This is Mexico.

‐ Michael, at a children's
birthday party, yes.

Not at a delegates luncheon.

‐ Arthur, who delivered them?

‐ A strange looking man
and two beautiful women.

(tense music)

‐ Strake.

Mike, there's a bomb in
one of those pinatas.

‐ We gotta get past security
and into the banquet room.

Lets go.

‐ Wait a minute,
what about Manuel?

‐ I still don't see
why I can't climb

up the side of this hotel.

I'm cat burglar, not a mole.

‐ Yeah, yeah and you could
have imprison for it too

so shut up and get in.

‐ Meow to you too.

(soft tense music)

‐ Cats in the cage, springboard.

She's all yours.

‐ I got her.

Welcome aboard high dive.

I'll be guiding you
every step of the way.

‐ [Cat] Oh whoopee,
I feel safer already.

‐ Please limit your remarks

to the business at
hand, high dive.

Activate your camera for me.

I'm gonna put you
on the big screen.

Are you still with us platform?

‐ [Mike] We're monitoring.

Any questions, high dive?

‐ Yeah I'm off to
the see the wizard

and I need direction to Oz.

‐ Just stay out of
the witches house

and don't bring home
any rusty tin men.

‐ So you do have
a sense of humor?

(laughs)

‐ I copy that, high dive.

There's a fork in the
yellow brick road.

Take a left and keep climbing.

‐ Will do.

Ow.

‐ What's wrong, high dive?

‐ I hit my head.

Is my camera still functioning?

‐ That's affirmative.

‐ [Cat] Where's the
platform (mumbles)?

‐ They're about to
enter the poppy field.

‐ That's funny, Manuel
never closes this early.

‐ You realize it's called
breaking and entering?

‐ No legs, it's
called desperate.

‐ Don't call me legs.

(mumbles)

(smooth suspicious jazz music)

Mike.

(soft tense classical music)

‐ We caught her trying
to break out of her room.

‐ You may look at me, my dear.

Look at me.

Whether you live
or die really makes

no difference to me.

Now.

‐ Ashley, come
here for a minute.

You smell something?

‐ Like what?

‐ Doesn't remind
you of anything?

‐ Turkish cigarettes, Istanbul?

‐ Strake.

Buy or lease your dream house

from Ocean View Realty.

‐ That's weird, think
he'd be so obvious?

‐ Not a chance.

When you have no
leads to follow,

even a potential trip
could look appetizing.

Why don't you see what
Krissie can come up with?

‐ Springboard, this is sarong.

There's a chance that
Strake has rented

from Ocean View Realty.

Have your computer
talk to his computer.

‐ I'm on it.

‐ Oh great.

‐ We've lost picture.

Are you there, high dive?

‐ Yeah me and 5,000 pinatas.

Is this any better?

‐ No.

But no sweat.

Use the bomb sweep to
find out what pinata

contains a sting
and I'll talk you

through defusing it.

‐ Easy for you to say.

(electronic crackling)

(beeping)

Spring board, this is high
dive, I just hit the jack pot.

‐ Describe the sting for me.

‐ It's resting on what
looks like packing paper.

Has three wires attached
to it and I guess a timer.

‐ No receiver?

‐ I don't see one.

‐ What color are the wires?

‐ [Cat] One black, two red.

‐ Uh oh.

‐ What do you mean uh oh?

‐ Bad news baby,
you're gonna have

to cut all three wires at once.

‐ Terrific.

Well maybe you'd like to tell me

how I'm supposed to do that

when I only have two
pairs of snippers,

to mention only two hands?

‐ Easy, you're gonna
use your mouth.

‐ Bite the third wire?

What are you, some
kind of sadist?

‐ Not bite, you ding
dong, use nail clippers.

I put some in your waist pack.

‐ Let me get this straight.

You want me to hold a pair
of snippers in each hand

while I hold a nail
clipper between my teeth?

‐ That's the idea.

‐ Don't suppose you'd like me

to whistle the (mumbles)
while I'm at it?

‐ That would be nice.

Better yet, how bout
a little tap dance

on the table tops.

‐ Oh you really are
sick, you know that?

‐ How's it going, high dive?

Speak to me, high
dive, how's it going?

Whistle if you're okay.

(whistling)

(upbeat royal classical music)

‐ [Ashley Voiceover]
What we didn't know

was that Strake's
plant to assassinate

Mia Mia was more devious
than just one bomb.

‐ Is prince still in conference?

‐ Any luck, Krissie?

‐ well I checked out
Ocean View Realty

and there's no new rentals

under any of Strake's
known aliases.

That's the bad news.

‐ And the good news?

‐ I accessed their
phone company records,

I checked out all
the incoming lines

and phone calls during
the last two weeks.

‐ [Michael] And?

‐ I found calls made from
the Saboy hotel in London

to Ocean View, supposedly
by Norman Sanders

but check this out.

The credit card
numbers match Strake.

‐ And so do the initials.

‐ He would never make
a mistake like that.

‐ He did.

‐ How stupid does
he think we are?

‐ Krissie, does
Ocean View Realty

show a rental from
Norman Sanders?

‐ Let's check it out.

Here it is.

51754 Avenida Cortez.

‐ Ashley, my girl,
I think we may

have just found
ourselves a princess.

(tense instrumental music)

Do yourself a
favor, go back, now.

(tense dramatic music)

(suspenseful classical music)

‐ The princess is inside but
the window is welded shut.

(explosion)

(glass shatters)

(tense instrumental music)

‐ Hey.

(gunfire)

‐ Get in, get in!

(gunfire)

Get in, get in!

‐ [Cat] Marcos, thank you.

‐ I expect a big tip.

(gunfire)

‐ Where's Strake?

‐ He didn't say, I swear.

(gun cocks)

‐ Mike.

Let's go, come on,
forget about it.

The banquet, we're late.

‐ Red king takes black castle

but we're not at checkmate yet.

‐ [Michael] Krissie, notify
the prince that we'll

have his wife there before
he starts his speech.

‐ [Krissie] Will do, out.

(applause)

‐ I now must take
a moment to mention

our guest of honor.
‐ Forgive me.

‐ [Man] A man without who's
determination, integrity...

‐ This is quite urgent.

Please see that
the prince gets it.

Thanks.

‐ I had no idea about you, Ash.

‐ You still don't right?

‐ Right.

Oh, where is that thing?

‐ What are you looking for?

‐ The key to my
makeup compartment.

Well nevermind.

I better hurry up before
Edward starts his speech.

‐ It is with the greatest
pleasure and honor

that I introduce to you

our chairman, his
highness, Prince Edward.

(applause)

‐ We neutralized the bomb,
we rescued the princess.

‐ So why do I feel like Strake

has jerked our tail?

‐ You too?

The whole thing was way too easy

and the mistakes he made,
not like him at all.

The matchbook he left behind,

the long distance phone calls.

‐ He must of known we
weren't stupid enough...

Oh my god.

Fisher burn 1956.

Fisher sacrificed
his queen in order

to break down his
opponents defenses.

‐ What?

‐ Strake sacrificed
the princess.

Mike, he's playing us.

‐ You want to give me
some subtitles here, Ash?

‐ He wanted us to
get away, locker B.

‐ Locker B two bombs but where?

Cat checked the
whole banquet room.

‐ But she didn't check Sabella.

Trust me, Mike.

Somehow they put that
bomb in her purse.

(tense dramatic music)

‐ It's affirmative sarong,

I'm picking up digital movement.

It could easily be a
timer in her purse.

(tense dramatic music)

‐ [Ashley] It's almost six,
we're never gonna make it.

‐ I know a shortcut.

(tense dramatic music)

We gotta get in there.

‐ Is there any problem here?

‐ They won't let us through.

‐ It's an emergency.

‐ Let them through.

Colonel, I take
full responsibility.

(speaks Spanish)

‐ Ladies and gentlemen,
distinguished colleagues,

and guests, I cannot
fully express my joy

at this moment.

As most of you are
probably aware,

complex negotiations.

‐ Ashley, what are you
doing with my purse?

‐ I'll tell you later.

‐ At which one begins to say,

is it ever going to
arrive at fruition?

(tense dramatic music)

(explosion)

(screaming)

‐ Please, calm down.

Everything is under control.

I assure you.

(laughs)

‐ Ever feel like we're
getting too old for this?

‐ Never.

‐ Me too.

‐ Drive!

‐ What did you do with my purse?

‐ Well let's put it this way,

I think it's about time
Edward bought you a new one.

‐ Ashley, I think you owe us

a slightly better
explantation than that.

‐ Ka boom.

‐ It was in her purse?

‐ I can't believe it.

I'm so sorry, I'm
such a nuisance.

Will you forgive me, darling?

‐ Yes of course I will.

‐ Thanks for looking after me.

‐ What are friends for?

‐ I'm sorry, excuse me.

I think I know who hired Strake.

‐ We'll keep an eye
out for him, sarong,

but it's a zoo down here.

Hold it!

There he goes.

(tense dramatic music)

‐ Taxi, taxi!

Taxi.

Taxi please.

Go, go.

‐ [Marco] These crazy drivers.

They hear this big boom

and forget all about their job.

Now me, I'm not so crazy.

‐ [Massud] Where are you going?

Let me out of this cab.

Unlock this door.

(horn honks)

‐ Hey, this who
you're looking for?

‐ Unlock this door.

What are you doing?

What is this?

Leave me alone.

What is this?

(soft piano music)

‐ Thanks again.

‐ Hey I knew there was a reason

I didn't get those locks fixed.

‐ According to our sources,

Massed had planned
this coup for months

and saw the summit as a perfect

opportunity for
getting rid of the Amir

without causing any suspicion.

Thanks to you, he
was unsuccessful.

‐ Yeah but Strake got away.

‐ The games not over yet.

‐ Show him Krissie.

‐ Then you'd better
watch your back.

The good news is,
the summit treaty

has been ratified.

So alls well that ends well.

Expect of course
for about $50,000.00

worth of broken windows.

‐ Nobody's perfect.

‐ Speak for yourself.

(laughs)

‐ Oh and by the way
about your young friend.

My people have checked him out.

He's been working undercover
for the Mexican government.

They recommend him highly.

I suggest you take him on.

‐ Speak of the devil.

‐ Peeping around the
hotel once too often.

‐ I told you, I'm
not a peeping tom.

I explained to you.

‐ And I'm telling you
I'm not interested

in your explanation.

Now if you don't
mind, we're just going

to have a word with
a couple of people.

‐ Whoa, what is this place?

‐ Welcome to the team.

‐ What if I don't want to join?

‐ Them I'm going to
kill you right now.

(laughs)

‐ He's kidding right?

‐ Nice work, partner.

‐ You too, legs.

‐ I'm going to say this
to you one more time,

don't ever call me legs.

‐ How bout buns?

(laughs)

‐ You're impossible.

(upbeat dance music)

‐ [Narrator] next
on Acapulco H. E. A. T.

Time is running
out as the H. E. A. T.

Team tries to save
a princess' life.

‐ She's been kidnapped,
your highness.

‐ Whether she lives
depends entirely

on how well you
follow my orders.

‐ Did you trace him?

Damn it!

‐ [Narrator] But
she's just a pawn.

‐ You're never going
to get away with this.

‐ [Narrator] In a
far more deadly game

that could spark
a global incident.

‐ Who do you people think
you are dealing with?

‐ [Narrator] Catch the heat

on the next Acapulco H. E. A. T.

(upbeat dance music)