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Woman: BILL?

BILL!

ARE YOU IN THERE?

Man: I FEEL I HAVE A GREAT DEAL OF PROMISE.

Second man: PROMISE?

YES. UNLIMITED POTENTIAL.

I GRADUATED NEAR THE TOP OF MY CLASS.

MM-HMM. I SEE YOU'VE BEEN OUT OF SCHOOL FOR A YEAR ALREADY.

WELL, OK, YES, BUT I THINK THAT'S A LITTLE MISLEADING.

I MEAN, I LOOK AT THIS PAST YEAR AS A PERIOD OF REAL GROWTH FOR ME,

I MEAN, IN TERMS OF PREPARATION FOR THE FUTURE.

WHAT ARE YOUR GOALS?

GOALS? YOU MEAN IN TERMS OF ARCHITECTURE?

WHERE DO YOU SEE YOURSELF, LET'S SAY, 5 YEARS FROM NOW?

OH. WELL, UM...

IT WOULD BE GREAT TO GET THIS JOB

SO I COULD GET OUT OF MY MOM'S HOUSE.

NO. 5 YEARS FROM NOW, I'D HAVE TO SAY...

WELL ON MY WAY, SIR. THAT'S WHERE I SEE MYSELF.

I MEAN, I SEE A LOT OF ROOM FOR ME TO GROW HERE,

AND I DON'T WANT YOU TO CONCERN YOURSELF WITH THIS PAST YEAR.

I MEAN, I'M THE FIRST TO ADMIT

I HAD A LITTLE DIFFICULTY JUST AS FAR AS...

FORWARD MOMENTUM,

BUT I'VE HAD A LOT OF JOB INTERVIEWS RECENTLY,

AND, YOU KNOW, I DON'T WANT TO SAY ANYTHING,

BUT I FEEL LIKE I'M ON THE VERGE OF A REAL BREAKTHROUGH,

I REALLY DO, AND I THINK BIG THINGS ARE GONNA HAPPEN.

WELL, I'M CERTAINLY ON YOUR SIDE, TIM.

TOM.

TOM!

TOM THOMPSON.

HELLO.

TOM!

TOM!

TOM!

PHONE CALL.

WHO IS IT?

IT'S A GIRL.

HEY! HEY, WHAT'S THIS FRIGGIN' LOCK?

NOT NOW.

HEY!

HELLO.

Woman, crying: IS THIS TOM?

TOM THOMPSON?

WHO IS THIS?

IT'S RUTH ABERNATHY, BILL'S MOM.

BILL'S DEAD.

I HAVE TO TALK TO YOU.

I'M--I'M, LIKE, SHAKING.

DID YOU GET THE JOB?

DO YOU REMEMBER A GUY NAMED BILL ABERNATHY?

NO. SO YOU DIDN'T GET THE JOB.

NO, FORGET ABOUT-- THIS HAS NOTHING TO DO WITH THE JOB.

COME ON, THINK. FROM HIGH SCHOOL?

LOOK, I DON'T REMEMBER HIM.

NO? ARE YOU OK?

WAIT, IS THAT YOUR BROOKS BROTHERS?

I HAD TO DO SOME RESEARCH AT THE FIRM.

YOU CAN'T BOWL IN YOUR BROOKS BROTHERS.

WHERE'S BRAD?

HE'S ON THE PHONE. HE WON'T GET OFF.

Brad: GLASS! BRAD GLASS!

BRAD FROM BROOKLYN!

NO, NO, NO! UNITED STATES!

SORRY TO WAKE YOU!

WHAT TIME THERE?

HE'S BEEN TRYING TO ANSWER THIS GUY IN JAPAN

ABOUT THAT STUPID DOG-BREEDING THING.

WE HAVE TO TALK TO YOU. HANG UP!

MR. TAMAKI!

MR. TAMAKI? HANG UP.

$6.00 A MINUTE, THIS WOMAN KEEPS PUTTING ME ON HOLD.

I'M SORRY. DID YOU GET THE JOB?

GET OFF. I HAVE TO TALK TO YOU.

IS THAT YOUR BROOKS BROTHERS?

DO YOU REMEMBER A GUY NAMED BILL ABERNATHY?

NO! MR. TAMAKI? BRAD.

SO, WHAT HAPPENED AT THE INTERVIEW?

THEY CLAIM THEY'RE GONNA CALL ME.

HELLO! HELLO, LISTEN!

VERY IMPORTANT. I NEED FEEDBACK FROM HUSBAND

ABOUT BUSINESS PROPOSAL.

Woman: WHEN HE COME BACK.

CHIHUAHUA! HE SAYS HE CALL YOU BACK.

OK. I CALL BACK! YEAH. CALL BACK.

CALL BACK. I CALL BACK!

OK. GOOD-BYE.

BYE-BYE. GOOD-BYE.

BYE!

LISTEN, OK?

I'M TRYING TO RUN A BUSINESS HERE, OK?

THAT'S A BUSINESS CALL.

OH, AND I'M SORRY TO INTERRUPT YOUR BUSINESS CALL,

BUT BILL ABERNATHY IS DEAD.

WHO'S BILL ABERNATHY?

BEFORE I GET THE CHANCE

TO TELL THIS VERY MYSTERIOUS-SOUNDING WOMAN

THAT I BASICALLY HAVE NO RECOLLECTION OF HER SON,

SHE JUST STARTS CRYING.

SHE CRIED?

JESUS! WHO IS THIS WOMAN?

WELL, I DON'T KNOW, BUT THERE WERE THESE LONG STRETCHES.

NOTHING BUT CRYING FOR, LIKE, MINUTES.

Brad: I FEEL REALLY BAD FOR THE LADY.

SHE SOUNDS LIKE A NICE, WARM PERSON.

SO I GUESS I'M GONNA NEED A SUIT.

FOR WHAT?

HELLO? WHAT HAVE WE BEEN TALKING ABOUT HERE?

I'M GONNA BE A PALLBEARER.

WHAT? YOU DIDN'T GET OUT OF IT?

GOOD. ARE YOU DONE LAUGHING?

THIS IS MY WHOLE POINT. I'M IN BIG TROUBLE HERE.

TOM, HOW COULD YOU TELL HER YES?

WELL, I TOLD YOU THERE WAS CRYING.

HOW AM I SUPPOSED TO RESPOND TO THAT?

WELL, JUST CALL HER UP.

TELL HER YOU GOT BACK TROUBLE.

LOOK, IT'S NO GOOD. I AM IN. I AM COMMITTED.

I AM JUST GONNA HAVE TO DO THIS ONE LITTLE THING FOR HER.

OH, YEAH, SURE. IT STARTS OFF AS JUST ONE LITTLE THING,

AND ALL OF A SUDDEN, YOU'RE ENMESHED IN A SITUATION.

HE'S RIGHT. THIS COULD BE PART OF A WHOLE SCAM OPERATION.

WHAT? WHAT?

ONE MINUTE YOU'RE CARRYING THIS GUY'S COFFIN,

THE NEXT MINUTE, YOU'RE LYING IN A DITCH NAKED.

SO IS THAT SUIT BLACK?

NO. IT'S A CHARCOAL-GRAY WEAVE WITH A--

WITH A CHALK STRIPE. WHY?

WHAT ARE YOU? A 40-REGULAR?

NO, NO, NO. TOM-- SCOTT, PLEASE.

I WEAR THIS SUIT TO WORK. SCOTT.

THIS IS MY MAIN WORK SUIT.

LOOK, I HAVE A PROBLEM HERE.

I HAVE TO LOOK PRESENTABLE, OK?

THIS IS A $600 SUIT.

YOU KNOW WHAT? NOW I'M STARTING TO SEE YOU

FOR WHO YOU REALLY ARE.

OH-- NO, I'M SERIOUS.

WHAT IF IT WERE BRAD LYING IN THE COFFIN?

WHOA, WHOA, WHOA, WHOA.

WHAT ARE YOU TALKING ABOUT? "BRAD"?

WHAT ARE YOU TALKING ABOUT?

HEY, ALL THE SHIT YOU EAT? YOUR HEART'S A TIME BOMB.

THAT'S NICE. THAT'S A NICE THING.

I'VE HAD ENOUGH. I GOTTA GO.

WHAT DO YOU MEAN? IT'S--WE'RE NOT DONE HERE.

HEY, IT'S 10:30.

SO? IT'S TUESDAY NIGHT. CAN YOU BELIEVE HIM?

IT'S 10:30 ALREADY?

COME ON. LET'S GO.

WELL, IF YOU DON'T LEND ME THE SUIT, SCOTT,

I CAN'T DO IT. I CAN'T GO.

I'LL HAVE TO CALL HER BACK.

WELL, THAT'S GOOD. YOU DON'T NEED THIS RIGHT NOW.

AND DON'T FORGET THE WEDDING SHOWER.

OH, YEAH. I'M NOT GOING.

YOU'RE GOING. NO.

YOU'RE GOING. YOU'RE THE BEST MAN.

HOW CAN HE MARRY HER, SCOTT?

SHE'S LIKE AN ALBATROSS AROUND HIS NECK.

YOU DON'T UNDERSTAND. IT'S CALLED A RELATIONSHIP.

OH, WHAT? CYNTHIA'S AN ALBATROSS?

BRING SOME WINE, OK?

YOU BETTER COME.

CYNTHIA.

HI. HI!

OH, MY GOD! YOU'LL NEVER BELIEVE WHO'S COMING.

HOW COULD YOU INVITE JERRY SCHNEIDERMAN?

NOW JUST RELAX AND YOU'LL BE FINE.

IS THAT WHAT YOU'RE WEARING?

OF COURSE IT'S WHAT I'M WEARING.

WE'RE HERE. WAIT. WHO'S COMING?

NOW DON'T PANIC.

I'M NOT. GOOD.

I RAN INTO HER AT DECASTINO'S THIS MORNING--

Woman: CYNTHIA. WHO?

HI!

WHO?

I'LL BE RIGHT BACK.

I'M SORRY. CYNTHIA!

THERE'S A LOT OF SINGLE WOMEN HERE.

WHO'S COMING, SCOTT?

CYNTHIA SAID SOMEONE IS COMING.

IT'S NOT--IT'S NOT THAT LORETTA PERSON, IS IT?

BECAUSE YOU KNOW THAT DID NOT WORK OUT.

Brad: SWEETHEART-- Woman: SHUT UP!

HERE SHE GOES AGAIN.

DO YOU SEE HOW SHE, LIKE, SPITS?

WILL YOU LISTEN TO ME, BRAD?!

SWEETHEART--

SHUT UP WITH THE SWEETHEART!

HEY, ISN'T THAT JULIE DeMARCO?

I HAVE TO BORROW A SHIRT.

Woman: HOW MANY TIMES DO I HAVE TO TELL YOU--

WELL, WHAT ARE YOU DOING?

THAT'S JULIE DeMARCO OUT THERE.

DON'T YOU HAVE ANY REGULAR SHIRTS?

YOU KNOW, LIKE--LIKE-- LIKE, JUST A SHIRT?

WHAT ARE YOU TALKING ABOUT?

LIKE THAT. THAT'S A GOOD SHIRT.

DON'T YOU HAVE ANY SHIRTS LIKE THAT?

YEAH. I'M WEARING IT.

TAKE IT OFF. WHAT?

I HAVE TO BORROW THE SHIRT, SCOTT.

WHAT IS THIS OBSESSION WITH MY CLOTHES, TOM?

LOOK, I WAS IN LOVE WITH HER, OK?

SO? SO? SO?

I HAVEN'T SEEN HER SINCE HIGH SCHOOL.

IMAGINE THAT SHE SEES ME,

AND I'M WEARING THE SAME FUCKING SHIRT!

I JUST GOT THIS SHIRT.

GUYS.

HEY, HE WANTS TO BORROW MY SHIRT NOW.

HEY, WHATEVER. LISTEN,

WE GOT TO DO SOMETHING ABOUT THE DIP, OK?

LAUREN'S HAVE A FRIGGIN' CONNIPTION OUT THERE.

DID YOU LEAVE YOUR ANSWERING MACHINE ON?

'CAUSE I GAVE TAMAKI THE PHONE NUMBER.

I GOT A LITTLE LINE ON A COUPLE OF PRIZE-WINNING DOGS.

WHAT--WHAT'S WRONG WITH THE DIP?

HEY, LAUREN INSISTS THEY ARE ALL LACTOSE INTOLERANT.

LACTOSE?

DON'T MARRY HER, BRAD.

HE DOESN'T CARE.

JULIE, JULIE, AM I WRONG?

IS IT TOO MUCH TO ASK

THAT I COULD HAVE ONE DIP FOR ME AND MY SISTERS TO ENJOY?

WHAT ABOUT SALSA?

SALSA? I LOVE SALSA.

TOM--TOM, UM...

YOU REMEMBER JULIE DeMARCO.

SHE'S--SHE'S BACK IN BROOKLYN.

OH, HI. SURE. YES.

DIDN'T YOU MOVE AWAY SENIOR YEAR?

YEAH. LONG ISLAND.

HER FATHER MADE A KILLING IN REAL ESTATE.

JULIE IS RIGHT! JULIE'S RIGHT!

SALSA, GUACAMOLE. IT IS SO OBVIOUS.

YEAH. YOU KNOW WHAT?

I THINK I HAVE SOME AVOCADO IN THE KITCHEN.

WE'LL TAKE A LOOK.

I JUST WANT TO TELL YOU ONE THING.

OK.

UH--SO YOU--WOW.

YOU LOOK, UH, REALLY--

OH, GOD. WELL, THAT'S REALLY--

Man: HEY! MARY LOU!

Jerry Schneiderman?

I KNOW.

DO YOU KNOW HE'S ENGAGED?

HE IS NOT.

OH, MY GOD!

EVERYBODY'S GETTING MARRIED.

I KNOW. IT'S LIKE A VIRUS OR SOMETHING.

I KNOW.

I MEAN, I WAS, YOU KNOW, SUPPOSED TO, BUT--

OH. YOU KNOW, IT DIDN'T WORK OUT,

BUT--YEAH.

BUT I THOUGHT FOR SURE YOU WOULD HAVE BEEN SNATCHED UP BY NOW.

OH.

SO YOU REMEMBER ME?

TOM! WHAT, ARE YOU KIDDING?

SO YOU THINK, UM,

I WOULD HAVE BEEN SNATCHED UP, HUH?

WELL, YOU KNOW, A LOT OF GIRLS WERE AFTER YOU.

NO. YES.

NO. YES.

WHAT ABOUT THAT GIRL? WHO?

OH, YOU KNOW, UH, SHELLY.

SHELLY WHAT'S-HER-NAME. SHE LOVED YOU.

I HAVE NO IDEA WHO YOU'RE TALKING ABOUT.

YES, YOU DO.

REMEMBER? YOU GUYS DID THAT PLAY TOGETHER,

THAT MUSICAL TOGETHER. MUSICAL?

YEAH, YOU WERE GREAT. YOU HAD A GREAT VOICE.

I DON'T SING.

WHAT DO YOU MEAN?

I'M TOM THOMPSON.

WE WERE IN BAND TOGETHER.

OH.

YOU OK?

PLEASE, I'M FINE.

LOOK, YOU KNOW, THIS IS GOOD.

I THINK IT'S TIME YOU JUST LET GO OF JULIE DeMARCO.

JUST MOVE PAST HER.

SO I DECIDED--

YOU SHOULD ASK JULIE DeMARCO OUT FOR COFFEE.

SHE'S ONE OF THE SWEETEST PEOPLE

I HAVE EVER, EVER KNOWN.

YEAH, TOM, DID YOU SEE THOSE LEGS? FORGET ABOUT IT.

YOU WERE STARING AT HER LEGS?

NO, NOT FOR ME. FOR TOM.

I CAN'T BELIEVE YOU. WHAT?

YOU SHOULD BE STARING AT MY LEGS.

I'VE BEEN STARING AT YOUR LEGS FOR 9 YEARS.

WELL, WHAT ARE YOU SAYING? YOU'RE TIRED OF MY LEGS?

NO, CYNTHIA. I'M AGREEING WITH YA. I'M JUST SAYING THAT--

I'M JUST SAYING THAT TOM SHOULD ASK

JULIE DeMARCO OUT FOR COFFEE.

DON'T YOU THINK HE SHOULD ASK HER OUT FOR COFFEE?

YES.

ARE YOU OK?

PLEASE, I'M FINE.

Mom: HOW WAS THE PARTY?

IT WAS OK.

GONNA SEE YOUR FATHER ON SUNDAY?

I DON'T KNOW, MA.

ANYTHING NEW?

GOOD NIGHT, MA.

SEE YA TOMORROW.

OH.

TOM.

I GOT IN TOUCH WITH JIMMY GOLD.

HE'S COMING DOWN FROM BOSTON.

AND THEN THE COUSINS FROM JERSEY.

MAYBE AN OLD FRIEND FROM THE GYM.

WE MIGHT BE ONE OR TWO SHORT ON THE PALLBEARERS.

MRS. ABERNATHY, I AM REALLY SORRY.

I WISH THERE WAS SOMETHING I CAN DO TO HELP YOU OUT.

I KNOW HOW YOU FEEL.

YOU DO?

I'M GIVING THE EULOGY. WHAT?

RUTH ABERNATHY CAME TO MY HOUSE.

JESUS, YOU DIDN'T GET OUT OF IT?

YOU'RE GETTING ENMESHED.

WHAT ARE YOU HAVING, A THING?

OH, TOM, DON'T GET UPSET.

BRAD AND LAUREN JUST STOPPED BY.

IT'S NOT LIKE A THING THING.

IS THAT LASAGNA?

I CAN'T BELIEVE YOU PEOPLE.

IT'S--IT'S LIKE A CONSPIRACY.

LOOK, LOOK.

IF YOU MUST KNOW, THIS WAS MY IDEA, OK?

OH, YOUR IDEA.

YEAH, WE'RE 2 COUPLES HAVING DINNER.

OH, I NEED TO BE A COUPLE NOW?

NOT EVERYTHING'S ABOUT YOU, TOM.

OH, THAT'S RIGHT. IT'S ALL ABOUT YOU AND YOUR SISTERS

AND ALL YOUR DIETARY RESTRICTIONS.

FINE, THAT'S IT. I'VE HAD YOUR SHIT.

LET'S GO. I'M READY FOR YOU NOW.

CAN I GET YOU A DRINK, TOM?

YES, YES, YOU CAN, CYNTHIA,

AND SOME LASAGNA.

THANK YOU.

Tom: I DON'T KNOW. I JUST--

WHAT ABOUT THE CHESS CLUB?

CAN'T WE DO ANYTHING WITH THE CHESS CLUB?

Lauren: IT SHOULD BE PERSONAL.

I MEAN, YOU LOVED THE GUY.

I DID NOT LOVE THE GUY.

MAYBE YOU TRAVELED TOGETHER.

YEAH, EXCELLENT.

SCOTT, READ THAT BACK.

OK, CHESS, YOU LOVED HIM, TRAVELED TOGETHER.

OK, OK. WE ARE ON OUR WAY.

YOU TRAVELED TOGETHER PLAYING CHESS.

YES, YES.

THROUGH CHINA.

YOU PLAYED CHESS IN CHINA,

AND THEN YOU FELL IN LOVE.

SEE, THAT DOESN'T HELP.

YOU DON'T KNOW THIS RUTH ABERNATHY PERSON.

SHE MEANS BUSINESS.

SO, SCOTT, YOU'RE COMING WITH ME, RIGHT?

WHAT, TO THE FUNERAL? NO, NO.

SCOTT, HOW ABOUT GIVING A LITTLE MORAL SUPPORT?

YEAH, SCOTT. I NEED SOME MORAL SUPPORT.

DON'T WORRY. WE'RE GOING.

I'LL SUPPORT YOU, TOM.

JUST SCOTT.

IT'S JULIE DeMARCO.

J-JULIE? WHAT, SHE JUST COMES OVER NOW?

HI. I'M SORRY I MISSED THE LASAGNA, BUT I--I GOT--

ANYWAY, HERE ARE THE MAGAZINES WE WERE TALKING ABOUT.

SO.

WHAT'S GOING ON?

WE'RE WRITING AN EULOGY.

OH, I'M SORRY.

DON'T WORRY. WE DIDN'T KNOW THE GUY.

WELL--I DON'T--

YOU GUYS ARE GOING TO SOMEONE'S FUNERAL WHO YOU DON'T KNOW?

ACTUALLY, THEY'RE NOT GOING. I'M GOING.

WELL, SCOTT AND I ARE GOING.

HEY, JULIE, WHY DON'T YOU COME, TOO?

IT'LL BE FUN.

YOU'RE INVITING ME TO A FUNERAL?

Scott: YEAH. Cynthia: YES!

WAIT. IT'S NOT LIKE IT'S A REAL FUNERAL.

IT IS. IT'S A FUNERAL.

WAIT, WAIT. IF SHE'S GOING, I'M ALLOWED TO GO.

SHE IS NOT GOING.

TYPICAL BULLSHIT. TOM!

IT'S OK.

LOOK, YOU KNOW, OBVIOUSLY,

TOM DOES NOT WANT ME TO GO TO THIS FUNERAL THING, AND THAT'S FINE.

NO, I HAVE NOTHING AGAINST YOU GOING PERSONALLY.

Brad: ALL RIGHT. WE'RE ALL GOING THEN, HUH?

NO, NO, NO, NO. ONLY IF IT'S OK WITH TOM.

TOM, IS IT OK?

IS IT OK, TOM? COME ON.

You're such a comfort.

THAT'S THE DEAD GUY'S MOTHER?

MM-HMM.

JESUS.

Thank you.

That tall, young man over there,

Tom Thompson.

Thank you so much.

RING ANY BELLS?

NO.

MR. THOMPSON, IF YOU WOULD, PLEASE, SIR.

Good luck.

WHO IS BILL ABERNATHY?

THIS IS NOT AN EASY QUESTION TO ANSWER.

I CAN SPEND COUNTLESS HOURS

RECOUNTING MY PERSONAL EXPERIENCES WITH BILL.

THE CHESS CLUB.

It's OK. It's OK. It's OK.

INSTEAD, I ASK

WHO IS THE REAL BILL ABERNATHY?

WHAT IS THE SINGLE, ELUSIVE, INTANGIBLE, INNER QUALITY

THAT MAKES--MADE--

BILL...

BILL?

Tom: WELL, FOLKS, I DON'T--

I DON'T HAVE THAT ANSWER.

WHO REALLY DOES?

NO, YOU GUYS, I DON'T THINK THIS IS FUNNY, ALL RIGHT?

Brad: WE DON'T THINK IT'S FUNNY EITHER.

YOU DO THINK IT'S FUNNY.

WE WEREN'T LAUGHING. YES, YOU WERE.

I CAN'T, YOU KNOW--

I WAS ASLEEP.

I JUST DON'T UNDERSTAND.

HE WROTE THAT.

I'M VERY UPSET. I'LL SEE YOU ALL LATER.

I'M JUST SAYING I'M VERY--NO.

JULIE!

WHOA! HEY, HEY, HEY.

THIS WAY, PLEASE.

JULIE! JULIE!

COME ON! I'M LOSING HIM! WHAT ARE YOU DOING?

WHERE YA GOING, JULIE? COME ON.

HEY, HEY, HEY, HEY.

WHAT ARE YOU DOING?

WHERE ARE YOU GOING?

I'M LEAVING.

THIS ISN'T FUNNY.

I KNOW. I FELT TERRIBLE.

SO YOU REMEMBER HIM?

WHAT?

I SAW YOU IN THE CHAPEL. YOU WERE CRYING.

HEY, BUDDY, YOU KIDDING WITH THIS?

DO YOU MIND?

WE'RE ABOUT TO BURY THIS GUY.

THIS IS A PERSON.

THIS IS A PERSON'S LIFE.

I DON'T REMEMBER HIM.

OH.

Man: NICKY, WHAT'S GOING ON OVER THERE?

IT WAS JUST-- IT WAS SO SAD.

I DON'T KNOW WHAT THE HELL HE'S DOING.

DO YOU WANNA GET SOME COFFEE?

UNBELIEVABLE. HE'S PICKING UP CHICKS.

COFFEE? YEAH.

IF YOU WOULDN'T MIND.

YEAH, ALL RIGHT. WHY DON'T YOU CALL ME, OK?

CALL--CALL YOU? YEAH.

GET HIM OFF. ALL RIGHT. LET'S GO.

WHOA, WHOA, WHOA.

ALL RIGHT. ALL RIGHT.

ALL RIGHT. COME ON. BACK IT UP.

I NEVER SHOULD HAVE ASKED YOU TO BE A PALLBEARER.

IT WAS TOO MUCH FOR YOU.

THERE'S A WILL.

Tom: WHAT?

YOU'RE IN THE WILL.

Julie: HELLO.

JULIE, HI.

HI. HI. IT'S TOM THOMPSON.

OH, TOM. HEY, HOW ARE YOU?

I'M FINE.

SO, LISTEN, UM, I WAS CALLING

BECAUSE WE TALKED ABOUT DIN--UM...

WHAT DID WE TALK ABOUT?

DIDN'T WE AT THE, UM, FUNERAL

TALK ABOUT DOING THIS, UH--

THE COFFEE THING.

YES.

UM, LISTEN, I WAS THINKING,

WHAT IF SCOTT AND CYNTHIA COME ALONG?

SCOTT AND CYNTHIA. YEAH.

OH, YOU MEAN LIKE A--

YEAH, YOU KNOW, LIKE THE FOUR OF US.

Mom: TOM!

'CAUSE I'M SEEING CYNTHIA ON TUESDAY ANYWAY.

ON TUESDAY?

TOM!

WHO IS THAT?

HUH? OH, IT'S, UH--

IT'S THIS CRAZY WOMAN.

GOD, THIS--JESUS, THIS NEIGHBORHOOD IS--

HEY, LADY, YOU WANNA KEEP IT DOWN?

I AM ON THE PHONE HERE.

Mom: ARE YOU ON THE PHONE?

Julie: HELLO?

Mom: HELLO?

HELLO?

WHO'S THIS?

HELLO?

JESUS.

TOM?

TOM?

JULIE? HELLO?

JULIE? JULIE? HI! HI!

HI! WH-- THAT WAS WEI--

WHAT WAS THAT?

D-D-D-DID-- THAT WAS REALLY CREEPY.

SHE JUST KEPT SAYING, "HELLO?"

DID YOU HEAR HER?

NO. DIDN'T YOU HEAR ME?

NO. NO? WELL, I WAS CALLING YOU.

WERE YOU TRYING TO CONTACT ME?

Y-Y-Y-YEAH.

I KEPT-- I KEPT SAYING, "JULIE?"

IT MUST HAVE BEEN THE WEIRD PARTY LINE THING.

THAT HAS NEVER HAPPENED BEFORE.

HUH. SO, LISTEN, TUESDAY IS BOWLING NIGHT.

UM, HOW ABOUT THURSDAY?

GREAT.

OH, NO. I CAN'T TAKE HIS CAR.

LOOK AT THIS MESS.

MRS. ABERNATHY.

TAKE IT. HE WANTED YOU TO HAVE IT.

NO, REALLY. I CAN'T.

I GOTTA GET IT OUT OF HERE.

PLEASE?

25-YEAR-OLD KID MAKES OUT A WILL.

I SHOULD HAVE KNOWN RIGHT THEN.

I BROUGHT YOU SOME, UH, NUT CLUSTERS.

THEY'RE MY FAVORITE.

OH, TOM.

I'M SORRY ABOUT THE FUNERAL.

SO, HOW ARE YOU DOING?

I'M FINE.

I'M GONNA BE. THANK YOU.

MAYBE I SHOULD JUST HAVE THEM TAKE IT ALL AWAY.

OH, HERE. HERE, LET ME HELP YOU.

THANKS.

I GOTTA GET IT ALL OUT OF HERE

IF I'M GONNA SELL THIS PLACE.

OH, YOU'RE GONNA SELL THE HOUSE?

YEAH, YOU KNOW, MAYBE IT'S TOO BIG FOR ONE PERSON.

IT'S TOO QUIET.

I MEAN, IT'S LIKE I HAVE THE TV ON ALL THE TIME NOW.

THANK YOU. IT'S VERY NICE TO HAVE SOMEONE

TO HELP OUT AROUND HERE.

OH, SURE.

WHO KNOWS? YOU KNOW, I WAS THINKING MAYBE

OF GOING TO ONE OF THOSE, UM, COMPUTER SCHOOLS.

OH, YEAH. COMPUTERS.

THAT'S GOOD.

YOU THINK SO?

I'M GONNA HAVE TO GO THROUGH BILL'S STUFF IN HIS ROOM.

I WISH I COULD HELP YOU OUT.

OH, NO, NO.

IT'S JUST I'M, UM-- VERY BUSY.

I MEAN, I'VE GOT A JOB INTERVIEW.

OH, A JOB INTERVIEW?

ACTUALLY, IT'S THE SECOND INTERVIEW.

I BET YOU GET IT.

THANK YOU.

I HOPE SO. I'M A LITTLE WORRIED.

DO YOU MIND IF I MAKE A SUGGESTION?

SURE.

WHY DON'T YOU TRY PUSHING YOUR HAIR BACK OFF YOUR FOREHEAD,

YOU KNOW, LIKE THE OTHER AFTERNOON?

YEAH, LIKE THAT. JUST--

YOU KNOW, LET 'EM SEE YOUR FACE.

YOU'RE A GOOD-LOOKING MAN.

WELL, MAYBE I'LL LET YOU KNOW HOW THE INTERVIEW GOES,

I MEAN, IF YOU'RE INTERESTED.

SURE, YOU KNOW, IF YOU HAVE ENOUGH TIME, DROP BY.

YEAH, IF I HAVE THE TIME.

Cynthia: OH, MY GOD. LOOK AT YOU.

HE'S TURNED A CORNER.

OH, VERY IMPORTANT.

I SORT OF MENTIONED THAT I LIVE ON MY OWN, OK?

SO JUST DON'T BLOW IT.

WHAT? YOU LIED TO HER?

NO, SHE SEEMED TO HAVE A THING ABOUT IT.

SO WHAT ARE WE SUPPOSED TO SAY AT THE END?

THIS IS IT?

WHAT ARE WE SUPPOSED TO DO AT THE END?

CYNTHIA AND I ARE GOING FOR COCKTAILS?

A LATE MOVIE.

YOU GUYS SAY THAT YOU HAVE PLANS

TO GO SEE A LATE MOVIE, AND THEN YOU JUST GO.

WAIT A SECOND. HOW ARE WE GETTING HOME?

DEAL WITH IT. I NEED THE CAR.

YEAH, I MEAN, HE'S GOTTA DRIVE HER HOME.

THAT'S THE WHOLE POINT.

CYNTHIA, MAYBE YOU CAN GIVE ME AN OPENING

FOR THE STORY ABOUT BRAD AND THE ORANGES?

TOM, JUST BE YOURSELF.

YEAH, YOU'RE RIGHT. YOU'RE RIGHT.

SCOTT, YOU SET ME UP FOR THE ORANGE STORY, ALL RIGHT?

YOU GOT IT. OK.

WAIT. WAIT, WAIT, WAIT. WHAT--WHAT WAS IT?

UM... MEAN TO ME, MAYBE?

NO, NO. LOUIS ARMSTRONG DID A GREAT VERSION OF IT. COME ON.

OH! OH, OH, OH.

IT GOES LIKE-- W-W-WAIT--

♪ DA DA DA DA DA ♪

♪ IF I ONLY HAD A BRAIN ♪

TOM, YOU'VE HEARD OF DJANGO REINHARDT, RIGHT?

NO, SCOTT.

OH, MY GOD. HE IS SO AMAZING.

DO YOU KNOW HE ONLY HAD 3 FINGERS?

REALLY?

THAT'S TOO BAD.

SO, ANYWAY--

JULIE, DID YOU KNOW TOM'S GOT A SECOND INTERVIEW TOMORROW?

OH. THAT'S GREAT.

Tom: YEAH, WELL--

I SURRENDER, DEAR.

YOU WHAT?

♪ I SURRENDER, DEAR ♪

HA HA! I LOVE THAT SONG.

OH, YOU KNOW WHAT? I THINK THAT'S ON DECCA.

I THINK I'VE SEEN IT IN THE BINS.

WHAT, YOU HAVE THAT RECORD?

YEAH.

I NEED THAT RECORD DESPERATELY.

YEAH, SO THEY SEEMED TO REALLY LIKE MY PORTFOLIO.

WHAT?

OH, 'CAUSE--OH, THAT'S SO EXCITING, TOM.

YEAH, YOU SHOULD REALLY SEE TOM'S STUFF.

IT'S SO GREAT.

WELL, IT'S A REALLY GOOD FIRM, AND THEY SEEM TO HAVE ROOM TO GROW.

AND YOU CAN MAYBE FINALLY MOVE OUT OF YOUR MOM'S HOUSE.

DIDN'T SHE HAVE-- WHAT WAS THAT STORY

ABOUT BRAD AND ORANGES?

DIDN'T YOU HAVE A STORY ABOUT BRAD AND ORANGES?

NO, SCOTT.

WHOA, CYNTHIA AND I HAVE TO, UH,

WE HAVE TO GO GET SOME COCKTAILS.

HMM. AHEM.

Tom: I--I--I CANNOT BELIEVE YOU.

LOOK, I'M SORRY. THAT THING ABOUT YOUR MOTHER

JUST SLIPPED OUT.

NO, THE WHOLE EVENING. WHAT WERE THOSE TOPICS?

YOU WERE SUPPOSED TO BE FEEDING ME OPENINGS

SO I COULD JUMP IN WITH THE ZINGERS.

WELL, I WAS FEEDING YOU. YOU WEREN'T ZINGING.

OH, BULLSHIT!

HOW AM I SUPPOSED TO...ZING ON, ON--

WH--JINGLE, JANGLE--

DJANGO REINHARDT. LOOK, I'M SORRY.

SHE TOLD ME SHE'S WORKING IN THIS RECORD STORE, AND--

LISTEN, YOU TOLD ME TO KEEP THINGS FLOWING.

OH, FLOWING. YES, FLOW--

YOU KNOW, YOU'RE MAKING ME SICK, SCOTT.

LOOK, YOU STILL HAVE THE DRIVE HOME.

THE DRIVE HOME? THE DRIVE HOME IS USELESS.

YOU KNOW?

YEAH. YEAH.

HI. HI.

YOU KNOW, WE REALLY DIDN'T GET MUCH OF A CHANCE TO TALK TONIGHT.

I WANTED TO TELL YOU SOMETHING.

I REMEMBER YOU.

WE SHARED A MUSIC STAND, DIDN'T WE?

YEAH.

I USED TO TALK TO YOU ABOUT THAT GUY I WENT OUT WITH--KENNY.

THAT'S RIGHT.

ANYWAY...

WHAT I REMEMBER IS...

YOU WERE A REALLY NICE GUY.

JULIE--

OHH! OW! OW! SHIT!

I AM SO--OH, OK.

OH, MY GOD.

I SHOULD HAVE WARNED YOU I WAS GOING IN,

THAT--I--I--

OH, YOU KNOW, IT'S MY FAULT.

I JUST, I-- I DO THIS, YOU KNOW.

I--I GIVE OUT THE WRONG SIGNALS.

WH--OH.

I...

I'M R--I'M REALLY SORRY, TOM.

I'M GOING AWAY.

YOU'RE GOING AWAY?

IT'S SORT OF A-- SORT OF A LONG STORY.

BUT YOU JUST MOVED BACK.

WELL, I'M NOT REALLY HERE.

IT'S LIKE A TEMPORARY ARRANGEMENT

UNTIL I'M READY TO GO.

I NEEDED A PLACE TO STAY, AND MY DAD,

YOU KNOW, OWNS THE BUILDING,

AND I JUST...

I MEAN, IF--IF I WASN'T GOING AWAY--

WELL, I'M VERY SORRY.

I MEAN, YOUR WORK IS VERY STRONG.

I FOUGHT FOR YOU.

BUT THE PARTNERS FELT, AND I HAD TO AGREE WITH THEM,

YOU JUST DON'T FULFILL OUR NEEDS AT THIS TIME.

I WANT TO THANK YOU FOR COMING IN.

I DIDN'T GET THE JOB.

I'LL GET THE BOXES.

HE LOVED THE METS.

THANK YOU FOR DOING THIS.

I GOT SOMETHING YOU MIGHT WANT.

COME HERE.

THERE MIGHT BE ONE OR TWO OF YOU IN THERE.

YOU CAN TAKE ONE.

IT'S HARD TO BELIEVE.

YOU'RE A BEAUTIFUL BOY.

OH, NO, NO.

YES, YOU ARE.

WELL, THANK YOU, RUTH. THANK YOU.

BILL, SR., ON THE OTHER HAND,

HE HAD TO GET BY ON HIS WITS.

NO CHIN.

I MET HIM ONE NIGHT AT THIS PARTY DOWN AT LUCILLE'S.

I WAS 16.

I FELL FOR HIM LIKE THAT.

NEXT DAY, HE LEFT FOR VIETNAM.

2 YEARS.

SO...WHAT? YOU JUST WAITED FOR HIM?

OH, SURE.

I--I MEAN THERE WERE PLENTY OF OTHER SUITORS.

I'M SURE.

BUT BILL SR., YOU KNOW, HE JUST TICKLED MY FANCY.

WHEW, AND THOSE LETTERS HE WROTE. HOLY COW.

I WOULD HAVE WAITED A FEW LIFETIMES.

YOU KNOW WHAT I MEAN?

YEAH.

Man on TV: LOOK, IT'S THAT EASY.

Second man on TV: I HAD THE DIAL SET A LITTLE THIN HERE.

PRESS THE BUTTON AT THE TOP,

AND NOW YOU'LL FEED EVERYTHING DOWN TO THE LAST PIECE.

IT'S A PERFECT RESULT EACH AND EVERY TIME.

LOOK IT. IT'S ALL CUT PERFECT. IT LOOKS BEAUTIFUL.

IT'S PERFECTION IN SLICING.

Ruth: PLEASE, TOM--

Tom: RUTH, I'D REALLY RATHER NOT.

I NEED YOU TO DO THIS.

I--HE NEVER TALKED TO ME ABOUT THINGS LIKE THIS.

IT'S--IT'S IMPORTANT TO ME. PLEASE?

WHAT DO YOU WANT TO KNOW?

GIRLS.

WELL, I THINK THERE WAS ONE GIRL BILL LIKED.

REALLY?

WHAT WAS HER NAME?

JULIE.

JULIE.

WAS SHE PRETTY?

OH, YEAH.

HE DID EVERYTHING HE COULD,

BUT HE JUST COULDN'T STOP THINKING ABOUT HER.

EVEN WHEN HE TRIED REALLY HARD NOT TO.

SHE HAUNTED HIM.

SHE HAUNTED HIM.

SO, WHAT HAPPENED?

WELL, SHE TOLD HIM SHE WAS PLANNING ON GOING AWAY,

BUT I DON'T KNOW...

HE COULDN'T LET HER GO.

I MEAN, HE'D BEEN IN LOVE WITH HER FOR SO LONG.

AND I GUESS NO ONE TICKLED HIS FANCY THE WAY SHE DID.

SO, THIS JULIE...

DO YOU THINK THAT'S THE REASON HE--

NO, RUTH.

SEE, I KNEW WE SHOULDN'T HAVE GOTTEN INTO THIS. NO.

COULD BE THE REASON, YOU--

RUTH, NO.

DID SHE GO TO YALE? WHAT?

THERE WERE ALL THESE TOLL RECEIPTS IN THE CAR.

NEW HAVEN. DID SHE GO TO YALE?

SHE DIDN'T GO TO YALE. NO, RUTH. UH--

I DON'T THINK IT HAD ANYTHING TO DO WITH HER.

I KNOW IT DIDN'T.

HMM.

UH-HUH?

Julie: TOM? IT'S JULIE.

HI, JULIE.

JULIE?!

CAN I COME OVER? I HAVE TO TALK TO YOU.

COME OVER HERE?

YEAH. I--I'M IN THE NEIGHBORHOOD.

I'M COMING, OK?

WHAT ARE YOU DOING?

SOMEONE'S COMING OVER. A GIRL.

DON'T MAKE A BIG DEAL, OK--

IS THAT WHAT YOU'RE WEARING?

IT'S MY FRIGGIN' HOUSE.

OK, TRY NOT TO SAY FRIGGIN', DON'T CALL ME TOM-TOM,

AND NO STORIES ABOUT ME DOING MAGIC.

HEY. HI.

WHAT'S GOING ON?

NOTHING.

SO, COULD I COME IN, OR--

OH, SURE.

JULIE, THIS IS MY MOM.

OH. HI.

I'M TOM'S MOM.

HOW ARE YOU?

TOM-TOM COMES OUT

IN THIS SWEET LITTLE HAT AND CAPE,

AND HE HAS A LITTLE MAGIC WAND.

I'M TELLING YOU, HE-- HA HA! HE WAS THE CUTEST THING YOU EVER SAW.

I GOT A PICTURE--

MOM, NO PICTURES.

OH, WAIT! NO--

MOM!

I'M GOING IN THE KITCHEN NOW.

HMM.

IT WAS REALLY NICE MEETING YOU.

OH, IT WAS NICE MEETING YOU, TOO.

I'M SORRY.

NO, I'M SORRY.

IT'S JUST THIS THING HAPPENED,

AND I DIDN'T KNOW WHO ELSE TO TURN TO.

WELL, WHAT'S--

WHAT'S UP?

SCOTT CAME TO SEE ME LAST NIGHT.

HE DID? WHAT, AT WORK?

YEAH. HOW IS SCOTT?

HE MADE A PASS AT ME.

OH, MY--I CAN'T BELIEVE HE DID THIS!

WHAT--WHAT-- I CAN'T BELIEVE IT!

HOW COULD HE KISS YOU LIKE THAT WHEN HE'S SUPPOSED TO BE MARRIED?

HOW DO YOU KNOW HE KISSED ME?

HOW DO I-- HOW'S THAT?

I SAID PASS. I DIDN'T SAY KISS.

OH, MY GOD. DID HE TELL YOU THIS?

NO, I'M SORRY. I--I HEAR PASS, I MOVE RIGHT TO KISS.

WELL, HE DID KISS ME.

BASTARD! WHAT IS HE THINKING?

SO, YOU KNOW, I DON'T KNOW WHAT TO DO.

I MEAN, DO I TELL CYNTHIA? DO I NOT TELL HER?

OH, YOU--YOU-- YOU TELL HER.

THIS IS A MORAL ISSUE.

UNFORTUNATELY, SCOTT IS AN ADULTERER,

AND THAT IS SOMETHING CYNTHIA SHOULD KNOW.

OK, OK. BUT WHAT IF IT'S NOT ALL SCOTT'S FAULT?

ALL RIGHT? WHAT IF IT'S PARTLY MY FAULT?

WHAT DO YOU MEAN?

I'M JUST SAYING HE SHOWS UP OUT OF NOWHERE,

LOOKING FOR A RECORD.

I SHOULD HAVE SEEN IT COMING!

OOH.

I JUST--I LET THINGS GET OUT OF CONTROL.

THE SAME THING HAPPENED WITH JED. JED?

I MEAN, ONE MINUTE WE'RE HAVING THIS CASUAL CONVERSATION--

MAYBE WE SHOULD LIVE TOGETHER--

AND THE NEXT THING I KNOW, I'M GETTING MARRIED.

THIS IS THE GUY YOU WERE GONNA MARRY?

YEAH. I MEAN, I CARED ABOUT HIM, YOU KNOW,

AND HE REALLY WANTED TO GET MARRIED,

BUT I GUESS I WASN'T SURE,

AND I SHOULD HAVE TOLD HIM THAT AT THE VERY BEGINNING.

I MEAN, BEFORE THAT WHOLE MARRIAGE THING GOT STARTED.

I MEAN, HAVE YOU EVER NOT TOLD SOMEONE SOMETHING

THAT YOU SHOULD HAVE TOLD THEM, BUT YOU WERE AFRAID TO,

SO YOU DIDN'T, AND THEN IT TURNED INTO A WHOLE COMPLICATED THING

THAT YOU NEVER SHOULD HAVE GOTTEN INTO IN THE FIRST PLACE?

Mom: YOU KIDS WANT SOME BOSCO?

Tom: MA! NO!

OH, I LOVE BOSCO.

THIS IS WHY YOU NEVER GOT FIRST CHAIR.

WHAT?

IN BAND.

MR. BOOSTA WANTED YOU TO CHALLENGE CLIFF YOUNG FOR FIRST CHAIR,

BUT YOU WOULDN'T DO IT.

OH, MY GOD.

I FORGOT ABOUT CLIFF YOUNG.

YOU DIDN'T WANT TO HURT HIS FEELINGS.

WELL, YOU KNOW, HE LOVED THE SOLOS.

YEAH, BUT YOU WERE BETTER THAN HE WAS.

NO. YOU WERE.

I'LL--I'LL GIVE CLIFF YOUNG HIS TRILLS,

BUT YOU HAD IT ALL OVER HIM IN THE UPPER REGISTER.

HOW DO YOU REMEMBER ALL THIS?

I HAVE A REALLY GOOD MEMORY.

WELL...

I GUESS I WAS ALWAYS SCREWED UP.

NO. YOU WERE JUST WORRIED ABOUT OTHER PEOPLE'S FEELINGS.

YEAH, BUT THE THING IS,

WHEN YOU SPEND YOUR LIFE WORRYING ABOUT HOW OTHER PEOPLE FEEL,

YOU SORT OF LOSE TRACK, YOU KNOW?

OF HOW YOU FEEL.

DOES THIS HAVE ANYTHING TO DO WITH YOU GOING AWAY?

SORT OF.

MY PLAN IS TO SAVE UP,

BUY A CAR...

PACK ALL THE THINGS I REALLY CARE ABOUT,

AND JUST DRIVE OFF ON MY OWN FOR, LIKE, A YEAR.

BECAUSE I'VE NEVER REALLY BEEN ON MY OWN, YOU KNOW?

YOU--YOU'VE GOT A THING.

ON MY MOUTH?

LISTEN, UM...

THERE'S THIS THING TONIGHT AT ST. JOHN THE DIVINE.

I GOT THE TICKETS FOR ME AND...

YOU KNOW, JED.

IT'S THIS GUY GRETZKY.

HOCKEY?

A COMPOSER.

I KNOW.

SO, UH...

DO YOU--YOU KNOW, WANT TO GO WITH ME OR--

YES.

HOW COULD YOU DO THIS TO ME?!

WHAT?

IT'S 2:30. WHERE THE HELL HAVE YOU BEEN?

LOOK, I REALLY NEED TO TALK TO YOU, RUTH.

CAN WE PLEASE JUST GO INSIDE?

THEY'RE WAITING FOR US.

WHO?

WEREN'T YOU EVEN LISTENING TO ME THE OTHER NIGHT?

OF COURSE I WAS LISTENING TO YOU.

WH-WHAT DID YOU SAY?

AUNT LUCILLE'S? THE POOL PARTY?

DID YOU EVEN REMEMBER TO BRING YOUR TRUNKS?

OH, JESUS. LET'S GO, I PACKED SOME OF BILL'S.

COME ON!

♪ UNH ♪

♪ PAPA LOVES MAMBO ♪

♪ MAMA LOVES MAMBO ♪

♪ LOOK AT 'EM SWAY WITH IT GETTIN' SO GAY... ♪

HEEEYYY!

DO YOU REMEMBER ME?

UH...

OF COURSE YOU DON'T. YOU WERE THIS HIGH.

BOYS, YOU REMEMBER TOM FROM THE FUNERAL?

RUTH TOLD ME EVERYTHING YOU'VE BEEN DOING.

SHE DID?

I CAN'T TELL YOU HOW WONDERFUL YOU ARE,

HELPING MY SISTER-IN-LAW THROUGH THIS TIME.

OH, THERE SHE IS!

OH! OH, YOU LOOK GREAT!

YOU'RE MAKING ME CRY.

OHH.

YOU ARE SO STRONG.

I OWE IT ALL TO TOM. I MEAN,

YOU KNOW, HE WAS THERE FOR ME,

YOU KNOW, WHEN I NEEDED SOMEONE.

HE WAS THERE.

TOM.

♪ PAPA LOVES MAMBO ♪

♪ PAPA LOVES MAMBO ♪

♪ MAMA LOVES MAMBO ♪

Tom: JULIE, HI. IT'S ME--TOM.

NO, EVERYTHING'S FINE.

LISTEN, UM, WHAT TIME DID YOU SAY THE CONCERT WAS?

NO, I CAN MAKE IT.

UM, JUST I HAD--HEH!

A HORRIBLE FAMILY THING I COULDN'T GET OUT OF.

OK, GREAT--

NO, I'M STILL HERE.

OK.

BYE.

♪ COME A LITTLE BIT CLOSER... ♪

SO, DID YOU LIKE IT?

HEH! IT WAS GREAT.

IT WAS NOTHING LIKE ANYTHING

WE EVER PLAYED IN BAND, THOUGH.

HEH HEH HEH!

WEREN'T ALL THESE RECALLED?

NO. THAT WAS THE, UH, THE PINTO.

I DON'T THINK WE'RE GONNA MAKE IT.

ARE YOU KIDDING ME? THIS--THIS THING'S RUNNING LIKE A TOP.

♪ BUT THERE'S A FULL MOON RISING... ♪

I'M SURE IT JUST NEEDS A MINOR ADJUSTMENT.

TOM, WHO'S RUTH?

RUTH?

YOU KNOW? RUTH?

UNDER THE SEAT I FOUND "RUTH."

OH, THAT'S RUTH ABERNATHY'S.

BILL'S MOM.

YEAH, I'VE BEEN SORT OF SPENDING SOME TIME WITH HER.

YOU KNOW, SHE'S BEEN GOING THROUGH A DIFFICULT PERIOD.

ARE YOU KIDDING ME?

WHAT DO YOU MEAN?

THAT IS SO NICE OF YOU.

OH, NO, IT REALLY ISN'T.

YES, IT IS. YOU DON'T EVEN REMEMBER THAT GUY.

THAT IS SO NICE OF YOU.

NO, IT--IT REALLY ISN'T.

♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪

♪ I WANT TO SEE YOU DANCE AGAIN ♪

♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪

♪ ON THIS HARVEST MOON ♪

That's your room?

What?

Yeah. I've tried to get that off.

It's, like, welded to the door.

Can I see?

Um, my mom really doesn't like me to drive her car.

We really shouldn't dally.

We're getting into dangerous area here.

You wait here, OK?

Oh, shit.

No, Julie, Julie--

OH, MY GOD.

I KNOW. I SHOULD PROBABLY GET RID OF THE BUNK BED, HUH?

YEAH--OHH! I'M SORRY.

SHH!

OHH!

DO YOU STILL PLAY?

NOT REALLY. DO YOU?

NO. I LOST MINE.

OH.

OHH, I REMEMBER THESE.

YEAH.

SHH! SHH!

OH, SORRY!

THESE WERE GREAT. WHAT HAPPENED TO THESE?

THEY--THEY KILLED A LOT OF PEOPLE.

UM, I WAS CLEANING OUT MY CLOSET.

THAT'S WHY THAT'S OUT.

OH, MY GOD.

WHAT?

MY HAIR. I LOOK SO BIZARRE.

NO, NO, YOU DIDN'T.

LOOK AT THAT DRESS. WHAT WAS I THINKING?

WELL...

YOU LOOK BEAUTIFUL.

FOR THE LAST 7 YEARS,

I'VE BEEN WISHING I DANCED WITH YOU.

WHAT?

OH, IT WAS THE, UH,

HOMECOMING DANCE.

HEH HEH.

YOU AND ME, WE WENT TO A DANCE?

OH, NOT TOGETHER.

BUT IT WAS DURING ONE OF THOSE WEEKS

THAT YOU AND KENNY WERE BROKEN UP.

UM, WE WERE TALKING ON THE BLEACHERS,

AND ROCK LOBSTER STARTED PLAYING,

AND YOU SAID, "I LOVE THIS SONG,"

WHICH I KIND OF TOOK AS A SIGNAL

THAT YOU WANTED TO DANCE,

BUT...

I DIDN'T ASK YOU.

WHY NOT?

BECAUSE I CAN'T DANCE.

TOM.

WHAT?

I'M GOING IN.

YOU'RE...

HI.

OW! OH!

OH!

HELLO?

Ruth: SO HOW WAS THE CONCERT?

HEY, HEY, RUTH.

IS THERE SOMETHING YOU WANT TO TELL ME, TOM?

Tom's mother: HELLO?

MOM, I'M ON THE PHONE HERE.

WHO'S CALLING SO LATE?

MOM, PLEASE--

WELL, I MEAN, IS SOMEBODY IN THERE WITH YOU?

I--I HEARD SOMEBODY COME IN WITH YOU.

IS THERE A GIRL IN THERE?

MOM, I AM ON THE PHONE!

JESUS!

ARE YOU STILL THERE?

Ruth: I'M HERE.

I--I FOUND YOUR BRACELET.

IS SHE THERE?

SHE'S THERE, ISN'T SHE?

YOU LOVE SCREWING ME, TOM.

ARE YOU GONNA SCREW ME OVER?

HEH!

YOU ARE, AREN'T YOU?

YOU'RE GONNA SCREW ME OVER.

Brad: YOU DID WHAT?!

DON'T MAKE A BIG DEAL OUT OF THIS.

DON'T MAKE A BIG DEAL OUT OF THIS?

YOU HAD SEX WITH A DEAD GUY'S MOTHER?

THAT LADY FROM THE FUNERAL?

THE LADY FROM THE FUNERAL, ALL RIGHT, BRAD?

DID YOU TELL SCOTT?

I'M NOT TALKING TO SCOTT.

WHAT DO YOU MEAN YOU'RE NOT TALKING TO SCOTT?

SCOTT'S AN ASSHOLE. OK? I'M NOT TALKING TO HIM.

WHOA, WHOA, WHOA! WHAT ARE YOU TALKING ABOUT?

Lauren: BRAD! WHAT'S GOING ON HERE?

WHO ARE YOU THESE DAYS?

THE POINT IS WHAT AM I GONNA TO DO

ABOUT RUTH ABERNATHY?

WHAT ARE YOU GONNA DO ABOUT RUTH ABERNATHY?

YOU'RE GONNA GET OUT OF THERE, THAT'S WHAT YOU'RE GONNA DO.

WHAT ARE YOU, NUTS? BRAD!

OK, OK! LISTEN, WE HAVE TO WRAP THIS UP.

WRAP IT UP?! WHAT ARE YOU--I MEAN, WE-WE'RE NOWHERE.

OK? I'M IN A DILEMMA, BRAD. LOOK.

WHAT'S THAT?

THAT'S HER CHARM BRACELET.

THE DEAD GUY'S MOTHER?

RUTH ABERNATHY. HER NAME IS RUTH.

OK, OK. TAKE THAT FRIGGING BRACELET

AND DROP IT IN THE MAIL. YOU UNDERSTAND?

WRITE HER A LITTLE LOVE POEM AND GET RID OF IT,

BECAUSE YOU'RE LOST.

WHAT ARE YOU SAYING? JUST TAKE IT--

I JUST DROP IT IN THE MAIL?

THAT'S YOUR BIG SOLUTION, BRAD?

GET IN HERE, BRAD!

OK! I GOTTA GO. COME ON!

I GOTTA GO. THAT'S 3 CALLS. I GOTTA GO.

BRAD-- LISTEN, THAT'S ALL I GOT.

ALL RIGHT? MAIL IT, CLEAN BREAK.

TOM...

LOOK, IT'S GOOD ABOUT YOU AND JULIE.

DON'T WORRY ABOUT IT.

THANKS, BRAD.

Julie: IT'S MY BIRTHDAY.

I'M HAVING BRUNCH WITH MY PARENTS

ON SUNDAY TO CELEBRATE.

Tom: THAT'LL BE NICE.

OHH.

IT'LL BE THE FIRST TIME I'VE SEEN THEM

SINCE I LEFT JED.

OH.

WOULD YOU GO WITH ME?

TO MEET YOUR PARENTS?

YEAH.

YOU WANT ME TO MEET YOUR PARENTS?

YEAH.

IS 15 ENOUGH?

MA, THE NAME OF THIS PLACE IS CHANTARELLE.

IT'S $50 RIGHT THERE.

I'LL GET YOU ANOTHER 5.

TOM?

IS THAT FOR YOU, TOM?

Tom's mother: HELLO?

IS TOM HERE?

CAN YOU TELL ME WHAT THIS IS ABOUT?

YOU KNOW WHERE HE WENT?

SAY SOMETHING.

HONEY, COULD WE JUST EAT FIRST--

TOM!

HI.

HI.

HELLO.

HI.

TOM, THIS IS MY FATHER PHILIP.

IT'S REALLY GREAT TO MEET YOU, SIR.

I DON'T UNDERSTAND.

EXCUSE ME, SIR.

AND THIS IS MY MOM SUZANNE.

OH, GOOD MORNING.

HELLO. ARE YOU EATING HERE, TOO?

YES, TOM--TOM, UH, IS GONNA BE JOINING US.

I THOUGHT WE WERE HERE TO TALK.

PHILIP, PLEASE, HONEY, DON'T GET UPSET.

I AM UPSET.

OH, UM--

LOOK, LOOK, THIS IS MY BIRTHDAY, OK?

TOM IS MY GUEST. ALL RIGHT?

OK?

I'M SORRY. THIS IS RUDE.

I JUST DON'T UNDERSTAND THIS.

COULD YOU TELL ME WHAT HE'S DOING HERE?

MY DAUGHTER WALKS OUT JUST BEFORE HER WEDDING,

I BARELY HEARD FROM HER IN 2 MONTHS,

I WANT TO KNOW WHAT'S GOING ON.

WELL, THAT'S UNDERSTANDABLE.

WHY IS HE TALKING?

ARE YOU SLEEPING WITH HER? IS THAT WHAT THIS IS?

DAD! PHILIP!

ALL RIGHT, I'LL GET TO THE POINT.

THIS TRIP, WE'VE ALL TALKED ABOUT IT,

YOUR MOTHER AND I AND GRANDMA,

AND WE ALL AGREE WE DON'T UNDERSTAND IT.

Mother: SWEETHEART, LISTEN, A LITTLE VACATION IS A GREAT IDEA.

WHY WOULD YOU WANT TO WASTE A YEAR OF YOUR LIFE?

LOOK, I DON'T WANT A VACATION, ALL RIGHT?

UM...

I'M LOST, OK?

I'M COMPLETELY...

LOST. I DON'T KNOW WHAT I'M DOING WITH MY LIFE,

AND I NEED TO TAKE THIS TRIP. IT'S IMPORTANT, OK?

I MEAN, TOM UNDERSTANDS.

YOU KNOW, I FEEL LIKE HE'S THE ONLY PERSON

WHO UNDERSTANDS WHAT I'M DOING.

THAT'S ONE OF THE REASONS I WANTED HIM HERE.

Mother: TOM...MAYBE YOU COULD EXPLAIN IT TO US.

AHEM. WELL, MRS. DeMARCO,

MR. DeMARCO...

UM...

I CAN UNDERSTAND HOW YOU MIGHT NOT WANT JULIE

TO GO AWAY RIGHT NOW.

UH, THE TRUTH IS IT PROBABLY HAS NOTHING

TO DO WITH THIS TRIP.

IT'S PROBABLY BECAUSE YOU JUST DON'T WANT HER TO LEAVE.

BUT I--I JUST THINK THAT...

JULIE FEELS...

DON'T GO, JULIE.

WHAT?

I DON'T WANT YOU TO GO. I MEAN, A YEAR?

I THOUGHT WE WERE DOING SOMETHING HERE.

TOM, WHAT ARE YOU SAYING?

I TOLD YOU THIS WAS A TEMPORARY THING.

YOU KNOW I SAID THAT.

I'VE NEVER FELT THIS WAY MY WHOLE LIFE, JULIE.

I FEEL LIKE WE-- I MEAN, I FEEL LIKE

I REALLY KNOW YOU.

DON'T YOU? I MEAN, IS IT JUST ME?

Maitre d': EXCUSE ME, MADAM--

THERE YOU ARE!

OH, MY GOD. Philip: WHO IS THIS?

Julie: MRS. ABERNATHY?

I WANT TO TALK TO YOU.

OK, RUTH, THIS IS NOT A GOOD TIME.

EXCUSE ME. WE'RE HAVING A BRUNCH HERE.

LET'S GO OUTSIDE. WE'RE GOING OUTSIDE--

THIS IS THE WAY YOU SAY GOOD-BYE?

IT WAS JUST FOR THE SEX, WASN'T IT?

HE'S SLEEPING WITH EVERYBODY. HAVE YOU BEEN TESTED?

TOM, WHAT IS SHE TALKING ABOUT?

AND WHAT'S WITH THIS LOUSY POEM, HUH?

I MEAN, IS THIS SUPPOSED TO MEAN SOMETHING TO ME?

YOU WROTE HER A POEM? NO. LET'S GO.

SEX, SEX, SEX. YOU'RE A HORRIBLE YOUNG MAN.

ALL RIGHT. JULIE, THIS--

JULIE? OH, IS THIS HER?

WHY DON'T YOU TELL HER, TOM?

WHY DON'T YOU TELL HER WHAT YOU DID

TO YOUR BEST FRIEND'S MOTHER?

Julie: TOM!

HE WASN'T MY BEST FRIEND.

JULIE-- WHAT ARE YOU TALKING ABOUT?

JULIE! TOM!

LOOK, RUTH, I DON'T EVEN REMEMBER BILL.

I'M SORRY, I'M SORRY.

♪ SHE'S A SUPER FREAK, SUPER FREAK ♪

♪ SHE'S SUPER FREAKY, YOW ♪

♪ EVERYBODY SING ♪

♪ SUPER FREAK, SUPER FREAK ♪

♪ SHE'S A VERY SPECIAL GIRL ♪

♪ THE KIND OF GIRL YOU WANT TO KNOW... ♪

HEY! HEY, HOW'S ABOUT A LITTLE RESPONSE, TOMMY?

HOW YOU DOING? JUST GREAT.

WHAT'S WRONG? HEY, NURSE, OVER HERE! WE GOT ANOTHER PATIENT.

NO, NO, DON'T, BRAD, DON'T.

THIS IS MY GOOD FRIEND TOMMY.

WE NEED TO GIVE HIM A LITTLE--

HEY, WHAT'S THE MATTER, MAN?

IT'S MY LAST TUESDAY. I'M GETTING MARRIED.

I KNOW, I KNOW. I AIN'T--I'M JUST--

I'M NOT IN THE MOOD, ALL RIGHT?

OH, I FORGOT YOU DON'T LIKE BACHELOR PARTIES.

YOU ONLY GET TURNED ON AT FUNERALS. HA HA HA!

VERY FUNNY.

NURSE, PLEASE, CAN YOU TALK TO HIM?

I'M LEAVING.

COME ON, WHERE YOU GOING?

BRAD, GET OFF!

LAUREN WAS RIGHT ABOUT YOU.

I DEFENDED YOU.

I SAID YOU'D COME THROUGH IN THE END,

BUT SHE'S RIGHT.

SHE TOLD ME NOT TO HAVE YOU FROM THE START.

SHE SAID SCOTT SHOULD BE MY BEST MAN.

SCOTT? THAT'S WHAT SHE SAID? SCOTT?

YEAH, BECAUSE HE'S A BETTER BEST MAN.

DON'T MARRY HER, BRAD.

HEY.

LAUREN'S AN ALBATROSS AROUND YOUR NECK, BRAD.

DON'T MARRY HER.

TOMMY-- AND BY THE WAY, SCOTT THINKS SO, TOO.

BASTARD!

HEY, GET OUT OF MY PARTY!

LET HIM GO. OK? HEY, TOMMY--

Brad: GET OFF ME!

HEY, ASSHOLE, GET OUT OF MY PARTY!

I SAW YOU WITH HER, SCOTT.

Brad: I DON'T WANT YOU HERE!

GET OUT!

GET OFF OF ME, JOEY! I DON'T WANT HIM HERE.

YOU'RE NOT ALLOWED--

SCOTT!

TOM?

YEAH, MA?

SCOTT'S HERE.

SO WHAT ARE YOU DOING IN HERE?

NEW CARBURETOR. JUST CHECKING THE IDLE.

AHEM. SO, BRAD'S A LITTLE UPSET.

I TRIED TALKING TO HIM, BUT...

DOESN'T LOOK LIKE YOU'RE GONNA BE THE BEST MAN.

WELL, YOU'D MAKE A BETTER BEST MAN, WOULDN'T YOU, SCOTT?

CYNTHIA KICKED ME OUT.

WE HAD THIS LITTLE LITTLE FIGHT AND...

I DON'T EVEN KNOW WHAT IT WAS ABOUT.

LOOK, TOM, I'M REALLY SORRY.

I MESSED UP.

TASHA CORTINA.

OHH, TASHA CORTINA!

BUT SHE HAD THAT LIP THING.

WHAT LIP THING?

YOU KNOW, THAT LITTLE SCAR.

NO, I LIKED THAT SCAR. IT WAS SEXY.

FOR ME IT RUINED EVERYTHING.

OH, YOU'RE TOO CRITICAL.

Tom's mother: BOYS?

MA, WE'RE TALK--

I CAN'T BELIEVE YOU JUST WALK IN HERE!

I'M 25 YEARS OLD! THIS IS WHY--

THIS IS WHY I NEED THE LOCK.

I JUST WANT TO KNOW IF YOU WANT SOME ICE CREAM.

A LITTLE. MM-HMM.

SEVENTH GRADE, NANCY WEINBERG.

OOH, SHE LIKED ME.

SHE DID NOT LIKE YOU. SHE DID!

SHE HAD THIS VERY SERIOUS THING, LIKE AN OBSESSION.

NO, DON'T YOU REMEMBER ANGELA MINERI?

ANGELA MINERI TOLD YOU THAT NANCY WEINBERG

HAD THIS BIG CRUSH ON YOU,

SO YOU WENT UP TO NANCY IN HOMEROOM

IN FRONT OF EVERYBODY, AND SHE LAUGHED IN YOUR FACE.

YEAH, THAT'S RIGHT.

IT WAS THE OTHER TOM. SHE HAD A CRUSH ON HIM.

WHAT OTHER TOM?

THE OTHER TOM.

WAIT. WHAT ARE YOU SAYING?

OH, JESUS.

MR. JELLISON'S CLASS. IN EIGHTH GRADE.

HE GOT A 58 IN UNIT ONE ALGEBRA,

AND HE STARTED CRYING. WHAT--WHATEVER HAPPENED TO THAT GUY?

HE WENT--HE WENT TO A DIFFERENT HIGH SCHOOL.

MADISON. MAD--HOW DO YOU KNOW?

BECAUSE NANCY WEINBERG KEPT ON GOING OUT WITH HIM

ALL THROUGH HIGH SCHOOL.

WHATEVER HAPPENED TO THAT GUY?

I DON'T KNOW. I HEARD THAT NANCY WEINBERG

IS IN GRAD SCHOOL AT YALE.

YALE.

YALE.

TOM, WHAT ARE YOU DOING? YOU KIDDING? YOU GOING NOW?

I'VE GOTTA GO!

I'VE BEEN DRIVING ALL NIGHT.

I HAVE TO TELL YOU SOMETHING.

CAN I COME IN?

RUTH, PLEASE--

YOU LIED TO ME.

YOU USED MY SON.

THE MEMORY OF MY SON.

THAT WAS ALL I HAD LEFT.

HOW COULD YOU DO THAT?

I REMEMBER WHEN MY THIRD GRADE TEACHER

CUT HER FINGER ON THE PAPER CUTTER

AND HAD TO GO HOME.

I REMEMBER WHEN BRUCE FINEBAUM

TRIPPED MATTHEW ELLISON DURING A FIRE DRILL

AND--AND EVERYONE LAUGHED.

I--I HAVE A REALLY GOOD MEMORY, RUTH,

BUT...

NO MATTER HOW HARD I RACKED MY BRAIN,

I COULDN'T REMEMBER YOUR SON.

AND THE FACT THAT I COULD...

FORGET HIM LIKE THAT,

THAT HIS LIFE COULD...

LEAVE SO LITTLE IMPRESSION ON ME,

THAT REALLY SCARED ME.

I MEAN, IT--

IT TERRIFIED ME.

BECAUSE I WOULDN'T WANT TO BE FORGOTTEN.

I'M SORRY. SHOULD I JUST KEEP WAITING IN THE CAR?

NO, IT'S OK.

RUTH...

UM...

THIS IS TOM THOMPSON.

HI, MRS. ABERNATHY.

HE, UH, WANTED YOU TO HAVE HIS CAR.

OH, NO.

NO, NO.

IT'D BE TOO SAD.

LOOK, I HAVE A CAR.

WELL, I--I DID PUT SOME MONEY INTO IT.

YOU KEEP IT.

YEAH?

SO, UH, YOU GUYS WERE CLOSE?

NOT REALLY.

I MEAN, WE JUST KNEW EACH OTHER.

IT'S SO HARD TO LET HIM GO.

I DON'T KNOW...

I MEAN...

I NEEDED SOMEONE.

I NEEDED SOMEONE, TOO.

♪ LET THE RIVER ROCK YOU LIKE A CRADLE ♪

♪ CLIMB TO THE TREETOPS, CHILD, IF YOU'RE ABLE ♪

♪ LET HIS HANDS... ♪

Rabbi: MAY HE LIFT HIS COUNTENANCE ON YOU

AND GRANT YOU HIS MOST PRECIOUS GIFT--

HIS BLESSING OF PEACE.

AMEN.

Guests: AMEN.

♪ AND CLOSE YOUR FINGERTIPS ♪

♪ AND FLY WHERE I CAN'T HOLD YOU... ♪

MAZEL TOV!

♪ AND MAYBE YOU SING TO ME ♪

♪ THE WORDS I JUST TOLD YOU ♪

♪ IF ALL THE THINGS YOU FEEL AIN'T WHAT THEY SEEM ♪

♪ THEN DON'T MIND ME BECAUSE I AIN'T NOTHING ♪

♪ BUT A DREAM ♪

♪ THE MOCKINGBIRD SINGS EACH DIFFERENT SONG ♪

♪ EACH SONG HAS WINGS ♪

♪ THEY WON'T STAY LONG ♪

♪ DO THOSE WHO HEAR THINK HE'S DOING WRONG? ♪

♪ WHILE THE CHURCH BELL TOLLS ITS ONE-NOTE SONG ♪

♪ AND THE SCHOOL BELL IS TINKLING TO THE THRONG ♪

♪ COME HERE WHERE YOUR EARS CANNOT HEAR ♪

♪ AND CLOSE YOUR EARS, CHILD, AND LISTEN ♪

♪ TO WHAT I'LL TELL YOU ♪

♪ FOLLOW IN THE DARKEST NIGHT ♪

♪ THE SOUNDS THAT MAY IMPEL YOU ♪

♪ AND THE SONG I AM SINGING ♪

♪ MAY DISTURB OR SERVE TO QUELL YOU ♪

♪ IF ALL THE SOUNDS YOU HEAR AIN'T WHAT THEY SEEM ♪

♪ THEN DON'T MIND ME ♪

♪ 'CAUSE I AIN'T NOTHING BUT A DREAM ♪

♪ HMM-MMM-MMM HMM ♪

JULIE?

HI.

TOM, LEAVE ME ALONE.

I JUST WANTED TO GIVE YOU THIS.

JULIE, WAIT!

TOM, DON'T DO THIS.

PLEASE, JUST TAKE THIS.

TOM, I DON'T WANT THIS.

I'M GOING AWAY.

IT'S A BIRTHDAY PRESENT.

BELATED. PLEASE.

PLEASE.

Bandleader: THANK YOU, LADIES AND GENTLEMEN.

THE BAND IS GONNA TAKE A SHORT BREAK RIGHT NOW,

BUT WE'LL BE BACK A LITTLE LATER.

I DON'T UNDERSTAND.

IT HAS A NEW CARBURETOR

IF THAT'S WHAT YOU'RE WORRIED ABOUT.

TOM.

I CAN'T TAKE YOUR CAR.

THE TIRES ARE GOOD FOR ANOTHER 10,000 MILES,

SO, YOU KNOW, IT SHOULD TAKE YOU...

WHEREVER YOU WANT TO GO.

IT'S A REALLY GOOD CAR. PLEASE TAKE IT.

DJ: I'M GONNA BE YOUR DJ FOR THIS EVENING,

SPINNING YOUR TUNES. WE'RE GONNA SLOW THINGS DOWN

FOR THE BRIDE AND GROOM WITH THIS ONE.

♪ COME TO ME NOW... ♪

I LOVE THIS SONG.

IS THAT A SIGNAL?

♪ AND I SHALL BELIEVE ♪

♪ BROKEN IN TWO ♪

♪ AND I KNOW YOU'RE ONTO ME ♪

♪ THAT I ONLY COME HOME WHEN I'M SO ALL ALONE ♪

♪ AND I DO BELIEVE ♪

♪ THAT NOT EVERYTHING IS GONNA BE THE WAY ♪

♪ YOU THINK IT OUGHTA BE ♪

♪ IT SEEMS LIKE EVERY TIME I TRY TO MAKE IT RIGHT ♪

♪ IT ALL COMES DOWN ON ME ♪

♪ PLEASE SAY HONESTLY YOU WON'T GIVE UP ON ME ♪

♪ AND I SHALL BELIEVE ♪

♪ AND I SHALL BELIEVE ♪

♪ OPEN THE DOOR ♪

♪ AND SHOW YOUR FACE TONIGHT ♪

♪ I KNOW IT'S TRUE NO ONE HEALS ME LIKE YOU ♪

♪ AND YOU HOLD THE KEY ♪

♪ THAT NOT EVERYTHING IS GONNA BE ♪

♪ THE WAY YOU THINK IT OUGHTA BE ♪

♪ IT SEEMS LIKE EVERY TIME I TRY TO MAKE IT RIGHT ♪

♪ IT ALL COMES DOWN ON ME ♪

♪ PLEASE SAY HONESTLY YOU WON'T GIVE UP ON ME ♪

♪ AND I SHALL BELIEVE... ♪

HELLO?

Scott: WHAT'S GOING ON?

WE HAVE A PROBLEM HERE.

DID YOU KNOCK?

I'M KNOCKING. HELLO!

HELLO!

WHAT'S GOING ON?

SHE WON'T COME OUT.

OH, JESUS.

MA!

MA, COME ON.

I'M ONLY GONNA BE 10 MINUTES AWAY, MA.

Mother, sobbing: NO.

WE'LL SEE EACH OTHER ALL THE TIME.

I DON'T WANT YOU TO GO.

MA--MA!

NOT NOW!

I JUST GOT OVER THAT BACK INJURY FROM ROLLERBLADING.

Scott: OH, PLEASE.

I'M JUST SAYING THIS IS GETTING HEAVIER AND HEAVIER.

SO WHAT HAPPENS WHEN JULIE COMES BACK? YOU HAVE TO MOVE AGAIN?

NO, SHE GAVE IT TO ME. THEY'RE LETTING ME RENT IT.

HEY, YOU WANT TO BE CAREFUL WITH MY BUNK BED?

YOU PAY. YOU WANT TO COMPLAIN, YOU PAY.

IS THAT THE LAST OF IT?

I THINK THAT'S EVERYTHING.

DON'T WORRY. THIS IS GONNA BE GOOD, TOM.

YEAH, BUT WHAT IF THIS JOB DOESN'T WORK OUT?

WHAT DO YOU MEAN? I THOUGHT THEY CALLED YOU.

DID YOU GET THE JOB ALREADY?

YEAH, BUT WHAT IF IT DOESN'T WORK OUT?

IT'S GONNA WORK OUT. COME ON!

COME ON, LET'S GO.

Brad: TOM, LET'S GO!

Scott: COME ON, TOM. IT'S GETTING LATE.

HEY, TOM, COME ON!

TOM, YOU READY?

ALL RIGHT, ALL RIGHT!

I'M READY.

♪ JUST LIKE CHILDREN SINGING ♪

LET'S MOVE.

♪ WE WILL DREAM THIS NIGHT AWAY ♪

♪ BUT THERE'S A FULL MOON RISING ♪

♪ LET'S DO DANCING IN THE LIGHT ♪

♪ WE KNOW WHERE THE MUSIC'S PLAYING ♪

♪ LET'S GO OUT AND FEEL THE NIGHT ♪

♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪

♪ I WANT YOU SEE YOU DANCE AGAIN ♪

♪ BECAUSE I'M STILL IN LOVE WITH YOU ♪

♪ ON THIS HARVEST MOON ♪

THIS IS WHAT I BELIEVE.

♪ BEEN SO LONG SINCE I MET YOU ♪

♪ AND ALL THE CHANGES WE'VE BEEN THROUGH ♪

♪ AND ALL THIS TIME I CAN'T FORGET YOU ♪

♪ EVERYWHERE I TURN, I THINK OF YOU ♪

♪ I WANT TO TRUST YOU, LADY ♪

♪ AND YOU, YOU'RE ALL I NEEDED ♪

♪ SOUL TO SOUL, FIRE TO FIRE ♪

♪ NOTHING LIKE THIS MAN'S DESIRE ♪

♪ LOVE IS A BEAUTIFUL THING ♪

♪ ONE TO ONE, YOU AND ME ♪

♪ OH, I KNOW IT'S OUR DESTINY ♪

♪ 'CAUSE LOVE IS A BEAUTIFUL THING ♪

♪ SO BEAUTIFUL, SO BEAUTIFUL ♪

♪ STAY TOGETHER THROUGH THICK AND THIN ♪

♪ NOW I KNOW I GOT A FRIEND ♪

♪ 'CAUSE LOVE IS A BEAUTIFUL THING ♪

♪ FACED THE FEARS ALL THROUGH THE YEARS ♪

♪ NOW I KNOW THERE'S NO MORE TEARS ♪

♪ LOVE IS A BEAUTIFUL THING ♪

♪ SOUL TO SOUL, FIRE TO FIRE ♪

♪ NOTHING LIKE THIS MAN'S DESIRE ♪

♪ BECAUSE LOVE IS A BEAUTIFUL THING ♪

♪ OHH, OHH ♪

♪ YOU AND ME, OH, I KNOW IT'S OUR DESTINY ♪

♪ LOVE IS A BEAUTIFUL THING ♪

♪ IT'S A BEAUTIFUL THING ♪

♪ IT'S A BEAUTIFUL THING ♪

♪ LOVE IS A BEAUTIFUL THING ♪

♪ OHH, OHH, OHH ♪

♪ OH, HONEY ♪

♪ LOVE IS A BEAUTIFUL THING ♪

♪ IT'S SO BEAUTIFUL ♪

♪ IT'S SO BEAUTIFUL ♪

♪ AHH ♪

♪ BEAUTIFUL ♪

♪ BEAUTIFUL ♪

♪ BEAUTIFUL ♪

♪ I WANT TO EMBRACE IT IN MY HEART ♪

♪ BEAUTIFUL, BEAUTIFUL THING ♪

♪ OH, LOVE IS SO BEAUTIFUL, SO BEAUTIFUL ♪

♪ LET'S STAY TOGETHER ♪

♪ LET'S STAY TOGETHER ♪

♪ 'CAUSE I'M STILL IN LOVE WITH YOU ♪

♪ HOLD ME ♪

♪ HOLD ME ♪

♪ FOR THE GOOD TIMES ♪

♪ FOR THE GOOD TIMES ♪

♪ I'M TIRED OF ALONE ♪

♪ HERE I AM ♪

♪ BEAUTIFUL ♪

♪ IT'S A BEAUTIFUL THING ♪

♪ DON'T LET NOBODY CHANGE YOUR MIND ♪

♪ IT'S A BEAUTIFUL ♪

♪ BEAUTIFUL... ♪

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