All language subtitles for Law.and.Order.Organized.Crime.S01E05.An.Inferior.Product.WEB.x264-PHOENiX.NonHi.en

‐ In the nation's largest city,

the vicious and violent
members of the underworld

are hunted by the detectives

of the Organized
Crime Control Bureau.

These are their stories.

‐ Your boss ordered a
hit on me and missed.

You think Wheatley can
get to you inside Rikers, huh?

‐ What do you think?

‐ Bekher just works for us.

‐ NYPD can monitor
your every move.

So can I.

‐ He activated the bomb
from across the street.

It was Sasha Lenski.

Why would anyone
want to kill Kathy?

‐ So many questions
and never any answers.

‐ I'm missing something

and I can't figure
out what it is.

‐ Somebody's making
their own Purple Magic.

My brother, Simon, may have
been drugged by the same crew.

‐ Never seen him before.

We better find him
before Wheatley does.

‐ Felix, you have one option.

CI's heading east.

‐ Hold on, wait.
Something's going down.

Liv, down!

♪ ♪

‐ Felix Tinga was your CI.

You sent him in there.

So he walked out onto Lispenard,

where you were staked out
not more than 20 yards away.

‐ You and Detective
Stabler watched from the car

as your CI was assassinated
in front of your eyes.

‐ I made a call.

And I think it
was the right call.

‐ What did you tell them?

‐ What are you talking
about? I told them the truth.

‐ Did you tell them that I
told you to stay in the car

when you wanted to
get out? ‐ Mm‐hmm.

‐ You said that I ordered
you to stay in the car?

‐ No, I did not tell them

that you ordered
me to stay in the car.

‐ But you let them
believe that there was

a window of opportunity
for you to save Felix Tinga

and I stopped you?

‐ I don't know what
they told you in there.

I don't know what
you think you heard.

I specifically said that if
I'd gotten out of that vehicle,

I'd have been a dead
man, and you saved my ass.

And, by the way, you're welcome.

You're not dismissed.

‐ I'm standing
right here, Captain.

♪ ♪

‐ Thank you.

‐ What the hell's
going on? ‐ It's all good.

Captain Benson cleared it up.

Come on, man. Let
me buy you a drink.

You've had a night.

♪ ♪

♪ ♪

‐ Black Lives Matter protests

continue into the night.

Now, after the verdict
was passed down,

the mayor asked...

‐ What can I do
for you, young man?

Ah.

A replica Selmer Maccaferri.

Pretty good one too.

That's a beautiful
guitar you got there.

‐ Thanks.

‐ You know who
played Selmer Macca‐‐

‐ Django Reinhardt.

‐ You as good as
Django? ‐ Maybe one day.

I believe it.

Yeah, you came
to the right place.

So what does she need?

‐ Just a couple
refrets. One and two.

‐ Should be ready, uh, Saturday.

‐ Seriously? Wow.

‐ Well, we can't have
the next Django Reinhardt

going the whole weekend
without his baby now, can we?

Don't worry. I'll take
good care of her.

‐ Appreciate you, man.

‐ Hmm.

‐ Hands where we can
see them! ‐ Don't move!

‐ Whoa, whoa, whoa!
I didn't do anything.

I didn't do anything!
I didn't do anything!

Stay down!

‐ They ran up the
block! ‐ I said stay down!

Stay down! ‐

‐ So you gonna share what
happened in that meeting

between you,
Benson, and Garland?

All right.

‐ She means a lot to you.

Captain Benson.

‐ Partners for a lot of years.

‐ I know you've
taken a lot of Ls lately.

‐ "A lot of Ls"?

‐ Losses.

And I don't really know the
dynamic between you two, but...

you need to find someone else.

‐ To do what?

‐ Move on.

Hey.

Wait. Wait, wait,
wait, wait, wait.

Slow down.

Hey.

Where is he? Where is he?
‐ He's inside with my sister.

Ayanna... ‐ I know,
baby. I'm here.

‐ His hand is crushed.

Every bone in his hand.

‐ Did your nephew get any
names or shield numbers?

‐ I don't know.

‐ Stabler, this is my
wife, Denise Bullock.

This is Elliot Stabler.
‐ Nice to meet you.

What can I do for you?

‐ Nothing.

‐ Thanks, Elliot. ‐ Mm‐hmm.

‐ Hey. Hey, buddy.

I'm so sorry.

‐ Okay, what matters
is most is you're okay.

All right?

I'm so sorry.

♪ ♪

‐ I'm out here!

Seems this is
becoming a regular thing.

Yeah.

I was just, uh... ‐ Hmm?

‐ That's a lie.

‐ Well, um...

Can I get you something?

Stronger than tea this time?

‐ No, thank you. ‐ Okay.

♪ ♪

It's okay.

It's okay.

♪ ♪

‐ Okay. What are we doing?

What are we doing?

Okay.

‐ Uh... ♪ ♪

The open house
doesn't start until noon,

but if you leave your card,

I'll have the
realtor contact you.

‐ Gonna let me in?

‐ No.

‐ Thank you.

Wow.

This is, um,

not a nice place
you got here, Gina.

‐ I bet you use that line
on all your son's girlfriends

that you bust in on uninvited.

‐ Actually, no, this
apartment is particularly...

dingy.

‐ How'd you even
know where I live?

I'm not listed.

‐ I had you followed.

I've been looking
into you, Gina.

You have a surprisingly
unremarkable past,

Ms. Cappelletti,

for a girl from Ozone Park.

One arrest for assault
and resisting arrest.

Damn, Gina.

Tell me about that.

You already seem
to know everything.

‐ Humor me.

‐ Okay.

Uh, I was at the bowling alley

on Rockaway with
my girl, Kendra.

She's Black.

We're having a good time.

We're chilling while
we bowl, dancing,

and then, these three
Jamaica Estate bitches

roll up in the lane next to us.

And one of them goes to pick
up the ball that Kendra just used,

and her friend goes, "Janice,

"I wouldn't use that ball.

Not after that N‐word used it."

So... I looked inward,

I took a breath, and
I summoned restraint

the Dalai Lama himself
would've been very proud of.

And I laid her out.

‐ Clearly she didn't know
who she was dealing with.

I'm scared of you. ‐ Mm.

‐ You're trouble.

‐ I can be.

But if you turned up here

thinking I'm gonna
sleep with you...

‐ Well...

That's definitely not happening.

Not in this rat's nest‐‐ ‐
It's not happening, period,

Mr. Wheatley.

I like Richie.

Okay?

I really like him.

‐ Good.

Congratulations, Gina.

You just passed the final test.

‐ I have to get ready for work.

‐ How about I give you a ride?

How long will it take
you to get dressed?

‐ Yo, I'll be back in 15.

‐ What's up?

Mm‐hmm.

Okay. Be there in five.

Do you mind if I make a stop?

I'll be just a minute.
Wait in the car.

‐ Other side of the wall!

‐ Oh, my God! Oh, my God!

Shots fired. 1122 Flatbush.

They're shooting up the place!

♪ ♪

Everything all right?

‐ Everything's sweet. ‐ Good.

Now can you please
drive my ass to work?

‐ He goes by El Gato.

This was the guy
Felix was meeting with

when we wired him up.

‐ And what about
this guy over here?

‐ Hey, long hair!

He whacked Felix.

‐ Hey. ‐ Hmm?

Hmm. ‐ What?

That the guy who came
after you and Benson?

‐ I don't recognize him.

So I see two potential
scenarios here.

Robbery‐homicide by a rival gang

looking for drugs and money.

Both: Or it's Wheatley.

‐ He took him out for
stepping on his Purple Magic.

Got all the bad
batches off the street.

Rehabilitated his brand.
‐ It's a good theory.

Let's, uh, see what CSU
and Ballistics has to say.

How's your nephew doing?

‐ Pretty shaken up. ‐ Mm.

‐ Doctor said he might
have nerve damage.

You sweep this place?

‐ No, sir.

♪ ♪

‐ Where's the little girl?

‐ We put her in my office.

Called Child
Protective Services.

They're on their way down.
‐ Did she say anything?

‐ Detective Stabler thought
it'd be best to wait for you.

I agreed.

‐ This poor child.

Giana.

Hi.

That is such a pretty name.

My name is Olivia,

and this is my friend,
Elliot, but you two met, right?

‐ Hi, Giana.

You know, in Italian, your
name means "God is gracious"?

You're very lucky
to have that name.

‐ That an elephant?

Does he or she have a name?

You know what they say
about elephants, right?

An elephant never forgets.

They have the most
amazing memories.

Do you have a memory
like an elephant?

‐ Maybe.

‐ I bet you do.

So, Giana, I need to ask
you a couple of questions.

Let's see if your memory
is like your elephant's.

Would that be okay?

Yeah?

‐ Here you go.

‐ Giana.

Did you see the bad people

that came to your
apartment earlier?

Yeah? Did you see their faces?

‐ Uh‐uh.

‐ No?

Where were you
when you saw them?

‐ In the bathroom.

My uncle told me
to wait in there.

‐ You uncle told you
to wait in the bathroom?

And who's your uncle?

‐ Uncle K. He left to
get me a Happy Meal.

I wasn't supposed to come out,

but I peeked through the door.

‐ Oh, that's okay.

Did you see, um, did
you see their hands?

Did you see the
color of their skin?

No? What about their clothes?

Did you see what
they were wearing?

‐ Yes.

‐ Can you tell me what you saw?

Hey, sweetheart. I
know you're scared.

And that's okay.
That's totally normal.

But you're being really,
really brave right now.

And I'm so proud of you.

Sweetheart, can you
tell me what you saw?

Are you pointing to his badge?

‐ Mm‐hmm.

‐ Police, Giana? The
bad people were police?

Okay.

Great job, sweetheart.

You do have a
memory like an elephant.

‐ Okay, I just
checked in with Central

and every precinct in Brooklyn.

There was no police activity

at the victim's Flatbush
Avenue apartment today.

‐ No radio runs?

‐ There was nothing
aside from the current.

There was no
warrants to be executed.

There's nothing
connected to that address.

‐ Well, nothing recorded.
Doesn't rule out corrupt cops.

Hey, we need a
lead on this Uncle K.

Apparently, there was
a fourth crew member.

‐ All right, I got to roll.

Hit me up if you get anything.

Good to see you, Captain.
‐ Take care, Ayanna.

‐ Ballistics confirms
that one of the vic's guns

from the Flatbush apartment

matches the bullet
that killed Felix Tinga.

‐ Mm. ‐ But there
were no matches

to the bullets that were
recovered from your SUV.

So who was that shooter?

Both: Uncle K.

‐ Hi. Can I get the
key to the ladies' room?

‐ Someone's already using it.

‐ What do you got?

‐ The triple
homicide on Flatbush.

‐ What about it? ‐ What
angle are you working?

‐ There was a little girl
found in the apartment.

Said it was the cops.

‐ Yeah, they were
dressed as cops.

But I was pretty sure
they were not cops.

‐ You were‐‐ ‐ I was there.

‐ Wait‐‐

What the hell were you doing‐‐

‐ Wheatley showed up at
my apartment this morning,

supposedly to finish his
little security check on me.

And he insisted on
driving me to work.

So on the way, he
had to make a detour.

So we roll up, I see
these uniforms outside,

and they look
very sketchy to me.

And then Wheatley
leaves me in the car,

he goes inside.

A few seconds
later, the cops go in.

The next thing I
know, pop, pop, pop.

‐ You were the one that
made the anonymous 911 call.

‐ I was just hoping there
was a car a few blocks away,

'cause I went inside, but I
only got a couple steps up.

‐ Can you place
Wheatley at the apartment?

‐ I didn't see him
come out. I'm sorry.

‐ Nah, don't be sorry.

You took a risk
just going inside.

‐ There was a little
girl in the apartment?

‐ Yeah, a daughter
of one of the girls

from the Trick Roll Crew.

She said she was
waiting for her uncle

to bring her a Happy Meal.

‐ I saw that dude. He
was coming up the steps,

and then booked
when he heard shots.

He had this crazy,
crazy neck tattoo.

It was like a spiderweb.

Is he in the wind? ‐
We're looking for him.

Good work.

♪ ♪

‐ Stop! Hey!

Police!

Police! Stop!

‐ Police! Stop right there!

‐ No, you don't!

Hold him down. ‐ Don't move.

You better name names.

‐ I'll tell you what
you want to know.

♪ ♪

‐ Well, I'll tell you what.

I've never heard of fast
food saving a guy's life.

‐ Is Giana okay?

‐ How do you take
your six‐year‐old niece

to an apartment filled
with drugs and guns

and tell her to hang out in the
bathroom while you step out?

How?

‐ Okay, let's talk
about the drugs.

How long were you and your
crew knocking off Purple Magic?

‐ Maybe six months.

I was against it from the
jump, but I got overruled.

‐ Is that so? Why
were you against it?

Other than the fact
that you're so smart?

‐ Word was out. You
don't step on Purple Magic.

But Gato and the others
said the money was too good.

I said wasn't no amount
of money worth it.

‐ Because why? ‐ It
was just a matter of time

before he did
us like the others.

‐ He who?

Give me a name. ‐ I
don't have no names.

All I know is if you
step on Purple Magic,

he takes you out. You gone.

‐ Okay, so there
were other crews.

What others, Kwan?

‐ Crew over on Church.

Those four guys on Bedford.

I don't know. Fulton, I think?

And another one on
Francis Lewis Boulevard.

‐ Francis Lewis Boulevard.
Which one was that?

‐ I don't know which was which,

but whoever this
dude is is stone‐cold.

‐ You mean like rolling up on
a cop car and unloading into it?

That kind of stone‐cold?

‐ I don't know what
you're talking about.

‐ Your gun does. We recovered
it from your apartment, Kwan.

Ballistics don't lie.

‐ Conspiracy to sell a
controlled substance,

possession of a weapon,

attempted murder
on two police officers.

Mm‐hmm.

Yeah, you just hang tight.

There's someone
else I want you to meet.

♪ ♪

‐ I know you know your sister.

How about these others?

Huh?

You need a little help?

Piper.

Despina.

And Felix Tinga.

How long were
you supplying drugs

for their trick roll scheme?

‐ Jade came to me
maybe two years ago.

Said Felix had an
idea to roll rich guys

by drugging them
and ripping them off.

He had the girls,
just needed the drugs.

‐ And what were you
supplying them with?

‐ Back then? Heroin.

‐ Cut with fentanyl.

Yeah.

What about him?

His name was Simon.

‐ I don't know him‐‐ ‐ I do.

He was my brother.

He's dead.

He overdosed of
heroin and fentanyl...

That you gave your sister.

Look at him. Don't look away.

Look at him.

That's right.

You know what I hope and pray?

That the thought
of him haunts you

for the rest of
your pathetic life.

♪ ♪

Liv.

Liv. ‐

I spent the last two years

thinking Simon
did this to himself.

Like somehow his
addiction caught up with him.

‐ He didn't deserve it.

I mean, nobody deserves
it. I'm just‐‐I'm sorry.

So now you know the truth.

And you can let it go.

‐ Have you heard anything
about Kathy's case?

Moennig's keeping
me in the dark.

He told me to just
stay away from it, so...

I don't like it, but
I'm staying away.

‐ Well, you seem better.

Do I?

Thanks. I...

Actually confused as hell.

About so many things.

‐ Well, you look better.

So whatever it is you're doing,

keep doing it.

♪ ♪

‐ Hey, Jet, I need you to
dig into some homicide files.

One on Church, one on
Bedford, one on Foster.

Multiple vics. Drug‐related.

‐ The cases Kwan referenced.

‐ Everything all right? ‐ Yeah.

Upstairs heard about
Denise's nephew.

‐ Can I help?

‐ I'll let you know if it
becomes a problem.

‐ Yo! I have Wheatley
in his office with Bekher.

‐ Here we go. Time
for Bekher to deliver.

‐ Vince Weiss is
an excellent attorney.

He'll take care of you.

When's your next court date?

Are they presenting
to the grand jury?

I trust you're not testifying.

That's a sucker's bet.

All you're doing is creating a‐‐

a record for them to
cross‐examine you

at a later trial.

Am I talking to
myself here, Izak?

Are you listening to me?

‐ What? Did we lose connection?

‐ No, we're still up.

Now we've lost the
connection. ‐ No way is it dead.

We have way more
battery life on that thing.

‐ It's not the battery.

It's been disabled.

‐ Bekher's playing us.

‐ That was my bug you
stepped on in Wheatley's office.

‐ Detective,
relax. ‐ Don't you...

Now is a bad time to tell
me that; that was my bug.

‐ It's my job to
find those things.

I told the boss so he
would start to trust me again.

‐ Oh, yeah? So why don't
you tell me something right now

so I can trust you again?

‐ The triple homicide
on Flatbush?

The crew slinging
bogus Purple Magic?

‐ What about it?

‐ Normally, that
would've been mine.

I would've organized
it and executed it.

But he used someone
else. ‐ Yeah? Who?

‐ I don't know.

Finding the bug,
which is part of my job,

I hope it will get him
trusting me again.

I need you to
be a little patient.

‐ No, not part of my
DNA. I want results.

Now you get me
something I can use,

or this deal is off
and you're going back.

‐ Ready?

Go.

♪ ♪

Well done.

All right, way to go.

Everyone out.

Thank you. Have
a beautiful week.

Maya, that was amazing.

‐ That was impressive.

‐ What can I say?

She's got an excellent teacher.

‐ Yeah, she does.

I, uh... ‐ You don't
have to explain.

‐ Well, that's
good, 'cause I can't.

Um...

I don't know who
that was last night.

‐ Well, he kind
of looked like you.

‐ I had no business being there.

‐ I'm not sure if that's
what I was hoping to hear.

It wouldn't have happened if
I hadn't have wanted you to.

I'm not easy, and I
can handle myself.

‐ I know.

‐ You feel guilty.

‐ I feel a lot of
things these days.

‐ Well, you're still grieving.

‐ Is that what this
is? Mutual grieving?

‐ I don't think so.

At least not for me.

‐ Can I offer you a lift home?

‐ Oh, I think I'm gonna
walk for a little bit.

The cold air will do me good.

Can I admit something to you?

‐ Of course.

‐ You terrify
me, Elliot Stabler.

‐ Why would you say that?

‐ How you fell into
my life so suddenly,

the circumstances,
the things I feel...

I wasn't prepared for you.

‐ Were you prepared
for me, baby?

‐ Richard.

What are you doing
here? ‐ No, no, no.

The question is,
what is he doing here?

Are you trying to get
into my ex‐wife's pants?

If you are, I
wouldn't blame you.

She's fine as hell.

But that's not really why
you've been dogging her, is it?

‐ Oh, Richard, get
out. ‐ I found this

at Contrapos earlier today.

Sure he hasn't planted
one in your office

or your apartment,
where he was last night?

‐ Sounds like I planted
one up your ass too.

‐ You want to come at me?

Come at me.

But don't you ever go
near my family again.

‐ I really appreciate
y'all sitting down with me.

This is gonna put me

in a really tough position.

‐ Am I interrupting?

‐ Detective Stabler.
Terrance Bryant.

‐ Yes, sir. The Brooklyn
Borough president.

Chief of Detectives,
Deputy Chief Garland.

Everything all right?

‐ Yeah, I was just telling them

that you know about
my wife's nephew.

‐ We're glad Ayanna
trusted you with that.

It means we're gonna trust you.

‐ This lady means a lot
to us. We believe in her.

‐ But this lawsuit's
gonna put her

in a very
uncomfortable spotlight.

‐ Yes, sir. It certainly is.

‐ The only way
she survives it is

the task force
needs to accomplish

what it was set up to do.
‐ It's on both of you now.

Take Richard Wheatley down,
you'll have done your jobs.

Failure to do so,
her career is over.

♪ ♪

‐ Is this‐‐

‐ Arson and
Explosion reconstructed

the pipe bomb that was
used on your rental car.

What are the markings
here? They look like etchings.

‐ Vise marks from the
pressure applied at either end

when it was being assembled.

‐ The same
concept as Ballistics.

Sasha Lenski?

‐ We didn't find
a vise at his place,

and the two we
found at the auto shop

where he worked didn't
match. ‐ Too sophisticated.

There's no way
Lenski built this bomb.

‐ Agreed.

I told you I'd let you know

when we found
anything meaningful.

‐ That the homicide
Kwan told us about?

‐ This is the one on Church.

Washburn has Bedford
Avenue. Morales has Foster.

‐ Common denominators?

‐ Well, multiple DOAs,
all with drug records.

And as you can see,
multiple gunshot wounds.

‐ The door was also busted
off the hinges in all three.

‐ They find any drugs?

‐ Apartments were ransacked,

but no drugs listed on any
of these property vouchers.

‐ Sarge? ‐ Yeah.

‐ I met with
Moennig this morning.

‐ About? ‐ Well,
he called me in.

A&E reconstructed the
pipe bomb that killed Kathy.

‐ Mm‐hmm. ‐ There were these

unique markings on it

that came from a vise.

‐ Find the vise, find
who made the bomb.

‐ Yeah. ‐ Thanks
for letting me know.

‐ I just want to make sure
that everything between us

is above board. ‐ Yeah.

Jet, I need you to
find credit card receipts

dating back a couple years,
purchases from hardware stores,

DIY stores, metal shops.

‐ For? ‐ Izak Bekher.

‐ You read my mind.

Hey, I also want to say

that I appreciate you
having my back on this.

‐ Yeah. Well, when the time
comes and the tables turn,

I hope you'll have mine.

‐ Hey. We got something.

I got a DD5, says that
the tenant in the apartment

directly above the scene
claims she heard "police"

right before the
door smashed in.

‐ Same on Foster.
Canvass of eighth floor.

Occupant of apartment 8D
states he heard shouts of "police,"

then a door smashing.

‐ Those police
were Wheatley's guys

dressed up as cops. ‐
Francis Lewis Boulevard.

I knew I recognized it when
it came out of his mouth.

Francis Lewis Boulevard.

It's where Rafiq
Wheatley was murdered.

‐ What did they find
in the apartment?

‐ "Multiple pills.

Composition unknown."

‐ Why don't you take a ride down

to the property clerk's office?

‐ Thank you.

♪ ♪

‐ You didn't have
to tail Richard's car

and follow me home last night.

‐ I wanted to make
sure you were all right.

‐ Well, I got into his
car of my own accord

to put an end to his
little performance piece.

Let him know that
he made his point.

You're heavy today, Detective.

What's on your mind?

‐ "Detective"? ‐ Yeah.

Something's different.

And right now, you feel more
like "Detective" than "Elliot."

I'm a place I don't want to be.

‐ With me?

‐ What this is cannot
happen right now.

‐ And what is
this? ‐ I don't know.

I don't know.

‐ Then... why
don't we just let it be

whatever you need
it to be right now?

‐ Hold on a second. Hold on.
You just called me "Detective"

back there because
that is what I am.

That's what brought us together.

I did not fall into your life.

I was driven into
it for a reason.

Now, I am hunting the
person who is responsible

for killing my wife and taking
your son away from you.

That is my duty. That
is my responsibility.

‐ That is what
brought us together‐‐

‐ You're the ex‐wife
of a prime suspect,

and I am where I should
not be in so many ways.

I am not gonna
allow these emotions

to derail me from my mission.

Especially emotions I
don't even understand.

‐ Detective Stabler.

You have a higher calling.

A mission to‐‐ ‐
Please. Please don't‐‐

‐ No, no.

I mean it sincerely.

Elliot, you need...
to slay your dragons.

So how about we start over?

Detective Elliot Stabler, I'm
Professor Angela Wheatley.

I believe I have...

some information that
might be of value to you.

So can I take you to dinner
tonight and, uh, share?

‐ Well, I actually have a
few questions to ask you,

so we'll have to go Dutch.

‐ Strictly business.

‐ Until I put the dragons down.

Stabler.

‐ We were right.
Izak bought the vise.

Where are you right now?

‐ I'll meet you at the corner
of Broadway and 1‐2‐0.

‐ You got to go? ‐ Yes.

I'm sorry.

‐ Do what you need to do.

♪ ♪

‐ August 9th, last year.

Bekher bought a
4‐inch swivel vise

from a hardware store 5
miles from Wheatley's house.

Carisi's getting a
warrant right now.

I reached out to Bekher.
He's meeting us in three hours.

‐ Why does he
think we're meeting?

‐ I told him we had
a plan to put a bug

in Wheatley's wine cellar.

Stabler. Stabler!

No matter what happens,
we need him to testify

that Wheatley gave
the order to kill Kathy.

♪ ♪

‐ If you think I'm gonna be

planting a bug
in that wine cellar,

this is going to be a very
disappointing meeting.

What is this?

What the hell is going on?

I'm cooperating here.

What do you want
from me? ‐ Bekher‐‐

‐ I'm telling you
everything I know.

‐ Bekher, shut up.

Right now, right
at this very second,

there's more than a dozen
cops in your apartment,

turning it upside down.

‐ Is that right?

‐ Your office, your
apartment in Brooklyn,

the storage
facility on Atlantic.

They're searching every inch.

‐ What is it you think
you're gonna find?

‐ A vise.

The vise you used
to make a pipe bomb

that you gave to Sasha Lenski. ‐

The bomb that killed my wife.
‐ It's not what you think it‐‐

‐ Why?

Why? Why did Wheatley
want my wife dead?

‐ He didn't!

‐ Why?

He didn't give the order.

Angela Wheatley did.

♪ ♪

♪ ♪