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1
00:08:08,833 --> 00:08:10,414
Hello, Prague.
2
00:08:17,958 --> 00:08:22,031
This is sort of a little
bit of my life story here.
3
00:08:22,208 --> 00:08:24,699
Because the reason I start
the way I start,
4
00:08:24,875 --> 00:08:27,287
with my friend Richard Harvey,
here on clarinet.
5
00:08:32,625 --> 00:08:35,788
And the amazing
Nick glennie-Smith on...
6
00:08:36,333 --> 00:08:38,198
Accordion, ok.
7
00:08:41,083 --> 00:08:43,665
Thirty five years ago
or maybe a little more,
8
00:08:43,833 --> 00:08:45,994
just after leaving school,
I met these two,
9
00:08:46,167 --> 00:08:47,953
and we started
making music then,
10
00:08:48,125 --> 00:08:50,616
and we're still making music
and...
11
00:08:51,667 --> 00:08:53,783
Actually I'm not sure
if it's getting any better,
12
00:08:54,167 --> 00:08:55,782
but the friendship
is still there
13
00:08:55,958 --> 00:08:57,573
and the friendship is
the important part.
14
00:08:57,917 --> 00:09:00,989
So much of my life and so much
of my music is all about,
15
00:09:02,083 --> 00:09:03,664
you know, friendships
you've made.
16
00:09:05,167 --> 00:09:07,408
So let's treat this like
a little dinner party,
17
00:09:07,583 --> 00:09:10,620
just you and me, and we're just
here, we're just having a chat,
18
00:09:10,792 --> 00:09:12,748
and we're just gonna
play you a bit of music.
19
00:09:13,458 --> 00:09:16,996
The next thing we're gonna do
is actually from a friend
20
00:09:17,167 --> 00:09:21,456
that I truly seriously miss,
the late great Tony Scott.
21
00:09:26,042 --> 00:09:29,614
And tonight, with the amazing
Czech national chair,
22
00:09:29,792 --> 00:09:31,407
we're gonna do crimson tide.
23
00:21:46,875 --> 00:21:49,457
So yes,
it wasn't all crimson tide.
24
00:21:49,625 --> 00:21:51,240
There was a little
angels and demons.
25
00:21:51,958 --> 00:21:55,155
And tonight,
I really want to make this about
26
00:21:55,333 --> 00:21:57,039
the musicians that I work with.
27
00:21:57,208 --> 00:22:00,496
And there's no one greater...
28
00:22:01,750 --> 00:22:05,322
One of the truly, if not...
Oh yeah, come on.
29
00:22:05,958 --> 00:22:08,290
My friend Satnam ramgotra,
30
00:22:08,458 --> 00:22:11,825
the most amazing drummer
I have ever had the honour...
31
00:22:13,625 --> 00:22:15,161
To ride on a bus with.
32
00:22:17,750 --> 00:22:20,332
And the little devil over there
is Lucy,
33
00:22:22,875 --> 00:22:25,207
and she's got an angel
on her shoulder named Holly.
34
00:22:29,208 --> 00:22:34,032
So from one Scott brother
to another Scott brother.
35
00:22:36,583 --> 00:22:38,949
I'm a musician
which means partly
36
00:22:39,125 --> 00:22:41,741
I'm unemployable for a real job.
37
00:22:42,208 --> 00:22:45,746
I'm up at night
and I sleep during the day.
38
00:22:46,458 --> 00:22:48,790
Or I havea 9to 5 job
which starts at 9 in the evening
39
00:22:48,958 --> 00:22:51,324
and goes until 5 in the morning
or something like that.
40
00:22:51,500 --> 00:22:54,412
So, when somebody phones me
at 9 o'clock in the morning,
41
00:22:54,583 --> 00:22:57,655
I'm very, very vulnerable,
and they know it.
42
00:22:57,833 --> 00:23:01,280
So, Ridley Scott when he phoned
me at 9 in the morning
43
00:23:01,458 --> 00:23:04,370
and said to me, "hans, do you
want to do a gladiator movie?"
44
00:23:04,542 --> 00:23:06,078
I just started laughing.
45
00:23:07,000 --> 00:23:11,289
Because to me a gladiator movie
was men in skirts and sandals
46
00:23:11,458 --> 00:23:13,619
and it was basically,
we were going to do a comedy.
47
00:23:14,625 --> 00:23:17,742
And he said,
"it's not really like that."
48
00:23:17,917 --> 00:23:19,908
And he started
telling me the story,
49
00:23:20,083 --> 00:23:22,745
and as he was telling me
the story
50
00:23:22,917 --> 00:23:26,409
I could see what amazing vision
he had.
51
00:23:26,583 --> 00:23:28,744
And we were really gonna do
a gladiator movie
52
00:23:28,917 --> 00:23:30,327
that was going to be great.
53
00:23:31,875 --> 00:23:36,369
We finished talking after about
an hour and I got off the phone,
54
00:23:37,167 --> 00:23:38,887
and my wife's looking at me
and she's going,
55
00:23:39,042 --> 00:23:40,748
"what did you and Ridley
talk about?"
56
00:23:40,917 --> 00:23:43,909
By this point I was really
excited and I said to her,
57
00:23:44,083 --> 00:23:47,450
"you won't believe it but we're
gonna do a gladiator movie."
58
00:23:48,417 --> 00:23:51,534
And she just paused,
and she looked at me and went,
59
00:23:51,708 --> 00:23:53,573
"oh, you boys."
60
00:23:55,875 --> 00:23:59,117
The weird thing is that
she was absolutely right.
61
00:23:59,292 --> 00:24:02,284
And I told Ridley about this
62
00:24:02,458 --> 00:24:05,575
and we started
really questioning the idea
63
00:24:05,750 --> 00:24:09,242
that we had no female soul
in this movie.
64
00:24:09,417 --> 00:24:11,123
We needed to get a muse.
65
00:24:11,292 --> 00:24:13,704
We were talking about this
in the cutting room
66
00:24:13,875 --> 00:24:17,447
and Pietro scalia our editor,
he's got like three cds,
67
00:24:17,625 --> 00:24:19,741
I'm not kidding,
he had three cds on his shelf.
68
00:24:20,333 --> 00:24:23,040
One of them was dead can dance,
and he picked it up and he goes,
69
00:24:23,208 --> 00:24:24,823
"what about Lisa Gerrard?"
70
00:24:25,583 --> 00:24:29,906
To make the story very short,
I phoned Lisa in Australia.
71
00:24:30,417 --> 00:24:33,830
She said she'll come and she was
going to come for three days.
72
00:24:34,708 --> 00:24:36,790
And the three days
turned into three months,
73
00:24:36,958 --> 00:24:38,619
and the three months...
74
00:24:38,792 --> 00:24:41,374
God, hang on,
this was sixteen years ago.
75
00:24:41,542 --> 00:24:44,909
So, we're still friends,
you know.
76
00:24:45,083 --> 00:24:48,951
These little movies make these
little families and you get
77
00:24:49,125 --> 00:24:52,197
to meet really interesting
people through music.
78
00:24:52,917 --> 00:24:54,623
Tonight, ladies and gentlemen,
79
00:24:54,792 --> 00:24:57,579
czarina Russell is going to do
gladiator for us.
80
00:24:57,750 --> 00:24:59,911
And Mike einziger
from the band incubus.
81
00:25:02,417 --> 00:25:03,623
Guthrie govan.
82
00:25:11,417 --> 00:25:13,078
Oh, yeah, and Steve mazzaro.
83
00:25:13,250 --> 00:25:16,697
In the middle of gladiator we've
got this guitar concerto,
84
00:25:16,875 --> 00:25:19,161
this crooked guitar concerto
going on.
85
00:25:19,333 --> 00:25:21,164
It's an experiment.
86
00:25:21,333 --> 00:25:23,198
It will either work
or it won't work.
87
00:25:23,375 --> 00:25:26,993
But ladies and gentlemen
let me not bore you any longer.
88
00:25:27,500 --> 00:25:30,492
Because in the immortal words
of gladiator,
89
00:25:30,667 --> 00:25:32,328
you will not be entertained.
90
00:25:32,500 --> 00:25:33,910
Here we go, gladiator.
91
00:38:29,500 --> 00:38:32,116
Ladies and gentlemen,
czarina Russell.
92
00:38:37,375 --> 00:38:41,618
All right,
so from Rome to Paris,
93
00:38:42,542 --> 00:38:43,827
Da Vinci code.
94
00:38:46,625 --> 00:38:50,789
It wasn't really about the novel
that inspired me,
95
00:38:50,958 --> 00:38:53,574
the thing that really
inspired me was Paris.
96
00:38:53,750 --> 00:38:55,615
But what really
inspired me there
97
00:38:55,792 --> 00:38:57,748
was when we were shooting
at the louvre,
98
00:38:57,917 --> 00:39:00,750
and then next to the louvre
is this beautiful pyramid,
99
00:39:00,917 --> 00:39:04,660
this very provocative modern
pyramid built by I. M. Pei.
100
00:39:05,458 --> 00:39:06,868
And that really gave me
101
00:39:07,625 --> 00:39:10,241
the idea of how I wanted
to attack the whole thing.
102
00:39:10,417 --> 00:39:12,954
Then I wrote this tune
for Ron Howard
103
00:39:13,125 --> 00:39:14,740
called chevaliers de sangreal.
104
00:39:15,625 --> 00:39:17,161
I actually wrote it
very quickly,
105
00:39:17,333 --> 00:39:19,119
I just wouldn't play it
to him forever.
106
00:39:19,667 --> 00:39:21,999
Eventually he was starting
to get very nervous
107
00:39:22,167 --> 00:39:24,749
and I played it to him,
and he loved it,
108
00:39:24,917 --> 00:39:28,739
and it became really our main
theme for the Da Vinci code.
109
00:39:28,917 --> 00:39:32,830
And tonight we're gonna go
and do it in sort of the version
110
00:39:34,875 --> 00:39:36,536
where we have an ancient...
111
00:39:36,958 --> 00:39:40,325
No, no, you're not ancient,
your instrument is ancient.
112
00:39:40,792 --> 00:39:45,491
The very young rusanda panfili
is going to be playing
113
00:39:45,667 --> 00:39:50,331
her old violin, while we do
a sort of electronic thing,
114
00:39:50,500 --> 00:39:51,500
so you get the...
115
00:39:51,542 --> 00:39:53,453
I love it when two cultures
sort of collide
116
00:39:53,625 --> 00:39:55,741
and then become something
really interesting.
117
00:39:55,917 --> 00:39:57,077
I think every sentence
118
00:39:57,250 --> 00:39:58,970
is getting me more
into trouble here, right?
119
00:39:59,333 --> 00:40:02,655
Ok, I'll just shut up.
Here is Da Vinci code.
120
00:51:44,417 --> 00:51:48,365
Buyi she has such an amazing
voice, she moves me.
121
00:51:50,250 --> 00:51:51,615
She moves you.
122
00:51:52,042 --> 00:51:53,042
But...
123
00:51:55,875 --> 00:51:58,947
- From soweto to Prague.
- To Prague.
124
00:52:00,167 --> 00:52:01,998
Every night we play this game,
125
00:52:02,167 --> 00:52:05,830
it was a long time ago when
I first met lebo in Los Angeles.
126
00:52:06,000 --> 00:52:07,661
He was a refugee from
South Africa.
127
00:52:08,250 --> 00:52:12,163
Things were bad in South Africa.
So things have changed.
128
00:52:12,958 --> 00:52:18,078
So every night I just like
to remind both, him and me,
129
00:52:18,833 --> 00:52:20,619
from soweto to Prague.
130
00:52:21,625 --> 00:52:24,822
It's been a journey,
it's been a journey.
131
00:52:26,417 --> 00:52:27,452
Thank you.
132
00:52:27,917 --> 00:52:32,786
You could go to see the play and
you see an actor do his part,
133
00:52:32,958 --> 00:52:35,119
you see the movie
and you hear his voice,
134
00:52:35,292 --> 00:52:39,865
but this, ladies and gentlemen,
this is the true lion king.
135
00:52:42,500 --> 00:52:44,616
And one thing
I always have to add,
136
00:52:44,917 --> 00:52:46,873
lion king was written
for my daughter Zoe,
137
00:52:47,042 --> 00:52:48,828
who's somewhere here
in the audience.
138
00:52:49,000 --> 00:52:50,536
I want to say it a lot
during the day,
139
00:52:50,708 --> 00:52:53,780
but it's sort of nice to say it
in front of ten thousand people.
140
00:52:53,958 --> 00:52:57,405
Zoe zimmer, I love you
from the bottom of my heart.
141
00:52:58,750 --> 00:52:59,750
Thank you.
142
00:53:08,208 --> 00:53:11,041
Meanwhile,
just cast your eye over there.
143
00:53:12,417 --> 00:53:15,124
In the string section
is young Tina guo.
144
00:53:16,208 --> 00:53:19,700
Not quite the same but all
the way from China to Prague,
145
00:53:20,167 --> 00:53:21,953
but it's not quite
the same story.
146
00:53:24,250 --> 00:53:26,081
Everybody works so hard,
147
00:53:26,250 --> 00:53:29,993
but I'm always astonished
at her playing.
148
00:53:30,375 --> 00:53:33,447
So, this very trivial piece
149
00:53:33,625 --> 00:53:36,947
she is going to perform
as a cello concerto tonight,
150
00:53:37,125 --> 00:53:40,413
and I'm honoured for you to be
playing this, thank you Tina.
151
01:08:09,625 --> 01:08:11,581
Now you know,
that piece is only in there,
152
01:08:11,750 --> 01:08:14,412
so that I get to play the timps
and make a lot of noise,
153
01:08:14,583 --> 01:08:17,290
because everybody
wants to play the timps.
154
01:08:18,167 --> 01:08:22,160
But the true heroes
of this piece are over there.
155
01:08:22,750 --> 01:08:27,494
Young Nathan stornetta,
from Switzerland.
156
01:08:33,333 --> 01:08:34,914
And I just have to take a moment
157
01:08:35,083 --> 01:08:36,994
to tell you about the guy
next to him.
158
01:08:38,042 --> 01:08:41,739
That is Gary kettel,
he is a true legend.
159
01:08:42,500 --> 01:08:45,867
He's played on more film scores
than anybody else,
160
01:08:46,042 --> 01:08:48,533
for John Williams,
for John Barry.
161
01:08:48,958 --> 01:08:51,415
I mean, are there any other
Johns left?
162
01:08:52,167 --> 01:08:54,499
Truly, I mean,
this man is amazing.
163
01:08:54,667 --> 01:08:56,328
I'll go and play a little piano.
164
01:13:06,542 --> 01:13:09,124
Young yolanda Charles.
165
01:13:09,833 --> 01:13:13,621
The beauty's on duty.
Thank you so much.
166
01:13:14,250 --> 01:13:16,115
You are so wicked.
167
01:24:47,875 --> 01:24:49,160
Thank you very much.
168
01:24:50,833 --> 01:24:54,746
That was a piece from a movie
called the thin red line.
169
01:24:55,833 --> 01:24:59,576
And I know Johnny marr
really likes this piece,
170
01:24:59,750 --> 01:25:01,115
and that's why it's in the set.
171
01:25:01,292 --> 01:25:04,910
Because like that, I get to have
my friend Johnny come out.
172
01:25:06,125 --> 01:25:09,322
Ladies and gentlemen,
Johnny marr.
173
01:25:11,667 --> 01:25:16,161
But it doesn't just end there.
174
01:25:16,500 --> 01:25:21,244
So Johnny, Andrew kawczynski,
Steve mazzaro,
175
01:25:22,417 --> 01:25:24,282
Mike and Ann Marie,
176
01:25:24,458 --> 01:25:26,995
and of course Satnam, would we
go anywhere without satham?
177
01:25:27,167 --> 01:25:30,239
We sort of formed a band with
pharrell a while back to do
178
01:25:30,417 --> 01:25:33,284
a superhero movie, spider-man.
179
01:25:34,625 --> 01:25:36,286
So we all wrote this next piece,
180
01:25:36,458 --> 01:25:40,121
this is truly the band
at its finest.
181
01:25:40,292 --> 01:25:44,080
And of course what would we
write if not a clarinet concerto
182
01:25:44,250 --> 01:25:46,411
in a very classical way?
183
01:25:47,042 --> 01:25:50,114
So this next piece is called
electro.
184
01:31:16,000 --> 01:31:17,000
The.
185
01:31:19,583 --> 01:31:20,743
Dark.
186
01:31:23,208 --> 01:31:24,208
Knight.
187
01:44:29,208 --> 01:44:30,948
Let me tell you one last story,
188
01:44:32,750 --> 01:44:35,537
about twelve years ago,
maybe thirteen,
189
01:44:36,458 --> 01:44:37,823
Chris Nolan phoned me
190
01:44:38,000 --> 01:44:40,582
and asked me if I wanted
to do a Batman movie.
191
01:44:40,750 --> 01:44:42,706
Of course I wanted to do
a Batman movie,
192
01:44:42,875 --> 01:44:46,038
and more than that I wanted
to work with Chris Nolan.
193
01:44:47,375 --> 01:44:48,581
But I had a problem,
194
01:44:48,750 --> 01:44:51,241
I didn't know how to be Batman
and split my personality
195
01:44:51,417 --> 01:44:55,911
and become the suave
and elegant Bruce Wayne.
196
01:44:56,458 --> 01:44:59,245
So Chris suggested that I call
my friend James Newton Howard,
197
01:44:59,417 --> 01:45:04,366
who's one of the most brilliant,
elegant and wonderful composers.
198
01:45:05,375 --> 01:45:09,243
And off we went to London
with our friend Mel Wesson.
199
01:45:11,958 --> 01:45:15,826
The four of us together came up
with Batman begins,
200
01:45:16,000 --> 01:45:18,412
we never thought about a sequel
or anything like this.
201
01:45:22,667 --> 01:45:25,329
A few years went by and one day
Chris turned up at my studio,
202
01:45:25,500 --> 01:45:27,786
and he started telling me
the story of the joker.
203
01:45:28,917 --> 01:45:32,739
And he told me a story
of anarchy,
204
01:45:33,708 --> 01:45:38,327
he told me a story of a punk
attitude to music and to acting.
205
01:45:40,333 --> 01:45:42,870
And I said to him, "who's going
to be the actor in this,
206
01:45:43,042 --> 01:45:44,657
who's going to play this joker?"
207
01:45:44,833 --> 01:45:46,915
And he said to me,
"Heath ledger."
208
01:45:48,417 --> 01:45:50,954
And Heath gave
this incredible performance,
209
01:45:51,125 --> 01:45:54,788
totally fearless, totally on
the edge, totally out there.
210
01:45:56,417 --> 01:46:00,160
Every day, when we saw it daily,
we were just like, "amazing."
211
01:46:01,708 --> 01:46:03,824
Just before he finished
the movie,
212
01:46:04,000 --> 01:46:07,413
we found out that
our Heath had died.
213
01:46:09,417 --> 01:46:11,373
And I thought I should tone
the music down,
214
01:46:11,542 --> 01:46:13,828
I thought it was all too much
and I suddenly realised
215
01:46:14,000 --> 01:46:17,322
that the only way to really show
respect to this performance,
216
01:46:17,500 --> 01:46:21,823
to give respect to the man,
was to keep the edges in it.
217
01:46:22,667 --> 01:46:26,080
The razor blades, the steel,
the broken glass.
218
01:46:28,083 --> 01:46:29,823
And a few years went by
and Chris said,
219
01:46:30,000 --> 01:46:31,956
"come on, we've got
to finish the trilogy.
220
01:46:32,125 --> 01:46:33,706
We owe it to ourselves."
221
01:46:33,875 --> 01:46:36,457
And so, dark knight rises
came about.
222
01:46:38,042 --> 01:46:39,953
Somehow we found
the playfulness again,
223
01:46:40,125 --> 01:46:43,083
the experimentation,
all that stuff was all back.
224
01:46:43,667 --> 01:46:45,328
We did the movie,
we finished it,
225
01:46:49,125 --> 01:46:51,411
the next morning
we got on a plane
226
01:46:51,583 --> 01:46:54,165
and we arrived at dawn in London
227
01:46:54,333 --> 01:46:56,119
and I went to my apartment.
228
01:46:57,167 --> 01:47:00,409
And a journalist was on
the phone and he asked me
229
01:47:02,500 --> 01:47:05,492
what I felt about
the mass shooting
230
01:47:05,667 --> 01:47:07,407
while they were showing
our movie,
231
01:47:08,792 --> 01:47:11,750
in the small town in Colorado
called Aurora?
232
01:47:12,167 --> 01:47:15,125
I hadn't heard of it
and I said, "devastated."
233
01:47:15,292 --> 01:47:17,283
The first word
that popped into my head.
234
01:47:17,833 --> 01:47:21,030
And I realised everybody
was going to use that word,
235
01:47:21,208 --> 01:47:23,324
and I don't use words.
236
01:47:23,500 --> 01:47:26,333
Words aren't the way
I express myself.
237
01:47:26,500 --> 01:47:30,413
All day I was thinking about
the victims and their families,
238
01:47:30,583 --> 01:47:33,575
and the loneliness they must
have experienced.
239
01:47:33,750 --> 01:47:36,583
So that night I phoned the choir
and I said,
240
01:47:36,750 --> 01:47:41,574
"can we do something? Can we do
a piece of music with no words,
241
01:47:41,750 --> 01:47:44,822
that should feel like
we're stretching our arms out
242
01:47:45,000 --> 01:47:49,369
all the way across the Atlantic,
for the small town in Colorado?"
243
01:47:50,042 --> 01:47:52,249
And let them
not feel alone any more,
244
01:47:52,417 --> 01:47:54,408
let them know we're
thinking of them,
245
01:47:54,583 --> 01:47:57,370
let them know we're feeling
for their hearts.
246
01:48:00,292 --> 01:48:02,374
And the world hasn't gotten
any better,
247
01:48:02,917 --> 01:48:04,908
and tonight we're here
in Prague.
248
01:48:05,833 --> 01:48:07,994
And we're stretching
our arms out,
249
01:48:08,917 --> 01:48:11,954
and we're playing and singing
from our hearts for you.
250
01:48:13,167 --> 01:48:17,911
Ladies and gentlemen,
this is Aurora.
19362
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