All language subtitles for Law.and.Order.Organized.Crime.S01E06.I.Got.This.Rat.WEB.x264-PHOENiX.Hi.en

‐ In the nation's largest city,

the vicious and violent
members of the underworld

are hunted by the detectives

of the organized
crime control bureau.

These are their stories.

‐ Hands where we can see them!

‐ [screams]

‐ His hand is crushed.

Every bone in his hand.

‐ This is my wife, Denise.

‐ Did your nephew get any
names or shield numbers?

This lawsuit's gonna put
her in an uncomfortable spot.

I am hunting the person who is

responsible for killing my wife

and taking your
son away from you.

‐ That is what
brought us together.

‐ You're the only person
who would understand.

‐ You can stay, if you want.

You feel guilty.

‐ I feel a lot of
things these days.

I am not gonna
allow these emotions

to derail me from my mission.

‐ You want to come
at me? Come at me.

But don't you ever
go near my family.

‐ Why would Wheatley
want my wife dead?

Why? ‐ He didn't give the order.

Angela Wheatley did.

[dramatic music]

♪ ♪

‐ In these troubled
times, let us recall

the teachings of our
Lord in Romans 12:19.

[somber music]

Recompense to
no man evil for evil.

If it be possible, as
much as lieth in you,

live peaceably among all men.

Dearly beloved,
avenge not yourselves,

but rather give
peace unto wrath.

For it is written,
Vengeance is mine.

Be not overcome by evil,

but overcome evil with good.

But I say unto you,
love your enemies.

Bless them that curse you.

Do good to them that
hate you and pray for them

that despitefully use
you and persecute you.

Now please stand.

Go in peace.

To love and to serve the Lord.

In the name of the Father,

the Son, and the Holy Spirit.

‐ Let's go.

‐ Let us know if you
need anything else, ma'am.

‐ Thanks.

[knocking at door]

♪ ♪

Welcome.

‐ Cuff her.

[dramatic music]

Angela Wheatley,

you're under arrest for
the murder of Kathy Stabler.

You have the right
to remain silent.

If you give up that
right, anything you say

can and will be used
against you in a court of law.

You have the
right to an attorney.

If you can't afford one,
one will be provided for you.

Do you understand the rights

that I have just read to you?

♪ ♪

[tense music]

♪ ♪

[suspenseful music]

♪ ♪

‐ Okay, so we're here. Now what?

‐ You're going to
thank me. ‐ I'm listening.

‐ Wheatley is
expanding his relationship

with Joey Raven's crew,

bringing them in on a
big new piece of business

that he is convinced is
gonna be a game changer.

‐ Kudos to Izak,

but your security
team should have found

that bug before he did.

‐ Dad, I'm all over it. I'm
bringing in a new crew.

‐ Good. Have them
search the house.

If there was a bug in
my office at Contrapos,

we have to assume that the
house has been breached too.

‐ Dad, if Raven comes
at me again in there,

can you just please
let me handle it?

‐ Richie, it's already
been handled.

[door lifting]

‐ [sighs]

‐ No more back‐alley
hand‐offs with duffle bags

full of cash for these goombahs.

Excuse me. Gavones.

Everything is online,

encrypted, and untraceable.

‐ I only let him
get away with that

because, well, their
organization's cash flow's

never been more...

what's your word? Optimized?

‐ [chuckles]

Gentlemen, Dana
is your point person.

If you have any
issues, wanna upgrade,

or add any new capabilities,

reach out to her.

She's the smartest
person in the room.

Come here. ‐ Hi.

‐ Have you spoken
to your Russian friend?

‐ I made contact
through an intermediary.

We're talking tomorrow morning.

I'm buying me a gun

so I can explain
it to him simply.

‐ A year from now, the
COVID pandemic will

have run its course
and things will be

getting back to
normal, but right now,

at least for the next
nine to ten months,

only a fraction of the world
will have access to a vaccine.

Rich countries control
90% of the supply

and the third world‐‐excuse
me, the developing world‐‐

is desperate to get a share.

We have a very small window

to make billions of dollars.

Is that simple enough for you?

‐ [sighs]

She ask for a lawyer?

‐ Actually, she
asked to talk to you.

‐ She ordered the
murder of my wife.

I have nothing to say to her.

‐ Okay.

So you want to brief the team

about Wheatley's new friend?

‐ Yep, kids! Gather around.

Sergeant, I want to
introduce you to someone.

‐ All right. ‐ [clears throat]

‐ Meet Stepan Komarov.

‐ Looks like a real sweetheart.

‐ Yeah, those tattoos
are the mark of the vory.

‐ That is Russian
for "thieves in law."

‐ Didn't ask.

‐ Komarov is
Brighton Beach mafia.

He's based in Brooklyn, but
he has international reach.

‐ Arms dealer.

‐ Wheatley wants
to use him to peddle

COVID vaccines over
the developing world,

just like he sells
bombs and guns.

‐ So we made it
so hot for him here,

he's taking it overseas.

‐ Yeah, but how
does he make bank

in a bunch of
bankrupt countries?

‐ By squeezing out
government agencies.

NGOs. Any way he can.

‐ All right, so here's the deal.

We have a pile of evidence
on Richard Wheatley,

but all of it is one
step removed,

so it's highly probable
that he and his lawyers

are gonna find a
way to slither out of it.

This is our chance
to catch him in the act.

‐ Are we gonna try
and get him on tape

actually planning this deal?

‐ No, we're gonna
get him on tape

actually making the
deal. ‐ Mm‐hmm.

We catch him in the
act, there's no slithering.

‐ Stepan Komarov has one
of the tightest security crews

on the planet, even
more than Wheatley.

How are we gonna get a device
in the room with these two?

‐ Good question.

Well, that's where
the fun begins.

‐ We're gonna remove
Komarov and replace him

with another buyer.

‐ Who? ‐ Us.

‐ Well, someone who works for us

who's willing to wear
a listening device

that you, Jet, are gonna
make for this occasion.

[thudding]

[thudding continues]

Ready to call your lawyer?

‐ Not yet.

I would like to call my children

so they don't worry about me.

‐ Not happening.

‐ Well, if they say
something and Richard

can't get in touch with me,
he'll suspect something's up‐‐

‐ We have your cellphone,
Professor Wheatley.

We can clone the GPS.

Put you wherever you need to be

so he's not suspicious. ‐ Do it.

Any chance of a blanket?

It's kinda cold in here.

‐ No.

No shoelaces, no
belts, no blankets.

NYPD policy.

Wouldn't want
you to hurt yourself.

You should eat something.

Knock if you need the bathroom.

You know, I read
an article about you

a while back in "Essence."

Tenured professor at
a prestigious university.

Board member of
Coding For Equity

and the STEM Access Project...

‐ Do you have
children, Sergeant Bell?

‐ Not yet.

‐ If you ever have a son,

you'll understand
you'll do whatever

you're able to to keep him safe,

especially from the police.

[somber music]

♪ ♪

‐ Why?

‐ I was insane.

Inconsolable with
rage and grief.

‐ Hmm, rage and grief, yeah.

I‐I'm familiar with
those emotions.

‐ Richard told me
that it was a targeted hit

by police as part of

an anti‐drug operation.

Harlem Heat they called it.

He said‐‐ Richard said,

that this operation
was led by a detective

by the name of Elliot Stabler.

‐ And you believed that?

‐ I did.

Detective Elliot Stabler.

One of those faceless officers

who guns down young
black men with impunity

and expects never to
face any consequences.

Richard asked if I
wanted him to die,

this detective, and I said no.

No.

I wanted him to
suffer like I'm suffering.

I wanted... him
to feel... this pain

worse than death.

‐ Well, congratulations.
You succeeded.

‐ These were just words, Elliot,

spoken in the depth of despair.

I didn't mean for
anyone else to die.

‐ Someone else did die.

Someone that I loved.

Someone that never
hurt a soul in her life.

‐ [crying quietly]

♪ ♪

‐ You remember
the moment we met?

‐ I don't.

‐ I told you that I
would find the person

responsible for
murdering your son,

and the whole time,
you thought it was me.

That's‐‐that's irony.

‐ It's what I believed.

‐ Yeah.

We all believe a lot of things.

[exhales]

So here's the truth.

Rafiq worked for
your ex‐husband,

managing the illegal
side of his business,

the production and distribution

of an illegal drug
called Purple Magic‐‐

‐ No, I told you
when we first met,

I don't want to know
any of this stuff‐‐

‐ Unfortunately, your
son was double dipping.

Not only was he taking
paychecks from your ex,

he was also taking his product

to make his own
stepped‐on inferior product

of Purple Magic
and then selling it

on the street at a discount

and he got caught.

‐ By‐‐by the cops. He
got caught by the police.

‐ He got caught by
Richard Wheatley,

his adoptive father.

He got caught by your ex,

who dealt with him the
only way that he deals

with anybody who rips him off.

He shot him between the eyes.

[dramatic music]

That's the truth.

♪ ♪

‐ Did you talk to
Moennig about Komarov?

‐ I told him I need an
excuse to arrest him.

Unpaid parking tickets,

stiffing his tattoo artist.

I don't care, just as
long as it's something

that gets him off the
street for a week or so.

‐ You want to check
on the prisoner?

You know we're gonna have
to talk about this eventually.

‐ Evidently not right now.

‐ Permanent nerve damage?

‐ That's what the doctor said.

Probably won't be
able to play his guitar.

His scholarship...

‐ You're gonna file a
lawsuit against the NYPD.

‐ I'm putting a team together.

Damon wants to make
the cops who did this to him

accountable for their actions.

‐ Damon or you?

‐ I didn't want you
to be blindsided.

I realized it's
complicated for you.

‐ Well, yeah.

‐ Look, we're gonna
need your support, Ayanna.

Me, Damon, and this little guy.

Hmm?

‐ I just want to tell you that

I'm very sorry about what
happened to your nephew.

‐ It didn't happen to him.

It was done to him.

♪ ♪

‐ I've know you, what,
going on 15 years now?

We've logged a lot
of hours together.

Tenure review,
contract renegotiations,

joined all those
student protests.

I went through Rafiq with you.

Had you and Richard over
to dinner half a dozen times

and I had no idea that he was

Manfredi Sinatra's son.

‐ I never imagined
I'd need to tell you.

I also never imagined I'd need

the brilliant Ellsworth Lee

the way I need you now.

‐ Flatter me later, Angela.

Let's get you out
this black site cell first

and then we discuss
how to proceed.

‐ I'm not ready to get out yet.

I need some time.

I don't want to walk out of here

without talking to Elliot first.

‐ Elliot? ‐ Stabler.

Detective Elliot Stabler.
‐ The arresting officer.

You're on a first name basis?

Is that why you
want to cooperate?

‐ No.

No and yes.

Ellsworth...

I want to help them
put Richard away.

‐ You're gonna need
to tell me everything.

For now, just follow my lead.

‐ We're not
interested in a deal.

‐ You sure about that?

‐ What have you
got for us, counselor?

‐ Queen for a day.

‐ What's queen for a
day? ‐ It's a bargaining chip

that slick lawyers use to
make deals for their clients.

‐ And here I thought you were

just another TV talking
head law professor.

‐ I did five years in the
Brooklyn D. A.'s office

before the "talking head"
thing took off, detective.

Queen for a day
is a proffer letter.

It means that the
arresting officers

don't have to commit
to anything up front,

but they will hear
what you have to offer

and agree not to use
anything you say against you.

If the information
you provide is of value,

then we discuss a
cooperative arrangement.

‐ Still not interested.

‐ I'd like to hear
what she has to say.

‐ You got three hours.

Discuss it with your
ADA, but I won't permit you

to keep Professor
Wheatley here indefinitely.

That's just basic habeas.

You don't have to be a
law professor to understand

fundamental civil rights.

‐ We're not violating
anybody's civil rights.

I'm sure you know
she asked to stay here.

‐ His ego.

‐ Angela, they haven't
agreed to anything yet.

‐ I know that.
It's about Richard.

‐ Okay.

We're taking a great
deal on faith here.

If you listen to what
my client has to say,

pivot, and throw
the book at her,

you'll be wading in
fifth amendment waters.

‐ Noted. I'm listening.

‐ The only way to
get my ex‐husband

to fall for your sting

is to appeal to his ego.

When Detective Morales
was kind enough to escort me

to the bathroom, I overheard.

I don't know exactly
what you're planning,

but I do know how
Richard's mind works

and I know the most
effective way to get him

to drop his guard.

‐ Go on.

‐ Do you know what an oloid is?

It's a three‐dimensional
curved geometric object

comprised of two
linked congruent circles

in perpendicular planes.

Richard was so enchanted by it,

he made it his first
company's logo.

‐ Mastaba.

‐ Very good, Sergeant Bell.

‐ We're not your students.

‐ I want to help you
put Richard Sinatra

in a cell for the
rest of his life.

[tense music]

‐ Okay, if you
didn't find anything

in the rest of the
house, it's highly unlikely

you'll find anything down here.

The wine lair is my
father's most secure space.

Sweep it anyway.

‐ If we find something,
same instructions?

‐ I want to know it immediately,

but leave it operational.

If there's a wire,

we don't want to tip anyone off

that we know about it.

[alarm chiming]

♪ ♪

[alarm chiming continues]

‐ Yeah, Morales.

Yeah, I know the place.

Okay, yeah, we're on it.

Right now Stepan Komarov's
at a Russian bathhouse

in the East Village. ‐ Okay,
Morales and Washburn?

‐ Yeah, well, they
tracked him down.

They're stuck in traffic
at Brighton Beach.

So I think this one is on us.

‐ NYPD. We need to
see Stepan Komarov.

‐ I'll cover her
eyes. Where is he?

♪ ♪

Stepan Komarov. NYPD.

I have a warr‐‐ ‐ [grunts]

[groaning]

♪ ♪

‐ [shouts]

[both grunting]

‐ [groans]

‐ Don't move!

[indistinct shouting]

‐ [groaning]

‐ [whispers] Jesus.

You're under arrest.

‐ I'll be out in two days.

‐ I'll make it more
like five or six.

Don't worry.

I'll be back for you.

‐ You're still holding
Wheatley's wife?

‐ She wants to cooperate.

We're making
arrangements to move her to

a protected location.

‐ Tell me what you
need for the sting

and be reasonable.

‐ These are the
schematics for the refinery

where the Guardo Family
has their new command center.

‐ Which is, I'm
guessing, heavily guarded.

‐ And according to
our CI, Izak Bekher,

the place that Wheatley was
gonna meet with Komarov.

‐ Who's now in
custody, as I understand.

‐ Which means we
can get this thing going.

We just need you to
sign‐off on the expenses.

‐ We need manpower.

‐ An ESU team. ‐ Ideally, two.

‐ Let's go with one, Sergeant.

‐ And we have our buyer
lined up to replace Komarov.

He's my best CI, out of Rome.

Our mole with the
Casamonica Family.

‐ Gianluca Silvano, I know.

But he's in Rome.

‐ Yeah, we gotta fly him here.

‐ He's an arms dealer.
Why can't he fly himself here?

‐ He's not an arms
dealer anymore.

I arrested him. I turned him.

He works for us now.

‐ Does he also want a
suite at the Four Seasons?

‐ We're thinking
he needs something

a little more exclusive.

‐ I was kidding.

‐ Look, Wheatley will be
surveilling him at every turn.

Silvano is a major high roller.

‐ Please don't say it.

‐ He flies private.

[indistinct chatter]

[tense music]

♪ ♪

‐ [speaking Italian]

‐ [chuckles] [speaking Italian]

‐ Detective Elliot Stabler.

‐ Joey.

I'm on my way to lunch.

You said you needed to talk.

‐ Komarov got pinched.

‐ For what?

‐ Some petty charge,
I don't know what,

but he resisted arrest and
now they're holding him.

These Russians.
They're all freaking crazy.

‐ How long are we
supposed to wait?

‐ Oh, we don't have to wait.

I have another buyer. ‐ I
don't want another buyer.

I want Komarov. He's a beast.

‐ Well, I found another beast

who wants to move
ten times more merch

than the Russian
and he's one of us.

Gianluca Silvano.

‐ Never heard of him.

‐ He's a longtime associate
of the Casamonicas,

an arms dealer with
seriously deep pockets.

Clients all over the
Middle East and Africa.

‐ You approached him
or he approached you?

‐ Word travels fast.

I got half a dozen calls
when Komarov fell out.

But this guy is legit.

He's done more time
than I've been alive.

‐ Call it off.

I'll find another buyer.
I don't need you.

‐ He asked me to give you this.

He said he knows your work
and he wanted you to know...

[speaking Italian]

What the hell is that?

‐ An oloid.

[chuckles]

‐ I didn't need to do much to
enhance the guy's reputation.

Gianluca Silvano's got a
rap sheet 30 years long.

‐ He was hardcore Italian mafia
before he became Stabler's CI.

‐ I just beefed him up a bit.

Now he's peddled arms in Yemen,

Syria, Lebanon‐‐

anywhere the black market's
bigger than the government.

‐ It's very convincing.

Are you sure
Wheatley won't suspect

it's a deepfake?

‐ My technology's based on

generative adversarial networks.

DARPA's trying to
find a way to detect it

but they're not even close.

Also, uh,

he has a very visibly
messed up left ear,

so I designed a recording device

that passes as a hearing aid.

‐ Sloot.

‐ Notice how every
part of the surface

touches the table as it rolls?

It's a unique
geometrical puzzle,

two congruent circles

linked in perpendicular planes.

‐ I'm not big on geometry, boss.

‐ What a surprise.

The oloid was the logo

of my first business venture.

Mastaba.

I chose it because
it's a perfect hybrid

of mathematics and art.

‐ So the Italian
did his homework.

‐ And then some.

This gift

tells me that Gianluca
Silvano is intelligent enough

to speak to me in a
language that few others

would understand.

And thorough enough

to be worthy of my trust.

‐ He buying it?

‐ Yeah, hook, line, and sinker.

Sloot!

Bekher's selling the
hell out of Silvano.

Sounds like those deepfakes
of yours did the trick.

[alarm chiming]

‐ We gotta get
Silvano on that jet.

‐ We're in.

‐ Hello.

How'd you get this number?

Okay, I'll play. When and where?

Richard Wheatley wants
to buy me a cup of coffee.

‐ Any idea why? ‐
To discuss his ex‐wife.

‐ Does he know we have her here?

‐ Detective Stabler.

The pizza's so‐so,
but the coffee

is excellent.

I took the liberty
of ordering you one.

I hear Rome turned you
into a bit of a coffee snob.

‐ Who'd you hear that from?

‐ Angela was...

pretty angry with me
after the other night.

‐ Well, maybe you had
no business being there.

‐ There you go again,

making assumptions
about my business.

She's refusing
to talk to me now.

She hasn't spoken to me since

I dropped her off
at her apartment.

‐ Well, that's what
happens when you throw

a temper tantrum, I guess.

‐ She may be my
ex‐wife, detective, but...

I still care for her.

‐ Well you're the father of

two of her three
children, right?

‐ So you know about Rafiq.

Did she tell you that he
was killed in a police raid?

‐ Is that what happened?

‐ Come on.

We both what's going on here.

You're using Angie to get to me.

[dramatic music]

‐ Am I? ‐ This is between us.

I don't want her to
become a casualty

in a dispute between two men.

♪ ♪

‐ You don't want any casualties?

‐ No.

‐ Like my wife?

‐ That was... insensitive of me.

What I'm trying to say is

you can't really trust anything

she's telling you about
me, because, well...

She's still very
much in love with me.

‐ Why didn't you kill me?

‐ Why would I want
to kill you, Elliot?

Then we wouldn't be enjoying

this delicious cup
of coffee together.

‐ 'Cause I was a nuisance.

I was interfering with
your business in Puliegh.

And you don't like
people stepping

into your business, do
you? You exact revenge.

You get rid of them.

‐ Well... I certainly try,

but not in the way
that you're intimating.

‐ She was not a
vengeful person... ♪ ♪

But she will be the end of you.

‐ I'm very sorry for your loss,

but stay away from my wife.

‐ Ex‐wife.

♪ ♪

‐ [speaking Italian]

Okay.

He's boarding the G7.
We got a guy on board

posing as a bodyguard.

‐ Whoa, you're flying
Silvano here on a private jet?

‐ Yeah, well,
international arms dealers

don't fly coach.

[soft dramatic music]

♪ ♪

‐ [sighs] The oloid?

‐ Very effective.

[blender whirring]

‐ Dad, I really need
to show you something.

‐ I want you to try this, ‐ No.

‐ Spirulina. The
Aztecs drank it.

‐ Listen.

‐ Mm.

Oh.

Disgusting.

I think they drank
this to wash down

the human sacrifices.

‐ [laughs] ‐ Whoo!

They ain't invent a
bottle of Dom Pom

Richie Wheatley can't take out.

‐ All right, let me try. ‐ Oh!

Easy, girl.

This ain't laser tag.

‐ Shut up.

Crap. ‐ All right.

‐ I suck.

‐ First off, two
hands, Hollywood.

‐ Hmm? ‐ That's
what my grandfather

used to tell me when
I'd try to hold it sideways

looking all gangsta.

‐ Feels pretty good.

‐ All right, focus.

‐ Oh! ‐ Hey!

You did it.

‐ I could not figure
out what she was doing

with Richie, Dad.

Now we know. Look.

I never would have
spotted this on my own

but my techs
enhanced the footage.

[dramatic music]

♪ ♪

‐ This stays between us.

We're not even telling our
friends at Seven Knights.

♪ ♪

Richie.

You got a sec?

Dana and I are
working on a new project

and we really need to
pick your brains on it.

Hey, Gina.

‐ Hi.

‐ I'll be right back, all right?

It's business.

‐ Don't take too long.

‐ Oh, I won't.

Hey, what's up?

‐ If this is about
the bottle of Dom‐‐

‐ No, it's about her.

Gina.

Or whatever the
hell her name is.

‐ What? ‐ Richie,
you brought a rat

into our house.

‐ A rat?

‐ A cop, Richie.

‐ That‐‐that's‐‐
‐ She played you.

She's using you to get to us.

‐ No, she isn't.

‐ She planted a listening device

in Dad's wine lair the
night of your birthday.

♪ ♪

‐ No, no way.

She works at the Seven
Knights for, what, four years?

Somebody would
have made her by now.

Joey Raven, or Pop‐pop‐‐

‐ Think a bunch of two‐bit hoods

would have made
her if I didn't, Richie?

No, I don't.

‐ We have it on
the security video.

‐ She's good.
I'll give you that.

‐ What do you want me to do?

‐ I'll tell you exactly
what you're gonna do.

You're gonna go back
up there and tell her

you have a surprise for her.

You're gonna whisk her
away for a romantic weekend

at our family
compound in Montauk.

Of course she's never gonna
actually get to the house,

is she, Richie?

‐ No, I'm not‐‐
I'm not doing that.

‐ You made this mess, baby boy.

You're gonna clean it up.

‐ Dad.

I told you.

He can't do it.

‐ Should I just have
Dana do it then?

Like always?

‐ Dad... ‐ Like always, Richie?

‐ Okay, Dana. ‐ No!

I'll do it. I'll do it.

‐ Izak will set you up
with a clean weapon.

She's a cop, so
they track her phone.

You need to disable it.

And make sure she doesn't
have a chance to call in.

You don't want
anyone tailing you.

♪♪♪

‐ This op has a
lot of moving parts.

Speak up if anything
I say is unclear.

ADA Frazier is working on

getting the warrants.

‐ Yep, that'll be
ready within the hour.

‐ Excellent.
According to our CI,

this man, Izak Bekher‐‐

‐ Who is he?

The CI?

‐ Bekher is Wheatley's
head of security, his fixer.

We turned him, so he's with us.

The meeting is at
1800 hours tomorrow

here in this warehouse
that Wheatley converted

into a tech hub for
the Guardo family.

‐ So the purpose of
the meet is for our buyer

to make a large purchase of

illegal COVID product.

Our job is to get in there

and catch Wheatley in the
middle of said transaction.

‐ Our tech, Jet Slootmaekers,

will be monitoring data traffic

so as soon the transfer
of cryptocurrency goes

from our buyer to Wheatley,

we get in there
and make the bust.

‐ All right, the warrants are
for any electronics on site.

If you go in with the team,

then you can get
in there right away.

‐ Who's wearing the wire?

‐ Silvano will have
an audio device

disguised as a hearing aid.

‐ How many guns are
we expecting inside?

‐ At least a half dozen
guys with hardware.

‐ All right, I do not
want to go in blasting.

All right, we need
to take him alive,

so please use restraint.

‐ All due respect, Sergeant,

we go in heavy
and we go in hard.

Boom the door, drop
a couple flashbangs,

take down anyone
who draws a weapon.

‐ I spent five years in
Narco, Captain Chambliss.

We hit those doors ourselves

with zero fatalities.

‐ Okay, everybody take five.

We'll run through it again.

‐ Okay.

‐ Looks like our ESU
guy has it out for you.

‐ I noticed.

‐ You can always ask
Moenning for a different squad.

‐ No, we don't
have time for that.

‐ When all this
goes down tomorrow,

I'm sure he'll do his job.

‐ Well, let's hope so. ‐ Mm‐hmm.

[hip‐hop music playing]

‐ So how long has your family

had a place in Montauk?

‐ Since I was a kid, I guess,

when my dad started
making really big money.

‐ You know, there's kind of a
famous lighthouse out there.

Can we please go?

I don't know what it is‐‐I
have a thing with lighthouses.

I just find them so romantic.

‐ Sure, Gina.

‐ Are you all right?

You seem kind of quiet.

Well, for you, I
mean. ‐ [chuckles]

I'm good.

So you've never
been surfing, huh?

‐ I may be blonde, but
I am no beach bunny.

But you're gonna
teach me, though, right?

‐ Yeah.

[dramatic music]

♪ ♪

‐ I'm sorry.

[groans]

I had coffee with
your ex‐husband.

‐ That's strange. ‐ Mm‐hmm.

‐ Does he know I'm here? ‐ No.

No.

‐ What'd he want?

‐ I'm not sure.

But he did tell me
that I can't trust you

because you're
still in love with him.

‐ Then you know he's lying.

‐ Of course I do; I just
don't know that you're not.

‐ Elliot...

‐ Why are we stopping
at this extremely weird

and creepy place?

‐ You said you wanted
to see a lighthouse, right?

It's right near here.

Here, Camp Hero was an Air
Force base during the Cold War

disguised to look like
an old fishing village.

Yeah, there's this
old conspiracy theory

that there was some crazy‐ass
mind‐control experiments

that went down over here.

Y'know, like in
"Stranger Things"?

This is where they got the idea.

‐ You know what?

I don't need to
see the lighthouse.

‐ This is my spot
since I was a kid.

♪ ♪

I used to sneak
away from my family

and ride my bike over here.

Pretend I was a real badass.

See the pile of
cinderblock over there?

That was my fortress.

Check it out.

♪ ♪

[gun clicks]

I know what you are.

‐ What do you mean?

Richie, come on.

Baby, what‐‐ what are you doing?

‐ You don't have to
pretend like you're feeling me

like that anymore, Gina.

What's your real name anyway?

♪ ♪

‐ My real‐‐

my real name is
Gina Cappelletti.

I have been undercover
since I was 21,

and they‐‐they don't make
you change your name.

And at first, it w‐‐
it was just work,

but then... ♪ ♪

I‐I caught real
feelings for you.

I'm not pretending.

‐ You're on video

in the wine lair of my father.

Should have known that there was

video surveillance everywhere.

[suspenseful music]

♪ ♪

Gina. ‐ [grunts]

‐ Oof!

‐ You work with us.

Your father is a bad
guy but you are not.

I know you're not a killer.

‐ Good thing I am.

♪ ♪

[gunshot]

‐ [panting]

♪ ♪

‐ It's okay, Richie.

I'll take care of her.

Go on back to the car.

‐ You want to talk
about my father?

You made me look
like a fool in front of him.

‐ I wasn't trying to
make a fool out of you.

I was just‐‐ I was doing my job.

‐ Now I gotta do mine.

♪ ♪

‐ [gasps]

♪♪♪

‐ I think I loved you.

‐ You made your bones, kid.

I didn't think
you had it in you.

Go on.

I'll clean this up.

♪ ♪

♪ ♪

[both speaking Italian]

‐ You ready to make a deal?

.

[dramatic music]

♪ ♪

[wolf howls]