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Original subtitles

Downloaded from YTS.MX

(silence)

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(eerie music)

- [Voiceover] Reality Films.

(eerie music)

(dramatic music)

(speaking in foreign language)

(dramatic music)

(dramatic music)

- [Voiceover] In the 1930s an entire nation was brainwashed.

(dramatic music)

It was manipulated by masters of propaganda

and the arcane arts.

(dramatic music)

The result was the deaths of millions of people.

The world was changed in just a few short years.

(dramatic music)

The men behind this massive scheme

were members of the most evil and vile of

political parties ever to have existed.

We know them as the Nazis.

(speaking in foreign language)

Their purpose was to bring about the rise

of a so-called Aryan race.

The race that would rule the world

for a thousand years.

This would be the Third Reich.

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

(crowd cheering)

In order to see the fulfillment of their grand scheme

they needed to eradicate certain races from the globe

and subjugate others.

(crowd cheering)

(speaking in foreign language)

In order to achieve this,

they needed millions of people

to believe and follow them,

and only them.

(crowd cheering)

And so they created a messiah,

a god on earth, his name was Adolf Hitler

and he would become the master

of manipulating the hearts and souls of man.

(dramatic music)

From mass hypnosis to blatant propaganda,

from control of the media to eradicating the opposition,

all methods were employed.

(dramatic music)

This is the story of how that incredible goal

was actually brought to fruition

and the methods used to control the minds of men.

This is the story of Nazi propaganda.

(dramatic music)

There can be very few people who have not

heard the term Nazi and yet there are very few

who can pinpoint the actual meaning.

Yes it brings to mind terrible atrocities

and evil looking characters from war films.

We all know that it is a word with evil connotations.

Their symbol, the swastika, is banned from public display

in almost all parts of the world.

(dramatic music)

But why is this that in living memory,

millions of people followed them.

How did so many people get drawn into

what became quite possibly,

the darkest period in human history?

(dramatic music)

In this film we look into the purpose

of the Nazi party, we explore the power

they had over the mind and we examine

their methods of propaganda and hypnosis.

(dramatic music)

Who were they?

What did they do?

Why and how?

It's time to get inside the mind of the Nazis,

the monsters of manipulation.

(dramatic music)

The actual term Nazi, is the shortened version

of the National Socialist German Workers Party.

The brain child of one particular man,

who rose from the ashes of a poverty

stricken Germany, Adolf Hitler.

(dramatic music)

As a youth in Austria, Adolf Hitler

became politically influenced by

radical German Nationalism.

This led him into anti-semitism

as well as hatred for the Slavs, Habsburgs,

Catholics and more.

(dramatic music)

It was this time he saw the merits

of absolute party leadership,

the title of Fuhrer and even the greeting of Heil.

(dramatic music)

Heil mine Fuhrer, simply meant "Hail my leader."

Later a chant zeig heil was created for public occasions

as the Nazis understood such things

created a harmony among the followers.

(dramatic music)

In fact, Adolf Hitler himself, studied hypnotism,

when he read the book, "Psychology of the Masses".

The book describes the psychology of the crowd

and the techniques that could be used to control them.

(dramatic music)

Using hypnotic suggestions,

a crowd can be manipulated.

Repetition and the use of movement are key.

(dramatic music)

When an animal walking through a wood

sees a movement, it stops and looks.

Its attention has been gained.

If a movement happens again,

then the animal will continue to look,

mesmerized to the spot.

The same applies to us.

Watch as the speaker may walk up and down the stage

keeping our natural gaze.

(dramatic music)

Movement of the body and arms

enforce a strength and those watching are fixed.

(dramatic music)

In this state, whatever is said by the speaker

has more power.

(dramatic music)

Repeat it and it becomes gospel.

(dramatic music)

Hitler used repetition, not just in speeches,

but he repeated the speeches.

(dramatic music)

A repeated statement becomes embedded in the mind.

Hymns in church are sung for this very reason,

to drive home the propaganda and message of the church.

(dramatic music)

HItler himself said, "What you say to the people

"collectively, in that receptive state

"of fanatical abandonment,

"remains in their mind like an order

"given to someone under hypnosis,

"which can not be wiped out

"and resists all logical argument."

(dramatic music)

He used all the techniques known.

Pacing up and down, pause and action.

Repetition and hand movements for reinforcement.

(dramatic music)

Through such hypnosis, Hitler could bypass

rationality and logic

and aim straight into the core of the mind,

without the conscious knowledge of the viewer.

(dramatic music)

Repeated viewing of the same speaker

has been proven to reinforce a concept

of admiration and even of holiness.

Eventually, every word uttered becomes holy writ.

(speaking in foreign language)

(crowd cheering)

(speaking in foreign language)

He was also instructed in the art of hypnosis,

by an expert.

A British Secret Service report from 1943,

stated "During the early 1920s,

"Hitler took regular lessons in speaking

"and in mass psychology from a man

"named Hamsun, who was also a practicing

"astrologer and fortune teller."

He was an extremely clever individual

who taught Hitler a great deal

concerning the importance of staging meetings

to obtain the greatest dramatic effect.

(dramatic music)

What Hitler was really good at

was the power of suggestion,

repeating a phrase.

(dramatic music)

Over time, Hitler's beliefs changed and grew.

His experience as a corporal in the first world war

saw him eventually blame the leaders of Germany

for the loss of the war and the subsequent

humiliation of the Treaty of Versailles.

(dramatic music)

He also blamed the Jews.

(dramatic music)

He learned everything he could.

He gathered information.

(dramatic music)

What his intentions were originally is unknown,

but he molded himself with his knowledge

and he was intent on doing something

about the plight of the German speaking world.

(dramatic music)

Over time, and following hundreds of speeches,

arguments, political maneuvering

and outright bullying, Hitler found his destiny

as the leader of the Nazi Party.

(dramatic music)

So what was Nazi Germany?

Between 1933 and 1945,

the term was interchangeable with the Third Reich,

a period when the country was controlled

by Adolf Hitler and his National Socialist

German Workers Party.

Or Nazi Party.

(dramatic music)

Under Hitler's reign, Germany changed into

a fascist totalitarian state, whereby almost

all facets of life were controlled by the government.

(dramatic music)

The very moment Hitler took power as Chancellor in 1933,

all political opponents were eliminated.

In 1934, the President, Hindenburg, died

and Hitler became Dictator.

His title was Fuhrer, or leader.

(dramatic music)

All power was in his hands and his word

was above the law.

Gathering around Hitler were the various factions

all trying desperately to attract his attention

and gain his favor.

(dramatic music)

Nothing was beyond them in their fight

for the Fuhrer's love.

(dramatic music)

It had been a time of desperation

and poverty was rife under the Nazis,

the economy grew and stabilized.

(dramatic music)

Massive public works were undertaken.

Germany was being rebuilt

and with it the spirit of the master race.

(dramatic music)

The Nazis enjoyed massive popularity

through this economic stability

and this allowed them to begin introducing

some of the more sinister elements of their policies.

(dramatic music)

They had done what they said they would do,

so they must be right, was the public perception.

(dramatic music)

Education was targeted, introducing

the concepts of racial purity into the schools.

(dramatic music)

The children were being prepared on many levels.

Firstly, they were being aligned

to the beliefs of the Fuhrer.

Secondly, the boys were prepared for military service

and the girls softened up for motherhood.

(dramatic music)

Opportunities for females were reduced,

so they could concentrate on being good German mothers.

(dramatic music)

Through the Strength for Joy program,

recreation was organized,

and in 1936, Germany held the Olympics,

placing the might of the Third Reich,

in the international spotlight.

(dramatic music)

All media and public gatherings were controlled.

Propaganda was everywhere.

Even art was controlled.

As the power of Germany grew against

the backdrop of a weak Europe,

the aggression of the Nazis began to terrify many.

(dramatic music)

(speaking in foreign language)

- [Voiceover] If I Adolf Hitler,

can set the clout of the German nation

to the head of war without the smallest ticking

for spilling precious German blood.

Then surely I have the right to remove

millions of an inferior race that breeds like vermin.

(crowd cheering)

- [Voiceover] When they made territorial

demands in Czechoslovakia, Europe buckled.

Russia and Italy aligned themselves with the Nazis,

Poland was invaded and war was declared in 1939.

- [Voiceover] This is murder.

Deliberate murder.

(dramatic music)

(crowd cheering)

- [Voiceover] By 1940, Germany controlled most of Europe.

(dramatic music)

- [Voiceover] Defying every written

and unwritten law of man,

not only premeditated, but carried out

by official decree.

- [Voiceover] Only Great Britain remained

and until 1942, the Americans stood back.

- [Voiceover] Here in utmost secrecy,

the hardening up forces.

Building up Hitler's army and his industry.

(upbeat music)

- [Voiceover] Tell the world we have no raw materials,

and never let them see what goes on.

Day after day, night after night,

month after month, year after year,

we must have the world's most powerful club.

Forget hours, forget working conditions,

forget how to think, forge the club of blood and iron.

Let the democracies talk about freedom.

No freedom here.

No labor unions.

No overtime.

The Fuhrer tells you where to work.

When to work, how long to work.

How much your work is worth.

Forge the club of blood and iron.

We have a sacred mission.

Today we rule Germany.

Tomorrow, the world.

(crowd cheering)

- [Voiceover] And for those who don't like it,

you don't eat.

Or you disappear into a concentration camp.

Or you get this.

(gunshots)

And this is the man who gives it to you.

(gunshots)

(dramatic music)

And what of the army?

Before Hitler came into power,

the German Army by treaty was limited

to one hundred thousand men,

but treaties to the Germans have always

been something to ignore.

These one hundred thousand men

were in reality a hundred thousand

highly trained officers.

The men who lead the Nazi regiments today.

But Hitler didn't merely ignore the treaty,

he tore it up.

And in 1935 ordered National Conscription.

(dramatic music)

Simultaneously, he ordered German youth

to become air minded.

Toy gliders filled the air.

But as the boys grew bigger,

so did the gliders.

(dramatic music)

Soon these same youths were trained pilots,

flying the new planes the factories were producing.

The Luftwaffe was being assembled.

(dramatic music)

The only thing old about this new army,

was the goose step.

And even Hitler couldn't improve

on that ancient German form of torture,

designed to make man stop thinking

and blindly obey.

Goose step them until they become

as insensible as weapons.

(dramatic music)

Everything else was new.

Tanks, motorized equipment

and one of our own inventions,

the dive bomber.

(plane engine screaming)

All this rearmament was strictly illegal,

according to the Versailles Treaty

and the next illegal step Hitler took,

was to march his troops into the Rhineland,

a strip of land between Germany and France,

demilitarized after the last war

as a precaution against future German aggression,

but Hitler's plan of eastern conquest

demanded a barrier against democratic

action in the west.

So Hitler re-militarized the Rhineland

and began building the formidable Siegfried line,

a chain of forts and defenses 450 miles long

and in some places, 30 miles wide.

Germany had fought one two front war

and didn't want another.

(engines whirring)

(dramatic music)

As many as half a million men,

worked as much as 20 hours a day

to build 22,000 fortified positions on land,

where by treaty no German soldier

was supposed to set foot.

(gunfire)

(dramatic music)

(clattering)

(gunfire)

(dramatic music)

(dramatic music)

- [Voiceover] The Nazis were truly

beginning to believe in their own propaganda,

that they were destined to rule the world.

(dramatic music)

Most scholars see the Nazi Party as the far right,

but what does this mean?

They argued through neo-Darwinism,

that what they called the Aryan race,

was superior and had the right to rule all others.

Hitler himself claimed that Nazism,

was neither left nor right, and he attacked

both communism and capitalism as pawns of the Jews.

(dramatic music)

He said the Nazis were not for any class of people,

but the pure from both sides.

(dramatic music)

The Nazi's held the Weimar Republic,

the old system of government

in Germany in contempt.

(dramatic music)

It was they who had brought about

the signing of the Treaty of Versailles

and the humiliation of Germany.

After World War I, the German right wing nationalists,

known as the Free Corp, engaged in political violence

and the Nazis were intrigued and inspired by their methods.

(dramatic music)

- [Voiceover] The symbols and the leaders change,

but Germany's maniacal urge to impose

its will on others continues from generation to generation.

(dramatic music)

- [Voiceover] The monarchists of post-war Germany

were being threatened by the young generations

who wanted to create a new state,

based on martial rule.

(dramatic music)

The Nazis formed an alliance with

several other parties and industrialists

and began to grow in power.

(dramatic music)

Hitler's hypnotic speeches helped

to secure him as the leader.

(dramatic music)

Following the 1932 elections,

the alliance broke off.

Kaiser Wilhelm the Second,

was under pressure and abdicated.

His four sons became members of the Nazi Party.

(dramatic music)

Hitler's top team was forming with Goering,

Himmler and Goebbels among them.

In 1933, the party finally gained power.

Hitler had played the political game.

He had coerced and cajoled and he succeeded.

(dramatic music)

Promises and pressure, carrot and stick,

Nazism was about German Nationalism,

about pride and expansion.

Taking back what was rightfully theirs.

(dramatic music)

Millions of people who had suffered

at the hands of the Treaty of Versailles

and the Great Depression, were now

promised jobs, holidays and more.

(dramatic music)

Those who argued were punished.

The German people were the superior race.

It was a myth built around the concept

of the Aryan master race

and it fed into the Nationalistic swelling of pride

filling the huge void.

It was time to take back the lung that was stolen.

Time to show the world that Germans

were a force to be reckoned with.

(dramatic music)

So just what did the Nazi Party

finally end up believing in?

Just what kind of country had they created?

How did the people live with it?

Were they happy?

(dramatic music)

If you were female in Nazi Germany,

then you were excluded from political office.

The term children, kitchen, church

was often applied for the good German lady.

(dramatic music)

Women were ordered to avoid sexual relations

with foreigners in order to avoid

having the pure German blood soiled.

(dramatic music)

Himmler said, "Fellow Germans who engage

"in sexual relations with male or female

"civil workers of the Polish nationality,

"commit other immoral acts,

"or engage in love affairs,

"shall be arrested immediately."

(dramatic music)

Heydrich later declared that Russian males

would suffer the death penalty for such an act.

The women would have their heads shaved,

be paraded in public or even sent to concentration camps.

(dramatic music)

The method of getting the message across to women

began early with the League of the German Girls.

Nazi Nationalism was all about the German way of life,

the German bloodline, the special Aryan race,

therefore others who lived in the Nazi realm

were second rate citizens or worse.

And with the dogma of expansionism,

many more millions would soon

find themselves in similar situations.

(dramatic music)

The terror and horror of the Nazi Aryan elitism

spreading across Europe was unbearable.

(dramatic music)

Aryan's, Nazis said, were in conflict with all

other races for superiority.

(dramatic music)

A set of race laws were introduced in 1935,

which became known as the Nuremberg Laws.

In the beginning, these laws simply

outlawed sexual relations and marriage

between Germans and Jews,

but it was then extended to include

Gypsies and Negroes.

In the war, it was extended further,

to include all other races.

(dramatic music)

The Nazis drive was to maintain racial purity

and so they went about the systematic

extermination of Jews, Romanies and the mentally ill

and the physically disabled.

(dramatic music)

Others, were called degenerates.

People such as homosexuals, Jehovah's Witnesses,

blacks and of course, anybody who didn't agree.

(dramatic music)

Another one of Hitler's grand schemes,

was to exterminate or enslave the Slavs

of Central and Eastern Europe,

such as the Russians, Poles, and Ukrainians.

(dramatic music)

This, he said, would make way for German settlers.

The Slavs were to Hitler, a mass

of born slaves awaiting their master.

(dramatic music)

One of the tactics to purify the race,

was compulsory sterilization.

Or even involuntary euthanasia of the disabled.

(dramatic music)

He used the tales of Sparta to back his views,

who destroyed all congenitally deformed infants

to maintain racial purity.

(dramatic music)

By 1933, the law of the prevention

of hereditarily diseased offspring

included the sterilization of people

with schizophrenia, epilepsy

and a whole range of conditions,

including alcoholics.

Between 1933 and 1939,

360,000 people were sterilized.

(dramatic music)

Today, arguments about what an Aryan was or is still rage.

But to the Nazis, true Aryans were

from the Nordic lines, the Mediterranean,

Dinarics, Alpine and East Baltic regions.

(dramatic music)

Nordics were the highest on the list.

Jews, were to them, a mixed race of people

from outside of that scope and had no right

to live in Europe.

The term anti-Semite is not strictly true,

because other Semites who were not Jewish,

did not suffer the same abuse.

(dramatic music)

The man behind the propaganda machine

of Nazi Germany was Joseph Goebbels.

He said, "The Jew is the enemy

"and destroyer of the purity of blood.

"The conscious destroyer of our race.

"Us socialists, we are opponents of the Jews,

"because we see in the Hebrews,

"the incarnation of capitalism,

"of the misuse of the nations goods."

(dramatic music)

Goebbels became the Minister of Enlightenment

and he had two main tasks.

Firstly, to ensure that nobody

could read or see anything against the Nazi Party.

Secondly to make sure the views of the party

were marketed in as persuasive a manner as possible.

(dramatic music)

He worked with both the S.S. and Gestapo to make his point,

along with Albert Speer, he hunted out anything

that was opposed to the party line

and presented public displays of propaganda.

(dramatic music)

He set up the Reich Chamber of Commerce,

which dealt with literature, arts,

radio, music, newspapers and film.

(dramatic music)

In order to work in these fields,

you had to be a Reich Chamber member.

Anybody outside the Chamber was banned from publishing.

How was it that a whole nation

followed such insanity?

The answers are actually relatively simple.

For decades, the Germans had suffered intense poverty,

high unemployment, starvation, disease

and death were commonplace.

On top of this, was a national shame

placed upon them by the international community,

for World War I.

(dramatic music)

They had lost land, welfare and prestige.

Along comes a political solution

that promises to save the nation on every level.

A savior rises in the form of one man

who can spell bind the poor and desperate peasants.

(dramatic music)

The blame is placed elsewhere.

The people are called "Chosen Ones", "Special", "Superior".

(dramatic music)

It is a trick used over the millennia

and will no doubt be used again.

In small ways it is utilized in every political campaign.

(dramatic music)

Year after year this goes on,

and the crowds grow ever larger.

(dramatic music)

In the streets, the S.A. offered a hard stick

to those who argued.

(dramatic music)

Eventually a tipping point arrives,

where the few have become the majority

and the rest must follow like sheep.

(dramatic music)

Through fear of being swept up

in the crashing wave, leaders always like to have

somebody else to blame, it keeps the public

gaze in another direction, other than at them.

(dramatic music)

Hitler and his Nazis used everybody

that was of no use to their plan.

(dramatic music)

The Jews had been a long standing target,

even before Hitler had ever thought of it.

Ever since they arrived in Europe,

their stay had been troubled.

It was therefore no great new message

the Nazis were delivering,

instead, they simply reinforced the message

and brought it up to date.

(dramatic music)

Much of what we see today as horrible,

does, in fact, have a certain amount of logic,

but that's where it says, as logic of madness.

(dramatic music)

Sterilizing mentally ill patients, or worse,

removed a cost burden on society.

Enslaving entire races brought a ready workforce

to arm, cloth and feed the pure Aryans.

(dramatic music)

Because there appears to be a logical sense to such things,

it becomes something that can be stated

and re-stated.

Doing so reinforces the message

and allows additions.

Nobody argues with additions,

when they have shamed themselves

into agreeing in the first place.

(dramatic music)

Once crowds of people are convinced,

it is a simple process of nature that follows.

We all want to sing the same hymn,

to be in harmony with those around us,

to march with our brothers and sisters,

to feel part of something.

(dramatic music)

But what better to feel part of than something powerful.

Everybody wants to be accepted,

and to be accepted meant joining in.

(dramatic music)

Add into the mix, incredible iconography.

Learning from the religions,

and empires of the past, the genius

of the Nazi Party and its propaganda machine,

was to emulate the very best bits.

The power and might of Rome was stolen and used.

The zeal of the religious was copied.

The strength of classical buildings was recreated.

(dramatic music)

The people started to get jobs,

to feel part of a community

and to look around them and see

the images of what they were being

told they were, a master race.

Drip, drip, this sunk in.

Slowly, the crowds grew in numbers.

A master race born to lead.

Born to enslave.

(dramatic music)

Forgotten was the fact that Jews,

Poles and homosexuals were humans too.

(dramatic music)

Along with the many methods of positive reinforcement,

came the negative side.

Destroy opposition, book burnings,

banishments, and concentrations camps

for politically outspoken activists.

(dramatic music)

Once done it became a self creating device.

People followed the lead and in their own districts,

did the same.

The purging of Germany was in full swing.

Nazi Party politics was the new way of the world

and the savior was nothing less than a god himself,

Heil Fuhrer.

(dramatic music)

As part of this, Hitler did not go down

the path of social divide within his Aryan race concept.

He rejected the Marxist idea of an international

class draw against the rich and royal.

The Nazi Party, was really a party

of the middle classes, who had suffered

badly during the depression,

and wanted their status back.

For the lower classes, Hitler provided

food and shelter and recruited them

into his "Brown Shirt Brigade", or S.A. Storm Detachment.

(dramatic music)

Every class was welcomed in some form,

as long as they were racially pure.

(dramatic music)

A singular aid to the Nazis aims was religion.

Hitler bent it according to his desires.

Germany, has always had a distinct

pagan history and tradition

and mixing myths was no problem.

(dramatic music)

Freedom of religion was guaranteed in the 1920

Nazi Party Program,

Positive Christianity was endorsed,

to oppose the Jewish materialistic spirit.

Theologians were brought in aboard,

to ensure that the party message

was incorporated into the

German Positive Christianity Movement.

(dramatic music)

Get the people in their pockets,

stomachs, hearts and spirit and you've got them for life.

(dramatic music)

Jesus was not a Jew they stated,

but a good Aryan and Adolf Hitler was the new messiah.

(dramatic music)

The Jewish Old Testament was denounced

as Satan's Bible.

(dramatic music)

The Catholic Church had opposed the Nazis,

and so they were outlawed,

unless they declared lauder to the state.

Many elements of the Catholic Church,

were stolen for Nazi propaganda.

The Catholic Order of the Teutonic Knights

and the Knights Rallies of the Nazis

which mirrored the Catholic mass are two examples.

(dramatic music)

Eventually, the two sides signed a deal

and peace between them was found.

It was a necessary evil for Hitler.

To join forces with the Italians.

(dramatic music)

There cannot be any doubt,

that the certain amount of occult influence

existed within the higher levels of the Nazi Party.

(dramatic music)

Rosenberg and Himmler were Neo-Pagan

and the S.S. certainly went down the road

toward the Holy Grail.

Myth and mystery are an aura created

in the main to attract.

(dramatic music)

Lightly hide a secret and people

will want to be a part of it.

It is a very clever device and one used by others,

such as the Freemasons.

(dramatic music)

To be allowed entry and to be part of a secret

makes an individual feel special.

(dramatic music)

Being part of the Nazi movement as a whole,

was to be part of something big,

old and iconic.

(dramatic music)

Others who claimed to have spiritual secrets were outlawed.

Freemasons included.

(dramatic music)

One of the prime things that any

political party needs to come to grips with

is the economy.

Hitler had little interest in economics

and so left the running to others.

He did believe that private ownership

should be encouraged for technical

innovation and growth.

If the private company did not

meet the goals of the party,

then it would be nationalized.

Under the Nazi regime,

free competition reduced, but Hitler

and his Darwinian approach allowed a certain amount.

(dramatic music)

The selling of land by farmers

was prohibited to enable agriculture to grow.

A marketing board was set up to control production

and prices in a great many areas.

(dramatic music)

In the propaganda arena,

the German worker was held in high esteem.

They were honored by the state,

giving the positive reinforcement

to the working mindset in creating a loyalty to the regime.

Songs were written that praised the

good German workers,

and Hitler called them "Patriots"

who were building Germany's

industrial might.

(dramatic music)

There were good social welfare policies,

and volunteers were mobilized to aid

the impoverished, as long as they were of the racially pure.

(dramatic music)

The National Socialist People's Welfare Charity,

would become the largest civilian organization in Germany.

Putting people into work,

reducing the effects of poverty.

Bringing social classes together,

giving people hope and constantly

reinforcing all of this and more,

through news reels, music,

newspapers and radio fostered the feel good factor.

(dramatic music)

Germans were swelling in pride

and the economy naturally grew from the effort.

(dramatic music)

It was not capitalism that Germany was under.

Indeed, the very word was hated by the Nazis.

(dramatic music)

They argued that capitalism damaged a nation,

because of the international finance

that was needed to grow the system.

(dramatic music)

This left a nation open wide to external

control from big businesses and the Jews.

(dramatic music)

As one propaganda poster stated,

"The maintenance of a rotten industrial system,

"has nothing to do with Nationalism.

"I can love Germany, and hate capitalism."

If a nation was to be strong,

then it would be strong without the aid

of international capitalism.

It was a method that sought only profit

and that was not loyal to the national interests.

(dramatic music)

Hitler said, "We are socialists,

"we are enemies of today's capitalistic,

"economic system.

"For the exploitation of the economically weak,

"with its unfair salaries, with its unseemly evaluation

"of a human being according to wealth and property,

"instead of responsibility and performance.

"And we are determined to destroy this system,

"under all conditions."

(dramatic music)

It was a Jewish creation, he said,

and had run its course.

The ruling elite of the previous Weimar Republic,

were, according to Hitler, "cowardly shits."

(dramatic music)

Hitler believed that territories with

valuable resources should be taken by force

for the good of the nation.

(dramatic music)

Having direct control over such lands,

was the only method of economic security.

(dramatic music)

One of the main strengths of the Nazi Party,

was the use of propaganda.

It was utilized from day one,

and grew in scope and imagination over time.

(dramatic music)

It is, in fact, a study in itself,

but crucial to understanding how millions

of normal people were hooked

into the party line.

(dramatic music)

In his book, "Mein Kampf", Adolf Hitler,

devoted three chapters to the subject.

(dramatic music)

In fact, the book itself was a powerful

propaganda tool and furnished Hitler

with an income of a millionaire.

He never actually drew on his income as the Fuhrer.

(dramatic music)

It was in the first world war, that Hitler had learned

the power of propaganda when, he claims,

he was exposed to the excellent British

and the poor German versions.

(dramatic music)

Germany, he said, lost the war because

of poor propaganda.

(dramatic music)

None of this was true.

(dramatic music)

Hitler stated that propaganda must

address itself to the masses

and be presented in popular form.

It was not to be above the heads

of the ordinary people

and must appeal to the imagination,

to the emotions and hearts of the crowd.

(dramatic music)

This crowd was made up of human children

who moved from one idea to the next.

(dramatic music)

They must be told what to think.

They are ruled by sentiment and not logic

and so good propaganda must be simple

and play on sentiment.

(dramatic music)

Good propaganda, he said, does not give

objective opinions, it gives the one

truth of the party line.

The people were feeble minded,

and quickly forget.

(dramatic music)

So the message must be reinforced,

again and again.

(dramatic music)

Keep the message simple, sentimental

and repeat in until the very last person

has come to grips with the message.

(dramatic music)

The one message must be repeated

and illustrated in different ways,

to attract the majority.

(dramatic music)

The daily newspaper of the Nazi Party,

would become a prime method of using these tactics

and Propaganda Minister Joseph Goebbels,

would take on the role.

(dramatic music)

In the beginning, it had been Hitler

speaking again and again at public meetings,

but as the power of the party grew,

more and more media outlets were used.

(dramatic music)

In the run up to the war, the propaganda machine

established the so-called facts of external aggression.

They used the Treaty of Versailles as the lynchpin.

(dramatic music)

They also picked on the international threats

of Jews, Romanies, Bolsheviks, and homosexuals.

(dramatic music)

All of this is nothing new.

All governments prefer their people

to worry about others, because it stops

them worrying about the government.

(dramatic music)

Hatred against the Jews,

instead of hatred against the politicians.

(dramatic music)

It is also useful to hang negatives on these areas.

Calling the Jews bad workers had two elements.

Firstly, it blamed them for any negative

economic impacts and secondly,

it introduced a feeling of guilt

for those who were not working hard.

(dramatic music)

A good German, is a hard working German.

(dramatic music)

Lies were created and spread.

Jews need the blood of a Christian child

was one such lie.

Jews kidnap children was another.

The lies were reinforced with imagery,

making the Jew ugly and evil.

(dramatic music)

As Hitler himself had said,

It's credibility does not matter.

The victor would not be asked

whether he told the truth.

(dramatic music)

Strong visual imagery, bold and direct statements,

sentimental evocations, stirring nationalism,

targeted hatred, lies and repetition,

all worked together and in unity

with the improving economy

and sense of collective superiority.

(dramatic music)

All of these things have been used before,

and will be used again.

(dramatic music)

In small parts, they still are by all nations.

(dramatic music)

Should the right circumstances rise again,

then it is quite possible the Nazi method

will rise again.

(dramatic music)

During the war propaganda was used extensively,

the might of the German Army,

the prowess of its soldiers, the strength

of industry were all positively reinforced.

(dramatic music)

On the negative side, the enemy came under fire.

Allied bombers were shown as cowards

who bombed civilians.

Americans were portrayed as gangsters.

(dramatic music)

Germany was imagined as the sole

defender of Western Europe,

against the Bolshevik hordes.

(dramatic music)

In 1944, the Red Cross were invited

to visit concentration camps,

to dispel rumors of the final solution.

(dramatic music)

The event was used as a propaganda tool,

and yet the actual camp was, in fact,

transit camp, where Jews lived in relative comfort.

(dramatic music)

Afterwards, most of the cast,

and even the film maker himself,

were deported to Auschwitz, where they were murdered.

(dramatic music)

The Nazis used every means at their disposal.

Newspapers were always controlled,

both in Germany and captured territories.

(dramatic music)

Public speaking was a very large part, as was radio.

(dramatic music)

Films were very popular, with such classics

as the 1935 "Triumph of the World", being seen by millions.

(dramatic music)

A great many books were written and published,

with textbooks being aligned to the party belief system.

(dramatic music)

Control of the paper supply, allowed the Nazis

to control what was and what was not printed.

Books by Jews were banned.

(dramatic music)

In addition to all of this, there were

comics for the children and magazines

in various genres.

(dramatic music)

Radios were made at a limited range

and allowed only local transmissions.

(dramatic music)

70% of the German population had these sets

and so, 70% were subject to party propaganda,

on a daily basis.

(dramatic music)

Goebbels himself said,

that it would not have been possible

to take power without the use of the radio.

(dramatic music)

Nazi propaganda demonized the enemy,

whether Britain, America, Jew or homosexual.

(dramatic music)

It positively reinforced the messages of the party,

the values of being a good German.

(dramatic music)

The heroic dead and great leaders

were constantly pushed across as ideals.

(dramatic music)

Pride in the master race, in the messiah

that was Adolf Hitler

and in the goal of annexing German speaking lands.

(dramatic music)

There would be only one victor, Nazi Germany,

and to win, it meant total war.

(dramatic music)

Time and again, history throws up

unique individuals, Napoleon, Caesar,

Alexander the Great, Muhammad, Jesus,

Genghis Khan, Stalin and of course, Adolf Hitler.

(dramatic music)

In each period there are different circumstances,

but there are also similar ones.

It begins with a disappointed mass.

People who feel they have suffered enough.

(dramatic music)

They look around for a savior,

for one who will show the way

and have the bravery to stand up for them.

(dramatic music)

People are like sheep, they like to follow,

they want to follow.

Very few want to lead.

(dramatic music)

When the leaders have finished

fighting between themselves for power,

the strongest emerges in a truly

Darwinian way.

(dramatic music)

"This must be the chosen one!" people cry.

(dramatic music)

They are predisposed to listen

to his words and counsel, after all,

it was they who sought him out.

(dramatic music)

He begins by making sense,

by agreeing with the masses,

by telling them how they have been

abused for too long.

The crowd rejoices.

They like what they hear.

(dramatic music)

He then shows them why they have been suffering,

who and what is to blame.

(dramatic music)

It's the Romans, it's the royals, it's the Jews.

It doesn't matter who, as long as there's

a seed of truth in it somewhere.

(dramatic music)

That seed is grown slowly,

and evidence is found or created.

(dramatic music)

The anger of the mob turns towards

those taking the blame.

"But what do we do?" shouts the crowd.

The messiah responds.

"Come to me, we will take back

"what is rightfully ours.

"The Holy Land, the Grail, the power."

(dramatic music)

Drip, drip, the propaganda builds up

the concepts of a chosen people,

and a hatred towards the enemy.

(dramatic music)

A tipping point emerges, when all

must follow the leader.

(dramatic music)

At this point there is no stopping the movement.

It is now a massive organic machine.

(dramatic music)

If it is a religion, then it may continue for millennia.

If it is nationalism, then it will eventually

fall as all empires do.

(dramatic music)

Could it happen again?

The question is simply answered, yes,

and it will.

(dramatic music)

Society and civilizations repeat history

again and again and have done so for thousands of years.

(grating music)

We create the circumstances,

on a cyclical basis.

Rise and fall, riches and poverty,

financial growth and ultimate crash.

(fast paced electronic music)

Once we are in the time of crash, beware,

for the masses become hungry and angry.

Right wing and nationalistic fascism rise.

(fast paced electronic music)

Before the second world war,

a great many such groups emerged,

not just in Nazi Germany,

but across the globe.

(fast paced electronic music)

Unless the crash is quickly turned around,

then somebody, somewhere, may just get

an idea in his head.

(fast paced electronic music)

He may just start to come out into the public gaze

and he may just be able to utilize

his power of mesmerism upon them.

(fast paced electronic music)

Adolf Hitler learned well.

He understood the mind of the crowd.

He practiced the art of the hypnotic speech.

(fast paced electronic music)

He had his finger on the pulse of the people.

(fast paced electronic music)

He was a man of his time.

(fast paced electronic music)

Is there another Adolf Hitler out there now?

Is he waiting in the wings, unaware of his destiny?

(fast paced electronic music)

And what will we do?

(fast paced electronic music)

(quite peaceful music)

(dramatic music)

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