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1
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[**]
2
00:00:06,674 --> 00:00:10,311
THIS IS "RADIO REBEL,"
LIVE FROM THE UNDERGROUND.
3
00:00:10,344 --> 00:00:13,147
YOU DON'T KNOW WHO I AM...
4
00:00:13,181 --> 00:00:14,982
BUT I KNOW WHO YOU ARE...
5
00:00:15,015 --> 00:00:17,751
BECAUSE I'M ONE OF YOU.
6
00:00:17,785 --> 00:00:18,586
[**]
7
00:00:18,619 --> 00:00:19,820
REPORT CARDS CAME OUT TODAY.
8
00:00:19,853 --> 00:00:21,722
I GOT A "MINUS"
IN PARTICIPATION...
9
00:00:21,755 --> 00:00:23,824
BUT YOU CAN'T GIVE ME A "MINUS"
FOR WHO I AM!
10
00:00:23,857 --> 00:00:26,594
SO, SINCE GRADES
ARE BEING HANDED OUT,
11
00:00:26,627 --> 00:00:28,562
I THINK I'LL GIVE ALL OF US
AT LINCOLN BAY HIGH
12
00:00:28,596 --> 00:00:31,031
AN "F,"
FOR LABELING EACH OTHER.
13
00:00:31,065 --> 00:00:32,333
JOCKS.
14
00:00:32,366 --> 00:00:33,767
OUTCASTS.
15
00:00:33,801 --> 00:00:34,802
DORKS.
16
00:00:34,835 --> 00:00:38,306
QUEEN BEES
AND THEIR FELLOW POPS.
17
00:00:38,339 --> 00:00:40,808
AND... NEW-BORN POPS.
18
00:00:40,841 --> 00:00:44,478
GUYS, THESE ARE ALL LABELS,
NOT WHO WE REALLY ARE.
19
00:00:44,512 --> 00:00:46,414
ONCE UPON A TIME,
20
00:00:46,447 --> 00:00:47,748
BEING DIFFERENT
WAS A GOOD THING.
21
00:00:47,781 --> 00:00:49,750
NOW THOSE DIFFERENCES
JUST DIVIDE US.
22
00:00:49,783 --> 00:00:51,385
YOU DESERVE TO EMBRACE
YOUR AWESOMENESS.
23
00:00:51,419 --> 00:00:53,587
STAND UP FOR WHO YOU ARE.
24
00:00:53,621 --> 00:00:55,523
REJECT THE STATUS QUO.
25
00:00:55,556 --> 00:00:57,425
I DARE YOU.
26
00:00:57,458 --> 00:00:59,660
OKAY. LAST NIGHT.
"RADIO REBEL--"
27
00:00:59,693 --> 00:01:01,262
...WAS AWESOME?
28
00:01:01,295 --> 00:01:02,630
AS USUAL!
29
00:01:02,663 --> 00:01:05,199
"REJECT THE STATUS QUO"
IS MY NEW LIFE MOTTO.
30
00:01:05,233 --> 00:01:07,135
SHE'S SO... INSPIRING.
31
00:01:07,168 --> 00:01:09,403
SO... HERSELF.
32
00:01:09,437 --> 00:01:11,572
I WISH
I COULD BE MORE LIKE HER.
33
00:01:11,605 --> 00:01:12,873
YOU SHOULD
TALK TO YOUR STEP-DAD.
34
00:01:12,906 --> 00:01:14,475
WHAT? WHY?
35
00:01:14,508 --> 00:01:15,709
UH, HE RUNS SLAM-FM,
36
00:01:15,743 --> 00:01:17,811
THE BIGGEST RADIO STATION
IN SEATTLE.
37
00:01:17,845 --> 00:01:19,680
MAYBE HE COULD GIVE YOU
AN INTERNSHIP.
38
00:01:19,713 --> 00:01:21,415
THAT'D BE
A CONFIDENCE BOOSTER, RIGHT?
39
00:01:21,449 --> 00:01:22,916
ARE YOU KIDDING ME?
40
00:01:22,950 --> 00:01:25,052
HE'S BEEN MARRIED TO MY MOM
FOR, WHAT, TWO MONTHS?
41
00:01:25,085 --> 00:01:26,887
PROBABLY THINKS
I'M A TOTAL STEP-FREAK.
42
00:01:26,920 --> 00:01:30,424
I FREAK OUT WHEN HE ASKS
WHAT KIND OF CEREAL I WANT.
43
00:01:30,458 --> 00:01:32,960
[CHUCKLES]
44
00:01:32,993 --> 00:01:34,728
I JUST WISH I COULD
TALK TO EVERYONE
45
00:01:34,762 --> 00:01:35,863
THE WAY
I TALK TO YOU...
46
00:01:35,896 --> 00:01:38,132
I GUESS THAT'S WHY
YOU'RE MY B.F.F.
47
00:01:38,166 --> 00:01:40,334
B.F.F.T.L.E.W.E.
48
00:01:41,569 --> 00:01:43,704
"BEST FRIENDS FOR
TOTALLY, LIKE, EVER,
49
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WITHOUT EXCEPTION."
50
00:01:45,273 --> 00:01:46,407
CATCHY.
51
00:01:46,440 --> 00:01:47,841
YOU NEED
A RELAXATION TECHNIQUE.
52
00:01:47,875 --> 00:01:49,510
WHEN I'M MEMORIZING
LINES FOR DRAMA,
53
00:01:49,543 --> 00:01:51,745
I IMAGINE I'M
BREATHING IN THE WORDS.
54
00:01:51,779 --> 00:01:53,647
AUDREY? WHAT DOES
THAT EVEN MEAN?
55
00:01:53,681 --> 00:01:55,416
A-H-H-HEM.
56
00:01:55,449 --> 00:01:57,785
YOU NEED TO
BREE-EA-ATHE
57
00:01:57,818 --> 00:01:59,887
YOUR WO-O-O-ORDS.
58
00:01:59,920 --> 00:02:03,657
HOW CAN YOU EVEN BREATHE
AT A TIME LIKE THIS?
59
00:02:03,691 --> 00:02:05,526
PROBLEM, BARRY?
60
00:02:05,559 --> 00:02:06,827
LAST NIGHT,
61
00:02:06,860 --> 00:02:09,463
RADIO REBEL REVEALED
THE BIGGEST CLUE YET
62
00:02:09,497 --> 00:02:10,464
ABOUT HER IDENTITY.
63
00:02:10,498 --> 00:02:12,833
SHE GOES TO OUR SCHOOL!
64
00:02:12,866 --> 00:02:14,368
SHE MENTIONED IT
AT MINUTE 14:30,
65
00:02:14,402 --> 00:02:15,769
IN TUESDAY NIGHT'S PODCAST.
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00:02:15,803 --> 00:02:17,070
WOW, OBSESS MUCH,
LARRY?
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00:02:17,104 --> 00:02:19,473
OBSESS? PLEASE!
68
00:02:19,507 --> 00:02:21,442
I-I WOULD HARDLY
DESCRIBE MYSELF
69
00:02:21,475 --> 00:02:23,744
AS "OBSESSIVE."
70
00:02:24,545 --> 00:02:25,713
[CHUCKLES WRYLY]
71
00:02:25,746 --> 00:02:28,316
[SQUEAKING]
72
00:02:29,383 --> 00:02:30,818
WHAT?
73
00:02:30,851 --> 00:02:33,787
IT'S FLU SEASON!
74
00:02:33,821 --> 00:02:35,223
IT'S SO EXCITING.
75
00:02:35,256 --> 00:02:37,658
SOMEONE ON THE RADIO
WHO'S ACTUALLY ONE OF US.
76
00:02:37,691 --> 00:02:39,460
SHE COULD BE
THAT GIRL.
77
00:02:39,493 --> 00:02:41,262
OR... OR HER. OR...
78
00:02:41,295 --> 00:02:42,363
OR HER.
79
00:02:42,396 --> 00:02:43,531
OR THAT GIRL
THAT GIRL.
80
00:02:43,564 --> 00:02:44,732
NO. THAT GIRL'S
TOO TALL.
81
00:02:44,765 --> 00:02:47,768
RADIO REBEL'S VOICE
SOUNDS 5'6" TO ME.
82
00:02:47,801 --> 00:02:49,270
AND HER HAIR
IS REDDISH.
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00:02:49,303 --> 00:02:50,638
LIKE TARA'S.
84
00:02:50,671 --> 00:02:52,240
NO. SHE'S NOTHING
LIKE TARA.
85
00:02:52,273 --> 00:02:54,842
HEY! WHAT'S...
THAT SUPPOSED TO MEAN?
86
00:02:54,875 --> 00:02:57,278
OH. WE...
WE LOVE YOU,
87
00:02:57,311 --> 00:03:00,448
BUT YOU'RE NOTHING
LIKE RADIO REBEL...
88
00:03:00,481 --> 00:03:02,049
WHO'S DEFINITELY
A BLONDE.
89
00:03:02,082 --> 00:03:03,116
AND YOU
KNOW THIS HOW?
90
00:03:03,150 --> 00:03:05,253
RADIO REBEL
IS MY SOUL MATE.
91
00:03:05,286 --> 00:03:06,520
WE'RE CONNECTED.
92
00:03:06,554 --> 00:03:08,922
FOR EXAMPLE, I ALSO GOT
A "MINUS" IN PARTICIPATION.
93
00:03:08,956 --> 00:03:09,990
HOW CAN THAT BE?
94
00:03:10,023 --> 00:03:10,991
YOU NEVER SHUT UP!
95
00:03:11,024 --> 00:03:14,562
[LAUGHS]: EXACTLY.
96
00:03:14,595 --> 00:03:16,497
[TOY RATTLING OVER FLOOR]
97
00:03:16,530 --> 00:03:19,567
[GIRLS LAUGH MOCKINGLY]
98
00:03:19,600 --> 00:03:21,335
[**]
99
00:03:21,369 --> 00:03:22,403
[GIRL]: HI, STACY!
100
00:03:22,436 --> 00:03:24,905
HONESTLY, IT'S A RELIEF
THAT WE BROKE UP.
101
00:03:24,938 --> 00:03:26,574
THE WHOLE LONG-DISTANCE
RELATIONSHIP THING
102
00:03:26,607 --> 00:03:27,875
WAS JUST LAME.
103
00:03:27,908 --> 00:03:29,109
WELL, I'M GLAD
YOU'VE MOVED ON,
104
00:03:29,142 --> 00:03:30,478
BECAUSE
YOU'VE ALREADY HAD
105
00:03:30,511 --> 00:03:32,380
THREE FORMAL ASKS
TO PROM.
106
00:03:32,413 --> 00:03:33,447
[SQUEALS]
107
00:03:33,481 --> 00:03:34,715
ALAN ACKERMAN...
108
00:03:34,748 --> 00:03:36,650
HE'S TOO SHORT.
THINK OF THE PICTURES.
109
00:03:36,684 --> 00:03:40,187
OKAY.
HOW ABOUT JAMIE WARDLE?
110
00:03:40,220 --> 00:03:42,890
HAVE YOU EVER NOTICED
HOW POINTY HIS HEAD IS?
111
00:03:42,923 --> 00:03:45,659
IT'S LIKE
A TRIANGLE.
112
00:03:45,693 --> 00:03:47,328
HOW DO WE "REJECT
THE STATUS QUO"
113
00:03:47,361 --> 00:03:50,764
WHEN THE STATUS QUO IS...
STATUS QUO?
114
00:03:50,798 --> 00:03:52,766
LIKE RADIO REBEL
SAID...
115
00:03:52,800 --> 00:03:55,002
BE OURSELVES.
116
00:03:56,604 --> 00:03:57,705
AUDREY!
117
00:03:57,738 --> 00:03:58,872
SO, NEXT...
118
00:03:58,906 --> 00:04:00,674
ERIN BROOKS IS OFFICIALLY
CAMPAIGNING
119
00:04:00,708 --> 00:04:02,209
FOR PROM QUEEN.
120
00:04:02,242 --> 00:04:04,111
I JUST CONFIRMED IT
ON HER FAN PAGE.
121
00:04:04,144 --> 00:04:06,647
WHATEVER.
NO COMPETITION THERE.
122
00:04:06,680 --> 00:04:08,816
WHY DON'T I HAVE A FAN PAGE?
123
00:04:08,849 --> 00:04:10,951
I'LL GET RIGHT ON IT.
124
00:04:10,984 --> 00:04:12,019
[HEELS CLOPPING]
125
00:04:12,052 --> 00:04:14,855
HI, STACY.
HOW'S IT GOING?
126
00:04:14,888 --> 00:04:17,758
THIS... IS WHAT
I WAS TALKING ABOUT.
127
00:04:17,791 --> 00:04:18,826
EVERYONE THINKS
128
00:04:18,859 --> 00:04:20,227
THEY CAN JUST
TALK TO US
129
00:04:20,260 --> 00:04:22,229
BECAUSE OF THAT
ETERNALLY LAME "RADIO BABBLE."
130
00:04:22,262 --> 00:04:24,432
METHINKS SHE
PROTESTS TOO MUCH.
131
00:04:24,465 --> 00:04:26,867
YEAH, WE THINKS...
132
00:04:26,900 --> 00:04:28,235
[WHISPERS]: WAIT!
WHAT DO WE THINKS?
133
00:04:28,268 --> 00:04:30,438
THAT MAYBE
SHE IS RADIO REBEL.
134
00:04:30,471 --> 00:04:31,839
PLEASE.
135
00:04:31,872 --> 00:04:34,742
LIKE I WOULD EVER ENCOURAGE
PEOPLE LIKE YOU TO TALK TO US.
136
00:04:34,775 --> 00:04:37,645
AH-HAH! SO YOU ADMIT
YOU LISTEN TO HER.
137
00:04:37,678 --> 00:04:39,713
[SCOFFS]
138
00:04:39,747 --> 00:04:41,415
THIS ONE'S
STARING AT ME.
139
00:04:41,449 --> 00:04:42,816
MAKE IT STOP.
140
00:04:42,850 --> 00:04:45,052
PLEASE DON'T
STAND SO CLOSE TO US.
141
00:04:47,020 --> 00:04:48,288
YOU AND I
AREN'T ANY DIFFERENT.
142
00:04:48,322 --> 00:04:49,857
LIKE RADIO REBEL SAID--
143
00:04:49,890 --> 00:04:51,224
NO WORDS.
144
00:04:51,258 --> 00:04:52,860
YOU DON'T THINK
WE'RE DIFFERENT?
145
00:04:52,893 --> 00:04:54,695
WATCH AND LEARN.
146
00:04:54,728 --> 00:04:56,229
PRINCIPAL MORENO!
147
00:04:57,598 --> 00:04:59,333
[GUSHES]: STACY!
148
00:05:00,334 --> 00:05:02,770
IS EVERYTHING ALL RIGHT
OVER HERE?
149
00:05:02,803 --> 00:05:04,104
ACTUALLY, NO.
150
00:05:04,137 --> 00:05:05,439
AUDREY WAS TRYING
151
00:05:05,473 --> 00:05:07,808
TO GET ME TO LISTEN
TO SOME PODCAST IN CLASS.
152
00:05:07,841 --> 00:05:08,942
OF COURSE, I SAID NO.
153
00:05:08,976 --> 00:05:10,911
WHAT? NO.
I MEAN, I NEVER--
154
00:05:10,944 --> 00:05:12,212
YOU KNOW...
155
00:05:12,245 --> 00:05:14,648
THAT THERE IS
AN ANTI-DISTRACTION POLICY.
156
00:05:14,682 --> 00:05:16,149
LET ME SEE YOUR BAG.
157
00:05:16,183 --> 00:05:17,718
BUT I WASN'T EVEN
LISTENING TO IT!
158
00:05:17,751 --> 00:05:19,553
WELL, NOW YOU CAN'T,
CAN YOU?
159
00:05:19,587 --> 00:05:22,590
YOU, TOO, YOUNG LADY.
HAND IT OVER.
160
00:05:25,292 --> 00:05:28,729
THANK YOU FOR BRINGING THIS
TO MY ATTENTION, STACY.
161
00:05:29,997 --> 00:05:32,866
[**]
162
00:05:32,900 --> 00:05:34,502
GET IT NOW?
163
00:05:34,535 --> 00:05:37,605
YOUR LITTLE DJ HERO DOESN'T
KNOW WHAT SHE'S TALKING ABOUT.
164
00:05:37,638 --> 00:05:39,740
[TARA'S WORDS CATCH]
165
00:05:39,773 --> 00:05:41,108
OH?
166
00:05:41,141 --> 00:05:43,444
DOES "HER ROYAL SHYNESS"
WANT TO SAY SOMETHING?
167
00:05:43,477 --> 00:05:44,578
I...
168
00:05:44,612 --> 00:05:46,547
HUH?
169
00:05:46,580 --> 00:05:47,915
UH...
170
00:05:47,948 --> 00:05:48,882
I THOUGHT NOT.
171
00:05:48,916 --> 00:05:50,117
[SNAPS FINGERS]
172
00:05:50,150 --> 00:05:52,319
BYE, GIRLS.
173
00:05:52,352 --> 00:05:54,287
GREETINGS TO OUR LOYAL FANS.
174
00:05:54,321 --> 00:05:56,123
THIS IS GABE AND GAVIN,
OR AS YOU KNOW US--
175
00:05:56,156 --> 00:05:57,224
THE "GEES!"--
176
00:05:57,257 --> 00:05:58,459
...COMING AT YOU
TO SAY THANK YOU
177
00:05:58,492 --> 00:06:00,127
FOR VOTING FOR US
TO PLAY AT YOUR PROM.
178
00:06:00,160 --> 00:06:01,595
WE'LL MAKE SURE
IT TOTALLY ROCKS!
179
00:06:01,629 --> 00:06:03,731
WELL, WELL, WELL,
LOOK WHO IT IS.
180
00:06:03,764 --> 00:06:06,166
LINCOLN BAY'S
OWN INTERNET SENSATION.
181
00:06:06,199 --> 00:06:07,200
HEY, STACY.
182
00:06:07,234 --> 00:06:09,102
GAVIN... AND GAVIN'S CAMERA.
183
00:06:09,136 --> 00:06:10,638
I HEARD YOU GUYS
ARE PLAYING PROM.
184
00:06:10,671 --> 00:06:11,805
PRETTY SWEET.
185
00:06:11,839 --> 00:06:14,141
BYE.
186
00:06:14,174 --> 00:06:16,009
DUDE...
187
00:06:16,043 --> 00:06:17,177
YOU ARE IN.
188
00:06:17,210 --> 00:06:18,245
WHAT DO YOU MEAN?
189
00:06:18,278 --> 00:06:19,447
STACY AND
HER COLLEGE BOYFRIEND
190
00:06:19,480 --> 00:06:20,481
JUST CALLED IT QUITS.
191
00:06:20,514 --> 00:06:22,049
WHICH MEANS,
AS OF RIGHT NOW,
192
00:06:22,082 --> 00:06:23,817
SHE DOESN'T HAVE
A PROM DATE.
193
00:06:23,851 --> 00:06:25,285
I CAN'T ASK HER
TO PROM.
194
00:06:25,318 --> 00:06:27,187
DIDN'T YOU SEE THAT?
195
00:06:27,220 --> 00:06:29,723
[GIRLY VOICE]:
"HI, GAVIN."
196
00:06:29,757 --> 00:06:31,825
IT'S THE BAND, MAN.
197
00:06:31,859 --> 00:06:32,993
WE'RE GETTING SOME HEAT,
198
00:06:33,026 --> 00:06:34,428
A LITTLE ATTENTION
FROM THE LADIES.
199
00:06:34,462 --> 00:06:36,363
YOUR STOCK IS ON THE RISE,
AND STACY'S NOTICING.
200
00:06:36,396 --> 00:06:37,931
WELL, WHAT WOULD I EVEN SAY?
201
00:06:37,965 --> 00:06:39,433
LISTEN TO ME.
OKAY? FOCUS.
202
00:06:39,467 --> 00:06:41,001
EYE OF THE TIGER.
203
00:06:41,034 --> 00:06:42,069
DON'T STOP BELIEVING.
204
00:06:42,102 --> 00:06:43,637
WE ARE THE CHAMPIONS.
205
00:06:43,671 --> 00:06:45,272
ARE YOU JUST
QUOTING SONG TITLES?
206
00:06:45,305 --> 00:06:46,273
THIS IS
YOUR CHANCE, MAN.
207
00:06:46,306 --> 00:06:47,441
SEIZE THE MOMENT.
208
00:06:47,475 --> 00:06:48,642
OUR FAN BASE
IS EXPANDING--
209
00:06:48,676 --> 00:06:50,277
TO OTHER SCHOOLS,
THE CITY...
210
00:06:50,310 --> 00:06:51,344
I STILL FEEL LIKE
211
00:06:51,378 --> 00:06:53,080
THAT AWKWARD KID
WITH A GUITAR
212
00:06:53,113 --> 00:06:54,281
JUST HANGING OUT
IN YOUR GARAGE.
213
00:06:54,314 --> 00:06:55,348
FORGET THAT NERD!
214
00:06:55,382 --> 00:06:56,383
NOW YOU'RE "GAVIN."
215
00:06:56,416 --> 00:06:57,918
OF THE "GEES."
216
00:06:57,951 --> 00:06:59,186
WE'RE GOING
ALL THE WAY, BABY!
217
00:06:59,219 --> 00:07:01,321
RECORDING CONTRACTS,
SOLD-OUT STADIUMS.
218
00:07:01,354 --> 00:07:02,923
GEES FOR LIFE?
219
00:07:02,956 --> 00:07:06,126
GEES FOR LIFE.
220
00:07:06,159 --> 00:07:07,260
OW!
221
00:07:07,294 --> 00:07:09,530
ALL RIGHT, EVERYBODY.
222
00:07:09,563 --> 00:07:11,532
TODAY, WE ARE GOING TO BE
WORKING ON A PROJECT
223
00:07:11,565 --> 00:07:14,735
WITH MR. SAUL'S DRAMA CLASS.
224
00:07:14,768 --> 00:07:17,370
OH, HERE THEY ARE NOW.
COME ON IN, PEOPLE.
225
00:07:17,404 --> 00:07:18,706
PLEASE, PICK A SEAT.
226
00:07:18,739 --> 00:07:19,507
QUICKLY.
227
00:07:19,540 --> 00:07:21,208
THIS IS SO EXCITING!
228
00:07:21,241 --> 00:07:22,610
[GIGGLES]
229
00:07:24,111 --> 00:07:25,445
[THUMPS INTO DESK]
230
00:07:25,479 --> 00:07:27,214
GAVIN!
THIS SEAT IS FREE.
231
00:07:27,247 --> 00:07:30,250
[**]
232
00:07:30,283 --> 00:07:33,353
[TEACHER]: I WILL BE
PAIRING YOU ALL UP,
233
00:07:33,386 --> 00:07:36,289
AND...
234
00:07:36,323 --> 00:07:37,991
[**]
235
00:07:38,025 --> 00:07:41,394
WHAT IS GAVIN DOING HERE?
236
00:07:41,428 --> 00:07:43,564
UH... HE'S IN DRAMA?
237
00:07:43,597 --> 00:07:44,665
YOU KNOW,
YOU COULD TALK TO HIM.
238
00:07:44,698 --> 00:07:46,033
YOU'VE HAD
A CRUSH ON HIM
239
00:07:46,066 --> 00:07:47,601
SINCE, LIKE, THE FIRST
HARRY POTTER MOVIE.
240
00:07:47,635 --> 00:07:50,938
[CRINGING]: UGH...
NO. NO, HE'S...
241
00:07:50,971 --> 00:07:52,405
HE IS A NEWBORN POP.
242
00:07:52,439 --> 00:07:53,974
TOTALLY WRONG SOCIAL BRACKET.
243
00:07:54,007 --> 00:07:56,577
THE BEST THING FOR ME TO DO
IS JUST AVOID HIM ALTOGETHER.
244
00:07:56,610 --> 00:07:59,446
GAVIN'S NOT ELITIST
LIKE THAT.
245
00:07:59,479 --> 00:08:03,316
ASK YOURSELF,
WHAT WOULD RADIO REBEL DO?
246
00:08:03,350 --> 00:08:06,053
[**]
247
00:08:06,086 --> 00:08:11,124
YOU WILL BE TRANSLATING
A SCENE FROM SHAKESPEARE...
248
00:08:11,158 --> 00:08:12,526
HEY.
249
00:08:12,560 --> 00:08:13,761
IT'S A GOOD THING
250
00:08:13,794 --> 00:08:15,462
WE'RE IN CLASS
TOGETHER NOW.
251
00:08:15,495 --> 00:08:17,531
SAVES ME FROM
HAVING TO FIND YOU LATER.
252
00:08:17,565 --> 00:08:19,900
OH? AND WHY WOULD YOU
HAVE TO FIND ME?
253
00:08:19,933 --> 00:08:22,302
'CAUSE I WANTED
TO ASK YOU SOMETHING.
254
00:08:22,335 --> 00:08:23,436
ABOUT PROM?
255
00:08:23,470 --> 00:08:25,639
[TEACHER]:
I NEED A VOLUNTEER.
256
00:08:25,673 --> 00:08:29,242
WHO WOULD LIKE
TO WRITE A SCENE SUGGESTION
257
00:08:29,276 --> 00:08:31,044
ON THE B...?
258
00:08:31,078 --> 00:08:32,112
BOARD.
259
00:08:32,145 --> 00:08:33,246
[STUDENTS LAUGHING]
260
00:08:33,280 --> 00:08:34,882
[MARKER SQUEAKING]
261
00:08:34,915 --> 00:08:35,983
[**]
262
00:08:36,016 --> 00:08:37,885
AHEM!
263
00:08:37,918 --> 00:08:42,890
OH! DID YOU WANNA...
PICK A VOLUNTEER?
264
00:08:42,923 --> 00:08:44,391
I GOT EXCITED.
265
00:08:44,424 --> 00:08:46,026
[LAUGHTER]
266
00:08:46,059 --> 00:08:47,595
DRAMA IS MY LIFE.
267
00:08:47,628 --> 00:08:51,098
OKAY! WHO WANTS
TO WRITE A SUGGESTION?
268
00:08:51,131 --> 00:08:52,432
[**]
269
00:08:52,465 --> 00:08:54,602
LET'S SEE HANDS, PEOPLE!
270
00:08:54,635 --> 00:08:58,772
OKAY... HANDS, HANDS, HA...
271
00:08:58,806 --> 00:09:02,042
TARA! HOW ABOUT YOU?
272
00:09:02,075 --> 00:09:02,976
COME ON UP.
273
00:09:03,010 --> 00:09:05,946
[**]
274
00:09:08,415 --> 00:09:09,617
YOU CAN DO IT.
275
00:09:09,650 --> 00:09:11,619
JUST DON'T MAKE EYE-CONTACT.
276
00:09:11,652 --> 00:09:14,321
[**]
277
00:09:21,261 --> 00:09:23,597
[SQUEAKING]
278
00:09:30,303 --> 00:09:33,040
[**]
279
00:09:35,342 --> 00:09:37,444
[WHISPERING]: I WAS THINKING
MAYBE THAT WE COULD--
280
00:09:37,477 --> 00:09:38,545
[BANGS DESK]
281
00:09:38,578 --> 00:09:40,614
HELLO! WALK MUCH?
282
00:09:40,648 --> 00:09:42,015
UH--
283
00:09:42,049 --> 00:09:43,283
[BANGS HEAD]
284
00:09:43,316 --> 00:09:44,718
OH!
285
00:09:44,752 --> 00:09:47,020
[OTHERS LAUGHING]
286
00:09:49,056 --> 00:09:50,658
[TEACHER]: OKAY, PEOPLE.
SETTLE, SETTLE.
287
00:09:50,691 --> 00:09:51,725
I STILL NEED A VOLUNTEER.
288
00:09:51,759 --> 00:09:54,561
ARE YOU ALL RIGHT?
ARE YOU OKAY?
289
00:09:54,594 --> 00:09:56,997
[**]
290
00:10:02,602 --> 00:10:04,371
HEY. DELILAH.
LOOK AT THIS.
291
00:10:04,404 --> 00:10:05,505
CAMI Q CALLED ME,
292
00:10:05,538 --> 00:10:06,940
SHE TOLD ME
I HAD TO CHECK OUT
293
00:10:06,974 --> 00:10:08,208
THIS NEW PODCAST GIRL.
294
00:10:08,241 --> 00:10:10,277
SHE'S...
SHE'S REALLY SOMETHING SPECIAL.
295
00:10:10,310 --> 00:10:13,781
[ROCK SONG PLAYING]
296
00:10:13,814 --> 00:10:15,282
THAT'S FOR MY PEDICURE.
297
00:10:15,315 --> 00:10:16,884
["RADIO REBEL"]:
THAT WAS THE LATEST SINGLE
298
00:10:16,917 --> 00:10:17,951
FROM "YOU FIRST."
299
00:10:17,985 --> 00:10:20,020
BUT WHO ARE YOU, EXACTLY?
300
00:10:20,053 --> 00:10:22,289
I THINK WE'RE ALWAYS JUGGLING
A BUNCH OF DIFFERENT "YOU'S".
301
00:10:22,322 --> 00:10:25,759
LIKE, WHEN
YOU'RE WITH YOUR FRIENDS,
302
00:10:25,793 --> 00:10:28,796
SOMETIMES,
YOU'RE THE FUNNY ONE,
303
00:10:28,829 --> 00:10:29,797
OR THE LOUD ONE...
304
00:10:29,830 --> 00:10:31,865
NO! N-N-N-N-N-NO!
305
00:10:31,899 --> 00:10:33,100
...OR THE THOUGHTFUL ONE.
306
00:10:33,133 --> 00:10:34,434
HOW ABOUT
WITH SOMEONE YOU LIKE?
307
00:10:34,467 --> 00:10:35,836
WHICH "YOU" SHOWS UP THEN?
308
00:10:35,869 --> 00:10:37,070
I DON'T EVEN KNOW WHO TO BE
309
00:10:37,104 --> 00:10:38,438
WHEN I SEE THE GUY
I'M CRUSHING ON,
310
00:10:38,471 --> 00:10:42,209
WHICH IS PROBABLY
WHY I NEVER TALK TO HIM.
311
00:10:42,242 --> 00:10:43,576
IS IT JUST ME,
312
00:10:43,610 --> 00:10:46,146
OR DO YOU FEEL LIKE YOU'RE
17 DIFFERENT PEOPLE, TOO?
313
00:10:46,179 --> 00:10:47,580
YES, I DO!
314
00:10:47,614 --> 00:10:49,082
I TOTALLY FEEL THAT WAY!
315
00:10:49,116 --> 00:10:51,151
SHE'S AMAZING, RIGHT?
316
00:10:51,184 --> 00:10:52,385
GREAT!
317
00:10:52,419 --> 00:10:54,822
EXACTLY WHAT SLAM-FM NEEDS--
A FRESH, NEW VIBE--
318
00:10:54,855 --> 00:10:56,389
TO GET US OUT OF
THIS RATINGS SLUMP--
319
00:10:56,423 --> 00:10:57,624
[GASPS DEEPLY]
320
00:10:57,657 --> 00:11:00,260
YOU NEED TO ASK TARA
WHAT SHE THINKS!
321
00:11:00,293 --> 00:11:02,362
IT COULD BE A BONDING MOMENT.
322
00:11:02,395 --> 00:11:04,898
YEAH... I MEAN,
I COULD-- I COULD--
323
00:11:04,932 --> 00:11:06,266
I COULD DO THAT.
324
00:11:06,299 --> 00:11:07,801
BE, LIKE, KIND OF
A BONDING THING.
325
00:11:07,835 --> 00:11:09,502
STEP-DAUGHTER,
STEP-FATHER...
326
00:11:09,536 --> 00:11:10,503
MM-HMM!
327
00:11:10,537 --> 00:11:12,372
STOP EATING MY "FOOT FRUIT."
328
00:11:12,405 --> 00:11:13,606
[QUIETLY GAGS]
329
00:11:13,640 --> 00:11:14,808
I WILL, UH, I'LL DO THAT.
330
00:11:14,842 --> 00:11:17,544
I'LL TALK TO HER,
ABOUT IT ALL.
331
00:11:17,577 --> 00:11:18,846
YOU CAN DO IT!
332
00:11:18,879 --> 00:11:20,513
IT'LL BE A BONDING THING.
333
00:11:20,547 --> 00:11:21,715
YEAH!
334
00:11:21,749 --> 00:11:22,783
HUH.
335
00:11:22,816 --> 00:11:24,885
[KNOCK AT DOOR]
336
00:11:24,918 --> 00:11:28,388
[PODCAST MUSIC PLAYING]
337
00:11:28,421 --> 00:11:30,490
[TURNS MUSIC DOWN]
338
00:11:30,523 --> 00:11:33,060
[**]
339
00:11:33,961 --> 00:11:35,595
-HEY!
-ROB?
340
00:11:35,628 --> 00:11:37,865
WHAT ARE YOU DOING HERE?
341
00:11:37,898 --> 00:11:39,699
I LIVE HERE.
342
00:11:39,733 --> 00:11:41,468
OKAY.
343
00:11:41,501 --> 00:11:42,836
THANKS FOR STOPPING BY.
344
00:11:42,870 --> 00:11:44,738
SO! WHAT DO YOU THINK OF
RADIO REBEL?
345
00:11:44,772 --> 00:11:46,373
WHAT? WHY?
346
00:11:46,406 --> 00:11:48,575
IT'S JUST I JUST WANT TO GET
YOUR TAKE ON HER, THAT'S ALL.
347
00:11:48,608 --> 00:11:50,643
SHE'S GREAT.
348
00:11:50,677 --> 00:11:52,012
BYE NOW!
349
00:11:52,045 --> 00:11:53,713
YOU KNOW WHAT?
I-- I KNEW THAT YOU'D THINK SO.
350
00:11:53,747 --> 00:11:56,183
I REALLY DID. YOU KNOW?
351
00:11:57,017 --> 00:11:58,185
[CHUCKLES AWKWARDLY]
352
00:11:58,218 --> 00:12:01,388
WE HAVE SO MUCH IN COMMON,
YOU KNOW?
353
00:12:01,421 --> 00:12:04,391
YEAH, LIKE,
WE'RE BOTH SUPER-BUSY.
354
00:12:04,424 --> 00:12:06,226
SO, I-- LOOK.
355
00:12:06,259 --> 00:12:08,862
I KNOW THAT THIS IS A REALLY
DIFFICULT TRANSITION FOR YOU,
356
00:12:08,896 --> 00:12:10,964
AND, WITH YOUR DAD
WORKING IN TAIWAN,
357
00:12:10,998 --> 00:12:13,233
AND YOUR MOM AND I, AND...
358
00:12:13,266 --> 00:12:16,169
I JUST WANT YOU TO KNOW
THAT YOU HAVE A FRIEND HERE.
359
00:12:16,203 --> 00:12:18,205
IT'S FINE.
I'M FINE. REALLY.
360
00:12:18,238 --> 00:12:20,740
[PODCAST CONTINUES PLAYING]
361
00:12:21,975 --> 00:12:23,576
SO, THIS IS GOOD, RIGHT?
362
00:12:23,610 --> 00:12:25,979
I MEAN, HERE WE ARE,
WE'RE HANGING OUT,
363
00:12:26,013 --> 00:12:29,149
WE'RE LISTENING
TO RADIO REBEL, AND...
364
00:12:29,182 --> 00:12:30,550
TOGETHER...
365
00:12:30,583 --> 00:12:31,718
TOGETHER.
366
00:12:31,751 --> 00:12:35,588
[PODCAST'S MUSIC ENDS ABRUPTLY
WITH DEAD AIR]
367
00:12:38,959 --> 00:12:40,994
THAT'S WEIRD.
368
00:12:41,028 --> 00:12:44,464
[ROB GRUMBLING INDUSTRIOUSLY]
369
00:12:44,497 --> 00:12:47,167
WHAT HAPPENED?
THE MUSIC JUST STOPPED.
370
00:12:47,200 --> 00:12:48,168
DID YOURS STOP?
371
00:12:48,201 --> 00:12:50,737
[TARA EXHALES WITH RESOLVE]
372
00:12:50,770 --> 00:12:52,039
WHERE'D SHE GO?
373
00:12:52,072 --> 00:12:54,741
AND THAT ROUNDS OFF
THE FINAL SET
374
00:12:54,774 --> 00:12:57,177
FOR MY FAVORITE LOCAL BAND.
375
00:12:57,210 --> 00:13:00,680
NOW, HERE IS AN EXTRA LONG TRACK
JUST FOR YOU GUYS.
376
00:13:00,713 --> 00:13:02,850
I HOPE YOU DIG IT.
377
00:13:02,883 --> 00:13:05,218
[MUSIC PLAYS]
378
00:13:08,355 --> 00:13:11,058
YOU'RE RADIO REBEL?
379
00:13:11,091 --> 00:13:12,993
THAT DEPENDS.
380
00:13:13,026 --> 00:13:14,194
AM I IN TROUBLE?
381
00:13:14,227 --> 00:13:16,964
NO! NO, OF COURSE NOT.
I... I...
382
00:13:16,997 --> 00:13:18,565
[WORDS CATCH]
383
00:13:18,598 --> 00:13:20,100
I DON'T KNOW
HOW YOU'RE DOING THAT?
384
00:13:20,133 --> 00:13:21,101
I MEAN, YOU'RE SO SHY.
385
00:13:21,134 --> 00:13:22,936
I AM.
386
00:13:22,970 --> 00:13:26,339
BUT... SHE'S NOT.
387
00:13:26,373 --> 00:13:29,877
I DON'T KNOW...
388
00:13:29,910 --> 00:13:31,378
IT JUST WORKS.
389
00:13:31,411 --> 00:13:32,712
I CAN'T BELIEVE IT.
390
00:13:32,745 --> 00:13:34,214
I MEAN, I-I LOVE IT,
I JUST CAN'T BELIEVE IT!
391
00:13:34,247 --> 00:13:37,184
WE'RE GONNA TAKE SLAM-FM
TO THE NEXT LEVEL.
392
00:13:37,217 --> 00:13:38,886
I'M-- I'M SORRY, "WE"?
393
00:13:38,919 --> 00:13:42,822
YEAH! I-- YOU'RE GONNA BE
SLAM-FM'S NEXT BIG THING.
394
00:13:43,556 --> 00:13:45,758
YOU'RE HIRED.
THAT'S FOR SURE. YOU'RE HIRED.
395
00:13:45,792 --> 00:13:47,594
[LAUGHS]
396
00:13:47,627 --> 00:13:48,528
UH...
397
00:13:48,561 --> 00:13:50,063
[KNOCKING AT DOOR,
TARA GASPS]
398
00:13:50,097 --> 00:13:51,398
[SQUEALING]: * AH!
399
00:13:51,431 --> 00:13:53,466
OH, I JUST HAPPENED
TO BE EAVESDROPPING!
400
00:13:53,500 --> 00:13:54,701
I HOPE YOU DON'T MIND.
401
00:13:54,734 --> 00:13:56,269
O-M-G!
402
00:13:56,303 --> 00:13:59,006
MY BABY IS GONNA TAKE SLAM
TO THE NEXT LEVEL!
403
00:13:59,039 --> 00:14:00,373
[GROWLS WITH GLEE]
404
00:14:00,407 --> 00:14:03,276
[SQUEALS AND FUSSES]
405
00:14:04,277 --> 00:14:06,179
WHAT'S THE MATTER?
406
00:14:06,213 --> 00:14:08,615
WHAT IF I MESS IT UP?
407
00:14:08,648 --> 00:14:11,318
OH, HONEY.
408
00:14:11,351 --> 00:14:13,320
YOU HAVE TO TAKE RISKS.
409
00:14:13,353 --> 00:14:15,355
LIKE, I ALWAYS THOUGHT
410
00:14:15,388 --> 00:14:17,690
CHARTREUSE WAS
A BAD COLOR FOR ME,
411
00:14:17,724 --> 00:14:20,227
AND THEN I TRIED IT,
AND NOW IT'S MY TRADEMARK.
412
00:14:20,260 --> 00:14:23,263
HOW DO YOU KNOW
SOMETHING ISN'T FABU,
413
00:14:23,296 --> 00:14:24,297
IF YOU NEVER TRY IT, RIGHT?
414
00:14:24,331 --> 00:14:25,332
[GIGGLING]
415
00:14:25,365 --> 00:14:28,201
[SCHOOL BELL RINGING]
416
00:14:29,036 --> 00:14:31,238
LOOK OUT. YOU'RE IN
THE TWELFTH NIGHT GROUP
417
00:14:31,271 --> 00:14:32,739
WITH STACY AND GAVIN.
418
00:14:34,541 --> 00:14:36,676
NO, NO, NO.
NO, I CAN'T.
419
00:14:36,709 --> 00:14:38,278
TALK TO HIM.
420
00:14:38,311 --> 00:14:40,113
HE'S JUST A PERSON.
421
00:14:40,147 --> 00:14:43,083
GO ON. GO. DO IT.
422
00:14:43,116 --> 00:14:46,686
[**]
423
00:14:46,719 --> 00:14:48,855
HEY.
424
00:14:50,023 --> 00:14:51,558
COOL SHIRT!
425
00:14:51,591 --> 00:14:53,893
I LOVE THAT BAND!
426
00:14:53,927 --> 00:14:56,329
"YOU FIRST" RULES.
427
00:14:56,363 --> 00:14:57,530
THE GEES
CAN ONLY DREAM
428
00:14:57,564 --> 00:14:59,632
OF BEING THAT GOOD
SOME DAY.
429
00:14:59,666 --> 00:15:03,836
THE GEES ARE TOTALLY
AS GOOD AS YOU FIRST.
430
00:15:03,870 --> 00:15:05,472
REALLY?
431
00:15:07,040 --> 00:15:09,009
OKAY! HERE'S OUR SCENE.
432
00:15:09,042 --> 00:15:10,477
TARA IS VIOLA.
433
00:15:10,510 --> 00:15:12,345
NOW, TARA THIS ROLE
DOES REQUIRE
434
00:15:12,379 --> 00:15:14,014
BOTH WALKING AND TALKING.
435
00:15:14,047 --> 00:15:15,548
THINK YOU CAN MANAGE?
436
00:15:15,582 --> 00:15:17,284
JUST KIDDING,
YOU KNOW I LOVE YOU.
437
00:15:17,317 --> 00:15:19,152
OKAY, AND, GAVIN,
YOU'RE ORSINO.
438
00:15:19,186 --> 00:15:20,153
WAIT...
439
00:15:20,187 --> 00:15:22,055
WHAT ABOUT YOU?
440
00:15:22,089 --> 00:15:23,190
BROWER HAS ME DIRECTING.
441
00:15:23,223 --> 00:15:25,558
AND WE'VE GOT
A LOT OF WORK TO DO.
442
00:15:26,994 --> 00:15:28,595
IF YOU LIKE YOU FIRST,
443
00:15:28,628 --> 00:15:30,697
YOU SHOULD CHECK OUT
"RED LETTER DAY."
444
00:15:30,730 --> 00:15:31,965
YOU EVER HEAR OF THEM?
445
00:15:31,999 --> 00:15:34,567
UH-UH!
NO BAND TALK RIGHT NOW, GAV.
446
00:15:34,601 --> 00:15:35,735
SORRY, BUT I DON'T WANT
447
00:15:35,768 --> 00:15:37,804
ANYONE TO THINK
I'M FAVORING YOU
448
00:15:37,837 --> 00:15:38,972
JUST 'CAUSE I'M YOUR PROM DATE.
449
00:15:39,006 --> 00:15:40,473
SPEAKING OF,
450
00:15:40,507 --> 00:15:43,410
WE NEED TO WORK
ON YOUR PROM KING CAMPAIGN.
451
00:15:43,443 --> 00:15:47,380
[TARA]: OF COURSE,
HE'S TAKING STACY TO PROM.
452
00:15:47,414 --> 00:15:49,449
LOOK, AT LEAST
YOU TALKED TO HIM.
453
00:15:49,482 --> 00:15:51,384
FOR YOU,
THAT'S MAJOR PROGRESS.
454
00:15:51,418 --> 00:15:53,753
[SIGHS]: I BARELY
GOT TWO WORDS OUT.
455
00:15:53,786 --> 00:15:55,388
COME TO MY HOUSE
TONIGHT.
456
00:15:55,422 --> 00:15:56,589
WE'LL DO YOGA.
457
00:15:56,623 --> 00:15:57,757
I'LL TEACH YOU
458
00:15:57,790 --> 00:15:59,226
THE "EXTENDED HYENA"
POSE I INVENTED,
459
00:15:59,259 --> 00:16:00,493
AND WE'LL LISTEN
TO RADIO REBEL.
460
00:16:00,527 --> 00:16:02,195
I CAN'T.
461
00:16:02,229 --> 00:16:03,930
WHAT DO YOU MEAN?
462
00:16:03,963 --> 00:16:06,533
IT'S RADIO REBEL'S
FIRST SHOW ON SLAM-FM.
463
00:16:06,566 --> 00:16:08,001
DO YOU REALIZE
HOW EPIC THAT IS?
464
00:16:08,035 --> 00:16:09,736
I MEAN, SHE WAS
POPULAR BEFORE,
465
00:16:09,769 --> 00:16:12,105
BUT NOW IT'S, LIKE, THE WHOLE
WORLD WILL BE LISTENING,
466
00:16:12,139 --> 00:16:13,240
INCLUDING US!
467
00:16:15,142 --> 00:16:17,110
I HAVE PLANS.
468
00:16:17,144 --> 00:16:18,478
WHAT PLANS?
469
00:16:18,511 --> 00:16:19,912
FAMILY PLANS.
470
00:16:19,946 --> 00:16:22,282
YOU ARE
THE WORST LIAR.
471
00:16:22,315 --> 00:16:23,416
YOU SOUND JUST
LIKE YOU DID
472
00:16:23,450 --> 00:16:24,551
WHEN YOU SAID
YOU LIKED
473
00:16:24,584 --> 00:16:26,086
THAT HAIRCUT
I GOT AT THE MALL.
474
00:16:26,119 --> 00:16:27,087
IT WASN'T THAT BAD.
475
00:16:27,120 --> 00:16:28,588
IT WAS
MULLET-ADJACENT.
476
00:16:28,621 --> 00:16:30,023
TELL ME
WHAT YOU'RE HIDING,
477
00:16:30,057 --> 00:16:31,591
OR I'LL START SCREAMING
IN THREE SECONDS.
478
00:16:31,624 --> 00:16:32,825
-WHAT?
-ONE...
479
00:16:32,859 --> 00:16:34,127
-AUDREY, NO-NO-NO!
-TWO...
480
00:16:34,161 --> 00:16:35,462
[AUDREY STARTS SHRIEKING]
481
00:16:35,495 --> 00:16:37,564
[TARA MUFFLES AUDREY]
482
00:16:37,597 --> 00:16:40,400
[TEACHER'S WHISTLE
BLOWS IN DISTANCE]
483
00:16:40,433 --> 00:16:41,934
[NORMALLY]: WELL?
484
00:16:44,437 --> 00:16:45,638
I'M SORRY.
485
00:16:45,672 --> 00:16:47,340
I CAN'T TELL YOU.
486
00:16:47,374 --> 00:16:50,510
I THOUGHT
I WAS YOUR B.F.F.T.L.E.
487
00:16:50,543 --> 00:16:52,445
"WITHOUT EXCEPTION."
488
00:16:52,479 --> 00:16:56,083
THEN...
WHY DON'T YOU TRUST ME?
489
00:16:57,717 --> 00:17:00,953
[TEACHER'S WHISTLE TWEETS]
490
00:17:02,455 --> 00:17:04,057
[SCHOOL BELL RINGS]
491
00:17:05,058 --> 00:17:06,759
GAVIN. 3:00.
492
00:17:06,793 --> 00:17:08,761
YOUR 3:00,
OR MY 3:00?
493
00:17:08,795 --> 00:17:11,398
WE HAVE THE SAME 3:00.
494
00:17:13,100 --> 00:17:15,535
OH. HE'S COMING OVER HERE.
WHAT DO I DO?
495
00:17:15,568 --> 00:17:16,869
OH! FOR THE RECORD,
496
00:17:16,903 --> 00:17:19,206
THIS IS WHY YOU DON'T
ICE YOUR FRIENDS OUT.
497
00:17:19,239 --> 00:17:19,906
TALK TO HIM!
498
00:17:19,939 --> 00:17:21,708
HEY, TARA. WHAT'S UP?
499
00:17:21,741 --> 00:17:24,311
[TARA EXHALES, FLUSTERED]
500
00:17:24,344 --> 00:17:27,347
SO, DO YOU WANNA
RUN LINES ON THE WEEKEND?
501
00:17:29,616 --> 00:17:31,084
OR WE COULD MIME THE LINES,
502
00:17:31,118 --> 00:17:32,985
IF YOU'RE NOT FEELING
PARTICULARLY TALKY?
503
00:17:33,019 --> 00:17:34,887
[GIGGLES]: "MIME."
"TALKY..."
504
00:17:34,921 --> 00:17:37,857
I'M GONNA GO.
M-ME. N-NOW.
505
00:17:39,092 --> 00:17:40,460
UM...
506
00:17:40,493 --> 00:17:42,362
OKAY...
507
00:17:42,395 --> 00:17:44,164
[AUDREY SHOUTS]: TARA!
508
00:17:44,197 --> 00:17:46,065
FREE MEALS!
509
00:17:46,099 --> 00:17:47,267
SCORE.
510
00:17:47,300 --> 00:17:50,637
[**]
511
00:17:50,670 --> 00:17:53,039
[STATION ANNOUNCER]:
HEY, SEATTLE!
512
00:17:53,072 --> 00:17:55,041
YOU'RE LISTENING
TO SLAM-FM!
513
00:17:55,074 --> 00:17:59,011
I WANT RADIO REBEL ADS
ON EVERY MAJOR SOCIAL NETWORK,
514
00:17:59,045 --> 00:18:01,448
JUST BLAST THE INTERNET--
UPDATES EVERY HOUR.
515
00:18:01,481 --> 00:18:02,682
WANT TO BLANKET THE MARKET.
516
00:18:02,715 --> 00:18:03,750
GOOD. BYE.
517
00:18:03,783 --> 00:18:04,917
[BEEPS PHONE OFF]
518
00:18:04,951 --> 00:18:06,153
SO, I WAS TALKING TO YOUR MOM
519
00:18:06,186 --> 00:18:08,121
ABOUT KEEPING RADIO REBEL
ON THE Q.T.,
520
00:18:08,155 --> 00:18:09,656
AND I THINK
IT'S A GOOD IDEA.
521
00:18:09,689 --> 00:18:12,024
YOU KNOW? I DON'T WANT YOU
TO TALK TO ANYBODY ABOUT IT.
522
00:18:12,058 --> 00:18:14,394
RADIO REBEL IS
THE SHOT IN THE ARM
523
00:18:14,427 --> 00:18:15,695
THAT SLAM-FM NEEDS.
524
00:18:15,728 --> 00:18:17,930
SINCE THE LAST SHOW
THAT I PRODUCED
525
00:18:17,964 --> 00:18:19,065
WITH SNAZZY DOG
CRASHED AND BURNED,
526
00:18:19,098 --> 00:18:20,433
THERE'S A LOT
HINGING ON THIS.
527
00:18:20,467 --> 00:18:21,534
RIGHT?
INCLUDING MY JOB.
528
00:18:21,568 --> 00:18:23,170
BUT,NO PRESSURE. OKAY?
529
00:18:23,203 --> 00:18:26,873
SO, YOUR SHOW'S GONNA RUN
7:00 P.M., MONDAY TO FRIDAY,
530
00:18:26,906 --> 00:18:28,508
SINCE THAT WAS THE TIME
THAT YOU BROADCAST
531
00:18:28,541 --> 00:18:29,909
FROM YOUR ROOM,
532
00:18:29,942 --> 00:18:33,646
AND YOU'LL BE TAKING OVER
FROM... DJ FLUFFY MAC!
533
00:18:33,680 --> 00:18:35,482
WHO IS MOVING TO SUNDAY NIGHT.
534
00:18:35,515 --> 00:18:38,485
ALL RIGHT, SO LET'S SHOW YOU
THE BOOTH.
535
00:18:38,518 --> 00:18:40,520
TARA?
536
00:18:40,553 --> 00:18:42,255
[BANGS DOOR SHUT
AND EXHALES]
537
00:18:42,289 --> 00:18:43,756
HEY! TARA!
538
00:18:43,790 --> 00:18:45,024
REMEMBER ME?
539
00:18:45,057 --> 00:18:47,227
CAMI Q. WE MET AT
THE SLAM CHRISTMAS PARTY.
540
00:18:47,260 --> 00:18:48,261
GIRL...
541
00:18:48,295 --> 00:18:51,331
WHEN ROB TOLD ME
YOU WERE RADIO REBEL,
542
00:18:51,364 --> 00:18:52,832
THIS WAS MY FACE--
543
00:18:52,865 --> 00:18:53,933
"WHA--?"
544
00:18:53,966 --> 00:18:55,435
[CAMI Q LAUGHS]
545
00:18:55,468 --> 00:18:58,238
'CAUSE I THOUGHT YOU WERE JUST
THIS LITTLE SHY THING,
546
00:18:58,271 --> 00:19:01,941
BUT YOU ARE
ALL KINDS OF AMAZING.
547
00:19:01,974 --> 00:19:03,543
YOU...
548
00:19:03,576 --> 00:19:05,812
ARE FIERCE!
549
00:19:05,845 --> 00:19:07,614
I JUST CAN'T WAIT TO SEE
WHAT YOU GOT GOIN'--
550
00:19:10,550 --> 00:19:11,818
TARA?
551
00:19:11,851 --> 00:19:13,586
[EXHALES]
552
00:19:15,722 --> 00:19:18,090
ARE YOU OKAY?
553
00:19:18,124 --> 00:19:20,393
I CAN'T SPEAK TO GAVIN
WITHOUT FREEZING,
554
00:19:20,427 --> 00:19:22,962
HOW AM I SUPPOSED TO SPEAK
TO ALL OF SEATTLE?
555
00:19:22,995 --> 00:19:25,798
IT'S NO DIFFERENT
THAN RECORDING IN YOUR BEDROOM.
556
00:19:25,832 --> 00:19:26,899
YES, IT IS!
557
00:19:26,933 --> 00:19:28,235
IN MY BEDROOM,
558
00:19:28,268 --> 00:19:29,736
I COULD PRETEND
THAT NOBODY WAS LISTENING,
559
00:19:29,769 --> 00:19:31,204
BUT, RIGHT KNOW, I KNOW
THAT EVERYBODY IS LISTENING,
560
00:19:31,238 --> 00:19:32,639
AND ROB'S PUTTING
ALL THIS PRESSURE ON IT,
561
00:19:32,672 --> 00:19:34,274
AND MY MOM WANTS IT
TO BE MY "CHARTREUSE MOMENT,"
562
00:19:34,307 --> 00:19:35,508
AND I DON'T EVEN
LIKE CHARTREUSE,
563
00:19:35,542 --> 00:19:36,909
I DON'T EVEN KNOW WHAT
CHARTREUSE IS.
564
00:19:36,943 --> 00:19:38,711
[GENTLY, AMUSED]: TARA?
565
00:19:40,247 --> 00:19:43,082
COME OUT
WHERE I CAN SEE YOU.
566
00:19:46,719 --> 00:19:48,955
EVERYBODY GETS NERVOUS.
567
00:19:48,988 --> 00:19:51,824
IT'S TOTALLY NORMAL.
568
00:19:51,858 --> 00:19:53,393
JUST...
569
00:19:53,426 --> 00:19:55,728
CONSIDER ME LIKE
YOUR BEST FRIEND
570
00:19:55,762 --> 00:19:57,330
HERE AT SLAM.
571
00:19:57,364 --> 00:19:59,966
CATCH YOUR BREATH.
[BREATHES]
572
00:19:59,999 --> 00:20:02,335
THEN WE'LL GO OUT TOGETHER.
573
00:20:02,369 --> 00:20:04,604
OKAY?
574
00:20:09,141 --> 00:20:11,711
ALL RIGHT.
575
00:20:11,744 --> 00:20:14,581
[**]
576
00:20:16,849 --> 00:20:19,085
THIS WHOLE BOOTH
IS ALL FOR ME?
577
00:20:19,118 --> 00:20:21,254
WE CALL THIS
"THE LIVE ROOM,"
578
00:20:21,288 --> 00:20:23,756
'CAUSE WHEN
THAT RED LIGHT IS ON,
579
00:20:23,790 --> 00:20:25,392
YOU'RE LIVE.
580
00:20:25,425 --> 00:20:27,294
IF YOU WANNA MOVE AROUND,
USE THIS HEADSET,
581
00:20:27,327 --> 00:20:28,928
SO WE DON'T MISS ANYTHING.
582
00:20:28,961 --> 00:20:31,464
THERE'S YOUR
VOCAL-MASKING BUTTON.
583
00:20:31,498 --> 00:20:33,500
YOU ALREADY KNOW
ALL ABOUT THAT.
584
00:20:33,533 --> 00:20:35,735
SONG SELECTION'S UP TO YOU.
585
00:20:35,768 --> 00:20:37,804
[CHAIR RATTLES]
586
00:20:39,772 --> 00:20:42,409
ALL RIGHT?
587
00:20:42,442 --> 00:20:46,646
THERE'S, LIKE...
20,000 SONGS HERE.
588
00:20:46,679 --> 00:20:47,647
[COMPUTER TRILLING]
589
00:20:47,680 --> 00:20:49,115
YOU'VE GOT SOME TIME
BEFORE YOU GO ON
590
00:20:49,148 --> 00:20:50,283
IF YOU WANNA PRACTICE,
591
00:20:50,317 --> 00:20:51,484
GET COMFORTABLE?
592
00:20:51,518 --> 00:20:53,119
[MICROPHONE STAND CREAKS]
593
00:20:53,152 --> 00:20:55,622
PRACTICE...
594
00:20:55,655 --> 00:20:56,789
GREAT. OKAY, UM...
595
00:20:56,823 --> 00:20:57,957
MAYBE I SHOULD PLAY A SONG,
596
00:20:57,990 --> 00:20:59,125
JUST TO MAKE SURE
I KNOW HOW TO--
597
00:20:59,158 --> 00:21:01,328
[SONG STARTS PLAYING
AT TRIPLE SPEED]
598
00:21:01,361 --> 00:21:02,395
NO. NO-NO-NO!
599
00:21:02,429 --> 00:21:04,331
BAD PRACTICE,
BAD PRACTICE.
600
00:21:04,364 --> 00:21:06,165
DON'T WORRY ABOUT IT.
601
00:21:06,198 --> 00:21:07,367
YOU'LL BE FINE.
602
00:21:07,400 --> 00:21:09,436
I'M RIGHT NEXT DOOR,
IF YOU NEED ME.
603
00:21:09,469 --> 00:21:12,238
JUST PRETEND
YOU'RE IN YOUR BEDROOM.
604
00:21:12,271 --> 00:21:14,173
YOU'RE ON IN 15.
605
00:21:14,206 --> 00:21:17,143
14. 13.
606
00:21:17,176 --> 00:21:19,712
12. 11.
607
00:21:19,746 --> 00:21:21,981
TEN. NINE.
608
00:21:22,014 --> 00:21:23,383
EIGHT. SEVEN.
609
00:21:23,416 --> 00:21:25,885
SIX. FIVE. FOUR.
610
00:21:25,918 --> 00:21:28,154
[EXHALING]
611
00:21:28,187 --> 00:21:29,722
THREE...
612
00:21:29,756 --> 00:21:30,990
[**]
613
00:21:31,023 --> 00:21:33,159
[STATION ANNOUNCER]:
YOU'RE LISTENING TO SLAM-FM!
614
00:21:33,192 --> 00:21:34,561
THIS IS THE RADIO REBEL SHOW!
615
00:21:34,594 --> 00:21:38,798
THIS IS RADIO REBEL,
LIVE FROM SLAM-FM.
616
00:21:38,831 --> 00:21:40,066
LISTEN, I GOTTA CONFESS,
617
00:21:40,099 --> 00:21:42,535
MOVING THE SHOW FROM MY BEDROOM
TO THE SLAM STUDIOS
618
00:21:42,569 --> 00:21:43,736
WAS A BIT TERRIFYING,
619
00:21:43,770 --> 00:21:46,172
BUT LIFE'S ALL ABOUT CHANGE,
RIGHT?
620
00:21:46,205 --> 00:21:49,809
MAYBE SOME PEOPLE JUST WANNA
LABEL YOU AS ONE THING,
621
00:21:49,842 --> 00:21:51,578
COMPARTMENTALIZE YOU,
AND WALK AWAY...
622
00:21:51,611 --> 00:21:53,913
BUT WE DON'T HAVE TO
LET THAT STOP US
623
00:21:53,946 --> 00:21:55,782
FROM BECOMING
WHO WE WANT TO BE...
624
00:21:55,815 --> 00:21:58,351
OR, LIKE THAT KID
WITH THE REMOTE-CONTROL CAR--
625
00:21:58,385 --> 00:21:59,752
MAYBE HE'S GONNA GROW UP
626
00:21:59,786 --> 00:22:01,988
TO INVENT THE FIRST
ALL-GREEN ROCKET SHIP.
627
00:22:02,021 --> 00:22:04,857
OR THE GIRL WHO GIVES EVERYONE
CARNATIONS ON VALENTINE'S DAY,
628
00:22:04,891 --> 00:22:06,626
JUST SO NO ONE
FEELS LEFT OUT...
629
00:22:06,659 --> 00:22:08,761
MAYBE SHE'LL GROW UP
TO BE PRESIDENT.
630
00:22:08,795 --> 00:22:11,731
GUYS, IF WE JUST DROP
THE LABELS AND THE CLIQUES...
631
00:22:11,764 --> 00:22:13,032
[BOTH MUTTERING]
632
00:22:13,065 --> 00:22:14,634
[SOUND ANALYSIS WARBLING]
633
00:22:14,667 --> 00:22:18,137
[TARA AS REBEL]: ...WE HAVE
NO IDEA WHAT WE'RE CAPABLE OF.
634
00:22:18,170 --> 00:22:20,339
OKAY, IF YOU'RE WITH ME
ON THIS,
635
00:22:20,373 --> 00:22:21,908
WEAR RED TOMORROW.
636
00:22:21,941 --> 00:22:24,411
IT'LL BE LIKE SAYING THAT,
DESPITE OUR DIFFERENCES,
637
00:22:24,444 --> 00:22:26,345
WE'RE IN THIS TOGETHER.
638
00:22:26,379 --> 00:22:29,281
THIS NEXT SONG...
IS FROM "RED LETTER DAY."
639
00:22:29,315 --> 00:22:31,851
[ROCK GUITAR INTRO PLAYS]
640
00:22:31,884 --> 00:22:35,354
[**]
641
00:22:38,725 --> 00:22:40,960
[**]
642
00:22:42,862 --> 00:22:43,663
AHEM!
643
00:22:43,696 --> 00:22:45,364
DO YOU LIKE MY GLASSES?
644
00:22:45,398 --> 00:22:47,133
BUT YOU HAVE
FREAKISHLY GOOD VISION.
645
00:22:47,166 --> 00:22:48,801
FASHION SHOULDN'T
BE FUNCTIONAL.
646
00:22:48,835 --> 00:22:51,538
DO YOU KNOW WHY
I PICKED RED RIMS?
647
00:22:51,571 --> 00:22:53,139
I ASSUME YOU DO
648
00:22:53,172 --> 00:22:55,141
BECAUSE OF
YOUR RED SHIRT.
649
00:22:55,174 --> 00:22:56,476
I CAN'T BELIEVE
650
00:22:56,509 --> 00:22:57,544
ALL THESE PEOPLE
ARE WEARING RED
651
00:22:57,577 --> 00:22:59,211
JUST BECAUSE
RADIO REBEL SAID TO.
652
00:22:59,245 --> 00:23:00,547
HOW COOL IS THAT?
653
00:23:00,580 --> 00:23:02,782
SO YOU DID LISTEN
TO RADIO REBEL LAST NIGHT!
654
00:23:02,815 --> 00:23:05,084
WHAT HAPPENED TO
YOUR MYSTERY PLANS?
655
00:23:05,117 --> 00:23:06,285
[ELEVATOR DINGS]
656
00:23:06,318 --> 00:23:07,754
[BOTH]:
CAN YOU GUYS TELL US APART?
657
00:23:07,787 --> 00:23:10,823
YOU GUYS ARE FRATERNAL,
NOT IDENTICAL.
658
00:23:13,993 --> 00:23:14,994
[PUNCHES BUTTON]
659
00:23:15,027 --> 00:23:15,995
[ELEVATOR DINGS]
660
00:23:16,028 --> 00:23:17,930
HEY...
661
00:23:17,964 --> 00:23:21,701
WE JUST RAN A RECORDING
OF RADIO REBEL'S SHOW
662
00:23:21,734 --> 00:23:23,470
THROUGH
A VOICE-ANALYSIS APP.
663
00:23:23,503 --> 00:23:24,637
WE'RE CLOSER THAN EVER
664
00:23:24,671 --> 00:23:26,272
TO UNCOVERING
HER TRUE IDENTITY.
665
00:23:26,305 --> 00:23:27,474
PICTURE IT:
666
00:23:27,507 --> 00:23:29,509
"LOCAL TWINS CRACK
RADIO REBEL'S I.D."
667
00:23:29,542 --> 00:23:30,643
SOON, I'LL BE ABLE
668
00:23:30,677 --> 00:23:32,579
TO PROFESS
MY UNDYING LOVE.
669
00:23:32,612 --> 00:23:33,646
WE'LL BE FAMOUS.
670
00:23:33,680 --> 00:23:35,347
I MEAN, WE COULD
GET A REWARD.
671
00:23:35,381 --> 00:23:37,083
OR AT LEAST
OUR OWN REALITY TV SHOW.
672
00:23:37,116 --> 00:23:39,185
...WHERE SHE AND I
COULD BE MARRIED,
673
00:23:39,218 --> 00:23:40,953
LIVE ON TV.
674
00:23:40,987 --> 00:23:43,322
TARA? SINCE
YOUR STEP-DAD RUNS SLAM,
675
00:23:43,355 --> 00:23:45,024
MAYBE YOU COULD HELP US OUT.
676
00:23:45,057 --> 00:23:47,660
OH. I'M NOT ALLOWED
TO GO TO SLAM-FM
677
00:23:47,694 --> 00:23:49,996
WHILE, UM, SHE'S THERE.
678
00:23:50,029 --> 00:23:52,398
TO KEEP THE MYSTERY,
UH, MYSTERIOUS.
679
00:23:52,431 --> 00:23:53,666
THE TRUTH IS,
680
00:23:53,700 --> 00:23:54,801
TARA DOESN'T HAVE
681
00:23:54,834 --> 00:23:56,636
TIME TO DO
FRIEND-RELATED THINGS.
682
00:23:58,304 --> 00:24:00,339
AUDREY?
683
00:24:00,372 --> 00:24:02,609
AUDREY. AUDREY!
684
00:24:02,642 --> 00:24:03,576
[SNAPS]: WHAT?
685
00:24:03,610 --> 00:24:05,778
[GASPS, FRUSTRATED]
686
00:24:05,812 --> 00:24:08,080
FORGET IT.
I'M LEAVING.
687
00:24:11,518 --> 00:24:14,654
[DOOR BANGS SHUT]
688
00:24:14,687 --> 00:24:17,089
I'M ABOUT TO TELL YOU
SOMETHING SO TOP-SECRET,
689
00:24:17,123 --> 00:24:19,425
YOU HAVE TO PROMISE NEVER
TO REPEAT IT TO ANYONE.
690
00:24:19,458 --> 00:24:21,460
[GASPS]:
I WON'T TELL ANYONE. I SWEAR.
691
00:24:21,494 --> 00:24:23,395
HOO. YOU CAN SAY IT.
692
00:24:23,429 --> 00:24:25,965
[CLEARING HER THROAT]: UM...
693
00:24:25,998 --> 00:24:27,500
TARA!
694
00:24:27,534 --> 00:24:29,168
YOU HAVE TO BREATHE YOUR WORDS.
695
00:24:29,201 --> 00:24:32,071
[BREATHES
AND MUMBLES UNINTELLIGIBLY]
696
00:24:32,104 --> 00:24:32,905
LOUDER!
697
00:24:32,939 --> 00:24:35,007
COME ON, BREATHE THE WORDS.
698
00:24:35,041 --> 00:24:36,142
BREATHE IN!
699
00:24:36,175 --> 00:24:37,610
AHEM.
700
00:24:37,644 --> 00:24:40,680
I'M... RADIO REBEL.
701
00:24:40,713 --> 00:24:42,148
OH! [LAUGHS]
702
00:24:42,181 --> 00:24:43,249
I DON'T BELIEVE YOU.
703
00:24:43,282 --> 00:24:44,951
IF YOU'RE LIKE ME,
704
00:24:44,984 --> 00:24:47,554
AND BELIEVE MUSIC CAN CHANGE
THE WORLD ONE TRACK AT A TIME,
705
00:24:47,587 --> 00:24:51,157
YOU'RE GONNA LOVE THIS TRACK
BY ONE OF MY NEW FAVE BANDS.
706
00:24:51,190 --> 00:24:52,559
[COMPUTER BEEPS]
707
00:24:52,592 --> 00:24:53,726
WOW.
708
00:24:53,760 --> 00:24:56,162
I CAN'T BELIEVE SHE'S... YOU!
709
00:24:56,195 --> 00:24:57,429
I MEAN... YOU'RE HER!
710
00:24:57,463 --> 00:24:59,632
I MEAN,
YOU'RE THE LAST PERSON
711
00:24:59,666 --> 00:25:01,634
I'D EXPECT TO BE
RADIO REBEL, TARA.
712
00:25:01,668 --> 00:25:03,770
IT'S BEEN DRIVING ME CRAZY,
NOT TELLING YOU.
713
00:25:03,803 --> 00:25:05,638
AND, OF COURSE,
I'VE BEEN WANTING TO HANG OUT,
714
00:25:05,672 --> 00:25:07,106
BUT I'VE BEEN DOING MY SHOW.
715
00:25:07,139 --> 00:25:08,908
HERE'S THE THING--
YOU CAN'T TELL ANYONE,
716
00:25:08,941 --> 00:25:10,276
NOT EVEN TELL LARRY AND BARRY,
717
00:25:10,309 --> 00:25:12,244
BECAUSE SLAM WANTS TO
KEEP IT THIS BIG SECRET,
718
00:25:12,278 --> 00:25:13,746
AND SO DO I.
719
00:25:13,780 --> 00:25:15,081
[SQUEALING]
720
00:25:15,114 --> 00:25:17,416
[**]
721
00:25:19,451 --> 00:25:20,953
[STACY]: REMEMBER...
722
00:25:20,987 --> 00:25:23,322
TWELFTH NIGHT IS ALL ABOUT
MISTAKEN IDENTITY.
723
00:25:23,355 --> 00:25:25,658
TARA, YOUR CHARACTER HAS
A CRUSH ON GAVIN'S CHARACTER.
724
00:25:25,692 --> 00:25:27,660
BUT SHE'S HIDING FROM THE LAW--
725
00:25:27,694 --> 00:25:28,695
OR WHATEVER--
726
00:25:28,728 --> 00:25:30,129
SO, SHE'S DISGUISED
AS A GUY,
727
00:25:30,162 --> 00:25:32,765
AND GAVIN'S CHARACTER DOESN'T
KNOW YOU LIKE HIM.
728
00:25:33,465 --> 00:25:36,068
SO, YOU'RE IN AGONY.
729
00:25:36,102 --> 00:25:37,804
I NEED TO SEE REAL PAIN.
730
00:25:37,837 --> 00:25:39,906
[SNAPS]: LET'S DO THE END AGAIN!
731
00:25:44,611 --> 00:25:46,846
AND... ACT!
732
00:25:48,080 --> 00:25:50,249
[WOODENLY]: MY SISTER
LIKES THIS GUY.
733
00:25:50,282 --> 00:25:52,685
AND, BY "MY SISTER,"
I-I MEAN...
734
00:25:52,719 --> 00:25:55,054
MY SISTER, NOT ME...
AT ALL...
735
00:25:55,087 --> 00:25:57,123
'CAUSE-- LOOK AT MY PANTS.
736
00:25:57,156 --> 00:25:59,626
SEE? I'M TOTALLY A DUDE.
737
00:25:59,659 --> 00:26:03,495
DOES THIS GUY...
LIKE HER, TOO?
738
00:26:04,931 --> 00:26:07,466
[TARA SHUFFLES HER FEET]
739
00:26:09,435 --> 00:26:11,237
THAT'S THE TRAGIC PART.
740
00:26:11,270 --> 00:26:14,473
SHE HASN'T TOLD HIM
HOW SHE FEELS, SO...
741
00:26:14,506 --> 00:26:20,012
SHE'S NOT SURE
IF HE FEELS THE SAME WAY.
742
00:26:24,083 --> 00:26:27,186
WHAT'S SHE WAITING FOR?
743
00:26:27,219 --> 00:26:30,522
FOR HIM
TO MAKE THE FIRST MOVE.
744
00:26:31,924 --> 00:26:34,026
BUT, TELL ME...
745
00:26:34,060 --> 00:26:36,362
IF SHE NEVER
CONFESSES HER LOVE,
746
00:26:36,395 --> 00:26:39,732
DOES THAT MAKE HER LOVE
ANY LESS REAL?
747
00:26:39,766 --> 00:26:41,600
[**]
748
00:26:41,634 --> 00:26:43,402
OKAY!
749
00:26:43,435 --> 00:26:44,503
[RECORD SCRATCHES]
750
00:26:44,536 --> 00:26:45,805
SOME OF THAT WORKED...
751
00:26:45,838 --> 00:26:47,473
AND SOME OF IT DIDN'T.
752
00:26:47,506 --> 00:26:51,678
THERE IS A FINE LINE
BETWEEN PAIN AND CONSTIPATION.
753
00:26:51,711 --> 00:26:53,145
LET'S TAKE FIVE.
754
00:26:59,652 --> 00:27:00,687
[THUMP]
755
00:27:00,720 --> 00:27:02,454
OH, YOU, UH,
YOU DROPPED...
756
00:27:02,488 --> 00:27:03,790
OH, THANKS.
757
00:27:03,823 --> 00:27:05,958
IS THAT A DEMO?
758
00:27:05,992 --> 00:27:07,326
FOR THE GEES?
759
00:27:07,359 --> 00:27:09,662
YEAH, YOU KNOW,
TRYING OUT A FEW NEW THINGS.
760
00:27:09,696 --> 00:27:11,163
ACTUALLY,
761
00:27:11,197 --> 00:27:12,932
I'D LOVE TO TRY OUT SOME MORE
NEW STUFF, TO BE HONEST.
762
00:27:12,965 --> 00:27:14,400
-LIKE, I'VE GOT ANOTHER SONG--
-WE'RE BACK!
763
00:27:14,433 --> 00:27:15,401
FOCUS.
764
00:27:15,434 --> 00:27:17,036
LET'S GO! COME ON!
GET UP, GET UP.
765
00:27:17,069 --> 00:27:20,773
COME ON. GO, GO, GO, GO.
GET IN POSITIONS.
766
00:27:20,807 --> 00:27:23,009
[**]
767
00:27:23,843 --> 00:27:25,144
OH!
768
00:27:25,177 --> 00:27:28,047
LET'S TRY IT
WITH TARA WA-A-A-AY OVER HERE.
769
00:27:28,080 --> 00:27:29,181
YEAH! MM-HMM.
770
00:27:29,215 --> 00:27:30,783
PERFECT!
PERFECT.
771
00:27:30,817 --> 00:27:32,551
UH, I LOVE IT!
772
00:27:32,584 --> 00:27:34,486
OKAY. HOLD ON.
773
00:27:34,520 --> 00:27:36,422
TARA? DID YOU WANT
TO SAY SOMETHING?
774
00:27:36,455 --> 00:27:37,423
SHE'S FINE.
775
00:27:37,456 --> 00:27:38,557
ACTION.
776
00:27:38,590 --> 00:27:39,591
CUT!
777
00:27:39,625 --> 00:27:42,328
TARA? YOU LISTEN
TO RADIO REBEL, RIGHT?
778
00:27:43,262 --> 00:27:45,732
YOU WERE WEARING RED YESTERDAY,
SO I FIGURED.
779
00:27:45,765 --> 00:27:46,966
[GAVIN CHUCKLES]
780
00:27:46,999 --> 00:27:48,801
REBEL'S RIGHT.
781
00:27:48,835 --> 00:27:51,570
LIFE'S ABOUT TAKING RISKS.
782
00:27:51,603 --> 00:27:53,405
MAKING CHANGES.
783
00:27:53,439 --> 00:27:55,441
SO...
784
00:27:55,474 --> 00:27:56,642
GO AHEAD.
785
00:27:56,675 --> 00:27:58,477
SAY WHAT YOU FEEL.
786
00:28:00,046 --> 00:28:01,180
[**]
787
00:28:01,213 --> 00:28:03,916
WELL, IT'S JUST,
THIS SCENE...
788
00:28:03,950 --> 00:28:06,018
IT'S ABOUT...
789
00:28:06,052 --> 00:28:07,920
US FALLING FOR EACH OTHER.
790
00:28:07,954 --> 00:28:09,922
EVEN THOUGH
WE DON'T KNOW IT YET,
791
00:28:09,956 --> 00:28:12,091
AND, I...
792
00:28:12,124 --> 00:28:14,026
AND BLOCKING LIKE THIS
FEELS WEIRD, RIGHT?
793
00:28:14,060 --> 00:28:15,027
RIGHT! EXACTLY.
794
00:28:15,061 --> 00:28:16,428
YEAH, I MEAN...
795
00:28:16,462 --> 00:28:17,830
THE AUDIENCE
IS SUPPOSED TO GET
796
00:28:17,864 --> 00:28:20,466
WHAT WE'RE FEELING
FROM WHAT WE'RE NOT SAYING.
797
00:28:20,499 --> 00:28:23,535
IT ONLY WORKS
IF WE'RE...
798
00:28:23,569 --> 00:28:24,804
CLOSER.
799
00:28:24,837 --> 00:28:26,605
[QUIETLY]: YEAH.
800
00:28:26,638 --> 00:28:29,475
[LOUDER]: YEAH.
I LIKE THAT BETTER, TOO.
801
00:28:29,508 --> 00:28:31,310
OKAY.
802
00:28:31,343 --> 00:28:33,179
WE CLEARLY
NEED EXTRA REHEARSAL.
803
00:28:33,212 --> 00:28:34,646
MY PLACE. TONIGHT AT 7:00.
804
00:28:34,680 --> 00:28:36,348
OH... [STAMMERS]
805
00:28:36,382 --> 00:28:38,550
I CAN'T TONIGHT. THERE'S...
806
00:28:38,584 --> 00:28:41,153
WEDNESDAY'S MANDATORY
FAMILY DINNER...
807
00:28:41,187 --> 00:28:43,722
WITH MY... FAMILY...
808
00:28:43,756 --> 00:28:44,891
DINNER.
809
00:28:44,924 --> 00:28:46,725
FINE. WHATEVER.
810
00:28:46,759 --> 00:28:48,060
LUNCH. TOMORROW.
811
00:28:48,094 --> 00:28:51,864
[HUFFS]:
EVERYBODY'S A DIRECTOR NOW.
812
00:28:51,898 --> 00:28:53,699
GOOD JOB.
813
00:28:56,635 --> 00:28:58,570
OKAY.
814
00:28:58,604 --> 00:29:00,807
[**]
815
00:29:14,787 --> 00:29:16,488
[TARA AS "REBEL"]: YOU PEOPLE
AT LINCOLN BAY HIGH
816
00:29:16,522 --> 00:29:18,590
KILLED IT
WITH THE RED YESTERDAY.
817
00:29:18,624 --> 00:29:21,593
I NOTICED ONE OF YOU
WEARING THESE RED SPECS
818
00:29:21,627 --> 00:29:23,963
THAT WERE THE EPITOME OF COOL.
819
00:29:23,996 --> 00:29:27,733
BUT CAN WE TALK ABOUT
WHAT'S NOT COOL, FOR A SECOND?
820
00:29:27,766 --> 00:29:30,536
HOW THE SCHOOL KEEPS
CONFISCATING OUR STUFF.
821
00:29:30,569 --> 00:29:32,972
I MEAN, I'VE LOST
TWO SETS OF HEADPHONES
822
00:29:33,005 --> 00:29:34,373
AND AN MP3 PLAYER,
823
00:29:34,406 --> 00:29:35,641
JUST THIS TERM ALONE!
824
00:29:35,674 --> 00:29:38,010
ALTHOUGH I DID NOTICE
THAT SOME OF US
825
00:29:38,044 --> 00:29:40,112
SEEM TO BE EXEMPT
826
00:29:40,146 --> 00:29:42,714
FROM THIS LITTLE
"STUFF SNATCHING" EPIDEMIC.
827
00:29:42,748 --> 00:29:44,416
FUNNY HOW THAT WORKS, HUH?
828
00:29:44,450 --> 00:29:46,518
GUYS, IT'S NOT JUST
OUR PLAYLISTS
829
00:29:46,552 --> 00:29:49,621
AND PLAYERS WE'RE BEING
DEPRIVED OF, YOU KNOW?
830
00:29:49,655 --> 00:29:52,591
MUSIC IS THE SOUNDTRACK
TO OUR LIVES.
831
00:29:52,624 --> 00:29:55,361
IT'S WHERE WE'VE BEEN,
AND WHERE WE'RE GOING,
832
00:29:55,394 --> 00:29:57,463
AND EVERYWHERE IN BETWEEN.
833
00:29:57,496 --> 00:29:58,965
OUR MUSIC IS WHO WE ARE.
834
00:29:58,998 --> 00:30:02,168
ARE WE GONNA LET SOMEONE
JUST SNATCH THAT AWAY FROM US?
835
00:30:02,201 --> 00:30:06,939
OR ARE WE...
GONNA CHANGE THE GAME?
836
00:30:06,973 --> 00:30:08,540
HERE'S A NEW SONG
837
00:30:08,574 --> 00:30:09,842
ABOUT, UH...
838
00:30:09,876 --> 00:30:12,611
TRYING THINGS
YOU NEVER THOUGHT YOU COULD.
839
00:30:12,644 --> 00:30:15,314
LIKE, I'VE BEEN TRYING TO DO
A BUNCH OF NEW THINGS LATELY,
840
00:30:15,347 --> 00:30:18,017
AND THIS SONG
SEVERELY INSPIRES ME.
841
00:30:18,050 --> 00:30:19,785
SO... CHECK IT OUT.
842
00:30:19,818 --> 00:30:22,955
VIBE IT,
REALLY, REALLY DIG ON IT,
843
00:30:22,989 --> 00:30:25,257
AND, THEN...
REMEMBER THAT FEELING.
844
00:30:25,291 --> 00:30:26,425
[BEEP]
845
00:30:26,458 --> 00:30:27,759
TOMORROW AT 8:00 A.M.,
846
00:30:27,793 --> 00:30:29,996
STOP WHAT YOU'RE DOING,
GET UP, AND DANCE.
847
00:30:30,029 --> 00:30:31,998
JUST EXPRESS YOURSELF!
LET YOURSELF OUT.
848
00:30:32,031 --> 00:30:34,366
THIS IS "TURN IT ALL AROUND"
BY THE GEES.
849
00:30:34,400 --> 00:30:36,302
* WHOO, OOH
WHOO, OOH *
850
00:30:36,335 --> 00:30:39,906
* WHOO, OOH, OOH-OOH
851
00:30:39,939 --> 00:30:41,773
* 8:00 A.M.
852
00:30:41,807 --> 00:30:43,209
* TIME
TO START OVER AGAIN *
853
00:30:43,242 --> 00:30:46,045
* BET YOU'LL SLEEPWALK
THROUGH ANOTHER DAY *
854
00:30:46,078 --> 00:30:49,848
* LIKE YOU'RE NOT JUST
A ZOMBIE WITH A CLOCK *
855
00:30:49,882 --> 00:30:52,818
YOU'RE ALL GOING TO GET INTO
SO MUCH TROUBLE FOR THIS!
856
00:30:52,851 --> 00:30:56,055
RADIO REBEL DOESN'T
TELL ME WHEN TO DANCE!
857
00:30:56,088 --> 00:30:58,357
[**]
858
00:30:58,390 --> 00:31:01,827
TIME TO TAKE
YOUR OWN ADVICE!
859
00:31:01,860 --> 00:31:05,364
[STUDENTS LAUGHING
AND CHATTING OVER MUSIC]
860
00:31:05,397 --> 00:31:07,833
[**]
861
00:31:07,866 --> 00:31:09,601
* YOU GOTTA DANCE
862
00:31:09,635 --> 00:31:11,403
* DANCE
AND TURN IT ALL AROUND *
863
00:31:11,437 --> 00:31:12,972
* SHOUT
864
00:31:13,005 --> 00:31:14,840
* SHOUT AND LET IT
ALL COME OUT *
865
00:31:14,873 --> 00:31:19,578
* JUMP! JUMP...
866
00:31:21,280 --> 00:31:22,714
* SO TURN IT ALL AROUND...
867
00:31:22,748 --> 00:31:24,183
[P.A. SYSTEM SQUEALS]
868
00:31:24,216 --> 00:31:26,585
[PRINCIPAL MORENO]:
THIS IS A PLACE OF LEARNING,
869
00:31:26,618 --> 00:31:27,987
NOT DANCING!
870
00:31:28,020 --> 00:31:29,388
ANYONE LISTENING
TO RADIO REBEL DURING SCHOOL
871
00:31:29,421 --> 00:31:31,890
WILL BE SUSPENDED.
872
00:31:31,924 --> 00:31:35,527
AND, RADIO REBEL, I ADVISE YOU
TO TURN YOURSELF IN NOW,
873
00:31:35,561 --> 00:31:38,264
OR YOUR FUTURE WILL BE
RADIO SILENCE.
874
00:31:38,297 --> 00:31:39,598
[SLAM]
875
00:31:39,631 --> 00:31:40,933
NICE!
876
00:31:40,967 --> 00:31:42,501
HEY, TARA.
877
00:31:42,534 --> 00:31:45,972
CAN I TALK TO YOU?
878
00:31:46,005 --> 00:31:48,174
UH...
879
00:31:50,342 --> 00:31:51,643
HMM!
880
00:31:51,677 --> 00:31:53,179
YEAH...
881
00:31:53,212 --> 00:31:54,846
IT'S ABOUT
OUR SONG.
882
00:31:54,880 --> 00:31:56,782
WE HAVE A--
WE HAVE A SONG?
883
00:31:56,815 --> 00:31:59,185
THE ONE RADIO REBEL
PLAYED LAST NIGHT.
884
00:31:59,218 --> 00:32:00,186
OH.
885
00:32:00,219 --> 00:32:01,353
AT FIRST,
886
00:32:01,387 --> 00:32:04,523
I COULDN'T BELIEVE THAT
SHE LIKES OUR MUSIC.
887
00:32:04,556 --> 00:32:06,258
THEN I WONDERED...
888
00:32:06,292 --> 00:32:08,060
HOW'D SHE GET OUR DEMO?
889
00:32:09,028 --> 00:32:11,230
GOT ANYTHING
YOU WANNA CONFESS?
890
00:32:11,263 --> 00:32:12,731
[STAMMERS]
891
00:32:12,764 --> 00:32:14,433
IT'S YOU, ISN'T IT?
892
00:32:14,466 --> 00:32:15,834
IT'S ME? IT'S ME?
893
00:32:15,867 --> 00:32:16,868
YOU'RE THE ONE.
894
00:32:16,902 --> 00:32:18,704
WHICH ONE,
OF THE ONE OF...
895
00:32:18,737 --> 00:32:20,172
YOU'RE THE ONE
896
00:32:20,206 --> 00:32:22,908
WHO GAVE THE CD
TO YOUR STEPDAD,
897
00:32:22,941 --> 00:32:24,443
TO GIVE TO RADIO REBEL!
898
00:32:24,476 --> 00:32:26,045
[RELIEVED]: YES!
899
00:32:26,078 --> 00:32:27,613
-THANK YOU!
900
00:32:27,646 --> 00:32:29,948
YES, YES. THAT'S THE ONE.
I'M THE ONE.
901
00:32:29,982 --> 00:32:31,583
I'M THE ONE
WITH THE...
902
00:32:31,617 --> 00:32:34,320
I LIKE IT,
IT'S A GREAT SONG.
903
00:32:34,353 --> 00:32:35,454
THANKS!
904
00:32:35,487 --> 00:32:36,722
BUT...
905
00:32:36,755 --> 00:32:38,657
IT DOESN'T REALLY FEEL LIKE
MY VOICE.
906
00:32:38,690 --> 00:32:41,593
IT'S LIKE...
PEOPLE ARE HEARING ME,
907
00:32:41,627 --> 00:32:43,295
BUT THEY'RE NOT
HEARING ME.
908
00:32:44,997 --> 00:32:47,433
THAT SOUNDED CRAZY,
DIDN'T IT?
909
00:32:47,466 --> 00:32:49,668
NO, NO. NOT AT ALL.
910
00:32:49,701 --> 00:32:51,837
I TOTALLY GET YOU.
911
00:32:53,472 --> 00:32:54,640
-UH...
912
00:32:54,673 --> 00:32:55,707
-WELL...
913
00:32:55,741 --> 00:32:57,409
THANKS AGAIN.
914
00:32:57,443 --> 00:32:58,477
OH...
915
00:32:58,510 --> 00:33:00,312
RADIO REBEL IS AMAZING.
916
00:33:00,346 --> 00:33:03,149
SHE'S REALLY...
917
00:33:03,182 --> 00:33:04,150
NEAT.
918
00:33:04,183 --> 00:33:05,684
SHE GETS CAUGHT
IN MY HEAD, YOU KNOW?
919
00:33:05,717 --> 00:33:07,386
IT'S LIKE...
920
00:33:07,419 --> 00:33:10,089
I'D BE ABLE TO RECOGNIZE HER
ON THE STREET,
921
00:33:10,122 --> 00:33:12,958
JUST FROM HOW WELL I KNOW HER
FROM HER SHOW.
922
00:33:12,991 --> 00:33:15,527
THAT'D BE, UM, SOMETHING.
923
00:33:15,561 --> 00:33:16,828
YEAH.
924
00:33:16,862 --> 00:33:18,997
[**]
925
00:33:19,031 --> 00:33:21,833
SEE YOU LATER, TARA.
926
00:33:23,502 --> 00:33:25,504
[QUIETLY]: BYE, GAVIN.
927
00:33:25,537 --> 00:33:28,740
* AS THINGS START TO SETTLE
TALK TO ME ON THE LEVEL *
928
00:33:28,774 --> 00:33:30,542
* YOU'RE A VICTIM
AND A REBEL *
929
00:33:30,576 --> 00:33:32,544
* NO MATTER WHAT YOU WEAR
930
00:33:32,578 --> 00:33:35,281
* YOU HAD YOUR SOLILOQUY
AND NOW YOU FEEL GUILTY *
931
00:33:35,314 --> 00:33:37,083
* ALL ALONE
YOU LOOK SILLY *
932
00:33:37,116 --> 00:33:39,718
* REAL MOMENTS ARE SO UNFAIR
933
00:33:39,751 --> 00:33:41,019
* HERE I AM
934
00:33:41,053 --> 00:33:43,422
[ANNOUNCER]:
YOU'RE LISTENING TO SLAM-FM!
935
00:33:43,455 --> 00:33:45,291
[**]
936
00:33:45,324 --> 00:33:47,659
THAT'S HER!
I KNOW IT, I CAN TELL!
937
00:33:47,693 --> 00:33:49,895
RADIO REBEL
IS AN OLD GUY?
938
00:33:49,928 --> 00:33:50,962
WITH A BEARD?
939
00:33:50,996 --> 00:33:53,099
EVER HEAR
OF DISGUISE, BARRY?
940
00:33:53,132 --> 00:33:57,869
[BARRY AND LARRY
CONTINUE RAMBLING SPECULATION]
941
00:33:57,903 --> 00:34:00,472
[ANNOUNCER]:
SEATTLE'S HOTTEST DJ--
942
00:34:00,506 --> 00:34:02,274
THE RADIO REBEL SHOW!
943
00:34:02,308 --> 00:34:03,442
[GASPS]
944
00:34:03,475 --> 00:34:04,876
[SALAD FLITTING]
945
00:34:04,910 --> 00:34:06,445
[SHRIEKS]:
DID YOU SEE THE POSTERS?
946
00:34:06,478 --> 00:34:08,614
[MOUTHING WORDS]
947
00:34:10,749 --> 00:34:12,351
DID YOU SEE THE POSTERS?
948
00:34:12,384 --> 00:34:14,453
HARD TO MISS.
THEY'RE EVERYWHERE!
949
00:34:14,486 --> 00:34:16,655
MY MOM JUST CALLED ME
AND SAID SHE SAW ME ON THE BUS.
950
00:34:16,688 --> 00:34:18,023
I WAS LIKE,
"NO, I'M AT SLAM."
951
00:34:18,056 --> 00:34:20,126
SHE WAS LIKE, "NO, NO, NO,
YOU'RE ON THE BUS!
952
00:34:20,159 --> 00:34:21,493
OF THE SIDE OF IT!"
953
00:34:21,527 --> 00:34:23,495
THEY'RE SPENDING MONEY
ON MARKETING FOR YOU,
954
00:34:23,529 --> 00:34:25,964
WHICH MEANS
THE RATINGS MUST BE UP.
955
00:34:25,997 --> 00:34:27,999
YOU'RE FAMOUS.
956
00:34:28,033 --> 00:34:29,168
NO. I'M NOT.
957
00:34:29,201 --> 00:34:30,769
NO, RADIO REBEL IS.
958
00:34:30,802 --> 00:34:33,004
EVEN GAVIN
HAS A THING FOR HER.
959
00:34:33,038 --> 00:34:34,206
THAT'S GOOD.
960
00:34:34,240 --> 00:34:35,741
WE LIKE GAVIN. RIGHT?
961
00:34:35,774 --> 00:34:37,075
YES, WE DO.
962
00:34:37,109 --> 00:34:38,277
AND IT WAS HARD ENOUGH
963
00:34:38,310 --> 00:34:39,745
WHEN I JUST HAD STACY
TO DEAL WITH,
964
00:34:39,778 --> 00:34:42,114
NOW I'M COMPETING WITH MYSELF
FOR HIS ATTENTION...
965
00:34:42,148 --> 00:34:44,150
AND I APPEAR TO BE LOSING.
966
00:34:44,183 --> 00:34:48,587
BABY, YOU'VE GOT FAN CLUBS
AT EVERY SCHOOL IN SEATTLE.
967
00:34:48,620 --> 00:34:50,189
I MEAN,
LOOK AT ALL THE PETITIONS!
968
00:34:50,222 --> 00:34:54,059
"WE WANT A DANCE BREAK
EVERY DAY."
969
00:34:54,092 --> 00:34:56,662
"WE WANT MORE RADIO REBEL."
970
00:34:56,695 --> 00:34:58,530
"DON'T TAKE
OUR MUSIC AWAY."
971
00:34:58,564 --> 00:35:03,034
WAIT... I HAVE
A REALLY GOOD IDEA.
972
00:35:03,068 --> 00:35:05,804
OKAY. THIS IS WHAT
WE'RE GONNA DO.
973
00:35:05,837 --> 00:35:08,774
[POP MUSIC BLASTING]
974
00:35:08,807 --> 00:35:11,343
* WE GOT THE BEAT
975
00:35:11,377 --> 00:35:13,779
[STUDENTS CHEERING]
976
00:35:13,812 --> 00:35:17,649
[**]
977
00:35:17,683 --> 00:35:19,418
WHAT IS GOING ON?
978
00:35:19,451 --> 00:35:21,720
WELL, MORENO CAN'T
COMPLAIN ABOUT US
979
00:35:21,753 --> 00:35:22,854
DISRUPTING CLASS TIME,
980
00:35:22,888 --> 00:35:24,790
BECAUSE IT'S LUNCH.
981
00:35:24,823 --> 00:35:26,592
THIS WAS YOUR IDEA?
982
00:35:26,625 --> 00:35:29,528
OOH! IT'S BRILL!
983
00:35:29,561 --> 00:35:32,731
* THEY GOT THE BEAT
THEY GOT THE BEAT *
984
00:35:32,764 --> 00:35:35,901
* THEY GOT THE BEAT
THEY GOT THE BEAT *
985
00:35:35,934 --> 00:35:38,136
HELLO, LINCOLN BAY!
986
00:35:38,170 --> 00:35:41,106
THIS IS CAMI Q
COMING AT YOU LIVE!
987
00:35:41,139 --> 00:35:42,674
Y'ALL FEELIN' GOOD TODAY?
988
00:35:42,708 --> 00:35:44,710
[CHEERING]
989
00:35:46,545 --> 00:35:47,513
ALL RIGHT!
990
00:35:47,546 --> 00:35:49,281
LISTEN UP, I'VE GOT
A SPECIAL MESSAGE
991
00:35:49,315 --> 00:35:53,652
FROM OUR GOOD FRIEND...
RADIO REBEL!
992
00:35:53,685 --> 00:35:54,953
[EXCITED CHATTERING]
993
00:35:54,986 --> 00:35:56,922
[TARA AS REBEL, RECORDED]:
THIS IS RADIO REBEL
994
00:35:56,955 --> 00:35:59,925
COMING AT YOU WITH
A LITTLE LUNCHTIME SURPRISE.
995
00:35:59,958 --> 00:36:01,360
THAT GIRL
INVADED OUR AIRWAVES,
996
00:36:01,393 --> 00:36:02,761
DOES SHE HAVE TO
RUIN MY LUNCH, TOO?
997
00:36:02,794 --> 00:36:04,996
NOW, A LOT OF YOU GUYS
HAVE IM'ED AND TEXTED ME
998
00:36:05,030 --> 00:36:07,833
ABOUT THE POWERS-THAT-BE
TAKING AWAY OUR MUSIC,
999
00:36:07,866 --> 00:36:09,167
AND HOW IT FEELS LIKE
1000
00:36:09,201 --> 00:36:10,769
PART OF OURSELVES
IS BEING TAKEN AWAY.
1001
00:36:10,802 --> 00:36:12,170
[BOOING]
1002
00:36:12,204 --> 00:36:13,639
THAT'S NOT GONNA
MAKE US BETTER STUDENTS,
1003
00:36:13,672 --> 00:36:15,674
AND YOU CAN'T PUNISH SOMEONE
1004
00:36:15,707 --> 00:36:17,142
FOR RELAXING
DURING THEIR DOWN TIME.
1005
00:36:17,175 --> 00:36:18,710
RIGHT, PRINCIPAL MORENO?
1006
00:36:18,744 --> 00:36:21,179
YOU STOLE OUR MUSIC,
AND I'M GIVING IT BACK.
1007
00:36:21,213 --> 00:36:23,615
TEXT IN REQUESTS!
LUNCHTIME IS OUR TIME.
1008
00:36:23,649 --> 00:36:25,183
[CHEERING]
1009
00:36:25,217 --> 00:36:26,818
[CAMI Q TURNS UP THE TUNES]
1010
00:36:26,852 --> 00:36:31,223
[KIDS CHEERING WILDLY
OVER DANCE-POP]
1011
00:36:31,257 --> 00:36:34,226
* 'CAUSE WE GOT THE BEAT
1012
00:36:34,260 --> 00:36:35,927
* WE GOT THE BEAT
WE GOT THE BEAT... *
1013
00:36:35,961 --> 00:36:38,330
YOU'RE ON SCHOOL PROPERTY!
1014
00:36:38,364 --> 00:36:41,733
ACTUALLY, BEYOND THIS POINT
IS CITY PROPERTY.
1015
00:36:41,767 --> 00:36:44,770
DID YOU WANT
TO SEE MY PERMIT?
1016
00:36:44,803 --> 00:36:46,505
[**]
1017
00:36:46,538 --> 00:36:48,574
* WE GOT THE BEAT
1018
00:36:48,607 --> 00:36:50,709
* EVERYBODY
GET ON YOUR FEET *
1019
00:36:50,742 --> 00:36:54,246
* WE KNOW YOU CAN
DANCE TO THE BEAT... *
1020
00:36:54,280 --> 00:36:55,947
MOVE!
1021
00:36:55,981 --> 00:36:58,284
MOVE! MOVE!
1022
00:36:58,317 --> 00:37:01,086
THIS "RADIO HOR-REBEL"
HAS GOT TO GO.
1023
00:37:01,119 --> 00:37:02,888
IT'S KIND OF
A FUN DANCE!
1024
00:37:02,921 --> 00:37:04,022
NO, IT'S NOT.
1025
00:37:04,055 --> 00:37:05,257
STOP THAT.
1026
00:37:05,291 --> 00:37:07,859
GO VOTE FOR ME
FOR PROM QUEEN AGAIN.
1027
00:37:07,893 --> 00:37:08,960
GO!
1028
00:37:08,994 --> 00:37:11,697
* WE GOT THE BEAT
1029
00:37:11,730 --> 00:37:13,599
OH!
1030
00:37:13,632 --> 00:37:15,000
* WE GOT THE BEAT
1031
00:37:15,033 --> 00:37:17,336
* WE GOT THE BEAT
1032
00:37:17,369 --> 00:37:20,439
* WE GOT THE BEAT
1033
00:37:21,473 --> 00:37:23,709
* WE GOT THE BEAT
1034
00:37:23,742 --> 00:37:26,211
* WE GOT THE BEAT
WE GOT THE BEAT *
1035
00:37:26,244 --> 00:37:28,814
* WE GOT THE--
WE GOT THE BEAT *
1036
00:37:28,847 --> 00:37:31,550
[BELLOWS]: CAN I HAVE
YOUR ATTENTION, PLEASE?
1037
00:37:31,583 --> 00:37:33,018
[SUSPENSEFUL MURMURING]
1038
00:37:33,051 --> 00:37:34,686
I WANT YOU ALL TO KNOW
1039
00:37:34,720 --> 00:37:38,223
THAT THIS LUNCHTIME FIASCO
WAS A...
1040
00:37:38,256 --> 00:37:41,293
FIASCO!
1041
00:37:41,327 --> 00:37:43,462
IT IS TIME
FOR A CERTAIN DJ'S
1042
00:37:43,495 --> 00:37:46,832
REIGN OF REBELLION
TO COME TO AN END.
1043
00:37:48,133 --> 00:37:50,869
ANYONE WITH ANY INFORMATION
1044
00:37:50,902 --> 00:37:53,505
REGARDING THE IDENTITY
OF THIS RADIO REBEL
1045
00:37:53,539 --> 00:37:56,475
IS TO REPORT IT TO ME
IMMEDIATELY,
1046
00:37:56,508 --> 00:38:00,346
OR RISK FACING DISCIPLINARY
ACTIONS THEMSELVES.
1047
00:38:00,379 --> 00:38:03,349
NOW, GET TO CLASS.
1048
00:38:03,382 --> 00:38:05,016
[STUDENTS MURMURING]
1049
00:38:05,050 --> 00:38:06,352
PRINCIPAL MORENO,
1050
00:38:06,385 --> 00:38:08,053
I JUST WANT TO SAY THAT
I COULD NOT AGREE WITH YOU MORE.
1051
00:38:08,086 --> 00:38:10,956
I, FOR ONE, THOUGHT THAT DISPLAY
AT LUNCH WAS DISGUSTING.
1052
00:38:10,989 --> 00:38:13,659
"RADIO DRIBBLE" SHOULD PAY
FOR PULLING A STUNT LIKE THAT.
1053
00:38:13,692 --> 00:38:15,794
OH, DON'T WORRY, STACY.
1054
00:38:15,827 --> 00:38:17,996
DISRUPTIONS LIKE TODAY
ARE TEMPORARY,
1055
00:38:18,029 --> 00:38:20,399
BUT I CAN ENFORCE
DISCIPLINARY MEASURES
1056
00:38:20,432 --> 00:38:22,468
THAT CAN LAST FOREVER!
1057
00:38:22,501 --> 00:38:24,169
LIKE DIAMONDS?
1058
00:38:24,202 --> 00:38:25,337
AND RICE CAKES?
1059
00:38:25,371 --> 00:38:27,205
[SHUSHES HER]:
NO WORDS.
1060
00:38:27,238 --> 00:38:29,240
YOU MEAN...
1061
00:38:29,274 --> 00:38:30,976
YOU CAN EXPEL RADIO REBEL?
1062
00:38:31,009 --> 00:38:34,846
WELL, HER ACTIONS WERE IN
DIRECT DEFIANCE OF MY POLICIES,
1063
00:38:34,880 --> 00:38:37,282
SO THERE WILL BE CONSEQUENCES.
1064
00:38:37,315 --> 00:38:40,419
[**]
1065
00:38:40,452 --> 00:38:42,888
ALL I CAN THINK ABOUT
NOW IS RICE CAKES.
1066
00:38:42,921 --> 00:38:43,989
GO!
1067
00:38:44,022 --> 00:38:45,457
[THE GEES]:
* PARTY LIKE WE'RE V.I.P.
1068
00:38:45,491 --> 00:38:49,294
* YOU'LL BE GLAD TO SAY
YOU KNOW ME *
1069
00:38:49,327 --> 00:38:53,365
* SATISFACTION GUARANTEED
1070
00:38:53,399 --> 00:38:56,768
* SO ROCK WITH US
TONIGHT *
1071
00:38:56,802 --> 00:39:00,972
* WE SO FLY
1072
00:39:01,006 --> 00:39:02,641
* WE SO
1073
00:39:02,674 --> 00:39:04,275
* FLY
1074
00:39:04,309 --> 00:39:05,411
* WE SO
1075
00:39:05,444 --> 00:39:07,513
* FLY
1076
00:39:07,546 --> 00:39:09,147
* WE IS
WHO WE IS *
1077
00:39:09,180 --> 00:39:11,249
* WE SO
1078
00:39:11,282 --> 00:39:12,317
* FLY
1079
00:39:12,350 --> 00:39:14,085
SORRY, GUYS,
I WAS THINKING.
1080
00:39:14,119 --> 00:39:15,153
* WE SO F...
1081
00:39:15,186 --> 00:39:16,054
[GUITAR FEEDS BACK]
1082
00:39:16,087 --> 00:39:17,689
-WHAT ARE YOU DOING?
-SORRY.
1083
00:39:17,723 --> 00:39:19,157
I THINK
WE CAN DO BETTER THAN THIS.
1084
00:39:19,190 --> 00:39:21,493
YOU KNOW, ACTUALLY SAY SOMETHING
WITH OUR MUSIC,
1085
00:39:21,527 --> 00:39:23,995
SOMETHING MEANINGFUL, RELATABLE.
I WAS--
1086
00:39:24,029 --> 00:39:25,296
GAVIN.
1087
00:39:25,330 --> 00:39:28,233
UM, ONE, YOU DON'T STOP
IN THE MIDDLE OF A SONG, MAN.
1088
00:39:28,266 --> 00:39:31,537
OKAY? AND, TWO, OUR FANS
DON'T WANT A MESSAGE,
1089
00:39:31,570 --> 00:39:32,971
THEY WANT TO PARTY.
1090
00:39:33,004 --> 00:39:34,840
YOU WANT MEANINGFUL,
GO WRITE A POEM.
1091
00:39:34,873 --> 00:39:36,475
STICK WITH WHAT'S
WORKING, ALRIGHT?
1092
00:39:36,508 --> 00:39:37,843
THE TOP.
1093
00:39:37,876 --> 00:39:40,245
SINCE WHEN DO OUR FANS DETERMINE
WHAT WE PLAY?
1094
00:39:40,278 --> 00:39:43,181
IT'S THE PRICE OF FAME,
MY FRIEND.
1095
00:39:43,214 --> 00:39:44,583
ONE! TWO! THREE--
1096
00:39:44,616 --> 00:39:45,684
[GUITAR WHINES]
1097
00:39:45,717 --> 00:39:47,318
NOW THAT WE'VE GOT A FOLLOWING,
1098
00:39:47,352 --> 00:39:49,921
I THINK WE CAN FINALLY
AFFORD TO TAKE SOME RISKS,
1099
00:39:49,955 --> 00:39:52,123
AND EXPRESS OURSELVES
CREATIVELY--
1100
00:39:52,157 --> 00:39:53,158
NEGATIVE.
1101
00:39:53,191 --> 00:39:54,726
WE'RE GIVING 'EM WHAT THEY WANT,
ALRIGHT?
1102
00:39:54,760 --> 00:39:56,728
NO MORE, NO LESS.
1103
00:39:58,129 --> 00:40:00,732
OKAY?
1104
00:40:01,667 --> 00:40:03,201
OKAY.
1105
00:40:03,234 --> 00:40:04,803
GEES FOR LIFE?
1106
00:40:04,836 --> 00:40:08,039
SURE. GEES FOR LIFE.
1107
00:40:08,073 --> 00:40:09,508
ATTABOY.
1108
00:40:09,541 --> 00:40:11,142
ALL RIGHT!
FROM THE TOP, BOYS.
1109
00:40:11,176 --> 00:40:13,445
* I'M MOVIN' UP
THE SUN IS SHININ' *
1110
00:40:13,479 --> 00:40:17,182
[TARA AS REBEL]: IF YOU
DON'T GO TO LINCOLN BAY HIGH,
1111
00:40:17,215 --> 00:40:18,917
YOU MISSED OUT
ON A ROCK-STAR DAY.
1112
00:40:18,950 --> 00:40:20,852
I'VE NEVER SEEN
SO MANY PEOPLE DANCING.
1113
00:40:20,886 --> 00:40:22,988
SO MY LISTENERS AT HOOVER HIGH
WERE SO INSPIRED
1114
00:40:23,021 --> 00:40:25,156
BY WHAT WENT DOWN
AT LINCOLN BAY,
1115
00:40:25,190 --> 00:40:27,693
THEY HAD A FULL-ON FLASH-MOB
AT LUNCH TODAY.
1116
00:40:27,726 --> 00:40:29,360
THAT ROCKS!
1117
00:40:29,394 --> 00:40:31,262
YOU GUYS TOTALLY NEED TO POST
A VIDEO ON MY WEB PAGE STAT.
1118
00:40:31,296 --> 00:40:33,765
YEAH, I HEARD THE MATHLETES
AND THE WATER-POLO TEAM
1119
00:40:33,799 --> 00:40:35,166
AT ENSIGN HIGH
1120
00:40:35,200 --> 00:40:37,035
JUST FORMED A POPS/NON-POPS
ALLIANCE CLUB.
1121
00:40:37,068 --> 00:40:39,404
YOU GUYS ARE MY HEROES!
1122
00:40:39,437 --> 00:40:40,906
AND I GOT A CALL TODAY
1123
00:40:40,939 --> 00:40:42,674
FROM A GUY WHO GRADUATED
HIGH SCHOOL 20 YEARS AGO.
1124
00:40:42,708 --> 00:40:45,644
HE SAID THIS SHOW INSPIRED HIM
TO STAND UP TO HIS BOSS
1125
00:40:45,677 --> 00:40:47,445
AND GET THE RAISE HE DESERVED.
1126
00:40:47,479 --> 00:40:48,980
SEE WHAT I MEAN?
1127
00:40:49,014 --> 00:40:51,483
IT'S NEVER TOO LATE
TO MAKE A DIFFERENCE, GUYS.
1128
00:40:51,517 --> 00:40:52,984
* I'M MOVING UP
1129
00:40:53,018 --> 00:40:55,186
* THE SUN IS SHININ'
1130
00:40:55,220 --> 00:40:58,690
* AND IT'S A BRAND-NEW DAY
1131
00:40:58,724 --> 00:41:00,559
[**]
1132
00:41:00,592 --> 00:41:02,794
[CRIES OUT, WHEEZING]:
TARA!
1133
00:41:02,828 --> 00:41:04,095
I HAVE NEWS!
1134
00:41:04,129 --> 00:41:06,331
BUT WE CAN'T TALK HERE.
1135
00:41:08,366 --> 00:41:10,902
EXCUSE ME? COULD YOU
GIVE US A MINUTE?
1136
00:41:10,936 --> 00:41:13,038
BUT THIS
IS MY OFFICE.
1137
00:41:16,441 --> 00:41:18,276
[BANGS DOOR SHUT]
1138
00:41:20,411 --> 00:41:21,446
SO...
1139
00:41:21,479 --> 00:41:24,482
GUESS WHO GOT NOMINATED
FOR PROM QUEEN?
1140
00:41:24,516 --> 00:41:25,817
STACY?
1141
00:41:25,851 --> 00:41:27,185
YOU DID!
1142
00:41:27,218 --> 00:41:29,788
WELL, NOT YOU.
RADIO REBEL!
1143
00:41:29,821 --> 00:41:31,657
THIS IS HORRIBLE.
1144
00:41:31,690 --> 00:41:32,824
THE WHOLE POINT OF RADIO REBEL
1145
00:41:32,858 --> 00:41:34,392
IS THAT SHE'S ANONYMOUS,
REMEMBER?
1146
00:41:34,425 --> 00:41:35,961
WHAT'S GONNA HAPPEN
IF SHE WINS?
1147
00:41:35,994 --> 00:41:37,428
WHO'S GONNA GO UP THERE
AND ACCEPT THE CROWN?
1148
00:41:37,462 --> 00:41:39,164
I COULD GET EXPELLED.
1149
00:41:39,197 --> 00:41:41,099
I HAVE TO PUT A STOP TO THIS.
1150
00:41:41,132 --> 00:41:42,067
ARE YOU CRAZY?
1151
00:41:42,100 --> 00:41:43,434
YOU CAN'T QUIT NOW.
1152
00:41:43,468 --> 00:41:44,603
[DOOR CREAKS]
1153
00:41:44,636 --> 00:41:45,704
NOT NOW,
MR. MARGOWSKY!
1154
00:41:45,737 --> 00:41:48,373
BUT I NEED THE BROOM.
1155
00:41:48,406 --> 00:41:50,609
[AUDREY GRUNTS]
1156
00:41:50,642 --> 00:41:51,643
[SLAM]
1157
00:41:51,677 --> 00:41:53,244
AUDREY...
1158
00:41:53,278 --> 00:41:55,480
I CAN'T DO THIS ANYMORE.
1159
00:41:55,513 --> 00:41:56,615
-YOU CAN.
-I CAN'T.
1160
00:41:56,648 --> 00:41:57,716
-YOU CAN.
-I CAN'T.
1161
00:41:57,749 --> 00:41:58,617
YOU CAN!
1162
00:41:58,650 --> 00:42:00,318
[GIRLS]: NOT NOW!
1163
00:42:00,351 --> 00:42:02,888
I NEED THE DUST PAN, TOO.
1164
00:42:02,921 --> 00:42:04,756
HERE.
1165
00:42:04,790 --> 00:42:06,424
[AUDREY SIGHS]
1166
00:42:06,457 --> 00:42:07,292
[SLAM]
1167
00:42:07,325 --> 00:42:09,027
YOU'RE A HERO TO PEOPLE,
1168
00:42:09,060 --> 00:42:11,296
AND THAT'S WHY
THEY NOMINATED YOU.
1169
00:42:11,329 --> 00:42:13,832
YOU CAN'T TURN
YOUR BACK ON THEM NOW.
1170
00:42:13,865 --> 00:42:16,768
THIS IS YOUR TIME TO SHINE.
1171
00:42:16,802 --> 00:42:18,036
WHAT IF I DON'T WANT TO SHINE?
1172
00:42:18,069 --> 00:42:21,773
WHAT IF SHINING
REALLY ISN'T MY THING?
1173
00:42:21,807 --> 00:42:24,576
AS YOUR B.F.F.T.L.E.W.E.,
1174
00:42:24,610 --> 00:42:28,546
I'M LEGALLY OBLIGATED
TO MAKE SURE YOU DO THE SHOW.
1175
00:42:29,881 --> 00:42:31,549
EVEN IF I HAVE
TO DRAG YOU THERE.
1176
00:42:31,583 --> 00:42:32,718
[CHUCKLES SOFTLY]
1177
00:42:32,751 --> 00:42:34,419
[SCHOOL BELL RINGS]
1178
00:42:35,954 --> 00:42:37,088
HEY, TARA!
1179
00:42:37,122 --> 00:42:38,189
WE'VE GOT ANOTHER
DEMO ON THE WAY
1180
00:42:38,223 --> 00:42:39,357
FOR RADIO REBEL.
1181
00:42:39,390 --> 00:42:41,392
OH, I'M SURE
SHE'S STOKED TO HEAR IT.
1182
00:42:41,426 --> 00:42:44,796
[GUY]: YO, GAVIN.
WE LOVE YOU, MAN.
1183
00:42:44,830 --> 00:42:46,264
[LOCKER BANGS]
1184
00:42:46,297 --> 00:42:47,966
CLEVER. MAKE FRIENDS
WITH THE GIRL
1185
00:42:47,999 --> 00:42:49,034
WHOSE DAD RUNS SLAM.
1186
00:42:49,067 --> 00:42:50,669
I LIKE THE WAY
YOU THINK, BRO.
1187
00:42:50,702 --> 00:42:51,770
HER NAME'S TARA.
1188
00:42:51,803 --> 00:42:53,004
WHO CARES?
1189
00:42:53,038 --> 00:42:54,105
SHE'S ACTUALLY
REALLY NICE.
1190
00:42:54,139 --> 00:42:55,674
WHOA, WAIT.
1191
00:42:55,707 --> 00:42:58,243
YOU'RE NOT, LIKE, INTO HER,
OR ANYTHING, ARE YOU?
1192
00:42:58,276 --> 00:43:00,011
'CAUSE THAT WOULD NOT
BE GOOD FOR BUSINESS.
1193
00:43:00,045 --> 00:43:01,913
WHAT DO YOU MEAN?
1194
00:43:01,947 --> 00:43:04,082
WE HAVE FANS NOW.
1195
00:43:04,115 --> 00:43:05,150
DEDICATED FOLLOWERS.
1196
00:43:05,183 --> 00:43:06,351
THOSE ARE
THE KIND OF PEOPLE
1197
00:43:06,384 --> 00:43:07,886
THAT YOU SHOULD BE
SPENDING TIME WITH.
1198
00:43:07,919 --> 00:43:08,954
YOU DON'T EVEN KNOW HER.
1199
00:43:08,987 --> 00:43:10,121
[SNICKERS]: OKAY.
1200
00:43:10,155 --> 00:43:11,790
I DON'T NEED TO,
AND NEITHER DO YOU.
1201
00:43:11,823 --> 00:43:13,959
THINK OF THE BAND, MAN!
1202
00:43:13,992 --> 00:43:15,661
THINK LIKE A ROCK STAR!
1203
00:43:15,694 --> 00:43:17,863
[PUNCH LANDS]
1204
00:43:20,431 --> 00:43:22,433
WHY DID WE HAVE TO
PARK SO FAR AWAY?
1205
00:43:22,467 --> 00:43:24,435
BECAUSE WE CAN'T RISK
1206
00:43:24,469 --> 00:43:26,672
ANYONE RECOGNIZING
YOUR CAR, OR US.
1207
00:43:26,705 --> 00:43:28,807
NOW WIG ME.
1208
00:43:30,108 --> 00:43:33,645
[**]
1209
00:43:43,288 --> 00:43:44,522
OH...
1210
00:43:44,555 --> 00:43:47,225
THIS CARDBOARD
IS INFLAMING MY ECZEMA.
1211
00:43:47,258 --> 00:43:48,526
DO YOU HAVE
ANY ALOE VERA?
1212
00:43:48,559 --> 00:43:50,729
WILL YOU CONCENTRATE?
1213
00:43:51,797 --> 00:43:55,033
WHY DO YOU ALWAYS
GET THE COOL STUFF?
1214
00:43:55,066 --> 00:43:57,035
SHH-SHH. FOCUS!
1215
00:43:57,068 --> 00:43:59,304
[**]
1216
00:44:07,078 --> 00:44:10,248
[**]
1217
00:44:10,281 --> 00:44:12,283
THIS LOCATION
IS COMPROMISED.
1218
00:44:12,317 --> 00:44:14,686
LET'S MOVE.
1219
00:44:14,720 --> 00:44:16,855
[**]
1220
00:44:18,356 --> 00:44:20,058
KEEP IT STEADY,
KEEP IT STEADY.
1221
00:44:20,091 --> 00:44:21,626
BUH-BUH-BUH-BUH!
1222
00:44:21,659 --> 00:44:23,094
BINOCULARS!
1223
00:44:23,128 --> 00:44:25,196
FOCUS, LARRY!
COME ON!
1224
00:44:25,230 --> 00:44:27,332
DROPPIN' STUFF...
1225
00:44:27,365 --> 00:44:28,333
GOT 'EM!
1226
00:44:28,366 --> 00:44:30,135
OKAY. GO!
1227
00:44:30,168 --> 00:44:32,503
GET 'EM. BLEND IN.
BLEND IN.
1228
00:44:32,537 --> 00:44:35,140
SO, THIS... IS WHERE
THE MAGIC HAPPENS.
1229
00:44:35,173 --> 00:44:38,376
[GASPS SILENTLY]:
THIS IS SO COOL!
1230
00:44:38,409 --> 00:44:42,047
IS THIS THE FAMOUS
AUDREY SHARMA?
1231
00:44:42,080 --> 00:44:43,882
[GIRLS LAUGHING]
1232
00:44:43,915 --> 00:44:45,216
NICE TO MEET YOU!
1233
00:44:45,250 --> 00:44:46,918
[DOOR OPENS]
1234
00:44:47,719 --> 00:44:49,721
COULD YOU GIRLS
EXCUSE US FOR A MOMENT?
1235
00:44:57,362 --> 00:44:58,764
LOOK, IF THIS ABOUT
AUDREY BEING HERE,
1236
00:44:58,797 --> 00:45:00,231
SHE'S THE ONLY PERSON I TOLD,
1237
00:45:00,265 --> 00:45:01,867
AND I TOTALLY TRUST HER.
1238
00:45:01,900 --> 00:45:04,169
NO, THIS IS NOT ABOUT AUDREY.
THIS IS ABOUT YOU.
1239
00:45:04,202 --> 00:45:06,571
PRINCIPAL MORENO
CALLED.
1240
00:45:06,604 --> 00:45:09,174
THE LUNCHTIME DANCE PARTY,
THAT WAS A MISTAKE.
1241
00:45:09,207 --> 00:45:12,610
SHE WANTS TO EXPEL RADIO REBEL
1242
00:45:12,643 --> 00:45:14,579
AS SOON AS SHE FINDS OUT
WHO SHE IS.
1243
00:45:14,612 --> 00:45:17,648
WELL, AS LONG AS
SHE DOESN'T KNOW IT'S ME,
1244
00:45:17,682 --> 00:45:19,450
YOU SHOULDN'T HAVE A PROBLEM.
1245
00:45:19,484 --> 00:45:21,519
I CAN'T TAKE THAT CHANCE,
THOUGH, CAN I?
1246
00:45:21,552 --> 00:45:22,988
WHAT DO YOU MEAN?
1247
00:45:23,021 --> 00:45:26,992
I MAY RUN SLAM-FM,
BUT I'M YOUR STEPFATHER FIRST.
1248
00:45:27,025 --> 00:45:30,996
IT'S UNFORTUNATE,
BUT THIS HAS GONE TOO FAR.
1249
00:45:31,029 --> 00:45:33,198
YES, IT HAS.
1250
00:45:33,231 --> 00:45:34,432
TOO FAR TO STOP NOW.
1251
00:45:34,465 --> 00:45:36,167
LOOK, THIS IS BIGGER
1252
00:45:36,201 --> 00:45:37,502
THAN SLAM,
OR MORENO, OR EVEN ME.
1253
00:45:37,535 --> 00:45:40,872
I CAN'T TURN MY BACK
ON THE THOUSANDS OF PEOPLE
1254
00:45:40,906 --> 00:45:43,108
WHO FINALLY FEEL LIKE
THEY HAVE A VOICE.
1255
00:45:43,141 --> 00:45:45,510
AND I'M NOT GOING BACK
TO THE SHY, INVISIBLE GIRL
1256
00:45:45,543 --> 00:45:48,279
WHO'S AFRAID TO EVEN SPEAK.
1257
00:45:48,313 --> 00:45:50,581
LOOK, I KNOW
THAT IT'S RISKY,
1258
00:45:50,615 --> 00:45:54,752
BUT I'M NOT
GOING TO BACK DOWN.
1259
00:45:54,786 --> 00:45:57,222
YOU KNOW,
I THINK THAT'S THE MOST
1260
00:45:57,255 --> 00:46:00,225
THAT I'VE EVER HEARD TARA SAY
AT ONE TIME.
1261
00:46:03,294 --> 00:46:05,330
YOU'RE ON IN TWO MINUTES.
1262
00:46:05,363 --> 00:46:07,098
[**]
1263
00:46:08,766 --> 00:46:11,169
GOOD LUCK, KID.
1264
00:46:11,202 --> 00:46:13,104
[DOOR SHUTS]
1265
00:46:14,806 --> 00:46:17,475
A LOT OF YOU
WANT TO KNOW WHO I AM.
1266
00:46:17,508 --> 00:46:20,979
COME ON, COME ON TO MAMA.
1267
00:46:21,012 --> 00:46:22,147
I GET THAT.
1268
00:46:22,180 --> 00:46:24,850
MAYBE IT'D BE EASIER
IF YOU COULD SEE MY FACE.
1269
00:46:24,883 --> 00:46:26,484
BUT THAT'S THE THING...
1270
00:46:26,517 --> 00:46:29,287
'CAUSE IT'S NOT ABOUT ME.
1271
00:46:29,320 --> 00:46:31,089
IT'S ABOUT YOU!
1272
00:46:31,122 --> 00:46:32,757
YOU DON'T NEED
TO KNOW MY NAME.
1273
00:46:32,790 --> 00:46:33,758
[MORENO SIGHS]
1274
00:46:33,791 --> 00:46:35,760
YOU WANNA KNOW WHO I AM?
1275
00:46:35,793 --> 00:46:38,796
I'M SOMEBODY WHO'S TIRED
OF BEING AFRAID.
1276
00:46:38,830 --> 00:46:42,167
I KNOW HOW
IT CAN HOLD YOU BACK,
1277
00:46:42,200 --> 00:46:44,970
SO, SAY IT OUT LOUD.
1278
00:46:45,003 --> 00:46:47,672
JUST SAY WHAT YOU'RE AFRAID OF.
1279
00:46:47,705 --> 00:46:50,308
CALL IN.
1280
00:46:50,341 --> 00:46:52,577
I... DARE YOU.
1281
00:46:52,610 --> 00:46:54,479
[**]
1282
00:46:54,512 --> 00:46:59,617
I GUESS EVERYONE'S TOO AFRAID TO
SAY WHAT THEY'RE AFRAID OF.
1283
00:46:59,650 --> 00:47:00,651
MAYBE THIS SONG'LL INSPIRE YOU.
1284
00:47:00,685 --> 00:47:01,686
[THUMPING]
1285
00:47:01,719 --> 00:47:04,455
LINES 1 THROUGH 20!
1286
00:47:04,489 --> 00:47:05,756
[**]
1287
00:47:05,790 --> 00:47:07,592
[ASTONISHED HUFF]
1288
00:47:07,625 --> 00:47:08,593
[BEEP]
1289
00:47:08,626 --> 00:47:10,328
YOU'RE ON
WITH RADIO REBEL.
1290
00:47:10,361 --> 00:47:11,696
ONE TIME,
1291
00:47:11,729 --> 00:47:13,298
I ACCIDENTALLY SWALLOWED
A TINY PIECE OF TINFOIL,
1292
00:47:13,331 --> 00:47:16,101
SO NOW I'M AFRAID IF I STAND
TOO CLOSE TO THE MICROWAVE,
1293
00:47:16,134 --> 00:47:17,302
I'LL EXPLODE.
1294
00:47:17,335 --> 00:47:20,171
I'M AFRAID OF GETTING CUT
FROM THE FOOTBALL TEAM.
1295
00:47:20,205 --> 00:47:23,074
I'M AFRAID
LARRY MIGHT BE LOSING IT!
1296
00:47:25,143 --> 00:47:28,813
I'M AFRAID I'LL ALWAYS
BE A SINGLE INTEGER.
1297
00:47:28,846 --> 00:47:31,082
I'M AFRAID OF POWER OUTAGES.
1298
00:47:31,116 --> 00:47:34,452
I'M AFRAID
TO DO MY OWN THING.
1299
00:47:36,521 --> 00:47:39,190
I WAS, TOO.
1300
00:47:39,224 --> 00:47:41,426
WAS?
1301
00:47:41,459 --> 00:47:43,428
SO, WHAT CHANGED?
1302
00:47:43,461 --> 00:47:45,997
I GUESS I...
1303
00:47:46,031 --> 00:47:47,933
STARTED DOING THIS SHOW,
1304
00:47:47,966 --> 00:47:49,200
AND I REALIZED...
1305
00:47:49,234 --> 00:47:52,938
YOU'RE NOT AS ALONE
AS YOU FEEL.
1306
00:47:52,971 --> 00:47:55,140
IF YOU CAN REMEMBER THAT,
1307
00:47:55,173 --> 00:47:56,975
IT MIGHT BE A EASIER
TO TAKE A RISK.
1308
00:47:57,008 --> 00:47:59,710
DO YOUR OWN THING.
1309
00:47:59,744 --> 00:48:01,479
YEAH.
1310
00:48:01,512 --> 00:48:03,181
THANKS.
1311
00:48:03,214 --> 00:48:04,215
[BEEP]
1312
00:48:05,650 --> 00:48:07,652
WE'LL TAKE MORE CALLS
IN A MINUTE.
1313
00:48:07,685 --> 00:48:09,087
IN THE MEANTIME,
1314
00:48:09,120 --> 00:48:11,789
YOU GUYS ARE GONNA
SERIOUSLY DIG THIS NEXT SONG.
1315
00:48:11,822 --> 00:48:14,159
[**]
1316
00:48:16,827 --> 00:48:20,465
HEY! WHERE ARE YOU GOING?
1317
00:48:20,498 --> 00:48:23,001
JUST... SOMEWHERE...
1318
00:48:23,034 --> 00:48:25,971
TO DO... SOMETHING.
1319
00:48:26,004 --> 00:48:27,638
[**]
1320
00:48:27,672 --> 00:48:30,041
I'M AFRAID OF HYENAS!
1321
00:48:30,075 --> 00:48:35,046
* YOU CAN'T BE AFRAID
TO MAKE MISTAKES *
1322
00:48:35,080 --> 00:48:39,017
* WE ARE...
WE ARE WHO WE ARE *
1323
00:48:39,050 --> 00:48:41,987
I'M AFRAID TO SHOW PEOPLE
THE REAL ME!
1324
00:48:42,020 --> 00:48:45,023
* WE ARE...
WE ARE WHO WE ARE *
1325
00:48:45,056 --> 00:48:47,325
[KNOCKING AT DOOR]
1326
00:48:47,358 --> 00:48:49,527
CONGRATULATIONS!
1327
00:48:49,560 --> 00:48:50,828
WHAT?
1328
00:48:50,861 --> 00:48:52,263
YOUR PROM QUEEN
NOMINATION!
1329
00:48:52,297 --> 00:48:53,531
IT'S ON THE SCHOOL WEBSITE.
1330
00:48:53,564 --> 00:48:54,899
I AM SO EXCITED.
1331
00:48:54,932 --> 00:48:56,367
BUT WHAT ABOUT
PRINCIPAL MORENO?
1332
00:48:56,401 --> 00:49:00,205
MOM, IF RADIO REBEL WINS,
AND I CONFESS MY IDENTITY,
1333
00:49:00,238 --> 00:49:01,406
I COULD GET EXPELLED.
1334
00:49:01,439 --> 00:49:04,642
I DON'T CARE ABOUT
PRINCIPAL MORENO.
1335
00:49:04,675 --> 00:49:06,744
HONEY, PEOPLE
NOMINATED YOU
1336
00:49:06,777 --> 00:49:07,878
FOR PROM QUEEN
1337
00:49:07,912 --> 00:49:09,880
BECAUSE YOU INSPIRE THEM.
1338
00:49:09,914 --> 00:49:11,082
[SIGHS WITH PRIDE]
1339
00:49:11,116 --> 00:49:12,850
YOU'RE STANDING UP
FOR YOUR BELIEFS,
1340
00:49:12,883 --> 00:49:14,652
AND THAT'S ALL I CARE ABOUT.
1341
00:49:16,087 --> 00:49:17,855
I DON'T THINK
I'M GOING TO PROM.
1342
00:49:17,888 --> 00:49:19,324
LET ME REPHRASE THAT--
1343
00:49:19,357 --> 00:49:22,727
ALL I CARE ABOUT IS YOU STANDING
UP FOR YOUR BELIEFS
1344
00:49:22,760 --> 00:49:24,095
AND PROM!
1345
00:49:24,129 --> 00:49:26,664
YOU HAVE TO GO!
IT'S PROM!
1346
00:49:26,697 --> 00:49:27,765
Y--
1347
00:49:27,798 --> 00:49:28,833
NUH! NO!
1348
00:49:28,866 --> 00:49:30,268
-LET ME FIN--
-YOU HAVE TO!
1349
00:49:30,301 --> 00:49:31,302
MOM--
1350
00:49:31,336 --> 00:49:33,071
UH! YEAH.
OKAY? YOU'RE GOING TO PROM.
1351
00:49:33,104 --> 00:49:36,207
[GIGGLES]: YOU'RE GOING
TO BE EXCELLENT! OOH!
1352
00:49:38,243 --> 00:49:39,910
[P.A. SYSTEM SQUEALS]:
THIS IS YOUR PRINCIPAL.
1353
00:49:39,944 --> 00:49:41,512
THERE'S BEEN SOME CONTROVERSY
1354
00:49:41,546 --> 00:49:44,049
ABOUT THE IDENTITY
OF RADIO REBEL,
1355
00:49:44,082 --> 00:49:46,184
AND THERE IS NOTHING
MORE DISTRACTING
1356
00:49:46,217 --> 00:49:47,618
THAN CONTROVERSY.
1357
00:49:47,652 --> 00:49:51,256
NOW, I GAVE HER THE CHANCE
TO DO THE RIGHT THING
1358
00:49:51,289 --> 00:49:53,224
AND TURN HERSELF IN,
BUT...
1359
00:49:53,258 --> 00:49:55,160
SHE CHOSE TO HIDE,
1360
00:49:55,193 --> 00:49:59,097
AVOIDING THE CONSEQUENCES
OF HER INSUBORDINATION.
1361
00:49:59,130 --> 00:50:01,032
WELL, SHE CAN'T HIDE FOREVER,
1362
00:50:01,066 --> 00:50:02,233
WHICH IS WHY,
1363
00:50:02,267 --> 00:50:04,102
UNTIL RADIO REBEL'S IDENTITY
1364
00:50:04,135 --> 00:50:05,803
IS REVEALED,
1365
00:50:05,836 --> 00:50:07,972
I'M CANCELING THE PROM.
1366
00:50:08,005 --> 00:50:09,307
[GASPING AND REACTING]
1367
00:50:09,340 --> 00:50:12,643
[STUNNED MURMURING CONTINUES]
1368
00:50:12,677 --> 00:50:14,845
FOR EVERYONE!
1369
00:50:14,879 --> 00:50:16,847
[COLLECTIVELY GASPING
IN HORROR]
1370
00:50:16,881 --> 00:50:17,915
SHE CAN'T DO THIS!
1371
00:50:17,948 --> 00:50:19,450
SHE CAN DO
WHATEVER SHE WANTS.
1372
00:50:19,484 --> 00:50:20,985
SHE'S, LIKE,
THE PRINCIPAL.
1373
00:50:21,018 --> 00:50:22,153
NOW DO YOU THINK
1374
00:50:22,187 --> 00:50:23,921
THERE'S FAVORITISM
AT LINCOLN BAY?
1375
00:50:23,954 --> 00:50:24,922
[MICROPHONE CLICKS]
1376
00:50:24,955 --> 00:50:27,992
NOT MORENO...
"RADIO FEEBLE!"
1377
00:50:28,025 --> 00:50:29,327
SHE'S DESTROYING EVERYTHING!
1378
00:50:29,360 --> 00:50:31,296
WHY SHOULD WE HAVE
OUR PROM TAKEN AWAY
1379
00:50:31,329 --> 00:50:32,830
JUST SO SHE CAN
MAKE A POINT?
1380
00:50:32,863 --> 00:50:34,031
THIS IS BAD.
1381
00:50:34,065 --> 00:50:36,601
THIS IS REALLY,
REALLY BAD.
1382
00:50:36,634 --> 00:50:40,938
[STUDENTS]: SAVE OUR PROM!
SAVE OUR PROM!
1383
00:50:40,971 --> 00:50:42,840
SAVE OUR PROM!
1384
00:50:42,873 --> 00:50:46,177
SAVE OUR PROM!
SAVE OUR PROM! SAVE OUR PROM!
1385
00:50:46,211 --> 00:50:48,513
PROM IS A RITE OF PASSAGE.
1386
00:50:48,546 --> 00:50:51,116
IF RADIO REBEL IS REALLY
ALL ABOUT THE PEOPLE,
1387
00:50:51,149 --> 00:50:55,120
THEN SHE'LL REVEAL HER IDENTITY
AND GIVE US OUR PROM BACK!
1388
00:50:55,153 --> 00:50:57,488
[ANGRY CHEERING]
1389
00:50:57,522 --> 00:50:59,524
HOW ARE WE GONNA
GET IN THERE?
1390
00:50:59,557 --> 00:51:01,992
[ANGRY CHEERING
AND SHOUTING CONTINUES]
1391
00:51:02,026 --> 00:51:05,496
* PEOPLE ARE BACKIN' OFF
1392
00:51:05,530 --> 00:51:07,432
* MATES ARE BREAKING UP
1393
00:51:07,465 --> 00:51:09,434
* SOME ARE MAKING UP
1394
00:51:09,467 --> 00:51:12,670
* WE'RE ALL CHEERING UP
PEOPLE ARE BACKING OFF *
1395
00:51:12,703 --> 00:51:15,206
WHO DO YOU BLAME FOR
YOUR PROM GETTING CANCELED?
1396
00:51:16,141 --> 00:51:20,044
OH! LOOK, EVERYBODY!
IT'S RADIO REBEL.
1397
00:51:20,077 --> 00:51:23,548
[CROWD CLAMORING]
1398
00:51:25,450 --> 00:51:27,152
GO, GO, GO!
GO-GO-GO-GO!
1399
00:51:27,185 --> 00:51:30,221
SHOW US WHO YOU ARE,
RADIO REBEL!
1400
00:51:30,255 --> 00:51:32,056
WHO IS IT?
I CAN'T SEE!
1401
00:51:32,089 --> 00:51:34,559
[CHAOS CONTINUES IN BACKGROUND]
1402
00:51:34,592 --> 00:51:37,895
[GIGGLES]: ARE WE LIVE?
1403
00:51:37,928 --> 00:51:39,029
[MIC STAND CREAKS]
1404
00:51:39,063 --> 00:51:40,965
HI, OUT THERE IN RADIO LAND.
1405
00:51:40,998 --> 00:51:44,635
A LOT'S HAPPENED
SINCE WE LAST HUNG OUT, HUH?
1406
00:51:44,669 --> 00:51:46,237
LET ME KNOW WHAT
YOU GUYS THINK.
1407
00:51:46,271 --> 00:51:49,140
CALL ME, TEXT ME,
SCRAWL ON MY WALL.
1408
00:51:49,174 --> 00:51:51,809
DON'T BE SHY.
1409
00:51:51,842 --> 00:51:52,943
[BEEP]
1410
00:51:52,977 --> 00:51:55,012
DO YOU KNOW HOW MANY
DREAMS YOU'VE CRUSHED
1411
00:51:55,045 --> 00:51:56,214
BY CANCELING PROM?
1412
00:51:56,247 --> 00:51:57,448
I AGREE WITH
THE LAST CALLER.
1413
00:51:57,482 --> 00:51:59,016
I'D JUST GOTTEN A DATE,
AND NOW IT'S OVER?
1414
00:51:59,049 --> 00:52:01,952
THIS IS THE LAST TIME
I'M LISTENING TO YOU. EVER!
1415
00:52:01,986 --> 00:52:04,121
[SNAPPING]:
WHO DO YOU THINK YOU ARE?
1416
00:52:04,155 --> 00:52:06,357
YOU DISAPPOINTED
EVERYONE!
1417
00:52:06,391 --> 00:52:07,958
DO YOU EVEN CARE ABOUT
ANYONE BUT YOURSELF?
1418
00:52:07,992 --> 00:52:10,094
DO YOU KNOW HOW MANY
DREAMS YOU'VE CRUSHED?
1419
00:52:10,127 --> 00:52:11,229
I THOUGHT YOU WERE
ON MY SIDE!
1420
00:52:11,262 --> 00:52:13,998
DREAM CRUSHER!
DREAM CRUSHER!
1421
00:52:14,031 --> 00:52:16,334
DO YOU KNOW HOW MANY DREAMS
YOU'VE CRUSHED?
1422
00:52:16,367 --> 00:52:17,668
[ECHOING]:
YOU'RE A DREAM CRUSHER!
1423
00:52:17,702 --> 00:52:19,003
YOU RUINED EVERYTHING!
1424
00:52:19,036 --> 00:52:20,971
[ANGRY VOICES ECHO AND FADE]
1425
00:52:21,005 --> 00:52:22,640
[UNSETTLED]: OKAY...
1426
00:52:22,673 --> 00:52:26,143
YOU GUYS ARE BEING HONEST
ABOUT HOW YOU FEEL.
1427
00:52:26,177 --> 00:52:27,412
[CONSOLE BEEPS]
1428
00:52:27,445 --> 00:52:29,814
YOU'RE ON, LINE TWO.
1429
00:52:29,847 --> 00:52:31,816
I'VE ALWAYS LIKED YOU,
RADIO REBEL.
1430
00:52:31,849 --> 00:52:33,218
YOUR PLAYLISTS TRULY ROCK,
BUT...
1431
00:52:33,251 --> 00:52:36,854
GO AHEAD. LET IT OUT.
1432
00:52:36,887 --> 00:52:38,889
IT'S JUST...
1433
00:52:38,923 --> 00:52:40,691
THERE'S A GIRL
1434
00:52:40,725 --> 00:52:42,827
I WAS HOPING TO IMPRESS
THAT NIGHT.
1435
00:52:42,860 --> 00:52:43,894
[MOUTHS "STACY"]
1436
00:52:46,063 --> 00:52:48,065
SORRY ABOUT THAT.
1437
00:52:48,098 --> 00:52:50,868
YEAH. ME TOO.
1438
00:52:55,072 --> 00:52:56,741
WOW.
1439
00:52:56,774 --> 00:53:00,010
GUESS YOU GUYS ARE...
PRETTY UPSET.
1440
00:53:00,044 --> 00:53:05,383
WELL, UH, I'LL JUST
PLAY SOME MUSIC.
1441
00:53:05,416 --> 00:53:07,885
THIS NEXT SONG'S FOR YOU, GUYS.
1442
00:53:07,918 --> 00:53:10,421
THANKS FOR
BEING HONEST WITH ME.
1443
00:53:10,455 --> 00:53:12,990
I'M SORRY I LET YOU DOWN.
1444
00:53:13,023 --> 00:53:15,726
[**]
1445
00:53:20,030 --> 00:53:22,367
THEY'RE JUST ANGRY.
1446
00:53:22,400 --> 00:53:24,001
THEY'LL, UH,
THEY'LL COME AROUND.
1447
00:53:24,034 --> 00:53:25,403
[ROB SHUTS THE DOOR]
1448
00:53:25,436 --> 00:53:26,871
IT DOESN'T TAKE AWAY
1449
00:53:26,904 --> 00:53:28,706
FROM ALL THE GOOD THINGS
YOU'VE DONE AS RADIO REBEL.
1450
00:53:28,739 --> 00:53:30,341
DID YOU HEAR THEM?
1451
00:53:30,375 --> 00:53:31,476
THEY HATE ME.
1452
00:53:31,509 --> 00:53:34,879
I RUINED THEIR PROM.
1453
00:53:35,980 --> 00:53:37,715
I FEEL HORRIBLE.
1454
00:53:37,748 --> 00:53:40,751
YOU DIDN'T RUIN IT,
THAT PRINCIPAL DID.
1455
00:53:40,785 --> 00:53:42,253
I KNEW SHE WAS ANGRY,
1456
00:53:42,287 --> 00:53:44,755
BUT I DIDN'T KNOW SHE WAS
GONNA DO SOMETHING LIKE THIS.
1457
00:53:44,789 --> 00:53:48,058
MAN, THAT MORENO'S
SUCH A BACKWARDS-THINKER.
1458
00:53:48,092 --> 00:53:50,194
[**]
1459
00:53:50,227 --> 00:53:51,629
"BACKWARDS..."
1460
00:53:51,662 --> 00:53:53,398
THAT'S BRILLIANT!
1461
00:53:53,431 --> 00:53:54,565
WHAT?
1462
00:53:54,599 --> 00:53:55,533
BACKWARDS!
1463
00:53:55,566 --> 00:53:58,936
"BACKWARDS."
1464
00:53:58,969 --> 00:54:00,371
[**]
1465
00:54:00,405 --> 00:54:02,106
[SIGHS, FRUSTRATED]
1466
00:54:02,139 --> 00:54:04,975
I THOUGHT
EVERYONE WOULD BE GONE BY NOW.
1467
00:54:05,009 --> 00:54:08,078
[**]
1468
00:54:08,112 --> 00:54:11,616
THIS CALLS
FOR A PROFESSIONAL.
1469
00:54:11,649 --> 00:54:14,919
SOMEBODY ORDER
THE "MEATY SUBTACULAR?"
1470
00:54:16,020 --> 00:54:17,522
HELLO?
1471
00:54:17,555 --> 00:54:19,557
[SANDWICH GASPS]
1472
00:54:19,590 --> 00:54:20,625
[TARA]: HI.
1473
00:54:20,658 --> 00:54:21,626
COULD YOU
DO US A FAVOR?
1474
00:54:21,659 --> 00:54:22,627
SURE.
1475
00:54:22,660 --> 00:54:25,463
YOU WANT EXTRA MARINARA?
1476
00:54:25,496 --> 00:54:26,697
AW! THAT WOULD BE AWESOME!
1477
00:54:26,731 --> 00:54:28,065
AUDREY.
1478
00:54:28,098 --> 00:54:29,634
AND... FOCUSING.
I AM THE HYENA!
1479
00:54:29,667 --> 00:54:30,735
[SANDWICH BALKS]
1480
00:54:30,768 --> 00:54:32,703
YOU SEE THOSE GIRLS
OUT THERE?
1481
00:54:32,737 --> 00:54:34,405
WE NEED TO
GET OUT OF HERE
1482
00:54:34,439 --> 00:54:35,973
WITHOUT ANY OF THEM
SEEING US.
1483
00:54:36,006 --> 00:54:38,709
[SANDWICH]:
YOU CAN COUNT ON ME.
1484
00:54:38,743 --> 00:54:40,110
I'M JUST SAD
1485
00:54:40,144 --> 00:54:42,046
THE WORLD'LL BE DEPRIVED
OF ME IN MY PROM DRESS.
1486
00:54:42,079 --> 00:54:44,281
IT'S A STRAPLESS NUMBER,
IT'S OH-SO-CHIC, IT'S...
1487
00:54:44,315 --> 00:54:46,250
A TURKEY ON RYE?
1488
00:54:46,283 --> 00:54:47,452
[**]
1489
00:54:47,485 --> 00:54:49,019
HELLO, SEATTLE!
1490
00:54:49,053 --> 00:54:50,688
CARE TO COMMENT
ON RADIO REBEL?
1491
00:54:50,721 --> 00:54:51,956
YES, I WOULD!
1492
00:54:51,989 --> 00:54:55,059
YOU'RE LISTENING
TO DJ DANCING-SANDWICH!
1493
00:54:55,092 --> 00:54:56,927
THAT TURNTABLE'S SPINNING
IN A FUNKY GROOVE.
1494
00:54:56,961 --> 00:54:58,696
[KIM]:
THAT SANDWICH CAN DANCE!
1495
00:54:58,729 --> 00:55:01,366
DANCE, DANCING-SANDWICH!
1496
00:55:01,399 --> 00:55:02,833
WHOO-OOH-WHOO!
1497
00:55:02,867 --> 00:55:06,003
[**]
1498
00:55:07,204 --> 00:55:09,940
WHEN I HEAR HER,
I'VE GOT TO MOVE!
1499
00:55:09,974 --> 00:55:11,175
I GOT THE GROOVE!
1500
00:55:15,613 --> 00:55:17,247
WOULD YOU
GET BACK DOWN?
1501
00:55:17,281 --> 00:55:18,849
YOU'RE BLOWING
OUR COVER, LARRY!
1502
00:55:18,883 --> 00:55:20,084
I CAN'T DO IT, MAN.
1503
00:55:20,117 --> 00:55:21,886
I THINK I FELT
A HUMAN HAND.
1504
00:55:21,919 --> 00:55:23,053
THAT WAS
MY HAND, LARRY!
1505
00:55:23,087 --> 00:55:24,288
[WHINES IN HORROR]:
WHA-HA-HA!
1506
00:55:24,321 --> 00:55:25,523
[THUD]
1507
00:55:25,556 --> 00:55:28,192
[ON P.A.]: GOOD MORNING,
LINCOLN BAY HIGH SCHOOL!
1508
00:55:28,225 --> 00:55:30,495
THIS IS CAMI Q FROM SLAM-FM,
1509
00:55:30,528 --> 00:55:34,231
BRINGING YOU
A SPECIAL MESSAGE FROM...
1510
00:55:34,264 --> 00:55:35,833
[TARA AS REBEL]:
RADIO REBEL HERE.
1511
00:55:35,866 --> 00:55:37,234
NOW, YOU GUYS REALLY
1512
00:55:37,267 --> 00:55:39,069
UNLEASHED YOUR FURY
ABOUT THE PROM DRAMA,
1513
00:55:39,103 --> 00:55:41,005
AND I WANT YOU TO KNOW,
YOU'VE TOTALLY BEEN HEARD.
1514
00:55:41,038 --> 00:55:43,374
CANCELING PROM
WAS MONUMENTALLY UNFAIR,
1515
00:55:43,408 --> 00:55:46,877
BUT BLAMING MORENO
ISN'T GONNA SOLVE ANYTHING.
1516
00:55:46,911 --> 00:55:48,946
I WANT TO DO SOMETHING
ABOUT IT,
1517
00:55:48,979 --> 00:55:50,515
AND SO DOES SLAM,
1518
00:55:50,548 --> 00:55:51,749
WHICH IS WHY
1519
00:55:51,782 --> 00:55:53,684
WE'RE GIVING YOU ALL
WHAT YOU WANT--
1520
00:55:53,718 --> 00:55:55,553
YOUR PROM BACK!
1521
00:55:55,586 --> 00:55:58,723
[CHEERING]
1522
00:55:58,756 --> 00:56:00,124
[**]
1523
00:56:00,157 --> 00:56:03,327
SLAM-FM IS THROWING
ITS FIRST-EVER "MORP!"
1524
00:56:03,360 --> 00:56:05,129
THAT'S "PROM"
SPELLED BACKWARDS,
1525
00:56:05,162 --> 00:56:07,432
'CAUSE WE'RE TURNING PROM
UPSIDE-DOWN.
1526
00:56:07,465 --> 00:56:08,599
WHAT'S MORE--
1527
00:56:08,633 --> 00:56:10,401
TICKETS ARE FREE,
AND EVERYONE IS INVITED!
1528
00:56:10,435 --> 00:56:11,836
SO, DON'T WORRY ABOUT
FINDING A DATE,
1529
00:56:11,869 --> 00:56:13,070
OR SPENDING
YOUR COLLEGE SAVINGS
1530
00:56:13,103 --> 00:56:15,105
ON A DRESS
AND A TUX AND A LIMO.
1531
00:56:15,139 --> 00:56:16,340
JUST COME AS YOU ARE,
1532
00:56:16,373 --> 00:56:18,543
'CAUSE THAT'S THE WAY
WE LIKE YOU.
1533
00:56:18,576 --> 00:56:19,844
[SNAPS]: GOT YOU!
1534
00:56:19,877 --> 00:56:21,579
[ANNOUNCEMENT ENDS]
1535
00:56:25,983 --> 00:56:27,618
IT'S JUST RIDICULOUS. "MORP?"
1536
00:56:27,652 --> 00:56:28,853
WHO EVER HEARD OF A MORP?
1537
00:56:28,886 --> 00:56:30,354
THAT'S THE WHOLE POINT,
I THINK.
1538
00:56:30,387 --> 00:56:32,590
TO DO SOMETHING
TOTALLY DIFFERENT.
1539
00:56:32,623 --> 00:56:33,858
IT COULD BE GREAT.
1540
00:56:33,891 --> 00:56:35,092
YOU KNOW, GAVIN,
1541
00:56:35,125 --> 00:56:36,661
I THOUGHT
YOU WOULD'VE BEEN MORE UPSET
1542
00:56:36,694 --> 00:56:37,862
ABOUT PROM BEING CANCELED,
1543
00:56:37,895 --> 00:56:39,497
CONSIDERING
WE WERE GOING TOGETHER.
1544
00:56:39,530 --> 00:56:41,331
WELL, YEAH, BUT...
1545
00:56:41,365 --> 00:56:44,001
WE CAN STILL
GO TO MORP, RIGHT?
1546
00:56:44,034 --> 00:56:45,436
IT'S NOT THE SAME!
1547
00:56:45,470 --> 00:56:47,772
I MEAN, NO LIMOS, NO DRESSES?
WHAT IS THE POINT?
1548
00:56:47,805 --> 00:56:49,406
TO COME AS YOU ARE.
1549
00:56:49,440 --> 00:56:50,340
BE YOURSELF.
1550
00:56:50,374 --> 00:56:51,809
WHAT ABOUT
PROM KING AND QUEEN?
1551
00:56:51,842 --> 00:56:53,911
PEOPLE WERE NOMINATED,
SOMEBODY HAS TO BE CROWNED!
1552
00:56:53,944 --> 00:56:55,713
IT'S, LIKE, LAW!
1553
00:56:55,746 --> 00:56:57,782
WHY DON'T YOU CALL RADIO REBEL
AND TELL HER THAT?
1554
00:56:57,815 --> 00:57:01,018
I'M SURE SHE'D LOVE TO HEAR
FROM HER NUMBER-ONE FAN.
1555
00:57:01,051 --> 00:57:03,153
[LAUGHS]
1556
00:57:03,954 --> 00:57:05,189
WE NEED TO REHEARSE.
1557
00:57:05,222 --> 00:57:06,824
I'M NOT GOING TO FAIL
THIS ASSIGNMENT
1558
00:57:06,857 --> 00:57:08,659
BECAUSE YOU TWO HAVE
ZERO WORK ETHIC.
1559
00:57:08,693 --> 00:57:10,728
[STACY GROANS IN DISGUST]
1560
00:57:10,761 --> 00:57:12,497
[SCHOOL BELL RINGS]
1561
00:57:12,530 --> 00:57:15,132
[QUIETLY]:
I THINK WE'RE IN TROUBLE.
1562
00:57:15,165 --> 00:57:16,734
[BOTH LAUGHING]
1563
00:57:16,767 --> 00:57:19,537
[TARA]: SO, I'VE BEEN GETTING
A BILLION QUESTIONS
1564
00:57:19,570 --> 00:57:21,071
ABOUT THE MORP,
WHICH RULES,
1565
00:57:21,105 --> 00:57:22,473
'CAUSE YOU ALL SEEM
STOKED TO GO...
1566
00:57:22,507 --> 00:57:24,642
WHICH IS THE WHOLE POINT,
RIGHT?
1567
00:57:24,675 --> 00:57:27,244
A PARTY WHERE
EVERYONE FEELS LIKE ROYALTY?
1568
00:57:27,277 --> 00:57:29,313
BUT, THEN AGAIN...
1569
00:57:29,346 --> 00:57:32,049
MAYBE WE SHOULD CROWN
A MORP KING AND QUEEN?
1570
00:57:32,082 --> 00:57:34,919
I MEAN, AFTER ALL,
PEOPLE WERE NOMINATED.
1571
00:57:34,952 --> 00:57:36,754
LOOK, IF THAT'S WHAT
YOU GUYS WANT,
1572
00:57:36,787 --> 00:57:37,855
THAT'S WHAT WE'LL DO.
1573
00:57:37,888 --> 00:57:39,790
MORP IS ALL YOURS.
1574
00:57:39,824 --> 00:57:41,125
SO, MAKE SURE TO VOTE
1575
00:57:41,158 --> 00:57:42,860
FOR YOUR FAVORITE
MORP KING AND QUEEN.
1576
00:57:42,893 --> 00:57:44,895
MAKE YOUR VOICES HEARD...
1577
00:57:44,929 --> 00:57:47,765
ESPECIALLY
MY NUMBER-ONE FAN.
1578
00:57:47,798 --> 00:57:50,167
[**]
1579
00:57:50,200 --> 00:57:52,737
[DOORBELL CHIMES]
1580
00:57:54,138 --> 00:57:55,973
HI. IS TARA HOME?
1581
00:57:56,006 --> 00:57:58,509
UH, SORRY, SWEETIE,
SHE'S NOT HERE.
1582
00:57:58,543 --> 00:57:59,409
HMM.
1583
00:57:59,443 --> 00:58:01,979
I'M IN HER ENGLISH CLASS,
1584
00:58:02,012 --> 00:58:03,848
WE'RE SUPPOSED TO STUDY
TONIGHT.
1585
00:58:03,881 --> 00:58:05,683
DO YOU KNOW WHERE SHE IS?
1586
00:58:05,716 --> 00:58:06,917
AFRAID NOT.
1587
00:58:06,951 --> 00:58:08,553
I'M JUST HERE
1588
00:58:08,586 --> 00:58:10,788
TRYING THIS NEW EXPERIMENTAL
CUTICLE-REJUVENATION TECHNIQUE.
1589
00:58:10,821 --> 00:58:11,722
DO YOU WANNA TRY?
1590
00:58:11,756 --> 00:58:13,123
NO. THANKS.
1591
00:58:13,157 --> 00:58:15,359
UH, DO YOU KNOW
WHEN TARA MIGHT BE BACK?
1592
00:58:15,392 --> 00:58:17,294
SORRY, SWEETIE. I DON'T.
1593
00:58:17,327 --> 00:58:18,696
I'LL TELL HER YOU STOPPED BY.
1594
00:58:18,729 --> 00:58:20,931
TAH-TAH.
1595
00:58:20,965 --> 00:58:23,200
[SCHOOL BELL RINGS]
1596
00:58:23,233 --> 00:58:25,536
[INDISTINCT EXCHANGE]
1597
00:58:25,570 --> 00:58:27,605
[LOUDLY]:
I AM SO PARCHED!
1598
00:58:27,638 --> 00:58:29,740
WHAT I WOULDN'T GIVE
FOR A SMOOTHIE RIGHT NOW.
1599
00:58:29,774 --> 00:58:30,875
HOW ABOUT YOU, GAVIN?
1600
00:58:30,908 --> 00:58:31,909
ARE YOU READY FOR A BREAK?
1601
00:58:31,942 --> 00:58:32,977
SURE.
1602
00:58:33,010 --> 00:58:34,478
TARA, DO YOU
WANT ANYTHING?
1603
00:58:34,511 --> 00:58:36,681
NO, I'M FINE.
THANK YOU.
1604
00:58:36,714 --> 00:58:38,883
[**]
1605
00:58:42,252 --> 00:58:44,188
SO... TARA.
1606
00:58:44,221 --> 00:58:46,724
I'M HAVING A PARTY
AT MY PLACE TONIGHT...
1607
00:58:46,757 --> 00:58:49,059
AND, IN THE SPIRIT
OF RADIO REBEL,
1608
00:58:49,093 --> 00:58:51,128
I'M INVITING EVERYONE...
1609
00:58:51,161 --> 00:58:54,264
EVEN CIVILIANS LIKE YOURSELF.
1610
00:58:54,298 --> 00:58:56,366
UH, GEE...
1611
00:58:56,400 --> 00:58:58,636
THANKS, BUT I HAVE PLANS.
1612
00:58:58,669 --> 00:58:59,436
REALLY?
1613
00:58:59,469 --> 00:59:02,439
SAME PLANS AS LAST NIGHT?
1614
00:59:02,472 --> 00:59:04,141
I WENT BY YOUR HOUSE.
1615
00:59:04,174 --> 00:59:06,176
I COULD'VE SWORN
YOU SAID WEDNESDAY
1616
00:59:06,210 --> 00:59:08,445
WAS YOUR "MANDATORY
FAMILY DINNER NIGHT,"
1617
00:59:08,478 --> 00:59:11,115
BUT YOUR MOM HAD NO IDEA
WHERE YOU WERE.
1618
00:59:11,148 --> 00:59:12,950
STRANGE, HUH?
1619
00:59:12,983 --> 00:59:16,320
I-I WAS, UH... LIBRARY.
1620
00:59:16,353 --> 00:59:17,888
YOU WERE, "UH... LIBRARY?"
1621
00:59:17,922 --> 00:59:19,123
SURE YOU WERE.
1622
00:59:19,156 --> 00:59:20,691
THERE'S NO WAY
THAT YOU WERE, SAY,
1623
00:59:20,725 --> 00:59:23,360
DJing A RADIO SHOW
AT THAT TIME?
1624
00:59:23,393 --> 00:59:25,863
NO.
WHY WOULD YOU THINK THAT?
1625
00:59:25,896 --> 00:59:28,565
RADIO REBEL MENTIONED HER
"NUMBER-ONE FAN" LAST NIGHT.
1626
00:59:28,599 --> 00:59:30,134
THAT'S WHAT
YOU CALLED ME YESTERDAY.
1627
00:59:30,167 --> 00:59:31,802
MUST BE A COINCID....
1628
00:59:31,836 --> 00:59:33,037
SAVE IT!
1629
00:59:33,070 --> 00:59:35,840
I'M WATCHING YOU, TARA.
1630
00:59:35,873 --> 00:59:39,309
IF YOU THINK
THAT I'M RADIO REBEL,
1631
00:59:39,343 --> 00:59:41,211
WHY DON'T YOU JUST TELL
PRINCIPAL MORENO?
1632
00:59:41,245 --> 00:59:42,980
SHE ALREADY THINKS
YOU'RE PERFECT.
1633
00:59:43,013 --> 00:59:44,715
BECAUSE I NEED PROOF...
1634
00:59:44,749 --> 00:59:46,416
AND, TONIGHT, I WILL GET IT.
1635
00:59:46,450 --> 00:59:48,919
IF YOU DON'T SHOW UP
AT MY PARTY TONIGHT,
1636
00:59:48,953 --> 00:59:50,187
WE'LL BOTH KNOW WHY.
1637
00:59:50,220 --> 00:59:51,856
WHY DO YOU EVEN CARE?
1638
00:59:51,889 --> 00:59:52,890
I'LL TELL YOU WHY.
1639
00:59:52,923 --> 00:59:54,024
VOTES.
1640
00:59:54,058 --> 00:59:56,560
PEOPLE ARE GOING TO
ELECT HER "MORP QUEEN"
1641
00:59:56,593 --> 00:59:58,562
BECAUSE THEY WANT
TO FIND OUT WHO SHE IS.
1642
00:59:58,595 --> 00:59:59,964
BUT IF THEY ALREADY KNOW,
1643
00:59:59,997 --> 01:00:03,200
THEY'LL VOTE FOR THE GIRL
WHO TRULY DESERVES IT...
1644
01:00:03,233 --> 01:00:04,468
ME!
1645
01:00:04,501 --> 01:00:06,704
THIS LITTLE DJ ACT
IS COMING TO AN END.
1646
01:00:06,737 --> 01:00:07,938
SOON.
1647
01:00:07,972 --> 01:00:09,039
[FOOTSTEPS]
1648
01:00:09,073 --> 01:00:11,175
YOU ARE MY HERO!
1649
01:00:11,208 --> 01:00:12,342
WHAT DO
YOU THINK, GAVIN?
1650
01:00:12,376 --> 01:00:14,411
SHOULD WE TAKE IT
FROM THE TOP?
1651
01:00:14,444 --> 01:00:16,413
YEAH.
1652
01:00:16,446 --> 01:00:18,248
THE THING
ABOUT YOUR CHARACTER...
1653
01:00:18,282 --> 01:00:21,151
[**]
1654
01:00:24,121 --> 01:00:27,391
HOO! A PARTY DURING
RADIO REBEL'S BROADCAST?
1655
01:00:27,424 --> 01:00:28,726
THIS IS BRILLIANT.
1656
01:00:28,759 --> 01:00:30,795
TONIGHT,
THE MYSTERY ENDS.
1657
01:00:30,828 --> 01:00:32,997
WHOEVER
DOESN'T SHOW UP...
1658
01:00:33,030 --> 01:00:34,331
HEY.
1659
01:00:34,364 --> 01:00:36,734
HEY. WHERE WERE YOU
JUST NOW?
1660
01:00:36,767 --> 01:00:38,068
PARKING.
1661
01:00:38,102 --> 01:00:39,737
YOU'RE SURE YOU WEREN'T SETTING
UP A BROADCAST STATION
1662
01:00:39,770 --> 01:00:41,672
FROM A REMOTE SATELLITE?
1663
01:00:41,706 --> 01:00:44,742
YOU'RE ACCUSING ME
OF BEING RADIO REBEL?
1664
01:00:45,509 --> 01:00:48,112
ONE: I'VE BEEN HELPING YOU
SEARCH FOR HER ALL THIS TIME,
1665
01:00:48,145 --> 01:00:49,579
AND TWO: I'M A GUY!
1666
01:00:49,613 --> 01:00:51,782
HO, HO!
A PERFECT COVER, LARRY.
1667
01:00:51,816 --> 01:00:54,018
IF THAT IS YOUR REAL NAME.
1668
01:00:54,051 --> 01:00:56,553
[**]
1669
01:00:56,586 --> 01:00:58,022
[GUESTS CHATTING]
1670
01:00:58,055 --> 01:00:59,323
[SNAPS]:
WHO ARE YOU?
1671
01:00:59,356 --> 01:01:00,457
I DON'T KNOW YOU.
1672
01:01:00,490 --> 01:01:01,892
OH. WE'RE BIOLOGY PARTNERS.
1673
01:01:01,926 --> 01:01:04,294
I'VE GONE TO SCHOOL WITH YOU
SINCE THE FIRST GRADE.
1674
01:01:04,328 --> 01:01:05,730
I DIDN'T ASK
FOR YOUR LIFE STORY,
1675
01:01:05,763 --> 01:01:07,631
BUT THANKS FOR COMING.
HAVE FUN.
1676
01:01:09,266 --> 01:01:11,268
ONE MINUTE TILL 7:00!
1677
01:01:11,301 --> 01:01:13,237
HMM! AND WHO ISN'T HERE?
1678
01:01:13,270 --> 01:01:14,404
[BOTH]: EXACTLY!
1679
01:01:14,438 --> 01:01:15,840
HI!
1680
01:01:16,974 --> 01:01:18,008
[**]
1681
01:01:18,042 --> 01:01:19,343
HERE I AM.
1682
01:01:19,376 --> 01:01:20,878
HMPH. SO I SEE.
1683
01:01:20,911 --> 01:01:23,013
BUT I'M STILL
WATCHING YOU!
1684
01:01:23,047 --> 01:01:26,216
GO DOWNSTAIRS
AND WATCH HER.
1685
01:01:26,250 --> 01:01:27,617
[**]
1686
01:01:27,651 --> 01:01:29,920
[BUSTLE AND BUZZ
OF PARTYGOERS]
1687
01:01:29,954 --> 01:01:31,655
FASTER!
1688
01:01:31,688 --> 01:01:33,657
[ANNOUNCER]: COMING TO YOU,
ONLY ON SLAM-FM,
1689
01:01:33,690 --> 01:01:35,726
SEATTLE'S HOTTEST DJ...
1690
01:01:35,760 --> 01:01:38,528
IT'S RADIO REBEL!
1691
01:01:38,562 --> 01:01:39,730
[**]
1692
01:01:39,764 --> 01:01:42,099
[TARA AS REBEL]:
THIS IS RADIO REBEL,
1693
01:01:42,132 --> 01:01:44,401
COMING AT YOU LIVE
FROM SLAM-FM.
1694
01:01:44,434 --> 01:01:45,635
TONIGHT IS ALL ABOUT YOU.
1695
01:01:45,669 --> 01:01:47,571
LINES ARE OPEN.
YOU KNOW THE NUMBER.
1696
01:01:47,604 --> 01:01:49,306
I'M CALLING IN
TO THE SHOW!
1697
01:01:49,339 --> 01:01:50,540
DON'T BE SHY.
1698
01:01:50,574 --> 01:01:53,077
HOW ARE YOU HERE
AND THERE?
1699
01:01:53,110 --> 01:01:55,445
YOU'RE ON
WITH RADIO REBEL!
1700
01:01:55,479 --> 01:01:57,081
DO YOU KNOW
YOU'RE A HYPOCRITE?
1701
01:01:57,114 --> 01:01:58,282
HI. WHAT'S
YOUR NAME, CALLER?
1702
01:01:58,315 --> 01:01:59,549
SAVE IT!
1703
01:01:59,583 --> 01:02:00,985
YOU SAY
YOU'RE ALL ABOUT THE PEOPLE,
1704
01:02:01,018 --> 01:02:02,319
BUT MORP IS ALL ABOUT YOU.
1705
01:02:02,352 --> 01:02:04,755
NOW YOU GET TO LOBBY
FOR "MORP QUEEN" VOTES
1706
01:02:04,789 --> 01:02:06,256
ON THE RADIO EVERY NIGHT.
NOT FAIR!
1707
01:02:06,290 --> 01:02:09,059
THE OTHER MORP QUEEN NOMINEES
SHOULD GET EQUAL AIRTIME.
1708
01:02:09,093 --> 01:02:09,860
MEANING ME.
1709
01:02:09,894 --> 01:02:12,763
PLAY...
PLAY TRACK 15.
1710
01:02:13,597 --> 01:02:14,765
[TARA AS REBEL]:
I TOTALLY HEAR YOU.
1711
01:02:14,799 --> 01:02:15,766
YOU "HEAR ME?"
1712
01:02:15,800 --> 01:02:17,067
I DON'T THINK YOU DO.
1713
01:02:17,101 --> 01:02:18,135
TRACK 22.
1714
01:02:18,168 --> 01:02:19,736
[TARA AS REBEL]:
SAY WHAT YOU WANNA SAY.
1715
01:02:19,770 --> 01:02:22,372
I THINK YOU'RE USING
SUBLIMINAL BRAINWASHING
1716
01:02:22,406 --> 01:02:23,874
TO GET PEOPLE TO VOTE FOR YOU.
1717
01:02:23,908 --> 01:02:26,143
SO I'M GONNA TAKE THIS
OPPORTUNITY TO ASK THE SCHOOL
1718
01:02:26,176 --> 01:02:28,512
TO VOTE FOR ME,
STACY, FOR MORP QUEEN.
1719
01:02:28,545 --> 01:02:30,214
PLAY 40 NEXT.
1720
01:02:31,148 --> 01:02:32,716
HI! WHAT'S
YOUR NAME, CALLER?
1721
01:02:32,749 --> 01:02:34,451
YOU ALREADY ASKED ME THAT.
1722
01:02:34,484 --> 01:02:35,519
I SAID PLAY 40!
1723
01:02:35,552 --> 01:02:37,521
YOU SAID 14.
1724
01:02:37,554 --> 01:02:40,090
[**]
1725
01:02:40,124 --> 01:02:41,558
PLAY 33.
1726
01:02:41,591 --> 01:02:42,960
[TARA AS REBEL]:
THANKS FOR CALLING.
1727
01:02:42,993 --> 01:02:44,128
I'M NOT DONE WITH YOU!
1728
01:02:44,161 --> 01:02:46,463
SORRY, WE CAN'T ALL BE WINNERS,
1729
01:02:46,496 --> 01:02:47,597
AND I'M GONNA WIN,
1730
01:02:47,631 --> 01:02:49,033
DESPITE THE FACT
THAT I DON'T
1731
01:02:49,066 --> 01:02:51,001
HAVE AN ENTIRE RADIO STATION
CAMPAIGNING FOR ME,
1732
01:02:51,035 --> 01:02:52,870
WHICH REALLY MAKES ME
THE UNDERDOG.
1733
01:02:52,903 --> 01:02:55,372
[STACY CONTINUES
INDISTINCTLY IN BACKGROUND]
1734
01:02:55,405 --> 01:02:56,540
[DIALING]
1735
01:02:56,573 --> 01:02:57,774
PICK UP, PICK UP...
1736
01:02:57,808 --> 01:02:59,043
IT'S TARA!
1737
01:02:59,076 --> 01:03:00,477
PATCH ME INTO THE SHOW!
1738
01:03:00,510 --> 01:03:03,580
[**]
1739
01:03:03,613 --> 01:03:04,815
WHY SO QUIET?
1740
01:03:04,849 --> 01:03:06,116
DOES THE TRUTH HURT?
1741
01:03:06,150 --> 01:03:07,551
DO YOU WANT TO KNOW THE TRUTH?
1742
01:03:07,584 --> 01:03:08,819
[KNOCKING]
1743
01:03:08,853 --> 01:03:10,354
[PARTY GUY]: STOP
HOGGING THE BATHROOM!
1744
01:03:10,387 --> 01:03:11,621
WHAT WAS THAT?
1745
01:03:11,655 --> 01:03:12,489
UM...
1746
01:03:12,522 --> 01:03:13,657
[**]
1747
01:03:13,690 --> 01:03:15,392
I KNOCKED OVER MY CHAIR.
1748
01:03:15,425 --> 01:03:18,528
'CAUSE I WANTED
TO GET CLOSE TO THE MIC
1749
01:03:18,562 --> 01:03:20,197
SO YOU COULD HEAR ME CLEARLY.
1750
01:03:20,230 --> 01:03:21,631
OH, I CAN
HEAR YOU CLEARLY!
1751
01:03:21,665 --> 01:03:24,101
[**]
1752
01:03:24,134 --> 01:03:26,170
I CAN HEAR YOU
VERY CLEARLY.
1753
01:03:26,203 --> 01:03:29,874
I CAN HEARD YOU SO CLEARLY,
RADIO REBEL,
1754
01:03:29,907 --> 01:03:31,141
THAT WE COULD BE
IN THE SAME BUILDING!
1755
01:03:31,175 --> 01:03:33,210
SAME BUILDING?
WHAT, ARE YOU CRAZY?
1756
01:03:33,243 --> 01:03:35,645
ARE YOU HERE
AT SLAM, STACY?
1757
01:03:35,679 --> 01:03:37,047
I DON'T SEE YOU.
1758
01:03:37,081 --> 01:03:39,383
OR MAYBE
YOU'RE HIDING SOMEWHERE?
1759
01:03:39,416 --> 01:03:41,585
[**]
1760
01:03:41,618 --> 01:03:42,953
[SLAM]
1761
01:03:42,987 --> 01:03:44,989
I'M JUST A LITTLE BE WORRIED
ABOUT YOU, STACY.
1762
01:03:45,022 --> 01:03:46,924
I'M AFRAID THAT IF
I BEAT YOU OUT FOR MORP QUEEN,
1763
01:03:46,957 --> 01:03:49,826
YOUR FRAGILE EGO
WON'T BE ABLE TO SURVIVE.
1764
01:03:49,860 --> 01:03:51,828
[KIDS LAUGHING]
1765
01:03:51,862 --> 01:03:54,364
CAN YOU
HAND ME MY JACKET?
1766
01:03:54,398 --> 01:03:55,432
WHAT WAS THAT?
1767
01:03:55,465 --> 01:03:57,034
I'M SORRY. WHAT?
1768
01:03:57,067 --> 01:03:57,968
WHO WAS THAT?
1769
01:03:58,002 --> 01:03:59,536
THAT WAS MY SOUND GUY.
1770
01:03:59,569 --> 01:04:02,973
WE JUST GOT A BRAND-NEW DEMO
IN TODAY CALLED "MY JACKET."
1771
01:04:03,007 --> 01:04:04,108
WE COULD PLAY IT FOR YOU.
1772
01:04:04,141 --> 01:04:05,675
I HAVE A BETTER IDEA.
1773
01:04:05,709 --> 01:04:07,777
WHY DON'T YOU COME FORWARD
AND STOP HIDING LIKE A COWARD?
1774
01:04:07,811 --> 01:04:09,679
[**]
1775
01:04:09,713 --> 01:04:11,181
WOULD A COWARD BE AFRAID
1776
01:04:11,215 --> 01:04:13,017
TO GO UP AGAINST YOU
FOR MORP QUEEN?
1777
01:04:13,050 --> 01:04:14,218
'CAUSE I'M NOT.
1778
01:04:14,251 --> 01:04:16,120
I'LL SEE YOU THERE,
AND YOU'LL SEE
1779
01:04:16,153 --> 01:04:17,687
THAT I'M NOT AFRAID
OF ANYTHING.
1780
01:04:17,721 --> 01:04:19,523
THANKS FOR CALLING!
1781
01:04:25,362 --> 01:04:27,497
WHAT ARE YOU DOING
IN MY BEDROOM?
1782
01:04:27,531 --> 01:04:29,900
I WAS TRYING TO FIND
THE BATHROOM.
1783
01:04:29,934 --> 01:04:31,168
YOUR HOUSE IS--
1784
01:04:31,201 --> 01:04:32,970
WHAT ARE YOU REALLY
DOING IN HERE?
1785
01:04:33,003 --> 01:04:36,173
LOOKING AT YOUR PHOTOS.
1786
01:04:37,107 --> 01:04:38,342
[CHUCKLES]
1787
01:04:38,375 --> 01:04:39,676
I REMEMBER YOU USED TO
DRESS LIKE THAT
1788
01:04:39,709 --> 01:04:41,611
EVERY DAY
IN SECOND GRADE.
1789
01:04:42,679 --> 01:04:45,983
I ALSO REMEMBER
BEING REALLY JEALOUS.
1790
01:04:46,016 --> 01:04:48,618
OF WHAT?
EVERYONE MAKING FUN OF ME?
1791
01:04:48,652 --> 01:04:52,356
NO, HOW CONFIDENT YOU WERE
BEING YOURSELF.
1792
01:04:52,389 --> 01:04:54,524
I DIDN'T KNOW
PEOPLE MADE FUN OF YOU.
1793
01:04:55,859 --> 01:04:58,062
IT DOESN'T FEEL SO GOOD,
DOES IT?
1794
01:04:58,095 --> 01:04:59,964
I DON'T NEED
A LESSON IN MANNERS FROM YOU.
1795
01:04:59,997 --> 01:05:01,398
NOW, GET OUT OF MY ROOM!
1796
01:05:06,703 --> 01:05:10,307
[**]
1797
01:05:16,213 --> 01:05:19,549
[**]
1798
01:05:19,583 --> 01:05:20,784
[CROWD BUZZING]
1799
01:05:20,817 --> 01:05:21,885
THAT WAS AMAZING.
1800
01:05:21,918 --> 01:05:24,521
SHE WAS FREAKED OUT!
1801
01:05:25,956 --> 01:05:28,258
AND GAVIN
JUST SMILED AT YOU.
1802
01:05:28,292 --> 01:05:31,996
I THINK IT WAS MORE
OF A GENERAL SMILE.
1803
01:05:32,029 --> 01:05:34,631
IT SEEMED
PRETTY SPECIFIC TO ME.
1804
01:05:34,664 --> 01:05:36,066
[GUYS]: HEY!
1805
01:05:36,100 --> 01:05:38,068
WE CANNOT WAIT
FOR THIS!
1806
01:05:38,102 --> 01:05:41,271
WE'RE THE GEES,
AND THIS IS "WE SO FLY!"
1807
01:05:41,305 --> 01:05:42,639
[CHEERING]
1808
01:05:42,672 --> 01:05:45,209
* CAUGHT ME SNEAKING
OUT THE BACK *
1809
01:05:46,043 --> 01:05:48,945
* DADDY CHASED ME
DOWN THE STREET *
1810
01:05:49,813 --> 01:05:52,049
* GOOD THING
I'VE BEEN RUNNING TRACK *
1811
01:05:52,082 --> 01:05:54,851
* HE'LL GROUND ME
TILL I'M 83 *
1812
01:05:56,486 --> 01:05:59,123
* GONNA MEET UP
WITH MY HOMIES *
1813
01:05:59,156 --> 01:06:01,992
* PARTY LIKE WE'RE V.I.P.
1814
01:06:02,026 --> 01:06:03,193
I CAN'T BELIEVE
1815
01:06:03,227 --> 01:06:05,395
THERE'S SO MANY
NON-POPS IN MY BACKYARD.
1816
01:06:05,429 --> 01:06:06,696
IT FEELS LIKE
THEY'RE MULTIPLYING.
1817
01:06:06,730 --> 01:06:09,533
LIKE COCKROACHES...
AND HANGERS.
1818
01:06:09,566 --> 01:06:12,436
* ROCK WITH US TONIGHT
1819
01:06:13,170 --> 01:06:14,271
* WE SO
1820
01:06:14,304 --> 01:06:17,107
* FLY
1821
01:06:17,141 --> 01:06:19,043
* WE SO
1822
01:06:19,076 --> 01:06:20,810
[STACY SHRIEKS]
1823
01:06:20,844 --> 01:06:22,512
ARE YOU KIDDING ME?
1824
01:06:22,546 --> 01:06:24,314
I DIDN'T DO ANYTHING.
1825
01:06:24,348 --> 01:06:25,815
YOU BUMPED
INTO ME.
1826
01:06:25,849 --> 01:06:28,285
YOU COME TO MY HOUSE
AND YOU SPILL YOUR DRINK ON ME?
1827
01:06:28,318 --> 01:06:29,786
THIS COST A FORTUNE!
1828
01:06:29,819 --> 01:06:30,587
* WE SO
1829
01:06:30,620 --> 01:06:32,422
IT WAS AN ACCIDENT, STACY.
1830
01:06:32,456 --> 01:06:35,259
AUDREY WOULD NEVER DO SOMETHING
LIKE THAT ON PURPOSE,
1831
01:06:35,292 --> 01:06:36,593
UNLIKE SOME PEOPLE.
1832
01:06:36,626 --> 01:06:38,328
DO YOU KNOW WHAT
YOUR PROBLEM IS?
1833
01:06:38,362 --> 01:06:39,596
YOU KNOW WHAT?
1834
01:06:39,629 --> 01:06:41,398
I DON'T CARE WHAT
YOU THINK MY PROBLEM IS.
1835
01:06:41,431 --> 01:06:43,833
KEEP IT TO YOURSELF.
1836
01:06:43,867 --> 01:06:46,103
[**]
1837
01:06:47,304 --> 01:06:48,772
I NEED A NEW OUTFIT!
1838
01:06:48,805 --> 01:06:50,040
KIM! LET'S GO!
1839
01:06:50,074 --> 01:06:51,908
WE'RE GOING!
1840
01:06:51,941 --> 01:06:54,044
THANKS FOR THAT.
1841
01:06:55,679 --> 01:06:59,049
I LOVE HOW RADIO REBEL
IS RUBBING OFF ON YOU, TOO.
1842
01:06:59,083 --> 01:07:01,718
[ALL LAUGHING]
1843
01:07:01,751 --> 01:07:03,387
[**]
1844
01:07:03,420 --> 01:07:06,022
* WE SO
FLY *
1845
01:07:06,056 --> 01:07:07,191
* WE SO
1846
01:07:07,224 --> 01:07:09,859
* FLY
1847
01:07:09,893 --> 01:07:13,263
* WE SO FLY
1848
01:07:13,297 --> 01:07:16,032
* WE IS WHO WE IS
1849
01:07:16,066 --> 01:07:19,103
* WE SO
FLY *
1850
01:07:21,805 --> 01:07:25,008
[THE GEES CONTINUE THEIR SET
BELOW]
1851
01:07:26,476 --> 01:07:28,412
[CROWD BUZZING]
1852
01:07:28,445 --> 01:07:30,647
SHE'S PLAYING US.
I KNOW IT.
1853
01:07:30,680 --> 01:07:32,849
NOW YOU JUST
NEED TO PROVE IT.
1854
01:07:35,152 --> 01:07:38,422
[**]
1855
01:07:38,455 --> 01:07:39,989
[MUTTERS TO SELF]:
OKAY... YOU CAN DO IT.
1856
01:07:40,023 --> 01:07:41,991
JUST GO OVER THERE.
1857
01:07:42,025 --> 01:07:43,127
HEY.
1858
01:07:44,794 --> 01:07:46,930
YOU GUYS
PUT ON A GREAT SHOW.
1859
01:07:46,963 --> 01:07:48,165
THANKS.
1860
01:07:48,198 --> 01:07:49,466
BUT IT'S ALL GABE.
1861
01:07:49,499 --> 01:07:50,934
HE'S A GOOD FRONTMAN.
1862
01:07:50,967 --> 01:07:52,869
IT'S NOT ALL GABE.
1863
01:07:52,902 --> 01:07:54,771
TRUST ME.
1864
01:07:54,804 --> 01:07:57,807
YOU KNOW, EVER SINCE
THE BAND TOOK OFF,
1865
01:07:57,841 --> 01:08:00,910
PEOPLE ASSUME
I'M THIS CONFIDENT GUY...
1866
01:08:00,944 --> 01:08:03,180
BUT...
1867
01:08:03,213 --> 01:08:05,182
I GET NERVOUS BEFORE GIGS.
1868
01:08:05,215 --> 01:08:06,983
LIKE, REALLY NERVOUS.
1869
01:08:07,016 --> 01:08:08,051
YEAH?
1870
01:08:08,084 --> 01:08:09,253
YEAH.
1871
01:08:10,587 --> 01:08:13,223
WE'RE NOT SO DIFFERENT,
I GUESS...
1872
01:08:13,257 --> 01:08:14,724
IS WHAT I'M TRYING TO SAY.
1873
01:08:16,626 --> 01:08:19,996
SO... HOW DO YOU DO IT?
1874
01:08:21,165 --> 01:08:25,435
I TRY TO REMEMBER
I'M NOT AS ALONE AS I FEEL.
1875
01:08:25,469 --> 01:08:27,971
RADIO REBEL TAUGHT ME THAT.
1876
01:08:30,073 --> 01:08:33,042
SHE'S A CLEVER ONE.
1877
01:08:33,076 --> 01:08:35,312
YEAH. SHE IS.
1878
01:08:35,345 --> 01:08:36,580
[GABE]: SLACKER!
1879
01:08:36,613 --> 01:08:39,216
COME HELP LOAD THE VAN.
1880
01:08:40,684 --> 01:08:43,019
YOU SHOULD...
1881
01:08:44,988 --> 01:08:46,022
SEE YOU.
1882
01:08:46,055 --> 01:08:47,023
BYE.
1883
01:08:47,056 --> 01:08:49,559
[**]
1884
01:08:54,531 --> 01:08:58,502
PIZZA DELIVERY INCOMING!
1885
01:08:58,535 --> 01:09:01,771
THERE'S PIZZA FOR CAMI Q!
1886
01:09:01,805 --> 01:09:04,874
WHERE IS STUDIO FOUR?
1887
01:09:06,310 --> 01:09:08,178
ANYBODY HERE?
1888
01:09:08,212 --> 01:09:10,547
CAMI Q?
1889
01:09:10,580 --> 01:09:13,817
[**]
1890
01:09:16,085 --> 01:09:18,722
[**]
1891
01:09:24,961 --> 01:09:27,764
I'M SORRY, I KIND OF LOST
MY COOL IN THERE A BIT.
1892
01:09:27,797 --> 01:09:29,966
HEY, DON'T WORRY.
I MEAN, YOU'LL GET IT.
1893
01:09:29,999 --> 01:09:33,169
[CAMI]: HEY, I'M GONNA MAKE YOU
A DJ IN NO TIME--
1894
01:09:33,203 --> 01:09:35,905
"DJ MAMA REBEL."
1895
01:09:35,939 --> 01:09:38,375
OH, I LIKE THE SOUND OF THAT!
1896
01:09:39,509 --> 01:09:41,645
[SIGHS]
1897
01:09:41,678 --> 01:09:42,846
[iPHONE BEEPS]
1898
01:09:42,879 --> 01:09:44,080
I WAS AFRAID
WE BIFFED THE CALL.
1899
01:09:44,113 --> 01:09:46,883
WE NEARLY DID
A COUPLE OF TIMES.
1900
01:09:46,916 --> 01:09:49,419
YOU GOTTA
HAND IT TO HER.
1901
01:09:49,453 --> 01:09:50,787
I MEAN,
TARA WAS RIGHT.
1902
01:09:50,820 --> 01:09:53,757
YOU REALLY CAN BE
IN TWO PLACES AT ONCE.
1903
01:09:53,790 --> 01:09:55,925
I'M JUST SO GLAD
SHE ASKED ME TO HELP.
1904
01:09:55,959 --> 01:09:58,628
I SOMETIMES THINK
THAT MAYBE
1905
01:09:58,662 --> 01:10:00,630
SHE'S A LITTLE EMBARRASSED
BY HER CRAZY MOM.
1906
01:10:00,664 --> 01:10:01,631
ARE YOU KIDDING?
1907
01:10:01,665 --> 01:10:02,932
SHE ADORES YOU.
1908
01:10:02,966 --> 01:10:05,835
I MEAN, SHE TALKS
ABOUT YOU ALL THE TIME.
1909
01:10:05,869 --> 01:10:09,138
SHE DOES?
1910
01:10:09,172 --> 01:10:11,207
OH!
1911
01:10:11,241 --> 01:10:13,477
MASCARA OVERFLOW!
EXCUSE ME.
1912
01:10:14,778 --> 01:10:16,346
OOF! ACK!
1913
01:10:16,380 --> 01:10:17,814
[THUD]
1914
01:10:19,249 --> 01:10:20,917
HI! DID YOU ORDER
1915
01:10:20,950 --> 01:10:23,019
THE "SUPER-DUPER CHEESEY-PLEASEY
VEGETARIAN
1916
01:10:23,052 --> 01:10:24,854
BEEF-O-RAMA,
HOLD THE DRAMA?"
1917
01:10:24,888 --> 01:10:26,022
GREAT CHOICE!
1918
01:10:26,055 --> 01:10:28,157
I CAN'T GET
ENOUGH OF THIS SAUCE.
1919
01:10:28,191 --> 01:10:29,158
NOT YOU?
1920
01:10:29,192 --> 01:10:30,494
OKAY! SORRY!
1921
01:10:30,527 --> 01:10:32,662
BYE.
1922
01:10:32,696 --> 01:10:33,763
[**]
1923
01:10:33,797 --> 01:10:36,800
STACY! STACY, I GOT IT!
I GOT--
1924
01:10:36,833 --> 01:10:38,034
[THUD-CRASH]
1925
01:10:39,836 --> 01:10:41,170
[MRS. BROWER]:
I THINK WE'RE READY.
1926
01:10:41,204 --> 01:10:43,172
PLEASE REMEMBER YOUR GOALS.
1927
01:10:43,206 --> 01:10:45,275
GET YOUR "ACTOR" ENERGY UP!
1928
01:10:45,309 --> 01:10:47,544
TARA! THANK GOODNESS,
I FOUND YOU.
1929
01:10:47,577 --> 01:10:48,845
THERE HAVE BEEN
SOME LAST-MINUTE
1930
01:10:48,878 --> 01:10:49,979
CHANGES TO THE SCENE.
1931
01:10:50,013 --> 01:10:51,548
DON'T WORRY,
YOU CAN HANDLE IT.
1932
01:10:51,581 --> 01:10:52,716
BUT DOES GAVIN KNOW?
1933
01:10:52,749 --> 01:10:54,050
GAVIN IS THE LEAST
OF YOUR WORRIES.
1934
01:10:54,083 --> 01:10:55,519
WAIT! THIS IS
THE JANITOR'S CLOSET.
1935
01:10:55,552 --> 01:10:56,720
[LOCK THUDS]
1936
01:10:56,753 --> 01:10:59,055
WHAT? STACY!
1937
01:10:59,088 --> 01:11:00,390
STACY! LET ME OUT!
1938
01:11:00,424 --> 01:11:01,691
ENJOY YOUR "F."
1939
01:11:01,725 --> 01:11:03,593
[KIM]:
ROMEO? WHERE ARE YOU?
1940
01:11:03,627 --> 01:11:07,464
I MEAN, SERIOUSLY,
IT'S FREEZING OUT HERE.
1941
01:11:07,497 --> 01:11:10,066
WHY CAN'T YOU JUST STOP
BEING A MONTAGUE?
1942
01:11:10,099 --> 01:11:11,735
THE CAPULETS ARE WAY COOLER.
1943
01:11:11,768 --> 01:11:13,136
EVERYBODY SAYS.
1944
01:11:13,169 --> 01:11:16,005
MY FATHER ISN'T REALLY
A BAD GUY.
1945
01:11:16,039 --> 01:11:18,342
HE JUST WATCHES
TOO MANY MOVIES.
1946
01:11:18,375 --> 01:11:21,210
[THUMPING DOOR]:
LET ME OUT!
1947
01:11:22,512 --> 01:11:25,382
ROMEO, THIS WHOLE FEUDING THING
IS REALLY ANNOYING...
1948
01:11:25,415 --> 01:11:28,852
DUDE, READY TO ROCK OUT
WITH THE DRAMA DORKS?
1949
01:11:28,885 --> 01:11:30,053
[DRYLY]: THAT'S FUNNY.
1950
01:11:30,086 --> 01:11:31,321
HAVE YOU GUYS SEEN TARA?
SHE'S LATE.
1951
01:11:31,355 --> 01:11:33,923
MOVE ON, ALREADY!
PAY ATTENTION TO STACY.
1952
01:11:33,957 --> 01:11:35,992
YOU'RE TURNING INTO
A REAL JERK,
1953
01:11:36,025 --> 01:11:37,361
YOU KNOW THAT, DON'T YOU?
1954
01:11:37,394 --> 01:11:38,928
-ME?
-YEAH.
1955
01:11:38,962 --> 01:11:40,163
YOU'RE THE ONE
1956
01:11:40,196 --> 01:11:41,765
WHO NEEDS TO GET
HIS PRIORITIES STRAIGHT.
1957
01:11:41,798 --> 01:11:42,866
OR WHAT?
1958
01:11:42,899 --> 01:11:44,267
YOU GONNA KICK ME
OUT OF THE BAND?
1959
01:11:44,300 --> 01:11:46,503
IS THAT WHAT YOU WANT?
1960
01:11:46,536 --> 01:11:47,637
WHAT I WANT
1961
01:11:47,671 --> 01:11:49,673
IS FOR YOU TO DROP
THE STUPID ROCK-STAR ACT
1962
01:11:49,706 --> 01:11:51,040
FOR FIVE MINUTES,
1963
01:11:51,074 --> 01:11:53,477
AND JUST TRY-- TRY!--
TO BE A NORMAL PERSON.
1964
01:11:53,510 --> 01:11:55,479
OKAY. I AM THE FRONTMAN
OF THIS BAND.
1965
01:11:55,512 --> 01:11:58,515
THIS "ROCK-STAR ACT"
IS WHAT PUT US ON THE MAP.
1966
01:11:58,548 --> 01:12:00,717
IF YOU DON'T WANNA BE
A PART OF THAT,
1967
01:12:00,750 --> 01:12:03,119
THEN THAT'S FINE WITH US.
1968
01:12:03,152 --> 01:12:05,455
WHAT HAPPENED
TO "GEES FOR LIFE"?
1969
01:12:05,489 --> 01:12:08,157
[CHUCKLES]:
HMM. YEAH. ASK YOURSELF THAT.
1970
01:12:08,191 --> 01:12:11,294
ENJOY YOUR SOLO CAREER,
GAVIN.
1971
01:12:11,327 --> 01:12:13,096
[MRS. BROWER]:
THANK YOU VERY MUCH.
1972
01:12:13,129 --> 01:12:15,031
NEXT UP IS AUDREY.
1973
01:12:15,064 --> 01:12:16,500
[APPLAUDING]
1974
01:12:16,533 --> 01:12:17,967
[HEELS CLOPPING]
1975
01:12:18,001 --> 01:12:19,469
[**]
1976
01:12:19,503 --> 01:12:21,571
[MUTTERING TO HERSELF]:
JUST BRE-EE-EATHE YOUR WORDS.
1977
01:12:21,605 --> 01:12:22,706
OKAY. GO.
1978
01:12:22,739 --> 01:12:24,307
AHEM-AHEM.
1979
01:12:24,340 --> 01:12:26,142
[HUFFS A STEADYING BREATH]
1980
01:12:26,175 --> 01:12:28,912
[PANICKY SIGH]
1981
01:12:28,945 --> 01:12:30,880
ALAS... POOR SPORK.
1982
01:12:30,914 --> 01:12:32,449
I USED HIM, HARRY...
1983
01:12:32,482 --> 01:12:35,785
FOR HE WAS A WONDROUS
AND VERSATILE UTENSIL.
1984
01:12:35,819 --> 01:12:38,087
A FORK AND A SPOON.
1985
01:12:38,121 --> 01:12:39,155
COME ON! PICK UP THE PHONE. PICK
UP THE PHONE.
1986
01:12:39,188 --> 01:12:40,156
PICK UP THE PHONE.
1987
01:12:40,189 --> 01:12:42,291
[PAINED CRY]: OH! SPORK!
1988
01:12:42,325 --> 01:12:45,061
STACY! HAVE YOU
SEEN TARA?
1989
01:12:45,094 --> 01:12:46,295
NO.
1990
01:12:46,329 --> 01:12:48,798
[BLURTS]: SERIOUSLY? OH!
1991
01:12:48,832 --> 01:12:50,900
I HAVE NO IDEA
WHERE SHE IS.
1992
01:12:50,934 --> 01:12:52,969
I CAN'T BELIEVE
SHE'D DO THIS TO US.
1993
01:12:53,002 --> 01:12:54,438
SO UNPRO.
1994
01:12:54,471 --> 01:12:56,540
WE HAVE TO TELL MRS. BROWER
WE CAN'T DO OUR SCENE.
1995
01:12:56,573 --> 01:12:57,441
NO, NO-NO-NO!
1996
01:12:57,474 --> 01:12:59,142
STACY DEBANE
IS NOT A QUITTER,
1997
01:12:59,175 --> 01:13:00,510
AND I'M NOT GONNA
FAIL THIS ASSIGNMENT
1998
01:13:00,544 --> 01:13:03,379
JUST BECAUSE TARA'S A NO-SHOW.
1999
01:13:03,413 --> 01:13:05,248
[MICROPHONE SQUEALS]
2000
01:13:05,281 --> 01:13:06,349
[STACY]:
LADIES AND GENTLEMEN,
2001
01:13:06,382 --> 01:13:08,017
I'D LIKE
TO MAKE AN ANNOUNCEMENT.
2002
01:13:08,051 --> 01:13:11,788
STACY DEBANE WILL BE PERFORMING
IN PLACE OF TARA ADAMS,
2003
01:13:11,821 --> 01:13:14,691
WHO, APPARENTLY, COULDN'T BE
BOTHERED TO SHOW UP.
2004
01:13:14,724 --> 01:13:16,392
[**]
2005
01:13:16,426 --> 01:13:18,428
[POUNDING WHILE YELLING]:
SOMEONE, LET ME OUT!
2006
01:13:18,462 --> 01:13:21,598
LOOKS LIKE
IT'S JUST YOU AND I.
2007
01:13:21,631 --> 01:13:22,599
[SPAZZING]
2008
01:13:22,632 --> 01:13:23,700
[SHE GASPS]
2009
01:13:23,733 --> 01:13:25,635
THANK YOU!
2010
01:13:25,669 --> 01:13:26,903
OH!
2011
01:13:28,004 --> 01:13:30,907
[**]
2012
01:13:32,075 --> 01:13:34,310
SEE? LOOK AT MY PANTS.
I'M A DUDE.
2013
01:13:34,343 --> 01:13:36,680
[**]
2014
01:13:38,848 --> 01:13:41,751
WHAT'S SHE WAITING FOR?
2015
01:13:41,785 --> 01:13:44,020
[**]
2016
01:13:44,053 --> 01:13:46,322
I'M WAITING FOR YOU
TO MAKE A MOVE.
2017
01:13:46,355 --> 01:13:48,124
[FOOTSTEPS RACING]
2018
01:13:48,157 --> 01:13:50,426
BUT, SINCE
YOU AREN'T GOING TO,
2019
01:13:50,460 --> 01:13:52,896
I'LL MAKE A MOVE
MYSELF.
2020
01:13:52,929 --> 01:13:54,964
[**]
2021
01:13:57,033 --> 01:13:58,101
[GASPS SILENTLY]
2022
01:13:58,134 --> 01:14:00,136
[**]
2023
01:14:00,169 --> 01:14:01,805
[CLAPPING ALONE]
2024
01:14:01,838 --> 01:14:03,406
BRAVO! BRAVO!
2025
01:14:03,439 --> 01:14:06,409
[OTHERS JOIN IN APPLAUSE]
2026
01:14:06,442 --> 01:14:08,545
[MRS. BROWER]:
OKAY, EVERYBODY.
2027
01:14:08,578 --> 01:14:10,647
LISTEN, THANK YOU VERY MUCH
FOR ALL OF YOUR HARD WORK.
2028
01:14:10,680 --> 01:14:14,250
I APPRECIATE IT VERY MUCH,
ESPECIALLY...
2029
01:14:14,283 --> 01:14:16,486
OH, NO. LOOK.
2030
01:14:17,420 --> 01:14:20,189
HE IS SO
DISAPPOINTED IN YOU.
2031
01:14:20,223 --> 01:14:22,992
AND WHO
CAN BLAME HIM?
2032
01:14:25,361 --> 01:14:26,362
[CHUCKLES BITTERLY]
2033
01:14:26,395 --> 01:14:28,031
OKAY, "RADIO DRIVEL."
2034
01:14:28,064 --> 01:14:30,667
YOU WERE BAD ENOUGH
WHEN YOU DIDN'T TALK.
2035
01:14:30,700 --> 01:14:34,771
BUT TRYING TO DESTROY ME
ON YOUR STUPID RADIO SHOW?
2036
01:14:34,804 --> 01:14:36,940
DID YOU REALLY THINK
YOU'D GET AWAY WITH THAT?
2037
01:14:36,973 --> 01:14:39,208
LOOK. YOU'RE WRONG.
I'M NOT HER. IF I--
2038
01:14:39,242 --> 01:14:40,977
SAVE IT! YOU'RE NOT HER?
2039
01:14:41,010 --> 01:14:42,045
[BEEP]
2040
01:14:42,078 --> 01:14:43,680
THEN EXPLAIN THIS...
2041
01:14:43,713 --> 01:14:45,414
[CAMI Q]: I WAS AFRAID
WE BIFFED THE CALL.
2042
01:14:45,448 --> 01:14:46,816
TARA WAS RIGHT.
2043
01:14:46,850 --> 01:14:49,152
YOU REALLY CAN BE
IN TWO PLACES AT ONCE.
2044
01:14:49,185 --> 01:14:51,054
THAT DOESN'T PROVE ANYTHING.
2045
01:14:51,087 --> 01:14:52,421
NO? THEN YOU WON'T MIND
2046
01:14:52,455 --> 01:14:53,957
IF I EMAIL IT
TO THE WHOLE SCHOOL...
2047
01:14:53,990 --> 01:14:55,992
AND MORENO?
2048
01:14:56,025 --> 01:14:58,127
WHAT DO YOU WANT?
2049
01:14:58,161 --> 01:14:59,328
MORP QUEEN.
2050
01:14:59,362 --> 01:15:01,297
YOU'RE GONNA MAKE SURE I WIN...
2051
01:15:01,330 --> 01:15:03,132
OR RADIO REBEL IS.
2052
01:15:03,166 --> 01:15:06,002
TELL EVERYONE ON YOUR SHOW
TO VOTE FOR ME.
2053
01:15:06,035 --> 01:15:08,838
AND IF YOU SAY ANYTHING ABOUT
THIS LITTLE PRIVATE MOMENT,
2054
01:15:08,872 --> 01:15:11,374
I'LL TELL EVERYONE
WHO YOU REALLY ARE.
2055
01:15:11,407 --> 01:15:13,577
[**]
2056
01:15:15,311 --> 01:15:18,247
OKAY... I HAD A BAD DAY.
2057
01:15:18,281 --> 01:15:21,217
KIND OF SHOOK ME UP.
2058
01:15:21,250 --> 01:15:23,286
IT MADE ME WONDER...
2059
01:15:23,319 --> 01:15:24,754
[SIGHS]
2060
01:15:24,788 --> 01:15:26,556
AM I DOING THE RIGHT THING?
2061
01:15:26,590 --> 01:15:30,093
I MEAN, IS IT-- IS IT WORTH IT
IF I GET EXPELLED?
2062
01:15:30,126 --> 01:15:33,529
OR IF IT MESSES THINGS UP
WITH THE GUY I LIKE?
2063
01:15:33,563 --> 01:15:35,832
I DON'T KNOW.
2064
01:15:35,865 --> 01:15:39,502
WHAT I DO KNOW IS THAT
THERE WILL BE PEOPLE OUT THERE
2065
01:15:39,535 --> 01:15:41,537
WHO TRY AND TAKE THINGS
AWAY FROM US,
2066
01:15:41,571 --> 01:15:43,306
THINGS BIGGER THAN PROM...
2067
01:15:43,339 --> 01:15:48,411
AND WE CAN JUST SIT BACK
AND WATCH IT HAPPEN,
2068
01:15:48,444 --> 01:15:51,715
OR WE CAN STAND UP
FOR OURSELVES.
2069
01:15:51,748 --> 01:15:54,651
I MEAN, WE ALL DESERVE
TO DANCE TO OUR OWN PLAYLISTS,
2070
01:15:54,684 --> 01:15:56,385
NO MATTER WHAT MORENO
2071
01:15:56,419 --> 01:15:58,622
OR ANYONE ELSE
HAS TO SAY ABOUT IT.
2072
01:15:58,655 --> 01:16:00,890
OH. ONE MORE THING.
2073
01:16:00,924 --> 01:16:02,491
UM...
2074
01:16:02,525 --> 01:16:04,060
I KNOW A LOT OF YOU GUYS
2075
01:16:04,093 --> 01:16:06,395
WANT TO VOTE ME QUEEN
TO FIND OUT WHO I AM.
2076
01:16:06,429 --> 01:16:08,331
I DON'T NEED THAT CROWN.
2077
01:16:08,364 --> 01:16:10,634
BUT... STACY DEBANE?
2078
01:16:10,667 --> 01:16:12,636
SHE KIND OF REALLY DOES.
2079
01:16:12,669 --> 01:16:14,771
JUST KEEP THAT IN MIND
WHEN YOU VOTE.
2080
01:16:14,804 --> 01:16:17,440
[PHONE ALERT CHIMES]
2081
01:16:17,473 --> 01:16:21,077
[**]
2082
01:16:21,110 --> 01:16:22,812
[SCHOOL BELL RINGS]
2083
01:16:23,980 --> 01:16:25,248
STACY.
2084
01:16:25,281 --> 01:16:27,951
THERE YOU ARE! I'VE BEEN DYING
TO SHOW YOU THIS BOW-TIE
2085
01:16:27,984 --> 01:16:29,653
I FOUND FOR YOU
TO WEAR TO THE MORP.
2086
01:16:29,686 --> 01:16:31,287
IT PERFECTLY MATCHES MY DRESS.
HOW CUTE IS THAT?
2087
01:16:31,320 --> 01:16:32,255
STACY.
2088
01:16:32,288 --> 01:16:33,322
WHAT?
2089
01:16:33,356 --> 01:16:35,124
I KNOW WHAT YOU DID TO TARA.
2090
01:16:35,158 --> 01:16:35,992
AUDREY TOLD ME.
2091
01:16:36,025 --> 01:16:37,293
WHAT ARE YOU
TALKING ABOUT?
2092
01:16:37,326 --> 01:16:38,561
THE CLOSET.
2093
01:16:38,594 --> 01:16:41,130
DON'T BOTHER DENYING IT.
I HAVE A WITNESS.
2094
01:16:43,900 --> 01:16:45,802
WHAT DID TARA EVER DO TO YOU?
2095
01:16:45,835 --> 01:16:47,637
YOU DON'T KNOW HER, GAVIN.
2096
01:16:47,671 --> 01:16:49,372
SHE'S NOT WHO YOU THINK SHE IS.
SHE'S--
2097
01:16:49,405 --> 01:16:52,942
NO, STACY. YOU'RE NOT
WHO I THOUGHT YOU WERE.
2098
01:16:54,143 --> 01:16:55,979
I CAN'T GO TO MORP WITH YOU.
I'M SORRY.
2099
01:16:56,012 --> 01:16:57,914
BUT WE'RE GONNA
BE KING AND QUEEN!
2100
01:16:57,947 --> 01:16:59,582
I DON'T WANNA BE KING.
2101
01:16:59,615 --> 01:17:01,751
I NEVER DID.
2102
01:17:05,288 --> 01:17:07,724
[**]
2103
01:17:12,128 --> 01:17:15,164
[**]
2104
01:17:24,774 --> 01:17:26,075
WHERE'S TARA?
2105
01:17:26,109 --> 01:17:28,277
UM, MORE TO THE POINT:
WHERE'S RADIO REBEL?
2106
01:17:28,311 --> 01:17:30,613
OH! MY TRUE LOVE
SHALL BE REVEALED.
2107
01:17:30,646 --> 01:17:31,948
HOW DO I LOOK?
2108
01:17:31,981 --> 01:17:33,282
UH, A LITTLE GREEN.
2109
01:17:33,316 --> 01:17:35,284
COULD BE THE LIGHTING...
OR SOMETHING WORSE.
2110
01:17:35,318 --> 01:17:39,122
WE'RE STANDING IN
A MICROBIAL HOTSPOT RIGHT NOW.
2111
01:17:39,155 --> 01:17:40,857
WHOA.
2112
01:17:40,890 --> 01:17:43,392
[**]
2113
01:17:44,928 --> 01:17:46,696
[CHUCKLES GUSHINGLY]
2114
01:17:46,730 --> 01:17:48,564
-HEY.
-HEY.
2115
01:17:48,597 --> 01:17:50,233
YOU LOOK AMAZING.
2116
01:17:50,266 --> 01:17:51,434
WHY, THANK YOU!
2117
01:17:51,467 --> 01:17:53,737
HAVE YOU SEEN GAVIN?
2118
01:17:53,770 --> 01:17:55,104
I-I REALLY SHOULD
TALK TO HIM.
2119
01:17:55,138 --> 01:17:56,239
-WAIT! WHAT ARE YOU GONNA SAY?
-I DON'T KNOW.
2120
01:17:56,272 --> 01:17:57,540
-YOU MEAN YOU HAVEN'T--?
-NOT YET.
2121
01:17:57,573 --> 01:17:58,742
-YOU KNOW YOU NEED TO.
-I KNOW!
2122
01:17:58,775 --> 01:17:59,776
ARE WE
MISSING SOMETHING?
2123
01:17:59,809 --> 01:18:01,544
CONFERENCE. NOW.
2124
01:18:01,577 --> 01:18:04,113
[**]
2125
01:18:05,815 --> 01:18:09,018
[**]
2126
01:18:18,828 --> 01:18:20,496
[SIGHS]:
I DON'T KNOW WHAT TO DO.
2127
01:18:20,529 --> 01:18:21,765
I'M FREAKING OUT.
2128
01:18:21,798 --> 01:18:23,532
JUST... BREATHE.
2129
01:18:23,566 --> 01:18:28,972
[BOTH BREATHING DEEPLY
AND EXHALING MINDFULLY]
2130
01:18:31,574 --> 01:18:33,409
OKAY.
2131
01:18:33,442 --> 01:18:35,144
OKAY.
2132
01:18:35,178 --> 01:18:37,213
OKAY.
2133
01:18:39,382 --> 01:18:41,785
[**]
2134
01:18:41,818 --> 01:18:44,387
YOU'RE BEAUTIFUL.
2135
01:18:44,420 --> 01:18:47,523
YOU'RE A QUEEN,
NO MATTER WHAT HAPPENS.
2136
01:18:49,725 --> 01:18:52,728
[TAKES A STEADYING BREATH]
2137
01:18:52,762 --> 01:18:55,264
[**]
2138
01:19:04,040 --> 01:19:06,442
GOOD EVENING, SEATTLE!
2139
01:19:06,475 --> 01:19:08,812
YOU READY TO FIND OUT
WHO YOUR MORP QUEEN IS?
2140
01:19:08,845 --> 01:19:10,046
[CHEERING]
2141
01:19:10,079 --> 01:19:12,882
IT'S TIME TO SEE
WHO'S BEEN CROWNED
2142
01:19:12,916 --> 01:19:14,483
FROM LINCOLN BAY HIGH.
2143
01:19:14,517 --> 01:19:16,752
YEAH!
2144
01:19:16,786 --> 01:19:18,888
WE HAD TWO NOMINATIONS
2145
01:19:18,922 --> 01:19:20,023
FOR MORP KING,
2146
01:19:20,056 --> 01:19:21,490
BUT ONE DROPPED OUT.
2147
01:19:21,524 --> 01:19:23,659
[**]
2148
01:19:23,692 --> 01:19:27,130
SO THAT LEAVES...
2149
01:19:27,163 --> 01:19:29,532
GABE LEVIOLET!
2150
01:19:29,565 --> 01:19:32,301
[CHEERING]
2151
01:19:40,176 --> 01:19:42,345
I'D LIKE TO INVITE
2152
01:19:42,378 --> 01:19:45,414
YOUR MORP COURT PRINCESSES
TO JOIN ME ONSTAGE.
2153
01:19:45,448 --> 01:19:46,215
[GUY]: WHOO!
2154
01:19:46,249 --> 01:19:47,383
DON'T BE NERVOUS.
2155
01:19:47,416 --> 01:19:48,351
THAT'S, LIKE,
THE WORST THING TO SAY
2156
01:19:48,384 --> 01:19:49,685
TO A NERVOUS PERSON, KIM.
2157
01:19:49,718 --> 01:19:50,920
I KNOW.
YOU'RE WELCOME.
2158
01:19:50,954 --> 01:19:51,988
LET'S HEAR IT
2159
01:19:52,021 --> 01:19:53,156
FOR STACY DEBANE!
2160
01:19:53,189 --> 01:19:56,525
[CHEERING]
2161
01:20:03,066 --> 01:20:06,002
AND... RADIO REBEL!
2162
01:20:06,035 --> 01:20:08,104
[WILD CHEERING]
2163
01:20:14,543 --> 01:20:16,579
[**]
2164
01:20:21,017 --> 01:20:22,986
[APPLAUSE BEGINS TO DAMPEN]
2165
01:20:23,019 --> 01:20:25,188
RADIO REBEL?
2166
01:20:25,221 --> 01:20:27,590
ARE YOU OUT THERE?
2167
01:20:27,623 --> 01:20:30,326
[**]
2168
01:20:33,963 --> 01:20:36,332
WELL, I GUESS
WE'LL CONTINUE.
2169
01:20:36,365 --> 01:20:38,734
YOUR MORP QUEEN IS...
2170
01:20:38,767 --> 01:20:42,371
[SUSPENSEFUL MURMURING]
2171
01:20:45,274 --> 01:20:48,744
RADIO REBEL!
2172
01:20:48,777 --> 01:20:51,347
[CHEERING ERUPTS]
2173
01:20:51,380 --> 01:20:53,749
[SHRIEKING MADLY]
2174
01:20:57,286 --> 01:20:59,422
[CHEERING CONTINUES]
2175
01:21:02,258 --> 01:21:03,792
[FAN]:
WE LOVE YOU, RADIO REBEL!
2176
01:21:03,826 --> 01:21:07,463
SINCE SHE ISN'T HERE
TO ACCEPT HER CROWN,
2177
01:21:07,496 --> 01:21:08,998
MAYBE IT SHOULD
GO TO THE PERSON
2178
01:21:09,032 --> 01:21:11,100
WITH THE SECOND-MOST
VOTES?
2179
01:21:11,134 --> 01:21:13,102
[CROWD BUZZING
WITH DISAPPOINTMENT]
2180
01:21:13,136 --> 01:21:14,703
[BEEP]
2181
01:21:14,737 --> 01:21:16,305
[TARA AS REBEL, ON SPEAKERS]:
MOST OF YOU DON'T KNOW ME.
2182
01:21:16,339 --> 01:21:19,442
I'M THE GIRL
WHO SITS IN THE BACK OF CLASS,
2183
01:21:19,475 --> 01:21:21,877
WHO NEVER RAISES HER HAND,
2184
01:21:21,911 --> 01:21:24,547
WHO'S SO AFRAID
OF SAYING THE WRONG THING,
2185
01:21:24,580 --> 01:21:26,615
SHE SAYS NOTHING INSTEAD.
2186
01:21:26,649 --> 01:21:28,517
THE OLD ME
WOULD'VE FROZEN
2187
01:21:28,551 --> 01:21:30,053
IN FRONT OF A CROWD
LIKE THIS...
2188
01:21:30,086 --> 01:21:31,921
[**]
2189
01:21:31,955 --> 01:21:34,123
...BUT SOMETHING HAPPENED.
2190
01:21:34,157 --> 01:21:37,660
SUDDENLY, THE REAL STUFF
WE WERE DEALING WITH AT SCHOOL
2191
01:21:37,693 --> 01:21:40,696
BECAME MORE IMPORTANT
THAN MY FEARS.
2192
01:21:40,729 --> 01:21:44,233
LOOK, I WASN'T SURE
I WAS GONNA DO THIS TONIGHT,
2193
01:21:44,267 --> 01:21:46,869
BUT I NEED
TO BE TRUE TO MYSELF...
2194
01:21:46,902 --> 01:21:47,937
[**]
2195
01:21:47,971 --> 01:21:50,839
SO, HERE GOES...
2196
01:21:50,873 --> 01:21:54,443
[**]
2197
01:21:56,479 --> 01:21:58,847
I'M RADIO REBEL.
2198
01:21:58,881 --> 01:22:02,351
[STUNNED GASPS
THROUGHOUT THE CROWD]
2199
01:22:02,385 --> 01:22:04,587
[**]
2200
01:22:06,122 --> 01:22:07,823
[APPLAUSE RISES]
2201
01:22:07,856 --> 01:22:10,994
[CHEERING ERUPTS]
2202
01:22:15,231 --> 01:22:17,733
[**]
2203
01:22:19,335 --> 01:22:21,971
[APPLAUSE BEGINS TO DIE]
2204
01:22:22,005 --> 01:22:23,706
[MIC FEEDS BACK]
2205
01:22:23,739 --> 01:22:27,810
THANK YOU
FOR AN ENLIGHTENING EVENING.
2206
01:22:27,843 --> 01:22:31,680
AND NOW THAT I KNOW
WHO RADIO REBEL IS...
2207
01:22:32,548 --> 01:22:34,283
[CHUCKLES MIRTHFULLY]
2208
01:22:34,317 --> 01:22:37,253
...SHE IS DEFINITELY
GETTING EXPELLED.
2209
01:22:37,286 --> 01:22:39,488
[HORRIFIED GASPS
AND MURMURING]
2210
01:22:39,522 --> 01:22:42,025
ENJOY YOUR MORP, TARA!
2211
01:22:42,058 --> 01:22:44,127
OH! AND DON'T BOTHER
COMING TO SCHOOL ON MONDAY.
2212
01:22:44,160 --> 01:22:46,395
[GIGGLES]
2213
01:22:46,429 --> 01:22:48,197
[UNSETTLED MURMURING]
2214
01:22:48,231 --> 01:22:49,932
[BELLOWS]:
I'M RADIO REBEL!
2215
01:22:51,067 --> 01:22:53,102
NO! I'M RADIO REBEL.
2216
01:22:53,136 --> 01:22:57,673
NO! I'M RADIO REBEL.
WHOO! I'M RADIO REBEL!
2217
01:22:57,706 --> 01:23:00,409
[OVERLAPPING OUTBURSTS]:
NO, I'M RADIO REBEL!
2218
01:23:00,443 --> 01:23:01,577
I'M RADIO REBEL!
2219
01:23:01,610 --> 01:23:05,281
[CROWD ERUPTING
WITH SIMILAR CRIES]
2220
01:23:05,314 --> 01:23:09,085
YOU CAN'T EXPEL EVERYONE,
CAN YOU?
2221
01:23:10,453 --> 01:23:13,022
[OUTBURST CONTINUES]
2222
01:23:13,056 --> 01:23:15,158
[CHANTING IN UNISON]:
I'M RADIO REBEL!
2223
01:23:15,191 --> 01:23:16,492
I'M RADIO REBEL!
2224
01:23:16,525 --> 01:23:19,028
I'M RADIO REBEL!
I'M RADIO REBEL!
2225
01:23:19,062 --> 01:23:22,398
I'M RADIO REBEL!
I'M RADIO REBEL!
2226
01:23:22,431 --> 01:23:23,732
I'M RADIO REBEL!
2227
01:23:23,766 --> 01:23:27,503
I'M RADIO REBEL!
I'M RADIO REBEL!
2228
01:23:27,536 --> 01:23:28,704
I'M RADIO REBEL!
2229
01:23:28,737 --> 01:23:31,907
[CHEERING EXPLODES]
2230
01:23:33,876 --> 01:23:37,080
I BELIEVE THIS...
BELONGS TO YOU.
2231
01:23:37,113 --> 01:23:39,582
[SCATTERED CHEERS]
2232
01:23:39,615 --> 01:23:43,452
I MEAN, I GUESS
SINCE WE'RE ALL RADIO REBEL,
2233
01:23:43,486 --> 01:23:45,788
THIS CROWN BELONGS
TO ALL OF US.
2234
01:23:45,821 --> 01:23:48,524
SO, CONGRATULATIONS,
KINGS AND QUEENS.
2235
01:23:48,557 --> 01:23:50,959
[CHEERING]
2236
01:23:52,228 --> 01:23:53,662
[LAUGHS]
2237
01:23:55,264 --> 01:23:57,600
BUT THERE IS ONE PERSON
WHO HAS BEEN DREAMING
2238
01:23:57,633 --> 01:24:00,403
ABOUT THIS CROWN
FOR HER ENTIRE LIFE.
2239
01:24:00,436 --> 01:24:02,538
ALTHOUGH,
I'M NOT QUITE SURE
2240
01:24:02,571 --> 01:24:05,074
IF I HEARD HER SAY
SHE'S RADIO REBEL...?
2241
01:24:07,310 --> 01:24:08,544
[EXHALES QUIETLY]
2242
01:24:08,577 --> 01:24:10,679
[SIGHS]
2243
01:24:11,547 --> 01:24:13,216
I'M RADIO REBEL.
2244
01:24:13,249 --> 01:24:15,451
[GIGGLES]:
I'M SO RADIO REBEL!
2245
01:24:15,484 --> 01:24:17,986
WELL, THEN...
2246
01:24:19,222 --> 01:24:22,225
[**]
2247
01:24:23,559 --> 01:24:26,695
[KIM SQUEALS
AND CHEERING RISES]
2248
01:24:27,696 --> 01:24:30,065
WHY ARE YOU
BEING SO NICE TO ME,
2249
01:24:30,099 --> 01:24:32,535
WHEN I'VE ALWAYS BEEN
NOTHING BUT MEAN TO YOU?
2250
01:24:32,568 --> 01:24:35,471
LOOK AT YOU RIGHT NOW,
STACY.
2251
01:24:35,504 --> 01:24:36,772
THAT DRESS?
2252
01:24:36,805 --> 01:24:39,074
THE CROWN?
2253
01:24:39,108 --> 01:24:42,345
YOU ARE 100% YOU
RIGHT NOW,
2254
01:24:42,378 --> 01:24:46,715
AND THAT'S ALL RADIO REBEL
COULD ASK OF ANYONE...
2255
01:24:46,749 --> 01:24:48,117
YOU ARE YOURSELF,
2256
01:24:48,151 --> 01:24:50,419
AND YOU'VE NEVER BEEN
MORE BEAUTIFUL.
2257
01:24:50,453 --> 01:24:52,955
[**]
2258
01:24:52,988 --> 01:24:55,458
[KIDS CHEERING]
2259
01:25:02,131 --> 01:25:06,402
EVERYONE! PLEASE GIVE IT UP
FOR LINCOLN BAY'S VERY OWN...
2260
01:25:06,435 --> 01:25:08,171
GAVIN MORGAN!
2261
01:25:08,204 --> 01:25:10,239
[CROWD CHEERS]
2262
01:25:19,114 --> 01:25:22,285
THERE'S A GIRL I'VE LIKED
FOR A WHILE NOW.
2263
01:25:22,318 --> 01:25:24,753
SHE'S THE KIND OF GIRL
WHO'S NOT AFRAID
2264
01:25:24,787 --> 01:25:27,590
TO ASK A DANCING SANDWICH
FOR SOME HELP.
2265
01:25:27,623 --> 01:25:29,492
SHE INSPIRED THIS SONG.
2266
01:25:29,525 --> 01:25:31,960
THIS SONG'S FOR HER.
2267
01:25:33,529 --> 01:25:36,332
[**]
2268
01:25:38,934 --> 01:25:42,104
* WALLS
YOU CAN BUILD 'EM ALL AROUND *
2269
01:25:42,137 --> 01:25:45,508
* JUST TO SHIELD
A PIECE OF YOUR WORLD *
2270
01:25:45,541 --> 01:25:48,311
* OUT OF SIGHT
2271
01:25:49,245 --> 01:25:53,216
* I NEEDED YOU
TO LOOK THROUGH *
2272
01:25:53,249 --> 01:25:58,287
* TO THE SHADOWS
I TRIED TO BURY INSIDE *
2273
01:26:00,223 --> 01:26:04,059
* DRAWING THEM
OUT TO THE LIGHT *
2274
01:26:05,027 --> 01:26:09,097
* YOU SHOWED ME
I GOT NOTHING HERE TO HIDE *
2275
01:26:09,131 --> 01:26:14,437
* NOW I CAN BE
WHO I AM *
2276
01:26:14,470 --> 01:26:20,276
* NOW I CAN STAND UP
FOR EVERYONE TO SEE *
2277
01:26:20,309 --> 01:26:25,914
* TAKING THIS LIFE
IN MY HANDS *
2278
01:26:25,948 --> 01:26:28,116
* NOW I CAN BE
2279
01:26:28,150 --> 01:26:32,755
* NOW I CAN BE THE REAL ME
2280
01:26:32,788 --> 01:26:34,990
* NOW I CAN BE
2281
01:26:35,023 --> 01:26:39,027
* THE REAL ME
2282
01:26:39,061 --> 01:26:43,899
* NOW I CAN BE
THE REAL ME *
2283
01:26:43,932 --> 01:26:46,935
* NOW I CAN BE
2284
01:26:46,969 --> 01:26:51,640
* NOW I CAN BE THE REAL ME
2285
01:26:53,509 --> 01:26:56,545
[CROWD CHEERING AND APPLAUDING]
2286
01:26:58,947 --> 01:27:01,317
[**]
2287
01:27:01,350 --> 01:27:04,753
[SCATTERED CHATTER
AND LAUGHTER]
2288
01:27:11,994 --> 01:27:13,729
HI.
2289
01:27:13,762 --> 01:27:17,132
HEY.
2290
01:27:17,165 --> 01:27:19,234
I DON'T KNOW
WHAT'S MORE AMAZING...
2291
01:27:19,268 --> 01:27:20,469
THAT SONG, OR...
2292
01:27:20,503 --> 01:27:22,638
THE FACT THAT
YOU'RE TURKEY ON RYE?
2293
01:27:22,671 --> 01:27:25,173
[CHUCKLES]
2294
01:27:26,108 --> 01:27:29,011
WHY DIDN'T YOU TELL ANYONE
I WAS RADIO REBEL?
2295
01:27:29,044 --> 01:27:32,715
YOU WANTED TO KEEP IT
A SECRET.
2296
01:27:32,748 --> 01:27:35,250
I RESPECTED THAT.
2297
01:27:36,585 --> 01:27:38,621
THANK YOU.
2298
01:27:38,654 --> 01:27:40,889
YOU KNOW, YOU REALLY
KNOW HOW TO DANCE...
2299
01:27:40,923 --> 01:27:42,024
FOR A SANDWICH.
2300
01:27:42,057 --> 01:27:43,592
OH. [LAUGHS]
2301
01:27:46,094 --> 01:27:49,131
WILL YOU GO TO MORP
WITH ME?
2302
01:27:49,164 --> 01:27:51,133
[**]
2303
01:27:51,166 --> 01:27:52,768
YES.
2304
01:27:54,670 --> 01:27:56,439
SO...
2305
01:27:56,472 --> 01:27:59,074
SHOULD I CALL YOU "TARA"
2306
01:27:59,107 --> 01:28:01,377
OR "RADIO REBEL?"
2307
01:28:02,511 --> 01:28:04,347
YOU CAN CALL ME EITHER.
2308
01:28:04,380 --> 01:28:06,815
THEY'RE BOTH ME.
2309
01:28:06,849 --> 01:28:09,818
[**]
2310
01:28:20,396 --> 01:28:21,964
* SO, COME ON
2311
01:28:21,997 --> 01:28:26,268
* IT FEELS SO FRESH
LIKE I'M ALWAYS HAVIN' FUN *
2312
01:28:26,301 --> 01:28:27,803
* SO, COME ON
2313
01:28:27,836 --> 01:28:28,871
* IT FEELS SO NEW
2314
01:28:28,904 --> 01:28:31,440
* LIKE THE BIG, BRIGHT
MORNING SUN *
2315
01:28:31,474 --> 01:28:34,377
* SAID WE SHOULD
JUMP ON SOMETHIN' *
2316
01:28:34,410 --> 01:28:37,079
* WE DON'T EVER
TOUCH THE GROUND *
2317
01:28:37,112 --> 01:28:38,280
* OH, OH
OH, OH *
2318
01:28:38,313 --> 01:28:42,284
* OH, OH, OH, OH
2319
01:28:42,317 --> 01:28:44,887
[**]
2320
01:28:46,355 --> 01:28:47,856
* SO, COME ON
LET'S GO *
2321
01:28:47,890 --> 01:28:49,257
* ONE, TWO, THREE, FOUR
2322
01:28:49,291 --> 01:28:52,661
* WE'RE GONNA START
A REVOLUTION *
2323
01:28:52,695 --> 01:28:55,063
* 'CAUSE WE NEED
A NEW SOLUTION *
2324
01:28:55,097 --> 01:29:00,436
* GONNA SMASH AND BREAK
RIGHT THROUGH THE MOLD *
2325
01:29:00,469 --> 01:29:03,305
* 'CAUSE WE'RE GONNA
FIND A NEW WAY *
2326
01:29:03,338 --> 01:29:06,509
* AND WE GOTTA START
A NEW DAY *
2327
01:29:06,542 --> 01:29:11,013
* GONNA LEAVE YOU BACK THERE
WITH THE OLD *
2328
01:29:11,046 --> 01:29:13,015
* YEAH!
2329
01:29:17,420 --> 01:29:19,388
* WHOA, OH, OH, OH, OH
2330
01:29:19,422 --> 01:29:20,456
* BRING ON EVERYTHING YOU GOT
2331
01:29:20,489 --> 01:29:22,257
* WHOA, OH, OH, OH, OH
2332
01:29:22,290 --> 01:29:24,292
* SCREAM
UNTIL YOUR VOICE GETS SHOT *
2333
01:29:24,326 --> 01:29:25,561
* WHOA, OH, OH, OH, OH
2334
01:29:25,594 --> 01:29:26,795
* SHOW 'EM THAT
WE'RE HERE TO FIGHT *
2335
01:29:26,829 --> 01:29:32,367
* IT'S TIME
TO MAKE THINGS RIGHT *
145028
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