Original subtitles

SONG: ♪ I see you comin' up roses. ♪

SONG: ♪ We're heading out for good times

♪ We're going where the light shines brighter. ♪

I just want them to, like, pop out.

(ALL EXCLAIM)

Popped out from nowhere!

They all seem so excited!

So excited. They're high fiving.

CANAAN: Oh, my God!

ANTONIO: Looks like a fairy tale.

Welcome to another Full Bloom day!

(ALL APPLAUD)

Today you will be saddled with a new team challenge

and the winning team will be still in the game

to win $100,000.

- Whoo! - Yes!

For today's challenge,

we have selected Ron to captain the blue team

and Melissa to captain the red team.

Yay, team captains!

SIMON: Hello, captains.

Ron, what's your game plan?

To really depend on my team

for us to push together and come up with great ideas.

OK.

So, Melissa, you've been on the losing team twice now

so is today the day you're gonna taste victory?

That's the plan. I think I've picked a fantastic team.

I think I know strengths

and I think I can put them in key places

and together, as a team, we can go to victory.

Each team will have to design two horse-jumping hurdles...

..brought to life with floral elements

using jumping idioms...

I can jump on that bandwagon!

(LAUGHTER)

..as the theme.

So in addition to the "jumping on the bandwagon" idiom

we also have "jumping off the page",

"jumping through hoops"

and "jumping ship".

Melissa, you get your first pick of idioms.

This is "jumping ship" and "jumping through hoops"?

MAURICE: It sure is.

There we go.

Alright! Fabulous.

Ron, how do you feel about your two?

I'm excited about "jumping off the page".

"Jumping off the bandwagon" I mean, you know.

Come on!

That's gonna be really fun to tackle.

- Fabulous. - I love that.

Can't wait to see.

Your equestrian obstacles will be judged

on how you florally interpret the idioms

so you really need to give a sense of movement

but that also has to be beautiful from any angle.

ELIZABETH: Unfortunately, the losing team

will have to compete tomorrow and someone will be eliminated.

Florists, you have four hours to cross the finish line

and your time starts...

..now!

OK, you guys. "Jumping through hoops".

What if we create a phoenix,

like we're rising up as we jump through the hoops?

I think red is so rich

and I would love to take these birds of paradise

and have them spray-painted gold,

and then on the "jumping ship"

I feel so strongly on this boat I think I want it to look like

it's kind of sloshing through the waves.

It's been a rough year and we have ridden these waves...

KIARA: Ridden the waves, for sure.

Lutfi, I think your strong suit is solid design ideas

so I want you guys to help me talk through that.

"Jumping off the page", this is what I'm kind of envisioning.

What if we do some kind of bird?

What kind of bird?

A peacock because then the feathers go all the way down.

SARAH: What are you thinking for the wagon

to give the concept of "jumping on the bandwagon"?

It's musical,

it has that old stagecoach, you know, cowboy kind of thing.

Do you think it's stupid to make a giant guitar here?

I love the idea of the guitar

and I think, like, the idea of these boots,

like, kind of like when you're like...

Jumping on.

Oh, that's a good idea.

I own a small event design company

in Harlem, New York City,

and I've been involved with parties and events flowers

for over 30 years.

My typical client is celebrity oriented

and parties all over the world.

I'm definitely a very competitive person.

Of course I want to win!

This is going to be such a fun challenge, you guys.

Four hours to do four large pieces on each of these jumps

and they've got to have some scale to them.

- This is huge, this space. - Yeah.

SIMON: It looks like Ron's blue team

is starting on the "jumping off the page" idiom.

Comin' in hot with the staple gun!

SIMON: I'm hoping this will have

the scale we're looking for.

Let's get the chicken wire on the body.

OK. That's perfect.

- That way I have the wire... - Security? I love security.

RON: We are going to wrap with OASIS and chicken wire

as the base of the body for the peacock.

It's gonna be so pretty. I'm so excited.

Right now, we're all kind of working on the constructions

'cause that's gonna be really important

to support the design that we're doing

because we're gonna go big

'cause if you don't go big you might end up going home.

- Hello, blue team. - Hey, Simon.

Captain Ron, tell me what is your game plan?

For the "jumping off the page"

what we're doing is a fabulous peacock.

What plant material are you going to use?

I think for the body of this it's gonna be about the roses,

pinks and peaches,

and then we also have those beautiful phalaenopsis.

SIMON: Those apricot phalaenopsis - incredible!

The first hour's frustrating

because it almost feels like nothing has been achieved...

- Exactly. - ..but it's the golden hour

because you are going to be absolutely reliant

on those mechanics

to make sure that whatever you create

looks fabulous for us to judge.

I agree 100%.

LUTFI: The monsteras could be a good idea for the waves.

Tell me. Tell me, tell me.

What do you want done with that? Spray-paint?

Yes! I love it!

MELISSA: Lutfi is such an artistic

and incredible florist

so he's going to help oversee the vision

and have it come to life.

So right now, immediately,

I gravitated to the tropical leaves.

They're very hardy, they have like really graphic shapes,

perfect for waves jumping off the boat.

Usually three colors is, like, a really good idea,

you know, more dimension.

It's gonna be amazing. I can't wait.

I really want to see it, like, the boat is going really fast.

Yes. Huge waves.

And you just see water jetting out.

You have to be thinking about motion.

- The motion in the ocean. - ..in the ocean.

Ahhh! I got it!

For this "jumping off the page"

we're doing a peacock made of flowers.

We're gonna be using these carnations

but we're doing them in clusters

and then more rows on top

and have this peeking out in between

so it becomes almost like frills

and sort of like the feathering of a bird.

This OASIS in here was a good idea.

Oh, my goodness, OASIS in that is like everything

because we're here in the hot sun

and, I mean, you want it to look beautiful

but it's gotta last for the judges to be able to judge it.

Whoop!

So I'm using apricot-colored phalaenopsis.

The stems, they're really pretty.

We just have to finish it off with a beak

so my wheels are turning,

thinking what I can do to create a beak

and I remember seeing these beautiful white anthurium.

- Guys. - Yes.

- Beak. - Oh, beautiful.

RACHEL: Yes!

SARAH: The tail looks amazing. RACHEL: You like it?

SARAH: Yeah, I think it's good. RACHEL: OK.

I love using dried flowers mixed with fresh flowers

so on the feathers we used a ton of pampas grass

which gave it that difference in textures and consistencies.

- Almost done with the head. - OK.

I would say we need to get off the peacock, dude.

We're making it stunning but look at the whole other side.

RACHEL: I know, I know, I know.

LUTFI: The white is so important

because it gives that, you know, foamy feeling

of the sea waves.

It seems like the foundation of what I'm seeing as water

is actually really beautiful,

it has a lot of movement and it's super great

but Lutfi is, like, struggling with time management.

ELIZABETH: Yeah.

Actually, on both teams

it seems like there's a lot of focus on one of the idioms

and not the other.

Knock, knock. Can I come in? How's it going?

We're focused the most on showing

the choppy waters and the boat going

and then over here, "jumping through hoops",

we're really doing kind of the rising from the flames

into, you know, the phoenix.

How does the phoenix tie in to the theme

of "jumping through hoops"?

Well, I can't tell you everything yet.

Don't! Look, surprise me. I love a secret.

You're doing the ship first

and then moving to the ring of fire?

Yes.

You know, really make sure

that you direct some of your team to the other one.

- Time management! - Yeah.

Right now, Melissa gave me ten minutes to finish this piece.

I'm not upset about it

because I get to come back whenever she's not looking

and maybe pluck a couple of flowers.

- I've got it going but I... - I'd better get him moved.

I... I need him... I need him pulled away from...

CANAAN: I got it. MELISSA: Thank you, Canaan.

(PANTS)

Melissa told me to tell you to move over.

OK.

- OK? - Yes. I'm coming.

I'm leaving.

How are you gonna be late to your own arrangement?

You know I'm, like, late every day to the bus.

MELISSA: Lutfi. - I'm coming.

Come on, you guys.

MELISSA, V/O: I am on this show, really,

because I'm taking a chance on myself.

My mom passed away when I was 16

and I ended up raising my little sisters as my own.

My wife,

my sister-daughters, our little one,

I've just got so many people who really encouraged me

to put myself first and just give it all I have.

RACHEL: This is painful!

- That's why I let you do it. - Thanks, yeah, sure.

SARAH: You got this!

Taking one for the team here with this.

RACHEL: We're really focused on adding greenery

to "jumping off the page", you know,

like keep making it lavish and making it lush.

It's a big guitar!

Nice. That's beautiful.

Ready? One, two, three.

We're gonna screw this into the box.

- Right into the box. - Yeah.

RON: Rachel and Sarah

are just finishing off the book side of the idiom.

Antonio is with me, working on the guitar.

I'm reflexing the stems and trying to reshape the tulip

and make it look prettier.

Antonio.

- How's it going over here? - Oh, doing alright.

Just trying to get things covered.

Is this guitar gonna have any strings?

Um, if I get a branch that maybe I even just suggest it

but we're pushing through it to get it done.

See, I'm almost thinking guitar stringage...

Mm.

- ..could be as simple as... - Sure could.

RON: Uh-huh.

ELIZABETH: I'm worried. There's not a lot of direction.

Melissa perhaps doesn't have the experience

to do large scale

so I asked her if anyone was going to be working on

the "jumping through hoops".

She then explained to me that at some point someone would.

I see Lutfi has made his way over there now.

I just want to know where the first wave should come from.

I think maybe here and I'll wave it through here.

- Perfect! - Gorgeous.

I asked Lutfi to take the lead on the hoops.

However, time management isn't always on his side

and at this point I realise that time management

isn't on anyone's side.

Like we're struggling to get anything completed.

So Melissa has an idea

to incorporate a piece about hope for the hoops

so yellow is a color that I always think of

when it comes to hope.

I love tulips.

We have this lovely yellow parrot tulip

but on the inside it has these lovely orange lines

so that ties in with the rest of the piece.

We're running out of time and there's nothing on this cart

- which is making me nervous... RACHEL: Ron.

He's getting the boot.

RACHEL: Yes! Giddy up! RON: Giddy up!

RACHEL: Giddy up! RON: Yee-ha!

- Boot city, baby. - Boot-scootin' buggy.

RON: I'm a little nervous about time, yes.

I'm shaking in my boots.

Yee-ha. OK.

I'm like, "Kick it back, kick it back!"

We have this wagon that is empty...

Hey, what's going in the truck? Buckets of flowers?

Yeah, I feel like that's what's gotta happen.

It's all about the galvanized ones, right?

I need somebody to tell me what's happening because...

- OK, just keep going. - ..I'm obviously blind here.

I was working on the hoops but I jumped back into the boat.

We're trying to shove some baby's breath up there.

I don't know if I like this.

- Hello. - How's it going?

What is happening up here?

We're trying to have, like, a smokestack coming out.

How does it look from the bottom?

Do you think I should stop and pull back?

I think you should build it

so that then we get the idea of smoke as opposed to like...

MELISSA: A plume. LUTFI: Say no more.

- Good luck. - Thank you.

OK.

We need that ladder. Where's the ladder?

RACHEL: It's over here. Where do you need it?

- Is there any orchids? - Yes.

- Lutfi. - Yes.

Florists, you have five minutes left.

LUTFI: Is this crazy? MELISSA: No, it looks cool.

RON: Is there any more of that moss here?

RACHEL: Moss? Over here. What do you need?

RON: Come and moss me here. RACHEL: Coming, coming, coming.

LUTFI: We didn't cover the zip ties up there.

- I need more. I need more. - OK.

JUDGES: Five, four, three, two, one.

(BELL RINGS) MAURICE: Time's up.

SIMON: Time is up!

CONTESTANT: I am OK with what we did.

Thank you for everything.

♪ I take you higher

♪ Yeah, we could set this place on fire

♪ Yeah, on fire

♪ Higher and higher

♪ Can't see the stars We're burning brighter

♪ We're on fire. ♪

Before we get started there's one special judge

who has to clear your hurdles.

What?

Let's move back to a safe distance to enjoy this part.

(CONTESTANTS LAUGH)

Ah! What's gonna happen?

Oh, my God, look!

(ALL EXCLAIM)

The guest judge is the horse!

(CONTESTANTS EXCLAIM AND APPLAUD)

(ALL CHEER)

- Hey, guys. ALL: Hi!

What's that magnificent animal's name?

- Kingston. ALL: Hi, Kingston!

- Look at him! - Thank you very much.

- Thank you! - Bye!

(ALL CHEER AND APPLAUD)

Flower friends, in this challenge

we were looking for the distinct story

displayed in each of your idioms.

Melissa, you led the red team.

Tell us about your vision and how it came to life.

We had "jumping ship" and "jumping through hoops".

"Jumping ship" I was trying to tell the story

of how rough 2020 had been

so tried to really create the choppy waters.

Everything was stressing me all the way out

but what you finally ended up with looks beautiful.

The way that you guys have used the monsteras,

very, very successful.

For me, the smokestack, the chimney, became a chimney

when you did that inspired little pooft of baby's breath

and phalaenopsis

but as I'm looking at your "jumping through hoops"

the one thing that I find extraordinary

is you didn't put anything through a hoop.

I'd have made a sinewy garland the same as you've made

but I would've threaded it through those hoops

so it was literally passing through the hoops.

So your work is exquisite

but I'm not sure that they combine

to tell me the tale of the idioms you were given.

Captain Ron, tell us about your jumping idiom.

My jumping idioms are "jumping off the page"

and "onto the bandwagon".

"Jumping off the page",

we wanted to create the garden creeping around the page.

On the far end, we have the peacock

that is really beautiful and dramatic

because of the brilliance and the magic moment of triumph.

For "jumping on the bandwagon", you know, cowboy,

your best friend is your guitar and your boots

and that's sort of what we were creating

with the monstera leaves and the moss coming through them

'cause, you know, those boots have been lived in.

Dang, Ron, way to tell a story, man!

MAURICE: Right? That was like, sign me up!

I know, I'm like "OK!"

So, for me, the peacock, well, that palette

is so me.

Those peach phalaenopsis, the color, the beak - genius.

So beautiful.

The only thing, I'm literally, like, WTF are those boots?

- It was like, "Rrrrrrow". (MUSIC INDICATES FAILURE)

Unfortunately, from back here,

that does not translate as a boot.

What I love the most is you built a guitar!

I love the guitar. I think the boots are ugly as hell

but I like the concept of where you were going with it.

Your "jumping off the page" idiom

is speaking to me.

As I wander round, your peacock is perfection.

I love the way you filled your wagon with buckets of blooms.

Clever. Congratulations.

- Elizabeth, Maurice. - Yes?

Which team's hurdles have had you jumping for joy?

My favorite pair of hurdles belongs to the...

..blue team.

My favorite hurdles belong to...

- ..the blue team. - Blue team.

- Oh, my gosh! - Oh, my gosh.

Congratulations.

Oh, my gosh. Thank you so much.

Sarah, Ron, Rachel and Antonio,

you are all safe from elimination.

Thank you.

Red team, unfortunately you lost

which means Lutfi, Canaan, Kiara and Melissa,

we will be seeing you tomorrow for the solo challenge

and, unfortunately, we will be sending one of you

riding off into the sunset.

So get some rest and we will see you tomorrow.

Bye. Thank you.

CANAAN: Y'all did a great job.

CONTESTANT: So good! Congratulations!

RACHEL: Show 'em what you've got tomorrow.

We'll get through it. We're gonna get through it.

This is my third time going into the solo challenge.

I have competed in every competition so far

so I'm just trying to stay focused

and hopefully not go home today.

Here we go.

- Welcome, welcome, welcome! - Hi, guys.

MAURICE: How are you?

It's a little different in here, would you say?

- Yeah. - Just a little bit.

We've got some accessories.

I thought you were talking about me. I don't know.

(MAURICE LAUGHS)

Hopefully you are all very well rested

because we are done horsing around

and it's back to business.

Canaan, this is your first time in an elimination challenge.

It is.

We have not had the pleasure of getting to know you

through your flowers yet.

I'm so excited because I'm ready to bring it.

ELIZABETH: OK.

Kiara, last time,

you were in the bottom two in our solo challenge

so what's your strategy to change that today?

I think last time I got into my head a little bit

so this time I'm working with some big, confident energy.

That's my plan. I belong here, I have a place here,

and I'm ready to show it.

Yay!

In today's solo challenge you will be designing

a pleasing, pop-up flower shop presentation

that reflects your personal style and persona.

Your flower factory on wheels

should fit any customer's budget

so you must feature two signature bouquets

that cater to two different price points.

One is the grab-and-go

and the other is, you know, "spoil yourself".

This mobile cart

should have your floral stamp on it from top to bottom.

You will have two hours to complete this challenge.

And the time...starts...

..now!

(CONTESTANTS LAUGH)

MAURICE: Excuse me, pardon me...

- Excuse I. - ..excuse me, pardon me.

Coming through.

Melissa is going in for the papyrus and grasses.

And Canaan's been in the garden.

- Excuse me. - Excuse me.

I want to see each of the florists' personality,

like building a brand is so, so personal.

That's not helpful.

Lutfi, in a team challenge,

is really struggling with time management.

Truth be told, I think time got in the way

of the last two team challenges

but he got saved by his chinny-chin-chin

and he hasn't been at the bottom

so he knows that everything is on the line right now...

- Yeah. - Mm-hm.

..if he wants to stay in this competition.

My vision for today's challenge

is like essentially bringing that sexy sunshine

in a tropical, like, landscape.

The first thing that I want to work on

is the branding of the cart.

It's a lot of the bulk of the work

so I just want to make sure that I'm comfortable there

and then after the cart is done

I'm gonna start working on my bouquets.

Get my best side!

(KIARA LAUGHS) So I kind of have an idea.

You know, we've been in lockdown for so long.

So my overall vision for the cart

is this is a flower cart for people who are leaving a club

at 2am

and you want to buy that person you're with some flowers.

So this is just a piece of old driftwood.

This is going to be my disco ball

but really it's about bringing joy to people.

And I'm also missing a little bit of that joy myself so...

(LAUGHS)

..that's probably playing into my design as well.

I'm almost 40 years old,

I have two kids and a husband,

and it feels like the floral industry

was something that was out of reach for me for so long

and I don't want to discount myself anymore

and that's important as a woman,

it's important as a black woman

to be seen and, like, represent other black people.

And I'm ready.

I ain't got time to think about what everyone else is doing.

I gotta get my stuff.

A general brand, I do a lot with dried blooms

and things that are...

Truly, they're more Australian blooms,

like this is a version of a protea

and they're an Australian native

but they tend to lend really well to the desert

where I'm from.

I want to be sure

that my cart doesn't start to look too heavy or cluttered

so I'm going to keep it minimal

and I'm going to hope that I nail the challenge.

She is long, honey.

They were given a brief to show us who you are

through this, like, how you decorate your cart.

Let's be honest, our personalities show in our work

and so what are you selling

and how is it being displayed for me to want to buy it?

- Things are for sale. - Pop-up shop.

Ooh, Canaan, that vase!

- You love the vase, boo? - I do!

I love it larging and charging.

MAURICE: Lutfi.

- Buenas. - Hello.

So tell me about your vision.

I want you to be lying on that beach with a margarita

and feeling that hot, like, exotic weather of Honduras,

like that tropical moment,

so my hero flowers was like the anthurium, the proteas,

everything that takes you to a tropical feel.

What is your attraction to tropicals,

where did that come from?

You know, I'm from Honduras.

I grew up in a place where I would see outside my window

nothing but pure lush green

and I want to be able to communicate that

and share that feeling.

So does still your whole family live in Honduras?

My entire family is back at home.

Do you get to see them often?

No, I don't. They're very dear to me.

I just want to make them proud.

I've been in New York for eight years

and it's been really hard for me.

I had to leave my whole family and friends behind.

If you're gay in Honduras it's not safe

so I had to essentially escape.

We're a really tight-knit family

and... (SNIFFS) ..and I miss them very much

every single day, every morning.

- Hey, florists, hi. - Hi.

One hour's gone. You have one hour remaining.

KIARA: Oh, my God. Focus.

I have flowers around but, you know what,

I might have to skip some of it

'cause I'm running out of time.

KIARA, V/O: There's an hour left.

I'm definitely feeling the time crunch now.

I really need to finish up this cart

and move on to those bouquets.

- Kiara, good morning. - Hi.

Tell me, where are you thinking of going

with regards to your two bouquets?

I want it to feel like you just came out of a bar

and you're a little bit tipsy

and there's all these fun, funky things going on

that are playing with your eye.

- OK. - That's what I'm going for.

So the grab-and-go,

that's going to be something that's the curbside appeal

that someone's eye falls upon and they just want to buy it

and then the spoil yourself or someone else,

- that needs to be... - Taken up a notch.

Definitely taken up a notch.

Can't wait to see it all.

- Thank you. Have a great day. - See you later.

You like... Yes, orgasmic!

This color palette that Canaan is working with

with the yellow, the orange, to that fuchsia,

is actually kind of interesting

and he's tying it together with the butterfly ranunculus.

Mm-hm. I'm not 100% sold on it yet. We'll see.

I need a third tie-in or two to soften the blow.

(BLOWS)

So I just open my roses up

'cause I want them to be at their full potential.

Mm! Gorgeous!

So I'm from Georgia and we like to use our surroundings,

what we have, greenery, like, Magnolia Small X.

I am very...quiet, unassuming

but over-the-top when I need to be.

I was raised by my grandmother

and she taught me, "Don't shame this family.

"Do what you gotta do and show that you can do it."

That represents who I am and I'm a Southern gentleman

so therefore you know I'm gonna give you the best quality.

In addition to dressing their cart,

we want them to create two signature bouquets,

one that's the grab-and-go

and then one that's a really lovely, lavish, spoil yourself.

Hey, florists, where are those bouquets?

I'd better see 'em.

SIMON: Is your grab-and-go gorgeous?

Is your spoil yourself spectacular?

One of the biggest mistakes that folks make

when they're trying to hand tie a bouquet

is they hold the stems tight.

The way to make a successful hand tie

is to hold it as loosely as possible.

So you're using your hand as a vase.

That's exactly right.

And you just loosen a little bit to get different stems in.

Keep it loose, goose.

You're gonna need to tie it up somehow.

I like to use this Bind Wire. It's super easy.

That's gorgeous.

Then you're done.

OK, I'm coming back.

The way I'm trying to make a difference

between my two price points is mainly about quantity.

- Whoo! - Whoo!

MELISSA: She goin'! CANAAN: I've gotta, girl!

(MELISSA LAUGHS)

I'm already loving what Lutfi's doing.

It's like the perfect kiss of each thing.

Right now, I'm working on my first hand wrap.

This is my fancier bouquet.

You know, I think my flower choices are pretty on-brand.

You can, like, feel the warmth, you know,

you can, like, see that tropical environment.

These are pincushion proteas, these are anthuriums.

Pampas grass, dried, another dried palm.

So I think a lot of people look and they think like,

"Oh, this is one flower. It should be really inexpensive,"

and anthuriums are notoriously expensive.

So this is kind of...

Or I think sometimes people think

because it's dried, "Oh, it's cheap."

Not the case at all.

I think that even though my cart

is considerably more minimalistic

than the other carts around me

it is something that this is what I want them to see me as

so even if I'm not successful today and I go home

it will have spoken true to myself

and I'm proud of what I created,

which is all I'm asking for.

Alright, florists, you have five minutes left.

Oh, my gosh, they're gonna give me a heart attack!

I need more table space.

I'm working on my bouquet here.

And I think that I'm gonna do the bigger one first.

Just so I can have it done.

I'm using carnations and roses and scabiosa pods

and pincushion protea.

CANAAN: Whoo! Honey! She has got to work out today.

One minute remaining.

LUTFI: Oh, my... - That's 60 seconds.

Clean your carts up. Show us what's for sale.

(GLASS SHATTERS) - I broke something.

I've gotta go faster!

JUDGES: Ten, nine, eight, seven, six,

five, four, three, two, one!

(BELL RINGS)

I won't touch things. (LAUGHS)

Stop. Flowers down.

Thank you.

- We get to judge them. - I didn't even look.

- Hey, Lutfi. - Buenas.

Please, oh, please, tell us about your pop-up

and your vision and how it all came to life.

Welcome to my tropical, exotic land.

I really wanted to create something

that was like a fantasy

and that reminded me of my grandmothers.

I even named my bouquets Rosa and Lila.

Let me show you.

First of all, she's the Lila, she's the smaller girl,

I'm gonna hand it over to you.

- You can have her. - Thank you so much.

Oh, my God. Wow.

And this is Rosa, this is my grandmother, essentially.

She is worth a lot of money.

You need to have the coins to come and get her.

Elizabeth got the cheap one, huh?

ELIZABETH: Wow!

At least she got one.

MAURICE: There's like an effortlessness to this design

that really makes me happy.

While it's kind of busy and wild

it's very contained and pared down.

For me, I think the bouquets are beautiful,

I think your beach fantasy, that is my personal fantasy.

I would like to be on a beach...

- ..right now. - Right now.

I'll have a cocktail, I'll have a hammock,

someone can fan me with a palm. I'm in. Thank you.

There's a fan here for you.

Perfect. I'll take one of those.

You want to buy it? There's props here to buy.

OK.

What lets you down,

and we're all going to keep telling you it,

is time management

but you have nailed your bunches

and the story I am hearing is a clear one.

Your grandmothers,

they would be very proud of the Lutfi

that stands before us.

- I believe so. Thank you. - So do I.

Thank you.

ELIZABETH: Hi. MAURICE: Hi, Kiara.

Kiara, tell us about how you've branded your cart

and transformed it to tell us who you are as a florist.

This is an after-hours cart, like this is after the club,

and you want to buy that person you're with some flowers.

So this is really about a joyful moment.

I've kind of created a disco ball up here,

kind of representing being out and having a lot of fun,

having a dance.

I used to be a professional dancer.

- Oh! - Ooh.

I was a cheerleader in the NFL for eight years.

- Stop it! - Yeah.

- You had Maurice's dream job. - I can walk, right?

- I can give a good walk. - Let me see your walk.

Walk, walk, walk, walk, walk.

MAURICE: Yeah! - Let me see you walk, walk.

JUDGES: Ohhhh!

(JUDGES LAUGH AND APPLAUD)

- With a hip flip! - Yes!

- Amazing! - Come on!

ELIZABETH: OK. Wow. - OK.

If I was coming out of a nightclub

in the small hours - it will never happen -

I would be drawn to it.

MAURICE: I'm gonna agree.

I think that the palette is really unique and interesting

which is why the things that aren't working

- are really stressing me out. - OK.

On your grab-and-go and your spoil yourself

those were made with a hard hand.

Everything is being squeezed to death.

Yep. I totally understand what you're saying.

Had you taken that tape off

it would just open up and fly

and then you would have your little bag here

- and it would look gorgeous. KIARA: Mm-hm.

- Hey, Melissa. - Hi.

So tell us about your floral pop-up.

This is kind of just my overall aesthetic.

I love being able to pick the color palette that I would want

if I were going to buy florals.

A little dark, a little moody,

it has different textures throughout it,

different layers.

And so this is me.

So I think I'm getting to know

that you're bo-hoey desert wedding.

Yes, I think so. That's what I cater to.

So, Melissa, tell us about your bouquets.

So here I have just a few blooms.

There's a little piece of dried,

there's a little greenery.

And then this is my bad and bougie

with a couple of anthurium

and the dried pieces and the pampas.

I love this palette,

the rusts and the dark tones and the pale tones.

But for me also it's a little bit of a waa-waa

because you didn't give us a more completed story

of a pop-up.

SIMON: It's a gorgeous, exquisite color palette.

I just need more of it.

Thank you for letting us see a little bit more of you.

Thank you.

- Hi, Canaan. - Hi, guys. How's it going?

- How's it going? - Good.

So tell us about your vision, tell us about your pop-up.

I'm giving you abundance of florals.

When you come up and you want flowers

you can say, "I want that pink one,

"I want that..." you know,

and I can pull it together for you really quickly.

So, wait, those are the flowers that you're pulling from

- to make the bouquet? - Yes!

I'm obsessed with that!

CANAAN: When I look at flowers and palettes

I usually start with a rose

and I kind of bring something else into it

'cause I want it to make me sing or make me feel orgasmic,

you know, I'm seeing these colors come together.

So what did these roses... How did they sound?

(SINGS HIGH NOTE)

- They sung to me. - OK.

For my grab-and-go

just a little, little something.

I didn't want it too big but also I wanted to make sure

that when you're at my cart

you have the access to go to grab more

to add more money to it.

Make that money.

Don't make money, don't make sense.

And then your "spoil me".

My spoil me, she's a big girl.

Canaan, you've always been beaming, jazz hands,

- joy in human form. - Thank you.

- This reads. - Thank you.

The one thing that I think is a bit messy

is all this raffia.

I mean, there's a sort of cough ball of raffia here.

It comes up here.

You've got a cough ball...

- Of raffia. - ..of raffia.

It is so refreshing to be able to see who Canaan is.

- Thank you. - I'm gonna cry.

So, florists, let's invite yesterday's winning team

to join us.

ELIZABETH: OK! Excuse us!

MAURICE: Are we dressed for an evening occasion?

ELIZABETH: We're underdressed here.

MAURICE: Wow. (WOLF-WHISTLES)

MAURICE: It's evening looks. You know what?

I'm stepping it up.

We're just trying to keep up with you.

Florists, we asked you to create your cart

to showcase who you were

as well as designing beautiful bouquets.

Our first-place pop-up, a beauty to behold,

belongs to...

..Lutfi. Congratulations.

(ALL APPLAUD AND CHEER)

It's exquisite.

You're bang on the nail

with your competency as a florist,

as a designer, as a creator.

MAURICE: Congratulations. Job well done.

Thank you.

And in second place,

we thought this cart was extremely charming.

And it belongs to...

..Canaan.

(ALL APPLAUD) MAURICE: Congratulations.

Southern charm.

- Oh, yeah. - Thank you.

Melissa and Kiara, would you please join us up the front?

So this was a really hard decision for us.

One of you is still in the running

to win $100,000

and to become the Full Bloom champion.

And, unfortunately, one of you will be leaving us today.

We've just started to really get to know all of you

but unfortunately

the florist that will no longer be moving forward is...

..Kiara. We're so sorry to see you go.

(ALL COMMISERATE QUIETLY)

Your time on Full Bloom has come to an end.

Thank you for bringing you to this.

- Thank you. - I appreciate it.

I'll see you on the dance floor.

- Oh, yeah! - OK.

I'll be seeing you for cocktails before the dance.

(ALL LAUGH)

I don't think my journey being cut short here

means that I'm not going to go further in this business.

Now I know that I can do these things

there's like really nothing holding me back.

SIMON: Today, we're delivering flowers

to the Family Rescue Center,

a non-profit organization

which donates food and medical assistance

to those in need.

We had to bring today's winning pop-up

to show our admiration

for all that they do.

Oh, my, this is beautiful.

WORKER: Handing out these flowers

to our families in our community

makes me feel so happy.

It's more than just giving them

the food that they need

but it's about providing them with hope.

It's about providing them with a smile.