All language subtitles for The.Blacklist.S08E02

****

(MONITOR BEEPING)

Masha.

Don't call me that.

Your mother.

You tried
to murder my mother.

And you lied to me
about Reddington,

convinced me
he was Ilya Koslov.

That woman.

You abducted me for her.
My mother's been...

How hard
can I push him?

You won't get away with this.
I asked you...

LIZ: And the people
looking for her...
...how hard?

...to hurt me or Agnes

if it would help them
get what they want.

And I didn't
abduct you for her.

I abducted you
for answers,

to make it stop.

Help me understand.

For the first time,

stop protecting Reddington,

and God knows who else,

and make the decision

to protect your own family.

Three generations of women

fighting to survive.

****

Mr. Reddington, please.

Take a swing, Eduardo.

Go ahead. This is what you

wanted. Take your best shot.

Because I assure you,

if you don't, I will.

Mr. Reddington, please,
I would never betray you.

Come on.
Nice big swing.

I told you, I swear...

I didn't know your people
were the target.

If you're not gonna hit me,

you could at least say
something hurtful.

I mean, how am I supposed
to deal with this?

You're so plaintive,
I feel like I should
apologize

for your betrayal.

You know what? I...

Just help me track the van.

Give me a VIN number,
license plate,
whatever you've got.

You know what I've got...
Nothing.

My clients don't want me
to be able to track them.

But for you, if I had any idea
your people were in danger,

I would've put a trace
on the vehicle.

But I didn't.
Because I didn't know.

(DOG BARKING)

You're a good man, Eduardo.

And I'm glad you didn't
clock me with the tire iron.

I was thinking, "Boy,
that's really gonna hurt."

(DOOR OPENS AND CLOSES)

Anything?
Not yet.

They must have
a safe house nearby.

We don't think they were
on the road for long.

That's it?

With all the sources
we pay for information?

Everyone's looking.

But wherever they are,

they know better than
to show themselves.

Dembe, Dom's too old.

He'll try not to break,
but if they push him,

he'll die trying.

I'm terribly sorry about
the theatrics, Eduardo.

I should have known better.

I do hope I haven't made you
too uncomfortable.

Take Kate to Argonne.
Have dinner, a few laughs.

I hear Chef Gilbert
does a ris de veau

that'll make your toes curl.

Raymond,
where are we going?

We need a lead.
If we don't have one,

we need to talk
to people who might.

Tell me. Where are we?

So far, we're working
two possibilities.

Uh, first is this man.
(KEYS CLACKING)

A roadside surveillance
camera picked him up

just before the
spike strip deployed.

We believe he place
d the spike strip at
Keen's instruction.

Can we enhance the resolution?
ARAM: You're already
looking at it.

ARAM: The plate's a fake.
So how are we gonna find her?

We can circulate this image
to local merchants, Metro PD,

see what shakes loose,
but problem is,

how do we do that
without exposing Keen
to a kidnapping charge?

My question exactly.

Please, tell me we had
better luck with the van.

Not much. Surveillance feed
shows it continued north

for another
six-tenths of a mile.

At that point, it turned
off the main road

and took smaller
surface streets.

To avoid any cameras.
Keen knows what she's doing.

(DOORS SLIDING)

What do you want?
Our help.

He wouldn't be here
unless he needed something.

Good to see you all,
as well.

Like it or not,
I believe we're all pulling
on the same oar.

Harold, perhaps we could
go find a comfortable chair
somewhere.

(MONITOR BEEPING)

What are you looking at?

You want to know
if she's here.

I know.

Tell her to come out
where I can see her.

She's not hiding.
I asked her
to let us talk alone.

I know you're not gonna
tell her the truth.

I know a lot more than
the last time we talked.

****

I know about
the Sikorsky Archive.

That's right.

And N-13.

Careful, Masha.

Say "N-13"

around the wrong person

at the wrong time,

and you won't live

to regret it.

I told you
not to call me that.

And I'm not the one
in danger here.

N-13 has the Archive,
doesn't he?

Assuming it is a "he."
Now, you listen to me...

It's Reddington, isn't it?
He framed my mother.

You have no idea
what you're talking about.

If he doesn't have it,
you know who does.

You're protecting someone.
Who could be so important

that you would sacrifice
your daughter?

My daughter.

Some daughter.
Don't lie to me.

I swear, it'll be better if
you just said nothing than...

That's enough!

(BEEPING RAPIDLY)

You think I want this?

To live with this,
to die for this?

To keep these secrets?

Then stop keeping them.

I can't.

You don't understand.

Whatever secrets I know,
they're not mine to tell.

You don't
have to believe me,

but if I die,

I'll know I did my best
to protect you and Agnes.

If you want to protect us,

stop keeping secrets
that put us in danger

and start telling us
the truth!

He needs to be sedated.
We're not finished.

You are for now.

(BEEPING RAPIDLY)

You want information.

So you can get to Agent Keen
before we do.

If history is
any indication, Harold,

you may never get to
Agent Keen without me.

We'll take our chances.
Really?

With an old man's
life at stake?

A sick old man
in need of medical care?

If he dies...

If he dies, it'll be no less
your fault than hers.

Imagine risking everything,

her career, a life with
her child, her freedom,

all to get answers
you already have.

Oh, come on, Harold.
We've been over this.

She's gone way too far.

Felony abduction.

Very possibly torture.

Hell, she could kill
the old son of a bitch.

She wouldn't.

What do you imagine
she's doing, Donald?

Saying, "Pretty please"
"Mother, may I"?

I'll tell you what
she's not doing,
behaving like you would.

Boy, she played you.

She took advantage of your
rather significant blind spot

in matters of...the heart.

What does that mean?

I mean that if this were
the high-school prom,

she'd be the pretty loner

standing on the sidelines
and you'd be

the second-string quarterback
guzzling down the punch,

hoping to cop a feel of her
during Stairway to Heaven.

I've had enough of you!

COOPER: Okay. That's it.
That's enough.
We're done here.

In fact, it's possible
after this we're done, period.

If and when we find
Agent Keen,

we'll let you know.

How'd it go?

I placed it
under his lapel.

(BUTTON CLICKS)

(BEEPING)

You want to release him?
You can't be serious.

Look at him. He's unconscious.

He's sedated,
that's all.

When this
seizure subsides,
we can try again.

And again and again.

He's not gonna talk.
Oh, he will.

Not willingly.

But he's too old
to withstand a more
aggressive approach.

No.
You understood what
we were doing here.

We agreed not to stop...

Until what?
Don't give me that look.

I've been crystal clear
about how far
I've been willing to go.

You said
you were in agreement.

I know what I said,
but I can't,

not if it means torturing
an 80-year-old man.

Whatever he's done,
he's still your father.

And my grandfather.
So what now?

We can't
just take him back
where he came from.

Maybe we can.

Let me make a call.

Katarina.

Mother!

****

I need to know you're
not going to hurt him.

You've never
called me that.

You won't, will you?

(BEEP, PHONE SPEED-DIALING)

(CELL PHONE RINGS)

Ressler.
LIZ: It's me.

RESSLER: Where are you?
Are you all right?

I'm okay,
but this was a mistake.

Cooper's going
out of his mind.

LIZ: I need help with Dom...
Equipment, medications.

Same place as last time?

I'll be there.

Thirty minutes.

(BEEP)

We should have Chuck
and Morgan follow Donald.

I want to know as soon
as they make contact.

****

Is it done?
He's conscious.

The seizure has abated,
but I'm concerned
that he might have...

I'm aware of your
concerns, Doctor.

You've made them
very clear.

No, you don't understand.

He's having
some kind of episode.

(MONITOR BEEPING)

(SPEAKING RUSSIAN)

He's been drifting
in and out of Russian.

Calling for
a woman named Lena.
Do you know who that is?

Lena Volkova.
She was his wife.

Dom. Can you hear me?

Lena's not here.

Dom, open your eyes.

(IN ENGLISH) It's you.

You're here.

I'm here.

He gave you back to me.

I thought
I'd lost you forever.

(SOBBING)

****

REDDINGTON: Any movement?
Negative.

He's still parked
under the overpass.
How does that work?

Is he "under an overpass"
or "in an underpass"?

Stand by.

I got a car coming in.

****

It's Agent Keen.
She's walking to his car.

What now?
Let's just wait and see.

Keen, I...
Don't say it.

Don't say what exactly?

Of the 10,000 things
I should say...

Ressler.

What, don't commit
felony kidnapping?

Don't betray everyone
you work with?

The only people who've proven
over the last seven years

how much they actually
care about you.

It's done.
I made my choices.

And I'm not here for your
forgiveness or approval.

Then what are you here for?
Why did you call me?

Just to inform me that
you're torturing your
grandfather for information?

No one's being tortured.

Come on. You know me
better than that.

Do I?
See, I thought I did,

but lately, boy,
you're full of surprises.

He's in a safe house

in the warehouse district.

RESSLER: With your mother,
the woman who shot him
in the chest!

She's not gonna hurt him.
Oh, and you believe her.

Well, you got it
all figured out.

He had another seizure.

We need more doctors,
advanced equipment.

RESSLER: So that's
why you called me.

He needs more doctors?

He has answers.

All of them.

I thought if he wouldn't talk
to her, he'd talk to me,

have some human response

to his granddaughter
pleading for help.

And he said nothing?

It's my mistake.

Whatever humanity he had
died a long time ago.

(SPEAKING RUSSIAN)

What's happening to him?

DR. CLEMONS:
It's not uncommon
for seizure patients

to experience delusions,
even hallucinations.

He's talking
like it's years ago.

He's lost
any sense of time.

I can administer
an antipsychotic.

It may work to block
the dopamine and
serotonin in the brain.

No.
No? I don't understand.

I want the truth,
Doctor.

And I don't care
if he tells the woman
I am now

or the woman I was then.

(MONITOR BEEPING)

Papa.

(YOUNG KATARINA
SPEAKING RUSSIAN)

RESSLER: Tell me where he is.

I'll go myself
with a transport van,

get him whatever
help he needs.

And what about
my mother?

Liz, you know
this has to end.

I know how Reddington
wants it to end.

Or how it'll end
if you go by the book.

But can't you just ignore
the rules, just this one time?

RESSLER: Think about what
you're asking me to do.

She tortured Reddington,

shot Dom,
abducted Dembe's imam.

To save her own life!
And mine!

Liz, listen to me.

You're on this quest to find

answers about your family.

Well, I'm as close

to family as you got,

and I'm telling you, if you
don't stop protecting her,

you'll end up
destroying yourself.

I'm sorry.

Don't be.

I shouldn't have put you
in this position.

You don't have anything
to apologize for.

I would do anything
for you if I could.

But you can't do this.

(SIGHS) Now I'm the one
who's sorry.

****

Keen's on the move.

Let her go, Raymond.

Lock it down, Chuck.

(ENGINE STARTS)

(TIRES SCREECH)

(TIRES SCREECH)
Ressler!

****

We're good here.
Targets secure.

****

(MONITOR BEEPING)

(IN ENGLISH)
Listen to me.

I know what
you're planning.

I know you think
it's your only way out.

What I'm planning?

I know you're in danger.

(IN ENGLISH) In danger?

I'm being hunted.

They will stop at nothing

until they find me

and destroy me.

We can handle the Cabal.

You're not listening.
It's Townsend.

They put a bounty on my head.

I have to run.

No! You can't leave me again.

(KATARINA SPEAKING RUSSIAN)

Sikorsky?

(IN ENGLISH) Yes.

Yes. Help me stop them.

Help me understand

why they think I took it.

Because you did.

What are you
talking about?

I can help you.

But what you are
planning, it...

It breaks my heart.

We know Katarina
is holding Dom

somewhere in this
two-mile radius.

REDDINGTON: I want
every building scrutinized.

See if they're occupied
and, if so, by whom.

Any abandoned buildings

get top priority.

I have six teams
mobilizing.

She chose this area

'cause it's filled with
midsize warehouses.

Here. These six blocks.

Two dozen structures.

That's where I'd go.
So that's where she'll be.

You followed me?
Of course I didn't.

I had you followed.
Take it easy, Donald.

The veins on your neck
are straining.

You don't want
a ruptured aneurysm.

As for you, I can't
begin to describe
my disappointment.

Oh, thank God.
RESSLER: Be disappointed
all you want.

She's still
a federal agent.
And so am I.

You can't hold us!

You and Harold,
always telling me

what I can't do
while I'm doing it.

Tell you what.
Why don't we split
the difference?

You go, Agent Keen
can stay with me.

I won't tell you
where she is.

Then I won't ask.

Run along, Donald.
Call in the cavalry.

I've got quite
a head start.

The FBI won't find them
before I do.

Tea?

You can't be
on board with this.

I mean,
he's out of control!

(DOOR CLOSES)

Promise me
he won't harm Keen.

He won't.

****

(CELL PHONE RINGS)

Do forgive me, Harold,
but I'm a little busy
at the moment.

I know what you're doing,
and I'm calling
to tell you to stop!

REDDINGTON: You're angry.
That's understandable.

I would be, too,
if my agent snuck away

to have a secret meeting
with the woman

my task force
was searching for.

That's for me
to deal with.

Is it true
you're holding Keen?

Well, what choice
do I have?

If I let her go,
she'll warn
Grendel's mother.

We've talked about that.
Elizabeth's mother
is not to be harmed.

And I agreed. Anything else?
I'm not kidding, Reddington.

Well, you don't sound like
you're kidding, Harold.

But you've always known
where this is headed.

What she's done
must be avenged.

Not by her murder.

When it's over, I'll look up
and see what remains.

If there are any bridges,
I'll cross them
when I get there.

(CELL PHONE FLIPS SHUT)

Get our people to
the warehouse district.

Bring Agents Mojtabai
and Park up to speed.

It's a long shot, but maybe
we can find them first.

KATARINA: I need a name.

It's not enough
to say I was framed.

I need to prove
who has the Archive.

You know.
KATARINA: It wasn't me.

Why are you
saying that?

Okay, it doesn't matter
who took it back then.

What matters is
who has it now.

I need a name.

(MUTTERING)

Is it Reddington?

Is he the one
you're protecting?

Goodbye, Papa.

No! Don't go!

I have to go.

They're coming for me.
They're close.

If I don't leave now,
they'll kill us all.
(MONITOR BEEPING RAPIDLY)

Reddington.

Reddington.
He has the Archive?

Yes.

You took it,
but he has it.

And so do you.

We both have it?

How is that possible?
Tell me what you mean.

Tell me now,
or you won't see me again.

****

(FOOTSTEPS APPROACH)

How long have you
been helping her?

That's how you know
about Ilya, isn't it?

You were there when
she was questioning him,

helped her get away.

You know you can't trust
that woman, right?

That woman is my mother.

Oh, she's just using
that to exploit you.

Why?

So you'd do exactly
what you've already done.

I know about
the Sikorsky Archive.

That's why the Townsend
Directive was issued.

She was framed.

REDDINGTON: Is that
the story she told you?

She's a victim?
An innocent
wrongly accused?

Are you N-13?

Because she certainly
believes you are.

Do you have it?
The Archive?

I see. So this is
a ghost story.

And you believe her.

What choice do I have?

She's the one
looking for answers.

You're the one hiding them.

Maybe she's not
telling me everything.

Do I still have questions?
Of course.

But for now, the only one
I need to answer is this...

Am I willing
to let you kill her?

And the answer is no.

(CELL PHONE RINGS)

What's the word?

BUD: I think we found her.

It's a medium-size
shipping complex on Paxton,

only nothing's getting
shipped 'cause the company
went bankrupt six weeks ago.

It's a good spot for a safe
house, easy in and out,

close to the main roads
out of town.

Any movement?

Definitely.
Bud popped the lock.

We can't see who,
but there's people inside.

REDDINGTON:
I'll see you there.

****

(CHAIR SLIDES)

If you hurt her,
we're done.

LIZ: Understand?

Whatever this is,

whatever relationship
we had or have,

will be over.

****

(DOOR CLOSES)

****

(SILENCED GUNSHOTS)
(GRUNTS)

(GUN COCKS)
Hands!
Show me your hands!

Don't shoot. It's me.
Where is she?

Gone.
How long ago?

A-A few minutes.

(MONITOR BEEPING)

Dom.

Dom.

It's Raymond.

Raymond.

(WHEEZES)

You're too late.

S-She was here.

I...

I told her.

Told her what?

Dom. What did you tell her?

Everything.

****

****

PARK: We just crossed
into the warehouse district.

Focus on the streets
east of the pier.

COOPER: We're
scrambling units.
I don't like our chances.

I don't think we're gonna
find that warehouse

before Reddington does.
ARAM: Actually, maybe
they already have.

I'm looking
at satellite feeds,

and there is a lot of activity
on Paxton Ave.

Copy that.

Dembe.

Dembe, look at me.

Please.
She's my mother.

You can't
let him kill her.

You know this is wrong!

Why are you helping him?

I can't answer that.

Let me go.

Let me try and stop him.

(MONITORS BEEPING RAPIDLY)

It's okay, Dom.

Everything's
gonna be okay.
Mr. Reddington,

I need
additional equipment.

His heart rate is irregular,
blood pressure's spiking.

(MONITORS BEEPING)

(WEAKLY) You said
I'd never see her again.

But she... She came.

DR. CLEMONS:
Mr. Reddington,
I really...

Thank you, Doctor.

You've done
everything you can.

DOM: I held her hand.

Touched her face.

(WHEEZING)

At least...

I got to say goodbye to her.

Yes.

My daughter.

My Katarina.

She loves you.

She always has.

Nothing can ever
change that.

(GASPING WEAKLY)

****

****

I got eyes!
(RADIO BEEPS)

Target heading north
on Ridgemont.

CAROL: You can check
the purchase order
tomorrow morning

when they're back
at the office.

Will do.
Have a good night, Carol.

Carol?

Yes. Hi.

I'm sorry.
Do we know each other?

I thought
that was you.

Donna Hays.
We met a few weeks ago
at John Adams.

Right. Donna.
How are you?

So good.
I'm sorry.
Remind me again

how you're connected
to the s...
There.

The keys.
Give me your keys.

Cover the exit!

(ENGINE STARTS)

****

Reddington.

(SIGHS)

You can try
and spread the blame
around all you want,

but this is on you.

Keen was looking for answers,
answers that you have.

If anyone's responsible
for this man's death,
it's you.

****

You're probably right.

****

Dom's dead, Dembe.

No.

He's dead.

And she's gone.

Raymond, I'm sorry.

She knows everything.

So we have to find her.
We have a plate number
for the car she's driving.

It won't last long.

If she does know...

There's only one move
she can make.

Our best chance
is to intercept it.

That's dangerous.

I have Chuck
and the others.

I should be with you.

Take Elizabeth
to the apartment.
Hold her there.

I'll call you
when this part's done.

(CELL PHONE BEEPS)

****

Hey. Boss
expecting company?

Negative. Nothing
on the schedule.

Oh! Oh, oh, oh.

Roll down
your window, sir.

Hey, we got
a wise guy here.

Open up.

(GUNSHOTS)

****

(TELEPHONE RINGS)

(KEYPAD BEEPS)
Mr. Heidegger's office.

Mr. Heidegger, please.

I'm sorry.
He's not in right now.

Can I take a message?

It's urgent
that I speak with him.

A personal emergency.

May I ask who's calling?

Katarina Rostova.

I'm sorry. Could you...
You heard me.

Put him on the line.

I understand.
We all thought so, Susan.

(SIGHS)

No, you did the right thing
calling me at home.

Go ahead
and put her through.

(KEYPAD BEEPING)

This is Heidegger.
To whom am I speaking?

You already know.
That's why
you took the call.

Dear lady, I don't know
who you think you've reached,

but there's been some
misunderstanding.

You're William Heidegger.

The highest-ranking
representative

of the Townsend Organization

in the Western Hemisphere.

Well, whoever I am
is irrelevant.

Katarina Rostova
is dead.

You believe the
Kazanjian Brothers killed me

because that's what
I wanted you to believe.

It was a good plan.

It tricked Townsend into
paying the bounty on my head,

part of which I used
to prove my innocence.

Assuming, for the sake
of discussion,

you are who
you claim to be,

what proof
could you possibly have?

I have the identity of N-13.

You're N-13.

No.

But I know who is.

And I'm willing to give you

his name in exchange
for my safety.

There's a park on the corner
of Wabash and Grant.

I take my granddaughter there
to feed the ducks.

West benches.
Will that do?

I'll be there.

(CELL PHONE BEEPS)

(CLICK, DIAL TONE)

Well done, William.

You won't survive this.

I appreciate your concern.

Oddly enough, I was about to
say the same thing to you.

(CELL PHONE DIALING)

(CELL PHONE RINGING)

Raymond.

We were right.

She reached out to Heidegger,
set a meeting.

I'll text you the address.

(CELL PHONE BEEPS)

Is it done?

Did he kill her?

I know you're not
gonna help me,

but you could at least
have the decency

to tell me whether or not
my mother's dead.

I know you're
loyal to him,

and I'm not asking you

to be disloyal.

But I do have a right to know.

Your grandfather, Dom.

He passed.

(SIGHS)

I'm sorry.

You asked why I'm still
helping Raymond.

And I said I didn't know
anymore, but that's not true.

(SIGHS)

I know it seems like
Raymond can be selfish

and sometimes cruel.

Sometimes?

He's killed everyone
I've ever cared about.

My father, my husband,
my grandfather.

And now you're
dropping me off?

Why? So you can help him

kill my mother, too?

It isn't what it
appears to be.

I was always glad
you were in his life.

He had a better angel

that might influence
his behavior.

But now I know
you're not.

You can't.

You're no better
than he is.

(VOICE BREAKING)
I can't anymore.

I'm done.

(SNIFFLES)

I can't fight him
anymore.

He wins.

He always wins.

****

(DOORS LOCK)

(MUFFLED) He's not
gonna win this time!

****

(ENGINE STARTS)

****

Before you get any ideas,

I have teams watching
from every angle,

and I'm armed.

Reddington is N-13.

He has the Archive.

He's the one
you've been looking for.

Say something.

Did you hear me?

REDDINGTON: No,
I don't believe he did.
(GUN COCKS)

The pistol.

Dominic's dead.

He wasn't
when I left him.

No matter.
You killed him,

just as sure as I killed
poor Heidegger there.

Am I supposed to feel
something about that?

Dom set me up,

led me to what was supposed
to be my public slaughter.

Think what you want,

but I won't be shedding
any tears for that monster.

No, I wouldn't think so.

(CELL PHONE VIBRATES)
You've reached
Elizabeth Keen's voicemail.

Please leave me a message.

****

(CELL PHONE SPEED-DIALING)

(CELL PHONE RINGING)

(CELL PHONE BEEPS)

Dembe?

LIZ: No, Ressler. It's me.

Keen?

I'm sorry. We...

We got here too late.
Dom's gone.

I know.
You do? How? Where are you?

Why are you calling me
from Dembe's phone?

Ressler, listen to me.
He's going to kill her.

Reddington's on his way
to kill my mother.

Hold on. Slow down.
She's there now.

The park
on Wabash and Grant.

That's where
he's gonna meet her.

You got to send
units there now.

Done. But, Keen,
you got to realize

the best-case scenario here
is we arrest her.

Then arrest her.

Just get there. Now.

Where are you?
I'm on my way,
but I'm unarmed.

You got to stop him.

All those years
searching for answers,

and you were right
in front of me
the whole time.

For what it's worth,
I didn't know

what Dom was planning
in Belgrade.

I believe you.

But after, you let
the world believe the lie.

You dangled me
out there,

let everyone think
I had the Archive.

And now I know why.

Because if they were
chasing me,

it meant
they weren't chasing you.

It's not
quite that simple.

You're N-13,
aren't you?

You framed me.
You fed me to
Townsend as a patsy,

and Dominic knew
and helped you do it.

Sir. Sir, I just got off
the phone with Agent Ressler,
and he's gonna do it.

Mr. Reddington's
really gonna do it.
Do what?

He's gonna kill
Agent Keen's mother.
City Park.

Wabash and Grant.
They're there now.

Scramble units.

I could've helped you

the way I always have,

kept you
one step ahead.

But staying safe
wasn't enough.

You needed answers.

Well, now you have them.

And now they've
destroyed you.

What if I promised
never to tell a soul
what I've learned?

Well, that would be
the last lie you ever told.

You won't kill me.

You can't.

Why is that?

Because Elizabeth
would never forgive you.

You don't know a damn thing
about Elizabeth.

Oh, that's not true.

I've gotten to know her.

She chose me.
She's helping me.

She has no idea
who you are.

Me? I'm her mother.

And even now,
there's love there.

I can't let you leave.

(CHUCKLES)

My God.

I can't imagine what
this must be like for you,

knowing you can't kill me

because of how much
Elizabeth loves her mother.

****

(INAUDIBLE)

****

(INAUDIBLE)

You're never gonna
get away with this!

Red.

****

(SOBBING)

****