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1
00:00:29,625 --> 00:00:31,208
THANKS FOR THE RELOCATE.
2
00:00:31,208 --> 00:00:33,083
I PERFORM BETTER
WITHOUT AN AUDIENCE.
3
00:00:39,500 --> 00:00:42,125
YOU WERE THINKING, WHAT,
A LITTLE HELPLESS COED
BEFORE BED?
4
00:00:56,375 --> 00:00:59,583
YOU KNOW VERY WELL,
YOU EAT THIS LATE...
5
00:00:59,583 --> 00:01:01,500
YOU'RE GONNA GET
HEARTBURN.
6
00:01:01,500 --> 00:01:04,041
GET IT? HEARTBURN?
7
00:01:06,041 --> 00:01:08,458
THAT'S IT?
8
00:01:08,458 --> 00:01:11,458
THAT'S ALL I GET?
9
00:01:11,458 --> 00:01:13,458
ONE LAME-ASS VAMP
10
00:01:13,458 --> 00:01:17,542
WITH NO APPRECIATION
FOR MY PAINSTAKINGLY
THOUGHT-OUT PUNS.
11
00:01:17,542 --> 00:01:21,708
I DON'T THINK
THE FORCES OF DARKNESS
ARE EVEN TRYING.
12
00:01:21,708 --> 00:01:25,375
I MEAN, YOU COULD MAKE
A LITTLE EFFORT HERE,
YOU KNOW?
13
00:01:25,375 --> 00:01:28,125
GIVE ME SOMETHING
TO WORK WITH.
14
00:01:32,917 --> 00:01:35,375
WATCH YOUR MOUTH,
LITTLE GIRL.
15
00:01:35,375 --> 00:01:39,417
YOU SHOULD KNOW BETTER
THAN TO TEMPT THE FATES
THAT WAY
16
00:01:39,417 --> 00:01:41,750
'CAUSE THE BIG BAD
IS BACK,
17
00:01:41,750 --> 00:01:43,417
AND THIS TIME, IT'S...
18
00:01:43,417 --> 00:01:45,000
URRGH!
19
00:01:45,000 --> 00:01:47,708
AAAAHHH!
20
00:02:50,834 --> 00:02:53,125
THE BRONZE IS MORE FUN
THIS YEAR, ISN'T IT?
21
00:02:53,125 --> 00:02:56,083
'CAUSE OF
THE GLOATING FACTOR
ALONE, YOU KNOW?
22
00:02:56,083 --> 00:02:57,708
WE'RE ALL ABOUT
COLLEGE NOW.
23
00:02:57,708 --> 00:02:59,250
WE'VE GOT HEADY
DISCOURSE.
24
00:02:59,250 --> 00:03:02,209
YEAH. CURFEW-FREE NIGHTS
OF MOM AND POPLESS
HOOTENANNY.
25
00:03:02,209 --> 00:03:05,583
COED DATING PROSPECTS
WHO FIND TOWNIES
SEXY AND DANGEROUS.
26
00:03:07,917 --> 00:03:10,417
WHAT, I CAN DREAM.
27
00:03:10,417 --> 00:03:13,209
RIGHT. SO IF COLLEGE
IS SO GREAT,
28
00:03:13,209 --> 00:03:15,166
WHAT ARE WE DOING HERE
AND WHY IS IT MORE FUN?
29
00:03:15,166 --> 00:03:17,625
BECAUSE THE BRONZE
IS NICE AND FAMILIAR.
30
00:03:17,625 --> 00:03:19,583
IT'S LIKE
A BIG COMFY BLANKY.
31
00:03:19,583 --> 00:03:22,708
I WAS UNDER THE
IMPRESSION THAT I WAS
YOUR BIG COMFY BLANKY.
32
00:03:22,708 --> 00:03:25,166
AW, YOU'RE MY,
MY PERSON BLANKY.
33
00:03:25,166 --> 00:03:27,708
THIS IS MY PLACE BLANKY.
34
00:03:27,708 --> 00:03:30,291
YOU KNOW, WITH ALL
THE SHOCK OF THE NEW,
35
00:03:30,291 --> 00:03:32,542
IT'S NICE TO HAVE ONE PLACE
THAT YOU CAN COME BACK TO
36
00:03:32,542 --> 00:03:34,500
WHERE EVERYTHING'S
PREDICTABLE.
37
00:03:34,500 --> 00:03:36,041
HELLO.
38
00:03:36,041 --> 00:03:37,166
GILES, TROUBLE?
39
00:03:37,166 --> 00:03:38,708
OH, NO, BUFFY.
DON'T GET UP.
40
00:03:38,708 --> 00:03:39,959
NO. NOTHING LIKE THAT.
41
00:03:39,959 --> 00:03:42,583
NO, I JUST, YOU KNOW,
I THOUGHT I'D DROP BY.
42
00:03:42,583 --> 00:03:45,875
UH, LATTE ANYONE?
ON ME?
43
00:03:48,667 --> 00:03:50,792
SO MUCH FOR
YOUR PREDICTABLE
BLANKY THEORY, WIL.
44
00:03:54,083 --> 00:03:55,083
SORRY.
45
00:03:57,792 --> 00:03:58,959
[ Giles ] SPLENDID.
46
00:03:58,959 --> 00:04:01,291
WELL, IT'S AGES SINCE
I'VE BEEN TO A GIG.
47
00:04:04,583 --> 00:04:06,875
WELL, DON'T LOOK THAT WAY.
48
00:04:06,875 --> 00:04:09,625
I'M...I'M...I'M DOWN
WITH THE NEW MUSIC.
49
00:04:09,625 --> 00:04:12,083
AND I HAVE THE ALBUMS
TO PROVE IT.
50
00:04:12,083 --> 00:04:14,083
YES, BUT IT'S YOUR
CUTTING EDGE 8-TRACKS
51
00:04:14,083 --> 00:04:15,291
THAT KEEP YOU
AHEAD OF THE SCENE.
52
00:04:15,291 --> 00:04:16,875
DON'T SCOFF, GANG.
53
00:04:16,875 --> 00:04:18,083
I'VE SEEN GILES'S
COLLECTION.
54
00:04:18,083 --> 00:04:19,083
HE WAS AN ANIMAL
IN HIS DAY.
55
00:04:19,083 --> 00:04:20,250
THANK YOU.
56
00:04:20,250 --> 00:04:21,708
HEY, WHY NOT?
57
00:04:21,708 --> 00:04:25,083
IF THE STONES CAN
STILL KEEP ROLLING,
WHY CAN'T GILES?
58
00:04:25,083 --> 00:04:26,458
EXACTLY.
59
00:04:26,458 --> 00:04:28,667
I THINK IT'S BRAVE
THAT YOU'RE HERE.
60
00:04:28,667 --> 00:04:30,208
WELL, THANK YOU, ALL.
61
00:04:30,208 --> 00:04:32,291
YOU'VE MADE ME FEEL
RIGHT AT HOME.
62
00:04:32,291 --> 00:04:34,708
ISN'T HOME THAT EMPTY PLACE
YOU'RE TRYING TO ESCAPE?
63
00:04:34,708 --> 00:04:36,667
[ Cheering, Clapping ]
64
00:04:38,959 --> 00:04:43,500
♪ DIP A FINGER IN ME ♪
65
00:04:43,500 --> 00:04:46,041
♪ WASTE ONE MORE WORD... ♪
66
00:04:46,041 --> 00:04:47,250
OH, YEAH.
67
00:04:47,250 --> 00:04:48,500
VERUCA'S PLAYING TONIGHT.
68
00:04:48,500 --> 00:04:50,458
YEAH. EVERY WEDNESDAY.
I TOLD YOU.
69
00:04:52,166 --> 00:04:55,750
♪ LET ME BE A DISTRACTION ♪
70
00:04:55,750 --> 00:04:59,834
♪ LET ME BE A DREAM ♪
71
00:05:02,834 --> 00:05:04,750
SO, OZ, WHAT ABOUT
DINGOES?
72
00:05:04,750 --> 00:05:05,834
WHEN ARE YOU GUYS
HERE AGAIN?
73
00:05:07,542 --> 00:05:08,792
OH, WE'RE UP NEXT FRIDAY.
74
00:05:12,583 --> 00:05:16,375
♪ DIP A FINGER IN ME ♪
75
00:05:16,375 --> 00:05:18,667
THEY'RE GOOD,
AREN'T THEY?
76
00:05:20,209 --> 00:05:21,458
NOTHING SPECIAL.
77
00:05:23,041 --> 00:05:25,041
YEAH. SHE'S QUELLE FIONA.
78
00:05:25,041 --> 00:05:26,542
COLOR ME BORED.
79
00:05:26,542 --> 00:05:29,166
REALLY? I THINK
SHE'S RATHER
REMARKABLE.
80
00:05:29,166 --> 00:05:31,500
SUCH PRESENCE FOR
SOMEONE HER AGE.
81
00:05:35,667 --> 00:05:41,166
♪ I CAN FEEL YOU TWIST
I CAN FEEL YOU WRITHE ♪
82
00:05:41,166 --> 00:05:46,542
♪ BECAUSE YOU'RE WITH ME ♪♪
83
00:05:56,583 --> 00:05:57,667
MM...
84
00:05:57,667 --> 00:05:59,583
IT'S IN
THE SANDBLASTER.
85
00:06:04,000 --> 00:06:05,166
UH...
86
00:06:07,542 --> 00:06:09,625
WHAT'S IN THE SANDBLASTER,
WIL?
87
00:06:14,875 --> 00:06:16,500
IT'S A DREAM.
88
00:06:16,500 --> 00:06:18,708
COME BACK TO ME.
89
00:06:20,500 --> 00:06:24,375
MMM...HMM...
90
00:06:24,375 --> 00:06:27,209
ALL GEMINIS TO
THE RASPBERRY HATS.
91
00:06:28,542 --> 00:06:30,458
NOW YOU'RE FAKING.
92
00:06:30,458 --> 00:06:31,583
AM NOT.
93
00:06:33,417 --> 00:06:35,875
JUST A LITTLE.
94
00:06:40,458 --> 00:06:41,750
MORNING.
95
00:06:41,750 --> 00:06:43,834
MORNING.
96
00:06:43,834 --> 00:06:45,542
BAD DREAM?
97
00:06:45,542 --> 00:06:47,458
I GUESS.
98
00:06:47,458 --> 00:06:51,708
BUT THE WAKING UP PART
MAKES UP FOR IT.
99
00:06:51,708 --> 00:06:54,834
IT'S ALWAYS SO BUSY
IN THERE.
100
00:06:54,834 --> 00:06:57,875
NOT ALWAYS.
101
00:06:57,875 --> 00:07:02,041
A FEW THINGS
SHUT MY BRAIN UP
COMPLETELY.
102
00:07:02,041 --> 00:07:04,875
ANYTHING I CAN
HELP YOU WITH?
103
00:07:09,208 --> 00:07:11,583
I GOTTA GET TO CLASS
RIGHT NOW,
104
00:07:11,583 --> 00:07:13,834
BUT TONIGHT
FOR SURE.
105
00:07:13,834 --> 00:07:16,500
I DON'T KNOW
ABOUT TONIGHT,
106
00:07:16,500 --> 00:07:19,125
UNLESS THE EXTREME
JERRY GARCIA LOOK
TURNS YOU ON.
107
00:07:19,125 --> 00:07:20,708
HUH?
108
00:07:20,708 --> 00:07:22,583
NIGHT BEFORE
THE FULL MOON.
109
00:07:22,583 --> 00:07:24,625
OH, THAT'S RIGHT.
110
00:07:24,625 --> 00:07:26,667
AND I HAVE A THING.
111
00:07:26,667 --> 00:07:30,208
THERE'S THIS WICCA GROUP
ON CAMPUS I WANTED
TO CHECK OUT.
112
00:07:30,208 --> 00:07:34,583
THEY HAVE ORIENTATION
ON THE 3 NIGHTS
YOU'RE WOLFY.
113
00:07:34,583 --> 00:07:36,500
AND IT'S PROBABLY
TOTALLY SILLY, BUT--
114
00:07:36,500 --> 00:07:37,583
NO. GO.
115
00:07:37,583 --> 00:07:39,333
SHOW 'EM HOW IT'S DONE.
116
00:07:39,333 --> 00:07:40,708
ARE YOU SURE?
117
00:07:40,708 --> 00:07:43,125
YOU CAN
LOCK YOURSELF UP?
118
00:07:43,125 --> 00:07:44,667
IT'S ONLY
THIS ONE MONTH.
119
00:07:44,667 --> 00:07:47,000
AFTER ORIENTATION,
THEY MEET ON
DIFFERENT NIGHTS.
120
00:07:47,000 --> 00:07:48,500
I'LL BE FINE.
121
00:07:50,333 --> 00:07:51,417
OKAY.
122
00:07:51,417 --> 00:07:53,625
AS LONG AS
YOU DON'T MIND.
123
00:07:53,625 --> 00:07:57,500
THE ONLY THING I MIND
IS BEING AWAY FROM YOU
FOR 3 NIGHTS.
124
00:08:11,708 --> 00:08:13,458
MS. SUMMERS...
125
00:08:13,458 --> 00:08:16,500
I WANT YOU TO PREPARE TO LEAD
A DISCUSSION GROUP
NEXT CLASS
126
00:08:16,500 --> 00:08:17,792
ON THE PAPER TOPIC.
127
00:08:17,792 --> 00:08:19,166
THAT WAS SMART WORK.
128
00:08:19,166 --> 00:08:21,166
WHAT DO I HAVE TO DO?
129
00:08:21,166 --> 00:08:22,542
IF YOU HAVE
ANY QUESTIONS,
130
00:08:22,542 --> 00:08:25,250
BRING THEM UP
WITH ONE OF THE T.A.s.
131
00:08:30,583 --> 00:08:32,375
ARE YOU OKAY?
HOW'D YOU DO?
132
00:08:34,000 --> 00:08:35,000
THIS IS GOOD.
133
00:08:35,000 --> 00:08:37,500
I MEAN, THIS IS
EXCELLENT.
134
00:08:37,500 --> 00:08:39,458
YOU DID BETTER
THAN ME.
135
00:08:39,458 --> 00:08:41,708
THIS IS SO UNFAIR!
136
00:08:41,708 --> 00:08:45,458
YOU MADE ME
JEALOUS OF YOU
ACADEMICALLY.
137
00:08:45,458 --> 00:08:47,625
BUFFY!
138
00:08:47,625 --> 00:08:49,750
I KNOW.
CAN YOU BELIEVE IT?
139
00:08:49,750 --> 00:08:52,083
WOW. I GUESS
PROFESSOR WALSH
140
00:08:52,083 --> 00:08:54,166
ISN'T SO OGREY
AFTER ALL.
141
00:08:54,166 --> 00:08:56,667
AND SHE WANTS ME TO LEAD
A DISCUSSION GROUP
NEXT CLASS.
142
00:08:56,667 --> 00:08:59,250
THAT MEANS MORE WORK,
RIGHT?
143
00:08:59,250 --> 00:09:02,000
SHOULDN'T SHE HAVE
A BETTER REWARD SYSTEM?
144
00:09:02,000 --> 00:09:06,000
YOU KNOW, LIKE A COOKIE
OR A TOY SURPRISE
LIKE AT THE DENTIST?
145
00:09:06,000 --> 00:09:08,792
SHE WANTS YOU TO LEAD
A DISCUSSION GROUP?
146
00:09:08,792 --> 00:09:11,125
OKAY. JEALOUS AGAIN.
147
00:09:11,125 --> 00:09:13,542
JEALOUS, JEALOUS--
OKAY. I'M BACK.
148
00:09:13,542 --> 00:09:15,542
HEY, I'M MEETING OZ
AT THE CAFE.
149
00:09:15,542 --> 00:09:17,125
YOU WANNA COME?
150
00:09:17,125 --> 00:09:19,875
I'LL BUY YOU THAT
CELEBRATORY COOKIE.
151
00:09:19,875 --> 00:09:21,500
GREAT. I'M T.A. BOUND
RIGHT NOW,
152
00:09:21,500 --> 00:09:23,375
AND THEN I WILL CATCH UP
WITH YOU GUYS.
153
00:09:23,375 --> 00:09:24,208
COOL.
154
00:09:35,625 --> 00:09:37,792
WHAT ARE YOU GONNA DO,
SIT ON THE GROUND?
155
00:09:37,792 --> 00:09:40,250
MY GIRLFRIEND'S COMING.
156
00:09:40,250 --> 00:09:42,125
THERE'S ROOM.
157
00:09:50,625 --> 00:09:51,708
BIG LUNCH?
158
00:09:51,708 --> 00:09:54,375
I LIKE TO EAT.
159
00:09:54,375 --> 00:09:56,917
I HATE CHICKS WHO ARE LIKE,
"DOES IT HAVE DRESSING ON IT?"
160
00:09:56,917 --> 00:09:59,209
AGREED.
161
00:10:00,583 --> 00:10:02,917
YOU GUYS WERE TIGHT
LAST NIGHT.
162
00:10:02,917 --> 00:10:04,792
I GUESS. THE SET'S
STARTING TO COME TOGETHER,
163
00:10:04,792 --> 00:10:06,083
BUT THE AMPS
STILL SOUND DIRTY TO ME.
164
00:10:06,083 --> 00:10:08,041
WHAT ARE YOU USING?
50 OR 120?
165
00:10:17,083 --> 00:10:18,417
HEY.
166
00:10:18,417 --> 00:10:20,208
HEY.
167
00:10:20,208 --> 00:10:21,750
HEY.
168
00:10:21,750 --> 00:10:23,583
YOU WANNA SIT DOWN?
169
00:10:35,208 --> 00:10:37,125
SO YOU SHOULD BE USING A 50.
170
00:10:37,125 --> 00:10:39,542
AND BLUE VOODOO,
NOT YOUR BEST BET,
171
00:10:39,542 --> 00:10:40,708
UNLESS YOU DIG
THE DISTORT.
172
00:10:40,708 --> 00:10:42,458
MUSIC TALK, HUH?
173
00:10:42,458 --> 00:10:46,375
COOL. I LOVE
TO LISTEN TO OZ
TALK ABOUT THE BIZ.
174
00:10:46,375 --> 00:10:49,000
WHAT DO YOU LIKE AGAIN?
I KNOW YOU TOLD ME.
175
00:10:49,000 --> 00:10:50,333
THERE'S A COUPLE GOOD ONES.
176
00:10:50,333 --> 00:10:51,834
THE JOHNSON MIL...
177
00:10:51,834 --> 00:10:53,083
THE NUMBER ONE IS REDBONE.
178
00:10:53,083 --> 00:10:54,917
NUMBER ONE? NO.
I GOTTA GO WITH
HOUND DOG.
179
00:10:54,917 --> 00:10:57,834
ME, TOO.
THAT'S A GREAT SONG.
180
00:10:57,834 --> 00:10:59,875
I MEAN, ELVIS,
WHAT A GUY.
181
00:10:59,875 --> 00:11:01,583
YOU A BIG ELVIS FAN?
182
00:11:01,583 --> 00:11:02,917
THE BIGGEST.
183
00:11:02,917 --> 00:11:05,333
WELL, I MEAN, AFTER
DINGOES, OF COURSE.
184
00:11:05,333 --> 00:11:07,834
WE'RE ACTUALLY
TALKING AMPS.
185
00:11:07,834 --> 00:11:09,333
BUT IT'S EASY
TO GET CONFUSED,
186
00:11:09,333 --> 00:11:10,917
THE NAMES THEY GIVE 'EM.
187
00:11:10,917 --> 00:11:12,041
OH. HA HA.
188
00:11:17,583 --> 00:11:19,083
YOU KNOW, I GOTTA BAIL.
189
00:11:19,083 --> 00:11:21,375
UM, I'LL CALL YOU LATER.
190
00:11:33,583 --> 00:11:35,458
I SHOULD GO, TOO.
191
00:11:37,083 --> 00:11:38,166
GOOD SHIRT.
192
00:11:43,583 --> 00:11:45,500
CHECK OUT THE RAPID EXITS.
193
00:11:45,500 --> 00:11:47,125
WAS IT ME?
194
00:11:47,125 --> 00:11:48,625
ME.
195
00:11:48,625 --> 00:11:50,875
I DON'T SPEAK
MUSICIANESE.
196
00:11:50,875 --> 00:11:52,917
HOW COME
YOU DIDN'T TELL ME
197
00:11:52,917 --> 00:11:56,208
I LOOK LIKE
A CRAZY BIRTHDAY CAKE
IN THIS SHIRT?
198
00:11:56,208 --> 00:11:57,625
I THOUGHT
THAT WAS THE POINT.
199
00:11:57,625 --> 00:11:59,708
HE THINKS SHE'S SEXY.
200
00:11:59,708 --> 00:12:04,542
HE GETS THIS
BLUSHY THING GOING ON
BEHIND HIS EARS.
201
00:12:04,542 --> 00:12:06,583
THAT'S FOR ME ONLY.
202
00:12:06,583 --> 00:12:08,250
IT DOESN'T MEAN ANYTHING.
203
00:12:08,250 --> 00:12:10,583
SO OZ CHECKS OUT
ANOTHER GIRL.
204
00:12:10,583 --> 00:12:12,041
HE LOVES YOU.
205
00:12:12,041 --> 00:12:13,209
I KNOW.
206
00:12:13,209 --> 00:12:14,417
I--I KNOW.
207
00:12:14,417 --> 00:12:16,750
AND I DON'T WANNA BE
THE KIND OF GIRL
208
00:12:16,750 --> 00:12:20,333
WHO FREAKS EVERY TIME
MY BOYFRIEND NOTICES
SOMEBODY ELSE.
209
00:12:20,333 --> 00:12:24,333
I MEAN, I HAVE
WRONG FEELINGS ABOUT
OTHER GUYS SOMETIMES,
210
00:12:24,333 --> 00:12:28,375
BUT I FEEL GUILTY,
AND I FLOG AND PUNISH.
211
00:12:28,375 --> 00:12:29,750
EXACTLY.
212
00:12:29,750 --> 00:12:32,750
I'M SURE OZ IS FLOGGING
AND PUNISHING HIMSELF.
213
00:12:32,750 --> 00:12:35,250
THIS IS SOUNDING WRONG
BEFORE I EVEN FINISH.
214
00:12:35,250 --> 00:12:38,458
LOOK, I PROMISE YOU,
215
00:12:38,458 --> 00:12:40,792
IN A COUPLE OF DAYS,
IT'S GONNA BE LIKE
"VERUCA WHO?"
216
00:12:40,792 --> 00:12:42,250
YOU THINK?
217
00:12:42,250 --> 00:12:44,708
ABSOLUTELY.
218
00:12:44,708 --> 00:12:46,834
OZ JUST ISN'T THE TYPE
TO STRAY.
219
00:12:46,834 --> 00:12:49,125
NOT TONIGHT ANYWAYS.
220
00:12:49,125 --> 00:12:51,208
HE'LL BE LOCKED
IN A CAGE.
221
00:13:08,834 --> 00:13:10,667
[ Growling ]
222
00:13:37,583 --> 00:13:38,708
HELLO?
223
00:13:46,500 --> 00:13:47,583
GRRAAH!
224
00:14:03,291 --> 00:14:04,458
OH, GOD.
225
00:14:49,542 --> 00:14:51,375
MORNING.
226
00:15:03,667 --> 00:15:05,917
THAT WAS, UM...
227
00:15:05,917 --> 00:15:07,625
SOME NIGHT.
228
00:15:10,209 --> 00:15:12,500
SO IT APPEARS.
229
00:15:12,500 --> 00:15:13,708
RIGHT.
230
00:15:13,708 --> 00:15:15,000
YOU DON'T REMEMBER.
231
00:15:16,834 --> 00:15:18,500
IT'S LIKE THAT
AT FIRST,
232
00:15:18,500 --> 00:15:21,667
BUT THEN LITTLE BITS
AND PIECES WILL START
COMING BACK TO YOU.
233
00:15:21,667 --> 00:15:23,208
SO YOU'RE A...
234
00:15:23,208 --> 00:15:24,417
WEREWOLF GROUPIE.
235
00:15:24,417 --> 00:15:28,041
NOBODY ELSE
GETS IT DONE FOR ME.
236
00:15:28,041 --> 00:15:29,500
WHAT?
237
00:15:29,500 --> 00:15:30,750
KIDDING.
238
00:15:32,417 --> 00:15:34,250
YOU KNOW WHAT I AM.
239
00:15:37,417 --> 00:15:41,125
YOU'VE KNOWN SINCE
THE FIRST TIME
YOU SAW ME.
240
00:15:43,959 --> 00:15:45,917
NOW, YOU...
241
00:15:45,917 --> 00:15:48,750
NEED...TO RELAX.
242
00:15:48,750 --> 00:15:50,000
NOT A POSSIBILITY.
243
00:15:55,041 --> 00:15:58,250
SO WHAT DO YOU
WANT TO DO?
244
00:16:01,250 --> 00:16:03,000
GOD!
245
00:16:03,000 --> 00:16:08,041
THE KIDS IN THIS DORM
NEED FASHION 101
IN A BIG WAY.
246
00:16:08,041 --> 00:16:12,208
OR WE COULD START
RIGHT HERE AT HOME.
247
00:16:12,208 --> 00:16:15,041
NOT MAKING A STATEMENT.
248
00:16:15,041 --> 00:16:17,542
JUST WANNA GET BACK
TO MY PLACE,
249
00:16:17,542 --> 00:16:18,875
FIGURE OUT WHY WE
GOT OUT OF OUR CAGES.
250
00:16:18,875 --> 00:16:20,417
YOU HAVE A CAGE?
251
00:16:22,125 --> 00:16:23,250
DON'T YOU?
252
00:16:23,250 --> 00:16:24,417
UH, YEAH.
253
00:16:24,417 --> 00:16:26,208
HAS A LITTLE WHEEL
WITH A PLASTIC BALL
254
00:16:26,208 --> 00:16:30,083
AND A CUTE LITTLE BELL
IN IT.
255
00:16:30,083 --> 00:16:32,708
GOD! SOMEBODY'S
DOMESTICATED
THE HELL OUT OF YOU.
256
00:16:32,708 --> 00:16:34,041
IT'S MY CHOICE.
257
00:16:34,041 --> 00:16:35,792
I DON'T WANNA HURT ANYBODY.
258
00:16:35,792 --> 00:16:37,542
MAYBE.
259
00:16:37,542 --> 00:16:40,333
OR MAYBE YOU JUST
DON'T WANNA ADMIT
WHAT HAPPENED TO YOU.
260
00:16:40,333 --> 00:16:43,125
MAYBE YOU JUST WANNA
PRETEND LIKE YOU'RE
A REGULAR GUY.
261
00:16:43,125 --> 00:16:44,959
WELL, I AM.
262
00:16:44,959 --> 00:16:47,166
I'M ONLY A WOLF
3 NIGHTS A MONTH.
263
00:16:47,166 --> 00:16:49,542
OR YOU'RE THE WOLF
ALL THE TIME
264
00:16:49,542 --> 00:16:51,625
AND THIS HUMAN FACE
IS JUST YOUR DISGUISE.
265
00:16:51,625 --> 00:16:53,375
YOU EVER THINK
ABOUT THAT, OZ?
266
00:16:53,375 --> 00:16:55,667
I'M GOING.
I GOTTA CHECK THE PAPER,
267
00:16:55,667 --> 00:16:57,250
SEE IF WE DID ANY DAMAGE
LAST NIGHT.
268
00:16:57,250 --> 00:16:58,583
OH, WE DID.
269
00:17:00,625 --> 00:17:03,041
BUT ONLY TO EACH OTHER.
270
00:17:03,041 --> 00:17:06,417
I KNOW SOME PART OF YOU
REMEMBERS THAT.
271
00:17:08,166 --> 00:17:10,167
IT DOESN'T TAKE
A FULL MOON.
272
00:17:10,167 --> 00:17:12,625
WE COULD...DO IT AGAIN
273
00:17:12,625 --> 00:17:13,542
RIGHT HERE.
274
00:17:19,041 --> 00:17:21,041
WE AREN'T GOING TO.
275
00:17:21,041 --> 00:17:22,917
THIS ENDS...
276
00:17:22,917 --> 00:17:24,083
RIGHT NOW.
277
00:17:24,083 --> 00:17:26,125
I CAN HELP YOU, OZ.
278
00:17:26,125 --> 00:17:28,166
YOU'RE SCARED.
I WAS, TOO.
279
00:17:28,166 --> 00:17:29,875
BUT THEN
I ACCEPTED IT.
280
00:17:29,875 --> 00:17:32,041
THE ANIMAL--
IT'S POWERFUL.
281
00:17:32,041 --> 00:17:34,792
INSIDE ME
ALL THE TIME.
282
00:17:34,792 --> 00:17:38,125
SOON, YOU JUST
START TO FEEL SORRY
FOR EVERYBODY ELSE
283
00:17:38,125 --> 00:17:41,375
BECAUSE THEY DON'T KNOW
WHAT IT'S LIKE TO BE
AS ALIVE AS WE ARE.
284
00:17:42,792 --> 00:17:44,500
AS FREE.
285
00:17:49,083 --> 00:17:50,667
FREE TO KILL PEOPLE?
286
00:17:52,375 --> 00:17:54,041
I WON'T DO THAT.
287
00:17:54,041 --> 00:17:55,625
YOU SHOULDN'T.
288
00:17:57,291 --> 00:17:58,625
YOU DON'T UNDERSTAND.
289
00:18:00,166 --> 00:18:01,792
BUT YOU WILL.
290
00:18:01,792 --> 00:18:04,708
YOU'LL SEE THAT
WE BELONG TOGETHER.
291
00:18:04,708 --> 00:18:07,708
NO.
292
00:18:07,708 --> 00:18:10,041
I KNOW WHERE I BELONG.
293
00:18:15,375 --> 00:18:16,834
SEE YA TONIGHT.
294
00:18:18,333 --> 00:18:21,000
TWO OF THEM.
IT WAS UNBELIEVABLE.
295
00:18:21,000 --> 00:18:23,667
THE FACT THAT I
SURVIVED AT ALL
IS A MIRACLE.
296
00:18:23,667 --> 00:18:26,209
EXCUSE ME.
MS. WALSH?
297
00:18:26,209 --> 00:18:28,708
I HOPE YOU'RE CAREFUL
WHEN YOU WALK AROUND CAMPUS
AFTER DARK.
298
00:18:28,708 --> 00:18:30,750
I WAS ATTACKED BY WILD DOGS
LAST NIGHT.
299
00:18:30,750 --> 00:18:32,500
WILD DOGS?
TWO OF THEM.
300
00:18:32,500 --> 00:18:34,041
BIGGEST THINGS
I'VE EVER SEEN.
301
00:18:34,041 --> 00:18:35,625
THE FIRST ONE WAS--
302
00:18:35,625 --> 00:18:37,291
WELL, FOR A MOMENT,
I THOUGHT IT WAS A GORILLA.
303
00:18:37,291 --> 00:18:39,208
DID YOU HAVE
A QUESTION, BUFFY?
304
00:18:39,208 --> 00:18:41,000
NO.
305
00:18:41,000 --> 00:18:42,250
NO, I WAS JUST...
306
00:18:42,250 --> 00:18:43,875
SAYIN' HOWDY.
307
00:18:43,875 --> 00:18:45,917
FINE. SEE YOU IN CLASS.
308
00:18:52,917 --> 00:18:54,375
[ Knock On Door ]
309
00:18:54,375 --> 00:18:55,625
YEAH?
310
00:18:58,333 --> 00:18:59,333
HEY.
311
00:18:59,333 --> 00:19:00,250
HEY.
312
00:19:01,834 --> 00:19:03,208
NEW LOOK.
313
00:19:03,208 --> 00:19:04,792
YOU, TOO.
314
00:19:06,166 --> 00:19:08,167
OH. UH...
315
00:19:08,167 --> 00:19:10,500
LAUNDRY DAY
KINDA CAME AND WENT.
316
00:19:19,792 --> 00:19:21,333
HEY...
317
00:19:21,333 --> 00:19:24,166
I'M SORRY IF I WAS WEIRD
YESTERDAY
318
00:19:24,166 --> 00:19:26,208
WITH YOU AND VERUCA.
319
00:19:26,208 --> 00:19:28,708
I DIDN'T NOTICE
ANYTHING.
320
00:19:30,209 --> 00:19:31,583
REALLY?
321
00:19:31,583 --> 00:19:35,667
'CAUSE I FELT ALL SPAZZY.
322
00:19:35,667 --> 00:19:38,458
NO.
323
00:19:38,458 --> 00:19:41,166
OH. GOOD.
324
00:19:41,166 --> 00:19:45,333
GUESS IT WAS JUST ME
WORRYING FOR NOTHING AGAIN.
325
00:19:45,333 --> 00:19:50,542
ME AND MY BUSY HEAD
ALWAYS THINKING,
THINKING, THINKING.
326
00:19:52,834 --> 00:19:54,917
WELL, NOW YOU CAN STOP.
327
00:19:54,917 --> 00:19:57,208
EVERYTHING'S FINE.
328
00:19:57,208 --> 00:20:01,125
MAYBE YOU COULD
HELP ME...STOP.
329
00:20:01,125 --> 00:20:06,875
I'D REALLY, REALLY
APPRECIATE ANYTHING
YOU COULD DO.
330
00:20:17,000 --> 00:20:18,417
WHAT?
331
00:20:18,417 --> 00:20:19,542
WHAT'S WRONG?
332
00:20:20,959 --> 00:20:23,000
UH...SORRY. I...
333
00:20:26,166 --> 00:20:27,708
YOU DON'T WANT TO?
334
00:20:27,708 --> 00:20:29,500
IT'S NOT THAT. I DO.
335
00:20:29,500 --> 00:20:31,583
I JUST...
336
00:20:31,583 --> 00:20:35,333
I DIDN'T GET ANY SLEEP,
I GUESS.
337
00:20:35,333 --> 00:20:37,500
I'M REALLY BEAT.
338
00:20:37,500 --> 00:20:40,041
RIGHT.
339
00:20:40,041 --> 00:20:42,542
BUSY WOLF NIGHT.
340
00:20:42,542 --> 00:20:44,041
I GET IT.
341
00:20:44,041 --> 00:20:47,125
IT'S TOTALLY OKAY.
342
00:20:47,125 --> 00:20:48,959
WILLOW,
YOU DON'T HAVE TO--
343
00:20:48,959 --> 00:20:50,333
NO. I--I SHOULD.
344
00:20:50,333 --> 00:20:53,041
I DON'T HAVE MUCH TIME.
345
00:20:53,041 --> 00:20:54,834
SEE YOU LATER.
346
00:20:54,834 --> 00:20:56,708
[ Door Closes ]
347
00:21:00,458 --> 00:21:03,417
[ Game Show Host ]
TREATY SIGNED IN 1648 THAT ENDED
THE THIRTY YEARS' WAR?
348
00:21:03,417 --> 00:21:05,417
PEACE OF WESTPHALIA.
349
00:21:05,417 --> 00:21:07,209
[ Contestant ] UH, YALTA?
350
00:21:07,209 --> 00:21:07,875
OH, YOU MORON.
351
00:21:07,875 --> 00:21:09,375
[ Host ] THAT'S INCORRECT.
352
00:21:09,375 --> 00:21:11,417
THAT DINETTE SET
SHOULD BE MINE.
353
00:21:11,417 --> 00:21:13,500
[ Knock At Door ]
354
00:21:13,500 --> 00:21:14,917
[ Clicks Off TV ]
355
00:21:19,542 --> 00:21:20,625
BUFFY. EXCELLENT.
356
00:21:20,625 --> 00:21:22,500
UH, COME IN.
357
00:21:22,500 --> 00:21:24,166
HI.
358
00:21:24,166 --> 00:21:26,083
CAN I GET YOU ANYTHING?
TEA?
359
00:21:26,083 --> 00:21:28,875
I MADE A VERY INTERESTING
MOUSSAKA LAST NIGHT,
360
00:21:28,875 --> 00:21:29,875
IF YOU'RE HUNGRY.
361
00:21:29,875 --> 00:21:31,250
PASS ON THE TEA.
362
00:21:31,250 --> 00:21:33,375
AND THE MOOSE,
THANK YOU.
363
00:21:33,375 --> 00:21:35,083
YOU COME ON BUSINESS,
I HOPE?
364
00:21:35,083 --> 00:21:38,000
YES. LUCKY FOR YOU,
PEOPLE MAY BE IN DANGER.
365
00:21:38,000 --> 00:21:41,750
I ONLY MEANT, UH,
THAT I'M AT THE READY.
366
00:21:41,750 --> 00:21:43,333
HERE'S THE DEAL.
367
00:21:43,333 --> 00:21:45,417
ONE OF MY PROFESSORS SAID
THAT SHE WAS ALMOST ATTACKED
368
00:21:45,417 --> 00:21:47,750
BY 2 WILD DOGS
LAST NIGHT...
369
00:21:47,750 --> 00:21:50,333
UNDER THE LIGHT
OF A NEARLY FULL MOON.
370
00:21:50,333 --> 00:21:51,333
WEREWOLVES.
371
00:21:51,333 --> 00:21:52,417
TWO OF THEM?
372
00:21:52,417 --> 00:21:53,834
COULD BE.
373
00:21:53,834 --> 00:21:56,792
WELL, I'VE
NOT SEEN ANYTHING
ABOUT THE ATTACKS
374
00:21:56,792 --> 00:22:00,041
IN THE NEWSPAPERS
OR ON THE NEWS.
375
00:22:00,041 --> 00:22:01,375
HAVE YOU SPOKEN
WITH OZ?
376
00:22:01,375 --> 00:22:03,041
MY NEXT STOP.
377
00:22:03,041 --> 00:22:04,500
RIGHT. GET RIGHT ON IT.
378
00:22:04,500 --> 00:22:06,250
AND I'LL SEE
WHAT I CAN FIND OUT.
379
00:22:06,250 --> 00:22:07,458
AND YOU REPORT
BACK TO ME...
380
00:22:07,458 --> 00:22:08,458
ASAP.
381
00:22:08,458 --> 00:22:09,583
PROMISE.
382
00:22:16,750 --> 00:22:17,834
HEY, WIL.
383
00:22:17,834 --> 00:22:18,917
MOM LET YOU IN?
384
00:22:18,917 --> 00:22:21,458
SHE SEEMED CRANKY.
385
00:22:21,458 --> 00:22:25,625
YEAH. WE'RE HAVING A LITTLE
LANDLORD-TENANT DISPUTE,
386
00:22:25,625 --> 00:22:27,291
SO I'M WITHHOLDING RENT.
387
00:22:27,291 --> 00:22:29,417
AN EFFECTIVE,
AND MIGHT I ADD,
THRIFTY TACTIC.
388
00:22:29,417 --> 00:22:30,500
HOW COME?
389
00:22:30,500 --> 00:22:32,250
SHE WON'T LET ME
PUT A LOCK ON MY DOOR.
390
00:22:32,250 --> 00:22:35,667
I SUSPECT SHE'S AFRAID
I'LL START HAVING THE SEX.
391
00:22:35,667 --> 00:22:37,750
YEAH. PARENTS USUALLY
WAIT TILL YOU'RE
OUT OF THE HOUSE.
392
00:22:37,750 --> 00:22:38,875
OR UNDER IT.
393
00:22:38,875 --> 00:22:41,125
OR UNDER IT...
394
00:22:41,125 --> 00:22:44,083
TO START WORRYING
ABOUT STUFF LIKE THAT.
395
00:22:44,083 --> 00:22:46,375
IT'S MOSTLY TOO LATE.
396
00:22:46,375 --> 00:22:51,667
SO, I KNOW WHY I'M
SITTING IN A DANK,
SUNLESS LITTLE ROOM.
397
00:22:51,667 --> 00:22:53,166
BUT WHY YOU?
398
00:22:53,166 --> 00:22:55,375
WELL, THINGS WITH OZ
ARE WEIRD.
399
00:22:55,375 --> 00:22:58,125
AND I TALKED TO BUFFY
ABOUT IT,
400
00:22:58,125 --> 00:23:00,583
BUT I THINK
WE'RE IN GUYVILLE HERE.
401
00:23:00,583 --> 00:23:03,208
I NEED A TRANSLATOR FROM
THE "Y" SIDE OF THINGS.
402
00:23:03,208 --> 00:23:05,166
WELL, LAST TIME I CHECKED,
I HAD THE CREDS.
403
00:23:05,166 --> 00:23:06,250
HIT ME.
404
00:23:09,667 --> 00:23:12,875
WHAT DOES IT MEAN
WHEN A GIRL WANTS TO...
405
00:23:12,875 --> 00:23:14,041
YOU KNOW.
406
00:23:14,041 --> 00:23:15,625
IF YOU'RE DOIN' IT,
407
00:23:15,625 --> 00:23:18,041
I THINK YOU SHOULD
BE ABLE TO SAY IT.
408
00:23:19,625 --> 00:23:21,708
MAKE LOVE.
409
00:23:21,708 --> 00:23:24,625
WILD MONKEY LOVE OR TENDER
SARAH McLACHLAN LOVE?
410
00:23:24,625 --> 00:23:26,083
ANY KIND.
411
00:23:26,083 --> 00:23:31,291
BUT WHAT IF
THE GIRL WANTS TO
AND THE GUY DOESN'T?
412
00:23:31,291 --> 00:23:33,166
THAT'S A BAD SIGN,
RIGHT?
413
00:23:33,166 --> 00:23:34,875
COULD BE.
414
00:23:34,875 --> 00:23:37,792
OR THE GIRL CAUGHT THE GUY
IN ONE OF THE 7 ANNUAL MINUTES
415
00:23:37,792 --> 00:23:40,750
HE'S LEGITIMATELY
TOO PREOCCUPIED TO DO IT.
416
00:23:40,750 --> 00:23:43,792
WELL, SAY THE GIRL'S
BEEN NOTICING--
417
00:23:43,792 --> 00:23:46,834
WIL, I'VE DECIPHERED
YOUR INGENIOUS CODE.
418
00:23:46,834 --> 00:23:52,333
OKAY. SAY I'VE BEEN
NOTICING OZ NOTICE
SOMEONE ELSE.
419
00:23:52,333 --> 00:23:53,792
A WOMAN.
420
00:23:53,792 --> 00:23:56,083
AND IS THIS CHICK
NOTICING BACK?
421
00:23:56,083 --> 00:23:58,083
MOST DEFINITELY.
422
00:23:58,083 --> 00:23:59,542
WELL...
423
00:23:59,542 --> 00:24:02,041
HAVE YOU ASKED OZ ABOUT IT?
424
00:24:02,041 --> 00:24:04,417
WELL, I THOUGHT ABOUT IT,
425
00:24:04,417 --> 00:24:07,125
BUT THEN HE'LL THINK
I'M ALL JEALOUS
AND WORRIED.
426
00:24:07,125 --> 00:24:08,417
BUT YOU ARE.
427
00:24:08,417 --> 00:24:10,125
AND ODDS ARE,
HE FEELS IT.
428
00:24:10,125 --> 00:24:13,750
I'LL BET THAT'S ALL THERE IS
TO THE WEIRD YOU'RE FEELING.
429
00:24:13,750 --> 00:24:14,875
YOU GUYS SHOULD
TALK THINGS OUT, WIL.
430
00:24:14,875 --> 00:24:16,875
YOU'LL BOTH FEEL BETTER.
431
00:24:31,458 --> 00:24:33,041
HEY.
432
00:24:33,041 --> 00:24:34,792
GOT OUT, HUH?
433
00:24:34,792 --> 00:24:36,000
YEAH.
434
00:24:36,000 --> 00:24:37,917
ANY NEWS ABOUT ATTACKS?
435
00:24:37,917 --> 00:24:40,250
NO.
436
00:24:40,250 --> 00:24:44,208
BUT I DID HEAR ABOUT
A WOMAN BEING CHASED
BY 2 WILD DOGS.
437
00:24:44,208 --> 00:24:47,208
TWO? REALLY?
438
00:24:47,208 --> 00:24:49,083
YOU DON'T REMEMBER
ANYTHING LIKE THAT,
DO YOU?
439
00:24:49,083 --> 00:24:51,166
ANOTHER WOLF?
440
00:24:51,166 --> 00:24:54,500
NO. WHEN THE CHANGE COMES,
IT'S LIKE...I'M GONE.
441
00:24:54,500 --> 00:24:55,959
TOTAL BLACKOUT.
442
00:24:55,959 --> 00:24:58,583
WELL, IF I FIND
WEREWOLF NUMBER 2
OUT ON PATROL TONIGHT,
443
00:24:58,583 --> 00:25:01,291
YOU MIGHT HAVE
A ROOMIE IN THERE.
444
00:25:05,250 --> 00:25:06,708
OZ...
445
00:25:06,708 --> 00:25:09,333
OZ, ARE YOU OKAY?
446
00:25:09,333 --> 00:25:11,583
AND IF IT'S
POSSIBLE,
447
00:25:11,583 --> 00:25:14,041
YOU SEEM MORE
MONOSYLLABIC
THAN USUAL.
448
00:25:16,208 --> 00:25:17,333
I'M OKAY.
449
00:25:17,333 --> 00:25:18,375
THANKS.
450
00:25:20,333 --> 00:25:26,375
♪ I STEP OUT OF MY SKIN ♪
451
00:25:28,291 --> 00:25:34,291
♪ YOU WOULDN'T KNOW ME NOW ♪
452
00:25:34,291 --> 00:25:39,667
♪ COULDN'T YOU GO AWAY? ♪
453
00:25:39,667 --> 00:25:43,959
♪ SHOULDN'T I? ♪
454
00:25:46,083 --> 00:25:52,083
♪ LEAVE ME THE HARD PART ♪
455
00:25:52,083 --> 00:25:57,959
♪ IT'S ALL I WANT ♪
456
00:26:00,417 --> 00:26:04,500
♪ I NEED ♪
457
00:26:07,583 --> 00:26:12,500
♪ I WON'T BE ♪
458
00:26:12,500 --> 00:26:16,000
♪ YOUR SOFT ONE ♪
459
00:26:16,000 --> 00:26:21,875
♪ I WON'T BE ENCIRCLED ♪
460
00:26:21,875 --> 00:26:27,125
♪ YOU MIGHT BECOME ♪
461
00:26:28,166 --> 00:26:33,834
♪ SOMETHING I NEED ♪
462
00:26:36,750 --> 00:26:40,208
♪ TO DESTROY ♪♪
463
00:26:43,792 --> 00:26:46,500
SO THIS IS WHY
YOU CALLED ME HERE?
464
00:26:46,500 --> 00:26:49,041
TO SEE YOUR HABITTRAIL?
465
00:26:52,208 --> 00:26:54,959
RIGHT BEFORE SUNSET,
I GET A LITTLE BUZZED,
YOU KNOW?
466
00:26:54,959 --> 00:26:57,583
COME HERE.
467
00:26:57,583 --> 00:27:00,000
I'M NOT GETTING
IN THAT STUPID CAGE
WITH YOU,
468
00:27:00,000 --> 00:27:01,875
IF THAT'S WHAT
THIS IS ALL ABOUT.
469
00:27:01,875 --> 00:27:04,209
WE BELONG OUTSIDE.
470
00:27:06,417 --> 00:27:08,166
YOU CAN'T RUN LOOSE
TONIGHT.
471
00:27:08,166 --> 00:27:11,041
AND NOT JUST BECAUSE
YOU MIGHT HURT SOMEBODY.
472
00:27:11,041 --> 00:27:13,167
I KNOW PEOPLE THAT'LL
BE OUT THERE...
473
00:27:13,167 --> 00:27:14,667
HUNTING FOR US.
474
00:27:14,667 --> 00:27:17,708
SO YOU'RE SAYING I SHOULD
SPEND THE WHOLE NIGHT
WITH YOU...
475
00:27:17,708 --> 00:27:19,875
ALONE...
476
00:27:19,875 --> 00:27:21,834
LOCKED IN A CAGE.
477
00:27:21,834 --> 00:27:23,250
YOU'LL BE SAFE.
478
00:27:24,834 --> 00:27:26,750
NOT FROM YOU.
479
00:27:29,000 --> 00:27:32,417
ISN'T THAT THE POINT OF THIS
COZY LITTLE ARRANGEMENT?
480
00:27:35,375 --> 00:27:36,834
IT'S COMING.
481
00:27:36,834 --> 00:27:39,542
DO YOU FEEL IT?
482
00:27:39,542 --> 00:27:42,041
IT'S LIKE BLOOD BOILING.
483
00:27:42,041 --> 00:27:44,625
I FEEL IT.
484
00:27:44,625 --> 00:27:48,458
I'VE WANTED YOU
EVEN BEFORE I EVER SAW YOU.
485
00:27:48,458 --> 00:27:51,041
I SENSED YOU.
486
00:27:51,041 --> 00:27:53,250
DID YOU SENSE ME?
487
00:27:55,500 --> 00:27:56,959
COME IN HERE.
488
00:27:56,959 --> 00:27:58,417
DID YOU?
489
00:28:08,542 --> 00:28:11,417
[ Snarling ]
490
00:28:43,834 --> 00:28:46,083
WILLOW...
491
00:28:46,083 --> 00:28:48,834
OH, MY GOD.
492
00:28:53,708 --> 00:28:55,667
OH, MY GOD.
493
00:28:58,750 --> 00:29:00,083
I KNOW WHAT YOU SAW.
IT WASN'T--
494
00:29:00,083 --> 00:29:01,458
[ Zips Pants ]
495
00:29:01,458 --> 00:29:04,417
[ Beeping ]
496
00:29:04,417 --> 00:29:06,250
I HAD TO.
497
00:29:06,250 --> 00:29:08,458
I HAD TO LOCK HER
IN THERE WITH ME.
498
00:29:08,458 --> 00:29:11,083
I BET.
499
00:29:11,083 --> 00:29:13,000
SHE'S LIKE ME.
A WOLF.
500
00:29:15,209 --> 00:29:18,667
WELL, I KNEW YOU TWO
HAD A LOT IN COMMON,
BUT...
501
00:29:18,667 --> 00:29:20,000
DON'T TOUCH ME!
502
00:29:23,291 --> 00:29:25,792
SHE WAS GONNA
HURT SOMEBODY.
503
00:29:25,792 --> 00:29:27,667
I DIDN'T HAVE
A CHOICE.
504
00:29:27,667 --> 00:29:29,458
BUT YOU DID.
505
00:29:29,458 --> 00:29:31,834
YOU COULD'VE
TOLD SOMEBODY.
506
00:29:31,834 --> 00:29:34,333
YOUR SOLUTION...
507
00:29:34,333 --> 00:29:37,458
JUST PUT YOU TWO TOGETHER
IN A ROOM ALL NIGHT?
508
00:29:37,458 --> 00:29:39,667
GIRL'S GOT A POINT.
509
00:29:39,667 --> 00:29:41,834
LEAVE.
510
00:29:41,834 --> 00:29:43,083
I'M JUST SAYING--
511
00:29:43,083 --> 00:29:44,083
NOW!
512
00:29:51,917 --> 00:29:54,083
I'M SORRY.
513
00:29:54,083 --> 00:29:55,458
I KNEW.
514
00:29:57,291 --> 00:29:59,291
I KNEW, YOU JERK.
515
00:30:01,041 --> 00:30:05,834
AND YOU SAT THERE,
AND YOU TOLD ME
EVERYTHING WAS FINE?
516
00:30:05,834 --> 00:30:08,500
AND THAT'S AS BAD AS...
517
00:30:08,500 --> 00:30:09,542
AS...
518
00:30:09,542 --> 00:30:11,792
I KNOW HOW IT FEELS.
519
00:30:11,792 --> 00:30:12,917
I REMEMBER.
520
00:30:12,917 --> 00:30:15,083
OH.
521
00:30:15,083 --> 00:30:18,166
SO WHAT, THIS IS PAYBACK?
522
00:30:18,166 --> 00:30:19,750
I HAD THIS COMING?
523
00:30:19,750 --> 00:30:21,583
NO. IT'S NOT--
524
00:30:21,583 --> 00:30:25,041
BECAUSE I THOUGHT
THAT WAS BEHIND US.
525
00:30:25,041 --> 00:30:29,834
AND YOU KNOW,
WHAT HAPPENED WITH XANDER,
IT DOESN'T COMPARE.
526
00:30:31,542 --> 00:30:35,291
NOT WITH
WHAT YOU AND I HAD.
527
00:30:35,291 --> 00:30:37,959
NOT WITH WHATEVER
YOU'VE BEEN DOING
WITH HER.
528
00:30:37,959 --> 00:30:39,834
I DON'T KNOW WHAT
VERUCA AND I HAVE DONE.
529
00:30:39,834 --> 00:30:41,917
WHEN I CHANGE,
IT'S LIKE,
530
00:30:41,917 --> 00:30:45,208
IT'S LIKE I'M GONE
AND THE WOLF TAKES OVER.
531
00:30:45,208 --> 00:30:50,250
BUT BEFORE THIS,
WHEN YOU WERE REGULAR OZ,
532
00:30:51,458 --> 00:30:54,333
YOU HAD FEELINGS FOR HER,
DIDN'T YOU?
533
00:30:54,333 --> 00:30:55,708
NO.
534
00:30:55,708 --> 00:30:57,625
I COULD SENSE SOMETHING,
BUT...
535
00:30:57,625 --> 00:31:00,000
BUT YOU WANTED HER...
536
00:31:00,000 --> 00:31:03,250
LIKE IN AN ANIMAL WAY?
537
00:31:05,333 --> 00:31:09,542
LIKE...MORE THAN
YOU WANTED ME?
538
00:31:39,250 --> 00:31:40,125
WILLOW!
539
00:31:46,083 --> 00:31:47,625
WILLOW, ARE YOU OKAY?
540
00:31:47,625 --> 00:31:50,125
THANK YOU.
I WAS TOO FAR AWAY.
541
00:31:50,125 --> 00:31:52,458
IT WAS LUCKY.
SHE ALMOST GOT HIT.
542
00:31:52,458 --> 00:31:53,959
WILLOW, WHAT'S THE MATTER?
543
00:31:55,875 --> 00:31:57,375
MAYBE YOU SHOULD
TAKE HER HOME.
544
00:32:01,208 --> 00:32:04,583
WHATEVER IT IS,
IT'S NOT WORTH
HURTING YOURSELF OVER.
545
00:32:04,583 --> 00:32:06,750
THANK YOU.
546
00:32:11,209 --> 00:32:13,834
I HAVE TO GO.
547
00:32:13,834 --> 00:32:15,708
I HAVE TO FIND VERUCA
BEFORE THE SUN SETS.
548
00:32:17,250 --> 00:32:18,875
I WILL, THOUGH.
549
00:32:18,875 --> 00:32:20,083
WHEN I DO,
THIS THING STOPS.
550
00:32:20,083 --> 00:32:21,417
SHE'S BAD NEWS.
551
00:32:26,125 --> 00:32:28,333
DO YOU WANT ME TO GET YOU
SOMETHING BEFORE I TAKE OFF?
552
00:32:28,333 --> 00:32:30,750
KLEENEX?
553
00:32:30,750 --> 00:32:33,333
CHOCOLATEY...
CHOCOLATE ANYTHING?
554
00:32:34,750 --> 00:32:35,875
NO.
555
00:32:35,875 --> 00:32:39,041
I'LL COME BACK AS SOON
AS THIS IS FINISHED.
556
00:32:39,041 --> 00:32:41,083
I JUST WANT YOU
TO TAKE IT EASY, OKAY?
557
00:32:42,917 --> 00:32:44,708
RILEY WAS RIGHT.
558
00:32:44,708 --> 00:32:47,625
THE MAIN THING IS
PUT THE BLAME
WHERE IT BELONGS.
559
00:32:47,625 --> 00:32:49,500
DON'T HURT YOURSELF.
560
00:32:49,500 --> 00:32:51,166
OKAY.
561
00:32:51,166 --> 00:32:52,166
OKAY.
562
00:32:54,458 --> 00:32:55,708
YOU'RE OKAY?
563
00:32:55,708 --> 00:32:57,708
I'M FINE.
564
00:32:57,708 --> 00:32:58,959
I PROMISE.
565
00:32:58,959 --> 00:33:00,291
I LOVE YOU.
566
00:33:10,417 --> 00:33:13,000
PUT THE BLAME
WHERE IT BELONGS.
567
00:33:23,667 --> 00:33:25,959
SO YOU HAVEN'T
SEEN HER AROUND?
568
00:33:25,959 --> 00:33:28,208
OKAY. THANKS, MAN.
569
00:33:29,917 --> 00:33:31,000
[ Door Opens ]
570
00:33:34,041 --> 00:33:35,667
WHERE IS SHE?
571
00:33:35,667 --> 00:33:36,834
I DON'T KNOW.
572
00:33:36,834 --> 00:33:38,792
I ALREADY CHECKED
ALL THE USUAL HAUNTS.
573
00:33:38,792 --> 00:33:40,875
BUT I KNOW THE AREAS
WE'RE DRAWN TO.
574
00:33:40,875 --> 00:33:42,375
I'M PRETTY SURE
I CAN FOLLOW HER SCENT.
575
00:33:42,375 --> 00:33:44,500
WE'LL TRY THAT THEN.
576
00:33:44,500 --> 00:33:46,291
LOOK, BUFFY,
YOU SHOULD KNOW THAT--
577
00:33:46,291 --> 00:33:48,000
OZ...
578
00:33:48,000 --> 00:33:50,708
NOW MIGHT BE A GOOD TIME
FOR YOUR TRADEMARK STOICISM.
579
00:34:01,583 --> 00:34:07,500
I CONJURE THEE BY BARABBAS,
BY SATANAS, AND THE DEVIL.
580
00:34:07,500 --> 00:34:10,125
AS THOU ART BURNING,
581
00:34:10,125 --> 00:34:13,917
LET OZ AND VERUCA'S
DECEITFUL HEARTS BE BROKEN.
582
00:34:25,000 --> 00:34:26,041
THIS WAY.
583
00:34:27,250 --> 00:34:30,792
I CONJURE THEE
BY THE SARACEN QUEEN
584
00:34:30,792 --> 00:34:33,083
IN THE NAME OF HELL.
585
00:34:33,083 --> 00:34:36,083
LET THEM FIND NO LOVE
OR SOLACE.
586
00:34:36,083 --> 00:34:39,750
LET THEM FIND NO PEACE
AS WELL.
587
00:34:44,834 --> 00:34:46,458
[ Oz ] SHE'S NEAR HERE.
588
00:34:46,458 --> 00:34:49,125
I CAN SMELL HER.
589
00:34:49,125 --> 00:34:53,000
OR THE DIRTY PILE OF
CLOTHING SHE LEFT
ON THE GROUND.
590
00:34:53,000 --> 00:34:54,959
WELL, THEY COULD BE FROM
THE OTHER NIGHT WHEN SHE--
591
00:34:54,959 --> 00:34:56,875
TURNED INTO A WEREWOLF.
592
00:34:56,875 --> 00:35:00,417
UNLESS SHE WANTED TO
THROW YOU OFF THE SCENT.
593
00:35:01,667 --> 00:35:02,708
WILLOW.
594
00:35:13,250 --> 00:35:15,500
LET THIS IMAGE
SEAL HIS FATE.
595
00:35:15,500 --> 00:35:18,458
NOT TO LOVE,
ONLY HATE.
596
00:35:31,166 --> 00:35:34,250
WOW.
597
00:35:34,250 --> 00:35:37,000
FOR A MINUTE THERE,
I THOUGHT YOU MIGHT
ACTUALLY PLAY ROUGH.
598
00:35:41,041 --> 00:35:43,291
SOMETIMES YOU HAVE TO,
YOU KNOW?
599
00:35:43,291 --> 00:35:46,083
TO KEEP WHAT'S YOURS,
600
00:35:46,083 --> 00:35:48,291
SOMETIMES
YOU HAVE TO KILL.
601
00:35:51,959 --> 00:35:53,458
HOW 'BOUT THAT?
602
00:35:54,917 --> 00:35:57,000
THE SUN'S ALMOST DOWN.
603
00:36:16,125 --> 00:36:19,625
CAN'T SAY I'M SURPRISED
YOU DIDN'T GO THROUGH
WITH YOUR LITTLE HEX.
604
00:36:19,625 --> 00:36:21,291
YOU DON'T HAVE THE TEETH.
605
00:36:21,291 --> 00:36:23,417
YOU DON'T KNOW
WHAT I HAVE.
606
00:36:23,417 --> 00:36:25,834
YOU DON'T KNOW
ANYTHING ABOUT ME.
607
00:36:25,834 --> 00:36:27,667
I KNOW WHAT YOU LOVE.
608
00:36:27,667 --> 00:36:32,000
I HAVE HIS SCENT ON ME
RIGHT NOW.
609
00:36:36,875 --> 00:36:39,250
DON'T TOUCH HER AGAIN.
610
00:36:39,250 --> 00:36:40,834
COME STOP ME.
611
00:36:40,834 --> 00:36:43,208
I LIKE IT ROUGH,
REMEMBER?
612
00:36:45,458 --> 00:36:47,875
YOU WANNA HURT ME,
HURT ME.
613
00:36:47,875 --> 00:36:49,291
YOU LEAVE HER OUT OF THIS.
614
00:36:49,291 --> 00:36:51,000
HOW CAN I?
615
00:36:51,000 --> 00:36:53,083
SHE'S THE REASON
YOU'RE LIVING IN CAGES.
616
00:36:53,083 --> 00:36:55,166
SHE'S BLINDING YOU.
617
00:36:55,166 --> 00:36:59,166
WHEN SHE'S GONE,
YOU'LL BE ABLE TO ADMIT
WHAT YOU ARE.
618
00:37:02,250 --> 00:37:05,041
YOU DON'T WANNA
FIND OUT WHAT I AM.
619
00:37:05,041 --> 00:37:07,167
YOU'RE AN ANIMAL.
620
00:37:12,083 --> 00:37:13,708
ANIMALS KILL.
621
00:37:16,417 --> 00:37:18,000
YOU'RE RIGHT.
622
00:37:18,000 --> 00:37:19,375
WE KILL.
623
00:37:33,834 --> 00:37:36,375
[ Growling ]
624
00:37:53,875 --> 00:37:56,500
[ Snarling ]
625
00:37:59,208 --> 00:38:01,208
GRRAAH!
626
00:38:01,208 --> 00:38:02,708
OZ?
627
00:38:05,083 --> 00:38:06,792
GRRR!
AAH!
628
00:38:50,417 --> 00:38:52,333
I'M NOT QUITE SURE
I UNDERSTAND.
629
00:38:52,333 --> 00:38:56,083
THERE WAS JUST
SO MUCH GOING ON
WITH OZ AND WILLOW.
630
00:38:56,083 --> 00:38:57,208
AND THERE STILL IS.
631
00:38:57,208 --> 00:38:59,125
BUT I JUST THOUGHT
YOU SHOULD KNOW.
632
00:38:59,125 --> 00:39:00,792
WELL, THIS FELLOW
IN THE WOODS,
633
00:39:00,792 --> 00:39:03,209
HE WAS IN
MILITARY GARB?
634
00:39:03,209 --> 00:39:05,583
AND HE WAS TOTING
SOME SERIOUS WEAPONRY.
635
00:39:05,583 --> 00:39:08,542
THE THING IS,
I SAW SOME GUYS
DRESSED EXACTLY LIKE HIM
636
00:39:08,542 --> 00:39:09,792
ON HALLOWEEN NIGHT.
637
00:39:09,792 --> 00:39:11,583
I JUST ASSUMED
THEY WERE IN COSTUME.
638
00:39:11,583 --> 00:39:13,750
BUT MAYBE
THEY WERE WORKING.
639
00:39:13,750 --> 00:39:15,375
I WANNA KNOW WHAT'S UP.
640
00:39:15,375 --> 00:39:17,291
THE GUY GOT IN MY WAY.
641
00:39:17,291 --> 00:39:20,125
I ALMOST DIDN'T CATCH UP
WITH OZ IN TIME.
642
00:39:20,125 --> 00:39:22,875
AND AS IT WAS,
I WAS TOO LATE TO--
643
00:39:22,875 --> 00:39:25,209
YOU SAVED WILLOW.
644
00:39:25,209 --> 00:39:28,583
RIGHT NOW
SHE WISHES I HADN'T.
645
00:39:28,583 --> 00:39:32,166
GILES, I'VE NEVER
SEEN HER LIKE THIS.
646
00:39:32,166 --> 00:39:36,583
IT'S LIKE
IT HURTS TOO MUCH
TO FORM WORDS.
647
00:39:36,583 --> 00:39:38,583
YOU'VE...
648
00:39:38,583 --> 00:39:40,250
YOU'VE FELT THAT WAY
YOURSELF,
649
00:39:40,250 --> 00:39:41,417
AND YOU
GOT THROUGH IT.
650
00:39:41,417 --> 00:39:44,458
YEAH. I RAN AWAY
AND WENT TO HELL
651
00:39:44,458 --> 00:39:46,417
AND THEN
GOT THROUGH IT.
652
00:39:46,417 --> 00:39:49,125
I'M KIND OF HOPING
SHE DOESN'T USE ME
AS A MODEL.
653
00:39:49,125 --> 00:39:50,667
FAIR ENOUGH.
654
00:39:50,667 --> 00:39:55,209
I JUST DON'T KNOW HOW
THEY'RE GONNA DEAL WITH THIS.
655
00:39:57,083 --> 00:39:58,625
[ Knock On Door ]
656
00:40:08,583 --> 00:40:11,083
HELLO.
657
00:40:11,083 --> 00:40:12,125
HI.
658
00:40:18,917 --> 00:40:20,792
WHAT ARE YOU DOING?
659
00:40:23,792 --> 00:40:25,375
I'M GOING.
660
00:40:29,125 --> 00:40:30,208
NOW?
661
00:40:30,208 --> 00:40:31,542
MM-HMM.
662
00:40:31,542 --> 00:40:33,333
[ Zips Suitcase ]
663
00:40:33,333 --> 00:40:35,083
THAT'S YOUR SOLUTION?
664
00:40:36,917 --> 00:40:38,250
THAT'S MY DECISION.
665
00:40:38,250 --> 00:40:41,458
DON'T I GET ANY SAY
IN THIS?
666
00:40:41,458 --> 00:40:42,750
NO.
667
00:40:47,375 --> 00:40:49,375
VERUCA WAS RIGHT
ABOUT SOMETHING.
668
00:40:51,291 --> 00:40:54,458
THE WOLF IS INSIDE ME
ALL THE TIME,
669
00:40:54,458 --> 00:41:00,208
AND I DON'T KNOW WHERE
THAT LINE IS ANYMORE
BETWEEN ME AND IT.
670
00:41:01,667 --> 00:41:05,125
AND UNTIL I FIGURE OUT
WHAT THAT MEANS,
671
00:41:06,667 --> 00:41:08,917
I SHOULDN'T
BE AROUND YOU...
672
00:41:08,917 --> 00:41:11,417
OR ANYBODY.
673
00:41:11,417 --> 00:41:13,792
WELL, THAT COULD BE
A PROBLEM
674
00:41:13,792 --> 00:41:16,000
'CAUSE PEOPLE...
675
00:41:16,000 --> 00:41:20,083
KIND OF A PLANETARY EPIDEMIC.
676
00:41:20,083 --> 00:41:23,417
I'LL FIND SOMEPLACE.
677
00:41:23,417 --> 00:41:26,834
WELL, HOW LONG?
678
00:41:26,834 --> 00:41:29,333
I DON'T KNOW.
679
00:41:30,875 --> 00:41:33,333
OZ...
680
00:41:33,333 --> 00:41:36,375
DON'T YOU LOVE ME?
681
00:41:37,667 --> 00:41:39,208
MY WHOLE LIFE...
682
00:41:39,208 --> 00:41:41,542
I'VE NEVER LOVED
ANYTHING ELSE.
683
00:41:52,083 --> 00:41:53,667
OZ...
684
00:41:56,792 --> 00:41:58,959
OH, GOD.
685
00:42:00,291 --> 00:42:01,500
OZ...
686
00:42:41,750 --> 00:42:46,208
[ Turns On Ignition ]
687
00:42:46,208 --> 00:42:48,750
[ Turns Off Ignition ]
688
00:43:03,625 --> 00:43:06,208
[ Turns On Ignition ]
689
00:43:53,125 --> 00:43:54,708
GRR! ARRGH!
45376
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