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These are the user uploaded subtitles that are being translated: 1 00:00:01,869 --> 00:00:02,899 >> HOLLYWOOD. 2 00:00:02,903 --> 00:00:04,543 SOME SAY THE STREETS HERE ARE 3 00:00:04,538 --> 00:00:06,368 PAVED WITH GOLD. 4 00:00:06,374 --> 00:00:08,444 OTHERS MAY DISAGREE. 5 00:00:08,442 --> 00:00:10,212 BUT WHETHER YOU AGREE OR NOT, 6 00:00:10,211 --> 00:00:11,951 THESE ARE THE STREETS WE DRIVE 7 00:00:11,945 --> 00:00:13,275 OUR DREAMS ON. 8 00:00:13,281 --> 00:00:15,251 IT'S TIME TO PUT DOWN THE TOP, 9 00:00:15,249 --> 00:00:17,249 CRANK UP THE TUNES, AND STEP ON 10 00:00:17,251 --> 00:00:18,591 THE GAS. 11 00:00:18,586 --> 00:00:20,886 WELCOME TO THE GREATEST EVENT 12 00:00:20,888 --> 00:00:22,888 IN TELEVISION HISTORY. 13 00:00:22,890 --> 00:00:23,920 >> LIVE FROM 14 00:00:23,924 --> 00:00:26,094 HOLLYWOOD, CALIFORNIA, IT'S THE 15 00:00:26,094 --> 00:00:28,164 LIVE COUNTDOWN TO THE GREATEST 16 00:00:28,162 --> 00:00:30,162 EVENT IN TELEVISION HISTORY. 17 00:00:30,164 --> 00:00:33,174 AND NOW YOUR HOST, JEFF PROBST. 18 00:00:33,167 --> 00:00:34,137 >> HEY, EVERYBODY. 19 00:00:34,135 --> 00:00:35,065 I'M JEFF PROBST. 20 00:00:35,069 --> 00:00:36,469 WE'VE SPENT THE LAST YEAR AND A 21 00:00:36,470 --> 00:00:38,110 HALF SEARCHING FOR THE GREATEST 22 00:00:38,106 --> 00:00:39,636 EVENT IN TELEVISION HISTORY. 23 00:00:39,640 --> 00:00:41,340 THREE TIMES, WE THOUGHT WE'D 24 00:00:41,342 --> 00:00:43,112 FOUND IT, BUT THREE TIMES WE 25 00:00:43,111 --> 00:00:44,281 WERE WRONG -- 26 00:00:44,278 --> 00:00:45,648 SHIT-BROWN WRONG. 27 00:00:45,646 --> 00:00:47,476 BUT TO BE SURE, WE CONTACTED THE 28 00:00:47,481 --> 00:00:49,351 TALLEST STREAKER IN LOS ANGELES 29 00:00:49,350 --> 00:00:51,090 TO SEE ANY OF THE LAST THREE 30 00:00:51,085 --> 00:00:52,585 EPISODES WERE, IN FACT, THE 31 00:00:52,586 --> 00:00:54,286 GREATEST EVENT IN TELEVISION 32 00:00:54,288 --> 00:00:54,988 HISTORY. 33 00:00:54,988 --> 00:00:55,458 >> NO. 34 00:00:55,456 --> 00:00:57,156 >> TONIGHT, WE BRING YOU THE 35 00:00:57,158 --> 00:00:59,328 FINAL GREATEST EVENT IN 36 00:00:59,327 --> 00:01:00,987 TELEVISION HISTORY -- A 37 00:01:00,994 --> 00:01:02,964 SHOT-FOR-SHOT RECREATION OF THE 38 00:01:02,963 --> 00:01:04,603 OPENING CREDITS FROM THE HIT 39 00:01:04,598 --> 00:01:07,338 1980s TOM HANKS/PETER SCOLARI 40 00:01:07,335 --> 00:01:09,465 COMEDY "BOSOM BUDDIES," WITH 41 00:01:09,470 --> 00:01:12,010 BONA FIDE MOVIE STAR PAUL RUDD 42 00:01:12,005 --> 00:01:14,275 AND EX-SMOKER ADAM SCOTT. 43 00:01:14,275 --> 00:01:15,975 FOR THE LAST TIME, LET'S START 44 00:01:15,976 --> 00:01:17,176 THE CLOCK. 45 00:01:17,178 --> 00:01:20,508 WITH A BUDGET OF OVER $40,000 46 00:01:20,514 --> 00:01:22,184 AND A CREW LARGER THAN MANY 47 00:01:22,183 --> 00:01:23,953 CREWS WHO'VE WORKED ON THINGS, 48 00:01:23,951 --> 00:01:25,321 THEY WERE READY TO SHOOT. 49 00:01:25,319 --> 00:01:26,649 BUT FIRST, LET'S GO BACK 50 00:01:26,654 --> 00:01:28,364 THREE MONTHS BEFORE SHOOTING 51 00:01:28,356 --> 00:01:29,056 BEGAN. 52 00:01:29,056 --> 00:01:31,226 >> MY NAME IS PAUL RUDD, AND I'M 53 00:01:31,225 --> 00:01:33,355 PLAYING THE ROLE OF KIP WILSON 54 00:01:33,361 --> 00:01:36,301 IN THE "BOSOM BUDDIES" REMAKE. 55 00:01:36,297 --> 00:01:38,627 WELCOME TO MY LABORATORY! 56 00:01:38,632 --> 00:01:40,202 I, UH, KEEP LOTS OF THINGS IN 57 00:01:40,201 --> 00:01:40,531 HERE. 58 00:01:40,534 --> 00:01:42,204 I LIKE TO DO RESEARCH OF STUFF 59 00:01:42,203 --> 00:01:43,043 FROM THE '80s. 60 00:01:43,036 --> 00:01:44,406 WHAT'S IMPORTANT TO ME IS TO 61 00:01:44,405 --> 00:01:45,535 JUST IMMERSE YOURSELF. 62 00:01:45,539 --> 00:01:47,209 THE ONLY OTHER ACTOR I'VE EVER 63 00:01:47,208 --> 00:01:48,508 REALLY BEEN ABLE TO KIND OF 64 00:01:48,509 --> 00:01:50,179 RELATE TO IS DANIEL DAY-LEWIS, 65 00:01:50,178 --> 00:01:51,578 BECAUSE WE DO A LOT OF THE SAME 66 00:01:51,579 --> 00:01:52,479 KIND OF STUFF. 67 00:01:52,480 --> 00:01:54,010 I DON'T UNDERSTAND "METHOD." 68 00:01:54,014 --> 00:01:55,384 I DON'T KNOW WHAT THAT MEANS. 69 00:01:55,383 --> 00:01:57,353 MY TECHNIQUE IS LIVING. 70 00:01:57,351 --> 00:01:59,391 I LIKE TO LIVE AS THE CHARACTER. 71 00:01:59,387 --> 00:02:01,257 SO, I WEAR THAT AS A BADGE OF 72 00:02:01,255 --> 00:02:01,915 HONOR. 73 00:02:01,922 --> 00:02:03,662 THESE ARE ARTICLES AND THINGS 74 00:02:03,657 --> 00:02:04,687 FROM THE '80s. 75 00:02:04,692 --> 00:02:06,532 THESE ARE CALLED CASSETTES. 76 00:02:06,527 --> 00:02:08,197 THIS WAS OUR PRESIDENT IN 1980. 77 00:02:08,196 --> 00:02:09,926 THIS IS RONALD REAGAN. 78 00:02:09,930 --> 00:02:11,200 WHAT I'VE GOT HERE IS THE 79 00:02:11,199 --> 00:02:12,569 WEATHER REPORT FOR THE WEEK THAT 80 00:02:12,566 --> 00:02:13,666 THEY SHOT THE PILOT TO 81 00:02:13,667 --> 00:02:14,567 "BOSOM BUDDIES." 82 00:02:14,568 --> 00:02:16,068 IT'S GOOD FOR ME JUST TO KNOW 83 00:02:16,069 --> 00:02:17,439 THESE KINDS OF THINGS, BECAUSE 84 00:02:17,438 --> 00:02:18,938 IT JUST AFFECTS MAYBE THE WAY 85 00:02:18,939 --> 00:02:19,709 THAT I EVEN MOVE. 86 00:02:19,707 --> 00:02:21,207 >> AS THEIR START DATE GREW 87 00:02:21,209 --> 00:02:23,239 CLOSER, PAUL AND ADAM DECIDED TO 88 00:02:23,244 --> 00:02:25,084 MEET TO DISCUSS THE PROJECT. 89 00:02:25,112 --> 00:02:26,712 [ KNOCK ON DOOR ] 90 00:02:26,714 --> 00:02:27,684 >> HEY, MAN! 91 00:02:27,681 --> 00:02:28,621 >> HEY, MAN! 92 00:02:28,616 --> 00:02:29,416 >> WHOA! 93 00:02:29,417 --> 00:02:31,077 >> WELCOME TO MY LABORATORY. 94 00:02:31,084 --> 00:02:32,554 CHECK THIS OUT. 95 00:02:32,553 --> 00:02:34,123 HAVE YOU EVER SEEN ONE OF THESE? 96 00:02:34,121 --> 00:02:35,561 >> YEAH -- UH, A RUBIK'S CUBE, 97 00:02:35,556 --> 00:02:36,086 SURE. 98 00:02:36,089 --> 00:02:37,289 >> THAT'S IT! OH, MY GOD! 99 00:02:37,291 --> 00:02:38,031 YOU KNOW! 100 00:02:38,025 --> 00:02:39,425 I GOT THE WEATHER REPORTS HERE. 101 00:02:39,427 --> 00:02:41,087 >> MAN, YOU ARE REALLY PREPARED. 102 00:02:41,094 --> 00:02:42,604 >> EH, IT'S JUST THE, UH -- IT'S 103 00:02:42,596 --> 00:02:44,126 THE WAY THAT I ROLL, I GUESS. 104 00:02:44,131 --> 00:02:45,471 IT'S THE WAY THAT I'M WIRED. 105 00:02:45,466 --> 00:02:47,126 >> YEAH. ME, TOO. I-I'M SUPER -- 106 00:02:47,134 --> 00:02:48,274 >> OH, GOOD! RIGHT ON! 107 00:02:48,269 --> 00:02:49,269 WHAT HAVE YOU GOT? 108 00:02:49,270 --> 00:02:50,370 WHAT HAVE YOU DUG UP? 109 00:02:50,371 --> 00:02:52,371 >> I -- 110 00:02:52,373 --> 00:02:53,413 OH, MY GOD. I FORGOT -- 111 00:02:53,407 --> 00:02:53,967 [ SIGHS ] 112 00:02:53,974 --> 00:02:55,244 I FORGOT ALL MY MATERIALS AND 113 00:02:55,243 --> 00:02:56,113 STUFF THAT, LIKE -- 114 00:02:56,109 --> 00:02:57,279 LIKE, MY WEATHER REPORTS AND 115 00:02:57,278 --> 00:02:58,478 STUFF, ALL THE STUFF THAT I -- 116 00:02:58,479 --> 00:02:59,549 >> DON'T WORRY ABOUT IT. 117 00:02:59,547 --> 00:03:00,407 NO, NO. IT'S COOL. 118 00:03:00,414 --> 00:03:01,424 I'M GLAD YOU JUST HAVE 119 00:03:01,415 --> 00:03:02,045 SOMETHING. 120 00:03:02,049 --> 00:03:02,749 OH, CHECK THIS OUT. 121 00:03:02,750 --> 00:03:04,150 DOES THIS GUY LOOK FAMILIAR TO 122 00:03:04,151 --> 00:03:04,451 YOU? 123 00:03:04,452 --> 00:03:06,092 >> UM...YEAH. 124 00:03:06,086 --> 00:03:07,586 >> 90 DAYS LATER, THEY WERE 125 00:03:07,588 --> 00:03:08,588 READY TO SHOOT. 126 00:03:08,589 --> 00:03:10,459 BUT RUDD HADN'T BEEN HEARD FROM 127 00:03:10,458 --> 00:03:11,258 IN WEEKS. 128 00:03:11,259 --> 00:03:12,089 [ BELL RINGS ] 129 00:03:12,092 --> 00:03:13,462 WITH THE FIRST DAY OF SHOOTING 130 00:03:13,461 --> 00:03:15,131 UPON THEM, PRODUCTION EVEN WENT 131 00:03:15,128 --> 00:03:16,598 SO FAR AS TO HIRE A REPLACEMENT, 132 00:03:16,597 --> 00:03:18,167 JUST IN IN CASE HE DIDN'T SHOW 133 00:03:18,165 --> 00:03:18,465 UP. 134 00:03:18,466 --> 00:03:19,626 >> OKAY, SO, PAUL'S LIKE 135 00:03:19,633 --> 00:03:20,633 THREE HOURS LATE. 136 00:03:20,634 --> 00:03:22,274 I MEAN, WHAT DOES HE -- HE JUST 137 00:03:22,270 --> 00:03:23,640 EXPECTS US TO WAIT AROUND ALL 138 00:03:23,637 --> 00:03:24,407 DAY FOR HIM? 139 00:03:24,405 --> 00:03:25,435 THIS IS RIDICULOUS. 140 00:03:25,439 --> 00:03:26,569 >> HEY, EVERYBODY! HI! 141 00:03:26,574 --> 00:03:27,784 SORRY I'M LATE! I'M KIP! 142 00:03:27,775 --> 00:03:28,535 >> HE'S HERE. 143 00:03:28,576 --> 00:03:30,006 SEND THE REPLACEMENT HOME. 144 00:03:30,010 --> 00:03:31,810 >> COPY THAT.ACEMENT HOME. 145 00:03:31,812 --> 00:03:33,652 YOU CAN GO HOME. 146 00:03:40,654 --> 00:03:41,664 >> [BLEEP] YOU. 147 00:03:41,655 --> 00:03:42,585 [ LAUGHTER ] 148 00:03:42,590 --> 00:03:44,120 >> SORRY THAT I'M LATE! 149 00:03:44,124 --> 00:03:45,494 I, UH -- I GOT CAUGHT UP 150 00:03:45,493 --> 00:03:46,333 WATCHING THE NEWS. 151 00:03:46,327 --> 00:03:47,497 CAN YOU BELIEVE JIMMY CARTER 152 00:03:47,495 --> 00:03:48,525 BAILED OUT CHRYSLER AGAIN? 153 00:03:48,529 --> 00:03:50,429 UGH. HE'S THE WORST! 154 00:03:50,431 --> 00:03:51,101 [ SIGHS ] 155 00:03:51,098 --> 00:03:52,328 HEY, GUYS, DID YOU HEAR HOW 156 00:03:52,333 --> 00:03:53,333 RICHARD PRYOR IS DOING? 157 00:03:53,334 --> 00:03:53,704 >> WHAT? 158 00:03:53,701 --> 00:03:55,101 >> YEAH! RICHARD PRYOR -- 159 00:03:55,102 --> 00:03:56,042 HE BURNED HIMSELF. 160 00:03:56,036 --> 00:03:57,366 I THINK IT WAS AN ACCIDENT, BUT 161 00:03:57,371 --> 00:03:58,671 MY GIRLFRIEND SAYS HE SMOKES 162 00:03:58,672 --> 00:03:59,212 DRUGS. 163 00:03:59,206 --> 00:04:00,306 HENRY! OH, MY GOSH. 164 00:04:00,308 --> 00:04:01,438 I HEARD THE CRAZIEST THING. 165 00:04:01,442 --> 00:04:02,712 DID YOU KNOW THAT DARTH VADER 166 00:04:02,710 --> 00:04:04,450 IS LUKE SKYWALKER'S DAD? 167 00:04:04,445 --> 00:04:04,805 >> WHAT? 168 00:04:04,812 --> 00:04:06,182 >> I JUST SAW THE NEW MOVIE 169 00:04:06,179 --> 00:04:07,179 "EMPIRE STRIKES BACK." 170 00:04:07,180 --> 00:04:08,350 HEY, BY THE WAY, IS IT COOL, 171 00:04:08,349 --> 00:04:09,449 YOU KNOW, BECAUSE WE'LL BE 172 00:04:09,450 --> 00:04:10,720 PLAYING ROOMMATES IN THIS THING, 173 00:04:10,718 --> 00:04:12,118 THAT MAYBE WE LIVE UNDER THE 174 00:04:12,119 --> 00:04:13,119 SAME ROOF FOR A WHILE? 175 00:04:13,120 --> 00:04:14,360 >> I MEAN, I HAVE, LIKE, A WIFE 176 00:04:14,355 --> 00:04:15,515 AND KIDS, AND I HAVE A FAMILY 177 00:04:15,523 --> 00:04:16,793 AND -- DO YOU MEAN, LIKE, IN A 178 00:04:16,790 --> 00:04:17,660 HOTEL ROOM OR...? 179 00:04:17,658 --> 00:04:19,128 >> WELL, I ALREADY HAVE A MOVING 180 00:04:19,126 --> 00:04:20,386 COMPANY SENDING MY STUFF OVER TO 181 00:04:20,394 --> 00:04:21,064 YOUR HOUSE. 182 00:04:21,061 --> 00:04:21,501 >> WHAT? 183 00:04:21,495 --> 00:04:22,695 >> I JUST HOPE THEY DIDN'T GET 184 00:04:22,696 --> 00:04:24,056 CAUGHT IN TRAFFIC BECAUSE OF 185 00:04:24,064 --> 00:04:25,204 THIS WHOLE IRANIAN HOSTAGE 186 00:04:25,198 --> 00:04:26,068 CRISIS, RIGHT? 187 00:04:26,066 --> 00:04:26,726 [ LAUGHTER ] 188 00:04:26,734 --> 00:04:28,244 THIS IS GONNA BE TUBULAR! 189 00:04:28,235 --> 00:04:29,565 WELCOME TO MY LABORATORY! 190 00:04:29,570 --> 00:04:30,670 [ WOMEN GIGGLING ] 191 00:04:30,671 --> 00:04:31,671 >> YOU'RE AMAZING! 192 00:04:31,705 --> 00:04:32,535 >> YO ARE! 193 00:04:32,540 --> 00:04:34,140 >> LITTLE-KNOWN FACT -- THE 194 00:04:34,141 --> 00:04:36,341 VERSION OF BILLY JOEL'S 1978 HIT 195 00:04:36,344 --> 00:04:38,154 "MY LIFE" THAT IS USED IN THE 196 00:04:38,145 --> 00:04:39,705 CREDIT SEQUENCE WAS, IN FACT, 197 00:04:39,713 --> 00:04:41,753 NOT SUNG BY BILLY JOEL. 198 00:04:41,749 --> 00:04:44,179 IT WAS SUNG BY A SOUND-ALIKE. 199 00:04:44,184 --> 00:04:45,524 I'M PLEASED TO ANNOUNCE THAT 200 00:04:45,519 --> 00:04:47,219 TONIGHT, FOR THE FIRST TIME, THE 201 00:04:47,220 --> 00:04:48,220 OPENING CREDITS TO 202 00:04:48,221 --> 00:04:49,891 "BOSOM BUDDIES" WILL BE PAIRED 203 00:04:49,890 --> 00:04:51,220 WITH BILLY JOEL'S VOICE. 204 00:04:51,224 --> 00:04:52,494 >> IT'S REALLY GRATIFYING TO 205 00:04:52,493 --> 00:04:53,893 KNOW THAT THEY'RE GONNA ACTUALLY 206 00:04:53,894 --> 00:04:57,234 USEVOICE SINGING, UH, MY 207 00:04:57,230 --> 00:04:59,100 SONG ON -- ON THE TV SHOW 208 00:04:59,099 --> 00:04:59,869 "BOSOM BUDDIES." 209 00:04:59,867 --> 00:05:01,397 I WAS IN THE WILDERNESS FOR 210 00:05:01,402 --> 00:05:02,772 YEARS WHEN THEY DIDN'T USE MY 211 00:05:02,770 --> 00:05:03,400 VOICE. 212 00:05:03,404 --> 00:05:04,714 BUT YOU HANG IN THERE LONG 213 00:05:04,705 --> 00:05:06,365 ENOUGH, AND YOU GET YOUR SHOT. 214 00:05:06,374 --> 00:05:07,384 YOU KNOW, I'M BACK. 215 00:05:07,375 --> 00:05:08,605 I'M BACK, BIG-TIME. 216 00:05:08,609 --> 00:05:10,739 * GOT A CALL FROM AN OLD FRIEND, 217 00:05:10,744 --> 00:05:12,114 WE USED TO -- * 218 00:05:12,112 --> 00:05:13,452 >> NO. THAT'S NOT IT. 219 00:05:13,447 --> 00:05:14,277 >> WHAT'S NOT IT? 220 00:05:14,281 --> 00:05:15,581 >> IS THERE ANY WAY YOU CAN SING 221 00:05:15,583 --> 00:05:16,883 IT AND MAYBE SOUND MORE LIKE THE 222 00:05:16,884 --> 00:05:19,424 GUY FROM THE SHOW? 223 00:05:19,420 --> 00:05:21,760 >> LET MET TRY. 224 00:05:21,755 --> 00:05:23,715 [ PIANO PLAYING ] 225 00:05:23,724 --> 00:05:25,764 * GOT A CALL FROM AN OLD FRIEND, 226 00:05:25,759 --> 00:05:26,429 WE USED TO -- * 227 00:05:26,427 --> 00:05:27,457 >> DO YOU NEED -- DO YOU NEED, 228 00:05:27,461 --> 00:05:28,401 LIKE, SOME TIME, OR...? 229 00:05:28,396 --> 00:05:29,426 >> YEAH. CAN I GET SOME WATER? 230 00:05:29,430 --> 00:05:30,530 >> YEAH, WE'LL GET YOU SOME FLAT 231 00:05:30,531 --> 00:05:32,801 WATER, TO MATCH YOUR VOICE. 232 00:05:32,800 --> 00:05:34,270 >> * CLOSED THE SHOP, SOLD THE 233 00:05:34,267 --> 00:05:35,897 HOUSE, BOUGHT A TICKET TO THE 234 00:05:35,903 --> 00:05:37,143 WEST COAST * 235 00:05:37,137 --> 00:05:38,637 >> THOSE AREN'T THE RIGHT 236 00:05:38,639 --> 00:05:39,409 LYRICS. 237 00:05:39,407 --> 00:05:41,207 >> YEAH, THAT SOUNDED WEIRD. 238 00:05:41,208 --> 00:05:42,278 >> * NOW HE GIVES THEM A 239 00:05:42,275 --> 00:05:45,245 STAND-UP ROUTINE IN L.A. * 240 00:05:45,245 --> 00:05:46,945 >> AND I BELIEVE IT -- IT'S NOT 241 00:05:46,947 --> 00:05:48,317 "STAND UP ROUTINE." 242 00:05:48,315 --> 00:05:50,645 IT'S STAND-UP TARTINE, LIKE 243 00:05:50,651 --> 00:05:51,281 THOSE... 244 00:05:51,284 --> 00:05:52,254 >> STAND-UP TARTINE? 245 00:05:52,252 --> 00:05:53,452 >> YEAH, LIKE THE SANDWICHES 246 00:05:53,454 --> 00:05:55,894 WITH NO TOP. 247 00:05:55,889 --> 00:05:57,459 >> * NOW HE GIVES THEM A 248 00:05:57,458 --> 00:05:59,458 STAND-UP TARTINE IN L.A. * 249 00:05:59,460 --> 00:05:59,860 >> OH. 250 00:05:59,893 --> 00:06:00,633 >> MM-HMM. 251 00:06:00,628 --> 00:06:02,428 >> MEANWHILE, THE SCOTT FAMILY 252 00:06:02,430 --> 00:06:03,960 WERE ADJUSTING TO LIFE AT HOME 253 00:06:03,964 --> 00:06:05,474 WITH THEIR NEW ROOMMATE. 254 00:06:05,466 --> 00:06:06,796 >> DID YOU GET THE PRIZE 255 00:06:06,800 --> 00:06:07,470 ALREADY? 256 00:06:07,468 --> 00:06:08,638 [ CEREAL CRUNCHING ] 257 00:06:08,636 --> 00:06:09,566 WHERE'S THE PRIZE? 258 00:06:09,570 --> 00:06:10,840 >> I DON'T THINK THAT ONE COMES 259 00:06:10,838 --> 00:06:12,768 WITH A PRIZE. 260 00:06:12,773 --> 00:06:13,943 >> YEAH, I'M JUST -- I'M DONE. 261 00:06:13,941 --> 00:06:15,241 [ DISHES CLATTER ] 262 00:06:15,242 --> 00:06:16,782 >> I WAS TOLD INITIALLY THAT 263 00:06:16,777 --> 00:06:18,477 PAUL WAS GOING TO BE STAYING 264 00:06:18,479 --> 00:06:20,849 WITH US, UM, I HAD ASSUMED FOR 265 00:06:20,848 --> 00:06:23,248 THE DURATION OF THE SHOOT. 266 00:06:23,250 --> 00:06:26,350 AND FROM WHAT I CAN SURMISE, HE 267 00:06:26,353 --> 00:06:28,323 NOW LIVES HERE, BECAUSE HE'S 268 00:06:28,321 --> 00:06:30,321 BROUGHT ALL OF HIS THINGS AND 269 00:06:30,323 --> 00:06:32,333 MOVED OUT OF HIS OWN HOME AND 270 00:06:32,325 --> 00:06:34,455 NOW HAS MOVED INTO OUR HOME... 271 00:06:34,462 --> 00:06:35,502 >> "SHAZBOT"? 272 00:06:35,496 --> 00:06:37,526 >> ...AND IS A MEMBER OF OUR 273 00:06:37,531 --> 00:06:38,801 FAMILY STRUCTURE. 274 00:06:38,832 --> 00:06:40,672 >> Shh! SHUT UP. 275 00:06:40,668 --> 00:06:42,598 >> I'M PRETTY POSITIVE HE WAS A 276 00:06:42,603 --> 00:06:45,513 HOARDER, BECAUSE THE AMOUNT OF 277 00:06:45,506 --> 00:06:47,836 STUFF DOESN'T REALLY LINE UP. 278 00:06:47,841 --> 00:06:50,641 IT'S SO MUCH. IT'S SO MUCH. 279 00:06:50,678 --> 00:06:52,348 IT'S ALMOST UNBELIEVABLE. 280 00:06:52,345 --> 00:06:53,845 >> HEY, EMILY, YOU KNOW WHAT 281 00:06:53,847 --> 00:06:55,617 WOULD BE TOTALLY SHREDDING? 282 00:06:55,616 --> 00:06:57,516 IF YOU COULD JUST GO IN THE, UH, 283 00:06:57,518 --> 00:06:59,348 REFRIGERATOR AND GRAB A 12-PACK 284 00:06:59,352 --> 00:07:00,692 OF TaB AND A COUPLE OF 285 00:07:00,688 --> 00:07:02,388 RUBIK'S CUBES FOR ME AND MY 286 00:07:02,389 --> 00:07:02,959 ROOMMATE? 287 00:07:02,956 --> 00:07:04,556 >> WHILE PAUL AND ADAM WERE 288 00:07:04,558 --> 00:07:06,228 LEARNING HOW IT FELT TO LIVE 289 00:07:06,226 --> 00:07:07,856 TOGETHER, RUDD'S OBSESSION WITH 290 00:07:07,861 --> 00:07:09,531 STAYING TRUE TO THE '80s TIME 291 00:07:09,530 --> 00:07:11,870 PERIOD CREATED TENSION ON SET. 292 00:07:11,865 --> 00:07:13,365 >> HEY, HENRY. 293 00:07:13,366 --> 00:07:15,836 >> UH, HEY, KIP. HOW'S IT GOING? 294 00:07:15,836 --> 00:07:17,366 >> WHAT ARE YOU DOING? 295 00:07:17,370 --> 00:07:19,040 >> OH, RIGHT -- MY PHONE. 296 00:07:19,039 --> 00:07:20,839 IT'S NOT -- IT'S -- IT'S JUST -- 297 00:07:20,841 --> 00:07:22,311 >> WHAT IS THIS THING?! 298 00:07:22,309 --> 00:07:22,639 UGH! 299 00:07:22,643 --> 00:07:23,843 [ THUD ] 300 00:07:27,581 --> 00:07:28,921 >> HEY, HOW'S IT LOOKING, PAUL? 301 00:07:28,916 --> 00:07:31,916 >> HMM? WHO? 302 00:07:31,919 --> 00:07:33,419 >> HOW WE LOOKING, KIP? 303 00:07:33,420 --> 00:07:34,820 >> OH, HEY, HENRY! YEAH. 304 00:07:34,822 --> 00:07:35,592 GOOD, MAN! 305 00:07:35,589 --> 00:07:37,559 [ LAUGHS ] 306 00:07:37,558 --> 00:07:37,928 GRODY! 307 00:07:37,925 --> 00:07:39,425 >> HEY, UH, KIP, WHAT IS THIS 308 00:07:39,426 --> 00:07:40,756 THING YOU'RE LOOKING AT HERE? 309 00:07:40,761 --> 00:07:41,361 >> HMM? 310 00:07:41,361 --> 00:07:42,731 >> YOU SEEM PRETTY COMFORTABLE 311 00:07:42,730 --> 00:07:43,930 LOOKING AT THIS FLAT-SCREEN 312 00:07:43,931 --> 00:07:44,731 TELEVISION -- 313 00:07:44,732 --> 00:07:46,002 >> WHAT THE [BLEEP] IS THAT 314 00:07:45,999 --> 00:07:46,569 THING?! 315 00:07:46,567 --> 00:07:48,537 OHH! AAH! 316 00:07:51,872 --> 00:07:53,772 >> LOOK, EMILY, I'M SO SORRY, 317 00:07:53,774 --> 00:07:54,444 OKAY? 318 00:07:54,441 --> 00:07:55,341 HE WILL BE GONE. 319 00:07:55,342 --> 00:07:56,682 WE JUST NEED LIKE A COUPLE MORE 320 00:07:56,677 --> 00:07:57,947 DAYS TILL WE FINISH SHOOTING. 321 00:07:57,945 --> 00:07:59,445 >> I HAVE TO TALK TO YOU ABOUT 322 00:07:59,446 --> 00:07:59,906 SOMETHING. 323 00:07:59,913 --> 00:08:00,583 >> OKAY. 324 00:08:00,581 --> 00:08:01,921 I KNOW HOW HARD THIS HAS BEEN ON 325 00:08:01,915 --> 00:08:02,745 YOU, BUT WE -- 326 00:08:02,750 --> 00:08:04,750 >> I SLEPT WITH HIM. 327 00:08:04,752 --> 00:08:05,622 >> WHAT? 328 00:08:05,619 --> 00:08:07,049 >> I [BLEEP] PAUL. 329 00:08:07,054 --> 00:08:08,694 >> Y-YOU -- 330 00:08:08,689 --> 00:08:11,959 >> HEY, BUDDY. 331 00:08:11,959 --> 00:08:13,929 >> WAIT. W-WHAT'S HAPPENING? 332 00:08:13,927 --> 00:08:15,897 >> [ SIGHS ] 333 00:08:15,896 --> 00:08:19,026 WE [BLEEP] BRO. 334 00:08:19,032 --> 00:08:20,032 >> YOU -- 335 00:08:20,033 --> 00:08:20,873 >> [BLEEP] 336 00:08:20,868 --> 00:08:22,638 >> WHA-- I DON'T UNDERSTAND. 337 00:08:22,636 --> 00:08:23,596 >> WE [BLEEP] 338 00:08:23,604 --> 00:08:24,044 >> YOU -- 339 00:08:24,037 --> 00:08:24,637 >> [BLEEP] 340 00:08:24,638 --> 00:08:25,868 >> WAIT, WAIT. WAIT A SECOND. 341 00:08:25,873 --> 00:08:26,613 >> WE [BLEEP] 342 00:08:26,607 --> 00:08:27,307 >> WE [BLEEP] 343 00:08:27,307 --> 00:08:27,977 >> THE TWO OF US... 344 00:08:27,975 --> 00:08:29,035 >> I HEARD THAT. I'M -- 345 00:08:29,042 --> 00:08:29,782 >> [BLEEP] 346 00:08:29,777 --> 00:08:30,577 >> I HEARD YOU. 347 00:08:30,578 --> 00:08:31,708 >> I JUST WANT TO BE CLEAR. 348 00:08:31,712 --> 00:08:33,582 >> I PUT IT IN HER SUGAR WALLS. 349 00:08:33,581 --> 00:08:35,321 >> WHEN DID YOU SLEEP TOGETHER? 350 00:08:35,315 --> 00:08:36,575 >> LAST NIGHT, WE [BLEEP] 351 00:08:36,584 --> 00:08:37,824 THEN WE [BLEEP] THIS MORNING. 352 00:08:37,818 --> 00:08:38,948 >> WHERE DID YOU DO IT? 353 00:08:38,952 --> 00:08:40,592 >> I [BLEEP] HER IN THE GARAGE 354 00:08:40,588 --> 00:08:41,118 FIRST. 355 00:08:41,121 --> 00:08:43,421 AND THEN I, UH [BLEEP] HER IN 356 00:08:43,423 --> 00:08:44,663 THE CRAWL SPACE. 357 00:08:44,658 --> 00:08:45,128 >> HONEY? 358 00:08:45,125 --> 00:08:46,125 >> I'M SORRY, BROTHER. 359 00:08:46,126 --> 00:08:47,426 I JUST -- YOU KNOW WHAT? 360 00:08:47,427 --> 00:08:48,627 I NEEDED TO KNOW WHAT IT FELT 361 00:08:48,629 --> 00:08:49,929 LIKE TO DESTROY THE LIFE OF MY 362 00:08:49,930 --> 00:08:51,060 BEST FRIEND, FOR THE ROLE! 363 00:08:51,064 --> 00:08:52,404 I MEAN, JUST FOR THE ROLE! 364 00:08:52,399 --> 00:08:52,799 >> YEAH. 365 00:08:52,800 --> 00:08:53,930 >> THAT DOESN'T HAPPEN IN 366 00:08:53,934 --> 00:08:54,774 "BOSOM BUDDIES." 367 00:08:54,768 --> 00:08:55,598 >> YOU GOTTA GO. 368 00:08:55,603 --> 00:08:56,443 >> GO? GO WHERE? 369 00:08:56,436 --> 00:08:57,736 >> YOU HAVE TO LEAVE THE HOUSE. 370 00:08:57,738 --> 00:08:58,468 >> YEAH, MAN. 371 00:08:58,471 --> 00:08:59,811 YOU REALLY GOTTA GET OUT OF HERE 372 00:08:59,807 --> 00:09:00,067 NOW. 373 00:09:00,073 --> 00:09:01,113 >> WHERE AM I GONNA GO? 374 00:09:01,141 --> 00:09:03,611 [ Echoing ] GO, GO, GO, GO... 375 00:09:03,611 --> 00:09:05,511 >> ADAM'S LIFE IS NOW INGO... 376 00:09:05,512 --> 00:09:06,482 SHAMBLES. 377 00:09:06,479 --> 00:09:06,979 OKAY. 378 00:09:06,980 --> 00:09:09,520 FOR THE LAST TIME, HERE WE GO. 379 00:09:09,516 --> 00:09:12,516 10, 9, 8... 380 00:09:12,519 --> 00:09:19,629 >> Both: 7, 6, 5, 4, 3, 2, 1! 381 00:09:20,661 --> 00:09:21,701 >> WHEN WE FIRST MOVED TO 382 00:09:21,695 --> 00:09:22,755 NEW YORK, WE HAD A GREAT 383 00:09:22,763 --> 00:09:24,003 APARTMENT THAT WAS DIRT CHEAP. 384 00:09:23,997 --> 00:09:25,367 >> AND WE FOUND OUT WHY IT WAS 385 00:09:25,365 --> 00:09:26,365 SO CHEAP. 386 00:09:26,366 --> 00:09:26,966 [ SMASHING ] 387 00:09:26,967 --> 00:09:28,637 >> OUR FRIEND AMY SAID THERE WAS 388 00:09:28,636 --> 00:09:29,766 A GREAT APARTMENT IN HER 389 00:09:29,770 --> 00:09:30,440 BUILDING. 390 00:09:30,437 --> 00:09:31,037 >> DIRT CHEAP! 391 00:09:31,038 --> 00:09:32,508 BUT IT'S A HOTEL FOR WOMEN. 392 00:09:32,505 --> 00:09:35,505 OKAY. WE MADE ONE ADJUSTMENT. 393 00:09:35,508 --> 00:09:36,678 >> NOW THESE OTHER LADIES KNOW 394 00:09:36,677 --> 00:09:40,107 US AS BUFFY AND HILDEGARD. 395 00:09:40,113 --> 00:09:41,483 >> BUT THEY ALSO KNOW US AS KIP 396 00:09:41,481 --> 00:09:43,021 AND HENRY, BUFFY AND HILDY'S 397 00:09:43,016 --> 00:09:45,016 BROTHERS. 398 00:09:45,018 --> 00:09:46,518 I AM, UH, CRAZY ABOUT THE 399 00:09:46,519 --> 00:09:46,949 BLONDE. 400 00:09:46,954 --> 00:09:47,724 [ CHUCKLES ] 401 00:09:47,721 --> 00:09:49,491 >> THIS EXPERIENCE IS GONNA MAKE 402 00:09:49,489 --> 00:09:50,159 A GREAT BOOK. 403 00:09:50,157 --> 00:09:50,787 >> SEE? 404 00:09:50,791 --> 00:09:52,691 IT'S ALL PERFECTLY NORMAL. 405 00:09:52,693 --> 00:09:54,533 [ BILLY JOEL'S "MY LIFE" 406 00:09:54,527 --> 00:09:56,557 PLAYING ] 407 00:09:56,563 --> 00:09:57,673 >> * OOH 408 00:10:01,568 --> 00:10:03,798 * I DON'T NEED YOU TO WORRY FOR 409 00:10:03,804 --> 00:10:06,514 ME, 'CAUSE I'M ALL RIGHT * 410 00:10:08,909 --> 00:10:10,909 * I DON'T WANT YOU TO TELL ME 411 00:10:10,911 --> 00:10:13,611 IT'S TIME TO COME HOME * 412 00:10:16,216 --> 00:10:18,046 * I DON'T CARE WHAT YOU SAY 413 00:10:18,051 --> 00:10:20,951 ANYMORE, THIS IS MY LIFE * 414 00:10:23,657 --> 00:10:25,687 * GO AHEAD WITH YOUR OWN LIFE, 415 00:10:25,693 --> 00:10:28,533 LEAVE ME ALONE * 416 00:10:28,528 --> 00:10:30,028 * I NEVER SAID YOU HAD TO OFFER 417 00:10:30,030 --> 00:10:31,060 ME A SECOND CHANCE * 418 00:10:31,064 --> 00:10:35,674 >> * I NEVER SAID YOU HAD TO 419 00:10:35,669 --> 00:10:37,669 >> * I NEVER SAID I WAS A VICTIM 420 00:10:37,671 --> 00:10:38,671 OF CIRCUMSTANCE * 421 00:10:38,672 --> 00:10:42,042 >> * I NEVER SAID 422 00:10:42,075 --> 00:10:43,605 >> * I STILL BELONG 423 00:10:43,610 --> 00:10:45,910 >> * STILL BELONG 424 00:10:45,913 --> 00:10:47,253 >> * DON'T GET ME WRONG 425 00:10:47,247 --> 00:10:49,677 >> * GET ME WRONG 426 00:10:49,683 --> 00:10:51,583 >> * AND YOU CAN SPEAK YOUR 427 00:10:51,584 --> 00:10:52,594 MIND * 428 00:10:52,585 --> 00:10:56,715 * BUT NOT ON MY TIME 429 00:10:56,724 --> 00:10:58,564 * I DON'T CARE WHAT YOU SAY 430 00:10:58,558 --> 00:11:01,828 ANYMORE, THIS IS MY LIFE * 431 00:11:03,964 --> 00:11:06,034 * GO AHEAD WITH YOUR OWN LIFE 432 00:11:06,033 --> 00:11:07,743 >> * LEAVE ME ALONE * 433 00:11:09,136 --> 00:11:11,136 [ DRAMATIC ORCHESTRA MUSIC 434 00:11:11,138 --> 00:11:12,838 PLAYING ] 26947

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