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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,345 --> 00:00:15,049 [ "TURKEY IN THE STRAW" PLAYS ] 2 00:00:21,822 --> 00:00:23,724 [ "JOLLY OLD ST. NICHOLAS" 3 00:00:23,724 --> 00:00:26,227 PLAYS ] 4 00:00:33,167 --> 00:00:36,237 >> * JOLLY OLD ST. NICHOLAS, 5 00:00:36,237 --> 00:00:38,539 LEAN YOUR EAR THIS WAY * 6 00:00:38,539 --> 00:00:41,109 * DON'T YOU TELL A SINGLE SOUL 7 00:00:41,109 --> 00:00:43,711 WHAT I'M GOING TO SAY * 8 00:00:43,711 --> 00:00:45,379 * CHRISTMAS EVE WILL SOON 9 00:00:45,379 --> 00:00:46,414 BE HERE * 10 00:00:46,414 --> 00:00:48,816 * NOW, YOU DEAR, OLD MAN * 11 00:00:48,816 --> 00:00:50,384 * WHISPER WHAT YOU'LL BRING 12 00:00:50,384 --> 00:00:51,319 TO ME * 13 00:00:51,319 --> 00:00:53,754 * TELL ME IF YOU CAN * 14 00:00:53,754 --> 00:00:55,589 * WHEN THE CLOCK IS STRIKING 15 00:00:55,589 --> 00:00:58,492 12:00, WHEN I'M FAST ASLEEP * 16 00:00:58,492 --> 00:01:00,561 * DOWN THE CHIMNEY WITH YOUR 17 00:01:00,561 --> 00:01:03,531 PACK, SOFTLY YOU WILL CREEP * 18 00:01:03,531 --> 00:01:05,633 * ALL THE STOCKINGS YOU WILL 19 00:01:05,633 --> 00:01:08,402 FIND HANGING IN A ROW * 20 00:01:08,402 --> 00:01:10,404 * MINE WILL BE THE SHORTEST 21 00:01:10,404 --> 00:01:13,441 ONE * * YOU'LL BE SURE TO KNOW * 22 00:01:13,441 --> 00:01:15,409 * JOHNNIE WANTS A PAIR OF 23 00:01:15,409 --> 00:01:18,346 SKATES * * SUSIE NEEDS A SLED * 24 00:01:18,346 --> 00:01:20,748 * NELLY WANTS A STORYBOOK, 25 00:01:20,748 --> 00:01:23,284 ONE SHE HASN'T READ * 26 00:01:23,284 --> 00:01:25,686 * AS FOR ME, I HARDLY KNOW, 27 00:01:25,686 --> 00:01:28,422 SO I'LL GO TO REST * 28 00:01:28,422 --> 00:01:29,557 * CHOOSE FOR ME, DEAR 29 00:01:29,557 --> 00:01:31,725 SANTA CLAUS, WHAT YOU THINK 30 00:01:31,725 --> 00:01:33,427 IS BEST * 31 00:01:33,427 --> 00:01:35,729 [ CHEERS AND APPLAUSE ] 32 00:01:41,535 --> 00:01:43,837 [ SIREN WAILING ] 33 00:01:48,509 --> 00:01:49,710 >> WHAT DO I LOVE ABOUT THE 34 00:01:49,710 --> 00:01:52,846 THEATER? 35 00:01:52,846 --> 00:01:55,183 WOW. GREAT QUESTION. 36 00:01:55,183 --> 00:01:57,218 [ SIGHS ] YOU'VE GOT TO FEEL IT. 37 00:01:57,218 --> 00:01:58,352 IT'S IN YOUR BONES. 38 00:01:58,352 --> 00:01:59,520 IT'S IN YOUR VEINS. 39 00:01:59,520 --> 00:02:00,654 IT'S IN YOUR BLOOD. 40 00:02:00,654 --> 00:02:01,889 AND I CAN'T TELL YOU. 41 00:02:01,889 --> 00:02:03,657 IF YOU DON'T KNOW, I'M SORRY. 42 00:02:03,657 --> 00:02:05,326 BUT YOU WATCH ME, AND I 43 00:02:05,326 --> 00:02:06,827 GUARANTEE SOME OF IT'S GONNA 44 00:02:06,827 --> 00:02:08,629 RUB OFF ON YOU. 45 00:02:15,403 --> 00:02:17,305 MY NAME IS EUGENE OLIVIER, AND 46 00:02:17,305 --> 00:02:19,273 I'M A FAIRLY SUCCESSFUL THEATER 47 00:02:19,273 --> 00:02:21,242 ARTIST FROM NEW YORK CITY. 48 00:02:21,409 --> 00:02:22,943 IT'S WHERE I CALL HOME NOW -- 49 00:02:22,943 --> 00:02:23,911 THE BIG APPLE. 50 00:02:23,911 --> 00:02:25,713 IT'S -- IT'S AN AMAZING CITY -- 51 00:02:25,713 --> 00:02:27,548 THE -- THE BEST IN THE WORLD, I 52 00:02:27,548 --> 00:02:30,751 THINK. 53 00:02:30,918 --> 00:02:32,486 BEEN OUT HERE FOR ABOUT 10 54 00:02:32,486 --> 00:02:33,921 YEARS NOW, AND I FEEL PRETTY 55 00:02:33,921 --> 00:02:35,656 GOOD ABOUT THE THINGS THAT I'VE 56 00:02:35,656 --> 00:02:37,291 ACCOMPLISHED. 57 00:02:37,291 --> 00:02:39,560 MOST RECENTLY, UH, COMPLETED A 58 00:02:39,560 --> 00:02:40,928 PROJECT CALLED "RASPUTIN'S 59 00:02:40,928 --> 00:02:42,563 ADVENTURES IN NEVERLAND" -- 60 00:02:42,563 --> 00:02:43,764 MUSICAL. 61 00:02:43,764 --> 00:02:45,766 TINKER BELL HAS BROUGHT RASPUTIN 62 00:02:45,766 --> 00:02:47,701 TO NEVERLAND, AND HE TURNS INTO 63 00:02:47,701 --> 00:02:48,969 CAPTAIN HOOK, AND, THEN, YOU 64 00:02:48,969 --> 00:02:50,438 KNOW HOW THE STORY GOES FROM 65 00:02:50,438 --> 00:02:52,406 THERE. I'M A LITTLE MORE HANDS-OFF WITH 66 00:02:52,406 --> 00:02:54,275 THIS. ALL I DID WAS WRITE IT, DIRECT 67 00:02:54,275 --> 00:02:55,809 IT. UH, I DID WRITE THE MUSIC FOR 68 00:02:55,809 --> 00:02:57,010 IT, AND I PLAYED RASPUTIN. 69 00:02:57,010 --> 00:02:58,579 BUT I HAD OTHER PEOPLE PLAY THE 70 00:02:58,579 --> 00:02:59,347 OTHER PARTS. 71 00:02:59,347 --> 00:03:00,948 PROBABLY THE BIGGEST MUSICAL 72 00:03:00,948 --> 00:03:02,916 PRODUCTION THAT I'VE PUT ON, BUT 73 00:03:02,916 --> 00:03:04,852 I FEEL LIKE IT'S LIKE A DAY JOB 74 00:03:04,852 --> 00:03:06,620 NOW OR SOMETHING, YOU KNOW? 75 00:03:06,620 --> 00:03:08,789 I HAVE DONE WHAT I CAN DO HERE 76 00:03:08,789 --> 00:03:11,259 IN NEW YORK, AND I'M READY FOR A 77 00:03:11,259 --> 00:03:12,893 NEW CHALLENGE. 78 00:03:12,893 --> 00:03:14,995 NOW IT'S TIME TO MOVE ON AND TRY 79 00:03:14,995 --> 00:03:16,864 SOMETHING DIFFERENT, SO I'M 80 00:03:16,864 --> 00:03:18,866 GONNA HEAD OUT TO LOS ANGELES, 81 00:03:18,866 --> 00:03:20,968 CALIFORNIA, WHERE TWO OF MY GOOD 82 00:03:20,968 --> 00:03:23,271 CHILDHOOD FRIENDS FROM ORRVILLE, 83 00:03:23,271 --> 00:03:25,273 OHIO, ARE NOW LIVING, LAWRENCE 84 00:03:25,273 --> 00:03:26,974 AND REGINA. 85 00:03:26,974 --> 00:03:28,542 THEY DON'T KNOW THAT I'M COMING, 86 00:03:28,542 --> 00:03:30,778 SO WE'RE GONNA SURPRISE THEM. 87 00:03:30,778 --> 00:03:33,013 I JUST WANT TO GO OUT THERE AND 88 00:03:33,013 --> 00:03:36,584 RECONNECT WITH THEM AND CREATE 89 00:03:36,584 --> 00:03:40,354 SOMETHING WITH THEM AGAIN. 90 00:03:40,354 --> 00:03:42,456 AND YOU KNOW WHAT THEY SAY ABOUT 91 00:03:42,456 --> 00:03:44,592 NEW YORK CITY -- IF YOU CAN MAKE 92 00:03:44,592 --> 00:03:47,561 IT HERE, THEN YOU CAN CERTAINLY 93 00:03:47,561 --> 00:03:49,863 MAKE IT IN LOS ANGELES. 94 00:03:57,771 --> 00:03:59,673 [ TRAIN WHISTLE BLOWS ] 95 00:04:17,491 --> 00:04:20,528 >> * WILL THE CIRCLE BE 96 00:04:20,528 --> 00:04:22,663 UNBROKEN? * 97 00:04:22,663 --> 00:04:25,399 * BY AND BY, LORD * 98 00:04:25,399 --> 00:04:27,968 * BY AND BY * 99 00:04:27,968 --> 00:04:30,971 * THERE'S A BETTER HOME 100 00:04:30,971 --> 00:04:33,507 A-WAITING * 101 00:04:33,507 --> 00:04:35,843 * IN THE SKY, LORD * 102 00:04:35,843 --> 00:04:37,845 * IN THE SKY * 103 00:04:37,845 --> 00:04:42,115 >> * OH, I FOLLOWED CLOSE BEHIND 104 00:04:42,115 --> 00:04:43,451 HER * 105 00:04:43,451 --> 00:04:46,620 * I TRIED TO HOLD UP AND BE 106 00:04:46,620 --> 00:04:48,522 BRAVE * 107 00:04:48,522 --> 00:04:51,759 * BUT I COULD NOT HIDE MY 108 00:04:51,759 --> 00:04:53,627 SORROW * 109 00:04:53,627 --> 00:04:56,764 * WHEN THEY LAID HER IN THAT 110 00:04:56,764 --> 00:04:58,666 GRAVE * 111 00:04:58,666 --> 00:05:01,702 >> * WILL THE CIRCLE BE 112 00:05:01,702 --> 00:05:03,437 UNBROKEN? * 113 00:05:03,437 --> 00:05:05,973 * BY AND BY, LORD * 114 00:05:05,973 --> 00:05:06,740 * BY AND BY * 115 00:05:06,740 --> 00:05:08,075 >> YOU SOUNDED AMAZING, MAN. 116 00:05:08,075 --> 00:05:09,643 GOLDEN PIPES -- YOU STILL GOT 117 00:05:09,643 --> 00:05:10,811 THEM. >> THANK YOU. 118 00:05:10,811 --> 00:05:12,446 WELL, IT'S THE CLOSEST I GET TO 119 00:05:12,446 --> 00:05:13,514 BEING ONSTAGE AGAIN. 120 00:05:13,514 --> 00:05:14,515 >> KIM! >> HEY! 121 00:05:14,515 --> 00:05:15,649 >> YOU LOOK BEAUTIFUL! 122 00:05:15,649 --> 00:05:16,950 HEY, DID YOU MOVE THE KIDS' 123 00:05:16,950 --> 00:05:18,051 STUFF OUT OF MY ROOM? 124 00:05:18,051 --> 00:05:19,720 I'M MOVING IN. JUST KIDDING. 125 00:05:19,720 --> 00:05:21,088 I'M KIDDING, I'M KIDDING, I'M 126 00:05:21,088 --> 00:05:23,090 KIDDING. HEY, UH, DO YOU WANT TO COME? 127 00:05:23,090 --> 00:05:24,558 YOU SHOULD GET YOUR STUFF. 128 00:05:24,558 --> 00:05:26,694 WE'RE GONNA GET SOME BEERS. 129 00:05:26,694 --> 00:05:27,928 >> IS THAT OKAY, BABY? 130 00:05:27,928 --> 00:05:29,463 >> [ CHUCKLES ] GO AHEAD. 131 00:05:29,463 --> 00:05:30,130 >> [ LAUGHS ] 132 00:05:30,130 --> 00:05:31,565 >> YEAH. 133 00:05:31,565 --> 00:05:32,800 WE SHOULD BRING THE KIDS. 134 00:05:32,800 --> 00:05:33,667 >> [ CHUCKLES ] 135 00:05:33,667 --> 00:05:34,568 >> I MISS THEM. 136 00:05:34,568 --> 00:05:36,437 >> THEY'RE 5 AND 7. 137 00:05:36,437 --> 00:05:38,472 >> EH. 138 00:05:38,472 --> 00:05:39,106 >> YOU KNOW WHAT? 139 00:05:39,106 --> 00:05:40,474 I THINK I'M GONNA GO CHECK ON 140 00:05:40,474 --> 00:05:41,475 THEM. >> ALL RIGHT. 141 00:05:41,475 --> 00:05:45,746 >> UM, DON'T STEAL ANYTHING. 142 00:05:45,746 --> 00:05:46,547 >> THAT'S STUPID. 143 00:05:46,547 --> 00:05:47,648 THERE'S LITERALLY NOTHING TO 144 00:05:47,648 --> 00:05:48,982 STEAL OUT HERE. 145 00:05:48,982 --> 00:05:50,818 >> MR. BARNES, YOU'RE INTERESTED 146 00:05:50,818 --> 00:05:52,486 IN REFINANCING YOUR MORTGAGE 147 00:05:52,486 --> 00:05:54,422 TODAY. 148 00:05:54,588 --> 00:05:55,689 EUGENE IS ONE OF MY OLDEST 149 00:05:55,689 --> 00:05:56,657 FRIENDS IN THE WORLD. 150 00:05:56,657 --> 00:05:57,891 YOU KNOW, WE USED TO DO THEATER 151 00:05:57,891 --> 00:05:58,926 TOGETHER AS LITTLE KIDS. 152 00:05:58,926 --> 00:06:00,428 YOU KNOW, SO TO SEE HIM DOING SO 153 00:06:00,428 --> 00:06:01,629 WELL IS JUST -- YOU KNOW, IT'S 154 00:06:01,629 --> 00:06:03,130 PRETTY AWESOME. 155 00:06:03,497 --> 00:06:06,667 IS THAT GOOD? 156 00:06:06,667 --> 00:06:08,802 THIS MIKE. 157 00:06:08,802 --> 00:06:11,104 HELLO. 158 00:06:14,808 --> 00:06:15,909 >> AND THEN MAYBE A SHOT? 159 00:06:15,909 --> 00:06:16,844 >> I THINK I'M GOOD. 160 00:06:16,844 --> 00:06:18,879 >> ONE MORE. THANK YOU. 161 00:06:18,879 --> 00:06:20,848 [ SIREN WAILING ] 162 00:06:20,848 --> 00:06:23,484 >> [ LAUGHS ] 163 00:06:23,484 --> 00:06:24,752 CAN I TELL YOU SOMETHING? 164 00:06:24,752 --> 00:06:26,053 YOU WERE THE ABSOLUTE LAST 165 00:06:26,053 --> 00:06:27,621 PERSON I THOUGHT I WOULD SEE 166 00:06:27,621 --> 00:06:28,021 TODAY. 167 00:06:28,021 --> 00:06:29,723 I CAN'T BELIEVE I'M SITTING HERE 168 00:06:29,723 --> 00:06:33,494 WITH EUGENE OLIVIER, THEATRICAL 169 00:06:33,494 --> 00:06:34,762 AUTEUR. 170 00:06:34,762 --> 00:06:35,896 >> ARE YOU SERIOUS? 171 00:06:35,896 --> 00:06:36,964 >> I'M SO SERIOUS. 172 00:06:36,964 --> 00:06:38,131 >> COME ON, COME ON. 173 00:06:38,131 --> 00:06:39,833 >> [ LAUGHS ] NO, NO, NO, NO! 174 00:06:39,833 --> 00:06:41,134 I KEEP EVERYTHING, MAN. 175 00:06:41,134 --> 00:06:42,603 IT'S BEEN WAY TOO LONG. 176 00:06:42,603 --> 00:06:45,105 >> YEAH. 177 00:06:45,105 --> 00:06:47,207 >> YOU READY? >> TO TELL YOU WHY I'M HERE? 178 00:06:47,207 --> 00:06:49,142 >> TO TELL ME WHY YOU'RE HERE. 179 00:06:49,142 --> 00:06:50,811 >> I MOVED OUT HERE WITH NOTHING 180 00:06:50,811 --> 00:06:52,813 BUT A TYPEWRITER AND... 181 00:06:52,813 --> 00:06:55,916 A SHOE BOX BECAUSE YOU AND I -- 182 00:06:55,916 --> 00:06:58,786 WE HAVE EXACTLY 12 MONTHS -- 183 00:06:58,786 --> 00:07:01,955 365 DAYS -- TO COMPLETE THE NEXT 184 00:07:01,955 --> 00:07:04,992 GREAT AMERICAN MUSICAL. 185 00:07:04,992 --> 00:07:07,661 >> OR ELSE? 186 00:07:07,661 --> 00:07:09,963 >> I KILL MYSELF. 187 00:07:15,035 --> 00:07:19,039 [ LAUGHS ] 188 00:07:19,039 --> 00:07:22,042 I MEAN, WE SHOULD GET STARTED. 189 00:07:22,042 --> 00:07:24,177 SUICIDE THREATS ARE BASED 190 00:07:24,177 --> 00:07:26,246 COMPLETELY ON LEVERAGE. 191 00:07:26,246 --> 00:07:28,916 AND FOR THAT REASON, I USE THEM 192 00:07:28,916 --> 00:07:30,183 ALL THE TIME. 193 00:07:30,183 --> 00:07:33,053 RIGHT? LIKE, UM... 194 00:07:33,053 --> 00:07:34,755 "IF YOU DON'T GIVE ME THAT PIECE 195 00:07:34,755 --> 00:07:35,956 OF PIZZA, I'M GONNA KILL 196 00:07:35,956 --> 00:07:37,224 MYSELF." 197 00:07:37,224 --> 00:07:40,561 OR, UH, IF, UM... 198 00:07:40,561 --> 00:07:42,062 IF YOU DON'T WANT TO DO A 199 00:07:42,062 --> 00:07:43,997 MUSICAL WITH YOUR BEST FRIEND, 200 00:07:43,997 --> 00:07:45,566 "OKAY, GOOD. I'M DEAD. 201 00:07:45,566 --> 00:07:49,169 YOU KILLED ME." 202 00:07:49,169 --> 00:07:51,972 SEE, IN THE THEATER, YOU NEED A 203 00:07:51,972 --> 00:07:53,774 GOOD STORY, RIGHT? 204 00:07:53,774 --> 00:07:56,043 IN THIS STORY, IF THE SHOW 205 00:07:56,043 --> 00:07:58,546 FAILS, THEN I KILL MYSELF. 206 00:07:58,546 --> 00:08:00,714 THE STAKES ARE FUCKING HIGH! 207 00:08:00,714 --> 00:08:04,818 LET'S PUT ON A SHOW... 208 00:08:04,818 --> 00:08:06,186 AS SOON AS WE FIND A PLACE TO 209 00:08:06,186 --> 00:08:07,821 LIVE, BECAUSE KIM DOES NOT WANT 210 00:08:07,821 --> 00:08:10,223 ME STAYING WITH THEM. 211 00:08:14,061 --> 00:08:16,564 >> WELL, THIS IS IT. 212 00:08:20,701 --> 00:08:24,572 >> THIS... 213 00:08:24,572 --> 00:08:25,573 THIS WORKS. 214 00:08:25,573 --> 00:08:26,574 >> IT DOES? 215 00:08:26,574 --> 00:08:27,908 >> YES. THANK YOU. 216 00:08:27,908 --> 00:08:29,009 THIS IS GOOD. 217 00:08:29,009 --> 00:08:30,110 I'LL TAKE IT. 218 00:08:30,110 --> 00:08:32,980 WILL -- WILL, UH, $20 A WEEK 219 00:08:32,980 --> 00:08:35,248 CLOSE THIS DEAL? 220 00:08:35,248 --> 00:08:39,920 >> CLOSED. >> YES, YES. 221 00:08:39,920 --> 00:08:42,956 YES. THANK YOU. 222 00:08:42,956 --> 00:08:43,657 ALL RIGHT. 223 00:08:43,657 --> 00:08:44,257 >> OOH, BABY. 224 00:08:44,257 --> 00:08:45,726 >> EVERY -- EVERY SATURDAY. 225 00:08:45,726 --> 00:08:46,827 >> THAT'S REAL, RIGHT? 226 00:08:46,827 --> 00:08:47,928 >> YEAH. THAT'S REAL. 227 00:08:47,928 --> 00:08:48,829 >> REAL WILL DO. 228 00:08:48,829 --> 00:08:49,630 >> ALL RIGHT. 229 00:08:49,630 --> 00:08:50,631 >> WELL, ALL RIGHT. 230 00:08:50,631 --> 00:08:51,298 >> THANKS, MAN. 231 00:08:51,298 --> 00:08:53,601 >> ENJOY. >> CLOSE THAT GARAGE DOOR FOR 232 00:08:53,601 --> 00:08:54,735 ME? >> YOU GOT IT. 233 00:08:54,735 --> 00:08:57,671 >> THANK YOU. 234 00:08:57,671 --> 00:08:59,139 I JUST MOVED OUT HERE TO 235 00:08:59,139 --> 00:09:00,708 BEAUTIFUL LOS ANGELES, 236 00:09:00,708 --> 00:09:02,643 CALIFORNIA, UH, WITH THE HOPES 237 00:09:02,643 --> 00:09:04,144 OF STAGING THE NEXT GREAT 238 00:09:04,144 --> 00:09:06,079 AMERICAN MUSICAL WITH THE HELP 239 00:09:06,079 --> 00:09:07,748 OF MY CHILDHOOD FRIENDS. 240 00:09:07,748 --> 00:09:11,018 I THINK WE SHOULD GET STARTED. 241 00:09:11,018 --> 00:09:12,219 HOW ABOUT "OTHELLO"? 242 00:09:12,219 --> 00:09:13,721 "OTHELLO: THE MUSICAL." 243 00:09:13,721 --> 00:09:15,288 YOU'RE GONNA PLAY OTHELLO, UH, 244 00:09:15,288 --> 00:09:16,890 AND REGINA IS PERFECT FOR 245 00:09:16,890 --> 00:09:17,691 DESDEMONA. 246 00:09:17,691 --> 00:09:18,626 YOU KNOW THAT. 247 00:09:18,626 --> 00:09:20,027 AND MAYBE I'LL PLAY IAGO. 248 00:09:20,027 --> 00:09:23,330 IT'S A GUARANTEED HIT. 249 00:09:23,330 --> 00:09:25,899 >> LOOK, KIM'S, UM... 250 00:09:25,899 --> 00:09:27,334 A LITTLE CONCERNED ABOUT ME 251 00:09:27,334 --> 00:09:30,738 DOING A PLAY WITH -- WITH YOU. 252 00:09:30,738 --> 00:09:31,705 >> COME AGAIN? WHAT? 253 00:09:31,705 --> 00:09:32,873 >> SHE'S A LITTLE CONC-- NOT AS 254 00:09:32,873 --> 00:09:33,340 MUCH THE -- 255 00:09:33,340 --> 00:09:34,274 >> IS THIS -- WAIT. 256 00:09:34,274 --> 00:09:35,709 DOES THIS HAVE ANYTHING TO DO 257 00:09:35,709 --> 00:09:37,010 WITH HOW I-I ACTED AT YOUR GUYS' 258 00:09:37,010 --> 00:09:39,947 WEDDING? 259 00:09:39,947 --> 00:09:42,015 IT WAS A LONG TIME AGO. 260 00:09:42,015 --> 00:09:45,385 SHE HASN'T GOTTEN OVER THAT? 261 00:09:45,385 --> 00:09:46,319 >> KIM IS JUST A LITTLE 262 00:09:46,319 --> 00:09:47,320 CONCERNED ABOUT HOW YOU'LL 263 00:09:47,320 --> 00:09:49,857 HANDLE THE, UM -- THE ADDED 264 00:09:49,857 --> 00:09:50,257 STRESS. 265 00:09:50,257 --> 00:09:51,759 >> MAN, I TOLD YOU NOT TO TELL 266 00:09:51,759 --> 00:09:52,993 HER ABOUT THE S-U-I-C-I-D-E 267 00:09:52,993 --> 00:09:53,894 T-H-R-E-A-T SHIT. 268 00:09:53,894 --> 00:09:55,328 >> WELL, SHE'S MY W-I-F-E, AND 269 00:09:55,328 --> 00:09:56,930 WE SHARE EVERYTHING TOGETHER. 270 00:09:56,930 --> 00:09:58,398 >> I WAS 70% JOKING WHEN I SAID 271 00:09:58,398 --> 00:09:59,767 THAT. >> WERE YOU? 272 00:09:59,767 --> 00:10:00,834 >> YEAH -- UH, YES! 273 00:10:00,834 --> 00:10:01,869 IT WAS A JOKE, YES. 274 00:10:01,869 --> 00:10:03,036 LISTEN, CAN WE PLEASE JUST TALK 275 00:10:03,036 --> 00:10:05,038 A LITTLE BIT MORE? 'CAUSE I THINK I CAN REALLY SELL 276 00:10:05,038 --> 00:10:06,039 YOU ON THIS. IF WE DO 277 00:10:06,039 --> 00:10:07,140 "OTHELLO: THE MUSICAL" -- IT'S 278 00:10:07,140 --> 00:10:08,208 THE ROLE THAT YOU'VE ALWAYS 279 00:10:08,208 --> 00:10:11,344 WANTED TO PLAY. >> EUGENE, I NEED YOU TO SEEK 280 00:10:11,344 --> 00:10:16,349 HELP. 281 00:10:16,349 --> 00:10:17,951 WE WERE IN HIGH SCHOOL, DOING 282 00:10:17,951 --> 00:10:19,252 THE ANNUAL HOLIDAY SHOW AT 283 00:10:19,252 --> 00:10:20,954 O.C.T. IT WAS CHRISTMAS EVE. 284 00:10:20,954 --> 00:10:22,990 I'LL NEVER FORGET IT. 285 00:10:22,990 --> 00:10:24,291 WE WERE BACKSTAGE, GETTING READY 286 00:10:24,291 --> 00:10:27,227 TO DO THE SHOW, WHEN EUGENE'S 287 00:10:27,227 --> 00:10:29,763 MOM GOT INTO A CAR ACCIDENT. 288 00:10:29,763 --> 00:10:31,965 GUESS MR. FELD DEBATED WHETHER 289 00:10:31,965 --> 00:10:34,101 HE SHOULD TELL EUGENE OR NOT. 290 00:10:34,101 --> 00:10:35,435 [ SIREN WAILING ] 291 00:10:35,435 --> 00:10:37,771 ULTIMATELY, HE DECIDED TO LET 292 00:10:37,771 --> 00:10:39,006 THE SHOW GO ON. 293 00:10:39,006 --> 00:10:42,743 >> * HOLY INFANT, SO TENDER... * 294 00:10:42,743 --> 00:10:43,844 >> REGINA WOUND UP TELLING HIM 295 00:10:43,844 --> 00:10:44,912 AFTER THE CURTAINS CLOSED 296 00:10:44,912 --> 00:10:49,917 THAT HIS MOM WAS DEAD, AND HE 297 00:10:49,917 --> 00:10:51,885 WAS NEVER REALLY THE SAME SINCE. 298 00:10:51,885 --> 00:10:55,388 >> * SLEEP IN HEAVENLY... * 299 00:11:01,128 --> 00:11:02,395 >> SO, DR. LOVE, I WANTED 300 00:11:02,395 --> 00:11:03,130 TO TELL YOU -- 301 00:11:03,130 --> 00:11:04,231 >> I GOT TO STOP YOU RIGHT 302 00:11:04,231 --> 00:11:05,198 THERE. >> UH-HUH. 303 00:11:05,198 --> 00:11:06,299 >> IT'S DR. "LOHVE." 304 00:11:06,299 --> 00:11:07,034 >> EXCUSE ME? 305 00:11:07,034 --> 00:11:09,502 >> "LOHVE" LIKE "DOHVE." 306 00:11:09,502 --> 00:11:10,971 >> YOU KNOW, YOU COULD PRONOUNCE 307 00:11:10,971 --> 00:11:12,172 "DOHVE" "DOVE," LIKE THE BIRD, 308 00:11:12,172 --> 00:11:13,373 RIGHT? >> YOU COULD, YEAH. 309 00:11:13,373 --> 00:11:14,507 BUT THAT WOULD BE INCORRECT, 310 00:11:14,507 --> 00:11:18,178 WOULDN'T IT? 311 00:11:18,178 --> 00:11:19,379 >> YOU KNOW, I JUST WANTED TO 312 00:11:19,379 --> 00:11:20,781 LET YOU KNOW, THE ONLY REASON 313 00:11:20,781 --> 00:11:21,949 THAT I'M ACTUALLY HERE -- NO 314 00:11:21,949 --> 00:11:23,183 OFFENSE -- BUT IS, UM -- IS SO 315 00:11:23,183 --> 00:11:24,317 THAT LAWRENCE WILL BE IN MY 316 00:11:24,317 --> 00:11:25,786 MUSICAL AND THAT OTHERWISE, I'M 317 00:11:25,786 --> 00:11:26,820 COMPLETELY HEALTHY. 318 00:11:26,820 --> 00:11:27,487 >> OF COURSE. 319 00:11:27,487 --> 00:11:29,189 YOU KNOW, LAWRENCE TOLD ME ABOUT 320 00:11:29,189 --> 00:11:30,824 THAT. >> THAT I'M HEALTHY? 321 00:11:30,824 --> 00:11:32,392 >> NO. ABOUT YOUR MUSICAL. 322 00:11:32,392 --> 00:11:33,961 IT SOUNDS LIKE A VERY 323 00:11:33,961 --> 00:11:35,262 INTERESTING PROJECT. 324 00:11:35,262 --> 00:11:36,129 >> REALLY? 325 00:11:36,129 --> 00:11:38,031 WHAT ELSE [SCOFFS] DID HE SAY 326 00:11:38,031 --> 00:11:39,099 ABOUT ME, THEN? 327 00:11:39,099 --> 00:11:40,801 >> LET'S NOT WORRY ABOUT 328 00:11:40,801 --> 00:11:41,201 LAWRENCE. 329 00:11:41,201 --> 00:11:42,502 LET'S TALK ABOUT SOMETHING ELSE. 330 00:11:42,502 --> 00:11:43,871 >> OKAY. SO, WHAT ELSE SHOULD WE 331 00:11:43,871 --> 00:11:44,337 TALK ABOUT? 332 00:11:44,337 --> 00:11:45,472 >> WHAT DO YOU WANT TO TALK 333 00:11:45,472 --> 00:11:46,006 ABOUT? 334 00:11:46,006 --> 00:11:47,207 >> I WOULD LIKE TO TALK ABOUT 335 00:11:47,207 --> 00:11:49,109 LAWRENCE. >> [ CHUCKLES ] CAN I TELL YOU A 336 00:11:49,109 --> 00:11:50,110 STORY ABOUT SOMETHING? 337 00:11:50,110 --> 00:11:51,879 >> PLEASE. 338 00:11:51,879 --> 00:11:53,413 >> THERE WAS MY FRIEND. 339 00:11:53,413 --> 00:11:54,982 HE WAS A GREAT GUY. 340 00:11:54,982 --> 00:11:57,517 HE HAD TO SPEND 40 DAYS AND 341 00:11:57,517 --> 00:12:00,087 40 NIGHTS IN THE DESERT. 342 00:12:00,087 --> 00:12:01,922 >> THIS IS A FRIEND OF YOURS? 343 00:12:01,922 --> 00:12:03,123 >> YEAH. 344 00:12:03,123 --> 00:12:05,425 AND HE DID IT BECAUSE HE HAD THE 345 00:12:05,425 --> 00:12:06,960 SMARTS UP HERE... 346 00:12:06,960 --> 00:12:07,928 >> UH-HUH. 347 00:12:07,928 --> 00:12:10,230 >> ...MOST IMPORTANTLY, THE 348 00:12:10,230 --> 00:12:12,299 SMARTS UP THERE. 349 00:12:12,299 --> 00:12:14,401 >> JESUS. 350 00:12:14,401 --> 00:12:15,803 >> JESUS. 351 00:12:15,803 --> 00:12:18,071 >> GUYS, WE'RE GOING. 352 00:12:18,071 --> 00:12:20,573 ALL RIGHT. THANK YOU. 353 00:12:20,573 --> 00:12:21,875 >> I'LL SEE YOU TOMORROW. 354 00:12:21,875 --> 00:12:23,143 >> IF LAWRENCE CALLS, TELL HIM 355 00:12:23,143 --> 00:12:25,178 THAT I WAS HERE. 356 00:12:25,178 --> 00:12:30,217 >> "CONFRONTATIONAL. 357 00:12:30,217 --> 00:12:32,519 SEEMS JEWISH." 358 00:12:32,519 --> 00:12:34,888 [ MID-TEMPO MUSIC PLAYS ] 359 00:12:42,930 --> 00:12:47,034 >> * PICK MY LONGER DAYS APART * 360 00:12:47,034 --> 00:12:49,036 * CLIMB ON THE ROOF AND TELL ME 361 00:12:49,036 --> 00:12:51,171 WHAT YOU SEE * 362 00:12:51,171 --> 00:12:54,507 * CALL ME MAMA'S BOY... * 363 00:12:54,507 --> 00:12:56,409 >> PART OF BEING A SUCCESSFUL 364 00:12:56,409 --> 00:12:58,078 THEATER ARTIST IS -- IS 365 00:12:58,078 --> 00:12:59,612 RECOGNIZING THE TALENT IN 366 00:12:59,612 --> 00:13:00,180 OTHERS. 367 00:13:00,180 --> 00:13:02,215 >> * WHERE THEY BELIEVE 368 00:13:02,215 --> 00:13:03,383 THE ONE * 369 00:13:03,383 --> 00:13:05,285 >> IT TAKES AN ARMY TO PUT ON A 370 00:13:05,285 --> 00:13:07,921 SHOW. AND I KNOW I HAVEN'T FINISHED 371 00:13:07,921 --> 00:13:09,857 WRITING IT YET, BUT I DO KNOW 372 00:13:09,857 --> 00:13:11,558 THAT I'M GONNA NEED AN ARMY. 373 00:13:11,558 --> 00:13:13,861 I'M GONNA BUILD ONE, ONE SOLDIER 374 00:13:13,861 --> 00:13:15,863 AT A TIME. 375 00:13:15,863 --> 00:13:17,030 MY NAME'S EUGENE OLIVIER. 376 00:13:17,030 --> 00:13:18,231 I'M A THEATER ARTIST FROM 377 00:13:18,231 --> 00:13:19,032 NEW YORK CITY. 378 00:13:19,032 --> 00:13:20,033 THEATER ARTIST FROM 379 00:13:20,033 --> 00:13:22,135 NEW YORK CITY. I'M A THEATER ARTIST FROM 380 00:13:22,135 --> 00:13:24,237 NEW YORK CITY. YOU'RE GONNA HELP ME WITH MY 381 00:13:24,237 --> 00:13:26,639 NEXT MUSICAL. 382 00:13:26,639 --> 00:13:33,580 >> * HOW LONG HAVE I BEEN... * 383 00:13:33,580 --> 00:13:35,582 >> YOU CAN TEACH A LOT OF THINGS 384 00:13:35,582 --> 00:13:37,384 IN THIS WORLD, BUT YOU CAN'T 385 00:13:37,384 --> 00:13:39,552 TEACH PASSION. 386 00:13:39,552 --> 00:13:41,554 "OTHELLO" -- IT'S GOT 387 00:13:41,554 --> 00:13:44,124 EVERYTHING -- MURDER, PAIN, 388 00:13:44,124 --> 00:13:46,593 RACISM, JEALOUSY, LOST LOVE. 389 00:13:46,593 --> 00:13:48,395 BUT WHY DO IT NOW? 390 00:13:48,395 --> 00:13:51,031 THAT'S WHAT I'M GONNA FIGURE 391 00:13:51,031 --> 00:13:56,269 OUT. * OTHELLO, WHAT CAN YOU TELL 392 00:13:56,269 --> 00:13:59,306 LOS ANGELES? * 393 00:13:59,306 --> 00:14:09,282 * OTHELLO...TO SAY TO THE PEOPLE 394 00:14:09,282 --> 00:14:12,452 OF L.A. * 395 00:14:12,452 --> 00:14:16,089 * I HAVE NO IDEA WHAT I'M 396 00:14:16,089 --> 00:14:20,460 DOING IN "OTHELLO" * 397 00:14:30,170 --> 00:14:34,975 * OTHELLO, OTHELLO * 398 00:14:34,975 --> 00:14:36,977 [ TIRES SCREECH, HORN HONKS ] 399 00:14:36,977 --> 00:14:40,713 >> JESUS CHRIST, MAN! 400 00:14:40,713 --> 00:14:42,015 [ HORN HONKS ] 401 00:14:42,015 --> 00:14:46,987 >> OH...SHIT. 402 00:14:46,987 --> 00:14:48,155 YOU KNOW, THERE'S NOTHING IN 403 00:14:48,155 --> 00:14:49,556 THIS WORLD... >> FUCK YOU, MAN! 404 00:14:49,556 --> 00:14:50,958 >> ...MORE BEAUTIFUL OR MORE 405 00:14:50,958 --> 00:14:53,460 INNATELY HUMAN, MORE ORGANIC 406 00:14:53,460 --> 00:14:57,530 THAN A MOMENT OF INSPIRATION. 407 00:14:57,530 --> 00:14:58,966 HA! 408 00:14:58,966 --> 00:15:00,733 WHEN I WRITE, IT'S LIKE I'M 409 00:15:00,733 --> 00:15:02,735 GOING INTO A CAVE, LITERALLY 410 00:15:02,735 --> 00:15:04,371 WALKING INTO A CAVE. 411 00:15:04,371 --> 00:15:06,573 BUT I CAN'T HEAR OR SEE ANYTHING 412 00:15:06,573 --> 00:15:08,575 EXCEPT THE ARC OF THE STORY, 413 00:15:08,575 --> 00:15:09,309 RIGHT? 414 00:15:09,309 --> 00:15:12,712 THAT'S IT. 415 00:15:12,712 --> 00:15:13,981 I DON'T EAT. 416 00:15:13,981 --> 00:15:15,182 I DON'T SLEEP. 417 00:15:15,182 --> 00:15:17,217 I DON'T SHIT OR PISS IN THE 418 00:15:17,217 --> 00:15:19,219 TOILET FOR DAYS AT A TIME. 419 00:15:19,219 --> 00:15:20,753 LIKE, IT'S REALLY THAT INTENSE. 420 00:15:20,753 --> 00:15:22,389 IT'S LIKE YOU, UM, BLACK OUT 421 00:15:22,389 --> 00:15:24,124 FROM DRINKING TOO MUCH BOOZE OR 422 00:15:24,124 --> 00:15:25,625 YOU'VE BEEN IN, UM, A TERRIBLE 423 00:15:25,625 --> 00:15:26,726 CAR WRECK, YOU KNOW? 424 00:15:26,726 --> 00:15:28,528 OR EVEN WORSE, LIKE IF -- IF YOU 425 00:15:28,528 --> 00:15:30,197 COULD EXPERIENCE A PLANE CRASH 426 00:15:30,197 --> 00:15:31,164 AND SURVIVE IT. 427 00:15:31,164 --> 00:15:32,399 [ LAUGHING MANIACALLY ] 428 00:15:32,399 --> 00:15:34,167 YOU KNOW, IT'S -- IT'S SOMETHING 429 00:15:34,167 --> 00:15:35,702 TO THAT EFFECT WHERE, WHEN IT'S 430 00:15:35,702 --> 00:15:38,738 DONE, I HAVE TO, YOU KNOW, 431 00:15:38,738 --> 00:15:42,342 REGAIN COMPOSURE AND, UM -- AND 432 00:15:42,342 --> 00:15:43,476 TAKE A LOOK BACK AND TRY AND 433 00:15:43,476 --> 00:15:44,611 FIGURE OUT WHAT THE FUCK JUST 434 00:15:44,611 --> 00:15:46,046 HAPPENED. 435 00:15:46,046 --> 00:15:47,480 AND I KNOW THAT'S NOT GOOD, BUT 436 00:15:47,480 --> 00:15:49,149 I-IT'S THE ONLY WAY THAT I KNOW 437 00:15:49,149 --> 00:15:50,583 HOW TO WRITE OR TO BE CREATIVE. 438 00:15:50,583 --> 00:15:52,252 WHAT'S UP? IT'S EUGENE. 439 00:15:52,252 --> 00:15:53,620 UH, I FOUND IT, MAN. 440 00:15:53,620 --> 00:15:55,022 I FOUND THE IDEA. 441 00:15:55,022 --> 00:15:57,024 THE WHOLE SHOW IS WRITTEN, ALL 442 00:15:57,024 --> 00:15:59,392 OF IT. THE ENTIRE SHOW IS WRITTEN. 443 00:15:59,392 --> 00:16:00,427 IT'S THE ONE. 444 00:16:00,427 --> 00:16:02,062 I MEAN, I CAN FEEL IT. 445 00:16:02,062 --> 00:16:03,363 SO COME OVER TOMORROW. 446 00:16:03,363 --> 00:16:05,032 WE'LL BE WAITING FOR YOU. 447 00:16:05,032 --> 00:16:06,699 AND I'M GONNA MAKE YOU FEEL IT, 448 00:16:06,699 --> 00:16:07,267 TOO. 449 00:16:07,267 --> 00:16:09,102 HUGS AND KISSES TO THE FAMILY. 450 00:16:09,102 --> 00:16:11,704 [ SMOOCHES ] THIS IS A LITTLE SONG I LIKE TO 451 00:16:11,704 --> 00:16:14,307 CALL "LET'S DRIVE THIS FUCKING 452 00:16:14,307 --> 00:16:15,475 BRONCO RIGHT OFF THE ROAD." 453 00:16:15,475 --> 00:16:16,409 [ POP MUSIC PLAYS ] 454 00:16:16,409 --> 00:16:17,344 >> I LOVE THIS ONE. 455 00:16:17,344 --> 00:16:18,645 >> IN OUR PERFECT SITUATION, WE 456 00:16:18,645 --> 00:16:20,147 HAVE A REAL BRONCO ONSTAGE, BUT 457 00:16:20,147 --> 00:16:21,214 RIGHT NOW, JUST USE YOUR 458 00:16:21,214 --> 00:16:23,516 IMAGINATION, PLEASE. 459 00:16:27,420 --> 00:16:28,721 * RUN, O.J., RUN * 460 00:16:28,721 --> 00:16:30,590 * RUN, RUN, RUN, O.J., RUN * 461 00:16:30,590 --> 00:16:32,325 * RUN, RUN, RUN, O.J., RUN * 462 00:16:32,325 --> 00:16:34,261 * RUN, RUN, O.J. * 463 00:16:34,261 --> 00:16:35,662 * RUN, RUN, O.J., RUN * 464 00:16:35,662 --> 00:16:37,497 * RUN, RUN, RUN, O.J., RUN * 465 00:16:37,497 --> 00:16:39,332 * RUN, RUN, RUN, O.J., RUN * 466 00:16:39,332 --> 00:16:41,368 * RUN, RUN, O.J. * 467 00:16:41,368 --> 00:16:42,635 * THESE PEOPLE, THEY THINK 468 00:16:42,635 --> 00:16:44,471 THAT I'M A MURDERING MAN * 469 00:16:44,471 --> 00:16:45,838 * THAT THESE KILLINGS ARE ALL 470 00:16:45,838 --> 00:16:48,141 PART OF MY MASTER PLAN * 471 00:16:48,141 --> 00:16:50,110 * THAT I TOOK MY LOVE'S LIFE AND 472 00:16:50,110 --> 00:16:51,678 HER FRIEND, GOLDMAN * 473 00:16:51,678 --> 00:16:52,845 * NOW THEY'RE TRYING TO LYNCH 474 00:16:52,845 --> 00:16:56,216 ME LIKE THE KU KLUX KLAN * 475 00:16:56,216 --> 00:16:57,517 * BUT I'M NOT GONNA LET THEM * 476 00:16:57,517 --> 00:16:58,851 >> * NO, YOU BETTER NOT * 477 00:16:58,851 --> 00:16:59,819 >> * 'CAUSE I'LL NEVER 478 00:16:59,819 --> 00:17:00,720 SURRENDER * 479 00:17:00,720 --> 00:17:02,455 >> * NO, WE'RE NOT GONNA STOP * 480 00:17:02,455 --> 00:17:03,623 >> * FOR IF THEY WANT THEIR 481 00:17:03,623 --> 00:17:04,357 RATINGS * 482 00:17:04,357 --> 00:17:05,825 >> * YEAH, YOU KNOW THEY DO * 483 00:17:05,825 --> 00:17:07,094 >> * THEN WE'LL GIVE THEM THEIR 484 00:17:07,094 --> 00:17:08,795 TV * >> * THEN WE'LL GIVE THEM THEIR 485 00:17:08,795 --> 00:17:09,329 TV * 486 00:17:09,329 --> 00:17:10,463 >> * HELL, WE'LL DRIVE THIS 487 00:17:10,463 --> 00:17:12,832 FUCKING BRONCO RIGHT OFF THE 488 00:17:12,832 --> 00:17:15,702 ROAD * 489 00:17:15,702 --> 00:17:18,438 LAWRENCE, WAIT. WHAT ARE YOU... 490 00:17:18,438 --> 00:17:19,139 >> I GOT TO GO. 491 00:17:19,139 --> 00:17:20,140 >> WHAT DO YOU MEAN YOU GOT 492 00:17:20,140 --> 00:17:21,341 TO -- DUDE, HEY, WE HAD A DEAL. 493 00:17:21,341 --> 00:17:22,475 >> I CANNOT PLAY O.J. SIMPSON IN 494 00:17:22,475 --> 00:17:23,710 A MUSICAL. >> YOU DON'T HAVE TO. 495 00:17:23,710 --> 00:17:24,477 YOU'RE GONNA PLAY 496 00:17:24,477 --> 00:17:25,212 JOHNNIE COCHRAN. 497 00:17:25,212 --> 00:17:27,447 HE'S A MAN OF GOD. HEY, THIS IS WHAT WE'VE ALWAYS 498 00:17:27,447 --> 00:17:28,148 WANTED. 499 00:17:28,148 --> 00:17:29,482 >> THIS IS A BAD IDEA. 500 00:17:29,482 --> 00:17:31,151 >> GOD DAMN IT, THIS IS A 501 00:17:31,151 --> 00:17:32,119 PERFECT IDEA. 502 00:17:32,119 --> 00:17:34,354 O.J. IS OTHELLO. 503 00:17:34,354 --> 00:17:35,755 MARK FUHRMAN IS IAGO. 504 00:17:35,755 --> 00:17:37,424 NICOLE BROWN SIMPSON AS 505 00:17:37,424 --> 00:17:38,325 DESDEMONA. 506 00:17:38,325 --> 00:17:39,526 KATO IS RODERIGO. 507 00:17:39,526 --> 00:17:40,693 AND THEN RONALD GOLDMAN IS 508 00:17:40,693 --> 00:17:42,195 CASSIO, THE INADVERTENTLY SLAIN 509 00:17:42,195 --> 00:17:43,396 LOVER BY OUR HERO'S JEALOUS 510 00:17:43,396 --> 00:17:44,797 RAGE. WE HAVE TO DO THIS SHOW. 511 00:17:44,797 --> 00:17:46,599 >> NO. 512 00:17:46,599 --> 00:17:48,868 YOU HAVE TO. 513 00:17:48,868 --> 00:17:52,305 GOOD LUCK. 514 00:17:52,305 --> 00:17:53,706 >> LAWRENCE, COME ON. 515 00:17:53,706 --> 00:17:55,575 [ BEEPING, CAR DOOR CLOSES ] 516 00:17:55,575 --> 00:17:58,245 [ ENGINE TURNS OVER ] 517 00:17:58,245 --> 00:17:59,446 [ TIRES SCREECH ] 518 00:17:59,446 --> 00:18:00,913 [ GRUNTS ] 519 00:18:00,913 --> 00:18:02,382 I'M KILLING MYSELF! 520 00:18:02,382 --> 00:18:03,450 [ DOG BARKING ] 521 00:18:03,450 --> 00:18:05,418 SO, YEAH, LAWRENCE HASN'T AGREED 522 00:18:05,418 --> 00:18:07,354 TO DO "ORENTHAL" YET, BUT THAT 523 00:18:07,354 --> 00:18:09,289 JUST MEANS WE'RE GONNA HAVE TO 524 00:18:09,289 --> 00:18:11,258 MOVE FORWARD AND CONVINCE HIM. 525 00:18:11,258 --> 00:18:12,925 AND -- AND IT STARTS WITH THE 526 00:18:12,925 --> 00:18:15,162 MOST IMPORTANT I WOULD SAY PIECE 527 00:18:15,162 --> 00:18:16,196 OF THE PUZZLE. 528 00:18:16,196 --> 00:18:19,366 YOU KNOW, WE'RE GONNA GO FINALLY 529 00:18:19,366 --> 00:18:21,734 MEET WITH REGINA FOR THE FIRST 530 00:18:21,734 --> 00:18:22,935 TIME IN 10 YEARS. 531 00:18:22,935 --> 00:18:24,571 AND I'M GONNA HUG HER. 532 00:18:24,571 --> 00:18:25,705 [ DOGS BARKING ] 533 00:18:25,705 --> 00:18:27,474 >> UH, WELL, I AM REGINA. 534 00:18:27,474 --> 00:18:29,576 I HAVEN'T REALLY BEEN ACTING TOO 535 00:18:29,576 --> 00:18:31,378 MUCH LATELY, BUT I'VE BEEN 536 00:18:31,378 --> 00:18:33,280 WORKING HERE AT THE SHELTER. 537 00:18:33,280 --> 00:18:35,348 WE'RE KIND OF BUSY TODAY. 538 00:18:35,348 --> 00:18:37,684 WELL, UM, EUGENE WAS, UM -- HE 539 00:18:37,684 --> 00:18:40,253 WAS MY HIGH-SCHOOL SWEETHEART. 540 00:18:40,253 --> 00:18:42,489 WE DATED FOR FOUR YEARS, UM, 541 00:18:42,489 --> 00:18:44,123 ALMOST. 542 00:18:44,291 --> 00:18:46,426 OH, GOD, AND, UH, GLORIA PASSED 543 00:18:46,426 --> 00:18:48,595 AWAY, AND HE GOT REALLY DISTANT, 544 00:18:48,595 --> 00:18:50,663 AND -- AND I MOVED OUT HERE TO 545 00:18:50,663 --> 00:18:51,298 L.A. 546 00:18:51,298 --> 00:18:53,466 JUST -- OUR RELATIONSHIP KIND OF 547 00:18:53,466 --> 00:18:55,535 FELL APART. 548 00:18:55,702 --> 00:18:57,770 GOD, I HAVEN'T HEARD FROM HIM IN 549 00:18:57,770 --> 00:19:01,308 10 YEARS, AND THEN...5 DAYS AGO, 550 00:19:01,308 --> 00:19:02,609 I GET THIS TEXT FROM AN UNKNOWN 551 00:19:02,609 --> 00:19:04,744 NUMBER, AND IT JUST SAYS... 552 00:19:04,744 --> 00:19:07,980 "JUST MOVED TO L.A. 553 00:19:07,980 --> 00:19:10,217 JEAN VALJEAN." 554 00:19:14,654 --> 00:19:15,555 >> WHOA. 555 00:19:15,555 --> 00:19:16,723 >> [ LAUGHS ] 556 00:19:16,723 --> 00:19:17,357 HI! 557 00:19:17,357 --> 00:19:18,658 >> YOU MADE IT. 558 00:19:18,658 --> 00:19:21,228 >> [ LAUGHS ] 559 00:19:21,228 --> 00:19:23,396 OH, MY GOD. >> YOU LOOK SO PRETTY. 560 00:19:23,396 --> 00:19:24,631 >> OH, WELL, THANKS. 561 00:19:24,631 --> 00:19:25,465 YOU LOOK -- 562 00:19:25,465 --> 00:19:26,499 >> HUG ME MORE. 563 00:19:26,499 --> 00:19:27,367 >> OH, GOD. 564 00:19:27,367 --> 00:19:29,269 >> I MEAN, THINGS ENDED WEIRDLY, 565 00:19:29,269 --> 00:19:30,870 BUT THAT WAS A LONG TIME AGO, 566 00:19:30,870 --> 00:19:33,440 AND WE WERE LIKE 17 THEN. 567 00:19:33,440 --> 00:19:36,943 WE'RE 30 NOW. 568 00:19:40,647 --> 00:19:42,014 RIGHT, BUT YOU'RE NOT ACTUALLY 569 00:19:42,014 --> 00:19:43,616 GONNA KILL YOURSELF IF THE SHOW 570 00:19:43,616 --> 00:19:44,384 FAILS, RIGHT? 571 00:19:44,384 --> 00:19:45,618 >> I SURE AM GOING TO KILL 572 00:19:45,618 --> 00:19:46,386 MYSELF, YES. 573 00:19:46,386 --> 00:19:47,019 >> NO. REALLY? 574 00:19:47,019 --> 00:19:52,559 >> YES, YES. 575 00:19:52,559 --> 00:19:53,960 >> SO IT BETTER BE -- IT BETTER 576 00:19:53,960 --> 00:19:54,594 BE GOOD. 577 00:19:54,594 --> 00:19:55,928 >> IT'S BETTER THAN "BETTER BE 578 00:19:55,928 --> 00:19:56,496 GOOD." 579 00:19:56,496 --> 00:19:57,029 IT'S GREAT. 580 00:19:57,029 --> 00:19:58,265 IT'S REALLY AMAZING. 581 00:19:58,265 --> 00:20:00,933 >> IS IT DONE? >> YEAH, IT'S DONE. 582 00:20:00,933 --> 00:20:02,702 AND I WANT YOU TO PLAY NICOLE IN 583 00:20:02,702 --> 00:20:08,408 IT. 584 00:20:08,408 --> 00:20:09,376 >> WAIT. REALLY? 585 00:20:09,376 --> 00:20:11,378 >> YEAH. WHAT DO YOU MEAN "REALLY"? 586 00:20:11,378 --> 00:20:12,879 YES, OF COURSE. 587 00:20:12,879 --> 00:20:13,646 >> EUGENE -- 588 00:20:13,646 --> 00:20:14,981 >> WHY WOULD I C-- WHY WOULD I 589 00:20:14,981 --> 00:20:16,583 CALL YOU AND TELL YOU ABOUT THIS 590 00:20:16,583 --> 00:20:17,049 IF I-I -- 591 00:20:17,049 --> 00:20:18,651 >> I MEAN, I'M SO FLATTERED, BUT 592 00:20:18,651 --> 00:20:19,586 IT'S BEEN SO LONG. 593 00:20:19,586 --> 00:20:20,953 I'M -- I HAVEN'T ACTED IN -- IN 594 00:20:20,953 --> 00:20:21,521 YEARS. 595 00:20:21,521 --> 00:20:22,855 THERE'S LIKE HUNDREDS OF GIRLS 596 00:20:22,855 --> 00:20:24,023 IN THIS TOWN WHO ARE MORE 597 00:20:24,023 --> 00:20:25,525 PREPARED FOR THIS THAN I AM. 598 00:20:25,525 --> 00:20:27,327 I -- >> YES, BUT I DON'T WANT -- I 599 00:20:27,327 --> 00:20:28,428 DON'T WANT THOSE GIRLS. 600 00:20:28,428 --> 00:20:29,962 I WANT YOU. I WANT YOU TO DO IT. 601 00:20:29,962 --> 00:20:31,498 ME, YOU, AND LAWRENCE -- WE'RE 602 00:20:31,498 --> 00:20:34,734 GETTING THE BAND BACK TOGETHER. 603 00:20:34,734 --> 00:20:38,571 >> YEAH, THAT WAS 10 YEARS AGO. 604 00:20:38,571 --> 00:20:39,939 >> THAT WAS YESTERDAY FOR ME. 605 00:20:39,939 --> 00:20:41,608 [ CHUCKLES ] 606 00:20:41,608 --> 00:20:42,842 YOU KNOW, YOU'RE TALENTED. 607 00:20:42,842 --> 00:20:43,710 YOU'RE AMAZING. 608 00:20:43,710 --> 00:20:45,345 YOU'RE GONNA BE AMAZING IN THIS. 609 00:20:45,345 --> 00:20:48,481 THIS IS A ROLE FOR YOU. 610 00:20:48,481 --> 00:20:50,617 >> OKAY, YOU REALLY SHOULDN'T BE 611 00:20:50,617 --> 00:20:51,083 HERE. 612 00:20:51,083 --> 00:20:52,985 >> WHY? >> 'CAUSE YOU'RE DRESSED LIKE A 613 00:20:52,985 --> 00:20:53,786 HOMELESS SUPERHERO. 614 00:20:53,786 --> 00:20:54,887 >> HEY, JUST TELL THEM I'M AN 615 00:20:54,887 --> 00:20:55,388 ARTIST. 616 00:20:55,388 --> 00:20:56,456 REALLY, YOU CAN GET AWAY WITH 617 00:20:56,456 --> 00:20:57,624 ANYTHING IF YOU TELL PEOPLE THAT 618 00:20:57,624 --> 00:20:58,391 YOU'RE AN ARTIST. 619 00:20:58,391 --> 00:20:59,058 WATCH. I'LL SHOW YOU. 620 00:20:59,058 --> 00:21:00,693 CHECK IT OUT. 621 00:21:00,693 --> 00:21:01,728 >> DON'T. 622 00:21:01,728 --> 00:21:02,829 >> DON'T EVEN KNOW WHAT I WAS 623 00:21:02,829 --> 00:21:03,430 GONNA DO. 624 00:21:03,430 --> 00:21:04,564 >> WELL, WHATEVER YOU'RE GONNA 625 00:21:04,564 --> 00:21:06,333 DO, DON'T. >> I WAS GONNA STICK MY DICK IN 626 00:21:06,333 --> 00:21:08,868 THIS THING. >> OKAY, WELL, THANK YOU. 627 00:21:08,868 --> 00:21:09,902 >> HAVE YOU DONE IT? 628 00:21:09,902 --> 00:21:11,404 >> YOU KNOW, WE SHOULD REALLY 629 00:21:11,404 --> 00:21:12,739 HAVE THIS CONVERSATION LATER, 630 00:21:12,739 --> 00:21:13,940 PREFERABLY OVER THE PHONE. 631 00:21:13,940 --> 00:21:15,442 >> I UNDERSTAND WHY YOU SAID 632 00:21:15,442 --> 00:21:16,042 WHAT YOU SAID. 633 00:21:16,042 --> 00:21:18,411 >> MM-HMM. >> YOU'VE GOT A WONDERFUL LIFE. 634 00:21:18,411 --> 00:21:19,712 BUT I'M IN NO WAY TRYING TO 635 00:21:19,712 --> 00:21:20,580 SCREW THAT UP. 636 00:21:20,580 --> 00:21:21,948 I'M TRYING TO MAKE IT BETTER. 637 00:21:21,948 --> 00:21:23,516 >> I -- LOOK, IT'S REALLY NOT 638 00:21:23,516 --> 00:21:24,784 THAT SIMPLE. >> THAT'S NOT WHAT REGINA 639 00:21:24,784 --> 00:21:25,051 THINKS. 640 00:21:25,051 --> 00:21:26,085 >> WELL, REGINA HASN'T ACTED IN 641 00:21:26,085 --> 00:21:27,587 TWO YEARS. I TOLD YOU THAT WHEN YOU WERE 642 00:21:27,587 --> 00:21:28,120 BACK IN NEW YORK. 643 00:21:28,120 --> 00:21:29,121 >> REALLY? >> YEAH, REALLY. 644 00:21:29,121 --> 00:21:30,122 I DON'T EVEN KNOW IF SHE STILL 645 00:21:30,122 --> 00:21:32,525 LIVES HERE. >> WELL, I MEAN, IF REGINA QUIT 646 00:21:32,525 --> 00:21:34,361 ACTING AND MOVED AWAY, THEN WHY 647 00:21:34,361 --> 00:21:35,995 IS SHE SITTING OUTSIDE IN A CAR 648 00:21:35,995 --> 00:21:37,830 I STRATEGICALLY PLACED IN FRONT 649 00:21:37,830 --> 00:21:43,503 OF YOUR WINDOW? 650 00:21:43,503 --> 00:21:45,772 HA! 651 00:21:45,772 --> 00:21:47,574 >> [ SCREAMS ] 652 00:21:47,574 --> 00:21:50,142 [ LAUGHS ] 653 00:21:50,142 --> 00:21:52,745 >> DONE A LOT OF THEATER IN MY 654 00:21:52,745 --> 00:21:55,582 LIFE, LAWRENCE, BUT I-I NEED 655 00:21:55,582 --> 00:21:57,884 YOUR HELP. 656 00:22:02,889 --> 00:22:03,890 >> GIVE ME TWO MINUTES. 657 00:22:03,890 --> 00:22:05,458 >> YEAH! 658 00:22:05,458 --> 00:22:06,726 GREAT. WE'RE GONNA NEED $5,000 659 00:22:06,726 --> 00:22:07,560 TO GET STARTED. 660 00:22:07,560 --> 00:22:12,632 BRING YOUR CHECKBOOK. 661 00:22:12,632 --> 00:22:14,901 >> [ LAUGHS ] 662 00:22:14,901 --> 00:22:16,869 >> HELLO! 663 00:22:16,869 --> 00:22:17,837 >> EUGENE HAS ALWAYS HAD A 664 00:22:17,837 --> 00:22:18,938 UNIQUE TALENT FOR MAKING PEOPLE 665 00:22:18,938 --> 00:22:20,006 DO THINGS THEY WEREN'T CERTAIN 666 00:22:20,006 --> 00:22:21,408 THEY WANTED TO DO. >> [ LAUGHS ] 667 00:22:21,408 --> 00:22:22,509 >> YOU KNOW, HE JUST NEVER TOOK 668 00:22:22,509 --> 00:22:25,845 NO FOR AN ANSWER...EVER. 669 00:22:25,845 --> 00:22:27,013 YOU KNOW, THAT'S PROBABLY WHY 670 00:22:27,013 --> 00:22:28,515 HE'S THE ONE FROM OUR GROUP THAT 671 00:22:28,515 --> 00:22:30,049 MADE IT. EVERY TOWN HAS THEIR BREAKOUT 672 00:22:30,049 --> 00:22:33,886 STAR. YOU KNOW, HE'S OURS. 673 00:22:33,886 --> 00:22:36,088 >> OKAY, DID YOU GET MY E-MAIL? 674 00:22:36,088 --> 00:22:37,957 YEAH. 675 00:22:37,957 --> 00:22:39,426 TODAY? 676 00:22:39,426 --> 00:22:40,627 UH, THIS AFTERNOON. 677 00:22:40,627 --> 00:22:42,161 IT WAS AN OLD FRIEND OF MINE -- 678 00:22:42,161 --> 00:22:43,830 QUI -- FROM THIS YOUTH THEATER 679 00:22:43,830 --> 00:22:45,565 COMPANY I USED TO VOLUNTEER AT. 680 00:22:45,565 --> 00:22:46,966 HOPING HE'LL LET US USE HIS 681 00:22:46,966 --> 00:22:48,100 SPACE FOR "ORENTHAL." 682 00:22:48,100 --> 00:22:50,136 [ SIGHS ] SORT OF THE FIRST STEP TO 683 00:22:50,136 --> 00:22:53,105 PRODUCING, SO PRETTY EXCITED. 684 00:22:53,105 --> 00:22:54,574 >> WHY ARE WE IN A FUNERAL HOME? 685 00:22:54,574 --> 00:22:55,742 >> 'CAUSE THAT'S WHERE QUI'S 686 00:22:55,742 --> 00:22:56,175 OFFICE IS. 687 00:22:56,175 --> 00:22:57,510 >> WHY IS QUI'S OFFICE IN A 688 00:22:57,510 --> 00:22:58,044 FUNERAL HOME? 689 00:22:58,044 --> 00:22:59,846 >> I-- I DON'T -- DO YOU HAVE AN 690 00:22:59,846 --> 00:23:02,148 OFFICE? 691 00:23:02,148 --> 00:23:03,883 >> NO. >> WELL, THEN, HOW DO YOU KNOW 692 00:23:03,883 --> 00:23:06,986 WHERE OFFICES ARE? 693 00:23:06,986 --> 00:23:08,455 >> LAWRENCE, WHAT KIND OF 694 00:23:08,455 --> 00:23:09,722 THEATER COMPANY IS THIS? 695 00:23:09,722 --> 00:23:11,190 >> IT'S MOSTLY BIBLICAL SHOWS, 696 00:23:11,190 --> 00:23:12,659 YOU KNOW, MORALITY PLAYS. 697 00:23:12,659 --> 00:23:13,059 >> OH. 698 00:23:13,059 --> 00:23:14,093 >> YEAH. DON'T WORRY ABOUT IT. 699 00:23:14,093 --> 00:23:15,795 IT'S GONNA BE FINE. >> YOU'VE READ THE SCRIPT, 700 00:23:15,795 --> 00:23:16,128 RIGHT? 701 00:23:16,128 --> 00:23:17,730 >> WHAT? YEAH. IT'S NOT GONNA BE A PROBLEM. 702 00:23:17,730 --> 00:23:18,665 QUI'S REALLY DOWN TO EARTH, 703 00:23:18,665 --> 00:23:19,198 YOU KNOW? 704 00:23:19,198 --> 00:23:20,132 PLUS, THEY NEED ANOTHER SHOW 705 00:23:20,132 --> 00:23:21,133 THIS QUARTER FOR TAX PURPOSES. 706 00:23:21,133 --> 00:23:22,835 IT'S GONNA BE FINE. I'M GONNA BE DOING MOST OF THE 707 00:23:22,835 --> 00:23:23,803 TALKING, SO YOU DON'T HAVE TO 708 00:23:23,803 --> 00:23:24,637 WORRY ABOUT IT. 709 00:23:24,637 --> 00:23:25,071 >> LARRY. 710 00:23:25,071 --> 00:23:26,072 >> [ Laughing ] HEY! 711 00:23:26,072 --> 00:23:27,807 >> [ LAUGHS ] SO GOOD TO SEE YOU. 712 00:23:27,807 --> 00:23:28,508 >> YOU TOO. 713 00:23:28,508 --> 00:23:29,709 >> UH, YOU MUST BE EUGENE. 714 00:23:29,709 --> 00:23:30,977 LARRY'S TOLD US SO MUCH ABOUT 715 00:23:30,977 --> 00:23:31,478 YOU. 716 00:23:31,478 --> 00:23:32,011 >> PLEASURE. 717 00:23:32,011 --> 00:23:33,780 >> UH, THIS IS DAN. THIS IS ELAINE. 718 00:23:33,780 --> 00:23:34,781 >> NICE TO MEET YOU. 719 00:23:34,781 --> 00:23:35,948 >> YOU'LL BE PITCHING THE 720 00:23:35,948 --> 00:23:37,083 PROJECT TO THEM, AS WELL. 721 00:23:37,083 --> 00:23:38,551 >> NICE -- NICE TO MEET YOU. 722 00:23:38,551 --> 00:23:39,051 >> WELCOME. 723 00:23:39,051 --> 00:23:40,753 >> LARRY? >> YES, YES. PLEASURE. 724 00:23:40,753 --> 00:23:41,754 >> NICE TO MEET YOU. 725 00:23:41,754 --> 00:23:42,922 >> SO, BEFORE WE BEGIN OUR 726 00:23:42,922 --> 00:23:45,925 MEETING, LET US SAY A PRAYER. 727 00:23:45,925 --> 00:23:49,095 >> [ CLEARS THROAT ] 728 00:23:49,095 --> 00:23:51,097 >> DEAR LORD, THANK YOU FOR 729 00:23:51,097 --> 00:23:53,232 BRINGING BROTHER LAWRENCE AND 730 00:23:53,232 --> 00:23:55,568 BROTHER EUGENE INTO OUR LIVES. 731 00:23:55,568 --> 00:23:57,804 MAY THEIR PRODUCTION BE BLESSED 732 00:23:57,804 --> 00:23:58,705 AND HOLY. 733 00:23:58,705 --> 00:23:59,205 AMEN. 734 00:23:59,205 --> 00:24:00,907 >> AMEN. 735 00:24:00,907 --> 00:24:02,241 >> SO, HOW ABOUT YOU TELL US 736 00:24:02,241 --> 00:24:03,175 ABOUT YOUR PLAY? 737 00:24:03,175 --> 00:24:04,744 >> WHAT WE'RE GONNA DO IS -- 738 00:24:04,744 --> 00:24:05,812 >> IS "OTHELLO," BUT 739 00:24:05,812 --> 00:24:07,780 NON-"OTHELLO... 740 00:24:07,780 --> 00:24:09,015 THE MUSICAL." 741 00:24:09,015 --> 00:24:10,282 >> THAT SOUNDS SUPER. 742 00:24:10,282 --> 00:24:11,784 >> [ LAUGHS ] TOTALLY. 743 00:24:11,784 --> 00:24:13,620 THAT SOUNDS, UH, LIKE A REALLY 744 00:24:13,620 --> 00:24:14,587 ORIGINAL IDEA. 745 00:24:14,587 --> 00:24:16,222 I'M JUST WONDERING, UM, DO YOU 746 00:24:16,222 --> 00:24:18,024 PLAN ON REMOVING ALL THE ADULT 747 00:24:18,024 --> 00:24:19,826 THEMES AND MURDER FROM THE -- 748 00:24:19,826 --> 00:24:22,228 >> [ LAUGHING ] 749 00:24:22,228 --> 00:24:23,730 >> WHY WOULD YOU COME TO, UH -- 750 00:24:23,730 --> 00:24:25,031 >> I DON'T PLAN ON TAKING ANY OF 751 00:24:25,031 --> 00:24:26,966 THAT OUT. >> EXCEPT FOR THE PARTS THAT WE 752 00:24:26,966 --> 00:24:27,667 DO TAKE OUT. 753 00:24:27,667 --> 00:24:28,300 >> GREAT. SUPER. 754 00:24:28,300 --> 00:24:30,537 >> YEAH. THAT'S REALLY GOOD. 755 00:24:30,537 --> 00:24:31,738 >> LET'S DO IT. 756 00:24:31,738 --> 00:24:32,572 >> OKAY. 757 00:24:32,572 --> 00:24:34,707 >> WE ARE THE HORIZON THEATRE, 758 00:24:34,707 --> 00:24:36,108 AND WE'RE PRODUCING 759 00:24:36,108 --> 00:24:38,645 "OTHELLO: THE MUSICAL." 760 00:24:38,645 --> 00:24:39,912 >> GOSH, I CAN'T BELIEVE THAT. 761 00:24:39,912 --> 00:24:41,280 YOU BRING OUT THE ABSOLUTE WORST 762 00:24:41,280 --> 00:24:42,649 IN ME. >> ARE YOU SERIOUS? 763 00:24:42,649 --> 00:24:43,650 WHEN DID I TELL YOU TO LIE? 764 00:24:43,650 --> 00:24:44,817 >> WELL, WHAT CHOICE DID I HAVE? 765 00:24:44,817 --> 00:24:45,685 OKAY, WHAT DO I SAY? 766 00:24:45,685 --> 00:24:46,786 "WE'RE DOING O.J. SIMPSON AS A 767 00:24:46,786 --> 00:24:47,153 MUSICAL"? 768 00:24:47,153 --> 00:24:48,054 >> I THINK THAT'S FINE. 769 00:24:48,054 --> 00:24:49,155 YEAH. WHY NOT? >> WELL -- 770 00:24:49,155 --> 00:24:50,289 >> LET'S JUST PUT IT RIGHT OUT. 771 00:24:50,289 --> 00:24:51,624 >> NO, WE'RE NOT PUTTING THAT -- 772 00:24:51,624 --> 00:24:52,725 >> LET THEM KNOW WHAT THEY'RE 773 00:24:52,725 --> 00:24:53,192 GETTING INTO. 774 00:24:53,192 --> 00:24:54,326 >> YOU HAVE TO LEARN HOW TO TALK 775 00:24:54,326 --> 00:24:57,564 TO PEOPLE. YOU HAVE ABSOLUTELY NO IDEA... 776 00:24:57,564 --> 00:24:58,598 >> [ GASPS ] 777 00:24:58,598 --> 00:24:59,231 WHAT ARE YOU DOING? 778 00:24:59,231 --> 00:25:00,600 >> WHAT TYPE OF ASIAN ARE YOU? 779 00:25:00,600 --> 00:25:01,067 >> EXCUSE ME? 780 00:25:01,067 --> 00:25:02,168 >> DO YOU SING? DO YOU SING? 781 00:25:02,168 --> 00:25:03,069 YES, NO, DO YOU SING? 782 00:25:03,069 --> 00:25:06,138 >> UH, Y-YES. >> I HAVE A PROPOSITION FOR YOU. 783 00:25:06,138 --> 00:25:08,240 MEET ME OUTSIDE IN 10 MINUTES. 784 00:25:08,240 --> 00:25:09,576 I'LL BE IN THE GRAVEYARD, 785 00:25:09,576 --> 00:25:12,311 WAITING. 786 00:25:12,311 --> 00:25:13,813 LET'S ROLL. 787 00:25:13,813 --> 00:25:14,847 [ CLICKS TONGUE ] 788 00:25:14,847 --> 00:25:15,815 >> [ STAMMERS ] 789 00:25:15,815 --> 00:25:17,316 >> WHEN I MEET A-A POTENTIAL 790 00:25:17,316 --> 00:25:18,985 ACTOR FOR THE FIRST TIME, I 791 00:25:18,985 --> 00:25:20,720 ALWAYS LIKE TO HAVE A STARING 792 00:25:20,720 --> 00:25:21,821 CONTEST WITH THEM. 793 00:25:21,821 --> 00:25:23,690 IT'S A WAY TO TEST THEIR RESOLVE 794 00:25:23,690 --> 00:25:25,091 OR, YOU KNOW, THEIR FOCUS. 795 00:25:25,091 --> 00:25:26,926 IT'S ALSO A REALLY GOOD WAY FOR 796 00:25:26,926 --> 00:25:28,294 ME TO GET THE UPPER HAND, 797 00:25:28,294 --> 00:25:30,062 BECAUSE I NEVER LOSE. 798 00:25:30,062 --> 00:25:32,098 WHY WERE YOU CRYING? >> I DIDN'T GET A PART IN A SHOW 799 00:25:32,098 --> 00:25:33,800 I WANTED. IS THERE REALLY A SHOW, OR ARE 800 00:25:33,800 --> 00:25:34,934 YOU TRYING TO TAKE ADVANTAGE OF 801 00:25:34,934 --> 00:25:35,267 ME? 802 00:25:35,267 --> 00:25:36,235 >> NO, THERE'S A SHOW. 803 00:25:36,235 --> 00:25:37,003 IT'S PHENOMENAL. 804 00:25:37,003 --> 00:25:38,170 I'M IN LOVE WITH SOMEONE ELSE. 805 00:25:38,170 --> 00:25:39,305 DO YOU WANT TO SECRETLY PLAY 806 00:25:39,305 --> 00:25:40,640 JUDGE ITO IN MY O.J. SIMPSON 807 00:25:40,640 --> 00:25:41,774 MUSICAL WITHOUT TELLING THOSE 808 00:25:41,774 --> 00:25:43,009 RELIGIOUS FREAKS THE CONTENTS OF 809 00:25:43,009 --> 00:25:44,310 MY SHOW? >> SURE. 810 00:25:44,310 --> 00:25:46,813 >> YOU'RE IN. 811 00:25:52,752 --> 00:25:53,986 >> EUGENE AND I HAVE OUR FIRST 812 00:25:53,986 --> 00:25:56,222 PRODUCTION MEETING TOMORROW. 813 00:25:56,222 --> 00:25:57,657 >> WHAT'S OUR DEAL, HONEY? 814 00:25:57,657 --> 00:25:58,991 >> NO TALKING DURING MAGAZINE 815 00:25:58,991 --> 00:26:01,393 TIME. 816 00:26:01,393 --> 00:26:02,929 KIM STILL HASN'T ASKED ABOUT 817 00:26:02,929 --> 00:26:04,096 THE CONTENT OF THE SHOW, SO 818 00:26:04,096 --> 00:26:05,364 TECHNICALLY, I'M NOT LYING TO 819 00:26:05,364 --> 00:26:06,332 HER. 820 00:26:06,332 --> 00:26:08,300 POINTS FOR LAWRENCE. 821 00:26:24,183 --> 00:26:27,086 [ INDISTINCT CONVERSATIONS ] 822 00:26:27,086 --> 00:26:30,122 [ LAUGHS ] 823 00:26:30,122 --> 00:26:32,124 >> [ SHOUTS ] 824 00:26:32,124 --> 00:26:33,359 WHAT'S UP, GUYS? 825 00:26:33,359 --> 00:26:35,828 >> [ GASPS ] 826 00:26:35,828 --> 00:26:37,063 >> WHY AM I NAKED? 827 00:26:37,063 --> 00:26:38,364 >> [ CLEARS THROAT ] 828 00:26:38,364 --> 00:26:40,667 >> WHY DO YOU THINK? 829 00:26:40,667 --> 00:26:41,801 LAWRENCE? 830 00:26:41,801 --> 00:26:42,301 >> NO. 831 00:26:42,301 --> 00:26:44,270 >> I STAND BEFORE YOU GUYS AS A 832 00:26:44,270 --> 00:26:45,772 SIGN OF TRUST, OKAY? 833 00:26:45,772 --> 00:26:47,774 IT IS A SIGN THAT I TRUST EVERY 834 00:26:47,774 --> 00:26:49,809 SINGLE PERSON IN THIS ROOM RIGHT 835 00:26:49,809 --> 00:26:50,176 NOW. 836 00:26:50,176 --> 00:26:52,044 AND THAT'S THE ONLY WAY THAT 837 00:26:52,044 --> 00:26:54,313 THIS SHOW IS GONNA WORK. 838 00:26:54,313 --> 00:26:56,048 OTHERWISE, WE'RE NOT GONNA GET 839 00:26:56,048 --> 00:26:58,250 ANYWHERE. SO IT'S GONNA BE NO HOOPS IN 840 00:26:58,250 --> 00:26:59,952 THIS ROOM, NO -- NO BELLS, NO 841 00:26:59,952 --> 00:27:00,953 WHISTLES, RIGHT? 842 00:27:00,953 --> 00:27:04,290 IT'S JUST US AND OUR OWN BARE 843 00:27:04,290 --> 00:27:05,692 ASSES, OKAY? 844 00:27:05,692 --> 00:27:07,794 SO, FIRST THINGS FIRST. 845 00:27:07,794 --> 00:27:10,329 UH, WE NEED ONE MORE LEAD TO BE 846 00:27:10,329 --> 00:27:11,130 CAST. 847 00:27:11,130 --> 00:27:13,165 SO I HAVE TAKEN THAT... 848 00:27:13,165 --> 00:27:14,433 AMY, I KNEW I LIKED YOU FOR A 849 00:27:14,433 --> 00:27:15,968 REASON. 850 00:27:15,968 --> 00:27:17,770 >> YEAH, I HAVE BEEN CALLED AN 851 00:27:17,770 --> 00:27:19,005 EXHIBITIONIST BEFORE. 852 00:27:19,005 --> 00:27:20,707 UM, JUST REALLY LOVE GETTING 853 00:27:20,707 --> 00:27:22,875 NAKED, ESPECIALLY IN FRONT OF 854 00:27:22,875 --> 00:27:24,143 STRANGERS. 855 00:27:24,310 --> 00:27:26,145 PLUS, I, UM -- I REALLY THOUGHT 856 00:27:26,145 --> 00:27:27,814 IT WAS IMPORTANT THAT I SHOW 857 00:27:27,814 --> 00:27:28,981 SUPPORT FOR EUGENE. 858 00:27:28,981 --> 00:27:30,850 UM, THE RELATIONSHIP BETWEEN THE 859 00:27:30,850 --> 00:27:32,418 DIRECTOR AND THE STAGE MANAGER 860 00:27:32,418 --> 00:27:34,153 IS KEY, AND SO GOT TO SHOW MY 861 00:27:34,153 --> 00:27:35,421 SUPPORT. 862 00:27:35,788 --> 00:27:37,356 UM -- OH, I'M SORRY. 863 00:27:37,356 --> 00:27:39,992 I AM, UH -- I'M AMY, BY THE WAY. 864 00:27:39,992 --> 00:27:41,260 STAGE MANAGER. 865 00:27:41,260 --> 00:27:46,132 AND I ALSO MAKE THE COFFEE. 866 00:27:46,132 --> 00:27:47,333 >> UM, WELL, IF ANYTHING, YOU 867 00:27:47,333 --> 00:27:48,500 HAVE ISSUES, SO WE SHOULD BE 868 00:27:48,500 --> 00:27:49,969 ABLE TO REIMBURSE YOU FOR THAT, 869 00:27:49,969 --> 00:27:51,237 AT LEAST WITHIN THE NEXT DAY OR 870 00:27:51,237 --> 00:27:53,740 SO. >> [ GROANS ] 871 00:27:53,740 --> 00:27:55,341 >> IT'S JUST ALL...PART OF THE 872 00:27:55,341 --> 00:27:56,943 PROCESS, RIGHT? 873 00:27:56,943 --> 00:27:58,244 >> [ LAUGHS ] 874 00:27:58,244 --> 00:28:00,279 I DON'T KNOW WHAT THAT IS. 875 00:28:00,279 --> 00:28:01,513 >> MOM, DAD, REGINA, ARE YOU 876 00:28:01,513 --> 00:28:02,982 GUYS READY TO HAVE YOUR MINDS 877 00:28:02,982 --> 00:28:03,315 BLOWN? 878 00:28:03,315 --> 00:28:06,485 >> YES, WE ARE! WHOO! 879 00:28:06,485 --> 00:28:07,253 [ LAUGHS ] 880 00:28:07,253 --> 00:28:08,354 >> OH! 881 00:28:08,354 --> 00:28:09,521 >> [ LAUGHS ] 882 00:28:09,521 --> 00:28:11,858 >> YOU GUYS! 883 00:28:11,858 --> 00:28:14,326 >> * I'M A LITTLE TEAPOT, SHORT 884 00:28:14,326 --> 00:28:16,062 AND STOUT * 885 00:28:16,062 --> 00:28:18,064 * HERE IS MY HANDLE * 886 00:28:18,064 --> 00:28:20,032 * HERE IS MY SPOUT * 887 00:28:20,032 --> 00:28:22,068 * WHEN I GET ALL STEAMED UP * 888 00:28:22,068 --> 00:28:23,135 >> * HEAR ME SHOUT * 889 00:28:23,135 --> 00:28:24,070 >> * SHOUT * 890 00:28:24,070 --> 00:28:26,873 >> * TIP ME OVER AND POUR ME 891 00:28:26,873 --> 00:28:27,206 OUT * 892 00:28:27,206 --> 00:28:28,775 >> [ LAUGHS ] 893 00:28:28,775 --> 00:28:29,842 >> WHOO! 894 00:28:29,842 --> 00:28:31,277 >> NICE, NICE! 895 00:28:31,277 --> 00:28:32,311 >> YEAH! 896 00:28:32,311 --> 00:28:36,783 >> GREAT JOB! 897 00:28:36,783 --> 00:28:38,317 OH, YOU'RE SO CUTE! 898 00:28:38,317 --> 00:28:40,419 YOU GUYS ARE SO ADORABLE. 899 00:28:40,419 --> 00:28:43,289 [ LAUGHS ] 900 00:28:43,289 --> 00:28:45,792 >> MWAH! 901 00:28:55,401 --> 00:28:59,571 >> HAS ANYONE SEEN MY SCRIPT? 902 00:28:59,571 --> 00:29:03,810 >> * LA, LA, LA, LA, LA, LA * 903 00:29:03,810 --> 00:29:08,080 * LA, LA, LA, LA, LA, LA, LA * 904 00:29:12,318 --> 00:29:15,387 >> THANK YOU. 905 00:29:15,387 --> 00:29:16,555 >> ORLANDO. 906 00:29:16,555 --> 00:29:18,024 THAT'S A VERY NICE NAME. 907 00:29:18,024 --> 00:29:19,992 >> MY MOTHER THOUGHT SO. 908 00:29:19,992 --> 00:29:23,229 >> [ LAUGHS ] 909 00:29:23,229 --> 00:29:24,897 >> MY NAME IS ORLANDO THOMAS, 910 00:29:24,897 --> 00:29:26,332 AND FOR MY CLASSIC PIECE, I'M 911 00:29:26,332 --> 00:29:28,034 GOING TO PERFORM THE CHARACTER 912 00:29:28,034 --> 00:29:29,501 OF OTHELLO BY 913 00:29:29,501 --> 00:29:30,970 WILLIAM SHAKESPEARE. 914 00:29:30,970 --> 00:29:33,272 >> FITTING. 915 00:29:40,512 --> 00:29:42,581 >> SOFT YOU, A WORD OR TWO 916 00:29:42,581 --> 00:29:45,151 BEFORE YOU GO. 917 00:29:45,151 --> 00:29:46,352 I HAVE DONE THE STATE SOME 918 00:29:46,352 --> 00:29:47,553 SERVICE, AND THEY KNOW IT. 919 00:29:47,553 --> 00:29:50,189 NO MORE OF THAT. 920 00:29:50,189 --> 00:29:52,458 I PRAY YOU, IN YOUR LETTERS, 921 00:29:52,458 --> 00:29:54,927 WHEN YOU SHALL THESE UNLUCKY 922 00:29:54,927 --> 00:29:57,329 DEEDS RELATE, SPEAK OF ME AS I 923 00:29:57,329 --> 00:29:58,064 AM. 924 00:29:58,064 --> 00:30:01,000 NOTHING EXTENUATE, NOR SET DOWN 925 00:30:01,000 --> 00:30:02,568 AUGHT IN MALICE. 926 00:30:02,568 --> 00:30:05,571 THEN, MUST YOU SPEAK OF ONE THAT 927 00:30:05,571 --> 00:30:09,575 LOVED, NOT WISELY, BUT TOO WELL, 928 00:30:09,575 --> 00:30:11,577 OF ONE NOT EASILY JEALOUS, BUT, 929 00:30:11,577 --> 00:30:13,545 BEING WROUGHT, PERPLEXED IN THE 930 00:30:13,545 --> 00:30:14,313 EXTREME. 931 00:30:14,313 --> 00:30:16,348 AND SAY, BESIDES THAT, IN ALEPPO 932 00:30:16,348 --> 00:30:18,150 ONCE, WHERE A MALIGNANT AND 933 00:30:18,150 --> 00:30:20,052 TURBANED TURK BEAT A VENETIAN 934 00:30:20,052 --> 00:30:22,021 AND TRADUCED THE STATE, I TOOK 935 00:30:22,021 --> 00:30:23,923 BY THE THROAT THE CIRCUMCISED 936 00:30:23,923 --> 00:30:25,124 DOG AND SMOTE HIM! 937 00:30:25,124 --> 00:30:29,128 THUS [GASPS] 938 00:30:29,128 --> 00:30:32,932 >> OH! >> [ COUGHS ] 939 00:30:32,932 --> 00:30:36,235 I KISSED THEE ERE I KILLED THEE. 940 00:30:36,235 --> 00:30:38,270 NO WAY BUT THIS -- KILLING 941 00:30:38,270 --> 00:30:42,308 MYSELF, TO DIE UPON A KISS. 942 00:30:47,613 --> 00:30:49,048 >> [ LAUGHS ] 943 00:30:49,048 --> 00:30:50,049 >> OH, MY GOD! 944 00:30:50,049 --> 00:30:51,083 >> OH, MY GOD. 945 00:30:51,083 --> 00:30:53,019 >> OH, MY GOD, YOU ARE AMAZING. 946 00:30:53,019 --> 00:30:55,554 >> LOVE IT. >> THANK YOU. THAT FELT GOOD. 947 00:30:55,554 --> 00:30:56,588 >> OH, MY GOD. 948 00:30:56,588 --> 00:30:58,190 IT FELT GOOD OVER HERE. 949 00:30:58,190 --> 00:30:59,191 >> OH, MY GOD. 950 00:30:59,191 --> 00:31:01,127 >> SO -- SO, YOU'LL ALL GIVE ME 951 00:31:01,127 --> 00:31:02,995 A CALL? >> YES, YES, YES. 952 00:31:02,995 --> 00:31:04,997 WE WILL DEFINITELY BE GIVING YOU 953 00:31:04,997 --> 00:31:05,497 A CALL. 954 00:31:05,497 --> 00:31:07,599 >> I'LL LOOK FORWARD TO IT. 955 00:31:07,599 --> 00:31:10,202 >> WE MIGHT CALL. 956 00:31:10,369 --> 00:31:12,138 >> MY NAME IS ORLANDO, AND I AM 957 00:31:12,138 --> 00:31:13,305 A RECENT GRADUATE OF 958 00:31:13,305 --> 00:31:15,074 JUILLIARD'S PROFESSIONAL ACTORS 959 00:31:15,074 --> 00:31:16,575 TRAINING PROGRAM, WHERE I WAS 960 00:31:16,575 --> 00:31:18,144 THE RECIPIENT OF BOTH THE 961 00:31:18,144 --> 00:31:19,711 KING HENRY FELLOWSHIP AWARD AND 962 00:31:19,711 --> 00:31:21,480 THE NATIONAL BARD SHAKESPEAREAN 963 00:31:21,480 --> 00:31:22,681 RECOGNITION AWARD FOR 964 00:31:22,681 --> 00:31:24,150 EXCELLENCE. 965 00:31:24,316 --> 00:31:25,717 AND NOW I MIGHT BE PLAYING 966 00:31:25,717 --> 00:31:29,121 O.J. SIMPSON, UNPAID, IN A 967 00:31:29,121 --> 00:31:31,723 SHITTY SPACE IN DOWNTOWN L.A. 968 00:31:31,723 --> 00:31:33,059 STRANGE WORLD SOMETIMES. 969 00:31:33,059 --> 00:31:34,693 >> WHO'S NEXT? >> I THINK WE'RE DONE. 970 00:31:34,693 --> 00:31:35,361 >> I KNOW. 971 00:31:35,361 --> 00:31:36,662 I THINK WE CAN CALL IT A DAY. 972 00:31:36,662 --> 00:31:37,329 [ LAUGHS ] 973 00:31:37,329 --> 00:31:39,631 DID YOU SEE HIS RéSUMé? 974 00:31:39,631 --> 00:31:41,067 IT IS SO IMPRESSIVE. 975 00:31:41,067 --> 00:31:42,568 >> OH, HE'S SO GOOD-LOOKING, 976 00:31:42,568 --> 00:31:43,135 TOO. 977 00:31:43,135 --> 00:31:44,971 SO, UM, I'M PRETTY SURE THAT I'M 978 00:31:44,971 --> 00:31:46,638 IN LOVE WITH ORLANDO RIGHT ABOUT 979 00:31:46,638 --> 00:31:48,307 NOW, WHICH IS TOTALLY COOL, 980 00:31:48,307 --> 00:31:49,608 BECAUSE, UM, MY SORT OF 981 00:31:49,608 --> 00:31:51,443 BOYFRIEND AND I -- WE HAVE THIS 982 00:31:51,443 --> 00:31:53,312 DEAL WHERE I CAN HAVE SEX WITH A 983 00:31:53,312 --> 00:31:55,047 BLACK MAN ONCE AND IT DOESN'T 984 00:31:55,047 --> 00:31:56,148 COUNT AS CHEATING. 985 00:31:56,148 --> 00:31:58,650 SO, UH, WE ARE HOPING FOR A 986 00:31:58,650 --> 00:31:59,351 SHOWMANCE. 987 00:31:59,351 --> 00:32:00,752 >> I MEAN, IS THAT THREE YESES? 988 00:32:00,752 --> 00:32:02,154 >> OH, MY GOD. [ LAUGHS ] 989 00:32:02,154 --> 00:32:03,055 >> I'M GONNA GO. 990 00:32:03,055 --> 00:32:04,156 I'M GONNA GO TELL HIM. 991 00:32:04,156 --> 00:32:06,758 >> [ LAUGHS ] 992 00:32:06,758 --> 00:32:09,228 >> ORLANDO! [ LAUGHS ] 993 00:32:09,228 --> 00:32:11,230 >> HE WAS REAL GOOD. 994 00:32:11,230 --> 00:32:12,698 YEAH? 995 00:32:12,698 --> 00:32:14,600 >> SURE, YEAH. I GUESS SO. 996 00:32:14,600 --> 00:32:16,635 * AND SO ON THIS DREARY 997 00:32:16,635 --> 00:32:18,404 EVENING * 998 00:32:18,404 --> 00:32:21,173 * WHEN THERE'S NOWHERE LEFT TO 999 00:32:21,173 --> 00:32:22,641 RUN * 1000 00:32:22,641 --> 00:32:24,243 * FOR NOW, UPON YOUR 1001 00:32:24,243 --> 00:32:25,611 CONSCIENCE * 1002 00:32:25,611 --> 00:32:27,713 * HAVE THE LIFE OF MARK FUH-- * 1003 00:32:27,713 --> 00:32:29,181 I GOT TO HIT THOSE REALLY HIGH 1004 00:32:29,181 --> 00:32:30,216 NOTES THAT I CAN'T HIT. 1005 00:32:30,216 --> 00:32:31,450 [ Falsetto ] * YEAH, FUHRMAN * 1006 00:32:31,450 --> 00:32:32,718 >> DO YOU THINK THAT PEOPLE ARE 1007 00:32:32,718 --> 00:32:34,153 GONNA REALLY START QUESTIONING 1008 00:32:34,153 --> 00:32:35,354 SOME OF THEIR OWN PREJUDICES? 1009 00:32:35,354 --> 00:32:36,455 >> SOME OF THEIR OWN WHAT? 1010 00:32:36,455 --> 00:32:37,523 >> AFTER SEEING -- THEIR 1011 00:32:37,523 --> 00:32:38,690 PREJUDICES AFTER SEEING THIS 1012 00:32:38,690 --> 00:32:39,191 PLAY? 1013 00:32:39,191 --> 00:32:40,092 >> YEAH. I HOPE SO. 1014 00:32:40,092 --> 00:32:43,029 >> HOW QUICK WE ARE TO JUDGE. 1015 00:32:43,029 --> 00:32:44,030 >> I THINK THEY'LL JUDGE US 1016 00:32:44,030 --> 00:32:45,231 PRETTY QUICKLY. >> IT'S SO DEEP. 1017 00:32:45,231 --> 00:32:46,732 [ LAUGHS ] >> I THINK WE, UH, FINALLY FOUND 1018 00:32:46,732 --> 00:32:47,433 AN O.J. 1019 00:32:47,433 --> 00:32:49,068 BY THE WAY, THIS GUY NAMED 1020 00:32:49,068 --> 00:32:50,636 ORLANDO IS JUST A TREMENDOUS 1021 00:32:50,636 --> 00:32:51,303 TALENT. 1022 00:32:51,303 --> 00:32:53,105 UH, WE WEREN'T REALLY SURE WE 1023 00:32:53,105 --> 00:32:54,740 WOULD. LOT OF WHITE WOMEN. 1024 00:32:54,740 --> 00:32:55,741 >> SORRY, GUYS. 1025 00:32:55,741 --> 00:32:58,577 I NEED TO TALK TO MY HUSBAND... 1026 00:32:58,577 --> 00:33:03,382 NOW. 1027 00:33:03,382 --> 00:33:04,583 >> I'm gonna talk to my wife in 1028 00:33:04,583 --> 00:33:05,751 a little bit, but I'll -- I'll 1029 00:33:05,751 --> 00:33:07,153 talk to her when I feel like it. 1030 00:33:07,153 --> 00:33:09,055 >> LIKE RIGHT NOW. >> I'M GONNA SEE YOU GUYS. 1031 00:33:09,055 --> 00:33:10,456 >> YEAH. >> Y'ALL SHOULD CLEAR OUT. 1032 00:33:10,456 --> 00:33:11,590 >> LET'S MAKE IT HAPPEN HERE. 1033 00:33:11,590 --> 00:33:15,394 COME ON. 1034 00:33:15,394 --> 00:33:17,729 >> NEW FRIENDS... 1035 00:33:17,729 --> 00:33:22,268 WHY AM I NAKED? 1036 00:33:22,268 --> 00:33:24,470 ANYBODY? 1037 00:33:24,470 --> 00:33:28,807 ANY IDEA? 1038 00:33:28,807 --> 00:33:30,309 >> AM I HAPPY MY HUSBAND IS 1039 00:33:30,309 --> 00:33:31,710 DOING AN O.J. SIMPSON MUSICAL 1040 00:33:31,710 --> 00:33:33,212 WITH HIS DERANGED CHILDHOOD 1041 00:33:33,212 --> 00:33:34,713 FRIEND AND BANKROLLING THE WHOLE 1042 00:33:34,713 --> 00:33:35,281 THING? 1043 00:33:35,281 --> 00:33:36,682 THAT'S A RHETORICAL QUESTION. 1044 00:33:36,682 --> 00:33:38,117 I'M GONNA ASSUME THAT'S A 1045 00:33:38,117 --> 00:33:40,419 RHETORICAL QUESTION. 1046 00:33:40,419 --> 00:33:41,620 >> I'VE WORKED WITH CRAZY PEOPLE 1047 00:33:41,620 --> 00:33:46,125 BEFORE, SO I'LL BE FINE. 1048 00:33:46,125 --> 00:33:49,561 THE DUDE'S CRAZY, THOUGH, RIGHT? 1049 00:33:49,561 --> 00:33:52,464 GOD, I LOVE THE THEATER. 1050 00:33:52,464 --> 00:33:53,565 WHERE IS HE, ANYWAY? 1051 00:33:53,565 --> 00:33:55,101 >> HEY, HAVE YOU GUYS SEEN 1052 00:33:55,101 --> 00:34:00,106 EUGENE? 1053 00:34:00,106 --> 00:34:01,307 HI. >> HEY. 1054 00:34:01,307 --> 00:34:02,441 >> HEY, BUDDY. 1055 00:34:02,441 --> 00:34:03,609 >> HEY, BUDDY. 1056 00:34:03,609 --> 00:34:05,377 >> [ LAUGHS ] 1057 00:34:05,377 --> 00:34:06,312 HOW'S IT GOING? 1058 00:34:06,312 --> 00:34:07,579 >> JUST GETTING SOME AIR. 1059 00:34:07,579 --> 00:34:09,315 JUST HAD TO GET A FEW MINUTES OF 1060 00:34:09,315 --> 00:34:10,616 AIR, AND THEN I FOUND THIS 1061 00:34:10,616 --> 00:34:12,318 AMAZING HIDEOUT HERE BEHIND THE 1062 00:34:12,318 --> 00:34:14,586 THEATER. 1063 00:34:14,586 --> 00:34:16,322 >> PRETTY AMAZING. [ LAUGHS ] 1064 00:34:16,322 --> 00:34:17,289 >> YES, IT IS. 1065 00:34:17,289 --> 00:34:19,891 >> UM...YEAH. 1066 00:34:19,891 --> 00:34:23,395 WELL, DO WE WANT TO, I DON'T 1067 00:34:23,395 --> 00:34:24,663 KNOW, GO BACK INSIDE AND 1068 00:34:24,663 --> 00:34:25,664 REHEARSE OR WHAT? 1069 00:34:25,664 --> 00:34:26,832 >> UH...I DON'T KNOW. 1070 00:34:26,832 --> 00:34:28,467 >> IT'S PRETTY COOL OUT HERE, 1071 00:34:28,467 --> 00:34:30,402 BUT -- >> YEAH, YEAH. OKAY, YEAH. 1072 00:34:30,402 --> 00:34:32,171 WANT TO DO FIRST OF THREE FIRST? 1073 00:34:32,171 --> 00:34:34,373 >> YES. 1074 00:34:34,373 --> 00:34:36,542 >> OKAY. 1075 00:34:36,542 --> 00:34:37,743 >> OH, GOSH. 1076 00:34:37,743 --> 00:34:39,311 AAH! 1077 00:34:39,311 --> 00:34:41,580 ALL RIGHT. 1078 00:34:41,580 --> 00:34:43,415 STOP IT, STOP IT. 1079 00:34:43,415 --> 00:34:44,416 AAH! 1080 00:34:44,416 --> 00:34:45,917 >> DOUBLE. THAT WAS A DOUBLE. 1081 00:34:45,917 --> 00:34:50,489 >> AAH! AAH! 1082 00:34:50,489 --> 00:34:51,790 THIS ISN'T WHERE YOU'RE STAYING, 1083 00:34:51,790 --> 00:34:53,759 IS IT? 1084 00:34:53,759 --> 00:34:57,396 >> NO. 1085 00:34:57,396 --> 00:35:00,399 BUT... 1086 00:35:00,399 --> 00:35:01,933 THAT MIGHT BE A DECENT OFFICE, 1087 00:35:01,933 --> 00:35:04,436 THOUGH. 1088 00:35:14,913 --> 00:35:17,516 >> [ SCREAMS ] 1089 00:35:17,516 --> 00:35:19,818 >> [ GROANS ] 1090 00:35:25,824 --> 00:35:27,959 HEY, FOLKS. 1091 00:35:27,959 --> 00:35:32,598 HEY, TAKE A SEAT. 1092 00:35:32,598 --> 00:35:33,599 [ CLEARS THROAT ] 1093 00:35:33,599 --> 00:35:36,402 OKAY. 1094 00:35:36,402 --> 00:35:39,205 UM...ALL RIGHT. 1095 00:35:39,205 --> 00:35:41,940 "OTHELLO" AND "ORENTHAL." 1096 00:35:41,940 --> 00:35:44,376 IT'S TWO DRASTICALLY DIFFERENT 1097 00:35:44,376 --> 00:35:46,578 WORLDS THAT HOPEFULLY, THROUGH 1098 00:35:46,578 --> 00:35:48,914 MUSICAL EXPLORATION, WE'RE GONNA 1099 00:35:48,914 --> 00:35:51,317 TRY AND BRING TOGETHER, ALL OF 1100 00:35:51,317 --> 00:35:52,418 US TOGETHER. 1101 00:35:52,418 --> 00:35:54,253 THEY'RE TWO HEROES, OKAY, AND -- 1102 00:35:54,253 --> 00:35:55,787 AND THEY WERE BOTH SHUNNED BY 1103 00:35:55,787 --> 00:35:57,489 THE RACIST SOCIETIES THAT HAD 1104 00:35:57,489 --> 00:35:58,957 PREVIOUSLY ACCEPTED THEM AS 1105 00:35:58,957 --> 00:35:59,725 THEIR OWN. 1106 00:35:59,725 --> 00:36:02,228 THEY WERE ALSO TWO LOVERS. 1107 00:36:02,228 --> 00:36:04,896 BOTH LOVED NOT TOO WISELY, BUT A 1108 00:36:04,896 --> 00:36:06,565 LITTLE TOO WELL. 1109 00:36:06,565 --> 00:36:08,300 BUT FIRST, GUYS, HOW ABOUT BRING 1110 00:36:08,300 --> 00:36:09,735 YOUR SCRIPTS, AND IF YOU GUYS 1111 00:36:09,735 --> 00:36:11,237 COULD COME UP HERE, WE'LL 1112 00:36:11,237 --> 00:36:12,671 JUST -- UH, EVERYBODY ONSTAGE 1113 00:36:12,671 --> 00:36:17,476 REAL QUICK. 1114 00:36:17,476 --> 00:36:19,311 ALL RIGHT, TEAM, JUST -- JUST 1115 00:36:19,311 --> 00:36:23,615 REAL QUICK IN HERE, OKAY? 1116 00:36:23,615 --> 00:36:26,552 AND 3 -- ON 4, "VIVA EL O.J." 1117 00:36:26,552 --> 00:36:27,886 1, 2, 3, 4. 1118 00:36:27,886 --> 00:36:30,822 >> All: VIVA EL O.J.! 1119 00:36:30,822 --> 00:36:32,858 >> [ CLEARS THROAT ] 1120 00:36:32,858 --> 00:36:34,360 >> [ Deep voice ] PAY THE RENT. 1121 00:36:34,360 --> 00:36:35,661 [ Feminine voice ] I CAN'T PAY 1122 00:36:35,661 --> 00:36:36,462 THE RENT! 1123 00:36:36,462 --> 00:36:38,029 [ Deep voice ] PAY THE RENT! 1124 00:36:38,029 --> 00:36:39,898 [ Feminine voice ] I CAN'T PAY 1125 00:36:39,898 --> 00:36:40,666 THE RENT. 1126 00:36:40,666 --> 00:36:42,468 [ Deep voice ] PAY THE RENT. 1127 00:36:42,468 --> 00:36:44,303 [ Feminine voice ] I CAN'T PAY 1128 00:36:44,303 --> 00:36:46,004 THE RENT! [ CLEARS THROAT ] 1129 00:36:46,004 --> 00:36:47,739 [ Deep voice ] I'LL PAY THE 1130 00:36:47,739 --> 00:36:48,374 RENT. 1131 00:36:48,374 --> 00:36:51,477 [ Feminine voice ] MY HERO. 1132 00:36:51,477 --> 00:36:52,744 [ LAUGHS ] 1133 00:36:52,744 --> 00:36:53,612 [ WATER RUNNING ] 1134 00:36:53,612 --> 00:36:55,581 >> * YOU DESERVE TO DIE QUITE 1135 00:36:55,581 --> 00:36:56,782 SWIFTLY * 1136 00:36:56,782 --> 00:36:57,816 * FOR THESE THINGS THAT YOU HAVE 1137 00:36:57,816 --> 00:36:58,850 DONE * 1138 00:36:58,850 --> 00:37:01,953 * YOU HAVE KILLED TWO INNOCENT 1139 00:37:01,953 --> 00:37:03,922 PEOPLE * 1140 00:37:03,922 --> 00:37:04,790 >> WHAT THE HE-- 1141 00:37:04,790 --> 00:37:06,292 >> STAN, WILL YOU MIND TURNING 1142 00:37:06,292 --> 00:37:07,359 THE WATER OFF IN THERE? 1143 00:37:07,359 --> 00:37:09,395 >> OH, NO! 1144 00:37:09,395 --> 00:37:10,829 >> REHEARSALS ARE GOING 1145 00:37:10,829 --> 00:37:12,698 INCREDIBLY WELL, AND THERE'S 1146 00:37:12,698 --> 00:37:17,035 THIS, UM, FEELING, YOU KNOW, UH, 1147 00:37:17,035 --> 00:37:18,437 WHEN THINGS ARE GOING RIGHT 1148 00:37:18,437 --> 00:37:21,873 THAT'S HARD TO DESCRIBE, BUT ALL 1149 00:37:21,873 --> 00:37:24,376 ENCOMPASSING. 1150 00:37:24,376 --> 00:37:26,845 YOU KNOW, IT'S LIKE -- IT'S LIKE 1151 00:37:26,845 --> 00:37:29,080 A FLESH-EATING VIRUS. 1152 00:37:29,080 --> 00:37:30,349 THAT'S WHAT IT'S LIKE. 1153 00:37:30,349 --> 00:37:31,717 IT'S LIKE A FLESH-EATING VIRUS. 1154 00:37:31,717 --> 00:37:33,319 IT -- YOU KNOW, IT TEARS UP YOUR 1155 00:37:33,319 --> 00:37:36,422 INSIDES. IT -- IT RIPS YOU APART FROM THE 1156 00:37:36,422 --> 00:37:37,088 MIDDLE. 1157 00:37:37,088 --> 00:37:39,625 AND THAT'S WHAT "ORENTHAL" HAS 1158 00:37:39,625 --> 00:37:41,460 BECOME -- A BEAUTIFUL 1159 00:37:41,460 --> 00:37:42,994 FLESH-EATING VIRUS. 1160 00:37:42,994 --> 00:37:45,464 >> * A VIDEOTAPE * 1161 00:37:45,464 --> 00:37:47,032 >> IT'S A GREAT FEELING. 1162 00:37:47,032 --> 00:37:49,835 >> * H-H-HEY * 1163 00:37:49,835 --> 00:37:50,836 >> HEY, LAWRENCE. 1164 00:37:50,836 --> 00:37:51,803 IT'S DAN FROM THE 1165 00:37:51,803 --> 00:37:52,771 HORIZON THEATRE. 1166 00:37:52,771 --> 00:37:54,406 I WAS WONDERING, THE "OTHELLO" 1167 00:37:54,406 --> 00:37:55,907 SCRIPT THAT YOU SAID YOU PUT IN 1168 00:37:55,907 --> 00:37:57,543 THE MAIL FOR US HASN'T ARRIVED 1169 00:37:57,543 --> 00:37:58,610 YET, WHICH IS WILD. 1170 00:37:58,610 --> 00:37:59,911 I THINK IT'S FOREVER LOST. 1171 00:37:59,911 --> 00:38:01,580 SO, UM, I WAS JUST WONDERING IF 1172 00:38:01,580 --> 00:38:03,048 WE COULD ARRANGE A PICKUP TIME 1173 00:38:03,048 --> 00:38:04,683 SO THAT WE COULD ACTUALLY READ 1174 00:38:04,683 --> 00:38:06,084 IT. THAT WOULD BE GREAT. 1175 00:38:06,084 --> 00:38:07,686 YEAH, I'M A LITTLE CONCERNED. 1176 00:38:07,686 --> 00:38:09,621 UM, BUT I TRUST QUI. 1177 00:38:09,621 --> 00:38:11,557 QUI TRUSTS LAWRENCE. 1178 00:38:11,557 --> 00:38:14,025 NOT A SINGLE ONE OF US TRUSTS 1179 00:38:14,025 --> 00:38:15,894 EUGENE. 1180 00:38:15,894 --> 00:38:18,697 SOMETHING FISHY GOING ON THERE, 1181 00:38:18,697 --> 00:38:19,898 AND I'M GONNA GET TO THE BOTTOM 1182 00:38:19,898 --> 00:38:23,869 OF IT. 1183 00:38:23,869 --> 00:38:25,003 IF ONLY THEY'D ACTUALLY LET ME 1184 00:38:25,003 --> 00:38:28,474 COME WATCH A REHEARSAL. 1185 00:38:28,474 --> 00:38:29,107 CALL ME CRAZY. 1186 00:38:29,107 --> 00:38:30,476 IN MY EXPERIENCE, THAT'S 1187 00:38:30,476 --> 00:38:31,710 TYPICALLY WHAT YOU LET THE 1188 00:38:31,710 --> 00:38:34,746 PRODUCERS DO. 1189 00:38:34,746 --> 00:38:35,113 >> OKAY. 1190 00:38:35,113 --> 00:38:36,582 I THINK WE'RE READY TO DO THIS. 1191 00:38:36,582 --> 00:38:37,849 UH, JOHN, YOU CAN START WHENEVER 1192 00:38:37,849 --> 00:38:38,550 YOU'RE READY. 1193 00:38:38,550 --> 00:38:39,618 MAKE SURE WE GET THE FOG 1194 00:38:39,618 --> 00:38:43,389 MACHINE. SCOOT OVER THERE. 1195 00:38:43,389 --> 00:38:44,756 >> DOOM APPROACHED. 1196 00:38:44,756 --> 00:38:46,625 OUR HERO, CONSUM-ED BY -- 1197 00:38:46,625 --> 00:38:48,059 >> SKIPPED THE "ED." 1198 00:38:48,059 --> 00:38:50,462 WE HAVE "APPROACH-ED, CONSUM-ED, 1199 00:38:50,462 --> 00:38:51,597 APPEARED." 1200 00:38:51,597 --> 00:38:52,898 FROM THE TOP. 1201 00:38:52,898 --> 00:38:54,866 >> DOOM APPROACH-ED. 1202 00:38:54,866 --> 00:38:57,503 OUR HERO, CONSUM-ED BY FEAR. 1203 00:38:57,503 --> 00:38:59,905 THAT NIGHT, A VISION FINELY 1204 00:38:59,905 --> 00:39:01,607 APPEAR...ED. 1205 00:39:01,607 --> 00:39:03,675 >> OKAY, AND THEN UPSTAGE. 1206 00:39:03,675 --> 00:39:04,976 PERFECT. 1207 00:39:04,976 --> 00:39:10,716 AND ORENTHAL. 1208 00:39:10,716 --> 00:39:11,917 >> WHAT IS THIS PLACE? 1209 00:39:11,917 --> 00:39:12,718 WHERE AM I? 1210 00:39:12,718 --> 00:39:14,019 WHAT IS HAPPENING TO ME? 1211 00:39:14,019 --> 00:39:15,153 >> FOG. HIT THE FOG. 1212 00:39:15,153 --> 00:39:16,622 [ FOG MACHINE WHIRRING ] 1213 00:39:16,622 --> 00:39:20,826 [ FOG MACHINE HISSING ] 1214 00:39:20,826 --> 00:39:22,694 OH, YEAH. THAT'S NICE. 1215 00:39:22,694 --> 00:39:24,696 YEAH, YEAH. BILLOW THAT FOG. 1216 00:39:24,696 --> 00:39:27,499 >> YOU'RE SAFE NOW, ORENTHAL. 1217 00:39:27,499 --> 00:39:28,700 YOU'RE WITH ME. 1218 00:39:28,700 --> 00:39:29,501 >> NICOLE. 1219 00:39:29,501 --> 00:39:30,536 NICOLE, MY LOVE? 1220 00:39:30,536 --> 00:39:31,470 >> [ LAUGHS ] 1221 00:39:31,470 --> 00:39:32,538 >> COME UP FRONT. 1222 00:39:32,538 --> 00:39:34,139 YEAH, A LITTLE MORE DOWNSTAGE. 1223 00:39:34,139 --> 00:39:36,742 >> OKAY. >> ARE YOU A GHOST, OR ARE YOU A 1224 00:39:36,742 --> 00:39:37,175 DREAM? 1225 00:39:37,175 --> 00:39:40,646 >> I'M YOURS, ORENTHAL, FOREVER. 1226 00:39:40,646 --> 00:39:43,014 FOR THE REST OF TIME, WE WILL BE 1227 00:39:43,014 --> 00:39:45,484 TOGETHER. 1228 00:39:45,484 --> 00:39:46,785 >> OKAY. YEAH, THAT'S GOOD. 1229 00:39:46,785 --> 00:39:48,053 NOW WE JUST SEPARATE HERE. 1230 00:39:48,053 --> 00:39:49,488 GOOD REHEARSAL, EVERYBODY. 1231 00:39:49,488 --> 00:39:50,456 THAT WAS AWESOME. 1232 00:39:50,456 --> 00:39:51,690 DON'T FORGET TO GIVE YOUR 1233 00:39:51,690 --> 00:39:53,124 PERMISSION SLIPS TO AMY, BECAUSE 1234 00:39:53,124 --> 00:39:54,460 WE GOT THE FIELD TRIP. 1235 00:39:54,460 --> 00:39:56,094 >> WHOO! >> THAT WAS REALLY NICE. 1236 00:39:56,094 --> 00:39:57,696 >> YOU GOT A SECOND TO DISCUSS 1237 00:39:57,696 --> 00:39:58,964 THE SCENE? 1238 00:39:58,964 --> 00:40:01,833 >> SURE. YEAH. 1239 00:40:01,833 --> 00:40:02,701 >> IT WAS GOOD. 1240 00:40:02,701 --> 00:40:04,102 I JUST THOUGHT YOU CALLED A STOP 1241 00:40:04,102 --> 00:40:05,971 TOO SOON. >> NO, IT WAS REALLY GOOD. 1242 00:40:05,971 --> 00:40:06,605 >> YEAH? 1243 00:40:06,605 --> 00:40:08,039 >> AND -- AND THAT'S WHY I THINK 1244 00:40:08,039 --> 00:40:09,575 WE HAD TO STOP THERE -- BEFORE 1245 00:40:09,575 --> 00:40:10,976 WE -- IF IT WAS IN A COMFORTABLE 1246 00:40:10,976 --> 00:40:11,577 SPOT -- 1247 00:40:11,577 --> 00:40:12,010 >> OKAY. 1248 00:40:12,010 --> 00:40:13,645 >> YEAH? >> I THINK SO, YES. 1249 00:40:13,645 --> 00:40:14,646 >> UM, YOU KNOW WHAT? 1250 00:40:14,646 --> 00:40:15,481 I-I HATE TO ASK. 1251 00:40:15,481 --> 00:40:16,081 $100 FOR THE VAN. 1252 00:40:16,081 --> 00:40:17,148 >> YEAH. YOU KNOW WHAT? 1253 00:40:17,148 --> 00:40:18,617 I'D PUT IT ON MY CREDIT CARD, 1254 00:40:18,617 --> 00:40:19,951 BUT THAT'S JUST A TERRIBLE IDEA. 1255 00:40:19,951 --> 00:40:21,219 >> THAT SHOULD COVER LUNCH, AS 1256 00:40:21,219 --> 00:40:22,120 WELL. >> OKAY. 1257 00:40:22,120 --> 00:40:26,792 YOU'RE THE BEST. 1258 00:40:26,792 --> 00:40:28,827 >> WE'VE BEEN GOING ON A LOT OF 1259 00:40:28,827 --> 00:40:30,228 FIELD TRIPS TO FAMOUS 1260 00:40:30,228 --> 00:40:32,163 O.J. SIMPSON LANDMARKS AROUND 1261 00:40:32,163 --> 00:40:34,265 TOWN. >> * 99 BOTTLES OF BEER ON THE 1262 00:40:34,265 --> 00:40:35,000 WALL * 1263 00:40:35,000 --> 00:40:36,935 >> * 99 BOTTLES OF BEER * 1264 00:40:36,935 --> 00:40:38,737 >> * YOU TAKE ONE DOWN, PASS IT 1265 00:40:38,737 --> 00:40:39,538 AROUND * 1266 00:40:39,538 --> 00:40:41,039 * 98 BOTTLES OF BEER ON THE 1267 00:40:41,039 --> 00:40:42,841 WALL * * 98 BOTTLES OF BEER ON THE 1268 00:40:42,841 --> 00:40:43,208 WALL * 1269 00:40:43,208 --> 00:40:45,611 >> BEERS. >> * 98 BOTTLES OF BEER * 1270 00:40:45,611 --> 00:40:46,945 >> YOU KNOW, WE HAVE TO HONOR 1271 00:40:46,945 --> 00:40:47,813 THIS MATERIAL. 1272 00:40:47,813 --> 00:40:48,947 THESE WERE REAL EVENTS. 1273 00:40:48,947 --> 00:40:50,115 THESE WERE REAL PEOPLE. 1274 00:40:50,115 --> 00:40:51,717 THAT'S SOMETHING THAT WE CANNOT 1275 00:40:51,717 --> 00:40:52,918 FORGET. 1276 00:40:52,918 --> 00:40:54,219 AND THERE'S NOTHING FUNNY ABOUT 1277 00:40:54,219 --> 00:40:56,254 MURDER. 1278 00:40:56,254 --> 00:40:57,723 IT'S ALSO A GOOD GROUP BONDING 1279 00:40:57,723 --> 00:41:00,859 EXPERIENCE FOR EVERYBODY. 1280 00:41:00,859 --> 00:41:02,528 >> YOU KNOW, I JUST THINK IT'S A 1281 00:41:02,528 --> 00:41:04,029 GOOD THING FOR ALL OF US TO COME 1282 00:41:04,029 --> 00:41:05,531 OUT HERE AND -- AND SEE IT. 1283 00:41:05,531 --> 00:41:06,998 IF -- IF NOT ANYTHING ELSE, YOU 1284 00:41:06,998 --> 00:41:08,600 KNOW, JUST UNDERSTAND WHERE IT 1285 00:41:08,600 --> 00:41:09,100 HAPPENED. 1286 00:41:09,100 --> 00:41:10,702 >> I THINK AS LONG AS EVERYONE 1287 00:41:10,702 --> 00:41:11,970 KEEPS IT PRETTY RESPECTFUL 1288 00:41:11,970 --> 00:41:12,571 AND -- 1289 00:41:12,571 --> 00:41:13,238 >> YEAH, GUYS. 1290 00:41:13,238 --> 00:41:14,840 >> AND CIVILIZED, I THINK, YOU 1291 00:41:14,840 --> 00:41:15,974 KNOW, NO ONE'S GONNA MIND. 1292 00:41:15,974 --> 00:41:17,275 >> HEY, CAN YOU -- CAN YOU TAKE 1293 00:41:17,275 --> 00:41:19,010 A PICTURE OF US? >> YEAH. LET'S DO THAT. 1294 00:41:19,010 --> 00:41:20,311 >> NICOLE AND O.J. AT THE SCENE 1295 00:41:20,311 --> 00:41:21,046 OF THE CRIME. 1296 00:41:21,046 --> 00:41:22,313 >> YEAH. USE -- USE MY CAMERA. 1297 00:41:22,313 --> 00:41:25,884 >> OKAY. [ BOTH LAUGH ] 1298 00:41:25,884 --> 00:41:26,785 >> [ SCREAMS ] 1299 00:41:26,785 --> 00:41:28,153 >> I THINK IT'S REALLY GREAT 1300 00:41:28,153 --> 00:41:29,755 THAT ORLANDO AND REGINA HAVE 1301 00:41:29,755 --> 00:41:31,256 SHOWN SUCH AN AMAZING CHEMISTRY 1302 00:41:31,256 --> 00:41:33,291 ONSTAGE. THAT'S THEIR JOB, YOU KNOW? 1303 00:41:33,291 --> 00:41:34,893 AND IT'S ONE OF THOSE THINGS 1304 00:41:34,893 --> 00:41:36,194 THAT YOU KNOW IT'S -- IT'S 1305 00:41:36,194 --> 00:41:37,295 BECAUSE THEY'RE SUCH 1306 00:41:37,295 --> 00:41:38,196 PROFESSIONALS. 1307 00:41:38,196 --> 00:41:39,665 >> [ LAUGHS ] 1308 00:41:39,665 --> 00:41:40,231 >> I'LL GET IN. 1309 00:41:40,231 --> 00:41:41,667 AMY, CAN YOU TAKE A PHOTO HERE, 1310 00:41:41,667 --> 00:41:42,568 TOO? >> UH-HUH. 1311 00:41:42,568 --> 00:41:43,802 >> JUST GET THE WRITER/DIRECTOR 1312 00:41:43,802 --> 00:41:44,202 IN HERE. 1313 00:41:44,202 --> 00:41:45,070 >> OH. >> WHAT? 1314 00:41:45,070 --> 00:41:46,337 >> WRITER/DIRECTOR/STAR IN HERE, 1315 00:41:46,337 --> 00:41:48,006 TOO. WHY DON'T WE GET THE WHOLE -- 1316 00:41:48,006 --> 00:41:49,307 THE WHOLE CAST? >> SURE, SURE. 1317 00:41:49,307 --> 00:41:50,676 >> GUYS, LET'S GET A-A GROUP 1318 00:41:50,676 --> 00:41:52,944 PHOTO HERE WHILE WE'RE ALL... 1319 00:41:52,944 --> 00:41:53,278 >> OKAY. 1320 00:41:53,278 --> 00:41:54,680 >> ACT LIKE YOU LIKE EACH OTHER. 1321 00:41:54,680 --> 00:41:57,883 >> "VIVA EL O.J." ON 1, 2, 3. 1322 00:41:57,883 --> 00:41:59,150 >> All: VIVA EL O.J.! 1323 00:41:59,150 --> 00:42:00,752 [ CAMERA SHUTTER CLICKS ] 1324 00:42:00,752 --> 00:42:02,220 >> THEY'RE ABLE TO CONNECT. 1325 00:42:02,220 --> 00:42:04,022 THEY'RE ABLE TO SHOW LOVE IN -- 1326 00:42:04,022 --> 00:42:05,857 IN A WAY THAT -- THAT MAKES YOU 1327 00:42:05,857 --> 00:42:07,292 ACTUALLY BELIEVE THAT IT'S 1328 00:42:07,292 --> 00:42:08,093 HAPPENING. 1329 00:42:08,093 --> 00:42:09,160 [ TIRES SCREECH ] 1330 00:42:09,160 --> 00:42:10,696 I THINK IT'S TREMENDOUS. 1331 00:42:10,696 --> 00:42:11,630 >> [ LAUGHS ] 1332 00:42:11,630 --> 00:42:13,064 >> YOU KNOW, YOU HAVE WHAT 1333 00:42:13,064 --> 00:42:14,800 HAPPENS IN LIFE AND THEN WHAT 1334 00:42:14,800 --> 00:42:17,102 HAPPENS ON THE STAGE. 1335 00:42:17,102 --> 00:42:18,704 THE TWO NEVER MIX. 1336 00:42:18,704 --> 00:42:20,839 >> STRETCH YOUR SHOULDERS OUT. 1337 00:42:20,839 --> 00:42:22,340 ROLL YOUR ARMS BACK. 1338 00:42:22,340 --> 00:42:23,141 FIND SOME SPACE. 1339 00:42:23,141 --> 00:42:25,677 [ LAUGHTER ] 1340 00:42:25,677 --> 00:42:27,045 FEET ABOUT TWO, THREE FEET 1341 00:42:27,045 --> 00:42:29,648 APART. ROLL YOUR SHOULDERS FORWARD. 1342 00:42:29,648 --> 00:42:31,016 AND JUST TAKE A DEEP BREATH IN. 1343 00:42:31,016 --> 00:42:32,183 [ INHALES SHARPLY ] 1344 00:42:32,183 --> 00:42:33,218 AND LET IT OUT WITH SOUND. 1345 00:42:33,218 --> 00:42:35,787 >> All: AHHHHH! 1346 00:42:35,787 --> 00:42:37,022 >> PA-TA-KA-TA, PA-TA-KA-TA. 1347 00:42:37,022 --> 00:42:38,890 PA-TA-KA-TA, PA. >> All: PA-TA-KA-TA, 1348 00:42:38,890 --> 00:42:40,158 PA-TA-KA-TA, PA-TA-KA-TA, PA. 1349 00:42:40,158 --> 00:42:41,392 >> BA-DA-GA-DA, BA-DA-GA-DA, 1350 00:42:41,392 --> 00:42:42,260 BA-DA-GA-DA, BA. 1351 00:42:42,260 --> 00:42:43,228 >> All: BA-DA-GA-DA, 1352 00:42:43,228 --> 00:42:44,696 BA-DA-GA-DA, BA-DA-GA-DA, BA. 1353 00:42:44,696 --> 00:42:45,797 [ CHEERS AND APPLAUSE ] 1354 00:42:45,797 --> 00:42:47,132 >> TAKE SOME TIME FOR YOURSELF. 1355 00:42:47,132 --> 00:42:48,199 DO WHATEVER YOU'D LIKE. 1356 00:42:48,199 --> 00:42:50,702 [ PIANO PLAYS ] 1357 00:42:55,106 --> 00:42:58,309 MIND IF I SIT? 1358 00:42:58,309 --> 00:42:59,210 >> OF COURSE NOT. 1359 00:42:59,210 --> 00:43:00,779 >> COOL. >> [ CHUCKLES ] 1360 00:43:00,779 --> 00:43:03,081 >> THANKS. 1361 00:43:07,385 --> 00:43:09,020 >> YOU KNOW, I'VE BEEN MEANING 1362 00:43:09,020 --> 00:43:10,656 TO TELL YOU SINCE YOUR AUDITION 1363 00:43:10,656 --> 00:43:12,090 THAT YOU REMIND ME OF SOMEONE. 1364 00:43:12,090 --> 00:43:14,425 >> OH, REALLY? 1365 00:43:14,425 --> 00:43:16,061 >> YEAH. WHY DO YOU SAY IT LIKE THAT? 1366 00:43:16,061 --> 00:43:19,731 >> LET ME GUESS -- TAYE DIGGS. 1367 00:43:19,731 --> 00:43:20,298 >> NO, NO. 1368 00:43:20,298 --> 00:43:21,767 I WAS GONNA SAY A YOUNG 1369 00:43:21,767 --> 00:43:23,935 TOMMY LEE JONES. 1370 00:43:23,935 --> 00:43:25,303 >> SHUT UP. 1371 00:43:25,303 --> 00:43:26,004 >> NO. WHY? 1372 00:43:26,004 --> 00:43:27,305 >> I DID AN ENTIRE SHOWCASE OF 1373 00:43:27,305 --> 00:43:28,774 TOMMY LEE JONES SCENES FOR MY 1374 00:43:28,774 --> 00:43:29,975 FELLOW ACTING CLASS IN GRAD 1375 00:43:29,975 --> 00:43:30,341 SCHOOL. 1376 00:43:30,341 --> 00:43:33,211 >> SHUT UP. 1377 00:43:33,211 --> 00:43:34,913 SO DID I. >> YOU'RE KIDDING! 1378 00:43:34,913 --> 00:43:36,281 >> NO. I WOULDN'T JOKE ABOUT 1379 00:43:36,281 --> 00:43:37,115 SUCH A THING. 1380 00:43:37,115 --> 00:43:39,017 >> WOW! >> IT'S SERIOUS BUSINESS. 1381 00:43:39,017 --> 00:43:41,386 [ LAUGHS ] >> WOW. 1382 00:43:41,386 --> 00:43:44,289 WELL, REGINA, THANK YOU. 1383 00:43:44,289 --> 00:43:45,390 THAT IS THE NICEST ACTING 1384 00:43:45,390 --> 00:43:46,825 COMPLIMENT I'VE EVER RECEIVED, 1385 00:43:46,825 --> 00:43:47,859 AND I'VE RECEIVED MANY. 1386 00:43:47,859 --> 00:43:48,827 >> YOU'RE SO WELCOME. 1387 00:43:48,827 --> 00:43:49,995 >> HEY, GUYS. GO TEAM, HUH? 1388 00:43:49,995 --> 00:43:51,863 HEY. 1389 00:43:51,863 --> 00:43:52,230 >> HI. 1390 00:43:52,230 --> 00:43:53,031 >> WHAT'S UP? 1391 00:43:53,031 --> 00:43:54,465 >> HOW'S IT HANGING OVER HERE IN 1392 00:43:54,465 --> 00:43:55,801 THE COOL KIDS' SECTION? 1393 00:43:55,801 --> 00:43:56,401 >> [ LAUGHS ] 1394 00:43:56,401 --> 00:43:57,903 >> [ CHUCKLES ] 1395 00:43:57,903 --> 00:43:59,237 YEAH? YOU GUYS DOING GOOD? 1396 00:43:59,237 --> 00:44:01,206 MIND? >> YOU WANT ME TO, UH, MOVE 1397 00:44:01,206 --> 00:44:04,475 OVER? >> THAT'D BE GREAT. 1398 00:44:04,475 --> 00:44:08,847 THANK YOU, MY BROTHER. 1399 00:44:08,847 --> 00:44:10,315 I GUESS YOU GUYS ARE EATING 1400 00:44:10,315 --> 00:44:11,482 HEALTHY, HUH? 1401 00:44:11,482 --> 00:44:13,985 >> [ LAUGHS ] 1402 00:44:13,985 --> 00:44:14,485 >> SO, YOU -- 1403 00:44:14,485 --> 00:44:15,754 >> REGINA AND I ARE HAVING 1404 00:44:15,754 --> 00:44:16,421 SEXUAL INTERCOURSE. 1405 00:44:16,421 --> 00:44:17,122 >> EXCUSE ME? 1406 00:44:17,122 --> 00:44:18,256 >> YOU KNOW, PENIS AND VAGINA 1407 00:44:18,256 --> 00:44:19,925 STUFF. I JUST WANTED TO LET YOU KNOW 1408 00:44:19,925 --> 00:44:21,126 BECAUSE I SEE WHAT YOU'RE DOING. 1409 00:44:21,126 --> 00:44:22,293 >> EUGENE, CAN WE HAVE A CHAT 1410 00:44:22,293 --> 00:44:23,394 RIGHT NOW? >> RIGHT NOW? 1411 00:44:23,394 --> 00:44:25,063 >> YEAH. >> I JUST SAT DOWN FOR SOME 1412 00:44:25,063 --> 00:44:27,232 LUNCH. >> HAVE A LITTLE CHAT. 1413 00:44:27,232 --> 00:44:28,967 >> PEACE. 1414 00:44:28,967 --> 00:44:30,035 >> EUGENE, EUGENE, WHY WOULD YOU 1415 00:44:30,035 --> 00:44:31,737 SAY THAT TO HIM? >> WHY WOULD I SAY WHAT TO HIM? 1416 00:44:31,737 --> 00:44:32,403 >> YOU KNOW WHAT TO WHO. 1417 00:44:32,403 --> 00:44:33,038 YOU KNOW WHO. 1418 00:44:33,038 --> 00:44:34,205 >> OKAY, SO I TOLD HIM THE TRUTH. 1419 00:44:34,205 --> 00:44:35,240 >> WHAT?! THAT'S NOT EVEN CLOSE 1420 00:44:35,240 --> 00:44:36,307 TO BEING THE TRUTH BECAUSE WE'RE 1421 00:44:36,307 --> 00:44:37,142 NOT HAVING SEX, EUGENE. 1422 00:44:37,142 --> 00:44:38,109 >> WELL, WE'RE ALMOST HAVING 1423 00:44:38,109 --> 00:44:39,344 SEX. >> NO, WE'RE NOT ALMOST HAVING 1424 00:44:39,344 --> 00:44:40,178 SEX. NO, WE'RE NOT. 1425 00:44:40,178 --> 00:44:41,179 WE'RE TWO OLD FRIENDS WHO ARE 1426 00:44:41,179 --> 00:44:42,180 WORKING ON A PROJECT TOGETHER 1427 00:44:42,180 --> 00:44:43,014 WHO ARE NOT HAVING SEX. 1428 00:44:43,014 --> 00:44:44,415 >> OKAY. WELL, AS FAR AS I'M 1429 00:44:44,415 --> 00:44:46,117 CONCERNED, YOU'RE MY GIRLFRIEND 1430 00:44:46,117 --> 00:44:47,753 AGAIN. >> WELL, I'M NOT. 1431 00:44:47,753 --> 00:44:49,154 >> WELL, THAT'S WHY YOU SAY. 1432 00:44:49,154 --> 00:44:50,789 IT'S A DIFFERENCE OF OPINION. 1433 00:44:50,789 --> 00:44:52,190 WE SHOULD JUST AGREE TO -- I 1434 00:44:52,190 --> 00:44:53,792 LOVE YOU. >> NO, EUGENE. 1435 00:44:53,792 --> 00:44:57,095 [ GROANS ] 1436 00:44:57,095 --> 00:44:58,229 [ SCOFFS ] 1437 00:44:58,229 --> 00:44:59,397 >> DON'T... 1438 00:44:59,397 --> 00:45:01,900 [ GROANING ] 1439 00:45:07,238 --> 00:45:09,741 [ SIGHS ] 1440 00:45:14,412 --> 00:45:16,147 IT'S ABSOLUTELY CRUCIAL WHEN 1441 00:45:16,147 --> 00:45:18,016 BEING CREATIVE TO BLOCK OUT ALL 1442 00:45:18,016 --> 00:45:19,517 OF YOUR PERSONAL ISSUES AND 1443 00:45:19,517 --> 00:45:21,552 FOCUS SOLELY ON THE WORK, WHICH 1444 00:45:21,552 --> 00:45:23,488 IS WHAT I'M DOING RIGHT NOW. 1445 00:45:23,488 --> 00:45:25,523 AND I HAPPEN TO THINK I'M DOING 1446 00:45:25,523 --> 00:45:28,026 A PRETTY DAMN GOOD JOB OF THAT. 1447 00:45:35,400 --> 00:45:36,167 >> HEY. 1448 00:45:36,167 --> 00:45:39,805 >> HEY. >> UM...SORRY ABOUT ALL OF THAT. 1449 00:45:39,805 --> 00:45:40,806 >> YOU ALL RIGHT? 1450 00:45:40,806 --> 00:45:43,208 >> YEAH. 1451 00:45:43,208 --> 00:45:44,910 >> UM, I THINK REHEARSAL'S DONE 1452 00:45:44,910 --> 00:45:45,877 FOR TODAY, SO -- 1453 00:45:45,877 --> 00:45:47,312 >> DO YOU WANT TO GO OVER THE 1454 00:45:47,312 --> 00:45:48,546 DANCE NUMBER WITH RIKO? 1455 00:45:48,546 --> 00:45:52,150 [ SIREN WAILING ] 1456 00:45:52,150 --> 00:45:53,351 >> YEAH. >> YEAH? 1457 00:45:53,351 --> 00:45:55,020 >> YEAH. 1458 00:45:55,020 --> 00:45:56,487 THAT'D BE FUN. >> OKAY. LET'S DO IT. 1459 00:45:56,487 --> 00:45:57,522 >> I'M A TERRIBLE DANCER. 1460 00:45:57,522 --> 00:45:58,356 >> IT'S ALL RIGHT. 1461 00:45:58,356 --> 00:45:59,424 >> OKAY. >> HEY, RIKO. 1462 00:45:59,424 --> 00:46:00,491 >> I HAVE A VERY HARD TIME 1463 00:46:00,491 --> 00:46:01,392 LETTING PEOPLE LEAD. 1464 00:46:01,392 --> 00:46:02,560 >> I GOT A GIRL WHO WANTS TO 1465 00:46:02,560 --> 00:46:03,829 DANCE. 1466 00:46:03,829 --> 00:46:07,899 [ WAILING CONTINUES ] 1467 00:46:07,899 --> 00:46:10,268 >> [ SNIFFLES ] 1468 00:46:10,268 --> 00:46:12,503 [ KNOCK ON DOOR, DOOR OPENS ] 1469 00:46:12,503 --> 00:46:14,239 [ GASPS ] 1470 00:46:14,239 --> 00:46:15,941 >> HI. >> UH, HEY, YOU. 1471 00:46:15,941 --> 00:46:16,407 >> HEY. 1472 00:46:16,407 --> 00:46:17,108 >> HEY. 1473 00:46:17,108 --> 00:46:18,409 >> HEY. 1474 00:46:18,409 --> 00:46:20,045 UM, ARE YOU STILL GOOD, UH, FOR 1475 00:46:20,045 --> 00:46:21,412 YOUR MEETING WITH DOMINIC, OR 1476 00:46:21,412 --> 00:46:23,414 DO YOU WANT ME TO RESCHEDULE? 1477 00:46:23,414 --> 00:46:24,282 >> OH, NO, YEAH. 1478 00:46:24,282 --> 00:46:25,583 I WOULD LOVE -- THERE'S NOTHING 1479 00:46:25,583 --> 00:46:27,085 MORE IN THE WORLD THAT I WOULD 1480 00:46:27,085 --> 00:46:28,386 LOVE THAN TO MEET WITH THAT GUY 1481 00:46:28,386 --> 00:46:29,054 RIGHT NOW. 1482 00:46:29,054 --> 00:46:30,021 WHAT TIME WAS THAT? 1483 00:46:30,021 --> 00:46:31,222 WHAT TIME WOULD I HAVE TO BE 1484 00:46:31,222 --> 00:46:33,124 THERE? >> UH, 10 MINUTES AGO BACKSTAGE. 1485 00:46:33,124 --> 00:46:35,927 >> RIGHT NOW? >> YEAH. 1486 00:46:35,927 --> 00:46:37,628 >> OKAY. PERFECT. 1487 00:46:37,628 --> 00:46:40,531 THAT'S GREAT. 1488 00:46:40,531 --> 00:46:41,499 >> THANKS FOR COMING. 1489 00:46:41,499 --> 00:46:42,333 [ CLEARS THROAT ] 1490 00:46:42,333 --> 00:46:44,469 SO, UH, IN TERMS OF 1491 00:46:44,469 --> 00:46:46,637 CONSTRUCTION, THINGS ARE -- ARE 1492 00:46:46,637 --> 00:46:47,638 GOING WELL. 1493 00:46:47,638 --> 00:46:50,008 UM, CUT OUT ALL THE SET PIECES, 1494 00:46:50,008 --> 00:46:52,143 AND, UH, EVERYTHING'S PAINTED. 1495 00:46:52,143 --> 00:46:54,079 >> OH. >> READY TO GO. 1496 00:46:54,079 --> 00:46:55,981 UH, WE HAD A LOT OF DESIGN 1497 00:46:55,981 --> 00:46:58,016 IDEAS, BUT DUE TO, YOU KNOW, 1498 00:46:58,016 --> 00:46:59,985 BUDGET, UH, WE NIXED THOSE. 1499 00:46:59,985 --> 00:47:00,651 >> YEAH. 1500 00:47:00,651 --> 00:47:02,620 >> SO BASICALLY, WHAT WE'RE 1501 00:47:02,620 --> 00:47:05,123 WORKING WITH IS, UM... 1502 00:47:11,496 --> 00:47:12,130 >> OH. 1503 00:47:12,130 --> 00:47:13,664 >> THAT'S -- THIS IS THE, UH, 1504 00:47:13,664 --> 00:47:15,233 RECTANGLE THAT WE BUILT. 1505 00:47:15,233 --> 00:47:16,467 >> OKAY, THAT'S GOOD. 1506 00:47:16,467 --> 00:47:17,969 WHAT ELSE HAVE YOU GOT? 1507 00:47:17,969 --> 00:47:21,039 >> THE BLACK, UM... 1508 00:47:21,039 --> 00:47:22,640 IN, UH, TERMS OF THE ACTUAL 1509 00:47:22,640 --> 00:47:24,009 BRONCO, WE WERE -- 1510 00:47:24,009 --> 00:47:25,610 >> I DESIGNED THAT ALREADY. 1511 00:47:25,610 --> 00:47:26,577 >> EXCUSE ME? 1512 00:47:26,577 --> 00:47:28,113 >> THE BRONCO'S DONE. 1513 00:47:28,113 --> 00:47:30,015 I ALREADY DESIGNED IT. 1514 00:47:30,015 --> 00:47:31,449 >> UH, I'M THE DESIGNER. 1515 00:47:31,449 --> 00:47:34,552 >> BUT I'M THE DIRECTOR. 1516 00:47:34,552 --> 00:47:36,121 >> CAN I -- CAN I SEE IT? 1517 00:47:36,121 --> 00:47:38,423 >> NO. 1518 00:47:42,460 --> 00:47:46,464 >> WHAT ARE YOU DOING? 1519 00:47:46,464 --> 00:47:48,199 WHAT? WHY ARE YOU -- WHY ARE 1520 00:47:48,199 --> 00:47:52,170 YOU STARING AT ME? 1521 00:47:52,170 --> 00:47:53,304 I, UM... 1522 00:47:53,304 --> 00:47:55,640 >> [ MOANING ] 1523 00:47:55,640 --> 00:47:57,142 >> I'M GONNA GET BACK TO WORK 1524 00:47:57,142 --> 00:47:59,010 HERE. THIS WAS A REALLY GOOD MEETING. 1525 00:47:59,010 --> 00:48:00,345 UH, I APPRECIATE YOU COMING IN? 1526 00:48:00,345 --> 00:48:01,279 >> YOU FEEL THAT? 1527 00:48:01,279 --> 00:48:02,213 >> DO I FEEL WHAT? 1528 00:48:02,213 --> 00:48:05,716 >> FEEL THAT? >> DO I WHAT? 1529 00:48:05,716 --> 00:48:09,054 FEEL IT? 1530 00:48:09,054 --> 00:48:11,122 ALL RIGHT. WELL, UH -- WELL, I'LL TALK TO 1531 00:48:11,122 --> 00:48:12,057 YOU SOON, EUGENE. 1532 00:48:12,057 --> 00:48:14,192 UM, UH, GREAT. IT'S ALWAYS GOOD SEEING YOU. 1533 00:48:14,192 --> 00:48:15,026 >> HELL, YEAH. 1534 00:48:15,026 --> 00:48:17,362 FEEL THAT. YES. >> UH, AND I'M SURE I'LL SEE YOU 1535 00:48:17,362 --> 00:48:18,329 IN A COUPLE WEEKS. 1536 00:48:18,329 --> 00:48:20,331 >> PHEW! >> ALL RIGHT, I'LL TALK TO YOU 1537 00:48:20,331 --> 00:48:21,566 LATER. NICE WORK, MAN. 1538 00:48:21,566 --> 00:48:22,300 KEEP IT UP. 1539 00:48:22,300 --> 00:48:25,103 OOH! 1540 00:48:25,103 --> 00:48:29,640 >> FUCKING WEIRDO. 1541 00:48:29,640 --> 00:48:31,442 >> 1, 2. 1542 00:48:31,442 --> 00:48:33,644 BEAUTIFUL. VERY NICE. 1543 00:48:33,644 --> 00:48:35,180 JUST FEEL IT. 1544 00:48:35,180 --> 00:48:37,348 FEEL HIS ENERGY. 1545 00:48:37,348 --> 00:48:38,583 FEEL THE MUSIC. 1546 00:48:38,583 --> 00:48:41,652 DRIVE THAT. 1547 00:48:41,652 --> 00:48:43,221 >> SO, THE SHOW IS GOING 1548 00:48:43,221 --> 00:48:44,255 INCREDIBLY WELL. 1549 00:48:44,255 --> 00:48:46,091 UH, EVERYONE SEEMS FOCUSED, AND 1550 00:48:46,091 --> 00:48:47,758 THEY'RE HAVING A LOT OF FUN, YOU 1551 00:48:47,758 --> 00:48:48,359 KNOW? 1552 00:48:48,359 --> 00:48:49,460 >> HA! >> GOD! 1553 00:48:49,460 --> 00:48:51,462 >> EXCEPT FOR EUGENE. 1554 00:48:51,462 --> 00:48:52,597 IT'S HARD BEING EVERYONE'S 1555 00:48:52,597 --> 00:48:54,032 LEADER, EVERYONE LOOKING UP TO 1556 00:48:54,032 --> 00:48:59,004 YOU FOR SUPPORT. 1557 00:48:59,004 --> 00:49:00,238 EUGENE! 1558 00:49:00,238 --> 00:49:01,339 EUGENE. HEY, HEY, HEY! 1559 00:49:01,339 --> 00:49:02,407 GREAT REHEARSAL, HUH? 1560 00:49:02,407 --> 00:49:03,474 >> YEAH, IT WAS GOOD. 1561 00:49:03,474 --> 00:49:04,242 IT WAS FINE. 1562 00:49:04,242 --> 00:49:05,443 >> HEY, YOU GOT A MINUTE? 1563 00:49:05,443 --> 00:49:06,277 >> NOT REALLY. 1564 00:49:06,277 --> 00:49:07,512 I GOT TO GET TO MY OFFICE. 1565 00:49:07,512 --> 00:49:08,679 >> OKAY. IT'S JUST THAT KIM HAD 1566 00:49:08,679 --> 00:49:10,048 SOME CONCERNS ABOUT THE SCRIPT. 1567 00:49:10,048 --> 00:49:11,182 >> KIM -- OH, THAT'S SHOCKING. 1568 00:49:11,182 --> 00:49:13,084 >> YEAH, YEAH. DO YOU WANT TO MAYBE TALK LATER? 1569 00:49:13,084 --> 00:49:14,052 >> LATER WOULD BE GREAT. 1570 00:49:14,052 --> 00:49:15,553 YEAH, LATER. >> OKAY. WE'LL MEET LATER IN 1571 00:49:15,553 --> 00:49:16,354 YOUR, UH, TRAILER. 1572 00:49:16,354 --> 00:49:17,255 >> OKAY, I'LL BE IN MY OFFICE. 1573 00:49:17,255 --> 00:49:18,189 >> OKAY. IT'S A TRAILER, THOUGH. 1574 00:49:18,189 --> 00:49:19,057 >> I'M JUST GOING RIGHT OVER 1575 00:49:19,057 --> 00:49:20,258 HERE TO MY OFFICE. >> IT'S A TRAILER. 1576 00:49:20,258 --> 00:49:21,092 >> IT'S AROUND THE CORNER. 1577 00:49:21,092 --> 00:49:22,727 YOU KNOW WHERE THE OFFICE IS? >> I KNOW WHERE YOUR TRAILER IS. 1578 00:49:22,727 --> 00:49:23,594 >> PLEASE, WILL YOU JUST SAY 1579 00:49:23,594 --> 00:49:24,529 "OFFICE" FOR ME RIGHT NOW? 1580 00:49:24,529 --> 00:49:25,230 >> IT'S A TRAILER. 1581 00:49:25,230 --> 00:49:26,131 >> CAN YOU CALL IT MY OFFICE, 1582 00:49:26,131 --> 00:49:27,565 JUST FOR ONE TIME? JUST CALL IT AN OFFICE, AND THEN 1583 00:49:27,565 --> 00:49:28,499 YOU CAN SAY TRAILER RIGHT AFTER 1584 00:49:28,499 --> 00:49:29,634 THAT, BUT JUST SAY OFFICE ONCE. 1585 00:49:29,634 --> 00:49:30,235 >> OFFICE. 1586 00:49:30,235 --> 00:49:31,236 >> AND THEN YOU CAN SAY -- 1587 00:49:31,236 --> 00:49:32,170 >> TRAILER. >> OKAY. 1588 00:49:32,170 --> 00:49:33,204 I'LL BE THERE IN MY OFFICE. 1589 00:49:33,204 --> 00:49:35,306 TO BE A SUCCESSFUL DIRECTOR, YOU 1590 00:49:35,306 --> 00:49:37,108 HAVE TO TREAT EVERY ACTOR 1591 00:49:37,108 --> 00:49:39,644 DIFFERENT. SOME ACTORS YOU TREAT LIKE 1592 00:49:39,644 --> 00:49:44,715 ANGELS, AND SOME ACTORS YOU 1593 00:49:44,715 --> 00:49:47,352 TREAT LIKE HYO. 1594 00:49:47,352 --> 00:49:48,286 >> EUGENE, I -- 1595 00:49:48,286 --> 00:49:49,787 >> Shh. 1596 00:49:49,787 --> 00:49:54,425 [ WHIRRING ] 1597 00:49:54,425 --> 00:49:55,726 >> EUGENE? SER-- 1598 00:49:55,726 --> 00:49:59,730 >> Shh. 1599 00:49:59,730 --> 00:50:01,566 >> SERIOUSLY, I DON'T UNDERSTAND 1600 00:50:01,566 --> 00:50:02,500 THIS EXERCISE. 1601 00:50:02,500 --> 00:50:05,470 OKAY, JESUS, I JUST... 1602 00:50:05,470 --> 00:50:07,572 EVERYONE KEEPS TELLING ME HOW 1603 00:50:07,572 --> 00:50:09,274 SUCCESSFUL EUGENE IS. 1604 00:50:09,274 --> 00:50:11,442 THEREFORE, I JUST NEED TO HAVE 1605 00:50:11,442 --> 00:50:14,845 FAITH IN THE PROCESS, BUT... 1606 00:50:14,845 --> 00:50:17,215 I don't know. 1607 00:50:17,215 --> 00:50:19,084 IT JUST KEEPS GETTING WEIRDER 1608 00:50:19,084 --> 00:50:20,518 AND WEIRDER AND WEIRDER. 1609 00:50:20,518 --> 00:50:22,353 I MEAN, I HAVE WORKED IN THE 1610 00:50:22,353 --> 00:50:24,155 THEATER MY WHOLE LIFE, AND I 1611 00:50:24,155 --> 00:50:25,656 HAVE -- I HAVE NEVER SEEN 1612 00:50:25,656 --> 00:50:27,092 ANYTHING LIKE THIS. 1613 00:50:27,092 --> 00:50:30,628 >> Shh. >> YOU SEE?! 1614 00:50:30,628 --> 00:50:32,497 DID YOU SEE THAT? 1615 00:50:32,497 --> 00:50:33,598 >> Shh. 1616 00:50:33,598 --> 00:50:36,534 >> [ GRUNTS ] 1617 00:50:36,534 --> 00:50:41,672 [ LIQUID STREAMING ] 1618 00:50:41,672 --> 00:50:43,141 [ SIREN WAILING ] 1619 00:50:43,141 --> 00:50:44,375 >> LOVE YOU GUYS. 1620 00:50:44,375 --> 00:50:46,677 [ LAUGHING ] 1621 00:50:50,548 --> 00:50:51,249 FUCK. 1622 00:50:51,249 --> 00:50:53,251 WHAT ARE WE DOING OUTSIDE, 1623 00:50:53,251 --> 00:50:55,886 BEFORE SUNRISE, AT 7:00 A.M. AT 1624 00:50:55,886 --> 00:50:57,188 REGINA'S PLACE? 1625 00:50:57,188 --> 00:50:58,523 WELL, GOOD QUESTION. 1626 00:50:58,523 --> 00:51:00,291 WE HAD A BREAKTHROUGH LAST 1627 00:51:00,291 --> 00:51:02,193 NIGHT, SO WE'RE JUST HERE TO 1628 00:51:02,193 --> 00:51:04,562 CELEBRATE WITH SOME BAGELS AND 1629 00:51:04,562 --> 00:51:05,496 CREAM CHEESE. 1630 00:51:05,496 --> 00:51:06,697 DUH! 1631 00:51:06,697 --> 00:51:08,666 AND, THEN, SOME O.J. 1632 00:51:08,666 --> 00:51:10,435 DOY! 1633 00:51:10,435 --> 00:51:12,137 >> UM, SO, WHEN MY ALARM GOES 1634 00:51:12,137 --> 00:51:13,571 OFF IN MY POCKET HERE, WE'RE 1635 00:51:13,571 --> 00:51:15,406 JUST GONNA RUSH UP THERE AND SEE 1636 00:51:15,406 --> 00:51:16,507 HOW HER NIGHT WENT. 1637 00:51:16,507 --> 00:51:19,210 YOU KNOW, SHE HASN'T BEEN 1638 00:51:19,210 --> 00:51:20,445 RETURNING MY PHONE CALLS THE 1639 00:51:20,445 --> 00:51:21,246 LAST FEW DAYS. 1640 00:51:21,246 --> 00:51:22,547 I THINK SHE'S BEEN REALLY BUSY 1641 00:51:22,547 --> 00:51:23,748 WITH EVERYTHING THAT'S BEEN 1642 00:51:23,748 --> 00:51:24,849 GOING ON, ALL THE -- THE 1643 00:51:24,849 --> 00:51:26,384 WORKLOAD AND ALL THE REHEARSALS 1644 00:51:26,384 --> 00:51:27,185 AND EVERYTHING. 1645 00:51:27,185 --> 00:51:28,519 WE'RE GONNA GO CHECK ON HER AND 1646 00:51:28,519 --> 00:51:29,787 HAVE A -- HAVE A NICE, LITTLE 1647 00:51:29,787 --> 00:51:31,356 MORNING TOGETHER. 1648 00:51:31,356 --> 00:51:34,925 [ DOG BARKING ] 1649 00:51:34,925 --> 00:51:35,593 MORNING. 1650 00:51:35,593 --> 00:51:36,861 I BROUGHT YOU SOME BAGELS. 1651 00:51:36,861 --> 00:51:37,495 REGINA? 1652 00:51:37,495 --> 00:51:38,829 [ KNOCK AT DOOR ] 1653 00:51:38,829 --> 00:51:40,198 >> OH, MY GOD. 1654 00:51:40,198 --> 00:51:41,432 >> REGINA, HEY. 1655 00:51:41,432 --> 00:51:43,468 >> WHY, WHY, WHY, WHY, WHY? 1656 00:51:43,468 --> 00:51:44,735 HEY! >> WHY? 1657 00:51:44,735 --> 00:51:46,504 >> HEY, HEY. 1658 00:51:46,504 --> 00:51:47,472 THANK YOU, MAN. 1659 00:51:47,472 --> 00:51:48,539 HEY. GOOD MORNING. 1660 00:51:48,539 --> 00:51:49,674 I BROUGHT BAGELS AND 1661 00:51:49,674 --> 00:51:50,575 ORANGE JUICE. 1662 00:51:50,575 --> 00:51:51,676 >> WHAT TIME IS IT? 1663 00:51:51,676 --> 00:51:55,680 >> IT'S 10:30. IT'S 11:00. 1664 00:51:55,680 --> 00:51:56,614 >> IT'S 7:00. IT'S 7:00. 1665 00:51:56,614 --> 00:51:57,648 >> DO YOU MIND IF I COME IN? 1666 00:51:57,648 --> 00:51:58,649 I DON'T HAVE TO TAKE OFF MY 1667 00:51:58,649 --> 00:51:59,684 SHOES, 'CAUSE I'M NOT WEARING 1668 00:51:59,684 --> 00:52:00,818 ANY, IF THAT'S WHAT YOU THOUGHT. 1669 00:52:00,818 --> 00:52:01,386 THANK YOU. 1670 00:52:01,386 --> 00:52:02,887 >> [ GROANS ] >> HOW'S YOUR MORNING SO FAR? 1671 00:52:02,887 --> 00:52:04,222 >> WHY ARE YOU WEARING THE CAPE, 1672 00:52:04,222 --> 00:52:05,690 EUGENE? >> IT'S JUST BECAUSE IT'S 1673 00:52:05,690 --> 00:52:06,757 SOMETHING THAT I WAS WEARING 1674 00:52:06,757 --> 00:52:07,358 LAST NIGHT. 1675 00:52:07,358 --> 00:52:08,826 IT'S NO BIG DEAL. SO, HOW IS EVERYTHING? 1676 00:52:08,826 --> 00:52:09,927 I BROUGHT SOME BAGELS AND SOME 1677 00:52:09,927 --> 00:52:10,595 CREAM CHEESE. 1678 00:52:10,595 --> 00:52:11,862 WHOSE SHOES ARE THESE? 1679 00:52:11,862 --> 00:52:13,564 WHOSE -- DOMINIC'S IN HERE?! 1680 00:52:13,564 --> 00:52:14,932 WHY IS DOMINIC IN HERE?! 1681 00:52:14,932 --> 00:52:16,667 >> HE'S CRASHING ON MY COUCH! 1682 00:52:16,667 --> 00:52:17,468 EW, GROSS! 1683 00:52:17,468 --> 00:52:19,570 >> OH. NO, I REMEMBER -- HEY, MAN, 1684 00:52:19,570 --> 00:52:20,671 SORRY ABOUT THAT. 1685 00:52:20,671 --> 00:52:21,372 >> WHAT? 1686 00:52:21,372 --> 00:52:22,607 IS THAT WHAT'S GOING ON, EUGENE, 1687 00:52:22,607 --> 00:52:23,241 RIGHT NOW? 1688 00:52:23,241 --> 00:52:24,242 IS THAT WHY YOU'RE HERE? 1689 00:52:24,242 --> 00:52:25,443 ARE YOU SPYING ON ME RIGHT NOW? 1690 00:52:25,443 --> 00:52:26,344 >> I WAS NOT SPYING. 1691 00:52:26,344 --> 00:52:27,345 >> ARE YOU SPYING ON ME? 1692 00:52:27,345 --> 00:52:28,279 >> NO. WE'RE FRIENDS. 1693 00:52:28,279 --> 00:52:29,247 YOU AND I ARE FRIENDS. 1694 00:52:29,247 --> 00:52:30,815 I GET IT. YOU SAID THAT WE WERE FRIENDS, 1695 00:52:30,815 --> 00:52:31,916 AND I UNDERSTAND THAT WE'RE 1696 00:52:31,916 --> 00:52:32,483 FRIENDS. 1697 00:52:32,483 --> 00:52:33,518 >> OKAY, ALL RIGHT, OKAY. 1698 00:52:33,518 --> 00:52:34,419 BUT WHY ARE YOU HERE? 1699 00:52:34,419 --> 00:52:35,686 >> BECAUSE I WANTED TO BRING YOU 1700 00:52:35,686 --> 00:52:36,821 BAGELS AND SOME ORANGE JUICE. 1701 00:52:36,821 --> 00:52:38,523 O.J. -- DO YOU GET IT? 1702 00:52:38,523 --> 00:52:39,290 IT'S FOR THE SHOW. 1703 00:52:39,290 --> 00:52:40,425 >> YOU'RE FREAKING ME OUT, OKAY? 1704 00:52:40,425 --> 00:52:41,492 WE NEED TO HAVE A CONVERSATION. 1705 00:52:41,492 --> 00:52:42,593 WE NEED TO HAVE A LENGTHY TALK. 1706 00:52:42,593 --> 00:52:43,694 >> YES, GOOD. LET'S HAVE A TALK. 1707 00:52:43,694 --> 00:52:44,829 >> WE'RE NOT GONNA HAVE IT RIGHT 1708 00:52:44,829 --> 00:52:45,930 NOW, BUT WE'RE GONNA HAVE IT IN 1709 00:52:45,930 --> 00:52:46,697 A COUPLE OF HOURS. 1710 00:52:46,697 --> 00:52:47,765 >> DID I JUST SEE ORLANDO WALK 1711 00:52:47,765 --> 00:52:48,599 THROUGH THE BATHROOM? 1712 00:52:48,599 --> 00:52:49,934 ORLANDO! 1713 00:52:49,934 --> 00:52:51,636 ARE YOU SE-- 1714 00:52:51,636 --> 00:52:53,471 ORLANDO, OPEN UP. 1715 00:52:53,471 --> 00:52:54,639 ORLANDO, YOU'RE MAKING THE BEAST 1716 00:52:54,639 --> 00:52:55,740 WITH TWO BACKS WITH MY WOMAN? 1717 00:52:55,740 --> 00:52:56,674 OPEN THIS GODDAMN DOOR, 1718 00:52:56,674 --> 00:52:57,375 MOTHERFUCKER! 1719 00:52:57,375 --> 00:52:58,008 ARE YOU KIDDING ME? 1720 00:52:58,008 --> 00:52:59,344 DOMINIC, DID YOU SEE ORLANDO IN 1721 00:52:59,344 --> 00:53:00,745 THERE? IS THAT ORLANDO WHO IS IN THAT 1722 00:53:00,745 --> 00:53:01,546 BATHROOM RIGHT NOW? 1723 00:53:01,546 --> 00:53:02,580 TELL ME IF THAT WAS ORLANDO, 1724 00:53:02,580 --> 00:53:03,548 MAN! GOD DAMN IT! 1725 00:53:03,548 --> 00:53:04,449 HEY, MAN, GUESS WHAT? 1726 00:53:04,449 --> 00:53:05,583 I KNOW YOU'RE IN THERE, AND IT'S 1727 00:53:05,583 --> 00:53:06,351 TIME TO DO THIS. 1728 00:53:06,351 --> 00:53:07,418 GET THE FUCK OUT HERE, MO... 1729 00:53:07,418 --> 00:53:08,286 [ DOORKNOB RATTLING ] 1730 00:53:08,286 --> 00:53:09,887 ORLANDO, HEY. 1731 00:53:09,887 --> 00:53:11,256 >> YEAH, I WAS THERE. 1732 00:53:11,256 --> 00:53:12,690 THE FUNNY THING IS, I WASN'T 1733 00:53:12,690 --> 00:53:14,659 EVEN IN THE BATHROOM. 1734 00:53:14,659 --> 00:53:15,993 I WAS IN THE BEDROOM, WATCHING 1735 00:53:15,993 --> 00:53:18,796 TV THE WHOLE TIME. 1736 00:53:18,796 --> 00:53:20,898 DUDE'S CRAZY. 1737 00:53:20,898 --> 00:53:24,435 AND YES, WE WERE MAKING THE 1738 00:53:24,435 --> 00:53:27,305 BEAST WITH TWO BACKS. 1739 00:53:27,305 --> 00:53:28,806 BOOYAH. 1740 00:53:28,806 --> 00:53:30,375 >> THANKS FOR THE BAGELS, 1741 00:53:30,375 --> 00:53:32,310 EUGENE. 1742 00:53:32,310 --> 00:53:34,712 >> YEAH. NO PROBLEM. 1743 00:53:34,712 --> 00:53:36,714 >> THAT'S KIND OF HOW EUGENE HAS 1744 00:53:36,714 --> 00:53:37,348 BEEN. 1745 00:53:37,348 --> 00:53:38,616 HE'S UNPREDICTABLE. 1746 00:53:38,616 --> 00:53:39,584 I DON'T KNOW. 1747 00:53:39,584 --> 00:53:41,619 I DON'T REALLY -- I REALLY DON'T 1748 00:53:41,619 --> 00:53:43,020 FEEL LIKE IT RIGHT NOW. 1749 00:53:43,020 --> 00:53:44,489 >> YOU READY TO GO? 1750 00:53:44,489 --> 00:53:45,055 >> YEAH. 1751 00:53:45,055 --> 00:53:46,791 CAN -- CAN WE JUST DO THIS 1752 00:53:46,791 --> 00:53:47,792 ANOTHER TIME? 1753 00:53:47,792 --> 00:53:50,361 I-I, UM... 1754 00:53:50,361 --> 00:53:51,829 [ GROANS ] 1755 00:53:51,829 --> 00:53:54,332 SO, OKAY. 1756 00:54:07,578 --> 00:54:09,380 >> I WEAR MY HEART UPON MY 1757 00:54:09,380 --> 00:54:13,384 SLEEVE FOR DOGS TO PECK AT. 1758 00:54:13,384 --> 00:54:16,787 I AM NOT WHO I AM. 1759 00:54:16,787 --> 00:54:20,458 I AM MARK FUHRMAN. 1760 00:54:20,458 --> 00:54:21,759 >> WHY DON'T YOU TAKE THE PILLOW 1761 00:54:21,759 --> 00:54:22,727 AWAY FROM YOUR FACE? 1762 00:54:22,727 --> 00:54:25,062 >> [ MUFFLED TALKING ] 1763 00:54:25,062 --> 00:54:26,364 >> WE CAN HAVE AN ADULT 1764 00:54:26,364 --> 00:54:29,367 CONVERSATION. >> [ GRUNTS ] 1765 00:54:29,367 --> 00:54:30,501 >> OKAY, EUGENE... 1766 00:54:30,501 --> 00:54:32,403 [ Baby-talking ] I'M GONNA NEED 1767 00:54:32,403 --> 00:54:34,104 THAT BIG BOY TO TAKE THAT PILLOW 1768 00:54:34,104 --> 00:54:35,740 AWAY FROM HIS FACE, OKAY? 1769 00:54:35,740 --> 00:54:37,975 YEAH. THERE HE IS. 1770 00:54:37,975 --> 00:54:39,109 THAT'S A PRETTY, LITTLE FACE. 1771 00:54:39,109 --> 00:54:42,647 LOOK AT THAT. FEELING BETTER NOW? 1772 00:54:42,647 --> 00:54:44,114 >> YEAH. 1773 00:54:44,114 --> 00:54:46,016 >> SO, HOW IS THE PLAY? 1774 00:54:46,016 --> 00:54:47,685 >> IT'S A DISASTER. 1775 00:54:47,685 --> 00:54:49,354 EVERYBODY HATES ME. 1776 00:54:49,354 --> 00:54:51,689 I REALLY SCREWED UP EVERYTHING! 1777 00:54:51,689 --> 00:54:53,991 I DON'T WANT TO -- I DON'T WANT 1778 00:54:53,991 --> 00:54:55,626 TO TALK ABOUT IT. 1779 00:54:55,626 --> 00:54:56,861 >> WELL, THEN, WHAT DO YOU WANT 1780 00:54:56,861 --> 00:54:57,595 TO TALK ABOUT? 1781 00:54:57,595 --> 00:54:59,397 >> [ SIGHS ] 1782 00:54:59,397 --> 00:55:04,001 DEATH AND SUICIDE AND PAIN AND 1783 00:55:04,001 --> 00:55:05,770 SELF-MUTILATION OF ONE'S 1784 00:55:05,770 --> 00:55:06,937 PRIVATES AND -- 1785 00:55:06,937 --> 00:55:08,606 >> ALL GOOD TOPICS. 1786 00:55:08,606 --> 00:55:10,875 OKAY, BUT LET'S WORK OUR WAY UP 1787 00:55:10,875 --> 00:55:12,577 TO THOSE, ALL RIGHT? 1788 00:55:12,577 --> 00:55:14,011 LET'S TALK ABOUT SOMETHING MORE 1789 00:55:14,011 --> 00:55:16,013 RECENT. I SEE IN OUR LAST SESSION, WE 1790 00:55:16,013 --> 00:55:17,081 TALKED ABOUT REGINA. 1791 00:55:17,081 --> 00:55:22,687 >> [ SCREAMING ] 1792 00:55:22,687 --> 00:55:24,955 >> IT SEEMS LIKE I HIT A SORE 1793 00:55:24,955 --> 00:55:25,990 SPOT, HUH? 1794 00:55:25,990 --> 00:55:27,458 >> [ GROANING ] 1795 00:55:27,458 --> 00:55:29,460 >> SO, BESIDES REGINA -- 1796 00:55:29,460 --> 00:55:31,061 >> [ SCREAMING ] 1797 00:55:39,470 --> 00:55:41,105 >> I GOT ONE QUESTION FOR YOU, 1798 00:55:41,105 --> 00:55:42,172 JURY. >> MM! 1799 00:55:42,172 --> 00:55:44,008 >> I GOT ONE QUESTION FOR YOU, 1800 00:55:44,008 --> 00:55:45,543 PROSECUTION. >> MM! 1801 00:55:45,543 --> 00:55:47,177 >> I GOT ONE QUESTION FOR YOU, 1802 00:55:47,177 --> 00:55:48,012 JUDGE ITO! 1803 00:55:48,012 --> 00:55:50,481 >> MM! >> I GOT ONE QUESTION FOR YOU, 1804 00:55:50,481 --> 00:55:51,015 AMERICA. 1805 00:55:51,015 --> 00:55:54,719 >> MMM! >> IF THE GLOVE DON'T FIT... 1806 00:55:54,719 --> 00:55:55,720 >> MMM! 1807 00:55:55,720 --> 00:55:58,656 >> I SAID, I SAID, IF THE GLOVE 1808 00:55:58,656 --> 00:55:59,957 DON'T FIT... 1809 00:55:59,957 --> 00:56:00,925 >> MMM! 1810 00:56:00,925 --> 00:56:02,026 >> I SAID IF THE GLOVE, THE 1811 00:56:02,026 --> 00:56:03,461 GLOVE, THE GLOVE, THE GLOVE, THE 1812 00:56:03,461 --> 00:56:04,695 GLOVE, THE GLOVE, THE GLOVE, THE 1813 00:56:04,695 --> 00:56:05,963 GLOVE, THE GLOVE, THE GLOVE, THE 1814 00:56:05,963 --> 00:56:06,464 GLOVE! 1815 00:56:06,464 --> 00:56:09,667 >> MMM! 1816 00:56:09,667 --> 00:56:11,569 >> I SAID IF THE GLOVE DON'T 1817 00:56:11,569 --> 00:56:13,438 FIT, THEN YOU MUST, UH, YOU 1818 00:56:13,438 --> 00:56:16,974 MUST, UH, YOU MUST, UH -- HEY! 1819 00:56:16,974 --> 00:56:19,009 YOU'VE GOT TO, YOU'VE GOT TO 1820 00:56:19,009 --> 00:56:21,479 ACQUIT! YOU'VE GOT TO ACQUIT! 1821 00:56:21,479 --> 00:56:22,947 YOU'VE GOT TO ACQUIT! 1822 00:56:22,947 --> 00:56:24,582 >> [ CLEARS THROAT ] 1823 00:56:24,582 --> 00:56:26,651 >> [ Laughing ] HEY, YOU GUYS. 1824 00:56:26,651 --> 00:56:29,520 WHAT IS GOING ON? 1825 00:56:29,520 --> 00:56:30,921 >> WE RECEIVED A PHONE CALL THAT 1826 00:56:30,921 --> 00:56:31,922 SAYS YOU'RE DOING AN 1827 00:56:31,922 --> 00:56:32,990 O.J...SIMPSON MUSICAL? 1828 00:56:32,990 --> 00:56:33,758 >> [ GASPS ] 1829 00:56:33,758 --> 00:56:34,725 >> ARE YOU DOING AN 1830 00:56:34,725 --> 00:56:38,796 O.J. SIMPSON MUSICAL? 1831 00:56:38,796 --> 00:56:39,497 >> UM -- 1832 00:56:39,497 --> 00:56:40,498 >> SO IT'S TRUE? 1833 00:56:40,498 --> 00:56:42,567 >> YEAH. 1834 00:56:42,567 --> 00:56:43,133 >> [ SIGHS ] 1835 00:56:43,133 --> 00:56:44,602 HOW COULD YOU DO THIS TO ME, 1836 00:56:44,602 --> 00:56:46,136 LARRY? WE'RE A SMALL, CHRISTIAN 1837 00:56:46,136 --> 00:56:47,572 THEATER. I TRUSTED YOU. 1838 00:56:47,572 --> 00:56:48,639 OKAY, I KNOW YOU DID. 1839 00:56:48,639 --> 00:56:49,139 >> MM-HMM. 1840 00:56:49,139 --> 00:56:50,508 >> AND I'M SO SORRY, QUI. 1841 00:56:50,508 --> 00:56:51,809 >> WE NEED YOU ALL TO VACATE 1842 00:56:51,809 --> 00:56:53,177 THIS THEATER SPACE IMMEDIATELY. 1843 00:56:53,177 --> 00:56:54,679 >> YEAH, AND THE TRAILER, BY 1844 00:56:54,679 --> 00:56:55,112 MORNING. 1845 00:56:55,112 --> 00:56:56,547 >> YEAH, WE'RE STILL IN THE 1846 00:56:56,547 --> 00:56:57,948 MIDDLE OF REHEARSAL HERE, SO -- 1847 00:56:57,948 --> 00:56:59,016 >> HA! NO, YOU'RE NOT. 1848 00:56:59,016 --> 00:57:00,217 UH, THE REHEARSAL'S OVER. 1849 00:57:00,217 --> 00:57:01,018 >> [ LAUGHS ] 1850 00:57:01,018 --> 00:57:02,620 >> AMY, HOW MANY MORE MINUTES DO 1851 00:57:02,620 --> 00:57:03,053 WE HAVE? 1852 00:57:03,053 --> 00:57:04,522 >> UM...1 HOUR AND 21 MINUTES. 1853 00:57:04,522 --> 00:57:05,690 >> SO WE HAVE 1 HOUR AND 21 1854 00:57:05,690 --> 00:57:06,223 MINUTES LEFT. 1855 00:57:06,223 --> 00:57:07,658 BUT, THEN, SOMETIMES, WE GO A 1856 00:57:07,658 --> 00:57:08,926 LITTLE BIT OVER, 'CAUSE THAT'S 1857 00:57:08,926 --> 00:57:09,594 JUST THE -- 1858 00:57:09,594 --> 00:57:10,761 >> EUGENE, IT'S OVER, OKAY? 1859 00:57:10,761 --> 00:57:12,062 COME ON. DON'T MAKE ME DO THIS. 1860 00:57:12,062 --> 00:57:13,030 >> MAKE YOU DO WHAT? 1861 00:57:13,030 --> 00:57:14,264 >> WHAT ARE YOU TALKING ABOUT? 1862 00:57:14,264 --> 00:57:15,265 >> COME ON. YOU KNOW. 1863 00:57:15,265 --> 00:57:17,802 >> WHAT, WHAT? 1864 00:57:17,802 --> 00:57:19,704 >> AFTER WE HEARD THE NEWS, WE 1865 00:57:19,704 --> 00:57:21,071 WANTED TO SEE WHAT ELSE 1866 00:57:21,071 --> 00:57:23,007 EUGENE OLIVIER WAS LYING ABOUT, 1867 00:57:23,007 --> 00:57:24,742 SO WE FOLLOWED UP ON EVERY 1868 00:57:24,742 --> 00:57:26,544 SINGLE THEATER LISTED ON HIS 1869 00:57:26,544 --> 00:57:27,778 RéSUMé AND WEBSITE. 1870 00:57:27,778 --> 00:57:29,547 NO ONE'S EVER HEARD OF HIM! 1871 00:57:29,547 --> 00:57:31,215 THE PRODUCTIONS, THE AWARDS -- 1872 00:57:31,215 --> 00:57:32,783 HE MADE UP EVERYTHING. 1873 00:57:32,783 --> 00:57:34,719 YOUR FRIEND IS NOT A SUCCESSFUL 1874 00:57:34,719 --> 00:57:35,853 THEATER DIRECTOR. 1875 00:57:35,853 --> 00:57:38,222 [ CHUCKLES ] HE'S A MORON. 1876 00:57:38,222 --> 00:57:39,724 >> YOU GUYS GET THE FUCK OUT OF 1877 00:57:39,724 --> 00:57:40,190 OUR SPACE. 1878 00:57:40,190 --> 00:57:41,592 >> UH, WATCH YOUR LANGUAGE. 1879 00:57:41,592 --> 00:57:42,860 >> NO, YOU GET THE FUCK OUT OF 1880 00:57:42,860 --> 00:57:44,094 OUR SPACE BEFORE YOU GET YOUR 1881 00:57:44,094 --> 00:57:45,129 FUCKING SKULL CRACKED! 1882 00:57:45,129 --> 00:57:46,664 >> WHOA, WHOA, WHOA, WHOA, WHOA! 1883 00:57:46,664 --> 00:57:47,965 >> DON'T EVEN TALK ABOUT THAT. 1884 00:57:47,965 --> 00:57:49,199 >> HE'S GONNA GET HIS FUCKING 1885 00:57:49,199 --> 00:57:50,000 SKULL CRACKED! 1886 00:57:50,000 --> 00:57:51,536 >> HEY, YOU KNOW, LISTEN TO YOUR 1887 00:57:51,536 --> 00:57:52,302 LADY. IT'S OVER. 1888 00:57:52,302 --> 00:57:54,171 [ INDISTINCT SHOUTING ] 1889 00:57:54,171 --> 00:57:55,640 >> STOP! >> HEY! 1890 00:57:55,640 --> 00:57:56,874 >> COME ON, EUGENE. 1891 00:57:56,874 --> 00:57:58,008 >> EUGENE, RELAX! 1892 00:57:58,008 --> 00:58:01,111 >> COME ON. [ INDISTINCT SHOUTING ] 1893 00:58:01,111 --> 00:58:02,980 >> NO, NO, NO, NO! 1894 00:58:02,980 --> 00:58:04,882 STOP IT, STOP IT, STOP IT, 1895 00:58:04,882 --> 00:58:05,249 STOP IT! 1896 00:58:05,249 --> 00:58:06,316 >> STOP, STOP, STOP, STOP. 1897 00:58:06,316 --> 00:58:07,685 >> DON'T YOU EVER TELL ME WHAT 1898 00:58:07,685 --> 00:58:13,157 TO DO! >> IT'S COOL, MAN. 1899 00:58:13,157 --> 00:58:14,792 >> SERIOUSLY, YOU GUYS GOT TO 1900 00:58:14,792 --> 00:58:15,092 GO. 1901 00:58:15,092 --> 00:58:17,995 GET OUT! 1902 00:58:17,995 --> 00:58:20,297 GET OUT. 1903 00:58:20,297 --> 00:58:22,567 THAT WAY OUT. 1904 00:58:22,567 --> 00:58:26,270 GO, GO, GO. 1905 00:58:26,270 --> 00:58:28,005 >> I WAS THE ONE WHO CALLED QUI. 1906 00:58:28,005 --> 00:58:29,640 SOMEBODY HAD TO PUT A STOP TO 1907 00:58:29,640 --> 00:58:30,741 THIS WHOLE CHARADE. 1908 00:58:30,741 --> 00:58:32,276 IT'S FOR THE BETTER, FOR BOTH OF 1909 00:58:32,276 --> 00:58:33,911 THEM. 1910 00:58:33,911 --> 00:58:35,179 AND I'M EXCITED TO HAVE MY 1911 00:58:35,179 --> 00:58:41,619 HUSBAND BACK. 1912 00:58:41,619 --> 00:58:43,788 [ DOOR CLOSES ] 1913 00:58:43,788 --> 00:58:46,090 >> [ SIGHS ] 1914 00:58:54,665 --> 00:59:00,370 >> [ SIGHS ] 1915 00:59:00,370 --> 00:59:01,371 >> EVERYONE GONE? 1916 00:59:01,371 --> 00:59:04,675 >> YEP. 1917 00:59:04,675 --> 00:59:06,811 >> YOU MEAN RIKO AND REGINA? 1918 00:59:06,811 --> 00:59:12,349 >> EVERYONE. 1919 00:59:12,349 --> 00:59:15,119 >> AND ORLANDO -- IS HE OKAY? 1920 00:59:15,119 --> 00:59:16,987 >> BIT OF A BRUISE. 1921 00:59:16,987 --> 00:59:18,322 SAID SOMETHING ABOUT CALLING 1922 00:59:18,322 --> 00:59:20,290 EQUITY. >> [ SCOFFS ] 1923 00:59:20,290 --> 00:59:21,759 >> QUI WILL NEVER SPEAK TO ME 1924 00:59:21,759 --> 00:59:23,628 AGAIN. 1925 00:59:23,628 --> 00:59:24,695 >> [ SIGHS ] 1926 00:59:24,695 --> 00:59:29,166 >> SO... 1927 00:59:29,166 --> 00:59:32,202 >> DO YOU KNOW WHO CALLED? 1928 00:59:32,202 --> 00:59:37,808 >> DOES IT MATTER? 1929 00:59:37,808 --> 00:59:40,110 >> I GUESS NOT. 1930 00:59:44,815 --> 00:59:46,050 >> SO, YOU REALLY MADE ALL THAT 1931 00:59:46,050 --> 00:59:50,955 STUFF UP? 1932 00:59:50,955 --> 00:59:52,823 YOU'RE NOT REALLY A BIG, 1933 00:59:52,823 --> 00:59:54,925 SUCCESSFUL THEATER DIRECTOR? 1934 00:59:54,925 --> 00:59:57,327 >> [ SNORTS ] NO, MAN. 1935 00:59:57,327 --> 00:59:58,796 I HAVEN'T DONE A SHOW SINCE HIGH 1936 00:59:58,796 --> 00:59:59,129 SCHOOL. 1937 00:59:59,129 --> 01:00:01,699 >> [ SIGHS ] 1938 01:00:01,699 --> 01:00:03,067 YOU'VE BEEN... 1939 01:00:03,067 --> 01:00:04,134 [ SIGHS ] 1940 01:00:04,134 --> 01:00:06,737 YOU'VE BEEN TELLING ME ABOUT 1941 01:00:06,737 --> 01:00:07,972 PRODUCTIONS. 1942 01:00:07,972 --> 01:00:10,741 FOR YEARS, YOU'VE BEEN SENDING 1943 01:00:10,741 --> 01:00:12,910 ME PROGRAMS AND REVIEWS. 1944 01:00:12,910 --> 01:00:15,713 I'VE DONATED TO SOME OF THEM. 1945 01:00:15,713 --> 01:00:16,981 ARE YOU TELLING ME NONE OF THAT 1946 01:00:16,981 --> 01:00:19,283 WAS TRUE? 1947 01:00:23,821 --> 01:00:28,759 I GOT TO GO. 1948 01:00:28,759 --> 01:00:31,061 [ DOOR CLOSES ] 1949 01:00:38,736 --> 01:00:42,172 >> * CAN THE CIRCLE BE 1950 01:00:42,172 --> 01:00:44,875 UNBROKEN? * 1951 01:00:44,875 --> 01:00:47,111 * BYE AND BYE, LORD * 1952 01:00:47,111 --> 01:00:50,881 * BYE AND BYE * 1953 01:00:50,881 --> 01:00:54,084 * THERE'S A BETTER HOME 1954 01:00:54,084 --> 01:00:56,754 A-WAITING * 1955 01:00:56,754 --> 01:00:59,056 * IN THE SKY, LORD * 1956 01:00:59,056 --> 01:01:02,760 * IN THE SKY * 1957 01:01:02,760 --> 01:01:08,899 * I WAS STANDING BY MY WINDOW * 1958 01:01:08,899 --> 01:01:14,905 * ON A DARK AND CLOUDY DAY * 1959 01:01:14,905 --> 01:01:18,475 * WHEN I SAW THAT HEARSE COME 1960 01:01:18,475 --> 01:01:20,878 ROLLING * 1961 01:01:20,878 --> 01:01:22,913 >> WHY ARE WE IN ORRVILLE? 1962 01:01:22,913 --> 01:01:26,083 'CAUSE I LIED TO EVERYBODY. 1963 01:01:26,083 --> 01:01:27,151 SHOW'S OVER. 1964 01:01:27,151 --> 01:01:30,154 NOT GONNA FINISH "ORENTHAL." 1965 01:01:30,154 --> 01:01:35,192 FAILED AGAIN. 1966 01:01:35,192 --> 01:01:37,895 HELLO? GRANDMA? 1967 01:01:37,895 --> 01:01:38,996 [ DOG BARKING ] 1968 01:01:38,996 --> 01:01:42,399 >> * THERE'S A BETTER HOME... * 1969 01:01:42,399 --> 01:01:44,434 >> EUGENE ALWAYS LOVED THE 1970 01:01:44,434 --> 01:01:45,302 THEATER. 1971 01:01:45,302 --> 01:01:47,371 HE WAS IN A LOT OF PLAYS IN 1972 01:01:47,371 --> 01:01:49,006 JUNIOR HIGH. 1973 01:01:49,173 --> 01:01:51,408 THEY HAD HIM PUT ON WOMEN'S 1974 01:01:51,408 --> 01:01:54,111 CLOTHES, AND HE PUT STOCKINGS ON 1975 01:01:54,111 --> 01:01:56,513 AND WOMEN'S SHOES AND A LADY'S 1976 01:01:56,513 --> 01:01:59,149 SUIT, AND THE GUYS IN HIS CLASS 1977 01:01:59,149 --> 01:02:01,852 SAID HE HAD BETTER LEGS THAN THE 1978 01:02:01,852 --> 01:02:03,087 LEADING LADY. 1979 01:02:03,087 --> 01:02:04,755 [ LAUGHS ] 1980 01:02:04,922 --> 01:02:09,359 AFTER MY MOM PASSED AWAY, UH, MY 1981 01:02:09,359 --> 01:02:11,495 GRANDMA, YOU KNOW, TOOK CARE OF 1982 01:02:11,495 --> 01:02:13,563 ME, SO SHE'S THE ONLY FAMILY I 1983 01:02:13,563 --> 01:02:16,166 HAVE, REALLY... 1984 01:02:16,166 --> 01:02:20,404 BESIDES LAWRENCE. 1985 01:02:20,404 --> 01:02:22,539 WHY ARE WE IN ORRVILLE? 1986 01:02:22,539 --> 01:02:24,441 WELL, I FIGURE THIS IS WHERE IT 1987 01:02:24,441 --> 01:02:27,044 ALL BEGAN, SO THIS IS WHERE IT 1988 01:02:27,044 --> 01:02:31,281 SHOULD END. 1989 01:02:31,281 --> 01:02:33,483 MY NAME IS EUGENE OLIVIER. 1990 01:02:33,483 --> 01:02:35,920 I'VE TOLD A LOT OF LIES TO A LOT 1991 01:02:35,920 --> 01:02:37,822 OF PEOPLE, AND I'M SICK OF 1992 01:02:37,822 --> 01:02:38,355 LYING. 1993 01:02:38,355 --> 01:02:40,424 I MADE A PROMISE TO MY FRIEND 1994 01:02:40,424 --> 01:02:42,860 LAWRENCE, AND I-I INTEND TO KEEP 1995 01:02:42,860 --> 01:02:45,162 IT. 1996 01:03:07,084 --> 01:03:08,185 [ KNOCK AT DOOR ] 1997 01:03:08,185 --> 01:03:13,123 >> EUGENE? 1998 01:03:13,123 --> 01:03:14,591 [ KNOCKING CONTINUES ] 1999 01:03:14,591 --> 01:03:17,427 EUGENE, DINNER'S READY. 2000 01:03:45,155 --> 01:03:47,457 [ CAT MEOWS ] 2001 01:03:50,094 --> 01:03:51,996 [ "JOLLY OLD ST. NICHOLAS" 2002 01:03:51,996 --> 01:03:54,298 PLAYS ] 2003 01:04:01,538 --> 01:04:04,608 >> * JOLLY, OLD ST. NICHOLAS, 2004 01:04:04,608 --> 01:04:07,111 LEAN YOUR EAR THIS WAY * 2005 01:04:07,111 --> 01:04:09,479 * DON'T YOU TELL A SINGLE SOUL 2006 01:04:09,479 --> 01:04:12,282 WHAT I'M GOING TO SAY * 2007 01:04:12,282 --> 01:04:13,951 * CHRISTMAS EVE WILL SOON 2008 01:04:13,951 --> 01:04:14,985 BE HERE * 2009 01:04:14,985 --> 01:04:17,387 * NOW, YOU DEAR, OLD MAN * 2010 01:04:17,387 --> 01:04:18,956 * WHISPER WHAT YOU'LL BRING 2011 01:04:18,956 --> 01:04:19,689 TO ME * 2012 01:04:19,689 --> 01:04:22,526 * TELL ME IF YOU CAN * 2013 01:04:22,526 --> 01:04:24,494 >> I COULDN'T DO IT. 2014 01:04:24,494 --> 01:04:27,431 PLAN WAS TO COME BACK HERE AND 2015 01:04:27,431 --> 01:04:30,935 END IT WHERE IT ALL BEGAN. 2016 01:04:30,935 --> 01:04:33,037 BUT THERE'S STILL TIME. 2017 01:04:33,037 --> 01:04:34,972 THE YEAR ISN'T OVER. 2018 01:04:34,972 --> 01:04:37,674 THERE'S THREE WEEKS LEFT. 2019 01:04:37,674 --> 01:04:39,109 I MEAN, SO I'M GONNA FLY BACK 2020 01:04:39,109 --> 01:04:43,981 OUT TO CALIFORNIA AND HOPE THAT 2021 01:04:43,981 --> 01:04:47,617 THESE PEOPLE THAT I ABANDONED 2022 01:04:47,617 --> 01:04:52,556 WILL WORK WITH ME TO PUT ON THE 2023 01:04:52,556 --> 01:04:54,491 NEXT GREAT AMERICAN MUSICAL. 2024 01:04:54,491 --> 01:04:57,227 >> * SO I'LL GO TO REST * 2025 01:04:57,227 --> 01:04:58,362 * CHOOSE FOR ME, DEAR 2026 01:04:58,362 --> 01:05:00,530 SANTA CLAUS, WHAT YOU THINK 2027 01:05:00,530 --> 01:05:02,232 IS BEST * 2028 01:05:02,232 --> 01:05:04,534 [ APPLAUSE ] 2029 01:05:23,153 --> 01:05:24,321 >> I STILL CAN'T BELIEVE YOU 2030 01:05:24,321 --> 01:05:29,093 LIED TO ME FOR ALL THOSE YEARS. 2031 01:05:29,093 --> 01:05:31,495 >> I KNOW. 2032 01:05:31,495 --> 01:05:34,231 [ CLEARS THROAT ] 2033 01:05:34,231 --> 01:05:35,399 >> I WOULD HAVE HELPED YOU OUT 2034 01:05:35,399 --> 01:05:38,402 EITHER WAY. 2035 01:05:38,402 --> 01:05:40,270 >> IT WAS A FEW YEARS AGO, RIGHT 2036 01:05:40,270 --> 01:05:41,505 AFTER JAMES WAS BORN. 2037 01:05:41,505 --> 01:05:42,306 >> UH-HUH. 2038 01:05:42,306 --> 01:05:44,074 >> YOU'D JUST GOTTEN THAT BIG 2039 01:05:44,074 --> 01:05:46,410 PROMOTION. WE WERE TALKING ON THE PHONE. 2040 01:05:46,410 --> 01:05:48,045 MAN, YOU SOUNDED SO HAPPY. 2041 01:05:48,045 --> 01:05:50,614 I MEAN, EVERYTHING... 2042 01:05:50,614 --> 01:05:52,516 SOUNDED LIKE IT WAS GOING SO 2043 01:05:52,516 --> 01:05:54,051 GREAT IN YOUR LIFE. 2044 01:05:54,051 --> 01:05:55,752 I-I JUST DECIDED TO TELL YOU 2045 01:05:55,752 --> 01:05:59,423 THAT I WAS PRODUCING A PLAY. 2046 01:05:59,423 --> 01:06:02,126 I DON'T KNOW WHY. IT JUST -- 2047 01:06:02,126 --> 01:06:05,095 IT JUST CAME OUT, AND... 2048 01:06:05,095 --> 01:06:07,397 MAN, YOU WERE SO PROUD OF ME. 2049 01:06:12,369 --> 01:06:17,607 BUT I FOUND THE VHS TAPES... 2050 01:06:17,607 --> 01:06:19,376 OF THE STUFF THAT WE DID WHEN WE 2051 01:06:19,376 --> 01:06:25,282 WERE KIDS. 2052 01:06:25,282 --> 01:06:28,052 TELL ME THAT YOU DON'T MISS IT. 2053 01:06:28,052 --> 01:06:29,653 AND IF YOU -- IF YOU REALLY 2054 01:06:29,653 --> 01:06:31,421 DON'T, THEN I'LL LEAVE YOU 2055 01:06:31,421 --> 01:06:32,322 ALONE, MAN. 2056 01:06:32,322 --> 01:06:36,293 BUT...THE GUY THAT LIED TO YOU 2057 01:06:36,293 --> 01:06:38,695 AND MANIPULATED YOU AND -- THAT 2058 01:06:38,695 --> 01:06:41,065 GUY'S GONE. 2059 01:06:41,065 --> 01:06:43,767 YOU'RE -- YOU'RE MY FAMILY. 2060 01:06:43,767 --> 01:06:45,369 YOU KNOW, I'M JUST ASKING FOR 2061 01:06:45,369 --> 01:06:48,372 ANOTHER SHOT. 2062 01:06:48,372 --> 01:06:52,242 >> [ CHUCKLES ] 2063 01:06:52,242 --> 01:06:53,443 YOU KNOW, IT WAS KIM WHO CALLED 2064 01:06:53,443 --> 01:06:58,382 HORIZON ON US. 2065 01:06:58,382 --> 01:06:59,716 >> SECOND-SMARTEST THING SHE'S 2066 01:06:59,716 --> 01:07:04,354 EVER DONE. 2067 01:07:04,354 --> 01:07:06,656 SO, WHAT DO WE DO NEXT? 2068 01:07:11,395 --> 01:07:12,562 >> WE FIND A PLACE TO DO THE 2069 01:07:12,562 --> 01:07:13,597 SHOW. 2070 01:07:13,597 --> 01:07:16,533 >> [ CHUCKLES ] 2071 01:07:16,533 --> 01:07:19,636 YEAH. 2072 01:07:19,636 --> 01:07:20,870 >> NEEDS A LITTLE BIT OF WORK, 2073 01:07:20,870 --> 01:07:24,474 BUT... 2074 01:07:24,474 --> 01:07:25,542 SO, WHAT DO YOU THINK? 2075 01:07:25,542 --> 01:07:27,677 >> IT'S PERFECT. 2076 01:07:27,677 --> 01:07:30,180 I'M GONNA GO GRAB OUR STUFF. 2077 01:07:35,452 --> 01:07:36,786 >> WHY ARE YOU SO MEAN TO ME? 2078 01:07:36,786 --> 01:07:38,422 >> BECAUSE WHEN I FOUND YOU, YOU 2079 01:07:38,422 --> 01:07:39,823 WERE A WEAK, LITTLE ASIAN GIRL. 2080 01:07:39,823 --> 01:07:41,225 I HAD TO TOUGHEN YOU UP. 2081 01:07:41,225 --> 01:07:42,526 ARE YOU TOUGH ENOUGH TO PLAY 2082 01:07:42,526 --> 01:07:43,227 JUDGE ITO? 2083 01:07:43,227 --> 01:07:44,628 >> YOU HAVE NO IDEA HOW TOUGH I 2084 01:07:44,628 --> 01:07:45,229 CAN BE! 2085 01:07:45,229 --> 01:07:46,130 >> THEN SHOW ME. 2086 01:07:46,130 --> 01:07:48,432 >> [ GROWLS ] 2087 01:07:52,636 --> 01:07:56,140 I AM JUDGE ITO. 2088 01:07:56,140 --> 01:07:58,142 [ SCREAMING ] 2089 01:07:58,142 --> 01:07:59,576 >> ARE YOU HOLDING, OR ARE YOU 2090 01:07:59,576 --> 01:08:00,677 SHAKING IT DOWN HERE? 2091 01:08:00,677 --> 01:08:02,246 >> I DON'T THINK IT'S LEVEL. 2092 01:08:02,246 --> 01:08:03,913 >> WHAT?! IT JUST STOPPED MOVING. 2093 01:08:03,913 --> 01:08:05,149 >> ALL RIGHT, GUYS. 2094 01:08:05,149 --> 01:08:06,483 LOOKING GOOD. 2095 01:08:06,483 --> 01:08:07,251 THIS WORKS. 2096 01:08:07,251 --> 01:08:08,652 AND THEN, AFTER THAT, YOU GUYS 2097 01:08:08,652 --> 01:08:10,320 MIND JUST MOVING ALL THESE BOXES 2098 01:08:10,320 --> 01:08:12,222 HERE? >> WHAT, ALL -- ALL OF THESE 2099 01:08:12,222 --> 01:08:14,158 BOXES? >> YEAH. WE'LL GET THE BOXES 2100 01:08:14,158 --> 01:08:15,559 OUT, AND THEN WE'LL BE SET FOR 2101 01:08:15,559 --> 01:08:16,260 THE BUILD. 2102 01:08:16,260 --> 01:08:17,661 GREAT JOB. >> EUGENE? 2103 01:08:17,661 --> 01:08:19,329 >> WELCOME TO "ORENTHAL" 2104 01:08:19,329 --> 01:08:21,165 HEADQUARTERS, WHERE MAGIC IS 2105 01:08:21,165 --> 01:08:23,200 MADE. SO, WE'RE SET UP HERE. 2106 01:08:23,200 --> 01:08:24,901 WE'RE GONNA BE DOING THE SHOW 2107 01:08:24,901 --> 01:08:26,703 RIGHT OUTSIDE THERE, IN THE 2108 01:08:26,703 --> 01:08:27,571 WAREHOUSE. 2109 01:08:27,571 --> 01:08:29,273 IT'S A LOT OF STUFF WE'RE 2110 01:08:29,273 --> 01:08:31,241 CRAMMING INTO A SHORT AMOUNT OF 2111 01:08:31,241 --> 01:08:33,277 TIME, BUT I HAVE 100% CONFIDENCE 2112 01:08:33,277 --> 01:08:35,245 THAT WE'RE GONNA PUT THIS THING 2113 01:08:35,245 --> 01:08:37,381 UP. LAWRENCE HAS BEEN AMAZING, 2114 01:08:37,381 --> 01:08:39,349 FIGURING OUT HOW WE CAN DO THIS 2115 01:08:39,349 --> 01:08:40,584 ON A SHORT BUDGET. 2116 01:08:40,584 --> 01:08:42,552 UH, DIETRICH PLAYED THE MUSIC 2117 01:08:42,552 --> 01:08:44,288 FOR ME EARLIER, AND IT'S 2118 01:08:44,288 --> 01:08:46,690 AMAZING. DOMINIC IS GETTING THE SET 2119 01:08:46,690 --> 01:08:47,391 BUILT. 2120 01:08:47,391 --> 01:08:49,959 AND AMY -- AMY'S BEEN AMAZING. 2121 01:08:49,959 --> 01:08:51,761 AMY'S KEEPING EVERYTHING IN 2122 01:08:51,761 --> 01:08:52,429 ORDER. 2123 01:08:52,429 --> 01:08:54,398 THINGS ARE GOING REALLY, REALLY 2124 01:08:54,398 --> 01:08:56,733 WELL. IT'S -- IT'S AMAZING WHAT YOU 2125 01:08:56,733 --> 01:08:58,635 CAN ACCOMPLISH WHEN YOU'RE NOT 2126 01:08:58,635 --> 01:09:00,604 LYING TO EVERYBODY ALL THE TIME 2127 01:09:00,604 --> 01:09:01,471 EVERY DAY. 2128 01:09:01,471 --> 01:09:04,741 IT'S REALLY GOOD TO KNOW WHAT 2129 01:09:04,741 --> 01:09:07,477 YOU WANT TO DO AND GO FOR IT. 2130 01:09:07,477 --> 01:09:10,880 AND I JUST GOT ONE MORE THING TO 2131 01:09:10,880 --> 01:09:12,282 GET DONE BEFORE WE PUT THE SHOW 2132 01:09:12,282 --> 01:09:13,383 UP. 2133 01:09:29,699 --> 01:09:34,338 CAN I COME IN? 2134 01:09:34,338 --> 01:09:36,373 >> I'M SORRY. 2135 01:09:36,373 --> 01:09:38,742 AND I'M COMING TO YOU RIGHT NOW 2136 01:09:38,742 --> 01:09:41,010 AS A DIRECTOR, NOT AS A CRAZY 2137 01:09:41,010 --> 01:09:43,313 EX-BOYFRIEND, AND I'M JUST 2138 01:09:43,313 --> 01:09:45,415 ASKING YOU IF YOU'RE STILL 2139 01:09:45,415 --> 01:09:47,817 WILLING TO PLAY NICOLE BROWN IN 2140 01:09:47,817 --> 01:09:49,786 MY O.J. SIMPSON MUSICAL. 2141 01:09:49,786 --> 01:09:51,955 BECAUSE I -- LIKE I SAID, I 2142 01:09:51,955 --> 01:09:55,359 CAN'T DO IT WITHOUT YOU. 2143 01:09:55,359 --> 01:09:56,626 >> WE'LL BOTH DO THE SHOW ON ONE 2144 01:09:56,626 --> 01:09:58,795 CONDITION. 2145 01:09:58,795 --> 01:09:59,863 >> IS THAT ORLANDO? 2146 01:09:59,863 --> 01:10:01,465 HE'S BEEN IN THERE THE WHOLE 2147 01:10:01,465 --> 01:10:03,533 TIME. >> YEAH. THIS TIME, HE ACTUALLY 2148 01:10:03,533 --> 01:10:04,634 WAS IN THE BATHROOM. 2149 01:10:04,634 --> 01:10:06,803 >> WHAT'S THE CONDITION? 2150 01:10:06,803 --> 01:10:12,342 [ DOOR OPENS, TOILET FLUSHES ] 2151 01:10:12,342 --> 01:10:14,744 >> WE'RE GOING OUTSIDE. 2152 01:10:14,744 --> 01:10:16,846 >> WE'RE GOING OUTSIDE? 2153 01:10:16,846 --> 01:10:18,882 >> WE'RE ROLLING. 2154 01:10:18,882 --> 01:10:19,849 >> YOU SERIOUS ABOUT THIS? 2155 01:10:19,849 --> 01:10:20,884 >> IT'S THE ONLY WAY WE DO THE 2156 01:10:20,884 --> 01:10:22,586 SHOW. 2157 01:10:22,586 --> 01:10:23,820 >> WELL, AND THIS -- THIS 2158 01:10:23,820 --> 01:10:24,988 DOESN'T SOUND LIKE YOU. 2159 01:10:24,988 --> 01:10:25,822 THIS IS OKAY? 2160 01:10:25,822 --> 01:10:27,291 >> OH, I THINK THIS IS THE 2161 01:10:27,291 --> 01:10:28,392 STUPIDEST THING EVER. 2162 01:10:28,392 --> 01:10:29,426 >> I AGREE. OKAY, FINE. 2163 01:10:29,426 --> 01:10:30,527 ONE PUNCH IN THE STOMACH. 2164 01:10:30,527 --> 01:10:31,628 >> GOT TO BE IN THE FACE. 2165 01:10:31,628 --> 01:10:32,662 YOU HIT ME IN THE FACE. 2166 01:10:32,662 --> 01:10:33,897 I GOT TO HIT YOU IN THE FACE. 2167 01:10:33,897 --> 01:10:35,332 >> MARK FUHRMAN CANNOT HAVE A 2168 01:10:35,332 --> 01:10:36,833 BLACK EYE. THAT DOESN'T MAKE ANY -- 2169 01:10:36,833 --> 01:10:37,434 >> FINE. 2170 01:10:37,434 --> 01:10:38,335 >> OH! 2171 01:10:38,335 --> 01:10:41,505 [ COUGHS ] 2172 01:10:41,505 --> 01:10:42,005 OW! 2173 01:10:42,005 --> 01:10:44,040 >> ALL RIGHT. GET UP. 2174 01:10:44,040 --> 01:10:47,411 >> [ COUGHING ] 2175 01:10:47,411 --> 01:10:49,779 DAMN! 2176 01:10:49,779 --> 01:10:50,714 >> YOU ALL RIGHT? 2177 01:10:50,714 --> 01:10:53,016 >> GIVE ME A HUG. 2178 01:10:57,387 --> 01:10:58,655 >> LET'S MAKE A MUSICAL. 2179 01:10:58,655 --> 01:11:01,991 >> LET'S DO IT. LET'S MAKE ONE. 2180 01:11:01,991 --> 01:11:04,694 LET'S DO A SHOW. 2181 01:11:04,694 --> 01:11:06,630 >> [ STAMMERS ] 2182 01:11:06,630 --> 01:11:08,665 >> * DOO, DOO * 2183 01:11:08,665 --> 01:11:09,466 * DOO, DOO-BA * 2184 01:11:09,466 --> 01:11:10,734 >> BUT YOU'VE BEEN IN TOUCH WITH 2185 01:11:10,734 --> 01:11:11,401 HIS PEOPLE? 2186 01:11:11,401 --> 01:11:14,404 >> * DOO, DOO, DOO-BA-DA, DOO * 2187 01:11:14,404 --> 01:11:16,740 >> ALL RIGHT. OKAY. 2188 01:11:16,740 --> 01:11:17,941 HAVE YOU THOUGHT ABOUT CALLING 2189 01:11:17,941 --> 01:11:18,442 KATO? 2190 01:11:18,442 --> 01:11:20,644 >> * SNOWFLAKES IN HEAVEN * 2191 01:11:20,644 --> 01:11:21,645 >> YEAH! 2192 01:11:21,645 --> 01:11:24,414 >> * DOO * 2193 01:11:24,414 --> 01:11:27,851 * BA-DA-DA, DOO * 2194 01:11:27,851 --> 01:11:31,821 * BA-DA, DOO * 2195 01:11:31,821 --> 01:11:34,458 * BA-DA, DOO, DOO * 2196 01:11:34,458 --> 01:11:36,426 * DOO, DOO * 2197 01:11:36,426 --> 01:11:40,497 * DOO, DOO * 2198 01:11:40,497 --> 01:11:41,631 >> [ CLEARS THROAT ] 2199 01:11:41,631 --> 01:11:46,470 THREE TICKETS FOR HORIZON. 2200 01:11:46,470 --> 01:11:48,372 >> GUYS, GUYS... 2201 01:11:48,372 --> 01:11:49,773 10 MINUTES TILL CURTAIN. 2202 01:11:49,773 --> 01:11:51,408 >> THANK YOU. 2203 01:11:51,408 --> 01:11:52,509 >> LAWRENCE? 2204 01:11:52,509 --> 01:11:54,811 LAWRENCE, LAWRENCE, 10 MINUTES. 2205 01:12:04,388 --> 01:12:06,690 >> READY OR NOT, HERE WE GO! 2206 01:12:14,898 --> 01:12:17,901 >> THANKS FOR COMING. 2207 01:12:17,901 --> 01:12:18,935 >> HI. 2208 01:12:18,935 --> 01:12:20,169 >> THANKS FOR COMING. 2209 01:12:20,169 --> 01:12:22,672 >> PERFECT. 2210 01:12:33,883 --> 01:12:34,984 >> GUYS, WE'RE ABOUT TO START 2211 01:12:34,984 --> 01:12:35,552 THE SHOW. 2212 01:12:35,552 --> 01:12:36,420 WE'RE ABOUT TO START. 2213 01:12:36,420 --> 01:12:37,153 >> WHOA! ROCK 'N' ROLL! 2214 01:12:37,153 --> 01:12:38,922 >> HERE WE GO. >> ROCK 'N' ROLL TIME, GUYS! 2215 01:12:38,922 --> 01:12:42,191 >> I'M GONNA FIX MY COSTUME! 2216 01:12:42,191 --> 01:12:44,794 >> [ LAUGHS ] 2217 01:12:44,794 --> 01:12:47,130 >> BREAK A LEG. 2218 01:12:47,130 --> 01:12:49,633 >> MAKE MAGIC. 2219 01:12:58,207 --> 01:13:01,210 [ FLAMENCO MUSIC PLAYS ] 2220 01:13:01,210 --> 01:13:05,749 >> [ SIGHS ] 2221 01:13:05,749 --> 01:13:08,685 >> * I BEGIN BY ASKING YOU * 2222 01:13:08,685 --> 01:13:10,554 * LISTEN TO EACH WORD * 2223 01:13:10,554 --> 01:13:12,856 * AND NOT JUDGE US UNTIL WE'RE 2224 01:13:12,856 --> 01:13:14,691 THROUGH * 2225 01:13:14,691 --> 01:13:17,093 * THE STORY I'M TELLING IS NOT 2226 01:13:17,093 --> 01:13:19,162 EASY OR SIMPLE * 2227 01:13:19,162 --> 01:13:21,465 * POINT OF FACT, THE OPPOSITE'S 2228 01:13:21,465 --> 01:13:23,500 TRUE * 2229 01:13:23,500 --> 01:13:25,869 * SO SIT BACK, BE PATIENT, AND 2230 01:13:25,869 --> 01:13:27,837 KEEP YOUR MIND OPEN * 2231 01:13:27,837 --> 01:13:29,939 * FOR A TALE THAT'S NEVER BEEN 2232 01:13:29,939 --> 01:13:32,075 SUNG * 2233 01:13:32,075 --> 01:13:34,478 * THE MOMENTS, THE HEARTACHE, 2234 01:13:34,478 --> 01:13:36,613 DECEIT, CORRUPTION * 2235 01:13:36,613 --> 01:13:40,584 * THE STORY OF O.J. SIMPSON * 2236 01:13:40,584 --> 01:13:43,119 * AND THEN, ONCE THE CURTAIN IS 2237 01:13:43,119 --> 01:13:44,821 RISEN AND FALLEN * 2238 01:13:44,821 --> 01:13:48,892 * AS YOU GO HOME TO REMINISCE * 2239 01:13:48,892 --> 01:13:51,227 * HIS LONGINGS, HIS SUFFERINGS, 2240 01:13:51,227 --> 01:13:52,529 HIS HATRED * 2241 01:13:52,529 --> 01:13:55,899 * HIS ONE HOPE, TO DIE UPON A 2242 01:13:55,899 --> 01:13:57,100 KISS * 2243 01:13:57,100 --> 01:13:58,134 [ SIREN WAILING ] 2244 01:13:58,134 --> 01:13:59,836 >> WE HAVE A VISUAL OF A WHITE 2245 01:13:59,836 --> 01:14:01,571 BRONCO HEADED NORTHBOUND ON THE 2246 01:14:01,571 --> 01:14:03,640 405. O.J. SIMPSON IS IN THE VEHICLE. 2247 01:14:03,640 --> 01:14:09,245 >> * RUN, RUN, O.J., RUN, RUN * 2248 01:14:09,245 --> 01:14:11,515 * RUN, RUN, RUN, O.J., RUN * 2249 01:14:11,515 --> 01:14:13,149 * RUN, RUN, RUN, O.J., RUN * 2250 01:14:13,149 --> 01:14:15,184 * RUN, RUN, RUN, O.J., RUN * 2251 01:14:15,184 --> 01:14:18,021 * RUN, RUN, RUN * 2252 01:14:18,021 --> 01:14:19,856 >> * WILL THEY THINK THAT I'M A 2253 01:14:19,856 --> 01:14:21,525 MURDERING MAN? * 2254 01:14:21,525 --> 01:14:23,059 * THAT THESE KILLINGS ARE ALL 2255 01:14:23,059 --> 01:14:25,228 PART OF MY MASTER PLAN? * 2256 01:14:25,228 --> 01:14:27,163 * THAT I TOOK MY LOVE'S LIFE 2257 01:14:27,163 --> 01:14:29,298 AND HER FRIEND, GOLDMAN * 2258 01:14:29,298 --> 01:14:31,267 * NOW THEY'RE TRYING TO LYNCH ME 2259 01:14:31,267 --> 01:14:33,903 LIKE THE KU KLUX KLAN * 2260 01:14:33,903 --> 01:14:35,138 >> * RUN, O.J., RUN * 2261 01:14:35,138 --> 01:14:36,840 >> * BUT I'M NOT GONNA LET 2262 01:14:36,840 --> 01:14:37,574 THEM * 2263 01:14:37,574 --> 01:14:39,308 >> * NO, YOU BETTER NOT * 2264 01:14:39,308 --> 01:14:40,544 >> * 'CAUSE WE'LL NEVER 2265 01:14:40,544 --> 01:14:41,277 SURRENDER * 2266 01:14:41,277 --> 01:14:43,112 >> * AND WE'RE NOT GONNA STOP * 2267 01:14:43,112 --> 01:14:44,681 >> * WELL, IF THEY WANT THEIR 2268 01:14:44,681 --> 01:14:45,549 RATINGS * 2269 01:14:45,549 --> 01:14:47,316 >> * AND YOU KNOW THEY DO * 2270 01:14:47,316 --> 01:14:48,618 >> * THEN WE'LL GIVE THEM THEIR 2271 01:14:48,618 --> 01:14:49,586 TV * 2272 01:14:49,586 --> 01:14:50,820 >> * YES, WE'LL GIVE THEM THEIR 2273 01:14:50,820 --> 01:14:51,320 TV * 2274 01:14:51,320 --> 01:14:52,956 >> * AND WE'LL DRIVE THIS 2275 01:14:52,956 --> 01:14:55,725 FUCKING BRONCO RIGHT OFF THE 2276 01:14:55,725 --> 01:14:59,228 ROAD * 2277 01:14:59,228 --> 01:15:00,897 >> * YES, WE'LL DRIVE THIS 2278 01:15:00,897 --> 01:15:03,633 FUCKING BRONCO RIGHT OFF THE 2279 01:15:03,633 --> 01:15:07,771 ROAD * 2280 01:15:07,771 --> 01:15:09,573 >> * RUN, O.J., RUN, O.J. * 2281 01:15:09,573 --> 01:15:10,674 * RUN, RUN, RUN, O.J. * 2282 01:15:10,674 --> 01:15:11,307 >> I'M LEAVING. 2283 01:15:11,307 --> 01:15:13,977 >> THANK YOU. 2284 01:15:13,977 --> 01:15:14,611 >> DAN? 2285 01:15:14,611 --> 01:15:16,079 >> OH, I THINK I'M GONNA STICK 2286 01:15:16,079 --> 01:15:21,250 AROUND. 2287 01:15:21,250 --> 01:15:22,819 >> * RUN, RUN, RUN, O.J. * 2288 01:15:22,819 --> 01:15:23,186 * RUN, O.J. * 2289 01:15:23,186 --> 01:15:24,921 >> * NO, THESE PEOPLE AREN'T 2290 01:15:24,921 --> 01:15:27,323 READY FOR THE JUICE 2291 01:15:27,323 --> 01:15:32,729 TO BE LOOSE * 2292 01:15:32,729 --> 01:15:35,932 * AM I? * 2293 01:15:35,932 --> 01:15:42,105 [ APPLAUSE ] 2294 01:15:42,105 --> 01:15:46,710 >> * WHO IS THIS MAN? * 2295 01:15:46,710 --> 01:15:48,211 * THIS MAN WHO THINKS HE SHOULD 2296 01:15:48,211 --> 01:15:51,981 BE FREE? * 2297 01:15:51,981 --> 01:15:54,017 * THIS MAN WHO'S CHALLENGING 2298 01:15:54,017 --> 01:15:57,153 THE LAW? * 2299 01:15:57,153 --> 01:15:59,222 * THIS MAN WHO'S MURDERED TWO OF 2300 01:15:59,222 --> 01:16:01,090 ME? * 2301 01:16:01,090 --> 01:16:05,061 * ...SCREAMS IMMERSE YOUR SOUL 2302 01:16:05,061 --> 01:16:06,696 INTO THIS CASE * 2303 01:16:06,696 --> 01:16:08,732 * DISPERSE YOUR HATRED IN THEIR 2304 01:16:08,732 --> 01:16:09,165 DREAMS * 2305 01:16:09,165 --> 01:16:11,100 * SHOW THEM THE BLOOD BEHIND 2306 01:16:11,100 --> 01:16:13,202 YOUR FACE * 2307 01:16:13,202 --> 01:16:16,272 * I AM NOT GOING TO FALTER * 2308 01:16:16,272 --> 01:16:18,241 >> * O.J., RUN * 2309 01:16:18,241 --> 01:16:21,678 >> * I WEAR BLOOD ON MY SLEEVE * 2310 01:16:21,678 --> 01:16:23,680 >> * O.J., RUN * 2311 01:16:23,680 --> 01:16:26,716 >> * AND MY WORD IS MY SERMON * 2312 01:16:26,716 --> 01:16:28,952 >> * O.J., RUN * 2313 01:16:28,952 --> 01:16:31,120 >> * AND I WON'T LET HIM GO 2314 01:16:31,120 --> 01:16:32,355 FRE-E-E-E-E * 2315 01:16:32,355 --> 01:16:34,891 >> * O.J., RUN * 2316 01:16:34,891 --> 01:16:37,727 * O.J., RUN * 2317 01:16:37,727 --> 01:16:39,295 * O.J., RUN * 2318 01:16:39,295 --> 01:16:40,997 >> * ON THIS DARK PAINT, I 2319 01:16:40,997 --> 01:16:43,032 PLEDGE MY LIFE * 2320 01:16:43,032 --> 01:16:44,934 >> * O.J., RUN * 2321 01:16:44,934 --> 01:16:46,235 >> * I PLEDGE MY BADGE * 2322 01:16:46,235 --> 01:16:47,871 * I PLEDGE MY SOUL * 2323 01:16:47,871 --> 01:16:50,173 >> * O.J., RUN * 2324 01:16:50,173 --> 01:16:52,275 >> * I PLEDGE THIS MAN WILL HAVE 2325 01:16:52,275 --> 01:16:54,744 TO PAY * 2326 01:16:54,744 --> 01:16:57,681 * FOR HIS VICTIMS, RONALD AND 2327 01:16:57,681 --> 01:16:59,148 NICOLE * 2328 01:16:59,148 --> 01:17:04,353 >> * O.J., RUN * 2329 01:17:04,353 --> 01:17:06,790 >> I JUST WANT TO SAY, IN CASE 2330 01:17:06,790 --> 01:17:08,958 NO ONE DOES, THAT I THINK THE 2331 01:17:08,958 --> 01:17:10,927 REAL TRAGEDY HERE IS THAT 2332 01:17:10,927 --> 01:17:15,098 NICOLE, RON, AND, UH -- AND 2333 01:17:15,098 --> 01:17:17,033 JOHNNIE ARE NOT ALIVE TO SEE IT, 2334 01:17:17,033 --> 01:17:18,802 THAT -- THAT THEY'RE MISSING 2335 01:17:18,802 --> 01:17:19,769 THIS MUSICAL. 2336 01:17:19,769 --> 01:17:20,704 >> [ SNIFFS ] 2337 01:17:20,704 --> 01:17:25,308 I SMELL MURDER. 2338 01:17:25,308 --> 01:17:27,143 >> MR. FUHRMAN, I'M TIRED, OKAY? 2339 01:17:27,143 --> 01:17:28,778 >> HEY, YOU'RE THE ONE THAT 2340 01:17:28,778 --> 01:17:30,246 CALLED ME WITH THIS PROBLEM, 2341 01:17:30,246 --> 01:17:32,415 THIS STAIN. 2342 01:17:32,415 --> 01:17:34,784 >> I KNOW, BUT THERE'S NOTHING 2343 01:17:34,784 --> 01:17:35,919 LEFT TO FIND! 2344 01:17:35,919 --> 01:17:38,021 >> [ LAUGHS EVILLY ] 2345 01:17:38,021 --> 01:17:39,388 NOTHING LEFT TO FIND? 2346 01:17:39,388 --> 01:17:40,256 [ LAUGHS ] 2347 01:17:40,256 --> 01:17:42,091 KATO, I THOUGHT YOU WERE AN 2348 01:17:42,091 --> 01:17:44,160 ACTOR. USE YOUR IMAGINATION. 2349 01:17:44,160 --> 01:17:45,261 >> IMAGINATION? 2350 01:17:45,261 --> 01:17:46,295 >> * IF THERE'S ONE THING TO 2351 01:17:46,295 --> 01:17:47,864 LEARN FROM MY TIME IN THIS 2352 01:17:47,864 --> 01:17:48,297 WORLD * 2353 01:17:48,297 --> 01:17:49,733 * IT'S TO TAKE MATTERS INTO 2354 01:17:49,733 --> 01:17:50,834 ONE'S HANDS * 2355 01:17:50,834 --> 01:17:52,468 * IF YOU'RE PRAYING FOR JUSTICE, 2356 01:17:52,468 --> 01:17:53,970 YOU'RE JUST GIVING UP AND 2357 01:17:53,970 --> 01:17:56,372 ACCEPTING THE LAW OF THE LAND * 2358 01:17:56,372 --> 01:17:58,074 * SO I'LL PLACE THIS BLOOD HERE, 2359 01:17:58,074 --> 01:17:59,408 AND I'LL MOVE THAT ONE THERE * 2360 01:17:59,408 --> 01:18:00,910 * I'LL EMBELLISH THE REPORT 2361 01:18:00,910 --> 01:18:02,245 AS I GO * 2362 01:18:02,245 --> 01:18:03,312 * AND IF THINGS DON'T SEEM 2363 01:18:03,312 --> 01:18:04,748 RIGHT, THEN I'LL MAKE THEM SEEM 2364 01:18:04,748 --> 01:18:05,181 RIGHT * 2365 01:18:05,181 --> 01:18:08,017 * NO ONE EVER WILL KNOW * 2366 01:18:08,017 --> 01:18:09,452 [ GIGGLES ] 2367 01:18:09,452 --> 01:18:12,221 >> [ GASPS ] LOOK, MR. FUHRMAN. 2368 01:18:12,221 --> 01:18:17,126 A HANDKERCHIEF. 2369 01:18:17,126 --> 01:18:18,161 [ APPLAUSE ] 2370 01:18:18,161 --> 01:18:20,964 >> EXCUSE ME. THIS SUCKS. 2371 01:18:20,964 --> 01:18:25,969 >> * DOO, DOO-BA, DOO, DOO * 2372 01:18:25,969 --> 01:18:27,871 >> HEY, HOW'S EUGENE DOING? 2373 01:18:27,871 --> 01:18:29,939 SEEMS LIKE HALF THE CROWD LEFT. 2374 01:18:29,939 --> 01:18:31,941 >> YEAH, BUT HALF THE CROWD'S 2375 01:18:31,941 --> 01:18:33,209 STILL HERE, RIGHT? 2376 01:18:33,209 --> 01:18:35,078 >> YEAH. 2377 01:18:35,078 --> 01:18:37,546 >> * LATE AT NIGHT, WHEN I'M ALL 2378 01:18:37,546 --> 01:18:38,915 ALONE * 2379 01:18:38,915 --> 01:18:41,851 * IN MY LONELY CELL, I AM ON MY 2380 01:18:41,851 --> 01:18:42,819 OWN * 2381 01:18:42,819 --> 01:18:45,454 * I'M ON MY OWN, BUT I'M NOT 2382 01:18:45,454 --> 01:18:50,894 ALONE WHEN SHE APPEARS * 2383 01:18:50,894 --> 01:18:53,529 >> * I HEAR HIS NAME, AND I KNOW 2384 01:18:53,529 --> 01:18:54,931 HIS TOUCH * 2385 01:18:54,931 --> 01:18:58,101 * I FEEL HIS PAIN AS I SOFTLY 2386 01:18:58,101 --> 01:19:00,904 CLUTCH HIS HANDS IN MINE * 2387 01:19:00,904 --> 01:19:04,841 * I HOLD HIM CLOSE AND SAY IT'S 2388 01:19:04,841 --> 01:19:06,342 OKAY * 2389 01:19:06,342 --> 01:19:08,444 >> * AND WE DANCE * 2390 01:19:08,444 --> 01:19:12,248 * YES, WE DANCE THE NIGHT AWAY * 2391 01:19:12,248 --> 01:19:16,252 * IN PERFECT HARMONY, WE SWAY * 2392 01:19:16,252 --> 01:19:19,155 * AND THE SNOWFLAKES FALL LIKE 2393 01:19:19,155 --> 01:19:22,358 TURDS TODAY * 2394 01:19:22,358 --> 01:19:26,329 * SHE KEEP ME WARM ANOTHER DAY * 2395 01:19:26,329 --> 01:19:29,966 * ANOTHER DAY * 2396 01:19:29,966 --> 01:19:31,868 >> * IF THE GLOVE DON'T FIT * 2397 01:19:31,868 --> 01:19:34,003 >> * IF THE GLOVE DON'T FIT * 2398 01:19:34,003 --> 01:19:36,105 >> * THEN YOU MUST ACQUIT * 2399 01:19:36,105 --> 01:19:38,107 >> * THEN YOU MUST ACQUIT * 2400 01:19:38,107 --> 01:19:40,243 >> * IF THE GLOVE DON'T FIT * 2401 01:19:40,243 --> 01:19:42,311 >> * IF THE GLOVE DON'T FIT * 2402 01:19:42,311 --> 01:19:44,380 >> * THEN YOU MUST ACQUIT * 2403 01:19:44,380 --> 01:19:46,215 >> * THEN YOU MUST ACQUIT * 2404 01:19:46,215 --> 01:19:48,451 >> * 'CAUSE IF THE GLOVE DON'T 2405 01:19:48,451 --> 01:19:50,453 FIT * 2406 01:19:50,453 --> 01:19:54,991 * AND THE COP'S A BITCH * 2407 01:19:54,991 --> 01:19:59,062 * AND THERE'S NO WARRANT * 2408 01:19:59,062 --> 01:20:01,130 * THEN YOU MUST * 2409 01:20:01,130 --> 01:20:03,132 * THEN YOU MUST * 2410 01:20:03,132 --> 01:20:04,500 * THEN YOU MUST, MUST, MUST, 2411 01:20:04,500 --> 01:20:06,069 MUST, MUST, MUST, MUST, MUST, 2412 01:20:06,069 --> 01:20:09,538 MUST... * 2413 01:20:09,538 --> 01:20:11,007 * ACQUIT * 2414 01:20:11,007 --> 01:20:12,441 [ GAVEL BANGS ] 2415 01:20:15,378 --> 01:20:16,913 >> I BUILT THE SET. 2416 01:20:16,913 --> 01:20:18,014 >> OH, REALLY? 2417 01:20:18,014 --> 01:20:20,616 >> YEAH. YOU KNOW, IT'S NO BIG DEAL. 2418 01:20:20,616 --> 01:20:23,219 >> SO, DID QUI LEAVE ALREADY? 2419 01:20:23,219 --> 01:20:25,488 >> YEAH, YEAH. HE'S GONE. 2420 01:20:25,488 --> 01:20:27,223 IT'S TOO BAD. 2421 01:20:27,223 --> 01:20:28,657 >> WHY'S THAT? 2422 01:20:28,657 --> 01:20:30,193 >> YOUR HUSBAND'S REALLY DOING A 2423 01:20:30,193 --> 01:20:32,161 GREAT JOB. 2424 01:20:32,161 --> 01:20:34,463 >> HE IS, ISN'T HE? 2425 01:20:40,136 --> 01:20:43,039 >> * WHEN DID MY LIFE BECOME A 2426 01:20:43,039 --> 01:20:46,976 CIRCUS? * 2427 01:20:46,976 --> 01:20:49,245 * ONE BASED ON HATE, ONE BASED 2428 01:20:49,245 --> 01:20:53,616 ON RACE? * 2429 01:20:53,616 --> 01:20:56,219 * ONE BASED ON PROVING THAT 2430 01:20:56,219 --> 01:20:59,155 WE'RE DIFFERENT * 2431 01:20:59,155 --> 01:21:03,159 * WHEN IN TRUTH, WE'RE QUITE THE 2432 01:21:03,159 --> 01:21:07,330 SAME * 2433 01:21:07,330 --> 01:21:13,602 * AND AS I LOOK OUT AT MY CITY * 2434 01:21:13,602 --> 01:21:20,476 * NO LONGER WORTHY TO DEFEND * 2435 01:21:20,476 --> 01:21:23,212 * I SEE ONE FINAL ACTION 2436 01:21:23,212 --> 01:21:26,049 LOOMING * 2437 01:21:26,049 --> 01:21:30,153 * THE LAST WORDS BEFORE 2438 01:21:30,153 --> 01:21:31,254 THE END * 2439 01:21:31,254 --> 01:21:37,393 [ SNARE DRUM PLAYS ] 2440 01:21:37,393 --> 01:21:40,163 * AND SO ON THIS DREARY 2441 01:21:40,163 --> 01:21:44,233 EVENING * 2442 01:21:44,233 --> 01:21:46,435 * WHEN THERE'S NOWHERE LEFT 2443 01:21:46,435 --> 01:21:51,207 TO RUN * 2444 01:21:51,207 --> 01:21:53,442 * FOR NOW, UPON YOUR 2445 01:21:53,442 --> 01:21:55,744 CONSCIENCE * 2446 01:21:55,744 --> 01:21:58,447 * HAVE THE LIFE OF 2447 01:21:58,447 --> 01:22:03,252 MARK FUHRMA-A-A-A-A-A-- * 2448 01:22:03,252 --> 01:22:04,020 [ GUNSHOT ] 2449 01:22:04,020 --> 01:22:11,160 >> * NO-O-O-O-O-O-O-O * 2450 01:22:27,643 --> 01:22:30,313 >> * THIS STORY HAS NO HAPPY 2451 01:22:30,313 --> 01:22:34,517 ENDING * 2452 01:22:34,517 --> 01:22:36,352 * NO FINAL CURE * 2453 01:22:36,352 --> 01:22:41,490 * NO CURTAIN CALL * 2454 01:22:41,490 --> 01:22:44,193 * IT'S JUST THE STORY OF A 2455 01:22:44,193 --> 01:22:48,297 HERO * 2456 01:22:48,297 --> 01:22:55,104 * AND OF HIS TRAGIC FALL * 2457 01:22:55,104 --> 01:22:57,273 * AND IF YOU'VE ONLY JUST 2458 01:22:57,273 --> 01:23:02,078 LEARNED ONE THING * 2459 01:23:02,078 --> 01:23:04,380 * AND TAKE SOME CREDENCE FROM 2460 01:23:04,380 --> 01:23:08,217 OUR SONG * 2461 01:23:08,217 --> 01:23:10,319 * IT IS THAT LOVE IS 2462 01:23:10,319 --> 01:23:15,591 EVERLASTING * 2463 01:23:15,591 --> 01:23:17,593 * THOUGH IT PAINS THE DAY 2464 01:23:17,593 --> 01:23:21,530 ALONG * 2465 01:23:21,530 --> 01:23:24,333 * SO WE PRAY THAT YOU 2466 01:23:24,333 --> 01:23:28,571 SHOULD GO NOW * 2467 01:23:28,571 --> 01:23:30,339 * BUT PLEASE JUST WALK 2468 01:23:30,339 --> 01:23:35,178 AND DO NOT RUN * 2469 01:23:35,178 --> 01:23:38,247 * AND VALUE EACH AND EVERY 2470 01:23:38,247 --> 01:23:41,284 MOMENT * 2471 01:23:41,284 --> 01:23:49,492 * JUST LIKE O.J. SIMPSON * 2472 01:23:52,595 --> 01:23:54,697 >> YES! 2473 01:23:54,697 --> 01:23:57,200 [ CHEERS AND APPLAUSE ] 2474 01:24:04,707 --> 01:24:07,210 YES! 2475 01:24:24,193 --> 01:24:26,162 >> THINGS ARE REALLY GREAT, 2476 01:24:26,162 --> 01:24:27,830 ACTUALLY. 2477 01:24:27,830 --> 01:24:29,898 I, UH -- I STARTED ACTING AGAIN, 2478 01:24:29,898 --> 01:24:32,168 WHICH I -- I DO -- I HAVE EUGENE 2479 01:24:32,168 --> 01:24:33,169 TO THANK FOR. 2480 01:24:33,169 --> 01:24:34,903 HI. I'M REGINA EDWARDS, AND I 2481 01:24:34,903 --> 01:24:37,140 WILL BE READING FOR THE PART OF 2482 01:24:37,140 --> 01:24:43,579 KATHLEEN. 2483 01:24:43,579 --> 01:24:45,381 YOU PUT THAT MOTHERFUCKING GUN 2484 01:24:45,381 --> 01:24:48,384 DOWN RIGHT MOTHERFUCKING NOW! 2485 01:24:48,384 --> 01:24:51,687 WHY? 2486 01:24:51,687 --> 01:24:55,891 BECAUSE I LOVE YOU, DON RODRIGO. 2487 01:24:55,891 --> 01:24:57,626 POOM! 2488 01:24:57,626 --> 01:25:02,931 [ GROANS ] 2489 01:25:02,931 --> 01:25:07,836 [ CHEERS AND APPLAUSE ] 2490 01:25:07,836 --> 01:25:09,638 >> SO, I MADE AN INVESTMENT AND 2491 01:25:09,638 --> 01:25:11,474 BOUGHT THE HORIZON THEATRE SPACE 2492 01:25:11,474 --> 01:25:12,941 FROM QUI, FOR A PRETTY GOOD 2493 01:25:12,941 --> 01:25:14,743 PRICE, 'CAUSE HE SAYS THE DEVIL 2494 01:25:14,743 --> 01:25:15,511 IS IN HIM. 2495 01:25:15,511 --> 01:25:17,313 SO, I JUST THOUGHT, YOU KNOW, I 2496 01:25:17,313 --> 01:25:18,214 LOVE THEATER. 2497 01:25:18,214 --> 01:25:19,482 IT'S NOT GONNA CHANGE. 2498 01:25:19,482 --> 01:25:23,519 SO, WHY FIGHT IT? 2499 01:25:23,519 --> 01:25:25,954 I'M EXCITED TO SEE WHAT COMES. 2500 01:25:25,954 --> 01:25:27,856 >> HEY, LILY, DID YOU LIKE YOUR 2501 01:25:27,856 --> 01:25:29,325 UNCLE EUGENE'S PLAY? 2502 01:25:29,325 --> 01:25:31,827 >> I LIKE FLOWERS. 2503 01:25:31,827 --> 01:25:35,298 >> SHE DIDN'T SEE IT. 2504 01:25:35,298 --> 01:25:40,736 COME ON. CANNONBALL! 2505 01:25:40,736 --> 01:25:45,641 [ CHEERS AND APPLAUSE ] 2506 01:25:45,641 --> 01:25:47,543 >> MAN, I DON'T KNOW, I DON'T 2507 01:25:47,543 --> 01:25:50,213 KNOW. THANK YOU, THANK YOU, THANK YOU, 2508 01:25:50,213 --> 01:25:52,248 THANK YOU, THANK YOU, THANK YOU, 2509 01:25:52,248 --> 01:25:53,882 THANK YOU. [ LAUGHTER ] 2510 01:25:53,882 --> 01:25:54,750 WE DID IT. 2511 01:25:54,750 --> 01:25:55,518 >> YEAH. 2512 01:25:55,518 --> 01:25:56,685 >> YEAH. AMAZING. 2513 01:25:56,685 --> 01:25:59,222 >> WE DID IT, AND, UM... 2514 01:25:59,222 --> 01:26:01,357 MAYBE WE'LL DO IT AGAIN. 2515 01:26:01,357 --> 01:26:04,360 [ CHEERS AND APPLAUSE ] 2516 01:26:04,360 --> 01:26:06,262 THIS WHOLE PROCESS HAS HELPED ME 2517 01:26:06,262 --> 01:26:07,996 REDISCOVER A PASSION FOR THEATER 2518 01:26:07,996 --> 01:26:09,898 THAT HAD BEEN DEAD INSIDE ME FOR 2519 01:26:09,898 --> 01:26:12,968 A LONG TIME. 2520 01:26:12,968 --> 01:26:15,238 MY NAME IS EUGENE OLIVIER, AND 2521 01:26:15,238 --> 01:26:17,373 I'M A FAIRLY SUCCESSFUL THEATER 2522 01:26:17,373 --> 01:26:18,974 ARTIST FROM LOS ANGELES, 2523 01:26:18,974 --> 01:26:21,744 CALIFORNIA. 2524 01:26:21,744 --> 01:26:24,247 SOUNDS PRETTY GOOD. 2525 01:26:28,284 --> 01:26:29,918 [ APPLAUSE ] >> VIVA EL O.J. 2526 01:26:29,918 --> 01:26:30,986 >> VIVA EL O.J.! 2527 01:26:30,986 --> 01:26:32,955 >> 1, 2, 3. 2528 01:26:32,955 --> 01:26:35,491 >> All: VIVA EL O.J.! 2529 01:26:35,491 --> 01:26:37,793 [ CHEERS AND APPLAUSE ] 2530 01:26:51,574 --> 01:26:53,876 [ BELL TOLLS ] 2531 01:27:00,483 --> 01:27:03,286 [ CAMERA SHUTTER CLICKS ] 2532 01:27:03,286 --> 01:27:04,287 >> DID YOU GET IT? 2533 01:27:04,287 --> 01:27:05,354 >> YEAH, I THINK SO. 2534 01:27:05,354 --> 01:27:06,755 >> YOU THINK YOU GOT IT OR YOU 2535 01:27:06,755 --> 01:27:07,390 GOT IT? 2536 01:27:07,390 --> 01:27:09,458 >> UM... >> THAT MEANS YOU GOT IT. 2537 01:27:09,458 --> 01:27:10,326 CAN I SEE IT? 2538 01:27:10,326 --> 01:27:12,628 >> YEAH. >> SO, AMY AND I ARE WORKING ON 2539 01:27:12,628 --> 01:27:14,463 A CALENDAR OF THE 12 WAYS THAT I 2540 01:27:14,463 --> 01:27:16,031 WOULD HAVE KILLED MYSELF IF THE 2541 01:27:16,031 --> 01:27:17,065 SHOW HAD FAILED. 2542 01:27:17,065 --> 01:27:18,867 IT'S JUST AS A GOOF FOR THE CAST 2543 01:27:18,867 --> 01:27:20,403 AND CREW FOR A CHRISTMAS 2544 01:27:20,403 --> 01:27:22,705 PRESENT. 2545 01:27:26,742 --> 01:27:29,244 HOW DID YOU TIE THIS THING? 2546 01:27:38,454 --> 01:27:40,088 ALL RIGHT, LET'S BRAINSTORM. 2547 01:27:40,088 --> 01:27:42,591 >> OKAY. >> SO, FOR THE NEW THEATER 2548 01:27:42,591 --> 01:27:44,460 COMPANY, LET'S GIVE OURSELVES 2549 01:27:44,460 --> 01:27:46,329 SOMETHING COMFORTABLE TO WORK 2550 01:27:46,329 --> 01:27:47,596 WITH, MAYBE STICK WITH THE SAME 2551 01:27:47,596 --> 01:27:49,398 FORMULA. IF WE GO WITH SOMETHING BASED 2552 01:27:49,398 --> 01:27:50,666 OFF OF "THE TEMPEST," IT'S GONNA 2553 01:27:50,666 --> 01:27:51,800 BE "KATRINA: THE MUSICAL." 2554 01:27:51,800 --> 01:27:53,035 >> NOT A CHANCE IN HELL. 2555 01:27:53,035 --> 01:27:54,069 >> THAT'S NOT ONE. 2556 01:27:54,069 --> 01:27:55,638 THE NEXT THING THAT WE HAVE 2557 01:27:55,638 --> 01:27:56,071 HERE -- 2558 01:27:56,071 --> 01:27:58,106 >> OKAY. >> JUST GIVE ME -- GIVE ME A 2559 01:27:58,106 --> 01:27:59,842 CHANCE TO ACTUALLY PLEAD MY CASE 2560 01:27:59,842 --> 01:28:00,409 HERE. 2561 01:28:00,409 --> 01:28:01,577 >> LET'S GO, LET'S GO. 2562 01:28:01,577 --> 01:28:02,511 >> "KING LEAR." 2563 01:28:02,511 --> 01:28:03,579 POWER. >> I LIKE IT. 2564 01:28:03,579 --> 01:28:04,747 >> WE TWIST THAT AROUND, AND 2565 01:28:04,747 --> 01:28:05,013 IT'S 2566 01:28:05,013 --> 01:28:06,449 "JERRY SANDUSKY: THE MUSICAL." 2567 01:28:06,449 --> 01:28:07,616 >> I DON'T LIKE THAT PART AT 2568 01:28:07,616 --> 01:28:09,017 ALL. >> WE DON'T HAVE TO DO THE 2569 01:28:09,017 --> 01:28:11,019 MUSICAL PART. IT COULD BE JUST A STRAIGHT -- A 2570 01:28:11,019 --> 01:28:13,055 STRAIGHT PLAY. >> THAT'S NOT THE PART I HAVE A 2571 01:28:13,055 --> 01:28:15,724 PROBLEM WITH. >> OKAY. ONE MORE STRIKE AND I'M 2572 01:28:15,724 --> 01:28:16,425 OUT HERE. 2573 01:28:16,425 --> 01:28:18,594 >> YEAH. >> WE'LL GIVE IT A SHOT. 2574 01:28:18,594 --> 01:28:19,762 UH, "MACBETH." 2575 01:28:19,762 --> 01:28:20,496 >> EH? 2576 01:28:20,496 --> 01:28:21,430 >> BUT -- 2577 01:28:21,430 --> 01:28:22,898 >> IT'S NOT GONNA BE 2578 01:28:22,898 --> 01:28:24,132 TRAGEDY-RELATED. 2579 01:28:24,132 --> 01:28:26,569 >> IT'S -- THE TWIST IS IS THAT 2580 01:28:26,569 --> 01:28:29,137 IT'S MORE ABOUT LADY MACBETH. 2581 01:28:29,137 --> 01:28:30,406 >> OKAY. >> AND IT'S 2582 01:28:30,406 --> 01:28:31,640 "CASEY ANTHONY: THE MUSICAL." 2583 01:28:31,640 --> 01:28:32,408 >> PLEASE, NO. 2584 01:28:32,408 --> 01:28:38,581 STOP, STOP, STOP. 2585 01:28:38,581 --> 01:28:39,715 >> UH, "KATRINA: THE MUSICAL" 2586 01:28:39,715 --> 01:28:40,716 HAS TO BE THE BEST ONE. 2587 01:28:40,716 --> 01:28:41,850 >> OKAY, IF YOU BRING THAT UP 2588 01:28:41,850 --> 01:28:42,985 AGAIN, I WILL LITERALLY KILL 2589 01:28:42,985 --> 01:28:45,854 MYSELF. 2590 01:28:45,854 --> 01:28:46,855 >> NOW YOU'RE LEARNING. 2591 01:28:46,855 --> 01:28:47,923 I WON'T BRING IT UP AGAIN. 2592 01:28:47,923 --> 01:28:48,724 THAT'S THE DEAL. 2593 01:28:48,724 --> 01:28:51,026 >> THANK YOU. OKAY. 2594 01:28:55,498 --> 01:28:56,665 >> BUT WE BASED IT ON 2595 01:28:56,665 --> 01:28:57,600 "THE TEMPEST." 2596 01:28:57,600 --> 01:28:59,902 >> [ Sighing ] OKAY. 153519

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