Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
Dutch
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
If y'all feel that shit right about now
Come on, y'all, make some noise
If you're with me
Come on, y'all, yeah
Come on, y'all, make some noise if you're with me
Make some noise if you're with me
Make some noise if you're with me
It's like that, y'all, and it sounds so nice
Hip-hop, you the love of my life
We about to go to the top, y'all
Hip-hop love
To the top of hip-hop
It's like that, y'all
And it sounds so nice
Hip-hip, you the love of my life
We about to go to the... to the... to the
To the... to the... to the... to the... to the...
The anticipation arose as time froze
I stared off the stage with my eyes closed
And dove deep into the cosmos
The impact pushed back...
The impact pushed back...
������ ���� ����������...
�� ��� ���� ����� ��� ���� ��� 10 ������.
������, ���� ����������� �� ���-���;
������� ������� ��� �����..
��� ���������� �� ���-���
���� 18 ������� 1984...
����!
K����! ����� �� ������ ���� ����!
���!
The mic almost dropped but I catch quick
And from that point we get hectic
Now, I score the ladies, I score the boys
I am the one and only art of noise
What up, hear, hear?
Dana Dane
�������, ��� ����!
When out of nowhere dropped this fiendish fiend
I want your shoes, your jewels, man, everything
Now in his hands, a knife, a gun
I'm thinking to myself
Should I fight or should I run?
I see his tool, slapped him up against the dome
Would you believe this fool
Tried to rob me with a comb?
Yo, Rick, my, my,
My mellow, my man
Get on the mic and rock this jam
Well, I was on the 41 bus
Reading the news
Here comes grandma
And she steps on my shoes
I smile, although I was quite disgusted
I said "What's the matter, granny
Is your blind ass dusted?"
��� ����� ��� ���� ��� Slick Rick,
��� ���� �� ��� Ricky D back ����...
� Dana Dane, ��� � Doug E. Fresh battle ��� ������.
���� � ���� ��� ���������� ����������� �� �� ���-���.
���� �����. ��� ����� ��������...
� Ricky D �� �������� �� ��� Get Fresh Crew...
��� ����������� �� ���-��� classic The Show...
��� ������ �� b-side La Di Da Di.
� Dana Dane �� ����� ���-��� ������ ��������,
�� �� classic Cinderfella.
���� ��� �����...
���� �� ���-��� �� ������� ����� ��� ���� ���.
�� ���-��� ���� ���� ���, �����, ����������....
������� ����� ����...
��� ������� ����� ���� ������ ��� ����� ���.
��� ����� ��������...
- ��������, �����. - ��������, ����.
�� ���-��� �������� ���� ���...
��� ���� ������ ����� �������� ��� �� ��� ���...
�� ������ ���.
������� �� ���-���....
��� �� ���-��� ������� �����.
��� ���� ��� � ������� ��� ������� �� �������....
���������� �� ���� �� ����.
������ ���� �� ����� ����� ��� �������....
���� ��� ����� ��� ����.
����. �� ����� ��� �� ��� �����.
���� ��� ��� ������� �� ���������.
������ ����� � ��������� ��� ����.
����� �� ������.
������ �� �������� ����� ��� ������� ���� ��� �� ����� ��� ���������.
� ����� ����� ��� ������.
������ �� ���� ������;
���, ������ ���.
�� �����, ���� ���;
�� ������� �������;
�� ������ ��� �� ����� ���� ��� �� �� �����...
�� ������, �����;
���� ��� ��� �� ����� �� ������� �������, ���� ��� �����;
���, ���. �����, ���, ���� ����� ����� ���.
�� ���;
���������� �����.
�� ������;
���������� �����. ������ �� �������.
��� ��. "������� ��� �����..."
������� ��� �����...
���� ������������ ��������.
���� �������������� ������ ���� �� "����������, ���������� ��������."
��, ��� ������� �� ���������� �������� ���, ����.
��� ��� ����. ����� ����� � �����...
��� ������� �� ������� ��� ����� ��� ����� 12;
O�, o�, ������� ��� �����....
���� �����������, ����������...
��� ������-��������.
����� �����, ���, ���, ���...
���, ��� ��� ������� ���� �� ����.
���� ��� ��, �����.���� ��� ������� ��� ��� ����� ���.
�� �� ���� ��� ���� ����� ��� �������.
�������.
��� ������-��������....
��� ������-��������, �������..
��� �������� �� ����������� ��� ������...
�� ��� ������, ��� ������...
��������� ��� ���-��� ��� ���A������� T����.
��� �������� ��� ������ XL.
�� ��� �������� ��� ������ XL..
��� ��� ��������� ���...
������������� ��������.
����� ����������� ����;
M���. ������������.
������ ��� ����� ���� ��� ��� ��� ����� ���.
�'���������, ����.
��� ��������� �� ���������� ��� ��������....
�� ���� � ������� �;
��������� �� ����� ����� ���� ��� ��� ��� �� ����� ��� �����;
��, ����� ���. ��� �� �����...
����� �����, �� ��� ����� ������.
��� ����, ������ ��� �� ����.
���, �� ����� ����� ��� �� ����� ��� ��������.
�� ��������� ��� ������������.
��������� �� �� ��, ����� ������ �� ��������.
������� ������� ���.
�������. ����, �����.
��� ������� ���������...
�� ���-��� ���� � ������ ���� �����.
� ������ ��� �� ��� ������� ...
� ������ �� ���������.
�� ���-��� ���� ����� ��� ����� ����� ���.
��� ���� ���� �����...
��� �������������� �� ���������...
��� �������������� �'�������.
Who's the one that can't comprehend at first?
Well, I may sound like a cell phone...
��, ���� ���.
�� ������ �����;
��������...
�� ���������;
��������... ��� ��� � �������� ��� � ����.....
����������� �� �������������� ��� ��� ������������� �������.
��� �� ���� �� ��������;
����, ��� �� ���; �� �������.
�������;
���������;
������� ��� ����� ������....
��� ���������� ��� �� ���� ���� ���� �� �����.
����� ������ �� ������. ��� ��� ��'�����, ������.
������ ����.
��, �������!
�������; �������, ��'���� ��� ���� ��������.
�� ���� ������ ��� ������� ����� ��� ����������,
��� ���� ��� �������� �� ������������ �������.
��, ��� �� �����;
�������� ����, ��� �� ����� � ����
��� �� ���-��� �� ���������?
��� �� ����� ��� red Kool-Aid block ��� ������...
�� ��� ��������� �� �������� ��� ����.
�� ������ ������;
���� �� ����� ��� ������� 10
��� ��� �����, �� ��������.
��� ��� K���� ���� �������...
�� ��� ������ ��� ��� �����.
���� ��' ��� ������� ��� ��������� ��...
�� �����, ���� ���;
��� ������� ���� ����.
��� ����� ��� �������. ��� ����;
�� ����.
��� ��� �����.
��� �����. ��� ���.
�'������, �'������.
�����, �������! ��� ����� �� ������� ��� �'������...
���� �� ����� ��� �������.
��� �����������. ���� ��, ���� ��.
���� ��� ��� ����. ���� ��� ��� ����.
���, ���� ����� ��� ��� ������.
������� ��� ����� ������ ��� ���� �� ���������.
��� ���!
�������, ����.
����� ���� ����� ��� �� �������.
��� ���! ��� ������� ���� ����� ��� ����.
�, ������ ��� ���� ���� ���� ����.
���, ��� �������� �������.
���� ��� ����� �� �'����������� �'���� �� ������.
��, �� ��������, ����� ��� ������� ������.
��� �� ����������� ��� ����� ���� ������.
������� ������, �������;
���, ��������� ��� ��� ��������, ���.
�� �� �� ��!
���� ����� ���������� ������.
����� ������, ���� ����� ����������. �� ������ �� �������� ���....
���� �� ����� �������� ��� �����.
����, �� ����������.
�, ���� ����� � ����. ������ �� ��� ������...
������� �� ��� �������� ������. �������...
������ ��� �� �������.
O�.
������. �� �����.
�� �����.
��� �����, ��� �����.
���, ����� ������ ���� ������������.
������������;
���� ��� ����� ��� ���� ��� �'��� ������� �� �������������...
��� �� ��� ����������� ��� ��� ��� �������� ���.
�, ���� ��� ������� �� ������ ��� ��� �����.
�� '�������.
�� ���������;
���� �� ��� ����� ����.
����� ����, ��� ������ ��� �����;
���.
������� �� �� ���� �����, ����.
��;
- ����� �������; - ���.
����, �����, ��� ���������....
���� ��� 5 �����.
�� ����, �� ����, ����...
������ ��� ���� ����� � ���. ���� ����������....
���� ���� ������ "Slow JJams Deluxe Get The Drawers".
���� ���� ������ "Slow JJams Deluxe Get The Drawers";
���. ���� �� ��� �������, ����,
��� ��� ���������� ���� ��� �������� Adore, ���� ...
������, ����� ��� ����;
����� ��'�������.
��, ����� �� ������ ����;
��� ����. �����...
����� ����������.
����� ���� ���������� ��� ����� ���.
�, ����� ������������ �� ����� ���. ��!
�������, ����� ������� �� ���.
�� ����� ��� ����.
�� ����� ��� ����. ���������� ��� ����� ���.
�������. � ������� ��� ����� ����;
���, ����� �������.
�������. ���.
��! ��� ���!
�����, ��� ���!
���, ���, ���!
Was it good enough for you?
�������, ��� ����� �� �������..
��� ����� ���, ������ ��� ����....
��� ��� ����� ��� �����������.
����� ���� ������������.
���� �� ��, ������� ���� � ���� ������� ��� ���...
�� ���� �� ����� ���������.
����� �����, ������� ���� �'���� �� ����.
���� ��� ����� �� ����� ��� ��� ��������� ���.
����, �, ��� �������� ����;
��� ����� ���� ��� ��������.
����� ��� ����� ��� �� ������������.
�, ���, ����, ��� ��� ��� ��� ����...
����� ��� �����!
�� ������ �������� ���� ���� ��� �� ����� ���.
��� ��� ��� �����.
����� ���������� ��� ��� ��������� ��� ���� M��M����.
��� �� ��� ����, ����� ����!
��� ��� ����� �� ��������.
�, ���� ����� �������, ���� ��� �������� �� ����� ������...
��� ��� ���� ����� �� ����.
��, ���� ��� �����;
�, ��� �� ����.
���. ��� �� ��� ����...
���� ��� ��������� ��� �������;
� ����� �� ������ ��� ���� ���� ����� ��� ���������...
�� �� ������ �� ������������� ���� ����������� ��� �����,
���... ��� ���� ���.
���; �� ��������� �� ����, ������� ���;
���� �� ��, ������ ������� �� ����� ����.
�������. ��� �� ���������� ����� �� ���,
�������� �� ������ �� �������� ��� ��� ���� ��� �������.
�������� �� ������ �� �������� ��� �� ������.
�� �����, ���� �� ������� ��������.
�� �������� ��������,
���� ��� ������ �� ������ ������ ���� ����.
���� �� ��, ����� �������. � T���� ���� � ����� ���, �����;
��� ����� �����;
��� ��� � ����� ������ ��� ��� ���.
������ ������� �� �� ������� ���������,
������ ��� ��� �� �������� ������� ����� ...
�������, �������.
��� ������ ��� �����.
������� ���� ��� ���� �� ��� ������� ����������� ��� ��� ����.
���, ����, ������� ���....
���� �������� �� ��� ��������.
�������, �� ����������...
��� ������ ��� ����...
��� ��� ���� �� �� ����.
��� ����� ������� ����.
������ �� ������� ���� ��� ����;
��, �� ���������;
�� �� ������.
����� � �������� ������� ��� ������.
������, �� ��� �� ������ �� ��� ����� ���;
����� ��������, ������.
�������!
�� ���������!
����.
Oh, thank you.
I wonder what this is.
Woman: And we called her Reese's pieces.
Second Woman: Ok, let's move on to the groom.
�� ������ ��� ����� ���������.
���� ����� ��� ����� �� ������ �����;
Fine.
Romulus.
�� ����� �������;
������ ��� ��������;
Romulus.
�����.
That's the name of this shake dancer,
works Club Mozambique.
Ok, Aunt Betty.
Ok, anyway...
Romulus is right.
���� ����� ��� ����� �� ��������� ��� ����;
- Cosmo. - A polar bear.
Ketel One martini �� ��� twist,
but if he's trying to show off, Macallan 25.
Right again. Macallan 25.
All right, then.
���� ����� ��� ����� �� ��������� ��� ��������;
T� Bridge Is Over, Boogie Down Productions.
O�, ���� ��� ������� �� ������� ����.
����� ���� �����.
Reese: Ok, let's move on to something else.
How about...
This is from moi.
Oh, you guys, you guys!
Ooh! Ohh!
Honeymoon night only.
You're so incredible. I love you so much.
I'm glad you like them, darling.
Ok, next, let's do...
Sidney's gift.
Thank you. Such a sweetheart.
Nice. Very nice.
They're gonna be perfect with my whip.
Sidney: I'm gonna kill France!
I was so embarrassed, �����.
And hungry.
I bet you were.
I mean, they didn't have anything
but those little cucumber sandwiches
with the crust cut off.
Just keep the change.
Thanks for meeting me.
You're my dawg.
It's good, huh?
Mmm!
I love these bad boys.
It's true. I can't even front.
Whenever I go out with Reese,
we always going to some fancy spot
with white tablecloths
and a lot of silverware,
hosting one of Reese's clients.
I haven't had one of these bad boys
since we started dating.
Wow. She must really be something.
Mmhh.
Yeah, for sure.
She's brown sugar.
Oh, yeah, the brown sugar.
Yeah.
Break it down for me.
You know, we all looking for wifey material.
A woman that's fine,
smart, classy, but not a snob.
You know, hella... hella sexy, but not a ho.
That's brown sugar. That's my Reesey.
I mean, don't get confused
by her business suit.
She is a freak in the bedroom...
A little bit too much information.
Hey, I'm just letting you know.
Then on the converse side of things,
you got the girls at the video shoots
with their breasts all propped up
and their booties hanging out
of their dresses.
I like to refer to them
as the Cyndi Lauper honeys.
They just like to have fun.
Don't get it twisted.
I'll tap that as well.
Oh, I forgot being best friends with a man
means I get to find out the stupid and simple
ways they look at women.
Well, that's how men are, stupid and simple.
See, that's the problem with y'all women.
You... You're all too complicated.
You keep trying to change every man
into the marrying type,
and you just can't do it.
Well, I guess Reese did a good number on you.
Ooh, touch�, touch�, touch�.
And tell me, then...
Dreski, what type am I?
You could probably be in a video.
- Do this. - �����...
- Do this. - �����!
�����.
What do you think about this for the mantle?
That sounds so cool. I never had a mantle before.
It's cute. It's not really you, though.
Now this is tight.
Oh, couples love that piece
because it's not too masculine,
it's not too feminine.
I like to call it a compromising piece.
Let me guess. Newlyweds, right?
No, we just...
Pu-lease, we are just friends, that's it.
Oh, um, I'm sorry.
I just thought, um...
Well, if you need any help
finding friend things just ask. Mm-hmm.
Why you have to say it like that?
Say what?
Pu-lease. Like I ain't shit.
'Cause you ain't.
Oh, damn it, see.
I forgot. I'm supposed to check out
this MC I want to sign tonight.
What jail or group home
does Simon have you going to now?
Oh, that's funny.
It's open mic night at Webster Hall.
What you doing tonight?
Oh, I can't, �����.
Aw, come on, Sid.
You remember how we used to do it.
Club to club, up all night,
eggs and bologna in the morning. Come on.
I can't hang like that.
I gotta get up in the morning.
All right, we'll bump the eggs and bologna.
You can do it. You got it in you.
What? Hear the music. Unh, unh, unh.
No eggs, unh, unh, unh
No bologna, unh, unh, unh
Ok.
Just dancing.
Ok, stop it!
Cavi is my name but you can call me Cav
It's all the same abbreviated or whole
Shout it out so it don't be a secret
It goes Cav, short for Cavi
But I'm not from Cali
I'm from the rotten Apple
Dirty streets and alleys
Bed-Stuy, Brooklyn doing it exactly
Get at me, you feelin' it, New York?
All right, listen
I make 'em holler
Like Missy and JJa Rule
Ain't a crowd in the world that Cav cannot move
A hot doom, cats thinking it's not true
You come front row to the show
I got proof
I went from selling candy in junior high school
To selling Spoonie Gee to the fiends to nod to
Got sent upstate on the bus, not cool
In my vault thinking
Man, should've listen to ma, too
Came home in '99, what the law gonna do?
I don't move bundles, I got a new hustle
I quit pie making and starting rhyme making
Building up my name till I'm one of the 5 greatest
And I ain't saying Cav the best nigga out there
But till he appears, I'm sittin' in his chair
And I'm gonna need a few moments
JJust to get in your ear
To make y'all forget the dude was ever even here
I got 2 words for the world
Be prepared
I got 3 words for you, girl
Don't be scared
When they ask for the real hip-hop
It's over here
When they ask where Brooklyn at
It's right here
Chris Anton Vichon capricorn
Breakin' off with the classic form
And then I'm gone
I don't want to look too anxious.
Do I look anxious?
Yeah, you look real anxious.
Tell me when he comes.
He's right here.
What?
Hey, I'm ����� Ellis. This is Sidney Shaw.
Hey.
I'm from Millenium Records.
Wondering if you were signed.
Uh, no, not right now.
Nobody caught you yet?
Hey, you doing me dirt, man.
What's the deal? I see you.
Why don't you take this man, give me a call.
You really rip it on stage.
I remember you, man.
You used to, um, you used to
hang up posters for DefJJam.
Yeah. Ha! That's right.
You got a good memory, man.
That was back in the day, that was back in the day.
Yeah, yeah.
Seriously, though, we're trying to do some big things with you.
We're looking for artists of your caliber. What's up?
Why don't you take that
and then shout me out real quick.
You want to sign me for pennies
and sell my publishing for millions?
Oh, that's funny. You got jokes.
For real, though,
you're looking for a deal, probably, right?
Why don't you take... Can I put this anywhere?
Well, all right, but listen,
to be honest with you, man,
I'm not sure Millenium
is really ready for what I'm doing.
It's on a different tip, you know.
I've seen some of your artists.
No dis.
Oh, that's cool, man.
We're trying to, you know, broaden our horizons.
But I know where you're at, man.
I'll get at you, man.
I know where Millenium at.
I know where the office is at.
Thanks for coming, man.
I'm glad you felt it, man, all right?
Yo, that was all right.
Ok.
There's �����. Yo, that's �����.
Yo, yo. Excuse me, �����.
�����, yo. Yo, �����.
�����, we're Ren and Ten.
Yeah, yeah, yeah. What's going on?
How you doing, brother? My name is Ren...
No, no, we decided I'm Ren.
All right, whatever, man.
The Hip-hop Dalmatians,
you understand what I'm saying?
Yo, you get it?
White with black spots.
You know what I'm saying?
Like, we represent that whole unity thing.
You know, like one unit. U-N-l-T.
- Why? - Because.
- Right. - Thank you.
I like that. Now, let's go.
I'm doing some talking about the schematics
for the album cover, ok?
What we seeing is this. I'm gonna be standing there,
right, we gonna have 101 dalmatians around.
All around, all around... boom...
And I'm gonna have a white fur coat
with black spots.
It's gonna be chinchillin'.
I'm gonna rock a black fur coat
with white spots, you know what I'm saying?
- We flip it on. - Boom.
Like, the audience, they like, "what?"
They don't know. They're kinda confused
'cause we do one thing,
we go 160 degrees to the other side.
160 degrees?
Ren, Stimpy. Stimpy?
Rin Tin Tin.
Dre: Rin Tin Tin... Rin... What can I do for you?
All right, �����...
it's Ren and Ten.
Hip-hop Dalmatians.
D-A-L-M-A...
Well, you know, "shens", man.
Ren: No, he don't know.
He don't know, dun sun.
Let him know.
I'm gonna tell you, dun sun.
We your new group, dun sun!
Oh! We just signed to Millenium yesterday!
- Right? - In your area.
2002, sun. Ren and Ten.
Look out, world. What's that about?
What's gonna happen now?
We're gonna take it all over, you and me.
I mean and him, too.
Hey, �����. Thank you, baby.
Um, did you sign a new act without consulting me?
�����, I saw 'em and I had to sign 'em.
I had never seen no shit like that.
A black and white rapping duo.
I know they gonna hit.
Come on, man. You know that's just a gimmick.
I mean, these guys they have, like, no skills.
They're just straight up wack.
Now I saw, last night, a real MC.
This cat deserves a shot.
He came with the real original, real, real hip-hop.
I don't give a damn. I'm trying to sell records
to people who'll actually buy them.
So I need a group who is gonna be able
to get me that MTV rotation, baby.
Now, Ben and Ken...
Ren and Ten.
They the future, baby.
Now Eminem, he paved the way.
They're gonna be like Paul McCartney
and Stevie Wonder, you know?
Paul McCartney and MichaelJJackson.
Whoo!
They can do a remake of The Girl Is Mine.
Oh, shit. Hell, yeah!
See, that's why I got you here.
Oh, that's gonna be tight!
I'm gonna be able to call it, uh, uh, uh...
That Ho Is Mine.
The Ho Is Mine.
Are you serious?
Barber: Yeah, that's tight.
You really want me to do this?
Well, if you want to work for Millenium Records.
That's what we do here.
We make hits.
Now, you wanna keep it real, you go to Rawkus.
We keep it profitable.
Now, it's too hard to do both of'em.
Now, listen, �����...
go on to your little bachelor party,
marry that fine-ass woman of yours,
and have a nice honeymoon.
When you get back,
you gonna make it happen
with Ren and Ten.
Hmm? You hear what I'm saying?
- Yeah. - Yeah.
Yeah. Smart boy.
I'm coming.
What you doing here?
Aren't you supposed to be at your bachelor party?
Yeah.
You know what? I was thinking
about yesterday... when I got my hat
handed to me by that MC...
And I realized that I'm the character you're writing on
when you say that hip-hop has lost its way.
�����, I was talking in general terms.
Sid, I could... I could feel that look of yours
from 3,000 miles away.
And I was ready, too.
I was ready to leave Millenium.
You know, give them my high-minded speech
and just bounce.
Then I started thinking about the money,
upward mobility, the suits...
and I punked out.
You didn't punk out.
Well, you gotta admit, I punked out a little bit.
Not even a little bite-sized,
"melt in your mouth, not in your hand" punk out?
Ok, maybe a tiny bite-sized punk out.
See?
�����, we all sell out a little in our careers.
It's how you survive the business.
Why did it all get so complicated?
I mean, all I wanted to do was make music,
and now I'm not doing that.
All I'm doing now is making deals
and 10% of them is shady.
All right, 30% .
Fine, 50% . But you see what I'm saying?
Come here. Come here.
You'll be all right.
Just trust yourself.
Do you remember when we saw
Get Fresh and The Kangol Crew?
How could I forget?
That was a good day.
I wish I could go back to that day.
It's gonna be ok.
Uh... you'd better...
You'd better go. You'd better go.
Mm-hmm.
You'd better go.
Uh, wait. �����?
Wait, wait.
Uh...
are you sure you want to do this tomorrow?
Yeah.
Yeah, um...
Yeah. Yeah.
I love her and, uh...
you know, I want to marry, um...
Reese.
I want to marry Reese.
I love her.
Ok.
Well, uh...
you better get to that bachelor party.
See those strippers.
Right.
Right. Ok.
- Peace. - Bye-bye.
What was that about?
What? What was what about?
He just looked at you like you had 3 breasts.
What happened?
Nothing. Nothing happened.
Francine: Wait a second.
You boned him, didn't you?
Sidney: Shh!
No, I didn't.
Oh, you little ho.
What you gonna do?
Nothing!
It was just a little kiss.
Tongue?
A little bit.
Did you feel anything?
It was a mistake!
Mistake my ass. She gonna marry your man.
����� is not my man, he's my friend.
That's it, end of discussion.
Guests: Shh!
Reverend: Ladies and gentlemen,
please be seated.
You're just gonna let it go down like that?
Do you Reese Marie Whigham...
Can we talk about this later?
Why? You only think you're friends?
That's your man up there.
Francine, shut up!
Say something!
...till death do you part?
I do.
She don't even know him.
Do you, Andre Romulus Ellis, take Reese Marie Whigham...
You're seriously gonna let her marry him?
Yes! France!
...to hold in sickness and in health,
for richer, for poorer,
till death do you part?
I do.
He don't mean that.
The rings.
Say something.
If there is anyone here
who has just cause why these two
should not be lawfully married,
let them speak now...
That's your man up there.
Francine, shut up!
- Say something then. - Shh!
By the power vested in me by the state of New York,
I now pronounce you...
Husband and wife.
You may kiss the bride.
I can't believe it.
I present to you,
Mr. And Mrs. Andre Ellis!
Sidney, Narrating: The union of hip-hop
to the mainstream was a hard thing to imagine.
Hip-hop was always this personal, regional thing
that belonged to just me.
Starting with Fab 5 Freddie and Yo.! MTVRaps.!
Anyone with a television set and cable box
could get a piece of hip-hop.
I knew I was gonna have to share,
and that was hard to get used to.
One shot to your heart without breaking your skin
No one has the power
To hurt you like your kin
Kept it inside, didn't tell no one else
Didn't even wanna admit it to yourself
And now it just burns and your back aches
From 15 years of holding the pain
And now you only have yourself to blame
If you continue to live this way
Get it together
Get it together
Yeah, not next Wednesday, but the Wednesday after.
Ok, looking forward to it.
Hot 97 called again.
They still want you to come in for an interview.
Tell 'em I can't do it right now.
I got too much on my plate.
And we just got the release dates
for Kelby Dawson's album.
It works with our next issue.
Great, when can we get an interview?
Tomorrow night.
The Nets are playing the Knicks on Wednesday,
so if you're free...
Mm-mmm. Get Rashad to do it.
Well, here's the thing.
According to his agent,
he specifically asked for you.
Look, you need to catch a man,
but you not dangling the right bait.
I look fine.
You dangle enough for the both of us.
Ok, now look, I know you don't want
to make that little friend of yours jealous,
but you need the real thing.
It's a massager from Brookstone.
Whatever you want to call it.
Listen, you got to go inside,
Katrina's gonna hook your hair up,
then we gonna get you some real clothes
so you look incredible for your date
with Kelby Dawson tonight.
I'm meeting Kelby on business.
This isn't a date.
But it's an opportunity,
so you gotta dangle.
I'm not gonna dangle.
All right, all right.
He's here.
No. No, I'm not.
They're dangling enough already.
Bye.
Sidney Shaw. How are you?
Good. How you doing?
Good. Kelby Dawson.
I'm sorry I'm so late.
I'll try not to hold it against you.
And thanks for the drink.
How'd you know I like Perfect 10s?
I've got my sources.
Well, thanks for giving us this interview,
especially considering you don't do much press.
Were you surprised?
Well, yeah.
I don't know too many professional athletes
that avoid the spotlight.
I thought all you guys wore diamonds in each ear,
minks, and did the cabbage patch
in the camera after you make a free throw.
The cabb... that's funny.
But you're wrong about the mink.
Hi!
Kelby: So, Perfect 10, huh? I've never tasted one.
Dre: Hey, y'all.
Talk to you later.
What's up?
Hey, �����. How you doing?
Hi.
Dre: I didn't even recognize you.
You look so amazing. You look nice.
Thank you. Thank you.
It's been a while. How you been?
Good. You know, I just...
You know, settling into the new gig.
How was the honeymoon?
Oh, wow. Oh, it was nice.
Thanks for asking.
Dre: It was good stuff.
This is Kelby.
What's up? ����� Ellis, big fan.
Except when you're playing the Knicks.
You're over at I MG, right?
It was good to see you. We gotta bust.
Aren't you gonna introduce your friends?
Dalmatian. Yo, check it!
Hos and thugs
-Thugs -Drugs and ice
-What? -Number 69
Garlic chicken with rice
What? On the bandstand
Moo goo gai pan
From the best Chinese restaurant in the land
That was nice!
These cats are Ren and Ten,
a new act we just signed at Millenium.
Sidney: Well, congratulations.
Ren and Ten, The Hip-hop Dalmatians.
Word, y'all, we represent that whole unity thing.
You know what I'm saying? Black and white.
Yo, one love, brother. All right.
Yeah, we're, uh, celebrating the fact
that they came on to the label.
They're clients of Reese's.
They're the real deal, Sid.
Good to see y'all.
Reese: Come on.
Good to see you.
They're the shiznit and they know it.
To the left, fellas.
Good-bye.
That's... That's your ex, huh?
�����? Uh-uh. No, that's my boy.
We grew up together. It's nothing like that.
Really?
Hmm...
Anyway, we're here to talk about you.
[Sighs] So...
when'd you fall in love with hip-hop?
What? What? What?
Hey, yo, Ren
Yo, what's up, Ten?
Yo, yo, yo, Big C told me you was at the club
Pushing up on one of my hos
Yo, yo, yo, Yolanda?
Yeah, Yolanda
Man, that ho is a ho!
Man, you still mess with that?
She may be a ho, but she's my ho, you know?
The ho is mine
You gotta get that bitch
The ho is mine
You gotta get her
You gotta soothe that itch
I'm first in line
Wait, wait, wait, wait, wait, wait, wait, wait.
What you doin'?
What the fuck is that?
Yo, man!
Yo, we just trying to put some flavor
on the track, you know, son?
An ill kind of intro like the breakdown
they got on The Girl Is Mine.
Real hip-hop, dawg.
Dalmatian style.
Yeah, yeah, yeah. Yeah, Ken.
That's a good idea, guys.
- A'ight. - Feel me.
That's not a good... That's not a good idea.
That's a bad idea.
It's ridiculously wack.
Just like this whole outfit is ridiculous!
�����, didn't we already have a talk about this?
Hmm?
Yeah, man.
Yeah, man, we did.
Mine
You go... You go up.
-I -I
I
Whatcha doin'?
Where you going, man? Where you going?
I'm out, man.
Oh, come on now, �����. Whatcha doin', man?
�����.
- Peace. - Where you going?
�����.
Be out, then.
Wasting all my damn money. All right, uh...
go back to the top from that first ho.
How do you work this damn board?
Push a button or something.
Driver: Where to?
Uh, Fort Greene.
Driver: You want me to take the Manhattan or the Brooklyn?
I don't care, man. Just get me there, please.
Sidney Shaw.
Cell Phone: The name cannot be recognized.
Sidney Shaw.
Cell Phone: The name cannot be recognized.
What am I doing? What am I doing?
This is mess with ����� day, huh?
Huh? Do I know you?
Oh, JJesus.
Remember me, man?
The world is small as hell, ain't it?
Yeah, man.
What happened, man?
That Menudo reunion deal fell through?
You got jokes, don't you?
What you doing driving a cab anyway?
Your English is too good.
Trying to stay out of trouble is what I'm doing.
What's up with you? What's going with Millenium?
I left Millenium today.
What?
Yeah.
What, so Simon owe you some money or something?
Uh, no. Nothing like that.
He hang you out a window or no shit, did he?
You know what, this whole taxicab confession thing,
we don't really got to do.
If you could just keep driving?
Hey, not a problem. Pardon me.
Not a problem at all.
He try to steal your girl or something?
No, man! I'm married.
Ain't nobody giving it to my wife but me.
Chris: I feel you.
You want to know why I left Millenium?
Sure. Sure, whatever.
Man... I left Millenium
'cause I was tired of making bullshit
and calling it hip-hop, man.
I was just tired.
I feel you.
I couldn't take it no more.
Hey, man...
I had to bounce.
That's tight, man. I respect that.
You respect that?
Yeah.
It's like the Grinch who stole hip-hop
growing a heart.
You got a grown-up heart now.
You gonna go back to Whoville
and give all the hip-hop Whos
their publishing back?
That's funny to you?
I'm just playin' with you, man.
Pull the cab over.
What, you don't want to go to Brooklyn no more?
You hurt my feelings.
No, bro, I was just playing, man.
Don't take it like that.
Keep the change, man.
Thank you, bro. Hey, listen, man,
don't let that shit get you down, man.
Stay black, man!
Make you feel that way
Make you feel that way
Make you feel that way
Make you feel that way
Make you feel that way
Up and early for the hope of a brand new day
See a homie you ain't seen since back in the day
Fresh haircut fitted wit a fat ass fade
End of work, we chilling on a Saturday
How you felt when you first heard the Daddy Kane
Rakim, KRS, hey I had that tape
Sid?
Excuse me?
Man: Yeah, can I get you to sign this for me?
Thank you. Thanks.
What's up, baby?
Can you believe this?
Oh, my goodness. They're from Kelby.
You must give good interviews.
He wants a date.
Yes, he does.
Now, see I would've just written you
a little note that said, "Will you go out with me?"
With a "Yes" box, "No" box,
and a "Maybe" box.
Yeah, you've always been such a romantic.
You, uh... you got a minute?
Yeah.
What's going on?
Dre: All right, how about this one?
Ok, ok, ok.
Yes, yes, y'all, and you don't stop
And 1, 2, Common says the beat's a sure shot
Come on, �����. It's common sense.
I Used To Love H.E.R.
You said his name.
It's one of the tightest cuts of all time.
I met this girl when I was 10 years old
And what I loved most she has so much soul
She was old school, when I was just a shorty
Never knew throughout my life
She would be there for me
Yeah, man.
See, that's why I write and don't rap.
For real.
That song reminded me of us.
It does?
Yeah, back in the day.
Do you remember that feeling?
Just how hip-hop used to make you feel?
Especially back then.
It was so real. It was like air.
Do you remember how you felt
the first time you heard
The Bridge Is Over?
The first time?
Yup.
That was real.
Ooh, or, um... You Gots To Chill.
The sophomore skate party?
Bonita Applebum. That was a tight one.
Mm-mmm.
And Paul Revere. Ooh, I used to loved that.
See, now that beat was tight.
The Beastie Boys.
Yeah, man, they came with it.
Mm-hmm.
You know...
I don't have that feeling no more.
You know what I'm saying?
I cannot remember the last time
I had that feeling.
I can't... I can't...
You ready to talk? What's on your mind?
I quit today, Sid.
I left Millenium.
I just walked away from it all today.
So, whatcha gonna do now?
I'm thinking...
I'm thinking I could start my own label.
You know? Yeah.
Um, you know, make music
that I want to make.
Music that I think should be out there.
You know what I mean?
Bring on artists
and treat 'em like partners.
Make my money the right way.
Shoot.
Be one of the good guys for a change.
You think I'm crazy?
I think you're the bomb.
For real?
I think you're the bomb.
- For real-real? - Yes.
Damn. That's great, �����.
I can already see us at the Grammys,
basking in your success.
Oh, I like how that sounds.
The Grammys.
Damn, �����, that's great.
I'm scared, Sid.
So, how... how are you going to...
You got the money?
Uh, I mean, I got a little something...
A little something saved.
I'm gonna have to hit up other sources, but...
you know, I ain't gonna really stress about that.
That's the last thing
I need to be worrying about now.
I'm gonna start out with one artist...
What you doing?
You just found another source.
Sid, stop playing. I ain't...
Take it.
No, I'm not taking that money from you.
Come on.
Look, you are my best friend.
There's nobody that believes in you
more than me. So you're taking this check,
you're starting that label
and it's gonna be hot.
All right, girl.
Ow!
I can't believe you sometimes.
Whoo! So what you doing tonight?
We gonna celebrate or what?
I can't, I have... I have a date.
Oh, with Kelby? Yeah.
So you said yes, huh?
What's this cat's number
'cause I'm gonna call him up
and cancel for you
'cause you hanging with me tonight.
- Uh-uh. - For real.
I got to go.
It's like that?
Just put the money on the nightstand
and bounce?
Leave a brother hanging?
Bye, �����.
No kissing on the first date.
Bye, �����.
Sidney, Narrating: Just when you think you know
everything there is to know about hip-hop
it finds a way to surprise you
and remind you why you fell in love
in the first place.
Good evening, Miss Shaw.
Welcome to Chingalle's.
How'd you know my name?
Please, this way.
Sidney: Oh, my goodness.
Thank you.
Thank you, Jarmelle.
Perfect 10s.
Thank you.
Whoa, whoa, easy.
Thank you.
I'll be right back.
Ok.
Hey, Reesey-piecey.
Hi, baby.
How you doing?
How was your day?
Interesting.
Oh.
I forgot.
I took your phone again.
Oh! Yeah, I know. I kept getting phone calls
from all your ex-girlfriends.
Here.
Thank you, baby.
Baby...
Mmm?
Mmm...
I love you...
and, uh, ahem...
I quit my job today.
Why?
'Cause, baby, I just...
I needed to.
I had to. L...
I'm gonna start my own label.
I'm gonna do all the things
that I've ever wanted to do.
I thought you were doing all of that at Millenium.
No, not at Millenium. I wasn't.
I mean, you know how much I love music,
how much I love hip-hop,
- How it makes me feel, - �����...
And I lost that love at Millenium.
How could you make a change like this
without consulting me?
'Cause this is something I had to do for me.
Plus, I know you would've just tried
to talk me out of it, and...
It's not fair for you to assume that.
- You don't know that. - Reese,
you mean to tell me, had I told you,
you wouldn't have tried to talk me out of it?
Yes, I would have tried to talk you out of it,
but I'm supposed to do that.
You get so excited,
and you don't think straight,
and then you do something like this.
You can't make a major life decision
just because you feel like it...
I don't need you to be my lawyer!
Reesey, I need you to be my wife.
And a husband is supposed to consult his wife
when he changes the plan.
And a wife supports her husband!
Baby, I need your support!
Ok, fine.
I support you.
I'll call some money people.
We'll get this squared away.
That's all taken care of. Uh...
Sid said she'd help out with some
of the investing, and...
Sidney?
Sidney knew about this before me?
Reesey, baby, please, you know she's my friend...
Your friend. Ok.
- Damn, �����. - Reese.
Well, I see you have it all under control.
I'm really happy for you.
Who, whoa, whoa, whoa.
Slow your roll.
Reesey! Reese!
No, you slow your roll.
Reese!
�����?
I'm fine.
Sidney: You did all right.
Kelby: Just all right. Ok.
So... So, you're used
to guys closing down restaurants
on their busiest nights, huh?
Commandeering the kitchen,
serving you like a queen.
You're used to all that, huh?
- You ballplayers. - All right.
I didn't think so.
You think you're gonna get some booty, don't you?
Well, yeah.
- Yeah?
That's the plan.
One of these days.
Come on, that's what this is all about.
You know, the dating,
the awkward walks home.
That's what men and women do.
You got it all figured out, don't you?
I'm just tryin' to be straight up.
You put a man and a woman
together long enough, and...
something's gonna go down.
Well, what makes you think you gonna be
around long enough for something to go down?
Well, I think I got a pretty good shot.
It's not that good.
Especially outside 20 feet.
And you could work on that D a little, too.
- Oh, really? - Really.
Ok.
Come here.
How was that shot?
Nothin' but net.
Dre: Vichon. Chris Vichon.
V-l-C-H-O-N.
He's a driver.
No, no, it's not a complaint.
He's a driver.
Never mind. Thank you for your time.
Hello?
Dre, Whispering: Whassup?
- Who is this? - It's �����.
�����? You do realize the hour, right?
Well, why you whispering?
Shh! Quiet.
How was the date?
- Good. - "Good" like,
"I had a great time, but I gotta go"
or "good" like,
"I'm gonna stay for dessert"?
Good like, I'll have dessert,
a walk along the promenade,
coffee, which I'm making now.
Sidney!
Is he still there?
- Mm-hmm. - Damn!
You must like him a lot.
�����, the man cooked for me.
So? I cooked for you.
Burnt fried bologna and eggs hardly qualifies as cooking.
I'm sayin', though,
did you actually see him cook for you?
You actually saw me cook for you.
Did you actually see him cook for you?
- No. - Tsk...
he's runnin' game on you.
That nigger ain't cook for you!
�����, why would he say it if he didn't?
So he could get you to make him coffee
in the middle of the night so he could tap that.
I'm a dude. I know these things.
Well,
his game worked.
Ohh! Sidney!
For real?
Is y'all gonna do it?
Bye, �����.
- Sidney! - Bye.
Sid!
Sidney!
Sidney!
There you go.
Thank you.
Mmm.
- This is good coffee. - Mmm.
This is really good.
Yeah, l, uh...
I got it from Balducci's.
Mmm.
It's a great aroma.
Ahem.
Let's have sex now.
Let's.
Excuse me, sir.
I'm looking for a, uh, Chris Vichon.
- He's in there. - Does he...
- Right there. - Oh, ok.
Thank you.
Watch it.
What's up, partner?
What's up, man? What you doin' here?
Uh...
actually, l, um...
I'm, uh, ahem...
I'm startin' my own label,
and, uh, somebody told me
that this real nice MC works here.
You... You know him?
What you want, Grinch?
What you want me to do, some Mother Goose raps?
"There was an old ho that lived in a shoe."
No, I ain't lookin' for that no more, man.
I'm lookin' for some real stuff.
I don't get you, man.
One day you all shiny-suited up,
then the next day,
you head to the garage lookin' for the raw shit.
Well, what you got goin' on, man? What?
You waitin' for some label to come
and scoop you? You... What's your hook?
See, that's the difference between me and you, dog.
I don't need no hook. My skills is my hook.
You're an MC that drives a cab.
A taxicab!
Let me tell you something. First of all, I got a job.
I didn't come to Millenium askin' you for shit.
Hey, man, I got a job, too, all right?
But I ain't too proud to ask for help.
Maybe you should be more proud.
'Cause your rep is like this.
Come on, man, I know you was comin'
down here to do it, man.
You just signed the hip-hop cartoon puppies.
You think you could rap with me?
Spotted dalmatian, Smothers Brothers dudes.
What am I supposed to trust you for?
All right, man.
You got me.
All I know is I'm here, man, all right?
All I can give you is my word.
I'm tryin' to do something real.
The way I see it,
real MC'ing, that's the hook.
That could be our hook.
That's my vision.
All right? No shiny suits,
no bling-bling,
no spotted furs.
This is the real deal.
On the humble?
I need you, man.
You want... You wanna help me?
Yeah, man.
You really wanna help me do something?
- Yeah. - All right.
Hold this.
Take this.
Hook up my back seat.
All right, I'm gonna just...
I'm gonna place it here,
I'm gonna get you some coffee.
How long is it gonna take you
to clean the back seat?
Oh, you...
You want me to clean the back seat?
I mean, if it's too gully for you, it's all good.
No, no, no, no! No.
I mean,
yo, I'm gully.
- Oh, yeah, you gully? - Yeah!
I don't want you to mess up
your nails or nothin', you know what I mean?
I'm gully, man.
I mean, you do something for me,
I do something for you, right?
That's how it goes, man.
- Right? You good? - I'm gully.
All right. You find any change back there, it's mine, ok?
Cool. I got you.
All right, open a window so you don't breathe that stuff in.
I'm gonna open up a window.
Gully.
I'll talk to you.
- Give me a call. - I will.
- I promise. - All right.
See you.
Man: Look at you!
Good to see you.
Hey, Reese.
Sidney, hi!
Hey, how you doing?
I never see you in here.
Well...
I usually don't have the time,
but...
ever since ����� started this record label project,
I've had a lot more free time.
So I guess I actually have you
to thank for bringing me back to class.
- Me? - Yeah. You know?
For all of your support
of ����� and his project.
Instructor: All right, everybody, listen up.
We're just about ready to go.
I want you to find a partner,
grab a pair of focus mitts.
We're gonna do some punch combos.
Alternate on my whistle.
Oh, thanks. I'm already working
with my man right here.
Just you and me.
Sidney: Whoa.
Ohh! You ok, Reese?
Oh, yeah, I'm fine.
I'm just...
- fine. I'm...
I'm just...
thankin' you.
O�, ����.
������� ��� �� ��� ������ ��������.
�� �� �������� ���.
����� �������� �� ���� ��� �� ����� ��� �� ��� �����;
��� ��� ��� ��������...
�� �� ����� ��� �� ��� �����.
��� ��������...
��� ��� ����� ���������� �� ��� �����.
��;
����� ���������.
� ����� ����� ���� ���������� ��������.
������,
��� ��� � ����� ����� ������� ����� ����.
������, ��� ��� ����� ��� ����,
��� ������, ���� ���� �����!
�����, �������, ���������.
����� ... ����� �� �����...
�� ���� ����� ��� ��� �� ���� ������ �����.
��� ��� �� �������...
������ ��...
�������...
��� ��� ��� ���������!
����, ���� �� ������� ���...
����� ���� �����...
�� �������!
�������������� ��� � ����� ���..
�� ��� ����� ������ �� ����� �� �������� ������...
���� ��� ������� �� ��������� ��'����!
��� ���� �� ����������� ��'����!
��� ����� ���� ��� ���.
�� ����� ��� ������� ����� �� ��� �����...
���� �������������...
���� ��� ����� ����, ��� ��������.
���� ��� ���� ����� ��� ������� ���.
���� ��� ��� ��� ���...
�����������...
�������� �����...
��� record label thing!
���� �����, "record label thing,"
��� �� ����� ��� ����� � ��� �������� ��� ��������.
���� � label ����� �����������..
��� ��� ������ ��'�����!
������ ������, ���� ����, �������...
��� ��� ��������� �������� ��� ��� ���.
You take
You take
You take
You take
Yeah, yeah, let's do it
I know you're ready, right?
Then let's do it
We'll do it next to it
Put your arms and legs next to it
And rock whatever else is left to it
You take
You take
When you invited me
Like this, like a mad clean
Like, focus, man
You got to give it to me
You need to give it to me
You better give it to me
Give me some fine, fine
Give me brown sugar
Leave the ground shook up
Got the world sweatin' like fiends without hookup
-Come on -You take
You take
You take
When you invited me
You got to give it to me
You need to give it to me
You better give it to me
Give me some fine
Brown sugar
Leave the ground shook up
Observe the way, how we make it sound
Word up, like, you got to give it to me
You need to give it to me
You got to give to me
Give me brown sugar
Lick your lips to it
Work your hips to it
Steady rockin' like this to it
-You take -Damn, baby
-You take -Damn, baby
-You take -Damn, baby
Damn! Ooh, ahh
Ooh, ahh, ooh, ahh
Ooh, ahh
Ooh, ahh, ooh, ahh
-You take -Damn, baby
-You take -Damn, baby
-You take -Damn, baby
����������� �����! ����������� ������� ����!
���!
�������.
���������.���� ���� �� ��.
��������� ��� ���� ����� �� ��������� �����....
��� �����,
�� ����� �� ���� ��� �������.
���.
��, ����� ���� ... ���� ����������,
���� ... ���� �� �� ��������� ��������...
��� ��������� ������ �� ��.
���, ���� ��� �� �� ���������� sis-sponsible.
�����������....
���� � ������ ���� ��� ������...
���� ���� ���������,
������ ���������������.
��� ���� ����������� ���� ��� ��������� �������...
����� ���... ���...
��� ����� �����.
���� ������ ����� �� ������� ��� ��� Millenium.
���, ���, � ������� ����� �����.
�����!
���, o�, ��� ������ ����.
��� ������ ����. ���� �������� �����,
���,... ����� �� ���� �� �������� �� ���� ��� label.
�������! ����!
���� ����� ���� ��������.
���������.
�� ����� �� ����������� ����� ���...
��� ��� ��� ��� ����������....
���� �� �������� �����, ��� ����������.
�� ����� ������...
�� ����������� �� �������� ��� ����,
��� ����� ��� �������� �������� ��� 75 ������....
��� �� ���������� ���� ��� �����.
����� � ������� �������� �����...
���� ��� ��� ������ �����.
��� ���-���.
��� ��� �� ��� ����!
���! ��� �� ��� ����.
- ����! ���, ���. - ���!
���! O�.
�� ���� ��� �� ������! ���!
�� ����������. ��...
���� ���� ��� �����������...
�� ����� �� ... �� ����������. �������.
�� ����� �� �� ������������ ���� �'��� ���� �������.
�������, �� ���������� ���� �� ������������....
�� ������� �������� ���������� �������, ����;
��������� ��� �� �� ���� ����...
���������� �������, ��� ����...
��� ���� �� ����. ���������.
�����. ����� �� ��� ��� ...
��� ������������, ��������;
�������� ��� �� �� ���� ����.
O�.
�! ��� ���!
�! ��� ���!
� �����, ���� ��� �� ���� ����.
� '����� ���� ����.
�� ��� ������ ��� ����...
�� ������ ������� ���;
���... ��� ���� �� �� ��.
��� ���.
���.
������!
���.
������, ���� ����� � �������....
������ ��� ��� ��� ��� ���-���;
����� ����.
����� ��� �� �������...
������ �� ��� ��� ������ �������....
��� �� ����� ���������� �� ������� ����.
� ��� ����� ����� ��� ����.
�� ������;
������ ����������� �����.
������ ��� ���� ������ �����...
����������� �� ��� ���� ��...
���� ������.
��� �������� ��� ���� ����� ���� ���� ���� �������;
��� ��������� ���� �� ���� ���� ��� �����.
������� ��� ��� ������ ��� ����...
���� ������������.
��'���� �� ������ ����;
��� ���� ����� ���� ������������;
��, ����������� �� ����,
��� ��� ����������� ��� ���������?
�, ���� ���� ����; �������� ���;
��������� �������!
���������� ����� ��� ���� ��� ����� ����. ���� ���������...
��� ��� ����� �� �� ���������, ����������� ��� K�����.
���, ���, ���, ���, ��� �������� ����.
���.... ����, ��� �������� ����.
����, ��...
����!
�������!
You need to talk to your friend.
What y'all goin' through?
You crazy.
Ahh, here we go.
Hey...
Hey.
Hey.
What you doing?
Just gettin' these champagne flutes.
Yeah, that's funny.
You ever wonder why they call them champagne flutes?
No, I never really thought about it.
Oh, shoot!
Hey, don't break the flute now.
If you find out,
get back to me and let me know.
I will. Hey, that's a nice outfit.
You look real... real nice.
And the food was tight, too.
It was tasty and nutritious.
Oh, shit. Tasty and nutritious. Oh!
- Hey. - Hey!
Hey, what's goin' on? Congratulations, man.
It's a big move.
Good luck to you, man.
Look, I've been meaning...
I've been meaning to talk to you
about my album, man.
About my album, you know?
- Your album? - Yeah.
Oh...
It's so hard to get respect
as an MC when you're a ballplayer.
Right, right.
Rappers who play sports.
Yeah. Yes. Same thing.
But I was thinking, you could be my mentor.
Right.
You know what I'm sayin'?
- Yeah. - Like, you could help me
with my lyrics.
You could work it out so my...
my... my lyrics get tight.
Tight. Tight lyrics. Right.
Like a... like a rap coach.
Like a... like a rap coach!
- Right. - Like, exactly!
New Year's Eve
Kelby D in the venue
Popped the ring
Got marriage on my menu
That's tight. It's not just basketball with you.
- Yo. Yo! - �����; �����!
Yo, you got a 2-way, man?
���. �����;
���� ������ ��� �����;
Kelby: Yo, you got a number?
Hey, �����.
Hey, you all right?
Yeah. Come over here real quick.
Hey, uh,
what's up with, uh, Sidney's homegirl?
Sidney... oh. Francine?
- Yeah, yeah. - Yeah. She's cool.
You feelin' her?
He was all nervous, though.
It was kinda cute.
Called my food delicious and nutritious.
He did?
We was talkin' a little bit,
you know what I'm sayin'?
You slick dog! You feelin' her, man!
So spit at her, man! She's real cool.
No, no, no, no!
That's what I'm sayin', you know.
I don't wanna just, you know,
overwhelm her with all my game, you know?
I wanna conserve my game.
I don't wanna just blow it all on one shot...
You ever notice how when a guy's tryin'
to mack you,
his voice either go real high
- Or real low? - Mm-hmm!
So, I was figurin', like, you know,
you drop a bird to Sidney...
Shh! Chris. It's cool.
If you're scared,
just tell me you scared.
Just tell me. We cool!
No, I'm... I'm not scared. I'm not scared.
Listen, if you're scared of women...
Whoa, whoa! Ooh, bro,
why you talkin' all loud, man?
You don't know with this party.
This is how rumors get started.
What's wrong with you, man?
So, you gonna give him any play?
I don't know. He kind of young.
First of all, I ain't scared of women,
but I ain't like you.
Ok? I ain't the black male model.
I don't be in the gym at all times.
Forget it, man. Don't even say nothin', man.
It's cool. I got you. I got you. Let's go.
You gonna hook me up, man?
Don't play me, man.
�������!
Got marriage on my menu!
������;
������ �� �������;
�� ������ �� ���������� ��� ��������....
�� ��������������� �� ��������� ���.
����� ������; ���, �����....
����� �� ��������� ��� ��������� 4% �� ��������������� ���� ��������...
���� ����� ��� ������� �� ������ �����;
�����, ��� ���� ������.
�������, ����� ������� ����� �����.
���� ����� ��� �������� �� ���� ����.
�������� �� ���� �� ����� ���.
������� ������� �� �����.
- ��������� ��� ����; - ���!
�� ������ �� ����������� �� ��������� ��� ����...
��� �� ��������� ��� �� ���� ��� ����.
������ �����... ��������;
����� � ���������...
������� ��� �� ���������, �����;
���! ���� ����!
� ����� ���;
�� �������;
�� ���������� ��� �������� ����;
������. ������.
�������.
�� ���������� ��� �������� ����;
'���� ���� ��� ����� �� �������� �����......
� �������� ������ �� ��������� ��� ������������,
���� ����� �������� ��� �� ������ ������� ���������...
��������� ��� �� ������� ��� ����� �� ��������� �����.
���������...��������� �����.
����� ���� �����.
���, ����, ���...��� ����������...
�� ������ ��� ����� ���� �����;
������, ���� ��� ����� ���� �������...
�� �� ����������.
�������, �� �������; ����...
�������� ���� �� �� �������� ���� ���;
���...
��� ��� �� ���������.
������. ���!
�����...
- ��... - ������.
����...
��� ���.
�������. ������. ��� ����� ������.
���� ���....��� ��� ���...
��� ����������� ���� ��� ��������� �����, ���...
����� ������ �� ���������� �� ������������ �� �������� ���...
��� ��� ����, ��� �������� �� ��� �������.
���������. �������;
���������... ��������� ����.
����� ���������.
�������� ��� ���� ���.
����� ������� �'����. ���������.
O�.
���� ����� ��� ������...
������� ����� �����.
���� ����� ����...
�� ����� �� ���������...
��� ��������.
- ��; - ���.
��������!
��� ����� �������� ��� ����� �� ��� ����� �����������.
����� ��� �� ��� �������!
�����, ���...
�� �������� �� �, �� � ������� ��� ������ �� ��������....
��� ����� ��� ������ ���, �� �� �� ��������� �����, �������;
���� ���� ������� � ������ ����� ��� ����....
������, ������������, ��� ����� �� ����
�� ��� ����, ���� ������� ����....
��� �� ����� ����� � �����!
������; ����� ��� �� ������� �� ...
�����, �� ���������� �� ����� ���������� ��� ����.
�� ������ �� ����� ���� ��� ����,
���� ������� �� �������� ��� ����.
����...���� ����� �� ��� ����...
and eat cucumber sandwiches with the crust cut off!
�������.
�������.
����� ������������. �������.
�� '�������...
�����...... ����� ���������� ��� ����.
����� ���������� ��� ����. ����� ���������� ��� ����,
���� ������� ����� ��������� ��� ����.
�������;
�����, ����� �� ��� ��� �������;
����� �����.
������� �'���� �� ��������.
Oo-ooh
Ooh
Oo-ooh
Ooh
Ooh... ooh
Oo-ooh
Ooh
����� ����.
����, ������.
����.
�� ����� ����;
���...
����� �� ������� �� ������ �������...
�� ����� ��� �����������.
�������.
������, ��������� ������ ����� ������� �� ����.
����� ��� �� ����.
�� ������;
���� ���������� ��� ��������� ��'�� �������.
���� �� ��, ��������� ���� �� �����...
��� ��� ���� ����� ��� ������, ���� ...
���� �� ������ ����� �����������.
���������� ���� �� ���� ����, �������������;
���.
���....
��� ���� �� ����� �� ����� �'���� �� �������.
������� ��� �������!
����� �� �� ������ ����;
���.
�� �������� ��� ��� ������� �������;
������ ��� ��� ������ ��� ������ ��� ���������� ����.
���� ���� ����.
���� ���� ���������� ����.
- �������; - ���.
�� ���� ���� ������� �� ����;
������, �� �����. ���� �� ��, �...
���, � ��� ... �� ��� ������ ���� ��������.
���� ���� ����.
��� �� ��������, ����;
��;
��, ���, ���.
�� ������� �� �� ����������� ��� ����;
����, ���� ��� ������� ��� ���� ���� ��������.
��������.
�����...�����...
�������� ��� �����.
������ ��� ���� ����.
��������� ��� �� ������� ���� �����...
��� ����� ������ ���� ��� ��� ���.
�� �����.
���� ������� ���, �� ����� �������� ����� ���,
�� �����.
O�; ���� ��������� ������.
��� ����.
�������, ������ �� ����, �� ������.
�� ����.
��� ����� ��� ��������� �� ������� ���;
���� ���������� ����� ��� ��������� ����.
��������; ����� ����� � ��������;
����.
�� ���������;
����� �� ���� ���� ���;
�������� ��� �����.
�����.
�����.
��, ���.
����� � ����� �������� ��� ����������� ���.
�����, ������ ��� ����, ��; �� �������.
�����, ��� ������ �� �� ������ ����.
�� ���������; �������!
����, ��...
���.....
�� ������;
��...
- ��.... - ��....
�� ������, �� ���������;
��� �� ����;
����� ������ �� ��� ���,
������������ ��������� ������ � ���� ���� �����.
�����...
���� ���� ������. ��� ����������� ��� ����.
��, �����...
���. ��� ��� � ����,
������� ���� ��� ��������.
�������� ���, ...��� �������� �� ������� �� ���������;
���, �������. �������.
�������.
�����. ������, �������.
����� ����� ���� ������;
����...
����� ��� ����� ��...
��������� ��� ������
�� ��� ���� ��� ������� ����, "��".
��� ���.
����������� ��� �� ����� ���.
��������. ����� �����. �����;
�������� �����.
�������� �����.
�������. ��������� ����������.
���� ��� ����, �������.
���...
����� ������....
����� ��� ����;
���, ����, ���� ��������������..
�� ������ �����, ��� ���� ����� � ������� ���.
��;
�����, ��������. ��� �����...
�������. �������.
��� �� ��������� �� �� ������;
��� ������ �� ��������� ��� $ 15.000
��� ������� ��� ��� ������� ���.
����� �� �������, ���� �������������.
��������, ������� ��� ����.
�� ��� ������ ����� ��� ������;
�������, ������� ���...
������ ����; �������������� �� �������.
�������� �� ���������� �� ��� ������...
�������� ���������, ������ ������������� ��� �� �����������.
�����.
�� ��������� �� �����������;
�� �������� ��� �� ���� ��� ����;
��� ������� �������� ���������.
�����, ���.
�����, ������. �������;
������ �����.
�����. ���� �� ���� �����. ������������� �� ���;
����, �������� �����.
���� ����� ���� ����������.
��� ����� �� ������� ��� �� ����� ��� �� �� ������� ����.
������� �� ������������.
������ ��� ����� ��� ��� �� �������
�� ������� ��� ��� ���� ��� �� �������� ��� ���
���� ������ ��� ����A���� �� ��� ������� ����� ��'�� ����
���� ��� ����.
���� �����, ��������.
������. ������� ������ 30 ������ �����������, �����.
�, � ������ ����� ��� �����.
���������, ���������� �� ������ ��� �� ������� ������� ���� �� 2 ������
���������, ���������� �� ����� ��� �����.
������� ��� ����� ��� ����� ������;
��������� ��� ����� D-����.
� TR-808.
������� ����.
"�������� �������....
��� ����� ������ ������ ����������
��� ���������."
���� ����� ��� ������������ ������.
��� ����, ��� ��� �������� ��� ����� ���� �����.
���� ���� �� ����� ��� ������������ �����.
��� ����� �� �������� �� ���� �� ������ ���.
��� ���� ������,
�������,
������� ��� �.A. T����, ���� �������,
��� �� ����� ���.
������ ��� ����� ��� �� �������.
��� ����, ���� �������...
�� ����� �� ���������� ��� ����� �� ����.
������ ����;
����;
- �����; - ���.
����� �������� ���������.
��� ���� ������ �� ������ ������ ��� ������.
��� ������� ���... ����������� �� '����;
�� ���� ��������.
����, ��� ����.
������� ��� �� �� ����� ��������.
������ ��, ����;
����� ������� ��� ���� ����.
������� ��� ����� ����� ����� ����
��� ��� ���� ������ �� ������� ����.
���;
��� ���� ����� ������ ��'����;
�� ����� ���� ��� �� ����.
���� ������....
������� �� ���� ��������� ��'�� �����...
���...
����������� ��� �� ����.
����, ������, �� ������ ������....
�����, ���� ��� ������ �������....
��� �� ������� ����� �������.
����, ������, ���� ��� ������ �� ������������....
��� ... �� �������� ������...
����� ��� ������ � ������� �� ���������� ��� ������� �����.
���� ��� ������ ������� ���������.
���, ���...
������ ������� ��� ����;
���, ��� ����.
���;
����...
���� ������...
��� ���� ����� �� ����� ��� ����...
���� �����, ���...
�������� ����, ��� ������ �� ���� ���� ����������� ��� ...
�����, ����...
���� ����� �� ��� ����, ������������...
���� ��� �� ���� ���.
��, ���;
��� �������� ���... ��� ���� ������ �����������
��� �����.
������;
������.
���� �����;
���� �����.
��� ����� �� ������� �� ������ ����� ����.
�� ����.
��� ���� �� �� ��.
���� �� ��, ������� ����� ��� ��� Energizer Bunny.
������.
������ ��� ��������.....
������� ������� �� ����...
�� ������.
���� ���� ������.
������ ��� �������� �����.
������� ���, ���� ��������.
���� �� ��, ��� ������� ���� ��� �� ����� ����.
�� ������������� ��� ����� ��������.
��� ��������� �� ������� ������� ����. �� ���������;
���� ���� ����. ����������, ����.
��� �� �������� �� ���� ���� ������.
�����, ��� ���� ��'����.
�����������. ��� ����� ����� �����������.
��� ����� ...����� ������ �����.
��� ����� �� ��������� ���;
����� ����.
��������. ��� ���;
���� ����� �� ����� ���.
�� ������ �� ����.
��� �� ��������� ��� ������ ���� �� ��������.
��������. ��������� �� ��� �� ����;
�� �� ��� ����;
�� ��� �� ����;
��� ����.
���, ���... ��� ����.
��� ����� �� ������...
��� ���� �� �� ��������� �'����� ��� �����.
������ ��� ��������� �� ��� �� ����...
����� ��������� �� ����������� ���� �� ����...
���� ��� ���� ��� ����� ������;
�����...
�� �� ������ ����� ����, ���� �� ��� ...
������������...
�� ��� ����������� ...
��� ������������ ...
5 ����� ��� ���� ���� ��� ��� ���.
- 7. - 10 �����.
- 9; - O�. 8. ���������.
�� ���� �����,
�� ������ ����� ����;
��� �������� ���� �� ���� ���� ���� ���� �� ��������.
��������, ��������.
�� ���;
���������� ����.
������� ���� �����, ������� ���� ���� ����� ����....
��� ��������� ���� �� �������� ��� ���� ���� �� ������.
��� ����� �����, ����� ��� �� ������ �� ������� ��� ���...
�� ��� ���� ��� ���� ��������� � ����.
����� ����� ����;
����� �� ������ �� �����, ��� � ������;
����� ��� �� ��� ������...
��� ���� ����� �� �����.
����.
���� ��� ����� ����� ���� �� ����� ������ �����.
����, ��� ������ �� ������.
����, �� ������, ���� �� ��� ����,
�����, ������ �� ����� �������� ���� ����,
������������� �� ���;
���.
��� ����� ������ ���� ������ �� ��� �������.
����� �� �������� ���.
���� ��� ����� ������ ���� �������.
�����.
�� ���� ��� ����� ��������� ��� ��������� ���.
��������� ��� ������ ������ ������.
��� �� ��������; �� ������� �� ��� �������;
����� ��������� ��'�����, �����;
���.
��� ������ ������ ������� �� ����.
��� �����... � ������� �������� �'����.
����� � ����� ����. ����� � ������ �����.
����� � ������� ��������.
����� ��� �������� ���. ������������� �� ���;
����� �� ��� ����������� ��'�� ���� ��� �� ��� �����,
���� �� ������ �� ������, ������;
�� ���� ������ ����� � �������. ����� �� ���� ������.
��� ������ ��� ���� ������� �� ��� ������� ��������.
����� ���;
����� ����� ����� � ������� ��������. ����� ����� ����.
������ �'��� ������.
��'���� ����� ���� ����.
������ �� ���� ������ �� ����� ����;
���� ������ �� ���������� ��� ����� ���� ����������� ���������
��� �� �� ����� �� ��������� �� ��� ������ �����.
��� ����,
�� ���������� ������ ��� ��� ������
�� ������ ���� �����.
���, ����.
�� ���� ����� ���� ������;
����. ��� ������� ������ ���������� ������ ��� ������,
��� ������ ��� �����;
������ ��, ���� ���.
��������� ���� �����, ���� ���.
������ ��� ��� ���������
��� �������� �� ������ ���� ���� ���.
�������, �������� ���, �� ������ ���.
��� ��� ��������.
��� ����� ��� ���� ���.
���� ����� ���. ����� ���� ���� �����������.
���� '�� ���� ���.
��������.
A'ight, we got a new joint for y'all.
I want you to check this out.
New Millenium recording artists Ren and Ten.
Hey, yo, Ren
Yo, what's up, Ten?
Big C told me you was at the club
Pushin' up on one of my hos
Yo, yo, yo, Yolanda?
Yeah, Yolanda
Man, that ho is a ho
You still mess with that?
She may be a ho, but she's my ho, you know?
The ho is mine
You gotta get that bitch
That ho is mine...
� T��� �� �� ��� ����.
I was first in line...
�����.
�����.
Mine
�����.
���� ��� ����.
���, ����.
��������� ��� �� ����� ���, T���.
����� ��� ��� Brown Sugar Records.
���� ������, ����� � �����...
����� ����.
�� ������� ���� 17.
������.
��� �� 36.
���.
������.
���. �� ���� ���� 3:00.
���, ����� ���� �� �����. ������� �� ��� �������...
��� ������� ����������� ��� ����; ��� ��������� ��� ��� �������� ���.
�������.
O�. ��������� ��� ��� �������� ���.
I can fix it up right quick...
����;
Listen, y'all...
�� ������.
����.
�� ��� ������ ����� ����;
��� ���� �� ��� ������ ���� ��� ��� ��������� ����� ��� ������;
��;...
��� �� ������ �����;
������� �� ������ ������.
��� �� ������� ���������� ������ ��� ������.
����� ������;
�����, ��� �������� ��� �� ��� �� ����� ��������� ����.
������ � ������� ����� �� ���������� ������.
����� �� ������ �� ��������;
�� �������� �� �� ��� ����� ���� �� ���� ��� ���� ������.
������ �� �� ���� ����� � XXL
������ ���� ���������, ��� ��� ������ �� ����.
��� ����� ��� �������. ��� ����� ���� �����.
����� ��� ������ ���� �����;
��� ����� ����� ��� �� �� ������� �� ���������� ��� ��������.
����� ��� �������� �������� � ��������� ��� �������������;
�������. ������, �� ���� � �����;
��� ���� ��� ���� �������.
��� ��������.
��� ��������. ��� �� ��������.
����, ������ �� �������� ����. ������ �� ������ �� ���� ���.
����� ����������. �����, ����� ������� �� CD.
��� ����� �� �� ���� ����, �����, �� ������ ���� ���� ������� ���.
����� �� ����� �������....
������ ��� �� ���-��� ��� ����� �� ����� ���...
��� �������� �� ��������� ���� ���� ����� ���.
���� ����� �� ����� ��� ��������� �����...
����� �� ��� ������������ �� ���-��� ��'�� ����� ������;
� ����� ����� � ������ ���� �� ������.
������������ ��� ���������.
��� ����� ��� ��� ������ �� �������� �� ��������,
��� �� ������� ����� ��� ���....
������ �� �������� �� ����������� �� ����.
���� �� �������� �� ��������.
���� ��� ��� ������ ��� ����� �������.
��� ... ��� ��� ����� ��� �� ������� ��� ����.
��� ����� ����� � ����� ��� ������ �� ���������� ����, �������;
����� �� ���������� ����,
�� ��� ����� �� ����� �������� ...
�� ���� ��� ������ �����,
�������� ��� ���� ��� ��������� ��� ������� ����.
��� �� �������� ���� �� ������������ ...
���� ���� �������� �� ������ ���� �� ������ ...
��� ��� �� ��� ������� ��� ������...
��� �� �������� ���� �� ����.
�����...
����� ����� ������ ��� �� ���-���;
���� ����� ��� ��� ����� ���������.
����� �� ���� ��� ����� ����������...
��� ���� ��� ������� 10 ������.
����, ���� ��� ��� ����.
���� ������ ���� ��� ������ �� �����������, ���� ...
���� ������ ����.
���� ������ ����.
��� ����� ���������� �� ������ ���.
��� �, �� �����������...
��� ��� �� ����������� ����� �������.
��� ��� �� ����������� ����� �������.
�����...
�����.
��� ����� ��� ������� ���.
��� ��������� �� �������� �����;
�� ������� �� ��� ������ ���, ����;
����;
��.
����� �� ��� ���� ����, �����;
���.
����� M������� 25.
��.
��.
�������� ������.
�� ������ �� �� ������������...
����� ��� ����� ���� �� ������� ��'���� �� �������.
���.
��� ��������� �� ��������� ��� ����, �������;
������ �� �������� �� ����� �� ��������� �� ���� ��� ������ ���.
������. ����� $200 ������ �� �����.
�����...
������ ��;... ����� ��.....
����� �� ������� ��� �����;
��� �� ������ ��� ����, �� ��������� �� ��� ����� �������,
��� �� ������, ��� �� ��� ������ ������ ��� ���� ����.
��� ��� ���.
���� �'��� �������� ��������� ������.
���...
��� ����� ��� ���� �������.
������������ �� �� ������ �� ��������;
����� ������;
�����, ��� �� �� ��������.
���� ��� ������������.
����� ���� ��������� ��� ��������.
���� ���� ������� ��� �������� � ���� ������....
���� ��� �������. ������� �����������.
������ ����������, �����.
������� ����� ��� ����������.
���.
���� ��� ��� ��� � ������� ����� ���� ���� ���������...
��� ����������.
�������, ������, ��� ������� ����� ��� �'������ ������� ���.
��� ���...
��� ��� ������ ��� ������������ ����� ����� � �����,
����� ������� �� �� ����� �� ������ �� �� ��������� ��� ������� ���.
��, ����.
�������.
�'�����.
���� ������ ��� ��� �� ��� ������ ��� ���� ��� ������ �� ������������.
��� ������� �� ������ ������...
�� ���������� ��� �� ������...
���� �� ��������� ����������.
��� ������� �� ����� ���� ���� ������.
��� �������� �� �������� �����������.
���� ��� ����;
������...
�����������...
����� ��� ���� �� ������...
��� �� ���������.
������ �� ��������������� ��� ���� ��������....
��� �� ������ �� ���� �� ���� ��� �, �� �����.
��� �� �� ��� �� ���� ������.
��� ����� 58,25$ ����.
K�����...
�������� ��� ������. �������.
������, ������ ��� ���������.
�������. ���� ��������....
��� ���� ����� ��� �������....
������ ��� ��������� ��� ����� ��� ��� XXL ��� ...
��� ���� �� �� ����.
������ ���� ��������.
K�����, �������� �� ����� �� ���� �� �������.
�� ���������� ��� ������������;
���� ����� ����� �� ��� �� ������� ���� �� ��������;
��� ���� ������ �����;
��� ���� ������ ����;
��� ������ �� �����������.
�' �����.
���� ��� �� ��� ����� ��� ������ �����.
�������.
��� ���� ����� � ������ ��� ��� �����...
�, �� ��� ���� �� ����� ���.
��� ������.
�������.
Lying here
How bad I feel
The clock tick
And I think of you...
����� �������...
��� ��� ���� �� ��������....
�� ����� ��� �� �� ���-���.
Confusion
Is nothing new
��� �������� ���� ��� ���� ��� �����, ���� ��� ������.
Flash back
All night
���� ���� ��� ��������� ��� �� ��������� ��� �� ��������.
Almost left behind
Suitcase
Of memories
Time after sometimes
You picture me
I'm walking
Too far ahead
You're calling to me...
�������� ��� �� ���� ����� ���� ������.
������ �� ������� ����...
��� ��� ����� �� ��� ��������� ��� ������������� ������....
��� ������������� ��� ������ ����������� ��� ����.
���� �����������.
������ ��� �������...
��� �����.
������ � ���� ��� ����.
������ ����.
����������� � ���� ���� ������� ��� �����.
��� ���������� �� ����������� �� �� ���-���....
��� �� ���-��� ��� ���������� �� ����������� �� ����.
You will find me
Time after time
�� ������������ ��� ��� ���� ���� ��� ������,
��� ������� ��� ���� ��� �� ������.
I'll be waiting
��� ���-���.
Time after time
Mmm mmm...
Mmm mmm...
��������. ����� ��� �'��� ���;
���.
������ �� ������ ���� ���;
���� ��� ���� ������ ��� ��� �������� �� ������...
���� ��������.
���� ��������....
�� ����������� ���� ��������...
����� �� �� ������ ��� ������ �� �������� ���� �� CD.
���� ��������� �� ��������� ����....
���� ��������
����� �� ������ ���� ��� �� CD �� ������.
���� ��������.
���� ���.
�����������.
���
��� �����������;
��� ���������.
�������;
�������, ���� ���.
��� ���, �����!
���!
���.
����� ���.
�� ������, ���� ���.
����� � ����������!
I worship at the temple of hip-hop
Attended service, Eric gave a sermon
But the minister became intensely nervous
When the killa priest went buck wild
And made the reverend run
I reached in...
���� ��� � ����� �� �� ������, �����;
������������ �� �������� ��� ���� ���, ���� ��� �����;
���.
����� ��������� ��� �������, �;
���.
��� ���� ��� ����� ��� ������.
����� ��� ������;
���� ��� ������� �� ����������.
���� �� ����� ���� ���...
����, �������� ��� �� ��� ��...
�������� ������ ���������� �� ���� �� ����� �����,
����� � ��� ����� �� �� ��������.
��...
���.
���, ���.
���, ��;
�� ��������� "Night Train"
����� ����� ��� ����� �� ��������.
������� ���� ��������� ���� �� ��� ������ ���,
������� ���� ��������� ���� �� ��� ������ ���,
��� ���� ���, �������� ��� ��������� XXL.
�� �� ����������;
���� ����� ����� ����� �� ��������� ��� �� ���������,
���...
����� �������� �� ������ ���.
�����.
��������� ��� �� ���-���;
����� ��� ������� �������� ��� ��� ���-���.
�����. ��, ���, ���� ����� �� ����� ���;
������� "�������� �� ��� �����".
�������. ���� ��� �� ������ ������;
���� �����.
�� ������� ������ ������,
�� �����, ���� ��������������, �� ������ �� ������ ����,
��������� ��� ������ �� '����.
����� ��� ������ �������� �� �� ������� ����.
�� �� �������. ����� �� ������ ������� ���.
� '������.
������ �� �� ���������� ���� �� �������;
���...
�� ����� �� �������� ���� �� ��������,
���� �������� ��� �� ������ ���,
��� ���-���.
�������� �� �'�����.
���������� �� �� ����.
��� ����� �� �� ����.
�������� �� ��� �� ��� ������, �������.
What I love most, she has so much soul
She was old school when I was just a shorty
Never knew throughout my life she would be there for me
����� � Hot 97, ������� ���-��� ��� R & B.
����� M���, ���� ��� XXL, ��� ���������.
��� �� ������ �� ������� �� ��������.
- O�. - O�.
�� �������� �������� ��������� �� �������� �� ����.
�� ���� ��� ������ 5. ��� ��� �����;
��'�� ������ ������ ��� ������ ������.
��� ����� ��� ��� �� ������� �� ���� ���'�������.
���� ��� ��� ������� ���... ��� ��� ������� ���.
O�.
������� ���,
���� ����������� �� �� ���-���;
���� ������ ��� Kangol Crew ��� ��� Get Fresh Crew.
������, ��� ������ ��� ��������� ��� �������,
���� �� �� ������ ����.
����...
���� �����������...
�� �� ���-���;
������ ���.
�����...
�'����������...
��� ��� ����� ������, ��� �� ����.
�'���������.
�������, �� ... �� ������ ����� ����.
����� ��� ���� ���� ����� ��� �� �� ���� ����;
����� ��������.
��� ����� ������������.
��� ������.
���������� ������������.
������, ����� ��� ��� 97...
������ �����...
- ���. - ���!
����� ��� �������...
�� ����� ������ ��� ����. ���� ����� ��� "yo".
���� ����� ��� ������... ���� ����;
��� ������ ���� ��� ��� Brown Sugar Records.
�� ������ �������� ������� ����,
������� ���� ����� ��� �� �������.
��� ��� �� �������� �� ����� ��� �������������....
�����, ��� ����� ����
��� ����... ��� ����� �� ������...
��� �� ���� ���� ��� �� �������� �� ��� ���.
�������...
�'�������...
��� ��� ����� ���� ��� ����� �� ����� ��� ���� ���.
��� ����� �' �����.
����� � ����� ���.
������, ��� ���� �� ����� � ����� ���, ��� ���.
���������.
����������� ��� �������.
�������, �����������.
����� ������ ����������� ��������....
��� �������� ���� ������� ������.
���� ������ ������� ������...
����� ������...
����� ���� ���� ����� ������ ��� �������������
����, ������, ��� �� ������ �������,
���...������, ��� ���...
- �������. - �����.
�����... �� ��� ���� �������...
����� ����, ���, ��� ...
��� � ��������� ��� ������� ����� ���������� ...
��� ���� �� ��� ��������� ...
����, ������, ��� �����...
�� �������� ����������� ������,
���� ������ ���� ����� �� ��� �������� ������
��� �� ��� ����������,
������ ��� ����.
���� ���������� ��������,
�������� �� ��� ����� ��� �������, ���...
- ����... - ���;
������ �� ����� ���� ���;
� ����� M��� ����� ������� ��������� ������ ���.
���... ���...
�� ������ ���.
����...���� ����� ��������.
���� ����� ����������.
��� ��������� ������������ ���������.
����� � ����.
������ ���������� "Brown Sugar".
���� �� �� �����������.
Yeah, y'all, yeah, yeah, y'all
Yeah, yeah, y'all
JJust my mic side attention up right here
Show 'em how Brooklyn do it, ya know what I mean?
Now, listen, yo, let's start it up, start it up
Let's get it flowin'
Let's make a move, let's get it goin'
World was spinnin' like everything you want, don't it?
And you've been waitin' your whole life for one moment
Well, baby, here it is, you better step to it
I know you ready, right? Then, baby, let's do it
Move your neck to it
Put your arms and legs next to it
Then put whatever else is left to it
See, you all there, now you about to rock 'em
Got your focus, man, now they got a problem
Got your focus, man, now they got a problem
Who you talkin' to? Son right there
The man in the mirror, I see him quite clear
Do your thing, Cav, work it out, dog
Open up they minds, be about yours
Silence everyone who ever tried to doubt yours
Get your mind right, keep your sound raw
Heavy bass, man, make it bounce more
Make 'em feel it from the ceiling to the ground floor
How I sound, y'all, I know it's crazy right
I know it's crazy tight, don't ever take me light
It's Cav-love, y'all, and that's what's up, y'all
I'll be damned, I know exactly what you want, y'all
I make it jump, y'all, so put 'em up, y'all
Brown sugar, Brooklyn, is 'bout to jump off
You've got to give it to me
You need to give it to me
You better give it to me, give it, ha ha, to me
Brown sugar leave the ground shook up
Got the world sweatin' like fiends without hookup
You know you want to give it to me
You better give it to me
You gotta give it to me
Brown sugar
Ha, lick your lips to it, work your hips to it
A-steady rockin' like this tight
One, 2, 3, and to the 4
The brother Cavi-Cav is here to let 'em know
This for my hustlers, this for my scramblers
This for my sexy mamas, this for everybody
Bang it at any party and watch 'em rock to it
Bounce some pop to it, this here is hot music
Duke, I'm not losing, you need to stop foolin'
I know the game very well, boy, I'm not stupid
Sharp and smart movement
Applyin' the heart to it
Came here to get the ghetto blocks movin'
And after rockin' in the porches and backyards movin'
Keep it crackin' 'cause I love the way that y'all do it
You got to give it to me
You need to give it to me
You better give it to me, give it
Ha, brown sugar
Leave the ground shook up
Observe the way how we make it sound good up like
You got to give it to me, you need to give it to me
You got to give it to me
Brown sugar
Lick your lips to it, work your hips to it
Steady rockin' like this to it
Damn, baby, damn, baby
Damn, baby, damn, baby
Ooh, aah, ooh-aah ooh-aah
Ooh, aah, ooh-aah ooh-aah
Damn, baby, damn, baby
Damn, baby, damn, baby
Damn, baby
Ha, ha-ha
Ooh, aah, ooh-aah ooh-aah
Ooh-aah ooh-aah ooh-aah ooh-aah...
When you invited me
Yeah, yeah
I felt it, I felt it
I felt it like a...
Love of my life
You are my friend
Love of my life
Do what I can to feel you again
Love of my life
I have you, baby
Feels like a simple true love, yeah
Y'all know how I met her
We broke up and got back together
Took you to back, I had to sweat her
I used to roll with back boys forever in many ways
And boys made better to grow, I had to let her
She eat the cheddar and I understood that
Lookin' for cheese, that don't make her a hood rat
In fact, she's a queen to me
Her light beams on me
I love it when she sings to me
It's like that
Who knew you'd rock my world, and
You be boyin', I be girlin'
Oooh, yeah, hey
And it don't stop, and it won't quit
'Cause it can't wait
And it don't stop, 'cause it won't quit
And it can't wait
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.