Original subtitles

.

KELLY ANNE: Previously on Queen of the South...

I know you can't run from the CIA.

You're a liability. You're coming with us.

This is how we clean it up.

This is Sebastián Muñoz.

I was expecting Castel.

She sends her regrets that

she could not be here in person.

She owns the whole ‐‐‐‐‐‐ city.

She's been treating me really, really nice.

She's looking to replace me with you.

(tense music)

(grunting)

This is Boaz.

He's making his move.

Blonde that was with me. Where is she?

♪ ♪

They took Kelly Anne.

♪ ♪

(solemn music)

♪ ♪

(tires squealing)

(exciting music)

♪ ♪

(horns honking)

Look out!

(horn blaring)

(grunting)

You're gonna get us killed.

(phone beeps)

(line trilling)

(phone ringing)

James.

JAMES: Any word on Boaz?

No.

Osvaldo just checked out the hotel.

We missed him.

TERESA: We got a tip about a charter plane to Mexico.

It could be them.

Maybe Kelly Anne's with them.

TERESA: Yes.

We're on our way. I'll text you the address.

JAMES: All right. We'll meet you there.

‐POTE: Where to? ‐(notification chimes)

Private airfield. Slidell.

Hold on.

(horn honking)

(Kelly Anne grunts)

‐(Kelly Anne groans) ‐BOAZ: (speaking Spanish)

We wouldn't want anything to happen to Little Potemkin.

After all,

two lives are more valuable than one.

ANGEL: (speaking Spanish)

(Boaz laughs)

OSVALDO: (speaking Spanish)

I want to see you very soon, mi amor.

I cannot wait to hug you and the girls.

(gunfire echoes)

(both grunting)

I love you.

Where's Kelly Anne?

¿Quién?

Shoot him.

‐(gunfire echoes) ‐(Osvaldo screams)

Ah! Shit! Ah, shit.

What do you want, la?

(Osvaldo groans)

What is wrong with you people?

I don't know what you're talking about.

You do.

If you want to live, you'll tell me.

BOAZ: This isn't personal.

I've always liked you.

I don't want to hurt you or your baby.

When this is all over,

I promise you're gonna walk away.

Pote's gonna kill you for this.

(chuckles)

If Pote were half the man you say he is,

you wouldn't be here now.

(phone buzzing)

Digame.

OSVALDO: (speaking Spanish)

(Boaz chuckles)

(speaking Spanish)

‐¿Porque? ‐Teresa is here!

Don't come! Don't come!

(gags)

Let her go,

and I'll give you the business.

BOAZ: Fijate, Teresa.

You can't give me what's already mine.

Then tell me what you want.

(Boaz laughs)

You'll find out soon enough.

(Boaz hangs up)

(Osvaldo grunts)

Change of plans, chula.

Regresate. Ahora.

(tires squealing)

(Kelly Anne groaning)

(dramatic music)

♪ ♪

(dramatic musical sting)

.

(Osvaldo grunting)

TERESA: Check his tourniquet,

so he doesn't bleed out too soon.

(tense music)

♪ ♪

OSVALDO: (speaking Spanish)

I got nothing to say to you.

Where is she?

I'm not gonna play your games.

It's not gonna save your little lady.

(grunts)

JAMES: Teresa, wait.

I didn't want to say it in front of Pote, but‐‐

You think Kelly Anne is dead?

JAMES: Or she will be soon.

He could have killed her at the clinic.

He wants something.

He already controls Mexico, Miami,

and now the corridor.

Without cocaine, there's no cartel.

Do you want to enlist Castel?

If she cuts off his supply,

we can force him to release Kelly Anne.

ANGEL: Come.

Anda. Come.

(speaking Spanish)

We got big plans for you.

You're gonna need your strength.

BOAZ: (speaking Spanish)

I thought you might be cold.

(slurps)

Damn, it's hot.

Sorry.

My primo.

Rough around the edges.

Not so good with the ladies.

That's better.

Sorry about your situation.

Teresa left me no choice.

Oh, no choice?

She could have killed you after you murdered the judge.

She would have lost your shipment

at the Port of Altamira.

(tense music)

The day you walked in with the judge's head,

our shipment got stopped in Altamira.

♪ ♪

You did that, didn't you?

(scoffs)

You orchestrated that whole thing

so she'd have to choose you over Dumas.

(sighs) It was a gamble.

Altamira forced her hand,

but once she bypassed Mexico with all the shipments,

I knew she was making a move against me.

So I made moves of my own.

You know, people equate crazy with stupid.

And I'm neither.

Everyone's gonna find out soon enough.

Castel isn't answering.

Teresa, there's something you need‐‐

(phone buzzes)

Yes?

MUÑOZ: I understand you called.

TERESA: I need to speak with Castel.

I'm afraid that's not possible.

TERESA: I still need to speak to her.

We're aware of your situation,

and Boaz has assured us that

the issue between you two will not affect our business

and that our shipments should continue on schedule,

to Mexico and Miami.

TERESA: You're choosing to do business with a psychopath.

MUÑOZ: I'm not choosing sides, Teresa.

TERESA: You are.

You never ship directly to Miami.

Well, given this current situation,

we feel it's, uh‐‐ it's for the best.

‐It's not person‐‐ ‐(phone beeps)

(soft somber music)

♪ ♪

There's something you need to know.

(exhaling shakily)

What?

Castel is a CIA asset.

She works for Devon Finch.

Why didn't you tell me?

I'm sorry, but you have plans to go legit.

I didn't want to derail that.

As long as you're inside of their circle,

your money's flowing.

You were protecting me.

If Castel works for the CIA,

then maybe Devon can fix this.

I'll call him.

(phone keypad beeping)

(line trilling)

POTE: Wake him up.

(inhales deeply, gagging)

I can keep you alive like this for days, cabrón.

Or you tell me what I want to know,

and it all ends now.

(speaking Spanish)

We were supposed to fly out together.

That is all I know.

Boaz have a safehouse?

Where is it?

OSVALDO: Come on.

(speaking Spanish)

We only talk by phone, cabrón.

I don't believe you, guey.

You lied to me once.

(both grunt)

I had no choice, cabrón.

Boaz would have killed my family in Mexico.

(speaking Spanish)

So come on.

Get on with it.

I'm gonna tell you something, cabrón.

If my woman dies...

I'm gonna be the one visiting your family.

And I can promise you one thing.

I'll do a lot worse than Boaz.

(Osvaldo screaming in pain)

POTE: So where is she?

(loudly) Where?

OSVALDO: What you want to know, I cannot give you, cabrón.

Pero I can tell you one thing.

I've known Boaz my whole life.

He killed his own brother.

So your little lady

is as good as dead.

(laughing)

Sorry.

I just pray to God

that he takes his time...

killing her, you know?

‐Ella y tu hijo‐‐ ‐(skull crunches)

(grunting)

(screams)

(panting)

(phone buzzes)

Where is she, cabrón?

KELLY ANNE: Pote! Pote!

I believe that's what you call proof of life.

If you hurt her, I will carve you

like the ‐‐‐‐‐‐ puerco que eres, cabrón.

I'm not an animal, puto.

I don't kill women and kids for sport.

I'm trying to negotiate in good faith.

Osvaldo is dead.

I don't give a shit about Osvaldo.

I want someone else.

You can have me.

(laughs)

You think too highly of yourself, ‐‐‐‐‐‐ gordo.

You know who I want.

Kelly Anne and your baby

for Teresa.

Think it over, cabrón.

It's the only deal on the table.

(Boaz hangs up)

(suspenseful music)

♪ ♪

.

I can't get ahold of Devon.

I've tried every number.

TERESA: We're out of time.

Make the call.

JAMES: Wait.

If you give yourself up,

you're at Boaz's mercy.

Do it.

(dramatic music)

♪ ♪

(singer vocalizing mournfully)

POTE: Get out of the car, Teresita.

TERESA: No.

POTE: I cannot do this.

Please save yourself.

Go.

You go in there without me, they'll kill you both.

POTE: I will not go down without a fight.

I will either bring Kelly Anne home, or I will die trying.

But I will not hand you over.

We chose this life.

Your baby didn't.

I'm going in with you.

Let's go.

POTE: (strained) No.

TERESA: Let's go.

(engine revs)

(somber music)

♪ ♪

(both speaking Spanish)

(engine turning over)

(sinister music)

♪ ♪

It's time.

Do it.

Tighter.

‐(silenced gunshots echo) ‐(men grunting)

The gate's secure.

Copy.

I've got eyes.

(Kelly Anne gasping)

POTE: What is he doing, cabrón?

Tell him to bring her here.

Calmate.

We'll have a little chat.

Lay down the ground rules.

What ‐‐‐‐‐‐ rules, cabrón?

You're gonna walk away from this peacefully

and disappear.

Never return after this is over.

I need to hear it.

Make me believe,

or no one walks out of here.

Oh, don't worry. I'll make you a believer‐‐

TERESA: Stop.

I'm here. You got what you want.

Now let them go.

(chuckles) See, that's where you mess up.

Always thinking with your heart,

not your head.

That's why you're here now.

I don't think you ever understood

the darker side of this business, Teresa.

You're wrong.

I understand perfectly.

BOAZ: You're bluffing.

That's not even a live grenade.

It's a dud.

(grenade pin pops)

You want to find out?

(metal clangs)

(gunshots echoing)

(indistinct shouting)

‐KELLY ANNE: Pote! ‐ANGEL: Get in the truck!

(grenade explodes)

(shouting indistinctly)

(tense dramatic music)

♪ ♪

JAMES: Let's go.

POTE: Kelly Anne!

Kelly Anne!

No!

No, Teresa! No!

‐Pote! ‐POTE: No.

TERESA: No! Pote!

Pote!

Fu‐‐!

.

(tense music)

♪ ♪

(phone buzzes)

¿Donde estas, cabrón?

You messed up, puto.

I was willing to play fair.

Now, all bets are off.

My life for Kelly Anne's.

You had your chance, pendejo.

Now she's gonna pay the price.

If you hurt her, then I swear to God, I'll‐‐

BOAZ: I'm not gonna kill her.

But where she's going, she's gonna wish I had.

I'm sending her down the rabbit hole, cabrón.

She'll catch a good price.

Pretty guera like her.

And with child.

You better pray it's not a girl.

(Boaz hangs up)

(screaming)

(Mateo groaning)

POTE: You alive, cabrón? Huh?

(loudly) Where is he taking her?

Where is he taking her?

Look at me, boy. Look at me!

I'm gonna kill you, cabrón.

And I'm gonna God damn skin you!

Where is she?

What is this?

I heard you were looking for me.

It's Devon.

DEVON: You've done well for yourself, Teresa.

Seems like only yesterday, you were under Camila's thumb.

Like Castel is under yours.

She couldn't be working with Boaz without your permission.

DEVON: Permission?

They did this

on my order.

You never were much for small talk.

What do you want?

The U. S. has a Russian problem.

Underworld oligarchs are funneling billions

into the Cold War Redux.

And your new business partner sits atop the food chain.

You want me to stop selling to Kostya?

No.

I want you to kill him.

You do this,

your problems go away.

You're the CIA.

You want him dead, you can do it yourself.

The man is a ghost.

We know he's in country,

but we can't get a bead on him.

That's where you come in.

You seem surprised,

but that's how it's always been.

We allow people like you to exist

so that when we call on you for the greater good,

you answer without hesitation.

You said it yourself.

He's a ghost.

I can't kill someone I never met.

DEVON: You'll exploit your friendship with his cousin,

Oksana Volkova.

We all have a part to play.

My job is to select the players.

If I agree,

Boaz must release Kelly Anne.

You know it doesn't work like that.

First, you take out Kostya.

Then all the pieces fall back into place.

You need to think about the future

and the family you have left.

You cut off my supply.

You put me at odds with them.

You needed a dog in this fight.

Now you have one.

Kill or be killed.

‐ANGEL: Bajate. ‐KELLY ANNE: Okay, okay.

(knocks on door)

ANGEL: (speaking Spanish)

(rap music in Spanish playing)

♪ ♪

ANGEL: Move.

.

JAMES: Okay.

I'll let her know.

That was Avi.

They lost Pote on the trail,

and he's not answering his phone.

I'm sorry.

(line trilling)

I assume you're calling about this week's shipment.

It won't be coming.

OKSANA: Something's happened?

TERESA: Boaz has started a war against me,

and the Colombians are backing him.

What are you going to do about it?

I'm getting out of the business.

Teresa.

You can't do this.

I vouched for you with Kostya.

You know what that means for me.

I have a way out for both of us.

I want you to take over my business.

(Oksana laughs incredulously)

Without cocaine, there is no business.

TERESA: The Colombians can cut off Boaz

and reroute all the shipment to you,

but there's a price.

We need to kill Kostya.

(tense music)

(snorting)

Phew!

(both speaking Spanish)

(knocks on door)

MATEO: (speaking Spanish)

(knocks on door)

Oye, Angel.

ANGEL: (speaking Spanish)

(gunshots echoing)

(soft humming)

Kelly Anne?

(eerie music)

♪ ♪

(woman gasping)

(Reyes Del Bajo Mundo's "Eterno Ratero" playing)

♪ ♪

‐(music stops) ‐(scraping stops)

(zip tie scraping)

(speaking Spanish)

(exclaiming) madre.

(groaning)

(tires squealing)

POTE: Vamos.

Vayan. Corren.

(phone buzzing)

Diga.

Pote?

(panting)

Kelly Anne?

‐Kelly Anne? ‐(Kelly Anne crying)

POTE: Are you okay?

I didn't think I was gonna see you again.

POTE: I'm sorry I left you alone.

KELLY ANNE: It's okay. It's okay.

It's okay. I love you.

POTE: I love you too.

‐Oh, no. ‐KELLY ANNE: It's okay.

‐It's okay. It's okay. ‐POTE: Let's go home.

‐Come on. ‐Okay.

(gentle ambient music)

♪ ♪

(engine revs)

(dramatic musical sting)

TERESA: How is she?

She's okay.

The doctor gave her something to sleep.

She was a little shook up.

I'm just happy she's home and safe.

And the baby?

Everything is okay.

Gracias a Dios.

We need to talk.

Did you tell him?

Tell me what?

TERESA: We're getting out of the business.

If we leave now, we have a chance to escape.

POTE: What about Kostya?

James said that Devon wants him dead.

We cannot walk away from that.

TERESA: He will get what he wants.

Oksana will kill him.

And if she runs to him?

He'll kill her.

Killing him first.

It's the only way to save herself.

What about Boaz?

He cannot walk away, Teresita.

He needs to pay for what he's done.

He will.

Once Kostya is dead,

his supply will be cut off.

Between the Russians and the Colombians,

he'll get what's coming to him.

And if Oksana fails?

TERESA: Then we all fail.

There are no other options.

Teresa, Oksana's here.

You came alone?

I couldn't take chances.

You never know where loyalties lay.

I understand.

I appreciate you taking a risk, coming here.

(Oksana breathing shakily)

Teresa.

Are you okay?

(burping)

Can I get some...

water or something?

Yes. Chicho, please.

(Oksana grunts)

‐Oh, my God‐‐ ‐Don't.

She's been poisoned.

(tense music)

♪ ♪

(shakily) I'm sorry, Teresa.

♪ ♪

.

(dramatic music)

♪ ♪

Kostya did this.

He must have found out about our plan.

We need to kill him before he kills us.

(footsteps echo)

‐POTE: Kelly Anne. ‐(gasping)

(quickly) I'm fine.

Excuse me.

JAMES: No one should touch the body.

The KGB have an arsenal of chemical weapons

at their disposal.

CHICHO: Avi and his men will know what to do.

I'll have them clean up.

(footsteps echo)

(sniffles)

‐Kelly Anne. ‐I'm sorry.

Can you just give me a second, please?

(glass of water shatters) Shit! Shit! Shit!

‐Honey, it's okay. ‐KELLY ANNE: No.

‐It's not. It's not okay. ‐It's okay.

This is not okay. Nothing about this is okay.

I can't raise a baby like this.

I cannot raise our baby like this.

TERESA: You won't have to.

The two of you are leaving today.

BOTH: No.

What about Kostya?

James and I will go after Kostya.

You're both going to disappear.

I have bank accounts, passports.

‐Everything's already set. ‐Teresita, no.

I'm not giving you a choice.

Boaz is still out there,

and you're gonna go to war with Kostya?

You're gonna need me.

No I won't.

I want you gone by the end of the day.

(Kelly Anne crying)

I'm sorry.

I'm sorry. I'm sorry.

I'm sorry.

(solemn music)

♪ ♪

(engine revs)

It was the right thing to do.

They're gonna be okay.

(phone buzzing)

TERESA: Hello?

Who is this?

KOSTYA: I think you know who this is.

The question you should be asking, Teresa,

is when I will pay you a visit.

You baited my cousin into betraying me.

Her blood is on your hands,

and so is your own.

I'm coming for you.

You,

and everyone you love.

(dramatic music)

♪ ♪

.

(dramatic music)

♪ ♪

(projector clicking)

(fanfare)

(dramatic musical sting)