All language subtitles for ZIWE s01e02 Beauty Standards.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:37,920 --> 00:00:42,528 >>> TODAY ON "ZIWE," I'LL BE TALKING ABOUT BEAUTY STANDARDS. 2 00:00:42,628 --> 00:00:45,301 SOCIETY'S BEAUTY STANDARDS HAVE CHANGED OVER THE YEARS BUT THE 3 00:00:45,401 --> 00:00:48,406 ONE CONSTANT IS UPHOLDING A STANDARD THAT IS IMPOSSIBLE TO 4 00:00:48,506 --> 00:00:49,676 ACHIEVE. THIS HAS LED TO AN OBSESSION 5 00:00:49,776 --> 00:00:53,382 WITH PLASTIC SURGERY. IN THE U.S. ALONE, NEARLY 20 6 00:00:53,482 --> 00:00:56,288 MILLION COSMETIC PROCEDURES ARE PERFORMED EVERY YEAR. 7 00:00:56,388 --> 00:00:58,893 THIS IS PARTICULARLY COMPLIMENTED FOR BLACK WOMEN WHO 8 00:00:58,993 --> 00:01:00,262 ARE CONSTANTLY TOLD IN MEDIA THAT THEIR FEATURES ARE NOT 9 00:01:00,362 --> 00:01:05,272 DESIRABLE. EBONI K. WILLIAMS IS THE FIRST 10 00:01:05,372 --> 00:01:07,876 BLACK HOUSEWIFE OF "REAL HOUSEWIVES OF NEW YORK" SO I 11 00:01:07,977 --> 00:01:11,985 INVITED THE ICONIC AUTHOR AND BEAUTY EXPERT TO THE SHOW. 12 00:01:12,085 --> 00:01:14,991 YOU LOOK ABSOLUTELY GORGEOUS. SHE TALKS ABOUT COLORISM. 13 00:01:15,091 --> 00:01:17,161 >> I WOULD CONSIDER MYSELF CARAMEL. 14 00:01:17,261 --> 00:01:18,330 >> HER FAVORITE BODY PARTS. 15 00:01:18,430 --> 00:01:20,401 >> BIG TITTIES. 16 00:01:20,501 --> 00:01:22,939 >> HOW SHE DEALS WITH BEAUTY STANDARD HYPOCRISY. 17 00:01:23,039 --> 00:01:24,843 >> THE LAWYER IN MY ALWAYS COMES PREPARED. 18 00:01:24,943 --> 00:01:26,479 >> AND SO MUCH MORE. 19 00:01:26,580 --> 00:01:27,749 >> IT'S VERY CONTROVERSIAL. 20 00:01:27,849 --> 00:01:31,389 >> LATER WE TALKED TO RACHEL LINDSEY FOR EVEN MORE INSIGHT. 21 00:01:31,489 --> 00:01:33,426 STAY TUNED. IT'S GOING TO BE ICONIC. 22 00:01:33,526 --> 00:01:35,195 >> SHUT UP, ZIWE. 23 00:01:35,296 --> 00:01:40,105 >> "ZIWE" STARTS RIGHT NOW. 24 00:02:20,416 --> 00:02:26,495 >> PLEASE WELCOME THE BEAUTY QUEEN/FIRST BLACK HOUSEWIFE OF 25 00:02:26,595 --> 00:02:31,003 "REAL HOUSEWIVES OF NEW YORK," EBONI K. WILLIAMS. 26 00:02:31,103 --> 00:02:36,113 PLEASE, SIT DOWN. YOU LOOK ABSOLUTELY GORGEOUS. 27 00:02:36,213 --> 00:02:38,851 >> THANK YOU, QUEEN ZIWE. 28 00:02:38,951 --> 00:02:42,057 >> OH, STOP. LET'S TALK ABOUT YOUR OUTFIT. 29 00:02:42,158 --> 00:02:44,228 YOU TALK ABOUT IMPRESSIONS, SO IT ESTABLISHES WHAT PEOPLE THINK 30 00:02:44,328 --> 00:02:47,301 OF YOU AND OPENS THE DOOR FOR YOU TO BE A BEAUTIFUL WOMAN. 31 00:02:47,401 --> 00:02:51,576 TODAY YOU WORE PINK WITH GOLD BUTTONS, WHY THAT FOR ME? 32 00:02:51,676 --> 00:02:57,520 >> I REALLY WANTED TO CONVEY FOR OUR CONVERSATION THE EPITOME OF 33 00:02:57,620 --> 00:02:57,955 FEMININITY. 34 00:02:58,055 --> 00:02:58,857 >> OKAY, STOP. 35 00:02:58,957 --> 00:03:00,026 >> AND POWER. 36 00:03:00,126 --> 00:03:03,899 >> I LOVE THAT FOR MYSELF. THAT'S WHAT I PITCHED THE SHOW 37 00:03:03,999 --> 00:03:04,367 AS. 38 00:03:04,701 --> 00:03:06,304 >> PERFECT. WE'RE ALIGNED. 39 00:03:06,405 --> 00:03:08,909 >> YOU HAVE A BOOK CALLED "PRETTY POWERFUL" WHY DO YOU 40 00:03:09,009 --> 00:03:11,147 THINK OTHER PEOPLE CAN'T BE POWERFUL? 41 00:03:11,247 --> 00:03:17,158 >> UMM, WELL, YOU KNOW, PRETTY IS A DEMOCRATIZED THING NOW. 42 00:03:17,259 --> 00:03:19,062 THANK GOD. ANYBODY CAN PRETTY. 43 00:03:19,162 --> 00:03:20,532 >> ANYBODY CAN BE PRETTY? 44 00:03:20,632 --> 00:03:24,772 >> ANYBODY, CHILD, TRUST ME. IT'S REALLY ABOUT STEPPING INTO 45 00:03:24,873 --> 00:03:29,782 CONTROL AND CONFIDENCE IN YOUR LOOK AND OWNING IT AND ASSERTING 46 00:03:29,882 --> 00:03:31,051 IT. THAT ACTUALLY IS PRETTY. 47 00:03:31,151 --> 00:03:34,458 >> SO DICK CHENEY, PRETTY? 48 00:03:34,558 --> 00:03:37,364 >> WELL, I DON'T SEE ANY INTENTION WITH DICK'S LOOK. 49 00:03:37,464 --> 00:03:39,768 >> KID ROCK, VERY INTENTIONAL WITH HIS LOOK, PRETTY. 50 00:03:39,868 --> 00:03:43,074 >> PRETTY. I'M NOT ATTRACTED TO HIM. 51 00:03:43,174 --> 00:03:47,917 BUT HE'S GOT A DIRECTION. IT'S CONSISTENT. 52 00:03:48,018 --> 00:03:50,656 IT'S WHITE SUPREMACIST. BUT IT'S THERE. 53 00:03:50,756 --> 00:03:52,626 >> INTERESTING, INTERESTING POINT OF VIEW. 54 00:03:52,726 --> 00:03:54,830 NOW, MOTHER TERESA. BEAUTIFUL? 55 00:03:54,930 --> 00:03:58,805 >> I WISH I COULD HAVE SEEN SOME MORE PHOTOS, AND THIS MIGHT JUST 56 00:03:58,905 --> 00:04:02,011 BE MY LACK OF RESEARCH, OF HER IN MAYBE HER YOUNGER DAYS. 57 00:04:02,111 --> 00:04:03,982 >> WOULD YOU SMASH? 58 00:04:04,082 --> 00:04:09,359 >> THAT'S NOT A BAD LOOKING WOMAN. 59 00:04:09,459 --> 00:04:12,331 >> I THINK IT'S DISGUSTING THAT YOU WOULD EVER TALK ABOUT MOTHER 60 00:04:12,431 --> 00:04:16,806 TERESA LIKE THAT. YOU WENT TO CHAPEL HILL. 61 00:04:16,907 --> 00:04:20,246 >> I WENT IN 2016. ONE OF THE THINGS THAT MY MOTHER 62 00:04:20,347 --> 00:04:24,253 DID FOR ME THAT I MOST VALUE IS FOR HOLIDAYS AS A LITTLE GIRL 63 00:04:24,354 --> 00:04:29,998 GROWING UP, I GET THE BARBIES AND THE CABBAGE PATCH DOLLS. 64 00:04:30,099 --> 00:04:35,876 I GOT "THE AUTOBIOGRAPHY OF MALCOLM X," ALL OF THESE THINGS. 65 00:04:35,976 --> 00:04:39,082 >> I ALSO STUDIED AFRICAN-AMERICAN STUDIES. 66 00:04:39,182 --> 00:04:40,351 >> OUR SIMILARITIES ARE -- 67 00:04:40,451 --> 00:04:46,663 >> YOU'RE MY TETHER. 68 00:04:46,764 --> 00:04:48,701 >> I'M DARK-SKINNED, YOU ARE BEIGE. 69 00:04:48,801 --> 00:04:50,437 IS THAT THE POLITICALLY CORRECT TERM? 70 00:04:50,538 --> 00:04:52,876 >> THAT'S VERY CONTROVERSIAL. 71 00:04:52,976 --> 00:04:54,578 >> IT IS CONTROVERSIAL. WHERE DO YOU STAND ON THAT? 72 00:04:54,678 --> 00:04:58,186 >> I WOULD CONSIDER MYSELF CARAMEL, CERTAINLY A BROWN 73 00:04:58,286 --> 00:04:58,720 WOMAN. 74 00:04:59,288 --> 00:05:01,626 >> AS FAR AS COLORISM, DO YOU LIKE DARK MEN? 75 00:05:01,726 --> 00:05:03,228 LIKE, WHAT'S YOUR SITUATION? 76 00:05:03,328 --> 00:05:09,641 >> I RUN THE GAMUT. I HAD A VERY LOVING RELATIONSHIP 77 00:05:09,741 --> 00:05:13,882 WITH A DARK-SKINNED HAITIAN MAN. I'VE DATED THE JEWS, NATIVE 78 00:05:13,982 --> 00:05:18,624 AMERICAN, I'VE DONE THAT, MANY, MANY BIRACIALS, LOST MY VIRGIN 79 00:05:18,724 --> 00:05:20,595 AT THIS TO AN EAST INDIAN GUY. 80 00:05:20,695 --> 00:05:25,638 >> THANKS FOR VOLUNTEERING THAT. 81 00:05:25,738 --> 00:05:27,341 >> I DON'T WANT TO LOOKING AT A HO. 82 00:05:27,442 --> 00:05:29,980 >> I'M A VIRGIN, DON'T TELL ANYBODY. 83 00:05:30,080 --> 00:05:32,651 IF YOU WERE TO DECLARE THE MOST BEAUTIFUL PEOPLE IN THE WORLD, 84 00:05:32,751 --> 00:05:40,233 WHO WOULD BE IN THE TOP FIVE OF YOUR LIST? 85 00:05:40,333 --> 00:05:40,567 >> SELMA 86 00:05:40,667 --> 00:05:41,034 >> SELL 87 00:05:41,502 --> 00:05:45,676 >> SELMA HAYEK IS STUNNING TO ME. 88 00:05:45,776 --> 00:05:49,217 I HAD A LOT OF ISSUES AROUND MY BREAST SIZE. 89 00:05:49,317 --> 00:05:53,726 WHEN YOU'RE 14, IT'S NOT CUTE. GUYS ARE NOT LOOKING AT YOU. 90 00:05:53,826 --> 00:05:58,234 THEY'RE STARING AT YOUR BIG TITTIES. 91 00:05:58,334 --> 00:06:00,805 I FELT VERY OBJECTIFIED AND ASHAMED. 92 00:06:00,906 --> 00:06:03,912 >> I WANT TO APOLOGIZE, HERE I AM TRYING TO VILLAINIZE THOSE 93 00:06:04,012 --> 00:06:06,784 WITH BEAUTIFUL, LARGE, PERFECT BREASTS. 94 00:06:06,884 --> 00:06:10,224 SO NO, I WANT TO APOLOGIZE TO ALL MY VIEWERS OUT THERE WHO ARE 95 00:06:10,324 --> 00:06:13,430 VERY CURVY, SORRY. 96 00:06:13,530 --> 00:06:15,133 >> I SEE WHAT YOU DID THERE. 97 00:06:15,234 --> 00:06:17,705 >> I'M NOT JEALOUS. 98 00:06:17,805 --> 00:06:21,880 >> OKAY. ALSO, REALLY BEAUTIFUL TO ME, 99 00:06:21,980 --> 00:06:26,088 HALLE BERRY. HALLIE WAS MISS OHIO, USA, FIRST 100 00:06:26,188 --> 00:06:27,924 RUNNER UP TO A BLOND, MISS TEXAS. 101 00:06:28,024 --> 00:06:30,228 THAT'S SOMETHING THAT HALLIE AND I SHARE. 102 00:06:30,329 --> 00:06:34,136 IN 2009, I WAS FIRST RUNNER UP TO A BEAUTIFUL BLOND AS WELL. 103 00:06:34,236 --> 00:06:37,676 >> PLEASE WELCOME OUR FIRST FINALIST, EBONI WILLIAMS. 104 00:06:37,776 --> 00:06:43,388 >> SHE DID GO ON TO WIN MISS USA, SHOUT OUT TO KRISTEN 105 00:06:43,488 --> 00:06:45,659 DAHLGREN, VERY SWEET GIRL. I KNOW WHAT THAT FEELS LIKE, TO 106 00:06:45,759 --> 00:06:49,599 BE THE BROWN GIRL, HOLDING HANDS WITH THE BEAUTIFUL WHITE BLOND 107 00:06:49,699 --> 00:06:53,707 WOMAN WHO IS IN THIS COUNTRY AND WORLD THE CLASSICAL STANDARD OF 108 00:06:53,807 --> 00:06:57,715 BEAUTY. 109 00:06:57,815 --> 00:07:00,720 >> DAMN, THIS FEELS LIKE A LOT OF TRAUMA. 110 00:07:00,821 --> 00:07:04,261 >> NO, I HAVE REALLY UNPACKED THIS WITH MY THERAPIST, I'M IN A 111 00:07:04,361 --> 00:07:11,408 REALLY GOOD PLACE. 112 00:07:11,508 --> 00:07:15,282 >> NOW, IN YOUR BOOK, "PRETTY POWERFUL," YOU SAY THAT WOMEN 113 00:07:15,382 --> 00:07:19,457 CAN BE BOTH PRETTY AND POWERFUL. BUT SOME POWERFUL WOMEN NEVER 114 00:07:19,557 --> 00:07:21,226 GET THEIR APPRECIATION THEY DESERVE. 115 00:07:21,326 --> 00:07:24,634 I'M GOING TO SHOW A PICTURE OF A POWERFUL WOMAN AND YOU'RE GOING 116 00:07:24,734 --> 00:07:28,274 TO COMPLIMENT HER. 117 00:07:29,443 --> 00:07:32,482 >> ANGELA DAVIS. I THINK ANGELA DAVIS IS WEARING 118 00:07:32,582 --> 00:07:35,555 A CROWN. SHE MIGHT NOT BE A MISS USA. 119 00:07:35,655 --> 00:07:41,032 >> AND THE CROWN IS HER HAIR. 120 00:07:41,132 --> 00:07:43,770 >> YEAH, AND SHE'S DOING MY FAVORITE THING FOR BLACK WOMEN 121 00:07:43,870 --> 00:07:45,774 TO DO, AMPLIFY OUR VOICES. 122 00:07:45,874 --> 00:07:50,249 >> AFRICAN-AMERICAN STUDIES IS JUMPING OUT. 123 00:07:50,349 --> 00:07:54,824 >> GORGEOUS, STUNNING, BEAUTIFUL IN EVERY WAY. 124 00:07:54,924 --> 00:07:57,263 SHE DIDN'T GO INTO THE WHITE HOUSE DEEMED A CLASSICAL BEAUTY. 125 00:07:57,363 --> 00:08:01,738 >> PEOPLE ON SOMEONE'S FORMER NETWORK, FORMER FOX NEWS 126 00:08:01,838 --> 00:08:09,787 CORRESPONDENT, THEY WOULD DRAG THIS BRILLIANT WOMAN. 127 00:08:09,887 --> 00:08:15,999 IN YOUR BOOK YOU TALKED ABOUT HOW YOU WERE THERE TO DISMANTLE. 128 00:08:16,099 --> 00:08:19,906 HOW DO YOU DISMANTLE THE MASTER'S HOUSE WITH HIS OWN 129 00:08:20,007 --> 00:08:20,507 TOOLS? 130 00:08:21,242 --> 00:08:24,582 >> EVERYBODY WATCHING FOX NEWS IS NOT A COMPLETE DISGUSTING 131 00:08:24,682 --> 00:08:26,619 WHITE SUPREMACIST IDIOT. SOME OF THEM CAN BE MOVED. 132 00:08:26,719 --> 00:08:28,422 NOT MOST. NOT ALL. 133 00:08:28,522 --> 00:08:33,866 BUT SOME. SO I WAS THERE TO MOVE. 134 00:08:33,966 --> 00:08:34,501 >> NOW, OUR GIRL, SHILLY 135 00:08:34,601 --> 00:08:35,269 >> NOW, OUR GIRL, SHILL Y 136 00:08:35,536 --> 00:08:41,849 >> NOW, OUR GIRL, SHILL SHIRLEY CHISOLM. 137 00:08:41,949 --> 00:08:45,822 >> SHE'S GIVING YOU FUR, WONDERFUL STATEMENT, JEWELRY, 138 00:08:45,922 --> 00:08:46,657 WELL TAILORED SUITS. 139 00:08:46,757 --> 00:08:48,828 >> SHE'S A PATHFINDER LIKE YOURSELF. 140 00:08:48,928 --> 00:08:49,930 >> NO. 141 00:08:50,030 --> 00:08:54,472 >> YOU ARE THE SHIRLEY CHISOLM OF "REAL HOUSEWIVES." 142 00:08:54,572 --> 00:08:57,245 >> I WAS THINKING ROSA PARKS. I THINK YOU'RE RIGHT. 143 00:08:57,345 --> 00:09:02,355 THE WORK THAT SHIRLEY, ROSA, AND MYSELF DO IS THE SAME. 144 00:09:02,455 --> 00:09:04,224 FREEDOM 145 00:09:04,324 --> 00:09:09,401 >> I LOVE PLAYING ODE TO BLACK WOMEN. 146 00:09:09,501 --> 00:09:12,107 LET'S COMPLIMENT ANOTHER BLACK WOMAN. 147 00:09:12,207 --> 00:09:13,843 SOMEONE WHO LOVES THEMSELVES MORE THAN WORDS CAN SAY. 148 00:09:13,943 --> 00:09:18,853 [ LAUGHTER ] 149 00:09:18,953 --> 00:09:20,823 >> I THINK EBONI IS QUITE BEAUTIFUL. 150 00:09:20,924 --> 00:09:21,691 >> YOU ARE. 151 00:09:21,926 --> 00:09:23,028 >> IT'S OKAY TO LOVE YOURSELF. I'M INTO THAT. 152 00:09:25,766 --> 00:09:29,507 >> NOW THAT YOU UNDERSTAND HOW DEADLY SERIOUS THESE GAMES ARE, 153 00:09:29,607 --> 00:09:33,480 I WOULD LIKE TO PLAY THE MOST ULTIMATE BEAUTY GAME. 154 00:09:33,580 --> 00:09:36,720 IT'S CALLED BUILD A BABE. I'M GOING TO SHOW YOU FEATURES 155 00:09:36,820 --> 00:09:41,062 AND WE'RE GOING TO CONSTRUCT THE MOST MATHEMATICALLY ATTRACTIVE 156 00:09:41,162 --> 00:09:43,466 FACE IN AMERICAN HISTORY. ARE YOU READY TO PLAY? 157 00:09:43,567 --> 00:09:45,905 OR ARE YOU INTIMIDATED BY A BLACK WOMAN? 158 00:09:46,005 --> 00:09:47,040 >> I'M READY. 159 00:09:47,140 --> 00:09:49,712 >> LET'S START WITH BROW ONE AND BROW TWO. 160 00:09:49,812 --> 00:09:51,081 >> THAT BROW. 161 00:09:51,182 --> 00:09:53,820 >> OKAY. NOW, NOSES. 162 00:09:53,920 --> 00:10:00,867 >> THIS IS HARD. BECAUSE I'M REJECTING A FAR 163 00:10:00,967 --> 00:10:01,201 ATIVE ATIA 164 00:10:01,301 --> 00:10:02,303 ATI ATI 165 00:10:02,403 --> 00:10:05,342 NARRATIVE THAT TELLS ME THINNER NOSE IS BETTER NOSE. 166 00:10:05,442 --> 00:10:06,344 THAT NOSE LOOKS FAKE. 167 00:10:06,444 --> 00:10:11,020 >> THIS IS A REAL BEAUTIFUL NOSE. 168 00:10:11,120 --> 00:10:12,088 NOW, MOUTH. 169 00:10:12,188 --> 00:10:15,028 >> THAT LOOKS LIKE MY MOUTH. I DON'T LIKE IT. 170 00:10:15,128 --> 00:10:15,962 THIS MOUTH. 171 00:10:16,063 --> 00:10:18,701 >> OKAY, GIRL. 172 00:10:18,801 --> 00:10:20,705 >> AND THAT LIP COLOR. 173 00:10:20,805 --> 00:10:21,573 >> OKAY. NEXT. 174 00:10:21,673 --> 00:10:22,274 WE HAVE EYES. 175 00:10:22,374 --> 00:10:26,816 >> I TAKE EYES VERY SERIOUSLY. 176 00:10:26,917 --> 00:10:27,418 >> ONE. 177 00:10:27,518 --> 00:10:29,455 >> WOW. ONE. 178 00:10:29,555 --> 00:10:29,989 BEAUTIFUL EYES. 179 00:10:30,089 --> 00:10:30,624 >> THAT'S BEAUTIFUL. 180 00:10:30,724 --> 00:10:33,362 >> I KNOW. LASTLY. 181 00:10:33,463 --> 00:10:40,209 >> I CAN'T STAND YOU ALL. I'M GOING WITH MY TOP KNOT. 182 00:10:40,309 --> 00:10:40,843 >> WOW. 183 00:10:40,943 --> 00:10:43,248 >> YOU GUYS ARE ASS HOLES. 184 00:10:43,348 --> 00:10:47,389 >> NOW, TELL ME, LIKE WHAT ARE YOU GETTING FROM THIS BEAUTIFUL 185 00:10:47,489 --> 00:10:47,924 FACE? 186 00:10:48,558 --> 00:10:50,796 >> I CAN TELL YOU GUYS PLAYED A BIG TRICK ON ME. 187 00:10:50,896 --> 00:10:52,766 THERE ARE SOME THINGS ABOUT ME I WOULD CHANGE. 188 00:10:52,866 --> 00:10:55,772 >> YOU HAVE CONSTRUCTED THE MOST BEAUTIFUL WOMAN IN AMERICAN 189 00:10:55,872 --> 00:10:57,409 HISTORY WHICH IS TECHNICALLY ME WITH A TOP KNOT. 190 00:10:57,509 --> 00:10:59,212 >> IT IS YOU WITH A TOP KNOT. 191 00:10:59,312 --> 00:11:00,214 >> BUT THIS IS YOU. 192 00:11:00,314 --> 00:11:02,151 >> THIS IS A NICE LOOKING GIRL TOO. 193 00:11:02,251 --> 00:11:04,890 >> I WOULD DATE THIS GIRL. I WOULD DATE BOTH GIRLS. 194 00:11:04,990 --> 00:11:05,959 >> I WOULD PREFER THIS GIRL. 195 00:11:06,059 --> 00:11:06,626 >> I WOULD PREFER THIS GIRL. 196 00:11:06,726 --> 00:11:10,701 >> SHUT UP, ZIWE. 197 00:11:10,801 --> 00:11:14,876 >> THANK YOU, EBONI K. WILLIAMS, YOU ARE SUCH A BRILLIANT, FUNNY 198 00:11:14,976 --> 00:11:17,982 LADY. YOU BROUGHT A COPY OF YOUR BOOK 199 00:11:18,082 --> 00:11:19,918 WITH A CERTIFICATE OF AUTHENTICITY. 200 00:11:20,018 --> 00:11:22,055 SO THE STREETS KNOW THAT THIS IS NOT -- 201 00:11:22,156 --> 00:11:24,226 >> COUNTERFEIT. THE LAWYER IN ME ALWAYS COMES 202 00:11:24,326 --> 00:11:24,961 PREPARED. 203 00:11:25,428 --> 00:11:29,003 >> AND I WILL NEED LEGAL HELP VERY SOON, I'M SURE. 204 00:11:29,103 --> 00:11:31,340 NOW, COULD YOU PLEASE SIGN THIS WITH A MESSAGE, OF COURSE. 205 00:11:31,440 --> 00:11:33,010 >> OF COURSE. THANK YOU, MY DEAR. 206 00:11:33,111 --> 00:11:34,246 >> READ YOUR MESSAGE ALOUD. 207 00:11:34,346 --> 00:11:39,255 >> WHY DON'T YOU DICTATE, ZIWE. 208 00:11:39,355 --> 00:11:45,668 >> MISS ZIWE, YOU ARE A PART OF THE MAIN CAST OF MY LIFE. 209 00:11:45,768 --> 00:11:50,343 >> OKAY. 210 00:11:50,444 --> 00:11:59,461 >> THANK YOU FOR BEING BEAUTIFUL AND SMART, AND ADVOCATING FOR 211 00:11:59,561 --> 00:12:09,180 THOSE WHO MAY NOT HAVE BEEN BLESSED WITH YOUR CHARISMA. 212 00:12:09,280 --> 00:12:13,388 WOW, DOT, DOT, DOT. 213 00:12:13,488 --> 00:12:15,692 >> I'M WRITING AS FAST AS I CAN. BEAUTIFUL AND SMART. 214 00:12:15,792 --> 00:12:22,405 >> YOU ARE A BRIGHT LIGHT IN A DARK NIGHT. 215 00:12:22,505 --> 00:12:25,378 >> UH-HUH, I SEE WHAT YOU DID. 216 00:12:25,478 --> 00:12:31,322 >> LOVE, EBONI K. WILLIAMS. AND IF YOU COULD JUST HOLD THAT 217 00:12:31,422 --> 00:12:36,165 UP TO THE CAMERA AS THE PROOF. WOW. 218 00:12:36,265 --> 00:12:38,035 THANK YOU VERY MUCH FOR DOING THE SHOW. 219 00:12:38,135 --> 00:12:40,373 >> THIS WAS THE BEST. 220 00:12:40,473 --> 00:12:41,575 >> TRUE BEAUTY COMES FROM WITHIN. 221 00:12:41,676 --> 00:12:47,853 IF YOU'RE UGLY IT MEANS YOUR INSIDES ARE ROTTEN. 222 00:12:47,954 --> 00:12:55,803 >> USING REGULAR ASS FLOSS? YOU NEED BLOSS, FOR BLACK WOMEN. 223 00:12:55,903 --> 00:12:57,940 >> WHERE THE HELL DID YOU COME FROM? 224 00:12:58,040 --> 00:13:01,080 >> FROM YOUR MAMA'S BIG BLACK [ BLEEP ]. 225 00:13:01,180 --> 00:13:02,749 YOU KNOW WHAT AIN'T PLAYING? 226 00:13:02,849 --> 00:13:03,984 >> SICKLE CELL? 227 00:13:04,085 --> 00:13:05,455 >> CUT. LOOK, I JUST DON'T BUY THAT 228 00:13:05,555 --> 00:13:11,867 YOU'RE BLACK. LET'S TRY IT AGAIN. 229 00:13:11,967 --> 00:13:13,837 BUT BLACKER. 230 00:13:13,937 --> 00:13:16,074 >> COLONIZER, COLONIZER. 231 00:13:16,175 --> 00:13:18,312 >> BLACK-TION. 232 00:13:18,413 --> 00:13:20,550 >> WHERE THE HELL YOU COME FROM? 233 00:13:20,650 --> 00:13:23,188 >> YO MAMA'S BIG BLACK [ BLEEP ]. 234 00:13:23,288 --> 00:13:28,832 >> CUT. I NEED IT MORE LIKE, YO MAMA'S 235 00:13:28,932 --> 00:13:30,569 BIG BLACK PUSSY. 236 00:13:30,669 --> 00:13:34,276 >> WHAT'S WRONG WITH REGULAR ASS FLOSS? 237 00:13:34,376 --> 00:13:36,614 >> REGULAR FLOSS IS FOR WHITE PEOPLE. 238 00:13:36,714 --> 00:13:41,357 >> GUYS, CUT THE NUANCE. MORE HIP-HOP, MORE URBAN, 239 00:13:41,457 --> 00:13:41,957 PLEASE. 240 00:13:42,292 --> 00:13:43,661 >> DO YOU HAVE ANY NOTES FOR THEM? 241 00:13:43,761 --> 00:13:48,103 ANYTHING YOU WANT TO SAY? 242 00:13:48,203 --> 00:13:51,576 >> SAY HELLO TO FRESH WHITE. 243 00:13:51,676 --> 00:14:00,026 >> NOW A CONVERSATION WITH MY COMPLICIT WHITE WRITER, 244 00:14:00,126 --> 00:14:09,043 [ BLEEP ] SCOLLA. [ BLEEP ] SCOLLA, THAT SKETCH 245 00:14:09,143 --> 00:14:10,245 WAS ONE OF THE MOST OFFENSIVE THING I'VE SEEN IN MY ENTIRE 246 00:14:10,345 --> 00:14:10,947 ADULT LIFE. 247 00:14:11,047 --> 00:14:11,515 >> YOU TOLD ME TO WRITE THAT. 248 00:14:11,615 --> 00:14:13,986 >> I DON'T RECALL. 249 00:14:14,988 --> 00:14:16,624 >> MY FACE IS BLURRED FOR THIS, RIGHT? 250 00:14:16,724 --> 00:14:17,626 >> BLUR THEIR FACE. 251 00:14:17,726 --> 00:14:18,828 >> THANK YOU. 252 00:14:18,928 --> 00:14:22,101 >> YOU HAVE SOME OF THE MOST BRILLIANT BLACK TALENT AT YOUR 253 00:14:22,201 --> 00:14:26,844 DISPOSAL AND YOUR WRITING WORDS LIKE REGULAR FLOSS IS FOR 254 00:14:26,944 --> 00:14:32,955 TRIFLING ASS WHITE PEOPLE, WYIPIO. 255 00:14:33,055 --> 00:14:35,193 NOBODY TOLD YOU TO WRITE LIKE THAT. 256 00:14:35,293 --> 00:14:36,663 >> THAT'S FROM TWITTER, THOUGH. 257 00:14:36,763 --> 00:14:37,632 >> WHAT TWITTER? 258 00:14:37,732 --> 00:14:38,700 >> I'VE SEEN IT AROUND. 259 00:14:38,800 --> 00:14:40,703 >> YOU'VE SEEN IT AROUND TWITTER? 260 00:14:40,804 --> 00:14:41,305 >> YEAH. 261 00:14:41,405 --> 00:14:42,073 >> WHERE AROUND TWITTER? 262 00:14:42,173 --> 00:14:43,442 >> I GUESS BLACK TWITTER. 263 00:14:43,543 --> 00:14:46,949 >> DO YOU WANT TO APOLOGIZE TO THE BLACK COMMUNITY WHILE YOU 264 00:14:47,049 --> 00:14:48,419 HAVE THE FLOOR? 265 00:14:48,519 --> 00:14:50,122 >> FOR SOMETHING THAT I DIDN'T DO? 266 00:14:50,222 --> 00:14:50,623 >> APOLOGIZE. 267 00:14:50,723 --> 00:14:51,926 >> I'M SORRY. 268 00:14:52,026 --> 00:14:56,234 >> I CAN'T ACCEPT THAT APOLOGY ON BEHALF OF THE BLACK 269 00:14:56,334 --> 00:15:01,009 COMMUNITY. BUT NOTED. 270 00:15:01,109 --> 00:15:03,547 >> DO YOU WANT TO MOVE ON? 271 00:15:03,648 --> 00:15:07,555 >> OKAY. WOW. 272 00:15:07,655 --> 00:15:12,030 I THINK ALL BLACK WOMEN ARE BEAUTIFUL. 273 00:15:12,130 --> 00:15:13,601 AND BY BLACK WOMEN I MEAN ME. 274 00:15:13,701 --> 00:15:15,538 >> THE FOLLOWING VIDEO IS NOT SUITABLE FOR ANYONE. 275 00:15:15,638 --> 00:15:18,509 VIEWER DISCRETION IS ADVISED. 276 00:15:18,610 --> 00:15:21,616 >> EVERYONE KNOWS POP STARS HAVE TO BE TWO THINGS. 277 00:15:21,716 --> 00:15:23,720 HOT AND YOUNG. 278 00:15:23,820 --> 00:15:24,855 >> AND YOU'RE BOTH, GIRL. 279 00:15:24,955 --> 00:15:34,173 >> THANKS, DADDY. THIS ONE'S FOR YOU. 280 00:15:34,273 --> 00:15:43,190 ME NO UNDERSTAND DADDY'S WEE-WEE IS THE BIGGEST 281 00:15:43,290 --> 00:15:44,526 PEE-PEE IN MY LIFE 282 00:15:44,626 --> 00:15:55,313 >> WAIT, WHAT? 283 00:15:56,416 --> 00:15:57,651 >> THIS IS TERRIBLE. WHY ARE YOU DOING THIS? 284 00:15:57,751 --> 00:16:06,234 >> IT'S CULTURAL COMMENTARY ON HOW POP MUSIC INFANTALIZES 285 00:16:06,334 --> 00:16:06,803 WOMEN. 286 00:16:06,903 --> 00:16:10,443 >> UGH. OH, MY GOD. 287 00:16:10,543 --> 00:16:21,664 JESUS CHRIST. YOU'RE MY DIRTY SO YOU HAVE TO 288 00:16:21,765 --> 00:16:24,803 ROCK ON 289 00:16:24,903 --> 00:16:32,786 >> I HATE THIS. BE AFRAID OF COOLIES 290 00:16:32,886 --> 00:16:33,821 >> ZIWE. 291 00:16:33,921 --> 00:16:36,994 >> DON'T GET MAD AT ME. GET MAD AT SOCIETY. 292 00:16:37,094 --> 00:16:38,530 >> THIS SONG MAKES ME UNCOMFORTABLE. 293 00:16:38,630 --> 00:16:42,872 >> GOOD. IT'S CALLED SATIRE. 294 00:16:42,972 --> 00:16:50,253 >> I GET WHAT YOU'RE GOING FOR. PLEASE, NO MORE. 295 00:16:54,761 --> 00:17:06,082 ZIWE, NEW WORDS. OH, MY GOD. 296 00:17:06,183 --> 00:17:11,761 TWINKLE, TWINKLE LITTLE STAR, I'M YOUR SEX STAR, YES I ARE 297 00:17:11,861 --> 00:17:13,230 >> SOCIETY IS UGLY, ISN'T IT? 298 00:17:13,330 --> 00:17:15,267 >> YEP, LESSON LEARNED, THANKS, ZIWE. 299 00:17:15,367 --> 00:17:22,682 >> YOU'RE WELCOME. 300 00:17:26,890 --> 00:17:32,300 >>> DESPITE THE COUNTRY BEING IN THE MIDDLE OF A PANDEMIC, 301 00:17:32,400 --> 00:17:33,769 PLASTIC SURGERY PROCEDURES ARE ACTUALLY ON THE RISE. 302 00:17:33,870 --> 00:17:38,678 THERE IS A LONG HISTORY OF WOMEN GETTING ELECTIVE SURGERY ON 303 00:17:38,779 --> 00:17:43,588 TELEVISION SHOWS LIKE "BOTCHED," "THE SWAN," AND EVEN "REAL 304 00:17:43,688 --> 00:17:46,326 HOUSEWIVES." I STARTED TO FOLLOW IN THE 305 00:17:46,427 --> 00:17:53,975 FOOTSTEPS OF VICKIE GUNDELSON AND VISIT ONE OF NEW YORK CITY'S 306 00:17:54,075 --> 00:17:56,446 PLASTIC SURGEONS. HI, DR. GREENBERG. 307 00:17:56,546 --> 00:17:59,753 I'M LOOKING TO GET A WHOLE NEW FACE, WHOLE NEW BODY. 308 00:17:59,853 --> 00:18:02,524 FIRSTLY, WHAT AUGMENTATIONS WOULD YOU RECOMMEND FOR ME? 309 00:18:02,624 --> 00:18:06,465 >> ONE OF THE THINGS WE OFTEN DO IS, SOMETIMES AS WE AGE, NOT 310 00:18:06,565 --> 00:18:08,903 THAT YOU'RE AGING RIGHT NOW. 311 00:18:09,003 --> 00:18:10,540 >> HOW OLD DO YOU THINK I AM? 312 00:18:10,640 --> 00:18:11,375 >> YOU'RE YOUNG. 313 00:18:11,475 --> 00:18:12,611 >> LIKE HOW LONG? 314 00:18:12,711 --> 00:18:14,213 >> 24. 315 00:18:14,314 --> 00:18:18,221 >> GOO-GOO-GA-GA. 316 00:18:18,322 --> 00:18:21,261 >> NO, YOU'RE LOOKING GREAT. HOW OLD ARE YOU REALLY? 317 00:18:21,361 --> 00:18:22,630 >> I'M NOT GOING TO TELL YOU ON CAMERA. 318 00:18:22,730 --> 00:18:25,001 >> OKAY. HOWEVER OLD YOU ARE, I CAN MAKE 319 00:18:25,101 --> 00:18:25,903 YOU LOOK YOUNGER. 320 00:18:26,003 --> 00:18:26,705 >> THANK YOU. 321 00:18:27,172 --> 00:18:30,378 >> BY THE TIME YOU'RE DONE, WE'RE GIVING YOU A BOTTLE. 322 00:18:30,478 --> 00:18:34,386 IF YOUR NOSE BOTHERS YOU, WE CAN MAKE SOME CORRECTIONS ON THAT AS 323 00:18:34,486 --> 00:18:35,053 WELL. 324 00:18:35,153 --> 00:18:37,124 >> DOES MY NOSE BOTHER YOU? 325 00:18:37,224 --> 00:18:42,668 >> DOES IT BOTHER YOU? 326 00:18:42,768 --> 00:18:45,974 >> DOES IT BOTHER YOU? 327 00:18:46,075 --> 00:18:50,249 >> WE CAN DEFINITELY TWEAK THAT NOSE TO MAKE IT LOOK MORE 328 00:18:50,349 --> 00:18:54,725 REFINED, IF YOU WANT TO LOOK MORE MODEL-LIKE, WE CAN DO THAT. 329 00:18:54,825 --> 00:18:55,659 >> CAN I TOUCH -- 330 00:18:55,760 --> 00:18:56,561 >> TOUCH MY FACE. 331 00:18:56,661 --> 00:19:00,636 >> OKAY. IS TO BRING IN THAT TIP A LITTLE 332 00:19:00,736 --> 00:19:01,070 BIT. 333 00:19:01,170 --> 00:19:01,772 >> OH, MY GOD. 334 00:19:01,872 --> 00:19:03,041 >> A LITTLE BIT MORE REFINED. 335 00:19:03,141 --> 00:19:05,813 >> LIKE A LITTLE BAMBINO. 336 00:19:05,913 --> 00:19:08,852 >> EXACTLY. AND YOU LOOK EVEN MORE HOT THAN 337 00:19:08,952 --> 00:19:17,068 YOU ARE NOW, YOU LOOK LIKE A MODEL. 338 00:19:17,168 --> 00:19:23,346 WE PUT AN ELECTRICAL STIMULATION PAD ON YOUR BULLITT. 339 00:19:23,447 --> 00:19:25,484 IT GETS YOU FIRM, IT GETS YOU LIFTED. 340 00:19:25,584 --> 00:19:31,963 >> I DON'T WANT A LIFT BUTT. I WOULDN'T LIKE A BIG FAT ASS 341 00:19:32,063 --> 00:19:36,839 LIKE NICKI MINAJ, SHE HAS THIS LINE, BIG FAT ASS, LIKE THAT. 342 00:19:36,939 --> 00:19:44,520 I WANT TO LOOK LIKE A DUMB THICC, T-H-I-C-C. 343 00:19:44,620 --> 00:19:47,793 >> WE CAN DEFINITELY MAKE YOUR BUTT LOOK BETTER. 344 00:19:47,894 --> 00:19:50,432 WE'LL PUT SOMETHING IN THERE. 345 00:19:50,532 --> 00:19:54,205 >> AND THEN AS FAR AS BREASTS ARE CONCERNED, I WANT PEOPLE TO 346 00:19:54,305 --> 00:19:57,111 STARE. 347 00:19:57,211 --> 00:20:00,384 >> YOU WANT HUGE BREASTS? 348 00:20:00,484 --> 00:20:05,628 >> NOT HUGE DISGUSTING. BUT LIKE -- 349 00:20:05,728 --> 00:20:06,696 [ PANTS ] 350 00:20:06,796 --> 00:20:08,466 >> NO, WE CAN'T HAVE THAT. WE HAVE TO HAVE NATURAL. 351 00:20:08,567 --> 00:20:11,272 >> FINE, WHATEVER. 352 00:20:11,372 --> 00:20:16,482 >> THESE ARE SILICONE GEL BREAST IMPLANTS. 353 00:20:16,582 --> 00:20:17,016 >> CAN I TOUCH 24 354 00:20:17,116 --> 00:20:17,784 >> CAN I TOUCH THIS? 355 00:20:18,051 --> 00:20:19,388 >> YES. WE USUALLY MAKE A TINY INCISION 356 00:20:19,488 --> 00:20:21,992 UNDER THE BREASTS AND PUT THESE IN. 357 00:20:22,092 --> 00:20:24,063 HERE'S THE OTHER SIDE. THERE YOU GO. 358 00:20:24,163 --> 00:20:26,301 >> OH, MY GOD. THIS FEELS GREAT. 359 00:20:26,401 --> 00:20:28,038 >> IT WAS AS EASY AS THAT. 360 00:20:28,138 --> 00:20:31,878 >> WHAT I REALLY WANT IS, OH, MY GOD, MY BREASTS IS TOO BIG AND 361 00:20:31,978 --> 00:20:35,084 PEOPLE HAVE TO COME TO MY HOUSE AND CLEAN FOR ME BECAUSE I CAN'T 362 00:20:35,184 --> 00:20:36,286 LIFT MY ARMS. 363 00:20:36,386 --> 00:20:37,957 >> WE CAN DO THAT. YOU LOOK GOOD. 364 00:20:38,057 --> 00:20:41,063 >> THANK YOU. THEY'RE SOFT. 365 00:20:41,163 --> 00:20:41,964 IT'S LIKE A PILLOW. 366 00:20:42,064 --> 00:20:47,575 >> SO PEOPLE CAN REST THEIR HEADS ON IT. 367 00:20:47,675 --> 00:20:49,378 ALL RIGHT. COME OVER HERE, WE'LL PUT YOU ON 368 00:20:49,478 --> 00:20:50,513 THE COMPUTER. WE'LL DO SOME IMAGING. 369 00:20:53,686 --> 00:20:55,122 OKAY. SARAH'S COMING IN. 370 00:20:55,223 --> 00:20:57,093 >> I'M GOING TO MOVE YOU A LITTLE BIT. 371 00:20:57,193 --> 00:20:58,028 >> YEAH. 372 00:20:58,429 --> 00:21:01,101 >> AND THIS MACHINE IS GOING TO TAKE A PHOTO OF YOUR FACE. 373 00:21:01,201 --> 00:21:01,736 >> YES. 374 00:21:02,036 --> 00:21:05,075 >> STAY RIGHT THERE. LOOK STRAIGHT. 375 00:21:05,175 --> 00:21:10,519 READY? ALL RIGHT. 376 00:21:10,619 --> 00:21:13,925 SO THIS IS BASICALLY CREATING YOU IN A 3D IMAGE. 377 00:21:14,026 --> 00:21:16,463 >> THIS IS LIKE THE MATRIX. TALK ABOUT ESSENTIAL WORKERS. 378 00:21:16,563 --> 00:21:20,872 YOU GUYS ARE REALLY DOING THE WORK WE NEED TO BE DONE. 379 00:21:20,972 --> 00:21:23,811 >> LET'S CHANGE THE TIP OF HER NOSE. 380 00:21:23,911 --> 00:21:26,850 >> OKAY. ALL I KNOW IS, I WANT TO REFINE 381 00:21:26,950 --> 00:21:27,819 MY NOSE. 382 00:21:27,919 --> 00:21:30,324 >> SO WATCH THE TIP CLOSELY. THIS IS NORMAL. 383 00:21:30,424 --> 00:21:31,092 >> OKAY. 384 00:21:31,192 --> 00:21:33,028 >> NOW, THIS IS NICE AND REFINED. 385 00:21:33,128 --> 00:21:34,164 >> THAT'S REFINED. 386 00:21:34,265 --> 00:21:35,199 >> THAT'S REFINED. 387 00:21:35,299 --> 00:21:37,805 >> THAT'S REFINED. WE CAN ALSO LOOK AT THE CHIN. 388 00:21:37,905 --> 00:21:39,675 SOMETIMES PEOPLE HAVE A REALLY RECEDED CHIN. 389 00:21:39,775 --> 00:21:42,313 >> OKAY. SICK. 390 00:21:42,413 --> 00:21:44,184 >> THERE'S A LITTLE BIT OF PROJECTION THERE. 391 00:21:44,284 --> 00:21:47,757 >> SO WHEN I DO A CHIN IMPLANT, I PUT A LITTLE INCISION UNDER 392 00:21:47,857 --> 00:21:50,028 HERE AND PUT THE CHIN IMPLANT RIGHT THERE. 393 00:21:50,128 --> 00:21:54,403 >> OKAY. AND WHAT ABOUT THE CHEEKS? 394 00:21:54,503 --> 00:22:00,882 >> PUT SOME FILLER IN HERE. 395 00:22:00,982 --> 00:22:05,692 >> AND DO YOU DO TANNING AT ALL, WHAT KIND OF COLOR CAN WE ADD? 396 00:22:05,792 --> 00:22:06,459 >> WE CAN'T CHANGE YOUR COLOR. 397 00:22:06,559 --> 00:22:07,194 >> BLACK IS BEAUTIFUL. 398 00:22:07,294 --> 00:22:11,503 >> EXACTLY. YOU LOOK AWESOME. 399 00:22:11,603 --> 00:22:12,338 >> THANK YOU. 400 00:22:12,438 --> 00:22:14,074 >> NICE AND REFINED. 401 00:22:14,174 --> 00:22:16,646 >> LOOKS LIKE YOU BUT BETTER, I GUESS. 402 00:22:16,746 --> 00:22:17,580 >> ME BUT BETTER. 403 00:22:17,681 --> 00:22:19,785 >> I DON'T THINK THERE IS A BETTER. 404 00:22:19,886 --> 00:22:21,789 >> NO, ME BUT BETTER. 405 00:22:21,889 --> 00:22:23,793 >> NO, IT'S YOU BUT ALTERED. 406 00:22:23,893 --> 00:22:26,432 >> NO, IT'S ME BUT BETTER. DR. GREENBERG. 407 00:22:26,532 --> 00:22:29,403 >> NOT NECESSARILY BETTER. YOU KNOW WHAT, SOMETIMES YOU 408 00:22:29,503 --> 00:22:30,907 JUST LEAVE GOOD ENOUGH ALONE. 409 00:22:31,007 --> 00:22:33,044 >> STOP IT. 410 00:22:33,144 --> 00:22:36,784 >> YOU'RE PERFECT. YOU LEAVE IT ALONE. 411 00:22:36,884 --> 00:22:43,665 [ LAUGHTER ] 412 00:22:43,765 --> 00:22:48,674 >> REFINED. 413 00:22:48,774 --> 00:22:51,413 >> SOMEONE ONCE SAID THAT BEAUTY IS IN THE EYE OF THE BEHOLDER. 414 00:22:51,513 --> 00:22:55,654 THAT PERSON WAS HIDEOUS. 415 00:22:55,754 --> 00:22:59,361 >>> NEXT, WE'LL BE JOINED BY MEDIA PERSONALITY AND ATTORNEY 416 00:22:59,461 --> 00:23:03,669 RACHEL LINDSEY WHO WAS THE FIRST BLACK BACHELORETTE. 417 00:23:03,769 --> 00:23:04,838 THANK YOU FOR DOING THE SHOW. 418 00:23:04,938 --> 00:23:07,309 >> SO NICE TO MEET YOU, THANK YOU SO MUCH FOR HAVING ME. 419 00:23:07,409 --> 00:23:10,782 >> SO YOU HAVE DONE THE BRAVE AND IMPORTANT WORK OF MARRYING A 420 00:23:10,884 --> 00:23:15,726 WHITE MAN WHO TOUCHED YOUR WEE FIVE DAYS INTO THE RELATIONSHIP. 421 00:23:15,826 --> 00:23:17,730 HOW DID YOU TEACH HIM TO BE A BLACK HAIR ALLY? 422 00:23:17,830 --> 00:23:19,867 >> I JUST HAVE TO BE VERY UP FRONT WITH HIM. 423 00:23:19,967 --> 00:23:24,209 I HAD TO GIVE HIM A CRASH COURSE. 424 00:23:24,309 --> 00:23:28,817 THAT MEANT, THAT IS A WEAVE, NOT A WIG. 425 00:23:28,918 --> 00:23:34,194 I LET HIM TAKE MY WIG OFF AND RUN HIS FINGERS THROUGH MY CORN 426 00:23:34,295 --> 00:23:36,566 ROWS. I LET HIM GREASE MY SCALP. 427 00:23:36,666 --> 00:23:40,072 >> THAT'S ABSOLUTELY BEAUTIFUL. I'M MOVED. 428 00:23:40,173 --> 00:23:45,249 I HOPE I CAN FIND SOMEONE TO GREASE MY SCALP AS WELL SOMEONE 429 00:23:45,349 --> 00:23:46,719 DAY. WHAT COLOR IS THE SATIN BONNET 430 00:23:46,819 --> 00:23:47,921 YOU WORE EVERY NIGHT? 431 00:23:48,021 --> 00:23:53,732 >> I WORE A MULTICOLORED SILK SCARF, CHANGED IT UP A BIT, 432 00:23:53,832 --> 00:23:57,439 BROWN, GREEN, BLUE. IT WAS A FANTASY SUITE. 433 00:23:57,540 --> 00:23:58,341 >> YOU REALLY DID? 434 00:23:58,441 --> 00:24:01,680 >> YES. YOU TRY TO MARRY ME, YOU NEED TO 435 00:24:01,780 --> 00:24:05,521 KNOW WHAT I'M REALLY ABOUT. THIS IS RACHEL. 436 00:24:05,622 --> 00:24:09,328 >> THIS IS ROSA PARKS. YOU ARE THE ROSA PARKS OF 437 00:24:09,429 --> 00:24:11,700 ACCOMPLISHMENTS WHEN IT COMES TO BEAUTY STANDARDS IN REALITY TV. 438 00:24:11,800 --> 00:24:14,472 WHAT DO YOU THINK ABOUT THE FACT THAT ALL THREE OF THE BLACK 439 00:24:14,572 --> 00:24:17,711 BACHELORS AND BACHELORETTES HAVE ALL ENDED UP WITH, YOU KNOW, 440 00:24:17,811 --> 00:24:20,216 PARTNERS WHO WERE NOT OF COLOR? 441 00:24:20,317 --> 00:24:21,519 >> YEAH, THAT'S A GREAT QUESTION. 442 00:24:21,619 --> 00:24:24,925 IT'S SOMETHING THAT I WAS WORRIED ABOUT BEFORE I WENT ON 443 00:24:25,026 --> 00:24:28,298 THE SHOW. I THINK I GOT A LITTLE BIT MORE 444 00:24:28,399 --> 00:24:30,636 GRACE BECAUSE I WAS THE FIRST AND PEOPLE WERE JUST EXCITED 445 00:24:30,736 --> 00:24:33,007 THAT A PERSON OF COLOR WAS IN THIS ROLE. 446 00:24:33,107 --> 00:24:36,682 BUT THEN I THINK WHEN THE NEXT PERSON CHOSE SOMEONE THAT WASN'T 447 00:24:36,782 --> 00:24:40,856 BLACK AND BY THE TIME WE GOT TO THE THIRD ONE, IT WAS LIKE, YOU 448 00:24:40,956 --> 00:24:43,294 KNOW WHAT, THEY'RE JUST NOT GOING TO CHOOSE ANYBODY THAT'S 449 00:24:43,394 --> 00:24:45,398 BLACK. THIS IS WHAT I'LL SAY TO THAT. 450 00:24:45,498 --> 00:24:50,374 ONE, I THINK IT JUST SHOWS HOW UNFAIRLY PEOPLE OF COLOR ARE 451 00:24:50,474 --> 00:24:52,979 HELD TO CERTAIN STANDARDS THAT THEIR WHITE COUNTERPARTS AREN'T. 452 00:24:53,080 --> 00:24:55,217 ON THE OTHER HAND, I WILL SAY IT'S A CASTING ISSUE. 453 00:24:55,317 --> 00:25:00,761 THERE WAS A POINT WHERE I BROKE DOWN ON CAMERA AND THEY USED MY 454 00:25:00,861 --> 00:25:04,802 TEARS FOR SOMETHING ELSE BUT I WAS GETTING UPSET AT THE 455 00:25:04,902 --> 00:25:09,711 SELECTION OF MEN OF COLOR. AND I ALSO LEARNED, AS I WAS 456 00:25:09,811 --> 00:25:14,353 GOING THROUGH MY SEASON, THAT SEVERAL OF THE BLACK MEN ON MY 457 00:25:14,453 --> 00:25:16,157 SEASON DIDN'T DATE BLACK WOMEN. 458 00:25:16,257 --> 00:25:16,692 >> REALLY? 459 00:25:16,792 --> 00:25:19,530 >> SO THERE'S THAT. 460 00:25:19,630 --> 00:25:21,567 >> LET'S UNPACK THIS. 461 00:25:21,667 --> 00:25:22,770 >> MM-HMM. 462 00:25:22,870 --> 00:25:25,675 >> HOW DID YOU DO THIS, TELL ME EVERYTHING. 463 00:25:25,776 --> 00:25:29,249 >> SO THE SHOW FOUND IT INTERESTING, WOW, THIS GUY HAS 464 00:25:29,349 --> 00:25:30,986 NEVER DATED A BLACK WOMAN BEFORE. 465 00:25:31,086 --> 00:25:33,957 I SAID, YOU THINK THAT'S INTERESTING, THAT'S MY LIFE, I 466 00:25:34,058 --> 00:25:36,162 LIVE THAT, THAT'S WHY I'M SPEAKING OUT THAT YOU DON'T NEED 467 00:25:36,263 --> 00:25:39,602 TO DIVERSIFY JUST YOUR CAST AND YOUR LEADS, YOU NEED TO 468 00:25:39,702 --> 00:25:41,840 DIVERSIFY THE PEOPLE BEHIND THE CAMERA. 469 00:25:41,940 --> 00:25:45,580 >> DO YOU HAVE ANY ADVICE FOR BLACK WOMEN WHO ALSO WANT TO 470 00:25:45,680 --> 00:25:52,226 BREAK BOUNDARIES AND BE IN THE FANTASY SUITE, WHAT WOULD YOU 471 00:25:52,326 --> 00:25:52,928 TELL THEM? 472 00:25:53,028 --> 00:25:55,499 >> WHAT OF THE FANTASY SUITE? 473 00:25:55,599 --> 00:26:01,244 >> YOU'RE GIVING A LOT OF OVER THE PANTS HAND JOBS IN THE 474 00:26:01,344 --> 00:26:04,984 FANTASY SUITE. ANY BLACK WOMEN HOPING TO ASPIRE 475 00:26:05,084 --> 00:26:08,390 TO BLACK BACHELORETTE STATUS, HOW WOULD YOU GUIDE THEM? 476 00:26:08,490 --> 00:26:12,198 >> IF YOU'VE MADE IT THAT MANY WEEKS AWAY FROM THE TELEVISION, 477 00:26:12,298 --> 00:26:14,569 THE INTERNET, YOUR PHONE, YOUR FAMILY AND FRIEND, GO FOR IT, 478 00:26:14,669 --> 00:26:17,341 GIRL. DON'T LOOK BACK. 479 00:26:17,442 --> 00:26:19,946 >> DON'T LOOK BACK. DON'T LOOK DOWN EITHER. 480 00:26:20,046 --> 00:26:23,753 SO EARLIER THIS YEAR, YOU INTERVIEWED CHRIS HARRISON ON 481 00:26:23,853 --> 00:26:29,297 EXTRA TV WHERE HE DEFENDED RACHEL CURCONNELL WHO WAS 482 00:26:29,398 --> 00:26:30,834 CRITICIZED FOR ATTENDING AN OLD SOUTH PARTY. 483 00:26:30,934 --> 00:26:35,042 >> IS IT A GOOD LOOK IN 2018 OR IS IT NOT A GOOD LOOK IN 2021? 484 00:26:35,142 --> 00:26:37,780 >> IT'S NOT A GOOD LOOK EVER. 485 00:26:37,880 --> 00:26:43,625 >> EVENTUALLY HE APOLOGIZED FOR DEFENDING CURCONNELL BUT THIS 486 00:26:43,725 --> 00:26:47,432 PROMPTED YOU TO DEACTIVATE YOUR INSTAGRAM BECAUSE THE BACHELOR 487 00:26:47,532 --> 00:26:50,505 NATION FANS WERE LEAVING HORRIBLE COMMENTS. 488 00:26:50,605 --> 00:26:53,444 WHAT DOES THE BACHELOR NATION FANS OFFER OTHER THAN HATE MAIL 489 00:26:53,544 --> 00:26:54,813 AND RACIST COMMENTS? 490 00:26:54,913 --> 00:26:57,184 >> I FIND MYSELF ASKING THATCH ALL THE TIME. 491 00:26:57,284 --> 00:27:00,424 I THINK WHAT I WAS EXPERIENCING AFTER THE CHRIS HARRISON 492 00:27:00,524 --> 00:27:03,596 INTERVIEW WERE PEOPLE WHO DID NOT WATCH THE SHOW. 493 00:27:03,697 --> 00:27:06,836 THEY WERE JUST AFFILIATING MY NAME IS CANCEL CULTURE WHICH WAS 494 00:27:06,936 --> 00:27:08,873 NOT WHAT HAPPENED IN THAT INTERVIEW. 495 00:27:08,974 --> 00:27:12,647 BUT I ALSO RECEIVED A LOT OF SUPPORT. 496 00:27:12,747 --> 00:27:16,121 SOMETIMES, THOUGH, YOU JUST DON'T SEE THAT OR HEAR THAT AS 497 00:27:16,221 --> 00:27:18,525 LOUDLY AS YOU DO THE NEGATIVE SIDE OF THINGS. 498 00:27:18,625 --> 00:27:22,633 >> SO WHEN I THINK OF OTHER BACHELORETTES IN HISTORY, 499 00:27:22,734 --> 00:27:25,171 THEY'VE BEEN SPIN INSTRUCTORS, THEY'VE BEEN PUBLICISTS. 500 00:27:25,271 --> 00:27:27,977 YOU ARE AN ACCOMPLISHED ATTORNEY. 501 00:27:28,077 --> 00:27:31,350 WHEN YOU WERE BEING CAST FOR "THE BACHELOR," DID THE CASTING 502 00:27:31,450 --> 00:27:34,288 CALL SPECIFICALLY SAY MEMBER OF THE TALENTED TEN? 503 00:27:34,389 --> 00:27:39,900 >> I THINK THEY CHOSE ME BECAUSE I CHECKED ALL THE BOXES. 504 00:27:40,000 --> 00:27:44,842 I WAS OLDER, I HAD A CAREER, MY DAD IS A FEDERAL JUDGE. 505 00:27:44,942 --> 00:27:48,850 I THINK FOR THEM, IT WAS LIKE, WELL, IF WE'RE GOING TO PICK 506 00:27:48,950 --> 00:27:51,722 THIS PERSON, WE'RE GOING TO HAVE A PERSON OF COLOR FOR THE FIRST 507 00:27:51,823 --> 00:27:57,634 TIME, SHE'S GOT TO MAKE SENSE, SHE'S GOT TO BE ACCEPTABLE, SHE 508 00:27:57,734 --> 00:28:00,172 CAN'T BE THREATENING TO OUR LILY WHITE AUDIENCE. 509 00:28:00,272 --> 00:28:04,346 IT HAS TO BE LIKE, OKAY, I CAN SEE WHY YOU PICKED HER, SHE'S A 510 00:28:04,447 --> 00:28:05,248 GOOD BLACK GIRL. 511 00:28:05,348 --> 00:28:07,186 >> WERE YOU A THREAT TO BACHELOR NATION? 512 00:28:07,286 --> 00:28:10,592 DO YOU THINK THEY REGRET IT, AND DO YOU REGRET IT YOURSELF? 513 00:28:10,692 --> 00:28:14,432 >> I ABSOLUTELY DON'T REGRET IT. CHANGED MY LIFE COMPLETELY. 514 00:28:14,532 --> 00:28:18,006 DO I THINK THEY HAVE REGRETS? YES. 515 00:28:18,107 --> 00:28:20,744 I'M NOT QUITE SURE IF THEY UNDERSTOOD WHAT THEY WERE GOING 516 00:28:20,845 --> 00:28:23,082 TO GET WITH ME. I THINK MAYBE THEY THOUGHT 517 00:28:23,182 --> 00:28:26,957 SHE'LL PLAY THE GAME, WHICH I DID, CONTRACTUALLY, WHEN THAT 518 00:28:27,057 --> 00:28:30,330 CONTRACT WAS UP, YOU KNOW, I STARTED TO SPEAK OUT ON THINGS 519 00:28:30,430 --> 00:28:31,298 THAT NEEDED TO CHANGE. 520 00:28:31,398 --> 00:28:35,139 >> OKAY. WHO IS THE HOTTEST IN YOUR HEAD. 521 00:28:35,240 --> 00:28:36,876 >> IDRIS ALBA. 522 00:28:36,976 --> 00:28:38,779 >> PERFECT. THANK YOU, RACHEL, THIS HAS BEEN 523 00:28:38,880 --> 00:28:42,620 FANTASTIC. IF YOU COULD DO A LEAN-IN, 524 00:28:42,720 --> 00:28:43,121 SMILE. 525 00:28:43,221 --> 00:28:44,123 >> CATCH THAT GAP. 526 00:28:44,223 --> 00:28:45,926 >> THANK YOU FOR TAKING THE TIME TO TALK TO ME. 527 00:28:46,026 --> 00:28:47,663 >> THANK YOU SO MUCH FOR HAVING ME. 528 00:28:47,763 --> 00:28:53,340 LOVE THE INTERVIEW. YOU'RE GREAT, GIRL. 529 00:28:53,440 --> 00:29:00,988 >> CRACKER, THIS BARN, YO, WHY DO YOUR TEETH CARE GOT TO BE, 530 00:29:01,088 --> 00:29:04,094 TOO? BLOSS IS DESIGNED SPECIFICALLY 531 00:29:04,195 --> 00:29:10,373 TO GET RID OF ALL OUR FRIED CHICKEN CRAVINGS. 532 00:29:10,473 --> 00:29:13,580 >> BLOSSER IS GREAT. BUY IT. 533 00:29:13,646 --> 00:29:13,813 [ 534 00:29:13,813 --> 00:29:17,153 [ LAUGHTER 535 00:29:17,203 --> 00:29:21,753 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 42053

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