All language subtitles for ZIWE s01e06 Whitewashing.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:39,074 --> 00:00:43,511 >>> TODAY, ON "ZIWE," I'LL BE TALKING ABOUT WHITEWASHING. 2 00:00:43,611 --> 00:00:48,413 WHITEWASHING IS THE PROCESS OF ALTERING IN WAYS THAT FAVOR, 3 00:00:48,514 --> 00:00:49,114 FIFA FI 4 00:00:49,648 --> 00:00:51,250 FEATURE OR CHARACTER. HOLLYWOOD HAS A LONG, STORIED 5 00:00:51,350 --> 00:00:52,518 TRADITION OF WHITEWASHING. 6 00:00:52,617 --> 00:00:53,451 >> THIS IS EXTRAORDINARY. 7 00:00:53,551 --> 00:00:56,720 >> BUT THIS PHENOMENON HAPPENS EVERYWHERE. 8 00:00:56,820 --> 00:00:58,755 EVERYTHING FROM CHILDREN'S TOYS TO POP CULTURE. 9 00:00:58,855 --> 00:01:02,458 >> A LONG, LONG TIME AGO WHEN I WAS REALLY LITTLE, I GOT KICKED 10 00:01:02,558 --> 00:01:06,227 OUT OF SCHOOL FOR HAVING BRAIDS IN MY HAIR. 11 00:01:06,327 --> 00:01:07,529 >> EVEN HISTORY GETS WHY IS WASHED. 12 00:01:07,629 --> 00:01:11,465 ADAM PALLI HAS PLAYED EVERY TIME SO I INVITED THE HILARIOUS ACTOR 13 00:01:11,565 --> 00:01:15,501 TO THE SHOW. HE TALKS ABOUT FASHION FAUX PAS. 14 00:01:15,601 --> 00:01:17,003 >> AM I PULLING IT OFF A LITTLE? 15 00:01:17,103 --> 00:01:19,004 >> WHAT HE DOES TO FEEL BETTER. 16 00:01:19,104 --> 00:01:20,972 >> I GET MY HAIR BRAIDED. 17 00:01:21,072 --> 00:01:21,906 >> AND SO MUCH MORE. 18 00:01:22,006 --> 00:01:24,542 >> I WAS A MAN NOT YET OLD. 19 00:01:24,642 --> 00:01:29,345 >> AND LATER, WE TALK TO STACEY ABRAMS FOR EVEN MORE INSIGHT. 20 00:01:29,445 --> 00:01:33,248 SO STAY TUNED. IT'S GOING TO BE ICONIC. 21 00:01:33,348 --> 00:01:34,916 NO ONE'S GOING TO SAVE YOU. 22 00:01:35,016 --> 00:01:36,083 >> I'M HAVING A REALLY GOOD TIME. 23 00:01:36,184 --> 00:01:37,118 >> "ZIWE" STARTS RIGHT NOW. 24 00:02:19,950 --> 00:02:26,922 >>> JOINING ME IS COMEDIAN, ACTOR, ALLY, AND ASSET TO THE 25 00:02:27,022 --> 00:02:31,826 WHITE COMMUNITY, ADAM PALLY. 26 00:02:31,925 --> 00:02:34,261 >> I DON'T KNOW THE WHITE EXCOMMUNITY. 27 00:02:34,361 --> 00:02:34,962 >> THANK YOU FOR BEING HERE. 28 00:02:35,062 --> 00:02:36,762 >> OKAY, COOL. OH NO. 29 00:02:36,862 --> 00:02:37,863 >> SO, FAMOUSLY -- 30 00:02:37,964 --> 00:02:38,397 >> YES. 31 00:02:38,497 --> 00:02:39,098 >> THIS IS A PHOTO. 32 00:02:39,198 --> 00:02:39,932 >> OKAY. 33 00:02:40,298 --> 00:02:43,468 >> THAT YOU'RE IN. EXPLAIN HOW WE GOT HERE, AND IS 34 00:02:43,568 --> 00:02:44,735 THIS ALLYSHIP TO THE BLACK COMMUNITY? 35 00:02:47,905 --> 00:02:53,809 >> LOOK AT IT. LOOK AT IT. 36 00:02:53,909 --> 00:02:59,647 >> FIRST OF ALL, AM I PULLING IT OFF A LITTLE? 37 00:02:59,747 --> 00:03:02,916 WITH THE HAIR OFF MY FACE, YOU CAN SEE MY FACE. 38 00:03:03,016 --> 00:03:07,286 NO. IT WAS FOR A MOVIE. 39 00:03:07,386 --> 00:03:08,220 >> WHAT MOVIE? 40 00:03:08,320 --> 00:03:10,255 >> CALLED "DIRTY GRANDPA." 41 00:03:10,355 --> 00:03:12,690 >> WAS IT WORTH IT? 42 00:03:12,790 --> 00:03:14,558 >> ABSOLUTELY NOT. NOTHING I'VE EVER DONE WAS WORTH 43 00:03:14,658 --> 00:03:16,627 THAT. BUT ROBERT DE NIRO WAS IN THAT 44 00:03:16,727 --> 00:03:16,960 MOVIE. 45 00:03:17,060 --> 00:03:17,627 >> YES. 46 00:03:18,227 --> 00:03:19,061 >> AND I REALLY WANTED TO WORK WITH HIM BEFORE HE DIED. 47 00:03:19,161 --> 00:03:22,797 >> OH MY GOD, YOU CAN'T SAY THAT, ADAM. 48 00:03:22,897 --> 00:03:23,999 BEFORE HE DIED? HE'S STILL ALIVE. 49 00:03:24,099 --> 00:03:26,667 >> WHAT? 50 00:03:26,767 --> 00:03:28,769 >> YEAH. SO, IT SOUNDS LIKE IT WAS WORTH 51 00:03:28,869 --> 00:03:30,903 APPROPRIATING MY CULTURE, THANKS. 52 00:03:31,004 --> 00:03:31,437 >> NO. 53 00:03:32,272 --> 00:03:34,239 >> WOULD YOU BE WILLING TO HAVE YOUR HAIR CORN ROWED AGAIN? 54 00:03:34,339 --> 00:03:34,873 >> ABSOLUTELY NOT. 55 00:03:34,973 --> 00:03:35,407 >> ABSOLUTELY NOT? 56 00:03:35,507 --> 00:03:36,608 >> NO WAY. 57 00:03:36,708 --> 00:03:41,045 >> THE PERSON GETS PAID IF YOU LET THEM BRAID YOUR HAIR SO 58 00:03:41,145 --> 00:03:44,781 YOU'RE TAKING FOOD AND MONEY AWAY FROM A HARD-WORKING 59 00:03:44,881 --> 00:03:45,382 STYLIST. 60 00:03:46,049 --> 00:03:48,617 >> COULD I PAY THE STYLIST AND NOT GET MY HAIR BRAIDED? 61 00:03:48,717 --> 00:03:50,185 >> HOW MUCH CASH DO YOU HAVE ON YOU? 62 00:03:50,286 --> 00:03:52,153 >> I HAVE A VENMO. 63 00:03:52,253 --> 00:03:54,921 >> YOU CAN'T VENMO REPARATIONS, UNFORTUNATELY. 64 00:03:55,022 --> 00:03:57,257 YOU FAMOUSLY NAMED YOUR SON DRAKE AFTER DRAKE. 65 00:03:57,357 --> 00:03:58,225 >> YES. 66 00:03:58,325 --> 00:03:58,825 >> WHY? 67 00:03:59,425 --> 00:04:02,161 >> HE HAS A LOT OF GOOD SONGS, A LOT OF BAD SONGS. 68 00:04:02,261 --> 00:04:05,297 >> WHAT'S A GOOD SONG AND WHAT'S A BAD SONG? 69 00:04:05,397 --> 00:04:15,204 >> I LIKE "NONSTOP" -- IS THAT THE TITLE? 70 00:04:17,973 --> 00:04:18,940 >> YEAH, I LOVE THAT. 71 00:04:19,041 --> 00:04:20,474 >> THAT WAS A BANGER. THAT'S A BANGER. 72 00:04:20,574 --> 00:04:24,377 >> YEAH, HE IS THE BEST JEWISH RAPPER. 73 00:04:24,477 --> 00:04:25,211 >> DRAKE IS -- 74 00:04:25,645 --> 00:04:30,015 >> HE'S LIKE PRINCE TO ME. LIKE HE'S A ONE -- DRAKE HAS 75 00:04:30,115 --> 00:04:30,916 MORE HITS. 76 00:04:31,016 --> 00:04:32,083 >> HM. NEXT QUESTION. 77 00:04:32,183 --> 00:04:34,252 >> YOU JUST WALKED RIGHT AWAY FROM ME WHEN I SAID THAT. 78 00:04:34,352 --> 00:04:38,689 >> YEAH, I DID. IF DRAKE'S NAME WAS DAQUON, 79 00:04:38,789 --> 00:04:40,589 WOULD YOU NAME YOUR SON AFTER HIM? 80 00:04:40,690 --> 00:04:45,160 >> IF HE WERE THE BEST JEWISH RAPPER. 81 00:04:45,260 --> 00:04:47,362 >> DAQUON PALLY. I LOVE IT. 82 00:04:47,462 --> 00:04:48,229 DO I INTIMIDATE YOU, ADAM? 83 00:04:48,330 --> 00:04:51,632 >> NO, I LIKE BEING WITH YOU. NO. 84 00:04:51,732 --> 00:04:55,802 I'M HAVING A REALLY GOOD TIME. I'M HAVING -- 85 00:04:55,902 --> 00:04:56,968 >> YOU'RE GREAT. 86 00:04:57,069 --> 00:04:58,270 >> I HAVE A GREAT TIME WITH YOU. 87 00:04:58,370 --> 00:05:00,739 >> LET'S CONTINUE. YOU'VE BEEN KNOWN FOR ACTING OUT 88 00:05:00,839 --> 00:05:02,840 AT AWARDS SHOWS. FAMOUSLY, I WATCHED YOUR SHORTY 89 00:05:02,940 --> 00:05:03,474 AWARDS. 90 00:05:04,008 --> 00:05:08,978 >> SO EXCITED TO BE PRESENTING THIS GLASS VAGINA. 91 00:05:09,079 --> 00:05:12,781 I THINK A CAREER HIGHLIGHT WILL BE WHEN I'M DONE. 92 00:05:12,881 --> 00:05:17,085 >> I WOULD DESCRIBE THAT AS A COLORFUL EXPRESSION OF DISDAIN. 93 00:05:17,185 --> 00:05:19,920 I'M JEALOUS OF YOU, BECAUSE I DON'T BELIEVE I COULD WILD OUT 94 00:05:20,020 --> 00:05:22,021 LIKE THAT. 95 00:05:22,121 --> 00:05:27,292 >> OH, I -- I THINK YOU'D BE -- I THINK YOU COULD. 96 00:05:27,392 --> 00:05:31,929 I REGRET -- I REGRET THAT. I WAS YOUNGER, AND I -- 97 00:05:32,029 --> 00:05:33,030 >> HOW YOUNG? 98 00:05:33,130 --> 00:05:33,831 >> 35. 99 00:05:33,931 --> 00:05:35,031 >> SO YOU WOULD SAY YOU WERE A BOY? 100 00:05:35,131 --> 00:05:38,800 YOU WERE JUST BOY A BEING A BOY? 101 00:05:38,900 --> 00:05:46,873 >> NO. I WAS A MAN NOT YET OLD. 102 00:05:46,973 --> 00:05:47,741 I -- UM -- 103 00:05:47,841 --> 00:05:49,743 >> WHITE PRIVILEGE, WHAT IS THAT LIKE? 104 00:05:49,843 --> 00:05:52,578 >> IT'S THE FIRST TIME I EVER EXPERIENCED IT. 105 00:05:52,678 --> 00:05:54,879 >> IT WAS THE FIRST TIME I EVER EXPERIENCED IT. 106 00:05:54,979 --> 00:05:55,813 >> WHITE PRIVILEGE. 107 00:05:55,913 --> 00:05:58,950 >> IN MY HEAD, YOU ARE THE KING OF CHAOS. 108 00:05:59,049 --> 00:05:59,983 WHITE MALE CHAOS. 109 00:06:00,083 --> 00:06:00,317 >> NO. 110 00:06:00,417 --> 00:06:01,118 >> YES. 111 00:06:01,218 --> 00:06:03,519 >> LIKE, I SEE THIS AS ANTITHESIS. 112 00:06:03,619 --> 00:06:04,220 >> NO. 113 00:06:04,954 --> 00:06:06,088 >> BECAUSE I HAVE TO BE PRIM AND PROPER, BECAUSE I GET DESCRIBED 114 00:06:06,188 --> 00:06:06,822 AS MEAN AND ANGRY. 115 00:06:06,922 --> 00:06:07,189 >> REALLY? 116 00:06:07,288 --> 00:06:07,489 >> EASILY. 117 00:06:07,589 --> 00:06:07,822 >> NO. 118 00:06:07,922 --> 00:06:09,290 >> YES. 119 00:06:09,391 --> 00:06:11,059 >> THAT SUCKS. 120 00:06:11,159 --> 00:06:12,092 >> THANKS FOR TELLING ME RACISM SUCKS. 121 00:06:12,192 --> 00:06:17,997 >> YOU'RE WELCOME? I DON'T -- I DON'T WANT TO BE 122 00:06:18,097 --> 00:06:22,334 THAT. I DON'T HAVE -- I FEEL LIKE 123 00:06:22,434 --> 00:06:23,168 YOU'RE DESCRIBING MY JOKER ENERGY. 124 00:06:23,268 --> 00:06:24,268 I DO NOT HAVE THAT. 125 00:06:26,670 --> 00:06:29,672 >> NO, I CAN'T. I DON'T. 126 00:06:29,773 --> 00:06:32,008 >> WHY DO YOU KEEP LOOKING AT THE CAMERAS? 127 00:06:32,108 --> 00:06:33,575 NO ONE'S GOING TO SAVE YOU. NO ONE. 128 00:06:33,675 --> 00:06:36,711 >> REALLY? 129 00:06:36,811 --> 00:06:39,380 >> NEXT, ON "ZIWE." 130 00:06:39,480 --> 00:06:41,281 >>> WHAT'S THE ISSUE WITH READING A MONOLOGUE? 131 00:06:41,381 --> 00:06:43,750 >> IT DOESN'T SEEM TO BE WRITTEN IN MY VOICE. 132 00:06:48,220 --> 00:06:53,257 >> THE FOLLOWING FILM HAS BEEN RATED "W" FOR WHITE NONSENSE. 133 00:06:53,357 --> 00:06:59,729 THIS IS THE INSPIRING TRUE STORY OF A BLACK WOMAN WHO DARED TO BE 134 00:06:59,829 --> 00:07:00,630 ICONIC. 135 00:07:00,730 --> 00:07:03,231 >> WE'VE GOT A GREAT SHOW FOR YOU TODAY. 136 00:07:03,331 --> 00:07:06,434 I'M INTERVIEWING KIM JONG UN, WHO'S SURE TO BE AN ICONIC HOST. 137 00:07:06,534 --> 00:07:08,302 FAMOUSLY, I'M YOUR HOST, ZIWE. 138 00:07:08,402 --> 00:07:13,939 >> FROM THE PRODUCERS OF "GHOST IN THE SHELL," "ALOHA" AND 139 00:07:14,039 --> 00:07:15,240 EXODUS, GODS AND KINGS. 140 00:07:15,340 --> 00:07:19,177 >> I WANT TO UPLIFT OTHER MARGINALIZED VOICES LIKE MINE. 141 00:07:19,277 --> 00:07:23,046 >> I'M SORRY BUT A DARK-SKINNED GIRL LIKE YOU IS NEVER GOING TO 142 00:07:23,146 --> 00:07:27,883 MAKE IT IN THIS TOWN. 143 00:07:32,821 --> 00:07:36,490 >> A PERSON OF COLOR WHO NEVER GAVE UP ON HERSELF. 144 00:07:36,590 --> 00:07:38,192 >> HOW MANY BLACK FRIENDS DO YOU HAVE? 145 00:07:38,292 --> 00:07:42,462 >> IN THE WORDS OF JAMES BALDWIN, TWO. 146 00:07:42,561 --> 00:07:47,665 >> SO, YOU HAVE BEEN EVERYWHERE THIS YEAR. 147 00:07:47,765 --> 00:07:50,967 THE COVER OF "EBONY'S 30 WHO LOOK UNDER 30." 148 00:07:51,067 --> 00:07:52,602 "TIME" MAGAZINE'S 100 AFRICAN-AMERICANS. 149 00:07:52,702 --> 00:07:59,841 AND NPR'S SEXIEST URBAN INTELLECTUAL. 150 00:07:59,941 --> 00:08:06,613 >> SO, HOW DOES IT FEEL TO BE YOUNG, GIFTED, AND BLACK? 151 00:08:06,713 --> 00:08:10,082 >> THANK YOU FOR HAVING ME, OPRAH. 152 00:08:10,182 --> 00:08:11,083 >> BLACK LIVES MATTER. 153 00:08:11,183 --> 00:08:14,152 >> BLUE LIVES MATTER. 154 00:08:14,252 --> 00:08:15,019 >> BUT ZIWE WASN'T JUST AN ENTERTAINER. 155 00:08:15,119 --> 00:08:15,853 SHE WAS A CIVIL RIGHTS ICON. 156 00:08:15,953 --> 00:08:19,356 >> ALL LIVES MATTER. 157 00:08:22,124 --> 00:08:27,762 >> HOLD UP. I CAN'T ENDORSE THIS PROBLEMATIC 158 00:08:27,863 --> 00:08:28,429 BULLSHIT. 159 00:08:28,929 --> 00:08:30,798 >> SORRY, ZIWE, WE TOOK SOME CREATIVE LIBERTIES. 160 00:08:30,898 --> 00:08:32,899 THAT'S HOLLYWOOD, BABY. BUT YOU'LL BE PAID $2 MILLION 161 00:08:32,999 --> 00:08:34,067 FOR YOUR LIFE RIGHTS. 162 00:08:34,167 --> 00:08:41,873 >> [ BLEEP ]. MY [ BLEEP ]. 163 00:08:41,973 --> 00:08:44,008 >> I'M ZIWI. I'M AFRICAN, AND I THINK THE 164 00:08:44,108 --> 00:08:46,176 REAL RACISM IS AGAINST WHITE PEOPLE. 165 00:08:46,276 --> 00:08:50,813 >> IT'S THE MOVIE "THE NEW YORK TIMES" IS CALLING POWERFUL, 166 00:08:50,913 --> 00:08:56,985 NECESSARY, AND ACCURATE ENOUGH. THIS FALL, TONY AWARD WINNER 167 00:08:57,084 --> 00:09:02,255 LAURA IS ZIWE. ICONIC: THE ZIWE STORY. 168 00:09:02,355 --> 00:09:09,760 OUR BLACK ANCESTORS FOUND THIS DREAM. 169 00:09:09,860 --> 00:09:13,163 >> AND WE'RE SURE ZENDAYA WASN'T AVAILABLE? 170 00:09:13,264 --> 00:09:15,732 >> WE'RE BACK. SO YOU'RE A VERY TALENTED 171 00:09:15,832 --> 00:09:16,466 COMEDIC ACTOR. 172 00:09:16,566 --> 00:09:17,267 >> THANK YOU. 173 00:09:17,700 --> 00:09:19,201 >> YOU'RE VERY, VERY FUNNY. I'M GOING TO GIVE YOU A 174 00:09:19,301 --> 00:09:22,837 MONOLOGUE AND YOU JUST HAVE TO PERFORM IT THE WAY YOU WOULD, 175 00:09:22,937 --> 00:09:23,938 AND READ IT WITH HEART AND SOUL. 176 00:09:24,038 --> 00:09:26,007 >> I DON'T WANT TO DO IT. 177 00:09:26,106 --> 00:09:26,840 >> YOU'RE MY GUEST. PLEASE. 178 00:09:26,940 --> 00:09:27,807 >> I FEEL LIKE -- 179 00:09:27,908 --> 00:09:29,809 >> WHAT'S THE ISSUE WITH READING A MONOLOGUE? 180 00:09:29,910 --> 00:09:32,845 >> IT DOESN'T SEEM TO BE WRITTEN IN MY VOICE. 181 00:09:32,945 --> 00:09:36,481 >> OH, I THOUGHT YOU WERE AN ACTOR. 182 00:09:36,581 --> 00:09:38,649 PLEASE. ADAM. 183 00:09:38,749 --> 00:09:47,155 >> YEAH. UM, ALL MY LIFE, I HAD TO FIGHT. 184 00:09:47,255 --> 00:09:50,725 I DON'T THINK THAT -- 185 00:09:50,825 --> 00:09:51,525 >> KEEP GOING. 186 00:09:51,992 --> 00:09:58,464 >> I HAD TO FIGHT MY DADDY. I HAD TO FIGHT MY UNCLES. 187 00:09:58,565 --> 00:10:06,037 AND I HAD TO FIGHT MY BROTHERS. I DON'T -- THIS -- 188 00:10:06,137 --> 00:10:09,873 >> HAVE YOU SEEN THIS MOVIE? 189 00:10:09,973 --> 00:10:10,774 >> IS -- 190 00:10:11,274 --> 00:10:14,810 >> YOU KNOW THIS MONOLOGUE IS ONE OF THE ICONIC PIECES OF FILM 191 00:10:14,910 --> 00:10:23,717 HISTORY. SO, TO NOT DO IT JUSTICE AS AN 192 00:10:23,817 --> 00:10:24,784 ALLY -- 193 00:10:24,884 --> 00:10:32,356 >> GIRL, CHILD AIN'T SAFE IN A FAMILY OF MENS. 194 00:10:32,456 --> 00:10:36,593 BUT I NEVER THOUGHT I HAD TO FIGHT IN MY OWN HOUSE. 195 00:10:36,693 --> 00:10:36,926 SCENE. 196 00:10:37,026 --> 00:10:40,662 >> WOW. 197 00:10:40,762 --> 00:10:41,830 >> I DON'T -- 198 00:10:41,930 --> 00:10:44,299 >> DO YOU FEEL PROUD OF TAKING A ROLE FROM A BLACK WOMAN? 199 00:10:44,399 --> 00:10:46,734 YOU DIDN'T ASK ME TO DO IT AND I HAVE MY CARD HERE. 200 00:10:46,834 --> 00:10:49,469 INSTEAD, YOU READ IT. 201 00:10:49,569 --> 00:10:51,805 >> DID YOU WANT TO DO IT? 202 00:10:51,905 --> 00:10:52,806 >> I DID, BUT -- 203 00:10:52,906 --> 00:10:54,607 >> DO IT. 204 00:10:54,707 --> 00:11:05,048 >> NO, THE MOMENT'S PASSED. LET'S PLAY ANOTHER GAME. 205 00:11:05,148 --> 00:11:08,951 SO, YOU AND I ARE HOLLYWOOD EXECS AND WE'RE CASTING THE 206 00:11:09,051 --> 00:11:10,552 FREDERICK DOUGLASS STORY, 207 00:11:10,652 --> 00:11:11,286 STORSTORY, "AB STORSTORY, 208 00:11:11,386 --> 00:11:11,786 STORY, "ABOLITIONIST." 209 00:11:14,822 --> 00:11:18,958 >> SO, THAT LOOKS RIGHT TO ME. IS THAT -- 210 00:11:19,058 --> 00:11:22,160 >> CONTINUE. THERE ARE NO WRONG ANSWERS, ONLY 211 00:11:22,260 --> 00:11:24,596 WRONG FRAMES OF MIND. 212 00:11:24,696 --> 00:11:32,035 >> SO, THEN, I THINK I'D WANT THIS TO BE KIND OF LIKE THIS. 213 00:11:32,135 --> 00:11:33,303 THINK YOU COULD DO THAT? 214 00:11:33,403 --> 00:11:37,172 >> SO YOU WANT A BLACK WOMAN TO TAKE ON AN EXCESSIVE AMOUNT OF 215 00:11:37,272 --> 00:11:37,706 WORK. 216 00:11:37,806 --> 00:11:38,440 >> GOING BACK THERE. 217 00:11:38,540 --> 00:11:39,540 >> GOING BACK THERE. CONTINUE. 218 00:11:39,641 --> 00:11:44,378 SO MANY TALENTED ACTORS. WHAT, DO YOU NOT LIKE TILDA 219 00:11:44,478 --> 00:11:44,978 SWINTON? 220 00:11:45,212 --> 00:11:46,847 >> I DO. I JUST GRABBED HER. 221 00:11:46,946 --> 00:11:49,582 I LOVE TILDA SWINTON. DID SOMEONE SAY I DIDN'T? 222 00:11:49,682 --> 00:11:50,349 BECAUSE I LOVE HER. 223 00:11:50,449 --> 00:11:51,282 >> WE LOVE HER. 224 00:11:51,383 --> 00:11:52,183 >> SHE'S GREAT. 225 00:11:52,283 --> 00:11:53,718 >> SLAVE NUMBER FOUR, TILDA SWINTON. 226 00:11:53,818 --> 00:11:57,621 >> THIS GAME IS VERY HARD. I FEEL LIKE I SHOULDN'T BE 227 00:11:57,721 --> 00:12:05,460 PLAYING IT. OH. 228 00:12:05,560 --> 00:12:09,497 >> WOW. 229 00:12:09,597 --> 00:12:13,066 >> YOU'RE NOT INTERESTED. YOU'RE NOT INTERESTED. 230 00:12:13,166 --> 00:12:14,634 >> YOU'RE IN CHARGE, WHITE MAN. 231 00:12:14,734 --> 00:12:16,168 >> I LIKE THAT. 232 00:12:16,268 --> 00:12:16,769 >> IS THAT YOUR FINAL ANSWER? 233 00:12:16,869 --> 00:12:17,302 >> YES. 234 00:12:17,403 --> 00:12:19,972 >> PLEASE SIT DOWN. 235 00:12:20,071 --> 00:12:27,411 >> WELL, MY FINAL ANSWER IS YOU TAKING ON TWO ROLES. 236 00:12:27,511 --> 00:12:31,547 >> FREDERICK DOUGLASS AND MADAM C.J. WALKER. 237 00:12:31,647 --> 00:12:34,416 >> EMMA WATSON PLAYING BARACK OBAMA. 238 00:12:34,516 --> 00:12:37,751 >> EMMA THOMPSON. 239 00:12:37,851 --> 00:12:38,619 >> WHATEVER. 240 00:12:38,719 --> 00:12:40,487 >> HOW RUDE. THAT'S WHITE VIOLENCE. 241 00:12:40,587 --> 00:12:41,120 >> EMMA -- 242 00:12:41,220 --> 00:12:41,888 >> NO, THAT'S ROBERTS. 243 00:12:41,988 --> 00:12:43,823 >> AND THEN EMMA WATSON. 244 00:12:43,923 --> 00:12:45,290 >> FROM "HARRY POTTER." 245 00:12:45,390 --> 00:12:52,997 >> AS NAT TURNER. NOW THAT I'M LOOKING AT IT -- 246 00:12:53,097 --> 00:13:01,436 >> TILDA SWINTON AS NAT TURNER. WHY NOT JACOB OR DANNY DE VITO. 247 00:13:01,536 --> 00:13:05,106 >> I'M NOT ASSIGNED TO ONE PERSON AND THAT IS A TRAVESTY 248 00:13:05,206 --> 00:13:09,309 BECAUSE RIGHT OFF CAMERA, THERE IS A STACK OF BLACK ACTORS BUT 249 00:13:09,409 --> 00:13:11,911 YOU DIDN'T EVEN THINK TO GO BEYOND THESE HEAD SHOTS BECAUSE, 250 00:13:12,011 --> 00:13:13,845 AGAIN, PREJUDICE IS ABUNDANT. 251 00:13:13,945 --> 00:13:14,946 >> DID I MISS THEM? 252 00:13:15,046 --> 00:13:17,315 >> YOU DID MISS THEM. THEY'RE RIGHT OFF CAMERA. 253 00:13:17,415 --> 00:13:18,716 RIGHT OFF CAMERA. YEAH. 254 00:13:18,816 --> 00:13:20,050 YEAH. WHY DON'T YOU SEARCH. 255 00:13:20,150 --> 00:13:24,253 WHY DON'T YOU LOOK FOR BLACK PEOPLE TO ELEVATE AND UPLIFT. 256 00:13:24,353 --> 00:13:27,489 OH, BECAUSE IT WASN'T HANDED TO ME. 257 00:13:27,589 --> 00:13:30,192 IT WASN'T -- A NEW YORKER. 258 00:13:30,292 --> 00:13:31,092 >> YOU HAVE A -- 259 00:13:31,592 --> 00:13:33,360 >> WHAT ABOUT THE RESILL YENT SPIRIT OF NEW YORKERS SAYS, HEY, 260 00:13:33,461 --> 00:13:35,028 I'M GOING TO CAST EMMA THOMPSON AS BARACK OBAMA. 261 00:13:35,128 --> 00:13:36,830 OFFENSIVE. 262 00:13:36,930 --> 00:13:37,564 >> THIS IS A NIGHTMARE. 263 00:13:37,664 --> 00:13:38,264 >> OFFENSIVE. 264 00:13:38,364 --> 00:13:39,431 >> THIS IS A TRUE NIGHTMARE. 265 00:13:39,531 --> 00:13:42,468 >> NO, IT'S NOT A TRICK. THIS IS THE REALITY WE LIVE IN. 266 00:13:42,568 --> 00:13:46,204 YES, BARACK HAS BEEN ON STAGE. WOW. 267 00:13:46,304 --> 00:13:47,771 WOW. AND THEN I HAVE TO PLAY A MAN 268 00:13:47,871 --> 00:13:51,807 BECAUSE WE LIKE TO -- WE HYPERMASCULINE WOMEN, BLACK 269 00:13:51,907 --> 00:13:54,543 WOMEN. OH, HER ARMS ARE BEEFY. 270 00:13:54,643 --> 00:13:59,214 OH, SHE HAS AN ANGRY VOICE. OH, SHE WALKS WITH A CERTAIN -- 271 00:13:59,314 --> 00:14:00,948 >> THE BOARD IS -- 272 00:14:01,048 --> 00:14:03,516 >> -- STEP, YOU KNOW? AND RACISM IS APPARENT, AND I'M 273 00:14:03,616 --> 00:14:06,586 NOT SAYING THAT ADAM SAUL PALLY IS A RACIST, BUT THE EVIDENCE 274 00:14:06,686 --> 00:14:10,088 SPEAKS FOR ITSELF. AND THAT'S BEEN THE SHOW. 275 00:14:10,188 --> 00:14:12,790 >> CAN I GET THAT OPRAH THING OFF THE THING? 276 00:14:12,890 --> 00:14:13,958 >> THAT'S BEEN THE SHOW. THANK YOU, ADAM PALLY. 277 00:14:14,058 --> 00:14:15,559 >> THANKS. 278 00:14:15,659 --> 00:14:16,526 >> HAVE A GOOD DAY. 279 00:14:16,626 --> 00:14:19,295 >> BYE. DO I GET OUT? 280 00:14:19,395 --> 00:14:21,296 >> YEAH, LEAVE. 281 00:14:25,233 --> 00:14:25,666 >> OW. 282 00:14:25,767 --> 00:14:27,602 >> OH NO, HE'S HURT. 283 00:14:31,138 --> 00:14:32,605 >> HI. I'M ZIWE. 284 00:14:32,705 --> 00:14:34,340 IF YOU WANT SOMETHING DONE RIGHT, YOU GOT TO DO IT 285 00:14:34,440 --> 00:14:36,542 YOURSELF, BUT IF YOU WANT SOMETHING DONE WHITE, WELL, YOU 286 00:14:36,642 --> 00:14:40,044 GOT TO MAKE A BIOPIC AND THEN SHOOT IT IN A CAR. 287 00:14:43,614 --> 00:14:47,016 >> MISS HARRIET SAY WE GOT TO GO THIS A WAY. 288 00:14:47,116 --> 00:14:52,788 >> THERE'S THE NORTH STAR. WE'RE ON THE PATH TO FREEDOM. 289 00:14:52,888 --> 00:14:57,390 FREEDOM IS ABOUT TAKING RISKS, AND I CAN'T TAKE RISKS WITHOUT 290 00:14:57,490 --> 00:15:00,627 KNOWING I HAVE A SPORTS BRA THAT MOVES WITH ME AND MY LIFESTYLE. 291 00:15:04,663 --> 00:15:08,332 >> AS HARRIET TUBMAN, I'M THE SPORTS BRA THAT'S HIGH 292 00:15:08,432 --> 00:15:10,734 PERFORMING. I NEED IT TO STAY WITH ME AS I'M 293 00:15:10,834 --> 00:15:13,170 CROUCHING THROUGH THE TUNNELS OF THE UNDERGROUND RAILROAD. 294 00:15:13,270 --> 00:15:15,404 >> MY TITTIES ARE FREE AT LAST. 295 00:15:15,504 --> 00:15:20,041 >> MICHELLE, THIS IS SO OFFENSIVE. 296 00:15:20,141 --> 00:15:21,176 READ YOUR SKETCH. 297 00:15:21,276 --> 00:15:23,544 >> OKAY. I'M DOING A QUICK LITTLE 298 00:15:23,644 --> 00:15:26,479 ANALYSIS IF I WILL GET IN TROUBLE FOR DOING THAT. 299 00:15:26,579 --> 00:15:29,549 BECAUSE I'M BLACK, NO, I WON'T. 300 00:15:29,649 --> 00:15:32,617 >> THE FOLLOWING IS A CONVERSATION BETWEEN ZIWE AND 301 00:15:32,717 --> 00:15:34,319 HER COMPLICIT BLACK WRITER. 302 00:15:34,419 --> 00:15:36,187 >> EXTERIOR, SLAVERY, NIGHT. 303 00:15:36,287 --> 00:15:38,055 >> LET'S JUST STOP. WHAT DOES EXTERIOR, SLAVERY 304 00:15:38,155 --> 00:15:40,490 MEAN? 305 00:15:40,590 --> 00:15:44,426 >> I FEEL LIKE THE TERM SLAVERY IS ALL ENCOMPASSING OF, LIKE, 306 00:15:44,526 --> 00:15:45,561 WHAT EXACTLY IT IS I'M SEEING. 307 00:15:45,661 --> 00:15:46,295 >> WHAT EXACTLY ARE YOU SEEING? 308 00:15:46,395 --> 00:15:48,462 >> NIGHT. DARK. 309 00:15:48,563 --> 00:15:51,865 FOREST. TREES. 310 00:15:51,965 --> 00:15:58,971 IT'S OBVIOUSLY A LITTLE COLD. OR MAYBE IT'S HOT. 311 00:15:59,071 --> 00:15:59,704 >> I SHALL 312 00:16:00,004 --> 00:16:00,905 >> I SHMICHELLE, YOU ARE SO PROBLEMATIC. 313 00:16:01,005 --> 00:16:01,706 >> I'M SORRY. I'M GOING TO HAVE TO LOOK IN THE 314 00:16:01,806 --> 00:16:04,575 MIRROR. I DON'T KNOW WHY I WINKED. 315 00:16:04,675 --> 00:16:06,443 I REALLY DON'T KNOW WHY I WINKED. 316 00:16:06,543 --> 00:16:07,110 >> LET'S CONTINUE. 317 00:16:07,211 --> 00:16:12,347 >> ZIWE, I'M AFRAID OF YOU. 318 00:16:12,447 --> 00:16:13,315 >> WHY AM I SO SCARY? 319 00:16:13,415 --> 00:16:14,115 >> BECAUSE YOU'RE GOING TO GET ME IN TROUBLE. 320 00:16:14,216 --> 00:16:15,383 >> I'M GOING TO GET YOU IN TROUBLE? 321 00:16:15,483 --> 00:16:18,752 I'M GOING TO GET -- THE WOMAN WHO WROTE "MASSA SAYS" SAYS THAT 322 00:16:18,853 --> 00:16:21,254 I'M GOING TO GET HER IN TROUBLE. YOU KNOW, I THINK THIS LESSON 323 00:16:21,354 --> 00:16:23,923 HERE IS THAT YOU CAN BE BLACK AND ANTI-BLACK. 324 00:16:24,023 --> 00:16:27,426 >> I AM PRO-BLACK. I KNOW THE NATIONAL BLACK 325 00:16:27,526 --> 00:16:28,026 ANTHEM. 326 00:16:28,526 --> 00:16:33,964 >> SING IT. LIFT EVERY VOICE AND SING 327 00:16:34,064 --> 00:16:44,906 TIL EARTH AND HEAVEN RING RING WITH THE HARMONY OF 328 00:16:45,006 --> 00:16:45,572 LIBERTY 329 00:16:45,839 --> 00:16:47,574 >> DON'T CHALLENGE ME ON THIS ONE. 330 00:16:47,674 --> 00:16:55,647 LET OUR REJOICING RISE HIGH AS THE LISTENING SKIES 331 00:16:55,747 --> 00:17:04,287 LET IT RESOUND -- LET US MARCH ON TIL VICTORY IS WON 332 00:17:04,387 --> 00:17:10,625 >> HASHTAG, EXTERIOR SLAVERY. HOW ABOUT A MOVIE ABOUT ROSA 333 00:17:10,725 --> 00:17:11,826 PARKS? NO? 334 00:17:11,926 --> 00:17:14,427 HOW ABOUT A MOVIE ABOUT ROSA PARKS FROM THE PERSPECTIVE OF 335 00:17:14,527 --> 00:17:16,563 THE WHITE BUS DRIVER? YEAH? 336 00:17:16,663 --> 00:17:20,132 WE GOT A DEAL? HOLLYWOOD, BABY. 337 00:17:20,232 --> 00:17:25,837 >> YO, DUDE. I DON'T WANT TO TALK ABOUT IT. 338 00:17:25,937 --> 00:17:27,271 OKAY, I'LL TALK ABOUT IT. DON'T TEACH YOU. 339 00:17:27,371 --> 00:17:30,540 >> NO ONE TAUGHT ME. THEY DON'T TEACH YOU, NO, NO, 340 00:17:30,640 --> 00:17:38,680 LIFE IS CRUEL IT'S THE WHITE ACTOR BLUES 341 00:17:38,780 --> 00:17:43,416 YO, FAM, MY NAME IS DREW, YOU MIGHT KNOW ME FROM MY WORK IN 342 00:17:43,516 --> 00:17:47,020 TAMING OF THE SHREW, THAT'S SHAKESPEARE IF YOU AIN'T AWARE 343 00:17:47,120 --> 00:17:50,656 BUT I'M TIRED OF PLAYING PARTS THAT ARE SO DARN SQUARE 344 00:17:50,756 --> 00:17:53,858 I WANT TO STAR IN PLAY WHERE MY TALENTS CAN AWAKEN, GIVE ME A 345 00:17:53,958 --> 00:17:58,428 CHANCE TO FINALLY USE MY JAMAICAN ACCENT LIKE BRAD PITT 346 00:17:58,528 --> 00:18:00,930 IN THAT MOVIE THAT MOST PEOPLE DON'T KNOW EXISTS 347 00:18:01,030 --> 00:18:06,668 I WANT TO STAR IN A ROLE WHERE I ROCK GOLD CHAINS ON MY NECK OR 348 00:18:06,768 --> 00:18:10,671 ON MY FEET LIKE SLAVERY, ACTING IN THESE ROLES WOULD BE SO TIGHT 349 00:18:10,771 --> 00:18:12,038 BUT I CAN'T GO THERE BECAUSE I'M WHITE 350 00:18:12,138 --> 00:18:20,477 IT'S NOT FAIR TO YOU AND YOUR CAREER 351 00:18:20,577 --> 00:18:23,414 YOU CAN'T PRETEND TO SELL DRUGS 352 00:18:23,514 --> 00:18:29,318 THEY DON'T TEACH THIS IN SCHOOL, SO PLEASE BE AWARE, THIS 353 00:18:29,418 --> 00:18:35,389 IS THE WHITE ACTOR BLUES SHIT'S STACKED AGAINST ME 354 00:18:35,489 --> 00:18:37,123 THIS IS THE WHITE ACTOR BLUES 355 00:18:37,223 --> 00:18:42,628 I FEEL YOU, DREW, MY NAME IS LEAH, WISH YOU KNEW FROM MY 356 00:18:42,728 --> 00:18:45,296 "WEST SIDE STORY" PLAYING MARIA BUT THE EXECED TOLD ME I 357 00:18:45,396 --> 00:18:50,701 COULDN'T HAVE THE PART, THEY WERE JUDGING ME BY WHITENESS NOT 358 00:18:50,801 --> 00:18:58,707 THE SIZE OF MY HEART THE MUSICAL'S ABOUT A GIRL 359 00:18:58,807 --> 00:19:01,709 WHO'S ACTUALLY HISPANIC I HIRED A TUTOR AND I ACTUALLY 360 00:19:01,809 --> 00:19:04,211 LEARNED SPANISH I WANT A CHANCE FOR PEOPLE TO 361 00:19:04,311 --> 00:19:07,914 SEE ME AS MORE THAN THAT REALLY GIFTED GIRL FROM TV, I'M OLDER 362 00:19:08,014 --> 00:19:12,184 NOW, I WANT TO CHALLENGE MYSELF BUT THEY DON'T WRITE GOOD SONGS 363 00:19:12,284 --> 00:19:17,822 FOR WHITE WOMEN WHO CAN REALLY BELT, I WANT TO SING LIKE EFFIE 364 00:19:17,922 --> 00:19:21,191 AND CELIE IN THE COLOR PURPLE, ADD MORE TO THE EQUATION BUT I 365 00:19:21,291 --> 00:19:26,694 CAN'T DO ANY OF THIS BECAUSE I AM CAUCASIAN 366 00:19:26,794 --> 00:19:29,197 IT'S NOT FAIR TO YOU AND YOUR CAREER 367 00:19:29,297 --> 00:19:36,102 TO KNOW SPANISH NEVER HEAR 368 00:19:36,202 --> 00:19:41,606 THEY DON'T TEACH THIS IN SCHOOL, SO PLEASE BE AWARE 369 00:19:41,706 --> 00:19:46,243 JUST LET ME TRY IT'S THE WHITE ACTOR BLUES, 370 00:19:46,343 --> 00:19:51,114 IT'S SO UNFAIR IT'S SO UNFAIR 371 00:20:01,521 --> 00:20:05,124 >> WHAT'S MORE CHALLENGING THAN BEING A BLACK WOMAN? 372 00:20:05,224 --> 00:20:06,058 BEING A WHITE WOMAN PLAYING A BLACK WOMAN. 373 00:20:08,326 --> 00:20:11,896 >> SO, NEXT, WE'LL BE TALKING TO NOVELIST, POLITICIAN, AND VOTING 374 00:20:11,996 --> 00:20:14,464 RIGHTS ACTIVIST, STACEY ABRAMS. HELLO, LEADER ABRAMS. 375 00:20:14,564 --> 00:20:16,298 >> HI, HOW ARE YOU? 376 00:20:16,399 --> 00:20:19,902 >> SO, MY FIRST QUESTION FOR YOU IS, WHAT DO YOU THINK IS MORE 377 00:20:20,002 --> 00:20:22,504 RACIST, THE FILIBUSTER OR MITCH McCONNELL? 378 00:20:22,604 --> 00:20:27,875 >> IS THAT A TRICK QUESTION? 379 00:20:27,975 --> 00:20:31,144 >> DO YOU THINK THAT TODAY'S REPUBLICAN PARTY IS ACTUALLY 380 00:20:31,244 --> 00:20:34,012 INTERESTED IN GOVERNING, OR ARE THEY JUST MORE CONCERNED WITH 381 00:20:34,112 --> 00:20:36,348 COLLECTING POWER LIKE SOME SORT OF DYSTOPIAN PYEONGCHANG GO? 382 00:20:39,316 --> 00:20:42,652 >> I THINK THAT THE REPUBLICAN PARTY WRIT LARGE HAS BECOME SO 383 00:20:42,752 --> 00:20:45,587 FIXATED ON POWER, THEY FORGOT ABOUT THEIR PURPOSE. 384 00:20:45,687 --> 00:20:48,590 THIS ISN'T ABOUT PARTISANSHIP. IT'S NOT DEMOCRATS VERSUS 385 00:20:48,690 --> 00:20:50,792 REPUBLICANS. IT'S REPUBLICANS VERSUS 386 00:20:50,892 --> 00:20:55,095 AMERICANS. AND WHEN REPUBLICANS BELIEVE 387 00:20:55,195 --> 00:20:58,597 THEIR ABILITY TO HOLD ON TO POWER REQUIRES THE SUBLIMATION 388 00:20:58,697 --> 00:21:03,234 OF OTHER AMERICANS, THAT IS BAD, AND REPUBLICANS ARE BETTER THAN 389 00:21:03,334 --> 00:21:05,336 THIS. I'VE WORKED WITH THEM. 390 00:21:05,437 --> 00:21:07,371 SOME OF MY BEST FRIENDS ARE REPUBLICANS. 391 00:21:07,471 --> 00:21:07,938 >> WOW. 392 00:21:08,038 --> 00:21:08,939 >> AND MY POINT IS -- 393 00:21:09,039 --> 00:21:10,673 >> BRAVE. 394 00:21:10,773 --> 00:21:13,476 >> AND MY POINT IS, IT'S NOT ENOUGH TO SAY YOU BELIEVE IN 395 00:21:13,576 --> 00:21:18,146 AMERICA WHEN YOU DON'T BELIEVE IN AMERICANS, AND WE NEED THEM 396 00:21:18,246 --> 00:21:19,680 TO STAND UP FOR AMERICANS AND THEIR RIGHTS TO VOTE. 397 00:21:19,780 --> 00:21:22,649 >> YOU HAVE DEDICATED YOUR CAREER TO MAKING SURE THAT EVERY 398 00:21:22,749 --> 00:21:24,818 AMERICAN CAN VOTE. WHAT DO YOU SAY TO PEOPLE WHO 399 00:21:24,918 --> 00:21:28,387 LOOK TO YOU TO SAVE DEMOCRACY EVERY TWO YEARS? 400 00:21:28,487 --> 00:21:31,622 >> YOU KNOW, IF WE COULD SAVE IT ONCE AND THEN JUST STOP BREAKING 401 00:21:31,722 --> 00:21:32,623 IT, I WOULD BE VERY HAPPY. 402 00:21:32,723 --> 00:21:36,993 >> DOES IT MAKE YOU UNCOMFORTABLE THAT WHILE 403 00:21:37,094 --> 00:21:39,795 UNCOMFORTABLE THAT WHIELL-MEANI LIBERALS CONSIDER YOU THE PATRON 404 00:21:39,895 --> 00:21:40,996 SAINT OF ELECTIONS. 405 00:21:41,097 --> 00:21:44,032 >> WHILE I APPRECIATE THAT, THERE'S A BIT OF DISCOMFORTURE 406 00:21:44,132 --> 00:21:46,234 WHEN PEOPLE PERSONALIZE IT. I'M GOING TO DISAPPOINT FOLKS. 407 00:21:46,334 --> 00:21:51,904 I'M HUMAN AND I'M IN POLITICS. IT IS IN THE FINE -- I WON'T SAY 408 00:21:52,004 --> 00:21:53,873 THE FINE PRINT. IT'S IN THE HEADLINE. 409 00:21:53,973 --> 00:21:57,042 I NEED PEOPLE TO RECOGNIZE THAT I'M GOING TO DO SOMETHING 410 00:21:57,142 --> 00:21:58,343 THEY'RE NOT GOING TO LIKE AND THE CHALLENGE WITH PUTTING 411 00:21:58,443 --> 00:22:02,646 PEOPLE SO HIGH ON A PEDESTAL IS THAT CREATES A REALLY LONG WAY 412 00:22:02,746 --> 00:22:03,848 TO FALL. 413 00:22:03,947 --> 00:22:11,186 >> IS THE NIKI MINAJ FEATURE ABOUT VOTER FRAUD IN THE SENSE 414 00:22:11,286 --> 00:22:12,154 THAT IT DOESN'T EXIST? 415 00:22:12,253 --> 00:22:14,489 >> I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 416 00:22:14,589 --> 00:22:15,022 SORRY. 417 00:22:15,556 --> 00:22:18,325 >> WHAT DO YOU SAY TO MILLENNIALS, GENERAL 418 00:22:18,425 --> 00:22:21,627 MILLENNIALS, GENER Z, ZOOMERS, O SEE REPUBLICANS AND DEMOCRATS AS 419 00:22:21,727 --> 00:22:25,230 FAR RIGHT AND CENTER RIGHT PARTIES WHO DON'T SEE THEMSELVES 420 00:22:25,330 --> 00:22:27,031 REFLECTED WITH PROGRESSIVE POLITICS. 421 00:22:27,132 --> 00:22:30,434 >> I'M NOT SAYING THEY'RE WRONG. I WOULD SAY THAT WE'VE GOT TO 422 00:22:30,534 --> 00:22:32,136 REMEMBER THAT JUST AS NEW GENERATIONS COME, THAT DOESN'T 423 00:22:32,236 --> 00:22:35,171 MEAN THE OLD GENERATIONS LEAVE THAT QUICKLY, AND WE'RE AT THIS 424 00:22:35,271 --> 00:22:37,205 MOMENT WHERE WE'VE GOT A WHOLE LOT OF PEOPLE. 425 00:22:37,305 --> 00:22:40,842 >> TO DEATH? 426 00:22:40,942 --> 00:22:43,711 >> WE GOT A WHOLE LOT OF PEOPLE HERE WHO ALL THINK THEY KNOW 427 00:22:43,811 --> 00:22:47,113 WHAT'S RIGHT, AND SO THE BEST WAY TO MAKE CERTAIN YOUR VOICE 428 00:22:47,213 --> 00:22:50,949 IS THE PREDOMINANT ONE IS TO USE YOUR NUMERICAL POWER. 429 00:22:51,049 --> 00:22:57,754 THERE ARE A WHOLE LOT OF GEN ZERS AND GEN Y, AND IF YOU GUYS 430 00:22:57,854 --> 00:22:59,523 CAME TOGETHER, YOU COULD TAKE US. 431 00:22:59,623 --> 00:23:05,895 >> I WANT TO TALK ABOUT YOUR BOOK FOR A MOMENT, "WHILE 432 00:23:05,995 --> 00:23:08,863 JUSTICE SLEEPS." I HEAR THAT IT'S BEING TURNED 433 00:23:08,963 --> 00:23:11,598 INTO A TV SHOW. ARE YOU ATTEMPTING TO BLACK WASH 434 00:23:11,698 --> 00:23:12,266 HOLLYWOOD? 435 00:23:12,966 --> 00:23:17,436 >> I'M ATTEMPTING TO MAKE SURE HOLLYWOOD IS REFLECTIVE OF THE 436 00:23:17,537 --> 00:23:19,604 BROAD SPECTRUM AVAILABLE IN OUR COMMUNITIES, COMING TO A 437 00:23:19,704 --> 00:23:21,973 TELEVISION SIT NEAR YOU. 438 00:23:22,073 --> 00:23:29,412 >> GOVERNOR KEMP SIGNED A LAW THAT HAS BEEN LABELED AS JIM 439 00:23:29,512 --> 00:23:33,315 CROW 2.0 AND HE SIGNED THIS IN FRONT OF A PLANTATION PAINTING. 440 00:23:33,415 --> 00:23:34,516 IS THIS STORY LINE TOO LAZY? 441 00:23:34,616 --> 00:23:37,852 >> I TRY MY BEST TO STAY AWAY FROM FARCE, AND YES, IT WAS 442 00:23:37,952 --> 00:23:44,156 COMPLETELY ON BRAND FOR HIM, AND SADLY, A POOR CHOICE. 443 00:23:44,256 --> 00:23:48,359 ANY TIME YOU USE RACE AS A PREDICATE FOR DENYING ACCESS TO 444 00:23:48,459 --> 00:23:51,129 THE VOTE, THAT IS JIM CROW. THAT IS WRONG. 445 00:23:51,229 --> 00:23:52,663 AND IT SHOULD BE STOPPED. 446 00:23:52,763 --> 00:23:55,932 >> WOULD YOU SAY THAT GERRYMANDERING IS REPUBLICANS' 447 00:23:56,032 --> 00:24:01,503 WAY OF WHITEWASHING THE VOTER ROLLS? 448 00:24:01,603 --> 00:24:04,338 >> GERRYMANDERING IS WRONG, WHETHER DEMOCRATS DO IT OR 449 00:24:04,438 --> 00:24:06,340 REPUBLICANS, BUT IN THIS CASE, IT HAS BEEN DRIVEN BY TRYING TO 450 00:24:06,440 --> 00:24:09,776 KEEP PEOPLE OF COLOR FROM COMING TOGETHER IN COALITION TO BUILD 451 00:24:09,876 --> 00:24:10,910 MORE POWER. 452 00:24:11,110 --> 00:24:14,513 >> SO, AS FAR AS ACTIVATING THE VOTE, I HAVE A HIT SINGLE 453 00:24:14,613 --> 00:24:17,415 CALLED "MAKE IT CLAP FOR DEMOCRACY." 454 00:24:17,515 --> 00:24:19,850 LADY LIBERTY, DROP IT LOW, DROP IT LOW FOR DEMOCRACY. 455 00:24:19,951 --> 00:24:23,019 LADY LIBERTY, SHAKE THAT ASS, SHAKE THAT ASS FOR DEMOCRACY. 456 00:24:23,119 --> 00:24:26,622 MAKE IT CLAP FOR DEMOCRACY. MAKE IT CLAP FOR DEMOCRACY. 457 00:24:26,722 --> 00:24:30,658 MAKE IT CLAP FOR DEMOCRACY. MAKE IT CLAP FOR DEMOCRACY. 458 00:24:30,758 --> 00:24:32,760 DO YOU THINK THAT THIS WILL ACTIVATE YOUNG VOTERS? 459 00:24:32,860 --> 00:24:34,494 >> I BELIEVE IN MEETING PEOPLE WHERE THEY ARE. 460 00:24:34,595 --> 00:24:39,865 I CAMPAIGNED AT ONE MUSIC FEST AND DRAGON CON. 461 00:24:39,966 --> 00:24:42,400 I MAY NOT ACTUALLY CITE YOUR LYRICS IN TOTAL BUT I WOULD 462 00:24:42,500 --> 00:24:46,437 CREATE A SPACE FOR YOU TO DO WHAT YOU CAN TO BRING DEMOCRACY 463 00:24:46,537 --> 00:24:49,506 TO THE MASSES. MAKE IT CLAP FOR DEMOCRACY 464 00:24:49,606 --> 00:24:51,774 MAKE IT CLAP FOR DEMOCRACY 465 00:24:51,874 --> 00:24:56,545 >> SO, I GUESS MY FINAL QUESTION FOR YOU IS, CAN A REVOLUTION BE 466 00:24:56,645 --> 00:24:59,413 CAST WITH A BALLOT OR DOES IT TAKE BLOODSHED? 467 00:24:59,513 --> 00:25:03,216 >> I WOULD LOVE TO SEE US NOT NECESSARILY HAVE REVOLUTION BUT 468 00:25:03,316 --> 00:25:10,122 HAVE AN EVOLUTION WHERE WE LEAVE THIS NOTION THAT POWER CANNOT BE 469 00:25:10,222 --> 00:25:11,789 SHARED. IN DEMOCRACY, THAT'S THE WHOLE 470 00:25:11,889 --> 00:25:15,192 POINT. I WANT US TO GET PAST THIS AND 471 00:25:15,292 --> 00:25:18,395 GET TO FIGHTING OVER THINGS JUST BECAUSE WE DON'T LIKE EACH 472 00:25:18,495 --> 00:25:24,099 OTHER, NOT BECAUSE RACE AND GENDER AND CLASS ARE THE REASONS 473 00:25:24,199 --> 00:25:25,600 WE ARE EMBATTLED. I'D JUST RATHER DISLIKE YOU FOR 474 00:25:25,700 --> 00:25:26,701 WHO YOU ARE. 475 00:25:26,934 --> 00:25:28,502 >> "WHILE JUSTICE SLEEPS." STACEY ABRAMS, THANK YOU SO MUCH 476 00:25:28,602 --> 00:25:30,838 FOR COMING ON TO THE SHOW. YOU ARE AN ICON. 477 00:25:30,938 --> 00:25:33,740 THIS IS OUR FINALE. WOW, WOW, WOW. 478 00:25:33,840 --> 00:25:35,440 IF YOU COULD JUST LEAN IN. YES. 479 00:25:35,540 --> 00:25:42,413 AND THAT IS -- THAT IS LADY LIBERTY LEANING IN, IN REALTIME. 480 00:25:42,513 --> 00:25:43,014 THANK YOU SO MUCH. 481 00:25:43,114 --> 00:25:43,847 >> ZIWE, YOU'RE AMAZING. 482 00:25:43,947 --> 00:25:44,614 >> STOP IT. WOMEN SUPPORTING WOMEN. 483 00:25:44,714 --> 00:25:49,952 I LOVE THIS. MARTIN HAD A DREAM. 484 00:25:50,052 --> 00:25:54,589 NEXT VERSE. SING A SONG FULL OF THE HOPE 485 00:25:54,689 --> 00:26:03,329 THAT THE SOMETHING DON'T KNOW SING A SONG 486 00:26:03,429 --> 00:26:06,931 BEYONCE DIDN'T HAVE THIS VERSE IN "HOMECOMING." 487 00:26:07,032 --> 00:26:09,199 >> MY NINJA. 488 00:26:09,300 --> 00:26:09,600 >> MY NINJA. 489 00:26:09,700 --> 00:26:10,734 >> MY NINJA. 490 00:26:10,834 --> 00:26:10,868 >> 491 00:26:10,868 --> 00:26:19,141 >> MY 492 00:26:19,191 --> 00:26:23,741 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 38380

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