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When I'm performing
There's
There's
Basically two types
The show Smallville I think maybe three but
For conversation
DayQuil keep it down the two we can we come to a show and the bee show
Mac Show is
Where we show up and I bring in a lot of gear and we bringing a lot of production
All are on lights are on sound guy and all that stuff in the Beast show is more
Like me just kind of showing up at someone else
Thing and they've got all the
The production setup
Or you
Most electronic music festivals for everyone would be Abby show
And that's kind of when you just kind of show up with some minimal amount of stuff now performing live
During an airshow
Would be bringing
Nothing
That's very small modular a lot of sense mostly mode
What's the stuff that's like
Kind of okay to get lost I call it as in so I don't I don't take a lot of my
Studio stuff so I either hire out a rent
Just by duplicate
Things to
Contour beaters
That are not replaceable
I'm in that kind of thing I'm Abby show
Is a scaled-down version of that where I'm still playing stems of all my stuff I'm just
Playing the audio stems of them so instead of playing you know like a two-track
Stereo mix and it name-calling that a song I'm playing like 1/8
Attend one where I'm using you know a couple of
Simple midi controllers like the whole setup we would fit in a backpack
You know when I just checked
Batshit on the plane and then get to where I got to go
And
You know with that then I can you know
Add some VST effects on to those other stems and then use midi controllers to control brand
Filtercopy Messer
I want to be repeat that for like half a second,
You're innocent more DJing than their butt
Yeah a little more getting you some flexibility and saying the playlist
The order is not
2
Important
When it comes to Abby show because you know you just have a
I was called a Vijay just kind of
Jamming out
Playing video clips appropriate to that song and he's doing his own thing and you're doing your own thing you don't really need to send any kind
Sonic user data back and forth
Because there's not a whole lot going on because not even your production anyways
So you just do it
You make with what
What was given to you kind of thing
We do rehearse before a live show but not in the sense that we were Hurst
Every show
We rehearse once
Basically I don't know Warehouse in Pennsylvania
In a Amish town
Caldwell
For approximately
Two to three weeks
And what we do is we replicate the state we build the whole
Stage the whole show might smoke everything all the bells muscle
What you see
Up on the thing and we build it in a big
Amphitheater and that's where we we kind of bring together all the elements we worked on
Side together
I am and make them all work with each other we only have a very
Like small window
Every time I introduce a new stage or
I knew major element in the stage or major change
Strip the whole thing down
Rebuild it in a warehouse
Snn rehearse it that way
In-N-Out
Same carbon copy
About with the same equipment gets
Song
Directed at every other
Festival and stuff like that so none of that changes so we don't have to rehearse every show
But we we definitely do rehearse
Every Idle race
Avenues
On stage at an a show it it's usually about
324 computer systems
One being you know kind of the one that
Produces the audio and incense all the MIDI
Another one is it is it almost at an exact mirror of that in KC
The crashes are whatever in
Oddly enough for my whole career doing it live I have never had a single
Failure to the point where we had the
Switch to that clone computer but
Redundancy is
Super important for those kind of things so we bring that anyway
The third computer actually control some custom software that we've written
That goes out to a giant touch
That run some software with about that
Sew-in and it's essentially an elaborate MIDI controller but it's a modular work service that I can
Glenside
And see what's playing when's playing how it's playing and in some parameters for it so I can adjust
Some filter cut-offs be repeats here or you know see which
Sensor on and all that
Kind of like Mike
But my eyes are on all the
4th computer controls motion control systems and Lighting
And then we would I would use a front-of-house mixing.
Actually on stage
You witches 32-channel
Front-of-house mixer kind of thing
And that's what I would use so I would do my own FOH mixing and then send us some doubt put so the
Actual front of house is only getting a stereo Channel but I'm
I'm wrangling and managing 32 of them sub mixing them down to
Sending our front of house
I was too and then they send that to
The head audio at that an event
Bisho similar thing but with like
4chan
I like to work with all these systems and
Try to come up with ways to keep myself
Falling asleep up there and
Nn
Innovating things in a way that you know is like our light guy
Programming lights with a
With a
My grandma's Consul and all that stuff in
And one day I noticed that the Grandma had a midi input on the back and I said what somebody in Port for on the
On the desk for me cuz I don't know I mean you I think you can maybe like
Program like he's with Minnie and I'm like wow that's interesting and I went and read up on that and
At rehearsals one day took an extra output and went into the back of the of the light.
And then started feeding notes
So maybe is coming out of my computer and it's telling the desk to fire these fixtures off or rotate them assert
Certain way or play this whole sequence
Stop and I can do that anytime I want during this and I'm like what's brilliant
Because I like guys
That traditionally when their programming lights they kind of do it manually
So you're at the mercy of him you know hitting a button and doing that and he's not always bang on because
He's not
Compensate what life is really well-trained he is but
Typically if he doesn't know that
Sound only travels at 350 seconds hope your 400 feet away you're almost like you know half a second
The Beat from when I hear it too by the time it gets to you so
If you hit the light
Like you because the
Front-of-house is 100
252
A252 weight
Everytime you cute even though you're getting it right it's not right because you're not accounting for that
Time delay
But I can with midi I can do that I could just shifted over slightly sewing rehearsals we had it all like Ray
Running a hundred percent being triggered for me and I thought wow that you know that's really interesting let's incorporate that
System in rotini and Dora shows who were doing that
And then
We would find the problems like midi suck
Cuz it's old nnn were using these midi cables in the data is
You s*** and then you don't researching that let me into finding that all midi can be traveled over TCP
VIP over anything that cable which is going to be
A million times more robust way faster because it's in
Dustin is going to be safer because of those parody checks on the
On the other end of the data so you know sending midi over IP and then sending midi over IP wires flea which is a ray
Really bad idea too fast
Which we try to only once
And will never do it again
Because he attwifi is cool and all that in it and a small control the room but
Out out in the wild Wi-Fi doesn't do so good but that's how you learn and you know
The secret to keeping your
Stage equipment or your ear
Your booth equipment safe is a
600-lb Samoan guy named Kimo
Who don't take no s*** from nobody
No nothing safe on stage
In terms of
Things that could go wrong
I mean
Yeah she goes around not saying LED walls fall down all the f****** time and you may or may not
He killed her or whatever that's
That's rare
Just keep in mind when you when you do bring things on tour
Make sure they're either cheap
Or robots
Nothing in between
Because
You know it's just going to break she's going to get stolen a roadie is going to be f****** sitting on your mug
Voyager 1 day
Organovo
Some crazy dude waiting in the outrigging for you know your crew to start loading in and he runs up and grabs a mouse
Outside gets away with it
Replaceable is key now I'm a PC guy first and foremost I love PCS I love the modularity of them
Knowing what's going on under the hood all the f****** time I tore
And I perform life with Mak
Right because
If one of these PC shuts the bed we are going to have to go to
2A probably 20-30 different stores
It's going to take us about 8
210 hours to build a whole new
The Mack
F****** throw that thing to the curb go to the nearest Apple store by another one bone done
You no problem solve no exotic Hardware no problem
All that stuff
It will go wrong
You can't foresee like you don't
Computer crashes can be prevented just
Keeping a clean
System in knowing General PC or Mac
If you if you can have a computer for
Performance don't put anything
Anything you don't need
You know just rip that thing down don't don't install
Don't use it
Check your emails in the hotel room and then don't do that have another one
If you if you can do that
You know
If you can't then
Be very careful
I do have one very fond memory of playing at musikfest
Texas
Once where
I would
Play in the end we'd start the set and the way that that show built up
Cuz we started with some chords
It's in the way that some chords
Start sit
Start cycle.
Kind of a drone home and then goes up and then and then a a mid-range kind of grinding beat starts.
The predict this matter
And so as
Soon as you know everyone's ready for that drop
Anime super the bass note headphones
System's down
And I was like oh okay
Well that's alright
Because that's not my f******
I know exactly what happened we overloaded the amps or something like that so
I casually play that one off and on like
Alright
So I'll just
Sit here and
You not freak out
And wait for
Some okay dude your thing is go
Alright I got it back
Okay that's good
Find you know what
I'll just roll it back if you
A minute and then we'll try this again
So did it again
Up up up up up
Big Crescendo and
Are hitmen
Hickman
Soon as the transit cakes
Power down again
Almost like oh my God anyway and what I think they're now I'm getting a little fresh
It happened
GHIN
Third time
And this time I might
I I don't know what the problem
Because it's not my
I'm looking at my system my systems on everything's running nominally
But what I did notice
Is the playback back head
Stopped
It's like somebody
Stopped
Right as soon as that beat hit but only when that beat hit in the house
What a f****** mystery
So I'm thinking okay you know what I'm going to go under the preferences
As in you know disable the keyboard
For a second
And what I found out
Is to get into the preferences you have to hit like, piso Ergo I need to find my keyboard which I usually kind of taco
Wait because you do not want to accidentally touch a button on that f****** keyboard
Shift
The whole set of had a few bars
Stop that are plays it from somewhere else or not
So I kind of talk that s*** out of the way
Well
What had happened was an audiotech who used to work
Had wrapped my
Keyboard up around a post
That helped my monitor
And then lean the keyboard up
Against that
Switch
Kind of look like a good idea at the time but what he didn't know is that when the face was hitting
Sage was shaking
Cuz that's what f****** kicks drums do at f****** yo 60,000 and
And f******
Spacebar
With hitting the post
So it was just stopping the set
Call motherfuker
You know it just
S*** like that's going to happen in India
The thing to take away maybe out of this little anecdote here is that
When that kind of s*** happens Do Not freak out
That there's nothing more f****** embarrassing
When I'm watching a DJ
Play a CD in the CD starts
Skip
I'm not really so old the CD skip I'm just more Curious and and and
I'm learning I'm what that DJ is going to do like how's it going to react
The nfu you if one is so inclined you can YouTube a few
Good
DJ fails if you will
An end in some people
Blow their s***
Play Clayton
Like these they have to blame something like don't blame anything
Shift going to happen
And then just play it off Pico and do you think
People patient the way now I'm in midair might not understand right then and there but because that s***'s going to be YouTube
Tube and recorded from every f****** Angela you better make sure you're just like
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