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[ GLISSANDO! ]
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>> Announcer: LIVE FROM
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HOLLYWOOD, CALIFORNIA, IT'S THE
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LIVE COUNTDOWN TO...
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WE'VE GATHERED THOUSANDS OF
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PEOPLE FROM ALL ACROSS THE WORLD
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TO HELP CELEBRATE THIS VERY
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SPECIAL OCCASION.
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AND NOW YOUR HOST, JEFF PROBST.
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>> HI, EVERYBODY, I'M
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JEFF PROBST, AND WELCOME TO
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THIS.
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IN JUST A FEW HOURS, IN THIS
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HISTORIC HOLLYWOOD MOVIE
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THEATER, HOLLYWOOD'S MOST
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IMPORTANT HOLLYWOOD TYPES WILL
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HAVE ARRIVED TO WATCH WHAT WILL
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SURELY BE ONE OF THE MOST
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IMPORTANT EVENTS TO EVER BE
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TELEVISED FROM THIS HISTORIC
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HOLLYWOOD THEATER HERE IN
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HOLLYWOOD -- A SHOT-FOR-SHOT
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RE-CREATION OF THE OPENING TITLE
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SEQUENCE OF THE 1980s TELEVISION
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SHOW "SIMON & SIMON," WITH
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"MAD MEN'S" JON HAMM AND
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"PARKS AND RECREATION'S"
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ADAM SCOTT.
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BUT FIRST, IN THE NEXT
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10 MINUTES, WE'RE GONNA TAKE YOU
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INSIDE THE PROCESS OF MAKING ONE
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OF THE MOST EXCITING AND
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EXPENSIVE OPENING-CREDIT
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SEQUENCE REMAKES OF OUR TIME.
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LET'S START THE CLOCK.
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WITH A BUDGET OF A WHOPPING
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$25 MILLION, AND USING THE
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LATEST STATE-OF-THE-ART
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TECHNOLOGY, CREW MEMBERS FROM
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ALL OVER THE WORLD WERE HIRED,
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INCLUDING FIRST-TIME DIRECTOR
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AND CERTIFIED HOLLYWOOD BAD BOY
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PAUL RUDD.
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>> YOU KNOW, I WAS GREATLY
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INSPIRED BY GUS VAN SANT'S
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RETELLING OF "PSYCHO."
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I THOUGHT IT WAS A BOLD
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EXPERIMENT TO RE-DO THAT MOVIE
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[BELCHES] SHOT-FOR-SHOT IN THE
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EXACT SAME WAY.
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AND I THOUGHT, "THAT'S REALLY
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INTERESTING."
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AND IT MADE ME WANT TO DO IT.
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>> I TOLD PAUL THAT NO MATTER
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WHAT HE DOES, HE'LL NEVER GET IT
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JUST RIGHT.
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IT'S IMPOSSIBLE.
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YOU CAN'T -- YOU CAN'T DO IT.
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>> IMPOSSIBLE OR NOT, THEY WERE
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GONNA FIND OUT IF IT WAS
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IMPOSSIBLE...OR NOT.
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WE VISITED WITH THE TALLEST
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DOCTOR IN LOS ANGELES TO ASK HIM
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IF YOU COULD RE-CREATE SOMETHING
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AS ICONIC AS THE "SIMON & SIMON"
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OPENING CREDIT SEQUENCE.
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>> NO.
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>> HEY, SO, IT'S THE FIRST DAY
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OF SHOOTING.
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AND I'M REALLY EXCITED 'CAUSE I
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GET TO MEET JON HAMM.
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AND, YOU KNOW, I'M A BIG ADMIRER
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OF HIS, BIG FAN.
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AND WE'RE GONNA BE WORKING
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TOGETHER.
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AND HE'S STANDING RIGHT OVER
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HERE, SO I GET TO...MEET HIM FOR
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THE FIRST TIME, WHICH IS
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SUPER-COOL.
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>> JON, WE'RE READY FOR YOU.
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>> HEY, JON, I'M REALLY...
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SUPER...
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YEAH, SO, THIS IS --
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THIS IS A GOOD SET, I THINK.
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I THINK WE'RE...
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YEAH, WE'RE ALL GOOD WITH THIS.
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>> I'VE LOVED "SIMON & SIMON"
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FOR A LONG TIME.
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I'VE BEEN A FAN.
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FIRST-RUN STUFF, I HAVE THE
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DVDs, I'VE GONE THROUGH THOSE A
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FEW TIMES -- ESPECIALLY WHEN I
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FOUND OUT ABOUT THIS PROJECT.
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I WANT TO BE AS PREPARED AS I
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CAN.
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IT'S A SEMINAL TELEVISION
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PROGRAM, AND THE FACT THAT WE
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GET TO WORK ON THIS HOMAGE, IT'S
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JUST IMPORTANT.
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IT'S JUST AN HONOR.
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THAT'S ALL I CAN SAY.
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>> WHY AM I DOING THIS?
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OH, UM, WELL, INITIALLY IT WAS
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THE MONEY BECAUSE THEY JUST
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OFFERED, LIKE, SO MUCH MONEY, IT
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WAS CRAZY.
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AND SO I WAS LIKE, YES.
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>> I'LL BE HONEST WITH YOU.
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I ACTUALLY HAVE ONLY SEEN ONE
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EPISODE OF "PARKS AND REC."
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I THOUGHT, WHEN WE WERE CASTING,
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THAT I WAS GETTING THE LITTLE
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INDIAN GUY FROM THAT SHOW,
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"AZ-IZ."
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>> CAN YOU TALK ABOUT ADAM?
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WHAT'S HE LIKE?
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>> UM...HE'S, UH...
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WELL, UH, YOU KNOW, HE'S, UH...
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HE'S A REAL GO-GETTER.
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HE WANTS TO DO WELL.
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HE SEEMS LIKE A NICE GUY.
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>> AND WHAT ABOUT JON HAMM?
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>> GENIUS.
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HAMM IS INCREDIBLE.
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I DON'T KNOW IF YOU'VE EVER SEEN
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"MAD MEN," BUT WHAT HE CAN DO
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WITH THAT CHARACTER -- THERE'S
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SO MUCH GOING ON BEHIND HIS
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EYES.
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IT'S JUST FUN TO WATCH 'CAUSE
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YOU DON'T KNOW WHAT HE'S DOING,
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YOU DON'T KNOW WHAT HE'S
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THINKING, BUT IT'S VERY CLEAR TO
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JON HAMM, THE ACTOR, BECAUSE
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HE'S JUST THAT GOOD.
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>> WITH THE ODDS STACKED AGAINST
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THEM, JON AND ADAM HAD TO MAKE
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SURE THEIR PERFORMANCES WERE
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FLAWLESS.
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SO THEY TURNED TO FAMED
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BODY-MOVEMENT COACH
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GRETA STRAUSS.
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>> [ German accent ] WHAT I AM
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DOING HERE TODAY, IS I'M GOING
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TO TRY TO TEACH ADAM SCOTT AND
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JON HAMM HOW TO BECOME
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"SEMEN ON SEMEN."
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WHAT I WANT TO DO IS CREATE A
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SAFE SPACE FOR THEM TO FEEL LIKE
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THEY CAN EXPLORE, THAT THEY CAN
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ACTUALLY JUST HAVE FUN WITH IT.
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[ SHOUTS ]
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'CAUSE THAT'S ALSO PART OF IT.
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IT'S NOT SO SERIOUS.
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IT'S GOOD TO HAVE FUN SOMETIMES.
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WE ALL NEED TO LAUGH.
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AND THAT'S A PART OF THE
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MACHINE.
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THAT'S A PART OF YOUR BODY.
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I THINK WHAT WE NEED TO DO NOW
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IS TAKE OUR CLOTHES OFF.
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OKAY? THANK YOU.
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>> HEY, I'M ADAM, BY THE WAY.
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YOU KNOW --
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>> STOP IT.
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>> WE'LL DO IT AFTER.
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>> JUST STOP IT.
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>> IT'S FINE, YEAH.
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LET'S JUST --
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>> WITH PRODUCTION UNDER WAY,
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MANY WONDERED HOW DIE-HARD FANS
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WOULD REACT TO THIS PROJECT.
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FOR MORE ON THAT, JEFF PROBST.
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THANKS, JEFF.
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YOU KNOW, SUPERFANS ARE OFTEN
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THE TOUGHEST TO PLEASE.
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AND THIS WAS APPARENT EARLIER
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TODAY WHEN A PROTESTER SET UP
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CAMP OUTSIDE THE THEATER TO TRY
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AND STOP THE PREMIERE.
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>> STOP THE "SIMON & SIMON"
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REMAKE, RIGHT?
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GOT IT.
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"SIMON & SIMON" ISN'T A TV SHOW.
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IT'S A WAY OF LIFE.
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IT TEACHES YOU, LIKE, HOW TO
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DETECT THINGS, HOW TO WORK WITH
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FAMILY.
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I CHANGED MY NAME TO
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"SIMON & SIMON."
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LOOK.
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THAT'S RIGHT. IT'S OFFICIAL.
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FIRST NAME -- SIMON.
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LAST NAME -- AND SIMON.
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IT'S LEGAL.
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TRUTHFULLY, PART OF THE REASON
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WHY I'M DISTURBED ABOUT THIS
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"SIMON & SIMON" REMAKE IS I HAD
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BIGGER PLANS TO RE-LAUNCH
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"SIMON & SIMON" IN A WAY THAT
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IT'S SUPPOSED TO BE.
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I WANT TO DO IT IN A MATURE WAY,
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AN ADULT WAY.
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YOU KNOW, THESE TWO BROTHERS,
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SHIRTLESS, GOING AROUND
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SAN DIEGO, EXPLORING EACH
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OTHER'S BODIES AND SOLVING
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CRIMES.
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I MEAN, THAT'S THE WAY IT SHOULD
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BE TOLD.
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LET'S HAVE SOME FUN.
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RICK OR A.J., BRO?
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RICK OR A.J.?
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YOU'RE AN A.J. CAT, I KNOW IT!
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A.J. GUY!
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>> HOWEVER, PROTESTERS WEREN'T
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THE ONLY OBSTACLE.
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RUDD'S METICULOUS ATTENTION TO
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DETAIL STARTED TO BECOME A
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PROBLEM ON SET.
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>> BLAST OF SMOKE, PLEASE.
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THAT'S TOO MUCH -- TOO MUCH
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SMOKE.
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HEY, WHAT -- WHAT, IS THIS, A
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[BLEEP] PRINCE VIDEO?
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EASE UP ON THE SMOKE.
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I CAN'T EVEN SEE THAT GUY.
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WE HAVE 34 SHOTS, AND ALREADY,
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I'VE EXCEEDED THE BUDGET BY
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$9 MILLION.
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I ALSO HAD TO THROW IN $800,000
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OF MY OWN MONEY, WHICH WAS A
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HUGE MISTAKE, BECAUSE EVEN IF
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IT'S ABSOLUTELY PERFECT, UH,
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THERE'S NO OPPORTUNITY THAT I
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WOULD EVER SEE THAT MONEY AGAIN,
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BECAUSE ULTIMATELY, THIS WHOLE
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THING IS JUST KIND OF STUPID.
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LET'S GO AGAIN.
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WHAT IS -- WHAT IS THE SMILE?
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IS SOMETHING FUNNY?
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ONE STEP FORWARD.
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YOU'RE GETTING BLOCKED BY THE
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BOTTLE.
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HEY, HAMM...
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>> WHAT?
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>> ...STAY STILL.
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>> BOTTLE UP.
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TOO HIGH.
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>> I'M ADAM, BY THE WAY.
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>> QUIET ON SET, PLEASE.
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WHAT THE -- WHAT IS THAT?
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ARE YOU [BLEEP] RETARDED?
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>> HAVE YOU NOT SEEN WHAT WE'RE
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DOING?
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>> [BLEEP] ALMIGHTY.
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WE'RE NOT DOING "HAMLET" HERE.
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YOU GOT A GUY STANDING NEXT TO
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YOU COVERED IN CAMO WITH A
260
00:06:44,838 --> 00:06:46,438
MUSTACHE AND A BROKEN BOTTLE.
261
00:06:46,440 --> 00:06:47,540
YOU DON'T NEED MUCH.
262
00:06:47,541 --> 00:06:48,681
JUST WALK AND LOOK.
263
00:06:48,676 --> 00:06:51,106
FOR GOD'S SAKES, ACTION.
264
00:06:51,111 --> 00:06:53,181
>> THEY FINALLY GOT THE SHOT 82
265
00:06:53,180 --> 00:06:54,180
TAKES LATER.
266
00:06:54,181 --> 00:06:56,281
BUT THIS PROVED TO BE A TURNING
267
00:06:56,283 --> 00:06:58,353
POINT FOR RUDD, AND SEVEN WEEKS
268
00:06:58,351 --> 00:07:00,221
INTO THE SHOOT, HE PROMPTLY
269
00:07:00,220 --> 00:07:02,320
QUIT, REFERRING TO JON AND ADAM
270
00:07:02,322 --> 00:07:04,362
AS "THE LAMEST ASSHOLES IN THE
271
00:07:04,357 --> 00:07:05,787
WORLD."
272
00:07:05,793 --> 00:07:07,833
WITHOUT A DIRECTOR, THE PRESSURE
273
00:07:07,828 --> 00:07:09,728
OF THE ENTIRE PRODUCTION BEGAN
274
00:07:09,730 --> 00:07:11,400
TO AFFECT JON AND ADAM IN
275
00:07:11,398 --> 00:07:14,168
DIFFERENT WAYS.
276
00:07:21,642 --> 00:07:23,482
>> STOP TALKING TO ME!
277
00:07:23,477 --> 00:07:24,477
>> OKAY.
278
00:07:24,478 --> 00:07:26,578
>> FOR ADAM, HIS BEHAVIOR BECAME
279
00:07:26,580 --> 00:07:28,750
MORE EROTIC -- I MEAN ERRATIC --
280
00:07:28,749 --> 00:07:30,849
SOMETIMES TALKING TO PEOPLE WHO
281
00:07:30,851 --> 00:07:31,721
WEREN'T EVEN THERE.
282
00:07:31,719 --> 00:07:32,889
>> SO, THIS IS THE ONE WE'RE
283
00:07:32,886 --> 00:07:34,216
DOING FOR THE BIRTHDAY EPISODE.
284
00:07:34,221 --> 00:07:34,821
>> OH, YEAH.
285
00:07:34,822 --> 00:07:35,692
>> THERE IS A JUMP.
286
00:07:35,689 --> 00:07:36,519
IT'S A BIT DARK.
287
00:07:36,524 --> 00:07:37,934
DO YOU WANT SAFETY OR STUNTS OR
288
00:07:37,925 --> 00:07:38,855
PADS, OR YOU GOOD?
289
00:07:38,859 --> 00:07:40,359
>> YEAH, YEAH, YEAH.
290
00:07:40,360 --> 00:07:41,500
I -- I JUST...
291
00:07:41,495 --> 00:07:42,225
>> ADAM?
292
00:07:42,229 --> 00:07:44,399
>> I FEEL LIKE IT'S -- IT'S ALL
293
00:07:44,397 --> 00:07:46,397
COMING TO A HEAD, IN A SENSE.
294
00:07:46,399 --> 00:07:47,399
WHEE! SHEER DROP.
295
00:07:47,400 --> 00:07:50,000
BUT HE DOESN'T SAY IT LIKE THAT.
296
00:07:50,003 --> 00:07:52,113
OR SHE, I MEAN, OF COURSE.
297
00:07:52,105 --> 00:07:54,265
[ LAUGHS ] I KNOW. I KNOW.
298
00:07:54,274 --> 00:07:55,284
YEAH. [ LAUGHS ]
299
00:07:55,275 --> 00:07:57,275
I KNOW.
300
00:07:57,277 --> 00:07:58,907
DID YOU GUYS NOT MEET?
301
00:07:58,912 --> 00:08:01,052
>> AND DESPITE SHOOTING IN THE
302
00:08:01,048 --> 00:08:02,778
ORIGINAL, SUNNY SOUTHERN
303
00:08:02,783 --> 00:08:04,923
CALIFORNIA LOCATIONS, JON JUST
304
00:08:04,918 --> 00:08:06,888
KEPT GETTING COLDER AND COLDER.
305
00:08:06,887 --> 00:08:08,887
>> YOU LOOK BACK AT THE CLASSIC
306
00:08:08,889 --> 00:08:10,789
FILMMAKING MOMENTS IN HISTORY,
307
00:08:10,791 --> 00:08:11,861
AND IT'S ALL BULL[BLEEP]
308
00:08:11,859 --> 00:08:13,089
AND YOU GET THE CHANCE TO WORK
309
00:08:13,093 --> 00:08:14,363
ON SOMETHING LIKE THIS, AND YOU
310
00:08:14,361 --> 00:08:15,431
DON'T WANT TO PASS IT UP.
311
00:08:15,428 --> 00:08:18,068
THIS IS LIVING THE DREAM.
312
00:08:18,065 --> 00:08:21,895
I'M SO [BLEEP]DAMN COLD.
313
00:08:21,902 --> 00:08:25,742
>> JON HAMM DIED THAT NIGHT.
314
00:08:25,739 --> 00:08:27,209
>> ALL RIGHT, I HAVE ONE
315
00:08:27,207 --> 00:08:28,307
QUESTION FOR YOU.
316
00:08:28,308 --> 00:08:29,978
ARE YOU READY TO WITNESS THE
317
00:08:29,977 --> 00:08:31,747
MOST EXCITING EVENT IN
318
00:08:31,745 --> 00:08:33,305
TELEVISION HISTORY?
319
00:08:33,313 --> 00:08:35,423
IF YOU'RE NOT, TURN OFF YOUR
320
00:08:35,415 --> 00:08:36,445
TELEVISIONS.
321
00:08:36,449 --> 00:08:38,719
IF YOU ARE, COUNT DOWN WITH ME.
322
00:08:38,719 --> 00:08:39,719
HERE WE GO.
323
00:08:39,720 --> 00:08:41,720
10...9...
324
00:08:41,722 --> 00:08:43,322
8...7...
325
00:08:43,323 --> 00:08:45,333
6...5...
326
00:08:45,325 --> 00:08:47,325
4...3...
327
00:08:47,327 --> 00:08:49,157
2...1...
328
00:08:49,162 --> 00:08:51,602
[ CHEERS AND APPLAUSE ]
329
00:08:51,599 --> 00:08:55,569
[ "SIMON & SIMON" THEME PLAYS ]
330
00:09:53,694 --> 00:09:56,134
THANK YOU, AND GOOD NI--
331
00:09:56,129 --> 00:09:59,499
[ EPIC MUSIC PLAYING ]
332
00:10:21,755 --> 00:10:25,785
[ "SIMON & SIMON" THEME PLAYS ]
20913
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