All language subtitles for Buffy.The.Vampire.Slayer.S02E19.1080p.Amazon.WEB-DL.DD+.5.1.H.264-TrollHD_track3_eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,458 --> 00:00:07,500 ♪ THE WAY YOU LOVE ♪ 2 00:00:07,500 --> 00:00:11,458 ♪ HAVE YOU GOT A NAME FOR IT? ♪ 3 00:00:13,000 --> 00:00:17,625 ♪ 'CAUSE I DON'T UNDERSTAND ♪ 4 00:00:17,625 --> 00:00:20,583 ♪ IT ♪ 5 00:00:24,500 --> 00:00:29,458 ♪ LANGUAGE IS AN ANNOYING NECESSITY ♪ 6 00:00:29,458 --> 00:00:35,125 ♪ AND I DEPEND ON ALL THE REGULAR THINGS ♪ 7 00:00:35,125 --> 00:00:40,792 ♪ GOT A LIST TATTOOED ON MY MEMORY ♪ 8 00:00:40,792 --> 00:00:46,250 ♪ OF HOW OUR TRYST SHOULD UNFOLD ♪ 9 00:00:52,417 --> 00:00:53,583 ♪ I'M FALLING FOR THE OPPOSITE... ♪ 10 00:00:53,583 --> 00:00:55,208 HEY. 11 00:00:55,208 --> 00:01:00,041 I'M BEN. WE HAD ALGEBRA 2 TOGETHER LAST YEAR. 12 00:01:00,041 --> 00:01:04,583 SORRY, I PRETTY MUCH REPRESS ANYTHING MATH RELATED. 13 00:01:04,583 --> 00:01:07,208 MISS JACKSON. SECOND PERIOD. 14 00:01:07,208 --> 00:01:09,750 YOU SAT IN THE SEAT 3 OVER, 1 BEHIND. 15 00:01:09,750 --> 00:01:11,834 OH, YEAH, I REMEMBER NOW. 16 00:01:11,834 --> 00:01:13,500 IT'S THE ONE WITH THE DESKS AND THE CHALKBOARDS 17 00:01:13,500 --> 00:01:14,583 AND PENCILS AND STUFF, RIGHT? 18 00:01:14,583 --> 00:01:15,875 THAT'S THE ONE. 19 00:01:15,875 --> 00:01:17,708 LIKE A STEEL TRAP. 20 00:01:17,708 --> 00:01:19,458 SO I WAS WONDERING-- 21 00:01:19,458 --> 00:01:22,208 YOU KNOW THE DANCE TOMORROW NIGHT? ARE YOU GOING? 22 00:01:22,208 --> 00:01:23,875 YOU MEAN THE SADIE HAWKINS THING? 23 00:01:23,875 --> 00:01:25,583 THE DEAL WHERE THE GIRLS ASK THE BOYS? 24 00:01:25,583 --> 00:01:29,583 YEAH. AND I THOUGHT MAYBE, YOU KNOW, IF YOU'RE FREE, 25 00:01:29,583 --> 00:01:31,458 YOU MIGHT ASK ME. 26 00:01:31,458 --> 00:01:34,375 OH, GOSH. 27 00:01:34,375 --> 00:01:36,667 OH, HEY, HEY-- DON'T WORRY ABOUT IT. 28 00:01:36,667 --> 00:01:38,875 NO, YOU SEEM LIKE A REALLY GREAT GUY. 29 00:01:38,875 --> 00:01:44,083 IT'S ME. I'M NOT SEEING ANYBODY. 30 00:01:44,083 --> 00:01:46,166 EVER AGAIN ACTUALLY. 31 00:01:46,166 --> 00:01:49,333 OH, THAT'S TOO BAD. 32 00:01:51,125 --> 00:01:53,125 OK, WELL, I'D BETTER-- 33 00:01:55,291 --> 00:01:57,291 SORRY. 34 00:02:00,333 --> 00:02:03,250 ♪ I'M FALLING FOR THE OPPOSITE ♪ 35 00:02:03,250 --> 00:02:05,000 ♪ WHAT GOOD IS IT ♪ 36 00:02:06,542 --> 00:02:09,125 ♪ WRITE THE MAP WITH NO KEY ATTACHED ♪ 37 00:02:09,125 --> 00:02:12,625 ♪ MY HEART'S ENLARGED AND I CHARGE ♪ 38 00:02:19,834 --> 00:02:21,250 HEY. 39 00:02:21,250 --> 00:02:22,750 YOU BAILING? 40 00:02:22,750 --> 00:02:25,000 YEAH. I'M GONNA STOP BY THE LIBRARY 41 00:02:25,000 --> 00:02:28,083 AND SEE IF GILES WANTS ME TO PATROL AND THEN SACK IT. 42 00:02:28,083 --> 00:02:30,208 YOU'VE BEEN DOING THAT A LOT-- 43 00:02:30,208 --> 00:02:32,041 PATROLLING AND SACKING. 44 00:02:32,041 --> 00:02:34,959 IN FACT, YOU'VE KINDA BEEN ALL WORK AND NO PLAY BUFFY. 45 00:02:34,959 --> 00:02:38,375 I PLAY. I HAVE BIG FUN. 46 00:02:38,375 --> 00:02:40,041 I CAME HERE TONIGHT, DIDN'T I? 47 00:02:40,041 --> 00:02:43,834 YOU CAME, YOU SAW, YOU REJECTED. 48 00:02:43,834 --> 00:02:46,583 YOU MEAN THAT GUY? 49 00:02:46,583 --> 00:02:48,834 JUST NOT IN DATE MODE RIGHT NOW. 50 00:02:48,834 --> 00:02:51,250 WELL, MAYBE YOU NEED TO DATE TO GET IN DATE MODE. 51 00:02:51,250 --> 00:02:53,959 I DON'T THINK I'M READY FOR THAT, WILL. 52 00:02:53,959 --> 00:02:55,667 YOU'RE THINKING TOO MUCH. 53 00:02:55,667 --> 00:02:57,250 MAYBE YOU NEED TO BE IMPULSIVE. 54 00:02:57,250 --> 00:02:58,917 IMPULSIVE? 55 00:02:58,917 --> 00:03:01,333 DO YOU REMEMBER MY EX-BOYFRIEND, THE VAMPIRE? 56 00:03:01,333 --> 00:03:02,708 I SLEPT WITH HIM, HE LOST HIS SOUL, 57 00:03:02,708 --> 00:03:04,708 NOW MY BOYFRIEND'S GONE FOREVER 58 00:03:04,708 --> 00:03:06,667 AND THE DEMON THAT WEARS HIS FACE IS KILLING MY FRIENDS. 59 00:03:06,667 --> 00:03:08,125 THE NEXT IMPULSIVE DECISION I MAKE 60 00:03:08,125 --> 00:03:09,625 WILL INVOLVE MY CHOICE OF DENTURES. 61 00:03:09,625 --> 00:03:12,083 OK, THE ANGEL THING WENT BADLY. 62 00:03:12,083 --> 00:03:15,667 I'M ONBOARD WITH THAT, BUT THAT'S NOT YOUR FAULT. 63 00:03:15,667 --> 00:03:19,583 AND ANYWAYS, LOVE ISN'T ALWAYS LIKE THAT. 64 00:03:19,583 --> 00:03:22,583 LOVE CAN BE NICE. 65 00:03:22,583 --> 00:03:25,834 COME BACK HERE. WE'RE NOT FINISHED. 66 00:03:25,834 --> 00:03:27,708 YOU DON'T CARE ANYMORE, IS THAT IT? 67 00:03:27,708 --> 00:03:29,750 IT DOESN'T MATTER. IT DOESN'T MATTER WHAT I FEEL. 68 00:03:29,750 --> 00:03:31,583 THEN TELL ME YOU DON'T LOVE ME. 69 00:03:31,583 --> 00:03:33,041 SAY IT! 70 00:03:33,041 --> 00:03:35,500 WILL THAT HELP? IS THAT WHAT YOU NEED TO HEAR? 71 00:03:35,500 --> 00:03:36,625 I DON'T. 72 00:03:36,625 --> 00:03:38,500 I DON'T, NOW LET ME GO. 73 00:03:38,500 --> 00:03:40,834 NO. A PERSON DOESN'T JUST WAKE UP ONE DAY 74 00:03:40,834 --> 00:03:43,125 AND STOP LOVING SOMEBODY. 75 00:03:50,166 --> 00:03:52,625 LOVE IS FOREVER. 76 00:03:55,542 --> 00:03:57,959 [HOWLING] 77 00:03:59,542 --> 00:04:02,209 [ROCK MUSIC PLAYING] 78 00:04:50,417 --> 00:04:52,250 I'M NOT AFRAID TO USE IT. I SWEAR. 79 00:04:52,250 --> 00:04:54,083 IF I CAN'T BE WITH YOU-- HEY! 80 00:04:54,083 --> 00:04:55,667 Girl: OH, MY GOD. 81 00:04:57,500 --> 00:04:59,125 DON'T WALK AWAY FROM ME, BITCH! 82 00:05:13,125 --> 00:05:14,708 WH-WHAT HAPPENED? 83 00:05:14,708 --> 00:05:17,708 WHAT HAPPENED? YOU JUST WENT OJ ON YOUR GIRLFRIEND. 84 00:05:17,708 --> 00:05:20,000 THIS IS NUTS. 85 00:05:20,000 --> 00:05:21,792 I DON'T KNOW WHY I GOT SO MAD. 86 00:05:21,792 --> 00:05:23,250 BECAUSE YOU'RE A JERK. 87 00:05:23,250 --> 00:05:25,209 HE'S NOT. 88 00:05:25,209 --> 00:05:27,291 WE WEREN'T EVEN FIGHTING A FEW MINUTES AGO. 89 00:05:27,291 --> 00:05:29,209 WE WEREN'T. I SWEAR TO GOD. 90 00:05:29,209 --> 00:05:31,208 IF YOU WEREN'T FIGHTING, THEN WHY'D YOU HAVE A GUN? 91 00:05:31,208 --> 00:05:35,708 I DON'T KNOW. I DON'T EVEN KNOW WHERE I GOT IT. 92 00:05:35,708 --> 00:05:37,125 I DON'T SEE ANY GUN. 93 00:05:44,291 --> 00:05:46,708 I'M SURE YOU KNOW WHY I ASKED YOU HERE. 94 00:05:46,708 --> 00:05:47,917 TO THANK ME? 95 00:05:47,917 --> 00:05:50,959 THAT'S RIGHT, I WANT TO THANK YOU. 96 00:05:50,959 --> 00:05:53,208 WHAT WOULD SUNNYDALE HIGH DO WITHOUT YOU AROUND 97 00:05:53,208 --> 00:05:56,166 TO INCITE MAYHEM, CHAOS, AND DISORDER? 98 00:05:56,166 --> 00:05:58,875 I DON'T INCITE. I STOPPED THAT BOY 99 00:05:58,875 --> 00:06:00,166 FROM KILLING HIS GIRLFRIEND. ASK HIM. 100 00:06:00,166 --> 00:06:01,333 ASK THE JANITOR. 101 00:06:01,333 --> 00:06:03,583 PEOPLE CAN BE COERCED, SUMMERS. 102 00:06:03,583 --> 00:06:06,458 I'M NO STRANGER TO CONSPIRACY. I SAW JFK. 103 00:06:06,458 --> 00:06:09,291 I'M A TRUTH SEEKER. I'VE GOT A MISSING GUN 104 00:06:09,291 --> 00:06:11,000 AND 2 CONFUSED KIDS ON MY HANDS. 105 00:06:11,000 --> 00:06:12,917 PIECES OF THE PUZZLE. 106 00:06:12,917 --> 00:06:15,792 AND I'M GOING TO LOOK AT ALL THE PIECES CAREFULLY AND RATIONALLY, 107 00:06:15,792 --> 00:06:17,625 AND I'M GOING TO KEEP LOOKING 108 00:06:17,625 --> 00:06:20,208 UNTIL I KNOW EXACTLY HOW THIS IS ALL YOUR FAULT. 109 00:06:20,208 --> 00:06:22,542 [INTERCOM BUZZES] Woman: MR. SNYDER... 110 00:06:22,542 --> 00:06:24,250 BILLY CRANDALL CHAINED HIMSELF TO THE SNACK MACHINE AGAIN. 111 00:06:24,250 --> 00:06:27,375 PATHETIC, LITTLE, NO-LIFE VEGAN. 112 00:06:31,500 --> 00:06:35,583 NOT SO FAST, MISSY. I'M NOT DONE WITH YOU YET. 113 00:06:35,583 --> 00:06:38,083 YOU STINK OF LIES. 114 00:07:04,458 --> 00:07:06,166 SO FOR NEXT TIME, READ THE CHAPTERS 115 00:07:06,166 --> 00:07:08,834 ON INFORMATION GROUPING AND BINARY CODING. 116 00:07:08,834 --> 00:07:11,250 I BET YOU'LL THINK CODING IS PRETTY COOL. 117 00:07:11,250 --> 00:07:15,000 I MEAN, IF YOU FIND 2-DIGIT MULTI-STACKED CONVERSIONS 118 00:07:15,000 --> 00:07:17,542 AND PRIMARY NUMBER CLUSTERS A BIG HOOT. 119 00:07:17,542 --> 00:07:19,041 [CLASS LAUGHS] 120 00:07:22,792 --> 00:07:25,875 GILES, I MADE THEM LAUGH. DID YOU HEAR? 121 00:07:25,875 --> 00:07:27,417 I DID THE JOKE THING. 122 00:07:27,417 --> 00:07:29,458 YES, YES, SO IT SEEMS. 123 00:07:29,458 --> 00:07:31,917 I MEAN, YOU DID, INDEED. 124 00:07:31,917 --> 00:07:35,000 GOOD--GOOD SHOW. 125 00:07:35,000 --> 00:07:38,125 I JUST STOPPED BY TO SEE IF YOU NEEDED ANY ASSISTANCE, 126 00:07:38,125 --> 00:07:41,917 BUT YOU SEEM TO HAVE THINGS QUITE UNDER CONTROL. 127 00:07:41,917 --> 00:07:44,875 WELL, I HAD GOOD LESSON PLANS. 128 00:07:44,875 --> 00:07:49,166 MS. CALENDAR HAD THEM ON HER COMPUTER. 129 00:07:49,166 --> 00:07:53,000 YES, YES, SHE WAS VERY, UM, DEDICATED. 130 00:07:54,834 --> 00:07:57,333 AND I FOUND A BUNCH OF FILES AND INTERNET SITES 131 00:07:57,333 --> 00:07:59,375 ON PAGANISM AND MAGIC AND STUFF. 132 00:07:59,375 --> 00:08:00,291 OH. 133 00:08:00,291 --> 00:08:01,792 YES, IT'S REALLY INTERESTING. 134 00:08:03,500 --> 00:08:08,667 AND, UH, I FOUND THIS IN HER DRAWER. 135 00:08:08,667 --> 00:08:11,625 SHE TOLD ME IT WAS A ROSE QUARTZ. 136 00:08:11,625 --> 00:08:14,458 AND IT HAS HEALING POWERS. 137 00:08:14,458 --> 00:08:17,208 I THOUGHT SHE'D WANT YOU TO HAVE IT. 138 00:08:25,625 --> 00:08:29,208 THANK YOU, WILLOW, THAT'S-- 139 00:08:29,208 --> 00:08:31,083 THAT'S VERY THOUGHTFUL OF YOU. 140 00:08:41,625 --> 00:08:46,209 BEFORE 1935, THE NEW DEAL FOCUSED ON REVITALIZING 141 00:08:46,209 --> 00:08:49,209 STRICKEN BUSINESS AND AGRICULTURAL COMMUNITIES. 142 00:08:49,209 --> 00:08:50,792 AND THE NEW DEAL ALSO TRIED TO REGULATE 143 00:08:50,792 --> 00:08:52,792 THE NATION'S FINANCIAL HIERARCHY 144 00:08:52,792 --> 00:08:58,250 TO AVOID ANOTHER DISASTER LIKE THE 1929 STOCK MARKET CRASH. 145 00:08:58,250 --> 00:09:00,583 Woman: DON'T FORGET YOUR ASSIGNMENTS ARE DUE ON FRIDAY, CLASS. 146 00:09:03,125 --> 00:09:05,375 I TOLD MS. HALL WE'D GO HELP DECORATE THE GYM. 147 00:09:05,375 --> 00:09:06,458 WHO ARE YOU TAKING? 148 00:09:06,458 --> 00:09:07,792 DAVID SAID YES. 149 00:09:07,792 --> 00:09:10,500 OH, YOU'RE KIDDING. HE'S SO DREAMY. 150 00:09:16,708 --> 00:09:18,667 THANK YOU, JAMES. 151 00:09:18,667 --> 00:09:21,208 HOW ARE YOU ENJOYING THAT BOOK I LOANED YOU? 152 00:09:21,208 --> 00:09:23,542 THE HEMINGWAY. 153 00:09:23,542 --> 00:09:26,583 James: I LIKE IT VERY MUCH. 154 00:09:28,250 --> 00:09:30,083 IT'S HONEST. 155 00:09:32,708 --> 00:09:34,250 YES, IT'S, UM, 156 00:09:34,250 --> 00:09:37,000 IT'S BASED ON A TRUE STORY, ACTUALLY. 157 00:09:38,834 --> 00:09:40,291 HE FELL IN LOVE WITH HIS-- 158 00:09:42,625 --> 00:09:48,209 Teacher: ...HOURS, CHILD LABOR, 159 00:09:48,209 --> 00:09:52,542 AND COLLECTIVE BARGAINING. 160 00:09:52,542 --> 00:09:54,417 [CLASS LAUGHS] 161 00:09:56,041 --> 00:09:57,583 OH, MY GOD! 162 00:09:57,583 --> 00:09:59,083 DID YOU SEE WHAT HE WROTE? 163 00:10:04,125 --> 00:10:06,667 I'M TELLING YOU, SOMETHING WEIRD IS GOING ON. 164 00:10:06,667 --> 00:10:08,750 SOMETHING WEIRD IS GOING ON. 165 00:10:08,750 --> 00:10:10,500 ISN'T THAT OUR SCHOOL MOTTO? 166 00:10:10,500 --> 00:10:12,542 PRETTY MUCH, BUT I DON'T KNOW. 167 00:10:12,542 --> 00:10:14,834 THIS TIME IT BUGS ME. 168 00:10:14,834 --> 00:10:16,708 I DON'T WANT TO POOPOO YOUR WIGGINS, 169 00:10:16,708 --> 00:10:21,291 BUT A DOMESTIC DISPUTE, A LITTLE CASE OF CHALKBOARD TOURETTE'S? 170 00:10:21,291 --> 00:10:24,041 ALL SOUNDS LIKE HELLMOUTH LITE TO ME. AAH! 171 00:10:27,083 --> 00:10:28,166 AAH! 172 00:10:48,667 --> 00:10:50,500 XANDER, WHAT HAPPENED? 173 00:10:50,500 --> 00:10:53,542 DID CORDELIA WIN ANOTHER ROUND IN THE BROOM CLOSET? 174 00:10:53,542 --> 00:10:56,875 YOU'RE JUST A BIG BUCKET OF FUNNY, WILL. 175 00:10:56,875 --> 00:10:59,583 I'LL HAVE YOU KNOW I WAS JUST ACCOSTED BY SOME KIND OF, 176 00:10:59,583 --> 00:11:02,209 UM, LOCKER MONSTER. 177 00:11:02,209 --> 00:11:03,041 LOCH NESS MONSTER? 178 00:11:03,041 --> 00:11:04,667 LOCKER MONSTER IS WHAT HE SAID, 179 00:11:04,667 --> 00:11:06,500 BUT IT WASN'T REALLY A MONSTER. 180 00:11:06,500 --> 00:11:08,083 IT WAS, LIKE, THIS BIG ARM THAT CAME OUT OF THE LOCKER, 181 00:11:08,083 --> 00:11:10,125 BUT THEN WE OPENED IT AGAIN, IT WAS GONE. NOTHING. 182 00:11:10,125 --> 00:11:11,959 THIS WAS RIGHT AFTER BUFFY'S HISTORY TEACHER 183 00:11:11,959 --> 00:11:14,083 STARTS DOING SOME FREAKY CHANNELING THING IN CLASS. 184 00:11:14,083 --> 00:11:17,000 OOH, SOUNDS LIKE PARANORMAL PHENOMENA. 185 00:11:17,000 --> 00:11:18,417 A GHOST? COOL. 186 00:11:18,417 --> 00:11:20,250 OH, NO, NO, NO, NO COOL. 187 00:11:20,250 --> 00:11:22,542 THIS WAS NO WIMPY CHAIN RATTLER. 188 00:11:22,542 --> 00:11:25,458 THIS WAS "I'M DEAD AS HELL AND I'M NOT GONNA TAKE IT ANYMORE." 189 00:11:25,458 --> 00:11:29,250 DESPITE THE XANDER-SPEAK, THAT'S A FAIRLY ACCURATE DEFINITION OF A POLTERGEIST. 190 00:11:29,250 --> 00:11:32,834 I DEFINED SOMETHING? ACCURATELY? 191 00:11:32,834 --> 00:11:35,458 GUESS I'M DONE WITH THE BOOK LEARNING. 192 00:11:35,458 --> 00:11:38,000 SO WE HAVE SOME BAD BOO ON OUR HANDS? 193 00:11:38,000 --> 00:11:39,583 YES. 194 00:11:39,583 --> 00:11:40,792 Willow: WELL, WHY IS IT HERE? 195 00:11:40,792 --> 00:11:42,750 DOES IT JUST WANT TO SCARE PEOPLE? 196 00:11:42,750 --> 00:11:44,291 UNFORTUNATELY, HE DOESN'T KNOW EXACTLY WHAT HE WANTS. 197 00:11:44,291 --> 00:11:46,041 THAT'S THE TROUBLE. 198 00:11:46,041 --> 00:11:48,625 SEE, MANY TIMES THE SPIRIT IS PLAGUED BY 199 00:11:48,625 --> 00:11:50,208 ALL MANNER OF WORLDLY TROUBLES. 200 00:11:50,208 --> 00:11:53,750 BEING DEAD, IT HAS NO WAY TO MAKE ITS PEACE. 201 00:11:53,750 --> 00:11:55,667 SO IT LASHES OUT. 202 00:11:55,667 --> 00:11:59,625 GROWING EVER MORE CONFUSED, EVER MORE ANGRY. 203 00:11:59,625 --> 00:12:02,667 SO IT'S A NORMAL TEENAGER, ONLY DEAD. 204 00:12:02,667 --> 00:12:05,375 WELL, WHAT CAN WE DO? IS THERE ANY WAY TO STOP IT? 205 00:12:05,375 --> 00:12:08,125 THE ONLY TRIED AND TRUE WAY IS TO WORK OUT 206 00:12:08,125 --> 00:12:13,500 WHAT UNRESOLVED ISSUES KEEP IT HERE, AND RESOLVE THEM. 207 00:12:13,500 --> 00:12:16,125 FABULOUS. NOW WE'RE DR. LAURA FOR THE DECEASED. 208 00:12:16,125 --> 00:12:18,375 ONLY IF WE CAN FIND OUT WHO THIS SPIRIT IS. 209 00:12:20,875 --> 00:12:22,333 OR WAS. 210 00:12:32,208 --> 00:12:33,667 WORKING LATE, MS. FRANK? 211 00:12:33,667 --> 00:12:35,542 IT'S MY FAULT. LET MYSELF GET BEHIND. 212 00:12:35,542 --> 00:12:37,375 IS IT OK TO WALK HERE, GEORGE? 213 00:12:37,375 --> 00:12:39,041 IT IS GEORGE, RIGHT? 214 00:12:39,041 --> 00:12:40,375 OH, YES, MA'AM, YOU GO AHEAD. 215 00:12:40,375 --> 00:12:42,000 THANKS. YOU HAVE A NICE EVENING. 216 00:12:42,000 --> 00:12:43,417 YOU, TOO. DRIVE SAFE. 217 00:12:43,417 --> 00:12:44,750 OH, MS. FRANK. 218 00:12:44,750 --> 00:12:46,333 YES? 219 00:12:48,208 --> 00:12:51,625 YOU CAN'T MAKE ME DISAPPEAR JUST BECAUSE YOU SAY IT'S OVER. 220 00:12:51,625 --> 00:12:54,667 THERE'S NO WAY WE CAN BE TOGETHER. 221 00:12:54,667 --> 00:12:57,166 NO WAY PEOPLE WILL EVER UNDERSTAND. ACCEPT IT. 222 00:12:57,166 --> 00:12:59,417 IS THAT WHAT THIS IS ABOUT? 223 00:12:59,417 --> 00:13:00,750 WHAT OTHER PEOPLE THINK? 224 00:13:00,750 --> 00:13:03,917 NO. I JUST WANT YOU TO BE ABLE TO HAVE 225 00:13:03,917 --> 00:13:05,500 SOME KIND OF A NORMAL LIFE. 226 00:13:05,500 --> 00:13:07,500 WE CAN NEVER HAVE THAT, DON'T YOU SEE? 227 00:13:07,500 --> 00:13:10,125 I DON'T GIVE A DAMN ABOUT A NORMAL LIFE. 228 00:13:10,125 --> 00:13:12,291 I'M GOING CRAZY NOT SEEING YOU. 229 00:13:12,291 --> 00:13:14,000 I THINK ABOUT YOU EVERY MINUTE. 230 00:13:14,000 --> 00:13:17,625 I KNOW, BUT... 231 00:13:17,625 --> 00:13:21,291 BUT IT'S OVER. 232 00:13:21,291 --> 00:13:22,667 IT HAS TO BE. 233 00:13:24,500 --> 00:13:26,458 COME BACK HERE, WE'RE NOT FINISHED YET! 234 00:13:26,458 --> 00:13:27,542 YOU DON'T CARE ANYMORE? 235 00:13:27,542 --> 00:13:29,417 IS THAT IT? 236 00:13:29,417 --> 00:13:31,625 IT DOESN'T MATTER-- IT DOESN'T MATTER WHAT I FEEL. 237 00:13:31,625 --> 00:13:33,917 THEN TELL ME YOU DON'T LOVE ME. 238 00:13:33,917 --> 00:13:35,708 SAY IT! 239 00:13:37,583 --> 00:13:41,750 WILL THAT HELP? IS THAT WHAT YOU HAVE TO HEAR? 240 00:13:43,708 --> 00:13:44,750 I DON'T. 241 00:13:46,083 --> 00:13:47,166 I DON'T. 242 00:13:47,166 --> 00:13:49,458 NOW LET ME GO. 243 00:13:49,458 --> 00:13:53,417 NO. A PERSON DOESN'T JUST WAKE UP ONE DAY AND STOP LOVING SOMEBODY. 244 00:13:56,375 --> 00:13:59,375 LOVE IS FOREVER. 245 00:14:05,667 --> 00:14:08,000 George: I'M NOT AFRAID TO USE IT. I SWEAR. 246 00:14:08,000 --> 00:14:09,417 IF I CAN'T BE WITH YOU-- 247 00:14:09,417 --> 00:14:12,291 Ms. Frank: OH, MY GOD. 248 00:14:12,291 --> 00:14:14,625 George: DON'T WALK AWAY FROM ME, BITCH! 249 00:14:22,542 --> 00:14:24,708 Female voice, whispers: I need you. 250 00:14:29,458 --> 00:14:31,208 JENNY. 251 00:14:35,500 --> 00:14:36,917 George: DON'T! 252 00:14:36,917 --> 00:14:38,667 DON'T DO THAT, DAMN IT! 253 00:14:38,667 --> 00:14:40,083 DON'T TALK TO ME LIKE I'M SOME DUMB-- 254 00:14:40,083 --> 00:14:41,708 [GUNSHOT] 255 00:15:02,708 --> 00:15:04,208 WHAT'S GOING ON? 256 00:15:04,208 --> 00:15:06,542 WHAT'S GOING ON? 257 00:15:06,542 --> 00:15:08,041 YOU JUST SHOT A WOMAN. 258 00:15:14,708 --> 00:15:20,125 AND THIS-- THIS IS THE GARDEN. 259 00:15:20,125 --> 00:15:22,542 WOW! 260 00:15:22,542 --> 00:15:26,625 LOOK, JASMINE. 261 00:15:26,625 --> 00:15:27,792 NIGHT BLOOMING. 262 00:15:27,792 --> 00:15:30,375 LIKE US. 263 00:15:30,375 --> 00:15:34,166 ANGEL, IT'S FAIRYLAND. 264 00:15:34,166 --> 00:15:36,708 OOH! 265 00:15:36,708 --> 00:15:39,625 IT'S PARADISE. 266 00:15:39,625 --> 00:15:41,166 BIG WINDOWS, LOVELY GARDENS. 267 00:15:41,166 --> 00:15:43,333 IT'LL BE PERFECT WHEN WE WANT 268 00:15:43,333 --> 00:15:45,542 THE SUNLIGHT TO KILL US. 269 00:15:45,542 --> 00:15:48,583 IF YOU DON'T LIKE IT, SPIKE, HIT THE STAIRS AND GO. 270 00:15:48,583 --> 00:15:50,500 TAKE A STAND, MAN. 271 00:15:50,500 --> 00:15:52,166 WELL, OUR OLD PLACE WAS JUST FINE 272 00:15:52,166 --> 00:15:55,125 TILL YOU WENT AND HAD IT BURNED DOWN. 273 00:15:55,125 --> 00:15:57,291 THINGS CHANGE, SPIKEY. 274 00:15:57,291 --> 00:15:59,208 YOU GOTTA ROLL WITH THE PUNCHES. 275 00:15:59,208 --> 00:16:01,083 WELL, ACTUALLY, 276 00:16:01,083 --> 00:16:03,500 YOU PRETTY MUCH GOT THAT PART DOWN, HAVEN'T YOU? 277 00:16:03,500 --> 00:16:05,167 VERY FUNNY, MATE. 278 00:16:05,167 --> 00:16:08,625 WHAT CAN I SAY? 279 00:16:08,625 --> 00:16:11,875 I JUST LOVE TO SEE YOU SMILE, BUDDY. 280 00:16:11,875 --> 00:16:13,291 [GROWLS] 281 00:16:13,291 --> 00:16:18,625 YEAH, YOU'RE A GIVER. 282 00:16:18,625 --> 00:16:20,500 IT WAS JUST AS WITH THE COUPLE 283 00:16:20,500 --> 00:16:21,750 YOU ENCOUNTERED THE OTHER NIGHT, BUFFY. 284 00:16:21,750 --> 00:16:24,000 THE JANITOR REMEMBERED EVERYTHING. 285 00:16:24,000 --> 00:16:27,834 HE KNEW HE'D KILLED THIS POOR WOMAN, BUT HE HAD NO IDEA WHY. 286 00:16:27,834 --> 00:16:30,792 THEY HAD NO INTIMATE RELATIONSHIP. 287 00:16:30,792 --> 00:16:31,708 WHAT ABOUT THE GUN? 288 00:16:31,708 --> 00:16:33,125 DID YOU FIND IT? 289 00:16:33,125 --> 00:16:35,792 NO, NO. THE POLICE, EVERYBODY-- 290 00:16:35,792 --> 00:16:38,209 WE SEARCHED HIGH AND LOW. 291 00:16:38,209 --> 00:16:39,917 I THINK IT'S VERY CLEAR WHAT'S HAPPENING HERE. 292 00:16:39,917 --> 00:16:41,875 FILL ME IN, THEN, 'CAUSE I'VE READ THE BOOK, 293 00:16:41,875 --> 00:16:44,625 SEEN THE MOVIE, AND I'M STILL FUZZY ABOUT WHAT'S GOING ON. 294 00:16:44,625 --> 00:16:47,041 IT'S JENNY. 295 00:16:47,041 --> 00:16:48,000 WHAT? 296 00:16:48,000 --> 00:16:50,041 YOU THINK SHE'S THE GHOST? 297 00:16:50,041 --> 00:16:54,250 DON'T YOU SEE? SHE DIED HERE UNDER TRAGIC CIRCUMSTANCES 298 00:16:54,250 --> 00:16:56,083 AND NOW SHE'S TRAPPED. 299 00:16:56,083 --> 00:16:58,667 BUT WHAT ABOUT THE GUN? 300 00:16:58,667 --> 00:17:01,208 I MEAN, ANGEL DIDN'T SHOOT MS. CALENDAR. 301 00:17:01,208 --> 00:17:03,041 THE GUN IS INSIGNIFICANT. 302 00:17:03,041 --> 00:17:05,750 IT'S THE VIOLENCE OF THE THING THAT MATTERS. 303 00:17:05,750 --> 00:17:08,500 Buffy: I DON'T KNOW. THESE FIGHTS THESE COUPLES KEEP HAVING-- 304 00:17:08,500 --> 00:17:10,458 IT'S SORT OF SPECIFIC. 305 00:17:10,458 --> 00:17:12,583 SHE'S RIGHT. IT'S A PATTERN THAT DOESN'T FIT 306 00:17:12,583 --> 00:17:14,708 WITH THE WAY MS. CALENDAR DIED. 307 00:17:14,708 --> 00:17:17,708 I APPRECIATE YOUR THOUGHTS ON THE MATTER 308 00:17:17,708 --> 00:17:20,083 IN FACT, WELL, I ENCOURAGE YOU 309 00:17:20,083 --> 00:17:23,917 TO ALWAYS CHALLENGE ME WHEN YOU FEEL IT'S APPROPRIATE. 310 00:17:23,917 --> 00:17:25,583 YOU SHOULD NEVER BE COWED BY AUTHORITY. 311 00:17:25,583 --> 00:17:27,583 EXCEPT, OF COURSE, IN THIS INSTANCE, 312 00:17:27,583 --> 00:17:30,083 WHEN I AM CLEARLY RIGHT AND YOU ARE CLEARLY WRONG. 313 00:17:30,083 --> 00:17:32,542 THIS IS FREAKY. 314 00:17:32,542 --> 00:17:35,583 I DON'T REMEMBER EVER SEEING GILES BE THIS WEIRD. 315 00:17:35,583 --> 00:17:37,041 I KNOW. HE'S USUALLY "INVESTIGATE THINGS 316 00:17:37,041 --> 00:17:39,291 FROM EVERY BORING ANGLE" GUY. 317 00:17:39,291 --> 00:17:42,792 NOW HE'S "I CLING ON TO MY ONE LAME IDEA" GUY. WHAT GIVES? 318 00:17:42,792 --> 00:17:45,834 HE MISSES HER. HE CAN'T THINK. 319 00:17:45,834 --> 00:17:48,625 JUST A LITTLE MORE FALLOUT FROM MY LOVE LIFE. 320 00:17:48,625 --> 00:17:51,792 OK, BUT THIS GHOST STUFF IS SOMETHING ELSE. 321 00:17:51,792 --> 00:17:54,375 LET ME DO A CROSS-CHECK ON OTHER SHOOTINGS AT THE SCHOOL. 322 00:17:54,375 --> 00:17:57,208 YEAH, WE NEED SOME ALTERNATE GHOST THEORIES. WHAT DO WE KNOW? 323 00:17:57,208 --> 00:17:59,333 DOG SPIT IS CLEANER THAN HUMAN. 324 00:17:59,333 --> 00:18:00,458 BESIDES THAT? 325 00:18:00,458 --> 00:18:02,625 OH, BOY, WE KNOW PLENTY. 326 00:18:02,625 --> 00:18:05,125 IT SAYS, "A STUDENT MURDERED A TEACHER 327 00:18:05,125 --> 00:18:07,291 ON THE NIGHT OF THE SADIE HAWKINS DANCE." 328 00:18:07,291 --> 00:18:09,209 THE RUMOR WAS THEY WERE HAVING AN AFFAIR 329 00:18:09,209 --> 00:18:10,667 AND SHE TRIED TO BREAK IT OFF. 330 00:18:10,667 --> 00:18:13,209 AFTER HE KILLED HER, HE WENT INTO THE MUSIC ROOM 331 00:18:13,209 --> 00:18:14,375 AND SHOT HIMSELF. 332 00:18:14,375 --> 00:18:17,125 LADIES AND GENTLEMEN, WE HAVE A GHOST. 333 00:18:17,125 --> 00:18:18,417 IT IS ONE OF THOSE 2, RIGHT? 334 00:18:18,417 --> 00:18:21,583 IT ALL FITS--THE GUN, THE SADIE HAWKINS DANCE. 335 00:18:21,583 --> 00:18:23,291 WHICH IS TONIGHT. 336 00:18:23,291 --> 00:18:24,625 HOW COME WE'VE NEVER HEARD ABOUT 337 00:18:24,625 --> 00:18:25,625 THIS MURDER-SUICIDE THING BEFORE? 338 00:18:25,625 --> 00:18:26,583 WHEN DID IT HAPPEN? 339 00:18:26,583 --> 00:18:28,667 1955. 340 00:18:28,667 --> 00:18:31,125 HOW DID YOU KNOW? 341 00:18:31,125 --> 00:18:33,583 Buffy: OK, HERE'S THE NEW STRANGENESS. 342 00:18:33,583 --> 00:18:36,625 I DREAMT ABOUT THIS WOMAN, GRACE NEWMAN, THE OTHER DAY. 343 00:18:36,625 --> 00:18:38,125 HER AND THIS GUY. 344 00:18:38,125 --> 00:18:41,291 JIM STANLEY? HE'S THE ONE. HE DID IT. 345 00:18:41,291 --> 00:18:44,458 YOUR DREAMS ARE GETTING WICKED ACCURATE, BUFF. 346 00:18:44,458 --> 00:18:46,792 YOU WOULDN'T HAPPEN TO SEE ME COMING ACROSS SOME BIG CASH? 347 00:18:46,792 --> 00:18:49,166 OR POSSIBLY KNOWING THE LOVE OF A WOMAN, 348 00:18:49,166 --> 00:18:51,667 IN A FULL BODY SENSE? 349 00:18:51,667 --> 00:18:54,291 HE COULDN'T MAKE HER LOVE HIM, SO HE KILLED HER. 350 00:18:54,291 --> 00:18:56,000 SICKO. 351 00:18:56,000 --> 00:18:58,208 Willow: HE LOOKS SO NORMAL IN HIS PICTURE. 352 00:18:58,208 --> 00:18:59,291 HE WAS SMART, TOO. 353 00:18:59,291 --> 00:19:00,625 HE MADE THE HONOR ROLL. 354 00:19:00,625 --> 00:19:02,083 SMART. 355 00:19:02,083 --> 00:19:04,209 HE KILLED A PERSON AND KILLED HIMSELF. 356 00:19:04,209 --> 00:19:06,834 THOSE ARE PRETTY MUCH 2 OF THE DUMBEST THINGS YOU COULD DO. 357 00:19:06,834 --> 00:19:11,083 I KNOW, BUT DON'T YOU FEEL KIND OF BAD FOR THEM? 358 00:19:11,083 --> 00:19:13,291 SURE I FEEL LOUSY-- FOR HER. 359 00:19:13,291 --> 00:19:14,834 HE'S A MURDERER AND HE SHOULD PAY FOR IT. 360 00:19:14,834 --> 00:19:16,417 WITH HIS LIFE? 361 00:19:16,417 --> 00:19:18,625 NO, HE SHOULD BE DOING 60 YEARS IN A PRISON, 362 00:19:18,625 --> 00:19:20,333 BREAKING ROCKS, AND MAKING SPECIAL FRIENDS 363 00:19:20,333 --> 00:19:22,167 WITH ROSCOE THE WEIGHTLIFTER. 364 00:19:22,167 --> 00:19:25,333 YIKES, THE QUALITY OF MERCY IS NOT BUFFY. 365 00:19:25,333 --> 00:19:28,041 WHOSE GHOST DO YOU THINK WE'RE DEALING WITH-- HIS OR HERS? 366 00:19:28,041 --> 00:19:30,708 WELL, CONSIDERING HOW VIOLENT IT IS, 367 00:19:30,708 --> 00:19:31,667 I'M GOING TO SAY HIS. 368 00:19:31,667 --> 00:19:33,625 THAT TRACKS. 369 00:19:33,625 --> 00:19:36,875 WELL, I'VE BEEN BROWSING ON SOME OF MS. CALENDAR'S PAGAN SITES. 370 00:19:36,875 --> 00:19:38,792 MAYBE I CAN FIND A WAY TO COMMUNICATE WITH HIM 371 00:19:38,792 --> 00:19:41,583 AND WE CAN FIND OUT WHAT HE WANTS. 372 00:19:41,583 --> 00:19:43,458 WHO CARES WHAT HE WANTS? 373 00:19:43,458 --> 00:19:45,792 WE NEED TO SHUT HIM DOWN BEFORE SOME OTHER INNOCENT GUY 374 00:19:45,792 --> 00:19:47,708 GOES AND KILLS SOME POOR NICE GIRL 375 00:19:47,708 --> 00:19:50,500 AND THEN BLOWS HIS BRAINS OUT ALL OVER THE MUSIC ROOM WALL. 376 00:19:50,500 --> 00:19:53,708 OK...WHO'S HUNGRY? 377 00:20:04,291 --> 00:20:06,375 I HOPE YOU GUYS AREN'T GOING TO THE SADIE HAWKINS DANCE TONIGHT, 378 00:20:06,375 --> 00:20:08,250 'CAUSE I'M ORGANIZING A BOYCOTT. 379 00:20:08,250 --> 00:20:10,792 DO YOU REALIZE THAT THE GIRLS HAVE TO ASK THE GUYS 380 00:20:10,792 --> 00:20:12,375 AND PAY AND EVERYTHING? 381 00:20:12,375 --> 00:20:14,291 I MEAN, WHOSE GENIUS IDEA WAS THAT? 382 00:20:14,291 --> 00:20:17,125 OBVIOUSLY, SOME HAIRY-LEGGED FEMINIST. 383 00:20:17,125 --> 00:20:19,708 REALLY. WELL, WE NEED TO NIP THIS THING IN THE BUD. 384 00:20:19,708 --> 00:20:21,917 I MEAN, OTHERWISE, THINGS ARE GOING TO GET REALLY SCARY. 385 00:20:21,917 --> 00:20:22,959 [ALL GASP] 386 00:20:25,083 --> 00:20:26,708 AAH! 387 00:20:55,959 --> 00:20:58,542 PERFECT. I'M GOING TO BE SCARRED AND SWOLLEN. 388 00:20:58,542 --> 00:21:00,750 WHY DIDN'T THEY JUST KILL ME? 389 00:21:02,667 --> 00:21:04,000 SCHOOL BOY PRANKS? 390 00:21:04,000 --> 00:21:05,875 NEVER SELL. 391 00:21:05,875 --> 00:21:07,667 THE SEWER GOT BACKED UP. 392 00:21:07,667 --> 00:21:09,500 BETTER. I CAN PROBABLY MAKE THAT ONE FLY. 393 00:21:09,500 --> 00:21:11,166 BUT THIS IS GETTING OUT OF HAND. PEOPLE WILL TALK. 394 00:21:11,166 --> 00:21:13,041 YOU'LL TAKE CARE OF IT. 395 00:21:13,041 --> 00:21:14,458 I'M DOING EVERYTHING I CAN, 396 00:21:14,458 --> 00:21:15,792 BUT YOU PEOPLE HAVE TO REALIZE-- 397 00:21:15,792 --> 00:21:17,250 Man: SNYDER, WHAT'S GOING ON HERE? 398 00:21:17,250 --> 00:21:18,959 BACKED UP SEWER LINE. 399 00:21:18,959 --> 00:21:21,708 SAME THING HAPPENED IN SAN DIEGO JUST LAST WEEK. 400 00:21:21,708 --> 00:21:25,291 WE'RE ON A HELLMOUTH. 401 00:21:25,291 --> 00:21:28,542 SOONER OR LATER, PEOPLE ARE GOING TO FIGURE THAT OUT. 402 00:21:28,542 --> 00:21:31,375 THE CITY COUNCIL WAS TOLD THAT YOU COULD HANDLE THIS JOB. 403 00:21:31,375 --> 00:21:33,250 IF YOU FEEL THAT YOU CAN'T, 404 00:21:33,250 --> 00:21:35,417 PERHAPS YOU'D LIKE TO TAKE THAT UP WITH THE MAYOR. 405 00:21:36,792 --> 00:21:37,750 I'LL HANDLE IT. 406 00:21:39,250 --> 00:21:41,125 I WILL. 407 00:21:41,125 --> 00:21:44,250 REMEMBER THE PLAN TO CONTACT THE SPIRIT AND TALK TO IT? 408 00:21:44,250 --> 00:21:46,792 SCRAP THAT PLAN. BUFFY, YOU WERE RIGHT. 409 00:21:46,792 --> 00:21:49,542 THE TIME FOR TOUCHY- FEELY COMMUNICATION IS PASSED. 410 00:21:49,542 --> 00:21:52,583 I'VE DONE SOME HOMEWORK AND FOUND OUT THE ONLY SOLUTION 411 00:21:52,583 --> 00:21:54,583 IS THE FINAL SOLUTION. 412 00:21:54,583 --> 00:21:55,875 NUKE THE SCHOOL? 413 00:21:57,750 --> 00:21:59,083 I LIKE THAT. 414 00:21:59,083 --> 00:22:01,375 NOT QUITE...EXORCISM. 415 00:22:01,375 --> 00:22:04,750 ARE YOU CRAZY? I SAW THAT MOVIE. EVEN THE PRIEST DIED. 416 00:22:04,750 --> 00:22:06,625 WHAT'S THE DEAL? 417 00:22:06,625 --> 00:22:09,625 OK, SEE HERE, THE BALCONY? 418 00:22:09,625 --> 00:22:12,542 THAT'S WHERE THE ORIGINAL TEACHER DIED BACK IN 1955 419 00:22:12,542 --> 00:22:14,542 AND THAT TEACHER LAST NIGHT. 420 00:22:14,542 --> 00:22:17,834 THAT'S THE HOT SPOT WHERE ALL THE BAD MOJO IS COMING FROM. 421 00:22:17,834 --> 00:22:20,583 WE NEED TO CREATE A MANGUS-TRIPOD. 422 00:22:20,583 --> 00:22:22,166 A WHAT? 423 00:22:22,166 --> 00:22:25,041 ONE PERSON CHANTS HERE ON THE HOT SPOT. 424 00:22:25,041 --> 00:22:27,792 AND THE OTHER 3 CHANT IN OTHER PLACES AROUND THE SCHOOL 425 00:22:27,792 --> 00:22:30,125 FORMING A TRIANGLE. 426 00:22:30,125 --> 00:22:32,500 IT'S SUPPOSED TO BIND THE BAD SPIRIT 427 00:22:32,500 --> 00:22:35,083 AND KEEP IT FROM DOING ANY MORE HARM. 428 00:22:35,083 --> 00:22:38,959 I'LL TAKE THE HOT SPOT. IF THERE'S TROUBLE, THAT'S WHERE IT'LL BE. 429 00:22:38,959 --> 00:22:42,291 THIS GHOST, THIS JAMES GUY, IS FIXATING ON YOU, BUFFY-- 430 00:22:42,291 --> 00:22:44,291 THE DREAMS, THE YEARBOOK. 431 00:22:44,291 --> 00:22:45,458 YOU SURE YOU CAN HANDLE IT? 432 00:22:47,041 --> 00:22:50,875 OH, I'M HOPING HE'LL SHOW. I TRULY AM. 433 00:22:53,583 --> 00:22:55,500 Buffy: OK, WE ALL HAVE OUR PLACES. 434 00:22:55,500 --> 00:22:57,375 WE DO THE CHANT AND LIGHT THE CANDLE AT MIDNIGHT EXACTLY. 435 00:22:57,375 --> 00:22:59,375 ANY QUESTIONS? 436 00:22:59,375 --> 00:23:02,208 YEAH, WHAT IF THIS MANGLED TRIANGLE THINGY DOESN'T WORK? 437 00:23:02,208 --> 00:23:05,667 OH, I ALMOST FORGOT. I MADE US ALL SCAPULAS. 438 00:23:05,667 --> 00:23:09,041 OK, SO WE CAN FLIP THE GHOST OVER WHEN IT TURNS A NICE GOLDEN BROWN? 439 00:23:09,041 --> 00:23:11,917 SCAPULA, NOT SPATULA. 440 00:23:11,917 --> 00:23:15,208 UM, YOU WEAR IT AROUND YOUR NECK FOR PROTECTION. 441 00:23:15,208 --> 00:23:16,542 YOU EXPECT ME TO WEAR THIS? 442 00:23:16,542 --> 00:23:18,125 IT SMELLS LIKE GRANDPA BREATH. 443 00:23:18,125 --> 00:23:19,458 SORRY, I DIDN'T HAVE A LOT OF TIME. 444 00:23:19,458 --> 00:23:20,792 I HAD TO USE SULFUR. 445 00:23:20,792 --> 00:23:22,125 STINKY, BUT EFFECTIVE. 446 00:23:22,125 --> 00:23:24,000 OK, LET'S DO THIS. 447 00:23:26,792 --> 00:23:29,417 NO PROBLEM. THIS WILL BE A PIECE OF CAKE, RIGHT? 448 00:23:29,417 --> 00:23:30,542 [CRASH] 449 00:23:46,792 --> 00:23:49,917 MAYBE I'LL SLEEP UNDERGROUND. 450 00:23:49,917 --> 00:23:52,333 DIG MYSELF A LITTLE BURROW. 451 00:23:52,333 --> 00:23:54,291 WHAT ABOUT YOUR PRETTY DRESS, SWEET? 452 00:23:54,291 --> 00:23:56,375 IT'LL GET ALL DIRTY. 453 00:23:56,375 --> 00:23:59,417 THEN I'LL SLEEP NAKED. LIKE THE ANIMALS DO. 454 00:23:59,417 --> 00:24:02,041 YOU KNOW, I'M SUDDENLY LIKING THIS PLAN. 455 00:24:02,041 --> 00:24:05,417 FORTUNATELY, NOBODY CARES WHAT YOU LIKE, MATE. 456 00:24:05,417 --> 00:24:08,333 OH, YEAH, LET'S ASK DRU. 457 00:24:08,333 --> 00:24:10,250 [LAUGHING] THERE'S A GATE. 458 00:24:12,583 --> 00:24:14,125 IT'S OPENING. 459 00:24:14,125 --> 00:24:16,209 INCOMING. I LOVE WHEN SHE DOES THIS. 460 00:24:16,209 --> 00:24:18,000 WHAT GATE, PET? WHAT DO YOU SEE? 461 00:24:18,000 --> 00:24:21,209 IT'S BLACK. 462 00:24:21,209 --> 00:24:23,667 IT WANTS HER. 463 00:24:23,667 --> 00:24:24,875 WANTS WHO? 464 00:24:24,875 --> 00:24:25,917 THE SLAYER. 465 00:24:27,917 --> 00:24:30,834 IT'S TIME, ANGEL. 466 00:24:30,834 --> 00:24:35,458 SHE'S READY FOR YOU NOW. SHE'S DANCING. 467 00:24:35,458 --> 00:24:37,291 DANCING WITH DEATH. 468 00:24:37,291 --> 00:24:41,000 BIG DEAL. HE WON'T DO ANYTHING. 469 00:24:41,000 --> 00:24:42,500 OUR MAN ANGEL HERE LIKES TO TALK 470 00:24:42,500 --> 00:24:44,000 BUT HE'S NOT MUCH FOR ACTION. 471 00:24:44,000 --> 00:24:45,750 ALL HAT AND NO CATTLE. 472 00:24:47,083 --> 00:24:49,125 I DON'T KNOW ABOUT THAT. 473 00:24:50,708 --> 00:24:53,875 I THINK THIS WHOLE SLAYER THING HAS RUN ITS COURSE. 474 00:24:53,875 --> 00:24:55,792 I'M READY TO FOCUS MY ENERGY ELSEWHERE. 475 00:24:57,500 --> 00:24:58,959 REALLY? 476 00:24:58,959 --> 00:25:03,583 OH, YEAH! WHAT, WITH YOU BEING SPECIAL NEEDS BOY, 477 00:25:03,583 --> 00:25:06,166 I FIGURE I SHOULD STICK CLOSE TO HOME. 478 00:25:06,166 --> 00:25:09,625 YOU AND DRU CAN ALWAYS USE ANOTHER PAIR OF HANDS. 479 00:25:09,625 --> 00:25:10,708 MMM! 480 00:25:10,708 --> 00:25:12,417 [ANGEL LAUGHS] 481 00:25:25,291 --> 00:25:26,291 [DOOR OPENS] 482 00:25:26,291 --> 00:25:28,000 AAH! AAH! 483 00:25:28,000 --> 00:25:29,792 GOD, WILLOW, WHAT ARE YOU DOING HERE? 484 00:25:29,792 --> 00:25:31,208 YOU'RE NOT SUPPOSED TO BE INSIDE. 485 00:25:31,208 --> 00:25:33,209 ME, WHAT ABOUT YOU? 486 00:25:33,209 --> 00:25:37,542 I'M, UH, I'M TRYING TO-- 487 00:25:37,542 --> 00:25:41,375 I THINK I MAY BE CLOSE TO CONTACTING JENNY. 488 00:25:43,792 --> 00:25:44,875 WHAT'S THAT SMELL? 489 00:25:44,875 --> 00:25:46,750 IT'S MY SCAPULA. 490 00:25:46,750 --> 00:25:48,583 AH, DID YOU USE SULFUR? 491 00:25:48,583 --> 00:25:49,583 YEAH. 492 00:25:49,583 --> 00:25:50,917 IT'S CLEVER. 493 00:25:50,917 --> 00:25:52,959 RUN ALONG THEN. 494 00:25:52,959 --> 00:25:56,208 THERE MAY BE SOME PARANORMAL PHENOMENA IF I CONTACT HER. 495 00:25:56,208 --> 00:25:59,166 YOU DON'T WANT TO BE IN THE LINE OF FIRE. 496 00:25:59,166 --> 00:26:02,625 OK, 'NIGHT. 497 00:26:35,542 --> 00:26:39,792 ♪ MY LOVE MUST BE A KIND OF BLIND LOVE ♪ 498 00:26:43,458 --> 00:26:47,667 ♪ I CAN'T SEE ANYONE BUT YOU ♪ 499 00:26:50,333 --> 00:26:51,834 ♪ SHOO-BOP, SHOO-BOP ♪ 500 00:26:54,458 --> 00:26:56,375 ♪ SHOO-BOP, SHOO-BOP ♪ 501 00:26:58,333 --> 00:26:59,959 ♪ SHOO-BOP, SHOO-BOP ♪ 502 00:27:02,167 --> 00:27:04,209 ♪ SHOO-BOP, SHOO-BOP ♪ 503 00:27:15,083 --> 00:27:19,417 OH, YEAH, BABY, IT'S SNAKALICIOUS IN HERE. 504 00:27:26,209 --> 00:27:27,500 ♪ SHOO-BOP, SHOO-BOP ♪ 505 00:27:27,500 --> 00:27:34,000 ♪ THE MOON MAY BE HIGH ♪ 506 00:27:34,000 --> 00:27:35,917 ♪ SHOO-BOP, SHOO-BOP ♪ 507 00:27:35,917 --> 00:27:41,625 ♪ BUT I CAN'T SEE A THING IN THE SKY ♪ 508 00:27:41,625 --> 00:27:47,333 ♪ I ONLY HAVE EYES FOR YOU... ♪ 509 00:27:52,708 --> 00:27:55,417 AAH! 510 00:27:59,166 --> 00:28:01,167 AAH! AAH! 511 00:28:01,167 --> 00:28:03,542 AAAAAH! 512 00:28:03,542 --> 00:28:04,708 GILES! 513 00:28:04,708 --> 00:28:05,667 WILLOW! 514 00:28:05,667 --> 00:28:08,000 GILES! GILES! 515 00:28:08,000 --> 00:28:10,583 WHERE ARE YOU? 516 00:28:10,583 --> 00:28:12,333 GILES! HELP ME! HELP! 517 00:28:12,333 --> 00:28:13,500 HELP ME! 518 00:28:13,500 --> 00:28:15,291 HELP! HELP! HELP! HELP! 519 00:28:15,291 --> 00:28:17,500 AAH! AAH! 520 00:28:17,500 --> 00:28:18,750 UNH! 521 00:28:35,792 --> 00:28:36,708 STOP! 522 00:28:36,708 --> 00:28:37,875 JUST CALM DOWN. 523 00:28:44,041 --> 00:28:47,458 ♪ I DON'T KNOW... ♪ 524 00:28:48,583 --> 00:28:49,625 GET OUT! 525 00:28:58,375 --> 00:28:59,959 ARE YOU ALL RIGHT? 526 00:28:59,959 --> 00:29:03,209 GILES, JENNY COULD NEVER BE THIS MEAN. 527 00:29:05,792 --> 00:29:07,167 YES, I KNOW. 528 00:29:09,041 --> 00:29:11,000 IT'S--IT'S NOT HER, IS IT? 529 00:29:11,000 --> 00:29:13,167 I'M SORRY. 530 00:29:15,000 --> 00:29:18,166 [BELL TOLLS] OH, GOD. OH. 531 00:29:18,166 --> 00:29:20,417 CAREFUL UP HERE. 532 00:29:25,542 --> 00:29:27,333 [LIGHTER WON'T LIGHT] 533 00:29:31,041 --> 00:29:33,792 I SHALL CONFRONT AND EXPEL ALL EVIL. 534 00:29:33,792 --> 00:29:37,291 I SHALL TOTALLY CONFRONT AND EXPEL ALL EVIL. 535 00:29:37,291 --> 00:29:39,542 OUT OF MARROW AND BONE... 536 00:29:39,542 --> 00:29:41,208 OUT OF HOUSE AND HOME... 537 00:29:41,208 --> 00:29:43,333 NEVER TO COME HERE AGAIN. 538 00:30:13,667 --> 00:30:15,542 OH, MY GOD. 539 00:30:19,208 --> 00:30:20,959 Giles: YOU ALL RIGHT? 540 00:30:25,417 --> 00:30:26,625 Buffy: GET BACK! 541 00:30:35,542 --> 00:30:36,834 CHECK IT. 542 00:30:36,834 --> 00:30:38,834 I'D SAY SCHOOL'S OUT FOR GOOD. 543 00:30:47,291 --> 00:30:51,333 Giles: THE GOOD NEWS IS, NONE OF YOU GIRLS WAS SHOT. 544 00:30:51,333 --> 00:30:53,333 WELL, WE'VE ESTABLISHED, 545 00:30:53,333 --> 00:30:56,583 BASED ON ALL THE PARALLELS AND BUFFY'S VISIONS, 546 00:30:56,583 --> 00:30:58,417 THAT IT'S JAMES' SPIRIT. 547 00:30:58,417 --> 00:31:00,834 SO WHAT DO WE DO, GILES, ABOUT JAMES? 548 00:31:00,834 --> 00:31:03,583 HE'S OBVIOUSLY RELIVING THE NIGHT OF THE SADIE HAWKINS DANCE 549 00:31:03,583 --> 00:31:05,166 WHEN HE KILLED MISS NEWMAN. 550 00:31:05,166 --> 00:31:07,583 IT'S COMMON ENOUGH FOR A SPIRIT TO DO THIS, 551 00:31:07,583 --> 00:31:09,333 TO RECREATE A TRAGEDY. 552 00:31:09,333 --> 00:31:11,083 HEY. 553 00:31:11,083 --> 00:31:12,792 IF SUNNYDALE HIGH SCHOOL SHUTS DOWN FOREVER, 554 00:31:12,792 --> 00:31:13,875 DO WE AUTOMATICALLY GRADUATE? 555 00:31:13,875 --> 00:31:17,166 BUT WHY? WHAT DOES HE WANT? 556 00:31:17,166 --> 00:31:19,959 ACTUALLY, THAT'S AN INTERESTING POINT. 557 00:31:19,959 --> 00:31:21,875 HE'S TRYING TO... RESOLVE 558 00:31:21,875 --> 00:31:23,834 WHATEVER ISSUES ARE KEEPING HIM IN LIMBO. 559 00:31:23,834 --> 00:31:25,583 WHAT EXACTLY THOSE ARE, I'M NOT-- 560 00:31:25,583 --> 00:31:26,625 HE WANTS FORGIVENESS. 561 00:31:28,542 --> 00:31:29,542 Giles: YES. 562 00:31:29,542 --> 00:31:32,500 I IMAGINE HE DOES. 563 00:31:34,000 --> 00:31:36,834 BUT WHEN JAMES POSSESSES PEOPLE, 564 00:31:36,834 --> 00:31:39,750 THEY ACT OUT EXACTLY WHAT HAPPENED THAT NIGHT. 565 00:31:39,750 --> 00:31:43,917 SO HE'S EXPERIENCING A FORM OF PURGATORY INSTEAD. 566 00:31:43,917 --> 00:31:46,875 I MEAN, HE'S DOOMED TO KILL HIS MISS NEWMAN 567 00:31:46,875 --> 00:31:48,792 OVER AND OVER AND OVER AGAIN, 568 00:31:48,792 --> 00:31:52,125 AND...FORGIVENESS IS IMPOSSIBLE. 569 00:31:52,125 --> 00:31:54,083 GOOD. HE DOESN'T DESERVE IT. 570 00:31:58,166 --> 00:32:00,500 TO FORGIVE IS AN ACT OF COMPASSION, BUFFY. 571 00:32:00,500 --> 00:32:02,834 IT'S NOT DONE BECAUSE PEOPLE DESERVE IT. 572 00:32:02,834 --> 00:32:04,667 IT'S DONE BECAUSE THEY NEED IT. 573 00:32:04,667 --> 00:32:06,125 NO. 574 00:32:06,125 --> 00:32:08,708 JAMES DESTROYED THE ONE PERSON HE LOVED THE MOST 575 00:32:08,708 --> 00:32:10,667 IN A MOMENT OF BLIND PASSION. 576 00:32:10,667 --> 00:32:12,625 AND THAT'S NOT SOMETHING YOU FORGIVE. 577 00:32:12,625 --> 00:32:15,083 NO MATTER WHY HE DID WHAT HE DID. 578 00:32:15,083 --> 00:32:18,834 AND NO MATTER IF HE KNOWS NOW THAT IT WAS WRONG AND SELFISH AND STUPID, 579 00:32:18,834 --> 00:32:21,792 IT IS JUST SOMETHING HE'S GONNA HAVE TO LIVE WITH. 580 00:32:24,083 --> 00:32:25,542 HE CAN'T LIVE WITH IT, BUFF. 581 00:32:26,708 --> 00:32:28,542 HE'S DEAD. 582 00:32:38,208 --> 00:32:40,792 OK. OVERIDENTIFY MUCH? 583 00:32:57,583 --> 00:32:59,458 Voice, whispers: I need you. 584 00:33:08,750 --> 00:33:13,125 SO WHAT DO WE DO NEXT? DO WE GO IN AGAIN? 585 00:33:13,125 --> 00:33:15,125 WELL, NOT NOW. 586 00:33:15,125 --> 00:33:17,166 NO, THE, UH... 587 00:33:17,166 --> 00:33:20,750 THE SPIRIT IS TOO ANGRY, TOO POWERFUL. 588 00:33:20,750 --> 00:33:24,083 NO, WE HAVE TO WORK OUT 589 00:33:24,083 --> 00:33:28,458 EXACTLY HOW AND IF THIS THING CAN BE DEFEATED. 590 00:33:30,708 --> 00:33:32,875 [WASP SWARM BUZZING] 591 00:34:00,917 --> 00:34:02,125 HEY, BUFFY, ARE YOU-- 592 00:34:06,792 --> 00:34:08,583 OH, GOD. 593 00:34:08,583 --> 00:34:09,792 GILES! 594 00:34:10,708 --> 00:34:12,250 SHE WENT BACK. 595 00:34:15,667 --> 00:34:17,333 Xander: SO WHAT NOW? 596 00:34:17,333 --> 00:34:20,333 NOT EVEN A MEGA-VAT OF RAID'S GONNA DO THE TRICK HERE. 597 00:34:20,333 --> 00:34:22,166 I DON'T GET IT. IS SHE TRYING TO BE 598 00:34:22,166 --> 00:34:24,041 A BIG, LONER HERO OR SOMETHING? 599 00:34:24,041 --> 00:34:26,917 NO. I BELIEVE SHE'S UNDER THE SPIRIT'S THRALL. 600 00:34:26,917 --> 00:34:28,291 HE'S CALLING HER. 601 00:34:28,291 --> 00:34:30,000 BUT WHY? 602 00:34:30,000 --> 00:34:32,583 JAMES NEEDS HER TO REENACT EVERYTHING THAT HAPPENED 603 00:34:32,583 --> 00:34:34,166 ON THE NIGHT THAT HE KILLED MISS NEWMAN. 604 00:34:34,166 --> 00:34:37,333 HE WANTS TO CHANGE THINGS, MAKE--MAKE A HAPPY ENDING. 605 00:34:37,333 --> 00:34:39,041 BUT IT CAN'T EVER HAPPEN. 606 00:34:39,041 --> 00:34:40,959 IT ALWAYS ENDS THE SAME, 607 00:34:40,959 --> 00:34:44,041 WHICH MEANS BUFFY JUST WENT IN THERE TO GET SHOT, GILES. 608 00:34:44,041 --> 00:34:45,625 YES. 609 00:34:45,625 --> 00:34:49,500 BUT THE SCHOOL'S DESERTED. 610 00:34:49,500 --> 00:34:53,500 THERE'S NO WAY FOR JAMES TO PLAY HIS PART. 611 00:34:53,500 --> 00:34:56,458 THERE'S NO MAN INSIDE FOR HIM TO POSSESS. 612 00:34:56,458 --> 00:34:59,458 SO BUFFY SHOULD BE SAFE UNTIL WE FIND A WAY TO GET HER OUT. 613 00:34:59,458 --> 00:35:01,333 IN THEORY. YEAH. 614 00:35:27,208 --> 00:35:30,083 FUN FACT ABOUT WASPS. 615 00:35:31,792 --> 00:35:34,625 THEY HAVE NO TASTE FOR THE UNDEAD. 616 00:35:34,625 --> 00:35:36,834 NOT THAT A STING WOULD DO ME ANY DAMAGE, 617 00:35:36,834 --> 00:35:40,333 IT'S JUST... TONIGHT'S SPECIAL. 618 00:35:40,333 --> 00:35:43,333 I WANTED TO LOOK MY BEST FOR YOU. 619 00:35:43,333 --> 00:35:46,041 YOU'RE THE ONLY ONE. 620 00:35:46,041 --> 00:35:48,959 THE ONLY PERSON I CAN TALK TO. 621 00:35:48,959 --> 00:35:51,458 GOSH, BUFF... 622 00:35:51,458 --> 00:35:53,959 THAT'S REALLY PATHETIC. 623 00:35:53,959 --> 00:35:58,250 YOU CAN'T MAKE ME DISAPPEAR JUST BECAUSE YOU SAY IT'S OVER. 624 00:35:58,250 --> 00:36:01,208 ACTUALLY... 625 00:36:01,208 --> 00:36:02,583 I CAN. 626 00:36:04,417 --> 00:36:05,792 IN FACT... 627 00:36:10,417 --> 00:36:13,375 I JUST WANT YOU TO BE ABLE TO HAVE SOME KIND OF NORMAL LIFE. 628 00:36:13,375 --> 00:36:14,917 WE CAN NEVER HAVE THAT, DON'T YOU SEE? 629 00:36:14,917 --> 00:36:18,000 I DON'T GIVE A DAMN ABOUT A NORMAL LIFE! 630 00:36:18,000 --> 00:36:20,000 I'M GOING CRAZY NOT SEEING YOU. 631 00:36:21,792 --> 00:36:24,000 I THINK ABOUT YOU EVERY MINUTE. 632 00:36:25,500 --> 00:36:27,125 I KNOW. 633 00:36:28,667 --> 00:36:31,458 BUT IT'S OVER. 634 00:36:31,458 --> 00:36:33,542 IT HAS TO BE. 635 00:36:35,209 --> 00:36:36,291 COME BACK HERE! 636 00:36:36,291 --> 00:36:37,792 WE'RE NOT FINISHED! 637 00:36:37,792 --> 00:36:39,834 YOU DON'T CARE ANYMORE, IS THAT IT? 638 00:36:39,834 --> 00:36:41,583 IT DOESN'T MATTER. IT DOESN'T MATTER WHAT I FEEL. 639 00:36:41,583 --> 00:36:43,291 THEN TELL ME YOU DON'T LOVE ME! 640 00:36:44,500 --> 00:36:46,333 SAY IT! 641 00:36:46,333 --> 00:36:48,583 IS THAT WHAT YOU NEED TO HEAR? 642 00:36:48,583 --> 00:36:50,083 WILL THAT HELP? 643 00:36:52,083 --> 00:36:53,458 I DON'T. 644 00:36:55,041 --> 00:36:56,625 I DON'T. 645 00:36:56,625 --> 00:36:57,917 NOW LET ME GO. 646 00:36:57,917 --> 00:36:59,125 NO. 647 00:36:59,125 --> 00:37:01,708 A PERSON DOESN'T JUST WAKE UP 648 00:37:01,708 --> 00:37:03,291 AND STOP LOVING SOMEBODY! 649 00:37:08,125 --> 00:37:11,792 LOVE IS FOREVER. 650 00:37:11,792 --> 00:37:14,333 I'M NOT AFRAID TO USE IT, I SWEAR! 651 00:37:16,166 --> 00:37:17,792 IF I CAN'T BE WITH YOU... 652 00:37:17,792 --> 00:37:19,000 OH, MY GOD. 653 00:37:20,917 --> 00:37:22,208 DON'T WALK AWAY FROM ME... 654 00:37:22,208 --> 00:37:23,291 BITCH! 655 00:37:26,417 --> 00:37:28,500 STOP IT! 656 00:37:28,500 --> 00:37:30,291 STOP IT! DON'T MAKE ME! 657 00:37:30,291 --> 00:37:31,542 ALL RIGHT. 658 00:37:31,542 --> 00:37:32,458 JUST... 659 00:37:38,250 --> 00:37:40,625 YOU KNOW YOU DON'T WANT TO DO THIS. 660 00:37:42,083 --> 00:37:44,250 LET'S BOTH... 661 00:37:44,250 --> 00:37:46,125 JUST CALM DOWN. 662 00:37:47,667 --> 00:37:49,667 NOW GIVE ME THE GUN. 663 00:37:52,417 --> 00:37:55,417 DON'T. DON'T DO THAT, DAMN IT! 664 00:37:55,417 --> 00:37:59,208 DON'T TALK TO ME LIKE I'M SOME STUPID-- 665 00:38:08,667 --> 00:38:10,167 Angel: JAMES... 666 00:39:19,167 --> 00:39:21,208 [QUIET SOBBING] 667 00:39:26,500 --> 00:39:30,041 [I ONLY HAVE EYES FOR YOU PLAYING] 668 00:39:32,083 --> 00:39:36,041 ♪ MY LOVE MUST BE A KIND OF BLIND LOVE ♪ 669 00:39:39,708 --> 00:39:44,417 ♪ I CAN'T SEE ANYONE BUT YOU ♪ 670 00:39:46,417 --> 00:39:47,917 ♪ SHOO-BOP, SHOO-BOP ♪ 671 00:39:50,458 --> 00:39:51,917 ♪ SHOO-BOP, SHOO-BOP ♪ 672 00:39:54,166 --> 00:39:55,291 GRACE. 673 00:39:55,291 --> 00:39:57,250 DON'T DO THIS. 674 00:39:57,250 --> 00:39:59,500 BUT--BUT I KILLED YOU. 675 00:39:59,500 --> 00:40:01,417 IT WAS AN ACCIDENT. IT WASN'T YOUR FAULT. 676 00:40:01,417 --> 00:40:04,291 OH, IT IS MY FAULT. HOW COULD I-- 677 00:40:04,291 --> 00:40:06,917 SHH. I'M THE ONE WHO SHOULD BE SORRY, JAMES. 678 00:40:06,917 --> 00:40:09,750 YOU THOUGHT I STOPPED LOVING YOU. 679 00:40:09,750 --> 00:40:11,417 BUT I NEVER DID. 680 00:40:13,250 --> 00:40:15,375 I LOVED YOU WITH MY LAST BREATH. 681 00:40:15,375 --> 00:40:16,708 [CRYING] 682 00:40:16,708 --> 00:40:18,250 SHH... 683 00:40:18,250 --> 00:40:19,708 NO MORE TEARS. 684 00:41:01,667 --> 00:41:04,166 ANGEL. 685 00:41:16,708 --> 00:41:17,708 [DOOR OPENS] 686 00:41:18,959 --> 00:41:20,291 EVERYTHING SEEMS NORMAL. 687 00:41:20,291 --> 00:41:22,500 NOT A SNAKE, NOT A WASP. 688 00:41:22,500 --> 00:41:24,375 YEP. SCHOOL CAN OPEN AGAIN TOMORROW. 689 00:41:24,375 --> 00:41:28,291 EXPLAIN TO ME AGAIN HOW THAT'S A GOOD THING. 690 00:41:28,291 --> 00:41:30,208 I'M DRAWING A BLANK. 691 00:41:39,917 --> 00:41:41,667 ARE YOU FEELING ANY BETTER? 692 00:41:43,125 --> 00:41:45,291 JAMES PICKED ME. 693 00:41:45,291 --> 00:41:48,166 I GUESS... 694 00:41:48,166 --> 00:41:51,959 I GUESS I WAS THE ONE HE COULD RELATE TO. 695 00:41:51,959 --> 00:41:54,208 HE WAS SO SAD. 696 00:41:59,333 --> 00:42:00,500 WELL... 697 00:42:03,125 --> 00:42:04,792 THEY CAN BOTH REST NOW. 698 00:42:04,792 --> 00:42:07,000 I STILL... 699 00:42:09,041 --> 00:42:12,917 A PART OF ME JUST DOESN'T UNDERSTAND WHY SHE WOULD FORGIVE HIM. 700 00:42:15,250 --> 00:42:17,417 DOES IT MATTER? 701 00:42:19,458 --> 00:42:21,208 NO. 702 00:42:21,208 --> 00:42:23,250 I GUESS NOT. 703 00:42:25,792 --> 00:42:28,583 [FRANTIC BREATHING] 704 00:42:32,708 --> 00:42:34,458 YOU MIGHT WANT TO LET UP. 705 00:42:34,458 --> 00:42:37,500 THEY SAY WHEN YOU'VE DRAWN BLOOD, YOU'VE EXFOLIATED. 706 00:42:37,500 --> 00:42:39,291 WHAT DO YOU KNOW ABOUT IT? 707 00:42:39,291 --> 00:42:40,917 I'M THE ONE WHO WAS FRIGGIN' VIOLATED. 708 00:42:40,917 --> 00:42:42,542 YOU DIDN'T HAVE THIS THING IN YOU. 709 00:42:42,542 --> 00:42:44,125 Drusilla: WHAT WAS IT, 710 00:42:44,125 --> 00:42:45,750 A DEMON? 711 00:42:45,750 --> 00:42:47,125 LOVE! 712 00:42:47,125 --> 00:42:49,417 POOR ANGEL. 713 00:42:51,875 --> 00:42:53,041 LET'S GET OUTTA HERE. 714 00:42:53,041 --> 00:42:55,625 I NEED A REAL VILE KILL BEFORE SUNUP 715 00:42:55,625 --> 00:42:57,083 TO WIPE THIS CRAP OUT OF MY SYSTEM. 716 00:42:57,083 --> 00:42:58,959 [SNARLING] 717 00:42:58,959 --> 00:43:01,625 OF COURSE. WE'LL FIND YOU A NICE TODDLER. 718 00:43:01,625 --> 00:43:03,500 [SNARLS] 719 00:43:03,500 --> 00:43:05,000 WANT TO COME, PET? 720 00:43:07,917 --> 00:43:09,708 NO CAN DO, DRU. 721 00:43:09,708 --> 00:43:11,375 I'M SURE HE'D BE HELL ON WHEELS, 722 00:43:11,375 --> 00:43:13,333 BUT WE DON'T HAVE MUCH TIME. 723 00:43:13,333 --> 00:43:15,375 GOTTA TRAVEL LIGHT. 724 00:43:15,375 --> 00:43:17,792 SORRY. 725 00:43:17,792 --> 00:43:19,875 TRY TO HAVE FUN WITHOUT ME. 726 00:43:29,667 --> 00:43:31,583 OH, I WILL. 727 00:43:48,000 --> 00:43:50,125 SOONER THAN YOU THINK. 728 00:43:58,125 --> 00:44:00,542 [ROCK MUSIC PLAYING] 729 00:44:27,000 --> 00:44:29,000 GRR! ARRGGH! 51178

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.