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>> MARY, IT'S TOO DANGEROUS.
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YOU MUST GO.
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>> NO, FRANKENSTEIN.
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IF I AM TO DIE, LET IT BE BY
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YOUR SIDE.
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[ GUNSHOT ]
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>> [ GROANS ]
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>> I TOLD YOU, FRANKENSTEIN,
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THERE IS NO PLACE YOU CAN HIDE
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THAT I WILL NOT FIND YOU.
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>> OH, MARY.
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>> [ GASPS ]
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>> MY HEART MAY FIRST HAVE BEEN
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STOLEN FROM A CORPSE, BUT NOW
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IT IS STOLEN AGAIN...BY YOU.
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>> CUT!
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[ BELL RINGS ]
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>> WHAT'S THAT, MAN?!
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YOU CALL THAT BEING SHOT?!
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I DON'T WANT THAT.
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I'VE SEEN BETTER BULLET WOUNDS
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IN A SIXTH-GRADE PRODUCTION OF
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"WIZARD OF OZ"!
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YOU'VE JUST BEEN SHOT!!
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YOU'RE DYING!
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IT'S THE SECOND TIME YOU'VE
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DIED!
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SO THAT'S ALL IN THERE!
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I WANT TO SEE ALL THAT, AND THEN
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I WANT YOU TO REALLY TASTE IN
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YOUR MOUTH ALL OF LIFE'S
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IRONIES.
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FOR THE FIRST TIME, IT MAKES
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SENSE TO YOU.
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LET'S TRY IT AGAIN, ALL --
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[ SILENCED GUNSHOT ]
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[ GROANS ]
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[ EXHALES SHARPLY ]
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I'VE BEEN SHOT.
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[ BREATHING HEAVILY ]
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[ INHALES SHARPLY ]
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[ Strained ] OH, BURNING!
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SEE? THIS IS HOW YOU GET SHOT.
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END...SCENE.
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>> WAIT. I --
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HE'S ACTUALLY BEEN SHOT!
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>> [ British accent ] OOH.
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I MEAN, THAT WAS REALLY GOOD
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ACTING.
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>> DIEGO!
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>> * OH-OH-OH, OH-OH-OH
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* OH-OH-OH, OH-OH-OH
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>> DIEGO!
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>> Kove: THIS IS THE FIFTH
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DIRECTOR WHO'S BEEN KILLED WHILE
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SHOOTING THE SEQUEL TO "STEIN."
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PRODUCTION IS SHUT DOWN AGAIN,
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AND IF THIS KEEPS UP, THE FILM
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WILL NEVER MAKE ITS TENT-POLE
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POSITION AS THE FIRST
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BLOCKBUSTER OF NEXT SUMMER.
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>> Jessie: PERSONALLY, I THINK
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THE BOOKS ARE BETTER THAN THE
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MOVIES.
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TRENT, WHAT DO YOU THINK?
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>> Trent: I DON'T KNOW.
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I'VE NEVER SEEN A MOVIE.
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IN FACT, I HATE 'EM.
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THAT GOES DOUBLE FOR BOOKS.
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>> Piper: SHOULDN'T WE BE
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CONCERNING OURSELVES WITH THE
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REAL TERRORIST THREATS?
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>> Kove: WATCH YOUR MOUTH!
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AN ATTACK ON THE SAN DIEGO
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ENTERTAINMENT INDUSTRY IS MORE
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DIRE THAN A NUCLEAR BOMBING OR
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MASS GENOCIDE.
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FIRST, THE DIRECTORS ARE KILLED.
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THEN, THE MOVIE BUSINESS MOVES
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UP THE COAST TO SACRAMENTO.
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WITHOUT THE MOVIE OR TV
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INDUSTRY, SAN DIEGO WILL BECOME
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DRIED UP LIKE A DEAD DOG.
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MAKE NO MISTAKE, WE'RE DEALING
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WITH A FULL-FLEDGED FILM
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TERRORIST WHO WILL STOP AT
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NOTHING TO PREVENT THE FANS OF
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THESE GRAPHIC-NOVELS-TURNED-
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NOVELS-TURNED-FILMS-TURNED-
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REBOOTS FROM SEEING THE
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COMPLETION OF THE FILM THEY
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COULD SO EASILY READ, BUT SO
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DESPERATELY WANT TO SEE.
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>> Jessie: WOW!
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YOU SHOULD POST ON MY "STEIN"
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FANSITE.
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YOU'RE SO PASSIONATE AND
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OPINIONATED.
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>> Kove: INDEED I AM, JESSIE,
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WHICH YOU WOULD KNOW IF YOU
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LISTENED TO MY PODCAST.
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WE JUST GOT NEW MERCH IN MY
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ONLINE SHOP.
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>> Jessie: YOU'RE STILL DOING
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THAT INTERVIEW SHOW?
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>> Kove: IT'S NOT JUST AN
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INTERVIEW SHOW -- IT'S A
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SPOTLIGHT INTO THE INNER LIVES
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OF A-LIST CELEBS.
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BUT WHAT DIFFERENCE DOES IT
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MAKE?
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WITH THE MOVIE BUSINESS OUT OF
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SAN DIEGO, I'LL NEVER GET MY
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PRIMO GUESTS.
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I'LL BE LEFT INTERVIEWING LOSERS
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LIKE YOU.
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>> Alphonse: [ SIGHS ]
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>> Jessie: YOU GUYS, IT'S OKAY.
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SHE MEANT ME.
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>> All: OH! PHEW!
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>> Jessie: FORENSICS SHOWS THAT
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THIS BULLET MATCHES THE OTHER
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FOUR BULLETS FROM THE "STEIN"
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KILLINGS, AND THIS SPECIFIC
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BULLET IS MANUFACTURED AND
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SOLD IN ONLY ONE STORE IN
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SAN DIEGO'S BRITISH DISTRICT.
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>> Piper: HOW LONG HAVE YOU
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KNOWN ABOUT THIS?
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>> Jessie: COUPLE OF WEEKS, BUT
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I WAITED UNTIL THE FIFTH KILLING
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JUST TO MAKE SURE THERE WAS A
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CONNECTION.
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>> Trent: STUPID BRITS.
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STILL HAVEN'T FORGIVEN US FOR
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STEALING "THE OFFICE" AND MAKING
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IT BETTER.
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>> Alphonse: [ SCOFFS ]
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>> Trent: [ SCOFFS ]
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>> Piper: WHERE ARE YOU GOING?
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>> Trent: BRITISH DISTRICT.
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>> Alphonse: TIME TO CRACK SOME
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FISH AND CHIPS.
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>> Trent: AND PAY FOR IT...IN
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POUNDS.
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>> Piper: YIKES.
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>> Kove: TRENT, ALPHONSE, YOU
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HAVE A RIDE-ALONG.
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>> Trent: NO.
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WE RIDE SOLO -- JUST THE TWO OF
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US.
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>> Kove: PERHAPS YOU'LL CHANGE
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YOUR MIND WHEN YOU HEAR IT'S
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ALISTAIR McQUEEN.
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>> Trent: OH, GOD.
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>> Alphonse: WHOA! HUGE FAN!
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YOU'RE A REALLY GOOD ACTOR, LIKE
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A MODERN-DAY
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JOSEPH GORDON-LEVITT.
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>> OH, THANK YOU.
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>> Alphonse: WHAT'S YOUR NEXT
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ROLE?
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ARE YOU GONNA BE IN THAT
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"HELL COP" MOVIE?
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>> UH, NO.
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IT'S -- IT'S -- IT'S THIS GRITTY
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INDIE.
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I PLAY AN NTSF AGENT WITH
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SOCIOPATHIC TENDENCIES AND AN
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INFLATED EGO.
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>> Trent: DON'T WASTE YOUR TIME.
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TALKIES ARE A FAD, OKAY?
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TRUST ME.
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MOVIES AREN'T GONNA BE AROUND
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TOO MUCH LONGER.
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>> Alphonse: WHY DON'T YOU USE
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ME AS YOUR MUSE?
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I CAN TELL YOU EVERYTHING YOU
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NEED TO KNOW.
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FOR EXAMPLE, THE ONE THING THAT
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EVERY NTSF AGENT HAS TO REMEMBER
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IS THAT HE NEEDS TO MAINTAIN
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GOOD POSTURE, BECAUSE WITH
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GOOD POSTURE --
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>> NO. NO, I DISAGREE.
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I THINK YOU SHOULD BE SLUMPED
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OVER, YOU KNOW WHAT I MEAN?
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YOUR INTERNAL CONFLICT IS
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WEIGHING YOU DOWN.
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AM I A GOOD COP OR AM I A BAD
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ONE?
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IT'S LIKE -- IT'S LIKE, YOU'VE
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MURDERED PROSTITUTES IN
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METH-FUELED RAGES...BUT YOU'VE
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ALSO BROUGHT THEM TURKEY DINNERS
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ON THANKSGIVING...AND THEN HAD
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SEX WITH THEM.
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>> Alphonse: I, UH, NEVER
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THOUGHT OF IT LIKE THAT.
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>> YEAH, YOU FLIP IT, MAN.
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>> Alphonse: GET MY SLUMP ON.
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>> IT'S BEAUTIFUL WHEN YOU
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CHANGE.
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>> Trent: YOU LOOK RIDICULOUS.
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GET YOUR SLUMP OFF.
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>> Piper: KOVE WANTS US TO
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REVIEW THE CRIME-SCENE PHOTOS.
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WHOA, WHAT'S THAT?
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>> Jessie: I'M GLAD YOU ASKED.
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I CALL IT "THE HUMAN CAMERA."
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DID YOU KNOW THE EYEBALL
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IS THE MOST EFFECTIVE RECORDING
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DEVICE WE HAVE, AND AFTER DEATH,
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YOU CAN PLAY AN EYEBALL LIKE A
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00:04:59,467 --> 00:04:59,797
DVD?
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>> Piper: I THOUGHT SCIENTISTS
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DISPROVED THAT THEORY.
218
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>> Jessie: NOPE.
219
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[ BEEP ]
220
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[ HEAD WHIRS ]
221
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>> Piper: LOOK AT THAT.
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>> Jessie: PRETTY COOL, ISN'T
223
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IT?
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I'M ALWAYS COMIN' UP WITH STUFF
225
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LIKE THIS.
226
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I THINK THAT'S THE BENEFIT OF
227
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BEING FRIENDS WITH ME.
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>> Piper: SHUT UP, SHUT UP, SHUT
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UP.
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I MEANT, LOOK AT THAT.
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I THINK I JUST FOUND OUR
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SHOOTER.
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>> Jessie: YOU MEAN WE DID.
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>> Piper: SHUT UP.
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COMMANDER KOVE, WE FOUND THE
236
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SHOOTER.
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>> Kove: AH, LOOK WHO IT IS.
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HEY, EVERYONE, YOU ARE LISTENING
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TO UNDER KOVER.
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I MAY BE NTSF, BUT I'M STILL
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N...S...F...W.
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>> NSFW!
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>> Kove: LET'S GET RIGHT INTO
244
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IT.
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I'M JEALOUS OF YOU.
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THAT'S WHY I'M ALWAYS PUTTING
247
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YOU ON THE DANGEROUS
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ASSIGNMENTS, HOPING YOU GET
249
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KILLED.
250
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BUT THAT'S ME. I'M WEIRD.
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YOU AND I HAVE A BEEF.
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>> Trent: STUPID BRITS.
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PLACE IS CLOSED FOR TEA TIME.
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I'M GONNA STAKE IT OUT.
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GET COMFY. I'LL BE AROUND BACK.
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>> Alphonse: OKAY.
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YOU WANT A SODA?
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>> WHAT? NO!
259
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WHAT IS WRONG WITH YOU?
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NO, I DON'T WANT A SODA.
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YOU WOULD NEVER DRINK A SODA.
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YOU WOULD DRINK A COCONUT WATER.
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00:06:03,631 --> 00:06:05,301
>> Alphonse: YES! THANK YOU.
264
00:06:05,298 --> 00:06:05,868
SORRY.
265
00:06:05,866 --> 00:06:07,026
>> DON'T BE SORRY.
266
00:06:07,034 --> 00:06:09,074
BE IN THE MOMENT. THINK.
267
00:06:09,369 --> 00:06:10,599
>> Trent: [ SCOFFS ]
268
00:06:10,604 --> 00:06:12,444
NEVER SEE WHAT PEOPLE GET OUT OF
269
00:06:12,440 --> 00:06:13,370
THESE "MOVIES."
270
00:06:13,373 --> 00:06:15,113
ESCAPIST HOOEY, IF YOU ASK ME.
271
00:06:15,108 --> 00:06:17,338
>> I'D SAY I'D DISAGREE.
272
00:06:17,344 --> 00:06:18,114
[ THUD ]
273
00:06:18,446 --> 00:06:19,376
>> Piper: [ Voice breaking ] I
274
00:06:19,379 --> 00:06:19,879
DON'T KNOW.
275
00:06:19,880 --> 00:06:22,520
I MEAN, MAYBE IT WAS...MY
276
00:06:22,516 --> 00:06:24,486
PARENTS' DIVORCE.
277
00:06:24,485 --> 00:06:26,045
IS DIVORCE --
278
00:06:26,053 --> 00:06:27,223
>> Kove: DIVORCE IS THE NEW
279
00:06:27,220 --> 00:06:27,860
CHILD ABUSE.
280
00:06:27,855 --> 00:06:28,785
>> Piper: NO, IT IS!
281
00:06:28,789 --> 00:06:29,889
>> Kove: KNOW WHAT ELSE IS
282
00:06:29,890 --> 00:06:30,360
ABUSIVE?
283
00:06:30,357 --> 00:06:31,827
BUYING YOUR STAMPS AT THE POST
284
00:06:31,825 --> 00:06:32,685
OFFICE.
285
00:06:32,693 --> 00:06:34,293
WITH A SPECIAL OFFER, YOU NOW
286
00:06:34,294 --> 00:06:36,534
GET YOUR STAMPS AT stampman.biz.
287
00:06:36,530 --> 00:06:39,130
MENTION THE COUPON CODE "KOVE."
288
00:06:39,132 --> 00:06:40,702
OKAY. WOW!
289
00:06:40,701 --> 00:06:41,801
THIS IS TOUGH STUFF.
290
00:06:41,802 --> 00:06:42,702
>> Jessie: KOVE?
291
00:06:42,703 --> 00:06:43,473
>> Kove: HEY!
292
00:06:43,471 --> 00:06:44,671
IT'S THE NTSF LAB GEEK,
293
00:06:44,672 --> 00:06:45,512
EVERYONE!
294
00:06:45,506 --> 00:06:47,706
JESSIE, COME IN HERE AND TELL US
295
00:06:47,708 --> 00:06:50,178
ABOUT YOUR CHILDHOOD.
296
00:06:50,177 --> 00:06:53,307
>> Jessie: I WAS...THE PRODUCT
297
00:06:53,313 --> 00:06:54,383
OF A DYSFUNCTIONAL AMISH
298
00:06:54,381 --> 00:06:55,021
UPBRINGING.
299
00:06:55,015 --> 00:06:57,145
>> Piper: OH, GOD.
300
00:06:57,150 --> 00:06:58,750
>> Kove: YOU'RE VERY BRAVE.
301
00:07:00,988 --> 00:07:02,318
>> [ American accent ] THIS IS
302
00:07:02,322 --> 00:07:02,692
BAD.
303
00:07:02,690 --> 00:07:03,990
YOU SHOULDN'T HAVE DONE THIS.
304
00:07:03,991 --> 00:07:04,491
[ CRACK ]
305
00:07:04,492 --> 00:07:05,432
[ British accent ] OH!
306
00:07:05,425 --> 00:07:06,525
WHAT, ARE YOU KIDDING ME?
307
00:07:06,527 --> 00:07:07,357
NO ONE'S EVER GONNA
308
00:07:07,360 --> 00:07:08,000
BELIEVE THEM.
309
00:07:07,995 --> 00:07:09,025
YOU'RE ALISTAIR McQUEEN,
310
00:07:09,029 --> 00:07:10,229
HOLLYWOOD'S HUNKY GOLDEN BOY.
311
00:07:10,230 --> 00:07:11,360
>> Alphonse: WE GOT A REAL
312
00:07:11,364 --> 00:07:12,674
GOLLUM/SMEAGOL SITUATION POPPIN'
313
00:07:12,666 --> 00:07:13,166
OFF HERE.
314
00:07:13,166 --> 00:07:13,826
HEY, WEIRDO!
315
00:07:13,834 --> 00:07:14,904
WHY'D YOU KILL ALL THOSE
316
00:07:14,902 --> 00:07:15,502
DIRECTORS?
317
00:07:15,503 --> 00:07:16,103
>> I HAD TO.
318
00:07:16,103 --> 00:07:17,273
I WAS AFRAID IF THEY EVER
319
00:07:17,270 --> 00:07:18,340
FINISHED THE FILM, I'D
320
00:07:18,338 --> 00:07:19,168
NEVER WORK AGAIN.
321
00:07:19,172 --> 00:07:20,442
ALL MY NON-"STEIN" FILMS HAVE
322
00:07:20,440 --> 00:07:21,410
BEEN FAILURES --
323
00:07:21,408 --> 00:07:22,578
"MISSION TO MARGE,"
324
00:07:22,576 --> 00:07:23,836
"SLOWLY BUT SURELY."
325
00:07:23,844 --> 00:07:25,084
I DON'T EVEN WANT TO TALK ABOUT
326
00:07:25,078 --> 00:07:25,548
"MOOKIE"!
327
00:07:25,546 --> 00:07:26,776
>> Trent: SO HOW MANY DIRECTORS
328
00:07:26,780 --> 00:07:27,680
WERE YOU GONNA KILL?
329
00:07:27,681 --> 00:07:28,851
>> AS MANY AS IT TOOK TO KEEP
330
00:07:28,849 --> 00:07:29,549
THE SHOOT GOING.
331
00:07:29,550 --> 00:07:30,680
[ CRACK ]
332
00:07:30,684 --> 00:07:31,424
AHH.
333
00:07:31,418 --> 00:07:32,848
[ American accent ] TRUTHFULLY,
334
00:07:32,853 --> 00:07:34,193
I WAS SHOCKED AFTER THE FOURTH
335
00:07:34,187 --> 00:07:35,417
KILLING THAT ANOTHER DIRECTOR
336
00:07:35,422 --> 00:07:36,562
SIGNED UP FOR THE PROJECT.
337
00:07:36,557 --> 00:07:37,627
[ Chuckling ] I MEAN, YOU GOTTA
338
00:07:37,625 --> 00:07:38,455
BE SOME KIND OF IDIOT.
339
00:07:38,458 --> 00:07:39,528
>> Trent: SO NOT ONLY WERE YOU
340
00:07:39,527 --> 00:07:40,887
GONNA KILL HOLLYWOOD'S BEST AND
341
00:07:40,894 --> 00:07:42,204
BRIGHTEST DIRECTORS, BUT YOU
342
00:07:42,195 --> 00:07:43,295
ALSO WERE GONNA KILL THE
343
00:07:43,296 --> 00:07:44,426
TV-AND-MOVIE BUSINESS OF
344
00:07:44,431 --> 00:07:45,031
SAN DIEGO.
345
00:07:45,032 --> 00:07:45,972
YOU A A TRUE TERRORIST.
346
00:07:45,966 --> 00:07:46,426
[ CRACK ]
347
00:07:46,433 --> 00:07:47,433
>> [ British accent ] I'M A
348
00:07:47,434 --> 00:07:47,904
TERRORIST?
349
00:07:47,901 --> 00:07:49,701
I'M A BAD GU-- I'M NOT A BAD
350
00:07:49,703 --> 00:07:50,203
GUY!
351
00:07:50,203 --> 00:07:51,103
YOU'RE A BAD GUY!
352
00:07:51,104 --> 00:07:52,544
HOW HAVE YOU NOT SEEN ANY OF MY
353
00:07:52,540 --> 00:07:52,940
FILMS?
354
00:07:52,940 --> 00:07:54,240
WHAT DO YOU TALK ABOUT WITH
355
00:07:54,241 --> 00:07:54,941
YOUR FRIENDS?
356
00:07:54,942 --> 00:07:56,042
TELL ME!
357
00:07:56,043 --> 00:07:56,543
[ CLANG ]
358
00:07:56,544 --> 00:07:57,444
>> Trent: [ GROANS ]
359
00:07:57,444 --> 00:07:58,554
[ CRACK ]
360
00:07:58,546 --> 00:08:01,306
>> [ GROANING ]
361
00:08:01,314 --> 00:08:02,824
[ American accent ] ALPHONSE,
362
00:08:02,816 --> 00:08:03,646
THIS IS CRAZY.
363
00:08:03,651 --> 00:08:04,551
I'M TERRIFIED.
364
00:08:04,552 --> 00:08:06,092
IF YOU WANT TO STOP ME, YOU HAVE
365
00:08:06,086 --> 00:08:06,746
GOT TO ACT.
366
00:08:06,754 --> 00:08:08,964
YOU HAVE GOT TO EMBODY THE ROLE
367
00:08:08,956 --> 00:08:10,416
OF A GOOD NTSF AGENT.
368
00:08:10,423 --> 00:08:11,933
>> Alphonse: BUT HOW?
369
00:08:11,925 --> 00:08:13,085
>> USE THE ACTOR'S BREATHING
370
00:08:13,093 --> 00:08:14,263
EXERCISE THAT WE WORKED ON TO
371
00:08:14,261 --> 00:08:15,261
SHIFT FREE OF THOSE ROPE
372
00:08:15,262 --> 00:08:15,762
BINDINGS.
373
00:08:15,763 --> 00:08:16,763
>> Alphonse: [ BREATHING
374
00:08:16,764 --> 00:08:17,234
DEEPLY ]
375
00:08:17,230 --> 00:08:18,770
>> YOU CAN DO IT. GOOD, GOOD.
376
00:08:18,766 --> 00:08:19,266
[ CRACK ]
377
00:08:19,266 --> 00:08:19,966
[ GRUNTS ]
378
00:08:19,967 --> 00:08:21,267
[ British accent ] WHAT ARE YOU
379
00:08:21,268 --> 00:08:21,668
DOING?!
380
00:08:21,669 --> 00:08:22,739
>> Alphonse: UH, NOTHIN'!
381
00:08:22,736 --> 00:08:23,566
JUST MOVIN' AROUND.
382
00:08:23,571 --> 00:08:24,401
I GOT HEMORRHOIDS.
383
00:08:24,404 --> 00:08:25,614
>> [ EXHALES SHARPLY ]
384
00:08:25,606 --> 00:08:26,466
[ CRACK ]
385
00:08:26,473 --> 00:08:27,513
[ American accent ] THAT WAS
386
00:08:27,507 --> 00:08:28,007
EXCELLENT!
387
00:08:28,008 --> 00:08:28,778
WHAT A GREAT COVER!
388
00:08:28,776 --> 00:08:29,836
YOU USED IMPROVISATION THERE!
389
00:08:29,843 --> 00:08:31,283
WE DIDN'T EVEN WORK ON THAT!
390
00:08:31,278 --> 00:08:32,608
OKAY, NOW I NEED YOU TO USE
391
00:08:32,613 --> 00:08:34,153
YOUR "AS-IF" AND SURPRISE PUNCH
392
00:08:34,147 --> 00:08:35,177
ME WITH A LEFT HOOK.
393
00:08:35,182 --> 00:08:36,082
COME ON, DO IT.
394
00:08:36,083 --> 00:08:37,023
COME ON, ALPHONSE.
395
00:08:37,017 --> 00:08:37,847
YOU CAN DO IT.
396
00:08:37,851 --> 00:08:38,791
YEAH, YOU GOT IT.
397
00:08:38,786 --> 00:08:39,916
>> Alphonse: TAKE THAT, DAD!
398
00:08:39,920 --> 00:08:41,920
[ BOTH GRUNT ]
399
00:08:41,922 --> 00:08:43,022
>> OKAY, MY WEAKNESS IS MY
400
00:08:43,023 --> 00:08:43,423
KNEES!
401
00:08:43,423 --> 00:08:44,763
TAKE OUT MY KNEES!
402
00:08:44,758 --> 00:08:46,288
MY WEAKNESS! MY KNEES!
403
00:08:46,293 --> 00:08:47,493
[ BOTH SCREAM ]
404
00:08:47,494 --> 00:08:48,664
ALPHONSE, YOU'RE DOIN' A
405
00:08:48,662 --> 00:08:49,262
GREAT JOB.
406
00:08:49,262 --> 00:08:50,162
OKAY, NOW CUFF ME.
407
00:08:50,163 --> 00:08:51,203
OH, WAIT. NO, NO, NO.
408
00:08:51,198 --> 00:08:51,968
USE THE ROPES.
409
00:08:51,965 --> 00:08:52,925
IT'S MORE DRAMATIC.
410
00:08:52,933 --> 00:08:53,673
>> Alphonse: YEAH, YEAH.
411
00:08:53,667 --> 00:08:54,937
>> YOU'RE SO IN THE MOMENT RIGHT
412
00:08:54,935 --> 00:08:55,265
NOW!
413
00:08:55,268 --> 00:08:56,098
I'M SO PROUD OF YOU!
414
00:08:56,103 --> 00:08:57,043
>> Alphonse: THANK YOU.
415
00:08:57,037 --> 00:08:58,667
YOU ARE UNDER ARREST FOR THE
416
00:08:58,672 --> 00:08:59,842
MURDERS OF THE DIRECTORS OF
417
00:08:59,840 --> 00:09:00,770
"STEIN"!
418
00:09:00,774 --> 00:09:01,884
[ PANTING ]
419
00:09:01,875 --> 00:09:03,105
END SCENE!
420
00:09:03,110 --> 00:09:03,840
[ CRACK ]
421
00:09:03,844 --> 00:09:05,384
[ British accent ] SCREW YOU,
422
00:09:05,378 --> 00:09:05,808
MAN!
423
00:09:05,813 --> 00:09:07,513
[ CRACK ]
424
00:09:07,514 --> 00:09:09,284
[ American accent ] THANK YOU.
425
00:09:11,619 --> 00:09:14,789
>> WHY? WHY ME?
426
00:09:14,788 --> 00:09:16,188
THEY SHOULD HAVE LEFT ME FOR
427
00:09:16,189 --> 00:09:16,619
DEAD.
428
00:09:16,624 --> 00:09:19,164
>> YOU ARE A MONSTER...BUT THE
429
00:09:19,159 --> 00:09:21,229
MONSTER I LOVE.
430
00:09:21,228 --> 00:09:22,698
>> Kove: EXCUSE ME.
431
00:09:22,696 --> 00:09:25,126
WHICH WAY TO THE CAMPSITE?
432
00:09:25,132 --> 00:09:26,902
>> IT'S THAT WAY.
433
00:09:29,169 --> 00:09:29,799
>> CUT!
434
00:09:29,803 --> 00:09:31,343
[ BELL RINGS ]
435
00:09:31,338 --> 00:09:32,808
>> Trent: SO, THAT'S A MOVIE?
436
00:09:32,806 --> 00:09:33,406
[ SCOFFS ]
437
00:09:33,406 --> 00:09:34,406
I'M NOT IMPRESSED.
438
00:09:34,407 --> 00:09:35,807
THAT GUY SHOULD BE IN JAIL.
439
00:09:35,809 --> 00:09:37,039
>> Piper: UNFORTUNATELY,
440
00:09:37,044 --> 00:09:38,514
CALIFORNIA LAW CLEARLY STATES
441
00:09:38,511 --> 00:09:39,681
THAT MOVIE STARS CAN'T GO TO
442
00:09:39,680 --> 00:09:40,680
JAIL UNTIL THEIR CURRENT
443
00:09:40,681 --> 00:09:41,681
PROJECTS ARE IN THE CAN.
444
00:09:41,682 --> 00:09:42,922
>> Alphonse: PLUS, KOVE AGREED
445
00:09:42,916 --> 00:09:44,146
TO KEEP IT ON THE HUSH-HUSH IF
446
00:09:44,151 --> 00:09:45,391
SHE COULD GET A WALK-ON ROLE IN
447
00:09:45,385 --> 00:09:47,315
THE MOVIE, AND ALISTAIR AGREED
448
00:09:47,320 --> 00:09:48,690
TO BE ON HER PODCAST.
449
00:09:48,689 --> 00:09:50,059
I KNOW YOU GUYS THINK HE'S A BAD
450
00:09:50,057 --> 00:09:51,317
DUDE, BUT HE TAUGHT ME A LOT
451
00:09:51,324 --> 00:09:52,594
ABOUT WHAT IT'S LIKE TO BE AN
452
00:09:52,592 --> 00:09:54,032
NTSF:SD:SUV:: AGENT.
453
00:09:54,027 --> 00:09:55,427
>> Trent: YOU ARE AN
454
00:09:55,428 --> 00:09:58,668
NTSF:SD:SUV:: AGENT.
455
00:09:58,666 --> 00:09:59,426
>> Alphonse: I AM NOW.
456
00:09:59,432 --> 00:10:00,532
>> Kove: [ Laughing ] ALL RIGHT.
457
00:10:00,533 --> 00:10:01,603
NOW THAT WE'RE OFF THE AIR, I'VE
458
00:10:01,601 --> 00:10:03,571
BEEN MEANING TO ASK, HOW
459
00:10:03,570 --> 00:10:05,870
WERE YOU ABLE TO ACT AND TO
460
00:10:05,873 --> 00:10:07,343
SHOOT THE DIRECTORS AT THE SAME
461
00:10:07,340 --> 00:10:07,740
TIME?
462
00:10:07,741 --> 00:10:09,041
>> Piper: KOVE, I FORGOT TO
463
00:10:09,042 --> 00:10:10,342
TELL YOU, I FIGURED IT OUT.
464
00:10:10,343 --> 00:10:11,543
ALISTAIR NOT ONLY HAS TWO
465
00:10:11,544 --> 00:10:13,914
PERSONALITIES -- HE ALSO HAS
466
00:10:13,914 --> 00:10:16,054
THREE HANDS.
467
00:10:16,049 --> 00:10:19,019
>> IT'S MY BLESSING...AND MY
468
00:10:19,019 --> 00:10:19,949
CURSE.
469
00:10:19,953 --> 00:10:21,053
>> Kove: [ LAUGHS ]
470
00:10:21,054 --> 00:10:22,264
[ LAUGHTER ]
471
00:10:22,255 --> 00:10:23,355
>> Kove: OH, CALL THEM A
472
00:10:23,356 --> 00:10:23,856
BLESSING!
473
00:10:23,857 --> 00:10:24,857
>> [ Chuckling ] YEAH!
474
00:10:24,858 --> 00:10:26,628
>> Trent: NOW, THAT'S A MOVIE.
475
00:10:26,927 --> 00:10:28,097
>> COMING THIS FALL TO
476
00:10:28,095 --> 00:10:29,425
[adult swim] THE HIGHLY
477
00:10:29,429 --> 00:10:30,799
ANTICIPATED TV SHOW BASED ON
478
00:10:30,798 --> 00:10:32,128
THE GRAPHIC-NOVELS-TURNED-
479
00:10:32,132 --> 00:10:33,572
BEST-SELLING-NOVELLAS-TURNED
480
00:10:33,566 --> 00:10:34,736
MOTION-PICTURE-TURNED-
481
00:10:34,735 --> 00:10:35,235
MINISERIES.
482
00:10:35,235 --> 00:10:36,065
>> COULD YOU EVER LOVE
483
00:10:36,069 --> 00:10:39,909
SOMEONE...AS HIDEOUS AS ME?
484
00:10:39,907 --> 00:10:40,367
>> YES.
485
00:10:40,373 --> 00:10:41,613
>> HOW COULD YOU LOVE HIM?
486
00:10:41,608 --> 00:10:42,208
HE'S DEAD.
487
00:10:42,209 --> 00:10:43,609
>> HE'S RE-ANIMATED.
488
00:10:43,610 --> 00:10:45,410
>> BUT I'M UN-RE-ANIMATED.
489
00:10:45,412 --> 00:10:49,152
WANT HIM DEAD, DEAD, DEAD!!
490
00:10:49,149 --> 00:10:52,489
>> FIRE! MY ONLY WEAKNESS!
491
00:10:52,485 --> 00:10:54,485
[ GROANS ]
492
00:10:54,487 --> 00:10:56,657
>> "STEIN" -- PART TWO OF
493
00:10:56,656 --> 00:10:57,416
THREE.
30198
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