Original subtitles

SONG: ♪ I see you comin' up roses. ♪

Hi, guys!

(ALL SQUEAL)

CONTESTANT: Look at those!

SARAH: No! I was scared of this one!

CONTESTANT: Those are huge! - Oh, my...

ELIZABETH: You guys are pumped today!

Oh, my God, Lutfi, those pants!

Can you do a centre twirl with those pants?

SONG: ♪ I'm comin' from London to LA... ♪

ELIZABETH: Twirl the camera.

Literally, I need them.

Fabulous florists, good morning,

and welcome to another Full Bloom day.

For today's team challenge we have chosen as captains

Sarah and Antonio.

But panic not the rest of you

because the chance to be a leader will come to you all.

So, Sarah, you really wowed us in your solo challenge.

How are you feeling after the first elimination?

I feel OK, although looking at this I don't!

(SARAH LAUGHS)

- But I'm confident. - Great.

And, Antonio, we are so looking forward

to hearing your voice and seeing your vision.

How does that feel?

Oh, it feels good. I'm excited.

And you're used to leading a team?

Ah, yeah, I've led some teams before.

Child, you are not convincing me!

"Ahhhh, kinda, sorta."

I'm ready.

You're our coolest cucumber, I think.

- Definitely - For sure.

I know some of you all recognise these big frames.

ALL: Yeah.

But this time we have upped the ante.

(ALL EXCLAIM)

ELIZABETH: Today, we're going way over the top.

Maurice, perhaps you'd like to take the lead on this one.

Are you insinuating that I might be over the top?

Olé!

(ALL CHEER)

SIMON: Pablo Picasso's portrait of Dora Maar.

Wow!

Ta-da!

SIMON: Pablo Picasso's portrait of Marie-Thérèse Walter.

Beautiful. Breathtaking.

Each team of florists

will need to reimagine each of these incredible portraits

by Pablo Picasso, using only plants and flowers.

Wow.

We will be judging your interpretation of the painting.

We want to see your use of textures to create dimension.

The entire canvas must be covered

and hide your mechanics.

Antonio, since you picked first in team selection,

Sarah, you get to choose your canvas.

SIMON: Marie-Thérèse Walter or Dora Maar?

I really like fuchsia so I'm going with Dora Maar.

MAURICE: Alright!

Antonio, how do you feel about the portrait that you got?

I think it has a lot of great color to it and good shapes.

I'm excited to execute it.

The winning team will be safe from elimination

but, you know, the losing team

will compete in tomorrow's solo challenge, which ain't easy.

Whoever loses that will be going home.

You have four hours to complete your works of art.

Your time...starts...

(FALSETTO) ..now!

CONTESTANT: Go! OK, run.

ELIZABETH: Don't know where that falsetto 'no' came from.

I loved it. I loved it.

Loved that little... (FALSETTO) ..now!

First thing before we get started,

- I want to say a quick prayer. - Quickly.

You can do it with me or not but I want to say...

(SPEAKS SOUTH ASIAN LANGUAGE)

..which means "Creator, give me knowledge."

Alright. Let's sketch.

Being Muslim plays a very big part of my life.

You know, for me, it's easier to just put myself out there.

I'm a very bold personality.

I feel like there's a lot of women,

they may be holding themselves back

because they feel self-conscious

about being South Asian,

they're Indian, Pakistani or Bengali or they're Muslim.

I want those girls to see someone familiar.

Shall we do the landscape, the top?

- Yes. - Let's get started on that.

SARAH: The portrait is Dora Maar, by Picasso,

and I have a little bit of a secret strategy

that I think the judges are really gonna like.

We're so blessed to have this gorgeous backdrop

of the actual mountain canyon

so I'm thinking of using pampas in the red

to put texture in there

to make it look like rocks coming down

so it's kind of a reiteration of where this portrait is.

So Jenny and Rachel,

they're gonna start getting the red background done.

While that's happening,

Melissa's working on the landscape right now.

- Whoo, doing it! - Whoo!

- There's some hot-girl shit! - Whoo!

Drive up!

I definitely want it to come out

that you want it to have that dimension.

- Are we gonna come out? - You know we are!

ANTONIO: In today's challenge,

I have to re-create the portrait

of Marie-Thérèse Walter by Pablo Picasso.

I think it's going to be my take on it.

I'm really trying to re-create this as best I can

in a paint-by-numbers approach in giving it texture and depth.

Ron and Kiara are working on the background,

putting the blues and blacks in.

Canaan's working on the neck

and then Lutfi is working on marking out where the eyes go

and the features go

so we don't put flowers underneath it

and waste product.

I feel good. I'm excited.

I ain't goin' home today. Not today.

I think this is an iconic Full Bloom challenge.

It was my favorite team challenge from season one

and I do think we set them up for success with these Picassos

because of the structure and the more linear shape.

The thing that I think is the most hard

is the detail work.

How do you get that dimension, how do you do that?

It's all about the execution.

LUTFI: Canaan, can you hand me some blue carnation over here?

Gorgeous.

- Good? - Yeah. Fab. Thank you.

You made me forget what I was going to get!

- You're doing nails. - OK, nails.

It's so hot there's a horn church out here. Whoo!

Right now, I'm taking care of the eye.

We're using these really beautiful carnations.

Carnations are such a typical flower

that you can find in the street markets in Honduras.

She is, like, resilient, she's like your best friend,

you know, she can be, like, in your house for a whole week.

It's fabulous.

CANAAN: They're beautiful

and they come in the colors of the rainbow, let's be clear.

ANTONIO: OK, you've got it. Bouquet.

Bouquet.

Florists, you have had one hour of your four-hour challenge.

OK. Ahchoo!

Let's go. I need to go this way.

Whoa!

Oh, my God!

CANAAN: Where's the bottom?

- Where is the bottom man? - This is the bottom man.

(CHANTS) Where the bottom is that, where the bottom is that?

We're gonna crush it, Melissa.

- Huh? - I said we're gonna crush it.

Especially with using pampas to make it look like

the mountainy landscape you see back there.

So I'm cutting all of my stems at an angle,

um, so that you're giving more space for it to drink water

so that they don't start wilting.

Alright, girls.

Here.

Is this another artistic piece that you're putting on?

This is... This is... You see that line?

What is that doing?

You don't think we should put the big pieces on first

and do these last minute as the magic touches

to see if they even look good? You think you're confident...

I think I'm comfortable with time.

I think those are... Are those her bangs?

I'm... I'm confused.

If that is the twist you're making for the hair

I'm confused about how high up and how spiky it is.

At this rate, Dora Maar's gonna look like Rod Stewart.

I don't think it's smart what she's doing.

That's like her own artistic piece she's putting in

'cause that doesn't exist in the photo.

I'll say nothin'.

- Sarah. - Sarah, Sarah.

Hello, guys.

So many questions.

I'm already seeing there's something

that I don't see in the painting.

But do you see what's behind the painting?

I'm incorporating the landscape of where we are

so it's like you're looking at it but you're also looking.

Wow!

Oh, my God, I'm glad you like it.

Sarah. To be honest with you, I was talking shit on you.

- Yeah, we were worried. - Really?

I was like, "What is she over there doing?

- "This is crazy." - We were nervous.

I don't know what it's gonna be.

Is that the hair? It's the wrong color.

She can make the hair whatever color she wants.

It's artistic interpretation!

I was actually kind of freaking out.

The one thing that I really want to stress for you

is, like, you're doing the extra credit first...

I know.

The extra credit doesn't count if the main thing isn't done.

- If the main thing isn't done? - Correct.

We wish you the best. Good luck.

ELIZABETH: You've got this.

Team woman.

MAURICE: Oh, my God. Sarah is like...

A boss.

Do you need help?

So what we're gonna do, Lutfi,

we're gonna do the left side of the face first.

You guys ready to take this up?

- Yes, Dad. You're welcome. - Thank you.

(LAUGHS)

Hello, hello.

Captain Antonio, team red, how are you all?

We're doing good, man. We're just trucking along.

So tell me, what is your vision

for creating your interpretation

of Marie-Thérèse?

We're doing the best we can

to get it as close as we can to it, really.

So tell me, how did you become a florist?

How did you get into it?

I started out working in a grocery store

and the floral department has a processor

and I moved onto the floor and they were like,

"Hey, if you're gonna do this,

"you're going to have to learn how to make arrangements."

People out in the world have an expectation

of what florists should look like.

I've lost jobs because of the way I look.

I'm a man with a big beard and raggedy clothes.

I'm married. I have two daughters.

They're my biggest fans, for sure.

The coolest arrangement I've ever made

is help making kids, you know.

I thought you were very clever because your top of your frame

you have finished and finessed to such an extent

you don't need to return there.

I trust this team to make something beautiful

and execute my vision.

I'm just a daddy to the team over here.

Well, I think Daddy seems to have it under control so far.

Yes, sir, I appreciate you. Thank you so much.

I'm just glad to be on your team.

- Boom. - That's it.

It's all about breathing in through the nose,

out through the mouth, knowing it'll get done.

JENNY, V/O: My nickname is Jenny Magic.

I'm kind of known to sprinkle that magic everywhere I go

with flowers.

I started my business at age 19 with $500 in my pocket

and I was ready to make some beautiful designs,

make an impact in this world with flowers.

We've got some magic going on.

Girl power right here. We don't need no boys!

I'm working on the left eye, currently.

I have these beautiful orchids in here.

And these spooky, rusty red dyed carnations.

They're so sick.

And they are... chef's kiss. So good.

OK, one, two, three.

- Are we flipping it? - Yep.

Melissa.

My favorite spectacle-wearing friend.

Oh! How's it going?

It's good. I'm kind of doing most of the designing.

So you are self-taught? How have you learnt?

You don't know what you don't know.

You're so right.

See, I've never had a day's formal training in my life

but actually, I always say if you don't know the rules,

you're never afraid of breaking them.

For a canvas of that size,

it's got to be knocked out in four hours

so therefore however you make it and it works, that works.

Can you hold on a minute?

It's the wrong way. Sarah, it's the wrong way!

What do you mean it's the wrong way?

I'll be right back.

OK, Rachel. Your piece is this piece here.

OK, so, we need to...

So put the peach in first on the top.

- I'm gonna drop it. - She's gonna drop it. Help.

MELISSA: Sorry. SIMON: That's alright.

I see the team not going in the right way

and I'm going to step in and get it back on track.

I want to be here, I want to win.

I don't want to go home.

That's it, isn't it? You don't want to go home.

- I don't. I want to be here. - Exactly.

- Lovely to see you. - Likewise.

CANAAN: Woo! I'm so tired of lifting heavy stuff.

ANTONIO: You guys got it? KIARA: Yep.

RON: Yep, we got it now.

I got it.

Not long to go but I know we're gonna get this done.

I have all the faith. I'm fast at it.

KIARA: Canaan, faster, faster.

CANAAN: Faster?!

I got it. There. Oh!

I love this! I'm just like right in here!

MELISSA: It's amazing. You guys are killing it.

- It's OK? - No, it's amazing!

- It's OK? - No, no, feel me.

Feel me.

It's so perfect.

Here's the eye.

- Alright. - Mother Strength!

ANTONIO: Straight ahead. You got it straight up?

Are those eyes?

SIMON: Is that the eye?

That looks like Cookie Monster.

ELIZABETH: It does look a little Cookie Monster.

MAURICE. There's two eyes.

Here's the thing. Eyes are the key to the soul

and so I feel like getting the eyes in a portrait

is so important.

And at the moment, the eyes...

Are the worst part. And also the hardest part.

She needs better eyes. It's like a blob.

How's it looking? Is it reading at all?

It's, er, something.

Those eyebrows are no, no, on the right.

I'm really worried right now.

We spent so much time on those mountains.

We have green in between.

It flows this side.

Put the green down the face.

The green down the face is important.

I do not want to lose.

Alright, hurry up, hurry up.

We need you to get down so we can pull back and finish.

OK, OK.

Here.

Ron, as far as the red and black stripes, right...

Yeah, yeah, yeah.

I think that's gonna be the tricky thing.

Give me the black spray paint and the red

and I can just make lines with this shit.

RON: I think we're gonna get in trouble for that.

- For what? RON: For the black spray paint.

- You want me to not do it? RON: Can we do the gladiolus?

The gladiolus will be the representation

of the red going up and down.

ANTONIO: That's a brilliant idea.

I love the red and these stripes.

These will be the black. Just line 'em up.

CANAAN: Don't worry about the time. Just poke.

This is the race to the finish!

Florists, florists, the pressure is on

because you have one minute left!

RON: Carnations, carnations.

KIARA: Move fast. Put flowers in places. Let's go.

You know, trying to get everything done,

my nerves are popping.

I don't know if we're gonna make it.

This is the most Picasso-y looking girl.

It's abstract, I can tell you.

JUDGES: Five, four, three, two, one!

(BELL RINGS) JUDGES: Your time is up!

Oh, my God. Whoo!

Oh, my gosh.

SONG: ♪ Love You Crazy

Florists, we wanted you to reimagine Picasso's painting

using dimension, texture and choice of flowers

to capture his style.

Red team. Antonio.

So, I was trying to make it abstract, right.

I think I did a good job of that part.

- I'm not done! - Talk it up! There you go!

It was first and foremost a hell of a project.

- Yeah. - It was difficult.

But we really wanted to try to get the color in her face

and the shape of her to stand out

and we really wanted to just get all this texture in there

with almost having brushstrokes kind of coming down with it

and trying to like make her come out of the frame for us.

She's beautiful.

I think you all did an incredible job.

The scissor lift came down just a tiny bit

and I was like, "The textures translate beautifully."

I loved how meticulous you were

of getting that very sharp diagonal line

because it really helps to pop everything off of the page.

Where I think you guys could've been more successful,

the eyes are the key to the soul.

- Yeah. - And those eyes...

..are telling some lies because...

..I don't know!

I just... I don't see it.

The more I look at it...

I feel like your stripes could've been a lot stronger.

- Yeah. - Yeah.

Because it gets a little...

I just totally disagree with that.

I love those gladioli.

It's a breath, it's an intimation of those stripes

and for me it works brilliantly well.

Thank you. Anyways, moving on.

Blue team. Sarah.

Tell us your reimagining of Picasso's Dora Maar.

We had a really good time creating this piece.

For creativity I wanted to try to incorporate

the landscape we have behind the portrait

of where we're located, with the slant of the rocks,

and then for dimension, we did very exaggerated pieces

that are popping out to really give you a feel

when you walk up close to it

and see the difference in depth.

Parts of it I am adoring.

I think you've been incredibly clever

with your use of plant material to create some of the movement

and the brushstrokes.

The tumble of green that falls between her eyes

using the dendrobiums, the Amaranthus that's up there...

- It's so pretty. - It's beautiful, isn't it?

- It's so pretty. - Absolutely beautiful.

We talked about extra credit, right?

No!

Do you feel like your extra credit was successful?

That is a very difficult question.

I definitely wanted to add a few more pieces

for the landscape to read but I feel like we got her.

And, Melissa, Rachel, Jenny, would you have dissented

and said, "Please can we take the pampas grass down?"

Did anyone dissent?

- Yes. - Yeah.

We did, a little.

Yeah, we mentioned

that we should stick to the painting and the foundation

and then if there was extra time

if she wanted to add in any extra...

I don't understand

the fascinator that you've given her to wear.

To tell me that they're part of a mountainscape

within which we're standing, they just aren't for me,

they're three satellites of pampas grass.

Now that we've all shared our opinions,

I think it's time to let you all know

who won and who lost.

And the losing team

will have to go into the elimination challenge

tomorrow.

The portrait that I like the most out of the two

belongs to...

- ..the red team. - Yes!

There are things I truly love about each piece

but for me the most successful reimagining belongs to...

..the red team.

The red team. Congratulations.

Sarah, Melissa, Rachel, you will be back

for your second elimination challenge tomorrow

with you, Jenny.

And, unfortunately, one of you will be going home.

We'll see you all tomorrow. Goodnight.

- Bye. MAURICE: Bye.

ALL: Bye. - Thank you so much.

CONTESTANT: You did a great job.

MELISSA: I'm gonna hug you. Thank you. I need it.

- Good morning. - Morning.

Hi.

ELIZABETH: Hi. MAURICE: Hi.

Good morning, flower friends,

and welcome to our courtyard of creativity.

Jenny, it's your first time here. How's that feel?

I feel nervous, I feel excited,

I want you guys to see who I am.

These other three ladies

have already survived an elimination challenge

so the pressure is actually on for you.

I feel it.

Sarah, you were team captain, yesterday,

and today you're once again facing elimination.

Yes.

Are you excited to be back with us for another solo challenge?

Um, I am.

I feel like these give a really good opportunity

to show you guys what I'm capable of doing

individually, on a detailed level.

I'm feeling a bit nervous.

I don't want to go home.

So, on that note, it is time to get started

so, please, may I invite you to open your boxes.

(ELIZABETH LAUGHS) It doesn't bite, Rachel.

- Some tools. - Oh, my gosh.

OK. Cute.

Any ideas what those might be for?

Very delicate work.

That's right.

We shrunk the vase!

- Yes! - Yeah?

Oh, my gosh! They're so cute!

In this tiny arrangement battle

you will need to showcase the beauty of a full flower display

in a pint-sized presentation.

We will be judging you on your dissection,

reconstruction and reimagining of flowers

as well as your precision.

And you must use one of the miniature vessels

we have provided in the flower shop.

Florists, you will have 90 minutes

to miniaturize the magic.

And the time...

..starts...

..now.

MAURICE: And they're off!

Some people go gently, some people run.

- What are you about to get? (RACHEL LAUGHS)

Damn!

ELIZABETH: Rachel took the birdcage.

I would've chosen that because the scale and proportion

is already done for you.

Gotcha!

I knew you were gonna do that! You sabotaged me. I knew it!

I didn't have to run

'cause I knew we were going for opposite things.

Melissa's got her nail varnish bottle.

ELIZABETH: Jenny got your eye bath.

SIMON: Oh, and so did Sarah.

Oh, that's pretty, though.

- You want to trade? - No.

(BOTH LAUGH) RACHEL: Psych!

What I hope to see here

is absolutely exquisite floristry skills.

I need to see manipulation of plant material,

using wires, using some of the tapes we've given them.

So we're literally wanting them to reconstruct nature

but on a microscopic scale.

I am so excited. Taking them all apart.

This is a jasmine vine.

You can see these are, like, the scale of flowers.

And the challenge is all about precision and creativity

and also taking the plant pieces or the flower pieces

and taking them apart

and then re-creating something with that.

I'm here to show that I still belong here.

SIMON: I've just been watching Melissa

and she is truly deconstructing and reconstructing.

She's taking ranunculus and oncidiums, dismantling them,

and then she's forming this sort of strange, exotic,

vaguely anthuriumish flower.

- Absolutely beautiful. ELIZABETH: Love that.

SARAH, V/O: I definitely want to give the judges

a surprise element, as usual,

but learning a lesson from yesterday, I want to make sure

that I get the main part of the project done first

before I go into, like, extracurriculars.

I think it's so important

that everyone has heard us say deconstruct and reconstruct

because I'm not certain

that everyone understood that portion of it.

I think there's some people pulling heads off

and putting them maybe in a different place

but that's not a deconstruct and a reconstruct.

There needs to be some magic, some alchemy.

I want the deceit that we, as florists, practise every day

where we turn something that isn't what it is

into something magical.

Cutie.

RACHEL, V/O: I was instantly drawn to this birdcage

because it's so ornate, so delicate,

and almost like whimsical.

I wanted to see how this would be able to weave in between

these beautiful, like, accents

'cause my vision is gonna kind of start here, wind up,

and then explode out of this cute little cage here.

I'm feeling a little nervous.

This is the second time

being in the losing team, unfortunately.

I don't want to go home.

I have never looked at flowers under a magnifying glass.

It's amazing!

I'm here to challenge myself,

I'm here to step outside my comfort zone.

MAURICE: Jenny! - Hey.

How's it going?

It's tedious, like we went from large to small

and I haven't done either, ever.

So this is like two firsts for you.

This is pretty wild.

When I was little I used to love Alice in Wonderland,

when the flowers talked to you

and, you know, being a shaman the flowers do talk to me

so these, I'm like, "OK, talk to me, flowers.

"I gotta win this!"

So tell me, how are they speaking to you?

Every flower has a different message

when I touch it and feel it, so, for example,

the mint is here for me right now to give me some guidance

and the umbrella fern

is to give, like, an understanding for the process.

OK. You know, that is...a little out there.

- Now, here's the thing. - Yeah.

This is a challenge that is all about precision and detail

and, at the moment, what I'm seeing here

with your hyacinths, they look really messy.

Yeah. I'm gonna fix them.

You can see all the glue and all your mechanics here.

At this point in the game,

we shouldn't see how you wire things,

how you put things together, knowing how to use floral tape.

It is a testament of how skilled you are

so we really want to see that.

Thank you.

This is really tiny!

Good morning, Melissa.

Good morning, Simon.

- How are you? - I'm good.

I'm happy to see your face.

So tell me about your tiny challenge.

So I picked a little nail polish bottle.

Why did you choose that?

I love getting my nails done.

One of my girls really loves getting her nails done as well

so we enjoy that together.

MELISSA, V/O: I think that I use florals

to show people that I care about them.

It's all just such an act of care for me.

Currently, my wife, Loretta, and I have, in our care,

a little 11-year-old.

I'm somebody who's protective.

I want people around me to feel comfortable, safe

and also to be able to live their truth.

I see you've been mounting things onto florist's wires.

This is an oncidium orchid

and you've used just these flowers

or have you added in other petals?

I added a few petals of this butterfly ranunculus

which is delicious.

So you've added in some ranunculus petals

so you've literally deconstructed and reassembled.

- I'm loving that. - Thank you.

But you also chose the hyacinth

and I love dismantling those and reassembling them.

- Do you? - Oh, for something like this

I would literally make a little hook...

..and just drop that down through the flower

and then it anchors it there

and then you have your little...

..your stem wire.

Now, you just twist and pull and as you do that,

you then replicate that lovely, natural stem.

This is so fine.

MELISSA, V/O: It was such a treat to watch.

He did it so fast and so elegantly

and then that bloom could be manipulated in any way.

I am definitely going to practise what he taught me.

I've got this.

Too much, too much, too much. Argh!

MAURICE: Sarah! - Hi.

So, what's happening here?

I want to make a hummingbird out of the jasmine buds...

Oh, I love that.

..and have that coming into one of the flowers.

I think I may be able to do it

'cause I make jewellery for South Asian brides,

like Pakistani and Indian brides.

One of the pre-wedding events is called a mehndi.

They literally take the buds of jasmines

that are the size of lily-of-the-valley,

string them,

particularly in a way where all the buds are facing outwards,

and make, like, very delicate jewelry pieces,

earrings and bracelets, midi rings,

and that's what the bride wears

and so I work with teeny tiny things like this in Oasis glue

so this is like heaven for me.

Good luck, and I cannot wait to see what you come up with.

Thank you so much.

So she literally is

deconstructing and reconstructing

not just a flower but another animal.

That is so cool.

I'm making a hummingbird.

I like making animals out of flowers

so I'm excited to have an opportunity to do that.

I'm making the wings right now out of stripped pansy petals.

It's so hard working with these because they're so delicate

and, like, flowers bruise very easily

so the more you touch them in different places

the quicker they turn...brown.

- Hey, florists! - Argh!

You've got five minutes!

- You always scare me! - Sorry.

- He's not sorry. - I'm not sorry.

Detail, detail, detail.

Deconstruct, deconstruct.

This should be all about just the finesse.

Ooh! I found these cute little pins

because pearls accentuate the finer things in life.

I'm just, like, popping them in there intentionally

to kind of reinforce my vision with this.

Pretty obsessed with this one.

MAURICE: Ooh, obsession!

One minute left.

I feel like they're literally going to look at this

through a microscope.

Alright, let's see, do you see any glue?

Everything's so tiny.

JUDGES: Five, four, three, two, one.

Time's up, florists.

Hands up and flowers down.

Whoo!

SONG: ♪ Be A Hero

Your task was to create a miniature masterpiece

with the potential to make a big difference.

And the person who fails to do that today

will be leaving us.

We asked for surgical precision.

So let's see whose floral operation was successful.

Sarah, would you please come up and show us your tiny bouquet.

So, for my piece,

I made a jasmine bud hummingbird

and I wanted it to be like a fantasy hummingbird

that blends in with the pansies

so I deconstructed some of the pansy petals

to use as part of its fluttery wings.

I think that was such a beautiful

and creative, innovative way to dissect a flower

and then to reimagine it.

I mean, you really hit the criteria there.

The most beautiful part about it

is how effortless it is.

Everything is just so thoughtful

and then to just top it off with the hummingbird

is stellar.

SIMON: You've given us a tiny Fabergé brooch

of a hummingbird.

It's a beautiful composition of perfectly chosen flowers

that are presented immaculately.

Thank you, guys.

Jenny,

tell us about the journey of your piece.

This is my first time designing a mini piece.

It was really fun.

I really took it to heart.

You know, I like to use tulips, I like spring colors,

so I used the hyacinth as miniature little tulips

in the design.

It literally looks like a large urn arrangement.

I think you've nailed that translation.

For me, my pickiness here

is gonna be all of the blooms that are not making it

at this point.

- The ferns are, you know... MAURICE: Crispy.

ELIZABETH: They're crispy and they're out of water.

I love greens.

Greens is one of my favorites

when it comes to flower arranging,

like the peek of mint -

it looks like there's a little Italian pittosporum in there.

Where I am struggling a bit, you talked about making sure

that there were no mechanics showing

but there's tons of glue spots.

It makes it feel a little sloppy for me.

Thank you, Jenny.

Melissa, please tell us the tale of your tiny creation.

My wife and I recently took in an 11-year-old.

That's one thing her and I really bonded over,

is getting her nails done.

So I just pulled in lots of different flowers

that really reminded me of her

and then at the bottom I put a little garden

because we're welcoming her into the family

so there's one little front left for her to tell her tale

and, yeah.

This little section here

with the alliums and the tulip centre

is so awesome to me.

I love that you used the jasmine vine leaves.

I actually want to go over to the screen

because I think yours translates..

Because he hasn't used his pointer yet.

'Cause he's not used his pointer yet.

Well, because yours translates so well,

like the way you've transformed all of these little bits

like everything looks super articulated.

Like it's so freakin' pretty.

And I love the illusion,

I mean this I would think would be full scale

because you really did transform every step.

So I think job...well done.

But you know I got something to say.

Ready for it.

I find it to also be a little junky.

While I like all the little textures,

I think it could've just been dialled in a bit better.

Yep.

Rachel, tell us what you've created here.

I'm quite sentimental

so I was instantly drawn to the birdcage.

It reminds me of actually like my favorite ring here.

My mom gave me this ring and it's super special to me

because my father passed away from a long bout with cancer

so it was another way

to always keeping a loved one close to me.

So, you know, drawing back to this,

I really wanted to create something special.

I think the palette makes sense with the birdcage,

I love that you used those pearl pins,

I think that's a great accent.

I love how you're using this larkspur

as like a showpiece.

What I can say is

I'm not sure that I see the reimagining of a bloom.

OK.

Where I'm disappointed is

I'm a bit disappointed not to see you

craft and create a flower for us

out of elements and constituents

of other plant material.

Thank you so much.

Thank you.

We are ready to share the results

of our tiny arrangement challenge

but first we will welcome yesterday's winning team

to join us.

- Hello. - Hey.

- Good luck, guys. - Ohhh.

This was a very difficult decision for us, y'all.

The top two arrangements

both had incredible dissection and reconstruction.

We did, however, make a decision

and in first place is...

..Sarah. Congratulations.

You once again took the top spot.

(CONTESTANTS APPLAUD)

MAURICE: Congratulations. SARAH: Thank you.

It made me feel like, "Ooh," when I saw it.

It's a very beautiful, very small thing.

And in second place, we very much enjoyed this arrangement.

Melissa.

(CONTESTANTS APPLAUD)

MAURICE: Congratulations.

MELISSA: Thank you.

Rachel, Jenny, will you join us up front?

How does it feel being in this spot?

Well, I'm grateful to be here,

just to learn all these techniques.

Rachel, how are you feeling?

Oh, sad, but, you know, I still love what I did

and I love everything I've done so far.

It's never easy to say goodbye

but unfortunately that's what we must do.

The person who is going home today is...

..Jenny.

Jenny, we are sorry to say

that your time on Full Bloom has come to an end.

However, we can't wait to see

what magic you create with flowers

in the years ahead.

Thank you very much.

JENNY, V/O: I really enjoyed myself the whole entire time.

I trust that I'm always right where I'm supposed to be.

I'm just proud of myself.

Thank you.

Thank you for being here and part of our Full Bloom family.

And for the rest of you, please get some rest,

take care of your bodies,

because tomorrow is a major challenge.

Thank you.

SIMON: Thank you. MAURICE: Have a good night.

SIMON: Have a good evening.

MAURICE: Today we're donating our flowers

to the teachers at Inner City Arts,

a space that provides arts instruction and workshops

to students and educators

in downtown Los Angeles.

- Oh! - I'm liking this a lot!

This is great!

MAURICE: We couldn't think of a better way to say "thank you"

than with some of our artwork.

It's beautiful. I'm responding

to the three dimensionality of it,

the way that these just

kind of like come off.

When the kids see this,

I hope that they feel inspired

to make their own ideas bloom.

There is no limit to what they can create.

Our students will love it.