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HT NOW
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♪ ♪
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♪♪
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>> LIVE FROM THE INTERNATIONAL
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BALLROOM OF THE
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BEVERLY HILTON HOTEL -
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>> AND LIVE FROM THE RAINBOW
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ROOM IN NEW YORK CITY --
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>> WELCOME TO THE 2021
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GOLDEN GLOBE AWARDS.
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>> AND NOW, YOUR HOSTS FOR THE
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EVENING, TINA FEY AND
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AMY POEHLER!
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[ CHEERS AND APPLAUSE
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>>> HI
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>> HELLO, OH, GOOD EVENING,
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WORLD.
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>> I'M TINA FEY COMING TO YOU
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FROM THE BEAUTIFUL RAINBOW ROOM
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IN NEW YORK CITY, WHERE INDOOR
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DINING AND OUTDOOR MUGGINGS ARE
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BACK
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>> YES, AND I'M AMY POEHLER HERE
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AT THE BEVERLY HILTON'S DISTRICT
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7, LOS ANGELES, AND THIS IS THE
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78TH ANNUAL HUNGER GAMES
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>> GOLDEN GLOBES
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>> GOLDEN GLOBES.
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>> TINA AND I ARE HOSTING FROM
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TWO DIFFERENT CITIES THE
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TECHNOLOGY IS SO GREAT YOU WILL
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NEVER TELL THE DIFFERENCE.
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IT WILL BE SMOOTH SAILING.
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>> YOU WON'T EVEN NOTICE
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>> OH, I HAVE MISSED YOU, MY
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LOVE
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>> I ALWAYS KNEW MY CAREER WOULD
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END WITH ME WONDERING AROUND THE
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RAINBOW ROOM PROTECTING TO TALK
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TO AMY
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THIS
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JUST THOUGHT IT WOULD BE LATER
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BUT WHAT AN EXCITING NIGHT
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>> ALL THE BIG BLOCKBUSTER
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MOVIES ARE NOMINATED, "PARTS OF
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A LADY."
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>> "DAY PLANNER," "GRONK".
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>> AND WE WILL BE HONORING ALL
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THE FANTASTIC TV SHOWS YOU
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BINGED WATCHED THIS YEAR, "THE
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AMERICAN OFFICE," OLD
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"COLUMBO"S
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>> THE ZOOM TOWN HALLS AND THE
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CRANBERRY JUICE SKATEBOARD GUY,
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YOU WILL SKATEBOARD TO ALL THE
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SONGS TONIGHT.
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HOW EXCITING.
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>> NORMALLY THE ROOM IS FULL OF
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CELEBRITIES BUT TONIGHT THE
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AUDIENCE ON BOTH COASTS IS MADE
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UP OF SMOKING HOT FIRST
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RESPONDERS AND ESSENTIAL
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WORKERS.
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>> HOW GORGEOUS.
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WE ARE SO GRATEFUL FOR THE WORK
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THAT YOU DO, AND THAT YOU ARE
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HERE SO THAT THE CELEBRITIES CAN
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STAY SAFELY AT HOME.
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>> YES, THANK YOU SO MUCH.
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NOW, WE KNOW THAT YOU HAVE SEEN
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A LOT OF CRAZY STUFF AT YOUR JOB
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THIS YEAR.
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YOU HAVE NOT SEEN THE KIND OF
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STUFF THAT WE HAVE SEEN AT
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PREVIOUS GOLDEN GLOBES THIS
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FRONT TABLE RIGHT HERE, USUALLY
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HOUSES THE BIGGEST STARS IN THE
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WORLD.
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>> IT'S USUALLY LIKE MERYL
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STREEP, HAMMERED, CANNOT EVEN
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REMEMBER WHAT MOVIE SHE IS THERE
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FOR.
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>> BRAD PITT IS ALWAYS WAVING AT
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ME LIKE, AMY, AMY, IT'S LIKE,
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DUDE, I'M WORKING.
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>> AND OPRAH WINFREY WRITING HER
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NAME ON THE TABLE CLOTH IN PAIN.
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>> THE POINT IS, DO WHATEVER YOU
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WANT, BECAUSE THEY DO.
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>> THOSE BITCHES ARE MESSY.
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>> YEAH, THEY ARE MESSY.
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>> OKAY, SINCE YOU GUYS ARE NOT
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USUALLY HERE, LET US EXPLAIN
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WHAT THIS IS
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THE GOLDEN GLOBES ARE AWARDS
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GIVEN OUT BY THE HOLLYWOOD
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FOREIGN PRESS ASSOCIATION.
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>> THE HOLLYWOOD FOREIGN PRESS
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ASSOCIATION IS MADE UP OF AROUND
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90 JOURNALISTS THAT ATTEND MOVIE
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JUNKETS EACH YEAR, IN SEARCH FOR
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A BETTER LIFE.
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WE SAY 90 BECAUSE A FEW MAY BE A
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GHOST, AND ONE
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GHOST.
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>> AT THE GOLDEN GLOBES WE GIVE
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OUT AWARDS FOR MOVIE AND TV,
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IT'S HARD TO TELL THEM APART
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BECAUSE MOVIE THEATERS WERE
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CLOSED AND WE WATCHED EVERYTHING
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ON THE PHONE
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>> YOU MAY BE CONFUSED WHICH ARE
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MOVIES AND WHICH ARE TV.
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>> THE TV IS ONE I WATCH FIVE
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HOURS STRAIGHT AND THE MOVIE IS
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THE ONE I DON'T TURN ON BECAUSE
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IT'S TWO HOURS
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I DON'T WANT TO BE IN FRONT OF
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MY TV FOR TWO HOURS, I WANT TO
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BE IN FRONT OF THE TV ONE HOUR
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FIVE TIMES
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>> IF THEY ARE REAL TEETH LOOK
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FAKE, THAT'S TV.
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>> IF THE BRITISH ACTORS ARE
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PLAYING TV, IT'S A MOVIE
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>> IF YOU ARE LIKE, MARIO LOPEZ
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IS SURPRISINGLY GOOD IN THIS,
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THAT IS TV
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>> AND IF, IF A STAR'S MATTHEW
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McCONAUGHEY AS A POET I CAN
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DRIFT --
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POETIC DRIFTER, IT'S A
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COMMERCIAL
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>> AND IFIT'S A PLAY THAT HAS
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BEEN TURNED IN TO A MOVIE, BUT
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YOU WATCH IT ON A TV, IT'S
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CALLED THE PLUVIE, AND THERE'S
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FOUR OF THEM TONIGHT
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>> CONGRATULATIONS TO ALL THE
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PLUVIES, SO, LET'S SEE WHAT THE
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EUROPEAN WEIRDOS NOMINATED THIS
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YEAR
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"NOMAD
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"NOMADLAND," MY KIDS WERE LIKE,
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COULD WE DO THAT FOR SPRING
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BREAK?
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COULD WE DO ANYTHING
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>> "MANK" IS SHORT FOR
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MANKOWITZ, THE NAME OF THE
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SCREEN WRITER OF "CITIZEN CANE".
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>> "THE PROM" CAME OUT, THIS
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YEAR SO MANY TEENAGERS DID NOT
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GET TO GO TO THEIR "PROM" SO
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THEY COULD WATCH JAMES CORDINAND
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MAYORAL
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GO TO IT INSTEAD
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>> THE THING I LOVE ABOUT AARON
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SORKIN'S WRITING, HE CAN HAVE
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SEVEN MEN TALKING BUT IT FEELS
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LIKE A HUNDRED MEN TALKING.
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>> YEAH.
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THE "UNDOING" WAS A SEXY AND
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DRAMATIC MYSTERY WHERE NICOLE
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KIDMAN'S COACH IS SUSPECTED OF
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MURDERING HER WIG.
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>> "SOUL" IS A BEAUTIFUL PIXAR
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ANIMATED MOVIE WHERE A BLACK
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MAN'S SOUL IS KNOCKED OUT OF HIS
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BODY AND IN TO A CAT
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THEY RESPONDED TO THIS BECAUSE
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THEY HAVE FIVE CAT MEMBERS
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>> "NORMAL PEOPLE" IS AN
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EMOTIONAL SHOW ABOUT TWO YOUNG
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LOVERS IN IRELAND AND BEST
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VIEWED IN BED WITH YOUR HOT
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LAPTOP RIGHT ON YOUR CROUCH.
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>> "ONE NIGHT IN MIAMI" IS A
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FICTIONALIZED VERSION OF A
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MEETING THAT TOOK PLACE, WHERE I
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ASSUME THE TOPIC OF DISCUSSION
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WAS, HOW THE HELL DO WE GET OUT
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OF FLORIDA
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>> SPEAKING OF "ONE NIGHT IN
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MIME," THERE'S GREAT DIRECTORS
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NOM
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NOMINATED TONIGHT.
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>> EMILY IN PAIRS IS NOMINATED
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FOR BEST TV SERIES, MUSICAL
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COMEDY, I CANNOT WAIT TO FIND
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OUT WHICH IT IS.
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>> "FRENCH QUIT EXIT" IS WHAT I
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DID AFTER WATCHING THE FIRST
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EPISODE OF "EMILY IN PAIRS".
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>> JIM PARSONS AND KALEY COCOA
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IS NOMINATED TONIGHT
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>> "MUSIC" IS NOMINATED FOR BEST
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INTERNATIONAL FLOPPEROONI, I
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DON'T WANT TO GETTY IN TO ITYTY
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IT BUT IT'S REALLY PROBLEMATIC.
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>> WE SHOULD HAVE TOLD YOU
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EVERYONE IS UPSET WITH THE HFPA
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AND THEIR CHOICES.
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LOOK, A LOT OF FLASHY GARBAGE
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GOT NOMINATED, BUT THAT HAPPENS.
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THAT IS THEIR THING.
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BUT A NUMBER OF BLACK ACTORS AND
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BLACK LED PROJECTS WERE
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OVERLOOKED
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>> LOOK, WE ALL KNOW AWARD SHOWS
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ARE STUPID
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>> THEY ARE ALL A SCAM, INVENTED
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BY BIG RED CARPET.
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>> TO SELL ISS MORE CARPET.
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>> WE KNOW THAT.
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>> BUT EVEN WITH STUPID THINGS
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INCLUSIVITY IS IMPORTANT
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AND THERE'S NO BLACK MEMBERS OF
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THE HFPA
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YOU HAVE TO CHANGE THAT.
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SO, HERE'S THE CHANGE.
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>> YES, AND LOOKING FORWARD TO
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THAT CHANGE.
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WE DO HAVE GOOD NEWS
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WE ARE RAISING MONEY TONIGHT
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TOGETHER, THE HFP A&M RC AND NBC
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ARE DONATING $2 MILLION TO
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FEEDING AMERICA RESPONSE FUND
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AND THAT IS AWESOME.
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>> YES
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>> HERE WE GO, GUYS.
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ARE YOU READY?
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>> YEAH!
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>> COULD THIS WHOLE NIGHT BEEN
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AN E-MAIL?
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YES.
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BUT WE WOULD NOT SEE OUR
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BEAUTIFUL FIRST PRESENTER, LIKE
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A CHILD'S SKELETON PAJAMAS, SHE
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GLOWS.
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LAST YEAR'S GOLDEN GLOBE WINNER,
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MS. LAURA DERN.
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>> GOOD EVENING, SENDING YOU ALL
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MY LOVE AND GRATITUDE AND IT'S
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AN HONOR TO BE HERE AND PRESENT
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THE FIRST AWARD OF THE NIGHT
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THE NOMINEES FOR BEST ACTOR --
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>> "JUDAS AND THE BLACK
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MESSIAH," JARED LETO "THE LITTLE
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THINGS," BILL MURRAY "ON THE
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00:10:07,289 --> 00:10:13,080
ROCKS" AND LESLIE ODOM, JR.,
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"ONE NIGHT IN MIAMI.
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AND THE GOLDEN GLOBE GOES TO,
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DANIEL KALUYA --
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>> I WISH I COULD BE THERE
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>> AS YOU CAN SEE, WE
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UNFORTUNATELY HAVE A BAD
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CONNECTION
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WE APOLOGIZE FOR THAT TECHNICAL
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00:10:48,019 --> 00:10:51,009
PROBLEM.
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AND SEND ALL OF OUR
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CONGRATULATIONS TO DANIEL ON HIS
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GOLDEN GLOBE WIN
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>> YOU DID -- IT IS ON
264
00:11:07,250 --> 00:11:09,049
IT IS ON
265
00:11:07,250 --> 00:11:09,049
IT IS ON
266
00:11:09,049 --> 00:11:11,179
ALL RIGHT, COOL.
267
00:11:09,049 --> 00:11:11,179
CAN YOU HEAR ME NOW?
268
00:11:11,179 --> 00:11:17,240
ALL RIGHT, COOL.
269
00:11:11,179 --> 00:11:17,240
WE GOT THIS.
270
00:11:17,240 --> 00:11:22,230
THANK YOU FOR THE ACCOLADE,
271
00:11:17,240 --> 00:11:22,230
THANK YOU TO MY MOM, MY SISTER,
272
00:11:22,230 --> 00:11:29,129
MY NIECE
273
00:11:22,230 --> 00:11:29,129
YO, I USED TO LISTEN TO A SONG,
274
00:11:29,129 --> 00:11:32,230
I USED TO LISTEN TO A SONG
275
00:11:29,129 --> 00:11:32,230
BEFORE EVERY SPEECH.
276
00:11:32,230 --> 00:11:36,240
THANK YOU FOR "THE GAME IS
277
00:11:32,230 --> 00:11:36,240
MINE," I WANT LIKE TO THANK, IT
278
00:11:36,240 --> 00:11:41,009
TAKES A VILLAGE TO RAISE A FILM,
279
00:11:36,240 --> 00:11:41,009
I WOULD LIKE TO THANK OUR
280
00:11:41,009 --> 00:11:47,110
LEADER, FOR YOUR VISION AND
281
00:11:41,009 --> 00:11:47,110
COLLABORATION, AND RYAN -- AND
282
00:11:47,110 --> 00:11:51,289
CHARLES KING, EVERYONE AT MACRO,
283
00:11:47,110 --> 00:11:51,289
LIKE TO THANK WARNER BROS., AND
284
00:11:51,289 --> 00:12:00,090
I LIKE TO THANK THE INCREDIBLE
285
00:11:51,289 --> 00:12:00,090
CAST, YOU KNOW, I STAND WITH
286
00:12:00,090 --> 00:12:02,259
YOU, MY BRO.
287
00:12:00,090 --> 00:12:02,259
ALL THE CREW, ALL THE CAST, THE
288
00:12:02,259 --> 00:12:07,049
REST OF THE CAST AND MY
289
00:12:02,259 --> 00:12:07,049
COMRADES, ALL THE CREW IN
290
00:12:07,049 --> 00:12:11,200
CLEVELAND, WE HAVE DONE IT
291
00:12:07,049 --> 00:12:11,200
TOGETHER
292
00:12:11,200 --> 00:12:16,250
LAST FOR PARTNERING UP WITH US,
293
00:12:11,200 --> 00:12:16,250
AND SHARING THEIR STORY WITH US.
294
00:12:16,250 --> 00:12:21,000
AND MAN, THIS TOOK IT OUT OF ME.
295
00:12:16,250 --> 00:12:21,000
I GAVE EVERYTHING.
296
00:12:21,000 --> 00:12:25,139
THE GREAT NIPSEY HUSTLE SAYS, WE
297
00:12:21,000 --> 00:12:25,139
ARE HERE TO GIVE UNTIL WE ARE
298
00:12:25,139 --> 00:12:32,269
EMPTY AND I GAVE EVERYTHING AND
299
00:12:25,139 --> 00:12:32,269
I COULD NOT -- I HOPE
300
00:12:32,269 --> 00:12:37,009
GENERATIONS AFTER THIS CAN SEE
301
00:12:32,269 --> 00:12:37,009
HOW BRILLIANT HE FOUGHT.
302
00:12:37,009 --> 00:12:43,179
HOW BRILLIANTLY HE SPOKE AND HOW
303
00:12:37,009 --> 00:12:43,179
BRILLIANTLY HE LOVED
304
00:12:43,179 --> 00:12:47,139
AND HE TAUGHT ME ABOUT MYSELF,
305
00:12:43,179 --> 00:12:47,139
MADE ME GROW AS A MAN AND I
306
00:12:47,139 --> 00:12:52,220
APPRECIATE IT WITH ALL MY HEART
307
00:12:47,139 --> 00:12:52,220
AND I HOPE PEOPLE, THERE'S A LOT
308
00:12:52,220 --> 00:12:56,070
OF INFORMATION ABOUT HOW HE
309
00:12:52,220 --> 00:12:56,070
DIED, BUT I HOPE YOU PEOPLE OUT
310
00:12:56,070 --> 00:13:00,220
THERE WILL GROW AND LEARN ABOUT
311
00:12:56,070 --> 00:13:00,220
HOW INCREDIBLY HE LIVED.
312
00:13:00,220 --> 00:13:02,100
THANK YOU SO MUCH FOR THIS
313
00:13:00,220 --> 00:13:02,100
HONOR.
314
00:13:02,100 --> 00:13:09,070
AND THANK YOU EVERYONE OUT
315
00:13:02,100 --> 00:13:09,070
THERE, I HAVE MY CHAMPS READY.
316
00:13:09,070 --> 00:13:11,149
APPRECIATE YOU ALL, MAN,
317
00:13:09,070 --> 00:13:11,149
APPRECIATE ALL THAT.
318
00:13:11,149 --> 00:13:17,059
ALL THE NOMINEES, I APPRECIATE
319
00:13:11,149 --> 00:13:17,059
THAT
320
00:13:17,059 --> 00:13:22,169
ALL RIGHT HADTAKE CARE.
321
00:13:17,059 --> 00:13:22,169
LOVE
322
00:13:22,169 --> 00:13:23,179
[ CHEERS AND APPLAUSE
323
00:13:22,169 --> 00:13:23,179
>> ALL RIGHT
324
00:13:23,179 --> 00:13:26,039
WE FIXED HIM
325
00:13:23,179 --> 00:13:26,039
HAPPY TO HEAR FROM DANIEL.
326
00:13:26,039 --> 00:13:28,250
OKAY
327
00:13:26,039 --> 00:13:28,250
HERE TO CELEBRATE OVER 20 YEARS
328
00:13:28,250 --> 00:13:47,250
OF HAVING HER GROOVE RETURNED TO
329
00:13:28,250 --> 00:13:47,250
HER, ANGELA BASSETT.
330
00:13:47,250 --> 00:13:52,029
>>> GOOD EVENING, TO MAKE SURE
331
00:13:47,250 --> 00:13:52,029
THAT WE FOLLOW HEALTH AND SAFETY
332
00:13:52,029 --> 00:13:56,039
PROTOCOLS, MOST OF THE TROPHIES,
333
00:13:52,029 --> 00:13:56,039
NORMALLY GIVEN TO OUR WINNERS IN
334
00:13:56,039 --> 00:14:00,080
PERSON WILL BE DELIVERED TO THEM
335
00:13:56,039 --> 00:14:00,080
SAFELY IN THE NEAR FUTURE.
336
00:14:00,080 --> 00:14:03,259
IN ADDITION, EVERY ONE ON STAGE
337
00:14:00,080 --> 00:14:03,259
AND IN OUR AUDIENCE, BOTH IN
338
00:14:03,259 --> 00:14:08,259
L.A. AND NEW YORK HAVE ALL BEEN
339
00:14:03,259 --> 00:14:08,259
TESTED AND ARE FOLLOWING STRICT
340
00:14:08,259 --> 00:14:11,149
CDC COVID HEALTH AND SAFETY
341
00:14:08,259 --> 00:14:11,149
PROTOCOL
342
00:14:11,149 --> 00:14:14,200
AND NOW, IT'S TIME FOR OUR NEXT
343
00:14:11,149 --> 00:14:14,200
AWARD.
344
00:14:14,200 --> 00:14:19,080
HERE ARE THE NOMINEES FOR BEST
345
00:14:14,200 --> 00:14:19,080
PERFORMANCE BY AN ACTOR IN A
346
00:14:19,080 --> 00:14:37,059
TELEVISION SUPPORTING ROLE
347
00:14:19,080 --> 00:14:37,059
JOHN BOYEGA, SMALL AXE, BRANDAN
348
00:14:37,059 --> 00:14:44,259
GLEESON, THE COMEY RULE.
349
00:14:37,059 --> 00:14:44,259
DANIEL LEVY, SCHITT'S CREEK.
350
00:14:44,259 --> 00:14:51,289
JIM PARSONS, HOLLYWOOD
351
00:14:44,259 --> 00:14:51,289
DONALD SUTHERLAND, THE UNDOING
352
00:14:51,289 --> 00:15:00,059
AND THE GOLDEN GLOBE GOES TO
353
00:14:51,289 --> 00:15:00,059
JOHN BOYEGA "SMALL AXE."
354
00:15:00,059 --> 00:15:02,289
>> WOW
355
00:15:00,059 --> 00:15:02,289
YOU KNOW WHAT, LET ME JUST SAY
356
00:15:02,289 --> 00:15:08,100
WHAT I HAVE TO SAY
357
00:15:02,289 --> 00:15:08,100
FIRST THANK YOU SO MUCH TO THE
358
00:15:08,100 --> 00:15:12,000
HFPA FOR THE OPPORTUNITY, THANK
359
00:15:08,100 --> 00:15:12,000
YOU, YOU KNOW WHAT I THOUGHT IT
360
00:15:12,000 --> 00:15:16,029
WOULD BE ONE OF THOSE NIGHTS
361
00:15:12,000 --> 00:15:16,029
WHERE YOU DO THIS WHOLE SHIN DIG
362
00:15:16,029 --> 00:15:22,200
AND YOU GO TO BED AND CHILL.
363
00:15:16,029 --> 00:15:22,200
LIKE, I PUT TRACK SHOE BOTTOMS
364
00:15:22,200 --> 00:15:28,240
ON, AND I'M EXCITED.
365
00:15:22,200 --> 00:15:28,240
IT'S GREAT TO HAVE THIS AMAZING
366
00:15:28,240 --> 00:15:31,009
OPPORTUNITY.
367
00:15:28,240 --> 00:15:31,009
THANK YOU FOR AMAZON PRIME, UK
368
00:15:31,009 --> 00:15:36,029
FOR GIVING ME THIS OPPORTUNITY
369
00:15:31,009 --> 00:15:36,029
AND THE BBC, I THANK YOU FOR THE
370
00:15:36,029 --> 00:15:41,139
WORK AND FOR WHAT YOU HAVE DONE
371
00:15:36,029 --> 00:15:41,139
FOR YOUNG PEOPLE IN THE UK
372
00:15:41,139 --> 00:15:43,059
THANK YOU SO MUCH, THANK YOU
373
00:15:41,139 --> 00:15:43,059
GUYS
374
00:15:43,059 --> 00:15:52,129
♪ ♪
375
00:15:43,059 --> 00:15:52,129
NOW, WITH THE FIRST NOMINATED
376
00:15:52,129 --> 00:16:02,090
FILM, HERE IS COLIN FARRELL.
377
00:15:52,129 --> 00:16:02,090
>> IN OUR FIRST DRAMA, AN AGING
378
00:16:02,090 --> 00:16:22,019
MEN REJECTS HIS DAUGHTER'S
379
00:16:02,090 --> 00:16:22,019
INSIST ANSWER
380
00:16:22,019 --> 00:16:22,240
INSISTANCE
381
00:16:22,019 --> 00:16:22,240
WITH FOUR GOLDEN GLOBE
382
00:16:22,240 --> 00:16:23,169
NOMINATIONS, THIS IS "THE
383
00:16:22,240 --> 00:16:23,169
FATHER".
384
00:16:23,169 --> 00:16:24,259
>> THE SITUATION IS SIMPLE
385
00:16:23,169 --> 00:16:24,259
MY DAUGHTER, I CANNOT MANAGE ON
386
00:16:24,259 --> 00:16:28,230
MY OWN
387
00:16:24,259 --> 00:16:28,230
>> I'M SO ISSORRY ABOUT THIS
388
00:16:28,230 --> 00:16:30,240
>> IT'S FINE
389
00:16:28,230 --> 00:16:30,240
>> WHO IS IT
390
00:16:30,240 --> 00:16:32,240
>> IT'S ME, PAUL
391
00:16:30,240 --> 00:16:32,240
>> I DON'T KNOW WHAT SHE IS
392
00:16:32,240 --> 00:16:36,259
COOKING UP AGAINST ME, SHE IS
393
00:16:32,240 --> 00:16:36,259
COOKING SOMETHING UP
394
00:16:36,259 --> 00:16:44,269
I'M NOT LEAVING MY FLAT!
395
00:16:36,259 --> 00:16:44,269
THIS REALLY IS MY FLAT
396
00:16:44,269 --> 00:16:56,109
ISN'T IT
397
00:16:44,269 --> 00:16:56,109
♪ ♪
398
00:16:56,109 --> 00:17:02,250
NBC'S TELECAST OF THE GOLDEN
399
00:16:56,109 --> 00:17:02,250
GLOBES IS PRESENTED BY:
400
00:17:02,250 --> 00:17:05,019
♪ ♪
401
00:17:02,250 --> 00:17:05,019
>> I'M SO EXCITED.
402
00:17:05,019 --> 00:17:09,009
>> YEAH!
403
00:17:05,019 --> 00:17:09,009
>> WE ARE TOGETHER
404
00:17:09,009 --> 00:17:11,200
>> THIS IS SO WEIRD.
405
00:17:09,009 --> 00:17:11,200
>> HI!
406
00:17:11,200 --> 00:17:18,259
>> IT'S SO CRAZY
407
00:17:11,200 --> 00:17:18,259
>> THE GLAMOROUS STARS ARE
408
00:17:18,259 --> 00:17:21,289
NOMINATED FOR ACTRESS IN A TV
409
00:17:18,259 --> 00:17:21,289
COMEDY, THEY ARE NEXT, THE
410
00:17:21,289 --> 00:17:32,220
GOLDEN GLOBES RIGHT HERE ON NBC.
411
00:17:21,289 --> 00:17:32,220
>> BREAK A LEG
412
00:17:32,220 --> 00:17:37,190
♪ ♪
413
00:17:32,220 --> 00:17:37,190
>>> WELCOME BACK NOW FROM NEW
414
00:17:37,190 --> 00:17:43,089
YORK, STARS OF THE UP COMING
415
00:17:37,190 --> 00:17:43,089
SERIES "DR. DEATH," CHRISTIAN
416
00:17:43,089 --> 00:17:57,269
SLATER
417
00:17:43,089 --> 00:17:57,269
>>> AS WE ARE MENTIONING THE
418
00:17:57,269 --> 00:17:59,289
GOLDEN GLOBES IS PARTNERING WITH
419
00:17:57,269 --> 00:17:59,289
FEEDING AMERICA, YOU WANT TO
420
00:17:59,289 --> 00:18:03,240
GIVE, YOU CAN LINK DIRECTLY TO
421
00:17:59,289 --> 00:18:03,240
THE FEEDING AMERICA WEBSITE BY
422
00:18:03,240 --> 00:18:08,049
USING THE CAMERA ON YOUR PHONE
423
00:18:03,240 --> 00:18:08,049
TO SCAN THE QR CODE, WHICH YOU
424
00:18:08,049 --> 00:18:19,180
NOW SEE ON THE SCREEN.
425
00:18:08,049 --> 00:18:19,180
IT WILL APPEAR AT OTHER TIMES,.
426
00:18:19,180 --> 00:18:32,079
THE NOMINEES FOR BEST
427
00:18:19,180 --> 00:18:32,079
PERFORMANCE --
428
00:18:32,079 --> 00:18:33,119
BY AN ACTRESS IN A TELEVISION
429
00:18:32,079 --> 00:18:33,119
SERIES, MUSICAL OR COMEDY.
430
00:18:33,119 --> 00:18:34,160
LILY COLLINS, "EMILY IN PARIS.
431
00:18:33,119 --> 00:18:34,160
KALEY CUOCO,
432
00:18:34,160 --> 00:18:40,220
"THE FLIGHT ATTENDANT.
433
00:18:34,160 --> 00:18:40,220
ELLE FANNING, "THE GREAT."
434
00:18:40,220 --> 00:18:46,259
JANE LEVY,
435
00:18:40,220 --> 00:18:46,259
"ZOEY'S EXTRAORDINARY PLAYLIST."
436
00:18:46,259 --> 00:19:00,180
CATHERINE O'HARA,
437
00:18:46,259 --> 00:19:00,180
"SCHITT'S CREEK.
438
00:19:00,180 --> 00:19:06,059
REQUEST THE -- AND THE AWARD
439
00:19:00,180 --> 00:19:06,059
GOES TO CATHERINE O'HARA
440
00:19:06,059 --> 00:19:10,240
>> THANK YOU, THANK YOU -- THANK
441
00:19:06,059 --> 00:19:10,240
YOU BOTH
442
00:19:10,240 --> 00:19:16,019
I'M GRATEFUL JUST TO SHARE YOUR
443
00:19:10,240 --> 00:19:16,019
GOOD WILL FOR MY LOVELY FELLOW
444
00:19:16,019 --> 00:19:17,119
NOMINEES
445
00:19:16,019 --> 00:19:17,119
THIS IS GREAT, THANK YOU SO
446
00:19:17,119 --> 00:19:22,119
MUCH
447
00:19:17,119 --> 00:19:22,119
I'M HAPPILY AND SERIOUSLY
448
00:19:22,119 --> 00:19:26,240
INDEBTED TO DAN LEVY, THEY
449
00:19:22,119 --> 00:19:26,240
CREATED AN INSPIRING, FUNNY,
450
00:19:26,240 --> 00:19:35,200
BEAUTIFUL FAMILY LOVE STORY IN
451
00:19:26,240 --> 00:19:35,200
WHICH THEY WANTED ME TO SPEAK
452
00:19:35,200 --> 00:19:40,019
LIKE AN ALIEN, FROM THE FIRST
453
00:19:35,200 --> 00:19:40,019
DAY TO THE FINAL DAY ON SET
454
00:19:40,019 --> 00:19:42,089
WHERE EVERYONE EXCEPT ME HELD
455
00:19:40,019 --> 00:19:42,089
BACK TEARS
456
00:19:42,089 --> 00:19:50,039
IT'S AN EXPERIENCE THAT I AM
457
00:19:42,089 --> 00:19:50,039
PROUD TO BE APART, THANK YOU FO
458
00:19:50,039 --> 00:19:58,259
MAKING A SHOW IN CANADA, THANK
459
00:19:50,039 --> 00:19:58,259
YOU, FOR -- SERIOUSLY.
460
00:19:58,259 --> 00:20:01,190
WHILE WE WERE SHELTERING IN
461
00:19:58,259 --> 00:20:01,190
PLACE, NETFLIX BROUGHT THE SHOW
462
00:20:01,190 --> 00:20:06,150
IS AROUND THE WORLD, VERY HAPPY
463
00:20:01,190 --> 00:20:06,150
IN OUR FAMILY IN LOCKDOWN MUST
464
00:20:06,150 --> 00:20:09,250
HAVE COMFORTED YOU AND YOURS
465
00:20:06,150 --> 00:20:09,250
I HOPE THAT IT WILL NOT TAKE YOU
466
00:20:09,250 --> 00:20:15,279
SIX YEARS TO REALIZE YOUR
467
00:20:09,250 --> 00:20:15,279
GREATEST ASSET IS HAVING EACH
468
00:20:15,279 --> 00:20:22,210
OTHER TO LOVE.
469
00:20:15,279 --> 00:20:22,210
♪ ♪
470
00:20:22,210 --> 00:20:30,049
>>> NOW FROM THE SPONGE BOB
471
00:20:22,210 --> 00:20:30,049
MOVIE, "FUN ON THE RUN."
472
00:20:30,049 --> 00:20:35,220
TIFFANY HADDISH.
473
00:20:30,049 --> 00:20:35,220
MY CATEGORY IS BEST ANIMATED
474
00:20:35,220 --> 00:20:40,119
MOTION PICTURE OR AS I CALL IT
475
00:20:35,220 --> 00:20:40,119
WHY EDDIE MURPHY HAS FIVE
476
00:20:40,119 --> 00:20:44,089
MANSIONS
477
00:20:40,119 --> 00:20:44,089
HERE ARE THE NOMINEES.
478
00:20:44,089 --> 00:20:49,220
"THE CROODS: A NEW AGE."
479
00:20:44,089 --> 00:20:49,220
>> I HAVE IS NEVER HAD A
480
00:20:49,220 --> 00:20:53,039
GIRLFRIEND BEFORE!
481
00:20:49,220 --> 00:20:53,039
"ONWARD.
482
00:20:53,039 --> 00:20:59,119
>> HE SAID THAT HE ALWAYS
483
00:20:53,039 --> 00:20:59,119
THOUGHT HIS WIZARD NAME WOULD BE
484
00:20:59,119 --> 00:21:04,039
SHELDON THE WHIMSICAL.
485
00:20:59,119 --> 00:21:04,039
>> WOW, THAT IS TERRIBLE
486
00:21:04,039 --> 00:21:08,160
"OVER THE MOON."
487
00:21:04,039 --> 00:21:08,160
"SOUL.
488
00:21:08,160 --> 00:21:11,160
WHERE HAVE YOU BEEN?
489
00:21:08,160 --> 00:21:11,160
I HAVE BEEN TEACHING
490
00:21:11,160 --> 00:21:14,079
MIDDLE SCHOOL BAND, BUT ON THE
491
00:21:11,160 --> 00:21:14,079
WEEKENDS --
492
00:21:14,079 --> 00:21:16,089
>> YOU GOT A SUIT?
493
00:21:14,079 --> 00:21:16,089
>> I --
494
00:21:16,089 --> 00:21:20,099
>> GET A SUIT, TEACH
495
00:21:16,089 --> 00:21:20,099
"WOLFWALKERS."
496
00:21:20,099 --> 00:21:24,240
>> COME HERE, YOU ARE A -- A.
497
00:21:20,099 --> 00:21:24,240
>> WOLFWALKER.
498
00:21:24,240 --> 00:21:35,039
>> AND THE GOLDEN GLOBE GOES TO.
499
00:21:24,240 --> 00:21:35,039
"SOUL".
500
00:21:35,039 --> 00:21:39,000
♪ ♪
501
00:21:35,039 --> 00:21:39,000
>> THANK YOU SO MUCH TO THE
502
00:21:39,000 --> 00:21:40,170
HOLLYWOOD FOREIGN PRESS
503
00:21:39,000 --> 00:21:40,170
ASSOCIATION, WE ARE SO GRATEFUL
504
00:21:40,170 --> 00:21:44,259
FOR THIS HONOR
505
00:21:40,170 --> 00:21:44,259
LITTLE DID WE KNOW MAKING A FILM
506
00:21:44,259 --> 00:21:47,150
ABOUT JAZZ THAT JAZZ WOULD TEACH
507
00:21:44,259 --> 00:21:47,150
US SO MUCH ABOUT LIFE.
508
00:21:47,150 --> 00:21:50,089
LIKE WE CANNOT ALWAYS CONTROL
509
00:21:47,150 --> 00:21:50,089
WHAT HAPPENS IN THE WORLD.
510
00:21:50,089 --> 00:21:53,279
BUT LIKE A GOOD JAZZ MUSICIAN,
511
00:21:50,089 --> 00:21:53,279
WE CAN TRY TO TURN IT IN TO
512
00:21:53,279 --> 00:21:56,059
SOMETHING BEAUTIFUL.
513
00:21:53,279 --> 00:21:56,059
>> YES, AND CERTAINLY THAT'S SO
514
00:21:56,059 --> 00:22:00,200
TRUE FOR AMAZING CAST AND CREW
515
00:21:56,059 --> 00:22:00,200
EVERY ONE OF OUR COLLABORATORS
516
00:22:00,200 --> 00:22:03,019
MADE THIS FILM BETTER AT EVERY
517
00:22:00,200 --> 00:22:03,019
TURN, EVEN WHEN WE WERE SPLIT
518
00:22:03,019 --> 00:22:06,140
APART BY A PANDEMIC.
519
00:22:03,019 --> 00:22:06,140
IN FACT, WE COULD NOT EVEN WITH
520
00:22:06,140 --> 00:22:10,259
OUR CO-DIRECTOR WHO IS IN L.A.
521
00:22:06,140 --> 00:22:10,259
RIGHT NOW.
522
00:22:10,259 --> 00:22:14,269
>> HEY, BEING ABLE TO TELL A
523
00:22:10,259 --> 00:22:14,269
UNIVERSAL TALE THAT EXPLORED THE
524
00:22:14,269 --> 00:22:18,289
MEANING OF LIFE THROUGH THE
525
00:22:14,269 --> 00:22:18,289
PRISM OF A BLACK MAN'S
526
00:22:18,289 --> 00:22:27,289
EXPERIENCE IS AN HONOR AND THE
527
00:22:18,289 --> 00:22:27,289
DETAILS ARE SPECIFIC, BUT STORY
528
00:22:27,289 --> 00:22:33,119
SO MANY WROTE TO TELL US HOW
529
00:22:27,289 --> 00:22:33,119
THIS WAS RELEVANT TO THEM AND
530
00:22:33,119 --> 00:22:37,069
HOW THEY WERE REMINDED THAT THE
531
00:22:33,119 --> 00:22:37,069
SEEMINGLY SMALL PARTS OF LIFE
532
00:22:37,069 --> 00:22:41,119
ARE SO IMPORTANT
533
00:22:37,069 --> 00:22:41,119
THANK YOU TO DISNEY AND PIXAR
534
00:22:41,119 --> 00:22:43,269
AND OUR SUPPORTIVE FRIENDS AND
535
00:22:41,119 --> 00:22:43,269
FAMILY FOR HELPING US ON THIS
536
00:22:43,269 --> 00:22:50,059
JOURNEY.
537
00:22:43,269 --> 00:22:50,059
>> THANK YOU
538
00:22:50,059 --> 00:22:56,200
[ CHEERS AND APPLAUSE
539
00:22:50,059 --> 00:22:56,200
>> WITH OUR NEXT NOMINATED FILM,
540
00:22:56,200 --> 00:23:05,130
HERE IS ONE OF THE STARS OF
541
00:22:56,200 --> 00:23:05,130
THE --
542
00:23:05,130 --> 00:23:09,039
>> THE DEMOCRATIC NATIONAL
543
00:23:05,130 --> 00:23:09,039
CONVENTION, TURNS IN TO A
544
00:23:09,039 --> 00:23:11,099
VIOLENT CLASH WITH POLICE AND
545
00:23:09,039 --> 00:23:11,099
THE NATIONAL GUARD
546
00:23:11,099 --> 00:23:20,109
IT'S ORGANIZED THE CHARGE WAS A
547
00:23:11,099 --> 00:23:20,109
CONSPIRACY TO INCITE A RIOT,
548
00:23:20,109 --> 00:23:25,119
SPARKING ONE OF THE MOST
549
00:23:20,109 --> 00:23:25,119
RESONATING TRIALS IN HISTORY
550
00:23:25,119 --> 00:23:27,160
THIS IS "THE TRIAL OF THE
551
00:23:25,119 --> 00:23:27,160
CHICAGO 7.
552
00:23:27,160 --> 00:23:31,029
>> WE ARE COMING TO CHICAGO
553
00:23:27,160 --> 00:23:31,029
PEACEFULLY BUT WHETHER WE ARE
554
00:23:31,029 --> 00:23:34,130
GIVEN PERMITS OR NOT WE ARE
555
00:23:31,029 --> 00:23:34,130
COMING
556
00:23:34,130 --> 00:23:35,279
COMING.
557
00:23:34,130 --> 00:23:35,279
>> THE PLANS WERE STARTED BY THE
558
00:23:35,279 --> 00:23:41,000
CHICAGO POLICE DEPARTMENT.
559
00:23:35,279 --> 00:23:41,000
>> NOBODY OBJECT ONED.
560
00:23:41,000 --> 00:23:45,049
>> WE DEALT WITH JURY TAMPERING
561
00:23:41,000 --> 00:23:45,049
AND A DEFENDANT THAT WAS
562
00:23:45,049 --> 00:23:48,019
LITERALLY GAGGED.
563
00:23:45,049 --> 00:23:48,019
>> YOU ARE THE FIRST TO SUGGEST
564
00:23:48,019 --> 00:23:52,089
THAT I DISCRIMINATED AGAINST A
565
00:23:48,019 --> 00:23:52,089
BLACK MAN.
566
00:23:52,089 --> 00:24:00,059
>> THIS IS WHAT REVOLUTION LOOKS
567
00:23:52,089 --> 00:24:00,059
LIKE
568
00:24:00,059 --> 00:24:10,180
FROM THE HFPA, ON BEHALF OF THE
569
00:24:00,059 --> 00:24:10,180
HOLLYWOOD FOREIGN PRESS
570
00:24:10,180 --> 00:24:12,259
ASSOCIATION, THANK YOU FOR
571
00:24:10,180 --> 00:24:12,259
JOINING US, TONIGHT WHILE WE
572
00:24:12,259 --> 00:24:16,130
CELEBRATE THE WORK OF ARTISTS
573
00:24:12,259 --> 00:24:16,130
FROM AROUND THE GLOBE, WE
574
00:24:16,130 --> 00:24:18,220
RECOGNIZE WE HAVE OUR OWN WORK
575
00:24:16,130 --> 00:24:18,220
TO DO.
576
00:24:18,220 --> 00:24:24,190
LIKE IN FILM AND TELEVISION,
577
00:24:18,220 --> 00:24:24,190
BLACK REPRESENTATION IS VITAL.
578
00:24:24,190 --> 00:24:29,069
>> WE MUST ENSURE EVERYONE FROM
579
00:24:24,190 --> 00:24:29,069
ALL UNDER REPRESENTED
580
00:24:29,069 --> 00:24:33,119
COMMUNITIES GETS A SEAT AT OUR
581
00:24:29,069 --> 00:24:33,119
TABLE AND WE ARE GOING TO MAKE
582
00:24:33,119 --> 00:24:36,220
THAT HAPPEN.
583
00:24:33,119 --> 00:24:36,220
>> THAT MEANS CREATING AN
584
00:24:36,220 --> 00:24:41,140
ENVIRONMENT E DIVERSE
585
00:24:36,220 --> 00:24:41,140
MEMBERSHIP IS THE NORM, NOT THE
586
00:24:41,140 --> 00:24:43,079
EXCEPTION.
587
00:24:41,140 --> 00:24:43,079
THANK YOU AND WE LOOK FORWARD TO
588
00:24:43,079 --> 00:24:47,240
A MORE INCLUSIVE FUTURE.
589
00:24:43,079 --> 00:24:47,240
[ CHEERS AND APPLAUSE
590
00:24:47,240 --> 00:24:57,019
>> THE GOLDEN GLOBES WILL
591
00:24:47,240 --> 00:24:57,019
CONTINUE IN A MOMENT WITH MORE
592
00:24:57,019 --> 00:25:02,289
♪ ♪
593
00:24:57,019 --> 00:25:02,289
>>> THE GOLDEN GLOBES ARE BACK
594
00:25:02,289 --> 00:25:10,059
NOW, FROM MANK, HERE'S AMANDA
595
00:25:02,289 --> 00:25:10,059
SEYFRIED
596
00:25:10,059 --> 00:25:19,039
>>> THE NEXT NOMINEE FOR MOTION
597
00:25:10,059 --> 00:25:19,039
PICTURE DRAMA.
598
00:25:19,039 --> 00:25:20,069
DRAMA RE-EVALUATES 1930s
599
00:25:19,039 --> 00:25:20,069
HOLLYWOOD THROUGH THE EYES OF
600
00:25:20,069 --> 00:25:21,049
SOCIAL CRITIC AND ALCOHOLIC
601
00:25:20,069 --> 00:25:21,049
SCREENWRITER
602
00:25:21,049 --> 00:25:22,210
HERMAN J. MANKIEWICZ
603
00:25:21,049 --> 00:25:22,210
WE FOLLOW HIM AS HE RACES TO
604
00:25:22,210 --> 00:25:31,069
FINISH THE SCREENPLAY OF
605
00:25:22,210 --> 00:25:31,069
"CITIZEN KANE"
606
00:25:31,069 --> 00:25:34,210
NOMINATED FOR 6 GOLDEN GLOBES,
607
00:25:31,069 --> 00:25:34,210
THIS IS "MANK.
608
00:25:34,210 --> 00:25:40,089
>>> IT'S A BIT OF A JUMBLE,
609
00:25:34,210 --> 00:25:40,089
JUMPING BEAN
610
00:25:40,089 --> 00:25:42,220
>> NOBODY CAN SAVE YOU,
611
00:25:40,089 --> 00:25:42,220
ESPECIALLY THE BOY GENIUS FROM
612
00:25:42,220 --> 00:25:45,069
NEW YORK
613
00:25:42,220 --> 00:25:45,069
>> I REMOVED ANY DISTRACTION AND
614
00:25:45,069 --> 00:25:47,099
ELIMINATED ANY EXCUSE.
615
00:25:45,069 --> 00:25:47,099
I GAVE YOU A SECOND CHANCE
616
00:25:47,099 --> 00:25:50,269
YOU CANNOT CAPTURE A MAN'S
617
00:25:47,099 --> 00:25:50,269
ENTIRE LIFE IN TWO HOURS
618
00:25:50,269 --> 00:25:54,069
ALL YOU CAN HOPE IS TO LEAVE AN
619
00:25:50,269 --> 00:25:54,069
IMPRESSION OF ONE.
620
00:25:54,069 --> 00:25:57,099
>> WELL, THAT'S WHY I ALWAYS
621
00:25:54,069 --> 00:25:57,099
WANT MANK AROUND
622
00:25:57,099 --> 00:26:01,140
♪ ♪
623
00:25:57,099 --> 00:26:01,140
>> AND NOW AT THE RAINBOW ROOM
624
00:26:01,140 --> 00:26:21,190
IN NEW YORK, FROMJUSTIN THOROGH.
625
00:26:01,140 --> 00:26:21,190
>> JACK LEMON, AL PACINO, AND
626
00:26:21,190 --> 00:26:24,250
MICHAEL DOUGLAS HAVE WON THIS
627
00:26:21,190 --> 00:26:24,250
AWARD.
628
00:26:24,250 --> 00:26:32,190
HERE ARE THE NOMINEES FOR BEST
629
00:26:24,250 --> 00:26:32,190
PERFORMANCE OF AN ACTOR --
630
00:26:32,190 --> 00:26:36,259
>> BRYAN CRANSTON.
631
00:26:32,190 --> 00:26:36,259
"YOUR HONOR.
632
00:26:36,259 --> 00:26:45,039
JEFF DANIELS "THE COMEY RULE,"
633
00:26:36,259 --> 00:26:45,039
HUGH GRANT "THE UNDOING.
634
00:26:45,039 --> 00:26:48,099
ETHAN HAAKE "THE GOOD LORD
635
00:26:45,039 --> 00:26:48,099
BIRD."
636
00:26:48,099 --> 00:26:51,089
AND MARK RUFFALO "I KNOW THIS
637
00:26:48,099 --> 00:26:51,089
MUCH IS TRUE."
638
00:26:51,089 --> 00:27:02,200
>> THE GOLDEN GLOBE GOES TO MARK
639
00:26:51,089 --> 00:27:02,200
RUFFALO, "I KNOW THIS MUCH IS
640
00:27:02,200 --> 00:27:08,269
TRUE."
641
00:27:02,200 --> 00:27:08,269
>>> LOVE YOU GUYS.
642
00:27:08,269 --> 00:27:13,190
OH, GOD, SO GREAT.
643
00:27:08,269 --> 00:27:13,190
FIRST OF ALL, THIS GROUP OF
644
00:27:13,190 --> 00:27:17,019
ACTORS THESE ARE MY PEERS, THESE
645
00:27:13,190 --> 00:27:17,019
ARE THE PEOPLE I ADMIRE AND LOVE
646
00:27:17,019 --> 00:27:20,059
AND LOOK UP TO
647
00:27:17,019 --> 00:27:20,059
SO I'M SO HONORED TO BE HERE
648
00:27:20,059 --> 00:27:23,160
WITH YOU GUYS.
649
00:27:20,059 --> 00:27:23,160
THANK YOU, HOLLYWOOD FOREIGN
650
00:27:23,160 --> 00:27:26,190
PRESS.
651
00:27:23,160 --> 00:27:26,190
THANK YOU HBO, THANK YOU OUR
652
00:27:26,190 --> 00:27:30,079
PRODUCTION TEAM.
653
00:27:26,190 --> 00:27:30,079
THANK MY FAMILY WHO LETS ME GO
654
00:27:30,079 --> 00:27:36,220
OFF AND BRING THESE CRAZY PEOPLE
655
00:27:30,079 --> 00:27:36,220
HOME AND THEY HAVE TO LIVE WITH
656
00:27:36,220 --> 00:27:41,009
ALL THESE YEARS, THANK YOU GUYS.
657
00:27:36,220 --> 00:27:41,009
I WANT TO THANK THE CREW AND
658
00:27:41,009 --> 00:27:48,009
CRAFTS PEOPLE WHO CARRIED US
659
00:27:41,009 --> 00:27:48,009
THROUGH THIS
660
00:27:48,009 --> 00:27:49,200
MY PARTNER AND BROTHER AND
661
00:27:48,009 --> 00:27:49,200
DIRECTOR
662
00:27:49,200 --> 00:27:54,099
THANK YOU FOR LEADING WITH THE
663
00:27:49,200 --> 00:27:54,099
IDEA OF HUMANITY, HOWEVER IT
664
00:27:54,099 --> 00:27:59,220
COMES.
665
00:27:54,099 --> 00:27:59,220
BEAUTIFUL, UGLY, INSPIRING, SAD.
666
00:27:59,220 --> 00:28:06,079
I WANT TO THANKWALLY LAMB FOR
667
00:27:59,220 --> 00:28:06,079
THE BEAUTIFUL STORY OF THE
668
00:28:06,079 --> 00:28:08,210
TWINS.
669
00:28:06,079 --> 00:28:08,210
FOR FRACTURED HEARTS AND MINDS
670
00:28:08,210 --> 00:28:13,039
FOR THE STORY OF AMERICA
671
00:28:08,210 --> 00:28:13,039
HER BROKENNESS AND PROMISE,
672
00:28:13,039 --> 00:28:15,230
FORGIVENESS AND HEALING AND
673
00:28:13,039 --> 00:28:15,230
INTEGRATION.
674
00:28:15,230 --> 00:28:21,269
AT 54 YEARS IT'S MY HUMBLE
675
00:28:15,230 --> 00:28:21,269
BELIEF THAT WHAT WILL GIVE US
676
00:28:21,269 --> 00:28:26,089
ALL THE SADNESS AND LOSS THAT WE
677
00:28:21,269 --> 00:28:26,089
ALL LIVE THROUGH MEANS IS OUR
678
00:28:26,089 --> 00:28:30,150
COMMON HUMANITY, WHAT CONNECTS
679
00:28:26,089 --> 00:28:30,150
US IS GREATER THAN WHAT KEEPS US
680
00:28:30,150 --> 00:28:32,240
APART.
681
00:28:30,150 --> 00:28:32,240
AND THE MORE WE INCLUDE EACH
682
00:28:32,240 --> 00:28:36,269
OTHER, AND SEE EACH OTHER AND
683
00:28:32,240 --> 00:28:36,269
HEAR EACH OTHER, THE FASTER WE
684
00:28:36,269 --> 00:28:39,019
WILL HEAL OUR BROKEN HEARTS AND
685
00:28:36,269 --> 00:28:39,019
MINDS.
686
00:28:39,019 --> 00:28:42,119
WE HAVE A DYING MOTHER JUST LIKE
687
00:28:39,019 --> 00:28:42,119
THE MOTHER IN OUR STORY.
688
00:28:42,119 --> 00:28:45,029
SHE IS MOTHER EARTH.
689
00:28:42,119 --> 00:28:45,029
AND WE MUST COME TO BALANCE WITH
690
00:28:45,029 --> 00:28:48,279
HER AND HONOR HER.
691
00:28:45,029 --> 00:28:48,279
AND SHE WILL HEAL TOO.
692
00:28:48,279 --> 00:28:51,269
SO LET'S BE COURAGEOUS TOGETHER,
693
00:28:48,279 --> 00:28:51,269
GUYS
694
00:28:51,269 --> 00:28:56,160
AND LET'S, LET'S TURN, LET'S
695
00:28:51,269 --> 00:28:56,160
TURN THE PAGE ON THE CRUEL PAST
696
00:28:56,160 --> 00:29:01,220
OF THIS NATION, THE GOOD NEWS IS
697
00:28:56,160 --> 00:29:01,220
INCLUSION AND JUSTICE AND CARE
698
00:29:01,220 --> 00:29:05,109
FOR MOTHER EARTH IS BREAKING OUT
699
00:29:01,220 --> 00:29:05,109
EVERYWHERE
700
00:29:05,109 --> 00:29:14,079
THE GODLY LIGHT OF DECENCY IS
701
00:29:05,109 --> 00:29:14,079
BREAKING THROUGH THE HIDDEOUS
702
00:29:14,079 --> 00:29:16,059
DARK STORM WE HAVE BEEN LIVING
703
00:29:14,079 --> 00:29:16,059
THROUGH.
704
00:29:16,059 --> 00:29:18,269
WE ARE THE ONES WE HAVE BEEN
705
00:29:16,059 --> 00:29:18,269
WAITING FOR SO LET'S DO THIS
706
00:29:18,269 --> 00:29:25,160
NOW, I LOVE YOU.
707
00:29:18,269 --> 00:29:25,160
[ CHEERS AND APPLAUSE
708
00:29:25,160 --> 00:29:27,289
♪ ♪
709
00:29:25,160 --> 00:29:27,289
>>> HERE'S THE STAR OF THE UP
710
00:29:27,289 --> 00:29:44,259
COMING SERIES "GENIUS ARETHA."
711
00:29:27,289 --> 00:29:44,259
>> WHEN THE STORIES COME FROM
712
00:29:44,259 --> 00:29:48,259
THE IMAGINATION OR FROM REAL
713
00:29:44,259 --> 00:29:48,259
LIFE EVENTS, THESE BRILLIANT
714
00:29:48,259 --> 00:29:53,069
WRITERS CAN DO IT ALL.
715
00:29:48,259 --> 00:29:53,069
HERE ARE THE NOMINEES FOR THE
716
00:29:53,069 --> 00:30:07,269
BEST SCREEN PLAY MOTION PICTURE.
717
00:29:53,069 --> 00:30:07,269
"PROMISING YOUNG WOMAN."
718
00:30:07,269 --> 00:30:16,089
"MANK.
719
00:30:07,269 --> 00:30:16,089
"THE TRIAL OF THE CHICAGO 7.
720
00:30:16,089 --> 00:30:22,289
"THE FATHER.
721
00:30:16,089 --> 00:30:22,289
"NOMADLAND."
722
00:30:22,289 --> 00:30:28,279
AND THE AWARD GOES TO AARON
723
00:30:22,289 --> 00:30:28,279
SORKIN, "THE TRIAL OF THE
724
00:30:28,279 --> 00:30:35,000
CHICAGO 7.
725
00:30:28,279 --> 00:30:35,000
♪ ♪
726
00:30:35,000 --> 00:30:39,079
>>> THANK YOU, THANK YOU HFPA,
727
00:30:35,000 --> 00:30:39,079
THIS IS VERY NICE, BUT IT CAN'T
728
00:30:39,079 --> 00:30:43,220
TOP TO HONOR OF BEING NOMINATED
729
00:30:39,079 --> 00:30:43,220
ALONG SIDE THESE FOUR PHENOMENAL
730
00:30:43,220 --> 00:30:56,220
SCREEN PLAYS
731
00:30:43,220 --> 00:30:56,220
AND EMERALD FENNELL, CHLOE
732
00:30:56,220 --> 00:31:02,279
CANEL, YOU ARE THE REASON THAT
733
00:30:56,220 --> 00:31:02,279
MY TEENAGE DAUGHTER WANTS TO DO
734
00:31:02,279 --> 00:31:06,150
THIS
735
00:31:02,279 --> 00:31:06,150
I WILL NEVER FORGIVE YOU FOR
736
00:31:06,150 --> 00:31:13,250
THAT
737
00:31:06,150 --> 00:31:13,250
PRODUCTION DESIGNER, SHANE
738
00:31:13,250 --> 00:31:24,269
VALENTINO, OUR COSTUME DESIGNER,
739
00:31:13,250 --> 00:31:24,269
AND I'M SURE OUR EDITOR, ALAN
740
00:31:24,269 --> 00:31:30,069
BUMGARDNER AND I WANT TO THANK
741
00:31:24,269 --> 00:31:30,069
OUR PRODUCERS, WALTER PARKS,
742
00:31:30,069 --> 00:31:36,049
TYLER THOMPSON AND MARK PLAT AND
743
00:31:30,069 --> 00:31:36,049
OF COURSE OUR STUDIOS, THERE
744
00:31:36,049 --> 00:31:39,259
WERE A FEW OF THEM
745
00:31:36,049 --> 00:31:39,259
DREAMWORKS, CROSS CREEK,
746
00:31:39,259 --> 00:31:46,150
PARAMOUNT AND NETFLIX, NETFLIX
747
00:31:39,259 --> 00:31:46,150
SAVED OUR LIVES, AND PUT US WITH
748
00:31:46,150 --> 00:31:51,000
THE TEAM OF VERY TALENTED PEOPLE
749
00:31:46,150 --> 00:31:51,000
WHO LOVE MOVIE
750
00:31:51,000 --> 00:31:54,220
ONE LAST THING, WHILE WE WERE
751
00:31:51,000 --> 00:31:54,220
SHOOTING, EVERY NIGHT AFTER WRAP
752
00:31:54,220 --> 00:31:57,289
WHEN I WOULD GET BACK TO THE
753
00:31:54,220 --> 00:31:57,289
HOTEL ROOM THERE WOULD BE AN
754
00:31:57,289 --> 00:32:03,240
E-MAIL FROM SACHA, WITH A QUOTE
755
00:31:57,289 --> 00:32:03,240
FROM HOFFMAN
756
00:32:03,240 --> 00:32:08,089
NONE OF THEM MADE THEM TO THE
757
00:32:03,240 --> 00:32:08,089
FILM, AND I SAVED THE E-MAIL
758
00:32:08,089 --> 00:32:12,009
I DON'T ALWAYS AGREE WITH
759
00:32:08,089 --> 00:32:12,009
EVERYTHING THAT THE CHARACTERS
760
00:32:12,009 --> 00:32:19,069
THAT I WRITE DO OR SAY
761
00:32:12,009 --> 00:32:19,069
HERE IS SOMETHING THAT I HAVE TO
762
00:32:19,069 --> 00:32:20,230
SAY.
763
00:32:19,069 --> 00:32:20,230
DEMOCRACY IS NOT SOMETHING YOU
764
00:32:20,230 --> 00:32:23,109
BELIEVE IN OR HANG YOUR HAT.
765
00:32:20,230 --> 00:32:23,109
IT'S SOMETHING THAT YOU
766
00:32:23,109 --> 00:32:27,059
PARTICIPATE IN
767
00:32:23,109 --> 00:32:27,059
IF YOU STOP DOING IT, DEMOCRACY
768
00:32:27,059 --> 00:32:29,180
CRUMBLES, I NEED NO MORE
769
00:32:27,059 --> 00:32:29,180
EVIDENCE THAN WHAT HAPPENED ON
770
00:32:29,180 --> 00:32:36,029
JANUARY 6TH TO AGREE WITH THIS
771
00:32:29,180 --> 00:32:36,029
THANK YOU, VERY, VERY.
772
00:32:36,029 --> 00:32:45,009
[ CHEERS AND APPLAUSE
773
00:32:36,029 --> 00:32:45,009
>> SOMETHING WE ALL ENJOY ABOUT
774
00:32:45,009 --> 00:32:49,170
THE GOLDEN GLOBES YOU ARE
775
00:32:45,009 --> 00:32:49,170
USUALLY GUARANTEED ONE TRULY
776
00:32:49,170 --> 00:32:55,089
MESSY SPEECH
777
00:32:49,170 --> 00:32:55,089
ACCEPT ISANCE SPEECHES THAT GO A
778
00:32:55,089 --> 00:32:57,259
AND IT'S OUR RESPONSIBILITY AS
779
00:32:55,089 --> 00:32:57,259
HOSTS TO MAKE IT HAPPEN FOR YOU
780
00:32:57,259 --> 00:33:00,210
AND IT'S HOW WE GET THE SHOW TO
781
00:32:57,259 --> 00:33:00,210
BE 3 HOURS LONG.
782
00:33:00,210 --> 00:33:08,180
SO, HERE TO ACCEPT THE AWARD FOR
783
00:33:00,210 --> 00:33:08,180
LEAST ORIGINAL SONG IN A
784
00:33:08,180 --> 00:33:28,200
TELEFILM, DRAMATY OR DRAMA --
785
00:33:08,180 --> 00:33:28,200
>> UP HERE GUYS, UP HERE, GUYS
786
00:33:28,200 --> 00:33:33,180
UP HERE.
787
00:33:28,200 --> 00:33:33,180
UP HERE, GUYS.
788
00:33:33,180 --> 00:33:39,210
>> OH, MY GOSH
789
00:33:33,180 --> 00:33:39,210
>> HELLO, HELLO, HI.
790
00:33:39,210 --> 00:33:43,109
>> RIGHT HERE.
791
00:33:39,210 --> 00:33:43,109
RIGHT HERE
792
00:33:43,109 --> 00:33:45,000
>> WHOA!
793
00:33:43,109 --> 00:33:45,000
>> YES, YES.
794
00:33:45,000 --> 00:33:53,190
>> HELLO, HELLO.
795
00:33:45,000 --> 00:33:53,190
>> YOU LOOK BEAUTIFUL.
796
00:33:53,190 --> 00:33:57,130
>> THANK YOU
797
00:33:53,190 --> 00:33:57,130
>> SO PERKY.
798
00:33:57,130 --> 00:34:00,050
>> THANK YOU
799
00:33:57,130 --> 00:34:00,050
>> OH, THANK YOU, TINA
800
00:34:00,050 --> 00:34:03,179
>> NOPE.
801
00:34:00,050 --> 00:34:03,179
>> OKAY, BARE WITH ME, I HAD A
802
00:34:03,179 --> 00:34:06,119
VODKA EPIDURAL BEFORE I CAME
803
00:34:03,179 --> 00:34:06,119
HERE
804
00:34:06,119 --> 00:34:10,079
>> SO PERFECT.
805
00:34:06,119 --> 00:34:10,079
SPEECH IS GOING TO BE SO WEIRD
806
00:34:10,079 --> 00:34:12,280
>> OH.
807
00:34:10,079 --> 00:34:12,280
OH, THREE SHOES.
808
00:34:12,280 --> 00:34:20,000
THREE SHOES.
809
00:34:12,280 --> 00:34:20,000
>> FRANCOIS AND I WERE SO
810
00:34:20,000 --> 00:34:22,090
BLESSED TO HAVE SEVERAL SONGS IN
811
00:34:20,000 --> 00:34:22,090
THE MIX THIS YEAR.
812
00:34:22,090 --> 00:34:29,019
WE WROTE THE THEME FOR "THE
813
00:34:22,090 --> 00:34:29,019
CROWN.
814
00:34:29,019 --> 00:34:47,110
♪ ♪
815
00:34:29,019 --> 00:34:47,110
TO WIN FOR ONE OF OUR THEME SONG
816
00:34:47,110 --> 00:34:48,090
CREATIONS --
817
00:34:47,110 --> 00:34:48,090
♪ ♪
818
00:34:48,090 --> 00:34:55,010
AARON SORKIN'S "TRIAL OF THE
819
00:34:48,090 --> 00:34:55,010
CHICAGO 7," I LOVE YOU MR. AARON
820
00:34:55,010 --> 00:34:57,050
SORKIN
821
00:34:55,010 --> 00:34:57,050
>> WOW
822
00:34:57,050 --> 00:35:09,079
>> BUT THIS, THIS MAN RIGHT
823
00:34:57,050 --> 00:35:09,079
HERE, MY PARTNER IN WORK, MR.
824
00:35:09,079 --> 00:35:12,039
FROM FRANCOIS GENE RUDY.
825
00:35:09,079 --> 00:35:12,039
OH, THIS MAN
826
00:35:12,039 --> 00:35:15,119
>> WOW
827
00:35:12,039 --> 00:35:15,119
OH, YOU ARE TAKING SO MUCH TIME
828
00:35:15,119 --> 00:35:17,059
WITH THIS.
829
00:35:15,119 --> 00:35:17,059
YOU ARE TAKING SO MUCH TIME WITH
830
00:35:17,059 --> 00:35:20,139
IT AND YOU ARE MAKING EVERYONE
831
00:35:17,059 --> 00:35:20,139
NERVOUS, I LOVE IT SO.
832
00:35:20,139 --> 00:35:29,050
>> I LOVE YOU SO MUCH -- SO, SO.
833
00:35:20,139 --> 00:35:29,050
MUCH, AND YOU KNOW WHAT?
834
00:35:29,050 --> 00:35:32,239
WE WOULD NOT BE HERE IF OUR
835
00:35:29,050 --> 00:35:32,239
PARENTS WERE NOT HORNY THAT
836
00:35:32,239 --> 00:35:35,239
TIME
837
00:35:32,239 --> 00:35:35,239
SO, THANK YOU MILLER LITE AND
838
00:35:35,239 --> 00:35:41,099
THE GENTLE MOTION OF A HAY RIDE.
839
00:35:35,239 --> 00:35:41,099
>> WAIT, ARE YOU GUYS SIBLING-S
840
00:35:41,099 --> 00:35:43,230
OR A COUPLE?
841
00:35:41,099 --> 00:35:43,230
>> MOMMY AND DADDY
842
00:35:43,230 --> 00:35:48,030
I WILL SEE YOU TONIGHT WHEN I
843
00:35:43,230 --> 00:35:48,030
GET HOME BECAUSE I LIVE WITH
844
00:35:48,030 --> 00:35:50,019
YOU.
845
00:35:48,030 --> 00:35:50,019
YOU HAVE ANYTHING THAT YOU WANT
846
00:35:50,019 --> 00:35:57,280
TO ADD, BABY
847
00:35:50,019 --> 00:35:57,280
HE WOULD LIKE TO THANK THE
848
00:35:57,280 --> 00:36:04,179
HOLLYWOOD FOREIGN PRESS AND HE
849
00:35:57,280 --> 00:36:04,179
WOULD LIKE EVERYONE TO KNOW OH,
850
00:36:04,179 --> 00:36:08,219
THAT HE THINKS COVID-19 IS A
851
00:36:04,179 --> 00:36:08,219
HOAX
852
00:36:08,219 --> 00:36:11,199
>> NO, NO, NO.
853
00:36:08,219 --> 00:36:11,199
OKAY, LET'S WRAP IT UP,
854
00:36:11,199 --> 00:36:17,269
EVERYBODY.
855
00:36:11,199 --> 00:36:17,269
>> AND THAT, AND THAT LASERS
856
00:36:17,269 --> 00:36:21,139
CONTROL THE WEATHER.
857
00:36:17,269 --> 00:36:21,139
ALSO HE IS ASKING ME FOR A
858
00:36:21,139 --> 00:36:23,039
DIVORCE.
859
00:36:21,139 --> 00:36:23,039
>> OKAY, THANK YOU SO MUCH FOR
860
00:36:23,039 --> 00:36:24,190
THE SPEECH, EVERYONE
861
00:36:23,039 --> 00:36:24,190
LET'S GO TO COMMERCIAL
862
00:36:24,190 --> 00:36:39,260
[ CHEERS AND APPLAUSE
863
00:36:24,190 --> 00:36:39,260
NBC'S TELECAST OF THE GOLDEN
864
00:36:39,260 --> 00:36:43,260
GLOBE AWARDS IS PRESENTED BY
865
00:36:39,260 --> 00:36:43,260
JEEP WRANGLER, JEEP, THERE'S
866
00:36:43,260 --> 00:36:56,110
ONLY ONE
867
00:36:43,260 --> 00:36:56,110
>> OKAY, PERFECT
868
00:36:56,110 --> 00:37:01,210
>> NO, WE ARE GOOD
869
00:36:56,110 --> 00:37:01,210
>> THERE THEY ARE.
870
00:37:01,210 --> 00:37:08,150
SOME OF THE BIGGEST STARS IN
871
00:37:01,210 --> 00:37:08,150
HOLLYWOOD, THEY ARE ON THE WAY,
872
00:37:08,150 --> 00:37:21,110
AS TV LEGEND NORMAN LEER
873
00:37:08,150 --> 00:37:21,110
>>> CONGRATULATIONS, NORMAN,
874
00:37:21,110 --> 00:37:24,139
THANK YOU FOR THE LAUGHS
875
00:37:21,110 --> 00:37:24,139
YOU MADE EVEN THE UGLY STUFF
876
00:37:24,139 --> 00:37:26,150
ABOUT ALL OF US PRETTY DAMN
877
00:37:24,139 --> 00:37:26,150
FUNNY.
878
00:37:26,150 --> 00:37:30,010
>> NORMAN, I'M SO GLAD YOU ARE
879
00:37:26,150 --> 00:37:30,010
GETTING THIS AWARD, IT SAVED ME
880
00:37:30,010 --> 00:37:33,030
THE TROUBLE OF HAVING TO WRITE
881
00:37:30,010 --> 00:37:33,030
A --
882
00:37:33,030 --> 00:37:38,050
>> NORMAN, FROM ALL OF US IN
883
00:37:33,030 --> 00:37:38,050
TELEVISION AND BEYOND, YOU ARE
884
00:37:38,050 --> 00:37:42,110
OUR NORTH STAR
885
00:37:38,050 --> 00:37:42,110
[ CHEERS AND APPLAUSE
886
00:37:42,110 --> 00:37:48,079
>> COMING UP, THE NORMAN LEAR
887
00:37:42,110 --> 00:37:48,079
TRIBUTE.
888
00:37:48,079 --> 00:38:04,159
AND A NOMINEE TONIGHT, SARAH
889
00:37:48,079 --> 00:38:04,159
PAULSON.
890
00:38:04,159 --> 00:38:05,199
>> IN OUR NEXT NOMINATED
891
00:38:04,159 --> 00:38:05,199
MUSICAL-COMEDY, SOME HILARIOUSLY
892
00:38:05,199 --> 00:38:06,250
SELF-ABSORBED THEATRE STARS
893
00:38:05,199 --> 00:38:06,250
ATTEMPT TO CHANGE THEIR PUBLIC
894
00:38:06,250 --> 00:38:07,210
IMAGES
895
00:38:06,250 --> 00:38:07,210
TO DO THIS, THEY TRAVEL TO A
896
00:38:07,210 --> 00:38:08,280
SMALL, CONSERVATIVE TOWN WHERE
897
00:38:07,210 --> 00:38:08,280
THEY TAKE UP THE CAUSE OF A HIGH
898
00:38:08,280 --> 00:38:10,050
SCHOOL GIRL WHO IS BANNED FROM
899
00:38:08,280 --> 00:38:10,050
ATTENDING THE PROM WITH HER
900
00:38:10,050 --> 00:38:12,000
GIRLFRIEND
901
00:38:10,050 --> 00:38:12,000
NOMINATED FOR TWO GOLDEN GLOBES,
902
00:38:12,000 --> 00:38:17,030
THIS IS THE PROM
903
00:38:12,000 --> 00:38:17,030
>>> SHE WANTED TO TAKE HER
904
00:38:17,030 --> 00:38:21,159
GIRLFRIEND TO THE PROM, AND THEY
905
00:38:17,030 --> 00:38:21,159
CANCELLED IT
906
00:38:21,159 --> 00:38:24,059
>> OUR BELIEFS ARE NOT YOUR
907
00:38:21,159 --> 00:38:24,059
BELIEFS.
908
00:38:24,059 --> 00:38:27,170
>> YOU ARE NOT ALONE
909
00:38:24,059 --> 00:38:27,170
>> THEY JUST DON'T UNDERSTAND
910
00:38:27,170 --> 00:38:29,269
IT
911
00:38:27,170 --> 00:38:29,269
>> I THINK IT'S BRAVE.
912
00:38:29,269 --> 00:38:33,070
>> LET'S GET THISPARTY STARTED
913
00:38:29,269 --> 00:38:33,070
>> FOR ALL THE PEOPLE OUT THERE
914
00:38:33,070 --> 00:38:37,199
WHO LOVE SOMEONE IN A WAY THAT
915
00:38:33,070 --> 00:38:37,199
THE WORLD DOESN'T UNDERSTAND
916
00:38:37,199 --> 00:38:47,199
♪ ♪
917
00:38:37,199 --> 00:38:47,199
>>> AT THE RAINBOW ROOM IN NEW
918
00:38:47,199 --> 00:38:59,090
YORK --
919
00:38:47,199 --> 00:38:59,090
>>> WE WANT TO THANK THE HFPA
920
00:38:59,090 --> 00:39:02,250
FOR THE HONOR OF NAMING US THE
921
00:38:59,090 --> 00:39:02,250
AMBASSADORS.
922
00:39:02,250 --> 00:39:11,239
AND A SPECIAL THANK YOU TO OUR
923
00:39:02,250 --> 00:39:11,239
PARENTS, SPIKE AND TAUNNIA
924
00:39:11,239 --> 00:39:15,269
LEWIS-LEE.
925
00:39:11,239 --> 00:39:15,269
LIKE OUR TARGET CHARITIES.
926
00:39:15,269 --> 00:39:17,219
>> WE ARE GRATEFUL FOR THE
927
00:39:15,269 --> 00:39:17,219
OPPORTUNITY TO MAKE A DIFFERENCE
928
00:39:17,219 --> 00:39:20,039
FOR THOSE IN NEED.
929
00:39:17,219 --> 00:39:20,039
THANK YOU.
930
00:39:20,039 --> 00:39:32,159
[ CHEERS AND APPLAUSE
931
00:39:20,039 --> 00:39:32,159
♪ ♪
932
00:39:32,159 --> 00:39:36,289
>> TINA AND I ARE HONORED TO
933
00:39:32,159 --> 00:39:36,289
HAVE WORKED WITH BOTH OF
934
00:39:36,289 --> 00:39:42,239
TONIGHT'S SPECIAL HONOREES
935
00:39:36,289 --> 00:39:42,239
THE FIRST ONE, NORMAN LEAR IS
936
00:39:42,239 --> 00:39:44,289
ADMIRED BY ANYONE WHO WRITES AND
937
00:39:42,239 --> 00:39:44,289
PRODUCES TV.
938
00:39:44,289 --> 00:39:49,059
>> BEFORE NORMAN, KNOWN DARED TO
939
00:39:44,289 --> 00:39:49,059
HAVE SITCOMS TACKLE
940
00:39:49,059 --> 00:39:53,179
CONTROVERSIAL TOPICS
941
00:39:49,059 --> 00:39:53,179
HE PUSHED EVERY BOUNDARY IN
942
00:39:53,179 --> 00:39:59,050
SIGHT AND WAS NOT AFRAID TO
943
00:39:53,179 --> 00:39:59,050
REFLECT THE DAY.
944
00:39:59,050 --> 00:40:04,179
>> AND IN DOING SO, HE PAVED THE
945
00:39:59,050 --> 00:40:04,179
ROAD FOR ALL OF US WHO FOLLOWED.
946
00:40:04,179 --> 00:40:09,059
>> GOD DAMN IT
947
00:40:04,179 --> 00:40:09,059
HOW CAN THAT BE A SWEAR WORD,
948
00:40:09,059 --> 00:40:11,199
THE MOST POPULAR WORD IN THE
949
00:40:09,059 --> 00:40:11,199
BIBLE?
950
00:40:11,199 --> 00:40:16,130
THE SECOND WORD, THAT'S DAMN,
951
00:40:11,199 --> 00:40:16,130
THAT'S A PERFECTLY GOOD WORD,
952
00:40:16,130 --> 00:40:17,250
SEE.
953
00:40:16,130 --> 00:40:17,250
AND EVEN IN THE BIBLE YOU READ
954
00:40:17,250 --> 00:40:21,280
WHERE SOME GUY IS DAMNED FOR
955
00:40:17,250 --> 00:40:21,280
STEALING OR CHEATING OR
956
00:40:21,280 --> 00:40:28,159
COMMITTING SEX IN THE FAMILY
957
00:40:21,280 --> 00:40:28,159
WHO ELSE DAMNED THEM, GOD!
958
00:40:28,159 --> 00:40:34,010
GOD DAMNED THEM, EDITH,
959
00:40:28,159 --> 00:40:34,010
BEAUTIFUL WORDS ON OUT OF THE
960
00:40:34,010 --> 00:40:35,239
HOLY BOOK.
961
00:40:34,010 --> 00:40:35,239
>> THAT WAS SHOCKING
962
00:40:35,239 --> 00:40:38,030
IN THE 1970s, NOBODY TALKED LIKE
963
00:40:35,239 --> 00:40:38,030
THAT ON TV
964
00:40:38,030 --> 00:40:41,110
>> YOU ARE GOING TO TELL ME THE
965
00:40:38,030 --> 00:40:41,110
BLACK MAN HAD THE SAME
966
00:40:41,110 --> 00:40:42,260
OPPORTUNITY IN THE COUNTRY AS
967
00:40:41,110 --> 00:40:42,260
YOU?
968
00:40:42,260 --> 00:40:47,099
>> MORE, I DIDN'T HAVE NO
969
00:40:42,260 --> 00:40:47,099
MILLION PEOPLE MARCHING AND
970
00:40:47,099 --> 00:40:51,079
PROTESTING TO GET MY JOB
971
00:40:47,099 --> 00:40:51,079
>> NO, HIS UNCLE GOT IT FOR HIM.
972
00:40:51,079 --> 00:40:56,099
>> NORMAN LEAR SHOCKED US OUT OF
973
00:40:51,079 --> 00:40:56,099
OUR COMFORT ZONE
974
00:40:56,099 --> 00:41:03,159
>> HI, I'M NORMAN LEAR.
975
00:40:56,099 --> 00:41:03,159
>> WRITING FOR THE COLD DEEP
976
00:41:03,159 --> 00:41:05,260
COMEDY HOUR.
977
00:41:03,159 --> 00:41:05,260
>> ARE YOU A LONELY HEART?
978
00:41:05,260 --> 00:41:09,269
>> I'M LONELY ALL OVER
979
00:41:05,260 --> 00:41:09,269
>> HIS COMEDY WOKE WITH AMERICA
980
00:41:09,269 --> 00:41:15,119
BEFORE BEING WOKE WAS A THING.
981
00:41:09,269 --> 00:41:15,119
>> YOU HAVE TO ADMIT THAT HE IS
982
00:41:15,119 --> 00:41:19,210
LARGELY RIGHT ABOUT YOU PRs.
983
00:41:15,119 --> 00:41:19,210
>> WE DON'T LIKE TO BE CALLED
984
00:41:19,210 --> 00:41:22,250
PRs.
985
00:41:19,210 --> 00:41:22,250
WE ARE AMERICANS EQUAL TO YOU.
986
00:41:22,250 --> 00:41:25,119
>> EQUAL TO ME
987
00:41:22,250 --> 00:41:25,119
YOU NOT EQUAL TO HIM.
988
00:41:25,119 --> 00:41:27,269
>> TACKLING SUBJECTS NOT SEEN ON
989
00:41:25,119 --> 00:41:27,269
TELEVISION
990
00:41:27,269 --> 00:41:30,099
>> YOU HAVE BEEN USING THE CHILD
991
00:41:27,269 --> 00:41:30,099
AS A PUNCHING BAG.
992
00:41:30,099 --> 00:41:34,059
>> WHY DON'T YOU CALL ME,
993
00:41:30,099 --> 00:41:34,059
MISTER.
994
00:41:34,059 --> 00:41:37,219
>> TELL ME, WALTER, THAT I'M
995
00:41:34,059 --> 00:41:37,219
DOING THE RIGHT THING NOT HAVING
996
00:41:37,219 --> 00:41:43,130
THE BABY
997
00:41:37,219 --> 00:41:43,130
>> FOR YOU, MAUD, FOR ME AND THE
998
00:41:43,130 --> 00:41:49,059
PRIVACY OF OUR OWN LIFE, YOU ARE
999
00:41:43,130 --> 00:41:49,059
DOING THE RIGHT THING.
1000
00:41:49,059 --> 00:41:50,070
>> YOUR SON UPSET ABOUT
1001
00:41:49,059 --> 00:41:50,070
SOMETHING?
1002
00:41:50,070 --> 00:41:54,239
>> HE MARRIED A MIXED UP FAMILY.
1003
00:41:50,070 --> 00:41:54,239
>> WHAT DO YOU MEAN, MIXED UP?
1004
00:41:54,239 --> 00:42:00,170
>> HE IS WHITE, SHE IS BLACK,
1005
00:41:54,239 --> 00:42:00,170
THE KIDS ARE MEDIUM RARE.
1006
00:42:00,170 --> 00:42:03,059
>> THE ISSUES RAISED IN THE HIT
1007
00:42:00,170 --> 00:42:03,059
SHOW.
1008
00:42:03,059 --> 00:42:07,199
>> YOU KNOW I HAD THE HASSLE
1009
00:42:03,059 --> 00:42:07,199
WITH THE GIRLS USING THEIR
1010
00:42:07,199 --> 00:42:13,000
BRAINS INSTEAD OF SEX.
1011
00:42:07,199 --> 00:42:13,000
>> AT 9:10, I WENT SHOPPING.
1012
00:42:13,000 --> 00:42:15,269
I AIN'T FINISHED DETAILING YET
1013
00:42:13,000 --> 00:42:15,269
>> THE SAME ISSUES THAT WE ARE
1014
00:42:15,269 --> 00:42:21,050
DEALING WITH TODAY
1015
00:42:15,269 --> 00:42:21,050
>> IT'S QUITE LOVELY
1016
00:42:21,050 --> 00:42:23,000
THANK YOU.
1017
00:42:21,050 --> 00:42:23,000
>> YOU HAVE SUCH WONDERFUL
1018
00:42:23,000 --> 00:42:25,139
RHYTHM IN YOUR FEET.
1019
00:42:23,000 --> 00:42:25,139
>> WHAT, GEORGE, GEORGE, HE
1020
00:42:25,139 --> 00:42:27,230
DOESN'T KNOW WHAT HE IS SAYING
1021
00:42:25,139 --> 00:42:27,230
♪ ♪
1022
00:42:27,230 --> 00:42:31,250
♪ MOVING ON UP ♪
1023
00:42:27,230 --> 00:42:31,250
>> BY CHANGING TELEVISION, HE
1024
00:42:31,250 --> 00:42:35,110
CHANGED AMERICA.
1025
00:42:31,250 --> 00:42:35,110
>> YOU GOT AN APARTMENT IN THIS
1026
00:42:35,110 --> 00:42:37,219
BUILDING
1027
00:42:35,110 --> 00:42:37,219
>> UH-HUH.
1028
00:42:37,219 --> 00:42:40,179
>> AND YOU HAVE ONE IN THE
1029
00:42:37,219 --> 00:42:40,179
BUILDING TOO
1030
00:42:40,179 --> 00:42:45,130
>> THAT'S RIGHT.
1031
00:42:40,179 --> 00:42:45,130
>> HOW COME WE OVERCAME AND
1032
00:42:45,130 --> 00:42:48,030
NOBODY TOLD ME
1033
00:42:45,130 --> 00:42:48,030
♪ ♪
1034
00:42:48,030 --> 00:42:53,210
>> WINNER OF SIX EMMY AWARDS,
1035
00:42:48,030 --> 00:42:53,210
TWO PEABODY AWARDS AND THE
1036
00:42:53,210 --> 00:42:55,260
NATIONAL MEDAL OF ART AND
1037
00:42:53,210 --> 00:42:55,260
HUMANITIES
1038
00:42:55,260 --> 00:42:58,260
>> FOR CHANGING THE FACE OF ARTS
1039
00:42:55,260 --> 00:42:58,260
AND ENTERTAINMENT.
1040
00:42:58,260 --> 00:43:01,110
>> AND THE KENNEDY CENTER OF
1041
00:42:58,260 --> 00:43:01,110
HONOR.
1042
00:43:01,110 --> 00:43:05,010
AT 98 YEARS HE IS STILL MAKING
1043
00:43:01,110 --> 00:43:05,010
TELEVISION AND STILL MAKING
1044
00:43:05,010 --> 00:43:09,280
TROUBLE.
1045
00:43:05,010 --> 00:43:09,280
>> MASTERBATION IS A HEALTHY,
1046
00:43:09,280 --> 00:43:11,170
NORMAL PART OF LIFE.
1047
00:43:09,280 --> 00:43:11,170
>> NO IT IS NOT.
1048
00:43:11,170 --> 00:43:19,199
>> IT WAS NOT ME, IT WAS HER
1049
00:43:11,170 --> 00:43:19,199
♪ ♪
1050
00:43:19,199 --> 00:43:30,179
THE MOST INFLUENTIAL,
1051
00:43:19,199 --> 00:43:30,179
REVOLUTIONARY PRODUCER IN TV
1052
00:43:30,179 --> 00:43:42,010
HISTORY.
1053
00:43:30,179 --> 00:43:42,010
♪ ♪
1054
00:43:42,010 --> 00:43:52,150
>>> LADIES AND GENTLEMEN, THE --
1055
00:43:42,010 --> 00:43:52,150
NORMAN LEAR.
1056
00:43:52,150 --> 00:44:05,000
♪ ♪
1057
00:43:52,150 --> 00:44:05,000
♪ ♪
1058
00:44:05,000 --> 00:44:08,280
>> HELLO, AND GOOD EVENING
1059
00:44:05,000 --> 00:44:08,280
EVERYONE, THANK YOU FOR THAT
1060
00:44:08,280 --> 00:44:12,000
WONDERFUL NIGHT.
1061
00:44:08,280 --> 00:44:12,000
IT KNOCKS ME OUT TO BE
1062
00:44:12,000 --> 00:44:17,159
INTRODUCED BY AMY POEHLER AND
1063
00:44:12,000 --> 00:44:17,159
TINA FEY AND TO ACCEPT AN AWARD,
1064
00:44:17,159 --> 00:44:21,079
THIS AWARD, IN THE NAME OF CAROL
1065
00:44:17,159 --> 00:44:21,079
BURNETT.
1066
00:44:21,079 --> 00:44:29,119
I COULD NOT FEEL NOR BLESSED
1067
00:44:21,079 --> 00:44:29,119
I AM CONVINCED THAT LAUGHTER
1068
00:44:29,119 --> 00:44:34,000
ADDS TIME TO ONE'S LIFE AND
1069
00:44:29,119 --> 00:44:34,000
NOBODY HAS MADE ME LAUGH HARDER
1070
00:44:34,000 --> 00:44:37,019
AND NOBODY I OWE MORE TIME TO
1071
00:44:34,000 --> 00:44:37,019
THAN CAROL BURNETT AND THE
1072
00:44:37,019 --> 00:44:42,050
BRILLIANT TEAM THAT HELPED HER
1073
00:44:37,019 --> 00:44:42,050
REALIZE HER COMEDIC GENIUS
1074
00:44:42,050 --> 00:44:47,130
SPEAKING OF TEAMS, I HAVE HAD A
1075
00:44:42,050 --> 00:44:47,130
LIFETIME OF PARTNERS,
1076
00:44:47,130 --> 00:44:53,210
PERFORMERS, ASSOCIATIONS, AND
1077
00:44:47,130 --> 00:44:53,210
CREATIVE TALENTS FOR WHICH I AM
1078
00:44:53,210 --> 00:44:56,110
ETERNALLY GRATEFUL
1079
00:44:53,210 --> 00:44:56,110
THERE WOULD BE AN ENTIRELY
1080
00:44:56,110 --> 00:45:00,010
DIFFERENT NORMAN LEAR HERE WITH
1081
00:44:56,110 --> 00:45:00,010
YOU TONIGHT, IF THERE HAD NOT
1082
00:45:00,010 --> 00:45:04,269
BEEN THOSE YEARS OF ED SIMMONS
1083
00:45:00,010 --> 00:45:04,269
AND NORMAN LEAR THAT WERE
1084
00:45:04,269 --> 00:45:11,050
RESPONSIBLE FOR THE DEAN MARTIN
1085
00:45:04,269 --> 00:45:11,050
AND JERRY LEWIS COMEDY HOUR AND
1086
00:45:11,050 --> 00:45:16,030
THE MARTHA RAY SHOW.
1087
00:45:11,050 --> 00:45:16,030
THAT WOULD BE TRUE OF EVERY STEP
1088
00:45:16,030 --> 00:45:20,070
OF MY CAREER
1089
00:45:16,030 --> 00:45:20,070
FOLLOWING ED SIMMONS THERE WAS
1090
00:45:20,070 --> 00:45:32,019
BUD YORKIN, BRILLIANT, AND
1091
00:45:20,070 --> 00:45:32,019
ROLAND GABE AND THE GREATEST
1092
00:45:32,019 --> 00:45:36,199
TALENT
1093
00:45:32,019 --> 00:45:36,199
JERRY PAREN, GOD BLESS HIM, ALL
1094
00:45:36,199 --> 00:45:41,059
OF WHOM AMONG OTHERS WERE MAJOR
1095
00:45:36,199 --> 00:45:41,059
PARTS OF THE LIFE AND CAREER
1096
00:45:41,059 --> 00:45:45,190
THAT BROUGHT ME TO THIS VERY
1097
00:45:41,059 --> 00:45:45,190
MOMENT
1098
00:45:45,190 --> 00:45:55,059
THEN THERE WERE ALL THE WRITERS,
1099
00:45:45,190 --> 00:45:55,059
THE NICHOLS, ROSS AND WEST, AND
1100
00:45:55,059 --> 00:46:00,269
MORE
1101
00:45:55,059 --> 00:46:00,269
CURRENTLY MIKE ROYCE AND GLORIA
1102
00:46:00,269 --> 00:46:03,230
CALDERON-COLLETTE AND LAST BUT
1103
00:46:00,269 --> 00:46:03,230
NOT LEAST, THE GUY THAT PULLS IT
1104
00:46:03,230 --> 00:46:09,159
ALL TOGETHER FOR ME, CURRENTLY,
1105
00:46:03,230 --> 00:46:09,159
MY FRIEND, AND MY PARTNER, THE
1106
00:46:09,159 --> 00:46:17,030
BRILLIANT BRENT MILLER
1107
00:46:09,159 --> 00:46:17,030
IT'S HIS BACK I ROADDE IN ON, AS
1108
00:46:17,030 --> 00:46:21,219
HE RODE IN ON MYINE TO GET HERE
1109
00:46:17,030 --> 00:46:21,219
TONIGHT.
1110
00:46:21,219 --> 00:46:24,219
I WANT TO THANK SONY PICTURES.
1111
00:46:21,219 --> 00:46:24,219
SONY PICTURES TELEVISION, ONE OF
1112
00:46:24,219 --> 00:46:29,119
THE GREATEST, MOST ABLE GROUP OF
1113
00:46:24,219 --> 00:46:29,119
EXECUTIVES I HAVE EVER WORKED
1114
00:46:29,119 --> 00:46:31,280
WITH
1115
00:46:29,119 --> 00:46:31,280
THEN OF COURSE, THERE'S MY
1116
00:46:31,280 --> 00:46:37,219
FAMILY
1117
00:46:31,280 --> 00:46:37,219
MY GLORIOUS WIFE, AND PARTNER OF
1118
00:46:37,219 --> 00:46:43,030
30 YEARS
1119
00:46:37,219 --> 00:46:43,030
THE FIVE GLORIOUS DAUGHTERS AND
1120
00:46:43,030 --> 00:46:48,050
MY WONDERFUL SON, RANGING IN
1121
00:46:43,030 --> 00:46:48,050
AGES FROM 26 TO 74
1122
00:46:48,050 --> 00:46:53,039
AND THEIR CHILDREN
1123
00:46:48,050 --> 00:46:53,039
MY FOUR FABULOUS GRANDCHILDREN
1124
00:46:53,039 --> 00:47:00,079
AT CLOSE TO 99, I CAN TELL YOU
1125
00:46:53,039 --> 00:47:00,079
THAT I HAVE NEVER LIVED ALONE.
1126
00:47:00,079 --> 00:47:06,219
I HAVE NEVER LAUGHED ALONE
1127
00:47:00,079 --> 00:47:06,219
AND THAT HAS AS MUCH TO DO WITH
1128
00:47:06,219 --> 00:47:10,159
MY BEING HERE TODAY AS ANYTHING
1129
00:47:06,219 --> 00:47:10,159
ELSE I KNOW.
1130
00:47:10,159 --> 00:47:14,030
THANK YOU HOLLYWOOD FOREIGN
1131
00:47:10,159 --> 00:47:14,030
PRESS.
1132
00:47:14,030 --> 00:47:16,289
THANK YOU EACH INDIVIDUAL
1133
00:47:14,030 --> 00:47:16,289
ATTENDING THIS VIRTUAL EVENT
1134
00:47:16,289 --> 00:47:23,190
WITH WHOM I HAVE WORKED AND BEEN
1135
00:47:16,289 --> 00:47:23,190
ENTERTAINED AND NURTURED BY AND
1136
00:47:23,190 --> 00:47:27,150
ENHANCED BY.
1137
00:47:23,190 --> 00:47:27,150
ONCE MORE, THANK YOU AND BLESS
1138
00:47:27,150 --> 00:47:32,179
YOU CAROL BURNETT, FOR
1139
00:47:27,150 --> 00:47:32,179
EVERYTHING YOU HAVE MEANT TO ME
1140
00:47:32,179 --> 00:47:37,110
BY WAY OF JOY, SURPRISE, DELIGHT
1141
00:47:32,179 --> 00:47:37,110
AND LAUGHTER
1142
00:47:37,110 --> 00:47:45,019
AS I THINK ABOUT YOU, AND
1143
00:47:37,110 --> 00:47:45,019
LAUGHTER AND THE JOY OF OUR
1144
00:47:45,019 --> 00:47:56,210
PARALLEL CAREERS, SO GLAD WE HAD
1145
00:47:45,019 --> 00:47:56,210
THISHA
1146
00:47:56,210 --> 00:47:57,090
THIS TIME TOGETHER
1147
00:47:56,210 --> 00:47:57,090
♪ ♪
1148
00:47:57,090 --> 00:48:17,159
♪ ♪
1149
00:47:57,090 --> 00:48:17,159
♪ ♪
1150
00:48:17,159 --> 00:48:24,050
IS.
1151
00:48:17,159 --> 00:48:24,050
>> WHERE'S THE CAT, EMMA
1152
00:48:24,050 --> 00:48:37,030
OH, I SAID IS WORD
1153
00:48:24,050 --> 00:48:37,030
♪ ♪
1154
00:48:37,030 --> 00:48:43,079
>>> WE ARE BACK AT THE BEVERLY
1155
00:48:37,030 --> 00:48:43,079
HILTON HOTEL AND NOW, FROM THE
1156
00:48:43,079 --> 00:48:52,159
"HITMAN'S WIFE'S BODYGUARD
1157
00:48:43,079 --> 00:48:52,159
KWAURD
1158
00:48:52,159 --> 00:48:58,150
GUARD" SELMA HYATT
1159
00:48:52,159 --> 00:48:58,150
>> OUR NEXT DRAMA IS A SOULFUL
1160
00:48:58,150 --> 00:49:02,030
PORTRAIT OF ONE WOMAN'S JOURNEY
1161
00:48:58,150 --> 00:49:02,030
THROUGH THE AMERICAN WEST,
1162
00:49:02,030 --> 00:49:09,110
EXPLORING THE STRUGGLES AND
1163
00:49:02,030 --> 00:49:09,110
TRIUMPHS OF MODERN DAY NOMADS.
1164
00:49:09,110 --> 00:49:14,030
THE BEAUTIFUL AND HEART FELT
1165
00:49:09,110 --> 00:49:14,030
FILM CAPTURES THE STORY OF THOSE
1166
00:49:14,030 --> 00:49:17,130
LIVING OUTSIDE OF TRADITIONAL
1167
00:49:14,030 --> 00:49:17,130
SOCIETY THROUGH THE TRAVELS OF
1168
00:49:17,130 --> 00:49:25,079
THE WOMAN NAMED FERN PLAYED BY
1169
00:49:17,130 --> 00:49:25,079
THE INCOMPARABLE FRANCIS
1170
00:49:25,079 --> 00:49:30,250
McDORMAND.
1171
00:49:25,079 --> 00:49:30,250
NOMINATED FOR FOUR GOLDEN
1172
00:49:30,250 --> 00:49:39,110
GLOBES, THIS IS "NOMADLAND."
1173
00:49:30,250 --> 00:49:39,110
>> I MAY BE SPENT TOO MUCH OF MY
1174
00:49:39,110 --> 00:49:42,280
LIFE JUST REMEMBERING.
1175
00:49:39,110 --> 00:49:42,280
>> FINDS ANYTHING INTERESTING?
1176
00:49:42,280 --> 00:49:46,179
>> ROCKS
1177
00:49:42,280 --> 00:49:46,179
>> WHAT THE NOMADS ARE DOING IS
1178
00:49:46,179 --> 00:49:49,239
NOT MUCH DIFFERENT THAN WHAT THE
1179
00:49:46,179 --> 00:49:49,239
PIONEERS DID
1180
00:49:49,239 --> 00:49:54,230
>> WHAT I LOVE MOST ABOUT THE
1181
00:49:49,239 --> 00:49:54,230
LIFE, THERE'S NO FINAL GOODBYE
1182
00:49:54,230 --> 00:49:58,250
THERE'S JUST SAY, I'LL SEE YOU
1183
00:49:54,230 --> 00:49:58,250
DOWN THE ROAD.
1184
00:49:58,250 --> 00:50:07,019
NOW, STAR OF "CALL YOUR MOTHER,"
1185
00:49:58,250 --> 00:50:07,019
KIRA
1186
00:50:07,019 --> 00:50:16,130
KIRA SEDGEWICK AND KEVIN BACON
1187
00:50:07,019 --> 00:50:16,130
>> TONIGHT'S SHOW HAS PARTNERED
1188
00:50:16,130 --> 00:50:19,130
WITH FEEDING AMERICA, AN
1189
00:50:16,130 --> 00:50:19,130
ORGANIZATION WHO'S NETWORK OF
1190
00:50:19,130 --> 00:50:25,150
FOOD BANKS PROVIDE FOOD AND
1191
00:50:19,130 --> 00:50:25,150
SERVICES TO EVERY COUNTY IN
1192
00:50:25,150 --> 00:50:32,070
AMERICA.
1193
00:50:25,150 --> 00:50:32,070
IF YOU WOULD LIKE TO GIVE,
1194
00:50:32,070 --> 00:50:36,280
PLEASE GO TO FEEDING
1195
00:50:32,070 --> 00:50:36,280
AMERICA.ORG/GOLDEN GLOBES TO
1196
00:50:36,280 --> 00:50:40,289
LEARN HOW.
1197
00:50:36,280 --> 00:50:40,289
>> THESE FIVE ACTRESSES CREATED
1198
00:50:40,289 --> 00:50:43,070
CHARACTERS WITH EXTRAORDINARY
1199
00:50:40,289 --> 00:50:43,070
DEPTH YET, STILL REMAINED
1200
00:50:43,070 --> 00:50:44,280
TOTALLY RELATABLE.
1201
00:50:43,070 --> 00:50:44,280
>> HERE ARE THE NOMINEES FOR
1202
00:50:44,280 --> 00:50:50,039
BEST PERFORMANCE BY AN ACTRESS
1203
00:50:44,280 --> 00:50:50,039
IN A TELEVISION SERIES DRAMA
1204
00:50:50,039 --> 00:50:56,019
>> OLIVIA COLMAN, "THE CROWN."
1205
00:50:50,039 --> 00:50:56,019
JODIE COMER, "KILLING EVE.
1206
00:50:56,019 --> 00:51:02,030
EMMA CORRIN, "THE CROWN.
1207
00:50:56,019 --> 00:51:02,030
LAURA LINNEY, "OZARK."
1208
00:51:02,030 --> 00:51:14,119
SARAH PAULSON, "RATCHED.
1209
00:51:02,030 --> 00:51:14,119
>> AND THE GOLDEN GLOBE GOES
1210
00:51:14,119 --> 00:51:23,170
TO EMMA CORRIN, "THE CROWN."
1211
00:51:14,119 --> 00:51:23,170
[ CHEERS AND APPLAUSE
1212
00:51:23,170 --> 00:51:27,269
>>> THANK YOU.
1213
00:51:23,170 --> 00:51:27,269
UM, THANK YOU SO MUCH.
1214
00:51:27,269 --> 00:51:33,250
THANK YOU SO MUCH, HFPA FOR THIS
1215
00:51:27,269 --> 00:51:33,250
INCREDIBLE HONOR
1216
00:51:33,250 --> 00:51:36,269
WHAT
1217
00:51:33,250 --> 00:51:36,269
THANK YOU SO MUCH EVERYONE AT
1218
00:51:36,269 --> 00:51:44,190
LEFT BANK PICTURES
1219
00:51:36,269 --> 00:51:44,190
THANK YOU, SUSAN AND ROB AND BEN
1220
00:51:44,190 --> 00:51:46,139
AND PIZZA
1221
00:51:44,190 --> 00:51:46,139
PETER AND EVERYONE BELIEVING IN
1222
00:51:46,139 --> 00:51:48,090
ME
1223
00:51:46,139 --> 00:51:48,090
THANK YOU FOR MY CAST AND CREW
1224
00:51:48,090 --> 00:51:53,280
BEING BY MY SIDE
1225
00:51:48,090 --> 00:51:53,280
THANKS TO MY PRINCE GEORGE, AND
1226
00:51:53,280 --> 00:51:59,010
I COULD NOT DO IT WITHOUT YOU.
1227
00:51:53,280 --> 00:51:59,010
THANK YOU FOR MAKING EVERY DAY A
1228
00:51:59,010 --> 00:52:00,260
JOY.
1229
00:51:59,010 --> 00:52:00,260
THANK YOU MY INCREDIBLE TEAM AS
1230
00:52:00,260 --> 00:52:03,179
WELL
1231
00:52:00,260 --> 00:52:03,179
ALL OF YOU, I DON'T KNOW WHERE I
1232
00:52:03,179 --> 00:52:07,269
WOULD BE WITHOUT YOU
1233
00:52:03,179 --> 00:52:07,269
AND THANK YOU TO MY AGENT, ONE
1234
00:52:07,269 --> 00:52:16,219
OF MY BEST FRIENDS AND THANK YOU
1235
00:52:07,269 --> 00:52:16,219
TO DIANA, YOU HAVE PUT
1236
00:52:16,219 --> 00:52:20,199
COMPASSION AND EMPATHY BEYOND
1237
00:52:16,219 --> 00:52:20,199
ANYTHING I CAN UNDERSTAND.
1238
00:52:20,199 --> 00:52:36,280
THANK YOU.
1239
00:52:20,199 --> 00:52:36,280
[ CHEERS AND APPLAUSE
1240
00:52:36,280 --> 00:52:40,289
>>> OUR NEXT PRESENTER IS FOUR
1241
00:52:36,280 --> 00:52:40,289
AWARDS AWAY FROM AN EGOT, PLEASE
1242
00:52:40,289 --> 00:52:53,179
WELCOME TRACY MORGAN
1243
00:52:40,289 --> 00:52:53,179
>>> YEAH
1244
00:52:53,179 --> 00:52:56,050
HERE WE GO
1245
00:52:53,179 --> 00:52:56,050
I'M IN A GREAT MOOD TONIGHT.
1246
00:52:56,050 --> 00:53:02,280
I HEARD ON THE NEWS TODAY THAT
1247
00:52:56,050 --> 00:53:02,280
BY APRIL WE COULD BE, WE COULD
1248
00:53:02,280 --> 00:53:03,199
REACH HERD IMMUNITY FOR
1249
00:53:02,280 --> 00:53:03,199
COVID-19
1250
00:53:03,199 --> 00:53:13,199
YEAH, EVEN BETTER TONIGHT, I
1251
00:53:03,199 --> 00:53:13,199
HEARD FROM MY COUSIN MIKE, BY
1252
00:53:13,199 --> 00:53:21,150
MAY REACH HERD IMMUNITY FOR
1253
00:53:13,199 --> 00:53:21,150
GONNORHEA.
1254
00:53:21,150 --> 00:53:24,289
>> FROM "JUDAS AND THE BLACK
1255
00:53:21,150 --> 00:53:24,289
MESSIAH," "FIGHT FOR YOU," MUSIC
1256
00:53:24,289 --> 00:53:27,070
BY H.E.R., DERNST EMILE II
1257
00:53:24,289 --> 00:53:27,070
LYRICS BY H.E.R., TIARA THOMAS
1258
00:53:27,070 --> 00:53:45,090
FROM "THE TRIAL OF THE CHICAGO
1259
00:53:27,070 --> 00:53:45,090
-- AND THE GOLDEN GLOBE GOES TO
1260
00:53:45,090 --> 00:53:54,039
"THE LIFE AHEAD.
1261
00:53:45,090 --> 00:53:54,039
>> THANK YOU, EDUARDO FOR LET
1262
00:53:54,039 --> 00:53:57,130
WILLING US BE A PART OF YOUR
1263
00:53:54,039 --> 00:53:57,130
AMAZING MOVIE.
1264
00:53:57,130 --> 00:54:02,179
IT'S SUCH A BEAUTIFUL STORY.
1265
00:53:57,130 --> 00:54:02,179
ABOUT PEOPLE WHO ARE NOT REALLY
1266
00:54:02,179 --> 00:54:06,260
SEEN AND WHO SEE EACH OTHER AND
1267
00:54:02,179 --> 00:54:06,260
THEY SEE EACH OTHER THROUGH LOVE
1268
00:54:06,260 --> 00:54:09,190
AND THAT'S WHAT INSPIRED THIS
1269
00:54:06,260 --> 00:54:09,190
SONG, SO, THANK YOU AGAIN.
1270
00:54:09,190 --> 00:54:16,280
THANKS SO.
1271
00:54:09,190 --> 00:54:16,280
>> I FEEL SO PROUD, THANK YOU
1272
00:54:16,280 --> 00:54:20,280
VERY MUCH THE HOLLYWOOD FOREIGN
1273
00:54:16,280 --> 00:54:20,280
PRESS ASSOCIATION.
1274
00:54:20,280 --> 00:54:32,130
I HAVE GOOSE BUMPS EVERYWHERE.
1275
00:54:20,280 --> 00:54:32,130
GRACIA ONCE AGAIN, AND I LOVE
1276
00:54:32,130 --> 00:54:35,090
YOU VERY MUCH.
1277
00:54:32,130 --> 00:54:35,090
BONNIE GREENBURGH AND ALL THE
1278
00:54:35,090 --> 00:54:43,289
TEAM THAT HELP US TO BUILD THIS
1279
00:54:35,090 --> 00:54:43,289
AMAZING PROJECT OF "THE LIFE
1280
00:54:43,289 --> 00:54:46,099
AHEAD.
1281
00:54:43,289 --> 00:54:46,099
THANK YOU TO ALL OF YOU.
1282
00:54:46,099 --> 00:54:50,280
♪ ♪
1283
00:54:46,099 --> 00:54:50,280
[ CHEERS AND APPLAUSE
1284
00:54:50,280 --> 00:54:57,119
>> AND NOW, HERE ARE THE
1285
00:54:50,280 --> 00:54:57,119
NOMINEES FOR BEST ORIGINAL
1286
00:54:57,119 --> 00:55:06,179
SCORE.
1287
00:54:57,119 --> 00:55:06,179
"THE MIDNIGHT SKY," "NEWS OF THE
1288
00:55:06,179 --> 00:55:21,050
WORLD" JAMES NEWTON HOWARD,
1289
00:55:06,179 --> 00:55:21,050
"MANK," TRENT REZNOR
1290
00:55:21,050 --> 00:55:30,179
THE GOLDEN GLOBE GOES TO "SAL".
1291
00:55:21,050 --> 00:55:30,179
>> WE MUST FOLLOW OUR DREAMS
1292
00:55:30,179 --> 00:55:36,030
BECAUSE WE HAVE ONE LIFE TO LIFE
1293
00:55:30,179 --> 00:55:36,030
AND ONE SOUL AND THE SOUL IS
1294
00:55:36,030 --> 00:55:45,039
HAPPY TODAY TO BE RECOGNIZED
1295
00:55:36,030 --> 00:55:45,039
THANK YOU FOR THE WORK AND
1296
00:55:45,039 --> 00:55:48,070
COLLABORATION, AND EVERYONE
1297
00:55:45,039 --> 00:55:48,070
SOLVED IN CREATING THE MASTER
1298
00:55:48,070 --> 00:55:52,030
PIECE THAT TOUCHED PEOPLE ACROSS
1299
00:55:48,070 --> 00:55:52,030
THE WORLD AND I LIKE TO THANK
1300
00:55:52,030 --> 00:55:55,110
GOD FOR MUSIC AND FILM AND THE
1301
00:55:52,030 --> 00:55:55,110
TOGETHERNESS THAT IT BRINGS WHEN
1302
00:55:55,110 --> 00:55:58,059
PUT TOGETHER IN INNOVATIVE AND
1303
00:55:55,110 --> 00:55:58,059
COLLABORATIVE WAYS
1304
00:55:58,059 --> 00:56:05,239
>> THANKS, JOHN AND THANK YOU,
1305
00:55:58,059 --> 00:56:05,239
HOLLYWOOD FOREIGN PRESS
1306
00:56:05,239 --> 00:56:07,000
ASSOCIATION.
1307
00:56:05,239 --> 00:56:07,000
I WANT TO ADD TOM MACDOUGAL'S
1308
00:56:07,000 --> 00:56:10,019
NAME TO THAT LIST, THANK YOU FOR
1309
00:56:07,000 --> 00:56:10,019
SHEPPARDING US THROUGH THE
1310
00:56:10,019 --> 00:56:12,280
PROJECT AND IT'S THE FIRST PIECE
1311
00:56:10,019 --> 00:56:12,280
OF ART I HAVE MADE IN MY LIFE
1312
00:56:12,280 --> 00:56:17,170
THAT I CAN ACTUALLY SHOW MY KIDS
1313
00:56:12,280 --> 00:56:17,170
SO THANK YOU, PIXAR, HUGE THANKS
1314
00:56:17,170 --> 00:56:22,139
TO MY WIFE, MARY QUEEN AND ALL
1315
00:56:17,170 --> 00:56:22,139
OF OUR KIDS, I LOVE YOU GUYS
1316
00:56:22,139 --> 00:56:24,199
MORE THAN ANYTHING.
1317
00:56:22,139 --> 00:56:24,199
>> A BIG THANK YOU TO EVERYONE
1318
00:56:24,199 --> 00:56:28,289
WHO HAS BEEN THANKED AND I WANT
1319
00:56:24,199 --> 00:56:28,289
TO ADD MY WIFE CLAUDIA AND MY
1320
00:56:28,289 --> 00:56:33,119
CHILDREN, I LOVE YOU
1321
00:56:28,289 --> 00:56:33,119
THANK YOUS S
1322
00:56:33,119 --> 00:56:45,030
THANKS SO.
1323
00:56:33,119 --> 00:56:45,030
>> JUST SAL?
1324
00:56:45,030 --> 00:56:49,210
>> AND DON'T GET NERVOUS
1325
00:56:45,030 --> 00:56:49,210
>> IT'S SO FUNNY
1326
00:56:49,210 --> 00:56:57,269
>> DID SAL --
1327
00:56:49,210 --> 00:56:57,269
>> LISTEN, LISTEN.
1328
00:56:57,269 --> 00:57:03,030
>> SOUL'S PIZZARIA
1329
00:56:57,269 --> 00:57:03,030
>> THESE HILARIOUS STARS FROM TV
1330
00:57:03,030 --> 00:57:08,150
COMEDIES ARE ON THE WAY, PLUS
1331
00:57:03,030 --> 00:57:08,150
MORE TINA AND AMY OF COURSE, THE
1332
00:57:08,150 --> 00:57:15,119
GOLDEN GLOBES ON NBC.
1333
00:57:08,150 --> 00:57:15,119
>> CAN
1334
00:57:15,119 --> 00:57:17,269
♪ ♪
1335
00:57:15,119 --> 00:57:17,269
>> Announcer: WELCOME BACK
1336
00:57:17,269 --> 00:57:19,210
AND NOW, GOLDEN GLOBE WINNER,
1337
00:57:17,269 --> 00:57:19,210
STAR OF MUSIC AND NOMINATED
1338
00:57:19,210 --> 00:57:25,269
TONIGHT, KATE HUDSON
1339
00:57:19,210 --> 00:57:25,269
>> IN OUR NEXT NOMINATED
1340
00:57:25,269 --> 00:57:30,130
MUSICAL, A NEWLY SOBER WOMAN
1341
00:57:25,269 --> 00:57:30,130
BECOMES THE SOLE GUARDIAN OF HER
1342
00:57:30,130 --> 00:57:33,070
HALF-SISTER, A TEENAGER ON THE
1343
00:57:30,130 --> 00:57:33,070
AUTISM SPECTRUM.
1344
00:57:33,070 --> 00:57:36,079
STRUGGLING WITH THIS NEW
1345
00:57:33,070 --> 00:57:36,079
RESPONSIBILITY, SHE LEARNS ABOUT
1346
00:57:36,079 --> 00:57:38,179
FINDING HER VOICE AND CREATING A
1347
00:57:36,079 --> 00:57:38,179
FAMILY WITH THE HELP OF A
1348
00:57:38,179 --> 00:57:41,280
NEIGHBOR
1349
00:57:38,179 --> 00:57:41,280
NOMINATED FOR TWO GOLDEN GLOBES,
1350
00:57:41,280 --> 00:57:47,269
THIS IS MUSIC.
1351
00:57:41,280 --> 00:57:47,269
>>> YOUR GRANDMOTHER LEFT THESE
1352
00:57:47,269 --> 00:57:52,260
PAPERS IN CASE OF EMERGENCY.
1353
00:57:47,269 --> 00:57:52,260
>> SHE DIDN'T HAPPEN TO MAENGZEN
1354
00:57:52,260 --> 00:57:55,179
A WILL, DID SHE?
1355
00:57:52,260 --> 00:57:55,179
>> THERE'S NO MONEY.
1356
00:57:55,179 --> 00:58:00,000
THERE'S HOWEVER, A MAGICAL
1357
00:57:55,179 --> 00:58:00,000
LITTLE GIRL, YOUR LITTLE SISTER,
1358
00:58:00,000 --> 00:58:04,159
ALL SHE HAS NOW IS YOU
1359
00:58:00,000 --> 00:58:04,159
>> SHE SEES THE WORLD IN A
1360
00:58:04,159 --> 00:58:05,159
COMPLETELY DIFFERENT WAY THAN
1361
00:58:04,159 --> 00:58:05,159
US
1362
00:58:05,159 --> 00:58:08,059
>> YOU CAN DO THIS HAD
1363
00:58:05,159 --> 00:58:08,059
>> I'M GOING TO HELP HER LIKE
1364
00:58:08,059 --> 00:58:10,130
SHE HELPS ME
1365
00:58:08,059 --> 00:58:10,130
AND I'M ACTUALLY LEARNING.
1366
00:58:10,130 --> 00:58:15,110
I LOVE HER
1367
00:58:10,130 --> 00:58:15,110
>> Announcer: FROM "THIS IS US,"
1368
00:58:15,110 --> 00:58:16,179
GOLDEN GLOBE WINNER
1369
00:58:15,110 --> 00:58:16,179
STERLING K. BROWN, AND
1370
00:58:16,179 --> 00:58:28,079
SUSAN KELECHI WATSON
1371
00:58:16,179 --> 00:58:28,079
♪ ♪
1372
00:58:28,079 --> 00:58:33,039
>> THANK YOU, THANK YOU.
1373
00:58:28,079 --> 00:58:33,039
IT IS GREAT TO BE BLACK AT THE
1374
00:58:33,039 --> 00:58:35,119
GOLDEN GLOBES.
1375
00:58:33,039 --> 00:58:35,119
BACK AT THE GOLDEN GLOBES.
1376
00:58:35,119 --> 00:58:39,210
YEAH
1377
00:58:35,119 --> 00:58:39,210
>> YOU KNOW WHAT, IT'S GREAT TO
1378
00:58:39,210 --> 00:58:41,070
BE BLACK -- BACK ANYWHERE.
1379
00:58:39,210 --> 00:58:41,070
>> AMEN.
1380
00:58:41,070 --> 00:58:42,269
AMEN
1381
00:58:41,070 --> 00:58:42,269
>> THE ACTORS IN THIS CATEGORY
1382
00:58:42,269 --> 00:58:45,280
CAPTIVATED AND EXCITED US.
1383
00:58:42,269 --> 00:58:45,280
>> HERE ARE THE NOMINEES FOR
1384
00:58:45,280 --> 00:58:50,070
BEST ACTOR IN A TELEVISION
1385
00:58:45,280 --> 00:58:50,070
SERIES, MUSICAL OR COMEDY.
1386
00:58:50,070 --> 00:58:55,039
>> Announcer: DON CHEADLE,
1387
00:58:50,070 --> 00:58:55,039
"BLACK MONDAY.
1388
00:58:55,039 --> 00:59:01,150
NICHOLAS HOULT, "THE GREAT."
1389
00:58:55,039 --> 00:59:01,150
EUGENE LEVY, "SCHITT'S CREEK."
1390
00:59:01,150 --> 00:59:10,170
JASON SUDEIKIS, "TED LASSO."
1391
00:59:01,150 --> 00:59:10,170
RAMY YOUSSEF, "RAMY.
1392
00:59:10,170 --> 00:59:14,130
>> AND THE GOLDEN GLOBE GOES
1393
00:59:10,170 --> 00:59:14,130
TO --
1394
00:59:14,130 --> 00:59:19,239
>> OKAY, ALL RIGHT WILL,, ALL RI
1395
00:59:14,130 --> 00:59:19,239
>> OKAY.
1396
00:59:19,239 --> 00:59:32,150
>> JASON SUDEIKIS, "TED LASSO.
1397
00:59:19,239 --> 00:59:32,150
>> WOW
1398
00:59:32,150 --> 00:59:33,289
ALL RIGHT.
1399
00:59:32,150 --> 00:59:33,289
CAN I TALK NOW
1400
00:59:33,289 --> 00:59:38,250
YEAH
1401
00:59:33,289 --> 00:59:38,250
BOY, OKAY.
1402
00:59:38,250 --> 00:59:46,150
YEAH, I MEAN, THAT'S NUTS.
1403
00:59:38,250 --> 00:59:46,150
THANK YOU TO THE HOLLYWOOD
1404
00:59:46,150 --> 00:59:50,139
FOREIGN PRESS.
1405
00:59:46,150 --> 00:59:50,139
I MEAN, THIS IS, FOR ME THE
1406
00:59:50,139 --> 00:59:56,010
COOLEST THING THAT A GROUP OF,
1407
00:59:50,139 --> 00:59:56,010
YOU KNOW, LIKE, THAT'S NUTS.
1408
00:59:56,010 --> 00:59:59,199
ESPECIALLY, THAT'S CRAZY
1409
00:59:56,010 --> 00:59:59,199
OKAY
1410
00:59:59,199 --> 01:00:00,269
ALL RIGHT.
1411
00:59:59,199 --> 01:00:00,269
WOW.
1412
01:00:00,269 --> 01:00:03,110
WELL, HERE'S WHAT I WILL SAY
1413
01:00:00,269 --> 01:00:03,110
I WILL SAY THIS.
1414
01:00:03,110 --> 01:00:06,079
I WANT TO THANK EVERYONE THAT
1415
01:00:03,110 --> 01:00:06,079
WORK ON THE SHOW
1416
01:00:06,079 --> 01:00:13,130
I READ THIS BOOK TO MY SON,
1417
01:00:06,079 --> 01:00:13,130
OTIS, CALLED "THE THREE
1418
01:00:13,130 --> 01:00:15,099
QUESTIONS.
1419
01:00:13,130 --> 01:00:15,099
IT'S THREE QUESTIONS
1420
01:00:15,099 --> 01:00:17,059
WHEN'S THE BEST TIME TO DO
1421
01:00:15,099 --> 01:00:17,059
THINGS
1422
01:00:17,059 --> 01:00:21,260
WHAT IS THE RIGHT THING TO DO?
1423
01:00:17,059 --> 01:00:21,260
AND THEN WHO IS THE MOST
1424
01:00:21,260 --> 01:00:24,159
IMPORTANT ONE?
1425
01:00:21,260 --> 01:00:24,159
AND THAT LAST QUESTION, WHO'S
1426
01:00:24,159 --> 01:00:27,199
THE MOST IMPORTANT ONE
1427
01:00:24,159 --> 01:00:27,199
IS LIKE WHOEVER THE PERSON YOU
1428
01:00:27,199 --> 01:00:31,070
ARE WITH
1429
01:00:27,199 --> 01:00:31,070
SO I KIND OF REJECT THE PREMISE
1430
01:00:31,070 --> 01:00:36,130
OF BEING THE BEST ACTOR, BECAUSE
1431
01:00:31,070 --> 01:00:36,130
IN MY HUMBLE OPINION THE BEST
1432
01:00:36,130 --> 01:00:40,139
ACTOR IS THE PERSON YOU ARE
1433
01:00:36,130 --> 01:00:40,139
ACTING WITH.
1434
01:00:40,139 --> 01:00:43,099
SO I WANT TO GIVE A SHOUTOUT TO
1435
01:00:40,139 --> 01:00:43,099
EVERYONE THAT I GET A CHANCE TO
1436
01:00:43,099 --> 01:00:45,150
ACT WITH ON THE SHOW
1437
01:00:43,099 --> 01:00:45,150
BECAUSE THEY ARE INCREDIBLE.
1438
01:00:45,150 --> 01:00:48,190
DO THEY MAKE ME THE BEST
1439
01:00:45,150 --> 01:00:48,190
NO, BUT I KNOW FOR A FACT THAT
1440
01:00:48,190 --> 01:00:50,250
THEY MAKE ME BETTER.
1441
01:00:48,190 --> 01:00:50,250
BETTER THAN I AM
1442
01:00:50,250 --> 01:00:54,110
BETTER THAN I THOUGHT I COULD
1443
01:00:50,250 --> 01:00:54,110
BE
1444
01:00:54,110 --> 01:01:00,090
BETTER THAN, YOU KNOW, THAN --
1445
01:00:54,110 --> 01:01:00,090
YOU KNOW, THAN ANYTHING I COULD
1446
01:01:00,090 --> 01:01:03,170
DO
1447
01:01:00,090 --> 01:01:03,170
AND SO, I APPRECIATE EVERYBODY
1448
01:01:03,170 --> 01:01:05,130
LOOKING OUT.
1449
01:01:03,170 --> 01:01:05,130
AND DON'S RIGHT.
1450
01:01:05,130 --> 01:01:09,090
I HAVE TO WRAP IT UP
1451
01:01:05,130 --> 01:01:09,090
NEVER BEEN MY FORTE.
1452
01:01:09,090 --> 01:01:12,159
A LITTLE WINDY
1453
01:01:09,090 --> 01:01:12,159
A LITTLE WINDY
1454
01:01:12,159 --> 01:01:15,130
THANK YOU, I APPRECIATE YOU
1455
01:01:12,159 --> 01:01:15,130
GUYS
1456
01:01:15,130 --> 01:01:17,239
AND SHOUTOUT TO MY FELLOW
1457
01:01:15,130 --> 01:01:17,239
NOMINEE
1458
01:01:17,239 --> 01:01:18,090
NOMINEES
1459
01:01:17,239 --> 01:01:18,090
THANK YOU.
1460
01:01:18,090 --> 01:01:29,150
[ CHEERS AND APPLAUSE
1461
01:01:18,090 --> 01:01:29,150
>> LOVING ME SOME LAUGHTER AND
1462
01:01:29,150 --> 01:01:30,280
MUSSTASH
1463
01:01:29,150 --> 01:01:30,280
>> AND NOW HERE ARE THE NOMINEES
1464
01:01:30,280 --> 01:01:32,000
FOR BEST TV SERIES, MUSICAL OR
1465
01:01:30,280 --> 01:01:32,000
COMEDY
1466
01:01:32,000 --> 01:01:39,059
>> Announcer: "EMILY IN PARIS.
1467
01:01:32,000 --> 01:01:39,059
"THE FLIGHT ATTENDANT.
1468
01:01:39,059 --> 01:01:46,260
"THE GREAT."
1469
01:01:39,059 --> 01:01:46,260
"SCHITT'S CREEK.
1470
01:01:46,260 --> 01:02:00,010
"TED LASSO."
1471
01:01:46,260 --> 01:02:00,010
>> AND THE GOLDEN GLOBE GOES
1472
01:02:00,010 --> 01:02:09,099
TO -- "SCHITT'S CREEK.
1473
01:02:00,010 --> 01:02:09,099
>> OH, MY GOODNESS
1474
01:02:09,099 --> 01:02:12,269
ALL RIGHT.
1475
01:02:09,099 --> 01:02:12,269
UM, IS THIS, ARE WE ON
1476
01:02:12,269 --> 01:02:15,070
OKAY
1477
01:02:12,269 --> 01:02:15,070
I WOULD LIKE TO CONGRATULATE OUR
1478
01:02:15,070 --> 01:02:19,000
AMAZING CAST AND CREW, MOST OF
1479
01:02:15,070 --> 01:02:19,000
WHOM ARE IN CANADA RIGHT NOW,
1480
01:02:19,000 --> 01:02:23,010
LIKE MYSELF, WATCHING FROM HOME.
1481
01:02:19,000 --> 01:02:23,010
THE INCREDIBLE WORK YOU ALL DID
1482
01:02:23,010 --> 01:02:26,260
OVER THE PAST SIX SEASONS HAS
1483
01:02:23,010 --> 01:02:26,260
TAKEN US TO PLACES WE NEVER
1484
01:02:26,260 --> 01:02:31,059
THOUGHT POSSIBLE AND WE ARE SO
1485
01:02:26,260 --> 01:02:31,059
GRATEFUL TO ALL OF YOU FOR IT.
1486
01:02:31,059 --> 01:02:36,239
THANK YOU TO THE CBC AND POP TV
1487
01:02:31,059 --> 01:02:36,239
FOR MAKING THE ACTIVE CHOICE TO
1488
01:02:36,239 --> 01:02:39,090
KEEP THE LITTLE SHOW ON THE AIR
1489
01:02:36,239 --> 01:02:39,090
AND GIVE IT THE TIME AND SPACE
1490
01:02:39,090 --> 01:02:43,110
THAT IT NEEDED TO GROW LIKE SO
1491
01:02:39,090 --> 01:02:43,110
MANY TV SHOWS OUT THERE.
1492
01:02:43,110 --> 01:02:47,090
THIS ACKNOWLEDGMENT IS A LOVELY
1493
01:02:43,110 --> 01:02:47,090
VOTE OF CONFIDENCE IN THE
1494
01:02:47,090 --> 01:02:50,050
MESSAGES "SCHITT'S CREEK" HAS
1495
01:02:47,090 --> 01:02:50,050
COME TO STAND FOR.
1496
01:02:50,050 --> 01:02:53,110
THE IDEA THAT INCLUSION CAN
1497
01:02:50,050 --> 01:02:53,110
BRING ABOUT LOVE AND GROWTH TO A
1498
01:02:53,110 --> 01:02:56,139
COMMUNITY IN THE SPIRIT OF
1499
01:02:53,110 --> 01:02:56,139
INCLUSION, I HOPE THAT THIS TIME
1500
01:02:56,139 --> 01:03:03,199
NEXT YEAR, THIS CEREMONY
1501
01:02:56,139 --> 01:03:03,199
REFLECTS THE TRUE BREADTH AND
1502
01:03:03,199 --> 01:03:06,019
DIVERSITY OF TELEVISION BEING
1503
01:03:03,199 --> 01:03:06,019
MADE TODAY
1504
01:03:06,019 --> 01:03:15,199
THERE'S SO MUCH MORE TO BE
1505
01:03:06,019 --> 01:03:15,199
CELEBRATED, THANK YOU, VERY,
1506
01:03:15,199 --> 01:03:18,099
VERY MUCH. MUCH.
1507
01:03:15,199 --> 01:03:18,099
>> I HAVE A COUPLE OF YOUNG
1508
01:03:18,099 --> 01:03:20,210
FRIENDS AND I WILL QUIZ THEM AND
1509
01:03:18,099 --> 01:03:20,210
ASK THEM QUESTIONS ABOUT THE
1510
01:03:20,210 --> 01:03:28,179
GOLDEN GLOBES AND SEE WHAT THEY
1511
01:03:20,210 --> 01:03:28,179
KNOW
1512
01:03:28,179 --> 01:03:30,079
>> HAVE YOU SMART?
1513
01:03:28,179 --> 01:03:30,079
>> YES
1514
01:03:30,079 --> 01:03:33,119
>> WHAT DO PEOPLE DO IN THE
1515
01:03:30,079 --> 01:03:33,119
AWARD SHOWS?
1516
01:03:33,119 --> 01:03:36,199
>> THEY SIT ON THE COUCH AND
1517
01:03:33,119 --> 01:03:36,199
BRUSH THEIR TEETH.
1518
01:03:36,199 --> 01:03:43,010
>> WHAT IS HFPA STAND FOR?
1519
01:03:36,199 --> 01:03:43,010
>> IF YOU GET IN TROUBLE, JUST
1520
01:03:43,010 --> 01:03:46,280
LIKE GOING IN THE CORNER
1521
01:03:43,010 --> 01:03:46,280
>> WHO IS YOUR FAVORITE ACTOR?
1522
01:03:46,280 --> 01:03:49,170
>> CAPTAIN AMERICA
1523
01:03:46,280 --> 01:03:49,170
>> WHAT MOVIES HAS CAPTAIN
1524
01:03:49,170 --> 01:03:52,030
AMERICA BEEN IN, BESIDES CAPTAIN
1525
01:03:49,170 --> 01:03:52,030
AMERICA?
1526
01:03:52,030 --> 01:03:57,130
>> SPIDERMAN.
1527
01:03:52,030 --> 01:03:57,130
>> WHO IS LIN-MANUEL MIRANDA
1528
01:03:57,130 --> 01:04:01,110
>> CAPTAIN AMERICA.
1529
01:03:57,130 --> 01:04:01,110
>> WHO IS JANE FONDA
1530
01:04:01,110 --> 01:04:04,050
>> JANE FONDA IS A PERSON WHO
1531
01:04:01,110 --> 01:04:04,050
WALKS NORMALLY.
1532
01:04:04,050 --> 01:04:07,269
>> HOW ARE MOVIES MADE
1533
01:04:04,050 --> 01:04:07,269
>> THEY NEED A BRICK
1534
01:04:07,269 --> 01:04:10,150
>> BRICK
1535
01:04:07,269 --> 01:04:10,150
HOW MANY PEOPLE WERE IN THE
1536
01:04:10,150 --> 01:04:12,150
CHICAGO 7?
1537
01:04:10,150 --> 01:04:12,150
>> 500
1538
01:04:12,150 --> 01:04:17,250
>> WHAT IS QUEEN'S GAMBIT ABOUT?
1539
01:04:12,150 --> 01:04:17,250
>> FIGHTER.
1540
01:04:17,250 --> 01:04:21,139
>> WHAT IS OZARK
1541
01:04:17,250 --> 01:04:21,139
>> IT'S THE COOKIE MONSTER TO
1542
01:04:21,139 --> 01:04:23,260
THE COOKIE JAR
1543
01:04:21,139 --> 01:04:23,260
>> ARE YOU SMART
1544
01:04:23,260 --> 01:04:26,199
>> YES
1545
01:04:23,260 --> 01:04:26,199
>> WHERE DOES THE ROYAL FAMILY
1546
01:04:26,199 --> 01:04:30,170
LIVE
1547
01:04:26,199 --> 01:04:30,170
>> THEY LIVE IN A RAINFOREST
1548
01:04:30,170 --> 01:04:33,239
>> AND YOU HAVE TO CRAWL UP THE
1549
01:04:30,170 --> 01:04:33,239
STREET
1550
01:04:33,239 --> 01:04:37,170
>> I DIDN'T KNOW THAT, GOOD JOB.
1551
01:04:33,239 --> 01:04:37,170
>> ARE YOU SMART
1552
01:04:37,170 --> 01:04:40,050
>> YES
1553
01:04:37,170 --> 01:04:40,050
>> WHAT IS YOUR FAVORITE SONG
1554
01:04:40,050 --> 01:04:49,170
FROM "HAMILTON"?
1555
01:04:40,050 --> 01:04:49,170
>> I HAVE HORSES IN THE --
1556
01:04:49,170 --> 01:04:53,230
>> WHO IS CHADWICK BOSEMAN
1557
01:04:49,170 --> 01:04:53,230
>> BLACK PANTHER
1558
01:04:53,230 --> 01:04:58,139
>> THE BLACK PANTHER.
1559
01:04:53,230 --> 01:04:58,139
>> THE BLACK PANTHER
1560
01:04:58,139 --> 01:05:02,269
>> HE IS A GOOD GUY.
1561
01:04:58,139 --> 01:05:02,269
>> HE IS A GOOD GUY FROM MOVIE
1562
01:05:02,269 --> 01:05:06,150
>> THE BLACK PANTHER
1563
01:05:02,269 --> 01:05:06,150
>> OKAY, GOOD JOB.
1564
01:05:06,150 --> 01:05:09,179
.
1565
01:05:06,150 --> 01:05:09,179
♪ ♪
1566
01:05:09,179 --> 01:05:13,090
>> HI, EVERYONE, NICE TO SEE
1567
01:05:09,179 --> 01:05:13,090
YOU.
1568
01:05:13,090 --> 01:05:19,110
>> HI, EVERYBODY
1569
01:05:13,090 --> 01:05:19,110
>> HI!
1570
01:05:19,110 --> 01:05:23,289
>>
1571
01:05:19,110 --> 01:05:23,289
>> HI!
1572
01:05:23,289 --> 01:05:25,070
EVERYBODY!
1573
01:05:23,289 --> 01:05:25,070
>> HELLO
1574
01:05:25,070 --> 01:05:28,030
>> HELLO.
1575
01:05:25,070 --> 01:05:28,030
>> HI!
1576
01:05:28,030 --> 01:05:30,010
>> HI!
1577
01:05:28,030 --> 01:05:30,010
>> I WISH WE WERE ALL TOGETHER
1578
01:05:30,010 --> 01:05:39,230
>> I KNOW.
1579
01:05:30,010 --> 01:05:39,230
>> HM-MM
1580
01:05:39,230 --> 01:05:43,139
>>> THE ACTRESSES NOMINATED FOR
1581
01:05:39,230 --> 01:05:43,139
MOTION PICTURE COMEDY ARE READY
1582
01:05:43,139 --> 01:05:54,099
FOR THEIR CLOSE UPS NEXT, THE
1583
01:05:43,139 --> 01:05:54,099
GOLDEN GLOBE ON NBC.
1584
01:05:54,099 --> 01:05:57,289
>> WELCOME BACK TO THE GOLDEN
1585
01:05:54,099 --> 01:05:57,289
GLOBES
1586
01:05:57,289 --> 01:06:06,090
>>> TO HELP IN THE FIGHT OF
1587
01:05:57,289 --> 01:06:06,090
COVID-19, THE HFPA WILL BE
1588
01:06:06,090 --> 01:06:16,230
MAKING A DONATION TO CORE.
1589
01:06:06,090 --> 01:06:16,230
TO ACCEPT THE DONATION IS SEAN
1590
01:06:16,230 --> 01:06:20,090
PEN.
1591
01:06:16,230 --> 01:06:20,090
>> THANK YOU FOR THAT
1592
01:06:20,090 --> 01:06:24,110
CONTRIBUTION TO CORE
1593
01:06:20,090 --> 01:06:24,110
CORE IS ADMINISTERED OVER 5
1594
01:06:24,110 --> 01:06:28,250
MILLION COVID-19 TESTS AT OUR 47
1595
01:06:24,110 --> 01:06:28,250
SITES NATIONWIDE
1596
01:06:28,250 --> 01:06:31,210
SINCE JANUARY, WE HAVE
1597
01:06:28,250 --> 01:06:31,210
ADMINISTERED 350,000 VACCINES.
1598
01:06:31,210 --> 01:06:36,019
THE EXPANDING SUPPLY COMING IN
1599
01:06:31,210 --> 01:06:36,019
OF VACCINES HAS MATCHED BY OUR
1600
01:06:36,019 --> 01:06:41,170
READINESS, BUT IT WILL TAKE MORE
1601
01:06:36,019 --> 01:06:41,170
THAN JUST HFPA'S GENEROUS
1602
01:06:41,170 --> 01:06:43,010
CONTRIBUTION TO SCALE UP THE
1603
01:06:41,170 --> 01:06:43,010
WORK
1604
01:06:43,010 --> 01:06:47,050
WE ASK YOU ALL AT HOME, PLEASE
1605
01:06:43,010 --> 01:06:47,050
HELP US DISARM THIS VIRUS AS
1606
01:06:47,050 --> 01:06:48,289
QUICKLY AS POSSIBLE TO GET OUR
1607
01:06:47,050 --> 01:06:48,289
COMMUNITIES AND BEYOND BACK ON
1608
01:06:48,289 --> 01:07:04,269
THEIR FEET
1609
01:06:48,289 --> 01:07:04,269
THANK YOU.
1610
01:07:04,269 --> 01:07:05,150
[ CHEERS AND APPLAUSE
1611
01:07:04,269 --> 01:07:05,150
AN
1612
01:07:05,150 --> 01:07:07,110
NOW, IN NEW YORK, HERE'S
1613
01:07:05,150 --> 01:07:07,110
BEN STILLER.
1614
01:07:07,110 --> 01:07:11,199
>> WOW
1615
01:07:07,110 --> 01:07:11,199
THANK YOU.
1616
01:07:11,199 --> 01:07:15,139
IT'S HARD TO BELIEVE THAT IT'S
1617
01:07:11,199 --> 01:07:15,139
BEEN A FULL YEAR SINCE LAST
1618
01:07:15,139 --> 01:07:18,010
GOLDEN GLOBES.
1619
01:07:15,139 --> 01:07:18,010
BUT LIKE MANY OF US, I HAVE USED
1620
01:07:18,010 --> 01:07:25,179
THAT TIME TO REALLY LOOK INWARD
1621
01:07:18,010 --> 01:07:25,179
AND GROW, I HAVE UNDERSTOOD THE
1622
01:07:25,179 --> 01:07:29,050
NATURE OF CRYPTO CURRENCY.
1623
01:07:25,179 --> 01:07:29,050
I READ A BOOK.
1624
01:07:29,050 --> 01:07:33,239
I FINALLY GOT AROUND TO DYEING
1625
01:07:29,050 --> 01:07:33,239
MY HAIR GRAY
1626
01:07:33,239 --> 01:07:37,059
AND LIKE SO MANY OTHER RESILIENT
1627
01:07:33,239 --> 01:07:37,059
AMERICANS I LEARNED TO BAKE.
1628
01:07:37,059 --> 01:07:51,019
A DELICIOUS BANANA BREAD IN THE
1629
01:07:37,059 --> 01:07:51,019
PERFECT FORM OF A GOLDEN GLOBE
1630
01:07:51,019 --> 01:07:57,099
YUM.
1631
01:07:51,019 --> 01:07:57,099
AND NOW, HERE ARE THE NOMINEES
1632
01:07:57,099 --> 01:08:03,050
FOR BEST ACTRESS IN A MOTION
1633
01:07:57,099 --> 01:08:03,050
PICTURE, MUSICAL OR COMEDY
1634
01:08:03,050 --> 01:08:06,100
MARIA BAKALOVA, "BORAT
1635
01:08:03,050 --> 01:08:06,100
SUBSEQUENT MOVIEFILM."
1636
01:08:06,100 --> 01:08:10,229
KATE HUDSON, "MUSIC.
1637
01:08:06,100 --> 01:08:10,229
MICHELLE PFEIFFER, "FRENCH
1638
01:08:10,229 --> 01:08:17,279
EXIT."
1639
01:08:10,229 --> 01:08:17,279
ROSAMUND PIKE, "I CARE A LOT."
1640
01:08:17,279 --> 01:08:19,069
ANYA TAYLOR-JOY, "EMMA."
1641
01:08:17,279 --> 01:08:19,069
AND THE GOLDEN GLOBE GOES TO -
1642
01:08:19,069 --> 01:08:25,020
>> PLEASE WELCOME PRODUCER OF
1643
01:08:30,239 --> 01:08:38,069
AND THE GOLDEN GLOBE GOES TO,
1644
01:08:30,239 --> 01:08:38,069
ROSMUND PIKE, "I CARE A LOT.
1645
01:08:38,069 --> 01:08:47,010
>> OH, MY GOSH
1646
01:08:38,069 --> 01:08:47,010
>> WELL, LADIES, I SALUTE YOU,
1647
01:08:47,010 --> 01:08:47,159
WOW.
1648
01:08:47,010 --> 01:08:47,159
WOW.
1649
01:08:47,159 --> 01:08:53,250
I BET IT LOOKS LIKE I CARE A
1650
01:08:47,159 --> 01:08:53,250
LOT.
1651
01:08:53,250 --> 01:08:56,069
I DO
1652
01:08:53,250 --> 01:08:56,069
I DO, I CARE A LOT
1653
01:08:56,069 --> 01:09:00,199
WOW, HFPA, THANK YOU, THANK YOU,
1654
01:08:56,069 --> 01:09:00,199
THANK YOU, FOR RECOGNIZING, I
1655
01:09:00,199 --> 01:09:08,069
SUPPOSE THE DARK SIDE OF COMEDY.
1656
01:09:00,199 --> 01:09:08,069
MY FELLOW NOMINEES I'M SO
1657
01:09:08,069 --> 01:09:09,159
HONORED TO BE IN THE ROOM WITH
1658
01:09:08,069 --> 01:09:09,159
YOU.
1659
01:09:09,159 --> 01:09:13,189
I MEAN, IN MY MOVIE, I HAD TO
1660
01:09:09,159 --> 01:09:13,189
SWIM UP FROM A SINKING CAR
1661
01:09:13,189 --> 01:09:17,050
I THINK I STILL WOULD RATHER DO
1662
01:09:13,189 --> 01:09:17,050
THAT, THAN HAVE BEEN IN A ROOM
1663
01:09:17,050 --> 01:09:21,069
WITH RUDY GIULIANI
1664
01:09:17,050 --> 01:09:21,069
MARIA, I SALUTE YOUR BRILLIANCE
1665
01:09:21,069 --> 01:09:26,029
AND YOUR BRAVERY
1666
01:09:21,069 --> 01:09:26,029
JAY BLAKESON WAS MY DIRECTOR AND
1667
01:09:26,029 --> 01:09:30,210
COLLABORATOR AND PARTNER IN
1668
01:09:26,029 --> 01:09:30,210
CRIME, IT WAS FROM HIS, THE
1669
01:09:30,210 --> 01:09:33,270
CORRIDORS OF HIS MIND THAT THIS
1670
01:09:30,210 --> 01:09:33,270
CHARACTER SPRANG
1671
01:09:33,270 --> 01:09:38,159
THANK YOU FOR THE WORDS.
1672
01:09:33,270 --> 01:09:38,159
THANK YOU FOR THE CAST, AND AZA,
1673
01:09:38,159 --> 01:09:41,029
MY WIFE.
1674
01:09:38,159 --> 01:09:41,029
I LOVE YOU
1675
01:09:41,029 --> 01:09:47,039
PETE ER DINKLEDGE, WHAT AN HONOR
1676
01:09:41,029 --> 01:09:47,039
AND IT WAS A CAREER HIGH TO BE
1677
01:09:47,039 --> 01:09:53,119
IN YOUR CHOKE HOLD
1678
01:09:47,039 --> 01:09:53,119
AND CHRIS MESSINA, THANK YOU TO
1679
01:09:53,119 --> 01:09:57,119
YOU AND YOUR SUITS AND NETFLIX,
1680
01:09:53,119 --> 01:09:57,119
THANK YOU FOR GIVING US AN
1681
01:09:57,119 --> 01:10:02,029
AUDIENCE AND FINALLY, MAYBE I
1682
01:09:57,119 --> 01:10:02,029
JUST HAVE TO THANK AMERICA'S
1683
01:10:02,029 --> 01:10:06,079
BROKEN LEGAL SYSTEM FOR MAKING
1684
01:10:02,029 --> 01:10:06,079
IT POSSIBLE TO MAKE STORIES LIKE
1685
01:10:06,079 --> 01:10:06,210
THIS
1686
01:10:06,079 --> 01:10:06,210
THANK YOU.
1687
01:10:06,210 --> 01:10:11,220
THANK YOU.
1688
01:10:06,210 --> 01:10:11,220
[ CHEERS AND APPLAUSE
1689
01:10:11,220 --> 01:10:13,140
♪ ♪
1690
01:10:11,220 --> 01:10:13,140
>> PLEASE WELCOME PRODUCER OF
1691
01:10:13,140 --> 01:10:27,060
"PROMISING YOUNG WOMAN,"
1692
01:10:13,140 --> 01:10:27,060
MARGOT ROBBIE.
1693
01:10:27,060 --> 01:10:31,250
>> IN THE NEXT MOTION PICTURE
1694
01:10:27,060 --> 01:10:31,250
DRAMA, A WOMAN'S FUTURE IS
1695
01:10:31,250 --> 01:10:35,090
DERAILED BY A MYSTERIOUS,
1696
01:10:31,250 --> 01:10:35,090
TRAUMATIC EVENT.
1697
01:10:35,090 --> 01:10:38,149
WICKEDLY SMART AND TANTALIZINGLY
1698
01:10:35,090 --> 01:10:38,149
CUNNING, SHE LIVES A SECRET
1699
01:10:38,149 --> 01:10:48,060
DOUBLE LIFE AS SHE SEEKS
1700
01:10:38,149 --> 01:10:48,060
TO RIGHT THE WRONGS OF THE PAST.
1701
01:10:48,060 --> 01:10:52,119
WITH 4 GOLDEN GLOBE NOMINATIONS,
1702
01:10:48,060 --> 01:10:52,119
THIS IS "PROMISING YOUNG WOMAN."
1703
01:10:52,119 --> 01:10:58,170
>>> EVERY WEEK, I GO TO A CLUB
1704
01:10:52,119 --> 01:10:58,170
I ACT LIKE I'M TOO DRUNK TO
1705
01:10:58,170 --> 01:11:00,140
STAND.
1706
01:10:58,170 --> 01:11:00,140
AND EVERY WEEK A NICE GUY COMES
1707
01:11:00,140 --> 01:11:05,159
OVER TO SEE IF I'M OKAY.
1708
01:11:00,140 --> 01:11:05,159
I THOUGHT WE HAD A CONNECTION.
1709
01:11:05,159 --> 01:11:06,199
OKAY
1710
01:11:05,159 --> 01:11:06,199
HOW OLD AM I
1711
01:11:06,199 --> 01:11:12,100
WHAT ARE MY HOBBIES?
1712
01:11:06,199 --> 01:11:12,100
WHAT'S MY NAME
1713
01:11:12,100 --> 01:11:14,199
SORRY, MAYBE THAT ONE IS TOO
1714
01:11:12,100 --> 01:11:14,199
HARD
1715
01:11:14,199 --> 01:11:25,279
THE TEN DAY OF RECKONING FOR
1716
01:11:14,199 --> 01:11:25,279
EVERYONE
1717
01:11:25,279 --> 01:11:27,140
[ CHEERS AND APPLAUSE
1718
01:11:25,279 --> 01:11:27,140
>> HEY, GUYS
1719
01:11:27,140 --> 01:11:38,189
>> HOW ARE YOU
1720
01:11:27,140 --> 01:11:38,189
>> GOOD TO SEE YOU
1721
01:11:38,189 --> 01:11:45,069
>> VERY GOOD TO MEET YOU ON THE
1722
01:11:38,189 --> 01:11:45,069
SCREEN
1723
01:11:45,069 --> 01:11:50,109
>> HI, JOSH, ARE YOU WHO YOU
1724
01:11:45,069 --> 01:11:50,109
>> NEXT THE STARS OF TV DRAMAS
1725
01:11:50,109 --> 01:11:53,000
WILL TAKE THE SPOTLIGHT, IT'S
1726
01:11:50,109 --> 01:11:53,000
THE GOLDEN GLOBES RIGHT HERE ON
1727
01:11:53,000 --> 01:12:08,090
NBC.
1728
01:11:53,000 --> 01:12:08,090
♪ ♪
1729
01:12:08,090 --> 01:12:12,289
>>> THE GOLDEN GLOBES ARE BACK
1730
01:12:08,090 --> 01:12:12,289
AT THE BEVERLY HILTON HOTEL,
1731
01:12:12,289 --> 01:12:20,260
WITH THE PRODUCER AND STAR OF
1732
01:12:12,289 --> 01:12:20,260
"BLACKISH," ANTHONY ANDERSON
1733
01:12:20,260 --> 01:12:26,130
>> THANK YOU
1734
01:12:20,260 --> 01:12:26,130
NOW, BEFORE I PRESENT THE NEXT
1735
01:12:26,130 --> 01:12:30,270
AWARD, I WOULD LIKE TO REMIND
1736
01:12:26,130 --> 01:12:30,270
YOU ABOUT OUR CHARITY PARTNER
1737
01:12:30,270 --> 01:12:34,250
TONIGHT, FEEDING AMERICA'S
1738
01:12:30,270 --> 01:12:34,250
COVID-19 RESPONSE FUND
1739
01:12:34,250 --> 01:12:40,060
GO TO FEEDING AMERICA.ORG/GOLDEN
1740
01:12:34,250 --> 01:12:40,060
GLOBES IF YOU ARE INTERESTED IN
1741
01:12:40,060 --> 01:12:41,060
GIVING
1742
01:12:40,060 --> 01:12:41,060
>> THESE INSPIRED PERFORMANCES
1743
01:12:41,060 --> 01:12:44,140
COMMANDED OUR ATTENTION.
1744
01:12:41,060 --> 01:12:44,140
DRAWING US IN, SCENE AFTER
1745
01:12:44,140 --> 01:12:48,060
INCREDIBLE SCENE
1746
01:12:44,140 --> 01:12:48,060
HERE ARE THE NOMINEES FOR BEST
1747
01:12:48,060 --> 01:12:52,000
PERFORMANCE BY AN ACTOR IN A
1748
01:12:48,060 --> 01:12:52,000
TELEVISION SERIES DRAMA.
1749
01:12:52,000 --> 01:13:00,020
JASON BATEMAN, "OZARK.
1750
01:12:52,000 --> 01:13:00,020
JOSH O'CONNOR, "THE CROWN.
1751
01:13:00,020 --> 01:13:05,029
BOB ODENKIRK, "BETTER CALL
1752
01:13:00,020 --> 01:13:05,029
SAUL."
1753
01:13:05,029 --> 01:13:16,090
AL PACINO, "HUNTERS.
1754
01:13:05,029 --> 01:13:16,090
MATTHEW RHYS, "PERRY MASON."
1755
01:13:16,090 --> 01:13:32,220
AND THE GOLDEN GLOBE GOES TO -
1756
01:13:16,090 --> 01:13:32,220
JOSH O'CONNOR, "THE CROWN.
1757
01:13:32,220 --> 01:13:39,100
WELL
1758
01:13:32,220 --> 01:13:39,100
HELLO, EVERYONE, THAT'S QUITE A
1759
01:13:39,100 --> 01:13:40,090
SURPRISE
1760
01:13:39,100 --> 01:13:40,090
THANK YOU SO MUCH.
1761
01:13:40,090 --> 01:13:43,130
THANK YOU SO MUCH TO EVERYONE
1762
01:13:40,090 --> 01:13:43,130
WHO MAKES "THE CROWN" WHAT IT
1763
01:13:43,130 --> 01:13:46,029
IS
1764
01:13:43,130 --> 01:13:46,029
I HAVE HAD THE TIME OF MY LIFE
1765
01:13:46,029 --> 01:13:52,250
MAKING THIS, SO THANK YOU TO
1766
01:13:46,029 --> 01:13:52,250
EVERYONE AT NETFLIX AND ALL THE
1767
01:13:52,250 --> 01:13:57,119
PRODUCERS AND OUR BRILLIANT
1768
01:13:52,250 --> 01:13:57,119
WRITER AND DIRECTOR, AND OUR
1769
01:13:57,119 --> 01:13:59,279
INCREDIBLE CAST.
1770
01:13:57,119 --> 01:13:59,279
EVERY DAY WORKING WITH YOU IS A
1771
01:13:59,279 --> 01:14:07,029
MASTER CLASS
1772
01:13:59,279 --> 01:14:07,029
AND TO EMMA CORRIN, BEST ACTRESS
1773
01:14:07,029 --> 01:14:11,050
WINNER, YOU'RE EXTRAORDINARY,
1774
01:14:07,029 --> 01:14:11,050
TALENTED, FUNNY AND A BRILLIANT
1775
01:14:11,050 --> 01:14:17,029
PLAYER OF ROCK, PAPER SCISSORS,
1776
01:14:11,050 --> 01:14:17,029
I LOVE YOU TO DEATH.
1777
01:14:17,029 --> 01:14:22,020
TO MY TEAM, ZACH AND CHRIS
1778
01:14:17,029 --> 01:14:22,020
ANDREWS AND SARAH AND EMMA AND
1779
01:14:22,020 --> 01:14:25,090
JESSICA AND ALEX, YOU ARE ALL
1780
01:14:22,020 --> 01:14:25,090
INCREDIBLE
1781
01:14:25,090 --> 01:14:29,039
TO MY FELLOW NOMINEES, YOU ARE
1782
01:14:25,090 --> 01:14:29,039
MY HEROES.
1783
01:14:29,039 --> 01:14:33,029
TO MY MOM AND DAD, I LOVE YOU,
1784
01:14:29,039 --> 01:14:33,029
AND ALL THE BEST
1785
01:14:33,029 --> 01:14:36,220
AND FINALLY I WANT TO SAY, ONE
1786
01:14:33,029 --> 01:14:36,220
LITTLE THING, I WANT TO SAY I'M
1787
01:14:36,220 --> 01:14:41,039
VERY LUCKY TO BE ABLE TO WORK IN
1788
01:14:36,220 --> 01:14:41,039
THIS PERIOD AND THERE'S SO MANY
1789
01:14:41,039 --> 01:14:45,140
PEOPLE THAT ARE UNABLE TO WORK
1790
01:14:41,039 --> 01:14:45,140
AND ARE ALONE AND ISOLATED, AND
1791
01:14:45,140 --> 01:14:49,180
I HOPE THAT WE CAN ALL
1792
01:14:45,140 --> 01:14:49,180
COLLECTIVELY PUT MENTAL HEALTH
1793
01:14:49,180 --> 01:14:53,029
AT THE FOREFRONT OF OUR MINDS,
1794
01:14:49,180 --> 01:14:53,029
THANK YOU SO MUCH.
1795
01:14:53,029 --> 01:15:05,130
[ CHEERS AND APPLAUSE
1796
01:14:53,029 --> 01:15:05,130
>> WOW, WOW, WOW, AMY, WE ARE
1797
01:15:05,130 --> 01:15:11,079
STARTING TO GET SOME OF OUR GOOD
1798
01:15:05,130 --> 01:15:11,079
VIRAL GET ME MOMENTS
1799
01:15:11,079 --> 01:15:13,039
DON CHEADLE LIKE THIS.
1800
01:15:11,079 --> 01:15:13,039
PRETTY GOOD.
1801
01:15:13,039 --> 01:15:18,180
AND TRACY MORGAN BEING A
1802
01:15:13,039 --> 01:15:18,180
BEAUTIFUL -- THAT FEELS LIKE
1803
01:15:18,180 --> 01:15:22,069
HOME TO ME
1804
01:15:18,180 --> 01:15:22,069
THAT MAKES ME FEEL VERY AT HOME.
1805
01:15:22,069 --> 01:15:27,260
ALSO, IF ANYBODY WANTS TO KNOW
1806
01:15:22,069 --> 01:15:27,260
WHERE THEY CAN GET JASON
1807
01:15:27,260 --> 01:15:33,029
SUDEIKAS' HOODIE, GO TO
1808
01:15:27,260 --> 01:15:33,029
NBC.COM/GLOBE FASHION.
1809
01:15:33,029 --> 01:15:36,170
>> AMAZING, THOSE ARE THE MESSY
1810
01:15:33,029 --> 01:15:36,170
THINGS WE LOVE ABOUT THE GLOBES.
1811
01:15:36,170 --> 01:15:45,159
>> OH, BOY, OKAY
1812
01:15:36,170 --> 01:15:45,159
BACK IN THE BEFORE TIME.,
1813
01:15:45,159 --> 01:15:53,039
CELEBRITIES WOULD LEAVE WITH A
1814
01:15:45,159 --> 01:15:53,039
BAG OF TREATS, TRUE STORY, I
1815
01:15:53,039 --> 01:15:59,090
HAVE A KITCHEN EN--AID MIXER WIT
1816
01:15:53,039 --> 01:15:59,090
DIAMONDS ON THE SIDE.
1817
01:15:59,090 --> 01:16:02,100
>> AND I GOT A BAG OF SOLID GOLD
1818
01:15:59,090 --> 01:16:02,100
DORITOS.
1819
01:16:02,100 --> 01:16:06,199
>> THIS YEAR, THEY GOT ACCESS TO
1820
01:16:02,100 --> 01:16:06,199
SOMETHING EVERYONE WANTS
1821
01:16:06,199 --> 01:16:12,020
ACCESS TO FREE TELE MEDICINE
1822
01:16:06,199 --> 01:16:12,020
>> I'M FINE NOW, THANK YOU
1823
01:16:12,020 --> 01:16:16,060
>> I WAS HAVING THESE GI ISSUES
1824
01:16:12,020 --> 01:16:16,060
FOR A WHILE AND I GOOGLED MY
1825
01:16:16,060 --> 01:16:17,199
SYMPTOMS
1826
01:16:16,060 --> 01:16:17,199
>> NEVER DO THAT
1827
01:16:17,199 --> 01:16:21,220
>> I KNOW, AT FIRST I THOUGHT I
1828
01:16:17,199 --> 01:16:21,220
HAD THE CROODS.
1829
01:16:21,220 --> 01:16:27,140
>> ONLY CHILDREN GET THE "CRO.
1830
01:16:21,220 --> 01:16:27,140
"CROODS".
1831
01:16:27,140 --> 01:16:32,010
>> I HEARD THAT IT'S BEEN GOING
1832
01:16:27,140 --> 01:16:32,010
AROUND CANADA, AND NOW IT'S
1833
01:16:32,010 --> 01:16:34,130
HERE
1834
01:16:32,010 --> 01:16:34,130
>> THAT'S "SCHITT'S CREEK," YOU
1835
01:16:34,130 --> 01:16:36,109
WILL BE FINE
1836
01:16:34,130 --> 01:16:36,109
>> THANK YOU FORESEEING ME
1837
01:16:36,109 --> 01:16:39,010
>> HI, WELCOME, WHAT CAN WE DO
1838
01:16:36,109 --> 01:16:39,010
FOR YOU?
1839
01:16:39,010 --> 01:16:44,220
>> I'M EXPERIENCING EVERYTHING
1840
01:16:39,010 --> 01:16:44,220
AS A TIME LOOP AND SO WHEN I GO
1841
01:16:44,220 --> 01:16:49,199
TO BED AT NIGHT, I GET UP AND
1842
01:16:44,220 --> 01:16:49,199
IT'S THE SAME DAY AS BEFORE.
1843
01:16:49,199 --> 01:16:53,170
>> SOUNDS LIKE EVERY DAY IN
1844
01:16:49,199 --> 01:16:53,170
LOCKDOWN, HAVE YOU TRIED TO
1845
01:16:53,170 --> 01:16:57,020
MURDER ANDY SANDBURG AGAIN AND
1846
01:16:53,170 --> 01:16:57,020
AGAIN AND HE WILL JUST NOT DIE
1847
01:16:57,020 --> 01:17:01,119
>> YES
1848
01:16:57,020 --> 01:17:01,119
>> THAT'S IT, THAT'S "PALM
1849
01:17:01,119 --> 01:17:06,149
SPRINGS," YOU DEFINITELY GOT IT.
1850
01:17:01,119 --> 01:17:06,149
>> HI, DR. GORMAN, I HAVE BEEN
1851
01:17:06,149 --> 01:17:09,069
FEELING WELL, A BIT HOT AND
1852
01:17:06,149 --> 01:17:09,069
BOTHERED LATELY.
1853
01:17:09,069 --> 01:17:13,159
>> YOU ARE EXPERIENCING
1854
01:17:09,069 --> 01:17:13,159
"BRIDGEERTON," VERY COMMON, IT'S
1855
01:17:13,159 --> 01:17:16,060
GOING AROUND
1856
01:17:13,159 --> 01:17:16,060
>> DO I DO ANYTHING ABOUT IT
1857
01:17:16,060 --> 01:17:18,239
>> JUST ENJOY IT
1858
01:17:16,060 --> 01:17:18,239
>> THANK YOU
1859
01:17:18,239 --> 01:17:23,180
>> WELL, HELLO, DOCTOR, I WANTED
1860
01:17:18,239 --> 01:17:23,180
TO THANK YOU FOR THE PHENOMENAL
1861
01:17:23,180 --> 01:17:29,239
WORK THAT YOU HAVE DONE DURING
1862
01:17:23,180 --> 01:17:29,239
THIS TERRIBLE PANDEMIC
1863
01:17:29,239 --> 01:17:34,180
>> YOU SOUND TERRIBLE.
1864
01:17:29,239 --> 01:17:34,180
>> I ACTUALLY FEEL PRETTY GOOD
1865
01:17:34,180 --> 01:17:37,180
IT'S JUST THAT MY VOICE KEEPS
1866
01:17:34,180 --> 01:17:37,180
DOING THIS
1867
01:17:37,180 --> 01:17:44,020
>> I THINK YOU HAVE --
1868
01:17:37,180 --> 01:17:44,020
>> THANK YOU, I WILL CONTINUE TO
1869
01:17:44,020 --> 01:17:47,260
SELF MEDICATE.
1870
01:17:44,020 --> 01:17:47,260
>> HELLO, DOCTOR, IT'S GLENN
1871
01:17:47,260 --> 01:17:49,229
CLOSE.
1872
01:17:47,260 --> 01:17:49,229
>> HI, THERE
1873
01:17:49,229 --> 01:17:52,140
>> HI.
1874
01:17:49,229 --> 01:17:52,140
I'M OUT OF MONTANA AND IT'S A
1875
01:17:52,140 --> 01:17:55,250
BIG RURAL STATE AND IT'S BEEN A
1876
01:17:52,140 --> 01:17:55,250
LITTLE COMPLICATED TRYING TO
1877
01:17:55,250 --> 01:17:59,079
FIGURE OUT HOW TO GET A VACCINE.
1878
01:17:55,250 --> 01:17:59,079
I WAS WONDERING IF YOU CAN CATCH
1879
01:17:59,079 --> 01:18:01,130
ME UP.
1880
01:17:59,079 --> 01:18:01,130
>> IN MONTANA THEY ARE UP TO
1881
01:18:01,130 --> 01:18:07,279
GROUP 1-B, WHICH IS PERSONS 70
1882
01:18:01,130 --> 01:18:07,279
YEARS AND OLDER SO GOOD NEWS
1883
01:18:07,279 --> 01:18:10,020
>> GOOD NEWS
1884
01:18:07,279 --> 01:18:10,020
OH
1885
01:18:10,020 --> 01:18:14,159
WHY DO YOU THINK IT'S GOOD NEWS
1886
01:18:10,020 --> 01:18:14,159
FOR ME
1887
01:18:14,159 --> 01:18:23,180
I'M 45
1888
01:18:14,159 --> 01:18:23,180
>> UM, THEN, UM --
1889
01:18:23,180 --> 01:18:25,109
>> HI, DOCTOR, I HAVE A QUICK
1890
01:18:23,180 --> 01:18:25,109
QUESTION
1891
01:18:25,109 --> 01:18:30,020
DO YOU THINK THAT MINARI IS
1892
01:18:25,109 --> 01:18:30,020
RIGHT FOR ME
1893
01:18:30,020 --> 01:18:32,050
>> THE BLOOD PRESSURE
1894
01:18:30,020 --> 01:18:32,050
MEDICATION
1895
01:18:32,050 --> 01:18:38,130
>> NO THE BEAUTIFUL MOVIE ABOUT
1896
01:18:32,050 --> 01:18:38,130
THE KOREAN FAMILY'S SEARCH FOR
1897
01:18:38,130 --> 01:18:43,010
AN AMERICAN DREAM.
1898
01:18:38,130 --> 01:18:43,010
>> GO FOR IT
1899
01:18:43,010 --> 01:18:48,050
SIDE AFFECTS ARE WATERY EYES,
1900
01:18:43,010 --> 01:18:48,050
INCREASED COMPASSION AND A BIT
1901
01:18:48,050 --> 01:18:50,000
OF WEIGHT GAIN.
1902
01:18:48,050 --> 01:18:50,000
>> WEIGHT GAIN
1903
01:18:50,000 --> 01:18:53,270
NO, I CAN'T DO THAT.
1904
01:18:50,000 --> 01:18:53,270
>> HEY, NURSE SOFIA, IT'S ANDREW
1905
01:18:53,270 --> 01:18:55,189
REYNOLDS
1906
01:18:53,270 --> 01:18:55,189
>> OKAY?
1907
01:18:55,189 --> 01:18:58,130
>> OKAY.
1908
01:18:55,189 --> 01:18:58,130
UM, SO, AS YOU KNOW, I AM A
1909
01:18:58,130 --> 01:19:03,000
METHOD ACTOR AND THE NEXT ROLE I
1910
01:18:58,130 --> 01:19:03,000
WILL BE PLAYING IS THAT OF A
1911
01:19:03,000 --> 01:19:04,279
DOCTOR
1912
01:19:03,000 --> 01:19:04,279
AND I, I WAS WONDERING --
1913
01:19:04,279 --> 01:19:08,000
>> YOU CAN'T GET THE VACCINE
1914
01:19:04,279 --> 01:19:08,000
NOW.
1915
01:19:08,000 --> 01:19:11,130
>> OKAY.
1916
01:19:08,000 --> 01:19:11,130
BUT WHAT IF I TOLD YOU THE
1917
01:19:11,130 --> 01:19:15,159
DOCTOR ALSO HAS HEMOPHELIA.
1918
01:19:11,130 --> 01:19:15,159
>> YOU HAVE TO WAIT.
1919
01:19:15,159 --> 01:19:20,149
>> AND WHAT IF I TOLD YOU HE IS
1920
01:19:15,159 --> 01:19:20,149
ALSO A THOUSAND YEARS OLD.
1921
01:19:20,149 --> 01:19:23,289
>> WHAT KIND OF RYAN MURPHY
1922
01:19:20,149 --> 01:19:23,289
NONSENSE IS THIS
1923
01:19:23,289 --> 01:19:29,050
>> WELL, IT IS A VERY DARK
1924
01:19:23,289 --> 01:19:29,050
RE-TELLING OF THE CLASSIC
1925
01:19:29,050 --> 01:19:33,060
MADELINE, SARAH PAULSON IS
1926
01:19:29,050 --> 01:19:33,060
PLAYING -- SHE ISES VERY SEXY.
1927
01:19:33,060 --> 01:19:47,000
>> GET OUT OF HERE, PLEASE
1928
01:19:33,060 --> 01:19:47,000
[ CHEERS AND APPLAUSE
1929
01:19:47,000 --> 01:19:49,220
>> WOW
1930
01:19:47,000 --> 01:19:49,220
AMY, I GOT TO SAY, I'M GETTING
1931
01:19:49,220 --> 01:19:55,239
PRETTY TIRED OF RUN ARE IN TO
1932
01:19:49,220 --> 01:19:55,239
THIS NEXT PRESENTER AT EVERY
1933
01:19:55,239 --> 01:20:06,270
AUDITION
1934
01:19:55,239 --> 01:20:06,270
PLEASE WELCOME GAL GADOT
1935
01:20:06,270 --> 01:20:14,109
♪ ♪
1936
01:20:06,270 --> 01:20:14,109
>>> THESE FILMS FROM NATION'S
1937
01:20:14,109 --> 01:20:19,119
CROSS THE GLOBE CONVEY POWER AND
1938
01:20:14,109 --> 01:20:19,119
EMOTION THAT SPEAKS TO ALL OF
1939
01:20:19,119 --> 01:20:20,220
US
1940
01:20:19,119 --> 01:20:20,220
HERE ARE THIS YEAR'S NOMINEES
1941
01:20:20,220 --> 01:20:23,189
FOR BEST MOTION PICTURE, FOREIGN
1942
01:20:20,220 --> 01:20:23,189
LANGUAGE
1943
01:20:23,189 --> 01:20:29,210
>> "ANOTHER ROUND," DENMARK.
1944
01:20:23,189 --> 01:20:29,210
FOUR HIGH SCHOOL TEACHERS
1945
01:20:29,210 --> 01:20:32,250
"LA LLORONA," GUATEMALA/FRANCE
1946
01:20:29,210 --> 01:20:32,250
"THE LIFE AHEAD," ITALY.
1947
01:20:32,250 --> 01:20:38,250
"MINARI," USA.
1948
01:20:32,250 --> 01:20:38,250
"TWO OF US," FRANCE/USA.
1949
01:20:38,250 --> 01:20:46,189
>> AND THE GOLDEN GLOBE GOES
1950
01:20:38,250 --> 01:20:46,189
TO -
1951
01:20:46,189 --> 01:21:03,000
"MINARI.
1952
01:20:46,189 --> 01:21:03,000
>> I WANT TO, I WANT TO THANK
1953
01:21:03,000 --> 01:21:09,079
THE HFPA
1954
01:21:03,000 --> 01:21:09,079
I WANT TO THANK MY TEAM AT CAA,
1955
01:21:09,079 --> 01:21:16,289
ALL THE MINARI FAMILY.
1956
01:21:09,079 --> 01:21:16,289
THE ACTORS, STEVEN, YJ, ALL THE
1957
01:21:16,289 --> 01:21:24,130
CREATIVE TEAM.
1958
01:21:16,289 --> 01:21:24,130
CHRISTINA, LOCHI, AND ALL THE
1959
01:21:24,130 --> 01:21:27,260
COUSINS WATCHING
1960
01:21:24,130 --> 01:21:27,260
MY MOM AND DAD, MY SISTER, MY
1961
01:21:27,260 --> 01:21:31,149
WIFE WHO'S HIDING OVER THERE AND
1962
01:21:27,260 --> 01:21:31,149
THIS ONE HERE.
1963
01:21:31,149 --> 01:21:36,159
SHE IS THE REASON I MADE THIS
1964
01:21:31,149 --> 01:21:36,159
FILM
1965
01:21:36,159 --> 01:21:39,189
AND I JUST WANT TO SAY THAT
1966
01:21:36,159 --> 01:21:39,189
"MINARI" IS ABOUT A FAMILY, IT'S
1967
01:21:39,189 --> 01:21:44,180
A FAMILY TRYING TO LEARN TO
1968
01:21:39,189 --> 01:21:44,180
SPEAK A LANGUAGE OF ITS OWN.
1969
01:21:44,180 --> 01:21:47,029
IT GOES DEEPER THAN ANY AMERICAN
1970
01:21:44,180 --> 01:21:47,029
LANGUAGE AND FOREIGN LANGUAGE.
1971
01:21:47,029 --> 01:21:50,289
IT'S A LANGUAGE OF THE HEART
1972
01:21:47,029 --> 01:21:50,289
AND I'M TRYING TO LEARN IT
1973
01:21:50,289 --> 01:21:54,270
MYSELF AND TO PASS IT ON, AND I
1974
01:21:50,289 --> 01:21:54,270
HOPE WE WILL ALL LEARN HOW TO
1975
01:21:54,270 --> 01:21:58,079
SPEAK THIS LANGUAGE OF LOVE TO
1976
01:21:54,270 --> 01:21:58,079
EACH OTHER, ESPECIALLY THIS
1977
01:21:58,079 --> 01:22:04,050
YEAR
1978
01:21:58,079 --> 01:22:04,050
GOD BLESS YOU ALL AND THANK YOU.
1979
01:22:04,050 --> 01:22:13,060
♪ ♪
1980
01:22:04,050 --> 01:22:13,060
[ CHEERS AND APPLAUSE
1981
01:22:13,060 --> 01:22:25,189
>> Announcer: AURAWE PRESENT THE
1982
01:22:13,060 --> 01:22:25,189
>> WELCOME BACK TO THE GOLDEN
1983
01:22:25,189 --> 01:22:34,180
GLOBES
1984
01:22:25,189 --> 01:22:34,180
NOW STAR OF "KENAN," KENAN
1985
01:22:34,180 --> 01:22:41,010
THOMPSON
1986
01:22:34,180 --> 01:22:41,010
>>> ALL RIGHT, ALL RIGHT, GOOD
1987
01:22:41,010 --> 01:22:41,260
EVENING, GOOD EVENING, GOOD
1988
01:22:41,010 --> 01:22:41,260
EVENING.
1989
01:22:41,260 --> 01:22:45,050
ALL RIGHT.
1990
01:22:41,260 --> 01:22:45,050
>> A PSYCHIATRIC WARD, MODERN
1991
01:22:45,050 --> 01:22:49,119
DAY MISSOURI, OUTER SPACE, 20th
1992
01:22:45,050 --> 01:22:49,119
CENTURY ENGLAND, AND THE JIM
1993
01:22:49,119 --> 01:22:57,000
CROW SOUTH
1994
01:22:49,119 --> 01:22:57,000
HORRIBLE AIR BNB CHOICES
1995
01:22:57,000 --> 01:23:02,010
BUT GREAT LOCATIONS FOR OUR
1996
01:22:57,000 --> 01:23:02,010
TELEVISION SERIES NOMINEES
1997
01:23:02,010 --> 01:23:06,289
>> "THE CROWN.
1998
01:23:02,010 --> 01:23:06,289
"LOVECRAFT COUNTRY."
1999
01:23:06,289 --> 01:23:14,149
"THE MANDALORIAN."
2000
01:23:06,289 --> 01:23:14,149
"OZARK."
2001
01:23:14,149 --> 01:23:21,270
"RATCHED."
2002
01:23:14,149 --> 01:23:21,270
>> AND THE GOLDEN GLOBE GOES
2003
01:23:21,270 --> 01:23:28,260
TO -
2004
01:23:21,270 --> 01:23:28,260
"THE CROWN."
2005
01:23:28,260 --> 01:23:40,199
[ CHEERS AND APPLAUSE
2006
01:23:28,260 --> 01:23:40,199
>>> THANKS, THANK YOU SO MUCH.
2007
01:23:40,199 --> 01:23:45,039
THANK YOU, THANK YOU, THANK YOU.
2008
01:23:40,199 --> 01:23:45,039
THANK YOU SO MUCH, HFPA.
2009
01:23:45,039 --> 01:23:56,210
THANK YOU TO EVERYONE AT
2010
01:23:45,039 --> 01:23:56,210
NETFLIX, TED, BELLA, CINDY,
2011
01:23:56,210 --> 01:24:03,119
NINA, FORMERLYSONY
2012
01:23:56,210 --> 01:24:03,119
I'M SORRY THAT I'M SITTING HERE
2013
01:24:03,119 --> 01:24:08,189
IN MY TRAGIC LITTLE OFFICE
2014
01:24:03,119 --> 01:24:08,189
KNOCKED AROUND-- NOT SURROUNDED
2015
01:24:08,189 --> 01:24:12,180
PEOPLE THAT MAKE THE SHOW SO
2016
01:24:08,189 --> 01:24:12,180
SPECIAL.
2017
01:24:12,180 --> 01:24:16,189
OLIVIA, JOSH, AARON, THE
2018
01:24:12,180 --> 01:24:16,189
DIRECTOR, BEN, JESS, JULIAN,
2019
01:24:16,189 --> 01:24:21,039
PAUL, MY WONDERFUL PRODUCER,
2020
01:24:16,189 --> 01:24:21,039
SUSAN AND UNA AND MICHAEL, THE
2021
01:24:21,039 --> 01:24:25,229
EDITORS AND COMPOSER AND I MISS
2022
01:24:21,039 --> 01:24:25,229
NOT BEING WITH MY FELLOW
2023
01:24:25,229 --> 01:24:30,210
NOMINEES IN THAT WONDERFUL ROOM
2024
01:24:25,229 --> 01:24:30,210
IN THAT CRAZY ROOM AT THE
2025
01:24:30,210 --> 01:24:33,189
BEVERLY HILTON TONIGHT
2026
01:24:30,210 --> 01:24:33,189
I'M GLAD I'M NOT HAVING TO FACE
2027
01:24:33,189 --> 01:24:36,260
THE ROOM MAKING THIS SPEECH.
2028
01:24:33,189 --> 01:24:36,260
BUT IT ALWAYS IS THE MOST FUN
2029
01:24:36,260 --> 01:24:46,039
AWARD SHOW
2030
01:24:36,260 --> 01:24:46,039
AND ONE LAST INDULGENCE, MY
2031
01:24:46,039 --> 01:24:48,180
CHILDREN, FROM WHOM I HAVE BEEN
2032
01:24:46,039 --> 01:24:48,180
SEPARATED TOO MUCH IN THE
2033
01:24:48,180 --> 01:24:49,229
PANDEMIC, TO THEM, I SAY I'M
2034
01:24:48,180 --> 01:24:49,229
SORRY.
2035
01:24:49,229 --> 01:25:02,000
[ CHEERS AND APPLAUSE
2036
01:24:49,229 --> 01:25:02,000
>> JANE FONDA HAS DONE IT ALL.
2037
01:25:02,000 --> 01:25:07,090
DRAMA, SYFY, THRILLERS, AND
2038
01:25:02,000 --> 01:25:07,090
MORE
2039
01:25:07,090 --> 01:25:11,079
SHE FOLLOWED HER BELIEFS EVEN
2040
01:25:07,090 --> 01:25:11,079
WHEN IT THREW HER IN A FIRE
2041
01:25:11,079 --> 01:25:17,069
STORM OF CONTROVERSY
2042
01:25:11,079 --> 01:25:17,069
I HAD A PLEASURE OF PLAYING
2043
01:25:17,069 --> 01:25:20,189
JANE'S DAUGHTER ONCE, AND I
2044
01:25:17,069 --> 01:25:20,189
FOUND JANE TO BE SO MUCH MORE
2045
01:25:20,189 --> 01:25:24,039
THAN JUST A MOVIE STAR
2046
01:25:20,189 --> 01:25:24,039
SHE HAD WAS AN OPEN, GENEROUS,
2047
01:25:24,039 --> 01:25:28,239
HARD WORKING ACTOR
2048
01:25:24,039 --> 01:25:28,239
WITH THE ASS OF A 20-YEAR-OLD
2049
01:25:28,239 --> 01:25:30,279
BOY.
2050
01:25:28,239 --> 01:25:30,279
>> LET'S TAKE A LOOK AT WHAT
2051
01:25:30,279 --> 01:25:34,149
JAYNE HAS ACCOMPLISHED SO FAR
2052
01:25:30,279 --> 01:25:34,149
HERE AT WHAT IS PROBABLY JUST A
2053
01:25:34,149 --> 01:25:39,100
MID POINT OF HER ILLUSTRIOUS
2054
01:25:34,149 --> 01:25:39,100
CAREER
2055
01:25:39,100 --> 01:25:43,000
>> THERE'S A LOT OF GLASS ON THE
2056
01:25:39,100 --> 01:25:43,000
FLOOR FROM ALL OF THE CEILINGS
2057
01:25:43,000 --> 01:25:47,020
SHE HAS SHATTERED.
2058
01:25:43,000 --> 01:25:47,020
>> ACTRESS AND ACTIVIST.
2059
01:25:47,020 --> 01:25:50,220
>> SHE IS ALWAYS MARCHING ON THE
2060
01:25:47,020 --> 01:25:50,220
FRONT LINES OF THE GOOD FIGHT.
2061
01:25:50,220 --> 01:25:55,050
>> SHE IS MY ROLE MODEL.
2062
01:25:50,220 --> 01:25:55,050
A REAL LIFE SUPER HERO
2063
01:25:55,050 --> 01:25:58,279
>> SHE IS CONFIDENT.
2064
01:25:55,050 --> 01:25:58,279
>> ICONIC.
2065
01:25:58,279 --> 01:26:00,170
AND INDEPENDENT.
2066
01:25:58,279 --> 01:26:00,170
>> SHARP
2067
01:26:00,170 --> 01:26:02,270
>> BOLD.
2068
01:26:00,170 --> 01:26:02,270
>> SHE IS AN INSPIRATION
2069
01:26:02,270 --> 01:26:05,289
>> JANE'S IS A CAREER FOR THE
2070
01:26:02,270 --> 01:26:05,289
AGES
2071
01:26:05,289 --> 01:26:10,100
>> I LOVE YOU, JANE.
2072
01:26:05,289 --> 01:26:10,100
I'M SO PROUD TO KNOW YOU
2073
01:26:10,100 --> 01:26:12,180
I'M SO PROUD TO BE YOUR FRIEND
2074
01:26:10,100 --> 01:26:12,180
SENDING YOU SO MUCH LOVE
2075
01:26:12,180 --> 01:26:26,039
CONGRATULATIONS.
2076
01:26:12,180 --> 01:26:26,039
>> VISIONS AT THE PLAZA HOTEL.
2077
01:26:26,039 --> 01:26:39,250
>> WAIT A MINUTE, I'M NOT
2078
01:26:26,039 --> 01:26:39,250
FINISHED
2079
01:26:39,250 --> 01:26:49,279
>> I'M SORRY, I THOUGHT IT WAS
2080
01:26:39,250 --> 01:26:49,279
AIR FRESHENER.
2081
01:26:49,279 --> 01:26:54,109
>> THAT SOUNDS FANTASTIC
2082
01:26:49,279 --> 01:26:54,109
>> GEORGE.
2083
01:26:54,109 --> 01:26:59,039
WILL YOU PLEASES GET MY LITTLE
2084
01:26:54,109 --> 01:26:59,039
BLUE -- PLEASE
2085
01:26:59,039 --> 01:27:01,119
>> I WON'T BE HERE.
2086
01:26:59,039 --> 01:27:01,119
>> ALL RIGHT
2087
01:27:01,119 --> 01:27:05,000
I WILL GET IT MYSELF
2088
01:27:01,119 --> 01:27:05,000
>> IT SEEMS THAT YOU AND ME HAVE
2089
01:27:05,000 --> 01:27:07,000
BEEN MAD AT EACH OTHER FOR SO
2090
01:27:05,000 --> 01:27:07,000
LONG
2091
01:27:07,000 --> 01:27:12,239
>> I DIDN'T KNOW WE WERE MAD, I
2092
01:27:07,000 --> 01:27:12,239
THOUGHT WE JUST DIDN'T LIKE EACH
2093
01:27:12,239 --> 01:27:16,100
OTHER.
2094
01:27:12,239 --> 01:27:16,100
>> I WANT TO BE YOUR FRIEND.
2095
01:27:16,100 --> 01:27:21,149
>> EASY TO MANIPULATE MEN.
2096
01:27:16,100 --> 01:27:21,149
>> DO YOU MIND NOT DOING THAT?
2097
01:27:21,149 --> 01:27:26,010
>> YOU IN A GOOD MOOD?
2098
01:27:21,149 --> 01:27:26,010
I'M THE TOAST OF THE TOWN.
2099
01:27:26,010 --> 01:27:30,130
>> THE WINNER IS JANE FONDA.
2100
01:27:26,010 --> 01:27:30,130
>> THE WINNER IS JANE FONDA.
2101
01:27:30,130 --> 01:27:39,050
>> I'M GOING TO GET OFF THIS
2102
01:27:30,130 --> 01:27:39,050
MERRI-GO-ROUND
2103
01:27:39,050 --> 01:27:43,250
>> WHAT THING?
2104
01:27:39,050 --> 01:27:43,250
>> LIFE.
2105
01:27:43,250 --> 01:27:49,220
>> IT'S VERY HAVE SCARY FOR ME
2106
01:27:43,250 --> 01:27:49,220
TO THINK MAYBE IT'S NOT GOING TO
2107
01:27:49,220 --> 01:27:53,069
WORK ONUT
2108
01:27:49,220 --> 01:27:53,069
>> I KNOW.
2109
01:27:53,069 --> 01:27:58,050
>> MS. FONDA IS QUITE ACTIVE IN
2110
01:27:53,069 --> 01:27:58,050
THE PEACE MOVEMENT
2111
01:27:58,050 --> 01:28:02,270
CIVIL RIGHTS PEELED SS FIELD.
2112
01:27:58,050 --> 01:28:02,270
>> WE HAD TO RAISE SO MUCH MONEY
2113
01:28:02,270 --> 01:28:04,270
WE THOUGHT LET'S START A
2114
01:28:02,270 --> 01:28:04,270
BUSINESS THAT WILL FUND THE
2115
01:28:04,270 --> 01:28:07,010
WORK
2116
01:28:04,270 --> 01:28:07,010
AND THE REST IS HISTORY, AND ALL
2117
01:28:07,010 --> 01:28:08,189
THE PROFITS WENT IN TO THE
2118
01:28:07,010 --> 01:28:08,189
ORGANIZATION
2119
01:28:08,189 --> 01:28:13,119
>> I HAVE NOT SPOKEN IN AN
2120
01:28:08,189 --> 01:28:13,119
ANTI-WAR RALLY IN 34 YEARS BUT
2121
01:28:13,119 --> 01:28:17,210
SILENCE IS NO LONGER AN OPTION
2122
01:28:13,119 --> 01:28:17,210
>> RENEWABLES LIKE SOLAR AND
2123
01:28:17,210 --> 01:28:20,079
WIND ARE TAKING OFF.
2124
01:28:17,210 --> 01:28:20,079
>> WHEN PEOPLE CAN SAY THE
2125
01:28:20,079 --> 01:28:26,170
RACISM IN THE COUNTRY, MORE AND
2126
01:28:20,079 --> 01:28:26,170
MORE WHITE PEOPLE ARE GETTING
2127
01:28:26,170 --> 01:28:27,069
IT
2128
01:28:26,170 --> 01:28:27,069
♪ ♪
2129
01:28:27,069 --> 01:28:35,170
>> I DID IT MYSELF
2130
01:28:27,069 --> 01:28:35,170
I PAID MY DUES
2131
01:28:35,170 --> 01:28:39,119
♪ ♪
2132
01:28:35,170 --> 01:28:39,119
BARELY GETTING BY ♪
2133
01:28:39,119 --> 01:28:40,260
♪
2134
01:28:39,119 --> 01:28:40,260
>> YOU THINK IT WOULD BE THIS
2135
01:28:40,260 --> 01:28:46,079
TOUGH TO GET RID OF A PAIN IN
2136
01:28:40,260 --> 01:28:46,079
THE ASS LIKE ME?
2137
01:28:46,079 --> 01:28:49,130
>> MA'AM, I HAD NO IDEA.
2138
01:28:46,079 --> 01:28:49,130
>> YOU ARE A LOT DIFFERENT THAN
2139
01:28:49,130 --> 01:28:52,090
I THOUGHT YOU WOULD BE
2140
01:28:49,130 --> 01:28:52,090
>> IF ANYBODY IS GOING TO SIT ON
2141
01:28:52,090 --> 01:28:57,270
RYAN GOSSLING'SES FACE, IT'S
2142
01:28:52,090 --> 01:28:57,270
GOING TO BE ME
2143
01:28:57,270 --> 01:29:00,020
>> SHE WALKED IN
2144
01:28:57,270 --> 01:29:00,020
FIVE SECONDS
2145
01:29:00,020 --> 01:29:03,140
>> IT'S MY STORY, IT'S MY
2146
01:29:00,020 --> 01:29:03,140
EXCLUSIVE, I WANT TO DO IT
2147
01:29:03,140 --> 01:29:09,199
JACK ODELL WAS GOING TO PRESENT
2148
01:29:03,140 --> 01:29:09,199
EVIDENCE THAT HE BELIEVED WOULD
2149
01:29:09,199 --> 01:29:10,270
SHOW THIS PLANT SHOULD BE SHUT
2150
01:29:09,199 --> 01:29:10,270
DOWN
2151
01:29:10,270 --> 01:29:14,260
>> I KNOW WHAT YOU ARE
2152
01:29:10,270 --> 01:29:14,260
I WILL BE THE ONE WHO DECIDES
2153
01:29:14,260 --> 01:29:17,119
WHAT IS, OR IS NOT IMPORTANT
2154
01:29:14,260 --> 01:29:17,119
HERE
2155
01:29:17,119 --> 01:29:20,220
>> I AIN'T NEVER HAD NO PARTNER.
2156
01:29:17,119 --> 01:29:20,220
>> IT'S NOT REAL HARD TO FIGURE
2157
01:29:20,220 --> 01:29:22,229
OUT WHY.
2158
01:29:20,220 --> 01:29:22,229
>> I'M NOT SUCH A BAD GUY.
2159
01:29:22,229 --> 01:29:31,069
>> YOU ARE A SEXIST EGOTISTIKAL,
2160
01:29:22,229 --> 01:29:31,069
HYPOCRITICAL, LYING BIGOT.
2161
01:29:31,069 --> 01:29:34,229
>> YOU MAKE ME SO PROUD.
2162
01:29:31,069 --> 01:29:34,229
>> THANKS AGAIN.
2163
01:29:34,229 --> 01:29:54,119
FOR EVERYTHING.
2164
01:29:34,229 --> 01:29:54,119
♪ ♪
2165
01:29:54,119 --> 01:29:59,159
[ CHEERS AND APPLAUSE
2166
01:29:54,119 --> 01:29:59,159
>> LADIES AND GENTLEMEN, JANE
2167
01:29:59,159 --> 01:30:14,260
FONDA.
2168
01:29:59,159 --> 01:30:14,260
♪ ♪
2169
01:30:14,260 --> 01:30:28,079
♪ ♪
2170
01:30:14,260 --> 01:30:28,079
>> OH, MY GOD.
2171
01:30:28,079 --> 01:30:31,020
THANK YOU.
2172
01:30:28,079 --> 01:30:31,020
THANK YOU ALL THE MEMBERS OF THE
2173
01:30:31,020 --> 01:30:33,210
HOLLYWOOD FOREIGN PRESS
2174
01:30:31,020 --> 01:30:33,210
ASSOCIATION.
2175
01:30:33,210 --> 01:30:37,250
I'M SO MOVED TO RECEIVE THIS
2176
01:30:33,210 --> 01:30:37,250
HONOR.
2177
01:30:37,250 --> 01:30:42,020
THANK YOU.
2178
01:30:37,250 --> 01:30:42,020
YOU KNOW, HI, AMY.
2179
01:30:42,020 --> 01:30:47,000
WE ARE A COMMUNITY OF STORY
2180
01:30:42,020 --> 01:30:47,000
TELLERS, AREN'T WE
2181
01:30:47,000 --> 01:30:51,119
AND IN TURBULENT, CRISIS-TORN
2182
01:30:47,000 --> 01:30:51,119
TIMES LIKE THIS, STORYTELLING
2183
01:30:51,119 --> 01:30:54,289
HAS ALWAYS BEEN ESSENTIAL.
2184
01:30:51,119 --> 01:30:54,289
YOU SEE STORIES HAVE A WAY TO,
2185
01:30:54,289 --> 01:30:58,109
THEY CAN CHANGE OUR HEARTS AND
2186
01:30:54,289 --> 01:30:58,109
OUR MINDS.
2187
01:30:58,109 --> 01:31:01,170
THEY CAN HELP US SEE EACH OUR IN
2188
01:30:58,109 --> 01:31:01,170
A NEW LIGHT.
2189
01:31:01,170 --> 01:31:07,060
TO HAVE EMPATHY, TO RECOGNIZE
2190
01:31:01,170 --> 01:31:07,060
THAT FOR ALL OF OUR DIVERSITY WE
2191
01:31:07,060 --> 01:31:10,279
ARE HUMANS FIRST, RIGHT?
2192
01:31:07,060 --> 01:31:10,279
YOU KNOW, I HAVE SEEN A LOT OF
2193
01:31:10,279 --> 01:31:15,149
DIVERSITY IN MY LONG LIFE AND AT
2194
01:31:10,279 --> 01:31:15,149
TIMES I HAVE BEEN CHALLENGED TO
2195
01:31:15,149 --> 01:31:17,159
UNDERSTAND SOME OF THE PEOPLE
2196
01:31:15,149 --> 01:31:17,159
I'VE MET
2197
01:31:17,159 --> 01:31:23,020
BUT INEVITABLY IF MY HEART IS
2198
01:31:17,159 --> 01:31:23,020
OPEN AND I LOOK BENEATH THE
2199
01:31:23,020 --> 01:31:29,140
SURFACE I FEEL KINSHIP
2200
01:31:23,020 --> 01:31:29,140
THAT'S WHY ALL OF THE GREAT
2201
01:31:29,140 --> 01:31:38,210
CONDUITS OF PERCEPTION, BUDDHA,
2202
01:31:29,140 --> 01:31:38,210
MOHAMMED
2203
01:31:38,210 --> 01:31:46,079
MOHAMMED, JESUS, THEY SPOKE TO
2204
01:31:38,210 --> 01:31:46,079
US IN METAPHOR, BECAUSE THEY
2205
01:31:46,079 --> 01:31:52,140
SPEAK ON A DIFFERENT FREQUENCY
2206
01:31:46,079 --> 01:31:52,140
AND THEY GENERATE A WAY FOR US
2207
01:31:52,140 --> 01:31:56,220
TO SEE AND HEAR WHAT WE MAY HAVE
2208
01:31:52,140 --> 01:31:56,220
BEEN AFRAID OF SEEING AND
2209
01:31:56,220 --> 01:32:02,050
HEARING.
2210
01:31:56,220 --> 01:32:02,050
JUST THIS YEAR, NOMADLAND HELPED
2211
01:32:02,050 --> 01:32:07,289
ME FEEL LOVE FOR THE WONDERERS
2212
01:32:02,050 --> 01:32:07,289
AMONG US AND "MINARI" HELPED TO
2213
01:32:07,289 --> 01:32:13,170
OPEN MY EYES TO THE REALITIES OF
2214
01:32:07,289 --> 01:32:13,170
IMMIGRANTS DEALING WITH LIFE IN
2215
01:32:13,170 --> 01:32:17,210
A NEW LAND
2216
01:32:13,170 --> 01:32:17,210
AND "JUDAS OF A BLACK MESSIAH,"
2217
01:32:17,210 --> 01:32:22,270
AND "ONE NIGHT IN MIAMI" AND
2218
01:32:17,210 --> 01:32:22,270
OTHERS HAVE DEEPENED MY EMPATHY
2219
01:32:22,270 --> 01:32:36,039
FOR WHAT BEING BLACK HAS MEANT
2220
01:32:22,270 --> 01:32:36,039
AND RAM AMPT"I MAY DESTROY YOU,"
2221
01:32:36,039 --> 01:32:38,289
CONSIDERING SEXUAL VIOLENCE IN A
2222
01:32:36,039 --> 01:32:38,289
NEW WAY.
2223
01:32:38,289 --> 01:32:42,069
WE ARE INSPIRED TO FIGHT TO
2224
01:32:38,289 --> 01:32:42,069
PRESERVE DEMOCRACY AND A LIFE ON
2225
01:32:42,069 --> 01:32:48,159
OUR PLANET SHOWS US HOW FRAGILE
2226
01:32:42,069 --> 01:32:48,159
OUR SMALL BLUE PLANET IS AND
2227
01:32:48,159 --> 01:32:51,220
INSPIRES US TO SAVE IT AND
2228
01:32:48,159 --> 01:32:51,220
OURSELVES.
2229
01:32:51,220 --> 01:32:55,199
STORIES, THEY REALLY ARE, THEY
2230
01:32:51,220 --> 01:32:55,199
REALLY CAN CHANGE PEOPLE
2231
01:32:55,199 --> 01:32:59,210
BUT THERE'S A STORY WE HAVE BEEN
2232
01:32:55,199 --> 01:32:59,210
AFRAID TO SEE AND HEAR ABOUT
2233
01:32:59,210 --> 01:33:03,000
OURSELVES AND THIS INDUSTRY.
2234
01:32:59,210 --> 01:33:03,000
THE STORY ABOUT WHICH VOICES WE
2235
01:33:03,000 --> 01:33:08,229
RESPECT AND ELEVATE AND WHICH WE
2236
01:33:03,000 --> 01:33:08,229
TUNE OUT
2237
01:33:08,229 --> 01:33:13,109
A STORY OF WHO IS OFFERED A SEAT
2238
01:33:08,229 --> 01:33:13,109
AT THE TABLE AND WHO IS KEPT OUT
2239
01:33:13,109 --> 01:33:15,039
OF THE ROOM WHERE DECISIONS ARE
2240
01:33:13,109 --> 01:33:15,039
MADE
2241
01:33:15,039 --> 01:33:18,170
LET'S ALL OF US, INCLUDING ALL
2242
01:33:15,039 --> 01:33:18,170
THE GROUPS THAT DECIDE WHO GETS
2243
01:33:18,170 --> 01:33:21,119
HIRED AND WHAT GETS MADE AND WHO
2244
01:33:18,170 --> 01:33:21,119
WINS AWARDS.
2245
01:33:21,119 --> 01:33:25,210
LET'S ALL OF US MAKE AN EFFORT
2246
01:33:21,119 --> 01:33:25,210
TO EXPAND THAT TENT, SO THAT
2247
01:33:25,210 --> 01:33:29,210
EVERYONE RISES AND EVERYONE'S
2248
01:33:25,210 --> 01:33:29,210
STORY HAS A CHANCE TO BE SEEN
2249
01:33:29,210 --> 01:33:33,000
AND HEARD.
2250
01:33:29,210 --> 01:33:33,000
I MEAN DOING THIS SIMPLY MEANS
2251
01:33:33,000 --> 01:33:35,210
ACKNOWLEDGING WHAT IS TRUE
2252
01:33:33,000 --> 01:33:35,210
BEING IN STEP WITH THE EMERGING
2253
01:33:35,210 --> 01:33:38,229
DIVERSITY THAT IS HAPPENING
2254
01:33:35,210 --> 01:33:38,229
BECAUSE OF ALL THOSE WHO MARCHED
2255
01:33:38,229 --> 01:33:43,130
AND FOUGHT IN THE PAST AND THOSE
2256
01:33:38,229 --> 01:33:43,130
WHO HAVE PICKED UP THE BATON
2257
01:33:43,130 --> 01:33:44,210
TODAY.
2258
01:33:43,130 --> 01:33:44,210
I MEAN, AFTER ALL, ART HAS
2259
01:33:44,210 --> 01:33:48,159
ALWAYS BEEN NOT JUST A IN STEP
2260
01:33:44,210 --> 01:33:48,159
WITH HISTORY BUT HAS LED THE
2261
01:33:48,159 --> 01:33:51,279
WAY.
2262
01:33:48,159 --> 01:33:51,279
SO LET'S BE LEADERS.
2263
01:33:51,279 --> 01:33:53,039
OKAY
2264
01:33:51,279 --> 01:33:53,039
THANK YOU.
2265
01:33:53,039 --> 01:33:55,079
THANK YOU SO MUCH.
2266
01:33:53,039 --> 01:33:55,079
[ CHEERS AND APPLAUSE
2267
01:33:55,079 --> 01:34:07,159
>> YES AND HAPPY BIRTHDAY --
2268
01:33:55,079 --> 01:34:07,159
>> GO SEE THE GOLDEN GLOBES ON
2269
01:34:07,159 --> 01:34:16,239
INSTAGRAM, AND ON FACEBOOK
2270
01:34:07,159 --> 01:34:16,239
♪ ♪
2271
01:34:16,239 --> 01:34:19,170
>> Announcer: WELCOME BACK, AND
2272
01:34:16,239 --> 01:34:19,170
NOW GOLDEN GLOBE NOMINATED
2273
01:34:19,170 --> 01:34:25,180
DIRECTOR
2274
01:34:19,170 --> 01:34:25,180
AVA DUVERNAY
2275
01:34:25,180 --> 01:34:28,159
>>> IMAGINE BEING IN THE ROOM
2276
01:34:25,180 --> 01:34:28,159
WHERE IT HAPPENED.
2277
01:34:28,159 --> 01:34:33,159
WITNESSING THE DAWN OF DEMOCRACY
2278
01:34:28,159 --> 01:34:33,159
THROUGH PIONEERS, WITH THE HIP
2279
01:34:33,159 --> 01:34:36,180
HOP, JAZZ, AND R&B, AN
2280
01:34:33,159 --> 01:34:36,180
AND BROADWAY STYLES.
2281
01:34:36,180 --> 01:34:40,069
THIS REVOLUTIONARY MOMENT IN
2282
01:34:36,180 --> 01:34:40,069
THEATRE TELLS THE REAL-LIFE
2283
01:34:40,069 --> 01:34:41,109
STORY OF ONE OF AMERICA'S
2284
01:34:40,069 --> 01:34:41,109
FOREMOST FOUNDING FATHERS AND
2285
01:34:41,109 --> 01:34:43,000
FIRST SECRETARY OF THE TREASURY.
2286
01:34:41,109 --> 01:34:43,000
ALEXANDER HAMILTON
2287
01:34:43,000 --> 01:34:52,060
NOMINATED FOR 2 GOLDEN GLOBES,
2288
01:34:43,000 --> 01:34:52,060
THIS IS HAMILTON
2289
01:34:52,060 --> 01:34:59,130
♪ ♪
2290
01:34:52,060 --> 01:34:59,130
WE FOUGHT WITH HIM ♪
2291
01:34:59,130 --> 01:35:06,189
♪ ME, I DIED FOR HIM ♪
2292
01:34:59,130 --> 01:35:06,189
♪ MYE I TRUSTED HIM ♪
2293
01:35:06,189 --> 01:35:08,189
♪ AND ME, I'M THE DAMN FOOL THA
2294
01:35:06,189 --> 01:35:08,189
SHOT HIM ♪
2295
01:35:08,189 --> 01:35:13,159
♪
2296
01:35:08,189 --> 01:35:13,159
♪ ♪
2297
01:35:13,159 --> 01:35:23,090
WHAT'S YOUR NAME, MAN ♪
2298
01:35:13,159 --> 01:35:23,090
♪ ALEXANDER HAMILTON ♪
2299
01:35:23,090 --> 01:35:27,069
>> NOW, FROM THE UP COMING
2300
01:35:23,090 --> 01:35:27,069
"HALLOWEEN KILL,
2301
01:35:27,069 --> 01:35:33,250
JAMIE LEE CURTIS
2302
01:35:27,069 --> 01:35:33,250
[ CHEERS AND APPLAUSE
2303
01:35:33,250 --> 01:35:40,029
>> THANK YOU
2304
01:35:33,250 --> 01:35:40,029
I'M SO HONORED TO BE HERE IN A
2305
01:35:40,029 --> 01:35:45,069
ROOM WITH TRUE HEROES. GOD BLESS
2306
01:35:40,029 --> 01:35:45,069
EACH AND EVERY ONE OF YOU.
2307
01:35:45,069 --> 01:35:47,050
>> I'D BE HONORED TO PRESENT ANY
2308
01:35:45,069 --> 01:35:47,050
AWARD, AT ANY TIME, THAT
2309
01:35:47,050 --> 01:35:51,090
INCLUDES THESE FIVE NOMINEES FOR
2310
01:35:47,050 --> 01:35:51,090
BEST SUPPORTING ACTRESS IN A
2311
01:35:51,090 --> 01:35:59,260
MOTION PICTURE
2312
01:35:51,090 --> 01:35:59,260
GLENN CLOSE, "HILLBILLY ELEGY.
2313
01:35:59,260 --> 01:36:08,250
OLIVIA COLMAN, "THE FATHER."
2314
01:35:59,260 --> 01:36:08,250
JODIE FOSTER, "THE MAURITANIAN."
2315
01:36:08,250 --> 01:36:15,260
AMANDA SEYFRIED, "MANK."
2316
01:36:08,250 --> 01:36:15,260
HELENA ZENGEL, "NEWS OF THE
2317
01:36:15,260 --> 01:36:24,090
WORLD.
2318
01:36:15,260 --> 01:36:24,090
AND THE GOLDEN GLOBE GOES TO -
2319
01:36:24,090 --> 01:36:36,220
MY BESTY, JODIE FOSTER
2320
01:36:24,090 --> 01:36:36,220
>> WHOA!
2321
01:36:36,220 --> 01:36:39,100
>> ON OH, MY GOD, ARE YOU
2322
01:36:36,220 --> 01:36:39,100
KIDDING ME
2323
01:36:39,100 --> 01:36:47,010
I THINK YOU MADE A MISTAKE
2324
01:36:39,100 --> 01:36:47,010
UM, I AM -- UH, I'M A LITTLE
2325
01:36:47,010 --> 01:36:50,029
SPEECHLESS
2326
01:36:47,010 --> 01:36:50,029
I JUST NEVER EXPECTED TO EVER BE
2327
01:36:50,029 --> 01:36:56,060
HERE AGAIN AND UM, WOW
2328
01:36:50,029 --> 01:36:56,060
I HAVE TO THANK ALL OF MY
2329
01:36:56,060 --> 01:36:59,180
AMAZING FILM MAKERS -- OH, MY
2330
01:36:56,060 --> 01:36:59,180
FRIENDS ARE SCREAMING DOWN
2331
01:36:59,180 --> 01:37:04,170
STAIRS BECAUSE IT'S KIND OF
2332
01:36:59,180 --> 01:37:04,170
LATE
2333
01:37:04,170 --> 01:37:11,239
KEVIN DONALD, AND THE REAL LIFE
2334
01:37:04,170 --> 01:37:11,239
PEOPLE, AND MOST OF ALL THE
2335
01:37:11,239 --> 01:37:16,279
PERSON THAT WE ALL SERVE IS, WE
2336
01:37:11,239 --> 01:37:16,279
LOVE YOU -- YOU HAVE TAUGHT US
2337
01:37:16,279 --> 01:37:19,079
SO MUCH ABOUT BEING A HUMAN
2338
01:37:16,279 --> 01:37:19,079
BEING AND BEING JOYFUL AND
2339
01:37:19,079 --> 01:37:36,119
LOVING
2340
01:37:19,079 --> 01:37:36,119
AND AARON RODGERS, AND YOU KNOW,
2341
01:37:36,119 --> 01:37:46,079
THE -- THIS IS AWESOME
2342
01:37:36,119 --> 01:37:46,079
>> BACK IN THE RAINBOW ROOM IN
2343
01:37:46,079 --> 01:37:50,039
NEW YORK
2344
01:37:46,079 --> 01:37:50,039
STAR OF THE NEW NBC SERIOUS,
2345
01:37:50,039 --> 01:37:53,029
"LAW AND ORDER, ORGANIZED
2346
01:37:50,039 --> 01:37:53,029
CRIME,
2347
01:37:53,029 --> 01:37:59,180
CHRISTOPHER MELONI
2348
01:37:53,029 --> 01:37:59,180
>> HEY, GUYS
2349
01:37:59,180 --> 01:38:08,220
YEAH
2350
01:37:59,180 --> 01:38:08,220
YEAH
2351
01:38:08,220 --> 01:38:10,000
GOOD EVENING
2352
01:38:08,220 --> 01:38:10,000
GOOD EVENING
2353
01:38:10,000 --> 01:38:13,079
>> HERE ARE THE NOMINEES FOR
2354
01:38:10,000 --> 01:38:13,079
BEST ACTRESS IN A SUPPORTING
2355
01:38:13,079 --> 01:38:15,100
TELEVISION ROLE.
2356
01:38:13,079 --> 01:38:15,100
>> GILLIAN ANDERSON, "THE
2357
01:38:15,100 --> 01:38:19,020
CROWN.
2358
01:38:15,100 --> 01:38:19,020
HELENA BONHAM CARTER, "THE
2359
01:38:19,020 --> 01:38:25,000
CROWN.
2360
01:38:19,020 --> 01:38:25,000
JULIA GARNER, "OZARK."
2361
01:38:25,000 --> 01:38:33,050
ANNIE MURPHY, "SCHITT'S CREEK.
2362
01:38:25,000 --> 01:38:33,050
CYNTHIA NIXON, "RATCHED.
2363
01:38:33,050 --> 01:38:49,010
>> AND THE GOLDEN GLOBE GOES
2364
01:38:33,050 --> 01:38:49,010
TO -
2365
01:38:49,010 --> 01:38:50,100
GILLIAN
2366
01:38:49,010 --> 01:38:50,100
GILLIANANDERSON "THE CROWN."
2367
01:38:50,100 --> 01:38:53,109
>> OH, MY GOSH
2368
01:38:50,100 --> 01:38:53,109
I'M SO RELAXED EVERYTHING AND
2369
01:38:53,109 --> 01:38:57,140
THEN YOU ARE RELAXED AND YOU ARE
2370
01:38:53,109 --> 01:38:57,140
RELAXED AND THEN ALL OF A
2371
01:38:57,140 --> 01:39:01,199
SUDDEN, YOU START TO FREAK OUT
2372
01:38:57,140 --> 01:39:01,199
GEEZ, ON OKAY.
2373
01:39:01,199 --> 01:39:05,239
SO, FIRSTLY, THANK YOU VERY MUCH
2374
01:39:01,199 --> 01:39:05,239
ON TO THE HOLLYWOOD FOREIGN
2375
01:39:05,239 --> 01:39:09,180
PRESS AND MY FELLOW NOMINEES,
2376
01:39:05,239 --> 01:39:09,180
AND TO PETER MORGAN FOR
2377
01:39:09,180 --> 01:39:15,130
IMAGINING THAT I COULD INHABIT
2378
01:39:09,180 --> 01:39:15,130
MRS. G AND OUR CASTING DIRECTOR
2379
01:39:15,130 --> 01:39:26,210
WHO BELIEVED HIM OR VICE VERS IS
2380
01:39:15,130 --> 01:39:26,210
HOWEVER IT WORKS
2381
01:39:26,210 --> 01:39:30,260
FOR WRITING A MULTI-DIMENSIONAL
2382
01:39:26,210 --> 01:39:30,260
CHARACTER AGAINST THE ODDS AND
2383
01:39:30,260 --> 01:39:35,140
TO LEFT BANK PRODUCTIONS WHO RUN
2384
01:39:30,260 --> 01:39:35,140
AN INCREDIBLE PRODUCTION, THEIR
2385
01:39:35,140 --> 01:39:39,140
RESEARCH TEAM HEADED BY ANNIE
2386
01:39:35,140 --> 01:39:39,140
SALZBURGER, TO THE EXTRAORDINARY
2387
01:39:39,140 --> 01:39:45,000
HAIR AND MAKE UP TEAM HEADED BY
2388
01:39:39,140 --> 01:39:45,000
KATE HALL, WITH STACY HOLMAN
2389
01:39:45,000 --> 01:39:48,149
DOING MY DAY IN DAY OUT, HELMET
2390
01:39:45,000 --> 01:39:48,149
THING.
2391
01:39:48,149 --> 01:39:52,029
EXTRAORDINARY COSTUMES BY AMY
2392
01:39:48,149 --> 01:39:52,029
ROBERTS AND HER DAUGHTER SID AND
2393
01:39:52,029 --> 01:39:58,090
AN ARMY OF INCREDIBLY MAGICAL
2394
01:39:52,029 --> 01:39:58,090
WOMEN.
2395
01:39:58,090 --> 01:40:05,100
AND THE POSSE OF MOVEMENT AND
2396
01:39:58,090 --> 01:40:05,100
VOICE PEOPLE, AND MARTIN
2397
01:40:05,100 --> 01:40:10,050
LEGWITH, EXTRAORDINARY ACTING
2398
01:40:05,100 --> 01:40:10,050
COACH, AND JEFF HOBBS AND THE
2399
01:40:10,050 --> 01:40:16,229
MOST WONDERFUL TALENTED GOOFY
2400
01:40:10,050 --> 01:40:16,229
SUPPORTIVE CAST LED BY OLIVIA
2401
01:40:16,229 --> 01:40:24,109
COLMAN AND NETFLIX AND ANTHONY
2402
01:40:16,229 --> 01:40:24,109
ROBINSON AND MY BRITISH AGENT
2403
01:40:24,109 --> 01:40:27,229
WHO HAS PRETTY MUCH LANDED ME
2404
01:40:24,109 --> 01:40:27,229
EVERY SINGLE ROLE I HAVE HAD
2405
01:40:27,229 --> 01:40:30,170
OVER THE LAST 20 YEARS AND I
2406
01:40:27,229 --> 01:40:30,170
COULD NOT DO IT WITHOUT ANY OF
2407
01:40:30,170 --> 01:40:34,210
YOU AND I WILL SHUT UP NOW,
2408
01:40:30,170 --> 01:40:34,210
THANK YOU, VERY MUCH
2409
01:40:34,210 --> 01:40:39,270
>> THE GOLDEN GLOBES, THE
2410
01:40:34,210 --> 01:40:39,270
BIGGEST NAMES IN HOLLYWOOD ARE
2411
01:40:39,270 --> 01:40:47,109
HERE
2412
01:40:39,270 --> 01:40:47,109
♪ ♪
2413
01:40:47,109 --> 01:40:49,180
>> Announcer: WELCOME BACK
2414
01:40:47,109 --> 01:40:49,180
NOW, FROM "BORAT SUBSEQUENT
2415
01:40:49,180 --> 01:40:53,210
MOVIEFILM," HERE'S TUTAR'S
2416
01:40:49,180 --> 01:40:53,210
BABYSITTER, JEANISE JONES.
2417
01:40:53,210 --> 01:40:58,029
>> A YEAR AGO, I WAS A
2418
01:40:53,210 --> 01:40:58,029
GRANDMOTHER HERE IN OKLAHOMA AND
2419
01:40:58,029 --> 01:41:02,189
ACTIVE IN MY CHURCH.
2420
01:40:58,029 --> 01:41:02,189
THEN A MAN NAMED BORAT ASKED ME
2421
01:41:02,189 --> 01:41:08,119
TO BABYSIT HIS DAUGHTER.
2422
01:41:02,189 --> 01:41:08,119
I DID MY BEST TO TEACH HER THAT,
2423
01:41:08,119 --> 01:41:18,140
HERE IN AMERICA, WOMEN CAN BE
2424
01:41:08,119 --> 01:41:18,140
ANYTHING WE WANT TO BE
2425
01:41:18,140 --> 01:41:22,000
NOMINATED FOR THREE GOLDEN
2426
01:41:18,140 --> 01:41:22,000
GLOBES, THIS IS "BORAT
2427
01:41:22,000 --> 01:41:27,279
SUBSEQUENT MOVIEFILM."
2428
01:41:22,000 --> 01:41:27,279
>>> WHERE IS EVERYBODY
2429
01:41:27,279 --> 01:41:30,220
>> THEY ARE WANTING EVERYBODY TO
2430
01:41:27,279 --> 01:41:30,220
QUARANTINE SO THEY DON'T SPREAD
2431
01:41:30,220 --> 01:41:33,220
THIS VIRUS
2432
01:41:30,220 --> 01:41:33,220
>> I HOPE QUARANTINE NEVER ENDS.
2433
01:41:33,220 --> 01:41:37,250
>> WHAT IS MORE DANGEROUS THIS
2434
01:41:33,220 --> 01:41:37,250
VIRUS OR THE DEMOCRATS
2435
01:41:37,250 --> 01:41:39,109
>> DEMOCRATS
2436
01:41:37,250 --> 01:41:39,109
>> DEPARTMENTS
2437
01:41:39,109 --> 01:41:42,119
>> WHEN YOU CAN'T SEE THE VIRUS.
2438
01:41:39,109 --> 01:41:42,119
>> NO, YOU CAN CENA.
2439
01:41:42,119 --> 01:41:46,079
>> THE DADDY HAS A LOT TO LEARN.
2440
01:41:42,119 --> 01:41:46,079
>> MY DADDY IS THE SMART
2441
01:41:46,079 --> 01:41:48,220
ESTIMATE PERSON IN THE WHOLE
2442
01:41:46,079 --> 01:41:48,220
FLAT WORLD
2443
01:41:48,220 --> 01:41:51,260
>> YOU HAVE SOMEBODY STRAPPED TO
2444
01:41:48,220 --> 01:41:51,260
THE TOP OF THE CAR
2445
01:41:51,260 --> 01:41:57,050
ONLY MEN AND BEARS ARE ALLOWED
2446
01:41:51,260 --> 01:41:57,050
INSIDE CAR
2447
01:41:57,050 --> 01:42:04,210
>> NOW, AT THE RAINBOW ROOM IN
2448
01:41:57,050 --> 01:42:04,210
NEW YORK, THE STAR OF "FLIGHT
2449
01:42:04,210 --> 01:42:19,109
ATTENDANT," ROSIE PEREZ.
2450
01:42:04,210 --> 01:42:19,109
>> AND NOW, HERE ARE THE
2451
01:42:19,109 --> 01:42:20,170
NOMINEES FOR BEST TELEVISION
2452
01:42:19,109 --> 01:42:20,170
LIMITED SERIES, ANTHOLOGY SERIES
2453
01:42:20,170 --> 01:42:38,199
OR MOTION PICTURE MADE FOR
2454
01:42:20,170 --> 01:42:38,199
TELEVISION.
2455
01:42:38,199 --> 01:42:50,109
>> NICOLE KIDMAN "THE UNDOING,
2456
01:42:38,199 --> 01:42:50,109
"THE QUEEN'S GAMBIT.
2457
01:42:50,109 --> 01:43:11,130
ANDTHE GOLDEN GLOBE GOES TO.
2458
01:42:50,109 --> 01:43:11,130
ELLE FOR THE QUEEN'S GAMBIT.
2459
01:43:11,130 --> 01:43:18,050
>> NICOLE, CATE, THANK YOU
2460
01:43:11,130 --> 01:43:18,050
I FEEL LIKE I KNOW YOU, THANK
2461
01:43:18,050 --> 01:43:22,199
YOU SO MUCH FOR YOUR WORK.
2462
01:43:18,050 --> 01:43:22,199
I WOULD LOVE TO THANK NETFLIX
2463
01:43:22,199 --> 01:43:26,239
AND THANK YOU FOR LET WILLING US
2464
01:43:22,199 --> 01:43:26,239
MAKE THE SHOW THAT WE WANTED TO
2465
01:43:26,239 --> 01:43:28,130
MAKE
2466
01:43:26,239 --> 01:43:28,130
OUR BEAUTIFUL CAST, OUR
2467
01:43:28,130 --> 01:43:32,000
BEAUTIFUL CREW, THANK YOU SO
2468
01:43:28,130 --> 01:43:32,000
MUCH, AND UM, I WOULD BE REMISS
2469
01:43:32,000 --> 01:43:37,239
IF I DID NOT THANK MY WONDERFUL
2470
01:43:32,000 --> 01:43:37,239
MOVIE DAD, CHICAGO BILL.
2471
01:43:37,239 --> 01:43:40,180
SCOTT, FRANK, MY GOD, I LOVE
2472
01:43:37,239 --> 01:43:40,180
YOU.
2473
01:43:40,180 --> 01:43:45,039
THANK YOU FOR LETTING ME BE PART
2474
01:43:40,180 --> 01:43:45,039
OF THE JOURNEY AND THANK YOU FOR
2475
01:43:45,039 --> 01:43:48,229
TRUSTING ME AND BETH, I WOULD
2476
01:43:45,039 --> 01:43:48,229
DO, IT'S OBVIOUSLY WONDERFUL
2477
01:43:48,229 --> 01:43:52,029
THAT EVERYONE HAS SEEN THE SHOW.
2478
01:43:48,229 --> 01:43:52,029
BUT I WOULD DO THE PROJECT AGAIN
2479
01:43:52,029 --> 01:43:55,100
AND AGAIN AND AGAIN, I LEARNED
2480
01:43:52,029 --> 01:43:55,100
SO MUCH AND I'M SO GRATEFUL AND
2481
01:43:55,100 --> 01:43:58,170
THANK YOU SO THE AUDIENCES THAT
2482
01:43:55,100 --> 01:43:58,170
HAVE WATCHED IT AND SUPPORTED
2483
01:43:58,170 --> 01:44:00,189
THE CHARACTERS
2484
01:43:58,170 --> 01:44:00,189
IT MEANT THE WORLD
2485
01:44:00,189 --> 01:44:10,010
THANK YOU SO MUCH.
2486
01:44:00,189 --> 01:44:10,010
OKAY, I'M GOING TO -- THANK YOU.
2487
01:44:10,010 --> 01:44:18,029
AND NOW, HERE ARE THE NOMINEES
2488
01:44:10,010 --> 01:44:18,029
FOR BEST TELEVISION LIMITED
2489
01:44:18,029 --> 01:44:22,229
SERIES
2490
01:44:18,029 --> 01:44:22,229
>> Announcer: "NORMAL PEOPLE."
2491
01:44:22,229 --> 01:44:27,039
"THE QUEEN'S GAMBIT.
2492
01:44:22,229 --> 01:44:27,039
"SMALL AXE."
2493
01:44:27,039 --> 01:44:37,039
"THE UNDOING."
2494
01:44:27,039 --> 01:44:37,039
"UNORTHODOX.
2495
01:44:37,039 --> 01:44:49,170
AND THE GOLDEN GLOBE GOES TO -
2496
01:44:37,039 --> 01:44:49,170
"THE QUEEN'S GAMBIT"
2497
01:44:49,170 --> 01:44:54,109
♪ ♪
2498
01:44:49,170 --> 01:44:54,109
>> OH, MY GOSH
2499
01:44:54,109 --> 01:44:57,020
>> OH!
2500
01:44:54,109 --> 01:44:57,020
>> I WANT THOUGH THANK THE
2501
01:44:57,020 --> 01:45:02,170
HOLLYWOOD FOREIGN PRESS, BIG
2502
01:44:57,020 --> 01:45:02,170
RESPECT TO MY FELLOW NOMINEES.
2503
01:45:02,170 --> 01:45:06,060
I LOVED ALL YOUR LIMITED SERIES
2504
01:45:02,170 --> 01:45:06,060
THIS YEAR.
2505
01:45:06,060 --> 01:45:12,109
AND TO MY FRIEND WALTER SCOTT.
2506
01:45:06,060 --> 01:45:12,109
BIG THANKS TO OUR PARTNERS AT
2507
01:45:12,109 --> 01:45:25,250
NETFLIX, CINDY HOLLAND, PETER,
2508
01:45:12,109 --> 01:45:25,250
BLARE, LORAIN, MARK JOHNSON, TO
2509
01:45:25,250 --> 01:45:34,289
OUR GRAND MASTERS, MICK, STEVE,
2510
01:45:25,250 --> 01:45:34,289
MICHELLE, MANJA, SUS AN.
2511
01:45:34,289 --> 01:45:41,199
A COUPLE OF PROMISING UP AND
2512
01:45:34,289 --> 01:45:41,199
COME ERS, THANK YOUFOR THE BEST
2513
01:45:41,199 --> 01:45:49,109
GROUP OF ACTORS I HAVE WORKED
2514
01:45:41,199 --> 01:45:49,109
WITH
2515
01:45:49,109 --> 01:45:53,279
AND TAYLOR, JOY, MY HEART, HOW
2516
01:45:49,109 --> 01:45:53,279
CAN SOMEBODY WHO IS A JOY TO
2517
01:45:53,279 --> 01:46:00,039
WORK WITH, BE NAMED HYPHEN JOY
2518
01:45:53,279 --> 01:46:00,039
AND TO MY OLD FRIEND, MY PARTNER
2519
01:46:00,039 --> 01:46:04,029
AND CRIME, SCOTT FRANK, YOU ARE
2520
01:46:00,039 --> 01:46:04,029
THE ONLY ONE I KNOW WHO CAN
2521
01:46:04,029 --> 01:46:14,199
BRING THE SEX ISY BACK TO CHESS,
2522
01:46:04,029 --> 01:46:14,199
A DARK YEAR, YOU MANAGED TO
2523
01:46:14,199 --> 01:46:20,000
REFURBISH THE WORLD'S
2524
01:46:14,199 --> 01:46:20,000
TRANQUILITY, THANKS FOR PUTTING
2525
01:46:20,000 --> 01:46:24,189
UP WITH ME, PLAYING MY OWN
2526
01:46:20,000 --> 01:46:24,189
VERSION OF UP SIDE DOWN CHESS ON
2527
01:46:24,189 --> 01:46:28,119
THE CEILING AND TO MY MOM, I'M
2528
01:46:24,189 --> 01:46:28,119
SO GRATEFUL THAT YOU ARE STILL
2529
01:46:28,119 --> 01:46:31,130
HERE WITH US TO ENJOY THIS
2530
01:46:28,119 --> 01:46:31,130
MOMENT, LOVE YOU
2531
01:46:31,130 --> 01:46:37,069
THANKS, EVERYBODY, THANK YOU
2532
01:46:31,130 --> 01:46:37,069
VERY MUCH.
2533
01:46:37,069 --> 01:46:49,220
>> WHO WILL WIN BEST ACTOR IN A
2534
01:46:37,069 --> 01:46:49,220
MOTION PICTURE
2535
01:46:49,220 --> 01:46:54,100
♪ ♪
2536
01:46:49,220 --> 01:46:54,100
>>> WE ARE BACK AT THE BEVERLY
2537
01:46:54,100 --> 01:47:09,159
HILTON HOTEL, WITH FOUR-TIME
2538
01:46:54,100 --> 01:47:09,159
GOLDEN GLOBE WINNER.
2539
01:47:09,159 --> 01:47:14,279
RENEE ZELWEIGER.
2540
01:47:09,159 --> 01:47:14,279
>> TONIGHT'S PARTNER, FEEDING
2541
01:47:14,279 --> 01:47:21,239
AMERICA HAS BEEN THERE TO HELP
2542
01:47:14,279 --> 01:47:21,239
THOSE IN NEED, AND WE THANK
2543
01:47:21,239 --> 01:47:22,210
THEM
2544
01:47:21,239 --> 01:47:22,210
HERE ARE THE NOMINEES FOR BEST
2545
01:47:22,210 --> 01:47:24,050
PERFORMANCE BY AN ACTOR IN A
2546
01:47:22,210 --> 01:47:24,050
MOTION PICTURE DRAMA
2547
01:47:24,050 --> 01:47:25,130
>> Announcer: RIZ AHMED, "SOUND
2548
01:47:24,050 --> 01:47:25,130
OF METAL."
2549
01:47:25,130 --> 01:47:28,069
CHADWICK BOSEMAN, "MA RAINEY'S
2550
01:47:25,130 --> 01:47:28,069
BLACK BOTTOM."
2551
01:47:28,069 --> 01:47:34,140
ANTHONY HOPKINS, "THE FATHER."
2552
01:47:28,069 --> 01:47:34,140
GARY OLDMAN, "MANK."
2553
01:47:34,140 --> 01:47:42,170
TAHAR RAHIM, "THE MAURITANIAN.
2554
01:47:34,140 --> 01:47:42,170
>> AND THE GOLDEN GLOBE GOES
2555
01:47:42,170 --> 01:47:51,050
TO -
2556
01:47:42,170 --> 01:47:51,050
CHADWICK BOSEMAN, "MA RAINEY'S
2557
01:47:51,050 --> 01:47:53,159
BLACK BOTTOM".
2558
01:47:51,050 --> 01:47:53,159
>> ACCEPTING ON BEHALF OF
2559
01:47:53,159 --> 01:48:06,159
CHADWICK BOSEMAN, IS HIS WIFE
2560
01:47:53,159 --> 01:48:06,159
SIMONE BOSEMAN
2561
01:48:06,159 --> 01:48:11,020
>> HE WOULD THANK GOD.
2562
01:48:06,159 --> 01:48:11,020
HE WOULD THANK HIS PARENTS
2563
01:48:11,020 --> 01:48:18,060
HE WOULD THANK HIS ANCESTORS FOR
2564
01:48:11,020 --> 01:48:18,060
THEIR GUIDANCE AND THEIR
2565
01:48:18,060 --> 01:48:20,239
SACRIFICE.
2566
01:48:18,060 --> 01:48:20,239
HE WOULD THANK HIS INCREDIBLE
2567
01:48:20,239 --> 01:48:25,210
TEAM
2568
01:48:20,239 --> 01:48:25,210
MICHAEL GREENE, NICKY SERAVANTE,
2569
01:48:25,210 --> 01:48:31,289
AND CHRIS HUVANE, LOGAN COLE, HE
2570
01:48:25,210 --> 01:48:31,289
WOULD THANK HIS TEAM ON SET FOR
2571
01:48:31,289 --> 01:48:35,090
THE FILM
2572
01:48:31,289 --> 01:48:35,090
DIERDRA DIXON.
2573
01:48:35,090 --> 01:48:42,180
CRAIG ANTHONY AND ANDREW
2574
01:48:35,090 --> 01:48:42,180
CARLONE.
2575
01:48:42,180 --> 01:48:48,210
HE WOULD SAY SOMETHING
2576
01:48:42,180 --> 01:48:48,210
BEAUTIFUL, SOMETHING INSPIRING,
2577
01:48:48,210 --> 01:48:54,149
SOMETHING THAT WOULD AMPLIFY
2578
01:48:48,210 --> 01:48:54,149
THAT LITTLE VOICE THAT TELLS YOU
2579
01:48:54,149 --> 01:48:58,260
CAN, THAT TELLS YOU THE KEEP
2580
01:48:54,149 --> 01:48:58,260
GOING, THAT CALLS YOU BACK TO
2581
01:48:58,260 --> 01:49:02,210
WHAT YOU ARE MEANT TO BE DOING
2582
01:48:58,260 --> 01:49:02,210
AT THIS MOMENT IN HISTORY.
2583
01:49:02,210 --> 01:49:06,130
HE WOULD THANK MR. GEORGE C
2584
01:49:02,210 --> 01:49:06,130
WOLF
2585
01:49:06,130 --> 01:49:14,149
MR. DENZEL WASHINGTON.
2586
01:49:06,130 --> 01:49:14,149
LOTS OF PEOPLE AT NETFLIX.
2587
01:49:14,149 --> 01:49:18,239
HE WOULD THANK MS. VIOLA DAVIS,
2588
01:49:14,149 --> 01:49:18,239
MR. MICHAEL POTS
2589
01:49:18,239 --> 01:49:25,189
MR. COLEMAN DOMINGO, MS. TAYLOR
2590
01:49:18,239 --> 01:49:25,189
PAGE, MR. DUSAN BROWN.
2591
01:49:25,189 --> 01:49:31,079
AND I DON'T HAVE HIS WORDS
2592
01:49:25,189 --> 01:49:31,079
BUT WE HAVE TO TAKE ALL THE
2593
01:49:31,079 --> 01:49:36,239
MOMENTS TO CELEBRATE THOSE WE
2594
01:49:31,079 --> 01:49:36,239
LOVE, SO THANK YOU
2595
01:49:36,239 --> 01:49:45,199
HFPA FOR THIS OPPORTUNITY TO DO
2596
01:49:36,239 --> 01:49:45,199
EXACTLY THAT
2597
01:49:45,199 --> 01:49:54,220
AND YOU KEEP EM COMING
2598
01:49:45,199 --> 01:49:54,220
THANK YOU.
2599
01:49:54,220 --> 01:49:56,079
>> AT THE RAINBOW MOVIE IN NEW
2600
01:49:54,220 --> 01:49:56,079
YORK
2601
01:49:56,079 --> 01:49:58,069
A DIRECTOR O
2602
01:49:56,079 --> 01:49:58,069
"THE MANDALORIAN,"
2603
01:49:58,069 --> 01:50:08,199
BRYCE DALLAS HOWARD.
2604
01:49:58,069 --> 01:50:08,199
>>> THANK YOU.
2605
01:50:08,199 --> 01:50:12,079
THANK YOU SO MUCH TO ALL OF OUR
2606
01:50:08,199 --> 01:50:12,079
VIEWERS WHO HAVE GRACIOUSLY
2607
01:50:12,079 --> 01:50:20,210
DONATED TO FEEDING AMERICA'S
2608
01:50:12,079 --> 01:50:20,210
COVID-19 RESPONSE FUND TONIGHT
2609
01:50:20,210 --> 01:50:23,250
4 IN 10 PEOPLE ARE TURNING TO
2610
01:50:20,210 --> 01:50:23,250
FOOD BANKS FOR THE FIRST TIME.
2611
01:50:23,250 --> 01:50:25,289
IF YOU NEED HELP GO TO FEEDING
2612
01:50:23,250 --> 01:50:25,289
AMERICA.ORG.
2613
01:50:25,289 --> 01:50:30,289
>> FOR THE FIRST TIME IN GOLDEN
2614
01:50:25,289 --> 01:50:30,289
GLOBES HISTORY, THERE ARE THREE
2615
01:50:30,289 --> 01:50:39,180
WOMEN NOMINATED FOR BEST MOTION
2616
01:50:30,289 --> 01:50:39,180
PICTURE DIRECTOR
2617
01:50:39,180 --> 01:50:48,079
[ CHEERS AND APPLAUSE
2618
01:50:39,180 --> 01:50:48,079
MAY THERE BE MANY, MANY MORE
2619
01:50:48,079 --> 01:50:52,140
RIGHT?
2620
01:50:48,079 --> 01:50:52,140
I AM SO HONORED TO PRESENT THIS
2621
01:50:52,140 --> 01:50:58,010
LIST OF REMARKABLE FILMMAKE ERS.
2622
01:50:52,140 --> 01:50:58,010
THE NOMINEES ARE
2623
01:50:58,010 --> 01:51:01,130
EMERALD FENNELL, "PROMISING
2624
01:50:58,010 --> 01:51:01,130
YOUNG WOMAN.
2625
01:51:01,130 --> 01:51:07,180
DAVID FINCHER, "MANK."
2626
01:51:01,130 --> 01:51:07,180
REGINA KING, "ONE NIGHT IN
2627
01:51:07,180 --> 01:51:13,010
MIAMI.
2628
01:51:07,180 --> 01:51:13,010
AARON SORKIN, "THE TRIAL OF THE
2629
01:51:13,010 --> 01:51:22,100
CHICAGO 7.
2630
01:51:13,010 --> 01:51:22,100
CHLOÉ ZHAO, "NOMADLAND.
2631
01:51:22,100 --> 01:51:41,130
AND THE GOLDEN GLOBE GOES TO -
2632
01:51:22,100 --> 01:51:41,130
CHLOE ZHAO, "NOMADLAND."
2633
01:51:41,130 --> 01:51:49,000
>> UM, THANKS SO EVERYONE.
2634
01:51:41,130 --> 01:51:49,000
THANK YOU HOLLYWOOD, THANK YOU
2635
01:51:49,000 --> 01:51:52,079
FOR MAKING BEAUTIFUL, BEAUTIFUL
2636
01:51:49,000 --> 01:51:52,079
MOVIES
2637
01:51:52,079 --> 01:51:56,260
THIS AWARD BELONGS TO THE WHOLE
2638
01:51:52,079 --> 01:51:56,260
TEAM
2639
01:51:56,260 --> 01:52:00,140
THE ENTIRE CAST AND CREW, ALL
2640
01:51:56,260 --> 01:52:00,140
THE PRODUCERS EVERYONE, YOU KNOW
2641
01:52:00,140 --> 01:52:02,180
WHO YOU ARE.
2642
01:52:00,140 --> 01:52:02,180
THANK YOU, THANK YOU SO MUCH
2643
01:52:02,180 --> 01:52:08,079
I WANT TO THANK MY PARTNER JOSH
2644
01:52:02,180 --> 01:52:08,079
AND MY FAMILY FOR KEEPING ME
2645
01:52:08,079 --> 01:52:11,260
SANE ALL THESE YEARS AND I
2646
01:52:08,079 --> 01:52:11,260
ESPECIALLY WANT TO THANK THE
2647
01:52:11,260 --> 01:52:16,140
NOMADS WHO SHARED THEIR STORIES
2648
01:52:11,260 --> 01:52:16,140
WITH US AND I ASKED ONE OF THEM
2649
01:52:16,140 --> 01:52:22,180
BOB WELL TO HELP ME OUT HERE
2650
01:52:16,140 --> 01:52:22,180
THIS IS WHAT HE SAID ABOUT
2651
01:52:22,180 --> 01:52:25,270
COMPASSION, IT'S THE BREAK DOWN
2652
01:52:22,180 --> 01:52:25,270
OF ALL THE BARRIERS BETWEEN US
2653
01:52:25,270 --> 01:52:31,140
A HEART TO HEART BONDING
2654
01:52:25,270 --> 01:52:31,140
YOUR PAIN IS MY PAIN
2655
01:52:31,140 --> 01:52:35,029
IT'S MINGLED AND SHARED BETWEEN
2656
01:52:31,140 --> 01:52:35,029
US
2657
01:52:35,029 --> 01:52:38,090
THIS IS WHY I FELL IN LOVE WITH
2658
01:52:35,029 --> 01:52:38,090
MAKING MOVIES AND TELLING
2659
01:52:38,090 --> 01:52:40,220
STORIES.
2660
01:52:38,090 --> 01:52:40,220
IT GIVES US A CHANCE TO LAUGH
2661
01:52:40,220 --> 01:52:45,029
AND CRY TOGETHER AND IT GIVES US
2662
01:52:40,220 --> 01:52:45,029
A CHANCE TO LEARN FROM EACH
2663
01:52:45,029 --> 01:52:48,140
OTHER AND HAVE MORE COMPASSION
2664
01:52:45,029 --> 01:52:48,140
FOR EACH OTHER
2665
01:52:48,140 --> 01:52:51,069
THANK YOU FOR EVERYONE WHO MADE
2666
01:52:48,140 --> 01:52:51,069
IT POSSIBLE FOR ME TO DO WHAT I
2667
01:52:51,069 --> 01:52:53,130
LOVE
2668
01:52:51,069 --> 01:52:53,130
THANK YOU VERY MUCH.
2669
01:52:53,130 --> 01:53:07,029
>> LADIES AND GENTLEMEN, FROM
2670
01:52:53,130 --> 01:53:07,029
"OVER THE MOON," HERE IS SANDRA
2671
01:53:07,029 --> 01:53:08,199
O
2672
01:53:07,029 --> 01:53:08,199
O.
2673
01:53:08,199 --> 01:53:15,180
>> CENTERED AROUND A WEDDING
2674
01:53:08,199 --> 01:53:15,180
GUEST AND MAID OF HONOR, IT
2675
01:53:15,180 --> 01:53:20,100
EXPLORES COMMITMENT, SELF
2676
01:53:15,180 --> 01:53:20,100
LOATHING AND FINDING SOMEONE
2677
01:53:20,100 --> 01:53:25,000
THAT YOU WANT TO SPEND EVERY DAY
2678
01:53:20,100 --> 01:53:25,000
WITH IS AS LIKELY AS SEEING
2679
01:53:25,000 --> 01:53:36,170
DINOSAURS IN THE DESERT.
2680
01:53:25,000 --> 01:53:36,170
NOMINATE D FOR TWO GOLDEN
2681
01:53:36,170 --> 01:53:41,180
GLOBES, THIS IS "PALM SPRINGS.
2682
01:53:36,170 --> 01:53:41,180
>> THE SECOND YOU FALL ASLEEP IT
2683
01:53:41,180 --> 01:53:45,260
ALL GOES BACK TO THE START.
2684
01:53:41,180 --> 01:53:45,260
>> WHAT IS THE POINT OF LIVING
2685
01:53:45,260 --> 01:53:47,279
>> WE HAVE NO CHOICE BUT TO
2686
01:53:45,260 --> 01:53:47,279
LIVE.
2687
01:53:47,279 --> 01:53:50,229
>> NO, I'M GETTING OUT OF THIS
2688
01:53:47,279 --> 01:53:50,229
EVERYTHING THAT WE ARE DOING
2689
01:53:50,229 --> 01:53:54,100
HERE IS MEANINGLESS.
2690
01:53:50,229 --> 01:53:54,100
>> AT LEAST YOU HAVE EACH OTHER.
2691
01:53:54,100 --> 01:54:00,119
>> WE ARE SICK OF EACH OTHER.
2692
01:53:54,100 --> 01:54:00,119
>> WE ARE ALREADY SICK OF EACH
2693
01:54:00,119 --> 01:54:09,119
OTHER.
2694
01:54:00,119 --> 01:54:09,119
>> THE AWARD FOR BEST MOTION
2695
01:54:09,119 --> 01:54:11,010
PICTURE MUSICAL COMEDY IS NEXT,
2696
01:54:09,119 --> 01:54:11,010
REQUEST
2697
01:54:11,010 --> 01:54:16,050
THE GOLDEN GLOBES ON NBC
2698
01:54:11,010 --> 01:54:16,050
GO TO GOLDEN GLOBES ON TWITTER
2699
01:54:16,050 --> 01:54:26,270
FO
2700
01:54:16,050 --> 01:54:26,270
♪ ♪
2701
01:54:26,270 --> 01:54:29,279
.
2702
01:54:26,270 --> 01:54:29,279
>>> WELCOME BACK TO THE GOLDEN
2703
01:54:29,279 --> 01:54:37,220
GLOBES, PLEASE WELCOME BARB AND
2704
01:54:29,279 --> 01:54:37,220
STAR
2705
01:54:37,220 --> 01:54:42,119
>>> OH, MY GOD
2706
01:54:37,220 --> 01:54:42,119
>> OH!
2707
01:54:42,119 --> 01:54:43,039
OH
2708
01:54:42,119 --> 01:54:43,039
WELL
2709
01:54:43,039 --> 01:54:48,159
OH, HECK NOW
2710
01:54:43,039 --> 01:54:48,159
HELLO, I'M BARBE.
2711
01:54:48,159 --> 01:54:52,220
>> I'M STAR.
2712
01:54:48,159 --> 01:54:52,220
WE FORGOT WE ARE WEARING OUR
2713
01:54:52,220 --> 01:54:55,029
SUNGLASSES
2714
01:54:52,220 --> 01:54:55,029
>> WE ARE WEARING THEM BECAUSE
2715
01:54:55,029 --> 01:54:58,130
WE ARE IN HOLLY ROAD
2716
01:54:55,029 --> 01:54:58,130
>> HEY, WE HAVE BEEN IN
2717
01:54:58,130 --> 01:55:02,039
HOLLYWOOD FOR TWO WEEKS AND I
2718
01:54:58,130 --> 01:55:02,039
HAVE TO SAY THE TRAFFIC.
2719
01:55:02,039 --> 01:55:07,220
>> HOLLYWOOD BOULEVARD IS THE
2720
01:55:02,039 --> 01:55:07,220
PLACE TO BE.
2721
01:55:07,220 --> 01:55:11,119
SO MANY SHOPS.
2722
01:55:07,220 --> 01:55:11,119
>> MY FAVORITES WERE HOLLYWOOD
2723
01:55:11,119 --> 01:55:14,140
T-SHIRT STORE AND HOLLYWOOD
2724
01:55:11,119 --> 01:55:14,140
SOUVENIR AND T-SHIRTS.
2725
01:55:14,140 --> 01:55:20,170
>> THAT IS RIGHT
2726
01:55:14,140 --> 01:55:20,170
MY FAVORITE WAS HOLLYWOOD
2727
01:55:20,170 --> 01:55:25,119
TRINKETS I GOT A GLASS OF THE
2728
01:55:20,170 --> 01:55:25,119
TAZMANIAN DEVIL.
2729
01:55:25,119 --> 01:55:26,289
>> HE IS TROUBLE
2730
01:55:25,119 --> 01:55:26,289
>> HE IS TROUBLE
2731
01:55:26,289 --> 01:55:30,000
>> HE IS MUSCULAR.
2732
01:55:26,289 --> 01:55:30,000
>> I NOTICED
2733
01:55:30,000 --> 01:55:38,239
>> YOU KNOW WHAT I GOT, AN OVER
2734
01:55:30,000 --> 01:55:38,239
SIZED $1 BILL WITH DARTH VADER
2735
01:55:38,239 --> 01:55:41,060
>> HE IS TROUBLE
2736
01:55:38,239 --> 01:55:41,060
>> ALL OVER THE GALAXY
2737
01:55:41,060 --> 01:55:44,079
>> OH, GOSH.
2738
01:55:41,060 --> 01:55:44,079
WE ARE SO EXCITED TO BE HERE
2739
01:55:44,079 --> 01:55:48,010
WE LOVE MOVIES
2740
01:55:44,079 --> 01:55:48,010
>> ESPECIALLY MUSICALS AND
2741
01:55:48,010 --> 01:55:50,100
COMEDIES
2742
01:55:48,010 --> 01:55:50,100
MUSICALS TELL A STORY THAT IS
2743
01:55:50,100 --> 01:55:53,250
MUSICAL WITH SINGING AND MUSIC
2744
01:55:50,100 --> 01:55:53,250
>> THAT'S RIGHT.
2745
01:55:53,250 --> 01:55:57,189
AND COMEDIES TELL A STORY THAT
2746
01:55:53,250 --> 01:55:57,189
IS HILARIOUS.
2747
01:55:57,189 --> 01:56:09,270
>> YEP
2748
01:55:57,189 --> 01:56:09,270
>> HERE ARE THE NOMINEES
2749
01:56:09,270 --> 01:56:16,000
"BORAT SUBSEQUENT MOVIE FILM,"
2750
01:56:09,270 --> 01:56:16,000
"PALM SPRINGS.
2751
01:56:16,000 --> 01:56:18,229
"THE PROM".
2752
01:56:16,000 --> 01:56:18,229
>> LISTEN WILL, BEFORE I OPEN
2753
01:56:18,229 --> 01:56:21,189
THIS,IF WE DON'T SAY YOUR NAME,
2754
01:56:18,229 --> 01:56:21,189
THERE'S A STORE THAT YOU CAN GO
2755
01:56:21,189 --> 01:56:25,060
TO ON HOLLYWOOD BOULEVARD, I'M
2756
01:56:21,189 --> 01:56:25,060
NOT KIDDING.
2757
01:56:25,060 --> 01:56:29,229
YOU CAN BUY YOUR OWN
2758
01:56:25,060 --> 01:56:29,229
>> THERE'S LOADS OF TROPHY IFS
2759
01:56:29,229 --> 01:56:32,239
YOU ARE ALL WINNERS.
2760
01:56:29,229 --> 01:56:32,239
EVERYONE IS A WINNER
2761
01:56:32,239 --> 01:56:45,010
>> AND THE GOLDEN GLOBE GOES TO,
2762
01:56:32,239 --> 01:56:45,010
"BORAT SUBSEQUENT MOVIEFILM.
2763
01:56:45,010 --> 01:56:47,069
♪ ♪
2764
01:56:45,010 --> 01:56:47,069
[ CHEERS AND APPLAUSE
2765
01:56:47,069 --> 01:56:50,140
>> THANK YOU TO THE ALL WHITE
2766
01:56:47,069 --> 01:56:50,140
HOLLYWOOD FOREIGN PRESS.
2767
01:56:50,140 --> 01:56:53,109
GOING TO SAY THIS MOVIE COULD
2768
01:56:50,140 --> 01:56:53,109
NOT HAVE BEEN POSSIBLE WITHOUT
2769
01:56:53,109 --> 01:56:58,189
MY COSTAR, A FRESH NEW TALENT,
2770
01:56:53,109 --> 01:56:58,189
WHO CAME FROM NOWHERE, AND
2771
01:56:58,189 --> 01:57:04,170
TURNED OUT TO BE A COMEDY
2772
01:56:58,189 --> 01:57:04,170
GENIUS, I'M TALKING ABOUT RUDY
2773
01:57:04,170 --> 01:57:08,239
GIULIANI, WHO CAN GET MORE
2774
01:57:04,170 --> 01:57:08,239
LAUGHS OUT OF ONE UNZIPPING.
2775
01:57:08,239 --> 01:57:15,090
IT'S INCREDIBLE.
2776
01:57:08,239 --> 01:57:15,090
RUDY WENT ON TO STAR IN A STRING
2777
01:57:15,090 --> 01:57:19,069
OF COMEDY FILMS.
2778
01:57:15,090 --> 01:57:19,069
HAIR DYE OF THE DAY AND THE
2779
01:57:19,069 --> 01:57:22,090
COURTROOM DRAMA, A VERY PUBLIC
2780
01:57:19,069 --> 01:57:22,090
PATH
2781
01:57:22,090 --> 01:57:28,159
THE SENSATION WAS MARIA
2782
01:57:22,090 --> 01:57:28,159
BAKALOVA
2783
01:57:28,159 --> 01:57:39,140
THANK YOU TO MY FELLOW WRITERS,
2784
01:57:28,159 --> 01:57:39,140
AND NINA, THE DIRECTOR, JASON W
2785
01:57:39,140 --> 01:57:47,100
WALLENER, MY MOM, AND RICHARD
2786
01:57:39,140 --> 01:57:47,100
AND I WANT TO THANK MY CREW WHO
2787
01:57:47,100 --> 01:57:50,239
WERE AMAZINGLY BRAVE WHO HAD THE
2788
01:57:47,100 --> 01:57:50,239
RISK OF GETTING ARRESTED
2789
01:57:50,239 --> 01:57:54,029
THE RISK OF GETTING COVID AND
2790
01:57:50,239 --> 01:57:54,029
THEY DID IT BECAUSE WE ALL
2791
01:57:54,029 --> 01:57:59,029
BELIEVED SO DEEPLY IN RELEASING
2792
01:57:54,029 --> 01:57:59,029
THIS MOVIE BEFORE THE ELECTION
2793
01:57:59,029 --> 01:58:04,000
TO SHOW THE DANGER OF LIES, HATE
2794
01:57:59,029 --> 01:58:04,000
AND CONSPIRACIES AND THE POWER
2795
01:58:04,000 --> 01:58:10,100
OF TRUTH, EMPATHY AND DEMOCRACY,
2796
01:58:04,000 --> 01:58:10,100
MOST OF ALL THANK YOU TO MY
2797
01:58:10,100 --> 01:58:15,149
INCREDIBLY PATIENT WIFE, IYLA
2798
01:58:10,100 --> 01:58:15,149
WHO HAS PUT UP WITH ALL MY
2799
01:58:15,149 --> 01:58:17,239
MADNESS.
2800
01:58:15,149 --> 01:58:17,239
OKAY, BYE.
2801
01:58:17,239 --> 01:58:19,239
[ CHEERS AND APPLAUSE
2802
01:58:17,239 --> 01:58:19,239
>> COMING UP, WHICH ACTORS TAKE
2803
01:58:19,239 --> 01:58:35,180
THE AWARD FOR MOTION PICTURE
2804
01:58:19,239 --> 01:58:35,180
COMEDY, FIND OUT ON THGO
2805
01:58:35,180 --> 01:58:41,069
>>> OKAY
2806
01:58:35,180 --> 01:58:41,069
OUR NEXT PRESENTER IS NORAH FROM
2807
01:58:41,069 --> 01:58:46,039
QUEENS BUT SHE FLEW TO L.A.
2808
01:58:41,069 --> 01:58:46,039
BECAUSE SHE LIKES AMY BETTER.
2809
01:58:46,039 --> 01:58:56,210
>> OR WE FORGOT TO TELL HER SHE
2810
01:58:46,039 --> 01:58:56,210
COULD STAY IN NEW YORK
2811
01:58:56,210 --> 01:59:03,189
[ CHEERS AND APPLAUSE
2812
01:58:56,210 --> 01:59:03,189
>> LAST YEAR, I WON MY VERY
2813
01:59:03,189 --> 01:59:04,199
FIRST GOLDEN GLOBE
2814
01:59:03,189 --> 01:59:04,199
AND IT'S AN HONOR TO BE BACK TO
2815
01:59:04,199 --> 01:59:08,010
PRESENT THE AWARD FOR BEST
2816
01:59:04,199 --> 01:59:08,010
PERFORMANCE BY AN ACTOR IN A
2817
01:59:08,010 --> 01:59:09,029
MOTION PICTURE MUSICAL OR
2818
01:59:08,010 --> 01:59:09,029
COMEDY
2819
01:59:09,029 --> 01:59:10,199
HERE ARE THE NOMINEES.
2820
01:59:09,029 --> 01:59:10,199
SACHA BARON COHEN, "BORAT
2821
01:59:10,199 --> 01:59:16,260
SUBSEQUENT MOVIEFILM."
2822
01:59:10,199 --> 01:59:16,260
JAMES CORDEN, "THE PROM.
2823
01:59:16,260 --> 01:59:21,250
LIN-MANUEL MIRANDA, "HAMILTON.
2824
01:59:16,260 --> 01:59:21,250
DEV PATEL, "THE PERSONAL HISTORY
2825
01:59:21,250 --> 01:59:28,060
OF DAVID COPPERFIELD."
2826
01:59:21,250 --> 01:59:28,060
ANDY SAMBERG, "PALM SPRINGS.
2827
01:59:28,060 --> 01:59:40,050
AND THE GOLDEN GLOBE GOES TO -
2828
01:59:28,060 --> 01:59:40,050
SACHA
2829
01:59:40,050 --> 01:59:46,029
SACHA BARON COHEN "BORAT
2830
01:59:40,050 --> 01:59:46,029
SUBSEQUENT MOVIEFILM".
2831
01:59:46,029 --> 01:59:52,159
>> THANK YOU AGAIN FOR THE
2832
01:59:46,029 --> 01:59:52,159
HOLLYWOOD FOREIGN PRESS.
2833
01:59:52,159 --> 01:59:56,079
HOLD ON, DONALD TRUMP IS
2834
01:59:52,159 --> 01:59:56,079
CONTESTING THE RESULT.
2835
01:59:56,079 --> 02:00:01,079
HE CLAIMED A LOT OF DEAD PEOPLE
2836
01:59:56,079 --> 02:00:01,079
VOTED WHICH IS A VERY RUDE THING
2837
02:00:01,079 --> 02:00:08,100
TO SAY ABOUT THE HFPA, THANKS
2838
02:00:01,079 --> 02:00:08,100
AGAIN TO EVERYONE ELSE THE
2839
02:00:08,100 --> 02:00:13,189
BRILLIANT MAKE-UP TEAM, TO AARON
2840
02:00:08,100 --> 02:00:13,189
KNIGHT OF THE INCREDIBLE
2841
02:00:13,189 --> 02:00:15,279
EDITORS.
2842
02:00:13,189 --> 02:00:15,279
THE FIELD TEAM THAT LITERALLY
2843
02:00:15,279 --> 02:00:19,199
RISKED THEIR LIVES AND MOST OF
2844
02:00:15,279 --> 02:00:19,199
ALL TO MY BODYGUARD WHO STOPPED
2845
02:00:19,199 --> 02:00:22,279
ME GETTING SHOT.
2846
02:00:19,199 --> 02:00:22,279
YOU KNOW WHO YOU ARE
2847
02:00:22,279 --> 02:00:28,029
AND YOU KNOW I'M NOT ALLOWED TO
2848
02:00:22,279 --> 02:00:28,029
SAY YOUR NAME.
2849
02:00:28,029 --> 02:00:29,119
THANK YOU TO THE OTHER NOMINEES.
2850
02:00:28,029 --> 02:00:29,119
I LOVE YOU
2851
02:00:29,119 --> 02:00:31,100
>>
2852
02:00:29,119 --> 02:00:31,100
>> Announcer: NBC'S TELECAST OF
2853
02:00:31,100 --> 02:00:33,170
"THE 2021 GOLDEN GLOBE AWARDS"
2854
02:00:31,100 --> 02:00:33,170
IS SPONSORED IN PART BY --
2855
02:00:33,170 --> 02:00:44,010
L'ORÉAL PARIS, BECAUSE YOU'RE
2856
02:00:33,170 --> 02:00:44,010
WORTH IT
2857
02:00:44,010 --> 02:00:55,170
>>> WINNING ACTRESS WILL BE
2858
02:00:44,010 --> 02:00:55,170
>>> HERE TO PRESENT THE AWARD
2859
02:00:55,170 --> 02:01:05,100
FOR BEST WITH ACTRESS IN A
2860
02:00:55,170 --> 02:01:05,100
DRAMA.
2861
02:01:05,100 --> 02:01:20,270
JOAQUIN PHOENIX.
2862
02:01:05,100 --> 02:01:20,270
Here THE NOMINEES FOR BEST
2863
02:01:20,270 --> 02:01:22,020
PERFORMANCE BY AN ACTRESS IN A
2864
02:01:20,270 --> 02:01:22,020
MOTION PICTURE DRAMA
2865
02:01:22,020 --> 02:01:24,079
>> Announcer: VIOLA DAVIS, "MA
2866
02:01:22,020 --> 02:01:24,079
RAINEY'S BLACK BOTTOM.
2867
02:01:24,079 --> 02:01:27,149
ANDRA DAY, "THE UNITED STATES
2868
02:01:24,079 --> 02:01:27,149
VS. BILLIE HOLIDAY."
2869
02:01:27,149 --> 02:01:30,239
VANESSA KIRBY, "PIECES OF A
2870
02:01:27,149 --> 02:01:30,239
WOMAN.
2871
02:01:30,239 --> 02:01:35,239
FRANCES McDORMAND, "NOMADLAND.
2872
02:01:30,239 --> 02:01:35,239
CAREY MULLIGAN, "PROMISING YOUNG
2873
02:01:35,239 --> 02:01:41,039
WOMAN.
2874
02:01:35,239 --> 02:01:41,039
>> AND THE GOLDEN GLOBE GOES
2875
02:01:41,039 --> 02:01:54,210
TO -
2876
02:01:41,039 --> 02:01:54,210
ANDRA DAY.
2877
02:01:54,210 --> 02:02:16,060
♪ ♪
2878
02:01:54,210 --> 02:02:16,060
[ CHEERS AND APPLAUSE
2879
02:02:16,060 --> 02:02:23,109
>> SORRY, Y'ALL, SO, OKAY.
2880
02:02:16,060 --> 02:02:23,109
CAN YOU JUST GIVE ME THE PAPER,
2881
02:02:23,109 --> 02:02:26,109
PLEASE
2882
02:02:23,109 --> 02:02:26,109
FIRST, I WOULD JUST WANT TO DO
2883
02:02:26,109 --> 02:02:31,050
SAY THANK YOU SO MUCH FOR --
2884
02:02:26,109 --> 02:02:31,050
WITH NO SHAME, THANK YOU SO MUCH
2885
02:02:31,050 --> 02:02:33,140
FOR BRINGING ME THROUGH, GETTING
2886
02:02:31,050 --> 02:02:33,140
ME THROUGH
2887
02:02:33,140 --> 02:02:41,130
MOM, DAD, JOSH, JACKSON, MY
2888
02:02:33,140 --> 02:02:41,130
GREAT LOVE, MY FIRST LOVE, THE
2889
02:02:41,130 --> 02:02:45,239
SLP, MY COACH, AND ALL THE
2890
02:02:41,130 --> 02:02:45,239
PEOPLE AT THE HFPA, THANK YOU SO
2891
02:02:45,239 --> 02:02:58,210
MUCH FOR BEING SO ENGAGED IN THE
2892
02:02:45,239 --> 02:02:58,210
STORY, GARRETT, ROB, BLAKE,
2893
02:02:58,210 --> 02:03:05,039
ADRIAN AND LESLIE.
2894
02:02:58,210 --> 02:03:05,039
JOSH, VANESSA AND ALEXA, AND I'M
2895
02:03:05,039 --> 02:03:12,170
IN THE PRESENCE OF GIANTS WITH
2896
02:03:05,039 --> 02:03:12,170
VIOLA DAVIS, VANESSA KIRBY AND
2897
02:03:12,170 --> 02:03:19,149
YOU INSPIRE ME SO MUCH AND TO
2898
02:03:12,170 --> 02:03:19,149
THE AMAZING TRANSFORMATIVE,
2899
02:03:19,149 --> 02:03:23,180
DYNAMIC, BILLIE HOLIDAY THAT
2900
02:03:19,149 --> 02:03:23,180
JUST TRANSFORMED ME WITH THIS
2901
02:03:23,180 --> 02:03:31,189
ROLE, AND HER SPIRIT
2902
02:03:23,180 --> 02:03:31,189
I LOVE YOU ALL SO MUCH
2903
02:03:31,189 --> 02:03:34,289
THANK YOU SO EVERYONE WHO WAS A
2904
02:03:31,189 --> 02:03:34,289
PART OF THIS INCREDIBLE PROJECT
2905
02:03:34,289 --> 02:03:44,020
AND PRODUCTION AND TO PAM AND TO
2906
02:03:34,289 --> 02:03:44,020
HILLARY, JUST GOD BLESS Y'ALL,
2907
02:03:44,020 --> 02:03:46,060
THANK Y'ALL.
2908
02:03:44,020 --> 02:03:46,060
[ CHEERS AND APPLAUSE
2909
02:03:46,060 --> 02:04:03,119
>> AND NOW, AT THE RAINBOW ROOM,
2910
02:03:46,060 --> 02:04:03,119
MICHAEL DOUGLAS AND CATHERINE
2911
02:04:03,119 --> 02:04:04,079
ZETA JONES
2912
02:04:03,119 --> 02:04:04,079
>> EARLIER WE SHARED A FEW OF
2913
02:04:04,079 --> 02:04:07,060
THE BEST MOMENTS FROM THE FIVE
2914
02:04:04,079 --> 02:04:07,060
FILMS NOMINATED FOR BEST MOTION
2915
02:04:07,060 --> 02:04:08,279
PICTURE DRAMA.
2916
02:04:07,060 --> 02:04:08,279
>> ONCE AGAIN, HERE ARE THE
2917
02:04:08,279 --> 02:04:15,010
NOMINEES
2918
02:04:08,279 --> 02:04:15,010
>> Announcer: "THE FATHER.
2919
02:04:15,010 --> 02:04:19,140
"MANK.
2920
02:04:15,010 --> 02:04:19,140
"NOMADLAND."
2921
02:04:19,140 --> 02:04:27,109
"PROMISING YOUNG WOMAN."
2922
02:04:19,140 --> 02:04:27,109
"THE TRIAL OF THE CHICAGO 7.
2923
02:04:27,109 --> 02:04:35,159
>> AND THE GOLDEN GLOBE GOES
2924
02:04:27,109 --> 02:04:35,159
TO -
2925
02:04:35,159 --> 02:04:40,289
"NOMADLAND."
2926
02:04:35,159 --> 02:04:40,289
♪ ♪
2927
02:04:40,289 --> 02:04:43,039
[ CHEERS AND APPLAUSE
2928
02:04:40,289 --> 02:04:43,039
>> OH, MY GOD.
2929
02:04:43,039 --> 02:04:47,270
OH, MY GOD
2930
02:04:43,039 --> 02:04:47,270
OKAY
2931
02:04:47,270 --> 02:04:49,109
WOW.
2932
02:04:47,270 --> 02:04:49,109
FIRST OF ALL THANK YOU MY FELLOW
2933
02:04:49,109 --> 02:04:52,199
NOMINEES FOR YOUR BEAUTIFUL,
2934
02:04:49,109 --> 02:04:52,199
BEAUTIFUL MOVIES
2935
02:04:52,199 --> 02:05:00,020
I AM SPEECHLESS.
2936
02:04:52,199 --> 02:05:00,020
THANK YOU.
2937
02:05:00,020 --> 02:05:04,010
AND JESS WHO WROTE THE BOOK,
2938
02:05:00,020 --> 02:05:04,010
THANK YOU FOR YOUR PASSION AND
2939
02:05:04,010 --> 02:05:11,130
STARTING OUR JOURNEY AND THE
2940
02:05:04,010 --> 02:05:11,130
INCREDIBLE FRANCIS McDERMOTT
2941
02:05:11,130 --> 02:05:16,090
AND AGAIN, THE WHOLE TEAM, THANK
2942
02:05:11,130 --> 02:05:16,090
YOU SO MUCH.
2943
02:05:16,090 --> 02:05:25,229
THE NOMADS, AND EVERYONE, LOOK,
2944
02:05:16,090 --> 02:05:25,229
NOMADLAND AT ITS CORE FOR ME IS
2945
02:05:25,229 --> 02:05:29,260
A PILGRIMAGE THROUGH GRIEF AND
2946
02:05:25,229 --> 02:05:29,260
HEALING.
2947
02:05:29,260 --> 02:05:32,159
SO FOR EVERYONE WHO HAS GONE
2948
02:05:29,260 --> 02:05:32,159
THROUGH THIS DIFFICULT AND
2949
02:05:32,159 --> 02:05:36,220
BEAUTIFUL JOURNEY AT SOME POINT
2950
02:05:32,159 --> 02:05:36,220
IN THEIR LIVES, THIS IS FOR YOU.
2951
02:05:36,220 --> 02:05:39,079
WE DON'T SAY GOODBYE, WE SAY SEE
2952
02:05:36,220 --> 02:05:39,079
YOU DOWN THE ROAD.
2953
02:05:39,079 --> 02:05:45,250
THANK YOU.
2954
02:05:39,079 --> 02:05:45,250
[ CHEERS AND APPLAUSE
2955
02:05:45,250 --> 02:05:49,119
>> WOW
2956
02:05:45,250 --> 02:05:49,119
ANOTHER AMAZING, WEIRD,
2957
02:05:49,119 --> 02:05:56,159
WONDERFUL GOLDEN GLOBES.
2958
02:05:49,119 --> 02:05:56,159
>> YES, WHAT A GREAT NIGHT.
2959
02:05:56,159 --> 02:06:09,189
>> AND HAPPY BIRTHDAY --
2960
02:05:56,159 --> 02:06:09,189
>> GOODNIGHT
2961
02:06:09,189 --> 02:06:20,239
[ CHEERS AND APPLAUSE
2962
02:06:09,189 --> 02:06:20,239
♪ ♪
2963
02:06:20,239 --> 02:06:23,020
>> THE NOMINATION BALLOTS ARE
2964
02:06:20,239 --> 02:06:23,020
SENT TO ALL ELIGIBLE MEMBERS OF
2965
02:06:23,020 --> 02:06:25,100
THE HOLLYWOOD FOREIGN PRESS
2966
02:06:23,020 --> 02:06:25,100
ASSOCIATION, WHO CHOOSE UP TO
2967
02:06:25,100 --> 02:06:27,229
FIVE NOMINEES IN EACH CATEGORY
2968
02:06:25,100 --> 02:06:27,229
ON THE FINAL BALLOT, THE SAME
2969
02:06:27,229 --> 02:06:29,279
MEMBERS VOTE FOR ONE NOMINEE IN
2970
02:06:27,229 --> 02:06:29,279
EACH CATEGORY.
2971
02:06:29,279 --> 02:06:32,199
INFORMATION CONCERNING THE FINAL
2972
02:06:29,279 --> 02:06:32,199
RESULTS IS KNOWN ONLY TO THE
2973
02:06:32,199 --> 02:06:36,060
ACCOUNTING FIRM OF ERNST &
2974
02:06:32,199 --> 02:06:36,060
YOUNG, L.L.P. PRIOR TO TONIGHT'S
2975
02:06:36,060 --> 02:06:40,239
OPENING OF THE SEALED ENVELOPES.
2976
02:06:36,060 --> 02:06:40,239
THIS IS SHAWN PARR
2977
02:06:40,239 --> 02:06:45,149
>> AND REBECCA REIDY FOR "THE
2978
02:06:40,239 --> 02:06:45,149
2021 GOLDEN GLOBE AWARDS."
189400
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