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>> Biscayne: TONIGHT ON
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"NEWSREADERS" -- WHAT'S IN THIS
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BOX?
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THE ANSWER MAY GUITAR YOU.
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ALSO, WE'LL MEET THE FIRST
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OPENLY GAY INTERIOR DESIGNER.
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AND LATER, HUMOROUS JIM DAVIDSON
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WILL BE HERE.
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>> I'LL TELL YOU THE PROBLEM I
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HAVE WITH RUBIK'S CUBE -- YEAH,
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SURE, IT'S EASY TO GET ONE SIDE,
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BUT THEN WHEN YOU TURN THIS
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OTHER THING AND THEN IT
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MESSES UP THIS PART.
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>> Biscayne: ALL THAT AND MORE
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TONIGHT ON "NEWSREADERS."
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BUT FIRST TONIGHT -- REMEMBER
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WHEN DIRTY DANCING WAS NO MORE
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THAN DRY-HUMPING UNTIL YOU COULD
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GET HOME AND DO SOME WET-HUMPING
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IN YOUR PARENTS' BASEMENT?
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WELL, THESE DAYS, KIDS ARE DOING
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A NEW KIND OF DIRTY DANCING.
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IT'S CALLED "[BLEEP] DANCING."
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>> THE LINDY, THE CHARLESTON,
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THE TWIST, THE ELECTRIC SLIDE,
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[BLEEP] DANCING?
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[BLEEP] DANCING ISN'T JUST DIRTY
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DANCING.
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IT IS HAVING ACTUAL SEX IN
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PUBLIC, WHILE PARTIALLY CLOTHED,
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TO THE BEAT OF THE KIND OF MUSIC
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THAT PEOPLE LIKE TO [BLEEP] TO.
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[BLEEP] DANCING HAS ITS ROOTS
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IN THE BRAZILIAN DANCE "DANCA
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PORA," WHICH BEGAN IN THE CLUBS
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OF RIO DE JANEIRO AND TRANSLATES
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ROUGHLY TO "DANCE [BLEEP]."
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IN AMERICA, THE DANCE IS MOSTLY
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POPULAR WITH POPULAR TEENAGERS.
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TEENAGERS LIKE JOSH, HILARY, AND
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ASHLEY OF TIPTON HAMILTON
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HIGH SCHOOL.
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>> IT'S JUST DANCING.
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>> SOME CRITICS SAY THAT [BLEEP]
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DANCING IS JUST "THE MACARENA"
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WITH ACTUAL [BLEEP].
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HOW DO YOU GUYS FEEL ABOUT THAT?
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>> I MEAN, IT USES THE HIPS,
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BUT...
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>> IT'S NOT, LIKE, ANYTHING LIKE
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THE SAME.
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>> IT'S NOT LIKE...
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NO.
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>> THE CONTROVERSY AT
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TIPTON HIGH STARTED LAST MONTH
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WHEN JOSH AND HILARY'S
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HIGH-SCHOOL MARCHING BAND TURNED
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THIS NORMAL HALF-TIME SHOW INTO
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THIS IMPROMPTU [BLEEP] DANCING
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ROUTINE, MAKING THE FIELD
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UNPLAYABLE.
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AND THIS LED SCHOOL OFFICIALS
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TO THREATEN TO CANCEL THE PROM.
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>> IT'S THE BIGGEST NIGHT OF OUR
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LIVES, AND THEY'RE JUST TRYING
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TO TAKE IT AWAY.
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IT'S JUST A DANCE, BRO.
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>> BUT DO YOU SEE WHY SOME
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PEOPLE ARE SAYING IT'S SEXUAL IN
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NATURE, BRO?
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>> IT'S JUST [BLEEP] DANCING,
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PEOPLE.
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GET OVER IT.
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>> IN THIS BATTLE OF YOUNG
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VERSUS OLD, THE KIDS DO HAVE
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SUPPORTERS.
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THOSE SUPPORTERS ARE CRAZY, OLD
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HIPPIES.
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>> WE HAVE TWO TEENAGERS OF
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OUR OWN, AND WE LET THEM [BLEEP]
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DANCE WITH THEIR FRIENDS IN OUR
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HOME.
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>> ALL THE TIME.
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>> NO ONE'S GETTING HURT.
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THERE'S NO DRUGS OR ALCOHOL
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INVOLVED.
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>> UNLESS YOU COUNT THE
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INTOXICATING EFFECTS OF MUSIC.
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AND I KNOW WE DO.
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RIGHT, LOVE?
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>> I'M TRYING TO NOD, BUT YOU'RE
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SITTING ON MY HAIR.
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>> OH.
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>> THERE'S ONLY ONE THING ABOUT
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[BLEEP] DANCING THAT EVERYONE
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CAN SEEM TO AGREE ON.
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THIS DANCE THAT WAS ONCE
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SOMETHING ONLY COOL KIDS DID HAS
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CAUGHT ON WITH PEOPLE OF ALL
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AGES AND LEVELS OF COOL.
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[ DANCE MUSIC PLAYS ]
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THE DANCE HAS BECOME SO POPULAR
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THAT A NEW REALITY SHOW,
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"[BLEEP] DANCING WITH THE
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STARS," BECAME AMERICA'S
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HIGHEST-RATED SHOW.
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[ DANCE MUSIC PLAYS ]
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>> ERICA AND TIM, YOU'VE DONE
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SOMETHING FEW PEOPLE CAN DO.
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YOU TRANSPORTED ME TO A PLACE
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I HAVE NEVER BEEN, AND THAT'S
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WHAT [BLEEP] DANCING IS ALL
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ABOUT.
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"HOFF" GIVES YOU...
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A 9.
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>> [ SCREAMS ]
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>> IN THE END, THE SENIOR PROM
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WENT ON AS PLANNED.
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BUT THE STUDENTS DIDN'T HAVE
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MUCH INTEREST IN [BLEEP] DANCING
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BECAUSE [BLEEP] DANCING WASN'T
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COOL ANYMORE AND EVERYBODY WAS
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DOING IT.
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>> OH, MY GOD!
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>> SO, HOW DO YOU GUYS FEEL
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WATCHING YOUR PARENTS [BLEEP]
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DANCING TOGETHER?
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>> THEY'RE NOT EVEN DANCING
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TOGETHER!
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THAT IS MY DAD WITH JOSH'S MOM!
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[ DANCE MUSIC PLAYS ]
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>> YOUR MOM'S A GOOD DANCER.
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BRO, I SAID YOUR MOM'S A GOOD
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DANCER.
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>> Biscayne: THERE ARE FEW
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ISSUES HARDER TO COME TO GRIPS
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WITH THAN RACIAL BIAS.
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ACTUALLY, THERE ARE TONS OF
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ISSUES HARDER TO COME TO GRIPS
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WITH -- FAILING YOUR CHILDREN,
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MOVING IS HARD, STEALING MONEY
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FROM YOUR ANTI-DRUG CHARITY TO
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PAY FOR HEROIN.
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IT'S A LONG LIST.
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BUT RACIAL BIAS IS AN ISSUE.
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AND IT IS THE SUBJECT OF
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TONIGHT'S HIDDEN-CAMERA
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INVESTIGATION, "ARE YOU DECENT?"
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>> AMERICA IS A MELTING POT.
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AND IT'S THIS DIVERSITY THAT
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MAKES US SO GREAT.
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BUT HAS OUR POT FINALLY MELTED
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INTO THE GOO OF TOLERANCE
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ENVISIONED BY OUR FOREFATHERS,
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THE ONES WHO DIDN'T OWN SLAVES?
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PROFESSOR PRITCHARD BATCHMAN,
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WHO'S BEEN STUDYING RACIAL BIAS
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SINCE TELEVISION NEWS REPORTERS
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BEGAN FRAMING NEWS SEGMENTS
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AROUND IT, SAYS YES.
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>> YES!
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MY DATA INDICATES WE ARE LIVING
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IN A POST-RACIAL AMERICA.
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>> SO THIS IS A UNIQUE MOMENT IN
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OUR HISTORY?
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>> [ CHUCKLES ] ACTUALLY, NO.
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THIS IS THE SECOND TIME THAT WE
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HAVE LIVED IN A POST-RACIAL
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AMERICA.
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>> REALLY?
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>> YES! YES!
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THE FIRST TIME WAS JANUARY OF
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1863.
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THE SLAVES WERE EMANCIPATED.
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WE LIVED IN A POST-RACIAL
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AMERICA FOR ABOUT TWO DAYS.
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THEN THE NOVELTY WORE OFF, WE
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FORGOT THAT WE LIKED BLACK
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PEOPLE, AND WE REMEMBERED THAT
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WE HAVE HATRED IN OUR HEARTS.
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>> SO, WHAT WE ARE EXPERIENCING
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TODAY IS DIFFERENT?
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>> YES!
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THERE IS A LOT -- A LOT --
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OF CULTURAL DATA THAT SUGGESTS
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THAT THIS IS AN ACTUAL
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POST-RACIAL AMERICA.
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AND I THINK THIS ONE WILL STICK.
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>> THE STRONGEST EVIDENCE, OF
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COURSE, BEING THAT WE HAVE A
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BLACK PRESIDENT.
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>> I HAD NOT THOUGHT OF THAT.
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>> REALLY?
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>> YEAH. NO.
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THAT'S HUGE. YEAH.
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HOW WOULD I HAVE NOT THOUGHT OF
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THAT?
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THAT'S WEIRD, ISN'T IT?
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>> THAT'S A PRETTY BIG DEAL.
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>> YEAH.
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>> MOST AMERICANS WILL TELL YOU
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THEY AREN'T RACIST.
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BUT WHAT IF YOU DON'T ASK THEM,
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AND, LIKE A REALLY SCUMMY
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BOYFRIEND, YOU SECRETLY TAPE
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THEM?
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THAT'S EXACTLY WHAT WE DID BY
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SETTING UP DOZENS OF HIDDEN
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CAMERAS IN THIS PARK TO SEE HOW
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PEOPLE ACTUALLY REACT WHEN
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CONFRONTED WITH RACIAL
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MINORITIES.
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>> HELLO.
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I'M HAROLD PERRINEAU FROM
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"LOST," "THE BEST MAN HOLIDAY,"
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AND TONS OF OTHER THINGS.
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I WILL BE PLAYING THE
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AFRICAN-AMERICAN.
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>> WE ASKED HAROLD TO APPROACH
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POTENTIAL RACISTS TO SEE HOW
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THEY'D REACT.
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>> 'SUP.
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>> THE RESULTS SHOCKED US.
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>> CAN I PLAY WITH YOUR DOG?
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>> YEAH.
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>> CAN I BORROW YOUR PHONE?
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>> SURE.
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>> IT LOOKED AS THOUGH ORDINARY
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PEOPLE WERE COMFORTABLE AROUND
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OUR MINORITY.
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>> EXCUSE ME, MA'AM.
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CLAVIS KIM WITH "NEWSREADERS:
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ARE YOU DECENT?"
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WERE YOU AWARE THAT THE MAN YOU
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WERE TALKING TO WAS BLACK?
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>> YES.
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>> YOU LENT HIM YOUR PHONE.
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WHY WOULD YOU DO THAT?
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>> I HAVE AN UNLIMITED PLAN.
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>> WELL, SURE, IF ONE OF THE
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STARS OF THE HIT TV SHOW "LOST"
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APPROACHED ME, I'D PROBABLY GIVE
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HIM MY PHONE.
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YEAH, I'M SUCH A HUGE FAN.
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>> OH. [ LAUGHS ]
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THANKS, MAN.
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>> CAN I TAKE ANOTHER ONE?
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>> UH, IF YOU --
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YEAH, SURE. LET'S DO IT.
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COME ON, WHY NOT?
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ALL RIGHT.
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[ CAMERA SHUTTER CLICKS ]
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>> BUT WHAT IF WE DISGUISED
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HAROLD TO LOOK LESS LIKE A
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FAMOUS TV ACTOR AND MUCH MORE
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THREATENING?
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>> HEY, YO, CAN I BORROW YOUR
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WALLET?
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OH, EXCUSE ME, MA'AM.
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00:07:32,720 --> 00:07:34,190
COULD YOU HELP ME PULL THIS
262
00:07:34,187 --> 00:07:37,927
COUCH INTO MY, UH, PARTY BUS?
263
00:07:37,925 --> 00:07:39,185
>> OKAY.
264
00:07:39,192 --> 00:07:40,832
>> WHAT?
265
00:07:40,828 --> 00:07:42,698
NO, NO, NO, NO, NO, NO, NO.
266
00:07:42,696 --> 00:07:43,596
I DON'T --
267
00:07:43,597 --> 00:07:44,697
NO, YOU CAN'T --
268
00:07:44,698 --> 00:07:46,728
YOU CAN'T JUST HELP A RANDOM --
269
00:07:46,734 --> 00:07:48,644
LOOK, THIS IS NOT EVEN REAL.
270
00:07:48,636 --> 00:07:49,636
LOOK AT THAT.
271
00:07:49,637 --> 00:07:51,667
DO YOU KNOW WHAT COULD HAPPEN TO
272
00:07:51,672 --> 00:07:52,012
YOU?
273
00:07:52,005 --> 00:07:53,605
>> WE DECIDED TO CHALLENGE
274
00:07:53,607 --> 00:07:54,977
AMERICA EVEN FURTHER BY MAKING
275
00:07:54,975 --> 00:07:56,705
HAROLD APPEAR EVEN MORE
276
00:07:56,710 --> 00:07:57,810
THREATENING.
277
00:07:57,811 --> 00:07:58,881
>> IT'S SO BIG OVER THERE.
278
00:07:58,879 --> 00:08:00,509
>> IF THIS IS A POST-RACIAL
279
00:08:00,514 --> 00:08:01,984
AMERICA, SOMEONE CERTAINLY
280
00:08:01,982 --> 00:08:03,682
FORGOT TO TELL MARY AND
281
00:08:03,684 --> 00:08:05,524
HARRIS BURLKOVISI.
282
00:08:05,519 --> 00:08:06,689
>> [ GROWLING ]
283
00:08:06,687 --> 00:08:09,957
>> GO!
284
00:08:09,957 --> 00:08:11,887
>> RACIST!
285
00:08:11,892 --> 00:08:13,592
[ GROWLING ]
286
00:08:13,594 --> 00:08:13,994
>> EXCUSE ME.
287
00:08:13,994 --> 00:08:15,264
CLAVIS KIM, "NEWSREADERS: ARE
288
00:08:15,262 --> 00:08:15,832
YOU DECENT?"
289
00:08:15,829 --> 00:08:17,229
WE WERE SECRETLY RECORDING YOU
290
00:08:17,230 --> 00:08:17,800
JUST NOW.
291
00:08:17,798 --> 00:08:18,668
>> OH, THANK GOD.
292
00:08:18,666 --> 00:08:19,726
DID YOU SEE THAT MONSTER THAT
293
00:08:19,733 --> 00:08:20,933
JUST JUMPED OUT AT US?
294
00:08:20,934 --> 00:08:21,974
>> "MONSTER."
295
00:08:21,969 --> 00:08:24,539
RACISM IS NEVER SURPRISING, BUT
296
00:08:24,538 --> 00:08:26,238
NOTHING STINGS LIKE THE
297
00:08:26,239 --> 00:08:26,739
"M"-WORD.
298
00:08:26,740 --> 00:08:27,780
>> HE WAS TALL AND ATHLETIC.
299
00:08:27,775 --> 00:08:28,705
HE LOOKED LIKE HE COULD JUMP
300
00:08:28,709 --> 00:08:28,979
HIGH.
301
00:08:28,976 --> 00:08:29,906
>> ATHLETIC.
302
00:08:29,910 --> 00:08:31,710
THAT'S A CODE WORD FOR BLACK.
303
00:08:31,712 --> 00:08:33,212
WE DECIDED TO SHAKE UP THE
304
00:08:33,213 --> 00:08:35,253
SCENARIO EVEN FURTHER.
305
00:08:35,248 --> 00:08:36,548
>> BLAAAH!
306
00:08:36,550 --> 00:08:37,820
>> [ SCREAMS ]
307
00:08:37,818 --> 00:08:39,618
>> YOU ARE RACIST!
308
00:08:39,620 --> 00:08:41,790
[ LAUGHS ]
309
00:08:41,789 --> 00:08:44,159
GOT THAT [BLEEP]
310
00:08:46,627 --> 00:08:49,227
>> IT'S 2014, BUT YOU'D NEVER
311
00:08:49,229 --> 00:08:50,729
KNOW IT BY THE WAY THAT THESE
312
00:08:50,731 --> 00:08:52,631
PEOPLE REACTED TO PEOPLE WHO
313
00:08:52,633 --> 00:08:56,703
LOOKED DIFFERENT FROM THEM.
314
00:08:56,704 --> 00:08:57,944
>> AAAAH! HA HA HA!
315
00:08:57,938 --> 00:08:59,838
>> WHOA! WHAT THE [BLEEP]
316
00:08:59,840 --> 00:09:01,640
OH, IT FINALLY HAPPENED!
317
00:09:01,642 --> 00:09:02,282
UNDEAD ZOMBIE CLOWNS!
318
00:09:02,275 --> 00:09:02,905
>> NO, NO, NO, NO.
319
00:09:02,910 --> 00:09:03,580
I'M NOT --
320
00:09:03,577 --> 00:09:04,007
>> GO FOR THE HEAD!
321
00:09:04,011 --> 00:09:05,781
>> NOT THE HEAD!
322
00:09:05,779 --> 00:09:07,579
I'M JUST KIDDING!
323
00:09:07,581 --> 00:09:10,681
I'M JUST AFRICAN-AMERICAN!
324
00:09:10,684 --> 00:09:11,924
>> Biscayne: ONE THING THAT'S
325
00:09:11,919 --> 00:09:13,349
HARDER THAN EVER THESE DAYS IS
326
00:09:13,353 --> 00:09:14,353
KNOWING WHAT'S COOL.
327
00:09:14,354 --> 00:09:16,664
UNLESS YOU KNOW SKIP REMING.
328
00:09:16,657 --> 00:09:18,287
>> ALL MY GRANDSON RIPLEY LIKES
329
00:09:18,291 --> 00:09:19,991
TO DO IS PLAY "ANGRY BIRDS" ALL
330
00:09:19,993 --> 00:09:21,663
DAY ON HIS iPOD.
331
00:09:21,662 --> 00:09:22,832
I TOLD HIM, "IN MY DAY, YOU
332
00:09:22,830 --> 00:09:24,000
WANTED TO PLAY WITH AN ANGRY
333
00:09:23,997 --> 00:09:25,667
BIRD, YOU WENT OUTSIDE AND GOT A
334
00:09:25,666 --> 00:09:26,866
BIRD ANGRY."
335
00:09:26,867 --> 00:09:28,337
HE SAID THAT DIDN'T SOUND COOL
336
00:09:28,335 --> 00:09:29,635
AT ALL.
337
00:09:29,637 --> 00:09:30,997
IT'S FUNNY HOW WHAT'S COOL
338
00:09:31,004 --> 00:09:33,314
CHANGES OVER TIME.
339
00:09:33,306 --> 00:09:34,806
WHEN I WAS IN SHORT PANTS,
340
00:09:34,808 --> 00:09:36,038
STEALING APPLES AND GRAVE
341
00:09:36,043 --> 00:09:37,713
ROBBING WERE ALL THE RAGE.
342
00:09:37,711 --> 00:09:38,911
SAME GOES FOR RAGE.
343
00:09:38,912 --> 00:09:40,852
BUT, HANDS DOWN, THE COOLEST
344
00:09:40,848 --> 00:09:42,818
THING A YOUNG BOY COULD DO WAS
345
00:09:42,816 --> 00:09:43,716
LITTERING.
346
00:09:43,717 --> 00:09:45,687
AND I WAS THE MOST POPULAR KID
347
00:09:45,686 --> 00:09:46,316
IN TOWN.
348
00:09:46,319 --> 00:09:48,089
BY THE TIME I WAS IN MY LATE
349
00:09:48,088 --> 00:09:50,888
TEENS, DRAFT DODGING AND FREE
350
00:09:50,891 --> 00:09:52,661
LOVE HAD BECOME THE COOL THINGS
351
00:09:52,660 --> 00:09:53,760
TO DO.
352
00:09:53,761 --> 00:09:54,861
BUT I DIDN'T JUMP ON THAT
353
00:09:54,862 --> 00:09:55,362
BANDWAGON.
354
00:09:55,362 --> 00:09:57,772
NO, SKIP REMING WAS HITCHED TO A
355
00:09:57,765 --> 00:09:59,895
DIFFERENT CART, ONE DRIVEN BY A
356
00:09:59,900 --> 00:10:02,070
NORTH VIETNAMESE FARMER PLOWING
357
00:10:02,069 --> 00:10:05,039
THE YAM FIELD OF MY OWN DESPAIR.
358
00:10:05,038 --> 00:10:06,368
WELL, YOU WANT TO KNOW WHAT COOL
359
00:10:06,373 --> 00:10:07,883
IS?
360
00:10:07,875 --> 00:10:10,375
COOL IS A TIGHT HERRINGBONE
361
00:10:10,377 --> 00:10:12,007
TWEED.
362
00:10:12,012 --> 00:10:13,652
AND COOL IS BEING CONFIDENT IN
363
00:10:13,647 --> 00:10:14,817
YOURSELF AND NEVER LETTING
364
00:10:14,815 --> 00:10:17,645
ANYONE ELSE DEFINE WHO YOU ARE.
365
00:10:17,651 --> 00:10:18,691
UNLESS THAT PERSON HAS A COOL
366
00:10:18,686 --> 00:10:20,386
HAT OR IS A BETTER RACE THAN
367
00:10:20,387 --> 00:10:21,957
YOU, IN WHICH CASE COPY
368
00:10:21,955 --> 00:10:23,055
EVERYTHING THEY DO UNTIL YOU
369
00:10:23,056 --> 00:10:24,086
FEEL COMFORTABLE ENOUGH TO
370
00:10:24,091 --> 00:10:25,131
MURDER THEM AND TAKE THEIR
371
00:10:25,125 --> 00:10:26,125
PLACE.
372
00:10:26,126 --> 00:10:27,996
>> Biscayne: FINALLY TONIGHT, WE
373
00:10:27,995 --> 00:10:29,155
HAVE ONE CORRECTION.
374
00:10:29,162 --> 00:10:30,962
LAST WEEK, WE REPORTED THAT BOTH
375
00:10:30,964 --> 00:10:32,434
HIP-HOP AND ANAL SEX WERE
376
00:10:32,432 --> 00:10:33,772
CREATED IN A BRITISH
377
00:10:33,767 --> 00:10:34,797
BOARDING SCHOOL.
378
00:10:34,802 --> 00:10:35,972
WE HAVE SINCE LEARNED THAT
379
00:10:35,969 --> 00:10:38,369
HIP-HOP WAS INVENTED IN AMERICA.
380
00:10:38,371 --> 00:10:39,941
WE REGRET THE ERROR.
381
00:10:39,940 --> 00:10:41,840
I'M REAGAN BISCAYNE.
382
00:10:41,842 --> 00:10:43,682
GOOD NIGHT.
383
00:10:43,677 --> 00:10:46,877
[ DANCE MUSIC PLAYS ]
23985
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