Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:14,987 --> 00:01:15,901
>> [ GASPING ]
2
00:01:15,901 --> 00:01:16,728
OH! GOD!
3
00:01:16,728 --> 00:01:19,862
[ ALARM BEEPING ]
4
00:01:19,862 --> 00:01:21,690
[ ALARM BEEPING ]
[ BREATHING HEAVILY ]
5
00:01:21,690 --> 00:01:46,845
[ BREATHING HEAVILY ]
6
00:01:46,845 --> 00:01:48,586
[ SCOFFS ]
7
00:01:48,586 --> 00:01:50,414
[ SCOFFS ]
OH, MY GOD.
8
00:01:50,414 --> 00:02:01,947
OH, MY GOD.
9
00:02:01,947 --> 00:02:03,645
>> NO RESTAURANT! HEY!
10
00:02:03,645 --> 00:02:04,776
YOU BUY, YOU TAKE AWAY!
11
00:02:04,776 --> 00:02:06,169
>> MAN, SHE MEANER THAN YOUR
12
00:02:06,169 --> 00:02:06,561
MAMA.
13
00:02:06,561 --> 00:02:07,953
>> MAN, NOBODY MEANER THAN MY
14
00:02:07,953 --> 00:02:08,345
MAMA.
15
00:02:08,345 --> 00:02:09,781
>> YOU GOT SOMETHING FOR UNDER
16
00:02:09,781 --> 00:02:11,174
5 BUCKS THAT'S NOT GONNA KILL
17
00:02:11,174 --> 00:02:11,479
ME?
18
00:02:11,479 --> 00:02:12,741
>> MM.
19
00:02:12,741 --> 00:02:13,959
[ SPEAKS INDISTINCTLY ]
20
00:02:13,959 --> 00:02:14,482
>> OHH.
21
00:02:14,482 --> 00:02:16,223
>> VERY GOOD STUFF!
22
00:02:16,223 --> 00:02:20,923
IT'S, UH, $4.29, PLUS TAXES.
23
00:02:20,923 --> 00:02:24,100
OKAY. VERY GOOD, VERY GOOD.
24
00:02:24,100 --> 00:02:26,798
NOW, TELL ME SOMETHING, HUH?
25
00:02:26,798 --> 00:02:29,497
NICE GIRL LIKE YOU.
26
00:02:29,497 --> 00:02:31,455
HOW COME YOU DRESS LIKE THAT?
27
00:02:31,455 --> 00:02:33,240
DON'T YOU WANT A HUSBAND?
28
00:02:33,240 --> 00:02:34,545
>> [ Laughing ] A HUSBAND?
29
00:02:34,545 --> 00:02:35,503
[ SCOFFS ] YEAH.
30
00:02:35,503 --> 00:02:36,373
YOU MARRY HER?
31
00:02:36,373 --> 00:02:37,200
>> MARRY HER?
32
00:02:37,200 --> 00:02:38,854
I WOULDN'T EVEN FUCK HER -- NOT
33
00:02:38,854 --> 00:02:39,985
EVEN WITH YOURDICK.
34
00:02:39,985 --> 00:02:42,466
>> [ CHUCKLES ] HEY. HEY!
35
00:02:42,466 --> 00:02:44,076
YOU'D NEED A MICROSCOPE TO FIND
36
00:02:44,076 --> 00:02:44,425
IT.
37
00:02:44,425 --> 00:02:46,253
>> [ LAUGHS ]
38
00:02:46,253 --> 00:02:47,254
>> NO, NO, NO. HEY!
39
00:02:47,254 --> 00:02:48,559
HEY, MY DICK AIN'T LACKING
40
00:02:48,559 --> 00:02:50,126
NOTHING IN THE SIZE DEPARTMENT,
41
00:02:50,126 --> 00:02:51,432
NOTHING IN THE SIZE DEPARTMENT,
BABY.
42
00:02:51,432 --> 00:02:55,523
BABY.
43
00:02:55,523 --> 00:02:56,088
>> HIYA.
44
00:02:56,088 --> 00:02:56,567
>> HEY.
45
00:02:56,567 --> 00:02:57,916
YOU'RE LATE TONIGHT, HONEY.
46
00:02:57,916 --> 00:02:59,353
>> YEAH, THAT'S THE STORY OF MY
47
00:02:59,353 --> 00:02:59,788
LIFE.
48
00:02:59,788 --> 00:03:01,311
>> WELL, BETTER LATE THAN NEVER,
49
00:03:01,311 --> 00:03:01,703
HUH?
50
00:03:01,703 --> 00:03:03,966
[ COUGHING ]
51
00:03:03,966 --> 00:03:04,619
>> DOLORES.
52
00:03:04,619 --> 00:03:06,142
THOSE CIGARETTES ARE GONNA KILL
53
00:03:06,142 --> 00:03:06,838
YOU ONE DAY.
54
00:03:06,838 --> 00:03:07,883
YOU KNOW THAT, RIGHT?
55
00:03:07,883 --> 00:03:09,014
>> SOMETHING'S GOT TO.
56
00:03:09,014 --> 00:03:10,277
>> [ Chuckling ] OH, GOD.
57
00:03:10,277 --> 00:03:12,104
>> [ Chuckling ] OH, GOD.
>> SEE YOU.
58
00:03:12,104 --> 00:03:16,761
>> SEE YOU.
59
00:03:16,761 --> 00:03:20,678
>> MADAME?
60
00:03:20,678 --> 00:03:22,724
ANNA?
61
00:03:22,724 --> 00:03:25,030
AH!
62
00:03:25,030 --> 00:03:26,293
ANNA KARENINA.
63
00:03:26,293 --> 00:03:27,294
>> [ GROANS, CHUCKLES ]
64
00:03:27,294 --> 00:03:28,295
>> OH!
65
00:03:28,295 --> 00:03:30,732
YOU LOOK RAVISHING...
66
00:03:30,732 --> 00:03:31,298
>> OH.
67
00:03:31,298 --> 00:03:33,865
>> ...THIS EVENING, MY DEAR!
68
00:03:33,865 --> 00:03:34,823
OH.
69
00:03:34,823 --> 00:03:36,172
WHAT COULD YOU HAVE IN THAT BAG,
70
00:03:36,172 --> 00:03:36,607
MY DEAR?
71
00:03:36,607 --> 00:03:37,217
>> NOTHING.
72
00:03:37,217 --> 00:03:38,261
IT'S NOTHING, PROFESSOR.
73
00:03:38,261 --> 00:03:38,914
>> [ LAUGHS ]
74
00:03:38,914 --> 00:03:40,176
>> IT'S DOMESTIC.
75
00:03:40,176 --> 00:03:41,351
>> BUT NOT UNDRINKABLE!
76
00:03:41,351 --> 00:03:42,178
AM I CORRECT?
77
00:03:42,178 --> 00:03:43,397
>> WELL -- [ CHUCKLES ]
78
00:03:43,397 --> 00:03:45,050
>> WELL, AND YOU'RE NOT GOING TO
79
00:03:45,050 --> 00:03:45,921
ENJOY IT ALONE!
80
00:03:45,921 --> 00:03:47,836
PLEASE, SIT! PLEASE!
81
00:03:47,836 --> 00:03:48,663
>> NO.
82
00:03:48,663 --> 00:03:50,665
UH, YOU ARE. HERE.
83
00:03:50,665 --> 00:03:51,318
>> OH --
84
00:03:51,318 --> 00:03:54,234
>> COME ON.
85
00:03:54,234 --> 00:03:56,584
>> THANK YOU, MY DEAR.
86
00:03:56,584 --> 00:03:58,803
>> YEAH.
87
00:03:58,803 --> 00:03:59,543
>> ANNA?
88
00:03:59,543 --> 00:04:00,675
>> MM?
89
00:04:00,675 --> 00:04:01,937
>> DON'T DO ANYTHING STUPID.
90
00:04:01,937 --> 00:04:03,765
>> DON'T DO ANYTHING STUPID.
>> [ CHUCKLES ]
91
00:04:03,765 --> 00:04:44,022
>> [ CHUCKLES ]
92
00:04:44,022 --> 00:04:46,068
>> LEON?
93
00:04:46,068 --> 00:04:47,330
AS YOU WERE.
94
00:04:47,330 --> 00:04:49,158
AS YOU WERE.
[ BIRD CHIRPS ]
95
00:04:49,158 --> 00:05:03,825
[ BIRD CHIRPS ]
96
00:05:03,825 --> 00:05:04,956
WHAT DO YOU THINK, LEON?
97
00:05:04,956 --> 00:05:06,044
GONNA KILL ME?
98
00:05:06,044 --> 00:05:09,396
[ BIRD CHIRPS ]
99
00:05:09,396 --> 00:05:11,398
[ SNIFFS, GROANS ]
100
00:05:11,398 --> 00:05:12,703
[ SNIFFS, GROANS ]
[ THUMP ]
101
00:05:12,703 --> 00:05:52,439
[ THUMP ]
102
00:05:52,439 --> 00:05:55,224
"MARLENE HAD A TENDENCY TO USE
103
00:05:55,224 --> 00:05:58,183
HER NARCISSISM AS THE LONG END
104
00:05:58,183 --> 00:06:01,665
OF THE WEDGE."
105
00:06:01,665 --> 00:06:03,493
OF THE WEDGE."
[ SIGHS ]
106
00:06:03,493 --> 00:06:11,371
[ SIGHS ]
107
00:06:11,371 --> 00:06:13,198
[ SIGHS ]
[ METAL GRATING ]
108
00:06:13,198 --> 00:06:18,943
[ METAL GRATING ]
109
00:06:18,943 --> 00:06:20,771
[ METAL GRATING ]
GIVE IT YOUR BEST SHOT.
110
00:06:20,771 --> 00:06:40,008
GIVE IT YOUR BEST SHOT.
111
00:06:40,008 --> 00:06:42,837
>> [ Muffled ] OOH. OH, SO GOOD.
112
00:06:42,837 --> 00:06:44,360
KEEP GOING, BABY.
113
00:06:44,360 --> 00:06:46,101
KEEP GOING. THAT'S RIGHT.
114
00:06:46,101 --> 00:06:48,973
OH, YEAH. THAT'S THE G-SPOT.
115
00:06:48,973 --> 00:06:50,801
MMM. MM-HMM!
116
00:06:50,801 --> 00:06:52,934
OH, YOU SON OF A BITCH!
117
00:06:52,934 --> 00:06:54,501
YOU BIG, BEAUTIFUL SON OF A
118
00:06:54,501 --> 00:06:56,024
BITCH!
119
00:06:56,024 --> 00:06:57,242
GUESS WHO JUST WALKED IN THE
120
00:06:57,242 --> 00:06:58,330
DOOR.
121
00:06:58,330 --> 00:06:59,506
DELILAH.
122
00:06:59,506 --> 00:07:01,203
YOU WANT TO SAY HELLO?
123
00:07:01,203 --> 00:07:01,943
MM-HMM.
124
00:07:01,943 --> 00:07:03,858
SHE'S SITTING RIGHT HERE,
125
00:07:03,858 --> 00:07:06,687
GETTING VERY, VERYHORNY JUST
126
00:07:06,687 --> 00:07:08,253
THINKING ABOUT YOU.
127
00:07:08,253 --> 00:07:11,605
UH-HUH. AREN'T YOU, HONEY?
128
00:07:11,605 --> 00:07:14,695
YOU STILL THERE, BABY?
129
00:07:14,695 --> 00:07:16,174
MM.
130
00:07:16,174 --> 00:07:17,567
DO IT, HANK.
131
00:07:17,567 --> 00:07:20,527
DO IT HARD. OH, YEAH.
132
00:07:20,527 --> 00:07:21,963
THAT'S THE SPOT.
133
00:07:21,963 --> 00:07:24,052
OH, RIGHT THERE.
134
00:07:24,052 --> 00:07:26,358
OOH. KEEP GOING!
135
00:07:26,358 --> 00:07:28,404
OH, RIGHT -- RIGHT THERE.
136
00:07:28,404 --> 00:07:30,537
OOH, YOU BE A STUD, AND YOU FUCK
137
00:07:30,537 --> 00:07:31,625
ME, BABY!
138
00:07:31,625 --> 00:07:34,932
OH, FUCK ME! OH, YEAH!
139
00:07:34,932 --> 00:07:37,369
OH! DON'T STOP!
140
00:07:37,369 --> 00:07:38,675
DON'T STOP!
141
00:07:38,675 --> 00:07:40,808
OH! HARDER!
142
00:07:40,808 --> 00:07:43,158
HARDER! OH, YEAH!
143
00:07:43,158 --> 00:07:43,767
[ MOANS ]
144
00:07:43,767 --> 00:07:44,115
NO!
145
00:07:44,115 --> 00:07:45,552
THAT'S THE SPOT RIGHT THERE,
146
00:07:45,552 --> 00:07:46,509
BABY!
147
00:07:46,509 --> 00:07:48,380
HARDER...
148
00:07:48,380 --> 00:07:49,599
HARDER...
149
00:07:49,599 --> 00:07:51,035
DON'T STOP!
150
00:07:51,035 --> 00:07:53,255
OH, THAT'S THE SPOT!
151
00:07:53,255 --> 00:07:54,169
THAT'S IT!
152
00:07:54,169 --> 00:07:55,866
THAT'S IT! RIGHT THERE!
153
00:07:55,866 --> 00:07:57,433
THAT'S HOW I LIKE IT!
154
00:07:57,433 --> 00:07:59,087
[ MOANS INDISTINCTLY ]
155
00:07:59,087 --> 00:08:00,044
DON'T STOP!
156
00:08:00,044 --> 00:08:03,439
[ MOANING LOUDLY ]
157
00:08:03,439 --> 00:08:07,791
[ YELLS ]
158
00:08:07,791 --> 00:08:09,750
OH, YEAH!
159
00:08:09,750 --> 00:08:11,795
ALL RIGHT!
160
00:08:11,795 --> 00:08:14,363
OOH!
161
00:08:14,363 --> 00:08:17,366
OH.
162
00:08:17,366 --> 00:08:19,847
HANK? YOU STILL THERE, BABY?
163
00:08:19,847 --> 00:08:21,588
HANK?
164
00:08:21,588 --> 00:08:24,155
HANK.
165
00:08:24,155 --> 00:08:26,331
HANK!
166
00:08:26,331 --> 00:08:27,855
UGH!
167
00:08:27,855 --> 00:08:29,334
I CANNOT STAND IT WHEN THEY DO
168
00:08:29,334 --> 00:08:29,987
THAT.
169
00:08:29,987 --> 00:08:31,032
[ SIGHS ]
170
00:08:31,032 --> 00:08:32,381
>> WHAT DO YOU WANT THEM TO
171
00:08:32,381 --> 00:08:33,948
DO -- HOLD YOU AND SAY THEY LOVE
172
00:08:33,948 --> 00:08:34,339
YOU?
173
00:08:34,339 --> 00:08:35,863
>> WELL, THEY COULD SAY GOODBYE,
174
00:08:35,863 --> 00:08:36,864
FOR CHRIST'S SAKE.
175
00:08:36,864 --> 00:08:38,387
THAT'S THE LEAST THEY COULD DO.
176
00:08:38,387 --> 00:08:40,084
>> POST COITUM OMNE ANIMAL
177
00:08:40,084 --> 00:08:42,696
TRISTE EST.
178
00:08:42,696 --> 00:08:43,479
>> HUH?
179
00:08:43,479 --> 00:08:45,699
>> IT MEANS "AFTER SEX, MEN ARE
180
00:08:45,699 --> 00:08:46,090
SAD."
181
00:08:46,090 --> 00:08:46,569
>> HUH.
182
00:08:46,569 --> 00:08:47,875
YOU'D THINK FOR ONCE, THEY'D BE
183
00:08:47,875 --> 00:08:48,310
HAPPY.
184
00:08:48,310 --> 00:08:49,616
>> YEAH, WELL, THAT'S WHY THEY
185
00:08:49,616 --> 00:08:50,965
ALWAYS WANT TO ROLL OVER AND GO
186
00:08:50,965 --> 00:08:51,922
TO SLEEP AFTERWARDS.
187
00:08:51,922 --> 00:08:53,054
THEY'RE DEEPLY DEPRESSED.
188
00:08:53,054 --> 00:08:54,403
>> YOU WERE SUPPOSED TO BE HERE
189
00:08:54,403 --> 00:08:55,447
AT MIDNIGHT, YOU KNOW.
190
00:08:55,447 --> 00:08:56,405
>> I KNOW. I'M SORRY.
191
00:08:56,405 --> 00:08:57,667
>> SO, THERE'S THIS GUY IN MY
192
00:08:57,667 --> 00:08:59,930
BUILDING, AND HE'S KIND OF SHY
193
00:08:59,930 --> 00:09:02,063
AND PUDGY AND FUNNY-LOOKING,
194
00:09:02,063 --> 00:09:04,500
WITH HAIR FALLING IN HIS EYES.
195
00:09:04,500 --> 00:09:05,980
I BET YOU HE CALLS PLACES LIKE
196
00:09:05,980 --> 00:09:07,547
THIS.
197
00:09:07,547 --> 00:09:08,373
HE'S THE TYPE.
198
00:09:08,373 --> 00:09:10,245
YOU KNOW WHAT I MEAN?
199
00:09:10,245 --> 00:09:11,507
I MEAN, DON'T YOU THINK ABOUT
200
00:09:11,507 --> 00:09:13,248
WHAT THEY'RE LIKE, THESE GUYS,
201
00:09:13,248 --> 00:09:14,771
WHEN YOU'RE TALKING TO THEM?
202
00:09:14,771 --> 00:09:15,642
>> NO. NEVER.
203
00:09:15,642 --> 00:09:17,992
>> I DO, ESPECIALLY WHEN I GET A
204
00:09:17,992 --> 00:09:19,515
NICE-SOUNDING VOICE ON THE
205
00:09:19,515 --> 00:09:21,256
LINE -- YOU KNOW, SHY, LIKE THIS
206
00:09:21,256 --> 00:09:22,649
GUY IN MY BUILDING.
207
00:09:22,649 --> 00:09:25,347
I WANT TO TELL THEM TO GO JOIN A
208
00:09:25,347 --> 00:09:29,090
CLUB OR GO ON FACEBOOK...
209
00:09:29,090 --> 00:09:30,657
OR SOMETHING!
210
00:09:30,657 --> 00:09:33,094
OR JUST ASK SOMEONE!
211
00:09:33,094 --> 00:09:35,270
I MEAN, MAYBE SOMEONE WILL SAY
212
00:09:35,270 --> 00:09:36,401
YES!
213
00:09:36,401 --> 00:09:38,055
YOU NEVER KNOW!
214
00:09:38,055 --> 00:09:39,666
BUT GETTING OFF OVER THE PHONE
215
00:09:39,666 --> 00:09:42,146
SEEMS...SO LONELY.
216
00:09:42,146 --> 00:09:43,539
>> UH-HUH.
217
00:09:43,539 --> 00:09:45,106
>> WHAT DID MEN DO BEFORE
218
00:09:45,106 --> 00:09:47,195
TELEPHONES, LIKE IN THE
219
00:09:47,195 --> 00:09:48,762
19th CENTURY?
220
00:09:48,762 --> 00:09:50,328
>> THEY PATRONIZED WHORES.
221
00:09:50,328 --> 00:09:51,939
>> WELL...WE'RE NOT WHORES.
222
00:09:51,939 --> 00:09:53,767
>> NO. THAT'S RIGHT. WE'RE NOT.
223
00:09:53,767 --> 00:09:55,159
WE ARE --
224
00:09:55,159 --> 00:09:56,639
WE'RE FANTASY FACILITATORS, AND
225
00:09:56,639 --> 00:09:57,858
THAT'S THE PROBLEM WITH THE
226
00:09:57,858 --> 00:09:58,859
WORLD TODAY, GINNY.
227
00:09:58,859 --> 00:10:00,208
THERE ARE NO COMPETENT WHORES
228
00:10:00,208 --> 00:10:00,817
OUT THERE!
229
00:10:00,817 --> 00:10:02,210
THERE'S -- THERE ARE NO WHORES
230
00:10:02,210 --> 00:10:03,690
WHO, YOU KNOW, THEY REALLY CARE
231
00:10:03,690 --> 00:10:05,387
ABOUT THEIR WORK!
232
00:10:05,387 --> 00:10:06,562
BUT GIVEN THE STATE OF THE
233
00:10:06,562 --> 00:10:07,781
PROFESSION, I GUESS PHONE SEX
234
00:10:07,781 --> 00:10:09,086
IS...
235
00:10:09,086 --> 00:10:10,914
A BETTER IDEA.
236
00:10:10,914 --> 00:10:12,176
>> I'LL SEE YOU TOMORROW!
237
00:10:12,176 --> 00:10:14,396
>> MM-HMM. OKAY.
238
00:10:14,396 --> 00:10:17,007
>> AND COULD YOU TRYNOT TO BE
239
00:10:17,007 --> 00:10:18,966
LATE, PLEASE?
240
00:10:18,966 --> 00:10:20,794
LATE, PLEASE?
>> YES. RIGHT.
241
00:10:20,794 --> 00:10:29,324
>> YES. RIGHT.
242
00:10:29,324 --> 00:10:30,499
[ DOOR SHUTS ]
243
00:10:30,499 --> 00:10:32,762
[ TELEPHONE RINGING ]
244
00:10:32,762 --> 00:10:34,634
[ TELEPHONE RINGING ]
>> 7...?
245
00:10:34,634 --> 00:10:39,116
>> 7...?
246
00:10:39,116 --> 00:10:40,552
DUFFY'S TAVERN, WHERE THE ELITE
247
00:10:40,552 --> 00:10:41,336
MEET TO EAT.
248
00:10:41,336 --> 00:10:43,730
>> This is George Papandreou.
249
00:10:43,730 --> 00:10:44,992
>> MR. PAPANDREOU!
250
00:10:44,992 --> 00:10:46,428
HOW'S IT GOING?
251
00:10:46,428 --> 00:10:47,516
YOU GOT A NEW NUMBER!
252
00:10:47,516 --> 00:10:48,212
[ CHUCKLES ]
253
00:10:48,212 --> 00:10:49,605
>> You're behind on the rent
254
00:10:49,605 --> 00:10:50,040
again!
255
00:10:50,040 --> 00:10:53,043
>> UH, THE RENT?
256
00:10:53,043 --> 00:10:54,566
WHAT DO YOU ME-- THE RENT?
257
00:10:54,566 --> 00:10:56,786
OH. HERE'S WHAT HAPPENED.
258
00:10:56,786 --> 00:10:58,135
I GOT A NEW BANK ACCOUNT, AND
259
00:10:58,135 --> 00:10:59,833
THEY SENT ME THE WRONG CHECKS.
260
00:10:59,833 --> 00:11:01,530
I-I ASKED -- I HAD ASKED FOR A
261
00:11:01,530 --> 00:11:02,705
COAT OF ARMS.
262
00:11:02,705 --> 00:11:03,967
DID YOU KNOW MY FAMILY HAS A
263
00:11:03,967 --> 00:11:05,795
DID YOU KNOW MY FAMILY HAS A
COAT OF ARMS?
264
00:11:05,795 --> 00:11:21,550
COAT OF ARMS?
265
00:11:21,550 --> 00:11:22,943
JESUS, I'M TALKING TO A FUCKING
266
00:11:22,943 --> 00:11:24,074
BIRD.
267
00:11:24,074 --> 00:11:25,902
BIRD.
AH, FUCK.
268
00:11:25,902 --> 00:11:29,297
AH, FUCK.
269
00:11:29,297 --> 00:11:31,125
AH, FUCK.
[ SIGHS ]
270
00:11:31,125 --> 00:11:39,089
[ SIGHS ]
271
00:11:39,089 --> 00:11:40,917
[ SIGHS ]
"SWEET TALK."
272
00:11:40,917 --> 00:11:43,441
"SWEET TALK."
273
00:11:43,441 --> 00:11:46,009
SWEET TALK.
274
00:11:46,009 --> 00:11:47,837
SWEET TALK.
[ CHUCKLES ]
275
00:11:47,837 --> 00:12:11,905
[ CHUCKLES ]
276
00:12:11,905 --> 00:12:13,733
[ CHUCKLES ]
[ Dialing ]
277
00:12:13,733 --> 00:12:23,525
[ Dialing ]
278
00:12:23,525 --> 00:12:25,353
[ Dialing ]
[ TELEPHONE RINGING ]
279
00:12:25,353 --> 00:12:35,493
[ TELEPHONE RINGING ]
280
00:12:35,493 --> 00:12:36,756
>> [ Breathy ] HELLO.
281
00:12:36,756 --> 00:12:37,539
SWEET TALK.
282
00:12:37,539 --> 00:12:38,453
>> WHO'S THIS?
283
00:12:38,453 --> 00:12:39,628
>> THIS IS DELILAH.
284
00:12:39,628 --> 00:12:41,412
YOU WANT TO TALK?
285
00:12:41,412 --> 00:12:42,413
>> About what?
286
00:12:42,413 --> 00:12:45,416
>> UH, YOU NAME IT, BABY.
287
00:12:45,416 --> 00:12:46,461
ANYTHING.
288
00:12:46,461 --> 00:12:47,114
>> ANYTHING?
289
00:12:47,114 --> 00:12:48,463
>> Anything -- the hotter, the
290
00:12:48,463 --> 00:12:51,814
better.
291
00:12:51,814 --> 00:12:53,642
>> WHAT ABOUT DANCING?
292
00:12:53,642 --> 00:12:54,861
CAN WE DANCE?
293
00:12:54,861 --> 00:12:56,123
>> WE CAN DO WHATEVER YOU WANT
294
00:12:56,123 --> 00:12:58,821
TO DO.
295
00:12:58,821 --> 00:13:00,344
Oh, hey. Come on. Don't be shy.
296
00:13:00,344 --> 00:13:01,955
No one's gonna bite you...unless
297
00:13:01,955 --> 00:13:05,175
you want to be bitten.
298
00:13:05,175 --> 00:13:08,831
Hello?
299
00:13:08,831 --> 00:13:10,267
HEY.
300
00:13:10,267 --> 00:13:11,965
HE-HEY, DON'T HANG UP.
301
00:13:11,965 --> 00:13:12,879
>> I'm here.
302
00:13:12,879 --> 00:13:15,142
>> OKAY.
303
00:13:15,142 --> 00:13:16,230
>> What do I have to do?
304
00:13:16,230 --> 00:13:17,405
>> WHAT DO YOU HAVE TO DO?
305
00:13:17,405 --> 00:13:18,275
>> Well, uh, yeah.
306
00:13:18,275 --> 00:13:19,668
I've never done this before, so
307
00:13:19,668 --> 00:13:20,800
you're gonna have to help
308
00:13:20,800 --> 00:13:21,844
explain how this works.
309
00:13:21,844 --> 00:13:22,540
>> ALL RIGHT.
310
00:13:22,540 --> 00:13:23,498
THAT'S NOT A PROBLEM.
311
00:13:23,498 --> 00:13:24,325
WHAT'S YOUR NAME?
312
00:13:24,325 --> 00:13:25,326
>> J-- [ CLEARS THROAT ]
313
00:13:25,326 --> 00:13:26,501
JOHN.
314
00:13:26,501 --> 00:13:26,893
JOHN.
315
00:13:26,893 --> 00:13:27,719
>> OKAY, JOHN.
316
00:13:27,719 --> 00:13:28,764
HERE'S HOW IT WORKS.
317
00:13:28,764 --> 00:13:30,244
WE CAN TALK ABOUT...ANYTHING YOU
318
00:13:30,244 --> 00:13:31,680
WANT FOR AS LONG AS YOU WANT,
319
00:13:31,680 --> 00:13:32,333
AND THEN --
320
00:13:32,333 --> 00:13:33,595
>> How much does it cost?
321
00:13:33,595 --> 00:13:34,726
>> I'M GETTING TO THAT.
322
00:13:34,726 --> 00:13:36,250
>> JUST WANT TO KNOW WHAT I'M IN
323
00:13:36,250 --> 00:13:36,641
FOR.
324
00:13:36,641 --> 00:13:37,164
>> Okay.
325
00:13:37,164 --> 00:13:38,905
We charge 20 bucks to start out,
326
00:13:38,905 --> 00:13:40,341
and then $2.99 a minute goes
327
00:13:40,341 --> 00:13:41,733
automatically on your credit
328
00:13:41,733 --> 00:13:42,125
card.
329
00:13:42,125 --> 00:13:43,648
UNLESS, OF COURSE, YOU WANT TO
330
00:13:43,648 --> 00:13:45,128
DO SOMETHING...MORE UNUSUAL --
331
00:13:45,128 --> 00:13:46,434
THAT'S GONNA BE A BIT MORE
332
00:13:46,434 --> 00:13:47,043
EXPENSIVE.
333
00:13:47,043 --> 00:13:48,610
>> WHAT DO YOU MEAN BY UNUSUAL?
334
00:13:48,610 --> 00:13:50,438
>> WELL, THERE'S, UH -- UH,
335
00:13:50,438 --> 00:13:51,613
THERE'S FRENCH.
336
00:13:51,613 --> 00:13:52,919
THERE'S...
337
00:13:52,919 --> 00:13:53,963
Greek.
338
00:13:53,963 --> 00:13:56,966
There's threesomes.
339
00:13:56,966 --> 00:13:58,141
>> MAKE IT JUST STRAIGHT.
340
00:13:58,141 --> 00:14:01,275
UM, YOUR BASIC FACE-TO-FACE
341
00:14:01,275 --> 00:14:04,800
MISSIONARY POSITION IS 20 BUCKS
342
00:14:04,800 --> 00:14:07,498
PLUS WHATEVER -- $2.99?
343
00:14:07,498 --> 00:14:08,325
>> Yes. Right.
344
00:14:08,325 --> 00:14:09,805
>> EVERYTHING ELSE IS EXTRA?
345
00:14:09,805 --> 00:14:10,371
>> Yeah.
346
00:14:10,371 --> 00:14:11,938
>> WHAT'S MY CREDIT CARD GONNA
347
00:14:11,938 --> 00:14:13,548
SAY -- LIKE, "JERK-OFF SERVICES"
348
00:14:13,548 --> 00:14:14,810
OR SOMETHING LIKE THAT?
349
00:14:14,810 --> 00:14:15,680
>> [ CHUCKLES ]
350
00:14:15,680 --> 00:14:16,943
NO, IT'LL SAY "UNIVERSAL
351
00:14:16,943 --> 00:14:19,162
COMMUNICATIONS, INCORPORATED."
352
00:14:19,162 --> 00:14:20,555
>> That's all?
353
00:14:20,555 --> 00:14:23,253
>> THAT IS ALL.
354
00:14:23,253 --> 00:14:25,168
SO, JOHN...
355
00:14:25,168 --> 00:14:26,953
WE GONNA PARTY, YOU AND ME?
356
00:14:26,953 --> 00:14:29,738
HMM?
357
00:14:29,738 --> 00:14:30,957
>> WHAT DO YOU LOOK LIKE?
358
00:14:30,957 --> 00:14:32,132
>> JOHN, I LOOK TERRIFIC.
359
00:14:32,132 --> 00:14:33,176
TAKE MY WORD FOR IT.
360
00:14:33,176 --> 00:14:34,656
BUT WE'RE GONNA HAVE TO GET THE
361
00:14:34,656 --> 00:14:35,918
FORMALITIES OUT OF THE WAY
362
00:14:35,918 --> 00:14:37,398
BEFORE WE CAN GO ANY FURTHER, SO
363
00:14:37,398 --> 00:14:38,834
I AM GOING TO NEED YOUR CREDIT
364
00:14:38,834 --> 00:14:40,227
CARD NUMBER AND THE EXPIRATION
365
00:14:40,227 --> 00:14:40,705
DATE.
366
00:14:40,705 --> 00:14:41,793
>> YOU KNOW WHAT?
367
00:14:41,793 --> 00:14:42,838
[ CLEARS THROAT ]
368
00:14:42,838 --> 00:14:44,361
I THINK I'M GONNA CALL BACK
369
00:14:44,361 --> 00:14:44,884
LATER.
370
00:14:44,884 --> 00:14:46,407
>> I may not be here later.
371
00:14:46,407 --> 00:14:48,800
I MIGHT BE ASLEEP, ALL ALONE IN
372
00:14:48,800 --> 00:14:52,152
MY BIG BED WITH SATIN SHEETS.
373
00:14:52,152 --> 00:14:53,414
>> DO YOU LIVE ALONE?
374
00:14:53,414 --> 00:14:54,197
>> I do.
375
00:14:54,197 --> 00:14:56,199
Uh, it's just me -- well, and
376
00:14:56,199 --> 00:14:58,549
Uh, it's just me -- well, and
you, if you want to join me.
377
00:14:58,549 --> 00:15:03,772
you, if you want to join me.
378
00:15:03,772 --> 00:15:07,036
>> 4-0-0-3-4...
379
00:15:07,036 --> 00:15:10,300
[ KEYBOARD CLACKING ]
380
00:15:10,300 --> 00:15:14,043
7-6-7...
381
00:15:14,043 --> 00:15:16,176
7-8-12 --
382
00:15:16,176 --> 00:15:17,655
HOW DO YOU KNOW THIS IS A REAL
383
00:15:17,655 --> 00:15:18,134
NUMBER?
384
00:15:18,134 --> 00:15:19,657
>> I PUT IT IN MY MOUTH, AND IF
385
00:15:19,657 --> 00:15:21,616
IT GETS HARD, I KNOW IT'S REAL.
386
00:15:21,616 --> 00:15:22,617
>> [ SCOFFS SOFTLY ]
387
00:15:22,617 --> 00:15:23,574
That's pretty funny!
388
00:15:23,574 --> 00:15:24,924
>> THIS IS YOUR LAST CHANCE,
389
00:15:24,924 --> 00:15:26,316
SWEETIE -- I HAVE TO HANG UP ON
390
00:15:26,316 --> 00:15:27,622
YOU IF YOU DON'T GIVE ME THE
391
00:15:27,622 --> 00:15:28,057
NUMBER.
392
00:15:28,057 --> 00:15:29,058
>> [ CLEARS THROAT ]
393
00:15:29,058 --> 00:15:33,497
4-0-3-4-7-1-0-3...
394
00:15:33,497 --> 00:15:38,763
2-5-0-4-2-2-4-6.
395
00:15:38,763 --> 00:15:42,332
EXPIRATION --
396
00:15:42,332 --> 00:15:44,117
What if it was already expired?
397
00:15:44,117 --> 00:15:45,422
>> I'M COUNTING TO 3.
398
00:15:45,422 --> 00:15:46,815
1, 2 --
399
00:15:46,815 --> 00:15:48,599
>> SEPTEMBER 2015.
400
00:15:48,599 --> 00:15:50,558
>> THANK YOU.
401
00:15:50,558 --> 00:15:52,386
>> THANK YOU.
>> You're welcome.
402
00:15:52,386 --> 00:15:56,216
>> You're welcome.
403
00:15:56,216 --> 00:15:57,652
Now what?
404
00:15:57,652 --> 00:15:59,088
>> NOW, JOHN...
405
00:15:59,088 --> 00:16:02,483
WE'RE IN BUSINESS.
406
00:16:02,483 --> 00:16:04,833
SO...WHY DON'T YOU TELL ME WHAT
407
00:16:04,833 --> 00:16:07,140
YOU LIKE?
408
00:16:07,140 --> 00:16:08,489
YOU LIKE?
>> HMM.
409
00:16:08,489 --> 00:16:11,318
>> HMM.
410
00:16:11,318 --> 00:16:12,841
YOU KNOW WHAT I'D REALLY LIKE?
411
00:16:12,841 --> 00:16:14,582
>> What's that?
412
00:16:14,582 --> 00:16:15,975
>> OH, BOY. I DON'T KNOW.
413
00:16:15,975 --> 00:16:17,063
IT'S KIND OF WEIRD.
414
00:16:17,063 --> 00:16:18,151
>> [ Chuckling ] OH.
415
00:16:18,151 --> 00:16:19,979
COME ON, JOHN.
416
00:16:19,979 --> 00:16:22,329
DON'T BE SHY.
417
00:16:22,329 --> 00:16:26,115
>> Okay.
418
00:16:26,115 --> 00:16:27,638
I'D LIKE TO BE GENE KELLY IN
419
00:16:27,638 --> 00:16:29,814
"SINGIN' IN THE RAIN."
420
00:16:29,814 --> 00:16:31,207
>> WHY'D YOU CALL THIS LINE,
421
00:16:31,207 --> 00:16:31,642
JOHN?
422
00:16:31,642 --> 00:16:33,079
I MEAN, YOU KNOW, YOU C-- YOU
423
00:16:33,079 --> 00:16:34,167
CAN BE GENE KELLY IN
424
00:16:34,167 --> 00:16:35,646
"SINGIN' IN THE RAIN" WITHOUT
425
00:16:35,646 --> 00:16:35,995
ME.
426
00:16:35,995 --> 00:16:38,171
>> MM, YEAH, BUT...
427
00:16:38,171 --> 00:16:39,694
IT'S NOT AS MUCH FUN.
428
00:16:39,694 --> 00:16:41,609
>> Do you like girls, John?
429
00:16:41,609 --> 00:16:43,393
>> YEAH!
430
00:16:43,393 --> 00:16:45,830
>> What type?
431
00:16:45,830 --> 00:16:47,049
>> TYPE?
432
00:16:47,049 --> 00:16:49,660
>> YEAH.
433
00:16:49,660 --> 00:16:50,922
>> You know what gets me?
434
00:16:50,922 --> 00:16:52,533
>> What's that?
435
00:16:52,533 --> 00:16:55,623
>> THE WAY A WOMAN LOOKS AT YOU.
436
00:16:55,623 --> 00:16:58,887
HER EYES.
437
00:16:58,887 --> 00:17:00,019
TAKE JEANNE MOREAU IN
438
00:17:00,019 --> 00:17:03,196
"JULES AND JIM."
439
00:17:03,196 --> 00:17:05,198
YOU SEEN IT?
440
00:17:05,198 --> 00:17:07,722
Doesn't matter.
441
00:17:07,722 --> 00:17:12,292
SHE HAS A WHOLE HISTORY OF...
442
00:17:12,292 --> 00:17:14,816
BOOZE AND CIGARETTES AND BAD
443
00:17:14,816 --> 00:17:17,645
BOOZE AND CIGARETTES AND BAD
LOVE AFFAIRS ALL IN HER EYES.
444
00:17:17,645 --> 00:17:20,169
LOVE AFFAIRS ALL IN HER EYES.
445
00:17:20,169 --> 00:17:21,562
I MEAN, YOU GET THE FEELING THAT
446
00:17:21,562 --> 00:17:22,824
YOU COULD FUCK HER FOR THREE
447
00:17:22,824 --> 00:17:24,130
DAYS AND NIGHTS STRAIGHT, AND
448
00:17:24,130 --> 00:17:25,740
SHE WOULDN'T SMILE ONCE.
449
00:17:25,740 --> 00:17:27,002
>> [ SIGHS ]
450
00:17:27,002 --> 00:17:28,308
HAVE YOU EVER CALLED A FANTASY
451
00:17:28,308 --> 00:17:29,352
SEX LINE BEFORE, JOHN?
452
00:17:29,352 --> 00:17:30,223
>> NO. I TOLD YOU.
453
00:17:30,223 --> 00:17:31,659
>> WELL, YOU MIGHT WANT TO SAVE
454
00:17:31,659 --> 00:17:32,964
YOUR MONEY, BECAUSE THIS IS A
455
00:17:32,964 --> 00:17:34,227
LINE FOR GUYS WHO LIKE TO GET
456
00:17:34,227 --> 00:17:34,618
OFF.
457
00:17:34,618 --> 00:17:35,619
>> I like to get off.
458
00:17:35,619 --> 00:17:36,881
WHAT MAKES YOU THINK I DON'T
459
00:17:36,881 --> 00:17:37,708
LIKE TO GET OFF?
460
00:17:37,708 --> 00:17:39,014
>> Great! Then let's get off!
461
00:17:39,014 --> 00:17:39,493
>> OKAY!
462
00:17:39,493 --> 00:17:42,322
>> Okay! What do you want to do?
463
00:17:42,322 --> 00:17:44,628
>> [ EXHALES SOFTLY ]
464
00:17:44,628 --> 00:17:45,847
>> "I DON'T KNOW, ANGIE.
465
00:17:45,847 --> 00:17:48,980
WHAT DO YOU WANT TO DO?"
466
00:17:48,980 --> 00:17:51,592
>> UH -- [ SCOFFS ]
467
00:17:51,592 --> 00:17:53,420
>> UH -- [ SCOFFS ]
ERNEST BORGNINE FROM "MARTY"?
468
00:17:53,420 --> 00:17:56,162
ERNEST BORGNINE FROM "MARTY"?
469
00:17:56,162 --> 00:17:57,946
>> YES!
470
00:17:57,946 --> 00:18:00,775
>> Yeah, you like old movies?
471
00:18:00,775 --> 00:18:02,255
>> YEAH! I DO!
472
00:18:02,255 --> 00:18:03,821
I MEAN...ONLY THE GOOD ONES!
473
00:18:03,821 --> 00:18:05,388
I'VE SEEN "CITIZEN KANE" LIKE
474
00:18:05,388 --> 00:18:06,346
15 TIMES.
475
00:18:06,346 --> 00:18:09,088
>> SO, SHOULD I GET UNDRESSED?
476
00:18:09,088 --> 00:18:10,306
>> WHAT ARE YOU WEARING?
477
00:18:10,306 --> 00:18:11,351
>> Not a whole lot.
478
00:18:11,351 --> 00:18:12,134
>> Anything?
479
00:18:12,134 --> 00:18:13,483
>> MM, WELL, I'M WEARING A
480
00:18:13,483 --> 00:18:14,658
TEDDY, BUT IT'S SHEER.
481
00:18:14,658 --> 00:18:17,487
TEDDY, BUT IT'S SHEER.
YOU CAN SEE...RIGHT THROUGH IT.
482
00:18:17,487 --> 00:18:21,970
YOU CAN SEE...RIGHT THROUGH IT.
483
00:18:21,970 --> 00:18:23,189
>> DO YOU HAPPEN TO HAVE A FUR
484
00:18:23,189 --> 00:18:25,191
COAT IN YOUR CLOSET?
485
00:18:25,191 --> 00:18:26,757
>> A FUR COAT?
486
00:18:26,757 --> 00:18:28,194
>> Uh, yeah.
487
00:18:28,194 --> 00:18:29,673
>> YEAH!
488
00:18:29,673 --> 00:18:31,197
SURE! DOESN'T EVERYBODY?
489
00:18:31,197 --> 00:18:32,372
>> I WANT YOU TO TAKE OFF
490
00:18:32,372 --> 00:18:33,808
EVERYTHING ELSE AND GO GET YOUR
491
00:18:33,808 --> 00:18:36,289
FUR COAT AND PUT IT ON.
492
00:18:36,289 --> 00:18:37,986
>> UH, I'M GOING TO THE CLOSET
493
00:18:37,986 --> 00:18:40,380
NOW, AND...
494
00:18:40,380 --> 00:18:42,077
I'M OPENING THE DOOR, AND -- OH,
495
00:18:42,077 --> 00:18:45,385
THERE IT IS, THE SABLE COAT.
496
00:18:45,385 --> 00:18:46,603
I'M, UH --
497
00:18:46,603 --> 00:18:48,431
I'M SLIPPING OFF MY TEDDY AND
498
00:18:48,431 --> 00:18:49,911
PUTTING THE COAT ON.
499
00:18:49,911 --> 00:18:50,825
>> Okay, good.
500
00:18:50,825 --> 00:18:51,695
BUTTON IT UP.
501
00:18:51,695 --> 00:18:53,044
>> I'm buttoning it up.
502
00:18:53,044 --> 00:18:56,222
>> TIGHT. BUTTON IT UP TIGHT.
503
00:18:56,222 --> 00:18:58,180
>> ALL RIGHT. NOW WHAT?
504
00:18:58,180 --> 00:18:59,486
>> NOW I WANT YOU IN A TRAIN
505
00:18:59,486 --> 00:19:01,618
STATION...
506
00:19:01,618 --> 00:19:03,751
IN EUROPE.
507
00:19:03,751 --> 00:19:06,580
BUDAPEST.
508
00:19:06,580 --> 00:19:09,017
OR PRAGUE. WHAT DO YOU THINK?
509
00:19:09,017 --> 00:19:10,410
>> I-I THINK IT'S YOUR DIME,
510
00:19:10,410 --> 00:19:11,367
BUDDY.
511
00:19:11,367 --> 00:19:13,326
>> BUDAPEST...
512
00:19:13,326 --> 00:19:15,154
>> BUDAPEST...
RIGHT BEFORE WORLD WAR I.
513
00:19:15,154 --> 00:19:19,201
RIGHT BEFORE WORLD WAR I.
514
00:19:19,201 --> 00:19:20,811
I WANT YOU ON ONE OF THOSE HARD,
515
00:19:20,811 --> 00:19:24,032
WOODEN BENCHES.
516
00:19:24,032 --> 00:19:27,601
THE TRAIN STATION IS DESERTED.
517
00:19:27,601 --> 00:19:30,038
YOU'RE ALL ALONE.
518
00:19:30,038 --> 00:19:31,866
YOU'RE ALL ALONE.
IT'S THE MIDDLE OF THE NIGHT.
519
00:19:31,866 --> 00:19:34,782
IT'S THE MIDDLE OF THE NIGHT.
520
00:19:34,782 --> 00:19:36,262
IT'S WINTER.
521
00:19:36,262 --> 00:19:37,524
IT'S SNOWING OUTSIDE.
522
00:19:37,524 --> 00:19:42,050
IT'S -- IT'S BITTERCOLD!
523
00:19:42,050 --> 00:19:43,573
BUT THE COLD -- IT DOESN'T
524
00:19:43,573 --> 00:19:45,401
BOTHER YOU.
525
00:19:45,401 --> 00:19:48,143
IT EXCITES YOU.
526
00:19:48,143 --> 00:19:50,450
THERE'S SOMETHING EROTIC ABOUT
527
00:19:50,450 --> 00:19:53,192
BEING THERE ALONE, NAKED UNDER
528
00:19:53,192 --> 00:19:54,802
YOUR FUR COAT, IN THE MIDDLE OF
529
00:19:54,802 --> 00:19:57,108
THE NIGHT, IN THE MIDDLE OF THE
530
00:19:57,108 --> 00:20:01,156
WINTER.
531
00:20:01,156 --> 00:20:03,854
YOU CAN FEEL THE SILK LINING OF
532
00:20:03,854 --> 00:20:05,508
THE FUR COAT AGAINST YOUR BARE
533
00:20:05,508 --> 00:20:07,641
SKIN.
534
00:20:07,641 --> 00:20:10,731
IT TURNS YOU ON.
535
00:20:10,731 --> 00:20:12,080
Your nipples start to harden.
536
00:20:12,080 --> 00:20:12,646
>> JOHN --
537
00:20:12,646 --> 00:20:14,082
>> Oh, no, no! Wait, wait, wait!
538
00:20:14,082 --> 00:20:16,519
DON'T TALK! DON'T TALK!
539
00:20:16,519 --> 00:20:18,695
YOUR HANDS START TO WANDER
540
00:20:18,695 --> 00:20:21,307
BENEATH YOUR COAT.
541
00:20:21,307 --> 00:20:22,699
You can't stop from touching
542
00:20:22,699 --> 00:20:23,309
yourself.
543
00:20:23,309 --> 00:20:24,135
>> JOHN, LOOK.
544
00:20:24,135 --> 00:20:25,398
I'M -- I'M ACTUALLY -- I'M
545
00:20:25,398 --> 00:20:29,184
REALLY NOT INTO THIS, SO...
546
00:20:29,184 --> 00:20:32,579
>> Try.
547
00:20:32,579 --> 00:20:34,407
>> Try.
Just try.
548
00:20:34,407 --> 00:20:45,548
Just try.
549
00:20:45,548 --> 00:20:48,638
YOU GO TO WARM YOURSELF.
550
00:20:48,638 --> 00:20:52,163
BUT YOU'RE NOT COLD ANYMORE.
551
00:20:52,163 --> 00:20:54,949
YOU'RE BURNING UP.
552
00:20:54,949 --> 00:20:56,559
YOU'RE SO HOT, YOU FEEL LIKE
553
00:20:56,559 --> 00:20:58,257
RUNNING OUT INTO THE SNOW AND
554
00:20:58,257 --> 00:21:00,084
RUNNING OUT INTO THE SNOW AND
DIVING IN.
555
00:21:00,084 --> 00:21:16,449
DIVING IN.
556
00:21:16,449 --> 00:21:18,015
YOUR SKIN IS SO SENSITIVE, IT
557
00:21:18,015 --> 00:21:20,670
HURTS.
558
00:21:20,670 --> 00:21:22,759
YOU CAN'T BEAR TO HAVE ANYTHING
559
00:21:22,759 --> 00:21:25,153
TOUCHING IT, NOW, CAN YOU?
560
00:21:25,153 --> 00:21:27,286
>> NO.
561
00:21:27,286 --> 00:21:31,377
>> YOU LET YOUR COAT SLIDE DOWN
562
00:21:31,377 --> 00:21:33,901
JUST OFF YOUR SHOULDERS...
563
00:21:33,901 --> 00:21:35,032
JUST ENOUGH TO GET THE
564
00:21:35,032 --> 00:21:39,472
STATION MASTER'S ATTENTION.
565
00:21:39,472 --> 00:21:40,647
YOU DON'T KNOW WHAT'S GONNA
566
00:21:40,647 --> 00:21:41,735
HAPPEN, BUT YOU KNOW THAT
567
00:21:41,735 --> 00:21:44,955
SOMETHING HAS TO.
568
00:21:44,955 --> 00:21:46,783
SOMETHING HAS TO.
YOU'VE GONE TOO FAR.
569
00:21:46,783 --> 00:21:50,091
YOU'VE GONE TOO FAR.
570
00:21:50,091 --> 00:21:52,789
SO, WHO'S IT GONNA BE?
571
00:21:52,789 --> 00:21:55,705
THE STATION MASTER --
572
00:21:55,705 --> 00:21:57,490
A MAN WITH NO PRESENT AND NO
573
00:21:57,490 --> 00:21:59,448
PAST, A MAN WHO SITS AT A TICKET
574
00:21:59,448 --> 00:22:01,407
WINDOW OF A TRAIN STATION WHERE
575
00:22:01,407 --> 00:22:04,627
NO TRAINS STOP...
576
00:22:04,627 --> 00:22:06,063
WAITING FOR SOMEONE TO SHOW UP
577
00:22:06,063 --> 00:22:10,111
IN A FUR COAT?
578
00:22:10,111 --> 00:22:13,419
IF NOT HIM, WHO?
579
00:22:13,419 --> 00:22:14,594
I'M GONNA LET YOU CHOOSE,
580
00:22:14,594 --> 00:22:16,073
BECAUSE THIS IS VERY IMPORTANT.
581
00:22:16,073 --> 00:22:16,944
DO YOU KNOW WHY?
582
00:22:16,944 --> 00:22:17,988
BECAUSE AFTERWARDS...
583
00:22:17,988 --> 00:22:19,250
[ LIGHTER CLICKS, ECHOES ]
584
00:22:19,250 --> 00:22:20,730
...WHEN YOU LIGHT THAT CIGARETTE
585
00:22:20,730 --> 00:22:22,166
AND THE PERSPIRATION STARTS TO
586
00:22:22,166 --> 00:22:24,125
DRY...
587
00:22:24,125 --> 00:22:26,562
YOU'RE GONNA BE ALL ALONE AGAIN.
588
00:22:26,562 --> 00:22:27,824
THAT FATEFUL MOMENT WHEN YOU'RE
589
00:22:27,824 --> 00:22:30,218
BACK DOWN ON EARTH, SURROUNDED
590
00:22:30,218 --> 00:22:31,741
BY THE SADNESS OF IT ALL -- LIKE
591
00:22:31,741 --> 00:22:33,961
THE MAN SAID, POST COITUM OMNE
592
00:22:33,961 --> 00:22:35,571
ANIMAL TRISTE EST.
593
00:22:35,571 --> 00:22:36,833
>> WHAT?
594
00:22:36,833 --> 00:22:38,357
>> It means "After sex, all men
595
00:22:38,357 --> 00:22:40,184
are sad."
596
00:22:40,184 --> 00:22:41,664
Are women?
597
00:22:41,664 --> 00:22:43,231
Are w-- are they sad, too?
598
00:22:43,231 --> 00:22:45,015
>> WHY -- WHY DID YOU SAY THAT?
599
00:22:45,015 --> 00:22:45,625
>> What?
600
00:22:45,625 --> 00:22:47,017
>> THAT THING IN LATIN.
601
00:22:47,017 --> 00:22:48,323
WHY DID YOU SAY THAT?
602
00:22:48,323 --> 00:22:50,847
>> Because it's true.
603
00:22:50,847 --> 00:22:53,110
BUT WOMEN AREN'T SAD, ARE THEY?
604
00:22:53,110 --> 00:22:54,155
WHY WOULD THEYBE SAD?
605
00:22:54,155 --> 00:22:55,548
THEY'RE TRIUMPHANT!
606
00:22:55,548 --> 00:22:56,984
I MEAN, THEY GOT US TO GO SQUIRT
607
00:22:56,984 --> 00:22:58,246
WITH THE WATER PISTOL RIGHT
608
00:22:58,246 --> 00:22:59,116
WHERE THEY WANTED.
609
00:22:59,116 --> 00:23:00,161
WHY WOULD THEYBE SAD?
610
00:23:00,161 --> 00:23:01,031
>> WELL, THEY ARE.
611
00:23:01,031 --> 00:23:01,989
TAKE MY WORD FOR IT.
612
00:23:01,989 --> 00:23:02,511
[ SIGHS ]
613
00:23:02,511 --> 00:23:03,033
>> What?
614
00:23:03,033 --> 00:23:03,947
>> UM, I'M -- HEY!
615
00:23:03,947 --> 00:23:04,687
I'M HANGING UP.
616
00:23:04,687 --> 00:23:05,819
I-I HOPE YOU GOT OFF.
617
00:23:05,819 --> 00:23:07,168
>> WAIT, YOU CAN'T HA-- YOU
618
00:23:07,168 --> 00:23:08,517
DON'T -- YOUDON'T HANG UP!
619
00:23:08,517 --> 00:23:10,084
I'M -- WE'RE IN A TRAIN STATION!
620
00:23:10,084 --> 00:23:11,302
OUR BODIES ARE BURNING!
621
00:23:11,302 --> 00:23:13,479
WHAT ARE WE SUPPOSED TO DO?
622
00:23:13,479 --> 00:23:15,306
WHAT ARE WE SUPPOSED TO DO?
OH, COME ON, DELILAH.
623
00:23:15,306 --> 00:23:18,309
OH, COME ON, DELILAH.
624
00:23:18,309 --> 00:23:19,485
THERE MAY NEVER BE ANOTHER
625
00:23:19,485 --> 00:23:20,921
MOMENT LIKE THIS IN YOUR ENTIRE
626
00:23:20,921 --> 00:23:21,791
EXISTENCE.
627
00:23:21,791 --> 00:23:22,531
[ Beep ]
628
00:23:22,531 --> 00:23:24,403
[ Beep ]
[ EXHALES SOFTLY ]
629
00:23:24,403 --> 00:23:35,718
[ EXHALES SOFTLY ]
630
00:23:35,718 --> 00:23:37,546
[ EXHALES SOFTLY ]
>> [ EXHALES ]
631
00:23:37,546 --> 00:23:41,811
>> [ EXHALES ]
632
00:23:41,811 --> 00:23:43,639
>> [ SCOFFS ]
633
00:23:43,639 --> 00:23:45,206
TALK GET A LITTLE TOO SWEET FOR
634
00:23:45,206 --> 00:23:46,512
TALK GET A LITTLE TOO SWEET FOR
YOU?
635
00:23:46,512 --> 00:23:53,649
YOU?
636
00:23:53,649 --> 00:23:58,175
>> [ SIGHS, CHUCKLES SOFTLY ]
637
00:23:58,175 --> 00:24:01,178
>> [ GRUNTS ]
638
00:24:01,178 --> 00:24:02,745
[ SIGHS ]
639
00:24:02,745 --> 00:24:04,573
[ SIGHS ]
[ TELEPHONE RINGING ]
640
00:24:04,573 --> 00:24:07,141
[ TELEPHONE RINGING ]
641
00:24:07,141 --> 00:24:08,969
[ TELEPHONE RINGING ]
>> [ SIGHS ]
642
00:24:08,969 --> 00:24:14,757
>> [ SIGHS ]
643
00:24:14,757 --> 00:24:16,585
>> [ SIGHS ]
[ TELEPHONE CONTINUES RINGING ]
644
00:24:16,585 --> 00:24:26,334
[ TELEPHONE CONTINUES RINGING ]
645
00:24:26,334 --> 00:24:27,553
HELLO. SWEET TALK.
646
00:24:27,553 --> 00:24:28,641
THIS IS DELILAH.
647
00:24:28,641 --> 00:24:31,339
YOU WANT TO TALK?
648
00:24:31,339 --> 00:24:35,517
HELLO? ANYBODY THERE?
649
00:24:35,517 --> 00:24:37,388
HI, THERE!
650
00:24:37,388 --> 00:24:41,436
WHAT'S YOUR NAME?
651
00:24:41,436 --> 00:24:43,569
[ CHUCKLES ]
652
00:24:43,569 --> 00:24:47,834
HI, MARTY. HOW YOU DOING?
653
00:24:47,834 --> 00:24:49,705
HAVE YOU, UH -- HAVE YOU EVER
654
00:24:49,705 --> 00:24:52,665
CALLED US BEFORE, MARTY?
655
00:24:52,665 --> 00:24:54,405
ALL RIGHT, MARTY.
656
00:24:54,405 --> 00:24:55,450
FASTEN YOUR SEATBELT.
657
00:24:55,450 --> 00:24:57,539
HERE WE GO.
658
00:24:57,539 --> 00:24:59,976
[ British accent ] MARTY?
659
00:24:59,976 --> 00:25:01,282
WHO GAVE YOU PERMISSION TO COME
660
00:25:01,282 --> 00:25:01,935
INTO MY ROOM?!
661
00:25:01,935 --> 00:25:04,067
I DIDN'T HEAR YOU KNOCK!
662
00:25:04,067 --> 00:25:07,027
STOP BABBLING!
663
00:25:07,027 --> 00:25:08,245
IF I CATCH YOU LOOKING AT ME,
664
00:25:08,245 --> 00:25:09,551
THAT'S WHAT I'M GOING TO HAVE TO
665
00:25:09,551 --> 00:25:10,596
DO -- I'M GOING TO HAVE TO
666
00:25:10,596 --> 00:25:11,684
PUNISH YOU!
667
00:25:11,684 --> 00:25:13,294
BAD BOYS GET SPANKED, MARTY!
668
00:25:13,294 --> 00:25:15,862
TAKE DOWN YOUR TROUSERS!
669
00:25:15,862 --> 00:25:17,124
[ SIGHS ] THAT'S RIGHT.
670
00:25:17,124 --> 00:25:20,823
UNDERPANTS, TOO.
671
00:25:20,823 --> 00:25:21,868
WELL, WELL, WELL.
672
00:25:21,868 --> 00:25:25,132
WHAT HAVE WE HERE?
673
00:25:25,132 --> 00:25:26,742
GET YOUR HANDS OFF IT, MARTY!
674
00:25:26,742 --> 00:25:27,569
DON'T TOUCH IT!
675
00:25:27,569 --> 00:25:28,570
[ TELEPHONE RINGING ]
676
00:25:28,570 --> 00:25:29,919
NAUGHTY BOYS AREN'T ALLOWED TO
677
00:25:29,919 --> 00:25:31,225
TOUCH THEMSELVES DOWN THERE.
678
00:25:31,225 --> 00:25:32,618
MARTY, I-I WANT YOU TO STAND IN
679
00:25:32,618 --> 00:25:33,880
A CORNER, AND I WANT YOU TO
680
00:25:33,880 --> 00:25:35,446
THINK ABOUT YOUR NICEST LITTLE
681
00:25:35,446 --> 00:25:36,926
BOY VOICE AND HOW YOU'RE GOING
682
00:25:36,926 --> 00:25:39,015
TO ASK ME, AND I DON'T WANT YOU
683
00:25:39,015 --> 00:25:40,451
TO TOUCH IT, OKAY?
684
00:25:40,451 --> 00:25:41,452
DON'T GO AWAY.
685
00:25:41,452 --> 00:25:44,281
I'LL BE RIGHT BACK.
686
00:25:44,281 --> 00:25:45,456
[ Breathy ] SWEET TALK.
687
00:25:45,456 --> 00:25:46,893
THIS IS DELILAH. WANT TO TALK?
688
00:25:46,893 --> 00:25:48,068
>> DO YOUWANT TO TALK?
689
00:25:48,068 --> 00:25:49,112
THAT'S THE QUESTION!
690
00:25:49,112 --> 00:25:50,157
>> [ Chuckling ] Hi.
691
00:25:50,157 --> 00:25:51,680
>> [ As Humphrey Bogart ] OF ALL
692
00:25:51,680 --> 00:25:53,203
THE PHONE-SEX JOINTS IN ALL THE
693
00:25:53,203 --> 00:25:54,683
TOWNS IN ALL THE WORLD, WHY'D I
694
00:25:54,683 --> 00:25:55,641
HAVE TO DIAL HERS?
695
00:25:55,641 --> 00:25:56,946
>> I'M ON THE OTHER LINE.
696
00:25:56,946 --> 00:25:58,382
>> YOU LEFT ME ALL ALONE IN A
697
00:25:58,382 --> 00:25:59,601
COLD RAILROAD STATION IN
698
00:25:59,601 --> 00:26:00,167
BUDAPEST!
699
00:26:00,167 --> 00:26:01,603
THAT WASN'T VERY NICE OF YOU!
700
00:26:01,603 --> 00:26:02,952
>> I can't talk to you right
701
00:26:02,952 --> 00:26:03,344
now.
702
00:26:03,344 --> 00:26:04,780
>> I DON'T KNOW IF YOU WANT TO
703
00:26:04,780 --> 00:26:05,738
TALK TO ME AT ALL!
704
00:26:05,738 --> 00:26:07,217
>> CAN YOU CALL ME BACK LATER?
705
00:26:07,217 --> 00:26:08,567
>> I MIGHT NOT BE AVAILABLE
706
00:26:08,567 --> 00:26:09,002
LATER.
707
00:26:09,002 --> 00:26:10,786
I MIGHT BE ASLEEP...ALL ALONE
708
00:26:10,786 --> 00:26:12,353
IN MY BIG BED WITH SATIN SHEETS.
709
00:26:12,353 --> 00:26:13,702
>> Okay, call me back in five
710
00:26:13,702 --> 00:26:14,268
minutes.
711
00:26:14,268 --> 00:26:15,138
>> FIVE MINUTES?
712
00:26:15,138 --> 00:26:16,966
>> Yes.
713
00:26:16,966 --> 00:26:18,489
[ British accent ] MARTY, YOU
714
00:26:18,489 --> 00:26:19,273
NAUGHTY BOY.
715
00:26:19,273 --> 00:26:20,666
I CAN SEE WHAT YOU'RE DOING
716
00:26:20,666 --> 00:26:23,886
THERE!
717
00:26:23,886 --> 00:26:27,194
MARTY.
718
00:26:27,194 --> 00:26:29,892
[ Normal voice ] MARTY.
719
00:26:29,892 --> 00:26:31,154
>> WHAT DO YOU SAY WE MAKE HER
720
00:26:31,154 --> 00:26:32,503
WAIT A LITTLE BIT?
721
00:26:32,503 --> 00:26:33,940
HMM?
722
00:26:33,940 --> 00:26:35,768
HMM?
PISS HER OFF?
723
00:26:35,768 --> 00:26:39,336
PISS HER OFF?
724
00:26:39,336 --> 00:26:43,514
YOU SEE, LEON...
725
00:26:43,514 --> 00:26:45,560
WOMEN...
726
00:26:45,560 --> 00:26:49,129
WANT TO BE WOOED.
727
00:26:49,129 --> 00:26:51,653
THEY WANT YOU TO DO IT...
728
00:26:51,653 --> 00:26:54,264
SLOWLY...
729
00:26:54,264 --> 00:26:56,179
TENDERLY...
730
00:26:56,179 --> 00:26:57,703
GENTLY.
731
00:26:57,703 --> 00:27:00,836
WOMEN, LEON, WANT TO BE...
732
00:27:00,836 --> 00:27:04,057
TEASED.
733
00:27:04,057 --> 00:27:06,189
AND THEN BOOM!
734
00:27:06,189 --> 00:27:07,582
THEY'RE LIKE A WILD ANIMAL,
735
00:27:07,582 --> 00:27:09,715
SCRATCHING AT YOUR BACK, CLAWING
736
00:27:09,715 --> 00:27:11,804
AT YOUR HAIR, SCREAMING, "FUCK
737
00:27:11,804 --> 00:27:13,936
ME, BABY!" LOUD ENOUGH TO BREAK
738
00:27:13,936 --> 00:27:16,591
AN EARDRUM!
739
00:27:16,591 --> 00:27:17,897
THEN YOU GOT THEM BACK IN THE
740
00:27:17,897 --> 00:27:21,857
CAVE.
741
00:27:21,857 --> 00:27:24,164
BUT IT ALL STARTS...
742
00:27:24,164 --> 00:27:27,254
BY MAKING THEM WAIT.
743
00:27:27,254 --> 00:27:29,082
BY MAKING THEM WAIT.
>> [ SIGHS SOFTLY ]
744
00:27:29,082 --> 00:27:35,828
>> [ SIGHS SOFTLY ]
745
00:27:35,828 --> 00:27:37,656
>> [ SIGHS SOFTLY ]
[ TELEPHONE RINGING ]
746
00:27:37,656 --> 00:27:48,231
[ TELEPHONE RINGING ]
747
00:27:48,231 --> 00:27:50,059
[ TELEPHONE RINGING ]
[ Ringing ]
748
00:27:50,059 --> 00:27:54,194
[ Ringing ]
749
00:27:54,194 --> 00:27:56,022
[ Ringing ]
[ TELEPHONE CONTINUES RINGING ]
750
00:27:56,022 --> 00:28:01,288
[ TELEPHONE CONTINUES RINGING ]
751
00:28:01,288 --> 00:28:02,681
>> WHY'D YOU SAY THAT THING IN
752
00:28:02,681 --> 00:28:03,116
LATIN?
753
00:28:03,116 --> 00:28:04,160
>> POST COITUM OMNE --
754
00:28:04,160 --> 00:28:05,335
>> ...animal triste est.
755
00:28:05,335 --> 00:28:06,380
Yeah.
756
00:28:06,380 --> 00:28:07,511
>> WOW.
757
00:28:07,511 --> 00:28:08,817
I...USUALLY SAY IT TO ALL THE
758
00:28:08,817 --> 00:28:10,210
GIRLS ON THE FIRST DATE SO THEY
759
00:28:10,210 --> 00:28:11,211
KNOW WHAT TO EXPECT.
760
00:28:11,211 --> 00:28:12,516
>> I had just said that exact
761
00:28:12,516 --> 00:28:13,779
same thing to somebody right
762
00:28:13,779 --> 00:28:14,693
before you called.
763
00:28:14,693 --> 00:28:16,129
I MEAN, THAT IS -- THAT'S REALLY
764
00:28:16,129 --> 00:28:17,608
WEIRD, RIGHT?!
765
00:28:17,608 --> 00:28:18,131
>> Yeah!
766
00:28:18,131 --> 00:28:18,697
>> YEAH.
767
00:28:18,697 --> 00:28:20,089
>> IS THAT WHY YOU HUNG UP ON
768
00:28:20,089 --> 00:28:20,437
ME?
769
00:28:20,437 --> 00:28:21,961
>> NO, I HUNG UP ON YOU BECAUSE
770
00:28:21,961 --> 00:28:23,353
I THOUGHT YOU WERE FINISHED.
771
00:28:23,353 --> 00:28:24,615
>> [ SCOFFS ]
772
00:28:24,615 --> 00:28:27,314
OKAY. BULLSHIT.
773
00:28:27,314 --> 00:28:27,836
BULLSHIT!
774
00:28:27,836 --> 00:28:29,142
I THINK THAT YOU WERE HAVING
775
00:28:29,142 --> 00:28:30,534
TROUBLE IN THE TRAIN STATION IN
776
00:28:30,534 --> 00:28:31,057
BUDAPEST.
777
00:28:31,057 --> 00:28:31,535
>> HEY.
778
00:28:31,535 --> 00:28:32,798
>> I think it was getting a
779
00:28:32,798 --> 00:28:34,190
little too hot in there for you.
780
00:28:34,190 --> 00:28:35,496
>> Y-YEAH, I-I DO THIS FOR A
781
00:28:35,496 --> 00:28:36,323
LIVING, REMEMBER?
782
00:28:36,323 --> 00:28:37,803
>> YEAH, UH, BUT I'M NOT TALKING
783
00:28:37,803 --> 00:28:39,195
ABOUT, "OH, BOY, WHAT A BIG DICK
784
00:28:39,195 --> 00:28:39,805
YOU HAVE."
785
00:28:39,805 --> 00:28:41,371
I'M TALKING ABOUT THE REAL
786
00:28:41,371 --> 00:28:41,807
THING.
787
00:28:41,807 --> 00:28:42,938
>> Hey, if I want to do the
788
00:28:42,938 --> 00:28:44,287
real thing, I don't have to pick
789
00:28:44,287 --> 00:28:45,332
up a phone.
790
00:28:45,332 --> 00:28:46,812
>> THERE'S A LOT OF ADVANTAGES
791
00:28:46,812 --> 00:28:48,248
TO CONNECTING OVER THE PHONE.
792
00:28:48,248 --> 00:28:50,119
>> LIKE WHAT?
793
00:28:50,119 --> 00:28:51,730
>> WELL, YOU CAN TRAVEL TO SOME
794
00:28:51,730 --> 00:28:53,166
PRETTY AMAZING PLACES WITHOUT
795
00:28:53,166 --> 00:28:55,777
EVER HAVING TO LEAVE YOUR ROOM!
796
00:28:55,777 --> 00:28:57,779
IT'S JUST STORYTELLING.
797
00:28:57,779 --> 00:28:59,389
THAT'S ALL.
798
00:28:59,389 --> 00:29:00,739
AND WHO DOESN'T LOVE A GOOD
799
00:29:00,739 --> 00:29:02,741
STORY?
800
00:29:02,741 --> 00:29:04,351
You think -- Do you think
801
00:29:04,351 --> 00:29:06,135
Scheherazade stayed alive by
802
00:29:06,135 --> 00:29:07,571
going down on the king every
803
00:29:07,571 --> 00:29:08,007
night?
804
00:29:08,007 --> 00:29:09,312
No, she told him stories!
805
00:29:09,312 --> 00:29:10,836
She took him to places that he
806
00:29:10,836 --> 00:29:11,837
hadn't been before!
807
00:29:11,837 --> 00:29:13,229
>> LIKE A TRAIN STATION IN
808
00:29:13,229 --> 00:29:13,839
BUDAPEST.
809
00:29:13,839 --> 00:29:16,798
>> Yeah! Why not?
810
00:29:16,798 --> 00:29:20,367
SEE, DELILAH...
811
00:29:20,367 --> 00:29:21,847
I GET THIS FEELING THAT YOU AND
812
00:29:21,847 --> 00:29:23,283
I HAVE SOME STORIES TO LIVE OUT
813
00:29:23,283 --> 00:29:25,938
BETWEEN US.
814
00:29:25,938 --> 00:29:27,330
>> WELL, I'M GONNA HAVE TO PUT
815
00:29:27,330 --> 00:29:28,375
YOU BACK ON THE CLOCK.
816
00:29:28,375 --> 00:29:30,029
MY BOSS CHECKS THE PHONES.
817
00:29:30,029 --> 00:29:31,247
>> That's fine with me.
818
00:29:31,247 --> 00:29:32,031
>> MM. REALLY?
819
00:29:32,031 --> 00:29:33,467
YOU MUST BE A PRETTY WEALTHY
820
00:29:33,467 --> 00:29:33,859
GUY.
821
00:29:33,859 --> 00:29:35,469
$2.99 A MINUTE STARTS TO ADD UP,
822
00:29:35,469 --> 00:29:36,035
YOU KNOW.
823
00:29:36,035 --> 00:29:36,905
>> [ Chuckles ]
824
00:29:36,905 --> 00:29:38,515
To travel places you really want
825
00:29:38,515 --> 00:29:39,821
to go...
826
00:29:39,821 --> 00:29:43,259
IT SOUNDS PRETTY CHEAP TO ME.
827
00:29:43,259 --> 00:29:46,088
So...
828
00:29:46,088 --> 00:29:48,047
SO, WHERE DO YOU WANT TO GO?
829
00:29:48,047 --> 00:29:48,917
>> OH. [ CHUCKLES ]
830
00:29:48,917 --> 00:29:50,136
JOHN, I THINK YOU HAVE THIS
831
00:29:50,136 --> 00:29:50,701
BACKWARDS.
832
00:29:50,701 --> 00:29:51,964
I'M SUPPOSED TO TAKE YOU WHERE
833
00:29:51,964 --> 00:29:52,791
YOUWANT TO GO.
834
00:29:52,791 --> 00:29:54,096
>> WHAT DIFFERENCE DOES IT MAKE
835
00:29:54,096 --> 00:29:55,402
WHO TAKES WHO, JUST AS LONG AS
836
00:29:55,402 --> 00:29:56,316
WE GET THERE, RIGHT?
837
00:29:56,316 --> 00:29:56,882
ALL RIGHT.
838
00:29:56,882 --> 00:29:59,145
UM...
839
00:29:59,145 --> 00:30:00,407
I GOT AN IDEA.
840
00:30:00,407 --> 00:30:01,277
>> Yeah? What?
841
00:30:01,277 --> 00:30:02,757
>> Yeah. I, uh -- [ Sighs ]
842
00:30:02,757 --> 00:30:04,280
I got to get some fresh air,
843
00:30:04,280 --> 00:30:04,846
though.
844
00:30:04,846 --> 00:30:05,586
I got to --
845
00:30:05,586 --> 00:30:06,717
>> WHERE YOU GOING?
846
00:30:06,717 --> 00:30:07,762
>> Up to the roof.
847
00:30:07,762 --> 00:30:09,590
>> Up to the roof.
>> THE ROOF? WHAT ROOF?
848
00:30:09,590 --> 00:30:24,605
>> THE ROOF? WHAT ROOF?
849
00:30:24,605 --> 00:30:25,998
>> YOU STILL THERE?
850
00:30:25,998 --> 00:30:27,826
>> YOU STILL THERE?
>> Yeah, I'm here.
851
00:30:27,826 --> 00:30:41,143
>> Yeah, I'm here.
852
00:30:41,143 --> 00:30:42,405
>> I LIKE TO COME UP HERE AT
853
00:30:42,405 --> 00:30:46,366
NIGHT SOMETIMES AND THINK.
854
00:30:46,366 --> 00:30:48,194
NIGHT SOMETIMES AND THINK.
IT'S BEAUTIFUL.
855
00:30:48,194 --> 00:30:52,067
IT'S BEAUTIFUL.
856
00:30:52,067 --> 00:30:53,199
I LIKE TO LOOK AT ALL THE
857
00:30:53,199 --> 00:30:55,941
DIFFERENT APARTMENTS...
858
00:30:55,941 --> 00:30:57,507
ALL THE PEOPLE INSIDE...
859
00:30:57,507 --> 00:30:59,553
>> [ LAUGHING ]
860
00:30:59,553 --> 00:31:02,643
>> ...WATCHING TV, EATING,
861
00:31:02,643 --> 00:31:04,732
LAUGHING...
862
00:31:04,732 --> 00:31:06,516
CRYING, ARGUING.
863
00:31:06,516 --> 00:31:08,562
[ CHUCKLES ]
864
00:31:08,562 --> 00:31:13,436
So many different stories.
865
00:31:13,436 --> 00:31:16,657
It's amazing.
866
00:31:16,657 --> 00:31:18,050
Behind every window is a
867
00:31:18,050 --> 00:31:19,703
different life, a whole other
868
00:31:19,703 --> 00:31:20,835
life!
869
00:31:20,835 --> 00:31:22,663
Do you realize that your soul
870
00:31:22,663 --> 00:31:23,142
mate...
871
00:31:23,142 --> 00:31:24,491
COULD LIVE RIGHT ACROSS THE
872
00:31:24,491 --> 00:31:26,058
STREET FROM YOU?
873
00:31:26,058 --> 00:31:27,973
OR HE COULD LIVE IN BANGLADESH.
874
00:31:27,973 --> 00:31:29,975
OR PITTSBURGH.
875
00:31:29,975 --> 00:31:33,543
[ CHUCKLES ]
876
00:31:33,543 --> 00:31:34,544
Okay!
877
00:31:34,544 --> 00:31:36,198
YES.
878
00:31:36,198 --> 00:31:37,721
LET'S REVERSE THE ROLES!
879
00:31:37,721 --> 00:31:39,288
You pretend like you're one of
880
00:31:39,288 --> 00:31:40,811
the guys calling Sweet Talk!
881
00:31:40,811 --> 00:31:41,682
>> NO. COME ON.
882
00:31:41,682 --> 00:31:43,075
>> Seriously! Just try it!
883
00:31:43,075 --> 00:31:43,989
Just try it.
884
00:31:43,989 --> 00:31:46,687
[ Imitates telephone ringing ]
885
00:31:46,687 --> 00:31:47,818
[ Deep voice ] HI.
886
00:31:47,818 --> 00:31:48,994
THIS IS STUD TALK.
887
00:31:48,994 --> 00:31:50,865
JOHN SPEAKING.
888
00:31:50,865 --> 00:31:52,911
>> [ CHUCKLES ]
889
00:31:52,911 --> 00:31:54,434
JOHN'S NOT REALLY YOUR NAME, IS
890
00:31:54,434 --> 00:31:54,782
IT?
891
00:31:54,782 --> 00:31:56,305
>> [ French accent ] IT'S A NOM
892
00:31:56,305 --> 00:31:57,916
DE GUERRE, SO TO SPEAK.
893
00:31:57,916 --> 00:32:00,440
SO, TELL ME, MS. DELILAH...
894
00:32:00,440 --> 00:32:01,702
[ Normal voice ] WHAT ARE YOU
895
00:32:01,702 --> 00:32:05,532
INTERESTED IN TALKING ABOUT?
896
00:32:05,532 --> 00:32:07,664
>> UM...I DON'T --
897
00:32:07,664 --> 00:32:08,361
I DON'T KNOW.
898
00:32:08,361 --> 00:32:09,710
I'M NOT REALLY -- I'M NOT VERY
899
00:32:09,710 --> 00:32:10,972
GOOD AT THIS.
900
00:32:10,972 --> 00:32:12,104
>> OH, COME ON!
901
00:32:12,104 --> 00:32:12,626
COME ON!
902
00:32:12,626 --> 00:32:13,932
YOU WERE RIGHT THERE AT THE
903
00:32:13,932 --> 00:32:15,020
TRAIN STATION WITH ME!
904
00:32:15,020 --> 00:32:15,846
I KNOW YOU WERE!
905
00:32:15,846 --> 00:32:18,937
JUST GO WITH IT.
906
00:32:18,937 --> 00:32:22,462
>> OKAY, WHAT IF, UM --
907
00:32:22,462 --> 00:32:23,767
Mm, what if it was something out
908
00:32:23,767 --> 00:32:25,726
of a Russian novel?
909
00:32:25,726 --> 00:32:27,249
>> YES!
910
00:32:27,249 --> 00:32:29,295
"THE BROTHERS KARAMAZOV."
911
00:32:29,295 --> 00:32:30,557
>> OHH, I WAS THINKING TOLSTOY,
912
00:32:30,557 --> 00:32:31,688
ACTUALLY.
913
00:32:31,688 --> 00:32:32,341
>> AH!
914
00:32:32,341 --> 00:32:34,039
FOR WHOM THE BELL "TOLSTOYS!"
915
00:32:34,039 --> 00:32:36,693
>> [ Chuckling ] GOD!
916
00:32:36,693 --> 00:32:39,827
>> Okay! Here's what we do!
917
00:32:39,827 --> 00:32:42,612
WE CREATE EACH OTHER.
918
00:32:42,612 --> 00:32:44,832
ANYBODY WE WANT TO BE.
919
00:32:44,832 --> 00:32:47,878
ANYWHERE WE WANT TO GO.
920
00:32:47,878 --> 00:32:49,097
ALL IT TAKES IS A LITTLE
921
00:32:49,097 --> 00:32:52,753
IMAGINATION.
922
00:32:52,753 --> 00:32:53,797
You do this for a living,
923
00:32:53,797 --> 00:32:55,451
remember?
924
00:32:55,451 --> 00:32:56,626
>> WELL, YEAH.
925
00:32:56,626 --> 00:32:58,672
BUT I DON'T USUALLY GET CALLS
926
00:32:58,672 --> 00:33:00,804
FROM GUYS WHO WANT TO GO TO...
927
00:33:00,804 --> 00:33:03,590
train stations in Budapest.
928
00:33:03,590 --> 00:33:04,939
>> LET'S GO BACK THERE.
929
00:33:04,939 --> 00:33:06,462
>> The train station?
930
00:33:06,462 --> 00:33:07,637
>> YEAH! YEAH, YEAH, YEAH!
931
00:33:07,637 --> 00:33:09,074
>> First of all, what am I doing
932
00:33:09,074 --> 00:33:09,465
there?
933
00:33:09,465 --> 00:33:10,423
>> I don't know yet!
934
00:33:10,423 --> 00:33:11,119
I don't know!
935
00:33:11,119 --> 00:33:12,425
We're making this up as we go
936
00:33:12,425 --> 00:33:12,860
along.
937
00:33:12,860 --> 00:33:14,079
>> WELL, THEN, I'M WEARING A
938
00:33:14,079 --> 00:33:17,169
CAPE --
939
00:33:17,169 --> 00:33:19,084
A FUR CAPE.
940
00:33:19,084 --> 00:33:21,260
AND I'M -- MM -- DRIPPING IN
941
00:33:21,260 --> 00:33:22,957
EMERALDS.
942
00:33:22,957 --> 00:33:24,089
>> NICE.
943
00:33:24,089 --> 00:33:25,742
>> I don't know. It's -- it's --
944
00:33:25,742 --> 00:33:27,179
IT'S A LITTLE DRESSY FOR A TRAIN
945
00:33:27,179 --> 00:33:28,397
STATION, DON'T YOU THINK?
946
00:33:28,397 --> 00:33:29,311
>> WELL, SO WHAT?!
947
00:33:29,311 --> 00:33:30,573
IT'S YOUR RAILROAD STATION!
948
00:33:30,573 --> 00:33:31,487
PUT IT ON.
949
00:33:31,487 --> 00:33:32,575
>> The cape?
950
00:33:32,575 --> 00:33:34,534
>> YES! PUT IT ON!
951
00:33:34,534 --> 00:33:37,406
AND REALLY -- REALLY PUT IT ON.
952
00:33:37,406 --> 00:33:38,842
>> [ SIGHS ]
953
00:33:38,842 --> 00:33:41,497
OKA-- I HAVE TO GO TO MY CLOSET!
954
00:33:41,497 --> 00:33:42,411
>> YOU KNOW WHAT?
955
00:33:42,411 --> 00:33:43,760
I WANT MY VOICE IN THE ROOM.
956
00:33:43,760 --> 00:33:45,414
PUT ME ON SPEAKERPHONE.
957
00:33:45,414 --> 00:33:49,027
>> [ SIGHS ] OKAY, HOLD ON.
958
00:33:49,027 --> 00:33:50,593
HOW'S THAT?
959
00:33:50,593 --> 00:33:52,378
>> THAT'S GREAT. HOW'S THAT?
960
00:33:52,378 --> 00:33:54,249
>> Oh! Good!
961
00:33:54,249 --> 00:33:55,294
>> Put on your cape!
962
00:33:55,294 --> 00:33:56,730
>> [ Chuckling ] OKAY, OKAY.
963
00:33:56,730 --> 00:33:58,558
>> [ Chuckling ] OKAY, OKAY.
[ Muttering ] OH, GOD...
964
00:33:58,558 --> 00:34:05,652
[ Muttering ] OH, GOD...
965
00:34:05,652 --> 00:34:07,523
[ EXHALES ]
966
00:34:07,523 --> 00:34:09,743
IT'S ON.
967
00:34:09,743 --> 00:34:11,005
>> AND WHAT DO YOU GOT ON UNDER
968
00:34:11,005 --> 00:34:14,878
THE CAPE?
969
00:34:14,878 --> 00:34:18,621
>> UM...
970
00:34:18,621 --> 00:34:20,449
>> UM...
I'M WEARING...
971
00:34:20,449 --> 00:34:27,326
I'M WEARING...
972
00:34:27,326 --> 00:34:30,894
...BEAUTIFULANTIQUE...
973
00:34:30,894 --> 00:34:34,376
silk underwear.
974
00:34:34,376 --> 00:34:37,336
WHAT ABOUT YOU, JOHN?
975
00:34:37,336 --> 00:34:40,252
WHAT ARE YOU WEARING?
976
00:34:40,252 --> 00:34:41,688
>> A BASEBALL UNIFORM.
977
00:34:41,688 --> 00:34:43,211
>> In the train station!
978
00:34:43,211 --> 00:34:44,473
>> JUST THE PANTS.
979
00:34:44,473 --> 00:34:46,214
>> YOU'RE WALKING AROUND THE
980
00:34:46,214 --> 00:34:48,173
BUDAPEST TRAIN STATION IN A PAIR
981
00:34:48,173 --> 00:34:50,653
OF BASEBALL PANTS.
982
00:34:50,653 --> 00:34:51,785
>> YEAH! WHY NOT?
983
00:34:51,785 --> 00:34:54,396
>> WELL...OKAY.
984
00:34:54,396 --> 00:34:56,442
WHO ARE YOU, ANYWAY?
985
00:34:56,442 --> 00:34:59,619
>> HMM. WELL, THAT --
986
00:34:59,619 --> 00:35:01,621
THAT WOULD DEPEND...
987
00:35:01,621 --> 00:35:03,710
ON THE WOMAN IN THE CAPE.
988
00:35:03,710 --> 00:35:05,494
UH...
989
00:35:05,494 --> 00:35:07,279
I COULD BE -- I COULD BE THE
990
00:35:07,279 --> 00:35:08,976
STATION MASTER.
991
00:35:08,976 --> 00:35:10,630
I COULD BE A PROFESSIONAL
992
00:35:10,630 --> 00:35:12,414
BASEBALL PLAYER.
993
00:35:12,414 --> 00:35:14,590
I COULD BE A PASSENGER ON THE
994
00:35:14,590 --> 00:35:15,025
TRAIN.
995
00:35:15,025 --> 00:35:16,375
I COULD BE A TRAVELING SALESMAN
996
00:35:16,375 --> 00:35:17,245
SELLING UNDERWEAR!
997
00:35:17,245 --> 00:35:18,333
I DON'T KNOW! PICK ONE!
998
00:35:18,333 --> 00:35:19,726
>> HOW'D YOU LIKE TO BE SOMEONE
999
00:35:19,726 --> 00:35:21,423
DANGEROUS?
1000
00:35:21,423 --> 00:35:24,252
>> COOL. YES.
1001
00:35:24,252 --> 00:35:26,167
AN ASSASSIN.
1002
00:35:26,167 --> 00:35:27,734
>> A-A MURDERER?
1003
00:35:27,734 --> 00:35:29,953
>> A professionalmurderer.
1004
00:35:29,953 --> 00:35:32,130
>> LIKE A CONTRACT KILLER.
1005
00:35:32,130 --> 00:35:33,566
>> YES!
1006
00:35:33,566 --> 00:35:33,957
OKAY.
1007
00:35:33,957 --> 00:35:35,220
NOW WE'RE STARTING TO COOK.
1008
00:35:35,220 --> 00:35:36,351
>> What about me? Do I --
1009
00:35:36,351 --> 00:35:37,700
I get to choose who I want to
1010
00:35:37,700 --> 00:35:38,266
be, right?
1011
00:35:38,266 --> 00:35:41,356
>> OF COURSE! ANYBODY YOU WANT.
1012
00:35:41,356 --> 00:35:43,793
>> I want to be a contessa!
1013
00:35:43,793 --> 00:35:45,186
Yeah.
1014
00:35:45,186 --> 00:35:47,101
I want to be a very...
1015
00:35:47,101 --> 00:35:48,450
VERYWEALTHY CONTESSA.
1016
00:35:48,450 --> 00:35:49,799
>> That's awesome! Yes!
1017
00:35:49,799 --> 00:35:50,974
Yes! This is great!
1018
00:35:50,974 --> 00:35:51,671
ALL RIGHT.
1019
00:35:51,671 --> 00:35:53,063
WHAT DO WE HAVE SO FAR?
1020
00:35:53,063 --> 00:35:55,457
WE HAVE A-A WEALTHY CONTESSA
1021
00:35:55,457 --> 00:35:57,503
WAITING IN A TRAIN STATION FOR
1022
00:35:57,503 --> 00:35:59,548
AN ASSASSIN.
1023
00:35:59,548 --> 00:36:01,463
IT'S SNOWING OUTSIDE.
1024
00:36:01,463 --> 00:36:04,205
Uh, you're wearing nothing but a
1025
00:36:04,205 --> 00:36:07,252
Uh, you're wearing nothing but a
cape with antique underwear.
1026
00:36:07,252 --> 00:36:09,602
cape with antique underwear.
1027
00:36:09,602 --> 00:36:12,039
What else?! What else?
1028
00:36:12,039 --> 00:36:13,258
>> U-UM...
1029
00:36:13,258 --> 00:36:15,651
HMM. WHAT IF THEY, UH --
1030
00:36:15,651 --> 00:36:17,087
WHAT IF THEY HAVE, LIKE, UM --
1031
00:36:17,087 --> 00:36:18,088
LIKE, A RENDEZVOUS?
1032
00:36:18,088 --> 00:36:20,221
UM, THEY'RE -- THEY'RE RUNNING
1033
00:36:20,221 --> 00:36:22,528
AWAY TOGETHER TO VIENNA AFTER...
1034
00:36:22,528 --> 00:36:24,399
>> YES. YES. AFTER WHAT?
1035
00:36:24,399 --> 00:36:25,661
>> After he knocks off the
1036
00:36:25,661 --> 00:36:26,140
count!
1037
00:36:26,140 --> 00:36:27,620
I mean, he's an assassin, right?
1038
00:36:27,620 --> 00:36:28,751
He's got to assassinate
1039
00:36:28,751 --> 00:36:29,317
somebody!
1040
00:36:29,317 --> 00:36:30,971
>> GOD DAMN RIGHT HE DOES!
1041
00:36:30,971 --> 00:36:32,277
AND THIS GUY IS GOOD, TOO.
1042
00:36:32,277 --> 00:36:33,147
HE'S THE BEST.
1043
00:36:33,147 --> 00:36:35,497
HE CHARGES A LOT OF MONEY, AND
1044
00:36:35,497 --> 00:36:39,458
HE ALWAYS GETS HIS MAN.
1045
00:36:39,458 --> 00:36:41,416
WHAT YEAR ARE WE IN?
1046
00:36:41,416 --> 00:36:43,679
>> [ Sighs ]
1047
00:36:43,679 --> 00:36:44,985
1914.
1048
00:36:44,985 --> 00:36:46,116
IT WAS A GOOD YEAR FOR
1049
00:36:46,116 --> 00:36:47,466
ASSASSINATIONS -- IT WAS THE
1050
00:36:47,466 --> 00:36:48,902
YEAR ARCHDUKE FRANZ FERDINAND
1051
00:36:48,902 --> 00:36:49,859
WAS SHOT.
1052
00:36:49,859 --> 00:36:51,905
>> Who?
1053
00:36:51,905 --> 00:36:53,167
>> THE HEIR PRESUMPTIVE TO THE
1054
00:36:53,167 --> 00:36:56,518
AUSTRO-HUNGARIAN THRONE?
1055
00:36:56,518 --> 00:36:57,911
HIS -- HIS DEATH STARTED
1056
00:36:57,911 --> 00:36:59,652
WORLD WAR I?
1057
00:36:59,652 --> 00:37:00,522
>> THIS IS GREAT.
1058
00:37:00,522 --> 00:37:01,436
THIS IS GOOD SHIT.
1059
00:37:01,436 --> 00:37:02,916
>> YEAH, THE WHOLE WORLD WAS ON
1060
00:37:02,916 --> 00:37:04,744
THE PRECIPICE OF DISASTER.
1061
00:37:04,744 --> 00:37:06,572
THE PRECIPICE OF DISASTER.
>> SO MUCH THE BETTER.
1062
00:37:06,572 --> 00:37:09,662
>> SO MUCH THE BETTER.
1063
00:37:09,662 --> 00:37:13,318
HOW DOES HE KNOCK OFF THE COUNT?
1064
00:37:13,318 --> 00:37:15,145
HOW DOES HE KNOCK OFF THE COUNT?
>> In a duel.
1065
00:37:15,145 --> 00:37:17,844
>> In a duel.
1066
00:37:17,844 --> 00:37:19,498
>> CLEAR THROUGH THE HEART.
1067
00:37:19,498 --> 00:37:21,108
ONE SHOT.
1068
00:37:21,108 --> 00:37:22,936
ONE SHOT.
BOOM.
1069
00:37:22,936 --> 00:37:26,069
BOOM.
1070
00:37:26,069 --> 00:37:28,333
NOW --
1071
00:37:28,333 --> 00:37:31,901
NOW THERE'S A PRICE ON HIS HEAD.
1072
00:37:31,901 --> 00:37:33,163
SHE'S WAITING IN THE TRAIN
1073
00:37:33,163 --> 00:37:34,339
STATION.
1074
00:37:34,339 --> 00:37:36,297
SHE...DOESN'T KNOW IF HE'S EVEN
1075
00:37:36,297 --> 00:37:37,342
GONNA SHOW UP.
1076
00:37:37,342 --> 00:37:39,909
SHE DOESN'T KNOW IF HE WAS
1077
00:37:39,909 --> 00:37:42,172
CAUGHT IN A POLICE ROADBLOCK...
1078
00:37:42,172 --> 00:37:45,611
If he was shot in an ambush,
1079
00:37:45,611 --> 00:37:46,351
okay?
1080
00:37:46,351 --> 00:37:48,222
okay?
>> OKAY.
1081
00:37:48,222 --> 00:37:51,181
>> OKAY.
1082
00:37:51,181 --> 00:37:54,533
>> HE THINKS OF HER...
1083
00:37:54,533 --> 00:37:57,449
IN HER CAPE...
1084
00:37:57,449 --> 00:37:59,364
AND HER PALE SKIN...
1085
00:37:59,364 --> 00:38:02,497
her -- her hands...
1086
00:38:02,497 --> 00:38:06,545
sure and cool...
1087
00:38:06,545 --> 00:38:08,068
and her perfume.
1088
00:38:08,068 --> 00:38:09,330
[ Sniffs ]
1089
00:38:09,330 --> 00:38:11,506
He was powerless against it.
1090
00:38:11,506 --> 00:38:12,899
[ Chuckles ]
1091
00:38:12,899 --> 00:38:14,161
That's why he provoked the
1092
00:38:14,161 --> 00:38:15,423
count.
1093
00:38:15,423 --> 00:38:17,251
It was all because of the way
1094
00:38:17,251 --> 00:38:18,992
she smelled.
1095
00:38:18,992 --> 00:38:19,732
[ CHUCKLES ]
1096
00:38:19,732 --> 00:38:21,560
[ CHUCKLES ]
AND THE WAY SHE LOOKED AT HIM.
1097
00:38:21,560 --> 00:38:24,214
AND THE WAY SHE LOOKED AT HIM.
1098
00:38:24,214 --> 00:38:26,826
HE KNEW -- HE KNEWSHE WOULD BE
1099
00:38:26,826 --> 00:38:28,088
THERE WAITING FOR HIM AT THE
1100
00:38:28,088 --> 00:38:31,309
TRAIN STATION.
1101
00:38:31,309 --> 00:38:33,441
You arethere, aren't you?
1102
00:38:33,441 --> 00:38:35,400
>> YES.
1103
00:38:35,400 --> 00:38:37,706
>> What's it like?
1104
00:38:37,706 --> 00:38:39,534
>> What's it like?
TELL ME.
1105
00:38:39,534 --> 00:38:43,669
TELL ME.
1106
00:38:43,669 --> 00:38:47,107
>> IT'S OLD...
1107
00:38:47,107 --> 00:38:50,328
AND DIMLY LIT.
1108
00:38:50,328 --> 00:38:51,764
IT'S SO QUIET, YOU COULD HEAR
1109
00:38:51,764 --> 00:38:53,418
THE SNOW FALLING OUTSIDE.
1110
00:38:53,418 --> 00:38:54,375
[ CRACKLING ]
1111
00:38:54,375 --> 00:38:56,334
THE ONLY OTHER NOISE IS THE COAL
1112
00:38:56,334 --> 00:38:58,118
BURNING IN THE GRATE AND THE
1113
00:38:58,118 --> 00:38:59,946
BURNING IN THE GRATE AND THE
WIND MAKING THE TIMBERS CREAK.
1114
00:38:59,946 --> 00:39:02,514
WIND MAKING THE TIMBERS CREAK.
1115
00:39:02,514 --> 00:39:03,776
THE TICKET WINDOW IS CLOSED DUE
1116
00:39:03,776 --> 00:39:04,951
TO THE STORM.
1117
00:39:04,951 --> 00:39:06,605
[ CLOCK TICKING ]
1118
00:39:06,605 --> 00:39:07,867
NO ONE KNOWS IF THE TRAIN WILL
1119
00:39:07,867 --> 00:39:10,652
STOP.
1120
00:39:10,652 --> 00:39:11,914
NO ONE EVEN KNOWS IF THE TRAIN
1121
00:39:11,914 --> 00:39:13,742
NO ONE EVEN KNOWS IF THE TRAIN
WILL GET THROUGH.
1122
00:39:13,742 --> 00:39:17,355
WILL GET THROUGH.
1123
00:39:17,355 --> 00:39:19,444
I'M ALONE.
1124
00:39:19,444 --> 00:39:20,706
WHO ELSE WOULD BE WAITING FOR A
1125
00:39:20,706 --> 00:39:23,709
TRAIN AT THIS HOUR?
1126
00:39:23,709 --> 00:39:26,973
>> WHAT ABOUT THE ASSASSIN?
1127
00:39:26,973 --> 00:39:29,541
>> HE'S ON HIS WAY...
1128
00:39:29,541 --> 00:39:31,369
>> HE'S ON HIS WAY...
SLIPPING THROUGH ROADBLOCKS.
1129
00:39:31,369 --> 00:39:37,897
SLIPPING THROUGH ROADBLOCKS.
1130
00:39:37,897 --> 00:39:41,553
OH, NO. OH, NO.
1131
00:39:41,553 --> 00:39:42,728
>> WHAT?
1132
00:39:42,728 --> 00:39:45,470
>> OH, HE'S THERE.
1133
00:39:45,470 --> 00:39:46,949
>> WHO'S THERE?
1134
00:39:46,949 --> 00:39:49,343
>> UH, THE MAN.
1135
00:39:49,343 --> 00:39:50,431
>> WHAT MAN?
1136
00:39:50,431 --> 00:39:51,867
>> THE SILENT MAN.
1137
00:39:51,867 --> 00:39:52,520
>> Who's that?
1138
00:39:52,520 --> 00:39:53,434
>> IT'S -- OH, GOD.
1139
00:39:53,434 --> 00:39:54,087
IT'S THIS MAN.
1140
00:39:54,087 --> 00:39:55,175
HE -- HE ALWAYS SHOWS UP.
1141
00:39:55,175 --> 00:39:56,263
>> WHAT'S HE DOING THERE?
1142
00:39:56,263 --> 00:39:57,003
>> I DON'T KNOW.
1143
00:39:57,003 --> 00:39:57,830
HE'S STARING AT ME?
1144
00:39:57,830 --> 00:39:58,483
I DON'T KNOW!
1145
00:39:58,483 --> 00:39:59,571
WHAT THE HELL ISHE DOING?
1146
00:39:59,571 --> 00:40:00,441
>> YOU DON'T KNOW?
1147
00:40:00,441 --> 00:40:01,964
>> SHIT! I DON'T --
1148
00:40:01,964 --> 00:40:03,183
I DON'T WANT HIM HERE!
1149
00:40:03,183 --> 00:40:04,489
>> WELL, GET RID OF HIM!
1150
00:40:04,489 --> 00:40:05,794
IT'S YOUR TRAIN STATION!
1151
00:40:05,794 --> 00:40:06,491
>> I can't!
1152
00:40:06,491 --> 00:40:08,144
>> TELL HIM TO GET THE FUCK OUT
1153
00:40:08,144 --> 00:40:11,496
OF THERE!
1154
00:40:11,496 --> 00:40:13,280
>> HEY.
1155
00:40:13,280 --> 00:40:15,108
>> HEY.
THIS IS BUDAPEST.
1156
00:40:15,108 --> 00:40:18,067
THIS IS BUDAPEST.
1157
00:40:18,067 --> 00:40:21,636
I RUN THINGS HERE, OKAY?
1158
00:40:21,636 --> 00:40:23,464
I RUN THINGS HERE, OKAY?
SO GET OUT OF HERE.
1159
00:40:23,464 --> 00:40:26,380
SO GET OUT OF HERE.
1160
00:40:26,380 --> 00:40:28,208
SO GET OUT OF HERE.
DO YOU HEAR ME?
1161
00:40:28,208 --> 00:40:30,515
DO YOU HEAR ME?
1162
00:40:30,515 --> 00:40:32,386
He won't go. He's not moving.
1163
00:40:32,386 --> 00:40:34,214
Shit!
1164
00:40:34,214 --> 00:40:35,258
[ SIGHS ] YOU KNOW WHAT?
1165
00:40:35,258 --> 00:40:36,564
LET'S JUST -- LET'S JUST FORGET
1166
00:40:36,564 --> 00:40:37,826
THIS.
1167
00:40:37,826 --> 00:40:39,132
>> NO. NO, NO, NO, NO, NO.
1168
00:40:39,132 --> 00:40:40,525
DON'T ST-- WE CAN'T STOP NOW.
1169
00:40:40,525 --> 00:40:41,526
THIS IS JUST GETTING
1170
00:40:41,526 --> 00:40:42,265
INTERESTING.
1171
00:40:42,265 --> 00:40:43,136
>> NO, IT'S NOT.
1172
00:40:43,136 --> 00:40:44,398
>> It is. It is!
1173
00:40:44,398 --> 00:40:45,704
What is the silent man doing
1174
00:40:45,704 --> 00:40:46,182
there?
1175
00:40:46,182 --> 00:40:47,401
>> I DON'T -- HE JUST --
1176
00:40:47,401 --> 00:40:48,097
I DON'T KNOW.
1177
00:40:48,097 --> 00:40:49,490
HE -- HE JUST APPEARS WHEN I
1178
00:40:49,490 --> 00:40:50,883
DON'T WANT HIM TO, AND I CAN'T
1179
00:40:50,883 --> 00:40:51,710
GET RID OF HIM.
1180
00:40:51,710 --> 00:40:52,667
>> LOOK. [ SIGHS ]
1181
00:40:52,667 --> 00:40:54,147
PEOPLE JUST DON'T WANDER INTO A
1182
00:40:54,147 --> 00:40:55,627
TRAIN STATION IN BUDAPEST FOR NO
1183
00:40:55,627 --> 00:40:56,149
REASON.
1184
00:40:56,149 --> 00:40:57,629
There's got to be a reason he's
1185
00:40:57,629 --> 00:40:58,064
there!
1186
00:40:58,064 --> 00:40:58,978
>> OH! ALL RIGHT!
1187
00:40:58,978 --> 00:41:00,762
WELL, YOU'RE A SHRINK NOW?
1188
00:41:00,762 --> 00:41:02,721
>> Look, I'm not -- [ Sighs ]
1189
00:41:02,721 --> 00:41:04,636
I'M ON YOUR SIDE, HERE.
1190
00:41:04,636 --> 00:41:05,593
>> RIGHT. [ SIGHS ]
1191
00:41:05,593 --> 00:41:06,376
>> ALL RIGHT.
1192
00:41:06,376 --> 00:41:07,377
LET'S GO BACK THERE.
1193
00:41:07,377 --> 00:41:08,727
LET'S -- LET'S GO BACK AND SEE
1194
00:41:08,727 --> 00:41:09,510
WHAT HAPPENS.
1195
00:41:09,510 --> 00:41:10,468
>> I don't want to.
1196
00:41:10,468 --> 00:41:12,774
[ TELEPHONE RINGING ]
1197
00:41:12,774 --> 00:41:15,951
HOLD ON. HOLD ON!
1198
00:41:15,951 --> 00:41:17,692
YOU HAVE THE WRONG NUMBER.
1199
00:41:17,692 --> 00:41:18,476
SORRY!
1200
00:41:18,476 --> 00:41:21,566
>> Let's go back at dawn.
1201
00:41:21,566 --> 00:41:24,090
THE LIGHT IS -- IS SPECIAL THEN.
1202
00:41:24,090 --> 00:41:25,439
YOU'LL LOVE IT.
1203
00:41:25,439 --> 00:41:27,746
AND, BESIDES, THE -- THE TRAIN
1204
00:41:27,746 --> 00:41:29,138
NEEDS TIME TO GET THROUGH THE
1205
00:41:29,138 --> 00:41:30,662
SNOWBANKS, RIGHT?
1206
00:41:30,662 --> 00:41:33,186
>> ARE YOU SERIOUS?
1207
00:41:33,186 --> 00:41:34,753
>> IT'S THE HOUR OF DUELS AND
1208
00:41:34,753 --> 00:41:36,494
EXECUTIONS, WHERE EVERYTHING IS
1209
00:41:36,494 --> 00:41:38,365
POSSIBLE.
1210
00:41:38,365 --> 00:41:40,672
We'll get some rest, and we'll
1211
00:41:40,672 --> 00:41:42,935
go back.
1212
00:41:42,935 --> 00:41:44,240
Call me at dawn.
1213
00:41:44,240 --> 00:41:46,808
>> I DON'T HAVE YOUR NUMBER.
1214
00:41:46,808 --> 00:41:47,679
>> I'M IN THE BOOK.
1215
00:41:47,679 --> 00:41:49,550
SAMSON. NO "P." THIRD ONE DOWN.
1216
00:41:49,550 --> 00:41:51,639
>> Samson?
1217
00:41:51,639 --> 00:41:53,728
SAMSON. THAT'S REALLY YOUR NAME.
1218
00:41:53,728 --> 00:41:54,947
>> WHY DO YOU THINK I CALLED
1219
00:41:54,947 --> 00:41:57,384
YOU?
1220
00:41:57,384 --> 00:41:58,690
>> WELL, I CAN'T CALL YOU.
1221
00:41:58,690 --> 00:42:00,039
MY BOSS CHECKS THE PHONES.
1222
00:42:00,039 --> 00:42:01,040
I WOULD GET FIRED.
1223
00:42:01,040 --> 00:42:02,171
>> WE DON'T GO ANYWHERE
1224
00:42:02,171 --> 00:42:03,477
WORTHWHILE WITHOUT TAKING A
1225
00:42:03,477 --> 00:42:04,130
LITTLE RISK.
1226
00:42:04,130 --> 00:42:05,697
>> WHY CAN'T YOU CALL ME?
1227
00:42:05,697 --> 00:42:07,002
>> I could!
1228
00:42:07,002 --> 00:42:09,875
But I'm not going to.
1229
00:42:09,875 --> 00:42:12,399
SAMSON. NO "P." THIRD ONE DOWN.
1230
00:42:12,399 --> 00:42:14,227
SAMSON. NO "P." THIRD ONE DOWN.
SEE YOU AT DAWN.
1231
00:42:14,227 --> 00:42:18,187
SEE YOU AT DAWN.
1232
00:42:18,187 --> 00:42:19,145
>> HELLO?
1233
00:42:19,145 --> 00:42:21,451
[ CLOCK TICKING ]
1234
00:42:21,451 --> 00:42:23,279
[ CLOCK TICKING ]
[ SIGHS ]
1235
00:42:23,279 --> 00:42:48,566
[ SIGHS ]
1236
00:42:48,566 --> 00:42:51,351
[ INHALES ]
1237
00:42:51,351 --> 00:42:53,483
[ SIGHS SOFTLY ]
1238
00:42:53,483 --> 00:42:55,311
[ SIGHS SOFTLY ]
[ CHUCKLES SOFTLY ]
1239
00:42:55,311 --> 00:43:11,850
[ CHUCKLES SOFTLY ]
1240
00:43:11,850 --> 00:43:13,678
[ CHUCKLES SOFTLY ]
I DON'T FUCKING BELIEVE THIS.
1241
00:43:13,678 --> 00:43:23,296
I DON'T FUCKING BELIEVE THIS.
1242
00:43:23,296 --> 00:43:24,166
>> [ WHISTLES ]
1243
00:43:24,166 --> 00:43:25,994
>> [ WHISTLES ]
DON'T WAIT UP, LEON.
1244
00:43:25,994 --> 00:43:34,829
DON'T WAIT UP, LEON.
1245
00:43:34,829 --> 00:43:37,005
OH, HEY! HEY, COME HERE!
1246
00:43:37,005 --> 00:43:38,572
COME HERE! COME HERE!
1247
00:43:38,572 --> 00:43:39,704
COME HERE!
1248
00:43:39,704 --> 00:43:41,140
COME HERE! COME ON! COME ON!
1249
00:43:41,140 --> 00:43:42,010
[ DOG WHINING ]
1250
00:43:42,010 --> 00:43:43,533
HOW YOU DOING? HOW YOU DOING?
1251
00:43:43,533 --> 00:43:44,578
WHAT ARE YOU DOING?
1252
00:43:44,578 --> 00:43:46,145
HOW YOU DOING TONIGHT, HUH?
1253
00:43:46,145 --> 00:43:47,537
HOW YOU DOING? YOU HANGING OUT?
1254
00:43:47,537 --> 00:43:48,713
WAIT. WHERE YOU GOING?
1255
00:43:48,713 --> 00:43:49,583
[ DOG WHINES ]
1256
00:43:49,583 --> 00:43:51,367
[ DOG WHINES ]
WHERE YOU GOING?
1257
00:43:51,367 --> 00:44:30,189
WHERE YOU GOING?
1258
00:44:30,189 --> 00:44:33,540
WHERE YOU GOING?
[ OPERA MUSIC PLAYING ]
1259
00:44:33,540 --> 00:46:10,680
[ OPERA MUSIC PLAYING ]
1260
00:46:10,680 --> 00:46:12,508
[ OPERA MUSIC PLAYING ]
[ TELEPHONE RINGING ]
1261
00:46:12,508 --> 00:46:19,994
[ TELEPHONE RINGING ]
1262
00:46:19,994 --> 00:46:21,691
>> GOOD MORNING.
1263
00:46:21,691 --> 00:46:23,998
WHAT? OH. NO, NO. NO, NO.
1264
00:46:23,998 --> 00:46:25,260
WE'RE -- WE'RE DOWN RIGHT NOW.
1265
00:46:25,260 --> 00:46:27,393
I'M SORRY.
1266
00:46:27,393 --> 00:46:30,004
YE-- COMPUTER MALFUNCTION. YEAH.
1267
00:46:30,004 --> 00:46:31,266
UH, WHY DON'T YOU CALL BACK AT
1268
00:46:31,266 --> 00:46:34,879
NOON AND TALK TO GINNY?
1269
00:46:34,879 --> 00:46:36,663
[ SIGHS ]
1270
00:46:36,663 --> 00:46:37,533
TAKE A COLD SHOWER.
1271
00:46:37,533 --> 00:46:39,361
TAKE A COLD SHOWER.
[ BEEP ]
1272
00:46:39,361 --> 00:46:50,633
[ BEEP ]
1273
00:46:50,633 --> 00:46:52,461
[ BEEP ]
[ TELEPHONE RINGING ]
1274
00:46:52,461 --> 00:46:56,552
[ TELEPHONE RINGING ]
1275
00:46:56,552 --> 00:46:58,206
>> HELLO?
1276
00:46:58,206 --> 00:47:01,035
>> Uh, it's me.
1277
00:47:01,035 --> 00:47:04,038
>> YOU!
1278
00:47:04,038 --> 00:47:05,692
>> DELILAH.
1279
00:47:05,692 --> 00:47:06,824
REMEMBER?
1280
00:47:06,824 --> 00:47:08,782
B-BUDAPEST, THE CONTESSA, TRAIN
1281
00:47:08,782 --> 00:47:10,001
STATION, FUR COAT?
1282
00:47:10,001 --> 00:47:11,176
>> Yes! Morning!
1283
00:47:11,176 --> 00:47:13,787
>> HI! DID I WAKE YOU?
1284
00:47:13,787 --> 00:47:15,484
>> MNH-MNH!
1285
00:47:15,484 --> 00:47:16,834
NO!
1286
00:47:16,834 --> 00:47:18,400
NO, I'M ALWAYS UP...
1287
00:47:18,400 --> 00:47:19,837
THIS EARLY WHEN A BEAUTIFUL
1288
00:47:19,837 --> 00:47:21,664
WOMAN IS WAITING FOR ME AT A
1289
00:47:21,664 --> 00:47:23,492
WOMAN IS WAITING FOR ME AT A
TRAIN STATION.
1290
00:47:23,492 --> 00:47:26,626
TRAIN STATION.
1291
00:47:26,626 --> 00:47:28,236
THE SUN'S UP.
1292
00:47:28,236 --> 00:47:32,110
>> YEAH, LOOKS LIKE IT.
1293
00:47:32,110 --> 00:47:33,502
SO, YOU WANT TO DO THIS?
1294
00:47:33,502 --> 00:47:36,766
>> Yeah! Yes. Yes! Absolutely!
1295
00:47:36,766 --> 00:47:38,203
HANG ON.
1296
00:47:38,203 --> 00:47:39,726
HANG ON. [ SNIFFS ]
1297
00:47:39,726 --> 00:47:42,294
OKAY. YES. LET'S DO THIS.
1298
00:47:42,294 --> 00:47:43,991
>> OKAY.
1299
00:47:43,991 --> 00:47:45,601
HOW DO WE START?
1300
00:47:45,601 --> 00:47:47,647
>> WE, UH --
1301
00:47:47,647 --> 00:47:50,911
WE SET THE SCENE.
1302
00:47:50,911 --> 00:47:52,652
WHAT YEAR ARE WE IN AGAIN?
1303
00:47:52,652 --> 00:47:53,609
>> 1914.
1304
00:47:53,609 --> 00:47:54,567
>> Yes!
1305
00:47:54,567 --> 00:47:55,960
YES.
1306
00:47:55,960 --> 00:47:57,875
THE WORLD...
1307
00:47:57,875 --> 00:48:00,965
IS ON THE PRECIPICE OF DISASTER.
1308
00:48:00,965 --> 00:48:01,443
>> YES.
1309
00:48:01,443 --> 00:48:02,575
I'M WAITING FOR YOU IN THE
1310
00:48:02,575 --> 00:48:03,402
RAILROAD STATION.
1311
00:48:03,402 --> 00:48:05,534
>> Wait! No, no! Slow down.
1312
00:48:05,534 --> 00:48:06,709
WE HAVEN'T GOT THERE YET!
1313
00:48:06,709 --> 00:48:07,972
WE HAVE TO -- WE HAVE TO MEET
1314
00:48:07,972 --> 00:48:08,407
FIRST!
1315
00:48:08,407 --> 00:48:09,712
>> Oh. Where do we meet?
1316
00:48:09,712 --> 00:48:12,106
>> UH...AT A PARTY...
1317
00:48:12,106 --> 00:48:14,195
IN A MANSION JUST OUTSIDE OF
1318
00:48:14,195 --> 00:48:15,022
TOWN.
1319
00:48:15,022 --> 00:48:17,851
IT'S, UH -- IT'S A WINTER NIGHT.
1320
00:48:17,851 --> 00:48:20,201
IT'S UNSEASONABLY WARM FOR
1321
00:48:20,201 --> 00:48:21,986
MARCH, BUT THERE IS A SMELL OF
1322
00:48:21,986 --> 00:48:23,639
SNOW IN THE AIR.
1323
00:48:23,639 --> 00:48:25,076
>> WHAT SHOULD I BE WEARING?
1324
00:48:25,076 --> 00:48:26,251
>> UH...
1325
00:48:26,251 --> 00:48:28,296
HOW ABOUT SOMETHING FROM...
1326
00:48:28,296 --> 00:48:28,818
CHANEL?
1327
00:48:28,818 --> 00:48:29,994
>> CHANEL WAS MORE 1920s.
1328
00:48:29,994 --> 00:48:31,865
LET'S DO SOMETHING, UM --
1329
00:48:31,865 --> 00:48:33,258
LET'S DO SOMETHING EDWARDIAN.
1330
00:48:33,258 --> 00:48:33,867
>> Great!
1331
00:48:33,867 --> 00:48:34,563
SOUNDS GREAT.
1332
00:48:34,563 --> 00:48:35,260
[ CHUCKLES ]
1333
00:48:35,260 --> 00:48:36,391
>> AND WHAT ABOUT YOU?
1334
00:48:36,391 --> 00:48:37,871
WHAT ARE YOU WEARING?
1335
00:48:37,871 --> 00:48:39,046
DON'T SAY BASEBALL UNIFORM.
1336
00:48:39,046 --> 00:48:39,829
>> [ Chuckles ]
1337
00:48:39,829 --> 00:48:41,092
I THINK I HAVE JUST THE THING.
1338
00:48:41,092 --> 00:48:44,443
>> What is it?
1339
00:48:44,443 --> 00:48:45,923
>> A TUXEDO.
1340
00:48:45,923 --> 00:48:47,663
>> Ooh, classy.
1341
00:48:47,663 --> 00:48:48,882
>> YEAH.
1342
00:48:48,882 --> 00:48:50,057
>> Do you have a sword?
1343
00:48:50,057 --> 00:48:51,015
>> I DON'T KNOW!
1344
00:48:51,015 --> 00:48:52,103
AM I GONNA NEED ONE?
1345
00:48:52,103 --> 00:48:53,234
>> I THINK YOU MIGHT!
1346
00:48:53,234 --> 00:48:55,149
AND I THINK IT'S GONNA HAVE TO
1347
00:48:55,149 --> 00:48:56,934
BE SHARP ENOUGH TO DECAPITATE MY
1348
00:48:56,934 --> 00:48:58,587
HUSBAND.
1349
00:48:58,587 --> 00:48:59,501
HE'S VERY JEALOUS.
1350
00:48:59,501 --> 00:49:01,025
YOU KNOW, HE ONCE HAD A GARDENER
1351
00:49:01,025 --> 00:49:02,417
BADLY BEATEN FOR STARING AT ME.
1352
00:49:02,417 --> 00:49:03,810
>> WELL, MEN SHOULD NOT MARRY
1353
00:49:03,810 --> 00:49:05,116
BEAUTIFUL WOMEN IF THEY DON'T
1354
00:49:05,116 --> 00:49:06,117
WANT THEM STARED AT.
1355
00:49:06,117 --> 00:49:07,509
>> WELL, THE COUNT HAS FOUGHT
1356
00:49:07,509 --> 00:49:09,163
DUELS WITH MEN YOUNGER THAN YOU,
1357
00:49:09,163 --> 00:49:10,121
AND WON.
1358
00:49:10,121 --> 00:49:12,340
>> AND THAT'S WHERE WE START --
1359
00:49:12,340 --> 00:49:15,561
THE DUEL...AT DAWN.
1360
00:49:15,561 --> 00:49:17,998
THE COUNT...HAD SURPRISED US ON
1361
00:49:17,998 --> 00:49:19,478
THE TERRACE.
1362
00:49:19,478 --> 00:49:21,132
HE THREW DOWN HIS GLOVE.
1363
00:49:21,132 --> 00:49:22,611
>> NO, WE CAN'T DO THAT, BECAUSE
1364
00:49:22,611 --> 00:49:23,961
THE CONTESSA AND THE ASSASSIN
1365
00:49:23,961 --> 00:49:24,787
HAVE NOT YET MET.
1366
00:49:24,787 --> 00:49:26,180
>> BUT WE HAVE TO -- WE HAVE TO
1367
00:49:26,180 --> 00:49:27,529
FIGHT THE DUEL BEFORE IT GETS
1368
00:49:27,529 --> 00:49:28,095
TOO LIGHT.
1369
00:49:28,095 --> 00:49:29,444
>> FIRST THING'S FIRST -- THE
1370
00:49:29,444 --> 00:49:30,445
PARTY.
1371
00:49:30,445 --> 00:49:32,056
NOW, IF YOU'LL EXCUSE ME...
1372
00:49:32,056 --> 00:49:33,405
I HAVE TO GO GET DRESSED.
1373
00:49:33,405 --> 00:49:34,406
[ STRAUSS' "TALES FROM
1374
00:49:34,406 --> 00:49:36,756
[ STRAUSS' "TALES FROM
THE VIENNA WOODS" PLAYING ]
1375
00:49:36,756 --> 00:50:18,798
THE VIENNA WOODS" PLAYING ]
1376
00:50:18,798 --> 00:50:20,539
SO, WHAT DO WE SAY?
1377
00:50:20,539 --> 00:50:22,236
>> NOTHING.
1378
00:50:22,236 --> 00:50:24,021
EVERYTHING HAS ALREADY BEEN SAID
1379
00:50:24,021 --> 00:50:24,934
WITH OUR EYES.
1380
00:50:24,934 --> 00:50:26,327
>> IT'S BUDAPEST.
1381
00:50:26,327 --> 00:50:28,329
1914.
1382
00:50:28,329 --> 00:50:30,157
1914.
WORDS ARE INEVITABLE.
1383
00:50:30,157 --> 00:50:33,639
WORDS ARE INEVITABLE.
1384
00:50:33,639 --> 00:50:36,294
THANK YOU.
1385
00:50:36,294 --> 00:50:38,339
>> YOU'RE VERY BEAUTIFUL.
1386
00:50:38,339 --> 00:50:39,906
>> I DON'T ACCEPT COMPLIMENTS
1387
00:50:39,906 --> 00:50:41,125
FROM MEN I DON'T KNOW.
1388
00:50:41,125 --> 00:50:42,082
>> YOU KNOW ME.
1389
00:50:42,082 --> 00:50:44,215
>> I DO?
1390
00:50:44,215 --> 00:50:45,477
>> I SAW THE WAY YOU LOOKED AT
1391
00:50:45,477 --> 00:50:46,608
ME.
1392
00:50:46,608 --> 00:50:47,870
>> THAT'S VERY PRESUMPTUOUS OF
1393
00:50:47,870 --> 00:50:48,828
YOU.
1394
00:50:48,828 --> 00:50:51,483
>> PERHAPS.
1395
00:50:51,483 --> 00:50:54,964
BUT ACCURATE.
1396
00:50:54,964 --> 00:50:56,183
>> MY HUSBAND WILL NOTICE MY
1397
00:50:56,183 --> 00:50:58,142
ABSENCE.
1398
00:50:58,142 --> 00:50:59,969
ABSENCE.
>> WHERE IS THE COUNT?
1399
00:50:59,969 --> 00:51:03,277
>> WHERE IS THE COUNT?
1400
00:51:03,277 --> 00:51:04,539
>> HE'S DISCUSSING WAR WITH
1401
00:51:04,539 --> 00:51:06,498
BARON BELASKA.
1402
00:51:06,498 --> 00:51:08,717
>> THE PEDERAST?
1403
00:51:08,717 --> 00:51:12,634
>> THE WEALTHY LANDOWNER.
1404
00:51:12,634 --> 00:51:14,767
>> IT IS A SHAME TO DISCUSS WAR
1405
00:51:14,767 --> 00:51:16,638
ON A...NIGHT LIKE THIS.
1406
00:51:16,638 --> 00:51:18,031
>> PERHAPS, BUT AS YOU KNOW, THE
1407
00:51:18,031 --> 00:51:19,380
SERBIANS ARE ENCROACHING ON THE
1408
00:51:19,380 --> 00:51:20,294
EMPIRE'S TERRITORY.
1409
00:51:20,294 --> 00:51:21,513
>> WELL, THE SERBIANS DON'T
1410
00:51:21,513 --> 00:51:22,775
UNDERSTAND WHY THEY SHOULD BE
1411
00:51:22,775 --> 00:51:24,124
UNDER THE INFLUENCE OF VIENNA.
1412
00:51:24,124 --> 00:51:25,169
>> POLITICS BORE ME...
1413
00:51:25,169 --> 00:51:26,866
[ SCHUBERT'S "AVE MARIA"
1414
00:51:26,866 --> 00:51:28,172
PLAYING, MUFFLED ]
1415
00:51:28,172 --> 00:51:30,043
PLAYING, MUFFLED ]
...AS DO SCHUBERT LIEDER.
1416
00:51:30,043 --> 00:51:36,093
...AS DO SCHUBERT LIEDER.
1417
00:51:36,093 --> 00:51:38,225
>> DO YOU KNOW...
1418
00:51:38,225 --> 00:51:39,792
THAT YOU'RE EVEN MORE BEAUTIFUL
1419
00:51:39,792 --> 00:51:42,925
UP CLOSE?
1420
00:51:42,925 --> 00:51:44,362
MOST WOMEN CANNOT BEAR CLOSE
1421
00:51:44,362 --> 00:51:45,014
SCRUTINY.
1422
00:51:45,014 --> 00:51:46,581
>> DO YOU KNOW A LOT OF WOMEN?
1423
00:51:46,581 --> 00:51:48,409
>> DO YOU KNOW A LOT OF WOMEN?
>> I KNOW YOU.
1424
00:51:48,409 --> 00:51:51,108
>> I KNOW YOU.
1425
00:51:51,108 --> 00:51:53,675
>> YOUR FACE IS HARD.
1426
00:51:53,675 --> 00:51:56,025
YOU'VE SUFFERED GREATLY.
1427
00:51:56,025 --> 00:51:57,679
>> NO MORE THAN IS NECESSARY IN
1428
00:51:57,679 --> 00:51:58,680
MY LINE OF WORK.
1429
00:51:58,680 --> 00:52:02,162
>> WHICH IS...?
1430
00:52:02,162 --> 00:52:03,903
>> LET US SAY...
1431
00:52:03,903 --> 00:52:07,254
I AM A FACILITATOR...
1432
00:52:07,254 --> 00:52:09,126
I AM A FACILITATOR...
OF MEN'S FATES.
1433
00:52:09,126 --> 00:52:18,570
OF MEN'S FATES.
1434
00:52:18,570 --> 00:52:19,832
>> THE COUNT WILL BE WONDERING
1435
00:52:19,832 --> 00:52:22,313
WHERE I AM.
1436
00:52:22,313 --> 00:52:23,966
IF HE FINDS US IN A COMPROMISING
1437
00:52:23,966 --> 00:52:25,533
POSITION, HE WILL THROW DOWN HIS
1438
00:52:25,533 --> 00:52:26,055
GLOVE.
1439
00:52:26,055 --> 00:52:27,231
>> SO MUCH THE BETTER.
1440
00:52:27,231 --> 00:52:29,929
>> MY DARLING?
1441
00:52:29,929 --> 00:52:31,757
>> MY DARLING?
>> GOOD EVENING, COUNT!
1442
00:52:31,757 --> 00:52:42,246
>> GOOD EVENING, COUNT!
1443
00:52:42,246 --> 00:52:43,682
I'D BE DELIGHTED.
1444
00:52:43,682 --> 00:52:46,075
>> THE CLEARING TO THE RIGHT OF
1445
00:52:46,075 --> 00:52:47,120
THE STABLE.
1446
00:52:47,120 --> 00:52:48,339
>> ANYWHERE YOU WISH.
1447
00:52:48,339 --> 00:52:49,122
>> PISTOLS.
1448
00:52:49,122 --> 00:52:49,949
>> OF COURSE!
1449
00:52:49,949 --> 00:52:51,342
>> I ASSUME YOU'LL NEED A
1450
00:52:51,342 --> 00:52:51,951
SECOND.
1451
00:52:51,951 --> 00:52:53,561
>> OH, I'M AFRAID I WILL.
1452
00:52:53,561 --> 00:52:55,781
>> I'LL PROVIDE YOU WITH ONE.
1453
00:52:55,781 --> 00:52:59,263
TILL THEN...
1454
00:52:59,263 --> 00:53:02,962
SIR.
1455
00:53:02,962 --> 00:53:06,574
MY DARLING.
1456
00:53:06,574 --> 00:53:08,620
>> DON'T WORRY.
1457
00:53:08,620 --> 00:53:10,404
ONE OF US WILL REMAIN ALIVE TO
1458
00:53:10,404 --> 00:53:12,493
WORSHIP YOU.
1459
00:53:12,493 --> 00:53:15,235
[ SCHUBERT'S "AVE MARIA"
1460
00:53:15,235 --> 00:53:17,324
[ SCHUBERT'S "AVE MARIA"
CONTINUES PLAYING ]
1461
00:53:17,324 --> 00:53:19,457
CONTINUES PLAYING ]
1462
00:53:19,457 --> 00:53:27,116
>> ♪ GRATIA PLENA
1463
00:53:27,116 --> 00:53:37,170
♪ MARIA, GRATIA PLENA
1464
00:53:37,170 --> 00:53:39,520
>> THE COUNT HAD NO IDEA HE WAS
1465
00:53:39,520 --> 00:53:40,913
DEALING WITH A MAN WHO KNEW A
1466
00:53:40,913 --> 00:53:43,220
DEALING WITH A MAN WHO KNEW A
THING OR TWO ABOUT PISTOLS.
1467
00:53:43,220 --> 00:53:57,799
THING OR TWO ABOUT PISTOLS.
1468
00:53:57,799 --> 00:54:01,107
IT STARTED TO GROW COLD AT DAWN.
1469
00:54:01,107 --> 00:54:02,804
MY HEAD WAS STILL TIPSY FROM THE
1470
00:54:02,804 --> 00:54:04,980
CHAMPAGNE...
1471
00:54:04,980 --> 00:54:08,593
AND THE SMELL OF YOUR PERFUME.
1472
00:54:08,593 --> 00:54:10,029
I TRIED TO FOCUS ON THE
1473
00:54:10,029 --> 00:54:11,639
TRAJECTORY OF THE BULLET, TO
1474
00:54:11,639 --> 00:54:13,337
REDUCE IT ALL TO A TECHNICAL
1475
00:54:13,337 --> 00:54:17,036
PROBLEM OF THE PROFESSION.
1476
00:54:17,036 --> 00:54:18,516
AND WHAT WERE YOU DOING AS I WAS
1477
00:54:18,516 --> 00:54:19,995
CALCULATING THE COORDINATES OF
1478
00:54:19,995 --> 00:54:21,997
YOUR HUSBAND'S HEART?
1479
00:54:21,997 --> 00:54:23,260
>> I COULD BARELY MAKE YOU OUT
1480
00:54:23,260 --> 00:54:25,436
IN THE DISTANCE.
1481
00:54:25,436 --> 00:54:26,524
MY BODY WAS TREMBLING.
1482
00:54:26,524 --> 00:54:27,873
I WANTED IT TO BE OVER, BUT I
1483
00:54:27,873 --> 00:54:30,658
WANTED IT TO LAST FOREVER.
1484
00:54:30,658 --> 00:54:33,095
>> LIKE MAKING LOVE?
1485
00:54:33,095 --> 00:54:34,880
>> LIKE THE ANTICIPATION OF
1486
00:54:34,880 --> 00:54:38,187
MAKING LOVE.
1487
00:54:38,187 --> 00:54:40,015
MAKING LOVE.
>> THE DUEL BEGAN.
1488
00:54:40,015 --> 00:54:44,368
>> THE DUEL BEGAN.
1489
00:54:44,368 --> 00:54:46,761
I WALKED AWAY FROM MY RIVAL
1490
00:54:46,761 --> 00:54:48,894
WITHOUT EMOTION...
1491
00:54:48,894 --> 00:54:50,896
COLDLY...
1492
00:54:50,896 --> 00:54:52,506
LISTENING TO THE BIRDS IN THE
1493
00:54:52,506 --> 00:54:54,378
TREES ACROSS THE LAKE.
1494
00:54:54,378 --> 00:54:55,944
[ BIRDS CHIRPING ]
1495
00:54:55,944 --> 00:54:58,077
INSIDE, I WAS EMPTY.
1496
00:54:58,077 --> 00:54:59,383
[ CHIRPING CONTINUES ]
1497
00:54:59,383 --> 00:55:01,776
CONCENTRATING...
1498
00:55:01,776 --> 00:55:03,474
ON THE BUSINESS OF SQUEEZING THE
1499
00:55:03,474 --> 00:55:05,345
TRIGGER FIRMLY BUT SLOWLY SO
1500
00:55:05,345 --> 00:55:07,391
THAT THE BULLET WOULD NOT GO OFF
1501
00:55:07,391 --> 00:55:10,872
TARGET.
1502
00:55:10,872 --> 00:55:12,613
NOW, TELL ME...
1503
00:55:12,613 --> 00:55:16,748
[ PISTOLS COCK ]
1504
00:55:16,748 --> 00:55:18,402
...WHAT YOU FEELING AS WE WALKED
1505
00:55:18,402 --> 00:55:19,925
OUR PACES?
1506
00:55:19,925 --> 00:55:21,492
>> I'M NOT GONNA TELL YOU.
1507
00:55:21,492 --> 00:55:23,189
>> YOU WERE WET, WEREN'T YOU?
1508
00:55:23,189 --> 00:55:27,585
>> [ LAUGHS ]
1509
00:55:27,585 --> 00:55:29,064
>> BEFORE I FIRED, I WHISPERED
1510
00:55:29,064 --> 00:55:32,633
YOUR NAME.
1511
00:55:32,633 --> 00:55:33,678
CONTESSA.
1512
00:55:33,678 --> 00:55:35,332
[ GUNSHOTS ]
1513
00:55:35,332 --> 00:55:38,944
[ BIRDS CHIRPING ]
1514
00:55:38,944 --> 00:55:40,206
>> I SAW THE MEN RUSHING TO MY
1515
00:55:40,206 --> 00:55:42,687
HUSBAND'S SIDE.
1516
00:55:42,687 --> 00:55:43,818
I KNOW THEY WOULDN'T HAVE RUSHED
1517
00:55:43,818 --> 00:55:44,253
FOR YOU.
1518
00:55:44,253 --> 00:55:45,342
THEY WOULD'VE LET YOU BLEED TO
1519
00:55:45,342 --> 00:55:47,648
THEY WOULD'VE LET YOU BLEED TO
DEATH.
1520
00:55:47,648 --> 00:55:57,528
DEATH.
1521
00:55:57,528 --> 00:55:59,443
>> WHAT'S IT LIKE...
1522
00:55:59,443 --> 00:56:01,053
TO MAKE LOVE TO A MAN WHO HAS
1523
00:56:01,053 --> 00:56:02,533
YOUR HUSBAND'S BLOOD ON HIS
1524
00:56:02,533 --> 00:56:03,055
HANDS?
1525
00:56:03,055 --> 00:56:03,577
>> HA HA.
1526
00:56:03,577 --> 00:56:04,926
I THINK YOU'RE GETTING AHEAD OF
1527
00:56:04,926 --> 00:56:06,450
THE STORY.
1528
00:56:06,450 --> 00:56:08,103
>> [ GRUNTS ] OKAY.
1529
00:56:08,103 --> 00:56:09,801
OKAY, WHERE WERE WE?
1530
00:56:09,801 --> 00:56:11,324
>> WEWERE AT THE TRAIN STATION.
1531
00:56:11,324 --> 00:56:12,847
I WAS WAITING FOR YOU SO THAT WE
1532
00:56:12,847 --> 00:56:14,327
COULD MAKE OUR ESCAPE TOGETHER.
1533
00:56:14,327 --> 00:56:15,763
>> [ SIGHS ] OKAY.
1534
00:56:15,763 --> 00:56:18,723
UH [SNIFFS] THE COUNT'S BROTHER
1535
00:56:18,723 --> 00:56:20,115
HAD TRUMPED-UP CHARGES FILED
1536
00:56:20,115 --> 00:56:20,768
AGAINST ME.
1537
00:56:20,768 --> 00:56:22,117
HE CLAIMED I CHEATED IN THE
1538
00:56:22,117 --> 00:56:22,683
DUEL.
1539
00:56:22,683 --> 00:56:24,859
UH, THE POLICE COMMISSIONER WAS
1540
00:56:24,859 --> 00:56:26,992
DEEP IN THE COUNT'S POCKET, SO
1541
00:56:26,992 --> 00:56:28,689
THEY CAME TO MY ROOM.
1542
00:56:28,689 --> 00:56:31,083
I FLED OUT THE WINDOW.
1543
00:56:31,083 --> 00:56:34,173
IT'S SNOWING MORE HEAVILY.
1544
00:56:34,173 --> 00:56:36,044
THERE'S NO WAY OF KNOWING IF THE
1545
00:56:36,044 --> 00:56:37,872
TRAIN THAT YOU'RE WAITING FOR IS
1546
00:56:37,872 --> 00:56:40,353
EVEN GONNA GET THROUGH.
1547
00:56:40,353 --> 00:56:43,704
YOU HAVE STAKED YOUR LIFE ON ONE
1548
00:56:43,704 --> 00:56:46,272
WILD ROLL OF THE DICE, AND THE
1549
00:56:46,272 --> 00:56:48,143
ODDS ARE AGAINST YOU.
1550
00:56:48,143 --> 00:56:52,147
I AM -- I AM A WANTED MAN.
1551
00:56:52,147 --> 00:56:53,584
AND VIENNA...
1552
00:56:53,584 --> 00:56:54,672
[ BEEP ]
1553
00:56:54,672 --> 00:56:57,022
[ BEEP ]
...IS A LONG WAY OFF.
1554
00:56:57,022 --> 00:57:01,287
...IS A LONG WAY OFF.
1555
00:57:01,287 --> 00:57:03,376
ALL THE WAY TO THE STATION, I-I
1556
00:57:03,376 --> 00:57:06,597
WONDERED IF YOU WOULD BE THERE.
1557
00:57:06,597 --> 00:57:10,731
IF YOU KNEW THAT SOMEHOW I WOULD
1558
00:57:10,731 --> 00:57:12,820
MEET YOU THERE.
1559
00:57:12,820 --> 00:57:15,519
AND WE WOULD MAKE OUR ESCAPE
1560
00:57:15,519 --> 00:57:16,911
RIGHT UNDER THE NOSES OF THE
1561
00:57:16,911 --> 00:57:18,826
AUTHORITIES.
1562
00:57:18,826 --> 00:57:20,219
>> WHEN I SAW YOU STANDING THERE
1563
00:57:20,219 --> 00:57:21,568
IN THE STATION WITH SNOW ON YOUR
1564
00:57:21,568 --> 00:57:23,744
COLLAR [INHALES DEEPLY]
1565
00:57:23,744 --> 00:57:29,184
I RAN TO YOU.
1566
00:57:29,184 --> 00:57:31,273
>> I SWEPT YOU UP IN MY ARMS.
1567
00:57:31,273 --> 00:57:37,715
>> SO DANGEROUS, SO EXCITING.
1568
00:57:37,715 --> 00:57:39,760
>> AND THERE...
1569
00:57:39,760 --> 00:57:41,501
THE SLEEPER TO VIENNA WAS
1570
00:57:41,501 --> 00:57:42,807
FINALLY PULLING IN.
1571
00:57:42,807 --> 00:57:45,592
>> WE HID OUT BETWEEN CARS.
1572
00:57:45,592 --> 00:57:47,028
[ SIGHS ]
1573
00:57:47,028 --> 00:57:48,726
I WAS COLD.
1574
00:57:48,726 --> 00:57:50,075
I HAD NEVER BEEN THAT COLD IN MY
1575
00:57:50,075 --> 00:57:50,467
LIFE.
1576
00:57:50,467 --> 00:57:51,598
>> IT WAS WORTH IT, THOUGH,
1577
00:57:51,598 --> 00:57:53,339
WASN'T IT?
1578
00:57:53,339 --> 00:57:56,124
FIRST TIME.
1579
00:57:56,124 --> 00:57:58,736
BETWEEN THE CARS.
1580
00:57:58,736 --> 00:58:00,433
>> [ BREATHING HEAVILY ]
1581
00:58:00,433 --> 00:58:03,697
>> WITH THE -- WITH THE SNOW...
1582
00:58:03,697 --> 00:58:04,959
BLOWING IN YOUR FACE.
1583
00:58:04,959 --> 00:58:06,613
>> I CAN STILL FEEL YOUR MOUTH
1584
00:58:06,613 --> 00:58:08,093
ON MY SKIN.
1585
00:58:08,093 --> 00:58:09,442
>> I WAS TASTING YOU.
1586
00:58:09,442 --> 00:58:10,312
>> [ SIGHS ]
1587
00:58:10,312 --> 00:58:12,358
YOU WERE DEVOURING ME.
1588
00:58:12,358 --> 00:58:14,273
>> I COULDN'T GET ENOUGH OF YOU.
1589
00:58:14,273 --> 00:58:16,884
>> [ SIGHS ] WE WERE SOHUNGRY.
1590
00:58:16,884 --> 00:58:17,929
>> RAVENOUS!
1591
00:58:17,929 --> 00:58:18,930
>> [ SIGHS ]
1592
00:58:18,930 --> 00:58:19,757
>> IT WAS INSANE.
1593
00:58:19,757 --> 00:58:20,627
>> IT WAS AMAZING!
1594
00:58:20,627 --> 00:58:21,715
>> [ BREATHING HEAVILY ]
1595
00:58:21,715 --> 00:58:23,064
WE COULD'VE KILLED EACH OTHER.
1596
00:58:23,064 --> 00:58:24,457
WE COULD'VE FALLEN DOWN THE ROW
1597
00:58:24,457 --> 00:58:25,110
OF CARS.
1598
00:58:25,110 --> 00:58:26,590
>> BUT WE STAYED ALIVE!
1599
00:58:26,590 --> 00:58:28,287
>> IT WAS LIKE A DANCE WITH
1600
00:58:28,287 --> 00:58:33,074
DEATH!
1601
00:58:33,074 --> 00:58:35,424
DEATH!
[ SIGHS ]
1602
00:58:35,424 --> 00:58:45,522
[ SIGHS ]
1603
00:58:45,522 --> 00:58:50,962
HELLO?
1604
00:58:50,962 --> 00:58:56,054
ARE YOU THERE?
1605
00:58:56,054 --> 00:58:58,404
HEY.
1606
00:58:58,404 --> 00:58:59,405
HEY, HEY, HEY, HEY.
1607
00:58:59,405 --> 00:59:00,841
DON'T C-- DON'T CUT OUT ON ME
1608
00:59:00,841 --> 00:59:01,233
NOW.
1609
00:59:01,233 --> 00:59:02,756
YOU'RE NOT GONNA CUT OUT ON ME,
1610
00:59:02,756 --> 00:59:06,151
ARE YOU?
1611
00:59:06,151 --> 00:59:07,500
>> It's over.
1612
00:59:07,500 --> 00:59:10,895
>> WHAT?
1613
00:59:10,895 --> 00:59:11,591
>> That's it.
1614
00:59:11,591 --> 00:59:12,549
That's all she wrote.
1615
00:59:12,549 --> 00:59:13,854
>> WHAT DO YOU MEAN IT'S OVER?
1616
00:59:13,854 --> 00:59:15,247
NO, WHAT ARE YOU -- WHAT -- WHAT
1617
00:59:15,247 --> 00:59:17,554
ABOUT VIENNA?
1618
00:59:17,554 --> 00:59:18,990
>> LIKE THE MAN SAID, POST
1619
00:59:18,990 --> 00:59:19,643
COITUM --
1620
00:59:19,643 --> 00:59:20,861
>> Yeah, yeah, yeah.
1621
00:59:20,861 --> 00:59:22,297
No, I -- that's old news.
1622
00:59:22,297 --> 00:59:23,647
I've heard that before.
1623
00:59:23,647 --> 00:59:25,692
Slam, bam, thank you, ma'am.
1624
00:59:25,692 --> 00:59:28,129
Really?
1625
00:59:28,129 --> 00:59:30,305
>> HARDLY. [ BLOWS ]
1626
00:59:30,305 --> 00:59:31,785
GAVE YOU A WHOLE BALKAN WAR AS
1627
00:59:31,785 --> 00:59:34,135
FOREPLAY.
1628
00:59:34,135 --> 00:59:35,354
>> WELL, THAT WASN'T ENOUGH.
1629
00:59:35,354 --> 00:59:36,616
>> WHAT DO YOU WANT ME TO DO?
1630
00:59:36,616 --> 00:59:38,357
YOU WANT ME TO -- TO HOLD YOU
1631
00:59:38,357 --> 00:59:39,837
AND TELL YOU I LOVE YOU?
1632
00:59:39,837 --> 00:59:41,708
>> No, I want...
1633
00:59:41,708 --> 00:59:42,622
I WANT MORE.
1634
00:59:42,622 --> 00:59:44,363
>> [ New York accent ] WE'RE
1635
00:59:44,363 --> 00:59:45,669
THROUGH, SWEETHEART.
1636
00:59:45,669 --> 00:59:47,627
[ Normal voice ] I'M CUTTING YOU
1637
00:59:47,627 --> 00:59:48,062
OFF.
1638
00:59:48,062 --> 00:59:49,629
>> YOU CAN'T CUT ME OFF!
1639
00:59:49,629 --> 00:59:51,457
>> OH, I CAN'T?
1640
00:59:51,457 --> 00:59:52,676
YOU CALLED ME, REMEMBER?
1641
00:59:52,676 --> 00:59:53,894
>> YEAH, BUT WHO CALLED
1642
00:59:53,894 --> 00:59:55,287
SWEET TALK IN THE FIRST PLACE?
1643
00:59:55,287 --> 00:59:56,680
WHO'S S-SPENDING MONEY JERKING
1644
00:59:56,680 --> 00:59:58,116
OFF OVER THE PHONE IN THE FIRST
1645
00:59:58,116 --> 00:59:59,334
PLACE, YOU FUCKING PERV?!
1646
00:59:59,334 --> 01:00:05,689
>> YOU FUCKING WHORE!
1647
01:00:05,689 --> 01:00:08,474
[ BREATHES DEEPLY ]
1648
01:00:08,474 --> 01:00:09,693
THAT'S APPROPRIATE, RIGHT?!
1649
01:00:09,693 --> 01:00:10,389
>> OH, NICE!
1650
01:00:10,389 --> 01:00:11,695
WELL, AT LEAST I DON'T WALK
1651
01:00:11,695 --> 01:00:12,870
AROUND PRETENDING TO SHOOT
1652
01:00:12,870 --> 01:00:17,875
PEOPLE TO GET OFF!
1653
01:00:17,875 --> 01:00:22,096
[ BEEP ]
1654
01:00:22,096 --> 01:00:23,097
>> [ SIGHS ]
1655
01:00:23,097 --> 01:00:23,881
[ BEEP ]
1656
01:00:23,881 --> 01:00:26,840
[ BEEP ]
BASTARD. FUCK YOU!
1657
01:00:26,840 --> 01:00:36,894
BASTARD. FUCK YOU!
1658
01:00:36,894 --> 01:00:37,938
[ BEEP ]
1659
01:00:37,938 --> 01:00:40,071
[ Telephone ringing ]
1660
01:00:40,071 --> 01:00:44,815
[ TELEPHONE RINGING ]
1661
01:00:44,815 --> 01:00:45,859
>> [ SCOFFS ]
1662
01:00:45,859 --> 01:00:47,382
[ RINGING CONTINUES ]
1663
01:00:47,382 --> 01:00:51,517
[ SIGHS ]
1664
01:00:51,517 --> 01:00:52,431
[ SCOFFS ]
1665
01:00:52,431 --> 01:00:53,954
[ RINGING CONTINUES ]
1666
01:00:53,954 --> 01:00:55,260
SHE WANTS A RELATIONSHIP.
1667
01:00:55,260 --> 01:00:56,304
SHE WANTS A FUCKING
1668
01:00:56,304 --> 01:00:57,479
RELATIONSHIP.
1669
01:00:57,479 --> 01:00:59,177
[ RINGING CONTINUES ]
1670
01:00:59,177 --> 01:01:00,613
[ SIGHS ]
1671
01:01:00,613 --> 01:01:02,049
[ SCOFFS, LAUGHS ]
1672
01:01:02,049 --> 01:01:03,877
SHE WANTS TO GO TO VIENNA.
1673
01:01:03,877 --> 01:01:04,791
[ LAUGHS ]
1674
01:01:04,791 --> 01:01:06,358
[ RINGING CONTINUES ]
1675
01:01:06,358 --> 01:01:08,273
OH.
1676
01:01:08,273 --> 01:01:11,189
ALL WOMEN WANT TO GO TO VIENNA.
1677
01:01:11,189 --> 01:01:17,761
[ Ringing continues ]
1678
01:01:17,761 --> 01:01:20,067
[ Ringing continues ]
[ RINGING CONTINUES ]
1679
01:01:20,067 --> 01:01:25,594
[ RINGING CONTINUES ]
1680
01:01:25,594 --> 01:01:27,118
[ SIGHS ]
1681
01:01:27,118 --> 01:01:27,640
[ BEEP ]
1682
01:01:27,640 --> 01:01:29,033
[ Southern accent ] STUD TALK.
1683
01:01:29,033 --> 01:01:30,382
THIS IS SAMSON. WANT TO TALK?
1684
01:01:30,382 --> 01:01:31,644
>> LISTEN TO ME, YOU LITTLE
1685
01:01:31,644 --> 01:01:32,079
PRICK.
1686
01:01:32,079 --> 01:01:33,124
>> HEY, HOLD ON, LADY.
1687
01:01:33,124 --> 01:01:34,560
I NEED YOUR CREDIT-CARD NUMBER
1688
01:01:34,560 --> 01:01:35,822
AND EXPIRATION DATE, PLEASE.
1689
01:01:35,822 --> 01:01:37,302
>> YOU ARE THE MOST ARROGANT SON
1690
01:01:37,302 --> 01:01:38,695
OF A BITCH I HAVE EVER MET!
1691
01:01:38,695 --> 01:01:40,174
>> [ Normal voice ] OH, HAVE WE
1692
01:01:40,174 --> 01:01:40,609
MET?
1693
01:01:40,609 --> 01:01:41,262
>> Stop it.
1694
01:01:41,262 --> 01:01:41,785
STOP IT!
1695
01:01:41,785 --> 01:01:43,134
HEY, JUST FUCKING STOP IT!
1696
01:01:43,134 --> 01:01:45,136
COME ON!
1697
01:01:45,136 --> 01:01:46,398
YOU CAN'T TREAT PEOPLE LIKE
1698
01:01:46,398 --> 01:01:46,920
THAT!
1699
01:01:46,920 --> 01:01:48,966
YOU CAN'T START TO GO TO VIENNA
1700
01:01:48,966 --> 01:01:51,795
AND THEN NOT GO!
1701
01:01:51,795 --> 01:01:54,841
>> VIENNA IS A STATE OF MIND.
1702
01:01:54,841 --> 01:01:56,408
YOU NEVER REALLY GET THERE.
1703
01:01:56,408 --> 01:01:57,583
>> How do you know?
1704
01:01:57,583 --> 01:01:58,279
>> I KNOW.
1705
01:01:58,279 --> 01:01:59,846
>> WHAT'S THE WORST THAT CAN
1706
01:01:59,846 --> 01:02:00,412
HAPPEN?
1707
01:02:00,412 --> 01:02:02,022
>> WE COULD GET PICKED UP BY THE
1708
01:02:02,022 --> 01:02:03,284
AUSTRIAN BORDER PATROL.
1709
01:02:03,284 --> 01:02:04,764
>> NO, THERE -- THERE WAS NO
1710
01:02:04,764 --> 01:02:05,809
BORDER POLICE THEN.
1711
01:02:05,809 --> 01:02:07,419
AUSTRIA-HUNGARY WAS ONE COUNTRY
1712
01:02:07,419 --> 01:02:07,985
IN 1914.
1713
01:02:07,985 --> 01:02:09,638
>> DOESN'T MATTER BECAUSE I GET
1714
01:02:09,638 --> 01:02:13,033
SHOT BY THE FIRING SQUAD.
1715
01:02:13,033 --> 01:02:14,165
>> THEY SHOOT YOU?
1716
01:02:14,165 --> 01:02:16,515
>> THEY SHOOT YOU?
[ GUNSHOT ]
1717
01:02:16,515 --> 01:02:20,867
[ GUNSHOT ]
1718
01:02:20,867 --> 01:02:22,173
I THOUGHT WE WERE GONNA GET TO
1719
01:02:22,173 --> 01:02:24,175
GO TO VIENNA.
1720
01:02:24,175 --> 01:02:26,830
>> IT'S NOT GONNA HAPPEN.
1721
01:02:26,830 --> 01:02:29,920
THE TRAIN IS ALL WE HAD.
1722
01:02:29,920 --> 01:02:32,009
A FEW STOLEN HOURS IN BETWEEN
1723
01:02:32,009 --> 01:02:34,185
CARS ON THE BUDAPEST-TO-VIENNA
1724
01:02:34,185 --> 01:02:35,403
NIGHT TRAIN.
1725
01:02:35,403 --> 01:02:36,143
>> NO.
1726
01:02:36,143 --> 01:02:37,797
>> Come on.
1727
01:02:37,797 --> 01:02:39,538
COME ON, HOW DO YOU EXPECT TWO
1728
01:02:39,538 --> 01:02:41,105
PEOPLE WITH NO MONEY AND NO
1729
01:02:41,105 --> 01:02:42,759
CONNECTIONS TO ESCAPE FROM A
1730
01:02:42,759 --> 01:02:45,849
COUNTRY AFTER MURDERINGA
1731
01:02:45,849 --> 01:02:47,851
WELL-CONNECTED, WELL-RESPECTED
1732
01:02:47,851 --> 01:02:48,460
COUNT?
1733
01:02:48,460 --> 01:02:49,896
>> IT WAS IN A DUEL.
1734
01:02:49,896 --> 01:02:51,506
>> NOT ACCORDING TO THE POLICE
1735
01:02:51,506 --> 01:02:53,421
CHIEF -- A MAN DEEPLY IN THE
1736
01:02:53,421 --> 01:02:55,249
POCKETS OF THE COUNT AS WE
1737
01:02:55,249 --> 01:02:57,121
ALREADY ESTABLISHED.
1738
01:02:57,121 --> 01:02:59,036
>> WELL [SIGHS]
1739
01:02:59,036 --> 01:03:00,864
I MEAN, Y-YOU CAN'T JUST -- YOU
1740
01:03:00,864 --> 01:03:02,517
CAN'T JUST ARBITRARILY DECIDE
1741
01:03:02,517 --> 01:03:05,390
T-THAT'S WHAT HAPPENS.
1742
01:03:05,390 --> 01:03:07,218
>> You want your money back?
1743
01:03:07,218 --> 01:03:09,176
>> NO, I WANT TO GO TO VIENNA!
1744
01:03:09,176 --> 01:03:11,222
>> And do what?
1745
01:03:11,222 --> 01:03:13,398
LIVE HAPPILY EVER AFTER?
1746
01:03:13,398 --> 01:03:14,747
GET A NICE LITTLE APARTMENT IN A
1747
01:03:14,747 --> 01:03:15,661
RESPECTABLE QUARTER?
1748
01:03:15,661 --> 01:03:16,575
[ Telephone ringing ]
1749
01:03:16,575 --> 01:03:18,969
Have children and a governess?
1750
01:03:18,969 --> 01:03:20,100
Walk along the river?
1751
01:03:20,100 --> 01:03:21,188
[ RINGING CONTINUES ]
1752
01:03:21,188 --> 01:03:22,233
Visit Strauss? What?
1753
01:03:22,233 --> 01:03:23,364
[ RINGING CONTINUES ]
1754
01:03:23,364 --> 01:03:25,062
Aren't you gonna get your phone?
1755
01:03:25,062 --> 01:03:26,324
[ RINGING CONTINUES ]
1756
01:03:26,324 --> 01:03:27,629
You may as well get it.
1757
01:03:27,629 --> 01:03:32,678
We're not going anywhere.
1758
01:03:32,678 --> 01:03:33,679
>> WHAT DO YOU WANT?
1759
01:03:33,679 --> 01:03:34,985
>> WHAT DO YOU MEAN WHAT DO I
1760
01:03:34,985 --> 01:03:35,376
WANT?
1761
01:03:35,376 --> 01:03:36,682
>> WHAT DO YOU WANT TO GO TO
1762
01:03:36,682 --> 01:03:38,118
VIENNA?
1763
01:03:38,118 --> 01:03:40,773
>> You got a credit card?
1764
01:03:40,773 --> 01:03:43,080
>> You got a credit card?
>> COME ON.
1765
01:03:43,080 --> 01:03:51,175
>> COME ON.
1766
01:03:51,175 --> 01:03:53,525
>> COME ON.
>> Okay.
1767
01:03:53,525 --> 01:04:01,663
>> Okay.
1768
01:04:01,663 --> 01:04:02,360
[ SIGHS ]
1769
01:04:02,360 --> 01:04:03,840
>> AND I WANT TO DRIVE.
1770
01:04:03,840 --> 01:04:04,797
>> Oh, really?
1771
01:04:04,797 --> 01:04:07,713
>> MM-HMM.
1772
01:04:07,713 --> 01:04:09,062
I WANT TO BE THE ONE WHO GETS TO
1773
01:04:09,062 --> 01:04:11,325
DECIDE WHAT HAPPENS THIS TIME.
1774
01:04:11,325 --> 01:04:12,805
>> OKAY, BUT DON'T SAY I DIDN'T
1775
01:04:12,805 --> 01:04:15,460
WARN YOU.
1776
01:04:15,460 --> 01:04:17,984
>> [ BREATHES HEAVILY ]
1777
01:04:17,984 --> 01:04:22,075
OKAY.
1778
01:04:22,075 --> 01:04:23,729
[ SIGHS ]
1779
01:04:23,729 --> 01:04:26,123
YOU...
1780
01:04:26,123 --> 01:04:29,256
ARE A MAN WHO HAS...
1781
01:04:29,256 --> 01:04:30,954
LOST THE USE OF HIS ARMS AND
1782
01:04:30,954 --> 01:04:31,432
LEGS.
1783
01:04:31,432 --> 01:04:32,259
>> OH, GOD.
1784
01:04:32,259 --> 01:04:37,264
>> AND HIS VOICE.
1785
01:04:37,264 --> 01:04:40,920
IT'S VIENNA.
1786
01:04:40,920 --> 01:04:41,442
1939.
1787
01:04:41,442 --> 01:04:43,009
>> YOU'VE GOT YOUR OWN IN
1788
01:04:43,009 --> 01:04:43,662
VIENNA?
1789
01:04:43,662 --> 01:04:45,403
>> EVERYBODY'S GOT THEIR OWN
1790
01:04:45,403 --> 01:04:48,232
VIENNA.
1791
01:04:48,232 --> 01:04:49,276
IT WAS A YEAR AFTER THE
1792
01:04:49,276 --> 01:04:51,278
ANSCHLUSS.
1793
01:04:51,278 --> 01:04:53,324
There are swastikas on public
1794
01:04:53,324 --> 01:04:54,716
buildings.
1795
01:04:54,716 --> 01:04:56,327
Everywhere, you can hear the...
1796
01:04:56,327 --> 01:04:57,676
THE SOUND OF HOBNAIL BOOTS.
1797
01:04:57,676 --> 01:05:00,374
THE SUMMER -- IT WAS LONG...
1798
01:05:00,374 --> 01:05:02,681
AND HOT.
1799
01:05:02,681 --> 01:05:04,074
IN A RESPECTABLE PART OF THE
1800
01:05:04,074 --> 01:05:05,640
CITY WHERE PEOPLE STILL TENDED
1801
01:05:05,640 --> 01:05:07,207
TO THEIR GARDENS AS IF THE WORLD
1802
01:05:07,207 --> 01:05:09,993
STILL MADE SENSE...
1803
01:05:09,993 --> 01:05:12,299
A WOMAN LIVES AMONGST...
1804
01:05:12,299 --> 01:05:14,736
POTTED PLANTS AND OVERSTUFFED
1805
01:05:14,736 --> 01:05:17,000
FURNITURE.
1806
01:05:17,000 --> 01:05:21,004
SHE WORKS AS...
1807
01:05:21,004 --> 01:05:24,659
I WORK AT NIGHT AS A PRIVATE
1808
01:05:24,659 --> 01:05:27,836
NURSE FOR AN INVALID.
1809
01:05:27,836 --> 01:05:29,490
I RETURN HOME AS THE SUN RISES
1810
01:05:29,490 --> 01:05:30,361
OVER THE CITY.
1811
01:05:30,361 --> 01:05:32,972
I SLEEP TILL NOON.
1812
01:05:32,972 --> 01:05:37,455
AND THEN I BATHE IN COLD WATER.
1813
01:05:37,455 --> 01:05:40,937
I POWDER MY BODY, AND I, UM...
1814
01:05:40,937 --> 01:05:41,981
I PLAY MY CELLO.
1815
01:05:41,981 --> 01:05:45,854
[ CELLO PLAYING ]
1816
01:05:45,854 --> 01:05:47,204
AS IF THESE GESTURES WOULD
1817
01:05:47,204 --> 01:05:48,770
SOMEHOW MAKE THE HOBNAIL BOOTS
1818
01:05:48,770 --> 01:05:51,077
SOMEHOW MAKE THE HOBNAIL BOOTS
DISAPPEAR.
1819
01:05:51,077 --> 01:05:57,040
DISAPPEAR.
1820
01:05:57,040 --> 01:05:59,303
I KNOW WHAT'S GOING ON.
1821
01:05:59,303 --> 01:06:02,480
I HAVE NO MORE ILLUSIONS.
1822
01:06:02,480 --> 01:06:04,221
IN THE WORLD I LIVE IN, THERE IS
1823
01:06:04,221 --> 01:06:05,483
NO ROOM FOR ILLUSION.
1824
01:06:05,483 --> 01:06:07,833
NO ROOM FOR ILLUSION.
[ CELLO PLAYING CONTINUES ]
1825
01:06:07,833 --> 01:06:17,016
[ CELLO PLAYING CONTINUES ]
1826
01:06:17,016 --> 01:06:19,105
YOU [SIGHS]
1827
01:06:19,105 --> 01:06:20,977
ARE MY PATIENT.
1828
01:06:20,977 --> 01:06:21,978
YOU'RE A MEMBER OF THE
1829
01:06:21,978 --> 01:06:23,240
UNDERGROUND WHO'S LOST THE USE
1830
01:06:23,240 --> 01:06:26,199
OF -- OF HIS ARMS AND LEGS, AND
1831
01:06:26,199 --> 01:06:27,722
NOBODY KNOWS EXACTLY HOW.
1832
01:06:27,722 --> 01:06:29,072
IT'S -- IT'S A SECRET.
1833
01:06:29,072 --> 01:06:30,725
YOU'RE EITHER...
1834
01:06:30,725 --> 01:06:32,684
YOU'RE EITHER UNWILLING OR JUST
1835
01:06:32,684 --> 01:06:37,297
UNABLE TO TELL.
1836
01:06:37,297 --> 01:06:38,820
YOU'RE ALONE [SIGHS] IN YOUR
1837
01:06:38,820 --> 01:06:41,171
ROOM WITH NO VOICE.
1838
01:06:41,171 --> 01:06:45,566
ALL YOU HAVE IS YOUR EYES.
1839
01:06:45,566 --> 01:06:48,830
YOUR DARK...
1840
01:06:48,830 --> 01:06:51,137
YOUR DARK...
FEVERISH EYES.
1841
01:06:51,137 --> 01:07:03,323
FEVERISH EYES.
1842
01:07:03,323 --> 01:07:04,542
THERE ARE SEVERAL OF US, AND
1843
01:07:04,542 --> 01:07:05,717
WE -- WE COME AND GO ON OUR
1844
01:07:05,717 --> 01:07:06,239
SHIFTS.
1845
01:07:06,239 --> 01:07:07,762
THE OTHERS -- THEY TREAT YOU
1846
01:07:07,762 --> 01:07:09,199
LIKE A PLANT THAT HAS TO BE
1847
01:07:09,199 --> 01:07:13,290
WATERED.
1848
01:07:13,290 --> 01:07:14,813
SOMETIMES THEY DO TRY AND GET A
1849
01:07:14,813 --> 01:07:18,121
REACTION OUT OF YOU.
1850
01:07:18,121 --> 01:07:20,819
BUT YOU DON'T GIVE IN.
1851
01:07:20,819 --> 01:07:22,212
EVEN DURING YOUR SPONGE BATHES
1852
01:07:22,212 --> 01:07:23,561
WHEN THEY TRY AND GET YOU TO
1853
01:07:23,561 --> 01:07:26,346
BETRAY YOURSELF.
1854
01:07:26,346 --> 01:07:28,131
YOU REFUSE TO REACT.
1855
01:07:28,131 --> 01:07:31,395
YOUR -- YOUR CONTEMPT IS UTTER
1856
01:07:31,395 --> 01:07:33,092
AND COMPLETE.
1857
01:07:33,092 --> 01:07:37,705
[ FAN WHIRRING SOFTLY ]
1858
01:07:37,705 --> 01:07:39,142
I SIT AT THE END OF THE HALL.
1859
01:07:39,142 --> 01:07:40,621
UH, IT MAKES ME UNCOMFORTABLE TO
1860
01:07:40,621 --> 01:07:42,058
BE IN THE SAME ROOM WITH YOU.
1861
01:07:42,058 --> 01:07:44,886
[ INHALES DEEPLY ]
1862
01:07:44,886 --> 01:07:50,501
ONCE AN HOUR, I CHECK ON YOU.
1863
01:07:50,501 --> 01:07:51,110
[ DOOR CREAKS ]
1864
01:07:51,110 --> 01:07:52,155
AND I ALWAYS CATCH YOU WITH YOUR
1865
01:07:52,155 --> 01:07:54,635
EYES OPEN AS IF YOU NEVER SLEEP.
1866
01:07:54,635 --> 01:08:00,946
[ FAN WHIRRING SOFTLY ]
1867
01:08:00,946 --> 01:08:03,427
FEELS LIKE YOU'RE LOOKING AT ME.
1868
01:08:03,427 --> 01:08:05,603
LIKE...
1869
01:08:05,603 --> 01:08:06,647
[ SIGHS ]
1870
01:08:06,647 --> 01:08:09,911
LIKE YOU'RE LOOKING THROUGHME.
1871
01:08:09,911 --> 01:08:11,870
AND I WONDER WHO YOU ARE AND --
1872
01:08:11,870 --> 01:08:13,698
AND IF YOU'RE THE SAME PERSON
1873
01:08:13,698 --> 01:08:15,569
YOU'VE ALWAYS BEEN AND WHY YOU
1874
01:08:15,569 --> 01:08:20,139
REFUSE TO TALK.
1875
01:08:20,139 --> 01:08:24,012
I CAN'T STOP THINKING ABOUT YOU.
1876
01:08:24,012 --> 01:08:25,188
I KEEP WONDERING IF THERE'S --
1877
01:08:25,188 --> 01:08:26,450
THERE'S A MAN THAT'S STILL ALIVE
1878
01:08:26,450 --> 01:08:27,755
IN THERE AND IF THAT MAN IS ABLE
1879
01:08:27,755 --> 01:08:32,325
TO BE REACHED.
1880
01:08:32,325 --> 01:08:34,327
ONE MORNING WHEN I, UH, WHEN I
1881
01:08:34,327 --> 01:08:39,854
RETURN HOME, I GO TO SLEEP.
1882
01:08:39,854 --> 01:08:42,161
RETURN HOME, I GO TO SLEEP.
AND I HAVE A DREAM ABOUT YOU.
1883
01:08:42,161 --> 01:08:46,339
AND I HAVE A DREAM ABOUT YOU.
1884
01:08:46,339 --> 01:08:51,475
IN THE DREAM, YOU COME TO LIFE.
1885
01:08:51,475 --> 01:08:53,825
IN THE DREAM, YOU COME TO LIFE.
[ ROMANTIC MUSIC PLAYING ]
1886
01:08:53,825 --> 01:09:04,009
[ ROMANTIC MUSIC PLAYING ]
1887
01:09:04,009 --> 01:09:06,316
[ ROMANTIC MUSIC PLAYING ]
[ ROMANTIC MUSIC CONTINUES ]
1888
01:09:06,316 --> 01:09:16,500
[ ROMANTIC MUSIC CONTINUES ]
1889
01:09:16,500 --> 01:09:18,850
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1890
01:09:18,850 --> 01:09:29,034
[ ROMANTIC MUSIC CONTINUES ]
1891
01:09:29,034 --> 01:09:31,341
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1892
01:09:31,341 --> 01:09:39,087
[ ROMANTIC MUSIC CONTINUES ]
1893
01:09:39,087 --> 01:09:41,394
[ ROMANTIC MUSIC CONTINUES ]
[ BREATHING HEAVILY ]
1894
01:09:41,394 --> 01:09:46,138
[ BREATHING HEAVILY ]
1895
01:09:46,138 --> 01:09:47,052
I-I WAKE UP.
1896
01:09:47,052 --> 01:09:48,880
MY SKIN IS F-FLUSHED, A-AND MY
1897
01:09:48,880 --> 01:09:50,490
LEGS ARE WRAPPED AROUND A
1898
01:09:50,490 --> 01:09:51,143
PILLOW.
1899
01:09:51,143 --> 01:09:53,450
PILLOW.
AND...
1900
01:09:53,450 --> 01:09:57,889
AND...
1901
01:09:57,889 --> 01:10:02,894
AND I'M STRANDED.
1902
01:10:02,894 --> 01:10:04,591
I'M A-- I'M ABANDONED BY THE
1903
01:10:04,591 --> 01:10:05,201
DREAM.
1904
01:10:05,201 --> 01:10:10,118
I'M -- I'M ABANDONED BY YOU.
1905
01:10:10,118 --> 01:10:11,294
[ SIGHS ]
1906
01:10:11,294 --> 01:10:15,341
AND AN UNUTTERABLE SADNESS...
1907
01:10:15,341 --> 01:10:17,952
OVERCOMES ME.
1908
01:10:17,952 --> 01:10:19,650
I FEEL SO -- I FEEL SO
1909
01:10:19,650 --> 01:10:21,913
DISCONNECTED AS IF -- AS IF MY
1910
01:10:21,913 --> 01:10:23,958
WIRING HAS BEEN RIPPED OUT,
1911
01:10:23,958 --> 01:10:26,309
AND -- AND ALL I CAN THINK ABOUT
1912
01:10:26,309 --> 01:10:29,007
IS GOING TO WORK.
1913
01:10:29,007 --> 01:10:31,357
AND -- AND SEEING YOU AND THE
1914
01:10:31,357 --> 01:10:33,794
DREAM AND -- AND THE DEADNESS
1915
01:10:33,794 --> 01:10:36,144
DREAM AND -- AND THE DEADNESS
INSIDE YOU AND...
1916
01:10:36,144 --> 01:10:40,758
INSIDE YOU AND...
1917
01:10:40,758 --> 01:10:42,673
NO, INSIDE ME.
1918
01:10:42,673 --> 01:10:44,892
[ BREATHES HEAVILY ]
1919
01:10:44,892 --> 01:10:47,808
IT'S MY BIGGEST FEAR [SIGHS]
1920
01:10:47,808 --> 01:10:50,115
THAT I'M DEAD INSIDE...
1921
01:10:50,115 --> 01:10:51,856
THAT I'M -- I'M COMPLETELY
1922
01:10:51,856 --> 01:10:53,684
PARALYZED, THAT I DIED YEARS
1923
01:10:53,684 --> 01:10:56,643
PARALYZED, THAT I DIED YEARS
AGO, AND -- AND NO ONE TOLD ME.
1924
01:10:56,643 --> 01:11:08,699
AGO, AND -- AND NO ONE TOLD ME.
1925
01:11:08,699 --> 01:11:11,397
ALL DAY LONG...
1926
01:11:11,397 --> 01:11:12,485
I STARE OUT THE WINDOW,
1927
01:11:12,485 --> 01:11:14,357
WATCHING.
1928
01:11:14,357 --> 01:11:15,923
WATCHING THE CITY BELOW GO ABOUT
1929
01:11:15,923 --> 01:11:18,274
ITS BUSINESS, LISTENING TO --
1930
01:11:18,274 --> 01:11:19,753
T-TO SOUNDS OF LIFE I'VE NEVER
1931
01:11:19,753 --> 01:11:22,843
HEARD BEFORE, DIZZY.
1932
01:11:22,843 --> 01:11:26,847
AND DISORIENTING.
1933
01:11:26,847 --> 01:11:28,371
WHEN NIGHT FALLS, I GO TO WORK,
1934
01:11:28,371 --> 01:11:29,720
AND THE HOUSE IS -- IS DEAD
1935
01:11:29,720 --> 01:11:31,156
QUIET EXCEPT FOR THE WIND AND
1936
01:11:31,156 --> 01:11:32,940
T-THE CREAKING TIMBERS.
1937
01:11:32,940 --> 01:11:35,465
I GO TO YOUR ROOM.
1938
01:11:35,465 --> 01:11:39,251
AND I'M AFRAID.
1939
01:11:39,251 --> 01:11:41,993
AND I'M EXHILARATED, AND...
1940
01:11:41,993 --> 01:11:43,908
AND I HAVE NO IDEA WHAT'S GONNA
1941
01:11:43,908 --> 01:11:46,258
AND I HAVE NO IDEA WHAT'S GONNA
HAPPEN.
1942
01:11:46,258 --> 01:12:04,189
HAPPEN.
1943
01:12:04,189 --> 01:12:07,018
TALK TO ME.
1944
01:12:07,018 --> 01:12:10,500
PLEASE.
1945
01:12:10,500 --> 01:12:11,544
WE'RE ALL ALONE.
1946
01:12:11,544 --> 01:12:15,766
IT'S JUST THE TWO OF US.
1947
01:12:15,766 --> 01:12:17,071
I THINK YOU WANT TO COME BACK TO
1948
01:12:17,071 --> 01:12:22,990
LIFE.
1949
01:12:22,990 --> 01:12:24,165
I THINK YOU NEED TO TOUCH
1950
01:12:24,165 --> 01:12:26,472
I THINK YOU NEED TO TOUCH
SOMEONE.
1951
01:12:26,472 --> 01:12:32,391
SOMEONE.
1952
01:12:32,391 --> 01:12:34,001
TO FEEL ANOTHER HUMAN BEING
1953
01:12:34,001 --> 01:12:36,352
TO FEEL ANOTHER HUMAN BEING
AGAINST YOUR BODY.
1954
01:12:36,352 --> 01:12:41,922
AGAINST YOUR BODY.
1955
01:12:41,922 --> 01:12:45,796
I CAN SEE A GLOW IN YOUR EYES.
1956
01:12:45,796 --> 01:12:47,188
I CAN EVEN SEE THE BEGINNING OF
1957
01:12:47,188 --> 01:12:52,237
A SMILE.
1958
01:12:52,237 --> 01:12:54,239
I CAN SEE IT.
1959
01:12:54,239 --> 01:12:57,547
I CAN FEELIT.
1960
01:12:57,547 --> 01:12:59,462
I KNOW IN THE DEAD CENTER OF
1961
01:12:59,462 --> 01:13:03,466
YOUR BODY, THERE IS LIFE.
1962
01:13:03,466 --> 01:13:04,815
AND YOU'VE BEEN WAITING FOR ME
1963
01:13:04,815 --> 01:13:08,384
AND YOU'VE BEEN WAITING FOR ME
FOR A VERYLONG TIME.
1964
01:13:08,384 --> 01:13:14,868
FOR A VERYLONG TIME.
1965
01:13:14,868 --> 01:13:20,831
NO.
1966
01:13:20,831 --> 01:13:22,920
NO!
1967
01:13:22,920 --> 01:13:28,099
NOT THIS TIME!
1968
01:13:28,099 --> 01:13:33,496
SPEAK!
1969
01:13:33,496 --> 01:13:36,412
SPEAK!
SAY SOMETHING, GODDAMN IT!
1970
01:13:36,412 --> 01:13:42,940
SAY SOMETHING, GODDAMN IT!
1971
01:13:42,940 --> 01:13:45,290
SAY SOMETHING, GODDAMN IT!
FUCK YOU.
1972
01:13:45,290 --> 01:13:53,907
FUCK YOU.
1973
01:13:53,907 --> 01:13:56,257
FUCK YOU.
[ GUNSHOT ]
1974
01:13:56,257 --> 01:14:01,306
[ GUNSHOT ]
1975
01:14:01,306 --> 01:14:04,875
[ GUNSHOT ]
[ BREATHES HEAVILY ]
1976
01:14:04,875 --> 01:14:30,335
[ BREATHES HEAVILY ]
1977
01:14:30,335 --> 01:14:31,597
I THINK WE'RE READY.
1978
01:14:31,597 --> 01:14:33,947
I THINK WE'RE READY.
[ ROMANTIC MUSIC PLAYING ]
1979
01:14:33,947 --> 01:14:44,131
[ ROMANTIC MUSIC PLAYING ]
1980
01:14:44,131 --> 01:14:46,482
[ ROMANTIC MUSIC PLAYING ]
[ ROMANTIC MUSIC CONTINUES ]
1981
01:14:46,482 --> 01:14:56,622
[ ROMANTIC MUSIC CONTINUES ]
1982
01:14:56,622 --> 01:14:58,972
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1983
01:14:58,972 --> 01:15:09,156
[ ROMANTIC MUSIC CONTINUES ]
1984
01:15:09,156 --> 01:15:11,507
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1985
01:15:11,507 --> 01:15:21,647
[ ROMANTIC MUSIC CONTINUES ]
1986
01:15:21,647 --> 01:15:23,997
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1987
01:15:23,997 --> 01:15:34,181
[ ROMANTIC MUSIC CONTINUES ]
1988
01:15:34,181 --> 01:15:36,532
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1989
01:15:36,532 --> 01:15:53,723
[ ROMANTIC MUSIC CONTINUES ]
1990
01:15:53,723 --> 01:15:56,726
[ CART THUDDING ]
1991
01:15:56,726 --> 01:16:00,643
[ KEYS JINGLING ]
1992
01:16:00,643 --> 01:16:06,866
[ DOOR CLOSES ]
1993
01:16:06,866 --> 01:16:08,215
>> JE-SUS!
1994
01:16:08,215 --> 01:16:11,001
[ DIAL TONE ]
1995
01:16:11,001 --> 01:16:12,176
>> OH, SHIT.
1996
01:16:12,176 --> 01:16:15,135
[ CLICK ]
1997
01:16:15,135 --> 01:16:17,485
[ CLICK ]
OH, MY GOD.
1998
01:16:17,485 --> 01:16:24,101
OH, MY GOD.
1999
01:16:24,101 --> 01:16:25,929
>> [ SIGHS ]
2000
01:16:25,929 --> 01:16:30,455
>> JESUS!
2001
01:16:30,455 --> 01:16:33,284
>> IS IT NOON ALREADY?
2002
01:16:33,284 --> 01:16:34,546
>> IT'S THREE MINUTES BEFORE.
2003
01:16:34,546 --> 01:16:36,853
>> IT'S THREE MINUTES BEFORE.
[ SIGHS ]
2004
01:16:36,853 --> 01:16:40,987
[ SIGHS ]
2005
01:16:40,987 --> 01:16:42,293
LISTEN, IF EDDIE FINDS OUT THAT
2006
01:16:42,293 --> 01:16:43,642
YOU'RE TAKING THE PHONES OFF THE
2007
01:16:43,642 --> 01:16:45,905
HOOK, HE'S GONNA FIRE YOU.
2008
01:16:45,905 --> 01:16:48,081
YOU KNOW, HE [SIGHS] CALLS HERE
2009
01:16:48,081 --> 01:16:50,606
SOMETIMES TO CHECK UP ON US.
2010
01:16:50,606 --> 01:16:51,694
MAKE SURE WE'RE ANSWERING THE
2011
01:16:51,694 --> 01:16:53,870
PHONES.
2012
01:16:53,870 --> 01:16:55,480
I-- [SIGHS] IT'S NONE OF MY
2013
01:16:55,480 --> 01:16:58,788
BUSINESS, BUT...
2014
01:16:58,788 --> 01:16:59,832
WHY DO YOU HAVE YOUR CLOTHES
2015
01:16:59,832 --> 01:17:04,184
OFF?
2016
01:17:04,184 --> 01:17:07,579
>> DO YOU REALLY WANT TO KNOW?
2017
01:17:07,579 --> 01:17:09,146
>> I DON'T KNOW.
2018
01:17:09,146 --> 01:17:11,496
>> I DON'T KNOW.
DO I?
2019
01:17:11,496 --> 01:17:17,371
DO I?
2020
01:17:17,371 --> 01:17:19,460
I-I FOLDED...
2021
01:17:19,460 --> 01:17:23,377
THOSE FOR YOU.
2022
01:17:23,377 --> 01:17:26,337
>> THANK YOU.
2023
01:17:26,337 --> 01:17:30,907
[ KEYS JINGLE ]
2024
01:17:30,907 --> 01:17:34,519
[ KEYS JINGLE ]
[ BREATHES HEAVILY ]
2025
01:17:34,519 --> 01:17:56,497
[ BREATHES HEAVILY ]
2026
01:17:56,497 --> 01:17:58,804
[ BREATHES HEAVILY ]
[ SIGHS ]
2027
01:17:58,804 --> 01:18:11,034
[ SIGHS ]
2028
01:18:11,034 --> 01:18:17,040
[ FINGERS TYPING ON TYPEWRITER ]
2029
01:18:17,040 --> 01:18:19,129
[ DING ]
2030
01:18:19,129 --> 01:18:21,479
[ DING ]
[ TYPING CONTINUES ]
2031
01:18:21,479 --> 01:18:39,584
[ TYPING CONTINUES ]
2032
01:18:39,584 --> 01:18:41,891
[ TYPING CONTINUES ]
[ SIGHS ]
2033
01:18:41,891 --> 01:18:47,418
[ SIGHS ]
2034
01:18:47,418 --> 01:18:49,420
>> HAPPY NEW DAY, LEON.
2035
01:18:49,420 --> 01:18:51,901
[ WHISTLING ]
2036
01:18:51,901 --> 01:18:53,076
I GOT A GREAT FEELING ABOUT
2037
01:18:53,076 --> 01:18:53,467
TODAY.
2038
01:18:53,467 --> 01:18:54,338
[ LEON CHIRPS ]
2039
01:18:54,338 --> 01:18:55,861
GOOD MORNING, LADIES AND GERMS.
2040
01:18:55,861 --> 01:18:57,384
FUNNY THING HAPPENED TO ME ON
2041
01:18:57,384 --> 01:18:59,125
THE WAY TO...
2042
01:18:59,125 --> 01:19:00,823
VIENNA.
2043
01:19:00,823 --> 01:19:03,956
I MET A BEAUTIFUL CONTESSA...
2044
01:19:03,956 --> 01:19:06,916
I MET A BEAUTIFUL CONTESSA...
NAMED DELILAH.
2045
01:19:06,916 --> 01:19:21,191
NAMED DELILAH.
2046
01:19:21,191 --> 01:19:25,935
[ TELEPHONE RINGING ]
2047
01:19:25,935 --> 01:19:28,154
>> HELLO -- SWEET TALK.
2048
01:19:28,154 --> 01:19:29,286
WANT TO TALK?
2049
01:19:29,286 --> 01:19:30,504
>> WHO'S THIS?
2050
01:19:30,504 --> 01:19:31,418
>> GINNY.
2051
01:19:31,418 --> 01:19:32,419
WHO'S THIS?
2052
01:19:32,419 --> 01:19:33,551
>> WHERE'S DELILAH?
2053
01:19:33,551 --> 01:19:35,335
>> OH, SHE'S NOT HERE RIGHT NOW,
2054
01:19:35,335 --> 01:19:36,859
BUT I'D LOVE TO TALK TO YOU.
2055
01:19:36,859 --> 01:19:38,512
>> WHAT DO YOU MEAN SHE'S NOT
2056
01:19:38,512 --> 01:19:39,035
THERE?
2057
01:19:39,035 --> 01:19:40,079
WHERE DID SHE GO?
2058
01:19:40,079 --> 01:19:42,081
>> OUT?
2059
01:19:42,081 --> 01:19:43,648
>> I THOUGHT THIS WAS HER PLACE.
2060
01:19:43,648 --> 01:19:45,128
>> Oh, we're sort of roommates,
2061
01:19:45,128 --> 01:19:45,911
her and me.
2062
01:19:45,911 --> 01:19:47,652
WHEN ONE GOES OUT, THE OTHER'S
2063
01:19:47,652 --> 01:19:48,261
HERE.
2064
01:19:48,261 --> 01:19:50,046
>> WHEN WILL SHE BE BACK?
2065
01:19:50,046 --> 01:19:51,917
>> SHE'S HERE EVENINGS AND
2066
01:19:51,917 --> 01:19:54,137
MORNINGS, MIDNIGHT TO NOON.
2067
01:19:54,137 --> 01:19:54,833
>> SHIT.
2068
01:19:54,833 --> 01:19:56,487
>> AW, YOU DON'T HAVE TO WAIT
2069
01:19:56,487 --> 01:19:57,314
THATLONG.
2070
01:19:57,314 --> 01:19:58,141
>> [ SIGHS ]
2071
01:19:58,141 --> 01:19:59,359
YEAH, I THINK I DO.
2072
01:19:59,359 --> 01:20:00,012
>> WHY?
2073
01:20:00,012 --> 01:20:01,361
YOU AND I CAN TALK.
2074
01:20:01,361 --> 01:20:03,320
What do you want to talk about?
2075
01:20:03,320 --> 01:20:04,147
>> VIENNA.
2076
01:20:04,147 --> 01:20:04,843
>> HUH?
2077
01:20:04,843 --> 01:20:07,846
>> Nazis were marching in the
2078
01:20:07,846 --> 01:20:10,327
street.
2079
01:20:10,327 --> 01:20:13,243
I WAS IN BED WITHOUT THE USE OF
2080
01:20:13,243 --> 01:20:16,507
MY ARMS AND MY LEGS.
2081
01:20:16,507 --> 01:20:19,162
SHE WAS MY NURSE.
2082
01:20:19,162 --> 01:20:20,990
She came to me at night.
2083
01:20:20,990 --> 01:20:22,382
>> COULD YOU HOLD ON A SEC?
2084
01:20:22,382 --> 01:20:23,906
UH, SOME NUT JOB WANTS TO TALK
2085
01:20:23,906 --> 01:20:24,384
TO YOU.
2086
01:20:24,384 --> 01:20:25,255
>> I'M OFF DUTY.
2087
01:20:25,255 --> 01:20:26,647
>> YEAH, HE'S TALKING ABOUT
2088
01:20:26,647 --> 01:20:30,477
VIENNA AND NAZIS, SOME NURSE.
2089
01:20:30,477 --> 01:20:33,567
>> HELLO. HI, HI.
2090
01:20:33,567 --> 01:20:35,178
>> Hi.
2091
01:20:35,178 --> 01:20:36,353
You had me worried there for a
2092
01:20:36,353 --> 01:20:38,050
minute.
2093
01:20:38,050 --> 01:20:41,271
>> UM...
2094
01:20:41,271 --> 01:20:42,925
I CAN'T TALK RIGHT NOW.
2095
01:20:42,925 --> 01:20:44,752
>> I THOUGHT THIS WAS YOUR
2096
01:20:44,752 --> 01:20:45,362
PLACE.
2097
01:20:45,362 --> 01:20:47,712
>> I LIED.
2098
01:20:47,712 --> 01:20:49,105
>> WHAT ELSE DID YOU LIE ABOUT?
2099
01:20:49,105 --> 01:20:50,323
>> NOTHING.
2100
01:20:50,323 --> 01:20:51,281
NOTHING.
2101
01:20:51,281 --> 01:21:02,945
EVERYTHING ELSE WAS THE TRUTH.
2102
01:21:02,945 --> 01:21:07,166
>> So [sighs]
2103
01:21:07,166 --> 01:21:11,823
WHAT DO WE DO NOW?
2104
01:21:11,823 --> 01:21:16,175
Shall we walk along the Danube?
2105
01:21:16,175 --> 01:21:17,960
MAYBE WE COULD FIND A-A CAFé
2106
01:21:17,960 --> 01:21:19,787
THAT SERVES SACHER TORTE WITH
2107
01:21:19,787 --> 01:21:20,788
WHIPPED CREAM.
2108
01:21:20,788 --> 01:21:23,269
>> MMM, WOULDN'T THAT BE NICE?
2109
01:21:23,269 --> 01:21:30,189
>> YEAH. YEAH, IT WOULD.
2110
01:21:30,189 --> 01:21:32,104
>> UM [SIGHS] SAMSON, I, UH, I
2111
01:21:32,104 --> 01:21:33,976
DON'T KNOW THAT THAT'S A GOOD
2112
01:21:33,976 --> 01:21:37,240
IDEA.
2113
01:21:37,240 --> 01:21:39,285
>> WHY NOT?
2114
01:21:39,285 --> 01:21:41,418
>> Well [sighs]
2115
01:21:41,418 --> 01:21:43,115
I DON'T THINK I COULD HANDLE
2116
01:21:43,115 --> 01:21:44,943
STARBUCKS RIGHT NOW, YOU KNOW,
2117
01:21:44,943 --> 01:21:46,814
WITH, UH, WITH THE BIODEGRADABLE
2118
01:21:46,814 --> 01:21:48,729
CUPS AND PEOPLE TALKING ON THEIR
2119
01:21:48,729 --> 01:21:52,342
CELLPHONES AND LAPTOPS.
2120
01:21:52,342 --> 01:21:53,430
>> SO, WHAT ARE WE ARE SUPPOSED
2121
01:21:53,430 --> 01:21:55,432
TO DO?
2122
01:21:55,432 --> 01:21:57,825
HMM?
2123
01:21:57,825 --> 01:21:58,348
FORGET IT?
2124
01:21:58,348 --> 01:21:59,523
JUST FORGET THE WHOLE THING
2125
01:21:59,523 --> 01:22:01,003
HAPPENED?
2126
01:22:01,003 --> 01:22:02,569
VIENNA?
2127
01:22:02,569 --> 01:22:05,746
THE DUEL, THE DANCE, THE TRAIN?
2128
01:22:05,746 --> 01:22:06,747
>> No.
2129
01:22:06,747 --> 01:22:09,446
NO, I'M NOT FORGETTING.
2130
01:22:09,446 --> 01:22:11,448
>> WELL, GOOD. THAT'S...
2131
01:22:11,448 --> 01:22:14,016
THAT'S GOOD TO HEAR.
2132
01:22:14,016 --> 01:22:15,539
>> IT'S JUST THERE AREN'T A LOT
2133
01:22:15,539 --> 01:22:16,975
OF DUELS BEING FOUGHT AROUND
2134
01:22:16,975 --> 01:22:21,110
HERE, YOU KNOW?
2135
01:22:21,110 --> 01:22:23,460
>> I WARNED YOU, DIDN'T I?
2136
01:22:23,460 --> 01:22:26,767
We could've stopped at any time.
2137
01:22:26,767 --> 01:22:29,814
SO, WHAT ARE WE SUPPOSED TO DO?
2138
01:22:29,814 --> 01:22:33,035
>> GO HOME, I GUESS.
2139
01:22:33,035 --> 01:22:36,690
>> AND DO WHAT?
2140
01:22:36,690 --> 01:22:38,954
>> SLEEP.
2141
01:22:38,954 --> 01:22:40,477
>> PERCHANCE TO DREAM.
2142
01:22:40,477 --> 01:22:41,608
>> [ Chuckles ]
2143
01:22:41,608 --> 01:22:43,306
>> Ah, there's the rub.
2144
01:22:43,306 --> 01:22:45,438
>> FOR IN THAT SLEEP OF DEATH,
2145
01:22:45,438 --> 01:22:47,788
>> FOR IN THAT SLEEP OF DEATH,
WHAT DREAMS MAY COME.
2146
01:22:47,788 --> 01:22:54,795
WHAT DREAMS MAY COME.
2147
01:22:54,795 --> 01:22:56,188
>> Come on.
2148
01:22:56,188 --> 01:23:00,714
Delilah.
2149
01:23:00,714 --> 01:23:05,197
I FOUND MY VOICE.
2150
01:23:05,197 --> 01:23:08,157
I HAVE -- I FOUND -- I FOUND MY
2151
01:23:08,157 --> 01:23:10,507
VOICE.
2152
01:23:10,507 --> 01:23:12,857
VOICE.
I HAVE THINGS TO SAY.
2153
01:23:12,857 --> 01:23:17,818
I HAVE THINGS TO SAY.
2154
01:23:17,818 --> 01:23:19,081
WE COULD GO BACK THERE.
2155
01:23:19,081 --> 01:23:20,647
>> You really think we can do
2156
01:23:20,647 --> 01:23:23,085
that?
2157
01:23:23,085 --> 01:23:26,349
>> YES. OF COURSE.
2158
01:23:26,349 --> 01:23:29,874
WE WENT BEFORE. WE CAN GO AGAIN.
2159
01:23:29,874 --> 01:23:30,831
We could go there.
2160
01:23:30,831 --> 01:23:32,094
We could go to all kinds of
2161
01:23:32,094 --> 01:23:32,616
places.
2162
01:23:32,616 --> 01:23:33,965
WE CAN GO TO AMAZINGPLACES.
2163
01:23:33,965 --> 01:23:35,706
WE CAN GO TO PARIS.
2164
01:23:35,706 --> 01:23:38,100
WE COULD GO SAINT PETERSBURG.
2165
01:23:38,100 --> 01:23:39,753
WE COULD [LAUGHS]
2166
01:23:39,753 --> 01:23:40,885
[ RATTLE RATTLES ]
2167
01:23:40,885 --> 01:23:42,060
WE COULD GO TO RIO!
2168
01:23:42,060 --> 01:23:42,887
[ CHUCKLES ]
2169
01:23:42,887 --> 01:23:45,542
RIO!
2170
01:23:45,542 --> 01:23:48,806
CARNIVAL TIME.
2171
01:23:48,806 --> 01:23:55,117
ZAMBAS, DRUMS.
2172
01:23:55,117 --> 01:24:00,035
>> How about New York?
2173
01:24:00,035 --> 01:24:01,601
In...
2174
01:24:01,601 --> 01:24:06,171
In the '40s.
2175
01:24:06,171 --> 01:24:07,955
I COULD BE A TORCH SINGER AT A
2176
01:24:07,955 --> 01:24:10,219
BAR ON...
2177
01:24:10,219 --> 01:24:13,265
I DON'T KNOW -- 52nd STREET.
2178
01:24:13,265 --> 01:24:18,096
AND YOU COULD BE A GANGSTA.
2179
01:24:18,096 --> 01:24:20,011
>> WITH A SCAR HALFWAY DOWN MY
2180
01:24:20,011 --> 01:24:22,231
CHEEK AND A DIAMOND STICKPIN.
2181
01:24:22,231 --> 01:24:23,667
>> YEAH.
2182
01:24:23,667 --> 01:24:26,017
>> YEAH.
YEAH.
2183
01:24:26,017 --> 01:24:38,769
YEAH.
2184
01:24:38,769 --> 01:24:42,207
[ SIGHS ]
2185
01:24:42,207 --> 01:24:45,515
SAMSON, RIGHT?
2186
01:24:45,515 --> 01:24:48,561
THIRD ONE DOWN, NO "P"?
2187
01:24:48,561 --> 01:24:50,781
>> Yeah.
2188
01:24:50,781 --> 01:24:52,348
DELILAH?
2189
01:24:52,348 --> 01:24:56,265
>> YES?
2190
01:24:56,265 --> 01:24:57,483
>> THIS COULD BE THE START OF
2191
01:24:57,483 --> 01:24:59,833
SOMETHING BIG.
2192
01:24:59,833 --> 01:25:05,404
>> YES.
2193
01:25:05,404 --> 01:25:10,409
>> SEE YOU AROUND, I GUESS.
2194
01:25:10,409 --> 01:25:12,977
>> SEE YOU AROUND.
2195
01:25:12,977 --> 01:25:15,501
>> WHEREVER THERE IS.
2196
01:25:15,501 --> 01:25:18,765
>> [ SIGHS ]
2197
01:25:18,765 --> 01:25:21,116
>> [ SIGHS ]
>> WHEREVER THERE IS.
2198
01:25:21,116 --> 01:25:26,295
>> WHEREVER THERE IS.
2199
01:25:26,295 --> 01:25:28,645
>> WHEREVER THERE IS.
[ BEEP ]
2200
01:25:28,645 --> 01:25:53,409
[ BEEP ]
2201
01:25:53,409 --> 01:25:59,589
[ TELEPHONE RINGING ]
2202
01:25:59,589 --> 01:26:02,809
[ RINGING CONTINUES ]
2203
01:26:02,809 --> 01:26:05,595
[ KEYS JINGLING ]
2204
01:26:05,595 --> 01:26:07,945
[ KEYS JINGLING ]
[ RINGING CONTINUES ]
2205
01:26:07,945 --> 01:26:12,123
[ RINGING CONTINUES ]
2206
01:26:12,123 --> 01:26:13,168
[ RINGING CONTINUES ]
2207
01:26:13,168 --> 01:26:17,911
>> YOU GONNA GET THAT?
2208
01:26:17,911 --> 01:26:18,956
[ DOOR OPENS ]
2209
01:26:18,956 --> 01:26:22,351
[ DOOR CLOSES ]
2210
01:26:22,351 --> 01:26:23,961
ARE YOU GONNA GET THAT?
2211
01:26:23,961 --> 01:26:28,226
[ RINGING CONTINUES ]
2212
01:26:28,226 --> 01:26:29,967
HELLO -- SWEET TALK.
2213
01:26:29,967 --> 01:26:31,273
THIS IS GINNY.
2214
01:26:31,273 --> 01:26:32,099
>> Hi.
2215
01:26:32,099 --> 01:26:32,970
>> HI.
2216
01:26:32,970 --> 01:26:34,363
WHO IS THIS?
2217
01:26:34,363 --> 01:26:35,407
>> John.
2218
01:26:35,407 --> 01:26:37,061
>> JOHN?
2219
01:26:37,061 --> 01:26:39,150
HI, JOHN.
2220
01:26:39,150 --> 01:26:41,283
YOU HAVE A NICE-SOUNDING VOICE.
2221
01:26:41,283 --> 01:26:43,241
HAVE YOU CALLED US BEFORE?
2222
01:26:43,241 --> 01:26:44,329
Mm.
2223
01:26:44,329 --> 01:26:45,678
I thought I recognized your
2224
01:26:45,678 --> 01:26:49,160
voice.
2225
01:26:49,160 --> 01:26:51,031
So, John [Sighs] what would you
2226
01:26:51,031 --> 01:26:54,470
like to talk about today?
2227
01:26:54,470 --> 01:26:57,995
Something a little different?
2228
01:26:57,995 --> 01:27:01,259
How different?
2229
01:27:01,259 --> 01:27:03,566
How different?
Really?
2230
01:27:03,566 --> 01:27:08,179
Really?
2231
01:27:08,179 --> 01:27:09,311
Tell me the tape of the girl
2232
01:27:09,311 --> 01:27:14,968
that turned you on.
2233
01:27:14,968 --> 01:27:16,840
I'm a redhead, John.
2234
01:27:16,840 --> 01:27:19,930
In fact, I'm red allover.
2235
01:27:19,930 --> 01:27:22,324
Mmm.
2236
01:27:22,324 --> 01:27:24,587
Like I said...
2237
01:27:24,587 --> 01:27:27,677
everywhere.
2238
01:27:27,677 --> 01:27:28,678
[ Moans ]
2239
01:27:28,678 --> 01:27:31,420
Johnny, you son of a bitch!
2240
01:27:31,420 --> 01:27:35,032
Johnny, you son of a bitch!
You big, hard son of a bitch!
2241
01:27:35,032 --> 01:29:54,650
You big, hard son of a bitch!
2242
01:29:54,650 --> 01:29:56,652
>> ♪ IF YOU QUIET DOWN
2243
01:29:56,652 --> 01:30:02,397
♪ YOUR WORDS WILL GET LOUDER
2244
01:30:02,397 --> 01:30:07,314
♪ I'VE NEVER MET ANYBODY PROUDER
2245
01:30:07,314 --> 01:30:10,056
THAN YOU ♪
2246
01:30:10,056 --> 01:30:12,885
♪ LOOSEN UP YOUR GRIP, AND THEN
2247
01:30:12,885 --> 01:30:15,322
YOU'LL HOLD ON LONGER ♪
2248
01:30:15,322 --> 01:30:16,802
♪ OH
2249
01:30:16,802 --> 01:30:17,847
[ VOCALIZES ]
2250
01:30:17,847 --> 01:30:21,241
♪ I'VE NEVER MET ANYONE MORE
2251
01:30:21,241 --> 01:30:24,941
FAITHFUL THAN YOU ♪
2252
01:30:24,941 --> 01:30:26,769
♪ YET THEY DON'T SEE HOW
2253
01:30:26,769 --> 01:30:28,858
BEAUTIFUL YOU CAN BE ♪
2254
01:30:28,858 --> 01:30:30,642
♪ YET THEY DON'T SEE HOW
2255
01:30:30,642 --> 01:30:32,688
BEAUTIFUL YOU CAN BE ♪
2256
01:30:32,688 --> 01:30:34,472
♪ YET THEY DON'T SEE HOW
2257
01:30:34,472 --> 01:30:37,257
BEAUTIFUL YOU CAN BE ♪
2258
01:30:37,257 --> 01:30:38,998
♪ BE, BE
2259
01:30:38,998 --> 01:30:40,435
♪ OH, YOU'VE GOT TO LET THEM
2260
01:30:40,435 --> 01:30:41,610
>> ♪ LET THEM, LET THEM
2261
01:30:41,610 --> 01:30:42,437
>> ♪ LET THEM
2262
01:30:42,437 --> 01:30:43,655
>> ♪ LET THEM, LET THEM
2263
01:30:43,655 --> 01:30:44,482
>> ♪ LET THEM
2264
01:30:44,482 --> 01:30:45,657
>> ♪ LET THEM, LET THEM
2265
01:30:45,657 --> 01:30:47,050
>> ♪ WALK ON
2266
01:30:47,050 --> 01:30:48,268
♪ YOU'VE GOT TO LET THEM
2267
01:30:48,268 --> 01:30:49,444
>> ♪ LET THEM, LET THEM
2268
01:30:49,444 --> 01:30:50,183
>> ♪ LET THEM
2269
01:30:50,183 --> 01:30:51,358
>> ♪ LET THEM, LET THEM
2270
01:30:51,358 --> 01:30:52,142
>> ♪ LET THEM
2271
01:30:52,142 --> 01:30:53,317
>> ♪ LET THEM, LET THEM
2272
01:30:53,317 --> 01:30:54,753
>> ♪ WALK ON
2273
01:30:54,753 --> 01:30:56,233
[ VOCALIZES ]
2274
01:30:56,233 --> 01:30:58,235
>> ♪ TAKING SHORTCUTS ISN'T THE
2275
01:30:58,235 --> 01:30:59,976
EASIEST RIDE ♪
2276
01:30:59,976 --> 01:31:02,282
♪ IF YOU'RE TRYING TO FIGURE
2277
01:31:02,282 --> 01:31:03,370
YOURSELF OUT ♪
2278
01:31:03,370 --> 01:31:05,721
♪ DON'T BE POLITE WHEN THE MOOD
2279
01:31:05,721 --> 01:31:07,026
WAY IS RIGHT ♪
2280
01:31:07,026 --> 01:31:08,245
♪ 'CAUSE TOES ARE MEANT TO BE
2281
01:31:08,245 --> 01:31:10,377
STEPPED ON IF THE DANCING AIN'T
2282
01:31:10,377 --> 01:31:11,117
NICE ♪
2283
01:31:11,117 --> 01:31:13,119
♪ TOES MUST BE STEPPED ON IF THE
2284
01:31:13,119 --> 01:31:14,904
DANCING AIN'T NICE ♪
2285
01:31:14,904 --> 01:31:16,601
♪ COME ON, BABY GIRL, YOU'VE GOT
2286
01:31:16,601 --> 01:31:18,734
TO PUT UP A FIGHT ♪
2287
01:31:18,734 --> 01:31:20,692
♪ PUT UP A FIGHT
2288
01:31:20,692 --> 01:31:22,477
♪ PUT UP A FIGHT
2289
01:31:22,477 --> 01:31:24,566
♪ THEY SIMPLY DON'T SEE
2290
01:31:24,566 --> 01:31:26,524
♪ YET THEY DON'T SEE
2291
01:31:26,524 --> 01:31:28,265
>> ♪ YET THEY DON'T SEE HOW
2292
01:31:28,265 --> 01:31:30,310
BEAUTIFUL YOU CAN BE ♪
2293
01:31:30,310 --> 01:31:32,182
♪ YET THEY DON'T SEE HOW
2294
01:31:32,182 --> 01:31:34,140
BEAUTIFUL YOU CAN BE ♪
2295
01:31:34,140 --> 01:31:35,925
♪ YET THEY DON'T SEE HOW
2296
01:31:35,925 --> 01:31:37,230
BEAUTIFUL ♪
2297
01:31:37,230 --> 01:31:38,667
♪ YOU CAN BE
2298
01:31:38,667 --> 01:31:40,407
♪ BE, BE
2299
01:31:40,407 --> 01:31:41,800
♪ OH, YOU'VE GOT TO LET THEM
2300
01:31:41,800 --> 01:31:43,019
>> ♪ LET THEM, LET THEM
2301
01:31:43,019 --> 01:31:43,802
>> ♪ LET THEM
2302
01:31:43,802 --> 01:31:45,021
>> ♪ LET THEM, LET THEM
2303
01:31:45,021 --> 01:31:45,804
>> ♪ LET THEM
2304
01:31:45,804 --> 01:31:47,023
>> ♪ LET THEM, LET THEM
2305
01:31:47,023 --> 01:31:48,415
>> ♪ WALK ON
2306
01:31:48,415 --> 01:31:49,678
♪ YOU'VE GOT TO LET THEM
2307
01:31:49,678 --> 01:31:50,896
>> ♪ LET THEM, LET THEM
2308
01:31:50,896 --> 01:31:51,680
>> ♪ LET THEM
2309
01:31:51,680 --> 01:31:52,855
>> ♪ LET THEM, LET THEM
2310
01:31:52,855 --> 01:31:53,638
>> ♪ LET THEM
2311
01:31:53,638 --> 01:31:54,857
>> ♪ LET THEM, LET THEM
2312
01:31:54,857 --> 01:32:00,253
>> ♪ LET THEM, LET THEM
>> ♪ WALK O-O-O-O-N
133420
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
