Original subtitles

[PROJECTOR CLICKING, *...]

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

[BIRDS CHIRPING...]

[*...]

[WINGS FLUTTER]

[COINS CLATTER, MACHINE BEEPS]

[WATER GUSHING]

[MACHINE WHIRS...]

[*...]

[BIRDS CHIRPING]

>> Chorus: * FAILURE *

>> Man: * YOU HAVE BEEN

A FAILURE *

>> * FAILURE *

>> * ALL OF YOUR LIFE

>> * FAILURE *

>> * YOU HAVE BEEN A FAILURE

>> * FAILURE *

>> * ALL YOUR LIFE

>> * POWER *

>> * YOU HAVE BEEN A FAILURE

>> * POWER *

>> * YOU HAVE BEEN A FAILURE

>> * POWER *

>> * YOU HAVE BEEN A FAILURE

ALL YOUR LIFE. *

[MUSIC FADES]

[BIRDS CHIRPING]

[*...]

>> WHAT ARE YOU DOING?

RUDY, WHAT ARE YOU DOING?

>> LOOK, THIS IS A SPECIAL

SITUATION, O.K.?

>> WHAT SITUATION?

>> WHAT-- I HAVEN'T HAD A SHOWER

IN THREE DAYS.

>> SO YOU WERE GONNA TAKE ONE IN

THE FRONT YARD?

>> LOOK, I KNOW THIS IS OUTSIDE

OF WHAT WE DISCUSSED, O.K., BUT

CAN I JUST GET IN THERE FOR 20

MINUTES?

I MEAN, I WON'T LOOK AT YOU,

I WON'T TALK TO YOU.

COME ON, I EVEN BROUGHT MY

OWN TOWEL.

>> MY MOTHER GAVE US THAT TOWEL.

>> HOW IS SHE?

>> SHE'S GREAT.

IF I LET YOU IN, RUDY, FOR YOUR

SHOWER, YOU'RE GONNA WANT TO

STAY AND MAKE BREAKFAST AND DO

YOUR LAUNDRY AND ALL THAT AND I

JUST, I CAN'T DO IT ANYMORE.

>> ALL RIGHT, WELL, AT LEAST LET

ME USE THE FAUCET HERE.

>> DO WHAT YOU'VE GOTTA DO.

>> HEY!

I'VE GOTTA GO TO WORK,

ALL RIGHT!

I GOT A JOB THIS MORNING.

[*...]

[KNOCKING ON DOOR]

[*...]

...AND I HAVE, YOU CAN LIST

UP TO SEVEN DIFFERENT

ETHNICITIES.

>> I'M SORRY?

>> ETHNICITIES?

PERHAPS YOUR ANCESTORS?

WHERE YOU'RE FROM?

CAUCASIAN IS ONE, I MEAN, WE

COULD JUST...

>> O.K., JUST THE ONE.

[*...]

>> I BASICALLY JUST HAVE A FEW

FOLLOW-UP QUESTIONS FOR YOU.

>> Woman: COME IN, COME IN.

>> I WONDER IF I COULD JUST

ASK YOU A FEW MORE FOLLOW-UP

QUESTIONS.

>> NOW, COULD YOU JUST SPEAK UP,

PLEASE?

>> O.K.!

INCLUDING YOURSELF, HOW MANY

PEOPLE USE THIS RESIDENCE AS

THEIR LEGAL DOMICILE?

>> PEOPLE IN THIS HOUSE?!

>> YES, MA'AM!

[PHONE RINGING]

>> DID YOU HEAR SOMETHING?

>> YOUR PHONE?

>> OH!

>> OH, I WONDER, COULD I USE THE

BATHROOM?

>> OH, SURE, THIS WAY.

[WATER RUNNING]

Woman in distance: FOR A WHAT?

OH, A POTLUCK?

OH, O.K.

NO, NO, I DON'T WANT TO BRING

NAPKINS.

NO, NO CUPS.

NO NAPKINS OR CUPS.

NOW WHAT?

WHAT?!

NO, I WANNA MAKE SOMETHING.

>> MISS?

I MIGHT JUST, UM, I MIGHT JUST

TAKE A QUICK SHOWER.

>> ...LIKE SCALLOPED POTATOES

AND HAM.

Woman: GET HIM!

>> I'M SORRY!

>> I'M AFRAID THIS ISN'T

WORKING OUT.

>> YEAH, I GUESS YOU'RE RIGHT.

YEAH.

[CELL PHONE RINGS]

>> Automated voice:

First unheard message.

>> Man on phone: Rudy!

How ya doing?

Guess where I am right now.

I'm in your town.

I just got in recently.

And, I know it's kinda

last-minute, but I have a

book-signing tomorrow and if you

and Diana are interested and

available, I'd love it if you

guys could swing by.

Gimme a buzz back and I'll give

you the details.

All right, hope you're well.

Bye.

>> NO GODDAMNED WAY.

>> Rudy: O.K., WHY NOT? WHY NOT?

>> BECAUSE THERE'S NO WAY I'M

GONNA DO IT.

>> I'M NOT ASKING YOU TO KEEP IT

A SECRET FOREVER, JUST ASKING

FOR ANOTHER FEW DAYS.

ANOTHER DAY, ONE DAY,

FOR DINNER.

O.K.?

THEN WE'LL BREAK UP RIGHT AFTER

DINNER.

>> WE ARE BROKEN UP.

>> I KNOW, I KNOW.

I AM UNDER NO ILLUSION ABOUT

THAT BUT... HE IS.

SO I WOULD LIKE IT IF YOU WOULD

NOT...

DISSUADE HIM FROM THAT.

>> WELL, I'M NOT GONNA DO THAT

TO PAUL.

>> WHY NOT?

>> BECAUSE HE'S YOUR BROTHER.

>> SO WHAT?!

>> SO WHAT?

SO, IT'S SICK.

>> YOU WOULD DO IT TO SOMEONE

ELSE?

>> NO, I WOULDN'T DO THAT

TO ANYONE.

>> BUT, ESPECIALLY NOT TO PAUL?

>> HAVE YOU EVEN TOLD YOUR

MOTHER YET?

>> WE'RE NOT TALKING ABOUT MY

MOTHER.

WE'RE TALKING ABOUT PAUL.

SO, WHAT IS IT?

YOU WANT HIM TO KNOW YOU'RE

SINGLE NOW?

>> JESUS CHRIST.

>> O.K., ALL RIGHT, WELL YOU

NEEDED TO GET RID OF ME.

SO YOU GOT RID OF ME, RIGHT?

I MEAN, SOMEWHERE, OUT OF THE

BLUE, ALL OF A SUDDEN YOU NEEDED

TO GET RID OF ME. >> ALL OF A

SUDDEN? IT WASN'T SUDDEN.

>> YES, IT WAS SUDDEN!

O.K., MAYBE NOT TO YOU IN YOUR

SECRET WORLD OF FEELINGS!

BUT FOR THE REST OF THE WORLD,

I.E., ME, IT WAS SUDDEN O.K.?

BUT NO, NO, I GAVE THAT TO YOU.

I AM LIVING ON THE STREET.

I'M LIVING IN THE ESCORT.

>> YOU KNOW, YOU DON'T HAVE TO

LIVE IN THE ESCORT!

>> NOW I NEED SOMETHING.

>> YOU CAN GO GET A PLACE LIKE

EVERYONE ELSE!

>> I NEED SOMETHING FROM YOU.

I NEED A LITTLE HELPING HAND.

>> YEAH, WELL I'M NOT GONNA HELP

YOU LIE TO YOUR BROTHER.

O.K.?

>> I'M NOT ASKING YOU TO LIE,

O.K.?

YOU DON'T HAVE TO LIE.

WE'RE JUST NOT GONNA BRING IT

UP, ALL RIGHT?

I MEAN, IF IT COMES UP IN

CONVERSATION, THEN YOU JUST HAVE

TO GO TO BATHROOM OR SOMETHING.

>> OH, GOD.

>> ALL RIGHT, LOOK.

I GET IT.

YOU DON'T LOVE ME ANYMORE.

I KNOW THAT, O.K.?

BUT, I AM STILL 400% IN LOVE

WITH YOU.

SO, IF THAT HAS ANY VALUE, AND I

THINK IT SHOULD, O.K., I WOULD

LIKE, RIGHT NOW, TO CASH THAT IN

FOR ONE LAST FAVOR, PLEASE.

[*...]

>> Paul: "YOU ARE A GRIPHON,"

SAID MAXMILLIAN AS HE STROKED

THE ANIMALS' UNSEEN FEATHERS.

"BOSPHORO CLAN, MY LORD,"

ANSWERED THE GRIPHON IN A VOICE

THAT FLOATED OUT OF THE AIR.

IT WAS A VOICE THAT MILDRED

COULDN'T HEAR, OF COURSE, BUT

MAXMILLIAN TRANSLATED FOR HER.

SHE REPLIED, "WHAT IN THE BLUE

HECK IS A GRIPHON?"

MAXMILLIAN TRIED TO NOT SOUND

ANNOYED LIKE THEIR WORLD STUDIES

TEACHER MRS. DURDEN ALWAYS DOES

WHEN SHE HAS TO EXPLAIN

SOMETHING FOR THE SECOND TIME.

MAXMILLIAN TELLS MILDRED,

"A GRIPHON IS A LARGE FLYING

ANIMAL WHO PROTECTS THE RIFTS.

IT HAS FANG ATTACKS, CLAW

ATTACKS AND WING ATTACKS.

BOSPHORO CLAN GRIPHONS LIKE THIS

ONE CAN ALSO BREATHE FIRE."

"HE CAN BREATHE FIRE?"

ASKED MILDRED CAUTIOUSLY.

"WHY, YES, SO DON'T MAKE

HIM MAD."

"HOW CAN I?" SHE CRIED OUT.

"I CAN'T EVEN SEE HIM!"

"YES," SAID MAXMILLIAN, "BUT HE

CAN SEE YOU.

THEY CAN ALL SEE YOU.

THEY'VE BEEN WATCHING YOU

YOUR WHOLE LIFE."

WELL, THAT SHUT HER UP AND SHE

FINALLY STARTED TO LISTEN.

>> Woman: O.K., FOLKS.

LET'S GIVE MR. LUCAS A BIG HAND.

[APPLAUSE]

HE'LL BE AVAILABLE TO SIGN BOOKS

BUT FOR ONLY ABOUT 30 MINUTES,

SO TRY NOT TO TAKE UP TOO MUCH

OF HIS TIME WHEN IT'S YOUR TURN,

O.K.?

>> COULD WE ACTUALLY DO

SOMETHING REALLY, REALLY QUICK?

>> SURE.

>> SO, VERY BRIEFLY, WE ACTUALLY

HAVE A VERY SPECIAL GUEST IN

THE ROOM TONIGHT...

UH, RUDY?

RUDY, COULD YOU COME UP HERE FOR

A SECOND?

COME ON, COME UP HERE FOR A

SECOND.

COME ON, COME ON, COME ON.

I WANT TO INTRODUCE YOU.

COME UP.

THIS IS A VERY SPECIAL MAN.

HOW ARE YA?

WHERE HAVE YOU BEEN?

>> HOW YA DOING?

>> GOOD TO SEE YOU.

WHAT'S THIS?

YOU WANT ME TO AUTOGRAPH THIS

FOR YOU? >> NO.

I'M IN THE WAY.

>> THIS GENTLEMAN RIGHT HERE IS

A VERY, VERY SPECIAL MAN.

WITHOUT HIM THERE'D BE NO

MAXMILLIAN, THERE'D BE NO RIFT-

WARRIORS.

THIS GUY RIGHT HERE IS THE

ORIGINAL INVISIBLE KID HIMSELF,

MY BIG BROTHER, RUDY LUCAS.

HOW ABOUT A NICE WARM HELLO FOR

RUDY?

[APPLAUSE]

ALL RIGHT, LET'S SIGN

SOME BOOKS!

...I REMEMBER TALKING TO HIM,

I WAS TELLING HIM HOW MUCH I

HATE NEW YORK.

HOW MUCH IT GETS ON MY NERVES,

HOW EXPENSIVE IT IS, HOW THERE

ARE NO TREES, HOW SMALL

MY APARTMENT IS.

>> OH, YEAH, YOUR EENSY-WEENSY

APARTMENT.

>> IT DOES THE JOB FOR NEW YORK,

BUT IT'S PRETTY SMALL.

>> DOES THE JOB IF YOU'RE

HOUSING THE U.N.

>> FINE, COULD I FINISH THE

STORY?

HE HAS SIX KIDS AND THEY'RE

ALL LIKE HARD, HARD-CORE

MAX-HEADS, YOU KNOW?

AND HE BASICALLY COMES OUT AND

SAYS, "WHY DON'T YOU COME TO OUR

PLACE FOR A MONTH IN PARK CITY,

UTAH, YOU KNOW, AND DO YOUR

STUFF THERE?"

>> BRO, WAIT A MINUTE.

DIDN'T YOU SEE MISERY?

HE'S GONNA WHACK YOUR FEET WITH

A MALLET.

>> I HAVE THE PLACE TO MYSELF.

NO MALLETS, NO PSYCHOPATHS.

YEAH, THE PLACE IS INCREDIBLE.

IT'S IN THIS UBER-EXCLUSIVE

SUBDIVISION CALLED EAGLETOP

MANOR OR SOMETHING LIKE THAT.

IT'S GOT FOUR STORIES AND SIX

BATH-- IT'S GOT, IT'S GOT

A FUCKING ELEVATOR.

>> WHAT, AN ELEVATOR?

WHY?

>> 'CAUSE IT'S HUGE!

'CAUSE YOU NEED AN ELEVATOR.

'CAUSE YOU'RE WEALTHY AND YOU

NEED AN ELEVATOR. >> I GUESS.

>> NO, THE PLACE IS AWESOME.

IT'S JUST BECAUSE I'VE BEEN

DOING SO MUCH TRAVELING THIS

MONTH, I FEEL LIKE I HAVEN'T

REALLY SPENT ANY TIME THERE,

YOU KNOW?

JUST KINDA GOING FROM CITY

TO CITY.

>> I FEEL FOR YOU, BRO, I FEEL

FOR YOU.

>> WELL, WHEN ARE YOU GONNA HOP

ON THE GLOBE-TROTTING EXPRESS,

HUH?

HOW'S LOVERS OF HATE COMING

ALONG?

>> OH, I'M JUST A LITTLE HUNG UP

RIGHT NOW.

JUST KINDA HUNG UP.

>> HUNG UP?

WELL, THE OFFER STILL STANDS, IF

YOU'RE INTERESTED.

MY AGENT WOULD LOVE TO TAKE A

LOOK AT IT.

>> WELL, IT'S NOT A CHILDREN'S

STORY.

>> WHAT'S THAT SUPPOSED TO MEAN?

I KNOW IT'S NOT A

CHILDREN'S STORY.

HE CAN SELL STUFF THAT'S NOT

YOUNG ADULT FICTION.

>> SOMEHOW I THINK, WITH THE

SUCCESS HE'S HAD WITH THE

CHILDREN'S STORY FORMULA, HE'S

NOT GONNA BE DELVING OUTSIDE OF

THAT MODEL ANY TIME SOON.

>> THE "CHILDREN'S STORY

FORMULA."

WOULD YOU LIKE TO ILLUMINATE US?

>> SURE!

YEAH, YOU GOT YOUR PROTAGONIST,

RIGHT?

DWEEBY KID.

PICKED ON, MAYBE NO FRIENDS.

YOU GIVE HIM SPECIAL POWERS.

MAYBE HE CAN SEE THINGS OTHER

PEOPLE CAN'T.

MAYBE HE HEARS THINGS, O.K.?

AND THEN HE FULFILLS A DESTINY.

AND GUESS WHAT?

MAYBE HIS DESTINY IS THAT HE

SAVES THE LIVES OF ALL THOSE

CRUEL LITTLE DIPSHITS THAT

KICKED HIS ASS AT THE BEGINNING

OF THE BOOK.

AM I WRONG HERE?

IMMEDIATELY YOU'RE FEEDING INTO

THE FANTASY OF EVERY FOURTH

GRADER THAT WANTS TO THINK OF

HIMSELF AS SPECIAL AND SET APART

FROM HIS SUBMORONIC PEERS.

>> THERE IS SOMETHING

SPECIAL ABOUT EVERY KID.

>> BULLSHIT!

HOW COULD THERE BE SOMETHING

SPECIAL ABOUT EVERYONE, O.K.?

THEN THERE'S NO SUBMORONIC

PEERS.

>> WELL, YEAH.

YOU CRACKED THE CODE.

YOU FIGURED IT OUT.

CONGRATULATIONS.

>> HEY, IT WORKED ON YOU,

DIDN'T IT?

I WAS FEEDING YOU MAXMILLIAN AND

THE INVISIBLE KIDS WHILE YOU

WERE STILL SIPPING ON MOM'S

BREAST MILK.

>> O.K., HOW ABOUT WE DON'T TALK

ABOUT MOTHER'S BREASTS

OVER DINNER?

COULD I MAKE THAT SUGGESTION?

[CHUCKLES]

>> Diana: O.K.

THANKS, PAUL, FOR DINNER.

>> THANK YOU GUYS.

IT'S GREAT SEEING YOU.

I FEEL LIKE WHEN I SEE YOU GUYS

IT KINDA SOMEHOW RE-CALIBRATES

MY SANITY, IN A WAY,

YOU KNOW WHAT I MEAN?

>> IT'S WHAT WE'RE HERE FOR,

BRO.

SANITY RE-CALIBATRONS, AT

YOUR SERVICE.

>> Diana: O.K., RUDY, CAN YOU

LET ME OUT PLEASE?

>> YEAH.

>> RUDY, CAN YOU MOVE?

>> O.K.

>> THANKS FOR THIS.

>> YOU'RE WELCOME.

I HOPE YOU ENJOY IT.

>> ALL RIGHT, BRO.

HEY.

>> IS EVERYTHING ALL RIGHT?

>> YEAH.

>> EVERYTHING COOL?

>> YEAH, YEAH, I'M FINE.

GOOD SEEING YOU.

I'LL CALL YOU, O.K.?

WHAT TIME YOU LEAVING TOMORROW?

>> LATE AFTERNOON.

[CAR IGNITION STARTS]

[CAR HORN BEEPS]

>> [SARCASTICALLY] OH, MY LIFE

IS SHIT...

OH, I HAVE TO FLY EVERYWHERE

FIRST CLASS!

OOH-HOO!

I HAVE TO GO LIVE IN A BIG EMPTY

HOUSE ALL BY MYSELF!

WITH SIX EMPTY BEDROOMS!

OH, NO!

>> Diana: RUDY!

>> SHUT THE FUCK UP ABOUT

YOUR GODDAMN AMAZING LIFE FOR

ONE SECOND!

>> RUDY, REALLY.

>> AND WHAT IS IT WITH THIS

FUCKING...

>> DON'T EVER ASK ME TO DO

SOMETHING LIKE THAT AGAIN,

DO YOU UNDERSTAND ME?

>> DROOL OUT THE SIDE OF YOUR

MOUTH AT DINNER, HUH?

WHAT IS THE FUCKING DEAL WITH

WITH YOU?

GIVE ME THE AUDIO BOOK,

ALL RIGHT?

[CAR IGNITION STARTS]

HEY!

JUST GIVE ME THE AUDIO BOOK.

>> FINE, TAKE IT!

[CELL PHONE RINGS]

>> HEY, WHAT'S UP?

>> Paul on phone: Hey, how ya

doing?

ARE YOU AT HOME RIGHT NOW?

>> UH, YEAH, WHY?

>> What are you doing?

>> UH, JUST WATCHING

A LITTLE TV.

>> IS DIANA THERE?

>> UH, YEAH.

>> CAN I TALK TO HER?

>> TO DIANA?

>> Yeah, can you put her on,

please?

>> UH, O.K.

HEY, DI?

DIANA?

Diana, it's Paul.

Diane?

Yeah, she's not... she's in

the bathroom or something.

What do you want to talk to

her for?

>> UH, I'LL JUST CALL BACK

LATER.

IT'S NOT A BIG DEAL.

>> All right.

FUCK!

SHIT.

[SOFTLY] FUCK ME, FUCK ME.

[KNOCKING]

>> HEY. >> HEY.

>> WHAT'S UP?

>> CAN WE TALK FOR A SECOND

INSIDE PLEASE?

>> UM...

>> I KNOW HE'S NOT HERE.

COULD WE CUT THE CLOAK AND

DAGGER STUFF, PLEASE?

>> O.K.

>> O.K.?

I DIDN'T COME INTO TOWN TO BE

LIED TO.

>> I'M SURE YOU DIDN'T.

I'M SORRY.

YEAH, COME IN.

>> THANK YOU.

>> IT WAS HIS IDEA.

>> I'M SURE IT WAS HIS IDEA.

>> AND I TOLD HIM IT WAS STUPID.

[TEAKETTLE WHISTLING]

>> IT WAS STUPID.

IT WAS ALSO KINDA MEAN, TOO.

>> HE WOULD REALLY HATE IT IF HE

KNEW YOU WERE HERE.

>> YOU WANT ME TO GO?

>> MAYBE.

>> MAYBE?

COME HERE FOR A SECOND.

COME ON.

COME ON.

LET ME JUST PREFACE THIS BY

SAYING I LOVE THE GUY.

O.K.?

HE'S MY BROTHER, I LOVE HIM.

BUT YOU DID THE RIGHT THING.

DIANA, NEITHER ONE OF US ARE

EVER GONNA MAKE HIM A HAPPY

PERSON.

ALL RIGHT?

THAT'S NOT GONNA HAPPEN.

THAT'S NOT WHO HE IS.

I SPENT THE BETTER PART OF MY

FUCKING CHILDHOOD TRYING TO

KEEP HIM IN A GOOD MOOD.

YOU KNOW, TRYING TO PREVENT HIM

FROM BEING PISSED OFF AT ME,

OR OUR PARENTS OR SCHOOL,

ANYTHING, THE WHOLE UNIVERSE.

BUT IT NEVER FUCKING WORKED,

EVER.

EVER.

AND YOU COME TO A POINT WHERE

YOU REALIZE THAT THIS IS

A LOSING GAME, AND YOU DON'T

WANT TO PLAY IT ANYMORE.

AND YOU FOLD YOUR HAND.

YOU KNOW?

AND THERE'S NO SHAME IN THAT.

[KNOCKING ON DOOR]

>> [WHISPERS] FUCK.

>> DO YOU WANT ME TO GET IT?

>> YEAH.

>> RUDY, WHY DON'T YOU COME BACK

IN THE MORNING?

>> NO, I DON'T THINK I'M GONNA

COME BACK IN THE MORNING,

ALL RIGHT?

NOT IN MY OWN HOUSE!

SO YOU GUYS HAVE BEEN HAVING

A LITTLE CHAT, HUH?

>> YEAH, WE'VE BEEN TALKING.

>> ABOUT ME?

>> RUDY, YEAH, YOUR NAME CAME UP

ONCE OR TWICE.

>> THIS IS NONE OF YOUR FUCKING

BUSINESS.

>> YOU KNOW WHAT?

YOU MADE IT MY BUSINESS WHEN YOU

STARTED LYING TO ME.

>> LOOK, I WANT YOU GUYS TO TALK

ABOUT THIS OUTSIDE, O.K.?

>> COME ON, LET'S GO.

>> NO, YOU GO!

>> BOTH OF YOU GET OUT!

>> COME ON.

LET'S TALK ABOUT IT OUTSIDE,

RUDY, COME ON.

COME ON.

WHAT?

YOU'RE A HOBO NOW?

>> SO WHAT?!

>> WHAT DO YOU MEAN, SO WHAT?

>> I CAN STILL HEAR YOU GUYS!

GO AWAY!

>> COME ON, LET'S GO, COME ON.

[INDISTINCT VOICE FROM TV]

>> [CHUCKLES] NICE ROBE.

>> YEAH, YOU TOO.

[*...]

>> Rudy: I, UM, I HAD TO DO

THE VALET.

>> Paul: YOU DID THE VALET?

>> YEAH.

>> YOU NEED SOME MONEY?

>> PROBABLY.

>> O.K.

CAN BE DONE.

WHY DON'T YOU STAY HERE FOR

A FEW DAYS?

>> [SCOFFS]

>> WHAT?

>> I DON'T THINK SO.

>> WHY NOT?

DO IT, STAY.

THEY'LL JUST RUN MY CREDIT

CARD WHEN YOU CHECK OUT.

IT'S NOT A BIG DEAL.

>> YEAH?

>> OF COURSE.

HOW LONG DO YOU NEED TO STAY

HERE FOR?

THREE OR FOUR DAYS?

>> YEAH, I GUESS.

>> OR WHAT, A WEEK?

>> I DON'T KNOW.

SOMETIMES IT TAKES A WHILE TO

FIND A PLACE, YOU KNOW.

>> WELL, IT'S NOT GONNA BE LIKE

A MONTH, IS IT?

>> WHY, IS THAT GONNA BREAK

THE BANK?

>> HERE, STAY AS LONG AS YOU

NEED TO STAY, ALL RIGHT?

GOTTA GET OUT OF THAT SHITHOLE

CAR OF YOURS, THAT'S THE MOST

IMPORTANT THING RIGHT NOW.

>> HEY, SO, YOU SHOWED YOUR

AGENT LOVERS OF HATE, RIGHT?

I MEAN, HE WOULD READ IT, RIGHT,

IF YOU SHOWED IT TO HIM?

I MEAN, SHOULD I GO THROUGH YOU?

I MEAN, SHOULD I SEND IT TO...

I SHOULDN'T GO THROUGH YOU?

I MEAN, I SHOULDN'T SEND IT

TO HIM DIRECTLY, RIGHT?

I SHOULD DEFINITELY SHOW IT...

I SHOULD GIVE IT YOU AND YOU CAN

SEND IT TO HIM AND... RIGHT?

HE WOULD TOTALLY LOOK AT IT,

RIGHT?

HE WOULD, HE WOULD...

>> WHY DO YOU THINK I'M AN

IDIOT?

>> I DON'T, I DON'T THINK YOU'RE

AN IDIOT.

>> THEN WHAT WOULD I BE

SHOWING HIM?

>> THE BOOK.

>> THE BOOK, I SEE.

SO, THAT'S THE BIG PLAN?

GONNA GO UP TO THE HOTEL ROOM

FOR A WEEK AND WRITE A BOOK?

HMM?

IT'S NOT THAT EASY, RUDY,

IT'S NOT.

YOU'D ACTUALLY KNOW THAT IF

YOU'D WRITTEN ANYTHING.

>> [SCOFFS] OH, HELLO!

I THINK I'VE WRITTEN PLENTY,

O.K.?

I WAS WRITING SHIT BEFORE YOU

WERE BORN.

I HAD IDEAS WAITING FOR YOU,

O.K.

>> IDEAS, RUDY, GAMES.

STUFF, YOU KNOW, KIDS TALK ABOUT

WHEN THEY'RE BORED.

THAT'S NOT, THAT'S NOT WRITING.

>> BECAUSE I NEVER WROTE

ANYTHING DOWN ON PAPER THAT

MEANS MY CONTRIBUTION TO THE

INVISIBLE KIDS IS NULL AND VOID?

I DON'T THINK SO.

>> RUDY, EVERY SINGLE BOOK IS

DEDICATED TO YOU.

EVERY SINGLE ONE.

>> WOW, WHO IS RUDY LUCAS, YOU

KNOW?

HE COULD BE GRAMPS.

HE COULD BE A SON, HE COULD

BE A NEPHEW, HE COULD BE A

PATERNAL COUSIN.

>> YOU'RE RIGHT, YOU'RE RIGHT.

GOOD POINT.

NEXT TIME I'M GONNA PUT A HUGE

FUCKING PICTURE OF YOU ON THE

BACK OF THE BOOK AND IT'S GONNA

SAY, "THIS IS RUDY LUCAS!"

IS THAT WHAT YOU WANT?

>> HEY, YOU NEVER SHOWED HIM THE

OUTLINE, DID YOU?

YOU NEVER SHOWED YOUR AGENT

LOVERS OF HATE.

>> RUDY, SIX YEARS AGO, WHEN

YOU WROTE IT, YEAH, I SHOWED IT

TO HIM.

SINCE THEN, NO, IT HASN'T

COME UP.

>> WHY DON'T YOU JUST HELP ME?

>> YOU WANT ME TO HELP YOU?

>> LET'S GO UP TO UTAH.

COME ON, WE'LL SPEND A WEEK,

WE'LL...

THERE'S PLENTY OF ROOMS AT THIS

PLACE, RIGHT?

>> LIKE RIGHT NOW?

>> YES!

>> I CAN'T RIGHT NOW.

I CAN'T.

I GOT A HUGE DEADLINE SWIRLING

OVER ME, I CAN'T DO ANYTHING

RIGHT NOW.

I'M SORRY.

RUDY...

>> CATCH YOUR FUCKING PLANE!

[*...]

>> HEY, MR. LUCAS!

BEST ONE YET!

>> GLAD YOU LIKE IT!

>> KEEP 'EM COMING!

>> ALL RIGHT!

>> YOU DA MAN!

[*...]

[*...]

>> SIX HOURS?

FUCK.

FIVE CDs?

THAT SHOULD TAKE ME TO...

DURANGO.

[*...]

>> Paul: MAX...

MAX...

MAX...

MAX...

MAX...

[ON CD]: Max was scared, but his

mission was clear...

Infiltration.

He had to join the Rift-warriors

as a young recruit, discover

their secrets and destroy their

base at the Great Western

Rift...

>> Rudy: I COULD WRITE THIS SHIT

IN MY SLEEP.

COME ON, YOU'RE NOT EVEN

THROWING IN SCARY SHIT.

SCARY SHIT... THAT'S WHAT KIDS

LIKE, THEY LIKE SCARY SHIT.

THIS IS NOT SCARY.

>> ...he was scared, but he had

learned to be brave.

Bravery came from being lonely.

It came from being the only one

who knew about the world beyond

the Rifts.

It made him the only one who

could help the Invisible Kids

win this war...

Riftwar.

This was it.

It could no longer be avoided.

But first...

>> WHY ARE YOU READING THIS?

YOUR VOICE SUCKS.

YOU COULDN'T GET PETER COYOTE

OR, LIKE, SOMEONE?

YOU KNOW, YOU COULDN'T GET SOME

HOLLYWOOD STAR?

YOU COULDN'T GET A HOLLYWOOD

STAR TO DO THIS?

[PHONE RINGS]

>> Paul on phone: Diana?

>> HI.

>> HEY.

>> I was just wondering...

I DO WANT TO TALK.

>> O.K.

>> IN PERSON.

>> YEAH, DEFINITELY.

[CARS PASSING]

>> HEY.

HAVE YOU EVER HEARD OF A PLACE

CALLED... EAGLE, EAGLE RUN?

>> EAGLETOP MANOR?

>> I THINK THAT'S IT.

>> YEAH, ABOUT 15 MINUTES UP THE

MOUNTAIN THAT WAY.

>> OH, I HAVE TO GO UP THE

MOUNTAIN MORE, UP THE MOUNTAIN?

[*...]

ALL RIGHT.

LET'S CRASH THIS ASSHOLE COLONY.

YEAH, I'M WITH HER, ASSHOLE.

YEAH.

>> HI, CAN I... HEY!

HEY!

[CAR HORN BEEPS]

YEAH, I SEE YOU, PAL.

I'M JUST SOME GUY.

I'M JUST DRIVING, I'M JUST

DRIVING AROUND, JUST DRIVING.

JUST SOME FUCKING GUY LOOKING

FOR A FUCKING CELEBRITY'S HOUSE,

THAT'S ALL, O.K.?

[BEEPING CONTINUES]

ALL RIGHT, ALL RIGHT, I SEE YOU.

JESUS.

[BEEPING CONTINUES]

[SOFTLY] FUCK.

>> HEY!

HEY, YOU MIND SHUTTING THAT OFF?

HEY, YOU REMEMBER ME?

REMEMBER THIS FACE?

YOU BLEW MY IT ABOUT

20 MINUTES AGO.

>> YEAH, YEAH, I'M SORRY ABOUT

THAT.

>> I'VE BEEN FOLLOWING YOU IN MY

BIG-ASS RED CAR, FLASHING MY

BRIGHTS.

>> YEAH, LOOK, I'M JUST, I'M

HERE TO SEE MY BROTHER, SO...

>> YEAH?

>> KINDA WANTED TO SURPRISE HIM.

>> WHO'S YOUR BROTHER?

>> UH, WELL HE'S STAYING

UP HERE, HE'S...

>> WELL, WHO IS HE?

I KINDA NEED TO KNOW.

>> PAUL LUCAS.

YOU KNOW PAUL LUCAS?

>> COULD I SEE YOUR I.D.,

PLEASE?

IS THIS REALLY YOU?

>> THAT'S ME.

>> YOU'RE RUDY LUCAS?

>> YES.

>> YOU'RE THE RUDY LUCAS?

>> WHAT DO YOU MEAN,

"THE" RUDY LUCAS?

>> AS IN THE RUDY LUCAS THAT

GETS DEDICATED TO IN ALL PAUL'S

BOOKS, THAT'S YOU?

>> YEAH, YOU... YOU READ THAT,

YOU READ THE DEDICATION PAGE?

>> OF COURSE I READ THE

DEDICATION.

I'VE READ THOSE BOOKS FIVE

TIMES.

>> WOW.

YEAH, THAT'S ME.

>> WOW.

>> WHAT'S YOUR NAME AGAIN?

>> IT'S DEXTER.

>> DEXTER. >> YEAH.

>> DEXTER, YOU'RE A REAL

MAX-HEAD, AREN'T YOU?

>> YEAH, I MEAN, YOU COULD SAY

THAT.

>> WHAT WOULD YOU SAY IF I TOLD

YOU THAT I HAD THE ORIGINAL

MAXMILLIAN AND THE INVISIBLE

KIDS COMIC HERE IN THE CAR

WITH ME?

>> YOU SHITTING ME?

>> WOULD THAT BE SOMETHING YOU

MIGHT BE INTERESTED IN?

HOW ABOUT I FOLLOW YOU AND I

SHOW IT TO YOU?

>> ARE YOU KIDDING? YEAH...

>> THAT SOUND ALL RIGHT?

EXCEPT I DON'T WANT, I DON'T

WANT HIM TO SEE THE CAR.

WHAT DO YOU SAY?

>> O.K. >> YEAH?

>> LET'S DO IT. >> ALL RIGHT.

>> O.K., FOLLOW ME.

I KNOW A PLACE.

O.K., ON THREE, O.K.?

>> O.K., IT'S VERY FRAGILE,

ALL RIGHT?

>> I REALIZE, I REALIZE.

O.K., ONE, TWO, THREE.

[SOFTLY] AWESOME...

AWESOME.

MAN, SEBASTIAN'S GONNA KILL ME.

OH!

IT'S A RIFT-WARRIOR.

HE'S LIME-GREEN,

HE'S TURQUOISE NOW. >> HEY!

IT'S NOT A PORN MAG, ALL RIGHT?

IT'S A COMIC!

>> WHAT THE FUCK?

I'M NOT EVEN DONE YET.

THIS IS BULLSHIT!

>> HEY, THIS IS LIFE!

I GET MY SURPRISE,

YOU GET YOUR COMIC.

HEY, I WAS NEVER HERE.

AS FAR AS PAUL IS CONCERNED,

YOU DON'T KNOW ME... >> MM-HMM.

>> YOU NEVER TALKED TO ME.

>> FINE, MAN.

>> HEY.

PROMISE?

>> YEAH, I PROMISE.

>> DEXTER. >> YEAH?

>> I'LL LET YOU BORROW IT.

DEXTER...

>> I'M SURE YOU WILL.

>> I'LL LET YOU BORROW IT.

I'M SERIOUS, NOT A WORD!

[ALARM BEEPS]

[ALARM BEEPS]

[*...]

[MUSIC PLAYING ON TV]

[*...]

[ALARM BEEPS]

>> Paul on recording: "What do

you want from me?

I don't have the Shardof

Abraxas, I..."

[CASSETTE CLICKS OFF]

[GARAGE DOOR OPENING]

[ALARM BEEPS]

>> Diana: OH, MY GOD, PAUL, LOOK

WHERE WE ARE!

OH, MY GOD, THIS PLACE IS

INCREDIBLE.

THIS IS AMAZING.

>> Paul: SAVE SOME ADJECTIVES

FOR THE REST OF THE PLACE.

YOU WANNA GO TO MY ROOM?

>> NO.

>> NO?

RIGHT HERE?

>> YEAH.

>> DO YOU HAVE A CONDOM?

>> AS A MATTER OF FACT, I DO.

[MOANING AND PANTING]

[MOANING AND PANTING CONTINUES]

[MOANING AND PANTING SUBSIDE]

[DIANA CHUCKLES]

[SOFTLY] OH, MY GOD.

GOD, I CAN'T BELIEVE YOU HAVE

THIS WHOLE PLACE TO YOURSELF.

>> NOT ANYMORE.

>> YEAH.

>> WHAT?

>> WHAT?

I JUST SAID "YEAH."

>> DID YOU MEAN SOMETHING BY IT?

>> NO.

NO.

>> [SOFTLY] ALL RIGHT.

I'M GONNA GO TAKE THIS

THING OFF.

>> O.K.

I FEEL REALLY WEIRD.

>> I KNOW.

I KNOW.

>> I FEEL REALLY WEIRD.

>> I DO TOO.

BUT I ALSO FEEL GOOD.

YOU KNOW, LIKE, REALLY GOOD.

KINDA FEEL LIKE I'M GLOWING.

[CHUCKLES]

DO I LOOK LIKE I'M GLOWING?

>> YEAH, A LITTLE BIT.

>> LITTLE BIT?

>> YOU KNOW, I JUST...

>> YEAH, I MEAN, IT'S INTENSE,

YOU KNOW.

BUT, AT THE SAME TIME, YOU KNOW,

YOU CAN DO WHAT YOU WANNA

DO NOW...

YOU KNOW.

YOU DON'T NEED TO...

YOU DON'T NEED TO GET

SOME SORT OF...

>> YEAH, YOU KNOW WHAT?

NEVER MIND.

FORGET IT.

I DON'T WANNA TALK ABOUT IT.

O.K., SORRY.

I KNOW.

YOU WANNA TAKE THAT OFF.

>> I'M GONNA GO TAKE CARE OF IT.

I'LL BE RIGHT BACK. >> O.K.

[SIGHS DEEPLY]

[PAUL URINATING]

[TOILET FLUSHES]

[ALARM BEEPS]

>> YOU JUST HAD YOUR ONE BAG,

RIGHT?

>> Diana: YEAH, AND MY PURSE!

>> RIGHT, GOT IT.

[MUFFLED SCREAMING]

>> Paul: SO IS THERE ANYTHING

ELSE YOU WANNA DO WHILE YOU'RE

UP HERE?

LIKE OUTDOOR STUFF?

SLEDDING... SNOWSHOE...

SKIING?

>> SKIING? DO YOU SKI?

>> I DON'T SKI, NO.

I FIND THE TREES VERY

UNFORGIVING.

ESPECIALLY WHEN YOU HURL INTO

THEM AT 30 MILES AN HOUR.

VERY STUBBORN.

>> YEAH. I THINK THE ONLY TIME I

WENT SKIING WAS WITH RUDY,

AND HE WAS OUTSIDE ALL DAY SO HE

GOT HORRIBLY SUNBURNT.

>> YEAH. >> YOU KNOW, FROM THE

REFLECTION OF THE SUN.

>> I THINK OUR MOM SENT US A

PICTURE OF THAT.

HE LOOKED LIKE THIS BIG, SWOLLEN

TOMATO IN A PARKA.

>> YEAH. >> IT WAS RIDICULOUS.

>> THAT'S THE FIRST TIME I SAID

HIS NAME SINCE I GOT HERE.

>> YEAH.

>> DON'T YOU FIND THAT A LITTLE

WEIRD? >> NOT ESPECIALLY.

I THINK IN A WAY, IT'S KIND OF

NECESSARY.

>> FOR WHAT?

>> YOU KNOW, NECESSARY FOR

GETTING OVER THE TRAUMA OF BEING

WITH A PERPETUAL RESENTMENT

MACHINE FOR SO LONG.

>> HE'S NOT THAT BAD.

>> DIANA, COME ON.

HE'S SO BITTER RIGHT NOW HE'S

LIKE A UNRIPENED OLIVE.

>> I KNOW, I KNOW.

WELL, HE DOESN'T HAVE ANY ACTUAL

FRIENDS, YOU KNOW?

AND HE MADE ME HIS ONLY SOCIAL

COMMITMENT TO THE OUTSIDE WORLD

'CAUSE HE DOESN'T LIKE ANYONE OR

TRUST ANYONE BUT ME.

BUT HE HAS ALL THESE PEOPLE HE

LOVES TO PICK APART AND DESPISE.

>> I KNOW.

I'M NUMBER ONE ON THAT LIST

RIGHT NOW.

>> NO, YOU'RE NOT.

>> I KNOW HE HATES ME.

>> HE JUST DOESN'T KNOW HOW TO

DEAL WITH HAVING A FAMOUS

BROTHER.

>> WELL, I DON'T KNOW HOW TO

DEAL WITH HAVING A LOSER

BROTHER.

THAT WAS MEAN, I'M SORRY.

I'M SORRY.

LET ME GRAB THIS.

YOU DONE WITH THIS? >> YEAH.

[DISHES CLATTER]

>> COME ON, LET'S GO TO BED.

ALL RIGHT, THIS IS MY BOUDOIR.

I FUCKING LOVE THIS ROOM.

I LOVE THIS BED, TOO.

IT'S FIRM.

THESE PILLOWS.

I'M DROWNING!

[DIANA CHUCKLES]

I'M DROWNING IN PILLOWS.

>> I THINK MAYBE I SHOULD HAVE

MY OWN BED.

>> REALLY?

>> I KNOW IT SEEMS KINDA NUTS

AFTER WHAT WE JUST DID, BUT...

I JUST HAVEN'T SLEPT IN A

BED WITH ANYONE ELSE, YOU KNOW,

BESIDES HIM FOR YEARS NOW.

IT'S KIND OF BIG.

>> THAT'S BIG?

>> YEAH, IT IS.

>> O.K.

PLENTY OF BEDROOMS TO CHOOSE

FROM. >> O.K.

>> ALL RIGHT.

[DOOR OPENS]

THIS IS IT.

>> IT'S NICE, THANKS.

>> YEAH. THIS IS THE BEDROOM

FURTHEST FROM MINE, SO...

[CHUCKLES]

>> KNOCK IT OFF.

I'M SORRY. >> IT'S O.K.

>> I KNOW IT'S WEIRD, BUT YOU

KNOW...

>> I KNOW.

UM, YEAH, SO THIS THING, IF YOU

NEED ANYTHING, THIS THING IS A

PHONE AND AN INTERCOM.

YOU KNOW?

SO IF YOU PRESS 3-1-1 AND THEN

INTERCOM, IT PAGES THROUGHOUT

THE WHOLE HOUSE.

SO YOU COULD SAY,

"UM, HELLO, PAUL?

THIS IS DIANA...

FROM DOWNSTAIRS."

>> [CHUCKLES]

>> ALL RIGHT?

>> THANKS.

>> YOU'RE WELCOME.

CAN I GET A GOOD NIGHT KISS?

>> YOU WANT ONE?

>> MM-HMM.

>> O.K.

[*...]

[KISS]

>> HAVE A GOOD NIGHT.

>> O.K.

>> SEE YOU TOMORROW.

>> YEAH... O.K.

>> GOOD NIGHT.

>> NIGHT.

[*...]

[THUD]

>> PAUL?

PAUL?

PAUL?

PAUL, DON'T SCARE ME.

PAUL, DON'T FUCK AROUND.

ARE YOU IN THERE?

[*...]

OH, FUCK THIS.

[*...]

PAUL?

HEY, PAUL?

ARE YOU IN THERE?

PAUL?

[CELL PHONE RINGS]

OH, SHIT.

RUDY, IT'S 2:00 IN THE MORNING.

>> I KNOW, I KNOW.

I JUST HAD TO TALK TO YOU.

I JUST HAD TO TALK TO YOU.

I JUST...

>> WHY?

>> WELL, BECAUSE I...

I SEE IT NOW.

YOU KNOW, I SEE, I SEE WHY THAT

YOU COULDN'T BE WITH ME.

BECAUSE...

..to think and reflect,

but you're right.

You're right!

It's bitterness!

Bitterness is the enemy of life,

it's like you said.

You said that so many times and

now I see it.

I see what you mean!

>> NOW YOU GET IT?

NOW YOU UNDERSTAND?

I DON'T HAVE TO FEEL BAD?

>> NO, NO, NO.

I GET IT NOW, I GET IT...

[WHISPERS] I TOTALLY GET IT.

SEE?

AND I JUST NEED YOUR HELP.

I JUST NEED YOUR HELP TO...

YOU KNOW, TO BE THE BETTER

PERSON.

TO BE THE KIND OF PERSON YOU

WANT ME TO BE.

I CAN'T BE THAT PERSON UNLESS

YOU HELP ME, O.K.?

DIANA?

I need you to help me.

>> I CAN'T HELP YOU ANYMORE.

>> UM, O.K.

I CAME BY THE HOUSE TONIGHT.

>> WHY DID YOU DO THAT?

YOU CAN'T KEEP COMING BY THE

HOUSE.

>> I WANTED TO TELL YOU THIS

IN PERSON.

WHERE ARE YOU?

WHERE ARE YOU?

>> [EMOTIONALLY] I GOTTA GO.

>> Diana... the bed is too big

without you.

>> I GOTTA GO.

I CAN'T DO THIS ANYMORE,

I GOTTA GO.

>> IS EVERYTHING ALL RIGHT?

[CELL PHONE RINGS]

[DIANA SIGHS]

[PHONE CONTINUES RINGING]

[*...]

[MOANING AND KISSING]

>> Paul: I CAN'T.

I CAN'T RIGHT NOW.

I'M CHAFING.

>> [CHUCKLES] WHAT?

>> I AM.

I'M STARTING TO CHAFE.

>> FUCK YOUR CHAFING!

>> THAT'S EXACTLY WHAT YOU'LL BE

DOING.

YOU'LL BE FUCKING A GIANT

DICK-CALLUS.

>> EW, GROSS.

>> LET'S JUST GIVE A REST FOR A

WHILE, SHALL WE?

>> YEAH... OLD MAN.

>> YOU KNOW, THAT'S WHAT I'D

LIKE TO BECOME AN OLD MAN,

INSTEAD OF DYING IN YOUR VAGINA

AT 35.

>> YOU HAVE NO SENSE OF ROMANCE.

>> YEAH, WELL, I GOTTA TAKE THIS

RUBBER OFF MY COCK.

[*...]

[TOILET FLUSHES FROM ABOVE]

[*...]

>> Diana: THIS IS DEFINITELY THE

BEST BEDROOM IN THE HOUSE.

>> Paul: YEAH, THE SUN RISES

RIGHT THERE, BETWEEN THE TREE

AND THE HOUSE THERE.

AND THAT WHOLE AREA BEHIND IT

JUST FILLS UP WITH THIS GORGEOUS

BLUE, PURPLE, PINK AND THEN BLUE

LIGHT RIGHT BEHIND IT.

IT'S REALLY PRETTY.

[KISS]

[*...]

[MUFFLED MUSIC THROUGH

HEADPHONES]

>> Paul: WHOA!

>> Diana: PAUL?

>> DIANA?

>> WHERE ARE YOU?

>> I'M DOWN HERE.

I WANT TO SHOW YOU SOMETHING.

>> WHAT?

WHAT?

WHAT IS IT?

WHAT?

>> DID YOU LEAVE THIS FOR ME?

>> WHAT?

OH, WHAT THE FUCK!

>> [CHUCKLES]

>> ARE YOU JOKING?

>> YOU TOTALLY POOP-PRANKED ME.

>> WHY WOULD I DO SOMETHING

LIKE THAT?

>> 'CAUSE IT'S FUNNY.

>> O.K., I DIDN'T JUST LEAVE

SHIT IN YOUR TOILET.

>> WHEN IT'S YELLOW, LET IT

MELLOW, WHEN IT'S BROWN, YOU

GOTTA FLUSH IT DOWN.

>> THAT'S NOT MY SHIT.

THAT'S YOUR SHIT.

>> ARE YOU SUGGESTING THAT I'M A

POOP-PRANK DOUBLE-AGENT?

>> I'M NOT SUGGESTING...

>> THAT I'M TRYING TO MESS WITH

YOUR MIND? >> WHAT ARE

YOU DOING?

>> THAT I SHAT, ONLY TO HAVE

ACCUSED YOU OF HAVING SHAT!

>> WHY ARE YOU GOING TO LEAVE ME

HERE... >> THIS SUMMER, ONE TURD

TELLS THE STORY...

>> HEY, KNOCK IT OFF.

COME ON, IT'S NOT EVEN FUNNY.

>> ADMIT THAT IT'S YOURS AND

I'LL FLUSH IT DOWN. >> NO!

IT'S NOT MINE!

LET ME OUT!

>> WHY YOU GETTING ALL MAD?

>> JUST... IT'S NOT MINE!

>> IS IT REALLY NOT YOURS?

>> IT'S REALLY NOT MINE!

>> DIANA!

HEY, DIANA.

I'M SORRY.

DIANA?

I PROBABLY SHAT THERE A FEW DAYS

AGO AND FORGOT TO FLUSH IT DOWN.

O.K.?

I'M THE SHITTER!

DIANA, I'M THE SHITTER!

I'M GONNA FLUSH IT DOWN

RIGHT NOW!

[*...]

HEY...

YOU WANT A SMOOTHIE?

>> NO, THANKS.

>> YOU SURE?

I'M GONNA MAKE IT WITH BANANA,

ALMOND AND STRAWBERRIES.

NO?

IT MAY VERY WELL BLOW YOUR MIND.

>> NO, THAT'S O.K.

>> WHAT YOU READING THERE?

YOU FOUND SOMETHING TO EAT?

>> YEAH, I FOUND THIS RECIPE FOR

SCALLOPS AND I WANT TO MAKE

SCALLOPS TONIGHT.

>> FOR DINNER?

>> MM-HMM.

>> THAT SOUNDS GOOD.

WHAT DO WE NEED FOR THAT?

>> SCALLOPS.

>> KINDA FIGURED THAT.

WHAT ELSE?

>> UM, WELL, YOU'VE PRETTY MUCH

ALREADY GOT EVERYTHING IN THERE

EXCEPT FRESH DILL AND CILANTRO.

>> CILANTRO, ALL RIGHT.

>> AND I COULD MAKE A SALAD AND

SOME ROASTED POTATOES, BUT I

NEED FRESH ROSEMARY FOR THAT.

>> THAT SOUNDS DELICIOUS.

I THINK THE DICK IN MY STOMACH

JUST GOT HARD. >> [CHUCKLES]

>> HERE, I HAVE A PROPOSAL.

HOW DOES THIS SOUND?

WHY DON'T YOU MAKE A LIST OF

EVERYTHING YOU NEED, AND I CAN

GO INTO TOWN AND GET IT AND YOU

CAN STAY HERE AND YOU CAN READ

THE FIRST SIX CHAPTERS OF THE

FINAL MAX BOOK.

>> SIX CHAPTERS?

>> YEAH, FINISHED THE LAST

CHAPTER RIGHT BEFORE YOU

GOT HERE.

>> WOW.

>> INTERESTED?

>> I LOVE THIS PLAN.

>> I LOVE YOU.

>> WHAT WAS THAT?

>> I DON'T KNOW.

MAYBE IT WAS THE WIND OR

SOMETHING.

I'M GONNA GO GET DRESSED.

[SNAPS FINGERS]

...AND THEN JUST SCROLL DOWN

HERE WHEN YOU GET TO THE END OF

THE PAGE.

>> O.K., GREAT.

>> AND DID YOU READ THE LAST

ONE?

>> DO I HAVE TO HAVE READ THE

LAST ONE?

>> WELL, NO.

BUT THERE'S ENOUGH OF A

REFRESHER IN THE FIRST FEW

CHAPTERS, I THINK, TO BRING YOU

UP TO SPEED.

AND THERE'S ALSO THE MAX-HEAD

WEBSITE.

IF YOU'RE CONFUSED BY ANYTHING,

THEY HAVE PLOT BREAKDOWNS FOR

ALL THE BOOKS.

>> THERE'S A WEBSITE?

>> OH, YEAH, THERE'S A LOT OF

WEBSITES. >> JESUS.

PEOPLE HAVE SOME TIME ON THEIR

HANDS.

>> YUP, I'M ONE OF THEM.

>> I KNOW, IT'S GREAT.

I'M SORRY.

>> ALL RIGHT, ENJOY.

NOTHING MISSING FROM THIS LIST?

>> NOPE.

>> POSITIVE? >> POSITIVE.

>> I'M NOT GONNA GET A HUGE PILE

OF SHIT FROM YOU IF THERE'S

SOMETHING MISSING, RIGHT?

>> PILE OF SHIT?

>> [SOFTLY] IT'S A JOKE.

>> [GROANS] GET OUT OF HERE.

>> ALL RIGHT, ENJOY.

I'LL SEE YOU SOON.

>> BYE.

[ALARM BEEPS,

DOOR OPENS AND SHUTS]

>> Dexter: HEY, PAUL!

>> ALL RIGHT.

[*...]

[TEAKETTLE WHISTLES]

>> HEY, DEXTER.

>> HEY, MR. LUCAS.

HOW'S IT GOING?

>> GOOD, MAN, HOW YA DOING?

>> DOING GREAT.

>> COOL. >> YEAH.

>> EVERYTHING ALL RIGHT?

>> YEAH, YEAH, EVERYTHING'S,

EVERYTHING'S WONDERFUL.

GREAT.

>> MM-HMM.

>> YOU WANNA OPEN UP THE GATE

FOR ME?

>> YEAH, YEAH.

UM, I WAS JUST WONDERING,

YOU KNOW, DID YOU GET YOUR

SURPRISE?

>> WHAT SURPRISE?

>> OH.

>> WHAT SURPRISE?

[TEA KETTLE WHISTLING]

[*...]

[CELL PHONE RINGS]

>> Automated voice: You have one

unheard message.

>> Paul on phone: Rudy, are you

in my house?

Are you in my fucking house?

You...

call me back!

[ALARM BEEPS]

...DIANA!

>> HEY! >> HEY.

>> I LOVE IT!

>> WHAT?

>> YOUR BOOK, IT'S GREAT!

>> OH, O.K., THANKS.

ARE YOU O.K.?

>> YEAH.

>> EVERYTHING'S FINE?

>> YEAH.

DID YOU JUST TRY TO CALL ME?

>> NO, I WAS...

[CELL PHONE RINGS]

ONE SEC.

HERE, HOLD ON ONE SEC.

>> HEY...

I'M TRYING TO TELL YOU YOU'RE

BRILLIANT.

>> Paul: RUDY.

>> OH, HEY, HEY, LITTLE BRO,

WHAT'S UP?

>> ARE YOU IN MY HOUSE

RIGHT NOW?

>> Ah, your house?

When did it start becoming your

house?

I THOUGHT YOU WERE JUST

BORROWING THIS PLACE TO HANG OUT

IN FOR A WHILE.

>> Are you here right now?

>> UH, WELL, YOU KNOW, I LEFT A

LITTLE EARLIER, ACTUALLY.

BOY, IT'S A BIG PLACE, MAN.

I MEAN, JEEZ, IT'S KINDA BIG FOR

A LITTLE PAULIE-WOG, DON'T YOU

THINK?

>> WHY THE HELL DID YOU COME UP

HERE, RUDY?

>> Well, I just needed to get my

head straight, you know?

GETTING ON THE ROAD HAS ALWAYS

HELPED ME WITH THAT.

YOU REMEMBER ALL THE

CRISS-CROSSING I DID WITH DI,

BEFORE I SETTLED DOWN, YOU KNOW?

YOU KNOW, I JUST GET IN THE CAR

AND GO, MAN, YOU KNOW,

I JUST GO.

>> SO, WHERE ARE YOU RIGHT NOW?

>> UH, RIGHT NOW?

I'M IN SOUTHERN UTAH.

I'm near Moab.

YOU KNOW, I COULD BE BACK IN

TIME FOR DINNER.

>> TONIGHT?

NO, I'M ACTUALLY FLYING TO

NEW YORK TONIGHT.

>> Oh, yeah, New York, huh?

OH, THAT'S TOO BAD.

>> YEAH.

So, you came into my house...

YOU WAITED AROUND FOR A FEW

MINUTES AND THEN YOU JUST TOOK

OFF WITHOUT WRITING A NOTE OR

CALLING OR ANYTHING?

>> Well, you know, I just got in

there for a few minutes and I

said, you know what?

He's busy, he's got writing

to do...

HE'S GOT A DEADLINE!

YOU KNOW, AND I DON'T WANT TO

BURDEN YOU, I DON'T WANT TO

BOTHER YOU OR ANYTHING, SO I

DON'T WANT TO...

>> UH-HUH.

SO, WHAT ARE YOU...

ARE YOU GOING HOME NOW?

>> UH, YEAH, I'LL GO HOME.

I'LL... I'LL PROBABLY STOP OFF

AT CARLSBAD CAVERNS, YOU KNOW,

DO THAT.

THAT'LL BE COOL.

>> ALL RIGHT, LET ME KNOW IF YOU

NEED ANYTHING.

OH, I HAVE ONE LAST QUESTION

FOR YOU.

DID YOU TAKE A HUGE SHIT IN THE

DOWNSTAIRS BATHROOM AND FORGET

TO FLUSH?

>> [LAUGHS] OH, YEAH.

POOP-PRANK!

WELL, I GUESS I MANAGED TO

SURPRISE YOU AFTER ALL, HUH?

>> YOU ARE ONE DISGUSTING,

FILTHY, USELESS SLOB OF A HUMAN

BEING, DO YOU KNOW THAT?

>> BACK AT YOU, BRO,

BACK AT YOU.

>> All right, man, well, be

safe, I'll talk to you soon.

>> ALL RIGHT, MAN.

CHECK YOU LATER.

[SOFTLY] FUCK, FUCK.

>> Diana: HEY, WHO WERE YOU

TALKING TO?

>> ABBAS, MY ASSHOLE AGENT.

>> WELL, SHOULD I JUST START

UNLOADING THE GROCERIES?

>> NO, NO, I'LL BE UP THERE IN

A SEC. >> O.K.

[*...]

[BAGS RUSTLING]

>> Paul: THERE ARE JUST TWO MORE

BAGS UP THERE.

>> Diana: O.K.

I LOVE THAT KIDS ARE READING

THIS KIND OF STUFF.

IT'S SO DENSE, WITH ALL THE

DIFFERENT CLANS AND WEAPONS AND

ALL THAT STUFF.

>> WHERE DID ALL THE TEXT GO?

>> IS THAT THE RIGHT THING?

>> YEAH. DID YOU DELETE IT?

>> NO, I DIDN'T DELETE IT.

I WAS JUST READING IT.

ARE YOU SURE THAT, THAT'S THE

RIGHT ONE?

>> YEAH, IT'S RIGHT...

YOU GOTTA BE CAREFUL WHICH

BUTTONS YOU'RE PRESSING HERE.

>> I WAS CAREFUL.

OH, MY GOD, DO YOU HAVE IT

BACKED UP SOMEWHERE?

>> YEAH, I GUESS THERE'S AN

AUTO-SAVE THING.

LET ME LOOK THAT UP.

>> THAT'S WHERE I WAS.

>> YEAH, THAT'S WHERE I LEFT OFF

EXACTLY.

>> OH, THANK GOD.

>> YOU GAVE ME A HEART ATTACK

OVER HERE.

>> ME TOO!

I DIDN'T DO ANYTHING.

>> YOU GOTTA BE CAREFUL WHAT

BUTTONS YOU'RE PRESSING, BABY.

THIS IS MY LIVELIHOOD.

>> OH... [KISS]

>> THIS IS HOW I PAY THE RENT.

>> I SWEAR I DIDN'T TOUCH

ANYTHING. >> YOU SWEAR?

>> I SWEAR.

WHAT ARE YOU DOING?

>> NOTHING.

READY?

HERE, THREE, TWO, ONE.

[BEEPING, CLICK]

>> WHAT WAS THAT?

>> OH, THAT CAME OUT AWESOME.

>> OH, WOW.

WHAT DO YOU PROPOSE WE DO WITH

THIS FANTASTIC DEVICE?

>> I DON'T KNOW.

WHAT DO YOU PROPOSE?

>> I COULD THINK OF SOME THINGS.

>> A LITTLE BIT OF THIS?

[KISSING]

>> O.K., I GOT AN IDEA.

TAKE OFF YOUR PANTS.

>> WHAT?

>> TAKE OFF YOUR PANTS.

>> REALLY? >> YEAH.

AND THEN JUST PUT IT ON MY

SHOULDER.

>> YOU'RE OUT OF YOUR MIND.

>> NO, COME ON, DO IT.

>> REALLY? >> YEAH.

IT'LL BE GREAT!

PUT IT ON MY SHOULDER AND I'LL

ACT ALL SHOCKED LIKE,

"OH, MY GOD!

IT'S SO BIG!

OHH!"

>> ALL RIGHT, TAKE THE PICTURE.

>> O.K.

[BEEPING, CLICK]

[BOTH LAUGHING]

THAT'S AWESOME!

O.K., LET'S DO MORE.

>> NO! >> YES!

>> NO, I CAN'T!

>> ONE MORE, YEAH, YOU CAN!

COME ON.

>> WHAT DO YOU HAVE IN MIND?

>> I DON'T KNOW.

I'M GONNA TAKE THIS OFF.

Diana: OH, THAT'S GREAT...

[LAUGHS]

>> Paul: THIS IS ABJECT

PORNOGRAPHY.

>> Diana: IT IS.

>> I THINK I JUST FOUND OUR NEW

CAREER PATH.

>> IS THAT MY CAREER PATH?

>> UH-HUH.

AND IT'S MAKING ME HORNY AGAIN.

>> [CHUCKLES, KISS]

O.K., HOW DO YOU DELETE THEM?

>> WHAT DO YOU MEAN?

>> I'M NOT LETTING YOU KEEP

THESE ON YOUR COMPUTER.

>> WHY NOT?

>> BECAUSE I SAY SO.

>> WHAT, YOU DON'T TRUST ME?

>> I TRUST YOU RIGHT NOW.

BUT PAST THIS WEEKEND,

I DON'T KNOW.

>> YOU CAN TRUST ME PAST

THIS WEEKEND.

WHAT? YOU CAN TRUST ME WAY PAST

THIS WEEKEND.

WAY, WAY, WAY PAST.

>> I THINK AN OUTSIDE OBSERVER

WOULD BE HARD-PRESSED TO CALL

EITHER OF US TRUSTWORTHY PEOPLE

AT THE MOMENT, YOU KNOW?

>> HOW ABOUT WE DELETE THEM

RIGHT BEFORE YOU LEAVE?

COMPROMISE.

>> I'M NOT GONNA FIND YOU IN

HERE SPANKING YOUR MONKEY, AM I?

>> I DON'T KNOW.

HE'S BEEN A VERY BAD MONKEY.

SO, WE HAVE ALL THIS STUFF?

>> YES.

>> CORIANDER?

>> I THINK I SAW SOME IN

THE DRAWER.

>> WHAT THE FUCK IS CORIANDER?

>> JUST GET ON THE PEPPERS.

>> ALL RIGHT.

[CLEARS THROAT] ALL RIGHT, SO

HOW THIN DO YOU WANT THESE?

>> AH, THIN ENOUGH, BUT KINDA

THICK.

>> O.K.

>> HEY, WHERE ARE THE SCALLOPS?

>> UH, DID YOU LOOK IN THE

LITTLE MEAT AND CHEESE THING?

>> NO.

>> THEY'RE WRAPPED UP IN BUTCHER

PAPER WITH A LITTLE STICKER

ON 'EM; YOU DON'T SEE 'EM?

>> I DON'T SEE 'EM.

>> HERE, I'LL TAKE A LOOK.

I THINK THESE ARE TOO THIN.

>> DID WE LEAVE 'EM IN THE BAGS?

>> AH, I DON'T THINK SO.

YOU SEE 'EM? >> NO.

>> HERE, MAYBE THEY'RE IN

THE CAR.

>> WELL, WE DIDN'T LEAVE THEM IN

THE CAR.

>> I DON'T KNOW.

MAYBE WE DID.

I'LL BE RIGHT BACK.

YEAH, I COULDN'T FIND THEM UP

THERE EITHER.

SO, WE'LL JUST...

JESUS CHRIST, DIANA.

>> THEY'RE NOT IN HERE.

>> WELL, YEAH, I CAN SEE THAT.

WHEN DID THE REFRIGERATOR

EXPLODE?

I CAN JUST GO BACK INTO TOWN AND

GET SOME MORE.

>> THAT'LL TAKE 45 MINUTES.

>> IT'LL TAKE 30 MINUTES.

>> THAT'S STILL TOO LONG.

>> WELL, THEN FUCK THE SCALLOPS!

WE HAVE ENOUGH HERE FOR SALAD.

WE'VE GOT THE POTATOES, WE'VE

GOT THE CORIANDER.

>> CORIANDER'S A SPICE,

IT'S NOT A MEAL.

>> WELL, WHAT DO YOU WANT?

>> I CARE ABOUT WHAT WE EAT!

I WANT TO EAT SOMETHING GOOD!

>> I DON'T GIVE A SHIT ABOUT

WHAT WE EAT TONIGHT.

>> YOU BOUGHT SCALLOPS, WHERE

THE FUCK ARE THE SCALLOPS?

>> DO YOU BELIEVE ME THAT I

BOUGHT THE SCALLOPS?

>> I GUESS.

>> YOU GUESS?

I BOUGHT THE FUCKING SCALLOPS.

I REMEMBER TALKING TO THE

SEAFOOD GUY.

I REMEMBER HIM WRAPPING 'EM IN

BUTCHER PAPER.

I REMEMBER THE LITTLE STICKER

THAT HE PUT ON IT.

YOU WANNA SEE A RECEIPT?

>> NO, I DON'T WANT TO SEE

A RECEIPT.

>> I HAVE A RECEIPT RIGHT HERE.

>> YOU KNOW WHAT? FUCK IT.

YOU DON'T CARE WHAT WE EAT FOR

DINNER.

LET'S JUST HAVE A TV DINNER.

>> PLEASE DON'T TURN INTO A

HARPY ON YOUR LAST NIGHT HERE.

>> WHAT?

>> PLEASE.

[*...]

[ALARM BEEPS]

[*...]

[PAUL RUNNING ON TREADMILL]

>> [PANTING]

OH, JESUS!

[ALARM BEEPS]

>> Diana: PAUL?

WHAT ARE YOU DOING DOWN THERE?

PAUL?

>> RUDY, THIS IS SICK!

YOU HEAR ME?

THIS IS FUCKING SICK!

YOU'RE ACTING LIKE A FUCKING

COWARD!

YOU WANT TO SPEND THE REST OF

YOUR LIFE HIDING IN THE FUCKING

BUSHES?

HUH?

[DOOR SHUTS]

YOU READY TO GO?

>> Diana: YEAH, JUST A FEW MORE

MINUTES.

WE STILL HAVE PLENTY OF TIME TO

GET TO THE AIRPORT, RIGHT?

>> WELL, WE REALLY SHOULD

GET GOING.

WE DON'T HAVE THAT MUCH TIME.

>> O.K.

PAUL, I'M SORRY, ABOUT LAST

NIGHT, THAT WHOLE SCALLOPS

THING.

I JUST OVERREACTED.

>> YEAH, I'M SORRY TOO.

>> I THINK I'M JUST FEELING

REALLY ANTSY... >> YEAH.

>> 'CAUSE I'M GOING HOME AND,

I DON'T KNOW... WHAT THAT'S

GONNA BE LIKE AND...

>> YEAH.

>> I'M JUST REALLY CONFUSED,

I GUESS.

>> YEAH, I HEAR YOU.

>> DO YOU?

>> WELL, YEAH.

>> I MEAN, I DON'T KNOW WHAT ALL

THIS MEANS, THIS, THIS WHOLE

WEEKEND.

>> I KNOW WHAT YOU MEAN.

>> WELL, DID YOU MEAN WHAT YOU

SAID YESTERDAY?

>> WHAT DID I SAY?

>> WHEN YOU SAID, "I LOVE YOU."

>> I DIDN'T SAY THAT.

>> YEAH, YOU DID.

WHEN WE WERE IN THE KITCHEN,

YOU SAID, "I LOVE YOU."

>> YEAH, YOU KNOW HOW...

[CLEARS THROAT]

I MEANT, YOU KNOW, YOU MEAN A

LOT TO ME, YOU KNOW, SO,

YOU KNOW.

SO, YES, I LOVE YOU, BUT,

YOU KNOW... I LOVE YOU.

>> BUT YOU WEREN'T SAYING THAT

YOU'RE IN LOVE WITH ME?

>> I THINK WE WERE BOTH...

I THINK WE WERE BOTH KINDA

CONFUSED, YOU KNOW?

>> BECAUSE I THINK ONE OF THE

REASONS THAT I BROKE UP WITH HIM

WAS BECAUSE OF YOU.

>> THAT'S CRAZY.

>> IT'S NOT CRAZY!

>> I MEAN, I DON'T GET IT.

YOU KNOW AND I KNOW THAT THERE'S

ALWAYS BEEN SOMETHING BETWEEN

US, RIGHT?

I MEAN...

DO YOU WANT TO BE WITH ME?

>> I DON'T KNOW.

>> YOU DON'T KNOW?

[SOFTLY] WHAT ARE WE DOING HERE?

>> I DON'T KNOW.

>> YOU DON'T KNOW.

I'M JUST SO TIRED.

I'M TIRED OF BEING A TWO-FACED

PERSON.

>> YOU'RE NOT TWO-FACED.

>> YEAH, I AM.

I MEAN, JUST TWO WEEKS AGO,

I WAS...

TELLING HIM, "I LOVE YOU."

EVERY MORNING WHEN WE WOULD WAKE

UP, I'D TELL HIM, "I LOVE YOU."

[SINGSONG] "I LOVE YOU."

'CAUSE HE NEEDED TO HEAR IT.

AND SO I WOULD JUST SAY IT...

EVEN THOUGH I DIDN'T MEAN IT.

KINDA LIKE YOU'RE SAYING IT TO

ME RIGHT NOW, EVEN THOUGH YOU

DON'T MEAN IT. [SNIFFLES]

BUT I DON'T NEED YOU TO SAY IT

TO ME IF YOU DON'T MEAN IT.

I DON'T WANT YOU TO SAY IT IF

IT'S A LIE. [CHOKING TEARS]

>> [SOFTLY] IT'S NOT

A FUCKING LIE.

I'VE BEEN IN LOVE WITH YOU SINCE

I MET YOU, O.K.?

I MEAN IT.

I LOVE YOU AND I MEAN IT.

BUT RIGHT NOW WE NEED TO GO TO

THE AIRPORT, O.K.?

WE HAVE TO GO.

>> O.K.

O.K.

>> COME ON, LET'S GO.

>> OH-HO-HO-HO!

>> WHAT?

>> NOW I KNOW WHY YOU'RE IN SUCH

A RUSH.

>> WHAT DO YOU MEAN?

>> YOU'RE A VERY SNEAKY BOY.

>> WHERE YOU GOING?

DIANA!

>> SNEAKY BOY...

>> JESUS CHRIST.

>> O.K.

>> DIANA, COME ON.

YOU'RE GONNA MISS YOUR FLIGHT.

>> IS RUDY HERE, PAUL?

IS RUDY HERE RIGHT NOW?

>> [SOFTLY] JESUS.

>> PAUL, IS RUDY IN THIS HOUSE?

>> IS...

WHY AREN'T YOU SAYING ANYTHING?

WHY AREN'T YOU SAYING ANYTHING?

>> I'M SORRY.

>> WHAT DO YOU MEAN, YOU'RE

SORRY?!

DID YOU KNOW RUDY WAS HERE?

>> I FOUND OUT THIS MORNING.

>> AND YOU DIDN'T TELL ME?!

>> I'M SORRY.

>> YOU LET US DO ALL THIS STUFF

AND YOU KNEW HE WAS HERE?!

WHAT THE FUCK IS WRONG

WITH YOU?!

RUDY!

ARE YOU IN THIS HOUSE?!

RUDY!

COME OUT HERE!

COME ON OUT AND LAUGH, RUDY!

>> HE'S TRYING TO RUIN IT,

DIANA.

DON'T LET HIM RUIN IT.

>> IT WAS ALREADY RUINED, PAUL!

THAT'S WHY WHEN WE FUCKED ONCE

12 YEARS AGO IT WAS CALLED

CHEATING!

>> HE GOT 12 YEARS WITH YOU,

DIANA!

I ONLY GET ONE FUCKING WEEKEND?

>> OH, YEAH?

AND WHAT WERE YOU GONNA DO WITH

THAT WEEKEND, HUH?

WERE YOU GONNA STEAL ME?

AND THEN AFTER YOU STOLE ME,

WERE YOU GONNA KEEP ME?

HOW LONG WOULD IT HAVE LASTED

WITH ME, PAUL?

>> IT WAS DIFFERENT WITH YOU,

DIANA, DON'T YOU FUCKING REALIZE

THAT?

>> IT'S NOT DIFFERENT.

IT WAS ONLY DIFFERENT BECAUSE

OF HIM!

IT'S NEVER BEEN ABOUT ME.

IT'S ONLY EVER BEEN ABOUT YOU

TWO FUCKING LUNATICS.

YOU CAN FIND YOUR CAR AT

THE AIRPORT!

[ALARM BEEPS]

>> [SOBBING]

[TOILET FLUSHES]

>> THAT'S THE SECOND TIME I'VE

FLUSHED FOR YOU, RUDY!

AREN'T YOU GONNA COME OUT

NOW, RUDY?

HUH?

ISN'T YOUR LITTLE GAME OVER NOW?

RUDY WINS!

RUDY'S THE BIG FUCKING WINNER

TODAY!

[BREATHING HEAVILY,

CHOKING TEARS]

RUDY, I'M GONNA TEAR THIS

FUCKING HOUSE APART!

YOU HEAR ME?

>> Rudy on intercom: Hey, Paul.

[*...]

Hey, little brother.

Paulie-wog.

Hey... guess what?

I found the best

hiding place ever.

Yeah, yeah.

I found the best hiding place

ever and you're never gonna

find me.

Yeah, yeah, you can look.

You can look in every room in

the house.

You can keep looking all day

long... [ECHO]

[CHUCKLES]

You're not gonna find me.

You know why, Paul?

You know why you're not gonna

find me?

[ALARM BEEPS]

Because I'm invisible.

I'm invisible, yeah.

Look at me, Paul.

Look at me.

[LAUGHS]

I'm invisible!

[LAUGHS]

Look at me!

>> [SOBBING]

[CONTINUES SOBBING]

[SOBBING LOUDER]

[*...]

[IGNITION STARTS]

[*...]

>> Chorus: * FAILURE *

>> Man: * YOU HAVE BEEN

A FAILURE *

>> * FAILURE *

>> * ALL OF YOUR LIFE

>> * FAILURE *

>> * YOU HAVE BEEN A FAILURE

>> * FAILURE *

>> * ALL YOUR LIFE

>> * POWER *

>> * YOU HAVE BEEN A FAILURE

>> * POWER *

>> * YOU HAVE BEEN A FAILURE

>> * POWER *

>> * YOU HAVE BEEN A FAILURE

ALL YOUR LIFE... *

[*...]

[MUSIC PAUSES]

>> * POWER *

>> * I'M A DISGRACE,

LET'S FACE IT *

* I'M A DISGRACE TO THIS PLACE

>> * POWER *

>> * WISHING ALL IN

MY SPACE, SEE *

* PEACE, Y'ALL,

KEEP OUT OF MY FACE, SEE *

>> * POWER *

>> * NO, MAN, I JUST

CAN'T TAKE IT *

* WITH ALL THESE MOTHERFUCKERS

THEY IS TRYIN' TO BE FAMOUS *

>> * POWER *

>> * AIN'T NOBODY

GONNA MAKE IT *

* BITCH, SHOW ME MORE,

IT'S ALL FAKIN' *

>> Duet: * IF YOU WANT

TO BE MY THING *

* YOU COME SEE ME

AT THE W-A-L-M-A-R-T *

* G.P.S. WHEN I FLIP MY WHEEL

* IT'S A WISP,

BUT I SING MY SHILL *

* NO MONEY

BUT I COMMENCE HERE *

* I'M A DISGRACE

IN THIS PLACE *

* NO SHOES,

BUT I WON'T COMPLAIN *

* JUST WON'T COMPLAIN,

BUT MAN, I WON'T COMPLAIN *

* W-W-W-WON'T COMPLAIN

>> Man: * I AM A FAILURE

>> * FAILURE *

* FAILURE *

>> * I AM A FAILURE

>> * FAILURE *

[*...]

* FAILURE *

[*...]

* FAILURE *

* FAILURE *

* FAILURE *

* FAILURE... *

[MUSIC FADES]