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NARRATOR: Two years
after Maurizio Gucci
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was murdered, police
still had no idea
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who was responsible
for his death.
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- The case was
almost going cold.
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PHILIPS: Until
suddenly, on January 8,
1997,
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the police finally get
their big break in this case.
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NARRATOR: An informant
revealed the outrageous
details.
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- Patrizia's personal astrologer
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reached out to a doorman,
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who then reached out
to a pizzeria owner,
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who also brought on
a local mechanic.
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And so this ragtag group
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of not-professional killers
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executed the murder
of Maurizio Gucci.
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PHILIPS: This big tip
eventually leads them
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to Patrizia.
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PHILIPS:
On January 31, 1997,
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police arrive
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at 38 Corso Venezia,
4:30 in the morning.
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Police raid her home,
and they confiscate
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her diaries.
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They tell Patrizia
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to come with them,
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but, in true
Patrizia fashion,
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she makes the
police wait for her
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as she gets ready.
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As if she's going
to the opera.
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AZARI: She has to
put her furs on.
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I mean, it
is just...
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it's a spectacle.
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[propulsive music plays]
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PHILIPS:
This was headline news.
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This grips
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all of Italy.
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NEWSWOMAN:
A classic soap opera,
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police had always suspected
Patrizia Reggiani Martinelli
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had ordered the killing
of her ex-husband.
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- People became
fascinated by her.
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- Patrizia goes from Lady Gucci
to the Black Widow.
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[suspenseful music plays]
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She is the prime suspect
in her husband's murder,
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and the media really took
that name, "Black Widow,"
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and ran with it.
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AZARI: Besides Patrizia,
all the accomplices
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are arrested.
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Pina.
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Savioni.
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Cicala.
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Ceraulo.
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Pina, almost immediately
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after her arrest,
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confessed her part
in the murder.
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NARRATOR: But Patrizia
maintained her innocence,
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awaiting her
trial in jail.
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ATTORNEY:
Pina Auriemma
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decided to kill
Maurizio Gucci
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and to blackmail
Patrizia Gucci.
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She is innocent.
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- Patrizia maintains
her innocence,
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but during the trial
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police raid her jail cell
and find bank statements
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with the exact amount that
she was supposed to pay Pina
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and the rest of the crew.
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AZARI:
The trial begins
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on June 2, 1998.
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As the trial progressed,
Patrizia's denials
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were exposed as lies.
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Her image changed,
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and her persona as
Lady Gucci shattered.
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- This is not the Patrizia that
the public is used to seeing.
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She is a bit unkempt.
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She doesn't
have jewelry on.
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She's not dripping with
her usual mink coats.
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NARRATOR:
Her diary became a source
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of incriminating
evidence.
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AZARI: The woman was
documenting the murder of her
husband.
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Entries such as "vendetta,"
which in Italian
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means "revenge."
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PHILIPS: She said
that it was worth
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every penny.
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AZARI: The motive
for the prosecution
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was financial.
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If Maurizio had gotten
married to Paola,
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Patrizia's annual alimony
would be cut in half
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to $860,000.
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Even though for a lot of
people that is a lot of
money,
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to Patrizia,
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it was "a bowl
of lentils."
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[gavel pounding]
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In November 1998...
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...Patrizia is
found guilty
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of first-degree murder.
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Under most
laws, if you are
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convicted of murder,
it doesn't matter
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what part you played in
the conspiracy to murder,
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you are going away for life.
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NARRATOR:
But not Lady Gucci.
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Her sentence:
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26 years,
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served in
relative comfort.
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- She had no cellmates.
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She had potted plants
around her cell.
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DWYER: She had a
ferret named Bambi.
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AZARI: This was not a
maximum security prison,
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by any means,
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that you would expect
somebody convicted
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of murder to
be housed in.
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NARRATOR: After serving
18 years in prison,
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Patrizia was released
early on good behavior.
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And because of an
agreement her deceased husband
signed
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before she had
him killed,
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Patrizia was
awarded an alimony
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of over one million
euros a year.
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Plus back pay for
her time in prison.
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In the end, Patrizia Gucci
got exactly what she wanted.
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PHILIPS:
Patrizia embodies
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a woman that we don't often see
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portrayed in the
media or in real life.
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She almost becomes
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this villain
that we root for
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in a very dark way.
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You almost want
to see this woman
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who is strong and unapologetic
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and not the victim
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kind of win
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in this situation.
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AZARI: She really
doesn't give a shit
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what people think of
her and what she did.
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She's still very rich,
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and she continues to hold
on to the Gucci name.
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NARRATOR: Patrizia has
never admitted her role
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in Maurizio's death,
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but in one of her
last diary entries,
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she wrote: "There is no
crime that cannot be bought.
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