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NARRATOR: Three years after Christa Worthington's murder,
investigators move in on the man
they believe to be her killer. [siren wails]
HOLT: Police finally believe they know
who killed fashion writer Christa Worthington.
[suspenseful music plays]
NEWS ANCHOR: He was found through a DNA sample
he voluntarily provided.
STEVE LATART: When news came out
of who the DNA was a match to,
the town was floored.
It was the last person they'd ever expect,
the town garbageman.
It was a guy named Christopher McCowen.
REPORTER: Did you kill Christa?
NARRATOR: With Christopher McCowen's arrest,
the town of Truro breathed a sigh of relief.
But McCowen's story was complicated.
- Christopher McCowen's story kept on changing
while speaking to investigators.
It started off as he didn't know Christa.
Then, he said that they had relations.
And then it changed one more time.
- McCowen told the cops
the night of the murder, he was at a party
with his friend Jeremy Frazier.
MANSO: He was too drunk to drive.
Frazier drove him over to Christa's
'cause he wanted to have sex
with Christa.
McCowen claims he and Christa are on the living room couch
while Jeremy Frazier
is robbing Christa's belongings.
McCowen says
Frazier leaves, Christa comes outside,
screaming, "I want my stuff back."
[haunting music plays]
LATART: McCowen said Frazier
turned around and punched her in the face.
And Chris admits that he also did hit her, too.
[suspenseful music playing]
♪
MANSO: McCowen claims Frazier runs back to the house...
LATART: McCowen said that he could hear a scuffle
from outside the house.
And a few minutes later, Jeremy came outside and said,
"Let's get out of here."
MANSO: They needed Frazier to contradict
the un-tape-recorded interview
with McCowen.
NARRATOR: Jeremy Frazier denied
ever being at Christa's house that night.
Plus, he had an alibi.
A friend, who initially denied being with him that night,
later changed his story.
Frazier was never charged, and McCowen was on the hook.
LATART: McCowen, years later, would say
that he never actually said that he and Frazier
were at Christa's house the night she was killed.
According to him, it was the police that said that.
MANSO: They had arrested McCowen,
they had a DNA match, they were gonna put him away.
NARRATOR: The prosecutor needed to connect
the DNA to the murder, so they called it rape,
added burglary, and charged McCowen with all three.
BAILIFF: Court, all rise.
NARRATOR: The trial for Christopher McCowen
immediately devolved into a circus of stereotypes.
[dramatic music playing]
- Most people on the Cape
refused to accept that Christa would ever have sex
with a black man, let alone a black garbageman.
The defense in some ways used
the assumptions that the investigators
had been making about Christa's life all along,
that everybody in the town
believed that this woman would have sex with anybody.
And so, if you said she wouldn't have sex
with a poor black man,
that you were essentially being racist.
It was a smart argument for them to make,
after so many years of the narrative being hammered home
of Christa as this unsatisfiable
femme fatale, promiscuous, seductive woman.
- She has been so exploited in the courtroom.
The whole trial just became kind of really icky,
disgraceful.
Um, I felt terrible for her, I felt terrible for her daughter.
CARROLL: She was a mom and she was a friend.
She was a really talented writer.
And they were only seeing this one aspect of her.
NARRATOR: In the end, Christa's character was smeared
all over again.
And the stereotypes around Chris persisted anyway.
- Court is now in session, please be seated.
- After eight days of deliberation...
...the jury finds McCowen
guilty of murder, rape and burglary.
He's given three concurrent life sentences
without parole for his crimes.
NARRATOR: Christopher McCowen maintains his innocence,
continuing to appeal for a new trial.
But for Christa Worthington,
the question of justice goes beyond his conviction.
Her legacy landed in the hands of a small town
who forgot she was a real person.
CARROLL: When we pick apart a woman's sexuality
and decide that we're going to judge her life after the fact,
we take away some really elemental part of her humanity.
In the end, it doesn't matter
who Christa was having sex with.
It doesn't matter who she had a child with,
if he was married, if he wasn't.
Christa's murder was not her fault.
NARRATOR: Christa Worthington once said
she wasn't afraid of dying.
Her greatest fear? Never having lived.
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