Original subtitles

(upbeat funky music)

- Mama Mia, what is wrong with you girls?

| want sweat, real sweat, you know what l'm talking about?

Realism.

No, no, no, I don't want any of this phony crap here.

- [WVoman] Okay.

- Layla.

You, you'Tre suppose to be the actress here.

Tellme,howam!] suppose to get these

9100 an hour bitches to sweat?

Hey Ted baby, hey, whats happening?

- Hi Tony. - | didnt see you come in.

- Okay girls, now we want you to look your best.

Mr Rossini is a bit Of a perfectionist,

but is only because he wants you to look very well

and this is a disco layout.

We want to see everything ¡n the costume,

we wanna see the front, we wanna see the back.

We wanna see the sides.

So when I say "move”, please girls for me, move.

- Hey whats the matter?

You look like shit.

- | Just dropped by to cheer myself up.

II stick around till you're through okay?

- Sure, sure, ït's good to see you.

I'II be right with you.

Hey Layla, Layla avanti avanti.

I need to see you.

June get the cameras ready, we work all night.

Avanlti.

(upbeat music)

(camera clicking repeatedly)

- [Tony] Ah yes, now keep it going girls.

You come here with me.

Want you to see yourself, now.

Right here, l want you to look at me.

Tell me what you think of this hey?

Tell me, yes you tell me, tell me what you think of this.

(moaning)

Tell me, tell me what you think.

- [Woman] Whats on your reputed mind?

- [Tony] ! think we get the creative juices flowing,

what do you think baby?

- [Layla] My, my come on girls, come on,

| want you to dance till you're wet.

Come on move it, faster.

Now.

(upbeat funky music)

Thats it girls.

- [Tony] Yeah.

- [Layla] Come on.

- [Tony] Very good girls, keep itup, yes.

Ah you bitch.

(woman moaning and panting)

- [Voman] Come on, shove itup.

(upbeat funky music)

- [Tony] Keep it dancing up there, keep It dancing.

Dontt pull out, donft pull out.

Keep it dancing,

keep itup.

(upbeat funky music)

(man groaning)

- Here dear Teddy, Is to old friends

and to new adventures.

So you're job gives you nothing,

and neither does that nice middle-class girl

you're shacked up with.

- Joan's been faithful and supportive and...

- And boring and truish, et cetera, et cetera.

- Yeah that too.

- Reservations are all set, I rented a van for morning

and I called and confirmed all the girls

that are being interviewed.

Oh hello Mr. Perlis.

Gee you're not looking too well,

are you feeling all right?

- [Tony] Floyd here is suffering from terminal boredom.

- Oh thats too bad, l wish you could go along

with us on this trip.

Itwould be nice to have someone intellectual

along for a change.

- Why don't you go wrap a set.

- Is nice to have seen you Mr. Perlis, bye.

- Holy shit, holy shit, thats It.

Thatisit, you, you come with us.

- What the hell are you talking about?

- Look man, look.

We've been friends for years huh, right?

Look lve got lots of bucks, l'll put you on,

at something, l don't khow, anything.

IIl put you on.

- Hold ït, what are you talking about?

- Let me explain, tomorrow, we are leaving on a tour

of the state to photograph girls, not professional models,

but girls that Layla interviewed.

Model for a day, Is an ad gimmick.

Look it doesn't matter, you come with us, huh?

Itwould great Teddy, Just like the old days.

- Cut it Tony.

| mean in the old days, you weren't Antonio Rossini,

renowned fashion photographer.

You were just Tony Ross, stud, fuck off

and all around hell raiser.

For that matter, so was I.

Now I got, mortgage payments,

ajob, a girlfriend, alimony.

- The entire catastrophe.

- Thanks anyway.

- Lots of fringe benefits man.

- Come on Tony, I Just cantt take off.

- Why not?

Hey Teddy boy, come here.

Here.

This is my dear friend is to adventure and your new job.

- Hey thank you.

- Excuse me.

One thing burger brain,

this Is a very big account.

The first time your dead welight friend there fucks up,

Its either him or me.

The whole thing is Jjust damn unprofessional.

- Hey look, maybe this Isn't sụuch a good idea.

- No, no, no, don't worry.

Shelll get over it.

She always does.

Listen, listen, on this trip my friend,

you are gonna see more untamed pussy

than you ever thought possible.

(laughing)

Listen, don't worry about Layla huh?

Ill take care of her.

- Mr. Perlis, I'm glad you're coming with us on this trip.

- Well whatever happens, Its gotta be better

than what I'm leaving behind.

- JJune] Lets see, our first stop

¡s Jjust a few hours from here.

At a health food store?

- Oh come peach pussy, you can' be that piSSed off

that Ted joined us.

- For the last three years, Í have busted my ass

for you and this business.

You didn't even have the decency to consult me

about bringing him along.

Getting real tired of being treated like baggage Tony.

- Well my five fingered friend,

¡t looks like we're gonna be spending

a lot of time together.

Alone, weve been cut off.

- You gotit

(yelps)

- Í can!t take It.

- God l wish you didn't pay so well.

- | usually have to listen to the two of them

going atit all of the time.

Im really glad you're along,

'cause l've someone to talk with.

(bell ringing)

- There you are Karma, you look absolutely wonderful today.

This is Antonio Rossini.

- Bonjourno.

- Antonio this is our earth mother image, Karmaline.

- You might be a bitch to work with love,

but you sure can pick them.

- Come stai miss lady, Is a great great honor.

- Thank you.

Im]ust glad that my energy and vibes

are right for your photos Mr. Rossini.

Are you a Scorpio?

- Why yes, yes I am.

- Scorpios are so intense.

Is a good siơn.

- Karma, l'd like to introduce you to my assistant Teddy.

- Hi, how do you do?

- Oh you're very sensitive.

You must be an Aquarius.

- No.

- Well yes, yes, Teddy Is an Aquarius right?

Very sensitive boy.

Teddy is our costume consultant, yes.

He wilill help pick out the costume for you

and assist you in dressing.

- How perfect.

I Just know I can trust you Teddy.

- Layla.

You select the settings,

and tell June which lights to pick huh?

Now Karma tell me, ¡s there a place

that you can change quickly?

- Right back here ¡n my store room.

- Ah va bene, va bene.

- Tony look I can't do this.

- Oh sure you can, come on look you wanted adventure.

- No, look, I donft know the first

thing about wardrobe. - This is an adventure,

t doesn't matter.

(clears throat)

(clears throat)

- | have your wardrobe.

- Can't you wait till after working hours,

to get your friend laid?

- Hey look, what have you got against Ted

having a good time?

The poor bastards been tled down for years.

- Is amazing how you make your own power trip

sound like concern.

Truth is you just like manipulating people.

God Tony, you've changed.

You know I can hardly remember why

| ever thought l loved you.

- Mama Mia.

- I m so flattered that I was chosen

to be in these ads.

| want to show what a healthy diet can do for the body.

Do you think you could help me with this?

- Yeah, sure.

Here we go.

- |ll get that.

Help me with these buttons here.

- You think you should try on the breast-

vest?

- |I try Iton later.

Ted, If you find me attractive,

| mean I think thats wonderful.

Sex is a healthy part of nature

and did you know that sex can be

most enjoyable medlitation that there is.

And I think if we're going to be

really in tune with each other,

a sexual meditation is very Important, don'tyou?

- Oh yeah.

- Can you believe it?

Tonys back there with that Karma woman.

| think its disgusting.

All he ever thinks about is sex, sex.

- Sex, someone call?

- Butwhoswith...

Ted.

- Hey June, June come on.

What is with you huh?

- You wouldn't understand dildo head.

- Dildo head.

(Ted moaning)

- [Ted| Oh what is ït?

- [Xarma] Just coconut milk.

Doesnt it feel wonderful?

- [Ted]J Oh yeah, yeah it does.

Coconut milk huh?

(moaning)

(slow seductive music)

(moaning)

(heavy breathing)

- [Ted] How about a break?

Yeah.

Okay.

(squealing)

(heavy breathing and moaning)

(Ted moaning)

- All right, get this down, lets get this down.

- Well l think she's ready now.

| did my best.

- I|maill set.

- Ah then lets hit It kids.

Va bene, now Í want this natural, just natural.

Very good.

Now you Just action, action.

Karma you were magnificent.

- Can't you stay for a little while?

You look like a man that could use some meditation.

- No Í catch you on the way back.

| always wanted to get Into health foods.

Andiamo, come.

Well Karma was great hey?

You know if the rest of these non-professionals

turn out as well, Itll be a snap.

- Well what do you expect?

| mean after all, it was my job to select the women.

- Yes and you are the best aren't you?

- At some things.

- Šo what am I, chopped liver?

Where's my applause for lugging and lifting

and lighting and making it possible,

for Mr wonderful here, to push his little button

and rake in all the money?

- How stupid, how simply stupid of me

to forget your vital contribution in this.

- You know, can you put down the mask

for just once and say something nice to me.

| do deserve it you know.

- Im sorry.

- Hey June, you know how good you are at your job,

don't expect him to get serious.

| think he's forgotten how.

- Well lover boy,

tomorrow ought to be Interesting don't you think?

Oh come off it, for craps sake man.

You got a fun fuck out of it.

What do you care if its avalilable to everybody?

- Maybe l do care, so just lay off huh?

- Well you know, maybe just some of us,

aren't cut out for meditation.

- Real good Tony, keep it up and youll turn Ted here

into the same kind of person its taken you

years to become.

- Öee that, there's hope for you yet.

- That's what ll'm afraid of.

- No, no, no, no, girls, that is not the way we do ït.

Now start again.

Oh Layla.

- Hello, Serena Zukov, this is Antonio Rossini.

- Ah bonjourno, l can see why Layla chose you.

You are indeed a tribute to the art of dance

and the essence of athletic femininity.

- Thank you Mr Rossini.

I'm certain that what you see however

Is best discovered without this bullshit.

- Smart lady huh?

- À very dedicated artist,

So you can forget about getting laid here, sorry.

- The class is done.

Imready.

- No problem Ms Zukof, I have your costume ready for you.

- Girls.

| told you not to Observe this shooting.

- Oh pardon me Serena but is it possible,

are these young women your students?

- Yes, why you ask?

- Well I thought that maybe they could

be in the shoot so there is a background.

- Oh?

- That is of course if you have no objections,

| Just thought ït might set the mood more clearly.

- Oh please Ms Zukof.

- We just want to see what a fashion shootis like.

Please.

- VVe wontt getin the way, honestily.

- Well, itwould be good for you, yes.

Well all right.

- Oh wov, this is so much better than we hoped for.

- Now just be subtle and lets hope

Ms Zukof doesn't catch us.

- You think it will work?

- Girls.

Come on with this time.

(gentle plano)

- He's very good.

- Oh God, ! think he's wonderful.

- My, my you are smitten aren't you?

- Öo what?

You wouldn't understand anyway.

- Oh yes.

Va bene, va bene, oh yes, yes, yes.

Scusi, Scusi.

Oh va bene, yes okay.

I gOta great Idea.

Tu, tu.

- Yes.

- Yes, give me a tuxedo out of wardrobe for Ted.

- What?

- A tuxedo avaniti. tuxedo, you knows?

- | can see it coming now.

- What like a butterfly.

Very good, very good.

Marvelous, marvelous.

(dramatic music)

Very good, very good.

- Dorina, Dorina, you were superb, magnificent, magnificent.

- Well thank you Mr Rossini and my students

they did well I hope.

- Very well, very well, but of course

not as professional as you.

I need to keep them to make a few more shots.

But you did not stay, you go home.

Í will lock up.

- Well that is very nice of you.

Because l do have a lecture tonight at recital hall.

You are a gentleman so l see.

- Grazia.

- Thank you, goodbye.

- Oiao and bona note.

- Ohno, hes not gonna--

- Oh yes, what else?

Did you see the way they were flashing during the shoot?

They deserve it

- Hey I don't khow how you put up with it,

| mean the two of you used to be lovers.

- | don't wanna talk about it.

So I'm going, you wanna come along?

- Sure as hell donf wanna stay here.

- Hey where the hell are you two going?

- We didntwant to Intrude on your creativity.

- Dont worry, wefll be back to break down the equipment.

Wouldn't want you to strain yourself.

- Good, I didntt like them anyway.

And besides, they wouldnft appreciate our little surprise.

- Surprise?

- Yeah, didn't you say you wanted

some more shots of just us?

- Well what did you girls have in mind?

- Just a little dance routine of our own.

- Ready?

- What did you say to them?

- Nothing, nothing man.

| think they just like us.

And who could blame them.

(ftunky music)

(gentle plano)

(heavy breathing)

(gentle moaning)

- I didnt khow you were that interested in Ted

Or anyone for that matter.

- Look just because l don't go around undressing

for every guy that walks by,

doesn't meant that I--

- June thats not what I meant.

Look l khow we havent been the best of friends

but give me a chance all right?

- SOrry.

You know the truth is,

lve always been a little Jealous of you,

besides what chance do Í have with Ted,

with Tony leading him around by his,

you know, his thing.

(laughing)

- June, let me tell you a few things.

Number one, just because Ted wants to get his yayas out

after all these years of boredom,

doesn't make him a terrible human being.

You might notice, he's isnt doing all that well anyway.

(laughing)

If you need any help, Ilm awoman.

Underneath all those overalls and Jjeans you are too.

We might wear different costumes

but weTre all in the same play.

- Thanks. - Sure.

(gentle music and women moaning)

- [Tony] This was very good, bravissimo.

- [Ted] Will you cut the accent Tony?

- Look man, Im telling you it was very good.

What do you want me to say?

So tell me, tell me,

is sex without romance really so terrible?

- | think I could learn to tolerate it.

- You could?

(laughing)

- You know l don't understand what you ever saw in Tony.

Im SOrry, but Í Just dontt.

- Well he was different once, before the fame

and the money got to him.

| think its gotten to me too.

If you two jall bait suckers are ready,

maybe we can get going.

- You know what?

Somehow I donftt think they approve.

- Hey waitup.

Excuse me.

IIm coming with you.

- Listen I told you, you must call me

when l get back to the city, now not now, go away, go away.

- Look you said we had what it took

to become professional models didn't you?

I want out of this hick town now.

Take me with you.

- You creeps.

- Listen honey face ¡t, you've been had.

Let it be a lesson to you huh?

These two guys just aren't worth the effort.

- Come on let's go, everybody, come on June, lets go.

Put that stuff in there, what is this?

- What a waste.

We went to all the trouble to fuck a couple of old men,

pretending it was fun for nothing.

Shit.

- Come on lets go everybody, in the truck,

¡n the truck, in the truck Layla, in.

- Is Tony with you?

- No he decided to turn ¡n early, are you okay?

- A little smashed, Sslightly depressed,

completely disiliusioned, almost suicidal.

Nothing serious.

Care to join me?

- Yeah for a drink I think.

Bartender, let me have a brandy.

- You know, after the shoots wrapped, ll'm done.

| dont think I can take It any longer.

You know, I keep thinking,

maybe Tony will change burt...

- lm part of that aren't I?

Part of the reason that everybodys --

- Oh not anymore.

You know what?

Beginning to enjoy having you around.

- Thanks Lavla.

- Dont let anybody hear about it,

might ruin my image.

(laughing)

Maybe June doesn't have such bad taste after all.

Never mind.

- Look I khow she likes me, but I don't know.

- | like her too.

| guess she thinks that sex is something

that only unintellectual people engage in.

- Something like that.

- Thats too bad.

Other than that, she's a damn fine lady.

- SO are vou:.

- Thanks Ted.

- | think l!ll go to bed.

This life in the fast lane is,

a little too much for me.

You all right?

- Me?

Well I'm still in first gear.

We do have to work tomorrow though don't we?

Little trick I learned.

- One for the road.

- You gotit

- Here's your coat.

- Oh thanks.

- Hi.

- Hi Einstein.

What cha working on?

Tomorrow*ss lighting plan?

- No, its my diary.

I was just writing that,

never mind, you're drunk you don't wanna hear it now.

- Oh llmnot as drunk as l'd like to be.

| never am June.

Come on what are you writing huh?

- Men can't please me.

Iwon'tlet them.

Even Ted has proven weak and Layla is not the--

-Goon.

- Is the not the selfish bitch l thought she was.

(laughing)

- Thats good.

- My only fear...-

Listen June, if there's something you don't want to tell me

listen I understand completely.

- No, no l wanna say ït

Layla l trust you.

I want to say it.

My only fear is l will never be able to get out of my mind

and into my body.

Im afraid to be passionate.

- Oh June, its okay.

Honey it will come in time.

Honestly.

- Please, l trust you.

- June |,

are you sure?

| dont wanna do anything.

(gentle seductive music)

I love your body June.

| Just want you to feel good.

Tell me if l do anything you dont like.

- [June] Okay. - [Layla] Okay.

(gentle plano)

- That was beaultiful.

Do the men that you've been with,

make you feel that good?

- Sure knov the right things to say don't you?

- Well do they?

- They used to.

Sometimes ! feel like Its even better.

- | was having the most amazing fantasy.

- | khow.

- Really?

- You were thinking about a man,

especlially when you were coming.

-| was.

But how did you know?

- Oh lve been there, quite a few times before.

Who were you thinking of?

- Well, Just a man.

Its not important.

- No you're right.

You won't have any problems when the right man comes along.

I can tell you that, that's for sure.

You're a natural born lover, lover.

(upbeat music)

- And after that | left home and found the job with Tony.

- Gee, just one bad turn after another.

(laughing)

- You two are in one hell Of a good mood this morning.

- Well we got a good nights sleep last night.

(upbeat music)

- Well we sure are proud of our little Chrissy,

being chosen to model for your ads and all aren'twe mother?

- We certainly are.

| only hope sheTll do well.

She's so young you know, only Just graduated high school.

- [Man] Straight As.

- [Woman] Valedictorian.

- Oh thats wonderlul.

- [Man] Yes.

- Yes, yes l'm sure that she will do fine.

You see our Layla here has a wonderful eye for talent

and m sure that Chrissy--

Oh Chrissy.

- Hello Chrissy.

Dontt you look nice today, you ready?

- Hi Miss Ford.

- Now dont you worry about a thing,

we'll have Chrissy back in about three or four hours.

- Oh thats fine, just fine.

- |I flnd my glasses

and weTl catch the Jeanette Mcdonald Nelson Eddy festival.

Werre Just in time for the matinee.

- Donftworry Mr. and Mrs. Hudson,

Chrissy here she IS a good hands.

Good.

- You lay one finger on that girl,

and !Il have you by your professional balls.

Got it?

- Ms Ford is right, she said that Chrissy has

that certain Innocent appeal that lve been looking for.

Avanlti.

Avanti ciao.

- Oiao.

Bye, bye bye dear.

(gentle plano)

- [Chrissy] God bless you.

- You did a splendidly Chrissy.

Your parents can be very proud.

- Thank you Mr. Rossini.

- [Layla] Ve have to get you right home and into bed.

- Oh absolutely Layla.

We can't have our Chrissy here getting sick on us can we?

And since our hotel Is right on the way

and we must pack anyway, IIl drop you all off

and I take Chrissy home.

- How thoughtful of you Tony.

- Ohitis nothing.

- But l have a better idea.

- Damn ït woman, now why the hell did you do that?

Yourre starting to piss me off.

- We have work to do Tony and you know it.

Besides Ted I trust, gotit?

- You know what | got?

| got a good mind to go fire you, thats what l got Layla.

- You donft have a good mind to do anything.

- Tony.

- What?

- Are you really that upset about losing a chance

to screw Chrissy?

- No, no I'm not but Im the boss here.

I'm in control and I dont want anybody

telling me what to do, especially her

and that includes you.

- Im really sorry you caught a cold.

I hope your parents will understand.

- Is not your fault, really.

| was getting a cold anyway before today.

- Well look here's your bag, l'm sorry about this.

- You're nice thank you but really Ill be all right.

- Yeah good.

Hey, let me take you inside.

I hope you feel better, Im really sorry.

- Its all right, honest.

Maybe some hot tea or something.

The kitchen's over there.

- Tea?

Yeah, yeah sure, l'll make you some hot tea before l go.

But I have to leave very soon.

- Thank you.

- Very, very soon.

Chrissy, Chrissy.

Hello?

Chrissy.

- Oh gosh, I must of fallen asleep,

| guess I dontt feel so good.

- | have your tea here.

- Oh would you bring ¡t to me please?

- Bring itto you?

Certainly sure.

- Thanks.

Im sure glad you're here to help me Mr. Perlis.

Really.

- Yeah well I really have to go now.

That is if youll be okay?

- Of course, l'll be okay once l put some

of that vapor rub on.

Would you get it for me please?

- Yeah, yeah sure.

- II hold this up ïf you'll put some on me.

- Yeah just a little bit.

- Oome on silly bastard lets play.

(gentle seductive music)

Thats fun.

- Í shouldn't be doing this you know that.

- [Chrissy] Oh yeah, bite my nipples.

Bite them, bite them.

(moaning)

- [Ted] What if your parents come home?

- [Chrissy] He's beautiful.

- [Ted] Take this off.

- [Chrissy] Get your pants off.

(heavy breathing and moaning)

I want it so bad from you.

So bad.

(heavy breathing and moaning)

- [Ted] Where did you learn to do that?

- [Chrissy] I read a lot.

Come here, yeah.

Put your cock in my pussy.

Real deep.

- [Ted] Oh yeah.

- [Chrissy] Push itin, come on.

Oh I loveit

Oh yeah.

Oh its so good, your cock is so good.

(heavy breathing and panting)

Come on fuck me, come on.

Oh yeah.

(groaning)

Oh yeah.

With tongue, with tongue.

Oh yeah, yeah.

With tongue, lick my clit, my chit.

(groaning)

Yeah.

Yeah.

Come on top of me, let me see you come.

- [Ted] Oh yeah?

- [Chrissy] l wanna see you.

- [Ted| Okay.

- [Chrissy] I wanna see you come.

(Ted groaning)

Ted, can we play a game?

Just one game.

You don't have to do anything but just lie still okay?

- [Ted] Yeah sure, whatever you want.

(upbeat playful music)

- [Chrissy] Hey Ted, Ted.

- [Mother] Chrissy.

- So until we actually Ssee thiS wOman3S house,

there's no way we can--

- Is a mansion, a mansion.

The lady lives in a mansion.

- Mansion or whatever, until we actually get there,

| can't give you anything more than a general idea

of a lighting plan.

- June, June so why the hell do you work with me?

- What?

- Oome on you heard me.

- Lots of reasons.

- OCome on June, Layla and | dont do anything more

than trade insults.

Ted wants to leave, right?

And you're the only one left, why?

- Thanks.

- OCome on you know what I mean.

Why are you here?

- At first l thought you were a genius.

| sĩll do, but you are an asshole genius.

- Well that mụch we know.

- Well then l thought if | could make any sense

out of what was going on in that studio,

I could understand anything.

- And?

- No way, now Í dont know why I stay.

Sorry l just wish I could help.

- Yeah me too.

Fuck it, it doesn't matter, ¡t all stinks lately.

- Im really sorry Tony.

- Yeah.

Don't worry.

Thanks.

- [Tony] How you doing boy scout?

- Oh ñne.

- [Tony] Hey listen Ted, I might have to go away for a while

I don't knovw, Í wanna go to SpPain for a couple of months

or Greece, wanna come along?

- No l cant.

| gotta find a new job.

A real Job.

- [Tony] Yeah.

- By the way, Chrissy wasntt so innocent.

- You're shitting me?

Oh you gotta tell me, this has gotta be a classic.

Come on.

- Hey now look, dont tell Layla all right?

| mean Í feel really shitty about that.

- Im not gonna say anything.

Look this is the great Antonio Rossini speaking to you.

So you gotta tell me, what happened?

- You wanna know what happened?

- I want to khow what happened right from the beginning.

- You want to khow what happened?

- What happened?

- Tony Rossini wants to khow what happened.

- Yes.

- II tell you.

I was raped.

- You were raped?

- Raped.

- He was raped, he was raped.

(laughing)

- She raped me.

She raped me.

- You were raped? - Yes.

- By this?

(laughing)

- Did you hear that?

| wonder what those two--

- l khow what kind of laughter that is.

Thank God tomorrow's our last day.

- Oh Harmon our guests are arriving a bit early,

I do hope weTe prepared.

- Of course madame.

- Of course, after so many adventures together,

how could I even ask.

Or of the mid once this time, tall quite intelligent.

This should be a true test Of your theories Ariellanna.

(suspenseful music)

- Holy shit.

Hey Layla why didn't you tell me?

- | hadn't seen it myself.

| met her in New York at the ad agency,

she's a stockholder.

She offered herself and her home for one of the layouts.

| had the impression they couldnft say no.

- Who the hell is this woman?

- Arielanna Vanlearn Devain

Hieress of the Devain publishing empire.

Degrees in psychology, art and science.

Quite reclusive since the death

of her husband nine years ago.

Stockholder and--

- Thank you Ms Britannica.

Well troops lets get a going.

- Welcome, Mrs. Devain will be Joining you for cocktails

after you've freshened up.

- | do not think its necessary to freshen up.

- After you've freshened up Sir.

- I think weTre going to have to freshen up hey?

Andiammo come on.

The women first.

- Well well my how handsome.

| hope you found everything you needed.

- Yes, yes.

- Thank you very much for the clothes.

- Oh yes, you seem to have thought of everything.

- One of my little quirks, perfection.

| provided some clothes for the ladies too.

Here they come.

- Wow.

- Mama Mia.

- Hey, thats nice.

- Perfection.

- Thank you very much.

- Harmond, would you seat our guests please?

- Mrs. Ford.

- Dont believe.

An yes.

- Šo l simply decided to please myself

and study those aspects of psychology and human behavior

that interested me.

Oh its been lonely at times, but never never boring.

- Look I don't mean to be pushy but--

- Oh of course, of course.

Harmon.

- Yes madame, everything is in order.

- Wonderful, now if you all would indulge me

for Jjust a little while longer.

You see l know a great deal more about you,

each of you, than Ive leton.

AẢnd how should I put this?

Well, III put it decentily,

you see for the past nine years,

lve been engaged ¡n an experiment.

Well a study actually of human behavior.

- Ariel l don'tsee how this is any--

- Let her finish.

- Thank you June.

Really there's nothing mysterious aboutit.

Simply stated I need your help for a short time,

that of a few hours and in exchange

I think II be able to help each of you.

Thatis, if you're willling.

(suspenseful music)

- | really don't understand why Layla's getting so upset.

I think its all really exciting.

- | khow and its that sense of trust you have.

Its going to make this a very Important night for you.

- How do you know so much about us?

- Well a combination of Intuition and intelligence,

research and a great deal of money to get

whatever l wantwith.

Now just enjoy yourself.

Relax, browse and IIl be back in a little while.

- LiSten Harmon, If Ariel wants me to play games

I'd like to khow why.

What the hell is going on here?

- | am sorry If you'rre confused sir,

but llm sure madame will explain.

- Well she had better.

- In here SIr.

- In here.

Yes but this is a dark room.

- Thatis the master bedroom sir.

- Well youre lucky Harmon,

'cause the only darker room | go into, is a bedroom.

(rapid knocking)

Shit.

All right Harmon, I getit.

Is a little Joke huh?

You're actually count Dracula in disguise.

Right?

Right?

Right?

- Wrong.

(seductive music)

(nervously laughing)

- | like your outfit.

Is this a part of the experiment

Or just a pleasant distraction?

-A little bit of both.

Per favore.

- Si, SI.

Oh la la.

Oh this is nice, this Is very nice.

Is a very difficult to open

but yes,

oh its very good.

Suck it.

Suck it.

Oh yes.

Very nice.

(moaning)

Walit wait wait what is this,

what is this?

- [Ariel] VWVhat's the matter?

Did Ì do something wrong?

- [Tony] Oh no no nG Just I donrttlike,

I dont like being tied up, | mean its a bit awkward.

- [Ariel] Oh its just a game, its just for fun.

You see l've never tried it before.

- Well maybe, maybe just a little bit.

- [Ariel] Just a little bit.

- [Tony] Oh yes, its very nice.

Oh its very nice, yes.

Is nice.

No, no, no wait no, wait a second, wait, wait.

- [Ariel] Oh no no no no.

Try it.

- [Tony] Yes.

Itryit

- [Ariel] You like?

- [Tony] Its not bad.

Interesting.

Thats very good.

- Ms.Lamb.

- Yes?

Where's Ariel?

- She will be with you very soon.

She asked that you change clothes.

These are yours.

- But where IS everybodyv?

- TheyTe all having a wonderftul time,

and wish only the same for you.

Please Ms. Lamp, relax.

There's nothing here for you but pleasure and enjoyment.

Here these are for you to wear.

- Thank you.

Its all so strange.

But you have made me feel better Harmon.

- [Tony] Oh thats very good Ariel, thats very good.

Thats very good, oh that's very good,

oh yes, yes, very good, Im--

- [Ariel] No.

- [Tony] Damnit woman, how many times

are you gonna do that huh?

Look all right, all right,

lets cut these God damn scarves off,

lets get back on the right track.

- [Ariel] The right track Tony?

Oh you mean where you're ¡n control all the time,

telling everybody else what to do and when.

- [Tony] Look Ariel just cut the fucking scarves off huh?

- [Ariel] Tony, please don't make me mad,

because then Í might decide to Just leave you here,

for Harmon, who has rather bizarre tastes I'm afraid.

- [Tony] Its Just that this Is not my thing,

| got carried away, I didnt mean--

- [Ariel] Tony, lve got a lot to teach you Tony,

but you've got to shut up and listen.

You talk all the time so you never hear anything.

- [Tony] Okay Ariel, please l just want--

- [Ariel] One more word and I'm leaving.

Understand?

Good because I really like you Tony.

Nowv, for the first lesson, well call it cunnilingus 101.

You see Tony, l want you to make me come.

Starting to like not being Iin control Tony?

Tony, I haven't come ¡n a very long time,

this Is not going to be easy,

but the better you make it for me,

the better l'll make it for you.

(heavy breathing)

Oh yes, thats not bad.

Thats the way, lightly lightly, yes, yes,

now you can take your tongue down further

and then you can run ¡n deeper and deeper,

now you can go in there where you want to go.

See now its open and wet and flowing,

now put your nose up there against that spot on top.

Thats the way, thats the way,

yes now youTre hitting them both.

Oh good Tony, oh good, oh good Tony.

(moaning)

Oh Tony.

That was very good.

Nov...

- [Tony] Dont strangle me please?

- [Ariel] Now this is Just more of the game,

put your head up, thats a good boy.

Can you see it, tell me the truth?

- [Tony] Oh I cant see.

| can't see that.

- [Ariel] Now you just lie here

and !Ïl be right back. - Where are you going?

Walit, wait, wait.

Wa--

Shit.

- Where the hell is everyone?

Its all damn crap, this whole thing.

I Just wanna get home.

You fucked her didn't you?

- Who?

- You khow damn well who.

Chrissy.

You didn't think you'd slip that one by me.

- Look, look I told Tony not to tell you.

Itwasn't my fault Layla.

- Tony didn't have to say anything.

I heard you come in last night.

Ive heard that kind of locker room laughter before.

- And where did you get so damn holy?

I mean ! the truth makes any difference to you,

Chrissy was a little Lolita who bullshitted me like a pro.

- Oh did she force you to fuck her at gunpoint?

- T doesn't make any difference.

She was just like all the others.

Selfish, pushy, conniving.

| mean Í felt nothing but used ever since

this whole trip started.

- Honey, you dont know what used is.

- Pardon me but, well are you two through pitying yourselves

or should I come back later?

- Listen your impression of anti-maim is very entertaining.

But l'm getting tired of your self-indulgent bullshit.

- Layla what are you so afraid of?

- I!m not afraid.

I would Just like to know, Ariel sweetheart,

lf we are going to find out exactly

whatis going on around here.

- | dontknow, Í hope, l truly hope

that you will see whatis here for you,

but well your attitude Isn't helping I'm afraid.

- No more psychology games.

Now where are Tony and June?

What in the hell do you want from me?

- L|am Just trying to help you.

(thwack)

- Layla for Christs sake.

- Oh Layla, you are so used to being hostile

and sarcastic that you cant feel anymore.

- No.

- You've let your Impressions of Tony,

Interfere with, come between you and any man

that might want to love you.

| dont know, if ever feel again anything except resentment.

(sobbing)

- Why the hell did you do that to her huh?

- Why you simple minded little worm.

- What?

- You insignificant cock-minded piss head.

You run around everywhere trying to find someone

to give you, what you think you deserve.

Oh poor poor Teddy.

- | don't khow what the hell you're talking about.

- Oh yes you do.

YOu' re afraid to reach out.

You want it all handed to you.

You haventt got the spine to stand on your own two feet

and go after what you want.

Oh you simpering wimp, hiding behind your romance--

- Leave him alone Arielanna.

- Huh? Enter the heroine,

you both disgust me with your petty bullshit

- What the hell was all that about?

- She was right.

- What?

- Thank you for defending me Ted.

- Hey thank you.

| thought she was gonna tear my throat out.

(sobbing)

Hey, are you okay?

- God damn her.

She was right.

(sobbing)

- Perfect.

- Ariel.

- Hello June, my you look beautiful.

- Thank you.

- Are you ready?

- | dont know whatl! should be ready for.

- Why to be released June.

First put some of this on.

This Is what lve been wearing all day.

And we have a little secret to keep from a man

with a very sensitive nose.

- Oantt you tell me more about what's going on here?

I| mean, where's Tony and the others?

- Well perhaps we should have a little talk

before you spread your wings.

(smooth music)

- God, l'm sorry Ted.

I haventt cried like that since l was a little girl.

Weas Ariel right about what she said?

That you were afraid to go after what you wanted?

- Yeah, yeah.

Hell l expected some perfect woman just to turn up

and offer herself to me, its true.

- Maybe its time you stop walting

and did something about it.

Oh no you don't Teddy, you have to go after what you want.

- What about you?

If | catch you, willl you be able to feel?

Will you be able to feel me,

or will you be thinking about Tony?

- Tony who?

- | need a serious answer Lavla.

- Well thats a chance youlill Just have to take.

- Ted, I don't want you to fuck me,

| want you to make love to me.

| want you to make me feel something Ted.

Yes.

- You ready June?

- | guess so.

- NGv, !'ll stay with you, Just trust your Instincts

you'll be fine.

- [Tony] Who's there?

- [Ariel] Tony.

- [Tony] Oh there you are, am I happy to see you.

- [Ariel] You're beginning to enjoy it

not being in the drivers seat.

- [Tony] Oh you know ¡t baby, but listen

Im gonna explode, I'm gonna come nowv, I gotta come.

- [Ariel] Oh Tony, well perhaps

I should get you a new partner.

June for instance.

- [Tony] June?

(laughing)

Don'ft make me laugh, hey look, I mean June.

June is a lot more than I thought she was,

June really thinks that sex Is an act of mental retardation

at an early age.

Come on, now what about us?

(moaning)

Oh thats great.

Now do you think June would do that?

Oh come on, oh thats great, oh yes baby.

Oh yes, oh yes.

Oh yes, oh yes I needed that,

Im coming, I'm coming, Im gonna come soon.

God damn it, you did it, what you got four hands?

What goes on here?

- [June] Nov, Just relax Tony.

- [Tony] Oh come on, what the hell.

- [June] Just relax, now comes the hard part.

You see, you have to fuck me Tony

and you have to make me come before you do, understand?

Dont let yourself come Tony or else.

- [Tony] Oh yes, all right.

Yes.

(moaning)

Oh thats so good, thats it.

- [Ariel] Thats right Tony, tell me how to move.

- [Tony] Yes.

- [Ariel] Now Tony you tell me, what you want.

- [Tony] Oh yes,

not so fast, not so fast, oh thats nice,

oh yeah thats great.

Oh yeah.

(moaning)

Oh yeah.

Oh that is--

yeah.

(heavy breathing)

Oh yeah.

- [June] Oh God.

Oh God.

(moaning)

Oh God.

(heavy breathing)

- [Tony] That was great.

Oh Ariel.

- [June] Surprise.

- [Tony] When did you?

You?

- [June] Youll never know wÏll you?

- [Tony] And Ill never care.

(smooth music)

(moaning and heavy breathing)

- [June] Oh yeah.

Oh yeah.

(moaning)

Look atme.

- [Tony] HowsSs that?

Slip these off then.

(moaning)

- [June] l wanna taste you.

(heavy breathing)

(moaning)

(gentle sweeping music)

- [Tony] June.

I dont khow how to tell you this.

- [June] You Just did.

(moaning)

Come on.

Oh that's so good Ted, please come.

(heavy breathing)

- | canftfind anybody, I couldntt find him anywhere.

There's this note.

Thank you for helping me with my studies.

Please all l ask is that you share this experience

with no one beyond yourself.

My love to you all, Ariel.

- Well l for one think she was some kind of witch.

- Not at all, shes a psychologist,

who figured out how to get past our fears thats all.

- Thats all?

- Thats all. - Thats all.

(laughing)

- Thats all, simple.

- Is simple. - Yes.

Well lets hit the road, or should I say,

avanti, avanti.

- Avanti.

- The best yet, donftt you think so Harmon?

- 'Oourse madame, I'm rather sorry

to see them leave actually.

- There will be others Harmon

but we did learn so much from these.

- [Tony] I have a suggestion, a quick trip home

and four plane tickets to Greece for the weekend.

- [Ted] Oh I dont knov, I think perhaps

the Caribpbean would be more to my taste.

- [June] IÏl settle for the first motel with a waterbed,

| always wanted to try it out.

(laughing)

(upbeat music)