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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,135 --> 00:00:03,635 TONIGHT ON "NEWSREADERS," PROFESSIONAL BEACH VOLLEYBALL -- 2 00:00:03,671 --> 00:00:06,041 WE'LL GET TO THE BOTTOM OF THE COMPLEX AND CRYPTIC SIGNALS 3 00:00:06,074 --> 00:00:09,284 THAT ARE THE KEY TO UNDERSTANDING THIS GAME. 4 00:00:09,310 --> 00:00:12,110 ALSO, BASEBALL SIGNALS -- WHY NOBODY CARES. 5 00:00:12,146 --> 00:00:13,476 AND DO YOU CATCH YOURSELF 6 00:00:13,514 --> 00:00:16,054 WALKING WITH YOUR HANDS BEHIND YOUR BACK? 7 00:00:16,084 --> 00:00:17,394 IF SO, YOU'LL WANT TO HEAR 8 00:00:17,418 --> 00:00:20,288 WHY DR. HANS DORFMAN SAYS YOU ARE SLOWLY DYING. 9 00:00:20,321 --> 00:00:23,491 ALL THAT AND MORE TONIGHT ON "NEWSPAPERS." 10 00:00:34,368 --> 00:00:36,238 IF YOU'RE AN AMERICAN WHO HAS FRIENDS, 11 00:00:36,270 --> 00:00:38,610 THEN CHANCES ARE, YOU'VE PLAYED [BLEEP] MARRY, KILL. 12 00:00:38,639 --> 00:00:39,839 IT'S THE GAME WHERE YOU CHOOSE 13 00:00:39,873 --> 00:00:41,613 WHICH OF THREE PEOPLE TO HAVE SEX WITH, 14 00:00:41,642 --> 00:00:44,112 WHICH ONE TO MARRY, AND WHICH ONE TO MURDER. 15 00:00:44,145 --> 00:00:46,605 IN RECENT YEARS, THE GAME TOOK A DARK TURN 16 00:00:46,647 --> 00:00:47,847 WHEN A SERIAL KILLER BEGAN 17 00:00:47,881 --> 00:00:49,621 MODELING HIS MURDERS ON THE GAME, 18 00:00:49,650 --> 00:00:52,250 AND HE BECAME KNOWN AS THE [BLEEP] MARRY KILLER. 19 00:00:52,286 --> 00:00:53,416 OF ALL THE CORRESPONDENTS 20 00:00:53,454 --> 00:00:55,294 I COULD CHOOSE TO COVER THE STORY, 21 00:00:55,323 --> 00:00:58,433 I'D HAVE SEX WITH XANDRA, I'D MARRY AMIR, 22 00:00:58,459 --> 00:00:59,759 AND I'D SEND NARGE HEMINGWAY 23 00:00:59,793 --> 00:01:01,663 TO GET THE FIRST TELEVISION INTERVIEW 24 00:01:01,695 --> 00:01:03,095 WITH THE [BLEEP] MARRY KILLER. 25 00:01:03,131 --> 00:01:05,171 "IT WAS JUST A GAME." 26 00:01:05,199 --> 00:01:08,139 THAT WAS THE ONLY STATEMENT MADE BY CAROB LANDIS, 27 00:01:08,169 --> 00:01:09,699 THE NOTORIOUS [BLEEP] MARRY KILLER, 28 00:01:09,737 --> 00:01:14,337 BEFORE BEING SENTENCED TO DEATH JUST DAYS AGO. 29 00:01:14,375 --> 00:01:19,105 FBI SPECIAL AGENTS KELLY SPEARS, MARY AGOSTI, AND FAMKE CARBONALE 30 00:01:19,147 --> 00:01:21,547 LED THE TASK FORCE THAT CAUGHT LANDIS. 31 00:01:21,582 --> 00:01:23,452 NONE OF US HAD EVER SEEN ANYTHING LIKE IT. 32 00:01:23,484 --> 00:01:25,354 IN FACT, NOBODY IN THE AGENCY HAD. 33 00:01:25,386 --> 00:01:28,356 LANDIS, THE KILLER, HE WOULD -- OR... 34 00:01:28,389 --> 00:01:30,189 AS WE CALL IT, "THE PERP." 35 00:01:30,224 --> 00:01:32,234 OH, MY GOSH. I SAID "THE KILLER." 36 00:01:32,260 --> 00:01:33,730 IT DOESN'T MATTER. JUST TELL THE STORY. 37 00:01:33,761 --> 00:01:35,561 OKAY, WELL, ANYWAY, 38 00:01:35,596 --> 00:01:38,326 LANDIS, THE PERP, HE WOULD KIDNAP FOUR VICTIMS -- 39 00:01:38,366 --> 00:01:40,766 WE CALL IT A 2-0-7. 40 00:01:40,801 --> 00:01:42,171 YES. 41 00:01:42,203 --> 00:01:44,373 THANK YOU AGAIN, AGENT AGOSTI. 42 00:01:44,405 --> 00:01:46,165 UM, YES, HE WOULD KIDNAP FOUR VICTIMS -- 43 00:01:46,207 --> 00:01:47,277 AND THEN THAT VICTIM -- 44 00:01:47,308 --> 00:01:50,308 MARY'S GOT IT FROM HERE, I GUESS. 45 00:01:51,245 --> 00:01:54,645 THEN HE WOULD FORCE ONE OF THE VICTIMS 46 00:01:54,682 --> 00:01:55,822 TO "PLAY THE GAME." 47 00:01:55,849 --> 00:01:57,419 SORRY. 48 00:01:57,451 --> 00:01:59,891 YOU GOT A LITTLE SPIT ON MY FACE WHEN YOU SAID "PLAY." 49 00:01:59,920 --> 00:02:02,290 OH. GO ON. 50 00:02:03,524 --> 00:02:05,434 IT LOOKS USED, BUT IT'S NOT. 51 00:02:05,459 --> 00:02:06,889 I'M -- I'M -- I'M FINE, THANK YOU. 52 00:02:06,927 --> 00:02:08,597 I CAN -- I CAN STRAIGHTEN IT FOR YOU. 53 00:02:08,629 --> 00:02:11,199 [ CLEARS THROAT ] THANK YOU SO MUCH. SURE. 54 00:02:11,232 --> 00:02:13,672 THAT PERSON WOULD THEN HAVE TO CHOOSE 55 00:02:13,701 --> 00:02:16,671 WHICH ONE OF THE OTHER VICTIMS SHE WOULD HAVE INTERCOURSE WITH, 56 00:02:16,704 --> 00:02:18,244 WHICH ONE SHE'D MARRY, 57 00:02:18,272 --> 00:02:20,842 AND THEN HE'D MAKE HER KILL THE THIRD HERSELF. 58 00:02:20,874 --> 00:02:25,514 THE PERP WAS ACTUALLY A LICENSED MINISTER AT AN ONLINE CHURCH, 59 00:02:25,546 --> 00:02:27,446 SO HE WOULD PERFORM A LEGAL WEDDING CEREMONY. 60 00:02:27,481 --> 00:02:28,451 I'M SORRY. 61 00:02:28,482 --> 00:02:31,222 DO YOU HAVE A TRASH CAN I COULD PUT THIS IN? 62 00:02:31,252 --> 00:02:33,252 SHE CAN PUT IT BACK IN HER SLEEVE. SHE ALWAYS DOES THAT. 63 00:02:33,287 --> 00:02:34,717 OH, GREAT. THANK YOU. I CAN TAKE THAT. 64 00:02:34,755 --> 00:02:37,225 MM-HMM. 65 00:02:37,258 --> 00:02:39,358 Hemingway: WITH LANDIS BEHIND BARS, 66 00:02:39,393 --> 00:02:41,733 THE NIGHTMARE WAS FINALLY OVER. 67 00:02:41,762 --> 00:02:43,302 BUT WILL IT EVER TRULY BE OVER 68 00:02:43,331 --> 00:02:45,401 FOR THE PEOPLE LANDIS TERRORIZED? 69 00:02:45,433 --> 00:02:49,773 MARILYN ROMAN AND HER CO-WORKERS CHAD, DEREK, AND TOM 70 00:02:49,803 --> 00:02:52,743 WERE VICTIMS OF THE FMK KILLER. 71 00:02:52,773 --> 00:02:54,643 THIS IS THE FIRST TIME 72 00:02:54,675 --> 00:02:57,375 MARILYN HAS SPOKEN PUBLICLY ABOUT THE ORDEAL. 73 00:02:57,411 --> 00:02:58,581 GO, "NEWSREADERS"! [ SIGHS ] 74 00:02:58,612 --> 00:03:00,652 SO, TELL ME ABOUT YOUR ORDEAL. 75 00:03:00,681 --> 00:03:06,891 UM, WELL, I WAS FORCED TO KILL A MAN WITH A NAIL GUN. 76 00:03:06,920 --> 00:03:08,420 [ INHALES SHARPLY ] YIKES. 77 00:03:08,456 --> 00:03:10,256 LET'S GET TO THE OTHER TWO. 78 00:03:10,291 --> 00:03:11,631 WHO DID YOU HAVE SEX WITH? 79 00:03:11,659 --> 00:03:14,699 OH, UM, DEREK. [ GIGGLES ] OBVIOUSLY. 80 00:03:14,728 --> 00:03:16,658 HE IS SUPERHOT. 81 00:03:16,697 --> 00:03:18,267 BUT NOT HUSBAND MATERIAL. 82 00:03:18,299 --> 00:03:19,429 OH, NO, NOT AT ALL. 83 00:03:19,467 --> 00:03:20,797 HE DRIVES A MOTORCYCLE 84 00:03:20,834 --> 00:03:23,574 AND HAS A TATTOO THAT SAYS "FOLLOW ME." 85 00:03:23,604 --> 00:03:24,774 OOH, YEAH. HOT, BUT I GET IT. 86 00:03:24,805 --> 00:03:26,335 NOW, HOW ABOUT TOM? 87 00:03:26,374 --> 00:03:30,244 TOM AND I HAVE BEEN HAPPILY MARRIED EVER SINCE. 88 00:03:30,278 --> 00:03:32,948 AND WE HAVE TWO BEAUTIFUL CHILDREN. 89 00:03:32,980 --> 00:03:35,850 ONE IS REALLY BEAUTIFUL. 90 00:03:35,883 --> 00:03:37,023 THAT ONE'S DEREK'S, RIGHT? 91 00:03:37,050 --> 00:03:38,890 OH, YEAH. [ CHUCKLES ] OBVI. 92 00:03:38,919 --> 00:03:39,889 [ CHUCKLES ] 93 00:03:39,920 --> 00:03:40,920 HEY! 94 00:03:40,954 --> 00:03:42,724 OHH! OW! HEY, YOU! 95 00:03:42,756 --> 00:03:44,326 HE'S A HITTER. 96 00:03:44,358 --> 00:03:46,728 Hemingway: MARILYN'S HUSBAND, TOM ROMAN. 97 00:03:46,760 --> 00:03:48,430 THAT'S JEREMY, OUR OLDEST. 98 00:03:48,462 --> 00:03:49,602 HE'S GOT THE DEVIL IN HIM, THAT ONE. 99 00:03:49,630 --> 00:03:53,270 AND DEREK. HE HAS DEREK IN HIM. 100 00:03:53,301 --> 00:03:54,371 HE'S DEREK'S SON. 101 00:03:54,402 --> 00:03:56,402 THE GUY MARILYN F'ED. 102 00:03:56,437 --> 00:03:59,737 GREAT LAY, SOLID GENES, NOT DAD MATERIAL. 103 00:03:59,773 --> 00:04:01,443 "NEWSREADERS" WAS GRANTED 104 00:04:01,475 --> 00:04:02,975 THE FIRST-EVER INTERVIEW WITH LANDIS. 105 00:04:03,010 --> 00:04:06,550 WE ARE SO KILLING IT RIGHT NOW! 106 00:04:06,580 --> 00:04:08,880 [ SIGHS ] 107 00:04:08,916 --> 00:04:10,346 DO YOU HAVE ANY REGRETS? 108 00:04:10,384 --> 00:04:12,654 I REGRET NOT ACCOMPLISHING EVERYTHING I WANTED TO. 109 00:04:13,921 --> 00:04:15,821 THERE WAS STILL SOME INTERESTING WORK TO BE DONE. 110 00:04:15,856 --> 00:04:17,486 "INTERESTING WORK"? 111 00:04:17,525 --> 00:04:20,055 I NEVER GOT TO MAKE ANYONE PLAY WITH TRIPLETS, FOR INSTANCE. 112 00:04:20,093 --> 00:04:22,033 THAT WOULD BE INTERESTING. 113 00:04:22,062 --> 00:04:23,032 RIGHT? 114 00:04:23,063 --> 00:04:24,433 YEAH. 115 00:04:24,465 --> 00:04:27,025 I HAVE A HARD ONE FOR YOU. 116 00:04:27,067 --> 00:04:29,797 ZOOEY DESCHANEL, SCARLETT JOHANSSON, 117 00:04:29,837 --> 00:04:32,037 AND LISA BONET -- LISA BONET IN HER PRIME, 118 00:04:32,072 --> 00:04:34,042 LIKE "ANGEL HEART" LISA BONET. 119 00:04:34,074 --> 00:04:37,314 "F" LISA, MARRY ScarJo, KILL ZOOEY. 120 00:04:38,512 --> 00:04:40,582 WHOA, YEAH. THAT'S TOTALLY RIGHT. 121 00:04:40,614 --> 00:04:42,684 YEAH, HELLO. I'M A SERIAL KILLER, OKAY? 122 00:04:42,716 --> 00:04:45,386 WE'RE REALLY KIND OF SMART. THIS IS, LIKE, OUR WHOLE DEAL. 123 00:04:45,419 --> 00:04:47,389 HOW ARE YOU FEELING RIGHT NOW? 124 00:04:47,421 --> 00:04:50,421 WELL, AGAIN, SERIAL KILLER, 125 00:04:50,458 --> 00:04:51,788 SO FEELINGS ARE KIND OF FOREIGN TO ME, 126 00:04:51,825 --> 00:04:53,925 BUT I HAVE TO SAY THAT IF I WERE TO GET OUT OF HERE, 127 00:04:53,961 --> 00:04:55,631 SOMEONE MIGHT HAVE TO CHOOSE 128 00:04:55,663 --> 00:04:58,733 BETWEEN THREE CERTAIN FBI SPECIAL AGENTS. 129 00:04:58,766 --> 00:04:59,796 ME? 130 00:04:59,833 --> 00:05:01,003 WHAT? [ LAUGHS ] 131 00:05:01,034 --> 00:05:02,674 NO, NOT YOU. I'M SORRY. 132 00:05:02,703 --> 00:05:04,543 I SEE HOW IT COULD'VE BEEN INTERPRETED THAT WAY. 133 00:05:04,572 --> 00:05:05,912 [ Chuckling ] I THOUGHT YOU MEANT ME. 134 00:05:05,939 --> 00:05:07,009 NO, NO. 135 00:05:07,040 --> 00:05:09,580 SORRY. [ CHUCKLES ] 136 00:05:09,610 --> 00:05:11,880 Spears: EVERY PSYCHO WANTS REVENGE. 137 00:05:11,912 --> 00:05:15,422 LET HIM TRY AND PLAY THAT GAME WITH ME. 138 00:05:15,449 --> 00:05:16,919 'CAUSE I WILL STEP ON HIS HEART 139 00:05:16,950 --> 00:05:20,490 AFTER I RIP IT OUT OF HIS CHEST WITH THESE. 140 00:05:20,521 --> 00:05:23,121 [ GASPS ] YOU HAVE PERFECT FEET. 141 00:05:23,156 --> 00:05:24,726 I KNOW. 142 00:05:28,796 --> 00:05:31,526 YOU'RE PLAYING THE GAME WITH US, AREN'T YOU? 143 00:05:31,565 --> 00:05:33,865 MNH -- MNH-MNH. NO. 144 00:05:34,468 --> 00:05:36,668 YES. YES. IT'S VERY HARD NOT TO. 145 00:05:36,704 --> 00:05:39,874 I'M OBVIOUSLY THE "F" BECAUSE I'M THE HOTTEST. YEAH. 146 00:05:39,907 --> 00:05:41,437 AND SPECIAL AGENT SPECIAL NEEDS HERE 147 00:05:41,475 --> 00:05:43,675 IS JUST GONNA HAVE TO HANDLE THAT REALITY. 148 00:05:43,711 --> 00:05:45,081 AND THAT'S WHY YOU'LL BE KILLED, 149 00:05:45,112 --> 00:05:47,782 BECAUSE EVERY WORD OUT OF YOUR PAINTED [BLEEP] SLOT 150 00:05:47,815 --> 00:05:49,115 INSPIRES MURDER. 151 00:05:49,149 --> 00:05:51,589 [ SCOFFS ] 152 00:05:51,619 --> 00:05:53,919 WE'VE BEEN WITH THE CASE A LONG TIME. 153 00:05:53,954 --> 00:05:55,694 IT GETS IN YOUR HEAD. 154 00:05:55,723 --> 00:05:56,923 MM. RIGHT. 155 00:05:56,957 --> 00:05:57,957 BUT FOR THE RECORD, 156 00:05:57,991 --> 00:05:59,061 I'M FINE WITH BEING THE MARRY. 157 00:05:59,092 --> 00:06:00,132 OH, WOULD YOU JUST GROW A PAIR? 158 00:06:00,160 --> 00:06:01,700 I'M THE MARRY. 159 00:06:01,729 --> 00:06:02,999 I CAN DRIVE STICK SHIFT, I LIKE FOOTBALL, 160 00:06:03,030 --> 00:06:04,470 I CAN CUT HAIR, I CAN MAKE A BRAN MUFFIN -- 161 00:06:04,498 --> 00:06:05,828 YOU ARE DEFINITELY THE KILL. 162 00:06:05,866 --> 00:06:07,596 NO, NO, NO, NO -- I'M THE MARRY. YES, YOU ARE. 163 00:06:07,635 --> 00:06:09,435 OR I'M THE "F," OR I'M BOTH. PLEASE. 164 00:06:09,470 --> 00:06:11,870 I'M THE MARRY. I'M THE ONE WITH THE DSLs. YOU SHOULD TAKE MY CLASS. 165 00:06:11,905 --> 00:06:13,565 AND I'M THE MARRY WHO YOU ALSO WANT TO "F." 166 00:06:13,607 --> 00:06:16,037 LISTEN! NO ONE WANTS TO "F" YOU. 167 00:06:16,076 --> 00:06:17,576 THAT'S WHY I'M THE MARRY, 168 00:06:17,611 --> 00:06:19,481 BECAUSE YOU STILL HAVE TO WANT TO "F" THE MARRY. 169 00:06:20,614 --> 00:06:22,654 SOMETIMES TWICE A WEEK. 170 00:06:23,984 --> 00:06:26,494 I'M THE MARRY, BITCHES. 171 00:06:28,922 --> 00:06:31,462 THE QUESTION I GET ASKED MOST AFTER, 172 00:06:31,492 --> 00:06:33,592 "HEY, WHATEVER HAPPENED TO LOUIS LaFONDA?" 173 00:06:33,627 --> 00:06:34,857 HAS TO BE, "HOW ON EARTH 174 00:06:34,895 --> 00:06:37,055 DOES A SHOW LIKE 'NEWSREADERS' GET MADE?" 175 00:06:37,097 --> 00:06:38,527 TO ANSWER THAT QUESTION, 176 00:06:38,566 --> 00:06:40,696 WE TAKE YOU TO THE OTHER SIDE OF OUR CAMERAS 177 00:06:40,734 --> 00:06:43,744 FOR THE STORY BEHIND THE STORIES. 178 00:06:44,938 --> 00:06:47,068 YOU'RE PROBABLY FAMILIAR WITH THIS SCENE. 179 00:06:47,107 --> 00:06:51,207 AND TONIGHT, WE'LL MEET A MAN WHO HAS NEVER MET A MAN, EVER. 180 00:06:51,244 --> 00:06:53,484 ALL THAT AND MORE TONIGHT ON "NEWSREADERS." 181 00:06:53,514 --> 00:06:54,924 WHAT YOU MIGHT NOT BE AWARE OF 182 00:06:54,948 --> 00:06:58,218 IS HOW MUCH WORK IT TAKES TO PUT TOGETHER A SINGLE STORY 183 00:06:58,251 --> 00:07:00,121 BEFORE IT IS READY FOR BROADCAST. 184 00:07:00,153 --> 00:07:03,923 TAKE A LOOK BEHIND THE SCENES AT OUR "NEWSREADERS" OFFICES, 185 00:07:03,957 --> 00:07:06,057 AND THE FIRST THING YOU WILL NOTICE IS 186 00:07:06,093 --> 00:07:07,233 IT IS A HIVE OF ACTIVITY. 187 00:07:07,260 --> 00:07:08,860 COME ON, PRINCESS -- MOVE IT, MOVE IT. 188 00:07:08,896 --> 00:07:11,696 THE NEWS FLOOR PULSES WITH PRODUCERS, 189 00:07:11,732 --> 00:07:14,202 ASSOCIATE PRODUCERS, CAMERAMEN, GRIPS, 190 00:07:14,234 --> 00:07:16,744 GAFFERS, AND SUPPORT STAFF. 191 00:07:16,770 --> 00:07:18,810 IT TAKES A LOT OF TALENTED JOURNALISTS 192 00:07:18,839 --> 00:07:20,539 TO MAKE AN EPISODE OF "NEWSREADERS," 193 00:07:20,574 --> 00:07:22,744 AND IT ALL STARTS BEFORE MOST PEOPLE 194 00:07:22,776 --> 00:07:24,176 HAVE EVEN HAD THEIR COFFEE. 195 00:07:24,211 --> 00:07:27,581 EXECUTIVE PRODUCER REG MINTON RUNS THE MORNING MEETING. 196 00:07:27,615 --> 00:07:30,015 BRUCE, WHAT DO YOU GOT? 197 00:07:30,050 --> 00:07:31,650 GUN LOBBIES, BANKROLLING, 198 00:07:31,685 --> 00:07:33,685 A MISINFORMATION CAMPAIGN. 199 00:07:33,721 --> 00:07:36,491 NOBODY CARES ABOUT GUN CONTROL ANYMORE. 200 00:07:36,524 --> 00:07:37,694 Hemingway: REG IS TOUGH, 201 00:07:37,725 --> 00:07:40,225 BUT GETTING A STORY RIGHT IS EVEN TOUGHER. 202 00:07:40,260 --> 00:07:42,100 I MIGHT BE GOING OUT ON A LIMB HERE, 203 00:07:42,129 --> 00:07:45,099 BUT HOW ABOUT WE DO A FEATURE ON KATE BECKINSALE? 204 00:07:45,132 --> 00:07:46,802 YEAH. 205 00:07:46,834 --> 00:07:48,574 Hemingway: VIDEO EDITORS AND PRODUCERS 206 00:07:48,602 --> 00:07:50,642 DELIVER ROUGH CUTS TO THE CONTROL ROOM 207 00:07:50,671 --> 00:07:51,941 THROUGHOUT THE DAY. 208 00:07:51,972 --> 00:07:54,642 AT 4:00 P.M., THE BROADCAST LINEUP IS SET. 209 00:07:54,675 --> 00:07:56,835 BUT SCRIPTS WILL CONTINUE TO BE REWRITTEN 210 00:07:56,877 --> 00:07:59,177 SOMETIMES RIGHT UP UNTIL AIR. 211 00:07:59,212 --> 00:08:00,852 ARE WE CLEARED TO SAY 212 00:08:00,881 --> 00:08:02,721 THAT THE HOSPITAL KNEW THE VACCINES WERE CONTAMINATED? 213 00:08:02,750 --> 00:08:04,690 STILL WAITING TO HEAR BACK FROM LEGAL, CHIEF. 214 00:08:04,718 --> 00:08:06,018 THERE ISN'T ENOUGH TIME. 215 00:08:06,053 --> 00:08:07,663 YOU'RE GONNA HAVE TO CHANGE IT TO "ALLEGEDLY." 216 00:08:07,688 --> 00:08:08,718 YOU KNOW WHAT? 217 00:08:08,756 --> 00:08:10,856 THIS IS A 10:00 A.M. CONVERSATION, 218 00:08:10,891 --> 00:08:13,031 NOT A 5:00 P.M. ONE. [ GROANS ] 219 00:08:13,060 --> 00:08:14,730 AS AIR TIME APPROACHES, 220 00:08:14,762 --> 00:08:17,772 HAIR AND MAKEUP IS THE FIRST STOP FOR CORRESPONDENTS. 221 00:08:17,798 --> 00:08:19,768 PILLOWS MAKES US CAMERA-READY, 222 00:08:19,800 --> 00:08:23,000 AND REVISED SCRIPTS ARE DISTRIBUTED. 223 00:08:23,036 --> 00:08:23,896 IT'S MINUTES TO AIR, 224 00:08:23,937 --> 00:08:27,537 AND DIRECTOR KELSON HOBSON TAKES OVER. 225 00:08:27,575 --> 00:08:28,705 WHO'S GOT MY RUNDOWN? 226 00:08:28,742 --> 00:08:30,912 WHERE'S MY DAMN RUNDOWN?! 227 00:08:33,080 --> 00:08:35,680 BY THE TIME YOU HEAR THOSE FAMILIAR WORDS... 228 00:08:35,716 --> 00:08:39,086 ALL OF THAT AND MORE NEXT WEEK ON "NEWSREADERS." 229 00:08:39,119 --> 00:08:41,019 Man: CUT! WHOO! 230 00:08:41,054 --> 00:08:42,294 OHO! 231 00:08:42,322 --> 00:08:43,892 Hemingway: ...THE "NEWSREADERS" TEAM 232 00:08:43,924 --> 00:08:46,034 IS ALREADY HARD AT WORK ON THE NEXT SHOW. 233 00:08:46,059 --> 00:08:49,129 SO WHEN PEOPLE ASK WHAT MAKES UP A "NEWSREADERS" BROADCAST, 234 00:08:49,162 --> 00:08:52,332 TELL THEM IT'S A LOT OF ELBOW GREASE, DOGGED REPORTING, 235 00:08:52,365 --> 00:08:55,765 AND THE INMATES FROM THE LAKE HOWARD MAXIMUM SECURITY PRISON 236 00:08:55,803 --> 00:08:57,843 IN PENSACOLA, FLORIDA. 237 00:08:57,871 --> 00:09:01,011 TONIGHT, SKIP REMING HAS SOME VERY PUBLIC THOUGHTS 238 00:09:01,041 --> 00:09:02,711 ABOUT PRIVACY. 239 00:09:02,743 --> 00:09:04,313 I COULD GIVE TWO MOUSE TURDS 240 00:09:04,344 --> 00:09:06,354 AND A BABY ASPIRIN ABOUT MY PRIVACY 241 00:09:06,379 --> 00:09:09,679 BECAUSE SKIP REMING'S LIVED HIS LIFE LIKE AN OPEN BOOK. 242 00:09:09,717 --> 00:09:11,247 WHEN I RAN AWAY FROM KINDERGARTEN 243 00:09:11,284 --> 00:09:14,624 AND WENT TO WORK FOR A BOUNTY HUNTER NAMED MYSTERIOUS GUS, 244 00:09:14,655 --> 00:09:15,985 KIDNAPPING MY FORMER CLASSMATES 245 00:09:16,023 --> 00:09:18,333 AND SENDING THEM TO WORK IN THE URINAL-CAKE FACTORY, 246 00:09:18,358 --> 00:09:20,058 I DIDN'T KEEP IT SOME KIND OF SECRET. 247 00:09:20,093 --> 00:09:23,063 I WROTE ALL ABOUT IT IN MY AUTOBIOGRAPHY, 248 00:09:23,096 --> 00:09:26,666 "HEY KID, WANT TO SEE WHERE THEY MAKE URINAL CAKES?" 249 00:09:26,700 --> 00:09:27,900 A COUPLE YEARS LATER, 250 00:09:27,935 --> 00:09:30,665 I DECIDED TO GET INTO THE HIGH-STAKES WORLD 251 00:09:30,704 --> 00:09:32,314 OF STEALING RACEHORSE SEMEN. 252 00:09:32,339 --> 00:09:34,169 WHEN PEOPLE ASKED WHAT I DID FOR A LIVING, 253 00:09:34,207 --> 00:09:36,277 DID I TELL THEM TO MIND THEIR OWN BUSINESS, 254 00:09:36,309 --> 00:09:37,339 THAT IT WAS PRIVATE? 255 00:09:37,377 --> 00:09:38,777 NO. 256 00:09:38,812 --> 00:09:40,082 I GAVE THEM A COPY OF MY SECOND BOOK, 257 00:09:40,113 --> 00:09:42,923 "DON'T BE AFRAID TO USE YOUR MOUTH." 258 00:09:42,950 --> 00:09:45,790 AND WHEN I TOOK ALL THE MONEY THAT I'D EARN ROBBING PONY JUICE 259 00:09:45,819 --> 00:09:47,919 AND REINVESTED IT INTO A SMALL BUSINESS, 260 00:09:47,955 --> 00:09:49,815 DID I HIDE WHERE I GOT THE MONEY FROM? 261 00:09:49,857 --> 00:09:50,957 NO. 262 00:09:50,991 --> 00:09:54,361 I OPENED UP MY BOOKS, STARTING WITH THE ONE TITLED, 263 00:09:54,394 --> 00:09:58,104 "KID BUSINESS: HOW I USED PROFITS FROM CHILD SLAVERY 264 00:09:58,131 --> 00:10:01,871 AND PILFERED HORSE GRAVY TO BUY A URINAL CAKE FACTORY." 265 00:10:01,902 --> 00:10:06,112 JOIN MY BOOK CLUB, AND YOU CAN GET ONE OF MY BOOKS EVERY MONTH, 266 00:10:06,139 --> 00:10:09,709 FROM "A FEW GOOD WARS" 267 00:10:09,743 --> 00:10:14,313 TO MY LATEST, "I WROTE THAT." 268 00:10:14,347 --> 00:10:15,977 NEXT WEEK ON "NEWSREADERS," 269 00:10:16,016 --> 00:10:19,016 IN OUR CONTINUING COVERAGE OF LESBIANS UNTIL GRADUATION, 270 00:10:19,052 --> 00:10:21,052 AMIR LARUSSA CATCHES UP WITH THE LUGS 271 00:10:21,088 --> 00:10:23,918 HE HAS BEEN FOLLOWING SINCE 2011. 272 00:10:23,957 --> 00:10:26,357 Larussa: SO, LIZZY, YOU'RE GRADUATING TOMORROW. 273 00:10:26,393 --> 00:10:29,033 DO YOU THINK YOU'LL BE A LESBIAN AFTER THE GRADUATION? 274 00:10:31,431 --> 00:10:33,901 OOH. "S" JUST GOT REAL. 275 00:10:35,302 --> 00:10:38,012 I'M REAGAN BISCAYNE. GOOD NIGHT. 20453

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