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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:35,360 --> 00:00:38,000 ♪ MELODY TIME ♪ 4 00:00:39,480 --> 00:00:41,880 ♪ MELODY TIME ♪ 5 00:00:44,880 --> 00:00:47,360 ♪ MELODY TIME ♪ 6 00:00:47,480 --> 00:00:50,880 ♪ IT'S TIME TO SWING ALONG ♪ 7 00:00:52,360 --> 00:00:55,680 ♪ TO A HAPPY LAND OF SONG ♪ 8 00:00:55,760 --> 00:00:58,960 ♪ WHERE LOVE IS THE THEME ♪ 9 00:01:00,960 --> 00:01:03,680 ♪ MELODY TIME ♪ 10 00:01:03,760 --> 00:01:08,640 ♪ IT'S TIME FOR SWEET ROMANCE ♪ 11 00:01:08,720 --> 00:01:11,920 ♪ WON'T YOU GIVE YOUR HEART A CHANCE ♪ 12 00:01:12,000 --> 00:01:14,360 ♪ TO JOIN IN AND SING ♪ 13 00:01:14,440 --> 00:01:16,480 ♪ JOIN IN AND SING ♪ 14 00:01:16,560 --> 00:01:18,800 ♪ TAKE A TIP FROM THE BIRDS ♪ 15 00:01:18,880 --> 00:01:21,520 - ♪ YOU DON'T NEED WORDS ♪ - ♪ NO WORDS ♪ 16 00:01:21,600 --> 00:01:24,760 ♪ FOR MUSIC HAS CHARM ♪ 17 00:01:24,840 --> 00:01:28,320 ♪ IT'S THE LANGUAGE OF LOVE ♪ 18 00:01:28,400 --> 00:01:32,880 ♪ WHEN YOUR LOVE'S IN YOUR ARMS ♪ 19 00:01:32,960 --> 00:01:35,440 ♪ RHYTHM AND RHYME ♪ 20 00:01:35,520 --> 00:01:39,880 ♪ SURE HELP A HEART ALONG ♪ 21 00:01:39,960 --> 00:01:42,920 ♪ SO COME ON AND SING A SONG ♪ 22 00:01:43,040 --> 00:01:48,320 ♪ IT'S MELODY TIME ♪ 23 00:02:18,240 --> 00:02:20,080 ♪ IT'S MELODY TIME ♪ 24 00:02:20,160 --> 00:02:24,600 YES, IT'S MELODY TIME. TIME TO HITCH YOUR WAGON TO A SONG. 25 00:02:24,680 --> 00:02:27,360 'CAUSE A SONG'S THE ONE AND ONLY THING 26 00:02:27,440 --> 00:02:29,720 THAT'LL TAKE YOU OVER THE RAINBOW 27 00:02:29,800 --> 00:02:32,040 TO THE LAND WHERE MUSIC IS KING. 28 00:02:32,120 --> 00:02:34,800 SO, COME ON AND JOIN IN THE FUN. 29 00:02:34,880 --> 00:02:37,600 THERE'S SOMETHING HERE FOR EVERYONE. 30 00:02:37,680 --> 00:02:39,600 YOU'LL FIND RHYTHM AND ROMANCE, 31 00:02:39,680 --> 00:02:41,920 REASON AND RHYME, SOMETHING RIDICULOUS... 32 00:02:42,000 --> 00:02:44,560 ♪ SOMETHING SUBLIME ♪ 33 00:02:44,680 --> 00:02:48,280 ♪ YOU CAN'T GO WRONG IF YOU SWING ALONG ♪ 34 00:02:48,360 --> 00:02:51,600 ♪ WITH MELODY, HARMONY COME TO THE JUBILEE ♪ 35 00:02:51,680 --> 00:02:56,200 ♪ IT'S MELODY TIME! ♪ 36 00:03:05,120 --> 00:03:07,880 A MEMORY OF WINTERTIME LONG AGO, 37 00:03:08,000 --> 00:03:12,400 OF CLEAR CRISP AIR, OF NEW FALLEN SNOW, 38 00:03:12,480 --> 00:03:15,560 OF AN ETCHING OF FROST ON A WINDOWPANE. 39 00:03:15,640 --> 00:03:19,120 AN ECHO OF SLEIGH BELLS HEARD FROM THE LANE. 40 00:03:19,200 --> 00:03:22,840 HERE IN THIS WONDERLAND, ROMANCE IS THE THEME. 41 00:03:22,920 --> 00:03:26,360 FOR THIS IS A STORY OF LOVE'S YOUNG DREAM. 42 00:03:35,200 --> 00:03:39,880 ♪ DON'T YOU KIND OF LOVE DECEMBER? ♪ 43 00:03:39,960 --> 00:03:43,880 ♪ WHEN THE MERRY SNOW BELLS CHIME? ♪ 44 00:03:43,960 --> 00:03:46,240 ♪ WE'RE TOGETHER ♪ 45 00:03:46,320 --> 00:03:51,600 ♪ ONCE UPON A WINTERTIME ♪ 46 00:03:54,040 --> 00:03:58,560 ♪ EVERY SINGLE SNOWFLAKE FALLING ♪ 47 00:03:58,640 --> 00:04:02,600 ♪ PLAYS A JINGLE DOWN YOUR SPINE ♪ 48 00:04:02,720 --> 00:04:04,960 ♪ LOVELY WEATHER ♪ 49 00:04:05,040 --> 00:04:09,080 ♪ ONCE UPON A WINTERTIME ♪ 50 00:04:12,040 --> 00:04:17,160 ♪ ON THE FROZEN POND FOLKS ARE SWAYING ♪ 51 00:04:17,240 --> 00:04:21,960 ♪ SWEETHEART, WHO CARES? ♪ 52 00:04:22,040 --> 00:04:26,160 ♪ WE'LL HAVE MORE FUN SLEIGHING ♪ 53 00:04:26,240 --> 00:04:30,880 ♪ BEHIND TWO CHESTNUT MARES ♪ 54 00:04:30,960 --> 00:04:36,000 ♪ WHEN WE SAY "GOODBYE, DECEMBER" ♪ 55 00:04:36,080 --> 00:04:40,000 ♪ MERRY BELLS NO LONGER CHIME ♪ 56 00:04:40,080 --> 00:04:42,160 ♪ WE'LL REMEMBER ♪ 57 00:04:42,240 --> 00:04:47,880 ♪ ONCE UPON A WINTERTIME ♪ 58 00:04:55,360 --> 00:04:58,800 ♪ DON'T YOU KIND OF LOVE DECEMBER? ♪ 59 00:04:58,880 --> 00:05:01,680 ♪ WHEN THE MERRY SNOW BELLS CHIME ♪ 60 00:05:01,760 --> 00:05:06,560 ♪ WE'RE TOGETHER ONCE UPON A WINTERTIME ♪ 61 00:05:09,680 --> 00:05:12,880 ♪ EVERY SINGLE SNOWFLAKE FALLING ♪ 62 00:05:12,960 --> 00:05:15,600 ♪ PLAYS A JINGLE DOWN YOUR SPINE ♪ 63 00:05:15,680 --> 00:05:18,240 ♪ HERE WE ARE TOGETHER LOVELY WEATHER ♪ 64 00:05:18,320 --> 00:05:20,440 ♪ ONCE UPON A WINTERTIME ♪ 65 00:05:20,520 --> 00:05:23,520 ♪ JINGLE BELLS, JINGLE BELLS JINGLE ALL THE WAY ♪ 66 00:05:23,600 --> 00:05:27,200 ♪ ON THE FROZEN POND FOLKS ARE SWAYING ♪ 67 00:05:27,280 --> 00:05:31,160 ♪ SWEETHEART, WHO CARES? ♪ 68 00:05:31,240 --> 00:05:34,160 ♪ WE'LL HAVE MORE FUN SLEIGHING ♪ 69 00:05:34,240 --> 00:05:38,080 ♪ BEHIND TWO CHESTNUT MARES ♪ 70 00:05:38,160 --> 00:05:41,640 ♪ WHEN WE SAY "GOODBYE, DECEMBER" ♪ 71 00:05:41,720 --> 00:05:44,880 ♪ MERRY BELLS NO LONGER CHIME ♪ 72 00:05:44,960 --> 00:05:50,160 ♪ WE'LL REMEMBER ONCE UPON A WINTERTIME ♪ 73 00:05:52,640 --> 00:05:58,120 ♪ REMEMBER DECEMBER ONCE UPON A WINTERTIME ♪ 74 00:09:38,280 --> 00:09:39,960 [RUSHING WATER] 75 00:10:18,240 --> 00:10:23,920 ♪ ON THE FROZEN POND FOLKS ARE SWAYING ♪ 76 00:10:24,000 --> 00:10:28,480 ♪ SWEETHEART, WHO CARES? ♪ 77 00:10:28,560 --> 00:10:32,920 ♪ WE'LL HAVE MORE FUN SLEIGHING ♪ 78 00:10:33,000 --> 00:10:40,280 ♪ BEHIND TWO CHESTNUT MARES ♪ 79 00:10:40,360 --> 00:10:45,720 ♪ WHEN WE SAY "GOODBYE, DECEMBER" ♪ 80 00:10:45,800 --> 00:10:51,040 ♪ MERRY BELLS NO LONGER CHIME ♪ 81 00:10:51,120 --> 00:10:54,040 ♪ WE'LL REMEMBER ♪ 82 00:10:54,120 --> 00:11:02,480 ♪ ONCE UPON A WINTERTIME ♪ 83 00:11:30,480 --> 00:11:34,400 FREDDY MARTIN, AN ARDENT ADMIRER OF THE CLASSICS, 84 00:11:34,480 --> 00:11:37,920 INSPIRED BY RIMSKY-KORSAKOV'S FLIGHT OF THE BUMBLEBEE, 85 00:11:38,000 --> 00:11:40,160 HAS CHOSEN TO INTERPRET THIS LIVELY FANTASY 86 00:11:40,240 --> 00:11:42,240 IN HIS OWN UNIQUE STYLE. 87 00:11:48,960 --> 00:11:51,240 IN A FLIGHT THAT IS FAST AND FURIOUS, 88 00:11:51,320 --> 00:11:54,640 A CONFUSED LITTLE CHARACTER TRIES DESPERATELY TO ESCAPE 89 00:11:54,720 --> 00:11:58,560 FROM THE HECTIC HARMONY OF AN INSTRUMENTAL NIGHTMARE. 90 00:11:58,640 --> 00:12:01,920 [PIANO PLAYS JAZZY FLIGHT OF THE BUMBLEBEE] 91 00:15:04,400 --> 00:15:06,640 ON THE PAGES OF AMERICAN FOLKLORE, 92 00:15:06,720 --> 00:15:10,320 A LEGION OF MIGHTY MEN HAVE LEFT THE SYMBOLS OF THEIR GREATNESS. 93 00:15:10,400 --> 00:15:12,960 THERE WAS PAUL BUNYAN'S AX. 94 00:15:14,560 --> 00:15:16,840 JOHN HENRY'S HAMMER. 95 00:15:17,760 --> 00:15:20,600 DAVY CROCKETT'S RIFLE. 96 00:15:20,680 --> 00:15:24,960 AND THEN, QUITE UNEXPECTEDLY, ONE COMES UPON A TIN POT HAT, 97 00:15:25,040 --> 00:15:29,120 A BAG OF APPLE SEED, AND A HOLY BOOK. 98 00:15:29,200 --> 00:15:32,080 AND STRANGELY ENOUGH, THESE ARE THE SYMBOLS 99 00:15:32,160 --> 00:15:34,520 OF ONE OF THE MIGHTIEST MEN OF ALL. 100 00:15:34,600 --> 00:15:38,200 JOHN CHAPMAN. A REAL LIFE PIONEER. 101 00:15:39,200 --> 00:15:40,880 WITH THE PASSING YEARS HOWEVER, 102 00:15:40,960 --> 00:15:42,800 REALITY HAS GIVEN WAY TO LEGEND. 103 00:15:42,880 --> 00:15:45,320 UNTIL TODAY, WE KNOW THIS REMARKABLE MAN 104 00:15:45,400 --> 00:15:47,840 SIMPLY AS JOHNNY APPLESEED. 105 00:15:47,920 --> 00:15:49,680 THIS IS HIS STORY. 106 00:15:49,760 --> 00:15:52,720 TOLD BY AN OLD SETTLER WHO KNEW JOHNNY WELL. 107 00:15:52,800 --> 00:15:54,520 LISTEN. 108 00:15:54,640 --> 00:15:58,720 [NARRATOR] WELL, SIR, EVERY TIME I SEE AN APPLE BLOSSOM SKY, 109 00:15:58,800 --> 00:16:00,560 I THINK OF JOHNNY APPLESEED. 110 00:16:00,640 --> 00:16:02,840 'CAUSE OF COURSE THEM CLOUDS UP THAR, 111 00:16:02,920 --> 00:16:06,600 THEY AIN'T REALLY CLOUDS AT ALL. NO, SIR. 112 00:16:06,680 --> 00:16:09,280 SHUCKS, THERE WOULDN'T BE NO APPLE BLOSSOM SKY 113 00:16:09,360 --> 00:16:11,760 IF IT WEREN'T FOR THE FACT THAT JOHNNY... 114 00:16:11,840 --> 00:16:13,840 BUT NOW HOLD ON, HERE. 115 00:16:13,920 --> 00:16:16,360 GUESS I BETTER START BACK TO THE BEGINNING. 116 00:16:16,440 --> 00:16:20,720 THAT'S WHEN JOHNNY LIVED ON A FARM, NEAR PITTSBURGH TOWN. 117 00:16:20,800 --> 00:16:24,200 THE YEAR WAS 1806, OR MAYBE THERE AROUND. 118 00:16:24,280 --> 00:16:27,600 NOW JUST TO LOOK AT HIM, YOU'D SAY JOHNNY APPLESEED 119 00:16:27,680 --> 00:16:29,960 NEVER WOULD MAKE A PIONEER. 120 00:16:30,040 --> 00:16:33,480 HE WAS SUCH A SAWED-OFF SCRAWNY LITTLE FELLA. 121 00:16:33,560 --> 00:16:35,600 OF COURSE, THAT DIDN'T PHASE JOHNNY NONE. 122 00:16:35,720 --> 00:16:37,800 SHUCKS, HE HAD HIS APPLE TREES 123 00:16:37,880 --> 00:16:40,000 IN THE MORNING SUN, AND THE EVENING BREEZE. 124 00:16:40,080 --> 00:16:42,640 [WHISTLING] 125 00:16:44,560 --> 00:16:47,040 ♪ THE LORD IS GOOD TO ME ♪ 126 00:16:47,120 --> 00:16:49,280 ♪ AND SO I THANK THE LORD ♪ 127 00:16:49,400 --> 00:16:52,400 ♪ FOR GIVING ME THE THINGS I NEED ♪ 128 00:16:52,480 --> 00:16:54,800 ♪ THE SUN AND RAIN AND AN APPLE SEED ♪ 129 00:16:54,880 --> 00:16:59,680 ♪ YES, HE'S BEEN GOOD TO ME ♪ 130 00:16:59,760 --> 00:17:01,400 [WHISTLING] 131 00:17:01,480 --> 00:17:04,800 ♪ I OWE THE LORD SO MUCH ♪ 132 00:17:04,880 --> 00:17:07,800 ♪ FOR EVERYTHING I SEE ♪ 133 00:17:07,920 --> 00:17:10,160 ♪ I'M CERTAIN IF IT WEREN'T FOR HIM ♪ 134 00:17:10,240 --> 00:17:13,120 ♪ THERE'D BE NO APPLES ON THIS LIMB ♪ 135 00:17:13,200 --> 00:17:17,840 ♪ HE'S BEEN GOOD TO ME ♪ 136 00:17:17,920 --> 00:17:20,360 ♪ OH, HERE AM I 'NEATH THE BLUE, BLUE SKY ♪ 137 00:17:20,440 --> 00:17:22,840 ♪ DOING AS I PLEASE ♪ 138 00:17:22,920 --> 00:17:26,760 ♪ SINGING WITH MY FEATHERED FRIEND ♪ 139 00:17:26,840 --> 00:17:31,360 ♪ HUMMING WITH THE BEES ♪ 140 00:17:31,440 --> 00:17:33,520 ♪ I WAKE UP EVERY DAY ♪ 141 00:17:33,600 --> 00:17:36,680 ♪ AS HAPPY AS CAN BE ♪ 142 00:17:36,760 --> 00:17:39,000 ♪ BECAUSE I KNOW THAT WITH HIS CARE ♪ 143 00:17:39,120 --> 00:17:41,400 ♪ MY APPLE TREES THEY WILL STILL BE THERE ♪ 144 00:17:41,480 --> 00:17:45,360 ♪ OH, THE LORD IS GOOD TO ME ♪ 145 00:17:48,080 --> 00:17:51,440 WORKING, SINGING, CAREFREE AND GAY. 146 00:17:51,520 --> 00:17:54,360 THAT'S HOW JOHNNY SPENT EACH DAY. 147 00:17:54,440 --> 00:17:56,600 ATTENDING TO HIS APPLE TREES. 148 00:17:58,240 --> 00:18:02,160 BUT LATELY, LITTLE JOHNNY HERE WOULD FEEL A STIR IN THE AIR. 149 00:18:02,240 --> 00:18:04,600 A RUMBLING, ROLLING UNDERBEAT 150 00:18:04,680 --> 00:18:08,680 OF RESTLESS MEN WITH RESTLESS FEET. 151 00:18:08,760 --> 00:18:11,640 ♪ GET ON THE WAGON ROLLING WEST ♪ 152 00:18:11,720 --> 00:18:13,600 ♪ OUT TO THE GREAT UNKNOWN ♪ 153 00:18:13,680 --> 00:18:15,760 ♪ GET ON THE WAGON ROLLING WEST ♪ 154 00:18:15,840 --> 00:18:17,920 ♪ OR YOU'LL BE LEFT ALONE ♪ 155 00:18:18,000 --> 00:18:21,840 ♪ WE'VE MADE A HOME BEFORE WE'RE STARTING OUT AGAIN ♪ 156 00:18:21,920 --> 00:18:23,840 ♪ WE AIN'T AFEARED OF MAN OR BEAST ♪ 157 00:18:23,920 --> 00:18:25,560 ♪ WE'RE STRONG-HEARTED MEN ♪ 158 00:18:25,640 --> 00:18:27,800 ♪ SO, GET ON THE WAGON ROLLING WEST ♪ 159 00:18:27,920 --> 00:18:29,760 ♪ SEEKING A LAND THAT'S NEW ♪ 160 00:18:29,840 --> 00:18:31,760 ♪ GET ON THE WAGON ROLLING WEST ♪ 161 00:18:31,840 --> 00:18:33,960 ♪ THERE'S PLENTY OF ROOM FOR YOU ♪ 162 00:18:34,040 --> 00:18:35,760 ♪ GET ON THE WAGON ROLLING WEST ♪ 163 00:18:35,880 --> 00:18:37,640 ♪ OUT TO THE GREAT UNKNOWN ♪ 164 00:18:37,760 --> 00:18:39,680 ♪ GET ON THE WAGON ROLLING WEST ♪ 165 00:18:39,760 --> 00:18:41,760 ♪ OR YOU'LL BE LEFT ALONE ♪ 166 00:18:41,840 --> 00:18:43,720 ♪ THE RIVERS MAY BE WIDE ♪ 167 00:18:43,800 --> 00:18:45,720 ♪ THE MOUNTAINS MAY BE TALL ♪ 168 00:18:45,800 --> 00:18:47,760 ♪ BUT NOTHING STOPS THE PIONEER ♪ 169 00:18:47,840 --> 00:18:49,600 ♪ WE'RE TRAIL-BLAZERS ALL ♪ 170 00:18:49,680 --> 00:18:51,880 ♪ GET ON THE WAGON ROLLING WEST ♪ 171 00:18:51,960 --> 00:18:53,800 ♪ OUT TO THE GREAT UNKNOWN ♪ 172 00:18:53,880 --> 00:18:55,800 ♪ GET ON THE WAGON ROLLING WEST ♪ 173 00:18:55,880 --> 00:18:57,440 ♪ OR... ♪ 174 00:18:57,520 --> 00:18:59,640 [SINGING FADES] 175 00:18:59,720 --> 00:19:01,760 POOR JOHNNY. 176 00:19:01,840 --> 00:19:04,400 HE WEREN'T NO PIONEER AND HE KNOWED IT. 177 00:19:04,480 --> 00:19:07,160 IT WAS ALL JUST PRETEND. 178 00:19:07,240 --> 00:19:09,440 AND THEM FOLKS GOING WEST TO BUILD THIS NATION 179 00:19:09,520 --> 00:19:11,120 SURE MADE PICKING APPLES 180 00:19:11,200 --> 00:19:14,000 LOOK LIKE A PLUM USELESS OCCUPATION. 181 00:19:14,080 --> 00:19:18,600 WELL, SIR, THAT'S WHEN A MIRACLE HAPPENED. 182 00:19:18,720 --> 00:19:23,000 "WELL, WHAT'S HOLDING YOU, JOHNNY?" SAYS A VOICE. 183 00:19:23,080 --> 00:19:26,920 GO ON. GO ON OUT WEST, IF THAT'S YOUR CHOICE. 184 00:19:32,920 --> 00:19:35,680 WELL, SIR, IT WAS AN ANGEL. 185 00:19:35,760 --> 00:19:38,840 JOHNNY'S OWN PRIVATE GUARDIAN ANGEL. 186 00:19:38,920 --> 00:19:42,160 MIGHT LOOK MIGHTY QUEERSOME TO YOU AND ME. 187 00:19:42,280 --> 00:19:44,680 BUT, YOU KNOW, THAT'S JUST THE WAY 188 00:19:44,760 --> 00:19:46,960 JOHN FIGURED HE'D BE. 189 00:19:47,040 --> 00:19:49,480 WELL, SPEAK UP, BOY. 190 00:19:49,560 --> 00:19:51,720 DON'T STAND THERE GAWKIN'. 191 00:19:51,800 --> 00:19:54,160 UNLOCK YOUR JAW AND GET TO TALKIN'. 192 00:19:54,240 --> 00:19:56,600 YES, SIR. YES, SIR! 193 00:19:57,960 --> 00:20:00,480 WHY DON'T I GO WEST? 194 00:20:00,560 --> 00:20:03,160 'CAUSE I AIN'T GOT THE MUSCLE. 195 00:20:03,240 --> 00:20:05,120 OR THE BREADTH OF CHEST. 196 00:20:05,200 --> 00:20:07,960 OUT THERE, IT'S THE STRONG MEN WHO SURVIVE. 197 00:20:08,040 --> 00:20:11,440 I'M ABOUT THE PUNIEST FELLER ALIVE. 198 00:20:13,440 --> 00:20:16,000 SHAME TO YOU, JOHNNY. 199 00:20:18,040 --> 00:20:22,040 YOU GOT FAITH, AND COURAGE, AND A LEVEL HEAD. 200 00:20:22,120 --> 00:20:25,560 BUT SHUCKS, YOU SEE, SIR. 201 00:20:25,640 --> 00:20:28,560 ALL I KNOW IS APPLE TREES. 202 00:20:28,640 --> 00:20:31,720 AND WHAT'S WRONG WITH APPLES, IF YOU PLEASE? 203 00:20:31,800 --> 00:20:34,440 AIN'T THEY ABOUT THE FINEST FRUIT IN ALL THE LAND? 204 00:20:34,520 --> 00:20:37,320 WHY, SHOOT, MAN. THEY TAKE THE CAKE. 205 00:20:37,400 --> 00:20:39,400 JUST THINK, JOHNNY, 206 00:20:39,480 --> 00:20:42,080 OF ALL THE THINGS THAT APPLES MAKE. 207 00:20:42,160 --> 00:20:44,920 THERE'S APPLE PICKLES. 208 00:20:45,000 --> 00:20:48,440 ♪ OH, SO TASTY APPLE TARTS AND APPLE PASTRY ♪ 209 00:20:48,560 --> 00:20:50,440 ♪ APPLE DUMPLINGS, NOT TO MENTION ♪ 210 00:20:50,560 --> 00:20:52,120 - APPLE SAUCE? - YES. 211 00:20:52,200 --> 00:20:54,360 ♪ THERE'S APPLE FRITTERS LIGHT AS THISTLE ♪ 212 00:20:54,480 --> 00:20:55,880 ♪ AND FOR FOLKS TO WET THEIR WHISTLE ♪ 213 00:20:55,960 --> 00:20:59,920 [BOTH] ♪ TANGY APPLE CIDER IN A GLASS ♪ 214 00:21:00,000 --> 00:21:02,320 ♪ STEW 'EM, FRY 'EM BOIL 'EM, BAKE 'EM ♪ 215 00:21:02,400 --> 00:21:04,480 ♪ APPLE PIE AND APPLE CAKE 'EM ♪ 216 00:21:04,560 --> 00:21:07,680 ♪ YOU CAN COOK 'EM ANY WAY ♪ 217 00:21:07,760 --> 00:21:09,680 ♪ THERE'S APPLE THIS AND APPLE THAT ♪ 218 00:21:09,760 --> 00:21:12,000 ♪ THE RECIPES'D FILL YOUR HAT ♪ 219 00:21:12,080 --> 00:21:16,160 ♪ WHY I COULD CARRY ON LIKE THIS ALL DAY! ♪ 220 00:21:16,240 --> 00:21:19,560 ♪ SO, PACK YOUR STUFF AND GET A-GOIN' ♪ 221 00:21:19,640 --> 00:21:21,680 ♪ GET THEM APPLE TREES A-GROWIN' ♪ 222 00:21:21,760 --> 00:21:26,520 ♪ THERE'S A LOT OF WORK OUT THERE TO DO ♪ 223 00:21:26,640 --> 00:21:30,000 [BOTH] ♪ THERE'S A LOT OF WORK TO DO ♪ 224 00:21:30,080 --> 00:21:32,560 YES, SIR! I MEAN, NO SIR. 225 00:21:32,640 --> 00:21:34,240 YOU SEE, SIR... 226 00:21:34,320 --> 00:21:36,840 I AIN'T GOT THE TRAPS, AIN'T GOT THE GEAR. 227 00:21:36,920 --> 00:21:38,960 OR NONE OF THE THINGS I'LL NEED OUT THERE. 228 00:21:39,040 --> 00:21:40,520 YOU AIN'T GOT THE... 229 00:21:40,600 --> 00:21:44,000 DADGUMMIT, BOY. I'M ASHAMED OF YOU! 230 00:21:45,120 --> 00:21:47,760 YOU GOT THE STUFF TO SEE YOU THROUGH. 231 00:21:47,840 --> 00:21:51,120 WHY, YOU GOT ALL THE SEEDS YOU'RE NEEDING. 232 00:21:51,200 --> 00:21:53,640 AND FOR PRETTY DARN GOOD READING, 233 00:21:53,720 --> 00:21:57,680 ♪ THERE AIN'T NOTHING FINER THAN YOUR BOOK ♪ 234 00:21:57,760 --> 00:21:59,920 HERE'S A MIGHTY HANDY BONNET. 235 00:22:00,000 --> 00:22:02,360 EVEN GOT A HANDLE ON IT. 236 00:22:02,440 --> 00:22:05,240 ♪ TURN IT UPSIDE DOWN AND YOU CAN COOK ♪ 237 00:22:05,320 --> 00:22:08,720 ♪ SO, COME ON, SON AND GET A-GOIN' ♪ 238 00:22:08,800 --> 00:22:10,440 ♪ GET THEM APPLE TREES A-GROWIN' ♪ 239 00:22:10,520 --> 00:22:13,640 [BOTH] ♪ THERE'S A LOT OF WORK OUT THERE TO DO ♪ 240 00:22:13,720 --> 00:22:18,400 ♪ OH, THERE'S A LOT OF WORK TO DO ♪ 241 00:22:21,880 --> 00:22:24,760 [NARRATOR] WELL, SIR, THAT'S HOW IT ALL BEGAN. 242 00:22:24,840 --> 00:22:27,040 THAT'S HOW JOHNNY ALL ALONE 243 00:22:27,120 --> 00:22:30,000 SET OUT TO MEET THE GREAT UNKNOWN. 244 00:22:32,200 --> 00:22:35,280 IT WAS A MIGHTY BIG AND FEARSOME PLACE 245 00:22:35,360 --> 00:22:37,800 FOR A MAN TO FACE. 246 00:23:03,640 --> 00:23:06,400 A LITTLE MAN AND ALL ALONE. 247 00:23:06,480 --> 00:23:10,280 WITHOUT NO KNIFE, WITHOUT NO GUN. 248 00:23:10,360 --> 00:23:12,840 AND THOUGH THE FOREST IS DARK AND WIDE, 249 00:23:12,920 --> 00:23:15,440 WITH FEARSOME CRITTERS ON EVERY SIDE, 250 00:23:15,520 --> 00:23:18,200 JOHNNY JUST KEPT WALKING ON. 251 00:23:21,480 --> 00:23:25,320 WALKED UNTIL AT LAST HE FOUND A LITTLE SPOT OF OPEN GROUND. 252 00:23:25,400 --> 00:23:28,920 WITH FERTILE SOIL AND WARMSOME BREEZE. 253 00:23:29,000 --> 00:23:31,920 A LIKELY PLACE FOR APPLE TREES. 254 00:23:34,480 --> 00:23:38,040 NOW THE VARMINTS HERE, THEY COULDN'T KNOW 255 00:23:38,120 --> 00:23:40,720 IF JOHN WAS FRIEND OR JOHN WAS FOE. 256 00:23:40,800 --> 00:23:43,600 SO, SOME TOOK OFF IN SUDDEN FLIGHT. 257 00:23:45,600 --> 00:23:48,400 SOME GOT SET TO CLAW AND BITE. 258 00:23:50,520 --> 00:23:53,440 BUT IF JOHNNY SEEN 'EM, HE PAID NO HEED. 259 00:23:53,520 --> 00:23:56,960 JUST GOT BUSY PLANTING APPLE SEED. 260 00:23:57,040 --> 00:23:59,160 [WHISTLING] 261 00:24:11,920 --> 00:24:14,200 NOW THEM VARMINTS COME FROM EVERYWHERE. 262 00:24:14,280 --> 00:24:16,760 TO WATCH THAT MAN A-DIGGIN' THERE. 263 00:24:16,840 --> 00:24:19,520 DIDN'T LIKE WHAT THEY WERE SEEING. 264 00:24:19,640 --> 00:24:22,120 DIDN'T TRUST NO HUMAN BEING. 265 00:24:31,080 --> 00:24:34,640 YEP, THAT ORNERY HUMAN HAD TO GO. 266 00:24:34,720 --> 00:24:36,760 BUT WHO WAS A-GONNA TELL HIM SO? 267 00:24:36,840 --> 00:24:39,920 WELL, NOT A SOUL COULD ANSWER THAT. 268 00:24:40,000 --> 00:24:44,640 TILL HERE COME ALONG A BLACK AND WHITE CAT. 269 00:24:44,720 --> 00:24:48,240 NOW HE WEREN'T TOO BRIGHT, BUT HE DIDN'T MUCH CARE. 270 00:24:48,320 --> 00:24:52,320 HE KNOWED HE HAD A CERTAIN AIR... ABOUT HIM. 271 00:25:59,320 --> 00:26:01,960 WELL, SIR, THAT DONE IT. 272 00:26:05,400 --> 00:26:08,480 THE CRITTERS NE'ER SEEN THE BEAT OF THAT. 273 00:26:08,560 --> 00:26:11,400 THE LIKES OF A HUMAN LIKING THAT CAT. 274 00:26:11,480 --> 00:26:13,320 WHY SHUCKS, 275 00:26:13,400 --> 00:26:17,360 THIS LITTLE MAN HAD WENT AND BUSTED EVERY PRECEDENT. 276 00:26:17,440 --> 00:26:19,400 HE WAS THE VERY FIRST TO COME 277 00:26:19,480 --> 00:26:26,080 WITHOUT NO KNIFE, WITHOUT NO GUN. 278 00:26:26,160 --> 00:26:28,760 AND SO IT WAS, FROM THAT TIME ON, 279 00:26:28,840 --> 00:26:32,960 EVERY LAST LIVING VARMINT WAS A FRIEND TO JOHN. 280 00:26:33,040 --> 00:26:36,240 - THEY SURELY WAS. - [JOHN WHISTLING] 281 00:26:36,360 --> 00:26:38,880 ♪ THE LORD IS GOOD TO ME ♪ 282 00:26:38,960 --> 00:26:41,440 ♪ AND SO I THANK THE LORD ♪ 283 00:26:41,520 --> 00:26:44,440 [ECHOING] ♪ FOR GIVING ME THE THINGS I NEED ♪ 284 00:26:44,520 --> 00:26:46,880 ♪ THE SUN, AND RAIN AND THE APPLE SEED ♪ 285 00:26:46,960 --> 00:26:51,240 ♪ YES, HE'S BEEN GOOD TO ME ♪ 286 00:27:02,200 --> 00:27:04,440 WELL, AS TIME WENT BY, 287 00:27:04,560 --> 00:27:07,240 JOHNNY KEPT RIGHT ON PLANTING HIS APPLE TREES. 288 00:27:07,320 --> 00:27:10,080 AND MAKING FRIENDS EVERYWHERE. 289 00:27:10,160 --> 00:27:12,640 AND HIS BEST FRIENDS WAS THE PIONEERS. 290 00:27:12,720 --> 00:27:15,640 FOR OF COURSE, JOHN WAS PLANTING MORE THAN AN APPLE TREE. 291 00:27:15,720 --> 00:27:17,520 HE WAS PLANTING HIS OWN 292 00:27:17,600 --> 00:27:20,160 BOUNDLESS FAITH AND COURAGE, TOO. 293 00:27:20,240 --> 00:27:22,320 AND THAT GIVE FOLKS NEW HEART. 294 00:27:22,400 --> 00:27:25,960 NEW HOPE IN THE JOB THEY HAD TO DO. 295 00:27:28,960 --> 00:27:32,880 AND AS MORE AND MORE PIONEERS COME TO PUSH BACK THE FOREST, 296 00:27:32,960 --> 00:27:36,000 THE KINDLY DEEDS OF LITTLE JOHNNY APPLESEED 297 00:27:36,080 --> 00:27:38,000 SPREAD THROUGHOUT THE LAND. 298 00:27:38,080 --> 00:27:41,360 AND MORE THAN ONCE, WITH A GOOD OLD-FASHIONED JUBILEE, 299 00:27:41,440 --> 00:27:43,680 FOLKS WOULD HONOR JOHNNY APPLESEED. 300 00:27:43,760 --> 00:27:46,560 AND THE FRUIT OF THE APPLE TREE. 301 00:27:46,680 --> 00:27:49,080 ♪ COME RIGHT OUT TO THE RIGHT OF THE RING ♪ 302 00:27:49,160 --> 00:27:51,080 ♪ INSIDE ARCH AND OUTSIDE UNDER ♪ 303 00:27:51,160 --> 00:27:53,920 ♪ IT AIN'T GONNA RAIN WITHOUT NO THUNDER ♪ 304 00:27:55,680 --> 00:27:57,200 ♪ FIRST AND THIRD, BALANCE, SWING ♪ 305 00:27:57,280 --> 00:27:58,920 ♪ COME RIGHT OUT TO THE RIGHT OF THE RING ♪ 306 00:27:59,000 --> 00:28:00,440 ♪ BUCKLE UP FOUR WITH EIGHT HANDS ROUND ♪ 307 00:28:00,520 --> 00:28:02,320 ♪ I'LL SWING YOURS, YOU SWING MINE ♪ 308 00:28:02,400 --> 00:28:04,720 ♪ I'LL SWING MY GIRL, HALF THE TIME ♪ 309 00:28:04,800 --> 00:28:06,840 [FIDDLE MUSIC] 310 00:28:06,920 --> 00:28:08,840 ♪ WHEN YOU'RE STRAIGHT TO A DO-SI-DO ♪ 311 00:28:08,920 --> 00:28:10,960 ♪ CHICKEN IN THE BREAD PAN KICKIN' OUT DOUGH ♪ 312 00:28:11,040 --> 00:28:13,200 ♪ BIG PIG ROOTIN' UP A LITTLE TATER ROW ♪ 313 00:28:13,280 --> 00:28:15,360 ♪ ONE MORE CHANGE AND HOME YOU GO ♪ 314 00:28:18,440 --> 00:28:21,000 NOW SOMETIMES, IF JOHN WAS A-PASSIN' BY, 315 00:28:21,080 --> 00:28:23,440 HE'D MOSY OVER AND KIND OF LOOK IN ON THE DOINGS. 316 00:28:23,520 --> 00:28:25,440 'CAUSE IT SURE TICKLED HIM TO SEE 317 00:28:25,520 --> 00:28:27,120 HOW THE FRUIT OF HIS LABORS 318 00:28:27,200 --> 00:28:29,120 BROUGHT ALL KINDS OF FOLKS TOGETHER 319 00:28:29,200 --> 00:28:31,120 AND MADE 'EM GOOD NEIGHBORS. 320 00:28:31,200 --> 00:28:32,640 ♪ NOW DUCK FOR THE APPLE FOUR IN A ROW ♪ 321 00:28:32,720 --> 00:28:34,200 ♪ THANK YOU, SON CORNERS GO ♪ 322 00:28:34,280 --> 00:28:35,760 ♪ APPLE CORE BALTIMORE ♪ 323 00:28:35,840 --> 00:28:37,400 ♪ BITE THAT APPLE TO THE CORE ♪ 324 00:28:42,240 --> 00:28:44,800 [CHIPMUNK LAUGHING] 325 00:28:44,880 --> 00:28:46,320 ♪ READY NOW! ♪ 326 00:28:46,400 --> 00:28:48,200 ♪ ALAMADE LEFT WITH THE OL LEFT HAND ♪ 327 00:28:48,280 --> 00:28:49,760 ♪ BACK TO YOUR PARTNER RIGHT AND LEFT ♪ 328 00:28:49,840 --> 00:28:51,240 ♪ WHIRL 'EM RIGHT ♪ AND WHIRL 'EM WRONG ♪ 329 00:28:51,320 --> 00:28:52,800 ♪ STRAIGHTEN 'EM OUT AND TROT 'EM ALONG ♪ 330 00:28:52,880 --> 00:28:54,280 ♪ RIGHT AND LEFT FOUR IN A ROW ♪ 331 00:28:54,360 --> 00:28:55,720 ♪ SECOND COUPLE ON THE CORNERS GO ♪ 332 00:28:55,800 --> 00:28:57,440 ♪ APPLE CORE, BALTIMORE ♪ 333 00:28:57,520 --> 00:28:59,760 ♪ GENT AND THE PRETTY GIRL TRY ONCE MORE ♪ 334 00:29:02,000 --> 00:29:03,680 [CROWD LAUGHING] 335 00:29:06,280 --> 00:29:09,200 - [BELL RINGING] - [WOMAN] COME AND GET IT! 336 00:29:09,280 --> 00:29:11,040 THE VICTUALS ON, THE TABLE'S SET. 337 00:29:11,120 --> 00:29:14,000 IT'S ALL WAITING TO BE ATE. COME AND GET IT! 338 00:29:14,080 --> 00:29:16,040 [CROWD SHOUTING] 339 00:29:23,920 --> 00:29:25,840 - [MAN] APPLE PICKLES. - [2ND MAN] MIGHTY TASTY! 340 00:29:25,920 --> 00:29:28,560 - APPLE BUTTER. - APPLE PASTRY. - APPLE DUMPLINGS. 341 00:29:28,640 --> 00:29:30,560 [WOMAN] HOW'D YOU LIKE SOME APPLE SAUCE? 342 00:29:30,640 --> 00:29:32,240 YES, MA'AM. 343 00:29:32,320 --> 00:29:35,760 YEP, JOHNNY DID BRING FOLKS A HEAP OF HAPPINESS. 344 00:29:35,840 --> 00:29:38,040 SHUCKS, HE WEREN'T LOOKING FOR THANKS. 345 00:29:38,120 --> 00:29:40,960 DIDN'T HAVE TIME FOR IT. 346 00:29:41,040 --> 00:29:44,520 HE KNOWED A MAN CAN'T TAKE NO REST, IF HE AIMS TO PLANT 347 00:29:44,600 --> 00:29:48,280 THE WHOLE DARN WILDERNESS IN APPLE TREES. 348 00:29:51,400 --> 00:29:54,240 AND SO IT WAS, FOR MORE THAN 40 YEARS, 349 00:29:54,320 --> 00:29:57,080 JOHN WALKED AND PLANTED THAT OLD FRONTIER. 350 00:30:05,520 --> 00:30:07,080 YES, SIR. 351 00:30:07,200 --> 00:30:10,280 40 YEARS OF WALKING AND PLANTING. 352 00:30:10,360 --> 00:30:12,480 AND IN THAT SPACE OF TWO SCORE YEARS, 353 00:30:12,560 --> 00:30:14,480 THIS LITTLE MAN... 354 00:30:14,560 --> 00:30:18,320 HE THROWED HIS SHADOW CLEAR ACROSS THE LAND. 355 00:30:18,400 --> 00:30:22,040 ACROSS 100,000 MILES SQUARE. 356 00:30:26,920 --> 00:30:29,320 AND IN THAT SHADOW EVERYWHERE, 357 00:30:29,400 --> 00:30:32,720 YOU'LL FIND HE LEFT HIS BLESSINGS THREE. 358 00:30:34,040 --> 00:30:38,520 ♪ LOVE AND FAITH ♪ 359 00:30:38,600 --> 00:30:42,160 ♪ AND THE APPLE TREE ♪ 360 00:30:48,560 --> 00:30:51,000 BOY, FOR SLEEPING, YOU TAKE THE CAKE. 361 00:30:51,120 --> 00:30:53,400 COME ON, GET UP! [WHISTLING] 362 00:30:53,480 --> 00:30:56,160 WE GOT A LONGSOME TRIP TO MAKE. 363 00:30:56,240 --> 00:30:59,280 WHY, MR. ANGEL, HOW D'YA DO? 364 00:30:59,360 --> 00:31:02,200 I'M FINE. AND HOW BE YOU? 365 00:31:02,280 --> 00:31:04,440 I'M FINE, JUST FEELING... 366 00:31:04,520 --> 00:31:06,160 WHAT! 367 00:31:08,520 --> 00:31:12,040 WHO'S THAT SLEEPING IN THE EVENING DUSK? 368 00:31:12,120 --> 00:31:13,880 WHY, THAT'S JUST YOUR HUSK, JOHN. 369 00:31:13,960 --> 00:31:16,640 - YOUR MORTAL HUSK. - MY HUSK? 370 00:31:16,720 --> 00:31:21,440 YOU MEAN TO SAY... I'M PASSED AWAY? 371 00:31:22,840 --> 00:31:25,960 DAGNABIT, ANGEL! I JUST CAN'T GO. 372 00:31:26,040 --> 00:31:27,960 GOT CROPS TO HARVEST, SEEDS TO SOW. 373 00:31:28,040 --> 00:31:31,320 NOW, HOLD ON, BOY. 374 00:31:31,400 --> 00:31:33,960 DOWN HERE ON EARTH, YOUR WORK IS THROUGH. 375 00:31:34,080 --> 00:31:35,880 BUT YONDER... 376 00:31:35,960 --> 00:31:37,880 WELL, WE NEED YOU, JOHNNY. 377 00:31:38,000 --> 00:31:40,680 YEP, WE SURE DO. 378 00:31:42,240 --> 00:31:45,080 YOU THINK WE HAVE MOST ALL WE PLEASE. 379 00:31:45,160 --> 00:31:47,240 BUT WE AIN'T. 380 00:31:47,320 --> 00:31:49,880 WE'RE KINDA SHORT ON APPLE TREES. 381 00:31:51,440 --> 00:31:53,840 WELL, I SWAN! 382 00:31:53,920 --> 00:31:55,840 I DIDN'T KNOW. 383 00:31:55,920 --> 00:31:59,360 WHAT ARE WE WAITING FOR? COME ON, LET'S GO! 384 00:31:59,440 --> 00:32:02,040 ♪ WE'RE WASTING TIME LET'S GET A-GOIN' ♪ 385 00:32:02,120 --> 00:32:04,240 ♪ GET THEM APPLE TREES A-GROWIN' ♪ 386 00:32:04,320 --> 00:32:07,760 [BOTH] ♪ THERE'S A LOT OF WORK UP THERE TO DO ♪ 387 00:32:07,840 --> 00:32:11,960 ♪ OH, THERE'S A LOT OF WORK TO DO ♪ 388 00:32:15,520 --> 00:32:18,200 WELL, SIR, NOW YOU KNOW THE REASON WHY 389 00:32:18,280 --> 00:32:20,880 WHENEVER I SEE THAT CERTAIN SKY 390 00:32:20,960 --> 00:32:22,760 I THINK OF LITTLE JOHN. 391 00:32:22,880 --> 00:32:25,600 'CAUSE IT'S LIKE I SAID, IF YOU RECALL, 392 00:32:25,680 --> 00:32:28,480 THEM CLOUDS AIN'T REALLY CLOUDS AT ALL. 393 00:32:28,560 --> 00:32:31,080 THEY'RE APPLE BLOSSOMS, IF YOU PLEASE. 394 00:32:31,160 --> 00:32:35,840 FROM JOHN'S HEAVENLY ORCHARD OF APPLE TREES. 395 00:32:35,920 --> 00:32:40,280 ♪ AND SOMEDAY THERE'LL BE APPLES THERE ♪ 396 00:32:40,360 --> 00:32:45,840 ♪ FOR EVERYONE IN THE WORLD TO SHARE ♪ 397 00:32:45,920 --> 00:32:52,600 ♪ THE LORD IS GOOD TO ME ♪ 398 00:33:12,640 --> 00:33:14,920 THERE'S DRAMA, THERE'S EXCITEMENT 399 00:33:15,000 --> 00:33:16,920 AND THERE'S HARMONY FOR THREE 400 00:33:17,000 --> 00:33:19,800 IN THIS STORY OF ADVENTURE ON THE SEA. 401 00:33:23,440 --> 00:33:25,600 NOW, FEATURED IN THIS EPIC, 402 00:33:25,680 --> 00:33:28,160 IS A SHIP OF PROUD DESIGN. 403 00:33:28,240 --> 00:33:30,960 NO, IT'S NOT THIS OCEAN LINER. 404 00:33:31,040 --> 00:33:32,920 WE TAKE A DIFFERENT LINE. 405 00:33:34,600 --> 00:33:37,480 SO, WITH A HUFF AND A PUFF AND A CHUG, CHUG, CHUG. 406 00:33:37,560 --> 00:33:40,000 AND A PERKY LITTLE HOOT. 407 00:33:40,080 --> 00:33:42,360 WE INTRODUCE OUR HERO, 408 00:33:42,440 --> 00:33:44,680 THE TUGBOAT LITTLE TOOT. 409 00:33:46,240 --> 00:33:48,480 ♪ LITTLE TOOT WAS JUST A TUG ♪ 410 00:33:48,560 --> 00:33:50,880 ♪ JUST A HAPPY HARBOR TUG ♪ 411 00:33:50,960 --> 00:33:52,920 ♪ AND HE CAME FROM A LINE OF TUGBOATS ♪ 412 00:33:53,000 --> 00:33:55,680 ♪ FINE AND GRAY ♪ 413 00:33:55,760 --> 00:33:57,880 ♪ BUT IT SEEMS THAT LITTLE TOOT ♪ 414 00:33:57,960 --> 00:34:00,720 ♪ SIMPLY DIDN'T GIVE A HOOT ♪ 415 00:34:00,800 --> 00:34:04,160 ♪ THOUGH HE TRIED TO BE GOOD HE NEVER COULD BEHAVE ♪ 416 00:34:05,880 --> 00:34:08,200 ♪ CHUG-A-CHUG-A-CHUG, HEAVE HO, MY LAD ♪ 417 00:34:08,280 --> 00:34:10,480 ♪ I'M A BIG TOOT JUST LIKE MY DAD ♪ 418 00:34:10,560 --> 00:34:13,200 ♪ PULL BIG BOATS WITH THE OL' HEAVE HO ♪ 419 00:34:13,280 --> 00:34:15,440 ♪ AND AWAY WE GO! ♪ 420 00:34:15,520 --> 00:34:17,400 ♪ CHUG-A-CHUG-CHUG-CHUG CHUG-A-CHUG-CHUG-CHUG ♪ 421 00:34:17,480 --> 00:34:19,440 ♪ CHUG-A-CHUG-CHUG-CHUG CHUG-A-CHUG-CHUG-CHUG ♪ 422 00:34:19,520 --> 00:34:21,320 WHEE! 423 00:34:30,520 --> 00:34:33,840 ♪ HE MADE THE OCEAN LINERS WAIT ♪ 424 00:34:33,920 --> 00:34:36,320 ♪ WHILE HE MADE A FIGURE EIGHT ♪ 425 00:34:36,400 --> 00:34:38,960 ♪ WITH THE GREATEST OF EASE HE CUT THROUGH THE SEAS ♪ 426 00:34:39,040 --> 00:34:41,280 ♪ AND SLIDE ♪ 427 00:34:41,360 --> 00:34:43,800 ♪ BUT HE WENT TOO FAR ONE DAY ♪ 428 00:34:43,880 --> 00:34:46,200 ♪ WHEN HE SLID IN BIG TOOT'S WAY ♪ 429 00:34:46,280 --> 00:34:48,480 ♪ AND IT WASN'T A JOKE FOR IT NEARLY BROKE ♪ 430 00:34:48,560 --> 00:34:51,360 ♪ BIG TOOT'S PRIDE ♪ 431 00:34:51,480 --> 00:34:53,280 [SPUTTERING] 432 00:34:55,680 --> 00:34:57,560 [COUGHING] 433 00:35:01,880 --> 00:35:05,600 ♪ WON'T YOU EVER GROW UP, LITTLE TOOT ♪ 434 00:35:07,280 --> 00:35:11,840 ♪ WON'T YOU EVER GROW UP, LITTLE TOOT ♪ 435 00:35:11,920 --> 00:35:14,440 ♪ WHEN THERE'S WORK TO BE DONE ♪ 436 00:35:14,520 --> 00:35:16,640 ♪ ALL YOU THINK OF IS FUN ♪ 437 00:35:16,720 --> 00:35:21,240 ♪ WON'T YOU EVER GROW UP, LITTLE TOOT! ♪ 438 00:35:29,440 --> 00:35:36,400 ♪ OH, LITTLE TOOT HAD QUITE A SCARE ♪ 439 00:35:36,480 --> 00:35:40,840 ♪ HE DECIDED THEN AND THERE ♪ 440 00:35:40,920 --> 00:35:45,400 ♪ THAT HE'D TRY TO BE GOOD AS GOOD AS HE COULD BE ♪ 441 00:35:45,480 --> 00:35:48,280 [TOOTING] 442 00:35:48,360 --> 00:35:54,680 ♪ SO, WHEN HIS DAD CAME PUFFIN' SLOW ♪ 443 00:35:54,800 --> 00:35:56,720 ♪ WITH A MIGHTY SHIP IN TOW ♪ 444 00:35:56,800 --> 00:35:58,720 ♪ LITTLE TOOT WENT TO HELP HIM ♪ 445 00:35:58,840 --> 00:36:01,400 ♪ TAKE IT OUT TO SEA ♪ 446 00:36:01,480 --> 00:36:04,720 ♪ CHUG-A-CHUG-A-CHUG HEAVE HO, MY LAD ♪ 447 00:36:04,800 --> 00:36:07,080 ♪ I'M A BIG TOOT JUST LIKE MY DAD ♪ 448 00:36:07,160 --> 00:36:09,240 ♪ PUSH BIG BOATS WITH THE OL' HEAVE HO ♪ 449 00:36:09,320 --> 00:36:11,760 ♪ AND AWAY WE GO ♪ 450 00:36:11,840 --> 00:36:13,800 ♪ CHUG-A-CHUG-CHUG-CHUG CHUG-A-CHUG-CHUG-CHUG ♪ 451 00:36:13,880 --> 00:36:15,800 ♪ CHUG-A-CHUG-CHUG-CHUG CHUG-A-CHUG-CHUG-CHUG ♪ 452 00:36:15,880 --> 00:36:18,240 - WHOO! - [WHISTLE] 453 00:36:23,200 --> 00:36:26,080 [DISTRESS SIGNAL] 454 00:36:41,480 --> 00:36:43,880 [SIRENS] 455 00:36:52,600 --> 00:36:57,080 ♪ WON'T YOU EVER GROW UP ♪ 456 00:36:57,160 --> 00:37:00,240 ♪ LITTLE TOOT ♪ 457 00:37:00,320 --> 00:37:05,240 ♪ WON'T YOU EVER GROW UP ♪ 458 00:37:05,320 --> 00:37:08,080 ♪ LITTLE TOOT ♪ 459 00:37:09,720 --> 00:37:14,680 ♪ WHEN YOU GET INTO TROUBLE ♪ 460 00:37:14,760 --> 00:37:19,640 ♪ YOU GET INTO IT DOUBLE ♪ 461 00:37:19,760 --> 00:37:25,000 ♪ WON'T YOU EVER GROW UP ♪ 462 00:37:25,080 --> 00:37:29,480 ♪ LITTLE TOOT? ♪ 463 00:37:29,600 --> 00:37:34,400 ♪ WHAT A SHAME WHAT A SHAME ♪ 464 00:37:34,520 --> 00:37:41,000 ♪ YOU'VE DISGRACED YOUR FATHER'S NAME ♪ 465 00:37:41,080 --> 00:37:46,480 ♪ WON'T YOU EVER GROW UP ♪ 466 00:37:46,560 --> 00:37:49,920 ♪ LITTLE TOOT ♪ 467 00:37:51,680 --> 00:37:54,280 [BELL RINGING] 468 00:37:56,880 --> 00:37:59,480 [SNIFFING] 469 00:38:09,880 --> 00:38:12,320 [SHIP BELL] 470 00:38:13,720 --> 00:38:16,080 BAD BOY. 471 00:38:16,160 --> 00:38:18,600 BAD BOY. 472 00:38:19,360 --> 00:38:20,920 SHAME. 473 00:38:21,960 --> 00:38:24,000 SHAME. 474 00:38:24,080 --> 00:38:26,000 TOO BAD. 475 00:38:26,080 --> 00:38:28,080 TOO BAD. 476 00:38:30,640 --> 00:38:32,440 HUMPH! 477 00:38:33,520 --> 00:38:35,400 HUMPH! 478 00:38:43,200 --> 00:38:44,840 [THUNDER] 479 00:38:44,920 --> 00:38:47,840 ♪ HE WAS DRIFTING ALL AROUND ♪ 480 00:38:47,920 --> 00:38:49,840 ♪ WHEN A STORM CAME CRASHING DOWN ♪ 481 00:38:49,920 --> 00:38:51,480 ♪ IN THE BILLOWING SEA ♪ 482 00:38:51,600 --> 00:38:54,600 ♪ HE TOSSED AND TOSSED AND TOSSED ♪ 483 00:38:54,680 --> 00:38:56,560 ♪ AND HIS HEART WAS FILLED WITH FEAR ♪ 484 00:38:56,640 --> 00:38:58,760 ♪ FOR HE KNEW THE ROCKS WERE NEAR ♪ 485 00:38:58,840 --> 00:39:01,880 ♪ WITH THE WAVES IN PURSUIT LITTLE TOOT KNEW ALL WAS LOST ♪ 486 00:39:03,520 --> 00:39:05,960 ♪ THEN HE SAW A ROCKET'S FLARE ♪ 487 00:39:06,040 --> 00:39:08,240 ♪ COME A-BURSTING IN THE AIR ♪ 488 00:39:08,320 --> 00:39:12,800 ♪ AND HE SUDDENLY KNEW THAT HE MUST DO OR DIE ♪ 489 00:39:12,880 --> 00:39:15,160 ♪ FOR A SHIP WAS IN DISTRESS ♪ 490 00:39:15,240 --> 00:39:16,960 ♪ AND AS HE PUFFED AN SOS ♪ 491 00:39:17,080 --> 00:39:20,520 ♪ HE RACED TO THE RESCUE OF THE SHIP NEARBY ♪ 492 00:39:21,600 --> 00:39:24,400 [DISTRESS SIGNAL] 493 00:40:20,880 --> 00:40:23,800 TRY, TRY, TRY! 494 00:40:23,880 --> 00:40:28,000 DO OR DIE, DO OR DIE DO OR DIE, DO OR DIE! 495 00:40:54,560 --> 00:40:56,440 [BIRD SQUAWKING] 496 00:41:19,240 --> 00:41:20,480 [TOOTING] 497 00:41:28,040 --> 00:41:32,880 ♪ WELL, IT SEEMS YOU'VE GROWN UP, LITTLE TOOT ♪ 498 00:41:32,960 --> 00:41:34,920 ♪ YOU'RE A BRAVE, YOU'RE A BRAVE ♪ 499 00:41:35,000 --> 00:41:37,280 ♪ BRAVE LITTLE TOOT ♪ 500 00:41:37,360 --> 00:41:39,840 ♪ CAN'T YOU HEAR THAT CHEERING CROWD? ♪ 501 00:41:39,920 --> 00:41:42,200 ♪ YOU HAVE MADE YOUR DADDY PROUD ♪ 502 00:41:42,280 --> 00:41:46,960 ♪ YOU ARE NOW A BIG TOOT LITTLE TOOT ♪ 503 00:41:47,040 --> 00:41:52,040 ♪ YES, YOU'RE NOW A GREAT BIG TOOT, LITTLE TOOT ♪ 504 00:41:54,040 --> 00:41:55,720 [TOOTING] 505 00:42:13,320 --> 00:42:15,760 THERE'S POETRY IN TREES THEY SAY. 506 00:42:15,840 --> 00:42:18,840 AND WELL, ONE DAY A POET FOUND IT. 507 00:42:18,920 --> 00:42:22,480 THEN A MUSIC MASTER WOVE AROUND IT MELODY. 508 00:42:22,600 --> 00:42:24,160 AN ARTIST TOUCHED IT. 509 00:42:24,240 --> 00:42:27,280 GAVE IT FORM IN COLORS RICH AND WARM. 510 00:42:30,320 --> 00:42:32,560 NOW WE BRING TO YOU THESE THREE: 511 00:42:32,640 --> 00:42:35,960 POEM, PICTURE, MELODY. 512 00:42:36,040 --> 00:42:39,120 A SIMPLE TRIBUTE TO A TREE. 513 00:42:51,880 --> 00:42:57,680 ♪ I THINK THAT I SHALL NEVER SEE ♪ 514 00:42:59,360 --> 00:43:01,160 ♪ A POEM ♪ 515 00:43:01,240 --> 00:43:05,760 ♪ LOVELY AS A TREE ♪ 516 00:43:08,680 --> 00:43:12,000 ♪ A TREE WHOSE HUNGRY MOUTH ♪ 517 00:43:12,080 --> 00:43:15,440 ♪ IS PRESSED ♪ 518 00:43:17,120 --> 00:43:19,840 ♪ AGAINST THE EARTH'S ♪ 519 00:43:19,920 --> 00:43:26,760 ♪ SWEET FLOWING BREAST ♪ 520 00:43:26,840 --> 00:43:31,080 ♪ A TREE THAT LOOKS ♪ 521 00:43:31,160 --> 00:43:37,200 ♪ AT GOD ALL DAY ♪ 522 00:43:39,080 --> 00:43:45,640 ♪ AND LIFTS HER LEAFY ARMS ♪ 523 00:43:45,720 --> 00:43:49,560 ♪ TO PRAY ♪ 524 00:45:16,440 --> 00:45:23,000 ♪ A TREE THAT MAY IN SUMMER WEAR ♪ 525 00:45:24,800 --> 00:45:30,840 ♪ A NEST OF ROBINS IN HER HAIR ♪ 526 00:45:33,040 --> 00:45:40,160 ♪ UPON WHOSE BOSOM SNOW HAS LAIN ♪ 527 00:45:42,280 --> 00:45:49,320 ♪ WHO INTIMATELY LIVES WITH RAIN ♪ 528 00:45:49,400 --> 00:45:54,160 ♪ POEMS ARE MADE ♪ 529 00:45:54,240 --> 00:46:00,640 ♪ BY FOOLS LIKE ME ♪ 530 00:46:02,240 --> 00:46:08,600 ♪ BUT ONLY GOD ♪ 531 00:46:08,680 --> 00:46:16,560 ♪ CAN MAKE A TREE ♪ 532 00:46:37,200 --> 00:46:40,120 TO THE INTOXICATING RHYTHM OF THE SAMBA, 533 00:46:40,200 --> 00:46:42,880 A TALENTED MISS SERVES UP A MUSICAL COCKTAIL 534 00:46:42,960 --> 00:46:46,080 WITH A TRUE LATIN AMERICAN FLAVOR. 535 00:46:46,160 --> 00:46:48,320 SO, IF THREE BOISTEROUS BIRDS OF A FEATHER 536 00:46:48,400 --> 00:46:51,720 FALL UNDER THE INFLUENCE OF THIS TORRID TROPICAL TEMPO, 537 00:46:51,800 --> 00:46:53,400 DON'T BLAME THEM. 538 00:46:53,480 --> 00:46:55,440 BLAME IT ON THE RHYTHM OF THE SAMBA. 539 00:47:07,800 --> 00:47:12,040 ♪ IF YOUR SPIRITS HAVE HIT A NEW LOW ♪ 540 00:47:12,120 --> 00:47:18,040 ♪ AND THEY LONG TO HIT A NEW HIGH ♪ 541 00:47:18,120 --> 00:47:21,720 ♪ ONE LITTLE MUSICAL COCKTAIL ♪ 542 00:47:21,800 --> 00:47:26,520 ♪ WILL LIFT THEM TO THE SKY ♪ 543 00:47:26,600 --> 00:47:30,160 ♪ MIX A JIGGER OF RHYTHM ♪ 544 00:47:30,240 --> 00:47:36,360 ♪ WITH A STRAIN OF A FEW GUITARS ♪ 545 00:47:36,440 --> 00:47:39,800 ♪ ADD A DASH OF THE SAMBA ♪ 546 00:47:39,920 --> 00:47:46,320 ♪ AND A FEW MELODIOUS BARS ♪ 547 00:47:46,400 --> 00:47:51,840 ♪ AND THEN, AND THEN ♪ 548 00:47:51,920 --> 00:47:53,880 ♪ YOU TAKE A SMALL CABAÇA ♪ 549 00:47:53,960 --> 00:47:55,200 [SHAKING] 550 00:47:55,280 --> 00:47:58,040 ♪ ONE PANDEIRO ♪ 551 00:47:58,120 --> 00:48:00,400 ♪ TAKE A CUÍCA ♪ 552 00:48:00,520 --> 00:48:03,080 ♪ YOU'VE GOT THE FASCINATING RHYTHM OF THE SAMBA ♪ 553 00:48:03,160 --> 00:48:06,040 ♪ IF GUITARS ARE STRUMMING ♪ 554 00:48:06,120 --> 00:48:08,640 ♪ BIRDS ARE HUMMING ♪ 555 00:48:08,720 --> 00:48:10,960 ♪ DRUMS ARE DRUMMING ♪ 556 00:48:11,040 --> 00:48:13,920 ♪ THEN YOU CAN BLAME IT ON THE RHYTHM OF THE SAMBA ♪ 557 00:48:14,000 --> 00:48:16,720 ♪ FOR THERE IS SOMETHING 'BOUT THE BEAT YOU CLING TO ♪ 558 00:48:16,800 --> 00:48:19,360 ♪ THAT'S THE TYPE OF SONG YOU SING TO ♪ 559 00:48:19,440 --> 00:48:22,120 ♪ BUT THE KIND OF THING YOU SWING TO ♪ 560 00:48:22,200 --> 00:48:24,440 ♪ WHEN YOU GET TO BOUNCING WITH THE BEAT IN YOUR FEET ♪ 561 00:48:24,520 --> 00:48:27,600 ♪ FOR WHEN YOU'RE BOUNCING TO THE BEAT YOU'RE REELING ♪ 562 00:48:27,680 --> 00:48:30,040 ♪ WITH THE CARIOCA FEELING ♪ 563 00:48:30,120 --> 00:48:32,960 ♪ BUT IF YOU WANT TO HIT THE CEILING ♪ 564 00:48:33,040 --> 00:48:34,960 ♪ HERE IS ALL YOU HAVE TO DO ♪ 565 00:48:35,040 --> 00:48:38,800 ♪ YOU TAKE A SMALL CABAÇA ♪ 566 00:48:38,880 --> 00:48:41,440 ♪ ONE PANDEIRO ♪ 567 00:48:41,560 --> 00:48:43,800 ♪ TAKE A CUÍCA ♪ 568 00:48:43,880 --> 00:48:46,320 ♪ YOU GOT THE FASCINATING RHYTHM OF THE SAMBA ♪ 569 00:48:46,400 --> 00:48:47,960 [SHAKING] 570 00:49:00,880 --> 00:49:03,280 [ORGAN PLAYS] 571 00:50:13,440 --> 00:50:15,600 [BIRD LAUGHING] 572 00:50:19,160 --> 00:50:21,160 [DRUMS PLAYING] 573 00:51:00,720 --> 00:51:03,560 [SINGING] 574 00:51:09,320 --> 00:51:10,680 [SINGING CONTINUES] 575 00:52:32,000 --> 00:52:33,840 [LAUGHING] 576 00:52:51,600 --> 00:52:54,680 HERE'S A TALL TALE STRAIGHT FROM THE CHUCK WAGON. 577 00:52:54,760 --> 00:52:57,360 JUST THE WAY THE OLD-TIMERS USED TO TELL IT. 578 00:52:57,440 --> 00:52:59,400 ACCORDING TO THEM, PECOS BILL 579 00:52:59,480 --> 00:53:01,840 WAS THE ROUGHEST, TOUGHEST, ROOTENEST, TOOTENEST, 580 00:53:01,920 --> 00:53:04,200 SHOOTENEST COWPOKE THAT EVER LIVED. 581 00:53:04,280 --> 00:53:06,480 WELL, ANY STORY ABOUT OLD PECOS 582 00:53:06,560 --> 00:53:08,960 IS BOUND TO BE RIGHT STRONG MEDICINE, SO... 583 00:53:09,080 --> 00:53:12,760 MAYBE IT'S BEST TO SASHAY INTO IT KINDA GENTLE LIKE. 584 00:53:15,120 --> 00:53:19,200 ♪ SHADES OF NIGHT ARE FALLIN' ♪ 585 00:53:19,280 --> 00:53:25,440 ♪ AS THE WIND BEGINS TO SIGH ♪ 586 00:53:25,520 --> 00:53:28,920 ♪ AND THE WORLD IS SILHOUETTED ♪ 587 00:53:29,000 --> 00:53:32,160 ♪ 'GAINST THE SKY ♪ 588 00:53:32,240 --> 00:53:34,600 [WHISTLING] 589 00:53:37,040 --> 00:53:41,600 ♪ BLUE SHADOWS ♪ 590 00:53:41,680 --> 00:53:45,040 ♪ ON THE TRAIL ♪ 591 00:53:48,520 --> 00:53:51,120 ♪ BLUE MOON ♪ 592 00:53:51,200 --> 00:53:56,520 ♪ SHINING THROUGH THE TREES ♪ 593 00:53:59,120 --> 00:54:04,720 ♪ AND THE PLAINTIVE WAIL ♪ 594 00:54:04,800 --> 00:54:07,360 ♪ FROM THE DISTANCE ♪ 595 00:54:07,440 --> 00:54:10,320 [COYOTES HOWLING] 596 00:54:10,400 --> 00:54:12,840 ♪ COMES A DRIFTIN' ♪ 597 00:54:12,920 --> 00:54:20,360 ♪ ON THE EVENING BREEZE ♪ 598 00:54:22,040 --> 00:54:24,560 ♪ MOVE ALONG ♪ 599 00:54:24,640 --> 00:54:27,240 ♪ BLUE SHADOWS ♪ 600 00:54:27,320 --> 00:54:32,160 ♪ MOVE ALONG ♪ 601 00:54:33,480 --> 00:54:36,560 ♪ SOON THE DAWN WILL COME ♪ 602 00:54:36,640 --> 00:54:41,640 ♪ AND YOU'LL BE ON YOUR WAY ♪ 603 00:54:44,640 --> 00:54:49,680 ♪ BUT UNTIL THE DARKNESS ♪ 604 00:54:49,760 --> 00:54:55,440 ♪ SHEDS ITS VEIL ♪ 605 00:54:55,520 --> 00:55:01,160 ♪ THERE'LL BE BLUE SHADOWS ♪ 606 00:55:01,280 --> 00:55:04,600 ♪ ON THE TRAIL ♪ 607 00:55:50,680 --> 00:55:52,640 ♪ MOVE ALONG ♪ 608 00:55:52,720 --> 00:55:56,160 ♪ MOVE ALONG, BLUE SHADOWS ♪ 609 00:55:56,240 --> 00:55:57,800 ♪ MOVE ALONG ♪ 610 00:55:57,920 --> 00:56:01,960 ♪ MOVE ALONG, MOVE ALONG, MOVE ALONG ♪ 611 00:56:02,040 --> 00:56:05,120 ♪ SOON THE DAWN WILL COME ♪ 612 00:56:05,200 --> 00:56:08,880 ♪ AND YOU'LL BE ON YOUR WAY ♪ 613 00:56:08,960 --> 00:56:12,440 ♪ ON YOUR WAY ♪ 614 00:56:12,520 --> 00:56:17,560 ♪ BUT UNTIL THE DARKNESS ♪ 615 00:56:17,640 --> 00:56:22,800 ♪ SHEDS ITS VEIL ♪ 616 00:56:22,880 --> 00:56:28,000 ♪ THERE'LL BE BLUE SHADOWS ♪ 617 00:56:28,080 --> 00:56:31,440 ♪ ON THE TRAIL ♪ 618 00:56:32,840 --> 00:56:38,640 ♪ SHADOWS ON THE TRAIL ♪ 619 00:56:38,720 --> 00:56:41,480 [HOWLING] 620 00:56:49,040 --> 00:56:50,720 - UNCLE ROY? - YES, HONEY. 621 00:56:50,800 --> 00:56:52,840 WHAT MAKES THE WOLVES HOWL LIKE THAT? 622 00:56:52,920 --> 00:56:55,320 WOLVES? THOSE ARE COYOTES, AREN'T THEY? 623 00:56:55,400 --> 00:56:57,320 YEP, THEY'RE COYOTES. BOBBY'S RIGHT. 624 00:56:57,400 --> 00:56:59,400 THEY ALWAYS HOWL WHEN THE MOON'S BRIGHT. 625 00:56:59,520 --> 00:57:00,600 WHY? 626 00:57:00,680 --> 00:57:02,840 THAT'S QUITE A STORY. 627 00:57:02,920 --> 00:57:04,840 - COWBOYS IN IT? - YES, SIREE. 628 00:57:04,920 --> 00:57:06,200 INDIANS TOO? 629 00:57:06,320 --> 00:57:08,840 I COULD THROW IN MAYBE TWO OR THREE, 630 00:57:08,920 --> 00:57:11,280 BUT MOSTLY THIS STORY'S ABOUT PECOS BILL. 631 00:57:11,360 --> 00:57:13,240 PECOS BILL? 632 00:57:13,320 --> 00:57:14,360 - WHO'S HE? - [GUITAR STOPS] 633 00:57:14,440 --> 00:57:16,160 WHAT? NEVER HEARD OF PECOS BILL? 634 00:57:16,240 --> 00:57:17,280 IMAGINE THAT! 635 00:57:17,360 --> 00:57:19,520 I THOUGHT EVERYBODY KNOWED PECOS. 636 00:57:19,600 --> 00:57:21,320 BOBBY, I'M SURPRISED AT YOU. 637 00:57:21,400 --> 00:57:23,840 BILL WAS THE WORLD'S GREATEST BUCKAROO. 638 00:57:23,960 --> 00:57:25,720 ♪ HE WAS THE ROUGHEST, TOUGHEST CRITTER ♪ 639 00:57:25,840 --> 00:57:27,440 ♪ NEVER KNOWN TO BE A QUITTER ♪ 640 00:57:27,520 --> 00:57:30,160 ♪ 'CAUSE HE NEVER HAD NO FEAR FOR MAN OR BEAST ♪ 641 00:57:30,240 --> 00:57:32,360 YEP, THAT THERE PECOS BILL WAS... 642 00:57:32,440 --> 00:57:34,120 - [NEIGHING] - EASY, TRIGGER. 643 00:57:34,200 --> 00:57:36,160 I'M NOT FORGETTING BILL'S HORSE. 644 00:57:36,240 --> 00:57:38,440 SHUCKS, I COULDN'T FORGET WIDOW MAKER. 645 00:57:38,560 --> 00:57:39,960 WIDOW MAKER? 646 00:57:40,040 --> 00:57:41,920 THAT'S A FUNNY NAME. 647 00:57:42,000 --> 00:57:43,200 THAT HORSE EARNED IT, JUST THE SAME. 648 00:57:43,280 --> 00:57:44,520 HE WAS A KILLER. 649 00:57:44,600 --> 00:57:45,680 DYNAMITE ON THE HOOF. 650 00:57:45,760 --> 00:57:49,160 WIDOW MAKER WAS BILL'S BEST PAL. 651 00:57:49,280 --> 00:57:52,520 UNTIL ALONG CAME THAT BEAUTIFUL PRAIRIE GAL. 652 00:57:52,600 --> 00:57:54,600 [WHINNYING] 653 00:57:54,680 --> 00:57:57,120 SHUCKS, A WOMAN IN THE STORY. 654 00:57:57,200 --> 00:57:58,280 BUT WHAT A WOMAN! 655 00:57:58,360 --> 00:58:02,960 ♪ SHE WAS FRESH AS THE DEW ♪ 656 00:58:03,040 --> 00:58:07,720 ♪ ON A PRAIRIE ROSE ♪ 657 00:58:07,840 --> 00:58:11,480 ♪ A TRUE THOROUGHBRED ♪ 658 00:58:11,560 --> 00:58:16,760 ♪ FROM HER HEAD TO HER TOES ♪ 659 00:58:16,840 --> 00:58:22,800 ♪ THAT THERE WAS SLUE FOOT SUE ♪ 660 00:58:22,880 --> 00:58:27,240 ♪ SWEET SUE ♪ 661 00:58:27,360 --> 00:58:29,800 SLUE FOOT SUE, HUH! 662 00:58:29,880 --> 00:58:31,640 I'D RATHER HEAR ABOUT THE COYOTES. 663 00:58:31,720 --> 00:58:33,480 UNCLE ROY, YOU STARTED TO SAY... 664 00:58:33,560 --> 00:58:36,280 WHY THE COYOTES HOWL AT THE MOON THAT WAY? 665 00:58:36,360 --> 00:58:38,960 YOU'RE RIGHT, HONEY, BUT IT ALL FITS TOGETHER. 666 00:58:39,040 --> 00:58:42,480 CAN'T TELL ONE WITHOUT THE OTHER. 667 00:58:42,560 --> 00:58:45,680 BECAUSE THE STORY OF BILL AND THAT SLUE FOOT GAL 668 00:58:45,760 --> 00:58:48,800 IS A STORY OF COYOTES AND WHY THEY HOWL. 669 00:58:48,920 --> 00:58:52,320 I'M GETTING DOWN TO THE DETAILS RIGHT NOW. 670 00:58:52,400 --> 00:58:55,880 [ROY] NOW, HERE ON THE MAP OF THE OLD U.S., 671 00:58:55,960 --> 00:58:59,200 COMPLETELY SURROUNDED BY WILDERNESS, LIES TEXAS. 672 00:58:59,280 --> 00:59:00,800 [COWBOY] AMEN. 673 00:59:00,880 --> 00:59:02,440 [ROY] THERE'S SOME OTHER STATES SCATTERED AROUND. 674 00:59:02,560 --> 00:59:04,280 - [COWBOY] LIKE WYOMING. - MILWAUKEE. 675 00:59:04,360 --> 00:59:07,000 - AND LONG ISLAND SOUND. - RIGHT! 676 00:59:07,080 --> 00:59:09,480 [ROY] DOWN TEXAS WAY, A RIVER FLOWS. 677 00:59:09,560 --> 00:59:11,840 WHERE IT COMES FROM, NOBODY KNOWS. 678 00:59:11,920 --> 00:59:14,400 WHERE IT'S GOING, DON'T NO ONE CARE. 679 00:59:14,480 --> 00:59:16,840 JUST DOGGONE GLAD IT'S A-LEAVIN' THERE. 680 00:59:16,920 --> 00:59:18,640 [COWBOY] THAT THERE IS THE PECOS RIVER. 681 00:59:18,720 --> 00:59:23,160 - SHE WAS PURE ALKALI. - JUST NATURALLY MEAN WATER. 682 00:59:23,240 --> 00:59:25,560 WHY, THE BUZZARDS WON'T EVEN TOUCH IT. 683 00:59:25,640 --> 00:59:28,160 [WHISTLING] 684 00:59:28,240 --> 00:59:32,640 INTO THIS FERTILE GARDEN SPOT, ONCE THERE COME A PRAIRIE CART. 685 00:59:32,720 --> 00:59:36,800 THERE WAS MA AND PA AND 16 BRATS. 686 00:59:36,880 --> 00:59:40,360 - FOUR HOUND DOGS. - AND A COUPLE OF CATS. 687 00:59:40,440 --> 00:59:44,280 ALL GOING WEST, LOOKING FOR ELBOW ROOM. 688 00:59:44,360 --> 00:59:47,160 SURE COULD USE SOME OF THE SAME. 689 00:59:47,240 --> 00:59:49,160 CROSSING THE PECOS RIVERBED, 690 00:59:49,240 --> 00:59:51,640 SOMETHING FELL OUT AND LIT ON HIS HEAD. 691 00:59:51,720 --> 00:59:54,080 FOLKS DIDN'T EVEN KNOW HE WAS GONE. 692 00:59:54,160 --> 00:59:57,920 OL' WAGON JUST KEPT ROLLING ALONG. 693 00:59:58,000 --> 01:00:02,920 - YEP, IT WAS BILL. - POOR LITTLE CRITTER. 694 01:00:03,040 --> 01:00:05,360 HOMELESS AS A POKER CHIP. 695 01:00:09,280 --> 01:00:14,120 ♪ ALONG CAME NIGHT AND A PRAIRIE MOON ♪ 696 01:00:14,200 --> 01:00:18,440 ♪ OL' MA COYOTE HURRYIN' HOME ♪ 697 01:00:18,520 --> 01:00:21,280 ♪ SHE WAS DUE FOR A SHOCK AT HER JOURNEY'S END ♪ 698 01:00:21,360 --> 01:00:24,280 ♪ FOR THE STORK HAD DELIVERED A DIVIDEND ♪ 699 01:00:24,360 --> 01:00:27,800 - PLUM UNUSUAL! - YEP! 700 01:00:27,880 --> 01:00:29,960 IT NEVER HAPPENED BEFORE. 701 01:00:30,040 --> 01:00:35,040 PROBABLY ONE OF THEM NEWFANGLED MODELS. 702 01:00:35,120 --> 01:00:37,800 ♪ BILL LOOKED UP AND THEN HE GRINNED ♪ 703 01:00:37,880 --> 01:00:39,640 SHUCKS. 704 01:00:39,720 --> 01:00:43,480 ♪ MA'S OL' HEART JUST PLUM CAVED IN ♪ 705 01:00:43,560 --> 01:00:46,560 ♪ BILL SEEN RIGHT OFF THAT HE NEEDN'T FEAR ♪ 706 01:00:46,640 --> 01:00:50,160 ♪ HE'D STAKED HIMSELF A CLAIM RIGHT HERE ♪ 707 01:00:50,240 --> 01:00:53,040 HEADED STRAIGHT FOR THAT OL' CHUCKWAGON. 708 01:00:53,120 --> 01:00:56,520 YEP, OL' BILL WAS HUNGRIER 709 01:00:56,600 --> 01:00:58,640 THAN A WOODPECKER WITH A HEADACHE. 710 01:01:07,680 --> 01:01:12,160 SO, WHAT FOLLOWED AS A NATURAL FACT, 711 01:01:12,240 --> 01:01:15,920 THAT BILL GROWED UP WITH THAT COYOTE PACK. 712 01:01:21,200 --> 01:01:23,800 HE SOON BECOME THE MAIN TOP HAND. 713 01:01:23,880 --> 01:01:26,640 IN A WAY THEY ALL COULD UNDERSTAND. 714 01:01:33,360 --> 01:01:35,520 BUT LITTLE BILL, HE COULDN'T REST, 715 01:01:35,600 --> 01:01:38,600 TILL HE PROVED HIMSELF THE A-1 BEST. 716 01:01:38,680 --> 01:01:41,240 SO, HE STUDIED THE OTHER VARMINTS TOO. 717 01:01:41,320 --> 01:01:43,440 THEN, SHOWED 'EM ALL A TRICK OR TWO. 718 01:01:44,080 --> 01:01:46,480 OUTLOPED THE ANTELOPE. 719 01:01:47,800 --> 01:01:50,480 OUTJUMPED THE JACK RABBIT. 720 01:01:57,920 --> 01:02:01,320 YEAH, BILL EVEN OUTHISSED THE RATTLESNAKE. 721 01:02:01,400 --> 01:02:05,680 ♪ THEN ONE DAY ♪ 722 01:02:05,760 --> 01:02:10,160 ♪ CROSS THE BURNIN' SAND ♪ 723 01:02:10,240 --> 01:02:14,800 ♪ A STRANGER COME ♪ 724 01:02:14,880 --> 01:02:19,480 ♪ TO THE PECOS LAND ♪ 725 01:02:19,560 --> 01:02:25,280 ♪ THE USUAL COMMITTEE WAS THERE TODAY ♪ 726 01:02:25,360 --> 01:02:28,160 ♪ TO WELCOME THEIR GUEST ♪ 727 01:02:28,240 --> 01:02:33,440 ♪ IN THE USUAL WAY ♪ 728 01:02:49,160 --> 01:02:52,240 NOW, 50 TO 1 WEREN'T NO FAIR FIGHT. 729 01:02:52,320 --> 01:02:56,160 BUT 1 PLUS BILL MADE IT JUST ABOUT RIGHT. 730 01:03:09,000 --> 01:03:13,520 WELL, IT WAS THE BEGINNING OF A BEAUTIFUL FRIENDSHIP. 731 01:03:16,600 --> 01:03:19,080 FROM THAT TIME ON, THEM TWO STUCK TOGETHER. 732 01:03:19,160 --> 01:03:22,600 LIKE WARTS ON A TOAD, LIKE BIRDS OF A FEATHER. 733 01:03:22,680 --> 01:03:25,120 WHEN BILL GROWED UP, IT WAS NATURAL OF COURSE, 734 01:03:25,200 --> 01:03:28,480 HE'D CHOOSE A CAREER TO SUIT HIM AND HIS HORSE. 735 01:03:33,800 --> 01:03:38,680 YEP, BILL BECOME A ROOTIN', TOOTIN' COWBOY! 736 01:03:47,040 --> 01:03:48,960 ♪ PECOS BILL WAS QUITE A COWBOY ♪ 737 01:03:49,040 --> 01:03:51,080 ♪ DOWN IN TEXAS ♪ 738 01:03:51,160 --> 01:03:55,080 ♪ AND THE WESTERN SUPERMAN TO SAY THE LEAST ♪ 739 01:03:55,160 --> 01:03:57,160 ♪ HE WAS THE ROUGHEST, TOUGHEST CRITTER ♪ 740 01:03:57,240 --> 01:03:59,280 ♪ NEVER KNOWN TO BE A QUITTER ♪ 741 01:03:59,360 --> 01:04:02,800 ♪ 'CAUSE HE NEVER HAD NO FEAR OF MAN OR BEAST ♪ 742 01:04:02,880 --> 01:04:05,480 ♪ SO, YIPPEE YI-YAY YI-YAY ♪ 743 01:04:05,560 --> 01:04:07,680 ♪ YIPPEE YI-YO ♪ 744 01:04:07,760 --> 01:04:11,320 ♪ FOR THE TOUGHEST CRITTER WEST OF THE ALAMO ♪ 745 01:04:11,760 --> 01:04:15,640 ♪ ONCE HE ROPED A RAGING CYCLONE OUT OF NOWHERE ♪ 746 01:04:15,720 --> 01:04:19,560 ♪ THEN HE STRADDLED IT AND SETTLED DOWN WITH EASE ♪ 747 01:04:19,640 --> 01:04:22,800 ♪ AND WHILE THAT CYCLONE BUCKED AND FLITTED ♪ 748 01:04:22,920 --> 01:04:25,960 ♪ PECOS ROLLED A SMOKE AND LIT IT ♪ 749 01:04:26,040 --> 01:04:29,440 ♪ AND HE TAMED THAT ORNERY WIND DOWN TO A BREEZE ♪ 750 01:04:29,520 --> 01:04:33,960 ♪ SO, YIPPEE YI-YAY ♪ 751 01:04:34,280 --> 01:04:37,280 ♪ YIPPEE YI-YO ♪ 752 01:04:38,520 --> 01:04:40,880 [YODELING] 753 01:04:42,080 --> 01:04:46,400 ♪ ONCE THERE WAS A DROUGHT THAT SPREAD ALL OVER TEXAS ♪ 754 01:04:46,480 --> 01:04:50,520 ♪ SO, TO SUNNY CALIFORNY HE DID GO ♪ 755 01:04:50,600 --> 01:04:52,640 ♪ AND THOUGH THE GAG IS KINDA CORNY ♪ 756 01:04:52,720 --> 01:04:54,720 ♪ HE BROUGHT RAIN FROM CALIFORNY ♪ 757 01:04:54,800 --> 01:04:58,880 ♪ THAT'S THE WAY WE GOT THE GULF OF MEXICO ♪ 758 01:04:58,960 --> 01:05:01,040 ♪ SO, YIPPEE YI-YAY YI-YAY ♪ 759 01:05:01,120 --> 01:05:02,680 ♪ YIPPEE YI-YO ♪ 760 01:05:02,760 --> 01:05:06,680 ♪ FOR THE TOUGHEST CRITTER WEST OF THE ALAMO ♪ 761 01:05:06,800 --> 01:05:09,080 [MOOING] 762 01:05:09,160 --> 01:05:13,240 ♪ ONCE A BAND OF RUSTLERS STOLE A HERD OF CATTLE ♪ 763 01:05:13,320 --> 01:05:14,760 ♪ BUT THEY DIDN'T KNOW ♪ 764 01:05:14,840 --> 01:05:17,080 ♪ THE HERD THEY STOLE WAS BILL'S ♪ 765 01:05:17,160 --> 01:05:19,080 ♪ AND WHEN HE CAUGHT THEM CROOKED VILLAINS ♪ 766 01:05:19,160 --> 01:05:23,720 ♪ PECOS KNOCKED OUT ALL THEIR FILLINGS ♪ 767 01:05:23,800 --> 01:05:25,400 ♪ THAT'S THE REASON WHY THERE'S GOLD ♪ 768 01:05:25,480 --> 01:05:27,440 ♪ IN THEM THAR HILLS ♪ 769 01:05:27,520 --> 01:05:29,520 ♪ SO, YIPPEE YI-YAY YI-YAY ♪ 770 01:05:29,600 --> 01:05:31,920 ♪ YIPPEE YI-YO ♪ 771 01:05:32,000 --> 01:05:35,560 ♪ FOR THE TOUGHEST CRITTER WEST OF THE ALAMO ♪ 772 01:05:35,640 --> 01:05:37,240 ♪ OHHH ♪ 773 01:05:37,320 --> 01:05:40,360 ♪ PECOS LOST HIS WAY ♪ 774 01:05:40,440 --> 01:05:43,440 ♪ WHILE TRAVELING ON THE DESERT ♪ 775 01:05:43,520 --> 01:05:45,280 ♪ WATER ♪ 776 01:05:45,360 --> 01:05:50,920 ♪ IT WAS 90 MILES ACROSS THE BURNIN' SAND ♪ 777 01:05:51,000 --> 01:05:52,800 ♪ WATER ♪ 778 01:05:52,880 --> 01:05:56,360 ♪ HE KNEW HE'D NEVER REACH THE BORDER ♪ 779 01:05:56,440 --> 01:05:58,040 ♪ WATER ♪ 780 01:05:58,120 --> 01:06:01,760 ♪ IF HE DIDN'T GET SOME WATER ♪ 781 01:06:01,840 --> 01:06:03,000 ♪ WATER ♪ 782 01:06:08,560 --> 01:06:12,320 ♪ SO, HE GOT A STICK AND DUG THE RIO GRANDE ♪ 783 01:06:12,400 --> 01:06:14,720 [COWBOYS SINGING] 784 01:06:22,560 --> 01:06:24,560 ♪ WHILE A TRIBE OF PAINTED INDIANS ♪ 785 01:06:24,640 --> 01:06:26,720 ♪ DID A WAR DANCE ♪ 786 01:06:26,800 --> 01:06:30,480 ♪ PECOS STARTED SHOOTIN' UP THEIR LITTLE GAME ♪ 787 01:06:30,560 --> 01:06:32,720 ♪ HE GAVE THEM REDSKINS SUCH A SHAKEUP ♪ 788 01:06:32,800 --> 01:06:34,880 ♪ THAT THEY JUMPED OUT OF THEIR MAKE-UP ♪ 789 01:06:34,960 --> 01:06:36,720 ♪ THAT'S THE WAY THE PAINTED DESERT ♪ 790 01:06:36,800 --> 01:06:38,440 ♪ GOT ITS NAME ♪ 791 01:06:38,560 --> 01:06:42,840 ♪ SO, YIPPEE YI-YAY ♪ 792 01:06:42,920 --> 01:06:46,720 ♪ FOR THE TOUGHEST CRITTER WEST OF THE ALAMO ♪ 793 01:06:46,800 --> 01:06:50,720 ♪ WHILE RECLININ' ON A CLOUD HIGH OVER TEXAS ♪ 794 01:06:50,800 --> 01:06:55,240 ♪ WITH HIS GUN HE MADE THE STARS EVAPORATE ♪ 795 01:06:55,320 --> 01:06:57,120 ♪ THEN PECOS SAW THE STARS DECLININ' ♪ 796 01:06:57,240 --> 01:06:59,240 ♪ SO HE LEFT ONE BRIGHTLY SHININ' ♪ 797 01:06:59,320 --> 01:07:02,720 ♪ AS THE EMBLEM OF THE LONE STAR TEXAS STATE ♪ 798 01:07:02,800 --> 01:07:05,320 ♪ SO, YIPPEE YI-YAY YI-YAY ♪ 799 01:07:05,400 --> 01:07:07,640 ♪ YIPPEE YI-YO ♪ 800 01:07:20,880 --> 01:07:25,640 YEP, THEM WAS HAPPY DAYS FOR BILL AND THAT HORSE. 801 01:07:25,720 --> 01:07:28,960 LOOKED LIKE NOTHING COULD EVER COME BETWEEN 'EM. 802 01:07:29,040 --> 01:07:31,840 THEN IT HAPPENED. 803 01:07:31,920 --> 01:07:34,320 NOW BILL WAS HAPPY THAT FATEFUL DAY. 804 01:07:34,400 --> 01:07:37,120 KILLIN' SOME TIME IN HIS CAREFREE WAY. 805 01:07:37,240 --> 01:07:39,320 INVENTIN' A ONE-MAN RODEO. 806 01:07:39,400 --> 01:07:41,880 A-BUTTIN' HEADS WITH THE BUFFALO. 807 01:07:44,720 --> 01:07:46,000 POOR BILL. 808 01:07:46,080 --> 01:07:49,000 HAPPY AS A HOG IN A TURNIP PATCH. 809 01:07:49,080 --> 01:07:50,720 AND THEN... 810 01:07:50,800 --> 01:07:54,400 OL' MAN FATE STARTED DEALIN' FROM THE BOTTOM OF THE DECK. 811 01:07:54,480 --> 01:07:57,240 FOR DOWN THE STREAM COME SLUE FOOT SUE, 812 01:07:57,320 --> 01:08:01,160 WITH ALL HER CHARMS REVEALED TO VIEW. 813 01:08:01,240 --> 01:08:03,680 LOOKED LIKE SOMETHING FROM OUT IN A DREAM. 814 01:08:03,760 --> 01:08:07,280 FIRST FEMALE WOMAN BILL'S EVER SEEN. 815 01:08:07,360 --> 01:08:09,200 [WOLF WHISTLE] 816 01:08:09,280 --> 01:08:11,840 - SHE WAS STRANGE. - UNUSUAL! 817 01:08:11,920 --> 01:08:15,760 YEAH, BUT POWERFUL STIMULATING. 818 01:08:15,840 --> 01:08:20,000 LIKE A SLUG OF RYE ON AN EMPTY STOMACH. 819 01:08:20,080 --> 01:08:22,200 GAVE HIM A RIGHT PECULIAR FEELING, 820 01:08:22,280 --> 01:08:24,480 SET HIS SENSES PLUM TO REELIN'. 821 01:08:24,560 --> 01:08:26,720 WITH A POUNDING SOUND INSIDE HIS EARS, 822 01:08:26,800 --> 01:08:28,960 LIKE THE GALLOPING HOOVES OF A THOUSAND STEERS. 823 01:08:29,040 --> 01:08:31,400 INSIDE HIS CHEST WAS A-SEETHIN' AND A-CHURNIN', 824 01:08:31,480 --> 01:08:33,480 HIS BLOOD WAS BOILIN', HIS BRAIN WAS BURNIN'. 825 01:08:33,560 --> 01:08:36,400 BURNIN' WITH A FIRE THAT COULD ONLY BE COOLED... 826 01:08:36,480 --> 01:08:39,080 ♪ IN THE BECKONING DEPTHS ♪ 827 01:08:39,160 --> 01:08:43,880 ♪ OF TWO BLUE LIMPID POOLS ♪ 828 01:08:58,000 --> 01:09:01,760 YEP. L'AMOUR HAD COME TO PECOS BILL. 829 01:09:01,840 --> 01:09:03,840 [WHOOPING] 830 01:09:10,200 --> 01:09:12,720 WIDOW MAKER WAS PLUM PUZZLED. 831 01:09:12,800 --> 01:09:14,880 LOOKED LIKE TROUBLE TO HIM. 832 01:09:14,960 --> 01:09:17,760 AND HE SURE WAS RIGHT. 833 01:09:21,600 --> 01:09:26,000 BILL WAS BUSY INVENTING COURTIN', WESTERN-STYLE. 834 01:09:27,040 --> 01:09:31,000 ♪ HE ARRANGED FOR THE MOON ♪ 835 01:09:31,080 --> 01:09:35,040 ♪ TO RISE JUST RIGHT ♪ 836 01:09:35,120 --> 01:09:37,880 ♪ AND FLOOD THE LAND ♪ 837 01:09:37,960 --> 01:09:42,800 ♪ WITH A SILVERY LIGHT ♪ 838 01:09:42,880 --> 01:09:50,320 ♪ ORDERED THE STARS IN HEAVEN ABOVE ♪ 839 01:09:50,400 --> 01:09:57,000 ♪ TO FORM A TOKEN OF UNDYING LOVE ♪ 840 01:09:58,000 --> 01:10:01,480 ♪ THEN CROSS THE SKY ♪ 841 01:10:01,560 --> 01:10:05,800 ♪ IN WORDS OF FIRE ♪ 842 01:10:05,880 --> 01:10:08,960 ♪ BILL TOLD SWEET SUE ♪ 843 01:10:09,040 --> 01:10:14,120 ♪ OF HIS OWN HEART'S DESIRE ♪ 844 01:10:15,080 --> 01:10:19,520 ♪ SWEET SUE ♪ 845 01:10:19,600 --> 01:10:24,280 ♪ I LOVE YOU ♪ 846 01:10:28,520 --> 01:10:31,320 SO, SUE NAMED THE WEDDING DAY. 847 01:10:31,400 --> 01:10:33,920 BUT THERE WAS A PRICE BILL HAD TO PAY. 848 01:10:34,040 --> 01:10:36,920 SUE WANTED A BUSTLE, THE FINEST OF COURSE. 849 01:10:37,000 --> 01:10:40,600 SHE AIMED TO BE WEDDED RIDING BILL'S HORSE. 850 01:10:40,680 --> 01:10:43,840 SUE GOT HER BUSTLE AND IT SURE WAS CLASSY. 851 01:10:43,920 --> 01:10:47,080 PUT THE FINISHING TOUCH ON THAT SWEET GAL'S CHASSIS. 852 01:10:49,640 --> 01:10:52,080 THAT THERE HAPPY BLUSHING BRIDE 853 01:10:52,160 --> 01:10:54,400 WAS BUSTING OUT WITH GIRLISH PRIDE. 854 01:10:54,520 --> 01:10:57,600 [WOLF WHISTLES] 855 01:10:57,680 --> 01:11:01,440 BUT BILL HAD PROMISED SUE A RIDE ON WIDOW MAKER TOO. 856 01:11:01,520 --> 01:11:03,880 WOULD THAT HORSE BE WILLING TO LET SUE RIDE? 857 01:11:03,960 --> 01:11:07,480 HERE COMES THE ANSWER, FIT TO BE TIED. 858 01:11:07,560 --> 01:11:09,760 WIDOW MAKER WAS PLUM IRRITATED. 859 01:11:09,840 --> 01:11:12,960 BUT THAT DIDN'T BOTHER SUE NONE. 860 01:11:13,040 --> 01:11:15,120 SHE WALKED RIGHT UP TO THAT CRITTER'S SIDE. 861 01:11:15,200 --> 01:11:17,680 HER GENTLE HAND TOUCHED HIS BRISTLIN' HIDE. 862 01:11:17,760 --> 01:11:19,960 HER FOOT FOUND THE STIRRUP WITH THE FLICK OF HER BUSTLE. 863 01:11:20,040 --> 01:11:23,480 SUE WAS ABOARD, AND SAT FOR THE TUSSLE. 864 01:11:23,560 --> 01:11:25,800 THE PROCEEDINGS BEGUN TO COMMENCE. 865 01:11:25,880 --> 01:11:27,360 FORTHWITH. 866 01:11:43,720 --> 01:11:46,560 NO DOUBT ABOUT IT, THAT THERE SUE 867 01:11:46,640 --> 01:11:49,000 WAS A REGULAR FEMALE BUCKAROO. 868 01:11:58,240 --> 01:12:00,960 AND THEN, THAT BUSTLE. 869 01:12:02,440 --> 01:12:05,200 UNDERNEATH THEM FRILLS AND FLOUNCES, 870 01:12:05,280 --> 01:12:07,760 SUE WAS DEVELOPIN' PLENTY OF BOUNCES. 871 01:12:07,840 --> 01:12:10,200 GOT TO BE MORE THAN THAT GAL COULD HANDLE. 872 01:12:10,280 --> 01:12:14,080 AND SUE TOOK OFF LIKE A ROMAN CANDLE. 873 01:12:25,000 --> 01:12:28,440 THAT DEVILISH CONTRAPTION OF STEEL AND WIRE, 874 01:12:28,520 --> 01:12:31,200 KEPT BOUNCING THAT POOR GAL HIGHER AND HIGHER. 875 01:12:31,280 --> 01:12:33,680 AND SOON IT WAS PLAIN TO THE MULTITUDE 876 01:12:33,760 --> 01:12:36,160 THAT SUE WAS GAININ' ALTITUDE. 877 01:12:36,240 --> 01:12:38,760 SURE LOOKED LIKE SHE WAS A GONER. 878 01:12:38,840 --> 01:12:41,760 BUT NO, HERE COME A RAY OF HOPE. 879 01:12:41,840 --> 01:12:45,760 LOOK, IT WERE BILL AND HIS TRUSTY ROPE. 880 01:12:45,840 --> 01:12:48,760 HE DONE SOON PUT A STOP TO THIS. 881 01:12:48,840 --> 01:12:52,240 SHUCKS, BILL WAS NEVER KNOWED TO MISS. 882 01:12:52,320 --> 01:12:56,760 BILL WAS CALM, CONFIDENT. 883 01:12:56,840 --> 01:12:58,920 HE BUILT HIS LOOP WITH CARELESS EASE. 884 01:12:59,000 --> 01:13:03,600 HE JUDGED HIS DISTANCE, TESTED THE BREEZE. 885 01:13:03,680 --> 01:13:06,320 THEN A WHIRL AND A TWIRL AND A TWIST OF THE WRIST. 886 01:13:06,400 --> 01:13:08,320 HE LET HER GO. 887 01:13:10,920 --> 01:13:13,040 BUT THE CHAMPION MISSED. 888 01:13:14,480 --> 01:13:19,160 HOW IT COME TO HAPPEN, NOBODY COULD EVER FIGURE OUT. 889 01:13:24,080 --> 01:13:26,560 SHE WAS OFF AGAIN ON HER HEAVENLY FLIGHT. 890 01:13:29,680 --> 01:13:31,440 UP, UP SHE WENT CLEAN OUT OF SIGHT. 891 01:13:31,520 --> 01:13:35,160 TILL FAR INTO SPACE THIS UNFORTUNATE MAID 892 01:13:35,240 --> 01:13:38,280 FINALLY COME TO THE MOON. 893 01:13:38,360 --> 01:13:41,680 AND THAT'S WHERE SHE STAYED. 894 01:13:41,760 --> 01:13:44,320 IN THE STATE OF TEXAS, USA, 895 01:13:44,440 --> 01:13:48,400 LIFE STILL GOES ON IN THE SAME OLD WAY. 896 01:13:48,480 --> 01:13:51,280 AND THE PECOS RIVER STILL FLOWS ON, 897 01:13:51,360 --> 01:13:56,000 BUT THE GREATEST COWBOY ON EARTH IS GONE. 898 01:13:56,080 --> 01:13:59,440 YEAH, BILL WENT BACK TO THE COYOTES. 899 01:13:59,520 --> 01:14:01,800 BUT HE NEVER FORGOT SUE. 900 01:14:01,920 --> 01:14:04,480 AND EVERY NIGHT WHEN THE MOON ROSE HIGH, 901 01:14:04,560 --> 01:14:07,520 HE'D LIFT HIS VOICE IN MOURNFUL CRY. 902 01:14:07,600 --> 01:14:10,240 BEWAILING THE FATE OF HIS LADY FAIR, 903 01:14:10,320 --> 01:14:14,240 HIS LONG LOST LOVE IN THE SKY UP THERE. 904 01:14:14,320 --> 01:14:16,800 SO PAINFUL WAS HIS GRIEF TO SEE, 905 01:14:16,880 --> 01:14:20,200 THE VARMINTS JOINED IN OUT OF SYMPATHY. 906 01:14:20,280 --> 01:14:23,720 AND THAT'S HOW COME, TO THIS VERY DAY, 907 01:14:23,800 --> 01:14:26,880 COYOTES HOWL AT THE MOON THAT WAY. 908 01:14:26,960 --> 01:14:28,520 ♪ MOVE ALONG ♪ 909 01:14:28,600 --> 01:14:32,120 ♪ MOVE ALONG, BLUE SHADOWS ♪ 910 01:14:32,240 --> 01:14:33,760 ♪ MOVE ALONG ♪ 911 01:14:33,840 --> 01:14:37,240 ♪ MOVE ALONG, MOVE ALONG, MOVE ALONG ♪ 912 01:14:37,320 --> 01:14:40,840 ♪ SOON THE DAWN WILL COME ♪ 913 01:14:40,920 --> 01:14:45,080 ♪ AND YOU'LL BE ON YOUR WAY ♪ 914 01:14:45,160 --> 01:14:48,280 ♪ ON YOUR WAY ♪ 915 01:14:48,360 --> 01:14:52,880 ♪ BUT UNTIL THE DARKNESS ♪ 916 01:14:52,960 --> 01:14:58,200 ♪ SHEDS ITS VEIL ♪ 917 01:14:58,280 --> 01:15:03,560 ♪ THERE'LL BE BLUE SHADOWS ♪ 918 01:15:03,640 --> 01:15:07,040 ♪ ON THE TRAIL ♪ 919 01:15:08,200 --> 01:15:13,680 ♪ SHADOWS ON THE TRAIL ♪ 920 01:15:14,320 --> 01:15:17,760 [HOWLING] 69974