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1
00:00:01,569 --> 00:00:04,039
Beckles:
TONIGHT ON HOT PACKAGE...
2
00:00:04,072 --> 00:00:05,242
Roark:
THE H.E.A.T. IS ON!
3
00:00:05,273 --> 00:00:07,083
THE FABIO-LOUS STAR
4
00:00:07,108 --> 00:00:09,578
OF "ACAPULCO HEMISPHERE
EMERGENCY ACTION TEAM"
5
00:00:09,610 --> 00:00:11,310
CHILLS ON OUR HP STAGE.
6
00:00:11,345 --> 00:00:14,815
Beckles: AND ONLY HP HAS
HIS EXCLUSIVE ON-SET PHOTOS.
7
00:00:14,848 --> 00:00:16,348
Weaver: FABIO'S PHOTOS!
8
00:00:17,185 --> 00:00:20,015
WE SALUTE
CLASSIC TINSELTOWN HEROES
9
00:00:20,054 --> 00:00:21,894
AND SHARE SOME LAUGHS
ALONG THE WAY.
10
00:00:21,922 --> 00:00:23,522
WELL, I CAN'T
RETELL 'EM!
11
00:00:23,557 --> 00:00:24,987
AND...
12
00:00:25,025 --> 00:00:27,155
I SIT DOWN WITH MY MAIN MAN
AND LEGENDARY FILMMAKER
13
00:00:27,195 --> 00:00:28,725
KENNETH ANGER.
14
00:00:28,762 --> 00:00:30,862
I REALLY HAVE A NOSTALGIA
FOR GOOD ACID.
15
00:00:30,898 --> 00:00:32,768
[ CHUCKLES ]
16
00:00:32,800 --> 00:00:33,930
Beckles: AND, PLUS...
17
00:00:35,069 --> 00:00:37,709
Roark: HP SCREEN TEST
COMPETITION CONTINUES.
18
00:00:37,738 --> 00:00:39,908
Weaver: WHO WILL WIN
TONIGHT'S SEMIFINALS?
19
00:00:39,940 --> 00:00:41,510
THIS IS BULLSHIT!
Roark: PLUS...
20
00:00:41,542 --> 00:00:43,282
Weaver:
HOLOGRAM MARK IS BACK,
21
00:00:43,311 --> 00:00:45,681
AND THE BUFF BOYZ HAVE HIM
WORKING BETTER THAN EVER.
22
00:00:45,713 --> 00:00:46,913
Roark: PLUS...
23
00:00:46,947 --> 00:00:48,277
A JENNY
FOR YOUR THOUGHTS?
24
00:00:48,316 --> 00:00:50,546
Weaver: WATCH JENNY
THINK ABOUT HOTTIES.
25
00:00:50,584 --> 00:00:52,354
WHEN YOU HEAR JENNY SAY...
DING!
26
00:00:52,386 --> 00:00:54,416
Weaver:
...HE'S A HOTTIE.
27
00:00:54,455 --> 00:00:55,685
[ CROWD CHEERING ]
28
00:00:55,723 --> 00:00:57,863
Beckles:
ALL RIGHT, LET'S GET INSIDE.
29
00:00:57,891 --> 00:01:00,431
Weaver: YOU'RE WATCHING
"HOT PACKAGE," THE ONE AND ONLY
30
00:01:00,461 --> 00:01:04,771
ENTERTAINMENT-NEWS PROGRAM
WITH A HOLOGRAM CO-HOST.
31
00:01:07,568 --> 00:01:08,598
WELCOME BACK
TO "HOT PACKAGE."
32
00:01:08,636 --> 00:01:09,736
I'M DERRICK BECKLES.
33
00:01:09,770 --> 00:01:11,710
I'M ANASTAS--
I'M HOLOGRAM MARK.
34
00:01:11,739 --> 00:01:13,309
CAN YOU BELIEVE
IT'S BEEN 17 YEARS
35
00:01:13,341 --> 00:01:15,311
SINCE "ACAPULCO HEMISPHERE
EMERGENCY ACTION TEAM'S"
36
00:01:15,343 --> 00:01:17,253
CURTAIN CALL?
37
00:01:17,278 --> 00:01:20,448
A FINAL BOW WHICH LEFT A LOT OF
FANS OUT IN THE ACAPULCO COLD.
38
00:01:20,481 --> 00:01:22,321
YES. ACAPULCO.
SO COLD.
39
00:01:22,350 --> 00:01:24,050
THAT'S RIGHT.
AND NOW, RUMORS ARE REACH--
40
00:01:24,084 --> 00:01:25,494
NOW RUMORS
ARE REACHING CRITICAL MASS.
41
00:01:26,254 --> 00:01:28,124
ABOUT AN
"ACAPULCO H.E.A.T." REUNION,
42
00:01:28,156 --> 00:01:29,556
AND WE
COULDN'T BE HAPPIER.
43
00:01:29,590 --> 00:01:30,720
YEAH.
44
00:01:30,758 --> 00:01:33,058
YES, TEMPERATURE.
45
00:01:33,093 --> 00:01:35,003
THE GREAT THING
ABOUT "ACAPULCO H.E.A.T."
46
00:01:35,028 --> 00:01:37,398
IS THAT THERE WAS SOMETHING FOR
EVERYONE,
47
00:01:37,431 --> 00:01:42,841
WHETHER IT WAS BIKINI BABES,
PHONES, FABIO, THE ACTING,
48
00:01:42,870 --> 00:01:45,910
THE ACTION,
HIGH-TECH GADGETS FOR THE GUYS,
49
00:01:45,939 --> 00:01:48,439
ROMANTIC SUBPLOTS FOR
THE LADIES,
50
00:01:48,476 --> 00:01:50,406
THE HOFF, KILLINGS,
51
00:01:50,444 --> 00:01:52,154
MURDERS, DEATH,
52
00:01:52,180 --> 00:01:56,280
COMPUTERS,
WOMEN, BABES, ASSES,
53
00:01:56,317 --> 00:01:58,087
OR THE REST OF THE CAST,
54
00:01:58,118 --> 00:01:59,748
EVERYONE
HAD SOMETHING THEY ENJOYED.
55
00:01:59,787 --> 00:02:01,357
ALL RIGHT.
56
00:02:01,389 --> 00:02:03,419
AND IF YOU'RE GETTING HOT,
THAT'S BECAUSE IT'S ALL HEAT
57
00:02:03,457 --> 00:02:06,787
FROM THIS CLASSIC,
GROUNDBREAKING MASTERPIECE.
58
00:02:06,827 --> 00:02:09,257
ONE CLICK,
OR YOU ALL TACKLE ME.
59
00:02:09,297 --> 00:02:13,367
PLEASE, CALM DOWN. EVERYTHING
IS UNDER CONTROL, I ASSURE YOU.
60
00:02:13,401 --> 00:02:14,771
[ LAUGHS ]
CLASSIC.
61
00:02:14,802 --> 00:02:16,202
IT'S A GREAT ROLE.
62
00:02:16,804 --> 00:02:18,444
[ LAUGHS ]
63
00:02:18,472 --> 00:02:20,442
Roark: AND NOW...
Jenny: A JENNY
FOR YOUR THOUGHTS?
64
00:02:20,474 --> 00:02:21,984
Weaver:
WHEN YOU HEAR JENNY SAY...
DING!
65
00:02:22,009 --> 00:02:23,339
HE'S A...
HOTTIE.
66
00:02:23,377 --> 00:02:26,107
[ SLOW PIANO MUSIC PLAYING ]
67
00:02:26,146 --> 00:02:28,246
[ CRYING ]
68
00:02:29,850 --> 00:02:31,150
[ DING! ]
DING!
69
00:02:34,555 --> 00:02:35,985
Weaver: COMING UP --
70
00:02:36,023 --> 00:02:38,663
OUR SALUTE TO
CLASSIC HOLLYWOOD HEROES.
71
00:02:39,327 --> 00:02:42,157
WHO WILL WIN TONIGHT'S
RISING STAR SCREEN TEST?
72
00:02:42,196 --> 00:02:43,156
Roark: AND NOW...
73
00:02:43,197 --> 00:02:45,827
Weaver:
TIME FOR FABIO'S FOTOS.
74
00:02:48,569 --> 00:02:49,639
FABIO, MY MAN.
75
00:02:49,670 --> 00:02:50,670
DERRICK.
76
00:02:50,704 --> 00:02:51,914
HEY.
HEY, MAN.
77
00:02:51,939 --> 00:02:53,569
THANKS FOR COMING BACK
AND JOINING US.
78
00:02:53,607 --> 00:02:55,007
GREAT.
GREAT TO SEE YOU, MAN.
79
00:03:05,219 --> 00:03:07,819
[ BOTH SMOOCH ]
WELCOME BACK.
THANK YOU. THANKS.
80
00:03:07,855 --> 00:03:09,415
SO, WHAT'S THE TEMPERATURE
ON THE H.E.A.T.?
81
00:03:09,457 --> 00:03:10,487
I HEAR WE HAVE SOMETHING.
82
00:03:10,524 --> 00:03:11,734
OH, MAN.
HOLY MACKEREL.
83
00:03:11,759 --> 00:03:13,659
I-I DON'T KNOW
WHERE TO BEGIN.
84
00:03:13,694 --> 00:03:15,904
UM...
85
00:03:17,531 --> 00:03:18,671
COME ON, FABIO.
86
00:03:18,699 --> 00:03:21,199
THEY'RE WAITING FOR YOU.
87
00:03:22,770 --> 00:03:24,170
MAYBE --
MAYBE IT'S HERE.
88
00:03:24,204 --> 00:03:27,214
DERRICK, I PROMISE,
WHEN YOU SEE THIS PICTURE...
89
00:03:27,241 --> 00:03:28,441
YEAH. YEAH.
90
00:03:28,476 --> 00:03:29,876
...OH, MY GOD.
[ LAUGHS ]
91
00:03:29,910 --> 00:03:31,380
[ SMOOCHES ]
OH, BABY.
92
00:03:31,412 --> 00:03:32,552
OOH, I CANNOT WAIT.
93
00:03:32,580 --> 00:03:33,510
I'M TELLING YOU.
OKAY.
94
00:03:33,547 --> 00:03:34,947
IT'S, UH --
95
00:03:34,982 --> 00:03:37,182
I THINK I'M GONNA
GO BACK AND LOOK OVER HERE.
96
00:03:37,217 --> 00:03:38,687
GONNA GIVE YOU
A LITTLE BIT MORE TIME.
97
00:03:38,719 --> 00:03:40,049
LET'S GIVE FABIO
SOME TIME.
98
00:03:40,087 --> 00:03:41,887
HE'S GONNA FIND HIS PICTURE.
IT'S GONNA BE AWESOME.
99
00:03:41,922 --> 00:03:42,792
I CANNOT WAIT.
100
00:03:42,823 --> 00:03:44,293
SO, STAY TUNED.
101
00:03:44,325 --> 00:03:46,355
Weaver: FABIO'S FOTOS.
Roark: AND NOW...
102
00:03:46,394 --> 00:03:48,704
AND NOW, OUR ROMEO OF RUMORS,
DERRICK BECKLES,
103
00:03:48,729 --> 00:03:53,029
TICKLES US WITH GOSSIP AND GABS
ABOUT SATANIC HOLLYWOOD.
104
00:03:53,066 --> 00:03:55,036
IT'S TIME
FOR "ONES ON ONE."
105
00:03:55,068 --> 00:03:56,868
Beckley: HE'S THE GURU
OF SALACIOUS GOSSIP
106
00:03:56,904 --> 00:03:58,044
WHO WROTE "HOLLYWOOD BABYLON."
107
00:03:58,071 --> 00:04:00,211
HE'S INSPIRED
MARTIN SCORSESE,
108
00:04:00,240 --> 00:04:02,380
HAS "LUCIFER"
TATTOOED ON HIS CHEST,
109
00:04:02,410 --> 00:04:04,240
AND COULD GIVE A SHIT
ABOUT WHAT YOU THINK OF HIM.
110
00:04:04,278 --> 00:04:07,748
I SAT DOWN WITH KENNETH ANGER,
AND I WISH NEVER ENDED.
111
00:04:07,781 --> 00:04:09,981
IS HOLLYWOOD
A SATANIC PLACE?
112
00:04:10,017 --> 00:04:12,217
WELL, THE WHOLE THING
CAN BE CONSIDERED
113
00:04:12,252 --> 00:04:14,392
KIND OF
A HELLISH SCAM...
114
00:04:14,422 --> 00:04:17,062
like Scientology.
115
00:04:17,090 --> 00:04:19,060
WHOA! CAN YOU SAY THAT
ABOUT SCIENTOLOGY?
116
00:04:19,092 --> 00:04:22,332
I -- I'LL SAY IT. IF YOU WANT
TO CUT IT, YOU CAN CUT IT.
117
00:04:22,363 --> 00:04:24,903
[ CHUCKLES ]
SINCE I'M HALF SCIENTOLOGIST
ON MY MOTHER'S SIDE,
118
00:04:24,932 --> 00:04:26,402
I HAD TO CHANGE THE SUBJECT,
119
00:04:26,434 --> 00:04:28,974
SO I ASKED KENNETH ABOUT
ONE OF HIS MOST MACHO MOVIES,
120
00:04:29,002 --> 00:04:30,242
"SCORPIO RISING."
121
00:04:30,270 --> 00:04:32,010
THE FELLOWS
THAT WERE IN IT,
122
00:04:32,039 --> 00:04:34,109
THEY HAD
THEIR OWN MOTORCYCLE CLUB,
123
00:04:34,141 --> 00:04:36,581
AND THEY
WERE ALL STRAIGHT.
124
00:04:36,610 --> 00:04:38,110
AND THE WAY I FILMED IT,
125
00:04:38,145 --> 00:04:41,515
THEY LOOK, MAYBE, GAY, OR QUEER,
WHATEVER YOU WANT TO CALL IT.
126
00:04:41,549 --> 00:04:44,349
AND THEY HAD GIRLFRIENDS
DURING THE FILMING,
127
00:04:44,385 --> 00:04:46,115
BUT THEY DIDN'T
WANT THEM TO BE FILMED,
128
00:04:46,153 --> 00:04:48,823
AND SO THE GIRLFRIENDS ARE
ALL SITTING ON THE SIDELINES,
129
00:04:48,856 --> 00:04:50,256
GIGGLING A LOT.
130
00:04:50,290 --> 00:04:53,090
I NEVER SHOWED THEM
THE FILM AFTER IT WAS DONE,
131
00:04:53,126 --> 00:04:56,356
AND SO I DON'T KNOW
IF THEY'VE SEEN IT
132
00:04:56,397 --> 00:05:00,027
OR WHETHER THEY WANT TO KILL ME
OR WHAT. [ CHUCKLES ]
133
00:05:00,067 --> 00:05:01,937
AND, SPEAKING OF BEING MURDERED,
THAT REMINDED ME...
134
00:05:01,969 --> 00:05:03,099
YOU HAVE A GREAT
DILDO STORY.
135
00:05:03,136 --> 00:05:05,166
WHAT'S THAT ONE ABOUT?
136
00:05:05,205 --> 00:05:10,435
RAMON NOVARRO BECAME SEXUALLY
OBSESSED WITH YOUNG MEN
137
00:05:10,478 --> 00:05:12,948
AND INVITED
TWO BROTHERS OVER --
138
00:05:12,980 --> 00:05:16,720
NOT A GOOD IDEA BECAUSE
TWO CAN CONSPIRE AGAINST YOU.
139
00:05:16,750 --> 00:05:18,150
[ CHUCKLES ]
140
00:05:18,185 --> 00:05:21,555
SO, HE WAS MURDERED WITH
A DILDO STUCK DOWN HIS THROAT.
141
00:05:21,589 --> 00:05:24,959
HOW ABOUT SOME HARD-TO-SWALLOW
WALT DISNEY GOSSIP?
142
00:05:24,992 --> 00:05:26,632
THERE'S THIS STORY
THAT HE'S NOT REALLY BURIED,
143
00:05:26,660 --> 00:05:31,000
HE'S, LIKE, FROZEN AND WAITING
FOR SOMEONE TO, YOU KNOW,
144
00:05:31,031 --> 00:05:34,901
PUT SOME ELECTRICITY IN,
LIKE IN "FRANKENSTEIN,"
145
00:05:34,935 --> 00:05:36,995
AND BRING HIM BACK.
146
00:05:37,037 --> 00:05:40,037
AND WHAT ABOUT BEING PART
OF KINSEY'S SEX-PERIMENT?
147
00:05:40,073 --> 00:05:42,083
HE WANTED TO SEE
IF MY TOES CURLED
148
00:05:42,109 --> 00:05:44,309
BECAUSE EVEN THOUGH MEN
DON'T REMEMBER IT,
149
00:05:44,344 --> 00:05:46,814
WHEN THEY HAVE AN ORGASM,
THEIR TOES CURL.
150
00:05:46,847 --> 00:05:48,477
WERE YOU
MASTURBATING, OR --
151
00:05:48,516 --> 00:05:49,346
WELL, YEAH.
152
00:05:49,383 --> 00:05:50,983
HE WATCHED ME
THROUGH A PEEPHOLE.
153
00:05:51,018 --> 00:05:52,848
TURNED OUT
THAT MY TOES DO CURL.
154
00:05:52,886 --> 00:05:54,316
AND MY TOES CURLED TOO
155
00:05:54,354 --> 00:05:57,264
AFTER TALKING TO
THIS HOLLYWOOD LEGEND.
156
00:05:57,290 --> 00:06:00,030
HEY, DID YOU GUYS
LIKE THAT INTERVIEW?
157
00:06:00,060 --> 00:06:01,730
[ LIGHT APPLAUSE ]
158
00:06:01,762 --> 00:06:02,862
ALL RIGHT!
159
00:06:05,733 --> 00:06:07,173
DO YOU LIKE
WATCHING ME THINK?
160
00:06:07,200 --> 00:06:09,070
Weaver:
WHEN YOU HEAR JENNY SAY...
DING!
161
00:06:09,102 --> 00:06:10,202
HE'S A...
HOTTIE.
162
00:06:10,237 --> 00:06:11,567
[ PUNK MUSIC PLAYING ]
163
00:06:11,605 --> 00:06:13,035
YOU WANT TO PLAY?
164
00:06:14,074 --> 00:06:16,114
[ DING! ]
DING!
165
00:06:18,378 --> 00:06:21,378
[ SCREAMING ]
166
00:06:34,227 --> 00:06:35,597
LET'S CHECK BACK
INTO THE BIZ PIT
167
00:06:35,629 --> 00:06:38,529
FOR THE EXCLUSIVE
FABIO-LOUS UPDATE.
168
00:06:38,566 --> 00:06:41,436
NOPE. [ SIGHS ]
NOPE.
169
00:06:41,469 --> 00:06:43,199
NICE BREASTS, HUH?
[ LAUGHS ]
170
00:06:43,236 --> 00:06:44,236
WHOO!
171
00:06:44,271 --> 00:06:45,041
[ CHUCKLES ]
IT'S NOT ME.
172
00:06:45,072 --> 00:06:46,212
[ CHUCKLES ]
173
00:06:46,239 --> 00:06:47,739
NOPE. NOPE.
I WISH.
174
00:06:47,775 --> 00:06:49,405
THIS IS
THE WRONG BOX.
175
00:06:49,443 --> 00:06:52,413
THIS IS...
YES, THIS IS THE WRONG BOX.
176
00:06:52,446 --> 00:06:53,646
[ SIGHS ]
177
00:06:54,982 --> 00:06:56,422
I DON'T KNOW. I...
178
00:06:57,250 --> 00:06:58,550
OH.
179
00:06:58,586 --> 00:07:01,216
YEAH.
[ SIGHS ]
180
00:07:01,254 --> 00:07:03,394
THERE WAS ANOTHER ONE.
DO YOU WANT TO...
181
00:07:03,423 --> 00:07:09,263
UH, YEAH, CAN YOU HOLD IT
FOR A SECOND BACK HERE?
YEAH. SURE.
182
00:07:09,296 --> 00:07:13,396
JEN, UH, DID YOU SEE A BOX
WITH SOME OF MY PICTURES?
183
00:07:13,433 --> 00:07:15,073
I KNOW
IT WAS IN THE OFFICE.
184
00:07:15,102 --> 00:07:16,142
NO, I HAVEN'T
SEEN IT.
185
00:07:16,169 --> 00:07:17,809
ARE YOU SURE?
POSITIVELY.
186
00:07:17,838 --> 00:07:21,238
I -- [ SIGHS ]
ANYBODY HELP FABIO
BRING IN BOXES AT ALL TODAY?
187
00:07:21,274 --> 00:07:23,344
NO?
188
00:07:23,376 --> 00:07:25,476
THERE WERE A LOT
OF PHOTOS IN THAT BOX.
189
00:07:25,513 --> 00:07:28,623
I -- I KNOW -- LISTEN, I KNOW
I HAVE IT, OKAY? PLEASE...
AND...?
190
00:07:28,649 --> 00:07:31,419
THIS HAPPENS.
PLEASE, PLEASE,
IT'S VERY FRUSTRATING.
191
00:07:31,451 --> 00:07:33,821
Weaver: FABIO'S FOTOS.
Roark: AND NOW...
192
00:07:33,854 --> 00:07:35,524
WELL, I CAN'T
RETELL 'EM!
Beckley: [ CHUCKLES ]
193
00:07:35,556 --> 00:07:38,756
IT'S TIME TO SALUTE
OUR FAVORITE HOLLYWOOD HEROES.
194
00:07:38,792 --> 00:07:40,432
HELP! HELP!
REMEMBER THIS ONE?
195
00:07:40,460 --> 00:07:43,700
SHIRLEY TEMPLE GOT HERSELF INTO
SOME HOT WATER -- LITERALLY.
196
00:07:43,731 --> 00:07:45,371
AND THESE LITTLE FELLAS --
197
00:07:45,398 --> 00:07:47,598
THEY COULDN'T FIGURE OUT WHAT
WAS WRONG WITH HOW SHE TASTED.
198
00:07:47,635 --> 00:07:49,365
BUT THEY KEPT
LOOKING AND COOKING
199
00:07:49,402 --> 00:07:52,342
AND REALIZED ALL SHE NEEDED
WAS A LITTLE SALT.
200
00:07:52,372 --> 00:07:56,612
WELL, IT'S THAT PERSISTENCE THAT
MAKES THEM MY HOLLYWOOD HEROES.
201
00:07:56,644 --> 00:07:58,884
AND JOINING ME TONIGHT
IN BLACK AND WHITE...
202
00:07:59,312 --> 00:08:01,622
[ GONG CRASHES ]
HEY, DON'T FORGET
ABOUT ME.
203
00:08:01,649 --> 00:08:04,119
...ORIENTAL ARTIST...
Weaver: ...DAVID CHOE,
204
00:08:04,151 --> 00:08:06,821
CELEBRATING HIS FAVORITE
HOLLYWOOD HEROES...
205
00:08:06,854 --> 00:08:07,894
ALL RIGHT,
I'LL TELL HIM.
206
00:08:07,921 --> 00:08:09,461
...WOMEN IN THE WORKFORCE.
207
00:08:09,489 --> 00:08:13,229
HE SAYS TO REMIND YOU THAT
THE CHINAMAN'S NAME IS WONG.
208
00:08:13,260 --> 00:08:14,600
[ Shakily ]
AH, LET ME OUT!
209
00:08:15,996 --> 00:08:18,066
Beckley: CELEBRITY SPECIALIST
AND CREATURE OF THE NIGHT...
210
00:08:18,098 --> 00:08:19,568
Weaver:
...DRAC DEANE TURNER...
211
00:08:19,600 --> 00:08:21,640
Beckley: CELEBRATING
HIS HOLLYWOOD HERO...
212
00:08:21,669 --> 00:08:24,639
AND THIS IS WHAT
IT'S LIKE TO BE A VAMPIRE.
213
00:08:24,672 --> 00:08:27,682
Weaver: ...TEEN DRACULAS.
WE TERRORIZE LITTLE CHILDREN.
214
00:08:27,708 --> 00:08:29,178
IT'S SO MUCH FUN.
215
00:08:30,110 --> 00:08:31,710
HEY, GUYS,
GUESS WHO I AM.
216
00:08:31,745 --> 00:08:32,645
UGH.
217
00:08:32,680 --> 00:08:34,180
Weaver: OH, SHIT!
218
00:08:34,214 --> 00:08:37,594
[ ACOUSTIC GUITAR PLAYS ]
219
00:08:37,618 --> 00:08:39,218
[ Rapping ]
* SOUTHTOWN WRECKERS
220
00:08:39,252 --> 00:08:40,252
* WE'RE IN THE CLUB
HEY, GUYS.
221
00:08:40,287 --> 00:08:42,157
* I'M EASY MONEY
222
00:08:42,189 --> 00:08:44,089
* BUCKWILD
* EASY MONEY STUNNAZ ON
223
00:08:44,124 --> 00:08:46,694
[ LOW PULSING TONE ]
* HIT UP --
I'M GOING DUMB, GOING CRAZY *
224
00:08:46,727 --> 00:08:47,927
* WE CAN HAVE A BALL
225
00:08:47,961 --> 00:08:49,161
* I WANT IT ALL
226
00:08:49,196 --> 00:08:50,356
[ SILENCE ]
227
00:08:50,931 --> 00:08:52,431
[ SIREN WAILS ]
228
00:08:52,465 --> 00:08:54,495
Weaver:
RISING STAR ALERT.
229
00:08:54,534 --> 00:08:56,674
LET'S MEET OUR SEMIFINALISTS.
230
00:08:56,704 --> 00:08:59,774
Beckley:
I DUG THROUGH MY MARVELOUS
HOLLYWOOD-MOVIE COLLECTION
231
00:08:59,807 --> 00:09:02,177
TO PAIR THE PERFECT SCENE
WITH THE PERFECT ACTORS...
232
00:09:02,209 --> 00:09:04,279
I CAN'T TAKE THIS ANYMORE!
233
00:09:04,311 --> 00:09:06,281
Beckley: ...THAT MAKE
THE BEST DECISION POSSIBLE.
234
00:09:06,313 --> 00:09:10,023
Weaver: TONIGHT, GEORGE THIBAULT
VERSUS JOHN PEREZ
235
00:09:10,050 --> 00:09:12,620
FOR A SHOT AT $40,000
236
00:09:12,653 --> 00:09:16,923
IN THE "HOT PACKAGE" RISING STAR
SCREEN TEST SEMIFINALS.
237
00:09:16,957 --> 00:09:20,357
AND NOW
THE ORIGINAL CLASSIC SCENE.
JACK, WHAT THE WORLD
YOU DOING HERE?!
238
00:09:20,393 --> 00:09:22,703
I'M COMING TO WORK.
I STILL WORK HERE, DON'T I?
239
00:09:22,730 --> 00:09:25,630
WELL, SOME OTHER GUY CAME IN
AND SAID YOU WAS SICK.
240
00:09:25,666 --> 00:09:26,966
DO I LOOK SICK TO YOU?
241
00:09:27,000 --> 00:09:29,370
WHO IS THIS FRUITCAKE
THAT CAME IN HERE FOR ME?
242
00:09:29,402 --> 00:09:31,572
I DON'T KNOW.
THAT'S THE MAIN QUESTION.
243
00:09:31,605 --> 00:09:33,205
HOLD ON. I'LL CHECK.
244
00:09:33,240 --> 00:09:34,640
I'VE WORKED HERE
FOR 20 YEARS.
245
00:09:34,675 --> 00:09:35,975
YOU HEAR ME? 20 YEARS!
246
00:09:36,009 --> 00:09:37,579
AND NOW THE SCREEN TEST.
247
00:09:37,611 --> 00:09:39,211
JACK, WHAT THE HELL
ARE YOU DOING HERE?!
248
00:09:39,246 --> 00:09:40,406
I'M COMING TO WORK.
249
00:09:40,447 --> 00:09:42,117
I STILL WORK HERE,
DON'T I?
250
00:09:42,783 --> 00:09:45,893
SOME OTHER GUY CAME IN
AND SAID YOU WERE SICK, MY MAN.
251
00:09:45,919 --> 00:09:48,219
DO I LOOK SICK
TO YOU?
252
00:09:48,255 --> 00:09:50,315
WHO IS THIS FRUITCAKE
THAT CAME IN HERE FOR ME?
253
00:09:50,357 --> 00:09:52,887
THAT'S THE MAIN QUESTION.
254
00:09:52,926 --> 00:09:53,926
LET ME CALL.
I'LL CHECK.
255
00:09:53,961 --> 00:09:55,231
WHO SAID --
256
00:09:55,262 --> 00:09:56,162
I CAN'T
TAKE THIS ANYMORE.
257
00:09:56,196 --> 00:09:57,396
THIS IS BULLSHIT!
258
00:09:57,430 --> 00:10:00,200
THIS IS BULLSHIT, MAN!
259
00:10:02,002 --> 00:10:03,242
[ SIGHS ]
OH, MAN...
260
00:10:03,270 --> 00:10:05,270
FIND OUT LATER
WHO WON THE SEMIFINALS
261
00:10:05,305 --> 00:10:08,435
AND WILL GO ON
TO ACT MORE.
262
00:10:08,475 --> 00:10:12,005
MAN. HOW MUCH HARDER
CAN THIS DECISION GET?
263
00:10:12,045 --> 00:10:13,575
I MEAN, THEY'RE ALL
A-LISTERS TO ME,
264
00:10:13,613 --> 00:10:16,823
BUT ONLY ONE OF THEM
CAN BE A-LISTERS FOR ALL OF US.
265
00:10:16,850 --> 00:10:18,350
[ LAUGHS ]
266
00:10:18,385 --> 00:10:19,815
SOMEBODY, KILL ME.
267
00:10:20,453 --> 00:10:21,593
CLASSIC.
268
00:10:21,621 --> 00:10:22,691
WELL, GOOD NIGHT,
NORTH AMERICA,
269
00:10:22,723 --> 00:10:23,823
AND THANKS FOR LETTING US
270
00:10:23,857 --> 00:10:27,257
BE HOLLYWOOD HEROES
FOR ALL OF YOU.
271
00:10:27,294 --> 00:10:29,604
I'M STILL THINKING!
272
00:10:29,629 --> 00:10:31,259
THIS IS FOR JENNY.
[ DING! ]
HOTTIE.
273
00:10:31,298 --> 00:10:32,428
I DIDN'T DO IT!
[ DING! ]
HOTTIE.
274
00:10:32,465 --> 00:10:33,925
[ DING! DING! ]
HOTTIE, HOTTIE.
275
00:10:33,967 --> 00:10:35,197
[ DING! ]
HOTTIE.
276
00:10:35,235 --> 00:10:36,935
[ DING! ]
A HUNK SO NICE,
277
00:10:36,970 --> 00:10:38,840
I THOUGHT OF HIM
TWICE.
278
00:10:41,208 --> 00:10:42,108
[ LOW PULSING TONE ]
279
00:10:42,142 --> 00:10:43,612
COME ON, FABIO!
280
00:10:43,643 --> 00:10:44,413
AAH!
281
00:10:47,848 --> 00:10:49,218
AAH!
282
00:10:49,249 --> 00:10:50,949
OKAY, MARK.
283
00:10:50,984 --> 00:10:54,294
DON'T FLIP YOUR WIG,
BUT IT'S GETTING LATE.
284
00:10:54,321 --> 00:10:56,721
YOU KNOW, I'M TIRED.
I WANT TO GO HOME.
285
00:10:56,757 --> 00:10:58,287
YOU KNOW, MAYBE I --
286
00:10:58,325 --> 00:11:00,885
I COME BACK TOMORROW
AND LOOK FOR SOME MORE.
287
00:11:00,928 --> 00:11:02,958
FABIO...
288
00:11:02,996 --> 00:11:05,166
YOU WILL STAY AND SEARCH.
289
00:11:05,198 --> 00:11:06,398
[BLEEP]
290
00:11:08,335 --> 00:11:10,335
Weaver:
FABIO'S FOTOS.
20941
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