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(calm music)
- [Rubilyn] The Fourth World.
We're a subpopulation: economically,
socially, and physically disconnected from global society.
Electrical fires burn down whole districts.
Tag-ulan floods trap people underground.
It's important to have a family
and district that can protect you.
You never want to be alone.
The Sputnik control most of the slum.
They have the best weapons.
The shank, rabbit, 1911, M4, M16, 22, 45.
They keep order.
Without them things get really crazy.
Off-meter electricity, food, water, and a cell phone
that's what you need to survive.
Passages, alleys, and tunnels connect the Fourth World.
You have to think fast and be smart.
Sometimes all you can do is run.
(contemplative music)
Normally people are afraid to come in here.
That's why I was surprised when Hudson showed up.
- Oh my gosh, man, this is priceless.
Oh sorry.
You know what would be great, dude?
If we could get like, an insert of you cuffing him.
Could you uncuff him and cuff him again?
Like a close up, a closeup of the cuffs?
- And you could-- cool, yeah yeah yeah.
- [Rubilyn] This is Elena, Hud's wife.
She's really supportive and left her job to be with Hud.
She really wants him to be successful.
But he isn't.
This is Laz. He loved and admired Hud's grandfather.
I think he thought Hud would be similar.
Laz said that inside that cool, tough, filmmaker
is a hurting insecure boy.
- I might be crazy but I am--
- Hey, hey, that's not a toy! It's police equipment.
- Relax.
- We're on our way.
(sirens blaring)
- Laz, my friend, that's what I'm talking about.
Let's do this.
- [Hudson] Here we are at a Fourth World crime scene.
- Hudson, you stay here.
- [Hudson] What?
- This area isn't safe.
- [Hudson] What? Come on man.
- Laz.
Laz.
Not cool, not cool man.
- But this, this very little. This is not what we agreed on.
- If she was prettier I'd give you more.
- Oh but she speaks English, English!
- [Legion] My clients are not interested in conversing.
- Oh, she reads many books and she subtitles my DVD's!
She sings!
Come on Rubilyn! Sing, sing, sing, sing, sing!
- Hey! It's what I give you or nothing.
(Rubilyn crying)
- [Thug] Hey boss I think we have some company.
- Come on bro.
(speaking in foreign language)
(guns firing)
- [Laz] Shots fired! Shots fired! We need backup!
(speaking foreign language)
- You, here.
(guns firing)
(dramatic music)
- Wait.
Where's the girl?
Where's the girl?
(guns firing)
- Hudson, get out of here now!
(dramatic music)
- [Legion] Rubilyn?
Where are you?
(speaking in foreign language)
- [Radio] Reinforcements.
(dramatic music)
- There you are, I see you, come on.
- Let's go, come on, we have more cops on the way, come on.
Come on, hurry.
(guns firing)
(dramatic music)
- It's okay, it's okay, you're safe.
The police are here.
- [Officer] Go.
- There you are, man.
Guess what I found?
- What were you thinking?
You could've gotten killed.
- Laz!
We saved her, man.
- Rubilyn.
- Like Ruby.
- I lost my daddy.
Can I stay with you?
Till you find him?
- No, I don't think we can do that.
- Please! Please don't leave me here.
- No camera.
- [Hudson] Yeah sure, totally.
Whatever.
- Yeah, that would've probably made your grandfather cry.
He's was good man.
Bit of a softy though.
He used to tell us,
"Jesus didn't tell the hurting to come find us.
He told us to go and find the hurting."
I never get over the silence.
Did you notice none of them are crying?
No one comes if they do.
And I just think about the pain and suffering
that's waiting for these children.
And Rubilyn is just one of many.
(contemplative music)
(phone ringing)
- [Woman] Hello?
- Sorry.
(speaking foreign language)
Rubilyn!
(glass breaking)
(knocking on door) (speaking foreign language)
(door opens)
(Rubilyn crying)
- [Rubilyn] All I could feel were the cuts.
And then things got worse.
Beatings,
rules,
and more beatings.
♪ I'm finding someone who loves me ♪
♪ I'm finding someone who loves me ♪
- I mean, we got some really, really great footage here.
You gotta take a look at it.
I think there's a possibility for a TV show.
You know, like cops around the world.
(upbeat music)
Listen, listen, what if I offer you personally
an executive producer credit?
You think you could turn that down?
(door shuts)
(suspenseful music)
- [Rubilyn] Genghis said that
every escape plan has three elements:
knowledge, timing, and running really fast.
I grew up running.
Dad said I was the best runner in the slum.
The police could never catch us.
Dad didn't trust cops, or anyone else.
I wonder if he would trust Genghis.
- And I uh...
I was wondering if you might wanna help me fund the rest?
- [Joe] Yeah, for sure man.
- Really?
- [Joe] Yeah, I'll show my boss the trailer
but I bet she'd love it.
- That's great man, that's amazing!
- [Joe] One thing, if we fund it
can you maybe focus more on the girl
and less on the boring cop, you know what I mean?
- He's not that boring really.
- [Joe] Yeah, well maybe not in person. (laughing)
- Right, right, okay, yeah man, you got it.
More of the girl, not a problem.
Alright man thanks, take care.
- [Rubilyn] I wonder what they did with Dad's body.
I hope they buried him.
What if they just threw him away
because they didn't like him?
Maybe they just lied to me and he's at home waiting for me.
(whistle blowing)
(speaking in foreign language)
(dogs barking)
- If I get called in we have to leave, no delay.
- [Hudson] Sure man. You know, I think
I've actually got enough footage of you already.
You can just leave me here for the day.
- She's gone, run away.
- She's gone?
How do I find her?
- Ask the cop.
- [Hudson] Laz come on, man.
Look, think about Ruby, she needs you.
- Okay, I wish I could do something for you Hudson.
But the city's full of street kids
and it'd be next to impossible.
- Look man, I need her for my film.
- Okay, I'll put out a public notice.
But usually nothing happens.
(chemical explodes)
♪ But I'm ♪
♪ But I'm ♪
♪ Stuck here on the ground ♪
- [Rubilyn] I realized that everyone needs a reason to live,
or, as Genghis would say, an angle.
I mean, why else stay alive?
Smidge loves money.
It makes her feel safe.
Something she can control, you know?
Some of the money was disappearing
so one night she waited up with a bat.
And it's not disappearing anymore.
It's fun to see Genghis so excited.
He really loves business.
He has one brother that he sneaks out to visit sometimes.
But other than that, he's kind of a workaholic.
Apollo and Matches,
they find purpose in exploding stuff, being crazy.
They wanted to see if they could light a dog on fire.
They had a bucket of water ready but Genghis said no.
And me, well when I see people laughing and clapping
I feel good inside and things feel less dark,
at least for a little while.
I think I know what I'm gonna be when I'm older.
I want to be a singer.
Everyone has a reason for living.
Something that gets you up in the morning
and keeps you going. For us it's the slum circus.
(phone ringing)
- This is Hud.
You found her, you found Ruby?
Take me to her? - Yes.
- To the girl? - Yes.
- Alright, alright.
(upbeat music)
- Now everyone, announcing star singer, Rubilyn.
(upbeat music)
♪ But I'm stuck here on the ground... ♪
- Ruby. - Rubilyn.
- Ruby wait. - Rubilyn.
(fast paced music) (phone ringing)
- Yeah, this is Hud.
- [Joe] Hey Hud, this is Joe again.
I finally showed your trailer to my boss.
She thought it was great.
- Great! Great man!
- [Joe] Hey man, you good?
You're breathing heavy.
- Yeah, yeah, Joe I'm fine, just jogging.
(dogs barking)
- [Joe] I hear that man, I do some jogging myself.
So we have an idea for you.
- Cool.
- [Joe] What if there's a scene where
you have a bunch of street kids and like
they all start dancing to this 80's hit
you know what I mean?
(roosters crowing)
- [Hudson] Yeah, I could shoehorn that in.
- [Joe] So listen, what were you thinking about funding?
- [Hudson] Maybe $50,000?
- [Joe] Why don't you cut me a couple minute sizzle reel
with more of the girl and I'll see what I can do.
- Sure man, yeah, that sounds awesome.
- [Joe] Great, well, you have a good one, Hud.
(phone beeps)
(contemplative music)
- Ruby, I'm not gonna hurt you.
- I'm not going back to the orphanage!
- I'm not here to take you back.
- [Rubilyn] You leave me with those bad people.
- Ruby,
I didn't have a choice.
- Go away!
- No.
No I'm not gonna go away.
That's what everybody does to you isn't it, they leave?
I'm gonna stay.
I'm gonna stay right here with you.
I'm not gonna leave.
In fact I happen to have my camera with me.
So we'll have fun making a documentary here and
I'll stay right here with you.
- [Genghis] I didn't say you could stay here.
- Come on man, I'm a filmmaker.
I can make you guys all celebrities.
- We're already celebrities.
- Right okay well, I'll pay you to stay here.
- You'll pay to stay here?
- [Hudson] Yeah.
- This is a sewer.
- But it's a lovely sewer.
It's got a lot of character, it's the best I've seen.
- How much?
- Let's see what I got.
But you all have to agree to be in my documentary, Ruby too.
You sure?
Alright.
Okay I need you a little... oh you know what, here you go.
Let me help you out here.
Can you stand right here?
- Okay, okay.
- Yeah?
Stay there? - Yeah.
- Promise?
Alright.
Oh my goodness, okay.
If you could uh...
Hey Ruby, you want to be in the next interview?
- No.
- It'll be fun.
- No it won't.
- That's fine. Only when she's ready.
Matches?
(ship horn blows)
(phone ringing)
- Yeah Hudson?
- Guess who did the impossible?
- [Laz] Why I suppose it must be you.
- You better believe it, man.
I found her.
- That's fantastic!
- Oh yeah and we're living together
in the sewer for my documentary.
- Wait you're what?
- I'm gonna stay man.
I mean assuming I can stomach the smell
the footage is gonna be amazing.
You know, gritty, like real life.
- [Laz] Yeah it's real life! You'll get hurt!
- Come on man, you told me to give a voice
for those who can't speak for themselves.
That's what I'm doing.
- Look Hudson, I applaud your spirit.
And I'm very glad you found Rubilyn.
But you're not ready for the streets yet, man.
There's real danger out there.
- Laz give me some credit.
If the kids can make it out here so can I.
- Kids can't make it.
They join gangs, they do drugs, and they die.
- [Hudson] Relax Laz, Ruby's doing good.
She's got like this whole business singing for money.
- Oh you consider that doing good?
What kind of life is that for her?
- [Hudson] I don't know man, she's a kid.
Her whole future's ahead of her.
She could wind up singing in restaurants, bars,
I don't know.
- It doesn't work like that for street kids.
If she stays out here she's gonna stay a beggar
or she'll sell herself as a prostitute.
- What's your problem man?
- I've been trying to help these kids my whole life.
It's a constant battle to--
(woman shouting in foreign language)
- I gotta go.
- Police! Police!
- No ma'am we're sorry, we're sorry, no no no.
(all shouting at once)
(speaking in foreign language)
Ruby don't eat that.
Really Ruby, you'll get sick.
- I'll get sick if I don't eat!
You're too picky.
- Really?
Too picky 'cause I don't want garbage food?
- Yeah, you're like a picky picky princess.
- [Hudson] I am not.
- She's right you know.
Stores throw out food just because of one little bad spot.
- No.
- [Rubilyn] Princess.
- [Genghis] Princess.
- Princess.
- Princess.
(all chanting Princess)
- [All] Yeah.
- Mm, Yeah, like brand new. (grunting)
So I think I'm just gonna stay here
in the sewers with them tonight.
- [Elena] Okay, are you sure that's safe?
- [Hudson] Of course.
- [Elena] Well aren't there rats in the sewers?
- [Genghis] No we eat the rats.
- He's only joking, Elena.
- No I'm not.
- Elena, this is Rubilyn.
- Hi Rubilyn.
My gosh, aren't you pretty.
- Hello.
- [Genghis] Hi I'm Genghis. I'm the boss here.
- Well babe, I'm gonna try and get some sleep.
- [Elena] Okay.
- Alright babe, goodnight, I love you.
- [Elena] Bye, I love you.
- How do you know if someone loves you?
- Well I guess you could say they do nice things for you
even when it's not convenient.
You know, like Elena.
She came all the way here just so we could be together
because she loves me.
- Okay.
- Goodnight Ruby.
(contemplative music)
(horns honking)
(suspenseful music)
(train engine roars)
(suspenseful music)
- Hey who's the new kid?
- Nobody, he's just my little brother.
- [Genghis] I'm almost 13 I could help you guys out.
- Oh yeah?
- [Genghis] Yeah, I'm a small business owner.
My friends and I run a small circus for the tourists.
- Maybe I could find you a job.
- Legion he's just a kid.
- Was I talking to you?
I actually need this phone delivered to this address.
Can you do that for me?
- [Genghis] Yes sir.
- Get out of here.
- [Hudson] So yeah, yeah, yeah,
I think that's the guy that tried to buy Ruby.
- Yeah that's him.
Don't come back out here.
- Laz, we almost caught him.
- If they saw you they would've killed you.
- So what, am I just supposed to sit back and do nothing?
Look, I wanna help make these streets safer for the kids.
- Let the police take care of it.
- Why?
Clearly you're not doing it.
- You don't know the first thing about street crime.
You're arrogant, you're naive.
Just make your documentary and go home.
- Yeah,
sure.
Do you ever get afraid out here on your own?
- I'm really good at fighting.
I learn it from Nanay.
- [Hudson] Your mom, she fights?
- Nanay is very good at fighting Tatay.
Like this or like this and then Tatay will leave.
Matches!
How much do you make?
(Hudson laughs)
Are you famous director?
I know they make many, many money.
- [Hudson] Hey how about you smile for the camera?
Give me a pose.
Okay lets go outside and get some shots.
Alright guys, here I'm gonna give these to you
and I want you to film whatever is interesting to you.
So there you go.
There you go.
There you go.
And there's one for you.
Alright so, just do what you do, have fun.
Film whatever's interesting.
- Hi America! I'm small business owner Genghis.
If you need a party, if you need a circus at your party,
business, or social function, I'm your man.
- Here.
- You don't...?
Alright.
- I don't wanna be filmed.
- Alright, okay, it's off.
What are you searching for?
- Treasure.
Me and Daddy used to come here for treasure hunts.
- What's the best treasure you ever found out here?
- Eye patches, because then we were real pirates.
- Awesome.
Like used eye patches, that's great.
Did your mom ever join you guys?
I'm sorry. You don't have to answer that.
- How did you and Elena meet?
- We met in college, actually.
I was working for campus res life
which is like the college office.
And she was moving dorms and so I helped her move some stuff
because I'm strong, and manly, and not a princess.
- [Rubilyn] What does Elena do?
- She's still in school, actually.
She's getting her doctorate.
But when we're back in America
she also works part time as a barista.
She basically pours coffee.
- So she works and goes to school?
- Yeah.
- And you just film stuff all day?
- Well it's my job.
At least it will be as soon as I can figure out
a way to make money doing it.
- You need to be more responsible.
- Alright.
- Hey Hud! Found you a blanket for tonight!
- Thanks man.
Tell you what, why don't you hold on to that one?
- If you don't stay warm you get sick.
- And you can't see the doctor when your cash is depleted.
- What if it's serious?
I mean what if you break your back over there?
- [Genghis] Well you stay home.
- That's it? You just stay home?
How did you know I was out of cash?
- I checked.
- You checked?
Alright okay, maybe... yeah, alright.
♪ Boys and girls around the world ♪
♪ They need a home ♪
♪ And it's our job ♪
♪ To make sure ♪
- [Hudson] Hey, careful Smidge.
♪ They're not alone ♪
- [Hudson] Be careful.
♪ Feel your heart fight hard ♪
♪ To catch some light ♪
♪ Just like a child's smile ♪
♪ Cutting through the night ♪
- Hey sweetie.
Yeah doing good.
Hey, I was wondering if you might want to
join us for some clothes shopping?
Yeah?
Perfect. perfect.
Okay, great. I'll meet you there.
- [Hudson] Hey jump down! Apollo!
You gonna try one on Smidge?
Top shelf.
♪ Just feel your heart fight hard ♪
♪ To catch some light ♪
♪ Just like a child's smile ♪
♪ Cutting through the night ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
- [Cashier] Cash only.
- Are you serious?
Hey Laz, thanks a lot man.
- Thank you, Uncle Hud.
- Oh you're welcome, Rubilyn.
But you should really be thanking Grandpa Laz.
- Thank you, Grandpa Laz.
- You're welcome, Rubilyn.
- You wanna see? - You can film me if you want.
- Yeah?
Can I get an interview?
Alright, so what do you wanna be when you grow up?
- A singer.
- And why do you wanna be a singer?
- It's fun and people like me when I sing.
- [Hudson] Well you're great at it.
What other dreams do you have about the future?
- Dreams?
- [Hudson] Yeah. You want to travel the world?
Be the greatest singer of all time?
Live in a mansion?
Why not?
- Because I'm just a street kid
and those types of dreams are for princesses.
- [Hudson] Okay. Well then what's a realistic dream?
- I dream to leave the city.
- [Hudson] Why's that?
- I've never seen outside the city
and I don't like to live here.
Now I interview you.
- [Hudson] No I don't think so.
- [Rubilyn] What's snow like?
- Well, let's see, it's cold.
It sparkles.
It's useful for throwing at your friends
and or enemies I suppose.
- [Rubilyn] What's school like?
- Actually really boring.
- [Laz] Hudson!
- Just kidding, just kidding, it's, you know,
like you learn so much and there's a bunch of other kids,
and you should really go if you get the chance.
- [Rubilyn] What's having a mom like?
- [Genghis] Yeah.
- Oh, um...
It's really great.
I'm sorry you didn't get to experience that.
You guys wanna show Elena and Grandpa Laz your circus?
- Yeah!
- And many gangs initiate their new members by beating them.
What kind of friends are those? Huh?
What kind of friends?
- Hey Laz.
I've got an idea, man.
What if we took the kids on a trip?
Maybe the beach? Somewhere outside the city.
You know, something they'd remember their whole lives.
- You know, I've got some relatives out in a nearby village.
- They'd love it.
(powder explodes) (audience gasps)
- [Elena] You're really good with the kids.
- [Hudson] Well it doesn't mean I'm ready to have any.
- Well I happen to find it very attractive.
- Oh really?
- Yeah, really.
- So are you gonna be able to come to the village with us?
- Definitely.
I'm glad you're doing it for her.
- Yeah.
I wish we could do more.
I'm worried about her, and her future, you know?
- [Elena] Maybe the documentary will help.
- Yeah, maybe.
- Well either way you're making her present better.
Proud of you.
♪ I'm finding someone who loves me ♪
(people clapping)
(snoring)
(suspenseful music)
- [Legion] Hey, how was your first mission?
- [Genghis] They gave me this.
- [Legion] Good job.
- [Genghis] Can I get on payroll?
- Maybe next time.
- [Genghis] Does that mean that I'm in?
- Yeah you're in.
I have some more stuff for you to deliver.
Is that filmmaker still living with you guys?
Well you're gonna have to kick him out.
- [Genghis] But he's a friend.
- Genghis, from now on when I tell you to do something
you obey. You understand me?
- Yes.
- If he saw what you're doing I would have to kill him.
We don't want to do that, do we?
- No.
- [Legion] Hey! Hey! Hey! Who is that?
It's him! It's him!
(guns firing)
- Hey are you okay, you okay?
- Yeah.
(somber music)
- Those kids can't live out here like that.
- Where else can they go?
- The orphanage.
- No man, it's overcrowded.
They'll just run away again.
- Yeah I know.
You know, the day I decided to become a cop
your grandfather was preaching from Ephesians
talking about how our struggles are not against
flesh and blood but against the powers
and principalities of evil.
Then he said to me something I'll never forget.
He said, "Like it or not you're in the midst of a war.
What are you gonna do about it?"
I've been trying to fight this war for years.
This war for the souls of our city.
Sometimes I think I'm making a difference.
But on nights like this
I know my city's no better off than when I started.
(somber music)
- I'm really sorry Laz.
(contemplative music)
(upbeat music)
- [Rubilyn] The air smells better out here.
And there are birds, lots of them, instead of flies.
I wonder what Genghis would think of living out here.
There probably aren't enough people to perform for.
Maybe we could be farmers.
- Look at that.
- What is it?
- It's a papaya.
(calm music)
- On the other side of the lake
over there, there's a carnival.
- Can we take the kids?
- Of course! Yeah, we should take them.
(calm music)
- [Rubilyn] Even though he's not responsible,
kind of picky, and doesn't do any work,
I like Uncle Hudson and Auntie Elena.
They probably don't love me, but I think they like me.
And I love them.
I hope documentaries take a long time to make.
- Hey man, why don't you come join us?
- I said I don't want to.
- It'd be fun, man.
- What, you don't like roller coasters?
- I just want to kill them!
- I probably would've too.
- I'm all alone now.
I have no family.
- You have them.
- They're not family, they're business associates.
- You know, your associates' lives may not be perfect
but they got food, they got shelter, and they got friends.
I'll bet most of them wouldn't have
any of that stuff if it wasn't for you.
You see, that's the point; helping others.
(crickets chirping)
(people clapping)
- Ruby your hair looks beautiful.
- Auntie Elena helped me with it.
- You know you kinda remind me of, um,
well, of a princess.
(laughing)
Hey, come on.
- Let's go look at the lake.
- Alright.
Yeah.
- Wow, it's so pretty.
So peaceful.
- Did you have a good day?
- Yep, it's my dream day.
- Rubilyn I...
I've been meaning to tell you that...
Look, about leaving you at the orphanage...
I really am sorry.
I didn't have a choice.
- Yes you did.
- Yeah.
No Ruby, look, I promise it wasn't that.
We have jobs.
- Jobs are more important.
- No. No, they aren't, but I mean...
(sighs)
I used to hate it when my mom would say this but
you'll understand when you're older.
- I understand now.
I'm not a stupid Americano.
- I really don't like being called that.
- I don't like being called an orphan.
But we can't change what we are.
Cano, orphan.
- [Genghis] Rubilyn!
(contemplative music)
(engines rumbling)
- [Elena] I think this was really good for her.
- I wish...
I wish we could make a real difference you know?
Do you think...
Do you think we're too young to adopt?
Look, I know we can't save the whole city
but it would change the world for her.
- Hud--
- No you're right. It's a...
- No, I--
- It's a crazy idea.
- Listen, I...
I was actually thinking the same thing.
- Really?
- Yeah.
- I mean, I know it'd be hard but...
(acoustic piano music)
Goodnight Ruby.
- Night Uncle Hud.
- I've got to get caught up at the station.
Are you gonna be okay with the kids?
- [Hudson] Yeah man, I'm good.
- Okay.
(acoustic piano music)
- I mean, even if the film doesn't sell
we'll figure it out, make it work. I mean,
get an office job if I have to.
- Okay, but would you be happy?
- Maybe not in the same way but
yeah, I would be happy.
If that even matters.
- Okay, what does that mean?
- I mean that's all it's been about.
You know, this whole trip, the last 10 years
it's all been about my plans, my dreams, my career.
Then I'm with these kids and they're,
they're hurting.
They're homeless.
(Elena sighs)
And they're dying.
And I haven't even really cared.
And then I look at Laz,
and I think of grandfather.
These are men that
fight for what they believe.
I don't know.
- So, we are doing this?
Is that what you're saying?
- Yeah.
- Yeah?
- Yeah I think it does.
- Yeah?
- I think that is what I'm saying.
I mean, you're on board? Yeah?
- I'm on board!
Oh my gosh, are you kidding me?
- [Hudson] Do you think we'll be decent parents?
- Yes, I don't know, yes.
(laughing)
- I mean, you will for sure.
- No, I'm telling you, you're amazing.
I told you.
(speaking in foreign language)
(dramatic music)
- Ruby!
Hey, hey hey hey, stop stop stop stop.
Follow that bus.
(dramatic music)
(dog barking)
(Rubilyn crying)
- Hey.
(Rubilyn crying)
- Why didn't you want me?
Why didn't you want me?
Why didn't you want me?
Why didn't he want me?
Why wasn't I good enough?
- I don't know.
Ruby.
You are good enough.
You are loved.
- No I'm not.
- He didn't want me, you didn't want me.
Today was my dream day and I'm still not happy.
I'm alone.
- You're not alone.
I care about you.
I love you like you were my own daughter.
- Really?
- Yeah.
I talked to Elena and she said that--
- I don't believe you.
- Ruby no--
- I don't believe you.
- Look, I don't even care about that anymore.
Not as much as I care about you.
Look Ruby, Ruby.
(sighs)
God please help me.
(speaking in foreign language)
(dramatic music)
Ruby!
Ruby! Ruby!
(horn honks, brakes squeal) (camera clatters to ground)
(speaking in foreign language)
Ruby!
(dramatic music)
(phone ringing)
- Yeah?
- [Hudson] Two guys in a truck just took Ruby.
- What, at my house?
- No. Her old home.
Slum district.
- Well what were you doing there?
The place is infested with gangsters!
Where are you?
- I'm not sure.
- [Laz] Look for a street sign.
- [Hudson] I can't.
- Hudson where are you?
- I'm literally in the back of the truck.
They have her in the cab.
- Try to describe your location.
- [Hudson] There's an old grocery store,
burnt down grocery store on our right,
we're heading toward it.
- Okay I'm on my way, stay on the line.
(thunder rumbles)
(dramatic music)
- [Legion] Drop the weapon.
(dramatic music)
- Are you okay?
- No.
- What have they done?
(dramatic music)
I'm gonna try and move this.
Watch your hands, see if you can get them under it.
(dramatic music)
Can you stand? Can you stand?
Yeah, good job, good job, okay.
Hey whoa, whoa.
Okay, very quiet.
- Take care of him.
- Yes sir.
- Alright, stay with me, okay?
(dramatic music)
(speaking in foreign language)
(dramatic music)
- [Thug] Hey boss, I found another one.
- Who?
- It's Han's girl.
Let's go, I'll show you.
She was just right here, boss.
- Gonna have to call you back. We have a problem.
Make sure no one's alerted the police.
- Yes sir.
- Okay I think we're out of sight now.
Are you okay?
- Yeah I'm okay.
(dramatic music)
- Listen, I need you to stay right here, okay?
Laz needs my help. I'll be right back.
- No, no no no, don't leave.
- Listen, Elena and I talked and
we want you to be a part of our family, forever.
- Really?
- Yeah, but I need you to stay here.
I'll be right back, okay?
Laz really needs my help.
Stay low, keep quiet, okay?
(dramatic music)
- See if we can get him to talk.
Does anyone else besides the captain know you're here?
- What do you mean?
- Who freed the girl?
Who freed the girl?
(groaning in pain)
(dramatic music)
We have all night.
Talk.
- Never.
- Look, I understand you're trying to be noble.
But it's not worth it.
She's just street trash.
- No she's not.
- Pick him up.
(speaking in foreign language)
Where is she?
I own her.
- No you don't.
- Talk or I'll kill you.
(dramatic music)
- Sir, sir, do you have a phone?
Uh... police, police.
Thank you, thank you, thank you.
(dramatic music)
Sir! Sir! Sir!
Oh geez, there's a cop down at the shipping yard.
- [Officer] Sorry what's the problem sir?
- Oh, you speak English.
We need all the men you can spare
down at the shipping yard immediately.
(sirens blaring)
(groaning in pain)
- No one cares about street trash.
All you cops are corrupt.
You throw us in prison and leave us to die.
- I love my city.
I try to do as much as I can for the kids.
- Love?
What do you know about love?
Now power (gun cocks) is something I can count on.
So here's a test for you.
Are you willing to die for her?
- Yes.
If you were a street kid I would have tried to help you.
- Liar!
(gun fires)
(sirens blaring) (dramatic music)
(sirens blaring in distance)
- [Rubilyn] No no no, no no.
(groaning in pain)
- Rubilyn.
(Rubilyn crying)
(knocking on door)
(calm music)
- Over there, over there, in the shipping yard!
(inspirational music) (speaking foreign language)
- [Officer] Go go go. (speaking in foreign language)
Okay, come on out, hands up.
(inspirational music)
- [Radio] Code 1015 (speaking in foreign language)
Arrest has been made, I repeat, code 1015
(speaking in foreign language) arrest has been made.
(speaking in foreign language)
- [Officer] Move! Move!
(speaking in foreign language)
- [Radio] Code 1072.
- Hudson!
- [Hudson] Let her through, let her through.
- Hudson!
- [Hudson] Elena.
(inspirational music)
I'm okay. I'm okay.
- [Elena] Where's Ruby?
- She's still in there, so is Laz.
Get back, get back.
(speaking in foreign language)
(door creaking open)
- Ruby, Ruby.
- [Officer] Hold your fire! Hold your fire!
(speaking in foreign language)
Hold your fire!
- Are you okay, are you okay?
- [Rubilyn] I'm okay.
- [Elena] Oh my gosh.
(contemplative music)
- [Rubilyn] I still have scars.
And I still miss Daddy.
I have some pain that will probably never go away.
But I feel free.
Like I'm worth something.
I feel loved.
- [Hudson] You are Ruby you are.
- [Rubilyn] Yeah, I know that now.
(contemplative music)
(overlapping voices)
- Hey, proud papa, everybody.
(clapping)
(contemplative music)
- We want this to be permanent
and we want to adopt you into our family. So...
(crying)
We wanted to give you...
a forever family.
(crying)
We love you so much.
And you haven't been...
loved and protected and taken care of like you should be.
And we are gonna--
- And we can do that forever.
- We're gonna take care of you forever
and protect you and love you and
you can just have security in knowing
we're always gonna be here for you, okay?
(contemplative music)
- When I think of these children that have
been abandoned and they've been let loose
and some of them even to the point
where they were old enough that they could remember it,
and they're old enough that they can remember
their mom or their dad saying that I don't want you anymore,
and they're old enough to remember being abandoned.
And so why do you come?
Why are you here?
Why'd you come all the way around
the world to love on these kids?
And Scripture says, "While we were
yet sinners, Christ died for us."
And so in the moment that I was kicking and screaming
and yelling at God and saying I don't love You,
I don't want to be with You,
I don't want to have anything to do with You.
It says in that condition that's where I was
when Christ came and He died for me.
- We get to be the hands and feet of Jesus
with these orphans and vulnerable children.
So what's really exciting is to hear everybody
this morning as we're saying goodbye
say see you on Sunday and knowing that on Sunday
when we all show up for church
everyone's gonna be a lot more connected.
- His face just lit up and he just ran to me
you know, just dropped his stuff
and just kinda ran to me and I was like,
I am getting so much love right now.
- To hear from them their little sweet words
telling me that they love me...
Priceless.
(contemplative music)
(acoustic guitar music)
♪ Turn out the lights ♪
♪ And let your eyes ♪
♪ Catch that glow ♪
♪ Open up ♪
♪ And try to see ♪
♪ And then you'll know ♪
♪ Just feel your heart fight hard ♪
♪ To catch some light ♪
♪ Just like a child's smile ♪
♪ Cutting through the night ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
♪ Boys and girls ♪
♪ Around the world ♪
♪ They need a home ♪
♪ And it's our job ♪
♪ To make sure ♪
♪ They're not alone ♪
♪ Feel your heart fight hard ♪
♪ To catch some light ♪
♪ Just like a child's smile ♪
♪ Cutting through the night ♪
♪ Feel your heart fight hard ♪
♪ To catch some light ♪
♪ Just like a child's smile ♪
♪ Cutting through the night ♪
♪ Is this what love looks like ♪
♪ Is this what love looks like ♪
(music fades)
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