Original subtitles

>> IN 1944, RICHARD RODGERS AND OSCAR HAMMERSTEIN WERE JUST

COMING OFF OF THEIR TRIUMPH WITH "OKLAHOMA." FACED WITH THE

CHALLENGE OF TOPPING THAT SUCCESS, THEY DECIDED THEY

WOULDN'T EVEN TRY. INSTEAD, THEY TOOK THE BROODING HUNGARIAN PLAY

"LILIOM," TRANSFERRED THE SETTING TO A REMOTE NEW ENGLAND

FISHING VILLAGE, AND COMPOSED SOME OF THE MOST GLORIOUS MUSIC

EVER WRITTEN FOR THE STAGE AROUND THEMES OF BRUTALITY,

POVERTY, AND DISAPPOINTMENT.

SOUND OPERATIC? WELL, PUCCINI HAD TRIED AND FAILED TO GET

PERMISSION TO ADAPT THE SAME PLAY INTO AN OPERA. "CAROUSEL"

REMAINS ONE OF THE MOST BELOVED AND INFLUENTIAL MUSICALS OF ALL

TIME. IN 1994, AS A RECENT JULLIARD GRADUATE, I HAD THE

HONOR OF PLAYING CARRIE PIPPERIDGE IN THE LINCOLN CENTER

THEATER PRODUCTION, AND TONIGHT A NEW GENERATION GETS TO HEAR

THIS MASTERPIECE PERFORMED BY THE NEW YORK PHILHARMONIC AND

SOME OF THE BRIGHTEST STARS FROM THE WORLDS OF MUSICAL THEATER

AND OPERA. I'M AUDRA McDONALD, AND THIS IS "CAROUSEL."

[APPLAUSE] [ORCHESTRA PLAYING] [APPLAUSE]

[APPLAUSE]

>> C'MON, JULIE!

IT'S GETTING LATE!

JULIE!

DON'T PAY HER NO MIND!

HURRY, SHE'S COMING AROUND AT YOU AGAIN!

>> I AIN'T SCARED OF HER!

>> I GOT ONE MORE THING TO TELL YOU, YOUNG WOMAN!

IF YOU EVER SO MUCH AS POKE YOUR NOSE IN MY CAROUSEL AGAIN,

YOU'LL BE THROWN OUT!

>> WHAT IS THAT WOMAN TALKING ABOUT?

>> LETTING MY BARKER FOOL WITH YOU!

AIN'T YOU ASHAMED?

LETTING HIM LEAN AGAINST YOU ALL THROUGH THE RIDE!

>> HE LEANED AGAINST THE HORSE.

HE NEVER LAID A HAND ON ME!

>> AND I SUPPOSE HE DIDN'T PUT HIS ARM AROUND YOUR WAIST,

NEITHER?

>> AND SUPPOSE HE DID?

IS THAT ANY REASON TO HAVE A CAPULUPTIC FIT?

>> I DON'T RUN MY BUSINESS OF A LOT OF CHIPPIES!

>> CHIPPY YOURSELF.

>> YES, CHIPPY YOURSELF.

>> OH, SHUT UP, ALL OF YOU!

>> TAKE A LOOK AT THAT GIRL, BILLY!

SHE AIN'T NEVER ALLOWED ON MY CAROUSEL AGAIN!

>> WHAT'D SHE DO, ANYWAY?

>> SHE SAID YOU PUT YOUR ARM AROUND MY WAIST.

>> SO THAT'S IT?

I CAN'T PUT MY ARM AROUND A GIRL WITHOUT I ASK YOUR PERMISSION?

>> I JUST DON'T WANT THAT ONE AROUND ANYMORE.

>> YOU...

YOU COME AROUND HERE ALL YOU WANT.

AND IF YOU DON'T HAVE THE PRICE, BILLY BIGELOW'LL TREAT YOU TO A

RIDE.

>> BIG TALKER, AIN'T YOU, MR. BIGELOW?

I SUPPOSE YOU THINK I CAN'T THROW YOU OUT, TOO?

YOU'RE SUCH A GOOD BARKER THAT I CAN'T DO WITHOUT YOU?

WELL, JUST FOR THAT, YOU'RE DISCHARGED!

YOUR SERVICES ARE NO LONGER REQUIRED!

YOU ARE BOUNCED!

>> VERY WELL, MRS. MULLIN.

>> WELL, YOU KNOW, I...

I COULD BOUNCE YOU, IF I FELT LIKE IT.

>> YOU JUST DID.

>> WELL, DON'T PICK UP EVERY WORD I SAY!

OH, IF ONLY MY SAINTLY, DEPARTED HUSBAND, MR. MULLIN WERE HERE.

HE WOULD SET YOU STRAIGHT!

I ONLY WISH MY POOR HUSBAND WAS ALIVE THIS MINUTE!

>> I BET HE DON'T!

>> UPSTART!

AFTER ALL I DONE FOR YOU!

YOU'RE DONE FOR GOOD NOW!

I WON'T TAKE YOU BACK LIKE BEFORE!

>> MR. BIGELOW...

>> DON'T GET SORRY FOR ME OR I'LL MAKE YOU REGRET IT!

DON'T YOU FEEL SORRY FOR ME NEITHER!

YOU THINK I CAN'T GET ANOTHER JOB?

>> WHAT WILL YOU DO NOW, MR. BIGELOW?

>> WELL, I'LL GET MYSELF A GLASS OF BEER.

WHENEVER I'M FEELING BAD ABOUT SOMETHING, I JUST DRINK A GLASS

OF BEER.

I'M GOING TO THE CAROUSEL TO GET MY THINGS.

YOU STAY HERE TILL I COME BACK.

THEN WE'LL GO HAVE A DRINK.

>> JULIE?

JULIE, DO YOU LIKE HIM?

>> I DUNNO.

>> DID YOU LIKE IT WHEN HE TALKED TO YOU TODAY?

WHEN HE PUT YOU ON THE CAROUSEL, THAT WAY?

DID YOU LIKE THAT?

>> 'DRUTHER NOT SAY.

>> * YOU'RE A QUEER ONE JULIE JORDAN

YOU WERE QUIETER AND DEEPER THAN A WELL

AN' YE NEVER TELL ME NUTHIN' >> THERE'S NUTHIN' THAT I CARE

T' CHOOSE T' TELL >> YOU BEEN ACTING MOST PECULIAR

EVERY MORNING YOU'RE AWAKE AHEAD OF ME

ALWAYS SETTIN' BY THE WINDER >> I LIKE TO WATCH THE RIVER

MEET THE SEA >> WHEN WE WORK IN THE MILL

WEAVIN' AT THE LOOM YOU GAZE ABSENT-MINDED

AT THE ROOF AND HALF THE TIME, YOUR SHUTTLE

GETS TWISTED IN THE THREADS TILL YOU CAN'T TELL

THE WARP FROM THE WOOF >> 'TAIN'T SO

>> YOU'RE A QUEER ONE JULIE JORDAN

YOU WON'T EVER TELL A BODY WHAT YOU THINK

YOU'RE AS TIGHT-LIPPED AS AN OYSTER

AND AS SILENT AS AN OLD SAHARA SPINK *

>> SPINX.

>> HUH?

>> SPINX.

>> UH-UH. SPINK.

>> YOU SPELL IT WITH AN "X."

>> THAT'S ONLY WHEN THERE'S MORE THAN ONE.

>> OH.

>> JULIE, I BEEN BUSTING TO TELL YOU SOMETHING LATELY.

>> YOU HAVE?

>> WELL, THE REASON I DIDN'T CARE TO TELL YOU BEFORE WAS

BECAUSE YOU DIDN'T HAVE A FELLOW OF YOUR OWN.

NOW THAT YOU GOT ONE, I CAN TELL YOU ABOUT MINE.

>> I'M GLAD YOU'VE GOTTA FELLOW, CARRIE.

WHAT'S HIS NAME?

>> * HIS NAME IS MR. SNOW AND AN UPSTANDIN' MAN IS HE

HE COMES HOME EVERY NIGHT IN HIS ROUND-BOTTOMED BOAT

WITH A NET FULL OF HERRING FROM THE SEA

AN ALMOST PERFECT BEAU AS REFINED AS A GIRL COULD WISH

BUT HE SPENDS SO MUCH TIME IN HIS ROUND-BOTTOMED BOAT

THAT HE CAN'T SEEM TO LOSE THE SMELL OF FISH

[BOTH LAUGH] THE FIRST TIME HE KISSED ME

THE WHIFF OF HIS CLOTHES KNOCKED ME FLAT ON THE FLOOR

OF THE ROOM BUT NOW THAT I LOVE HIM

MY HEART'S IN MY NOSE AND FISH IS MY FAV'RITE PERFUME

LAST NIGHT, HE SPOKE QUITE LOW AND A FAIR-SPOKEN MAN IS HE

AND HE SAID, "MISS PIPPERIDGE I'D LIKE IT FINE

IF I COULD BE WED WITH A WIFE AND INDEED, MISS PIPPERIDGE

IF YOU'LL BE MINE I'LL BE YOURS

FOR THE REST OF MY LIFE" NEXT MOMENT, WE WERE PROMISED

AND NOW MY MIND'S IN A MAZE FOR ALL I CAN DO

IS LOOK FORWARD TO THAT WONDERFUL DAY OF DAYS

WHEN I MARRY MR. SNOW THE FLOWERS'LL BE BUZZIN'

WITH THE HUM OF BEES THE BIRDS'LL MAKE A RACKET

IN THE CHURCH YARD TREES WHEN I MARRY MR. SNOW

THEN IT'S OFF TO HOME WE'LL GO AND BOTH OF US'LL LOOK

A LITTLE DREAMY-EYED A-DRIVING TO A COTTAGE

BY THE OCEANSIDE WHERE THE SALTY BREEZES BLOW

HE'LL CARRY ME 'CROSS THE THRESHOLD

AND I'LL BE AS MEEK AS A LAMB THEN HE'LL SET ME ON MY FEET

AND I'LL SAY KINDA SWEET "WELL, MR. SNOW, HERE I AM"

THEN I'LL KISS HIM SO HE'LL KNOW THAT EV'RYTHIN'LL BE AS RIGHT

AS RIGHT CAN BE A-LIVING IN A COTTAGE

BY THE SEA WITH ME FOR I LOVE THAT MR. SNOW

THAT YOUNG SEA-FARING BOLD AND DARING

BIG BEWHISKERED, OVERBEARING DARLING

MR. SNOW * >> OH, CARRIE!

I'M SO HAPPY FOR YOU!

>> SO YOU SEE, I CAN UNDERSTAND NOW HOW YOU FEEL ABOUT...

>> ARE YOU STILL HERE?

>> YOU TOLD US TO WAIT FOR YOU.

>> WHAT YOU THINK I WANT WITH TWO OF YOU?

I MEANT THAT ONE OF YOU WAS TO WAIT.

THE OTHER CAN GO HOME.

>> WELL, GOOD NIGHT, CARRIE.

>> BUT IF YOU STAY, YOU'LL...

>> GOOD NIGHT.

>> SO THEN...WHY'D YOU STAY?

>> SO YOU WOULDN'T BE LEFT ALONE.

>> HA HA! GOD, YOU'RE DUMB!

I DON'T NEED TO BE ALONE.

I GET ALL THE GIRLS I WANT.

DON'T YOU KNOW THAT?

>> I KNOW THAT, MR. BIGELOW.

I STAYED BECAUSE YOU BEEN SO GOOD TO ME.

>> WELL, IN THAT CASE, YOU CAN GO HOME, TOO.

>> I DON'T WANT TO GO HOME.

>> YEAH? WELL, WHAT IF I WAS TO GO AWAY AND LEAVE YOU HERE?

>> EVEN THEN I WOULDN'T GO HOME.

>> YOU KNOW WHO YOU REMIND ME OF?

THIS GIRL I KNEW ON CONEY ISLAND...

>> IS THAT YOU, MISS JORDAN?

>> YES, MR. BASCOMBE.

>> WHATEVER ARE YOU DOING OUT AT THIS HOUR?

YOU KNOW WHAT TIME WE CLOSE OUR DOORS AT THE MILL BOARDINGHOUSE.

YOU COULDN'T BE HOME ON TIME NOW IF YOU RAN ALL THE WAY.

>> IS THERE ANY TROUBLE, MR. BASCOMBE?

>> ONE OF MY GIRLS FROM THE MILL, OUT PAST CURFEW.

>> AND WITH THIS ONE.

WORKS ON CAROUSELS, MAKES A SPECIALTY OF YOUNG THINGS LIKE

THIS ONE.

PROMISES TO MARRY THEM, THEN TAKES THEIR MONEY.

>> I AIN'T GOT NO MONEY.

>> SPEAK WHEN YOU'RE SPOKEN TO, MISS!

>> JULIE, I'M INCLINED TO GIVE YOU ONE MORE CHANCE.

I'M MEETING MRS. BASCOMBE AT THE CHURCH.

WE'LL DRIVE YOU HOME AND I'LL EXPLAIN EVERYTHING TO THE HOUSE

MATRON.

COME, MY CHILD.

>> WELL, GIRL!

DON'T STAND THERE LIKE YOU DON'T HAVE GOOD SENSE.

>> I THINK I'LL STAY.

>> AFTER YOU'VE BEEN WARNED?

>> SEE THAT?

THERE ARE SOME YOU JUST CAN'T HELP!

GOOD NIGHT!

>> GOOD NIGHT, MR. BASCOMBE.

AND YOU!

YOU GOOD FOR NOTHING!

I OUGHTTA THROW YOU IN JAIL!

>> FOR WHAT?

>> DON'T KNOW.

WISH I DID.

>> WELL, AND THEN WHAT HAPPENED?

>> HUH?

>> YOU WERE TELLING ME ABOUT THAT GIRL FROM CONEY ISLAND.

>> OH, RIGHT. YEAH.

SO ONE NIGHT, I'M PUTTING THE LIGHTS OUT ON THE CAROUSEL, SEE,

AND THIS GIRL, SHE...

SAY, TELL ME SOMETHING.

AIN'T YOU SCARED OF ME?

I MEAN, AFTER WHAT THAT COP SAID ABOUT ME TAKING MONEY FROM

GIRLS.

>> I AIN'T SCARED.

>> IS THAT YOUR NAME? JULIE?

JULIE SOMETHING?

>> * JULIE JORDAN >> [WHISTLES]

YOU'RE A QUEER ONE JULIE JORDAN

AIN'T YOU SORRY THAT YOU DIDN'T RUN AWAY?

YOU CAN STILL GO IF YOU WANNA >> I RECKON THAT I CARE

TO CHOOSE TO STAY YOU COULDN'T TAKE MY MONEY

IF I DIDN'T HAVE ANY AND I DON'T HAVE A PENNY

THAT'S TRUE AND IF I DID HAVE MONEY

YOU COULDN'T TAKE ANY 'CAUSE YOU'D ASK

AN' I'D GIVE IT TO YOU >> YOU'RE A QUEER ONE

JULIE JORDAN HAVE YOU EVER HAD A FELLA

YOU GIVE MONEY TO?

>> NO!

>> AIN'T YOU EVER HAD A FELLA AT ALL?

>> NO!

>> WELL, YOU MUST HAVE A FELLA YOU WENT WALKIN' WITH

>> YES!

>> WHERE'D YOU WALK?

>> NOWHERE SPECIAL I RECALL >> IN THE WOODS?

>> NO!

>> ON THE BEACH?

>> NO!

>> DID YOU LOVE HIM * >> NO! I NEVER LOVED NOBODY.

I TOLD YOU THAT!

>> HA! YOU'RE A FUNNY KID.

SAY, YOU WANT TO GO INTO TOWN AND DANCE, MAYBE OR...

>> NO, I HAVE TO BE CAREFUL.

>> OF WHAT?

>> OF MY CHARACTER.

YOU SEE, I'M NEVER GOING TO MARRY.

* I'M NEVER GONNA MARRY IF I WAS GONNA MARRY

I WOULDN'T HAVE TO BE SUCH A STICKLER

BUT I'M NEVER GONNA MARRY AND A GIRL WHO DON'T MARRY

HAS GOT TO BE MUCH MORE PERTICKLER *

>> WHAT IF I WAS TO SAY I'D MARRY YOU?

>> YOU?

>> SCARES YOU, DON'T IT?

YOU'RE THINKING ABOUT WHAT THAT COP SAID.

>> NO, I AIN'T.

I NEVER PAID NO MIND TO WHAT HE SAID.

>> YEAH, BUT YOU WOULDN'T MARRY ANYONE LIKE ME, WOULD YOU?

>> YES, I WOULD, IF I LOVED YOU.

IT WOULDN'T MAKE NO DIFFERENCE WHAT YOU...

WELL, EVEN IF I DIED FOR IT.

>> HOW DO YOU KNOW WHAT YOU'D DO IF YOU LOVED ME

OR HOW YOU'D FEEL, OR ANYTHING?

>> I DON'T KNOW HOW I'D KNOW.

>> AH.

>> JUST THE SAME, I KNOW HOW I...

HOW IT'D BE IF I LOVED YOU.

* WHEN I WORKED IN THE MILL WEAVING AT THE LOOM

I GAZED ABSENT-MINDED AT THE ROOF

AND HALF THE TIME THE SHUTTLE GOT TANGLED IN THE THREADS

AND THE WARP COULD GET MIXED WITH THE WOOF

IF I LOVED YOU... * >> BUT YOU DON'T.

>> NO, I DON'T.

* BUT SOMEHOW I CAN SEE JUST EXACTLY HOW I'D BE

IF I LOVED YOU TIME AND AGAIN

I WOULD TRY TO SAY ALL I'D WANT YOU TO KNOW

I WOULD TRY TO SAY ALL I'D WANT YOU TO KNOW

IF I LOVED YOU WORDS WOULDN'T COME

IN AN EASY WAY ROUND IN CIRCLES I'D GO

IN AN EASY WAY ROUND IN CIRCLES I'D GO

LONGIN' TO TELL YOU BUT AFRAID AND SHY

I'D LET MY GOLDEN CHANCES PASS ME BY

SOON YOU'D LEAVE ME OFF YOU WOULD GO

IN THE MIST OF DAY NEVER, NEVER TO KNOW

IN THE MIST OF DAY NEVER, NEVER TO KNOW

HOW I LOVED YOU IF I LOVED YOU *

HOW I LOVED YOU IF I LOVED YOU *

>> BUT YOU DON'T LOVE ME.

THAT'S WHAT YOU SAID, WASN'T IT?

>> YES.

OH! HA HA HA! OH...

I CAN SMELL THEM. CAN YOU?

>> WHAT?

>> THE BLOSSOMS. MM...

[CHUCKLES] THE WIND BRINGS THEM DOWN.

HA HA!

>> AIN'T MUCH WIND TONIGHT.

HARDLY ANY.

* YOU CAN'T HEAR A SOUND NOT THE TURN OF A LEAF

NOR THE FALL OF A WAVE HITTIN' THE SAND

THE TIDE'S CREEPIN' UP ON THE BEACH LIKE A THIEF

AFRAID TO BE CAUGHT STEALIN' THE LAND

ON A NIGHT LIKE THIS I START TO WONDER

WHAT LIFE IS ALL ABOUT >> AND I ALWAYS SAY

TWO HEADS ARE BETTER THAN ONE TO FIGURE IT OUT *

>> I DON'T NEED YOU OR ANYONE TO HELP ME.

I GOT IT FIGURED OUT FOR MYSELF.

WE AIN'T IMPORTANT.

WHAT ARE WE?

A COUPLE OF SPECKS OF NOTHING.

LOOK UP THERE.

* THERE'S A HELL OF A LOTTA STARS IN THE SKY

AND THE SKY'S SO BIG THE SEA LOOKS SMALL

AND TWO LITTLE PEOPLE YOU AND I

WE DON'T COUNT AT ALL * YOU'RE A FUNNY KID.

DON'T REMEMBER EVER MEETING A GIRL LIKE YOU.

YOU...

YOU TRYING TO GET ME TO MARRY YOU?

>> NO.

>> THEN WHAT'S PUTTING IT INTO MY HEAD?

YOU'RE DIFFERENT, ALL RIGHT.

I DON'T KNOW WHAT IT IS.

YOU LOOK UP AT ME WITH THAT...

THAT LITTLE KID FACE LIKE YOU TRUSTED ME.

I WONDER WHAT IT'D BE LIKE.

>> WHAT?

>> NOTHING.

I KNOW WHAT IT'D BE LIKE.

IT'D BE AWFUL.

I CAN JUST SEE MYSELF.

* KINDA SCRAWNY AND PALE PICKING AT MY FOOD

AND LOVE-SICK LIKE ANY OTHER GUY

I'D THROW AWAY MY SWEATER AND DRESS UP LIKE A DUDE

IN A DICKEY AND A COLLAR AND A TIE

IF I LOVED YOU * >> BUT YOU DON'T.

>> NO, I DON'T.

* BUT SOMEHOW I CAN SEE JUST EXACTLY HOW I'D BE

IF I LOVED YOU TIME AND AGAIN

I WOULD TRY TO SAY ALL I'D WANT YOU TO KNOW

IF I LOVED YOU WORDS WOULDN'T COME

IN AN EASY WAY ROUND IN CIRCLES I'D GO

LONGIN' TO TELL YOU BUT AFRAID AND SHY

I'D LET MY GOLDEN CHANCES PASS ME BY

SOON YOU'D LEAVE ME OFF YOU WOULD GO

IN THE MIST OF DAY AND YOU NEVER WOULD KNOW

HOW I LOVED YOU IF I LOVED YOU *

HOW I LOVED YOU IF I LOVED YOU *

I'M NOT A FELLOW TO EVER GET MARRIED.

EVEN IF A GIRL WAS FOOLISH ENOUGH TO WANT ME TO, I

WOULDN'T.

>> DON'T WORRY ABOUT IT, BILLY.

>> WHO'S WORRIED?

>> YOU'RE RIGHT ABOUT THERE BEING NO WIND TONIGHT.

THE BLOSSOMS ARE JUST COMING DOWN BY THEIRSELVES.

JUST THEIR TIME TO, I RECKON.

[APPLAUSE]

[ORCHESTRA PLAYING]

[ALL TALKING AT ONCE] >> NETTIE!

>> OH, NETTIE FOWLER!

>> HOLD YOUR HORSES!

>> GOT ANY OF THEM DOUGHNUTS FRIED YET?

>> HOW ABOUT SOME APPLE TURNOVERS?

>> I SAID, "HOLD YOUR HORSES!" >> WHERE'S NETTIE?

>> IN THE KITCHEN, BUSIER THAN A BEE IN A BUCKET OF TAR.

AND YOU OUGHTA BE ASHAMED, MAKING YOURSELVES A PLAGUE AND A

NUISANCE WITH YOUR YELLING AND SCREAMING AND CARRYING ON!

>> * GIVE IT TO 'EM GOOD, CARRIE GIVE IT TO 'EM GOOD

>> GET AWAY YOU NO-ACCOUNT NOTHING'S

WITH YOUR SILLY JOKES AND PRATTLE

IF YOU PACKED ALL YOUR BRAINS IN A BUTTERFLY'S HEAD

THEY'D STILL HAVE ROOM TO RATTLE >> GIVE IT TO 'EM GOOD, CARRIE

GIVE IT TO 'EM GOOD TELL 'EM SOMTHIN'

THAT'LL LEARN 'EM >> GET AWAY

YOU ROUSTABOUT RIFF RAFF WITH YOUR BELLIES FULL OF GROG

IF YOU PACKED ALL YOUR BRAINS IN A POLYWOG'S HEAD

HE'D NEVER EVEN GROW TO BE A FROG

>> NO, THE POLLYWOG WOULD NEVER BE A FROG

THAT'LL LEARN 'EM DARN 'EM

>> NOW JUST A MINUTE, LADIES YOU GOT NO CALL TO FRET

WE ONLY ASKED POLITELY IF YOU WAS READY YET

>> WE'D KINDA LIKE THIS CLAMBAKE TO GET AN EARLY START

AND WANTED FER TO TELL YOU WE WENT AND DONE OUR PART

>> LOOK AT THEM CLAMS >> BEEN DIGGIN' 'EM SINCE SUN UP

>> LOOK AT THEM CLAMS >> ALL READY FOR THE BOATS

>> LOOK AT THEM CLAMS >> WE'RE ALL WORN OUT

AND DONE UP >> AND WHAT'S MORE

WE'RE HUNGRY AS GOATS >> YOU'LL GET NO DRINKS

OR VITTLES TILL WE GET ACROSS THE BAY

SO PULL IN YOUR BELTS AND LOAD THEM BOATS

AND LET'S GET UNDER WAY THE SOONER WE SAIL

THE SOONER WE START THE CLAMBAKE 'CROSS THE BAY *

[ALL TALKING AT ONCE] >> HERE, BOYS!

DOUGHNUTS AND COFFEE!

FALL TO!

>> HEY, HEY! WATCH IT!

>> HERE NOW, DON'T JUMP AT IT LIKE A BUNCH OF ANIMALS!

>> YOU'RE TOO GOOD TO THEM, NETTIE.

AFTER THE WAY THEY'VE BEEN PESTERING AND ANNOYING YOU!

>> OH, YOU CAN'T BLAME THEM.

THEY'VE BEEN DIGGING CLAMS SINCE 5:00 THIS MORNING.

SAW THEM MYSELF, DOWN ON THE BEACH.

FIRST CLAMBAKE OF THE YEAR IS ALWAYS LIKE THIS.

IT'S LIKE UNLOCKING A DOOR, AND ALL THE CRAZY NOTIONS THEY KEPT

SHUT UP FOR THE WINTER COME WHOOPING OUT IN THE SUNSHINE.

THIS YEAR'S JUST LIKE EVERY OTHER!

* MARCH WENT OUT LIKE A LION A-WHIPPIN' UP THE WATER

IN THE BAY THEN APRIL CRIED

AND STEPPED ASIDE AND ALONG COME

PRETTY LITTLE MAY MAY WAS FULL OF PROMISES

BUT SHE DIDN'T KEEP 'EM QUICK ENOUGH FOR SOME

AND A CROWD OF DOUBTIN' THOMASES WAS PREDICTIN'

THAT THE SUMMER'D NEVER COME >> BUT IT'S COMIN', BY GUM

YOU CAN FEEL IT COME YOU CAN FEEL IT IN YOUR HEART

YOU CAN SEE IT IN THE GROUND >> YOU CAN HEAR IT IN THE TREES

YOU CAN SMELL IT IN THE BREEZE >> LOOK AROUND, LOOK AROUND

LOOK AROUND >> JUNE IS BUSTIN' OUT ALL OVER

ALL OVER THE MEADOW AND THE HILL

BUDS'RE BUSTIN' OUTTA BUSHES AND THE ROMPIN' RIVER PUSHES

EV'RY LITTLE WHEEL THAT WHEELS BESIDE A MILL

>> JUNE IS BUSTIN' OUT ALL OVER >> THE FEELIN' IS GETTIN'

SO INTENSE THAT THE YOUNG VIRGINIA CREEPERS

HEV BEEN HUGGIN' THE BEJEEPERS OUTTA ALL THE MORNIN' GLORIES

ON THE FENCE BECAUSE IT'S JUNE

>> JUNE, JUNE, JUNE JUST BECAUSE IT'S JUNE

JUNE, JUNE >> FRESH AND ALIVE

AND GAY AND YOUNG JUNE IS A LOVE SONG

SWEETLY SUNG >> JUNE IS BUSTING OUT ALL OVER

>> THE SAPLIN'S ARE BUSTIN' OUT WITH SAP

>> LOVE HAS FOUND MY BROTHER JUNIOR

>> AND MY SISTER'S EVEN LOONIER >> AND MY MA IS GETTIN'

KITTENISH WITH PAP >> JUNE IN BUSTIN' OUT ALL OVER

>> TO LADIES THE MEN ARE PAYIN' COURT

LOTSA SHIPS ARE KEPT AT ANCHOR JEST BECAUSE THE CAPTAINS HANKER

FER A COMFORT THEY KEN ONLY GET IN PORT

>> BECAUSE IT'S JUNE JUNE, JUNE, JUNE

JUST BECAUSE IT'S JUNE JUNE, JUNE

>> JUNE MAKES THE BAY LOOK BRIGHT AND NEW

SAILS GLEAMING WHITE ON SUNLIT BLOOM

>> JUNE IS BUSTIN' OUT ALL OVER THE OCEAN IS FULL

OF JACKS AND JILLS WITH HER LITTLE TAIL A-SWISHIN

EV'RY LADY FISH IS WISHIN' THAT A MALE WOULD COME

AND GRAB 'ER BY THE GILLS >> JUNE IS BUSTIN' OUT ALL OVER

>> THE SHEEP AREN'T SLEEPIN' ANYMORE

ALL THE RAMS THAT CHASE THE EWE SHEEP

ARE DETERMINED THERE'LL BE NEW SHEEP

AND THE EWE-SHEEP AREN'T EVEN KEEPIN' SCORE

>> ON ACOUNTA IT'S JUNE JUNE, JUNE, JUNE

JUST BECAUSE IT'S JUNE JUNE, JUNE *

JUST BECAUSE IT'S JUNE JUNE, JUNE *

* JUNE IS BUSTIN' OUT ALL OVER >> THE BEACHES ARE CROWDED

EV'RY NIGHT FROM PENNOBSCOT TO AUGUSTY

ALL THE BOYS ARE FEELIN' LUSTY AND THE GIRLS

AIN'T EVEN PUTTIN' UP A FIGHT >> BECAUSE IT'S JUNE

JUNE, JUNE, JUNE JEST BECAUSE IT'S JUNE

JUNE, JUNE * >> ALL RIGHT.

THAT'S ENOUGH OF THAT. COME ON.

>> HELLO, JULIE!

>> DID YOU FIND HIM?

>> NO.

BILLY WENT OUT WITH JIGGER CRAIGIN LAST NIGHT AND

DIDN'T COME HOME.

>> JIGGER CRAIGIN?

>> HIS NEW FRIEND.

HE'S A SAILOR ON THAT WHALER BOAT.

THEY SAIL TOMORROW, AND I'LL BE GLAD.

>> WHY DON'T YOU TWO VISIT FOR A WHILE?

LOOK, GIRLS, WE GOT WORK TO DO.

C'MON.

>> YOU NEED ME, COUSIN NETTIE?

>> NO.

YOU STAY HERE AND VISIT WITH CARRIE.

YOU HAVEN'T SEEN EACH OTHER IN A LONG TIME.

IT'LL DO YOU GOOD.

>> IS HE WORKING YET?

>> NO.

NETTIE'S BEEN REAL GOOD TO US, LETTING US STAY HERE WITH HER.

>> MR. SNOW SAYS A MAN WHO CAN'T FIND WORK THESE DAYS IS

JUST BONE LAZY.

>> BILLY DON'T KNOW ANY TRADE.

HE'S ONLY GOOD AT WHAT HE USED TO DO.

SO NOW HE JUST DOESN'T DO ANYTHING.

>> WELL, WOULDN'T THAT CAROUSEL WOMAN TAKE HIM BACK?

>> I THINK SHE WOULD, BUT HE WON'T GO.

I ASKED HIM WHY, AND HE WON'T TELL ME...

AND LAST MONDAY...

HE HIT ME.

>> DID YOU HIT HIM BACK?

>> NO.

>> WHY DON'T YOU LEAVE HIM?

>> I DON'T WANT TO LEAVE HIM.

>> WELL, I WOULD. I'D LEAVE HIM.

HE THINKS HE CAN DO WHATEVER HE LIKES JUST BECAUSE HE'S BILLY

BIGELOW.

HE DON'T SUPPORT YOU!

HE BEATS YOU?

HE'S A BAD ONE!

>> HE AIN'T WILLINGLY OR MEANINGLY BAD.

>> THAT NIGHT WHEN YOU SAT ON THE BENCH TOGETHER.

HE WAS GENTLE THEN, YOU SAID.

BUT NOW HE'S ALWAYS ACTING UP...

>> NOT ALWAYS.

SOMETIMES HE'S GENTLE.

EVEN NOW.

AFTER SUPPER, HE STANDS OUT HERE AND HE LISTENS TO THE MUSIC

FROM THE CAROUSEL.

SOMETHING COMES OVER HIM.

AND HE'S GENTLE.

>> WHAT'S HE SAY?

>> NOTHING.

HE JUST SITS AND GETS REAL THOUGHTFUL.

YOU SEE, HE'S UNHAPPY BECAUSE HE AIN'T WORKING.

THAT'S WHY HE HIT ME MONDAY.

>> FINE REASON FOR HITTING YOU.

BEATS HIS WIFE BECAUSE HE AIN'T WORKING.

>> IT PREYS ON HIS MIND.

>> DID HE HURT YOU?

>> OH, NO.

NO.

>> OH, JULIE...

I GOT SOME GOOD NEWS TO TELL YOU ABOUT ME...

ABOUT MR. SNOW AND ME.

>> YEAH?

>> WE'RE GOING TO BE CRYING IN CHURCH NEXT SUNDAY!

>> OH, THAT'S GREAT!

>> EVERYBODY, STOP IT! STOP IT!

DON'T ALL COME AT ME TOGETHER!

>> HOW LONG HAVE YOU BEEN BESPOKE?

>> NEAR ONTO TWO MONTHS.

JULIE WAS THE FIRST TO KNOW!

>> WELL, WHAT'S HE LIKE, JULIE?

>> WELL, JULIE'S NEVER SEEN HIM.

BUT YOU ALL WILL SOON.

HE'S COMING HERE.

I ASKED HIM TO THE CLAMBAKE.

>> I CAN'T HARDLY WAIT TO SEE HIM!

>> I CAN'T HARDLY WAIT FOR THE WEDDING!

>> ME EITHER!

>> WHAT A DAY THAT'LL BE FOR YOU!

>> * WHEN YOU WALK DOWN THE AISLE

ALL THE HEADS WILL TURN WHAT A RUSTLIN' OF BONNETS

THERE'LL BE AND YOU'LL TRY TO SMILE

BUT YOUR CHEEKS WILL BURN AND YOUR EYES'LL GET SO DIM

YOU CAN HARDLY SEE WITH YOUR ORANGE BLOSSOMS

QUIVERIN' IN YOUR HAND YOU'LL STUMBLE TO THE SPOT

WHERE THE PARSON IS THEN YOUR FINGER WILL BE RINGED

WITH A GOLDEN BAND AND YOU'LL KNOW

THE FELLER'S YOURS AND YOU ARE HIS

>> WHEN I MARRY MR. SNOW >> WHAT A DAY

WHAT A DAY >> THE FLOWERS'LL BE BUZZING

WITH THE HUM OF BEES >> THE BIRDS'LL MAKE A RACKET

IN THE CHURCH YARD TREES >> WHEN I MARRY MR. SNOW

>> HEIGH-HO >> THEN IT'S OFF

TO HOME WE'LL GO >> SPILLIN' RICE ON THE WAY

>> AND BOTH OF US'LL LOOK A LITTLE DREAMY-EYED

A-DRIVIN' TO A COTTAGE BY THE OCEANSIDE

WHERE THE SALTY BREEZES BLOW >> YOU AND MR. SNOW

>> HE'LL CARRY ME 'CROSS THE THRESHOLD

AND I'LL BE AS MEEK AS A LAMB THEN HE'LL SET ME ON MY FEET

AND I'LL SAY KIND OF SWEET "WELL, MR. SNOW, HERE I AM"

>> THEN I'LL KISS HER SHOW SHE'LL KNOW

>> MR. SNOW!

>> MR. SNOW!

>> THAT EV'RYTHING'LL BE AS RIGHT AS RIGHT CAN BE

A-LIVIN' IN A COTTAGE BY THE SEA WITH ME

WHERE THE SALTY BREEZES BLOW I LOVE MISS PIPPERIDGE

AND I AIM TO MAKE MISS PIPPERIDGE

CHANGE HER NAME TO MRS. ENOCH SNOW *

CHANGE HER NAME TO MRS. ENOCH SNOW *

>> I'M SO EMBARRASSED, I'LL NEVER LOOK HIM IN THE FACE

AGAIN!

NEVER!

>> COME ON IN AND LEAVE THE LOVE BIRDS ALONE.

>> SURPRISED?

>> SURPRISED?

I'M MORTIFIED!

>> HA HA HA! AHH...

>> AHH, WELL, THIS IS HIM.

>> CARRIE'S TOLD ME A LOT ABOUT YOU.

>> I TOLD YOU A LOT ABOUT JULIE, DIDN'T I?

>> CARRIES TELLS ME YOU'RE COMING TO THE CLAMBAKE.

>> LOOKS LIKE WE'LL HAVE GOOD WEATHER FOR IT, TOO.

>> NOT A CLOUD IN THE SKY.

>> YOU'RE RIGHT.

>> HE DON'T SAY MUCH, BUT WHAT HE DOES SAY IS AWFUL PITHY.

>> I BROUGHT YOU SOME FLOWERS!

>> FLOWERS? WHERE ARE THEY?

OH, LOOK. SEEDS. HOORAY.

>> THERE'S GERANIUM.

AND HYDRANGEA.

THOUGHT WE'D PLANT THOSE IN FRONT OF THE COTTAGE.

THEY DO GOOD IN THE SALT AIR.

>> THEY'LL BE BEAUTIFUL!

>> WELL, AIN'T YOU GONNA WISH US LUCK?

>> OF COURSE!

ALL THAT YOUR ARMS CAN HOLD!

>> WHY ARE YOU CRYING, MRS....

MRS....

>> IT'S BECAUSE SHE HAS SUCH A GOOD HEART.

>> WELL, WE THANK YOU FOR YOUR HEARTFELT SYMPATHIES, MRS....

MRS....

>> BIGELOW.

MRS. BILLY BIGELOW.

THAT'S MY NAME, MRS....

BILLY, OH, YOU REMEMBER CARRIE.

AND THIS IS HER INTENDED, MR. SNOW.

>> MR. BIGELOW!

I ALMOST FEEL I KNOW YOU.

>> HOW ARE YOU?

>> OH, I'M DOING PRETTY WELL.

JUST GETTING OVER A LITTLE CHEST COLD.

THIS TIME OF YEAR, YOU KNOW...

>> BILLY...

>> ALL RIGHT, SAY IT!

I STAYED OUT ALL NIGHT.

I AIN'T WORKING.

I'M LIVING OFF OF YOUR COUSIN NETTIE.

>> I DIDN'T SAY ANYTHING!

>> NO, BUT IT WAS ON THE TIP OF YOUR TONGUE!

>> BE SURE AND BE BACK IN TIME FOR THE CLAMBAKE!

>> I AIN'T GOING TO NO CLAMBAKE!

COME ON, JIGGER!

>> GLAD YOU AIN'T GOT NO WHOOP-JAMBOREE NOTIONS LIKE

BILLY.

>> WELL, CARRIE, IT ALWAYS SEEMED TO ME THAT A MAN HAS GOT

ENOUGH TO WORRY ABOUT, GETTING A GOOD SLEEP AT NIGHT SO HE CAN

PUT IN A GOOD DAY'S WORK THE NEXT DAY, WITHOUT GOING OUT AND

LOOKING FOR ANY SPECIAL TROUBLE.

>> THAT'S TRUE, ENOCH.

>> A MAN HAS GOT TO MAKE PLANS FOR HIS LIFE AND THEN HE'S GOT

TO STICK TO THEM.

>> YOUR PLANS ARE WORKING OUT JUST FINE, AIN'T THEY, ENOCH?

>> ALL ACCORDING TO SCHEDULE, SO FAR.

* I OWN A LITTLE HOUSE AND I SAIL A LITTLE BOAT

AND THE FISH I CATCH I SELL AND IN A MANNER OF SPEAKIN'

I'M DOIN' VERY WELL I LOVE A LITTLE GIRL

AND SHE'S IN LOVE WITH ME AND SOON SHE'LL BE MY BRIDE

AND IN A MANNER OF SPEAKIN' I SHOULD BE SATISFIED *

>> WELL, AIN'T YOU?

>> * IF I TOLD YOU MY PLANS AND THE THINGS I INTEND

IT'D MAKE EV'RY CURL ON YOUR HEAD STAND ON END

WHEN I MAKE ENOUGH MONEY OUT OF ONE LITTLE BOAT

I'LL PUT ALL OF MY MONEY IN ANOTHER LITTLE BOAT

I'LL MAKE TWICE AS MUCH OUTTA TWO LITTLE BOATS

AN' THE FIRST THING YOU KNOW I'LL HAVE FOUR LITTLE BOATS

THEN EIGHT LITTLE BOATS THEN A FLEET OF LITTLE BOATS

THEN A GREAT BIG FLEET OF GREAT, BIG BOATS

ALL CATCHIN' HERRING BRINGIN' IT TO SHORE

SAILIN' OUT AGAIN AN' BRINGIN' IN MORE

AN' MORE AN' MORE AN' MORE * >> WHO'S GONNA EAT ALL THAT

HERRING?

>> AH, THEY AIN'T GOING TO BE HERRING.

GOING TO PUT THEM IN CANS AND CALL THEM SARDINES.

I'M GOING TO BUILD A LITTLE CANNERY, THEN A BIG CANNERY,

THEN THE BIGGEST ONE IN THE WHOLE COUNTRY!

OH, CARRIE, I'M GOING TO GET RICH ON SARDINES!

I MEAN, WE'RE GOING TO GET RICH, YOU AND ME!

I MEAN, YOU AND ME AND...ALL OF US!

* THE FIRST YEAR WE'RE MARRIED WE'LL HAVE ONE LITTLE KID

THE SECOND YEAR, WE'LL GO AND HAVE ANOTHER LITTLE KID

YOU'LL SOON BE DARNIN' SOCKS FOR EIGHT LITTLE FEET

>> ARE YOU BUILDIN' UP TO ANOTHER FLEET?

>> WE'LL BUILD A LOT MORE ROOMS OUR DEAR LITTLE HOUSE

WILL GET BIGGER OUR DEAR LITTLE HOUSE

WILL GET BIGGER >> AN' SO WILL MY FIGGER *

>> CARRIE, CAN YOU IMAGINE HOW IT'LL BE WHEN THE CHILDREN ARE

UPSTAIRS IN BED, AND YOU AND ME SIT ALONE BY THE FIRESIDE?

ME IN MY ARMCHAIR, YOU ON MY KNEE, MAYBE?

>> MAYBE.

>> * WHEN THE CHILDREN ARE ASLEEP

WE'LL SIT AND DREAM THE THINGS THAT EVERY OTHER

DAD AND MOTHER DREAM WHEN THE CHILDREN ARE ASLEEP

AND LIGHTS ARE LOW IF I STILL LOVE YOU

THE WAY I LOVE YOU TODAY YOU'LL PARDON MY SAYIN'

I TOLD YOU SO WHEN THE CHILDREN ARE ASLEEP

I'LL DREAM WITH YOU WE'LL THINK WHAT FUN

WE HAVE HAD AND BE GLAD

THAT IT ALL CAME TRUE >> WHEN THE CHILDREN ARE AWAKE

A-ROMPIN' THROUGH THE ROOMS OR RUNNIN' ON THE STAIRS

THEN, IN A MANNER OF SPEAKIN' THE HOUSE IS REALLY THEIRS

BUT ONCE THEY CLOSE THEIR EYES AND WE ARE LEFT ALONE

AND FREE FROM ALL THEIR FUSS THEN, IN A MANNER OF SPEAKIN'

WE CAN BE REALLY US WHEN THE CHILDREN ARE ASLEEP

WE'LL SIT AND DREAM >> DREAM ALL ALONE

>> THE THINGS THAT EVERY OTHER DAD AND MOTHER DREAM

>> DREAMS THAT WON'T BE INTERRUPTED

WHEN THE CHILDREN ARE ASLEEP AND LIGHTS ARE LOW

>> HOLD AND BEHOLD IF I STILL LOVE YOU

THE WAY I LOVE YOU TODAY YOU'LL PARDON MY SAYIN'

I TOLD YOU SO WHEN THE CHILDREN ARE ASLEEP

I'LL DREAM WITH YOU >> YOU'LL DREAM WITH ME

>> WE'LL THINK WHAT FUN WE HAVE HAD

AND BE GLAD THAT IT ALL CAME TRUE

>> WHEN TODAY IS A LONG TIME AGO >> YOU'LL STILL HEAR ME SAY

THAT THE BEST DREAM I KNOW IS YOU

>> WHEN THE CHILDREN ARE ASLEEP

I DREAM WITH YOU * >> COME HERE. HA HA HA!

WHOO HOO! HA HA HA! WHEW! HA HA!

>> BLOW HIGH, BLOW LOW AWAY THEN WE WILL GO

WE'LL GO AWAY IN THE SAILIN' AWAY

AWAY WE'LL GO BLOW ME HIGH AN' LOW

FOR MANY AN' MANY A LONG, LONG DAY

FOR MANY AN' MANY A LONG, LONG DAY

BLOW HIGH, BLOW LOW... * >> HEY, BILLY! WHERE YOU GOING?

HUH? STICK WITH ME.

AFTER WE GET RID OF MY SHIPMATES, I GOTTA TALK TO YOU.

I GOT AN IDEA FOR YOU AND ME TO MAKE MONEY.

>> WHAT? HEY, HOW MUCH?

>> MORE THAN YOU EVER SAW IN YOUR LIFE!

>> HEY, JIGGER!

COME BACK HERE!

>> * LONG, LONG DAY >> THE PEOPLE WHO LIVE ON LAND

ARE HARD TO UNDERSTAND WHEN YOU'RE LOOKIN' FOR FUN

THEY CLAP YOU INTO JAIL SO I'M SHIPPING OFF TO SEA

WHERE LIFE IS GAY AN' FREE AN' A FELLA CAN FLIP A HOOK

IN THE HIP OF A WHALE >> BLOW HIGH, BLOW LOW

A-WHALIN' WE WILL GO WE'LL GO A-WHALIN'

A-SAILIN' AWAY AWAY WE'LL GO

BLOW ME HIGH AN' LOW FOR MANY AN' MANY

A LONG, LONG DAY FOR MANY AN' MANY

A LONG, LONG DAY >> IT'S WONDERFUL JUST TO FEEL

YOUR HANDS UPON A WHEEL AN' LISTEN TO WIND A-WHISTLIN'

IN A SAIL OR TO CLIMB ALOFT AN' BE

THE VERY FIRST TO SEE A CHRYSANTHEMUM SPOUT COME OUT

OF THE SNOUT OF A WHALE >> BLOW HIGH, BLOW LOW

A-WHALIN' WE WILL GO WE'LL GO A-WHALIN'

A-SAILIN' AWAY AWAY WE'LL GO

BLOW ME HIGH AN' LOW FOR MANY AN' MANY

A LONG, LONG DAY FOR MANY AN' MANY

A LONG, LONG DAY >> A-ROCKIN' UPON THE SEA

YOUR BOAT WILL SEEM TO BE LIKE A DEAR, LITTLE BABY

IN HER BASSINET FOR SHE HASN'T LEARNED TO WALK

AN' SHE HASN'T LEARNED TO TALK AN' A LITTLE BEHIND

IS KIND OF INCLINED TO BE WET >> BLOW HIGH, BLOW LOW

A-WHALIN' WE WILL GO WE'LL GO A-WHALIN'

A-SAILIN' AWAY AWAY WE'LL GO

BLOW ME HIGH AN' LOW FOR MANY AN' MANY

A LONG, LONG DAY FOR MANY AN' MANY

A LONG, LONG DAY * >> AH! THERE YOU GO!

[ALL TALKING AT ONCE] I TELL YOU, IT'S AS SAFE AS

SELLING CAKES.

THAT FELLER BASCOMBE THAT OWNS THE MILL ALSO OWNS MY SHIP.

AND TONIGHT HE'S TAKING $3,000 OR $4,000

DOWN TO THE CAPTAIN BY HISSELF.

SO TELL YOUR WIFE WE'RE GOING TO THAT CLAMBAKE.

>> CLAMBAKE? WHY?

>> SAY WE'RE ALL ON THE ISLAND, HUH, YOU AND I HOP A BOAT,

COME OVER HERE, DO WHAT WE GOT TO DO, THEN HURRY BACK.

THERE'S YOUR ALIBI.

WE JUST SAY WE GOT LOST ON THE ISLAND ALL THAT TIME.

>> WHAT DO I GOT TO DO?

>> YOU GO UP TO THE GUY, AND YOU SAY, "EXCUSE ME, SIR.

DO YOU HAVE THE TIME?" BY THEN, I GOT MY KNIFE IN HIS

RIBS.

THEN YOU TAKE YOUR KNIFE...

>> DOES HE HAVE TO BE KILLED?

>> NO, DOESN'T HAVE TO BE.

HE CAN GIVE UP THE MONEY WITHOUT BEING KILLED.

BUT THESE NEW ENGLANDERS ARE FUNNY.

THEY'D RATHER BE KILLED.

WELL?

>> I WON'T DO IT.

IT'S DIRTY!

>> YOU'RE OUT OF A JOB, AND YOU GOT A WIFE TO SUPPORT.

>> YOU SHUT UP ABOUT MY WIFE!

WHAT DO YOU WANT?

>> I COME TO TALK BUSINESS!

>> BUSINESS!

>> STILL HANGING AROUND YOUR JAILBIRD FRIEND, I SEE.

>> IF THERE'S ONE THING I CAN'T ABIDE, IT'S THE COMMON TYPE OF

WOMAN.

>> WHAT ARE YOU DOING HERE, MRS. MULLIN?

YOUR NEW BARKER AIN'T AS GOOD AS ME?

>> WELL, THOSE FOOL GIRLS KEEP ASKING FOR YOU.

THEY MISS YOU, SEE?

ARE YOU GOING TO BE SENSIBLE AND COME BACK?

I GOT A NEW ORGAN.

>> YEAH, I CAN HEAR IT FROM HERE.

I LISTEN TO IT EVERY NIGHT.

IT'S GOT A NICE TONE.

>> YOU AIN'T CUT OUT TO BE A RESPECTABLE MARRIED MAN.

YOU'RE AN ARTIST.

YOU BELONG AMONGST ARTISTS.

>> WHAT, AND LEAVE JULIE?

>> YOU BEAT HER, DON'T YOU?

>> I DON'T BEAT HER.

WHAT'S ALL THIS DAMN-FOOL TALK ABOUT BEATING?

I HIT HER ONCE, NOW THE WHOLE TOWN...

THE NEXT ONE I HEAR, I WILL SMASH.

>> ALL RIGHT, ALL RIGHT!

I TAKE IT BACK.

I DON'T WANT TO GET MIXED UP IN IT.

>> BEATING HER!

AS IF I'D BEAT HER!

>> WHAT DOES IT MATTER ONE WAY OR ANOTHER?

LOOK AT THIS THING STRAIGHT.

YOU'VE BEEN MARRIED FOR TWO MONTHS, AND YOU'RE SICK OF IT.

>> I DUNNO.

I MIGHT GO BACK.

I COULD STILL GO ON LIVING HERE WITH JULIE.

>> HA HA!

CAN'T YOU IMAGINE HOW THE GIRLS WOULD LOVE THAT?

A BARKER WHO RUNS HOME TO HIS WIFE EVERY NIGHT?

WHY, PEOPLE WOULD LAUGH THEMSELVES SICK.

HA HA HA!

>> YOU WANT SOMETHING?

>> I BROUGHT YOU YOUR COFFEE.

>> I'LL DROP IN AT BASCOMBE'S BANK FOR SOME SMALL CHANGE

FOR THE CAROUSEL.

I'LL BE BACK IN A FEW MINUTES FOR YOUR ANSWER TO MY

PROPOSITION.

>> YOU GOT SOMETHING TO TELL ME, MAKE IT QUICK.

>> I CAN'T TELL IT SO QUICK.

WHY DON'T YOU DRINK YOUR COFFEE AND BY THE TIME YOU DRINK IT,

I'LL HAVE TOLD YOU?

>> WELL?

>> WELL, YESTERDAY MY HEAD ACHED AND YOU ASKED ME IF I WERE SICK,

BUT IT WEREN'T NOTHING LIKE THAT.

IT'S AWFUL HARD TO TELL YOU.

I AIN'T A BIT ASHAMED BECAUSE IT'S PERFECTLY NATURAL

WHEN TWO PEOPLE LIVE TOGETHER AND...

I'M GONNA HAVE A BABY.

>> YOU...

>> MM-HMM.

>> A BABY?

>> YEAH.

[BOTH LAUGH] >> OH...

OH.

>> WHERE YOU GOING?

>> HEY, JIGGER!

JULIE'S GOING TO HAVE A BABY!

>> YEAH, WHAT ABOUT IT?

>> NOTHING!

>> MY MOTHER HAD A BABY ONCE.

>> HE'S HAVING IT OUT WITH HER, I BET.

WHEN HE COMES BACK TO ME, I AIN'T GONNA ALLOW HIM TO HANG

AROUND WITH YOU ANYMORE.

>> TUT-TUT-TUT.

CARNIVAL HUSSIE COMING BETWEEN A MAN AND HIS WIFE!

>> OH, YEAH, CALL NAMES!

BUT I GOT HIM BACK JUST THE SAME AND YOU'RE THROUGH!

>> PUT ON A NEW COAT A PAINT.

YOU'RE STARTING TO PEEL, YOU OLD PLEASURE BOAT!

[CHUCKLES] >> YOU'LL BE WANTING AN ADVANCE

ON YOUR SALARY.

IT'S ONLY FAIR, YOU BEING OUT OF WORK SUCH A LONG TIME.

>> GO ON BACK TO YOUR CAROUSEL, MRS. MULLIN.

>> WHAT DID SHE TELL YOU IN THERE?

SOME LIES ABOUT ME, I BET!

>> NO, MRS. MULLIN.

NOTHING ABOUT YOU.

IT'S JUST ABOUT JULIE AND ME.

THE FACT OF THE MATTER IS, I'M GOING TO BE A FATHER.

>> HA HA HA!

YOU? A FATHER? HA HA HA!

>> YOU GET THE HELL AWAY FROM HERE, MRS. MULLIN!

GOOD-BYE, MRS. MULLIN!

>> [GASPS] >> * I WONDER

WHAT HE'LL THINK OF ME I GUESS HE'LL CALL ME

THE "OLD MAN" I GUESS HE'LL THINK

I CAN LICK EV'RY OTHER FELLER'S FATHER

WELL, I CAN I BET THAT HE'LL

TURN OUT TO BE THE SPITTIN' IMAGE

OF HIS DAD BUT HE'LL HAVE

MORE COMMON SENSE THAN HIS PUDDIN-HEADED FATHER

EVER HAD I'LL TEACH HIM TO WRESTLE

AND DIVE THROUGH A WAVE WHEN WE GO IN THE MORNIN'S

FOR OUR SWIM HIS MOTHER CAN TEACH HIM

THE WAY TO BEHAVE BUT SHE WON'T MAKE

A SISSY OUT O' HIM NOT HIM

NOT MY BOY NOT BILL *

BILL...

* MY BOY BILL I WILL SEE THAT HE

IS NAMED AFTER ME I WILL

MY BOY BILL HE'LL BE TALL

AND AS TOUGH AS A TREE WILL BILL

LIKE A TREE HE'LL GROW WITH HIS HEAD HELD HIGH

AND HIS FEET PLANTED FIRM ON THE GROUND

AND YOU WON'T SEE NOBODY DARE TO TRY

TO BOSS HIM OR TOSS HIM AROUND NO POT-BELLIED, BAGGY-EYED BULLY

WILL BOSS HIM AROUND AND I DON'T GIVE A DAMN

WHAT HE DOES AS LONG AS HE DOES

WHAT HE LIKES HE CAN SIT ON HIS TAIL

OR WORK ON A RAIL WITH A HAMMER

A-HAMMERING SPIKES HE CAN FERRY A BOAT ON A RIVER

OR PEDDLE A PACK ON HIS BACK OR WORK UP AND DOWN

THE STREETS OF A TOWN WITH A WHIP AND A HORSE

AND A HACK HE CAN HAUL A SCOW

ALONG A CANAL RUN A COW AROUND A CORRAL

OR MAYBE BARK FOR A CAROUSEL OF COURSE, IT TAKES TALENT

TO DO THAT WELL HE MIGHT BE A CHAMP

OF THE HEAVYWEIGHTS OR A FELLER THAT SELLS YOU GLUE

OR PRESIDENT OF THE UNITED STATES

THAT'D BE ALL RIGHT, TOO * HIS MOTHER WOULD LIKE THAT,

BUT HE WOULDN'T BE PRESIDENT UNLESS HE WANTED TO BE.

* NOT BILL MY BOY, BILL

HE'LL BE TALL AND AS TOUGH AS A TREE

WILL BILL LIKE A TREE HE'LL GROW

WITH HIS HEAD HELD HIGH AND HIS FEET PLANTED

FIRM ON THE GROUND AND YOU WON'T SEE NOBODY

DARE TO TRY TO BOSS HIM OR TOSS HIM AROUND

NO FAT-BOTTOMED, FLABBY-FACED POT-BELLIED, BAGGY-EYED BASTARD

WILL BOSS HIM AROUND AND I'M DAMNED IF HE'LL MARRY

HIS BOSS' DAUGHTER A SKINNY-LIPPED VIRGIN

WITH BLOOD LIKE WATER WHO'LL GIVE HIM A PECK

AND CALL IT A KISS AND LOOK IN HIS EYES

THROUGH A LORGNETTE * SAY, WHY AM I CARRYIN' ON LIKE

THIS?

* MY KID AIN'T EVEN BEEN BORN YET

I CAN SEE HIM WHEN HE'S SEVENTEEN OR SO

AND STARTIN' TO GO WITH A GIRL I CAN GIVE HIM LOTS

OF POINTERS, VERY SOUND ON THE WAY TO GET 'ROUND

ANY GIRL I CAN TELL HIM... *

WAIT A MINUTE!

COULD IT BE?

WHAT THE HELL?

WHAT IF HE IS A GIRL?

BILL?

OH, BILL!

WHAT WOULD I DO WITH HER?

WHAT COULD I DO FOR HER?

A BUM WITH NO MONEY!

* YOU CAN HAVE FUN WITH A SON BUT YOU GOTTA BE A FATHER

TO A GIRL SHE MIGHTN'T BE SO BAD, AT THAT

A KID WITH RIBBONS IN HER HAIR A KIND O' NEAT AND PETITE

LITTLE TINTYPE OF HER MOTHER WHAT A PAIR

MY LITTLE GIRL PINK AND WHITE

AS PEACHES AND CREAM IS SHE MY LITTLE GIRL

IS HALF AGAIN AS BRIGHT AS GIRLS ARE MEANT TO BE

DOZENS OF BOYS PURSUE HER MANY A LIKELY LAD

DOES WHAT HE CAN TO WOO HER FROM HER FAITHFUL DAD

SHE HAS A FEW PINK AND WHITE YOUNG FELLERS

OF TWO AND THREE BUT MY LITTLE GIRL

GETS HUNGRY EV'RY NIGHT AND SHE COMES HOME TO ME *

LITTLE GIRL. MY LITTLE GIRL!

* I GOT TO GET READY BEFORE SHE COMES

I GOT TO MAKE CERTAIN THAT SHE WON'T BE DRAGGED UP IN SLUMS

WITH A LOT O' BUMS LIKE ME SHE'S GOT TO BE SHELTERED

AND FED AND DRESSED IN THE BEST THAT MONEY CAN BUY

I NEVER KNEW HOW TO GET MONEY BUT I'LL TRY

BY GOD, I'LL TRY I'LL GO OUT AND MAKE IT

OR STEAL IT OR TAKE IT

OR DIE * >> HEY, YOU ROUSTABOUTS!

TIME TO GET GOING!

COME AND HELP US CARRY EVERYTHING ON THE BOATS.

HEY, BILLY.

WHAT'S THIS JULIE SAYS ABOUT YOU NOT GOING TO THE CLAMBAKE?

>> CLAMBAKE?

I MIGHT GO, AFTER ALL.

>> I'LL TELL JULIE YOU'RE COMING.

SHE'LL BE TICKLED PINK.

>> JIGGER, I CHANGED MY MIND ABOUT THAT CLAMBAKE AND...

EVERYTHING YOU SAID.

I GOTTA GET MONEY ON ACCOUNT OF THE BABY, SEE?

>> SURE, THE BABY.

WE JUST NEED TO GET A KNIFE.

I ONLY GOT A POCKET KNIFE, AND IF HE SHOWS ANY FIGHT, WE'LL

NEED A REAL ONE.

GO INSIDE AND TAKE ONE FROM THE KITCHEN.

>> WHAT IF SOMEONE SEES ME?

>> TAKE IT SO THEY DON'T SEE YOU!

>> BILLY, IS IT TRUE?

ARE YOU COMING WITH US?

>> I THINK SO. YES.

>> WE'LL HAVE A BARREL OF FUN.

I'LL SHOW YOU THE WHOLE ISLAND.

KNOW EVERY INCH OF IT.

I'VE BEEN GOING TO PICNICS THERE SINCE I BEEN A LITTLE GIRL.

>> BILLY, YOU BETTER GO AND GET THAT...

>> GET WHAT?

>> WELL...

>> THAT SHAWL.

BILLY SAID YOU OUGHTA HAVE A SHAWL.

GETS COLD AT NIGHTS.

FOGS COME UP.

AIN'T THAT WHAT YOU SAID?

>> THAT'S RIGHT.

I BETTER GO GET IT, THE SHAWL.

>> THAT WAS REAL THOUGHTFUL OF YOU, BILLY.

>> COME ON, ALL!

>> * JUNE IS BUSTIN' OUT ALL OVER

THE FLOWERS ARE BUSTIN' FROM THEIR SEED

>> AND THE PLEASANT LIFE OF RILEY

THAT IS SPOKEN OF SO HIGHLY IS THE LIFE

THAT EV'RYBODY WANTS TO LEAD >> BECAUSE IT'S JUNE

JUNE, JUNE, JUNE JEST BECAUSE IT'S JUNE

JUNE, JUNE BECAUSE IT'S JUNE

BECAUSE IT'S JUNE BECAUSE IT'S JUNE

BECAUSE IT'S JUNE *

[APPLAUSE]

[APPLAUSE]

[ORCHESTRA PLAYING]

>> I DUNNO AS I SHOULD HAVE EATEN THEM LAST 4 DOZEN CLAMS!

[LAUGHTER] >> * THIS WAS A REAL NICE

CLAMBAKE WE'RE MIGHTY GLAD WE CAME

THE VITTLES WE ET WERE GOOD, YOU BET, THE COMPANY

WAS THE SAME.

OUR HEARTS ARE WARM, OUR BELLIES ARE FULL, AND WE ARE

FEELING PRIME.

THIS WAS A REAL NICE CLAMBAKE, AND WE ALL HAD A REAL

GOOD TIME * >> AHH.

>> * FUST COME CODFISH CHOWDER COOKED IN IRON KETTLES,

ONIONS FLOATING ON THE TOP, CURLIN' UP IN PETTALS.

>> THROW'D IN RIBBONS OF SALTED PORK.

>> AN OLD NEW ENGLAND TRICK.

>> AND LAPPED IT ALL UP WITH A CLAMSHELL, TIED ONTO A

BAYBERRY STICK.

>> OH...

THIS WAS A REAL NICE CLAMBAKE, WE'RE MIGHTY GLAD WE CAME.

THE VITTLES WE ET WERE GOOD, YOU BET,

THE COMPANY WAS THE SAME.

OUR HEARTS ARE WARM, OUR BELLIES ARE FULL, AND WE ARE

FEELING PRIME.

THIS WAS A REAL NICE CLAMBAKE, AND WE ALL HAD A REAL GOOD TIME.

>> REMEMBER WHEN WE RAKED THEM RED HOT LOBSTERS OUT OF

THE DRIFTWOOD FIRE?

THEY SIZZLED AND CRACKLED AND SPUTTERED A SONG

FITTIN' FOR AN ANGELS' CHOIR.

>> FITTIN' FOR AN ANGELS', FITTIN' FOR AN ANGELS',

FITTIN' FOR AN ANGELS' CHOIR.

>> WE SLIT 'EM DOWN THE BACK AND PEPPERED 'EM GOOD, AND

DOUSED 'EM IN MELTED BUTTER.

>> THEN WE TORE AWAY THE CLAWS AND CRACKED 'EM WITH OUR

TEETH CUZ WE WEREN'T IN THE MOOD TO PUTTER.

>> FITTIN' FOR AN ANGELS', FITTIN' FOR AN ANGELS', FITTIN'

FOR AN ANGELS' CHOIR.

>> THEN AT LAST COME THE CLAMS.

>> STEAMED UNDER ROCKWEED AND POPPIN' FROM THEIR SHELLS.

JUST HOW MANY OF 'EM GALLOPED DOWN OUR GULLETS,

WE COULDN'T SAY OURSELVES!

OH...

THIS WAS A REAL NICE CLAMBAKE, WE'RE MIGHTY GLAD WE CAME.

THE VITTLES WE ET WERE GOOD, YOU BET,

THE COMPANY WAS THE SAME.

OUR HEARTS ARE WARM, OUR BELLIES ARE FULL, AND WE ARE

FEELING PRIME.

THIS WAS A REAL NICE CLAMBAKE, AND WE ALL HAD A REAL GOOD TIME.

WE SAID IT 'AFORE AND WE'LL SAY IT AGAIN, WE ALL HAD A REAL

GOOD TIME! * [APPLAUSE]

GOOD TIME! * [APPLAUSE]

>> HEY, NETTIE!

AIN'T IT ABOUT TIME THE BOYS STARTED THEIR TREASURE HUNT?

>> NOBODY'S HUNTING ANY TREASURE TILL WE GET THIS ISLAND

CLEANED UP.

GET TO WORK, THE WHOLE KIT AND KABOODLE OF YOU!

>> [GRUMBLING] >> HEY, JIGGER!

AIN'T IT NEAR TIME WE START?

>> NO. WE'LL WAIT TILL THEY'RE READY FOR THE TREASURE HUNT.

THAT'LL BE A GOOD WAY FOR YOU AND ME TO LEAVE.

WE'RE A TEAM, SEE?

THEN WE GET LOST TOGETHER LIKE I SAID.

THAT'S A WELL-SET-UP LITTLE PIECE, THAT CARRIE.

>> LOOK, JIGGER, YOU AIN'T GOT TIME FOR GIRLS TONIGHT.

>> SURE I DO. YOU KNOW ME, QUICK OR NOTHING.

WHY DO YOU KEEP PUTTING YOUR HAND ON YOUR CHEST?

>> MY HEART'S LEAPING UP AND DOWN UNDERNEATH THIS KNIFE.

>> PUT IT ON THE OTHER SIDE.

>> MR. BIGELOW, JULIE SAYS YOU SHOULD COME HELP HER.

>> WAIT A MINUTE.

I DON'T FEEL TOO WELL.

>> OH, MAYBE THE CLAMS NOT SETTING SO GOOD ON YOUR STOMACH.

>> MAYBE. OR MAYBE IT'S CAUSE YOU'RE SWEETER THAN SUGAR AND

I'M CRAZY FOR YOU!

THERE'S NOTHING I WOULDN'T DO FOR YOU!

I WOULD SWIM THROUGH BEER WITH MY MOUTH CLOSED!

>> MR. CRAIGIN!

ENOCH AND ME ARE GOING TO BE MARRIED IN CHURCH NEXT SUNDAY!

>> ONE MEASLY LITTLE KISS!

>> ENOCH WOULDN'T LIKE IT!

>> I DON'T WANNA KISS ENOCH!

>> THAT'S ENOUGH OR I'LL SCREAM!

>> MY APOLOGIES, MISS PIPPERIDGE. I LET THE BRUTE

COME OUT IN ME.

>> I THINK I UNDERSTAND, MR. CRAIGIN.

>> YOU'RE LUCKY I WASN'T A DIFFERENT SORT OF FELLA.

YOU KNOW, UNPRINCIPLED.

EVERY GIRL OUGHT TO KNOW HOW TO DEFEND HERSELF AGAINST

BEASTS LIKE THAT.

I COULD TEACH YOU, I SUPPOSE.

>> WELL, I AIN'T STRONG ENOUGH.

>> IT DON'T TAKE STRENGTH.

IT'S ALL BALANCE.

HERE, LET ME JUST SHOW YOU AN EASY ONE.

THIS MIGHT SAVE YOUR LIFE SOMEDAY.

I'M GONNA TEACH YOU HOW TO PICK A FELLA UP AND SEND HIM

SPRAWLING.

NOW I'LL STAND HERE AND GET AHOLD...WAIT A MINUTE.

I'LL DO IT TO YOU FIRST.

AND THEN YOU DO IT TO ME.

STAND AND RELAX.

>> WHOO!

>> THIS IS HOW FIREMEN CARRY PEOPLE.

>> IS IT?

>> SEE HOW HELPLESS YOU CAN MAKE A FELLA IF HE GETS FRESH

WITH YOU?

>> MR. CRAIG...HELLO, ENOCH!

THIS IS THE WAY FIREMEN CARRY PEOPLE.

>> WHERE'S THE FIRE?

[LAUGHTER] >> HE WAS JUST SHOWING ME

HOW TO DEFEND MYSELF.

>> IT DIDN'T LOOK LIKE YOU'D LEARNED VERY MUCH BY THE

TIME I CAME!

>> OH. WELL, YOU SEE...

>> I DO, INDEED!

AND I CAN'T ABIDE WOMEN WHO ARE FREE, LOOSE, AND LOLLYGAGGIN'.

AND I CERTAINLY WOULD NEVER MARRY ONE.

>> BUT, ENOCH!

>> LEAVE ME, PLEASE.

LEAVE ME ALONE WITH MY SHATTERED DREAMS.

THEY'RE ALL I HAVE LEFT!

MEMORIES OF WHAT DIDN'T HAPPEN!

>> OH!

OH!

>> * GERANIUMS IN THE WINDER HYDRANGEAS ON THE LAWN

AND BREAKFAST IN THE KITCHEN IN THE TIMID PINK OF DAWN

AND YOU TO BLOW ME KISSES AS I HEADED FOR THE SEA

WE MIGHT HAVE BEEN A HAPPY PAIR OF LOVERS,

MIGHTN'T HAVE WE? * >> [CRYING]

>> * AND COMIN' HOME AT TWILIGHT IT MIGHT HAVE BEEN SO SWEET TO

TAKE MY CATCH OF HERRING AND LAY 'EM AT YOUR FEET

I MIGHT HAVE HAD A BABY * >> WHAT?

>> * TO DANDLE ON MY KNEE BUT ALL THESE THINGS THAT

MIGHT HAVE BEEN ARE NEVER, NEVER TO BE! *

>> [CRYING] >> * I NEVER SEE IT YET TO

FAIL, I NEVER SEE IT FAIL!

A GIRL WHO'S IN LOVE WITH A VIRTUOUS MAN IS DOOMED TO WEEP

AND WAIL STONECUTTERS CUT IT ON STONE,

WOODPECKERS PECK IT ON WOOD: THERE'S NOTHIN' SO BAD

FER A WOMAN AS A MAN WHO THINKS HE'S GOOD. *

>> [CRYING] >> NICE TALK!

>> * MY MOTHER USED TO SAY TO ME, "WHEN YOU GROW UP, MY SON,

I HOPE YOU'RE A BUM LIKE YER FATHER WAS, 'CAUSE A GOOD MAN

AIN'T NO FUN."

>> STONECUTTERS CUT IT ON STONE, WOODPECKERS PECK IT ON WOOD:

THERE'S NOTHIN' SO BAD FER A WOMAN AS

A MAN WHO THINKS HE'S GOOD.

>> 'TAIN'T SO!

>> 'TIS TOO!

>> 'TAIN'T SO!

>> 'TIS TOO! * >> ENOCH! SAY YOU FORGIVE ME!

SAY SOMETHING SWEET TO ME, ENOCH!

SOMETHING SOFT AND SWEET!

SAY SOMETHING SOFT AND SWEET!

>> BOSTON CREAM PIE!

[LAUGHTER] >> [CRYING]

>> HEY, JIGGER...YOU THINK?

>> WHEN IS IT TIME TO START THAT TREASURE HUNT?

>> RIGHT NOW!

YOU ALL GOT YOUR PARTNERS?

TWO MEN TO EACH TEAM.

YOU HAVE HALF AN HOUR TO FIND THE TREASURE.

THE WINNERS GET TO KISS ANY GIRLS THEY WANT!

>> ALL RIGHT! HUH?

>> BILLY? ARE YOU GOING WITH JIGGER?

DON'T YOU THINK THAT'S FOOLISH?

>> WHY?

>> NEITHER OF YOU KNOWS THE ISLAND WELL.

YOU OUGHT TO SPLIT UP AND EACH-- >> LOOK, WE'RE PARTNERS, SEE?

>> I DON'T KNOW WHAT GETS INTO MEN.

[ORCHESTRA PLAYING] >> * I NEVER SEE IT YET

TO FAIL >> I NEVER SEE IT FAIL!

A GIRL WHO'S IN LOVE WITH ANY MAN IS DOOMED TO WEEP

AND WAIL. * >> AND IT'S EVEN WORSE

WHEN THEY MARRY YOU.

>> YOU OUGHT TO GIVE HIM BACK THAT RING, CARRIE.

YOU'D BE BETTER OFF.

>> HERE'S ARMINY.

BEEN MARRIED A WHOLE YEAR.

SHE'LL TELL YOU.

>> * THE CLOCK JEST TICKS YER LIFE AWAY, THERE'S NO RELIEF

IN SIGHT.

IT'S COOKIN' AND SCRUBBIN' AND SEWIN' ALL DAY AND

GAWD-KNOWS-WHATIN' ALL NIGHT!

>> STONECUTTERS CUT IT ON STONE, WOODPECKERS PECK IT ON

WOOD: THERE'S NOTHIN' SO BAD FER A WOMAN AS A MAN

WHO'S BAD OR GOOD. * >> IT MAKES YOU WONDER,

DON'T IT?

>> NOW YOU TELL HER, JULIE.

>> SHE'S YOUR BEST FRIEND.

>> * TELL IT TO HER GOOD, JULIE, TELL IT TO HER GOOD!

>> WHAT'S THE USE OF WOND'RING IF HE'S GOOD OR IF

HE'S BAD, OR IF YOU LIKE THE WAY HE WEARS HIS HAT?

OH, WHAT'S THE USE OF WOND'RING IF HE'S GOOD OR IF HE'S BAD?

HE'S YOUR FELLER AND YOU LOVE HIM, THAT'S ALL

THERE IS TO THAT.

COMMON SENSE MAY TELL YOU THAT THE ENDING WILL BE SAD, AND

NOW'S THE TIME TO BREAK AND RUN AWAY.

BUT WHAT'S THE USE OF WOND'RING IF THE ENDING WILL BE SAD?

HE'S YOUR FELLER AND YOU LOVE HIM, THERE'S NOTHING

MORE TO SAY.

SOMETHING MADE HIM THE WAY THAT HE IS, WHETHER HE'S FALSE OR

TRUE, AND SOMETHING GAVE HIM THE THINGS THAT ARE HIS, ONE OF

THOSE THINGS IS YOU, SO WHEN HE WANTS YOUR KISSES, YOU WILL

GIVE THEM TO THE LAD, AND ANYWHERE HE LEADS YOU,

YOU WILL WALK.

AND ANYTIME HE NEEDS YOU, YOU'LL GO RUNNING THERE

LIKE MAD.

YOU'RE HIS GIRL AND HE'S YOUR FELLER,

AND ALL THE REST IS TALK. * >> BILLY! BILLY!

WHERE YOU GOING?

>> WHERE WE GOING?

>> WE'RE LOOKING FOR THE TREASURE.

>> I DON'T WANT YOU TO, BILLY.

LET ME COME WITH YOU.

>> NO.

>> BILLY!

>> I GOT NO TIME TO FOOL WITH WOMEN.

GET OUT OF MY WAY!

>> BILLY, LET ME HAVE THAT.

OH, PLEASE.

>> * COMMON SENSE MAY TELL YOU THAT THE ENDING WILL BE SAD,

AND NOW'S THE TIME TO BREAK AND RUN AWAY.

BUT WHAT'S THE USE OF WOND'RING IF THE ENDING WILL BE SAD?

HE'S YOUR FELLER AND YOU LOVE HIM,

THERE'S NOTHING MORE TO SAY. * [APPLAUSE]

>> SUPPOSE HE DON'T COME?

>> HE'LL COME.

>> JIGGER, YOU EVER KILLED A MAN BEFORE?

>> IF I DID, I WOULDN'T BE LIKELY TO SAY SO, WOULD I?

>> NO, GUESS NOT.

IF YOU DID--TONIGHT, I MEAN, IF WE...YOU KNOW, I SUPPOSE SOMEDAY

WHEN WE DIE WE'LL--WE'LL HAVE TO GO BEFORE...

>> BEFORE WHO? BEFORE GOD?

YOU AND ME? NOT A CHANCE!

WHAT'S THE HIGHEST COURT THEY EVER DRAGGED YOU INTO?

>> POLICE MAGISTRATE, I GUESS.

>> SAME THING IN THE NEXT WORLD.

FOR THE RICH FOLKS, THE HEAVENLY COURT AND THE HIGH JUDGE.

FOR YOU AND ME, POLICE MAGISTRATES.

FOR THE RICH FOLK, FINE MUSIC AND CHUBBY LITTLE ANGELS.

>> WE DON'T GET NO MUSIC?

>> NOT A NOTE.

ALL WE GET IS JUSTICE!

THERE'LL BE PLENTY OF THAT FOR YOU AND ME.

YES, SIR, NOTHING BUT...

SOMEONE'S COMING!

>> EXCUSE ME, SIR.

DO YOU HAVE THE TIME?

>> [GRUNTING] >> DON'T BUDGE,

EITHER ONE OF YOU.

DROP THE KNIFE.

[WHISTLE BLOWS] GO AFTER THAT ONE.

HE'S RUNNING UP MAPLE STREET.

I'LL COVER THE OTHER ONE.

YOU WANTED TO KNOW WHAT TIME IT WAS.

I'LL TELL YOU WHAT, THE TIME FOR YOU WILL BE 10 OR 20

YEARS IN PRISON.

>> NO, IT WON'T.

I AIN'T GOING TO NO PRISON.

>> STOP HIM!

>> JULIE!

>> THE OTHER ONE GOT AWAY.

IS HE DEAD?

>> I DON'T THINK SO, HE'S STILL BREATHING.

>> THE FOOLS.

THEY DIDN'T EVEN NOTICE I WAS COMING FROM THE SHIP, NOT TO IT.

THE MONEY THEY TRIED TO KILL ME FOR IS LOCKED UP

IN THE SHIP'S SAFE.

[VOICES OFFSTAGE] >> WHAT'S THAT?

>> THE FOLKS COMING BACK FROM THE CLAMBAKE.

>> YOU'D BETTER STOP THEM.

>> YES, SIR.

ALL RIGHT, GET BACK THERE.

GET BACK. STAY BACK.

>> WHO IS IT?

>> IT'S BILLY.

>> BILLY BIGELOW?

>> BILLY!

>> JIGGER TOLD ME HOW I COULD GET AHOLD OF A LOT OF

MONEY, SEE...

>> YES.

>> HOLD MY HAND TIGHT.

>> I AM HOLDING IT TIGHT.

ALL THE TIME.

>> TIGHTER.

TIGHTER STILL!

JULIE?

>> THE GOOD LORD WILL HELP HIM NOW, MA'AM.

>> JULIE, DON'T BE MAD AT ME FOR SAYING THIS, BUT YOU'RE

BETTER OFF THIS WAY.

>> CARRIE'S RIGHT.

>> TELL ME, JULIE, AM I RIGHT?

>> YOU'RE RIGHT, CARRIE.

>> HE'S BETTER OFF TOO, THE POOR FELLOW.

BELIEVE ME, JULIE, HE'S BETTER OFF, TOO.

>> DON'T YOU CRY, CARRIE.

>> GOD BE WITH YOU, JULIE.

>> WHERE IS HE? WHERE IS HE?

>> DON'T LET HER!

>> NO, NO. PLEASE!

[CRYING] >> SLEEP, BILLY.

SLEEP LIKE A GOOD BOY.

I KNEW WHY YOU HIT ME.

YOU WERE QUICK-TEMPERED AND UNHAPPY.

THAT DON'T EXCUSE IT. BUT I GUESS I ALWAYS KNEW EVERYTHING

YOU WERE THINKING.

BUT YOU DIDN'T ALWAYS KNOW WHAT I WAS THINKING.

ONE THING I NEVER TOLD YOU, BECAUSE I WAS SCARED YOU'D

LAUGH AT ME.

BUT I'LL TELL YOU NOW.

I LOVE YOU.

I LOVE YOU.

I WAS ALWAYS SO ASHAMED TO SAY IT OUT LOUD.

BUT THERE, I SAID IT.

DIDN'T I? I SAID IT.

WHAT AM I GONNA DO NOW?

>> YOU'RE GONNA STAY ON HERE WITH ME.

SO I CAN BE WITH YOU WHEN YOU HAVE THE BABY.

MAIN THING IS TO KEEP ON LIVING.

KEEP ON CARING ABOUT WHAT'S GOING TO HAPPEN.

REMEMBER THAT SONG YOU USED TO SING AS A GIRL?

DO YOU REMEMBER THE WORDS?

BECAUSE IF YOU DO, SING 'EM NOW.

SEE IF YOU KNOW WHAT THEY MEAN.

[ORCHESTRA PLAYING] >> * WHEN YOU WALK

THROUGH A STORM KEEP YOUR CHIN UP HIGH

AND DON'T BE AFRAID...OF...

THE...DARK...

>> WHEN YOU WALK THROUGH A STORM KEEP YOUR CHIN UP HIGH

AND DON'T BE AFRAID OF THE DARK.

AT THE END OF THE STORM IS A GOLDEN SKY AND THE SWEET SILVER

AT THE END OF THE STORM IS A GOLDEN SKY AND THE SWEET SILVER

SONG OF A LARK.

WALK ON THROUGH THE WIND, WALK ON THROUGH THE RAIN, THO' YOUR

DREAMS BE TOSSED AND BLOWN.

WALK ON, WALK ON, WITH HOPE IN YOUR HEART AND YOU'LL NEVER

WALK ON, WALK ON, WITH HOPE IN YOUR HEART AND YOU'LL NEVER

WALK ALONE, YOU'LL NEVER WALK ALONE. *

WALK ALONE, YOU'LL NEVER WALK ALONE. *

[APPLAUSE]

>> GET UP, BILLY.

>> HUH? WHO ARE YOU?

>> SHAKE YOURSELF UP.

GOT TO GET GOING.

>> GOING? WHERE?

>> NEVER MIND WHERE.

IMPORTANT THING IS YOU CAN'T STAY HERE.

>> JULIE!

>> SHE CAN'T HEAR YOU.

NOT SINCE YOU KILLED YOURSELF.

>> SO IT'S ALL OVER?

>> IT'S NOT AS SIMPLE AS THAT.

AS LONG AS THERE IS ONE PERSON ON EARTH WHO REMEMBERS YOU,

IT ISN'T OVER.

NOW COME ALONG, IT'S TIME FOR YOU TO SEE THE JUDGE.

>> JUDGE!

I'M GOING BEFORE GOD HIMSELF?

>> WHAT HAVE YOU EVER DONE THAT YOU SHOULD COME BEFORE HIM?

>> SO THAT'S IT!

JUST LIKE JIGGER SAID, "NO SUPREME COURT FOR THE LITTLE

PEOPLE, JUST POLICE MAGISTRATES!"

>> WHO SAID ANYTHING ABOUT THAT?

>> I TELL YOU, IF THEY KICK ME AROUND UP HERE LIKE THEY

DID DOWN ON EARTH, I'M GOING TO DO SOMETHING ABOUT IT.

I TELL YOU, I'M GOING BEFORE THE LORD GOD HIMSELF, STRAIGHT

TO THE TOP, YOU HEAR ME?

>> SIMMER DOWN, BILLY, SIMMER DOWN!

>> * TAKE ME BEYOND THE PEARLY GATES THROUGH THE

BEAUTIFUL MARBLE HALL, TAKE ME BEFORE THE HIGHEST JUDGE AND

LET ME JUDGED BY THE HIGHEST JUDGE OF ALL!

LET THE LORD SHOUT AND YELL, LET HIS EYES FLASH FLAME.

I PROMISE NOT TO QUIVER WHEN HE CALLS MY NAME.

LET HIM SEND ME TO HELL, BUT BEFORE I GO, I FEEL THAT I'M

ENTITLED TO A HELL OF A SHOW!

WANT PINK-FACED ANGELS ON A PURPLE CLOUD, TWANGIN' ON THEIR

HARPS TILL THEIR FINGERS GET RED.

WANT ORGAN MUSIC--LET IT ROLL OUT LOUD, ROLLING LIKE A WAVE

WASHIN' OVER MY HEAD!

WANT EV'RY STAR IN HEAVEN HANGIN' IN THE ROOM.

SHININ' IN MY EYES WHEN I HEAR MY DOOM!

RECKON MY SINS ARE GOOD, BIG SINS, AND THE PUNISHMENT

WON'T BE SMALL.

SO TAKE ME BEFORE THE HIGHEST THRONE AND LET ME BE JUDGED BY

THE HIGHEST JUDGE OF ALL. * [APPLAUSE]

THE HIGHEST JUDGE OF ALL. * [APPLAUSE]

>> THIS WAY, BILLY!

>> HEY, WHAT'S ALL THIS?

WHO ARE YOU?

[APPLAUSE] >> NEVER MIND WHO I AM,

BIGELOW.

>> WHERE AM I?

>> YOU'RE IN THE BACK YARD OF HEAVEN. THERE ARE THE GATES

OVER THERE.

>> THE PEARLY GATES!

>> NOPE. THE PEARLY GATES ARE IN FRONT.

THOSE ARE THE BACK GATES.

[LAUGHTER] THEY'RE JUST MOTHER-OF-PEARLY.

[LAUGHTER] >> I DON'T WANNA GO THROUGH NO

BACK GATE! I'M GOING BEFORE THE HIGHEST...

>> YOU'LL GO WHERE WE SEND YOU, YOUNG MAN.

>> AND WHERE IS THAT?

>> DON'T YELL.

>> I DIDN'T YELL!

>> WELL, DON'T.

NOW, THIS--THIS IS A ROUTINE QUESTION I GOT TO

ASK EVERYBODY.

IS THERE ANYTHING ON EARTH YOU LEFT UNFINISHED? THE REASON I

ASK IS THAT YOU'RE ENTITLED TO GO BACK FOR ONE DAY

IF YOU WANT TO.

>> I DON'T KNOW.

AS LONG AS I'M HERE, I WON'T GO BACK.

>> WAIVES HIS RIGHT TO GO BACK.

>> COULD I ASK YOU A QUESTION, THOUGH? THE BABY.

IS IT GONNA BE A BOY OR A GIRL?

>> JUST LET ME DO THE ASKING.

YOU DO THE ANSWERING.

I GOT MY ORDERS.

YOU LEFT YOUR WIFE HAVING THAT BABY COMING ON, WITH NOTHING

FOR THEM TO LIVE ON.

WHY'D YOU DO THAT?

>> I COULDN'T GET ANY WORK, SEE, AND I COULDN'T BEAR THE--

>> YOU COULDN'T BEAR TO SEE HER CRY.

WHY'D YOU BEAT HER?

>> I DIDN'T BEAT HER.

I WOULDN'T BEAT A LITTLE THING LIKE THAT.

I HIT HER.

>> WHY?

>> WELL, WE GET TO ARGUING, SEE, AND SHE--SHE'D SAY THIS

AND I'D SAY THAT AND SHE'D BE RIGHT,

SO I HIT HER.

>> NOW, SEE HERE, SON.

IT'S ONLY FAIR TO TELL YOU YOU'RE IN A PRETTY TIGHT CORNER.

YOU HAVEN'T DONE ENOUGH GOOD IN YOUR LIFE TO GET IN THERE,

NOT EVEN THROUGH THE BACK DOOR.

>> ALL RIGHT, IF I CAN'T GET IN, I CAN'T.

>> I DIDN'T SAY YOU CAN'T.

I SAID YOU HAVEN'T DONE ENOUGH SO FAR.

WHY DON'T YOU GO DOWN TO EARTH FOR A DAY, LIKE I SAID YOU

COULD. DO SOMETHING REAL FINE FOR SOMEONE. LIKE YOUR LITTLE

DAUGHTER.

>> A DAUGHTER?

A GIRL? MY BABY?

>> SHE AIN'T A BABY ANYMORE.

SHE'S 15 YEARS OLD.

>> HOW COULD THAT BE?

>> BILLY, A YEAR ON EARTH, JUST A MINUTE UP HERE.

WOULD YOU LIKE TO LOOK DOWN AND SEE HER?

>> IS SHE HAPPY?

>> NO, BILLY, SHE AIN'T.

SHE'S A LOT LIKE YOU.

THAT'S WHY I FIGURE YOU'D BE THE ONE COULD HELP HER THE

MOST, IF YOU WAS THERE.

>> IF SHE AIN'T HAPPY, I DON'T WANT TO LOOK.

>> WELL, RIGHT THIS MINUTE, SHE APPEARS TO BE

HAVING A FINE TIME.

YES, SIR!

THERE SHE IS, RUNNING ON THE BEACH. GOT HER SHOES AND

STOCKINGS OFF.

>> LIKE I USED TO DO!

>> DON'T YOU THINK YOU'D BETTER TAKE A LOOK?

>> WHERE IS SHE?

WHAT DO I HAVE TO DO TO SEE HER?

>> JUST LOOK AND WAIT.

THE POWER TO SEE HER WILL COME TO YOU.

>> IS THAT HER?

THE LITTLE KID WITH THE BRIGHT EYES?

>> PRETTY, AIN'T SHE?

>> MY LITTLE GIRL!

[ORCHESTRA PLAYING] >> LOOK AT WHAT YOU'RE WEARING!

MY FATHER BOUGHT ME MY PRETTY DRESS.

>> MY FATHER WOULD HAVE BOUGHT ME A PRETTY DRESS, TOO.

HE WAS A BARKER ON A CAROUSEL.

>> YOUR FATHER WAS A THIEF.

[ORCHESTRA PLAYING]

[APPLAUSE]

>> WHY DID YOU MAKE ME LOOK?

>> YOU SAID YOU WANTED TO.

>> I KNOW WHAT SHE'S GOING THROUGH.

>> SOMETHING LIKE WHAT HAPPENED TO YOU WHEN YOU WAS A

KID, AIN'T IT?

>> SOMEONE OUGHT TO HELP HER.

>> YEAH, SOMEBODY OUGHT TO.

OFFER'S STILL OPEN, BILLY.

LIKE I SAID, YOU'RE THE ONE COULD HELP HER THE MOST

IF YOU'RE WILLING TO TRY.

>> AND SO THE NEXT DAY WE ALL CLIMBED TO THE TOP OF THE

STATUE OF LIBERTY.

ENOCH AND ME AND THE 9 KIDS.

[LAUGHTER] >> DID YOU GO TO ANY THEATERS

IN NEW YORK?

>> COURSE WE DID!

ENOCH TOOK ME TO ONE OF THOSE "EXTRAVAGANZAS." AND

THE CURTAIN COME UP AND THE FIRST THING YOU SEE IS 12

HUSSIES WITH NOTHING ON THEIR LEGS BUT TIGHTS!

>> WHAT HAPPENED THEN?

>> WELL, ENOCH JUST GRABBED HOLD OF MY ARM, DRAGGED ME

RIGHT OUT OF THE THEATER.

BUT I WENT BACK THE NEXT DAY, TO A MATINEE, TO SEE HOW THE

STORY COME OUT.

>> ALL BY YOURSELF?

YOU'RE LUCKY YOU DIDN'T SEE ANYBODY YOU KNOW.

>> I DID.

>> WHO?

>> ENOCH!

[LAUGHTER] THERE WAS THIS ONE GIRL WHO

SUNG THIS AWFUL CATCHY SONG.

SHE--HERE--SHE THREW HER LEG UP OVER A FENCE LIKE THIS AND

SHE SUNG...

* I'M A TOMBOY, JEST A TOMBOY!

I'M A MADCAP MAIDEN FROM BROADWAY!

I'M A TOMBOY, A MERRY TOMBOY-- * >> TURN YOUR EYES AWAY, JUNIOR!

>> [LAUGHS] >> I WAS JUST TELLING JULIE

ABOUT THAT SHOW, "MADCAP MAIDENS"!

>> WON'T YOU STAY AND VISIT WITH US?

>> I'M AFRAID WE HAVEN'T TIME.

MRS. SNOW AND I HAVE TO STOP BY THE MINISTER'S ON OUR WAY

TO THE GRADUATION.

AND I'LL THANK YOU VERY MUCH NOT TO SING "I'M A TOMBOY" TO

THE MINISTER'S WIFE.

>> I ALREADY DID.

>> PA, CAN I STAY AND TALK TO LOUISE? JUST FOR 5 MINUTES?

>> 5 MINUTES, NO MORE!

>> I WISH WE COULD STAY LONGER.

>> GOOD-BYE. WE'LL SEE YOU AT THE GRADUATION.

>> STILL LOLLYGAGGING.

YOU'D THINK A WOMAN WITH 9 CHILDREN WOULD HAVE MORE SENSE.

>> IF I HAD MORE SENSE, I WOULDN'T HAVE 9 CHILDREN!

[LAUGHTER] >> SAY, WHAT ARE YOU GOING TO

DO AFTER YOU GRADUATE?

>> CAN YOU KEEP A SECRET?

>> CAN SHE SEE ME?

>> ONLY IF YOU WANT HER TO.

>> WELL, WHAT'S THE SECRET?

>> I'M GOING TO BE AN ACTRESS.

THERE'S A TROUPE COMING THROUGH HERE NEXT WEEK.

I MET A FELLOW, SAYS HE'LL HELP ME!

>> YOU MEAN RUN AWAY?

>> SHH!

>> I WON'T LET YOU DO IT!

>> WELL, HOW'LL YOU STOP ME?

>> I'LL--I'LL MARRY YOU.

THAT'S HOW.

HARDEST THING WILL BE TO PERSUADE PAPA TO LET ME MARRY

BENEATH MY STATION.

[LAUGHTER] >> YOU NEEDN'T BOTHER ABOUT

MARRYING BENEATH YOUR STATION!

I WOULDN'T HAVE YOU.

AND I WOULDN'T HAVE THAT STUCK-UP PEACOCK FOR A

FATHER-IN-LAW IF HE PAID ME A MILLION DOLLARS!

>> YOU'RE A FINE ONE TO TALK ABOUT MY FATHER!

WHAT ABOUT YOUR OWN?

A CHEAP BARKER ON A CAROUSEL!

AND HE BEAT YOUR MOTHER.

>> YOU GET OUT OF HERE!

YOU AREN'T BETTER THAN ANYBODY, NO MATTER WHAT YOU SAY!

>> IF I WANT HER TO SEE ME, SHE WILL?

LITTLE GIRL?

LOUISE?

>> WHO ARE YOU?

HOW'D YOU KNOW MY NAME?

>> I KNEW YOUR FATHER.

I HEARD WHAT THAT NO-GOOD KID SAID.

IT AIN'T TRUE, ANY OF IT.

>> IT IS TRUE. ALL OF IT.

>> WHAT...WHAT'S YOUR MOTHER TOLD YOU ABOUT HIM?

>> SHE'S ALWAYS SAYING WHAT A HANDSOME FELLOW HE WAS.

>> HE WAS!

HANDSOMEST FELLOW AROUND.

LOOK, I WANT TO GIVE YOU A PRESENT.

>> I'M NOT SUPPOSED TO TAKE PRESENTS FROM STRANGERS.

>> I DON'T MEAN ANY HARM.

I WANNA GIVE YOU A PRESENT.

>> WHAT'S THAT?

>> IT'S A STAR.

FROM THE SKY.

>> GO AWAY!

YOU'RE FRIGHTENING ME!

>> DARLING, PLEASE!

>> DON'T CALL ME DARLING!

LET GO OF MY ARM!

>> I JUST WANT TO HELP YOU!

>> NO!

>> PLEASE, DARLING, PLEASE!

>> OH! MOTHER! MOTHER!

>> FAILURE. YOU STRUCK OUT BLINDLY AGAIN.

IS THAT THE ONLY WAY YOU KNOW HOW TO TREAT THOSE YOU LOVE?

FAILURE.

>> WHERE IS HE?

[ORCHESTRA PLAYING] >> I DON'T WANT HER TO SEE ME.

>> THEN SHE DOESN'T.

>> I THINK SHE SAW ME BEFORE I SAID IT.

>> I THINK SHE SAW ME BEFORE I SAID IT.

>> HE'S GONE!

I DIDN'T MAKE IT UP, MOTHER.

HONEST, THERE WAS A STRANGE MAN HERE AND HE HIT ME HARD.

I HEARD THE SOUND OF IT.

BUT IT DIDN'T HURT, MOTHER!

IT DIDN'T HURT AT ALL.

IT WAS ALMOST AS IF HE-- KISSED MY HAND!

DON'T YOU BELIEVE ME, MOTHER?

>> I BELIEVE YOU.

>> THEN WHY ARE YOU ACTING SO FUNNY?

>> IT'S NOTHING, DARLING.

>> BUT IS IT POSSIBLE, MOTHER, FOR SOMEONE TO HIT YOU

HARD LIKE THAT--REAL LOUD AND HARD--AND NOT HURT YOU AT ALL?

>> IT'S POSSIBLE, DEAR--FOR SOMEONE TO HIT YOU--HIT YOU

HARD--AND NOT HURT AT ALL.

>> JULIE! JULIE!

* LONGING TO TELL YOU, BUT AFRAID AND SHY,

I LET MY GOLDEN CHANCES PASS ME BY.

NOW I'VE LOST YOU; SOON I WILL GO IN THE MIST OF DAY, AND YOU

NEVER WILL KNOW HOW I LOVED YOU, HOW I LOVED YOU *

NEVER WILL KNOW HOW I LOVED YOU, HOW I LOVED YOU *

[APPLAUSE] SHE TOOK THE STAR!

SHE TOOK IT!

IT'S AS IF SHE KNEW I WAS HERE.

>> JULIE WOULD ALWAYS KNOW.

>> MY LITTLE GIRL.

I GOT TO DO SOMETHING FOR HER.

CAN YOU TAKE ME TO HER GRADUATION?

>> ALL RIGHT, BILLY.

>> ENOCH SNOW, JUNIOR.

>> HOORAY, ENOCH!

THAT'S MY BROTHER!

>> ENOUGH OF THAT, YOUNG LADY!

>> MISS LOUISE BIGELOW.

>> LOOK. GETTING HER DIPLOMA LIKE I NEVER DID.

>> AND NOW WE'LL HAVE A FEW WORDS FROM DR. SHELDON.

>> SAY, HE LOOKS AN AWFUL LOT LIKE THAT FELLOW ON THE LADDER.

>> YES, A LOT OF THESE COUNTRY DOCTORS AND MINISTERS DO.

>> IT'S THE CUSTOM AT THESE GRADUATIONS TO PICK OUT

SOME OLD DUCK LIKE ME TO PREACH AT THE KIDS.

I CAN'T PREACH TO YOU.

I KNOW YOU ALL TOO WELL.

BROUGHT MOST OF YOU INTO THE WORLD.

RUBBED LINIMENT ON YOUR BACKS, POURED CASTOR OIL

DOWN YOUR THROATS.

WELL, ALL I HOPE IS THAT NOW I GOT YOU THIS FAR, YOU'LL

TURN OUT TO BE WORTH ALL THE TROUBLE I TOOK WITH YOU.

I CAN'T TELL YOU ANY SURE WAY TO HAPPINESS.

ALL I KNOW IS YOU GOT TO GO OUT AND FIND IT FOR YOURSELVES.

YOU CAN'T LEAN ON THE SUCCESS OF YOUR PARENTS.

THAT'S THEIR SUCCESS.

AND DON'T BE HELD BACK BY THEIR FAILURES.

MAKES NO DIFFERENCE WHAT THEY DID OR DIDN'T DO.

YOU JUST STAND ON YOUR OWN TWO FEET.

>> LISTEN TO HIM. BELIEVE HIM.

>> THE WORLD BELONGS TO YOU AS MUCH AS TO THE NEXT FELLOW.

DON'T GIVE UP!

AND TRY NOT TO BE SCARED OF PEOPLE NOT LIKING YOU,

JUST YOU TRY LIKING THEM.

JUST KEEP YOUR FAITH AND YOUR COURAGE, AND YOU'LL COME OUT

ALL RIGHT.

IT'S LIKE THAT SONG WE USED TO SING EVERY MORNING

WHEN I WENT TO SCHOOL.

MAYBE YOU STILL SING IT-- I DUNNO.

"WHEN YOU WALK THROUGH A STORM, * KEEP YOUR CHIN UP HIGH..."

YOU KNOW THAT ONE?

>> * AND DON'T BE AFRAID OF THE DARK. *

>> BELIEVE HIM, DARLING!

BELIEVE!

>> * AT THE END OF THE STORM IS A GOLDEN SKY AND THE SWEET

SILVER SONG OF A LARK.

WALK ON THROUGH THE WIND, WALK ON THROUGH THE RAIN,

THOUGH YOUR DREAMS BE TOSSED AND BLOWN. *

>> I LOVE YOU, JULIE!

KNOW I LOVED YOU!

>> * WALK ON, WALK ON, WITH HOPE IN YOUR HEART,

AND YOU'LL NEVER WALK ALONE!

YOU'LL NEVER WALK ALONE *

YOU'LL NEVER WALK ALONE *

[APPLAUSE]

>> WE HOPE YOU ENJOYED TONIGHT'S PERFORMANCE OF "CAROUSEL."

ON BEHALF OF "LIVE FROM LINCOLN CENTER," I'M AUDRA McDONALD.

GOOD NIGHT.

[APPLAUSE] [PLAYING CLASSICAL MUSIC]