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[♪]
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[♪]
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♪ "L" IS FOR THE WAYYOU LOOK AT ME ♪
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♪ "O" IS FOR THE ONLY ONEI SEE ♪
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♪ "L" IS FOR THE WAYYOU LOOK AT ME ♪♪ "V" ISVERY, VERY EXTRAORDINARY ♪
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♪ "O♪ "E" IS EVEN MOREONETHAN ANYONE THAT YOU ADORE CAN ♪
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♪ LOVE IS ALLTHAT I CAN GIVE TO YOU ♪
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♪ LOVE IS MORE THANJUST A GAME FOR TWO ♪
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♪ TWO IN LOVE CAN MAKE IT ♪
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♪ TAKE MY HEARTAND PLEASE DON'T BREAK IT ♪
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♪ LOVE WAS MADE FOR ME AND YOU ♪
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[♪]
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[♪]
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♪ "L" IS FOR THE WAYYOU LOOK AT ME ♪
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♪ "O" IS FOR THE ONLY ONE... ♪
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I DON'T WANNAGO BACK TO NEW YORK.
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♪ "O" IS FOR THE ONIT'S GONE BYTOO FAST.
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MAYBE I DON'T.NAGO BACK TO NEW YORK.
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MAYBE I STAY HERE AND PAINT.
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NO, NO, NO,WE HAVE A PLAN, REMEMBER?
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IT JUST FEELS LIKE GOODBYE.
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NO, NO GOODBYES.
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LOOK, IT'LL JUST BEA FEW MONTHS.
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YOU HAVE TO FINISH SCHOOL.
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LOOK, IT'LL JUST BEI HAVE TO FINISH WORK.
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HAVE YOU TOLD YOUR FATHERYOU'RE QUITTING?
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I WILL.
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HEY, WE'LL BE BACK TOGETHERBY VALENTINE'S DAY.
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TOP OFTHE EMPIRE STATE BUILDING?
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DOESN'T SOUNDQUITE AS ROMANTIC
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AS THE TOP OFTHE EIFFEL TOWER,
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BUT IT WILL HAVE TO DO.
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WE'LL LOCK ITON THE BRIDGE,
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AND OUR LOVEWILL LAST FOREVER.
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FOREVER?
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FOREVER.
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[SIGHS] FOREVER...
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OKAY.
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WITH THIS LOCK, I THEE--
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WHOA!
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YOU DID THAT ON PURPOSE.
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NO, NO, NO,THAT WAS YOUR FAULT.
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YOU-YOU GRABBED FOR IT.
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[♪]
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THANK YOU.
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GOOD MORNING, MAGGIE.
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MORNING, LINDSEY.
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FIRST CUP OF COFFEE?
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THIRD.
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HOW ARE WE DOINGWITH THE VALENTINE ISSUE?
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YOU JUST NEEDTO PICK A COVER.
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NOT THE CUPID.
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THE LAST THINGI WANT TO THINK ABOUT
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IS A CHUBBY TODDLERCOMING AT ME WITH A WEAPON.
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HMM, SUCH A ROMANTIC.
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NOT THAT ONE.
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SPEAKING OF WHICH,MANTIC.
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TRENT GREER'SIN YOUR OFFICE.
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WHAT?
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SORRY, HE'S A REALLYHARD GUY TO SAY NO TO.
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WHAT'S HE DOING HERE?
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WHO CARES?HE'S GORGEOUS.
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NOW, DO SOMETHINGWITH YOUR HAIR.
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WHAT'S WRONGWITH MY HAIR?
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YOU COULD TRY WEARING ITDOWN SOMETIMES.
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[SIGHS] DON'T YOU HAVESOMETHING TO DO?
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[LAUGHS]
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TRENT...
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HEY...
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WHAT A SURPRISE.T...
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OH, YEAH? GOOD OR BAD?
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GOOD. GOOD...
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GOOD. GOOD...
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UM, ACTUALLY, I WANTEDTO CATCH YOU BEFORE YOU LEFT,
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BECAUSE YOUR ASSISTANT SAID
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THAT YOU'RE GOINGTO PARIS TOMORROW
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WITH YOUR DAUGHTER.
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OH, DID SHE TELL YOU
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WHAT I HADFOR BREAKFAST AS WELL?
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OH, DID SHE TEFRENCH TOAST?
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GOD, I CAN'T BELIEVEYOU'RE OLD ENOUGH
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TO HAVE A DAUGHTER OLD ENOUGH
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TO BE IN COLLEGE.
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I AM ALSO OLD ENOUGH TO KNOWWHEN I'M BEING BUTTERED UP.
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ALL RIGHT.
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OKAY, HERE IT IS.
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I REALLY WANT TO TAKE YOU OUT.
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OH.
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YEAH, AND I WANTI REATO BUY YOUR MAGAZINE.OUT.
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OH.
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OKAY, NOW, WAS THATA "YES/YES,"
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A "YES/NO," OR A "NO/YES"?
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YES.
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AND NO.
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I-I DON'T KNOW...
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LET ME TELL YOUTHIS, LINDSEY,
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YOU'VE DONEAN INCREDIBLE JOB WITHPOV.
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IT IS-IT IS A UNIQUE MAGAZINE,
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YOU'VE DONE IT YOURSELF,ON A LIMITED BUDGET--
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THANK YOU?
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THE PROBLEM IS,THE READERSHIP'S MAXED OUT,
102
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AND IT DOES NOTHAVE TO BE LIKE THAT,
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AND I CAN HELP YOUTAKE IT TO THE NEXT LEVEL.
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YOU WANT TO BUY ME OUT.
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I WANT YOU TO STAY ONTO CONSULT.
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SO I'D BE WORKING FOR YOU.
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I WANT YOU TO STAY ONTO CONSULWITH ME.
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YOU KNOW, TRENT,THE THING IS,KING FOR YOU.
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I'VE KIND OF BECOMEUSED TO BEING MY OWN BOSS.
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I DO GET THAT.
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I'VE KIND OF BECOMEUSED TO BEING BELIEVE ME..
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WHEN I OPENED MY FIRSTPUBLISHING HOUSE,THAT.
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THE LAST THING ON MY MINDWAS SELLING IT,
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BUT I DID.
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I DID, AND I BUILT SOMETHINGBIGGER AND BETTER
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THAN I EVER IMAGINED.
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SO, DO ME A FAVOR.
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WHILE YOU'RE TRAVELING,
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JUST THINK ABOUT IT.
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AND THE OTHER "IT," TOO.
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I WILL.
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AND I WILL.
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GREAT..
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AND, ONE OTHER THING,
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UM, I'M ACTUALLY GOINGTO BE IN LONDON NEXT WEEK,
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AND IT'S A SHORT FLIGHTTO PARIS.
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I'D LOVE THE CHANCETO SHOW YOU OUR PARIS OFFICE.
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WOW, YOU MUST REALLY WANTMY MAGAZINE.
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I'D LOVE THE CHANCETO SHOH, YEAH, THAT TOO.FICE.
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TELL ME HE'S NOTTHE BEST-LOOKING GUY
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YOU'VE EVER SEEN.
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[SIGHS] LOOKS HAVENOTHING TO DO WITH IT.
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WHAT'S WRONG?
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HE WANTS TO BUYTHE MAGAZINE.
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SERIOUSLY?
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HE WANTS TO BUYTHE MAGAZINE.WHAT DID YOU SAY?
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I WANTED TO SAY "NO,"BUT SOMEHOW I DIDN'T?
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HMM, I'M PRETTY SUREHE HAS THAT EFFECT
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ON EVERYONE.
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WOULD IT BESO BAD TO SELL?
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I'M SAYING GOODBYETO MY DAUGHTER,ON EVERYONE.
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I DON'T WANT TO SAY GOODBYETO MY BUSINESS, TOO.
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I KNOW, IT'S JUST...
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HE'S JUST SO GORGEOUS.
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[LAUGHS] MAGGIE, THAT'SALL YOU CAN THINK ABOUT.
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LET'S FINISH UPTHIS LAYOUT.
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THAT'S GREAT.
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REALLY GREAT.
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YOU PACKED YET?
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TONIGHT.REAT.
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THROW IN SOMETHING SEXY.
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[CHUCKLES] WHY?
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YOU'RE GOINGTO PARIS, GIRL,
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NOT NEW JERSEY.
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[SIGHS] ALL RIGHT.
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THIS LOOKS GOOD, JERSEY.
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EXCEPT MOVE THE GAUCHER[SIGHS] ATO THE CENTER,
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AND INCREASE IT TO 5X7.SEY.
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OH, AND ALSO,INCREASE THE OPACITY
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SO WE'RE SEEING THE TITLES.
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YEAH, LIKE THAT.
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[ZIPPING SUITCASE]
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HI, MOM!
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'LEX? YOU'RE EARLY!
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YEAH, I CAUGHT A RIDEWITH A GUY FROM SCHOOL!
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WHAT GUY?
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UH, SOME GUY WHO'S NAME I FOUNDON THE RIDE BOARD IN MY DORM.
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YOU DROVEALL THE WAY FROM CONNECTICUT
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WITH A TOTAL STRANGER?
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AND TWO OTHER FRIENDS.
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SO THE THREE OF YOU DROVEFROM CONNECTICUT
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WITH A TOTALSTRANGER.
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MOM, YOU AREHELICOPTERING AGAIN.
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WITH A TOTALSTRANGER.YOU'RE RIGHT.
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ENGINE'S OFF.
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[SQUEALS IN DELIGHT]
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HEY! I REMEMBER THAT.
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IT USED TO BE IN THE HALLWAY.
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YEAH, WE HAVE BETTER TASTE NOW.
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IT USED NO, WE DON'T.HALLWAY.
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YOU SHOULD PUT IT UP AGAIN.
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IT'S TOO BIG.
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YOU WERE SO GOOD.WHY DID YOU STOP?
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HMM, I GUESSMY FINE ARTS DEGREE
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TAUGHT ME THE FINE ARTOF UNEMPLOYMENT.
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HMM, I GUESSMY F[CHUCKLES]EGREE
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MAYBE YOU'LL START AGAIN.
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NO, IT'S YOUR TURN, KIDDO.MY FYOU HUNGRY?GREE
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[TOGETHER]: PASTA?MAYBEALFREDO SAUCE?AGAIN.
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EXTRA CHEESE!
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I CAN'T WAIT FOR YOUTO MEET HUGO.
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ME EITHER.
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HE IS THE BEST TEACHER.
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BUT HE'S A LITTLE BITOF A MEDDLER,
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SO DON'T TELL HIM TOO MUCHABOUT YOUR SOCIAL LIFE.
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NOT THAT YOU'LL HAVE ONE,
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BECAUSE YOU'LL BETOO BUSY STUDYING.
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UH-HUH, RIGHT...
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TEN LETTER WORDFOR "SOULMATE"?
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"DELUSIONAL?"
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YOU'RE TERRIBLE.
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OR REALISTIC.
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WHY SHOULD THERE BEONLY ONE PERSON FOR EVERYONE?
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BUT WHAT IFTHERE IS?
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HONEY, REMEMBERWHEN I HAD TO TELL YOU
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THERE WAS NO TOOTH FAIRY?
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WELL, BRACE YOURSELF.
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OKAY, JUST BECAUSE YOU WERERIGHT ABOUT THE TOOTH FAIRY
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DOESN'T MEANYOU'RE RIGHT ABOUT THIS.
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[CELL PHONE RINGS]
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IT'S DAD.
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SEE? PROOF POSITIVE.
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HI, DAD.
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YES, I'LL BE CAREFUL.
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YES, I HAVE MY PASSPORT.
216
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OKAY, UM... SAY HI TO JANE.
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OKAY, LOVE YOU, TOO.
218
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YEAH, BYE.
219
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OKAY,WHO'S JANE?TOO.
220
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UM...
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DAD AND MARCIE SEPARATED,
222
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SO IT LOOKS LIKE HE'S HEADINGFOR NUMBER THREE.
223
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OH, I'M SORRY TO HEAR THAT.
224
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AND YOU SHOULDN'T REFERTO YOUR DAD'S WIVES
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AS NUMBERS.
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AT LEAST YOU'RESTILL NUMBER ONE.
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[UNENTHUSIASTICALLY] YAY.
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YOU KNOW WHATI LOOK FORWARD TO?
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THE DAY THAT I GET TO TELL DAD
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THAT YOU ARE SEEINGSOMEONE ELSE.
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I'M MORE CONCERNED WITH WORK,YOU KNOW THAT.
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YES, THAT'S WHATYOU ALWAYS SAY.
233
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ACTUALLY,
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SOMEONE WANTS TO BUYPOV.
235
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ACTUALLY, NOT JUST SOMEONE.
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TRENT GREER.
237
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THE PUBLISHING GUY?
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YEAH.
239
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THETHAT'S GREAT.UY?
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IT WOULD BE,YEAH.IF I WAS SELLING.
241
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WOULD THAT BE SUCH A BAD THING?
242
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IT'S WHAT I DO EVERY DAY.
243
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IT'S... WHO I AM.
244
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WHY WOULD I SELL MY LIFE?
245
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WHAT LIFE?YOU WORK ALL THE TIME, AND...
246
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I MEAN,I LOVE THE MAGAZINE, BUT...
247
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WHAT LIIT'S KIND OFTHE ONLY RELATIONSHIP YOU HAVE.
248
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I HAVE YOU.
249
00:10:13,857 --> 00:10:14,692
OKAY...
250
00:10:14,692 --> 00:10:16,360
WHEN'S THE LAST TIMEYOU WENT OUT?
251
00:10:16,360 --> 00:10:17,486
AND NOT FOR SOMETHINGBUSINESS-Y.
252
00:10:17,528 --> 00:10:19,863
NOT THAT LONG AGO.
253
00:10:19,863 --> 00:10:20,864
I DON'T THINK.
254
00:10:20,864 --> 00:10:21,824
[SCOFFS]
255
00:10:21,866 --> 00:10:25,328
CAN YOU BELIEVEYOU'RE ABOUT TO GO TO PARIS
256
00:10:25,369 --> 00:10:26,204
FOR THREE MONTHS?
257
00:10:26,204 --> 00:10:27,997
MM-HMM, NICE PIVOT.
258
00:10:27,997 --> 00:10:30,666
HELICOPTERS PIVOT, RIGHT?
259
00:10:30,708 --> 00:10:32,961
MMAND I CAN'T WAIT.
260
00:10:34,045 --> 00:10:35,046
[TOGETHER]: DONE!
261
00:10:35,046 --> 00:10:36,130
[LAUGHING]
262
00:10:37,841 --> 00:10:41,802
[♪]
263
00:11:11,582 --> 00:11:13,126
PLACE DE LA CONCORDE!
264
00:11:13,167 --> 00:11:14,794
[SQUEALS IN EXCITEMENT]
265
00:11:14,794 --> 00:11:16,921
WAIT TILL YOU SEE ITWITH ALL THE LIGHTS.
266
00:11:21,050 --> 00:11:22,260
MOM, LOOK, IT'S[SQUEALS ITHE EIFFEL TOWER!
267
00:11:22,260 --> 00:11:23,219
WE HAVE TO GO.
268
00:11:23,261 --> 00:11:24,345
WE WILL.
269
00:11:25,513 --> 00:11:26,555
HAVE YOU EVERBEEN TO THE TOP?
270
00:11:27,473 --> 00:11:28,850
JUST ONCE.
271
00:11:28,850 --> 00:11:31,185
I CAN'T BELIEVEYOU NEVER CAME BACK.
272
00:11:31,227 --> 00:11:32,270
WELL, I AM NOW.
273
00:11:32,270 --> 00:11:34,773
[♪]
274
00:11:53,207 --> 00:11:54,542
BIENVENUEWELL, I AM NOA PIERRE DU CALVET.
275
00:11:54,583 --> 00:11:55,710
THANK YOU.
276
00:11:55,752 --> 00:11:57,128
WOW.
277
00:11:57,128 --> 00:11:59,130
I GUESS THIS IS US.
278
00:11:59,130 --> 00:12:00,298
IT'S SO US!WOW.
279
00:12:00,298 --> 00:12:01,215
IT'S PERFECT!S THIS IS US.
280
00:12:01,215 --> 00:12:03,134
OF COURSE IT IS,IT'S SO US!WOHUGO PICKED IT.
281
00:12:03,134 --> 00:12:04,468
I LIKE HIM ALREADY. IS US.
282
00:12:04,468 --> 00:12:06,846
WELCOME TO PARIS.
283
00:12:08,222 --> 00:12:09,098
MERCI.
284
00:12:13,186 --> 00:12:14,646
[QUIETLY]I MEAN, REALLY?
285
00:12:14,688 --> 00:12:16,605
ALREADY?WE JUST LANDED.
286
00:12:22,445 --> 00:12:24,072
[♪]
287
00:12:24,113 --> 00:12:25,990
[GASPING IN AWE]
288
00:12:29,327 --> 00:12:30,286
BONJOUR.
289
00:12:30,328 --> 00:12:31,162
BONJOUR.
290
00:12:31,162 --> 00:12:32,205
BIENVENUE A L'HOTELPIERRE DU CALVET.
291
00:12:32,246 --> 00:12:33,456
MERCI, QUEL BEL HOTEL.
292
00:12:33,497 --> 00:12:34,332
MERCI.
293
00:12:34,373 --> 00:12:36,417
NOUS AVONS UNE RESERVATIONAU NOM DE WILSON,
294
00:12:36,459 --> 00:12:37,669
S'IL VOUS PLAIT?
295
00:12:37,711 --> 00:12:38,544
IMPRESSIVE.
296
00:12:38,587 --> 00:12:39,713
WHY IS YOUR FRENCHBETTER THAN MINE?
297
00:12:39,754 --> 00:12:41,923
MAYBE BECAUSE YOU STOPPEDIN THE 12TH GRADE?
298
00:12:41,965 --> 00:12:42,757
NOT TO WORRY.
299
00:12:42,799 --> 00:12:44,425
OUR STAFFSPEAKS ENGLISH.
300
00:12:44,425 --> 00:12:46,636
YES. YOUR FRIEND,MONSIEUR HUGO,
301
00:12:46,678 --> 00:12:48,763
OUR STAFFHAD YOU UPGRADED TO A SUITE.H.
302
00:12:48,805 --> 00:12:50,765
HOW NICE. THANK YOU.
303
00:12:50,807 --> 00:12:51,766
UNFORTUNATELY,
304
00:12:51,808 --> 00:12:53,142
IT WON'T BE READYFOR A FEW HOURS.
305
00:12:53,184 --> 00:12:56,354
OH, WE DON'T NEED A ROOM,WE'RE IN PARIS!
306
00:12:59,357 --> 00:13:01,776
PAS DE PROBLEME.
307
00:13:02,694 --> 00:13:03,737
HEY, WHERE TO FIRST?
308
00:13:03,737 --> 00:13:05,697
ARC DE TRIOMPHE,PLACE DE LA CONCORDE...
309
00:13:05,739 --> 00:13:06,865
THE LOUVRE?HEY, WHERE TO FIRST?
310
00:13:06,865 --> 00:13:08,617
OR WE COULD SAVE THE LOUVREFOR OUR LAST DAY TOGETHER?
311
00:13:08,617 --> 00:13:10,994
AH! CAN YOU PLEASENOT USE THE PHRASE
312
00:13:11,035 --> 00:13:12,203
OR WE COULD SAVE THE LOUVRE"LAST DAY TOGETHER"?Y TOGETHER?
313
00:13:12,245 --> 00:13:13,121
YOU'RE NOT ALLOWEDTO BE SAD YET.
314
00:13:13,121 --> 00:13:14,623
WE HAVE ALMOSTA WEEK LEFT.
315
00:13:14,623 --> 00:13:18,084
FOUR DAYS.YOU'RE NOT ALLOWED96 HOURS AND COUNTING.D YET.
316
00:13:18,126 --> 00:13:20,253
YEAH, WE CAN DOMOSTA LOT IN FOUR DAYS.
317
00:13:20,294 --> 00:13:23,131
WE SHOULD GO TOTHE "LOVE LOCKS" BRIDGE.
318
00:13:23,131 --> 00:13:25,592
IT'S SUPPOSED TO BESO ROMANTIC.
319
00:13:25,634 --> 00:13:26,801
WE SHOULD GO TOIT'S JUST A BRIDGE.OCKS" BRIDGE.
320
00:13:26,843 --> 00:13:28,136
WITH LOCKS.
321
00:13:28,177 --> 00:13:29,220
YEAH, BUT THOSE LOCKS
322
00:13:29,220 --> 00:13:31,723
ARE PEOPLE PLEDGINGTHEIR LOVE FOR EACH OTHER.
323
00:13:31,723 --> 00:13:32,724
[LAUGHS] YEAH,
324
00:13:32,766 --> 00:13:33,725
AND HOW MANYOPLE PLEDGINGOF THOSE PEOPLEE FOR EACH OTHER.
325
00:13:33,767 --> 00:13:35,018
ARE STILLTOGETHER TODAY?
326
00:13:35,059 --> 00:13:37,353
ALL OF THEM,IN SOME WAY.
327
00:13:37,395 --> 00:13:39,564
[LAUGHS] YOU'RESUCH A ROMANTIC.
328
00:13:39,606 --> 00:13:40,398
YEAH, WELL,
329
00:13:40,440 --> 00:13:41,399
EVERYONE'S SUPPOSEDTO FALL IN LOVE
330
00:13:41,399 --> 00:13:42,609
IN PARIS, RIGHT?
331
00:13:42,609 --> 00:13:43,401
EVERYONE'S SUPPOSEDYEAH.TO FALL IN LOVE
332
00:13:43,401 --> 00:13:45,487
UNTIL THEY GO BACKTO THEIR REAL LIVES.ARIS, RIGHT?
333
00:13:49,407 --> 00:13:53,745
[♪]
334
00:14:01,085 --> 00:14:02,336
[KNOCKING ON DOOR]
335
00:14:02,378 --> 00:14:04,088
C'EST OUVERT!
336
00:14:05,048 --> 00:14:05,965
BONJOUR, RICARDO!
337
00:14:06,007 --> 00:14:06,966
PUT THE PAINT ANYWHERE,
338
00:14:07,008 --> 00:14:09,052
JUST DON'T MAKE A MESSLIKE THE LAST--
339
00:14:09,093 --> 00:14:10,344
CHARMING AS EVER.
340
00:14:10,387 --> 00:14:11,388
[CHUCKLING IN DELIGHT]
341
00:14:11,430 --> 00:14:12,931
-HUGO...-LINDSEY...
342
00:14:14,098 --> 00:14:14,933
MON COEUR.
343
00:14:14,933 --> 00:14:16,435
ALEXA!
344
00:14:18,144 --> 00:14:19,228
MY NEW PROTEGEE.
345
00:14:19,270 --> 00:14:20,188
OH, "PROTEGEE".
346
00:14:20,229 --> 00:14:21,940
NOW I CAN ONLYDISAPPOINT YOU.
347
00:14:21,981 --> 00:14:23,066
OH, WELL, YOU'LLONLY DISAPPOINT ME
348
00:14:23,107 --> 00:14:24,943
IF YOU STOP PAINTING,LIKE YOUR MOTHER.
349
00:14:24,943 --> 00:14:26,736
I JUST TOOK A LITTLETIME OFF, THAT'S ALL.
350
00:14:26,778 --> 00:14:27,571
IF YOU STOP PAINTING,LIKE YWHAT, 20 YEARS?
351
00:14:27,571 --> 00:14:28,905
I PAINTED MY APARTMENT.
352
00:14:28,905 --> 00:14:30,740
IF YOU STOP PAINTING,NAVAJO WHITE, ECRU TRIM.0 YEARS?
353
00:14:30,782 --> 00:14:32,116
I POH, ECRU, ECRU...NT.
354
00:14:32,116 --> 00:14:33,618
YOU HAVE LEARNEDNOTHING FROM ME, HUH?
355
00:14:33,660 --> 00:14:35,119
IT'S LIVABLE,AND NEUTRAL.
356
00:14:35,119 --> 00:14:35,954
NEUTRAL?
357
00:14:35,954 --> 00:14:37,706
NEUTRAL ISTHE COLOR OF THE CANVAS
358
00:14:37,747 --> 00:14:39,123
BEFORE YOUPUT ON THE PAINT.
359
00:14:39,165 --> 00:14:40,334
I COULDN'TAGREE MORE.
360
00:14:40,375 --> 00:14:42,586
AND THANK YOU FOR RECOMMENDINGME TO THE PROGRAM.
361
00:14:42,627 --> 00:14:43,462
OH, WELL,I PROMISE YOU
362
00:14:43,462 --> 00:14:44,838
YOU WILL LOVETHE UNIVERSITY,
363
00:14:44,879 --> 00:14:46,130
AND MY CLASSWILL BE YOUR FAVORITE.
364
00:14:46,172 --> 00:14:47,215
[LAUGHING]
365
00:14:47,215 --> 00:14:48,800
AND UNTIL YOU MOVEINTO THE DORMS,
366
00:14:48,800 --> 00:14:51,970
I HOPE THAT THE HOTELACCOMMODATIONS ARE GOOD?
367
00:14:51,970 --> 00:14:52,846
WE LOVE IT.
368
00:14:52,887 --> 00:14:53,930
AND THANK YOUFOR THE UPGRADE.
369
00:14:53,972 --> 00:14:54,848
WHO DID YOU BRIBE?
370
00:14:54,848 --> 00:14:56,475
WELL, I AM A FRIENDOF THE MANAGER.
371
00:14:56,475 --> 00:14:57,476
SAME OLD HUGO.IBE?
372
00:14:57,517 --> 00:14:58,560
WELL, I AM A FRIENDYOU KNOW HALF OF PARIS.AGER.
373
00:14:58,560 --> 00:15:00,520
WELL, HOW ELSESHALL I SELL MY WORK?
374
00:15:00,520 --> 00:15:01,480
WELL, I AM A FRIENDYOU KNOW HALF OFWOW.IS.AGER.
375
00:15:01,521 --> 00:15:03,231
WELL, HOW EIS IT POSSIBLESHALL I SELYOU'VE GOTTEN BETTER?
376
00:15:03,273 --> 00:15:04,566
WELL, I'M LIKE A FINE WINE.
377
00:15:04,608 --> 00:15:06,318
THIS IS AMAZING!
378
00:15:06,360 --> 00:15:08,320
HERE, COME,I'LL SHOW YOU.
379
00:15:09,696 --> 00:15:11,281
HOW ABOUT THIS ONE?
380
00:15:14,158 --> 00:15:16,620
THE LOVE LOCKS BRIDGE.
381
00:15:16,661 --> 00:15:18,455
IT'S BEAUTIFUL.
382
00:15:18,455 --> 00:15:19,664
WHY ISN'T IT FINISHED?
383
00:15:19,664 --> 00:15:21,250
WELL, ASK YOUR MOTHER.L.
384
00:15:22,208 --> 00:15:23,126
THIS IS YOURS?
385
00:15:23,167 --> 00:15:24,336
I CAN'T BELIEVEYOU KEPT IT.
386
00:15:24,378 --> 00:15:26,087
WELL, THIS COULD BEYOUR BEST WORK,
387
00:15:26,129 --> 00:15:27,005
IF YOU FINISHED.
388
00:15:27,005 --> 00:15:28,673
SOME THINGS ARE BETTER OFFLEFT UNFINISHED.
389
00:15:28,673 --> 00:15:30,550
WELL, MAYBE YOU'LL FINISH ITWHILE YOU'RE HERE.
390
00:15:30,592 --> 00:15:31,635
DON'T COUNT ON IT.
391
00:15:31,676 --> 00:15:33,887
WE'LL SEE.
392
00:15:33,928 --> 00:15:35,514
SO, YOU'RE STAYINGFOR MY SHOW?
393
00:15:35,514 --> 00:15:36,681
WE WOULDN'T MISS IT.
394
00:15:36,681 --> 00:15:38,433
[♪]
395
00:15:44,022 --> 00:15:45,064
WHOA...
396
00:15:45,106 --> 00:15:46,608
[GASPING IN DELIGHT]
397
00:15:47,567 --> 00:15:49,528
I'M NEVER GOING TO BE ABLETO GO TO A DORM AFTER THIS.
398
00:15:49,569 --> 00:15:51,112
I'M NEVER GOING TO BE ABLETO GO BACK TO ANYTHING
399
00:15:51,154 --> 00:15:52,364
AFTER THIS.
400
00:15:53,698 --> 00:15:56,910
[♪]
401
00:15:58,162 --> 00:15:59,871
I THINKI'M ALREADY IN LOVE!
402
00:15:59,871 --> 00:16:01,748
[LAUGHING]
403
00:16:03,625 --> 00:16:04,584
I THINKI'M ALREADY INWHAT?!
404
00:16:05,544 --> 00:16:07,671
[♪]
405
00:16:24,646 --> 00:16:26,356
'LEX?
406
00:16:32,154 --> 00:16:34,073
'LEX?
407
00:16:35,740 --> 00:16:37,784
ALEXA?
408
00:16:47,836 --> 00:16:50,755
[ALEXA'S CELL PHONE RINGS]
409
00:16:58,430 --> 00:17:00,265
[SIGHS]
410
00:17:04,186 --> 00:17:06,855
I'VE ALWAYS WANTEDTO VISIT NEW YORK.
411
00:17:06,855 --> 00:17:08,732
I'VE ALWAYS WANTEDTO COME HERE.
412
00:17:08,732 --> 00:17:10,192
I'HOW LONGS WANTEDTOYOU ARE STAYING?
413
00:17:10,192 --> 00:17:12,194
FOR A SEMESTER,TEDAT THE SORBONNE.
414
00:17:12,194 --> 00:17:14,279
I'M THERE, TOO.S WANTEDTHIRD YEAR.E STAYING?
415
00:17:14,321 --> 00:17:15,530
FOR A SEMESTER,TEDAT OH, WHAT ARE YOU STUDYING?
416
00:17:15,572 --> 00:17:16,865
MATHEMATICS.YOU?
417
00:17:16,906 --> 00:17:17,907
ART.
418
00:17:17,949 --> 00:17:19,159
I LOVE ART.
419
00:17:19,201 --> 00:17:20,577
I LOVE MATH.
420
00:17:20,619 --> 00:17:21,786
REALLY?
421
00:17:21,786 --> 00:17:23,288
UH...
422
00:17:23,288 --> 00:17:26,959
I MEAN, I COULD.I COULD LOVE MATH.
423
00:17:26,959 --> 00:17:28,293
[LAUGHING]
424
00:17:28,335 --> 00:17:30,545
I MEAN, I COULD.I HAVE A DAY OFF TOMORROW.
425
00:17:30,587 --> 00:17:32,756
MAYBE I COULDSHOW YOU AROUND?
426
00:17:32,797 --> 00:17:33,715
OH, I'D LOVE THAT,
427
00:17:33,757 --> 00:17:34,967
BUT I'M GOING TO BE WITH MY MOM.
428
00:17:34,967 --> 00:17:37,677
SHE'S GOING THROUGHTHIS WHOLE EMPTY NEST THING.
429
00:17:37,719 --> 00:17:39,263
BUT I'M GOIEMPTY NEST?TH MY MOM.
430
00:17:39,304 --> 00:17:40,389
YOU MEAN, UM...
431
00:17:40,430 --> 00:17:41,848
COMME UN OISEAU?
432
00:17:41,890 --> 00:17:43,683
UH, LIKE A-A BIRD?
433
00:17:43,725 --> 00:17:48,813
UM, IT'S MORE LIKE A...LIKE A RAPTOR GUARDING AN EGG.
434
00:17:49,982 --> 00:17:51,816
I'M NOT SURE I UNDERSTAND.
435
00:17:51,816 --> 00:17:54,153
ME NEITHER, BUT...
436
00:17:54,153 --> 00:17:55,320
I LOVE HER.
437
00:17:55,320 --> 00:17:56,530
ME NE[LAUGHS]UT...
438
00:18:09,459 --> 00:18:11,253
[SIGHS HEAVILY]
439
00:18:11,295 --> 00:18:12,754
-EXCUSE ME.-YES?
440
00:18:12,754 --> 00:18:14,756
I SEEM TO HAVELOST MY DAUGHTER.
441
00:18:14,798 --> 00:18:16,425
-EXCUSE ME.[GASPS] OH, MY.
442
00:18:16,425 --> 00:18:18,593
WELL, HOW OLDIS THE CHILD?
443
00:18:18,635 --> 00:18:20,220
-EXCUSE MEACTUALLY...[GASPS] OH, 18.
444
00:18:20,220 --> 00:18:23,140
AH, WELL, NOT LOST THEN,JUST BEING 18.
445
00:18:23,140 --> 00:18:25,267
-EXCUSE MEACTUALLY...THAT'S WHAT I'M AFRAID OF.
446
00:18:25,309 --> 00:18:26,351
AH, WELL, NOT LOST THEN,JU[CHUCKLES]8.
447
00:18:26,393 --> 00:18:28,603
I DID SEE A YOUNG WOMANHEADING OUT TO THE COURTYARD
448
00:18:28,645 --> 00:18:30,355
WITH JEAN PAUL.
449
00:18:30,355 --> 00:18:32,357
JEAN PAUL?
450
00:18:32,357 --> 00:18:33,192
WITBELLHOP?AUL.
451
00:18:33,233 --> 00:18:34,693
YES, YES,I THINK HE DOES
452
00:18:34,693 --> 00:18:35,945
A LITTLE OF EVERYTHINGAROUND HERE.
453
00:18:35,986 --> 00:18:37,154
HE'S A LOVELY YOUNG MAN.
454
00:18:37,154 --> 00:18:38,738
-THANK YOU.-MM-HMM.
455
00:18:42,201 --> 00:18:44,036
HE'[LAUGHING TOGETHER]N.
456
00:18:44,036 --> 00:18:45,204
ALEXA?
457
00:18:45,204 --> 00:18:47,456
HI, MOM!
458
00:18:47,497 --> 00:18:48,874
THIS IS JEAN PAUL.
459
00:18:48,916 --> 00:18:49,749
MADAME,
460
00:18:49,792 --> 00:18:51,501
YOU NEED NOT TO WORRYABOUT YOUR NEST.
461
00:18:51,543 --> 00:18:53,337
MY WHAT?
462
00:18:53,378 --> 00:18:55,047
UH...
463
00:18:56,215 --> 00:18:58,550
ENJOY YOUR EVENING.
464
00:18:59,844 --> 00:19:01,345
AW, YOUSCARED HIM AWAY.
465
00:19:01,386 --> 00:19:02,763
PLEASE, IF HE SCARESTHAT EASILY,
466
00:19:02,805 --> 00:19:04,389
HE'S NOT FOR YOU.
467
00:19:04,389 --> 00:19:05,766
AND YOU KNOW THAT HOW?
468
00:19:05,808 --> 00:19:07,893
BECAUSE, SWEETIE,HE LIVES IN PARIS,
469
00:19:07,935 --> 00:19:09,478
AND CHANCES ARE,IF YOU START SOMETHING NOW,
470
00:19:09,519 --> 00:19:11,063
IT'LL ENDIN THREE MONTHS.
471
00:19:11,105 --> 00:19:13,398
END?IT HASN'T BEGUN.
472
00:19:13,440 --> 00:19:16,235
I KNOW YOU THINKI'M JUST YOUR MOM,
473
00:19:16,235 --> 00:19:17,903
BUT I WAS YOU ONCE.
474
00:19:17,903 --> 00:19:19,113
AND WHAT HAPPENS
475
00:19:19,154 --> 00:19:20,572
IF YOU FALL IN LOVEBUWITH JEAN PAUL?E.
476
00:19:20,614 --> 00:19:22,199
-I JUST MET HIM.-EXACTLY.
477
00:19:22,241 --> 00:19:24,409
THE SEMESTER WILL BE OVER,YOU'LL GO HOME,
478
00:19:24,451 --> 00:19:25,745
YOU'LL NEVER SEE HIM AGAIN,
479
00:19:25,786 --> 00:19:27,579
AND PARISWILL BE RUINED FOR YOU,
480
00:19:27,579 --> 00:19:29,664
AND ALL THIS EXCITEMENTYOU'RE FEELING RIGHT NOW,
481
00:19:29,664 --> 00:19:30,750
AND PIT'LL ALLWILL BE RUINBE RUINED, TOO,
482
00:19:30,750 --> 00:19:34,669
BECAUSE EVERYTHING WILLNTREMIND YOU OF HIM.HT NOW,
483
00:19:35,796 --> 00:19:37,547
AND PIT'LL ALLWILL BOKAY, LOOK,INED, TOO,
484
00:19:37,589 --> 00:19:39,258
I DON'T KNOW WHAT'S GOING ONWITH YOU RIGHT NOW,
485
00:19:39,299 --> 00:19:40,676
MAYBE IT'STHE JET LAG.
486
00:19:40,718 --> 00:19:43,095
UM, I'M GOING TO GOGET READY FOR DINNER,
487
00:19:43,137 --> 00:19:44,263
AND YOU SHOULDGO TO THE BAR,
488
00:19:44,263 --> 00:19:46,056
GET YOURSELFA NICE GLASS OF WINE,
489
00:19:46,056 --> 00:19:48,768
AND REMIND YOURSELF THAT...
490
00:19:48,768 --> 00:19:49,852
GET YOURSELFA NICE GLAI'M AN ADULT.
491
00:19:59,611 --> 00:20:02,031
[♪]
492
00:20:11,832 --> 00:20:12,708
EXCUSE ME,
493
00:20:12,708 --> 00:20:14,627
I'LL HAVE A GLASSOF WHITE WINE, PLEASE?
494
00:20:14,627 --> 00:20:16,754
UH, YEAH, WE ACTUALLYHAVE A VERY NICE--EXCUSE ME,
495
00:20:16,796 --> 00:20:18,130
[GASPS]
496
00:20:18,130 --> 00:20:20,090
LINDSEY?
497
00:20:20,132 --> 00:20:21,884
JACK?
498
00:20:24,970 --> 00:20:26,305
WHAT ARE YOU DOING HERE?
499
00:20:27,472 --> 00:20:29,642
I'M... POURING YOU A DRINK.
500
00:20:29,684 --> 00:20:31,936
YOU'RE THE BARTENDER?
501
00:20:31,977 --> 00:20:35,648
ACTUALLY... I OWN THE PLACE.
502
00:20:51,747 --> 00:20:54,625
HUGO DIDN'T MENTIONTHIS WAS YOUR HOTEL.
503
00:20:54,667 --> 00:20:55,459
YEAH, I GUESS THAT'S WHY
504
00:20:55,500 --> 00:20:56,836
HE JUST CALLED MEOUT OF THE BLUE.
505
00:20:56,836 --> 00:20:58,504
I DIDN'T RECOGNIZEYOUR LAST NAME.
506
00:20:58,504 --> 00:20:59,880
IT'S MY MARRIED NAME.
507
00:20:59,922 --> 00:21:01,173
I DIDN'T RECOGNIZEYOUOH, CONGRATULATIONS.
508
00:21:01,173 --> 00:21:02,174
WE'RE DIVORCED.
509
00:21:02,174 --> 00:21:04,218
I DIDN'T RECOGNIZEYCONDOLENCES.TULATIONS.
510
00:21:04,259 --> 00:21:06,303
THANK YOU, AND THANK YOU.
511
00:21:07,179 --> 00:21:09,181
SO, WHAT ARE YOU DOING HERE?
512
00:21:09,223 --> 00:21:11,433
DROPPING MY DAUGHTER OFFAT SCHOOL.
513
00:21:13,185 --> 00:21:14,479
YOU HAVE A DAUGHTER.
514
00:21:14,520 --> 00:21:15,395
ALEXA.
515
00:21:15,437 --> 00:21:17,064
SHE'S STUDYING ART.
516
00:21:17,064 --> 00:21:18,023
WOW.
517
00:21:18,065 --> 00:21:19,149
LIKE MOTHER, LIKE DAUGHTER.
518
00:21:20,359 --> 00:21:21,611
YOU HAVE KIDS?
519
00:21:21,652 --> 00:21:22,903
OH, NO, NO, NO.
520
00:21:22,945 --> 00:21:25,114
UM, IT'S JUST ME AND THE HOTEL.
521
00:21:26,198 --> 00:21:27,241
IT'S A NICE PLACE.
522
00:21:27,282 --> 00:21:28,493
YEAH. YEAH,IT, UH,
523
00:21:28,534 --> 00:21:29,744
IT'S BEEN A LITTLE WHILE.
524
00:21:29,785 --> 00:21:31,662
GOING ON 10 YEARS.
525
00:21:32,538 --> 00:21:33,413
YOU CUT YOUR HAIR.
526
00:21:33,456 --> 00:21:36,000
THAT'S BEEN GOING ONABOUT 20 YEARS.
527
00:21:36,041 --> 00:21:37,167
[CHUCKLES AWKWARDLY]
528
00:21:38,794 --> 00:21:40,212
YOU...
529
00:21:40,254 --> 00:21:42,381
YOU LOOK...
530
00:21:42,381 --> 00:21:43,924
OLDER?
531
00:21:45,342 --> 00:21:48,638
UH, I WAS GOING TO SAYBEAUTIFUL..
532
00:21:48,679 --> 00:21:49,930
OH.
533
00:21:50,931 --> 00:21:52,892
THANK YOU.
534
00:21:54,560 --> 00:21:55,728
OH, MY GOODNESS,
535
00:21:55,728 --> 00:21:58,230
YOU LOOK JUST LIKEYOUR MOTHER.
536
00:21:58,230 --> 00:22:00,065
ALEXA, THIS IS JACK.
537
00:22:00,065 --> 00:22:02,151
HE'S, UM...
538
00:22:04,069 --> 00:22:05,070
I'M AN OLD FRIEND.
539
00:22:05,070 --> 00:22:06,155
NICE TO MEET YOU.
540
00:22:07,573 --> 00:22:09,199
FUNNY THATYOU NEVER MENTIONED HIM.
541
00:22:09,241 --> 00:22:11,035
I'M SURE I DID.
542
00:22:11,076 --> 00:22:12,327
NO. YOU DIDN'T.
543
00:22:12,370 --> 00:22:15,748
WELL, IT WAS A LONG,LONG TIME AGO.
544
00:22:15,790 --> 00:22:18,584
WELL, YEAH, BUT IT FEELSLIKE IT WAS YESTERDAY.
545
00:22:18,584 --> 00:22:20,127
WELL, IT'S LATE.
546
00:22:20,169 --> 00:22:21,629
WELL, YEAH, BUT IT FEELSLIKE ITACTUALLY, IT'S 8:00.
547
00:22:21,671 --> 00:22:22,672
UH, IT'S LATEIN NEW YORK.
548
00:22:22,672 --> 00:22:24,256
WELL, UH, IT'S EARLIERIN NEW YORK--
549
00:22:24,256 --> 00:22:25,257
UH, IT'S LATEIN NEW YGREAT SEEING YOU!
550
00:22:25,299 --> 00:22:26,759
ALL RIGHT, WELL, YOU'LL BESEEING A LOT MORE OF ME,
551
00:22:26,801 --> 00:22:29,762
SINCE IF YOU WANT EXTRA TOWELS,I'M YOUR GUY!
552
00:22:29,762 --> 00:22:31,556
[CHUCKLES AWKWARDLY]
553
00:22:33,098 --> 00:22:34,850
SINCE IF YOU WANT EXTRA TOWELS,[SIGHING NERVOUSLY]
554
00:22:35,768 --> 00:22:37,227
WE HAVE TO MOVE HOTELS.
555
00:22:37,227 --> 00:22:38,938
WHY? I LIKE THIS HOTEL.
556
00:22:38,979 --> 00:22:39,897
YOU'LL ADJUST.E HOTELS.
557
00:22:39,939 --> 00:22:42,107
NO, I JUST UNPACKED.WE'RE NOT MOVING HOTELS.
558
00:22:42,107 --> 00:22:44,109
SO RE-PACK.
559
00:22:44,151 --> 00:22:45,570
WHO IS HE?
560
00:22:45,611 --> 00:22:46,612
JUST...
561
00:22:46,654 --> 00:22:48,531
SOMEONE I USED TO KNOWFROM THE SORBONNE.
562
00:22:48,573 --> 00:22:49,532
HE WAS FINISHING UPHIS DEGREE,
563
00:22:49,574 --> 00:22:51,909
HIS FATHER WASIN THE HOTEL BUSINESS HERE.
564
00:22:51,951 --> 00:22:53,118
AND...?
565
00:22:53,118 --> 00:22:54,244
AND... NOTHING.
566
00:22:54,244 --> 00:22:55,204
I WENT BACK TO COLLEGE,
567
00:22:55,245 --> 00:22:57,039
HE SAID HE WOULD FOLLOW ME,AND HE DIDN'T..
568
00:22:57,081 --> 00:22:58,207
AND THAT'S IT?
569
00:22:58,249 --> 00:22:59,625
[SIGHS HEAVILY]
570
00:22:59,625 --> 00:23:01,461
WE CALLED, WE WROTE.
571
00:23:01,502 --> 00:23:02,628
TIME PASSED,
572
00:23:02,628 --> 00:23:03,504
LIFE HAPPENED.
573
00:23:03,546 --> 00:23:05,631
I MET YOUR DAD,AND YOU KNOW THE REST.
574
00:23:05,631 --> 00:23:07,007
YOU WERE IN LOVE.
575
00:23:07,049 --> 00:23:08,301
MOM, THIS IS FATE!
576
00:23:08,343 --> 00:23:10,094
NO, THIS IS HUGO,MEDDLING,
577
00:23:10,135 --> 00:23:11,387
LIKE THE OLD DAYS.
578
00:23:11,387 --> 00:23:13,973
[GASPING IN DELIGHT]THE LOVE LOCKS!
579
00:23:14,014 --> 00:23:15,891
WOW, THERE ARE SO MANY NOW.
580
00:23:17,142 --> 00:23:19,812
AH! ALL THAT LOVE!
581
00:23:19,812 --> 00:23:21,939
IT'S BEAUTIFUL.
582
00:23:21,981 --> 00:23:24,108
THEY'RE ALL RUSTED. LOVE!
583
00:23:24,149 --> 00:23:25,443
WHICH MEANS THEY LASTED.
584
00:23:30,448 --> 00:23:33,451
[♪]
585
00:23:36,621 --> 00:23:39,039
[KEYPAD CLICKS TAPPING RAPIDLY]
586
00:23:39,999 --> 00:23:41,834
AH, THE SOUNDOF TEXTING
587
00:23:41,834 --> 00:23:43,085
IN THE MORNING.
588
00:23:45,380 --> 00:23:46,881
AH, THE SOUNDYOU'RE AWAKE.EXTING
589
00:23:46,922 --> 00:23:48,090
AND YOU'RE SMILING,
590
00:23:48,090 --> 00:23:49,675
WHICH MEANS IT MUST BE A BOY.
591
00:23:49,675 --> 00:23:51,344
AND YIT'S JP.ILING,
592
00:23:51,386 --> 00:23:53,346
WHICH MEANOH, "JP." BE A BOY.
593
00:23:53,388 --> 00:23:54,764
YESTERDAY, IT WAS "JEAN PAUL."
594
00:23:54,805 --> 00:23:56,432
THAT WAS YESTERDAY.
595
00:23:56,474 --> 00:23:57,433
[SIGHS DREAMILY]
596
00:23:57,475 --> 00:23:59,935
WOULD IT BE OKAY IF HE TOOK METO THE UNIVERSITY
597
00:23:59,977 --> 00:24:01,479
TO REGISTER FOR CLASSES?
598
00:24:02,772 --> 00:24:04,190
OH.
599
00:24:04,232 --> 00:24:05,191
I THOUGHT I WASGOING TO DO THAT.
600
00:24:05,233 --> 00:24:07,443
IT'S JUST,HE'S REGISTERING, TOO,
601
00:24:07,485 --> 00:24:09,487
AND HE CAN SHOW ME AROUND.
602
00:24:11,906 --> 00:24:13,408
-I'LL TELL HIM NO.-WAIT, WAIT, WAIT.
603
00:24:14,409 --> 00:24:15,285
TELL HIM YES.
604
00:24:16,411 --> 00:24:17,328
YOU SURE?
605
00:24:17,370 --> 00:24:19,997
YEAH, YOU SHOULD GO MEETSOME OTHER STUDENTS.
606
00:24:21,499 --> 00:24:23,876
[KEYPAD CLICKS TAPPING]
607
00:24:23,876 --> 00:24:25,170
I LOVE YOU, MOM.
608
00:24:25,170 --> 00:24:26,504
I LOVE YOU, TOO, LEX.
609
00:24:26,546 --> 00:24:27,380
I LOHAVE FUN.OM.
610
00:24:29,882 --> 00:24:31,342
AU REVOIR!
611
00:24:37,807 --> 00:24:40,435
MERCI.
612
00:24:43,729 --> 00:24:45,023
HEY!
613
00:24:45,065 --> 00:24:46,524
JUST SAW ALEXA RIDE OFF
614
00:24:46,566 --> 00:24:48,943
ON THE BACKOF JP'S SCOOTER.
615
00:24:48,984 --> 00:24:50,070
THEY LOOKED LIKETHEY WERE HAVING FUN--
616
00:24:50,070 --> 00:24:50,945
JACK!
617
00:24:50,986 --> 00:24:52,072
OH, CALM DOWN,IKEHE'S A GREAT DRIVER. FUN--
618
00:24:52,072 --> 00:24:53,489
LIKE YOU WERE?
619
00:24:54,365 --> 00:24:56,617
YOU'RE TALKING ABOUTTHAT ONE WRONG TURN I MADE?--
620
00:24:56,659 --> 00:24:58,703
UP THAT ONE-WAY STREET?
621
00:24:58,703 --> 00:24:59,912
YEAH, WE WENT... ONE WAY,
622
00:24:59,912 --> 00:25:02,332
AND THE TRAFFIC WAS ALL GOINGUP TTHE OTHER WAY.REET?
623
00:25:03,749 --> 00:25:05,668
HERE, I BROUGHT YOU
624
00:25:05,710 --> 00:25:07,628
YOUR CROSSWORD.
625
00:25:07,670 --> 00:25:09,672
OH. QUITE THE HOST.
626
00:25:09,714 --> 00:25:11,716
YEAH, THAT I AM.
627
00:25:11,716 --> 00:25:13,509
YOU MIND IF I JOIN YOU?
628
00:25:13,551 --> 00:25:14,594
YEATHANK YOU.AM.
629
00:25:15,886 --> 00:25:17,888
[CLEARS THROAT]
630
00:25:17,930 --> 00:25:19,474
[SIGHS NERVOUSLY]
631
00:25:22,268 --> 00:25:25,688
HEY, SO, UH, WHAT ARE YOUPAINTING THESE DAYS?
632
00:25:26,982 --> 00:25:28,108
MY NAILS?
633
00:25:29,692 --> 00:25:32,112
I'M NOT REALLYPAINTING ANYMORE.
634
00:25:32,112 --> 00:25:33,446
WHAT?
635
00:25:33,488 --> 00:25:34,822
I'M NOT REALLYWHY? THAT'S TERRIBLE.
636
00:25:34,864 --> 00:25:36,616
I HAVE AN ART MAGAZINE.
637
00:25:36,657 --> 00:25:37,617
IT'S ONLY IN NEW YORK,
638
00:25:37,617 --> 00:25:39,494
BUT WE HAVEA NICE LITTLE FOLLOWING.
639
00:25:39,535 --> 00:25:41,162
OH.
640
00:25:41,204 --> 00:25:42,122
WELL, THAT'S GREAT.
641
00:25:42,163 --> 00:25:43,123
YEAH, THANKS.
642
00:25:43,123 --> 00:25:45,458
IT'S NOT WHAT I PLANNED,BUT IT'S WORKED OUT WELL.
643
00:25:45,458 --> 00:25:47,835
YEAH, WELL,YEAH, LIFE IS WHAT HAPPENS
644
00:25:47,877 --> 00:25:49,629
WHEN YOU'RE MAKING PLANS.
645
00:25:49,629 --> 00:25:51,422
WE BOTH KNOW THAT.
646
00:25:55,635 --> 00:25:56,970
HOW'S YOUR FATHER?
647
00:25:57,012 --> 00:25:57,803
HE'S GOOD.
648
00:25:57,803 --> 00:25:59,973
HE, UH, HE TOOK OVERA HOTEL IN NICE.
649
00:25:59,973 --> 00:26:01,641
WITH MY NIECE.
650
00:26:01,641 --> 00:26:02,642
NICE.
651
00:26:02,642 --> 00:26:04,978
NIECE.
652
00:26:06,687 --> 00:26:09,815
LISTEN, I-I...
653
00:26:09,815 --> 00:26:11,943
I JUST WANTED TO SAYI'M SORRY ABOUT, UH...
654
00:26:11,985 --> 00:26:12,944
ABOUT EVERYTHING--
655
00:26:12,986 --> 00:26:13,819
IT'S OKAY--
656
00:26:13,862 --> 00:26:15,280
NO LISTEN, I-I JUSTWANT TO SAY,
657
00:26:15,321 --> 00:26:17,448
YOU KNOW MY FATHERWANTED ME TO STAY BEHIND,
658
00:26:17,490 --> 00:26:18,491
HELP RUN THE BUSINESS.
659
00:26:18,491 --> 00:26:19,700
I WAS GOINGTO COME AND VISIT,
660
00:26:19,742 --> 00:26:20,827
BUT THEN, YOU KNOW,
661
00:26:20,827 --> 00:26:21,995
A LOT OF TIMEHAD PASSED, AND--
662
00:26:21,995 --> 00:26:24,164
SERIOUSLY,IT'S OKAY.
663
00:26:24,998 --> 00:26:27,042
I DON'T EVEN KNOWIMEWHAT WE WERE THINKING.AND--
664
00:26:27,083 --> 00:26:30,086
WELL, WE WEREN'T THINKING,WE WERE IN LOVE.
665
00:26:30,128 --> 00:26:32,964
WE WERE YOUNG.
666
00:26:34,674 --> 00:26:36,342
ACTUALLY, I THINKTHE PROBLEM WAS
667
00:26:36,342 --> 00:26:39,304
YOU KNOCKING THAT LOCKOUT OF MY HANDS.
668
00:26:39,345 --> 00:26:40,430
OH! [CHUCKLING]
669
00:26:40,471 --> 00:26:43,016
OH, AS I RECALL,YOUR HANDS WERE A LITTLE SHAKY.
670
00:26:43,016 --> 00:26:45,268
YEAH, WELL, IT WASFREEZING OUTSIDE.
671
00:26:45,310 --> 00:26:46,352
[LAUGHING TOGETHER]
672
00:26:46,352 --> 00:26:47,353
IT'S OKAY,
673
00:26:47,395 --> 00:26:49,730
WE DIDN'T REALLY BELIEVEIN THAT LOCK STUFF ANYWAY.
674
00:26:51,357 --> 00:26:52,859
ACTUALLY,
675
00:26:52,901 --> 00:26:54,694
THEY CUT OFF ALL THE LOCKSOFF OF OUR BRIDGE.
676
00:26:54,694 --> 00:26:55,695
WHAT?
677
00:26:55,695 --> 00:26:56,612
THEY CUT OFF ALL THE LOCKSOFF OF OUR YEAH, IN FACT,
678
00:26:56,654 --> 00:26:57,823
THEY CUT THE LOCKSOFF OF ALL THE BRIDGES
679
00:26:57,864 --> 00:26:58,740
ALL OVER PARIS.
680
00:26:58,782 --> 00:27:00,450
I JUST SAW THEM LAST NIGHT.
681
00:27:00,491 --> 00:27:02,368
EXCEPT FOR PONT NEUF.
682
00:27:02,368 --> 00:27:03,829
YOU KNOW, THOSE BRIDGESDATE BACK TO NAPOLEON,
683
00:27:03,870 --> 00:27:04,746
AND ALL THE WEIGHTT NEUF.
684
00:27:04,788 --> 00:27:05,956
FROM ALL THE LOCKSON ALL THE RAILINGS
685
00:27:05,956 --> 00:27:08,083
WERE CAUSING THEMTO COLLAPSE,
686
00:27:08,124 --> 00:27:09,918
FROM ALL THE LOCKSAND IT WAS BECOMING A HAZARD.
687
00:27:09,918 --> 00:27:11,377
HUH.
688
00:27:11,377 --> 00:27:13,296
FROM ALL THE LOCKSAND ITHE HAZARD OF LOVE.ZARD.
689
00:27:14,380 --> 00:27:15,465
PONT NEUF IS THE LAST ONE,
690
00:27:15,506 --> 00:27:19,552
AND THEN ALL OF PARISWILL BE LOVE-LOCK-LESS.
691
00:27:19,552 --> 00:27:20,929
OH, MRS. DALTRY.
692
00:27:20,971 --> 00:27:22,680
I DON'T KNOWIF YOU'VE MET LINDSEY.
693
00:27:22,723 --> 00:27:23,724
NOT OFFICIALLY.
694
00:27:23,765 --> 00:27:24,975
I'M KATHRYN.
695
00:27:24,975 --> 00:27:25,851
KATHRYN, SO NICE TO MEET YOU.
696
00:27:25,851 --> 00:27:27,102
NICE TO MEET YOU,LINDSEY.I'M KATHRYN.
697
00:27:27,102 --> 00:27:29,145
I DIDN'T REALIZEKATYOU TWO WERE TOGETHER.YOU.
698
00:27:29,187 --> 00:27:31,064
NICE TO MEET YOU,LINDSEY.OH, WE'RE NOT.
699
00:27:31,064 --> 00:27:32,482
WELL, WE WERE--
700
00:27:32,523 --> 00:27:33,566
NICE TO MEET YOU,LINDSEY.OHWE'RE NOT.T.
701
00:27:34,650 --> 00:27:36,027
I SEE.
702
00:27:36,069 --> 00:27:37,362
WELL, I WON'T KEEP YOU TWO.
703
00:27:37,403 --> 00:27:38,279
ENJOY YOUR DAY.
704
00:27:38,321 --> 00:27:40,240
OH, NO, NO, NO, PLEASE,UH, MRS. DALTRY,
705
00:27:40,240 --> 00:27:41,491
I ACTUALLY, UH,
706
00:27:41,532 --> 00:27:42,367
OH, NO, NO, NO, PLEASE,I HAVE TO GO BACK TO WORK.
707
00:27:42,408 --> 00:27:43,409
THANK YOUFOR THE CROSSWORD.
708
00:27:43,409 --> 00:27:44,661
NOT A PROBLEM.
709
00:27:44,703 --> 00:27:47,538
AND... 2 DOWNIS "ARTICHOKE."
710
00:27:50,876 --> 00:27:51,752
PLEASE, KATHRYN,JOIN ME.
711
00:27:51,752 --> 00:27:53,920
THANK YOU.
712
00:27:55,255 --> 00:27:57,173
JACK'S TURNED THISINTO SUCH A CHARMING PLACE
713
00:27:57,215 --> 00:27:58,091
OVER THE YEARS.
714
00:27:58,133 --> 00:28:00,593
WHEN MY HUSBAND AND IFIRST STAYED HERE--
715
00:28:00,593 --> 00:28:01,469
MERCI.
716
00:28:01,511 --> 00:28:03,054
--IT WAS JUSTA HOLE IN THE WALL.
717
00:28:03,096 --> 00:28:04,389
OH, WHEN WAS THAT?
718
00:28:04,430 --> 00:28:06,391
OUR HONEYMOON, 40 YEARS AGO.
719
00:28:06,432 --> 00:28:07,433
WHOA.
720
00:28:07,475 --> 00:28:08,727
ARE YOU BACK TO CELEBRATE?
721
00:28:08,769 --> 00:28:10,145
NO. HE DIED.
722
00:28:10,145 --> 00:28:11,605
OH.
723
00:28:11,605 --> 00:28:13,023
I'M SO SORRY.
724
00:28:13,064 --> 00:28:15,108
IT'S BEEN TWO YEARS NOW.
725
00:28:15,901 --> 00:28:16,943
WE WOULD COME HERE
726
00:28:16,943 --> 00:28:18,444
EVERY ANNIVERSARY.
727
00:28:18,444 --> 00:28:20,864
THIS ISMY FIRST TIME BACK SINCE.
728
00:28:20,906 --> 00:28:22,658
I THOUGHT IF I COULD JUST,
729
00:28:22,699 --> 00:28:24,618
I DON'T KNOW,SEE EVERYTHING AGAIN,
730
00:28:24,660 --> 00:28:26,787
I COULD HOLD ON TO THE MEMORIES.
731
00:28:26,828 --> 00:28:28,454
THAT SOUNDS SILLY,I KNOW.
732
00:28:28,496 --> 00:28:30,415
IT DOESN'T SOUND SILLY AT ALL.
733
00:28:30,456 --> 00:28:32,458
IT SOUNDS LIKE YOU HADA WONDERFUL MARRIAGE.
734
00:28:32,500 --> 00:28:34,836
WE DID.
735
00:28:36,880 --> 00:28:38,549
YOU KNOW, I'M VISITINGA FRIEND TODAY,
736
00:28:38,590 --> 00:28:39,966
WHO HAS AN ART STUDIO.
737
00:28:40,008 --> 00:28:42,678
SORT OF AN ARTIST/MEDDLER.
738
00:28:42,719 --> 00:28:43,679
WOULD YOU CARE TO JOIN?
739
00:28:43,720 --> 00:28:45,471
WELL, I WOULDN'T WANTTO INTRUDE--
740
00:28:45,471 --> 00:28:48,725
OH, TRUST ME,HE IS "UN-INTRUDABLE."
741
00:28:48,767 --> 00:28:49,601
[CHUCKLES]
742
00:28:49,643 --> 00:28:50,644
SOUNDS INTRIGUING.
743
00:28:50,686 --> 00:28:51,687
I'D LOVE TO.
744
00:28:53,104 --> 00:28:54,147
[SQUEALING IN DELIGHT]
745
00:28:54,147 --> 00:28:55,816
I LOVE IT ALREADY!
746
00:28:55,816 --> 00:28:57,609
COME ON, I'LL[SQUEALISHOW YOU THE DORMS.
747
00:28:57,609 --> 00:28:59,360
YOU'RE IN THE BEST ONE.
748
00:28:59,402 --> 00:29:00,153
COME ON, I'LLOKAY.[SQUEALISHOW YOU THE DORMS.
749
00:29:00,195 --> 00:29:02,614
THE ART DEPARTMENTIS OVER THERE.
750
00:29:02,656 --> 00:29:05,158
AND THE MATH DEPARTMENT?
751
00:29:05,158 --> 00:29:06,493
JUST ACROSS THE WAY.
752
00:29:06,493 --> 00:29:08,995
WE CAN WAVE TO EACH OTHERTHROUGH THE WINDOWS!
753
00:29:09,037 --> 00:29:10,163
[LAUGHING]
754
00:29:10,205 --> 00:29:12,874
SO YOUR MOTHERWENT HERE?
755
00:29:12,916 --> 00:29:14,668
YEAH, A SEMESTER ABROAD,JUST LIKE ME,
756
00:29:14,710 --> 00:29:17,378
BUT I CANNOT BELIEVESHE NEVER CAME BACK!
757
00:29:17,420 --> 00:29:18,714
WELL, SHE'S HERENOW, THOUGH.
758
00:29:18,755 --> 00:29:20,632
YEAH, SHE IS.
759
00:29:20,674 --> 00:29:21,800
COME ON.
760
00:29:23,343 --> 00:29:25,554
[♪]
761
00:29:51,955 --> 00:29:53,248
[LAUGHS IN DELIGHT]
762
00:29:53,289 --> 00:29:54,375
LINDSEY! MON COEUR.
763
00:29:54,416 --> 00:29:56,502
HUGO BLANCHETT,THIS IS KATHRYN DALTRY.
764
00:29:57,836 --> 00:29:59,671
KATHRYN, THIS IS HUGO.
765
00:29:59,713 --> 00:30:01,214
AH, MON PLAISIR, MADAME.
766
00:30:01,214 --> 00:30:02,674
HOW DO YOU DO?
767
00:30:02,674 --> 00:30:03,967
YOUR WORK IS INCREDIBLE.
768
00:30:04,009 --> 00:30:05,469
OH, WELL, THANK YOU,HOTHANK YOU.O?
769
00:30:05,511 --> 00:30:07,554
HALF THE PEOPLE WHO COME HERETHINK THE OPPOSITE.
770
00:30:07,596 --> 00:30:10,265
WELL, IT'S THE OTHER HALFYOU SHOULD LISTEN TO.
771
00:30:10,306 --> 00:30:12,142
WELL, I WISHYOU WERE AN ART CRITIC.
772
00:30:12,183 --> 00:30:13,143
YOU'RE NOT, HUH?
773
00:30:13,184 --> 00:30:15,186
NO, JUST A TOURIST.
774
00:30:15,228 --> 00:30:16,730
OH, I DOUBT THAT.
775
00:30:18,023 --> 00:30:19,441
HOW YOU LIKE YOUR HOTEL?
776
00:30:19,441 --> 00:30:22,611
UH, YOU COULD HAVEMENTIONED IT'S JACK'S.
777
00:30:22,653 --> 00:30:24,154
WHAT WOULD BE THE FUN IN THAT?
778
00:30:24,195 --> 00:30:25,739
OH, YOU NEVER CHANGE.
779
00:30:25,739 --> 00:30:27,198
I HEAR HE'S SINGLE.
780
00:30:27,240 --> 00:30:28,325
STAY OUT OF IT, HUGO.
781
00:30:28,367 --> 00:30:29,368
[CHUCKLING]
782
00:30:29,410 --> 00:30:32,413
MADAME, HOW LONGARE YOU IN TOWN?
783
00:30:32,413 --> 00:30:34,498
JUST A FEW DAYS.
784
00:30:34,540 --> 00:30:35,666
MADAME, HOW LONGARE YOAH, YES...
785
00:30:35,707 --> 00:30:36,917
ENOUGH FOR METO PAINT YOU.
786
00:30:36,958 --> 00:30:38,919
WELL, NO--I COULDN'T...
787
00:30:38,919 --> 00:30:39,795
OH...
788
00:30:39,836 --> 00:30:40,921
GIVE MEONE REASON.
789
00:30:40,921 --> 00:30:42,756
WELL, I'M SURE I COULDGIVE YOU SEVERAL.
790
00:30:42,798 --> 00:30:43,757
HUGO, MAYBEANOTHER TIME--
791
00:30:43,757 --> 00:30:45,842
AH, AH, AH!HOW MANY TIMES I TOLD YOU,
792
00:30:45,884 --> 00:30:46,802
SEIZE THE MOMENT.
793
00:30:46,843 --> 00:30:48,304
THE MOMENT IS NOW,CARPE DIEM...
794
00:30:48,304 --> 00:30:49,263
AH?
795
00:30:49,263 --> 00:30:50,264
THE MOMENT IS NOW,CARPE DIEM...IT WOULD BE...
796
00:30:50,306 --> 00:30:51,222
AN HONOR.AH?
797
00:30:51,222 --> 00:30:52,933
JUST A QUICK SKETCH, HMM?
798
00:30:52,933 --> 00:30:53,850
S'IL VOUS PLAIT?AH?
799
00:30:53,892 --> 00:30:55,477
WELL, I SUPPOSEJUSTTHAT WOULD BE ALL RIGHT.
800
00:30:55,519 --> 00:30:57,187
YES. LINDSEY, GO GESSOTHE CANVAS, PLEASE?
801
00:30:57,187 --> 00:30:59,105
OH, I HAVEN'TDONE THAT IN--
802
00:30:59,105 --> 00:31:01,358
YES. LIN 20 YEARS, I KNOW.THE SHE WAS MY BEST STUDENT.
803
00:31:01,400 --> 00:31:02,776
HE'S PRONETO EXAGGERATION--
804
00:31:02,818 --> 00:31:04,611
WELL, WE'LL NEVER KNOW,'CAUSE YOU QUIT!
805
00:31:04,611 --> 00:31:06,530
IF YOU'VE FORGOTTEN,IT'S THE BRUSH, THE PAINT,
806
00:31:06,530 --> 00:31:07,698
IT'S ALL COMING BACKTO YOU NOW?
807
00:31:07,739 --> 00:31:09,032
IF YOU'VE FORGOTTEN,IT'S THE BRUSH, THEYES, MAESTRO.
808
00:31:10,201 --> 00:31:12,536
NOW...
809
00:31:16,122 --> 00:31:19,751
YOU HAVE A SADNESSIN YOUR EYES.
810
00:31:21,503 --> 00:31:23,255
AND A JOY.
811
00:31:23,297 --> 00:31:25,591
I'LL TRY TO CATCH BOTH.
812
00:31:26,550 --> 00:31:27,801
HMM?
813
00:31:33,640 --> 00:31:36,227
[♪]
814
00:31:51,325 --> 00:31:53,619
[KNOCK ON DOOR]
815
00:31:56,163 --> 00:31:57,206
COMING!
816
00:32:00,959 --> 00:32:01,960
WOW.
817
00:32:02,002 --> 00:32:04,421
THESE ARE FOR YOU.
818
00:32:04,463 --> 00:32:06,215
THANK YOU.
819
00:32:06,257 --> 00:32:07,174
YOU SHOULDN'T HAVE.
820
00:32:07,174 --> 00:32:08,092
I DIDN'T.
821
00:32:08,134 --> 00:32:11,428
THEY'RE FROM... "TRENT GREER"?
822
00:32:12,221 --> 00:32:13,180
THANK YOU.
823
00:32:13,180 --> 00:32:16,016
I THOUGHT YOU WEREALLERGIC TO ROSES.
824
00:32:16,016 --> 00:32:17,851
NOT ANYMORE.
825
00:32:20,521 --> 00:32:22,189
I THOUGHT YOU WEREARE YOU...C TO ROSES.
826
00:32:23,690 --> 00:32:25,359
WAITING FOR A TIP?
827
00:32:25,359 --> 00:32:26,735
[CHUCKLES]
828
00:32:26,777 --> 00:32:28,529
NO. NOPE, I'M GOOD.
829
00:32:28,529 --> 00:32:30,156
OKAY.
830
00:32:30,197 --> 00:32:31,490
WELL THEN, THANK YOU.
831
00:32:31,490 --> 00:32:32,699
YEAH, DON'T MENTION IT!
832
00:32:34,868 --> 00:32:36,037
[SNEEZING] THEN, THANK YOU.
833
00:32:43,835 --> 00:32:45,337
AH, LINDSEY,I WAS HOPING TO SEE YOU.
834
00:32:45,379 --> 00:32:47,298
WON'T YOU JOIN ME?
835
00:32:47,298 --> 00:32:49,675
HOW WAS YOUR SITTINGWITH HUGO?
836
00:32:49,716 --> 00:32:50,509
WON[SIGHS IN FRUSTRATION]
837
00:32:50,509 --> 00:32:51,593
HE'S VERY OPINIONATED.
838
00:32:51,593 --> 00:32:52,553
HE IS.WON[SIGHS IN FRUSTRATION]
839
00:32:52,553 --> 00:32:53,554
HE'S VERAND DEMANDING.
840
00:32:53,595 --> 00:32:54,555
THAT TOO.N[SIGHS IN FRUSTRATION]
841
00:32:54,596 --> 00:32:56,182
HE WOULDN'TSHOW ME THE SKETCH.
842
00:32:56,223 --> 00:32:57,099
AND HE WON'T,
843
00:32:57,141 --> 00:32:58,559
NOT UNTIL HE'S FINISHED.
844
00:32:58,559 --> 00:32:59,518
ARE YOU GOING BACK?
845
00:32:59,518 --> 00:33:00,561
NO, I DON'TNOT UNTIL HE'S FINITHINK SO,
846
00:33:00,561 --> 00:33:02,313
BUT THANK YOUAREFOR THE INTRODUCTION.
847
00:33:02,354 --> 00:33:04,940
[CHUCKLING] I MEAN, IF THINGSWERE DIFFERENT, PERHAPS, BUT...
848
00:33:06,567 --> 00:33:08,945
I DON'T THINKI SHOULD HAVE COME BACK HERE.
849
00:33:08,986 --> 00:33:09,987
HMM.
850
00:33:09,987 --> 00:33:11,155
I'VE HAD THOSE SAME THOUGHTS,
851
00:33:11,197 --> 00:33:12,364
AND IF IT WEREN'TFOR MY DAUGHTER,
852
00:33:12,364 --> 00:33:14,366
I PROBABLY WOULDN'T HAVE.
853
00:33:15,242 --> 00:33:18,287
AND IF IT WEREN'TYOU FELL IN LOVE IN PARIS.
854
00:33:20,122 --> 00:33:21,582
A LONG TIME AGO.
855
00:33:21,582 --> 00:33:23,125
AH...
856
00:33:23,834 --> 00:33:25,711
JAMES AND IHAD THE BEST TIMES HERE.
857
00:33:25,752 --> 00:33:27,713
JUST WALKINGAND TALKING,
858
00:33:27,754 --> 00:33:28,923
NOTHING OUT OF THE ORDINARY,
859
00:33:28,965 --> 00:33:31,592
YET SOMEHOW EXTRAORDINARY.
860
00:33:31,633 --> 00:33:34,678
YOU'RE VERY LUCKYTO HAVE HAD A LOVE LIKE THAT.
861
00:33:34,720 --> 00:33:36,805
YES, I AM.
862
00:33:38,515 --> 00:33:40,101
I KNOW WE'VE JUST MET,
863
00:33:40,142 --> 00:33:42,061
AND I AM NO EXPERT ON LOVE,
864
00:33:42,103 --> 00:33:43,479
BUT I CAN'T HELP BUT THINK
865
00:33:43,479 --> 00:33:45,647
HE'D WANT YOU TO BEHAPPY LIKE THAT AGAIN.
866
00:33:45,689 --> 00:33:47,608
BUTHAT'S EXACTLY WHAT HE'D WANT.
867
00:33:47,608 --> 00:33:49,401
AND IF ONLY I COULD.
868
00:33:52,947 --> 00:33:54,907
BUTHAT'[KNOCKING ON DOOR]D WANT.
869
00:33:56,825 --> 00:33:58,494
WHERE HAVE YOU BEEN?
870
00:34:01,038 --> 00:34:01,956
OH.
871
00:34:01,956 --> 00:34:03,499
UH, FOLDING TOWELS?
872
00:34:04,583 --> 00:34:06,252
[SIGHING]OH.I THOUGHT YOU WERE ALEXA.
873
00:34:06,252 --> 00:34:07,920
OH, SHE'S NOT BACK YET?
874
00:34:07,962 --> 00:34:09,881
[SIGHING]OH.IOR ANSWERING HER CELL.A.
875
00:34:09,922 --> 00:34:10,882
ALL RIGHT, WELL,
876
00:34:10,923 --> 00:34:11,966
I LEFT A MESSAGE WITH JP.
877
00:34:12,008 --> 00:34:13,175
THEY PROBABLY JUSTLOST TRACK OF TIME.
878
00:34:13,175 --> 00:34:15,302
HEY, HOW LONG HAVE YOU KNOWNTHIS JP KID?
879
00:34:15,344 --> 00:34:17,638
TUM, I DON'T KNOW,A COUPLE OF MONTHS.
880
00:34:17,638 --> 00:34:18,639
THAT'S IT?
881
00:34:18,639 --> 00:34:19,765
TUM, I DON'T KNOW,A COUPLE HE'S A GOOD KID.
882
00:34:19,765 --> 00:34:21,809
HE'S STUDYING MATHEMATICS.
883
00:34:21,851 --> 00:34:23,895
I MEAN, HOW DANGEROUSA COCAN HE BE?A GOOD KID.
884
00:34:27,064 --> 00:34:28,149
OKAY.
885
00:34:28,149 --> 00:34:30,526
YOU KNOW WHAT,GRAB YOUR COAT.
886
00:34:30,567 --> 00:34:33,988
WE'RE GOINGFOR A WALK.
887
00:34:35,948 --> 00:34:40,119
SO, IF YOU WERETWO YOUNG PEOPLE,
888
00:34:40,161 --> 00:34:41,746
AND YOU WERE IN LOVE,
889
00:34:41,788 --> 00:34:42,997
WHERE WOULD YOU GO?
890
00:34:42,997 --> 00:34:43,790
IN LOVE?
891
00:34:43,831 --> 00:34:45,124
THEY JUST MET YESTERDAY.
892
00:34:45,166 --> 00:34:46,000
HOW LONG DID IT TAKE US?
893
00:34:46,042 --> 00:34:47,168
OKAY, WELL,THAT WAS DIFFERENT.
894
00:34:47,209 --> 00:34:48,419
IF YOU SAY SO.
895
00:34:48,460 --> 00:34:50,254
THIS CAN ONLYEND ONE WAY.
896
00:34:50,296 --> 00:34:51,463
SO IF SOMETHING ENDS,
897
00:34:51,505 --> 00:34:52,882
IT SHOULD HAVENEVER STARTED?
898
00:34:52,882 --> 00:34:54,508
I JUST DON'T WANT THEMTO GO THROUGH
899
00:34:54,550 --> 00:34:57,011
IT SHOULD HAVENEVER STARTWHAT WE WENT THROUGH.
900
00:34:57,053 --> 00:34:58,637
WE WERE HAPPY.
901
00:34:58,679 --> 00:34:59,931
WE WERE.
902
00:34:59,931 --> 00:35:02,224
SO "TRENT GREER"OF GREER PUBLISHING,
903
00:35:02,266 --> 00:35:05,519
OFFICES IN NEW YORK,LONDON, AND PARIS. WERE.
904
00:35:05,519 --> 00:35:07,146
GOOGLE.
905
00:35:07,188 --> 00:35:08,815
YOU GOOGLED MY ROSES?
906
00:35:08,856 --> 00:35:10,607
I GOOGLEDYOUR ROSES.
907
00:35:10,649 --> 00:35:12,735
HOW COME HE DIDN'T KNOWYOU WERE ALLERGIC?
908
00:35:12,735 --> 00:35:15,947
HE'S... HE'S TRYINGTO BUY MY MAGAZINE.
909
00:35:15,988 --> 00:35:17,990
OH, SO THEY'REDN'T KNOWBUSINESS ROSES?IC?
910
00:35:17,990 --> 00:35:19,701
YEAH, BUSINESS ROSES.
911
00:35:19,701 --> 00:35:21,535
OH, SO THEY'REDN'T KNOWBUSINESOH...ES?IC?
912
00:35:21,535 --> 00:35:22,704
'KAY.
913
00:35:22,704 --> 00:35:23,996
YEAH.
914
00:35:24,747 --> 00:35:25,539
MADEMOISELLE.
915
00:35:25,539 --> 00:35:26,791
OH, MERCI.
916
00:35:31,128 --> 00:35:34,090
[LINDSEY]: REMEMBER THATPICNIC WE HAD HERE?MADEMOISELLE.
917
00:35:34,131 --> 00:35:36,718
[JACK]: YEAH, I REMEMBERA LOT OF ANTS.
918
00:35:36,718 --> 00:35:39,136
AND THAT LITTLE DOGWHO STOLE OUR SANDWICHES?
919
00:35:39,178 --> 00:35:40,554
[JACK]: YEAH, I REMEMBERA LOTAND A THUNDERSTORM.
920
00:35:40,596 --> 00:35:41,806
[CHUCKLING]
921
00:35:43,850 --> 00:35:46,102
SO, WHAT WASYOUR HUSBAND LIKE?
922
00:35:46,143 --> 00:35:47,144
MY EX?MY EX-HUSBAND?
923
00:35:47,186 --> 00:35:48,062
YOUR EX-HUSBAND,
924
00:35:48,062 --> 00:35:49,105
WHAT WASYOUR EX-HUSBAND LIKE?
925
00:35:49,146 --> 00:35:53,025
UM, PRETTY MUCH...THE OPPOSITE OF YOU.
926
00:35:53,067 --> 00:35:54,611
OUCH.
927
00:35:54,652 --> 00:35:55,903
NO, YOU KNOW, I THINK
928
00:35:55,945 --> 00:35:58,906
I JUST DIDN'T WANTTO BE REMINDED OF YOU.
929
00:35:58,906 --> 00:36:01,117
OR US.
930
00:36:01,158 --> 00:36:02,660
ANYWAY, IT DIDN'TLAST LONG.
931
00:36:02,660 --> 00:36:04,370
WELL, I'M SORRYABOUT THAT.
932
00:36:04,411 --> 00:36:05,830
ANYWAY, IT DIDN'TNO, IT'S FINE.
933
00:36:05,830 --> 00:36:07,749
IT'S ALMOSTAS OLD-NEWS AS US.
934
00:36:07,749 --> 00:36:10,251
PLUS, I GOT ALEXA OUT OF IT,SO I'M GRATEFUL FOR THAT.
935
00:36:10,251 --> 00:36:12,920
YEAH, YOU SHOULD BE.
936
00:36:13,963 --> 00:36:15,256
PLUS, I GOT ALEXA OUT OF IT,SOI'M GOING TO GO OUT ON A LIMB
937
00:36:15,256 --> 00:36:17,759
AND GUESSYOU NEVER SAID, "I DO"?
938
00:36:17,759 --> 00:36:19,468
I DID NOT.
939
00:36:19,510 --> 00:36:21,554
STILL DODGINGND GUESSTHE COMMITMENT THING, HUH?"?
940
00:36:21,596 --> 00:36:22,722
NO, I'M VERY MUCHCOMMITTED.
941
00:36:22,764 --> 00:36:24,932
I'M COMMITTED TO THE HOTEL.
942
00:36:24,932 --> 00:36:26,475
[CHUCKLING]
943
00:36:26,517 --> 00:36:27,769
YOU TWO SEEMVERY HAPPY TOGETHER.THE HOTEL.
944
00:36:27,810 --> 00:36:29,937
YEAH, WE HAVEA GREAT RELATIONSHIP.
945
00:36:29,979 --> 00:36:32,690
YOU KNOW, WE HAVEOUR UPS AND DOWNS,
946
00:36:32,732 --> 00:36:34,692
BUT, UH... ALL IN ALL,
947
00:36:34,734 --> 00:36:37,278
WE ARE PRETTY GOOD.
948
00:36:37,278 --> 00:36:39,947
[TANGO MUSIC PLAYS]
949
00:36:39,947 --> 00:36:42,867
[♪]
950
00:37:01,218 --> 00:37:02,595
VOILA.
951
00:37:02,637 --> 00:37:04,055
HOW DID YOU KNOWTHEY'D BE HERE?
952
00:37:04,096 --> 00:37:05,347
JP TEACHESTANGO LESSONS HERE
953
00:37:05,389 --> 00:37:06,265
ON MONDAYS.
954
00:37:06,307 --> 00:37:08,184
AH. WELL, YOU COULDHAVE JUST TOLD ME THAT.
955
00:37:08,184 --> 00:37:11,521
YEAH, I COULD HAVEJUST TOLD YOU THAT.
956
00:37:15,399 --> 00:37:17,359
AH. WELL, YOU COULDHAVE JUST TOLDMOM?THAT.
957
00:37:17,401 --> 00:37:18,695
ALEXA.
958
00:37:22,699 --> 00:37:24,158
THIS IS SOEMBARRASSING.
959
00:37:24,200 --> 00:37:25,367
YOU WEREN'TANSWERING YOUR PHONE.
960
00:37:25,410 --> 00:37:26,661
MY BATTERY'S DEAD.
961
00:37:26,661 --> 00:37:28,830
I'M SORRY, MADAME,WE LOST TRACK OF THE TIME.
962
00:37:28,830 --> 00:37:31,999
WHERE DID YOULEARN TO TANGO?
963
00:37:32,041 --> 00:37:33,376
MY GRANDFATHERIS FROM ARGENTINA,
964
00:37:33,376 --> 00:37:35,420
BUT AFTERHE AND MY GRANDMOTHER DIVORCE,
965
00:37:35,462 --> 00:37:36,337
MY GRANDFATHERIS HE MOVE HERE.A,
966
00:37:36,337 --> 00:37:38,548
OH, HE LOSTHIS DANCE PARTNER?
967
00:37:38,590 --> 00:37:39,882
HE LOST ALLHIS DANCE PARTNERS.
968
00:37:39,882 --> 00:37:42,009
THAT IS WHY HE ANDMY GRANDMOTHER DIVORCE.
969
00:37:42,009 --> 00:37:43,678
HE LOST ALLHIS DANCE P[LAUGHING]
970
00:37:44,679 --> 00:37:46,013
THAT IS WHY HE ANDMY GRANDMOTHER DIAH-AH-AH...
971
00:37:46,055 --> 00:37:47,139
AW, YES...
972
00:37:47,181 --> 00:37:48,433
-OH, NO.-YES.
973
00:37:48,475 --> 00:37:49,767
-OH, NO, NO, NO---YES. COME ON...
974
00:37:49,767 --> 00:37:50,935
NO, JACK,I DON'T REMEMBER--
975
00:37:50,977 --> 00:37:51,853
-OH, NO, NO, NO---YES. CYOU REMEMBER.
976
00:37:51,853 --> 00:37:52,770
I DON'T--
977
00:37:52,812 --> 00:37:53,813
YEAH, JUST FEEL IT.
978
00:37:53,855 --> 00:37:54,814
FEELING IT?
979
00:37:54,814 --> 00:37:55,982
THERE YOU GO.SPIN AROUND.
980
00:37:56,023 --> 00:37:57,942
FEELING IT?DO YOU LIKE IT?
981
00:37:57,984 --> 00:37:58,776
WAIT A MINUTE,WAIT, HERE IT--
982
00:37:58,776 --> 00:38:00,528
OH! OH, NO...OKAY, WHOA.
983
00:38:00,528 --> 00:38:02,864
WAIT A MINUTE,EASY, NOW. EASY.WAIT, HERE IT--
984
00:38:02,864 --> 00:38:03,865
OH! OH, NO...OKAY...OKAY, WHOA.
985
00:38:03,906 --> 00:38:05,241
YES, I LIKE IT.EASY, NOW. EASY.I LIKE IT. IT--
986
00:38:05,282 --> 00:38:07,452
OH...
987
00:38:07,494 --> 00:38:10,204
HERE WE GO.
988
00:38:10,204 --> 00:38:11,873
[♪]
989
00:38:11,914 --> 00:38:13,541
AH, YES.
990
00:38:13,583 --> 00:38:15,209
AND THEN, GIVE ITTO ME ONE MORE TIME.
991
00:38:15,251 --> 00:38:17,795
[LAUGHING]
992
00:38:20,256 --> 00:38:21,424
THANK YOU,MR. AND MRS. RAYCE,
993
00:38:21,466 --> 00:38:22,550
HAVE A GREAT NIGHT.
994
00:38:22,550 --> 00:38:25,553
ALL RIGHT, SO MY FOOTWORKMIGHT BE A LITTLE BIT OFF.
995
00:38:25,553 --> 00:38:26,971
[LAUGHING]A LITTLE?
996
00:38:27,013 --> 00:38:29,015
ALL RIGHT, SO MY FOOTWORKMIG[CHUCKLING TOGETHER]FF.
997
00:38:29,056 --> 00:38:30,141
JACK...
998
00:38:30,182 --> 00:38:31,601
THERE YOU ARE.
999
00:38:31,643 --> 00:38:33,895
YOU PROMISEDTO TAKE ME TO DINNER.
1000
00:38:33,936 --> 00:38:35,187
OH, WAS THAT TONIGHT?
1001
00:38:35,229 --> 00:38:37,649
NO, BUT I AM HERE.
1002
00:38:37,690 --> 00:38:38,608
[CHUCKLES FONDLY]
1003
00:38:38,650 --> 00:38:42,529
UM, LINDSEY AND ALEXA,THIS IS NICOLE.
1004
00:38:42,570 --> 00:38:43,613
HIS GIRLFRIEND.
1005
00:38:45,282 --> 00:38:47,242
SO NICE TO MEET YOU.
1006
00:38:47,242 --> 00:38:49,869
AND HOW ARE YOUENJOYING OUR CITY?
1007
00:38:49,911 --> 00:38:51,746
OH, YOU KNOW WHAT THEY SAY,
1008
00:38:51,746 --> 00:38:52,664
A BAD DAY IN PARIS
1009
00:38:52,705 --> 00:38:55,041
IS BETTER THAN A GOOD DAYANYWHERE ELSE.
1010
00:38:55,041 --> 00:38:56,167
[CHUCKLING AWKWARDLY]
1011
00:38:56,209 --> 00:38:58,295
IS BETTER THAN A GOOD DAYANYWHERE EHOW CHARMING.
1012
00:38:58,336 --> 00:38:59,629
COME ON, MOM,WE HAVE THAT THING.
1013
00:38:59,671 --> 00:39:01,339
RIGHT.WE HAVE A THING.
1014
00:39:05,677 --> 00:39:06,469
SO...
1015
00:39:06,511 --> 00:39:08,555
WHERE DO YOUWANT TO GO?
1016
00:39:08,596 --> 00:39:09,972
WHEREVER YOU WANT.
1017
00:39:09,972 --> 00:39:10,932
UM...
1018
00:39:10,973 --> 00:39:13,601
I WAS THINKINGWHEREVER YOU WANT.ITALIAN.
1019
00:39:13,601 --> 00:39:14,602
OKAY.
1020
00:39:14,644 --> 00:39:15,687
MM-HMM?
1021
00:39:22,109 --> 00:39:23,153
YOU OKAY?
1022
00:39:23,195 --> 00:39:24,237
OF COURSE, I'M OKAY.
1023
00:39:24,237 --> 00:39:26,406
WHY WOULDN'T IBE OKAY?
1024
00:39:26,448 --> 00:39:27,490
JUST CHECKING.RSE, I'M OKAY.
1025
00:39:28,783 --> 00:39:31,661
LOOK WHO'S WORRYINGABOUT WHO.
1026
00:39:32,454 --> 00:39:35,081
YOU GUYS JUST LOOKEDSO CUTE, DANCING.
1027
00:39:35,123 --> 00:39:36,708
YOU SAIDWE LOOKED TERRIBLE.
1028
00:39:36,749 --> 00:39:38,376
BUT YOU WERETERRIBLE TOGETHER.
1029
00:39:38,376 --> 00:39:41,296
YEAH, WELL,WE'RE NOT TOGETHER.
1030
00:39:41,296 --> 00:39:43,131
BUT YOU WERE[SIGHS SADLY]THER.
1031
00:39:45,300 --> 00:39:46,843
YEAH, WELL,WE'RE LOOK AT THAT.
1032
00:39:46,884 --> 00:39:48,595
THE CITY OF LIGHTS.
1033
00:39:48,636 --> 00:39:51,306
THE CITY OF LOVE.
1034
00:39:51,306 --> 00:39:53,141
LET'S JUST STICKWITH CITY OF LIGHTS.
1035
00:39:53,183 --> 00:39:54,351
[CHUCKLES]
1036
00:39:54,392 --> 00:39:56,269
AND THE BESTCHOCOLATE EVER?
1037
00:39:59,731 --> 00:40:01,316
OOH...
1038
00:40:01,316 --> 00:40:03,693
WELL, "WE'LL ALWAYSHAVE CHOCOLATE."
1039
00:40:06,654 --> 00:40:08,656
MM!MM-HMM, MM-HMM.
1040
00:40:10,117 --> 00:40:12,660
I HOPE IT DOESN'TGO BY TOO QUICKLY.
1041
00:40:12,660 --> 00:40:13,828
IT WILL.
1042
00:40:15,330 --> 00:40:17,124
[CHUCKLES FONDLY]
1043
00:40:22,462 --> 00:40:23,963
I HAVEOUR WHOLE DAY PLANNED.
1044
00:40:24,005 --> 00:40:25,257
I'D EXPECTNOTHING ELSE.
1045
00:40:25,298 --> 00:40:26,341
FIRST, WE'LL SEETHE RUE DU TERTRE.
1046
00:40:26,341 --> 00:40:27,967
THERE'S A SECRET LITTLECORNER I WANT TO SHOW YOU.
1047
00:40:28,010 --> 00:40:29,886
FIRST, WE'LL SEETHMAYBE WE SHOULD INVITE JACK.
1048
00:40:30,720 --> 00:40:31,888
NO, NO, NO, HE'S SEEN IT ALL.
1049
00:40:31,929 --> 00:40:34,974
YEAH, THAT'S RIGHT,I HAVE SEEN IT ALL.
1050
00:40:35,017 --> 00:40:36,768
HEY, UH, JEAN PAUL, YOU MIND
1051
00:40:36,809 --> 00:40:37,852
SAVING SOMEOF THESE PASTRIES
1052
00:40:37,852 --> 00:40:39,021
FOR SOME OFOUR OTHER GUESTS?
1053
00:40:39,021 --> 00:40:40,355
THANK YOU.
1054
00:40:44,192 --> 00:40:45,860
FOR SOME OFLADIES, HOW WAS YOUR EVENING??
1055
00:40:45,860 --> 00:40:46,987
GOOD.
1056
00:40:47,029 --> 00:40:48,196
AND DINNER WITH NICOLE?
1057
00:40:48,238 --> 00:40:49,531
OH, UH...
1058
00:40:49,572 --> 00:40:50,948
YOU KNOW, DINNER'S DINNER.
1059
00:40:50,948 --> 00:40:52,034
WOULD YOU LIKEANOTHER CROISSANT?
1060
00:40:52,075 --> 00:40:53,785
OH, NO, YOU WEREYOU GOING TO SAVE THOSEER.
1061
00:40:53,826 --> 00:40:54,953
FOR THE OTHER GUESTS.
1062
00:40:54,953 --> 00:40:56,329
YEAH.[CLEARS THROAT AWKWARDLY]
1063
00:40:56,329 --> 00:40:58,206
HEY, UM,FORYOU SHOULD KNOWTS.
1064
00:40:58,248 --> 00:41:00,542
THIS, UH, THING,[WITH, UH, NICOLE AND I,]
1065
00:41:00,583 --> 00:41:04,254
IT-IT'S NOTHING SERIOUS,IT'S JUST CASUAL.
1066
00:41:04,296 --> 00:41:05,380
OKAY.
1067
00:41:05,380 --> 00:41:07,715
YEAH, YOU KNOW, IT'S ONLYBEEN, LIKE, UH, A FEW WEEKS.
1068
00:41:07,715 --> 00:41:09,092
OKAY.
1069
00:41:10,928 --> 00:41:12,762
YETHAT'S ACTUALLY, UH,NLYBEEN, THAT'S NOT TRUE,WEEKS.
1070
00:41:12,804 --> 00:41:15,057
IT'S BEENA LITTLE LONGER THAN THAT.
1071
00:41:15,057 --> 00:41:16,766
CAS'.
1072
00:41:17,600 --> 00:41:19,227
YES. CASUAL.
1073
00:41:19,227 --> 00:41:22,189
BECAUSE YOU'RE COMMITTEDTO YOUR HOTEL.
1074
00:41:22,230 --> 00:41:24,066
YES... CORRECT.
1075
00:41:24,066 --> 00:41:25,442
[CHUCKLES AWKWARDLY]
1076
00:41:30,072 --> 00:41:32,324
SO, I THOUGHT WE'D STARTWITH THE RUE DU TERTRE,
1077
00:41:32,365 --> 00:41:33,951
AND THEN SEE THE LOUVRE.
1078
00:41:33,992 --> 00:41:34,868
MOM--
1079
00:41:34,910 --> 00:41:36,203
YOU ARE NOTGOING TO BELIEVE
1080
00:41:36,244 --> 00:41:37,412
HOW SMALLTHAT MONA LISA IS.
1081
00:41:37,412 --> 00:41:39,331
ARE WE NOT GOING TO TALKABOUT THIS WHOLE JACK THING?
1082
00:41:39,372 --> 00:41:40,290
HOW SMALLTNO. MONA LISA IS.
1083
00:41:40,332 --> 00:41:41,583
BECAUSE I'M HERE FOR YOU.
1084
00:41:41,624 --> 00:41:42,709
AND THAT'S THE ONLY REASON.
1085
00:41:42,709 --> 00:41:45,045
SPEAKINGOF WHICH, UM,
1086
00:41:45,087 --> 00:41:47,672
COULD YOU BE A LITTLE...AND LESS THERE FOR ME?ASON.
1087
00:41:52,010 --> 00:41:53,428
OKAY,MAYBE A LITTLE.
1088
00:41:53,428 --> 00:41:55,638
CAN I GET YOUANYTHING, LADIES?
1089
00:41:55,680 --> 00:41:57,265
JP, IF YOU'RE FREETOMORROW,
1090
00:41:57,265 --> 00:42:00,393
WE'D LIKE TO INVITE YOUTO AN ART SHOW.
1091
00:42:00,435 --> 00:42:01,561
I'M TOTALLY FREE.
1092
00:42:01,603 --> 00:42:03,271
I THOUGHT YOU MIGHT BE.
1093
00:42:04,189 --> 00:42:05,273
[CHUCKLES IN DELIGHT]
1094
00:42:08,235 --> 00:42:11,238
[♪]
1095
00:42:11,279 --> 00:42:13,531
IT'S JUST LIKEI PICTURED IT!
1096
00:42:13,531 --> 00:42:14,908
IT HASN'TCHANGED AT ALL.
1097
00:42:14,908 --> 00:42:16,118
IT'S JUST LIKEDID YOU COME HERE A LOT?
1098
00:42:16,118 --> 00:42:17,119
IT HASN'TCHALL THE TIME.
1099
00:42:17,119 --> 00:42:18,871
IT'S JUST LIKI USED TO COME HEREDID YOU COME AND PAINT.?
1100
00:42:18,912 --> 00:42:21,790
MAYBE ONE DAY,I'LL COME SET UP HERE, TOO.
1101
00:42:21,790 --> 00:42:23,959
EXCUSEZ-MOI, MONSIEUR?
1102
00:42:23,959 --> 00:42:27,337
MAYBEST-CE-QUE C'EST POSSIBLEI'LQUE-TU TE SOUVIENS DE MOI?
1103
00:42:27,379 --> 00:42:28,630
PINK EASEL?
1104
00:42:28,630 --> 00:42:30,132
I USED TO COME HERE
1105
00:42:30,173 --> 00:42:31,674
A LONG, LONG TIME AGO.
1106
00:42:31,716 --> 00:42:33,510
MAIS OUI...
1107
00:42:33,551 --> 00:42:35,888
THE PINK EASEL,I REMEMBER.
1108
00:42:35,929 --> 00:42:38,181
WITH A YOUNG ARTISTBEHIND IT,
1109
00:42:38,181 --> 00:42:41,684
SHE WANTED TO PAINTALL OF MONTMARTRE.
1110
00:42:41,727 --> 00:42:43,478
WITH A YOUNG ARTISTB[CHUCKLING FONDLY]
1111
00:42:43,520 --> 00:42:46,273
WE ARTISTS, WE AREJUST CHILDREN
1112
00:42:46,314 --> 00:42:50,568
WHO REFUSE TO LAY DOWNTHEIR CRAYONS, NON?
1113
00:42:51,987 --> 00:42:55,615
[♪]
1114
00:43:02,998 --> 00:43:04,582
KATHRYN!
1115
00:43:04,582 --> 00:43:06,669
I WASN'T SUREYOU'D COME BACK.
1116
00:43:06,669 --> 00:43:07,836
I WASN'T GOING TO,KATHRYN!
1117
00:43:07,836 --> 00:43:11,173
BUT SOMETHING LINDSEY SAIDMADE ME CHANGE MY MIND.ACK.
1118
00:43:11,173 --> 00:43:13,508
WELL, I AM CHARMINGI WAWHEN YOU GET TO KNOW ME.
1119
00:43:14,718 --> 00:43:16,636
WHATEVER SHE SAID,INDSEY SAIDI'M GLAD YOU'RE BACK.Y MIND.ACK.
1120
00:43:16,679 --> 00:43:18,138
I WAS WORKINGON YOUR PORTRAIT.
1121
00:43:18,180 --> 00:43:19,597
OH, MAY I HAVE A LOOK?
1122
00:43:19,640 --> 00:43:21,308
NO, NO, NO, NO, NO...
1123
00:43:21,349 --> 00:43:24,937
YOU, UH, CAN SEE ITAT THE SHOW.
1124
00:43:24,978 --> 00:43:27,022
YOU'RE PUTTING ITIN A SHOW?
1125
00:43:27,064 --> 00:43:28,231
YOU CAN'T BE SERIOUS.
1126
00:43:28,273 --> 00:43:29,357
TOMORROW.YOU COME, HMM?
1127
00:43:29,357 --> 00:43:31,484
ACTUALLY, I WAS PLANNINGON LEAVING TOMORROW.
1128
00:43:31,526 --> 00:43:32,569
SO SOON?
1129
00:43:32,611 --> 00:43:35,113
I REALLY ONLY CAMETO SEE IT ALL AGAIN.
1130
00:43:35,113 --> 00:43:36,990
OH, YOU'VESEEN IT ALL, HUH?
1131
00:43:37,032 --> 00:43:38,450
I REALLY ONLY CAMETO SEE IT ALL AGAIN.NON...
1132
00:43:39,242 --> 00:43:41,036
WELL, THERE IS ONE MORE PLACE.
1133
00:43:41,036 --> 00:43:42,955
YEAH?
1134
00:43:42,996 --> 00:43:44,456
PONT NEUF.
1135
00:43:44,497 --> 00:43:46,499
OH, PONT NEUF!
1136
00:43:46,541 --> 00:43:48,043
THE LAST LOVE LOCKS BRIDGE.
1137
00:43:48,043 --> 00:43:50,087
I HEARTHEY'RE CUTTING OFF THE LOCKS.
1138
00:43:50,128 --> 00:43:52,297
YES, TRAGIC.
1139
00:43:53,548 --> 00:43:55,926
15 YEARS AGO,
1140
00:43:55,968 --> 00:43:58,887
JAMES SURPRISED MEWITH AN ANTIQUE LOCK,
1141
00:43:58,887 --> 00:43:59,722
HEART-SHAPED,
1142
00:43:59,763 --> 00:44:01,974
INSCRIBEDMES SURPRISED MEWITH OUR NAMES.NTIQUE LOCK,
1143
00:44:02,015 --> 00:44:06,895
WE WERE LIKELY THE OLDESTCOUPLE ON THAT BRIDGE.
1144
00:44:06,895 --> 00:44:11,024
I THOUGHT I'D TRY TO FIND ITAND BRING IT BACK WITH ME.
1145
00:44:12,400 --> 00:44:14,528
WELL, THEN LET'S GO.
1146
00:44:14,570 --> 00:44:15,654
NOW?
1147
00:44:15,696 --> 00:44:16,780
YES, NOW.
1148
00:44:16,822 --> 00:44:18,240
WHAT BETTER TIME?
1149
00:44:18,240 --> 00:44:19,199
OH, BUT SURELY,
1150
00:44:19,241 --> 00:44:20,325
IT WOULD BEA FOOL'S ERRAND.
1151
00:44:20,367 --> 00:44:22,953
[CHUCKLES] THEN YOU HAVETHE RIGHT MAN FOR THE JOB.
1152
00:44:22,995 --> 00:44:23,996
[CHUCKLING]
1153
00:44:25,122 --> 00:44:28,250
YES, WE'LL GO,WE WILL FIND IT.
1154
00:44:28,250 --> 00:44:29,209
IT DOESN'T MATTER.
1155
00:44:29,251 --> 00:44:31,629
WELL, IT MATTERS TO YOU.
1156
00:44:31,670 --> 00:44:34,757
AND BESIDES, I HAVEA CONFESSION TO MAKE.
1157
00:44:34,798 --> 00:44:37,384
YOU HAVE A LOCKHANGING THERE, TOO?
1158
00:44:38,218 --> 00:44:39,678
THE LOVE OF MY LIFE.
1159
00:44:39,720 --> 00:44:41,429
BUT IT WAS NOT MEANT TO BE.
1160
00:44:41,472 --> 00:44:42,765
I'M SORRY.
1161
00:44:42,765 --> 00:44:44,725
YES, WELL,THE TIME WE HAD WAS SHORT,
1162
00:44:44,767 --> 00:44:46,309
BUT IT WAS MAGIC.
1163
00:44:47,603 --> 00:44:48,937
SO, HOW LONG
1164
00:44:48,937 --> 00:44:52,399
DID YOU AND YOUR JAMESHAVE TOGETHER?
1165
00:44:52,441 --> 00:44:54,192
MY WHOLE LIFE.
1166
00:44:54,234 --> 00:44:56,278
I ENVY YOU BOTH.
1167
00:44:56,278 --> 00:44:59,072
[♪]
1168
00:45:18,676 --> 00:45:20,969
MOM? WHAT IS IT?
1169
00:45:20,969 --> 00:45:22,137
NOTHING.
1170
00:45:25,974 --> 00:45:26,809
OH, HEY!
1171
00:45:26,809 --> 00:45:28,602
BONJOUR.
1172
00:45:28,644 --> 00:45:29,687
UH, MADAME?
1173
00:45:29,728 --> 00:45:31,021
I AM ON LUNCH BREAK,
1174
00:45:31,021 --> 00:45:33,231
MAY I TAKE YOUAND ALEXA TO THE CAFE?
1175
00:45:34,066 --> 00:45:34,942
I AM ON LUNAW...EAK,
1176
00:45:34,983 --> 00:45:37,152
THAT'S SO SWEET,BUT, UM,
1177
00:45:37,194 --> 00:45:38,821
MY MOM AND I HAVE PLANS.
1178
00:45:38,821 --> 00:45:39,822
THANK YOU, THOUGH.
1179
00:45:39,822 --> 00:45:41,156
MY MOM AND I HOF COURSE.
1180
00:45:41,156 --> 00:45:42,908
ANOTHER TIME.
1181
00:45:42,950 --> 00:45:44,284
YOU KNOW,YOU TWO SHOULD GO.COURSE.
1182
00:45:44,327 --> 00:45:45,285
NO.
1183
00:45:45,328 --> 00:45:46,244
YES.
1184
00:45:46,286 --> 00:45:47,663
I HAVE TO CALL MAGGIEAT THE OFFICE ANYWAY.
1185
00:45:47,705 --> 00:45:48,997
GO.
1186
00:45:48,997 --> 00:45:49,915
ARE YOU SURE?
1187
00:45:49,957 --> 00:45:51,124
YES, POSITIVE. GO!
1188
00:45:51,166 --> 00:45:51,917
OKAY, HERE.
1189
00:45:51,959 --> 00:45:53,001
AND MY PHONE'SCHARGED.
1190
00:45:53,001 --> 00:45:54,044
OKAY.
1191
00:45:54,086 --> 00:45:55,003
HOW WASAND MY PHONE'SSIGHTSEEING?CHARGED.
1192
00:45:55,045 --> 00:45:58,131
SIGHTSEEING WAS GREAT.
1193
00:45:59,633 --> 00:46:01,969
OH, WHAT HAVEYOU GOT HERE?
1194
00:46:02,010 --> 00:46:03,512
[CHUCKLING]OH, YEAH...
1195
00:46:03,512 --> 00:46:04,847
THE CAT GUY.
1196
00:46:04,888 --> 00:46:06,390
CAT GUY.
1197
00:46:07,641 --> 00:46:09,685
I... LEFT A COUPLE BIKESOUT THERE
1198
00:46:09,727 --> 00:46:13,564
IN CASE YOU WANTEDTO SHOW ALEXA THE OLD ROUTE.
1199
00:46:13,564 --> 00:46:15,023
OH.
1200
00:46:15,065 --> 00:46:16,817
THANKS, BUT SHE'SU WANTEDGONE OFF WITH JP.HE OLD ROUTE.
1201
00:46:18,026 --> 00:46:19,111
AGAIN?
1202
00:46:20,696 --> 00:46:23,156
I'M GONNA HAVE TO PUTTHAT GUY ON A DOUBLE SHIFT.
1203
00:46:23,156 --> 00:46:25,117
COME ON, GIVE ME A HAND.
1204
00:46:27,536 --> 00:46:28,954
I'M GONNA HAVE TO PUTTHANK YOU, JACK, A DOUBLE SHIFT.
1205
00:46:28,996 --> 00:46:30,914
THIS IS VERY THOUGHTFUL.
1206
00:46:30,956 --> 00:46:32,791
THAT'S ME,MONSIEUR THOUGHTFUL.
1207
00:46:32,791 --> 00:46:34,042
HELP ME TAKETHESE BIKE INSIDE
1208
00:46:34,042 --> 00:46:35,503
IN CASE YOU AND ALEXA WANTTO TAKE THEM OUT LATER--L.
1209
00:46:35,544 --> 00:46:38,547
OR... WE COULD GO.
1210
00:46:38,589 --> 00:46:39,757
NOW.
1211
00:46:41,800 --> 00:46:43,594
WE?
1212
00:46:43,636 --> 00:46:45,638
OUI.
1213
00:46:48,974 --> 00:46:49,975
ALL RIGHT, YOU KNOW WHAT,JUST GIVE ME A SEC,
1214
00:46:49,975 --> 00:46:51,852
I'VE GOT TO MAKEA QUICK PHONE CALL.
1215
00:46:55,856 --> 00:46:59,277
ALL RIGHT, YOU KNOW WHAT,JUST GIVE ME A[♪]C,
1216
00:47:10,704 --> 00:47:13,416
[♪]
1217
00:47:28,431 --> 00:47:30,683
ALL RIGHT, HERE WE GO.
1218
00:47:30,724 --> 00:47:32,726
RIGHT UP HERE.
1219
00:47:32,768 --> 00:47:34,145
WHAT DO YOU MEAN?
1220
00:47:34,187 --> 00:47:36,897
THE BIKES WILL BE FINE.
1221
00:47:36,939 --> 00:47:38,065
YOU SURE?
1222
00:47:38,107 --> 00:47:39,066
YEAH.
1223
00:47:39,108 --> 00:47:40,609
COME ON.
1224
00:47:40,651 --> 00:47:42,111
JACK,ISN'T IT CLOSED?
1225
00:47:42,111 --> 00:47:43,946
COME ON.
1226
00:47:53,414 --> 00:47:55,666
JACK,WHAT HAVE YOU GOTISN'T IT UP YOUR SLEEVE?
1227
00:47:59,128 --> 00:48:00,796
OH, YEAH.
1228
00:48:00,796 --> 00:48:02,840
YEAH.
1229
00:48:04,592 --> 00:48:07,511
[♪]OH, YEAH.
1230
00:48:09,638 --> 00:48:12,016
[SIGHING DEEPLY]
1231
00:48:12,058 --> 00:48:15,144
I WON'T EVEN ASKHOW YOU MADE THIS HAPPEN.
1232
00:48:15,186 --> 00:48:18,272
LET'S JUST SAY I HAVEFRIENDS IN LOW PLACES.
1233
00:48:18,272 --> 00:48:20,483
HMM, SONOTHING'S CHANGED.
1234
00:48:20,483 --> 00:48:22,068
LET'S JUST SAY I HAVEFRIENDS IN LONOPE.CES.
1235
00:48:23,569 --> 00:48:24,528
THE FIRST TIMEWE CAME HERE,
1236
00:48:24,570 --> 00:48:26,155
YOU THOUGHT "MONET"WAS A CHAMPAGNE.
1237
00:48:26,155 --> 00:48:27,906
IT ISN'T?
1238
00:48:27,948 --> 00:48:29,408
[CHUCKLES]
1239
00:48:29,408 --> 00:48:31,160
THANK YOU FORBRINGING ME HERE.
1240
00:48:31,160 --> 00:48:32,411
YOU KNOW, IT WAS ALWAYSSO CROWDED BEFORE,KLES]
1241
00:48:32,453 --> 00:48:34,538
I NEVER REALLY SAW THESE.
1242
00:48:34,580 --> 00:48:36,249
IT'S ALL PARTOF THE PARIS EXPERIENCE.
1243
00:48:36,290 --> 00:48:37,125
HMM,
1244
00:48:37,166 --> 00:48:39,335
YOU DO THISFOR ALL YOUR GUESTS?
1245
00:48:39,335 --> 00:48:40,461
YEAH, OF COURSE.
1246
00:48:40,503 --> 00:48:41,795
LATER THIS AFTERNOON, I'LL BECLOSING DOWN THE LOUVRE
1247
00:48:41,837 --> 00:48:43,506
FOR A PING PONG TOURNAMENT.
1248
00:48:43,506 --> 00:48:44,340
NO, COME ON,
1249
00:48:44,382 --> 00:48:45,674
I'VE NEVER BROUGHTA GUEST BACK HERE.
1250
00:48:45,716 --> 00:48:48,011
I'VE NEVER BROUGHTANYONE BACK HERE.
1251
00:48:48,011 --> 00:48:49,512
I'M HONORED.
1252
00:48:51,847 --> 00:48:52,806
WHAT?
1253
00:48:54,017 --> 00:48:55,059
NOTHING.
1254
00:48:56,685 --> 00:48:59,897
JUST, LOOKING AT YOU, UH...
1255
00:48:59,939 --> 00:49:02,150
I WANTED TO SAY THREE WORDS.
1256
00:49:03,526 --> 00:49:05,319
WHAT THREE WORDS?
1257
00:49:07,821 --> 00:49:10,658
"OOH LA LA."
1258
00:49:14,745 --> 00:49:19,000
"LIFE IS THE ART OF DRAWINGWITHOUT AN ERASER."
1259
00:49:20,584 --> 00:49:21,544
WHO SAID THAT?
1260
00:49:21,585 --> 00:49:23,171
YOU DID.
1261
00:49:23,212 --> 00:49:24,338
WHAT? I MEAN...
1262
00:49:24,380 --> 00:49:25,381
IF I SAID THAT,
1263
00:49:25,381 --> 00:49:27,675
I WAS PROBABLY JUSTQUOTING HUGO OR SOMETHING.
1264
00:49:27,675 --> 00:49:30,719
YEAH, WELL,IT STAYED.
1265
00:49:30,719 --> 00:49:33,389
I MEAN, I'VE MADEBLY JUSTA FEW DECISIONSUGO OR SOMETHING.
1266
00:49:33,389 --> 00:49:35,016
I WISH I COULD ERASE.
1267
00:49:35,058 --> 00:49:37,726
WHO HASN'T HAD THOSE?
1268
00:49:40,146 --> 00:49:42,899
WHAT HAPPENED TO THOSETWO PEOPLE THAT WERE US?
1269
00:49:42,899 --> 00:49:45,234
LIFE, I GUESS.
1270
00:49:45,234 --> 00:49:48,071
I THOUGHT FOR SUREI'D BE MARRIED BY NOW,
1271
00:49:48,112 --> 00:49:51,740
WITH A COUPLE KIDS,A DOG, MAYBE TWO.
1272
00:49:51,740 --> 00:49:53,617
REALLY?
1273
00:49:53,659 --> 00:49:55,786
YEAH, ONE DAY, BUT...
1274
00:49:55,829 --> 00:49:57,956
"ONE DAY" NEVER HAPPENED.
1275
00:49:57,956 --> 00:49:58,873
YET.
1276
00:49:58,915 --> 00:49:59,916
"ONE DAY" NEVER HYOU KNOW, MAYBE
1277
00:49:59,916 --> 00:50:02,210
YOU'RE PLACING TOO MUCHEXPECTATION ON "ONE DAY."
1278
00:50:02,251 --> 00:50:04,087
"ONE DAY" NNAH. MM-MM.NOW, MAYBE
1279
00:50:04,087 --> 00:50:05,379
IT'S YOUR FAULT.
1280
00:50:05,421 --> 00:50:06,589
YOU'RE A HARD ACT TO FOLLOW.
1281
00:50:08,925 --> 00:50:14,764
OBVIOUSLY, NOT THAT HARD,BECAUSE YOU DIDN'T FOLLOW... ME.
1282
00:50:16,182 --> 00:50:19,227
WHERE'S THAT ERASERWHEN YOU NEED IT?
1283
00:50:23,773 --> 00:50:24,899
PARDON, MONSIEUR?
1284
00:50:26,985 --> 00:50:28,027
OH. YEAH, OKAY.
1285
00:50:28,069 --> 00:50:29,946
COME ON,WE GOTTA GO.
1286
00:50:29,946 --> 00:50:31,197
NO, THEY'RE...
1287
00:50:31,197 --> 00:50:34,117
THEY'RE GONNAWAX THE FLOORS.
1288
00:50:34,117 --> 00:50:35,493
NO, THCOME ON.
1289
00:50:38,788 --> 00:50:40,664
LINDSEY, COME ON!
1290
00:50:43,126 --> 00:50:44,460
YEAH, AND HAVE IT BY THEN.
1291
00:50:44,460 --> 00:50:45,628
WE SHOULD HAVETHE CONTRACTS SIGNED--
1292
00:50:45,628 --> 00:50:46,587
MERCI.
1293
00:50:46,587 --> 00:50:48,006
W--BY MONDAY.ETHE CONPERFECT.IGNED--
1294
00:50:48,047 --> 00:50:49,966
THAT IS GREAT.MOKAY.
1295
00:50:49,966 --> 00:50:52,927
[LINDSEY AND JACKLAUGHING AND CHATTING]
1296
00:50:52,969 --> 00:50:54,512
LINDSEY!
1297
00:50:55,596 --> 00:50:57,515
TRENT?
1298
00:50:57,556 --> 00:50:58,808
I WANTEDTO SURPRISE YOU.
1299
00:51:00,643 --> 00:51:02,896
WELL, YOU-YOU DID.
1300
00:51:02,937 --> 00:51:04,063
WHAT A SURPRISE.
1301
00:51:04,105 --> 00:51:05,148
YOUR ASSISTANT SAIDYOU WERE STAYING HERE,
1302
00:51:05,189 --> 00:51:06,232
AND I THOUGHTIT WOULD BE CONVENIENT.
1303
00:51:06,232 --> 00:51:08,567
[LINDSEY]: WOW...HOW-HOW GREAT.
1304
00:51:08,567 --> 00:51:09,778
AND I -YOU LOOK BEAUTIFUL.IT WOULD BE-THANK YOU..
1305
00:51:09,778 --> 00:51:11,738
[LINDSEY]: WOW...COME, LET'S HAVE A DRINK.
1306
00:51:11,780 --> 00:51:12,947
AND I -YOU LOOK BEAUTIFUL.IT WOULD BE-THANK YOGREAT, OKAY.
1307
00:51:13,907 --> 00:51:14,949
COME ON.
1308
00:51:18,327 --> 00:51:19,412
ALL RIGHT, WELL,
1309
00:51:19,412 --> 00:51:21,831
TAKE CARE OF HIS BAGS,I GUESS.
1310
00:51:21,873 --> 00:51:23,499
THROW THEMALL RIGHT, WELL,IN THE STREET?
1311
00:51:23,499 --> 00:51:25,418
[CHUCKLES] YEAH.
1312
00:51:25,459 --> 00:51:27,962
I'M KIDDING.THROW THEMBRING 'EM IN.LL,IN THE STREET?
1313
00:51:34,594 --> 00:51:36,721
RIGHT THIS WAY,JUST WATCH YOUR STEP.
1314
00:51:36,763 --> 00:51:37,681
THERE WE GO.
1315
00:51:37,722 --> 00:51:40,725
OOPS, SORRY, IT'S, UH,A LITTLE NARROW IN HERE.
1316
00:51:40,767 --> 00:51:42,769
AND WE'RE JUST BACK HERE.
1317
00:51:44,395 --> 00:51:45,689
HERE WE ARE.
1318
00:51:45,689 --> 00:51:47,481
GRAB THAT, THANKS.
1319
00:51:47,523 --> 00:51:49,150
OKAY...
1320
00:51:50,860 --> 00:51:52,987
VOILA, HUH?
1321
00:51:53,029 --> 00:51:54,405
[CHUCKLING]
1322
00:51:59,619 --> 00:52:00,787
HUH...
1323
00:52:00,829 --> 00:52:02,455
THIS IS COZY.
1324
00:52:02,496 --> 00:52:03,707
WHERE SHOULD I PUT THIS?
1325
00:52:03,707 --> 00:52:04,874
UH, THE HALLWAY?
1326
00:52:04,916 --> 00:52:06,000
CAN'T YOU FIND HIMA BETTER ROOM?
1327
00:52:06,042 --> 00:52:08,211
YEAH, UH, NO, SORRY,WE'RE ALL BOOKED UP.
1328
00:52:08,211 --> 00:52:09,337
VALENTINE'S DAY.
1329
00:52:09,378 --> 00:52:11,506
YEAH,THAT'S NOTORRY,WEFOR A WHILE YET.P.
1330
00:52:11,548 --> 00:52:14,634
AH, WELL, YOU KNOW PARIS,ANY EXCUSE TO CELEBRATE LOVE.
1331
00:52:16,010 --> 00:52:17,178
THANK YOU, SIR.
1332
00:52:18,304 --> 00:52:20,098
UM...[CLEARS THROAT]
1333
00:52:20,139 --> 00:52:21,558
ON THE CHANCE THATYOU'RE FREE TONIGHT,
1334
00:52:21,558 --> 00:52:24,185
I DID MAKE US RESERVATIONSFOR THE THREE OF US
1335
00:52:24,227 --> 00:52:25,436
AT THE ST. GERMAIN.
1336
00:52:25,479 --> 00:52:27,063
OH, MAN,I CAN'T MAKE IT.
1337
00:52:27,105 --> 00:52:29,483
I'M SO SORRY, I'M WORKINGTHE FRONT DESK TONIGHT.
1338
00:52:31,109 --> 00:52:33,069
I MEANT LINDSEYAND HER DAUGHTER.
1339
00:52:33,069 --> 00:52:34,070
OH...
1340
00:52:34,112 --> 00:52:36,573
DUH, OF COURSE, YOU DID.
1341
00:52:36,615 --> 00:52:38,116
I'M SORRY ABOUT THAT.
1342
00:52:38,116 --> 00:52:40,702
UM, ANYTHING ELSEI CAN HELP YOU WITH?
1343
00:52:40,744 --> 00:52:42,411
WE'RE GOOD,THANK YOU.SORRY ABOUT THAT.
1344
00:52:42,411 --> 00:52:43,663
UH, YOU KNOW WHAT,THAT'S FINE.
1345
00:52:43,705 --> 00:52:45,414
YOU'RE GONNA NEED ITIF YOU'RE GOING TO ST. GERMAIN,
1346
00:52:45,414 --> 00:52:48,376
AND IF I WERE YOU,I WOULD NOT ORDER THE FISH.
1347
00:52:49,753 --> 00:52:51,087
YOU'RE GONGREAT, THANK YOUIF YOU'RE GOINGVERY MUCH.RMAIN,
1348
00:52:51,129 --> 00:52:52,422
EXCUSE ME,
1349
00:52:52,464 --> 00:52:53,590
TIGHT FIT.
1350
00:52:53,590 --> 00:52:54,966
OKAY... [CHUCKLING]
1351
00:52:55,008 --> 00:52:56,050
THIS IS SOMETHING, HUH?
1352
00:52:56,050 --> 00:52:57,301
WOW, THIS ROOM IS SO SMALL--
1353
00:52:57,343 --> 00:52:59,262
I'M NOT EVEN SURE IT'S A ROOM.H?
1354
00:52:59,303 --> 00:53:00,430
YOU KNOW, I'VE BEENIN SMALLER.
1355
00:53:00,430 --> 00:53:01,389
REALLY?
1356
00:53:01,431 --> 00:53:02,432
NEVER.
1357
00:53:02,432 --> 00:53:03,892
[LAUGHING]
1358
00:53:04,809 --> 00:53:06,686
SO, I HOPE IT'SALL RIGHT THAT I'M HERE.
1359
00:53:06,728 --> 00:53:07,604
I JUST THOUGHT
1360
00:53:07,646 --> 00:53:08,855
IT WAS REALLYTHE PERFECT OPPORTUNITY
1361
00:53:08,855 --> 00:53:11,941
TO SHOW YOUOUR PARIS OFFICE.
1362
00:53:11,941 --> 00:53:13,985
IT WAS REALLYYOU ARE PERSISTENT.TUNITY
1363
00:53:14,027 --> 00:53:14,986
WELL...W YOU[CELL PHONE RINGS]
1364
00:53:15,028 --> 00:53:17,113
...MAYBE, UM,MAYBE AFTER DINNER?
1365
00:53:17,113 --> 00:53:17,989
HOLD ON ONE SECOND.
1366
00:53:18,031 --> 00:53:19,449
YUP. TRENT.
1367
00:53:19,491 --> 00:53:20,409
MM-HMM.
1368
00:53:20,450 --> 00:53:23,286
WELL, I MEAN, IT'S NOTA GREAT TIME, BUT, UH...
1369
00:53:23,286 --> 00:53:24,203
YOU KNOW, WE--
1370
00:53:24,203 --> 00:53:25,622
WELLYEAH, NO, IT'S OKAY.A GRSORRY, HOLD ON--H...
1371
00:53:25,622 --> 00:53:26,581
YOIT'S OKAY...
1372
00:53:26,623 --> 00:53:28,417
[CLEARS THROAT AWKWARDLY]MM-HMM. YUP, MM-HMM.
1373
00:53:29,459 --> 00:53:30,960
UH, WELL, YOU TELL THEM
1374
00:53:30,960 --> 00:53:33,630
WHEN I'M BACKIN THE STATES THAT...
1375
00:53:33,630 --> 00:53:39,010
[♪]
1376
00:53:53,149 --> 00:53:54,275
HUGO...
1377
00:53:54,318 --> 00:53:56,486
BONSOIR, NICHOLAS.
1378
00:53:56,486 --> 00:53:57,696
PLEASE...
1379
00:53:58,572 --> 00:53:59,614
BOMERCI. NICHOLAS.
1380
00:53:59,656 --> 00:54:00,907
WELL, I'M SORRY
1381
00:54:00,949 --> 00:54:02,826
THAT WE COULDN'T FIND YOUR LOCK.
1382
00:54:02,826 --> 00:54:03,952
HERE, LET ME.
1383
00:54:04,911 --> 00:54:05,662
THAT WE COUTHANK YOU. YOUR LOCK.
1384
00:54:05,704 --> 00:54:08,832
IT WAS GOOD OF YOUTO INDULGE ME.
1385
00:54:08,873 --> 00:54:10,750
I DON'T KNOWWHAT I WAS THINKING.
1386
00:54:10,750 --> 00:54:12,711
WELL, YOU WERETHINKING ABOUT LOVE,
1387
00:54:12,752 --> 00:54:15,088
WHICH DOES STRANGE THINGSTO EVERYONE. WAS THINKING.
1388
00:54:15,129 --> 00:54:17,299
SO MAYBE I GO BACKTO THE BRIDGE,
1389
00:54:17,299 --> 00:54:19,133
AND I TAKE A FLASHLIGHT
1390
00:54:19,175 --> 00:54:20,552
SO MAYBE I GO BACKTO THE BAND BOLT CUTTERS.
1391
00:54:20,594 --> 00:54:22,429
NO, IF YOU DO,YOU'LL BE ARRESTED.
1392
00:54:22,429 --> 00:54:24,264
WELL, IT WON'T BETHE FIRST TIME.
1393
00:54:24,306 --> 00:54:28,017
NO-OH, DEAR.O,YOU'-[LAUGHING]TED.
1394
00:54:29,018 --> 00:54:30,604
IT MAKES ME HAPPYWHEN YOU LAUGH.
1395
00:54:32,188 --> 00:54:33,565
IT'S BEEN A WHILE.
1396
00:54:33,607 --> 00:54:34,691
HOW LONG HAS IT BEEN
1397
00:54:34,733 --> 00:54:37,819
SINCE YOU'VE HAD A--A DECADENT, UH...
1398
00:54:37,861 --> 00:54:38,862
MEAL?
1399
00:54:38,862 --> 00:54:39,946
DESSERT.
1400
00:54:43,242 --> 00:54:44,368
NICHOLAS!
1401
00:54:44,368 --> 00:54:45,494
CHOCOLAT!
1402
00:54:45,535 --> 00:54:47,371
OUI, MONSIEUR.TOUT DE SUITE.
1403
00:54:47,371 --> 00:54:48,497
YOU WILL LOVE THIS.
1404
00:54:58,632 --> 00:55:00,884
I'M REALLY SORRY THATALEXA COULDN'T JOIN US.
1405
00:55:00,884 --> 00:55:01,801
MERCI.
1406
00:55:01,843 --> 00:55:03,220
WELL, SHE DIDN'TWANT TO INTRUDE,
1407
00:55:03,220 --> 00:55:04,388
AND ALSO,
1408
00:55:04,388 --> 00:55:06,681
SHE'S BUSY FALLING'TIN LOVE WITH SOMEONE
1409
00:55:06,681 --> 00:55:08,475
SHE'S ONLY KNOWNTWO DAYS.
1410
00:55:08,517 --> 00:55:11,728
WELL, WHO HASN'TALLING'TDONE THAT, RIGHT?SOMEONE
1411
00:55:11,770 --> 00:55:12,604
[CHUCKLES]
1412
00:55:12,646 --> 00:55:15,440
ARE YOU TRYINGTO SWEEP ME OFF MY FEET
1413
00:55:15,482 --> 00:55:16,566
SO YOU CAN GETMY MAGAZINE?
1414
00:55:16,608 --> 00:55:18,277
PLEASE TELL ME IT'S WORKING.
1415
00:55:18,318 --> 00:55:19,736
ONE FOOT'SOFF THE GROUND.
1416
00:55:19,736 --> 00:55:21,196
TO THE OTHER FOOT.
1417
00:55:21,238 --> 00:55:22,489
ONE FOOT'SOFF THE OH.UND.
1418
00:55:22,531 --> 00:55:24,073
YOU ARE GOOD.
1419
00:55:30,580 --> 00:55:32,832
LINDSEY, HOW ABOUTWE DON'T TALK BUSINESS TONIGHT?
1420
00:55:34,000 --> 00:55:36,295
OH. OH--OH, SO THIS WOULD BE A...
1421
00:55:36,336 --> 00:55:37,962
SOME MIGHTCALL IT A "DATE."
1422
00:55:38,004 --> 00:55:39,214
RIGHT,ONE OF THOSE.
1423
00:55:39,256 --> 00:55:40,132
OR NOT--
1424
00:55:40,174 --> 00:55:41,133
NO, NO, NO, WE COULD...
1425
00:55:41,175 --> 00:55:42,592
NO, WE COULDCALL IT A DATE, YEAH.
1426
00:55:42,592 --> 00:55:43,760
OKAY. GOOD.
1427
00:55:43,760 --> 00:55:46,388
I'M SORRY, I'M A LITTLE--I'M A LITTLE OUT OF PRACTICE.
1428
00:55:46,430 --> 00:55:48,515
ACTUALLY, I AM, TOO, SO...
1429
00:55:48,515 --> 00:55:50,767
WHY DO I FIND THATHARD TO BELIEVE?
1430
00:55:50,767 --> 00:55:52,102
ACTUALLY, I[CHUCKLES]SO...
1431
00:55:52,102 --> 00:55:53,270
IT'S TRUE.
1432
00:55:53,312 --> 00:55:56,773
I, UH... I WORK, LIKE, 24/7,
1433
00:55:56,815 --> 00:55:58,900
AND, REALLY,I AM TRYING TO CHANGE THAT.
1434
00:55:58,942 --> 00:56:01,111
STARTING ABOUT 30 SECONDS AGO.
1435
00:56:01,111 --> 00:56:03,322
[LAUGHING]
1436
00:56:04,281 --> 00:56:05,282
HOW AM I DOING?30 SECONDS AGO.
1437
00:56:05,282 --> 00:56:06,200
PRETTY GOOD.
1438
00:56:06,241 --> 00:56:07,284
-YOU THINK?-MM-HMM.
1439
00:56:07,284 --> 00:56:09,119
CAVIAR...
1440
00:56:09,119 --> 00:56:11,455
OH, LOOK AT THIS.
1441
00:56:11,496 --> 00:56:13,332
-VERY GOOD.-YEAH?
1442
00:56:24,801 --> 00:56:27,387
[CHUCKLING FONDLY]
1443
00:56:29,931 --> 00:56:32,309
[♪]
1444
00:56:50,619 --> 00:56:52,704
♪ COO-COO... ♪
1445
00:56:54,331 --> 00:56:56,500
YOU'RE ALWAYS WORKING.
1446
00:56:56,541 --> 00:56:57,459
OH, REALLY?
1447
00:56:57,501 --> 00:56:59,753
I ALWAYS FEEL LIKEI'M NOT WORKING ENOUGH.
1448
00:57:03,507 --> 00:57:04,591
I SEE SHE'S MORE
1449
00:57:04,633 --> 00:57:05,842
THAN JUST A HOTEL GUEST.
1450
00:57:05,842 --> 00:57:06,886
OH, THIS?
1451
00:57:06,927 --> 00:57:09,972
OH, COME ON, IT WASTHAN JUST A HA LIFETIME AGO.
1452
00:57:10,014 --> 00:57:11,515
YOU LOOK HAPPY.
1453
00:57:11,556 --> 00:57:14,518
YEAH, WELL, EVERYBODYLOOKS HAPPY IN SKETCHES.
1454
00:57:14,559 --> 00:57:16,770
BUT NOT EVERYONEDIGS UP OLD PICTURES.
1455
00:57:16,811 --> 00:57:19,773
ALL RIGHT, WELL, YOU KNOW,
1456
00:57:19,814 --> 00:57:21,025
MAYBE SEEING HER HERE
1457
00:57:21,066 --> 00:57:22,609
HAS STIRRED UPSOME OLD MEMORIES,
1458
00:57:22,651 --> 00:57:25,404
BUT I TOLD YOU,IT WAS A LIFETIME AGO.
1459
00:57:25,445 --> 00:57:27,406
WHEN IS SHE LEAVING?
1460
00:57:27,447 --> 00:57:29,950
UM... A COUPLE OF DAYS.
1461
00:57:29,992 --> 00:57:31,994
IS IT POSSIBLESHE COULD LEAVE SOONER?
1462
00:57:32,953 --> 00:57:34,038
[CHUCKLES]
1463
00:57:34,079 --> 00:57:35,705
COME ON, HER LIFEIS IN NEW YORK.
1464
00:57:36,916 --> 00:57:38,542
THAT'S GOOD,
1465
00:57:38,542 --> 00:57:40,252
BECAUSE...
1466
00:57:40,294 --> 00:57:43,130
I AM GOING TO MILANNEXT WEEKEND,
1467
00:57:43,172 --> 00:57:45,299
AND I WANT YOU TO COME WITH ME.
1468
00:57:46,926 --> 00:57:49,136
MILAN, WOW...
1469
00:57:49,178 --> 00:57:51,221
UH, I WISH I COULD, BUT...
1470
00:57:51,221 --> 00:57:52,222
THE HOTEL.
1471
00:57:52,222 --> 00:57:53,223
I CAN'T. WISH I COULD, BUT...
1472
00:57:53,265 --> 00:57:55,267
OF COURSE, YOU CAN,IT'S YOUR HOTEL.
1473
00:57:55,309 --> 00:57:57,061
[FRONT DESK BELL DINGS]
1474
00:57:57,061 --> 00:57:59,229
UH, COMING!
1475
00:57:59,271 --> 00:58:01,231
[FRONTI'M SORRY. DINGS]
1476
00:58:05,735 --> 00:58:07,279
[SIGHS HEAVILY]
1477
00:58:08,322 --> 00:58:09,531
ALL RIGHT,YOU ARE ALL SET.
1478
00:58:09,573 --> 00:58:11,742
HERE ARE YOUR KEYS,OWEN HAS YOUR BAGS,
1479
00:58:11,742 --> 00:58:13,493
AND ENJOY YOUR STAY.
1480
00:58:13,535 --> 00:58:14,745
MERCI, MONSIEUR.
1481
00:58:16,956 --> 00:58:18,248
HEY!
1482
00:58:18,248 --> 00:58:19,333
HOW WAS ST. GERMAIN?
1483
00:58:19,374 --> 00:58:20,417
WELL, YOU WERE RIGHT,
1484
00:58:20,417 --> 00:58:21,961
WE SHOULD NOTHAVE ORDERED THE FISH.
1485
00:58:22,002 --> 00:58:23,420
I TOLD YOU.
1486
00:58:23,420 --> 00:58:24,588
[CHUCKLING]
1487
00:58:24,588 --> 00:58:26,757
OH, TRENT, THIS ISI TMY DAUGHTER.
1488
00:58:26,757 --> 00:58:28,675
OH, IT IS NICETO MEET YOU, ALEXA.
1489
00:58:28,718 --> 00:58:29,969
YOU, TOO.
1490
00:58:30,010 --> 00:58:31,261
-AND YOU'VE ALREADY MET JP.-OF COURSE.
1491
00:58:31,303 --> 00:58:32,429
THANK YOU FOR THATGENEROUS TIP, SIR.
1492
00:58:32,429 --> 00:58:33,848
SO, WHAT HAVE YOU TWOBEEN UP TO TONIGHT?
1493
00:58:33,889 --> 00:58:35,390
OH, WE HADTHANK YOU FOR THATSO MUCH FUN.GENEROUS TIP, SIR.
1494
00:58:35,432 --> 00:58:36,266
WE HAD BREADAND CHEESE.
1495
00:58:36,266 --> 00:58:37,768
AND WE WALKEDALONG THE SEINE.
1496
00:58:37,810 --> 00:58:38,936
OH, DON'TFORGET THE ROCK.
1497
00:58:38,936 --> 00:58:40,437
OH, WE FOUND THIS ROCKTHAT'S SHAPED LIKE A HEART!
1498
00:58:40,437 --> 00:58:41,438
IT'S GOOD LUCK.
1499
00:58:41,438 --> 00:58:42,397
OH, WE FOUND THIS ROCKWHAT DID YOU GUYS DO?HEART!
1500
00:58:42,397 --> 00:58:44,566
WE HAD AN AMAZING DINNER,.
1501
00:58:44,566 --> 00:58:46,026
OH, WE FOUND THIS ROCKAND AN AMAZING DESSERT,ART!
1502
00:58:46,068 --> 00:58:48,946
AND THEN TRENT SHOWED MEHIS OFFICES HERE, WHICH ARE...
1503
00:58:48,946 --> 00:58:50,781
AMAZING?
1504
00:58:50,823 --> 00:58:51,949
[LAUGHING]
1505
00:58:51,949 --> 00:58:52,825
OH, HEY!
1506
00:58:52,867 --> 00:58:55,995
GUYS, HERE IS[LAUGMY GIRLFRIEND, NICOLE,
1507
00:58:56,036 --> 00:58:57,955
WHO IS ALSO AMAZING.
1508
00:58:57,997 --> 00:58:59,581
[CHUCKLING]
1509
00:58:59,623 --> 00:59:01,125
AH, PARTY IN THE LOBBY!
1510
00:59:01,166 --> 00:59:02,710
AH, AND THIS ISKATHRYN DALTRY.
1511
00:59:02,752 --> 00:59:03,628
HELLO.
1512
00:59:03,628 --> 00:59:05,420
YES, THE EXQUISITEKATHRYN DALTRY.
1513
00:59:05,462 --> 00:59:07,047
OH, HUGO,YOU ARE TOO KIND.
1514
00:59:07,089 --> 00:59:09,967
AH, WELL, NO ONE'S EVERACCUSED ME OF THAT BEFORE.
1515
00:59:10,009 --> 00:59:11,135
AGREED.
1516
00:59:12,177 --> 00:59:14,554
AND THIS ISHUGO BLANCHETT THE ARTIST.
1517
00:59:14,597 --> 00:59:16,807
WELL, I'M MORE THAN THAT,BUT IT WILL DO FOR NOW.
1518
00:59:16,807 --> 00:59:18,475
HUGO, PLEASURE TO MEET YOU TRENTGREER.
1519
00:59:18,475 --> 00:59:19,518
BONJOUR, MR. GREER.
1520
00:59:19,559 --> 00:59:22,813
HUGO IS ALEXA'SPAINTING TEACHER.
1521
00:59:22,813 --> 00:59:24,356
YOURS TOO.
1522
00:59:24,398 --> 00:59:27,109
I DID NOT KNOWYOU PAINTED.
1523
00:59:28,402 --> 00:59:30,905
WELL, IT'S SAD TO SAY,SHE'S GIVEN IT UP.
1524
00:59:31,906 --> 00:59:32,990
HUGO TOOK METO PONT NEUF.
1525
00:59:32,990 --> 00:59:35,159
WE SEARCHED FOR HOURSFOR MY LOCK.
1526
00:59:35,159 --> 00:59:36,410
YOU HAVE A LOCKON THE BRIDGE?
1527
00:59:36,410 --> 00:59:38,579
MM-HMM, I THOUGHTI MIGHT FIND IT
1528
00:59:38,579 --> 00:59:40,414
BEFORE THE CITYVE A LOCKCUTS THEM OFF.E BRIDGE?
1529
00:59:40,455 --> 00:59:42,166
MM-HMM, I THOUGHTI MIGHT FIND ITCUTS THEM OFF?
1530
00:59:42,166 --> 00:59:44,251
YES, WELL, THEY HAVETHEIR REASONS, I SUPPOSE.
1531
00:59:44,293 --> 00:59:46,295
THAT'S AWFUL.
1532
00:59:46,336 --> 00:59:47,880
IT'S JUST A BRIDGE, SWEETIE.
1533
00:59:47,922 --> 00:59:49,674
YEAH, BUTALL THOSE PROMISES.
1534
00:59:49,674 --> 00:59:50,507
[KATHRYN]: I ADMIT,
1535
00:59:50,507 --> 00:59:52,009
I'M SENTIMENTALABOUT IT, TOO.
1536
00:59:52,009 --> 00:59:54,011
UH, INNKEEPER,
1537
00:59:54,053 --> 00:59:56,138
UH, UH, DRINKSNTIMENTALFOR ALL MY FRIENDS. TOO.
1538
00:59:56,138 --> 00:59:58,307
JUST PUT IT ON MY TAB.
1539
00:59:58,348 --> 00:59:59,684
HUGO, YOU DON'T, DRINKSNTIMENTALHAVE A TAB.ALL MY FRIENDS. TOO.
1540
00:59:59,684 --> 01:00:01,435
WELL, WHAT BETTER TIMETO START ONE.
1541
01:00:01,476 --> 01:00:02,853
[LAUGHING]
1542
01:00:05,523 --> 01:00:06,816
DID YOU DECIDE?
1543
01:00:06,857 --> 01:00:07,692
ABOUT WHAT?
1544
01:00:07,733 --> 01:00:08,818
THE MAGAZINE.
1545
01:00:08,859 --> 01:00:12,154
ACTUALLY, WE DIDN'TEVEN TALK ABOUT IT.
1546
01:00:12,196 --> 01:00:13,864
SO IT WAS A DATE?
1547
01:00:13,864 --> 01:00:15,491
KIND OF.
1548
01:00:15,533 --> 01:00:17,326
[GASPS]WHAT ABOUT JACK?
1549
01:00:17,367 --> 01:00:18,953
WHAT ABOUT HIM?
1550
01:00:18,953 --> 01:00:21,163
SO, I GET TO CALL DADAND TELL HIM
1551
01:00:21,205 --> 01:00:22,372
YOU'RE NOT JUSTSEEING SOMEBODY,WHAT ABOUT HIM?
1552
01:00:22,372 --> 01:00:23,708
BUT TWO SOMEBODIES.
1553
01:00:23,708 --> 01:00:25,042
I AM NOT!
1554
01:00:25,042 --> 01:00:26,877
AND DON'T YOU DARE.
1555
01:00:26,919 --> 01:00:27,795
I'M GONNA!
1556
01:00:30,214 --> 01:00:31,882
[♪]
1557
01:00:39,557 --> 01:00:42,643
ALEXA, MY COMPANY ISSPONSORING A CONCERT SERIES
1558
01:00:42,685 --> 01:00:44,562
AT LE ZENITH NEXT WEEKEND,
1559
01:00:44,562 --> 01:00:45,730
AND I THOUGHTI WOULD LEAVE TWO TICKETS
1560
01:00:45,771 --> 01:00:48,273
FOR YOU AND JPAT WILL CALL.
1561
01:00:48,315 --> 01:00:50,610
IF YOUR MOMIS OKAY WITH THAT.
1562
01:00:51,569 --> 01:00:52,695
YEAH.YEAH, THANK YOU.
1563
01:00:52,737 --> 01:00:53,654
THAT'S SO NICE.
1564
01:00:53,696 --> 01:00:55,448
GREAT. GREAT.UM, I HAVE TO RUN,
1565
01:00:55,490 --> 01:00:57,742
BUT, UM, YOU SUREYOU WON'T COME WITH ME?
1566
01:00:57,742 --> 01:01:00,953
THANKS, BUT WE'RE HELPING HUGOSET UP FOR HIS SHOW.
1567
01:01:00,995 --> 01:01:02,204
RIGHT, RIGHT,UM, YOU SUREWHAT TIME IS THAT?E WITH ME?
1568
01:01:02,246 --> 01:01:03,664
4:00 P.M.LES ARCHIVES.
1569
01:01:03,706 --> 01:01:05,332
-THE ARCHIVES?-THE ARCHIVES.
1570
01:01:05,375 --> 01:01:06,333
[CALL PHONE RINGING]OKAY.
1571
01:01:06,376 --> 01:01:07,418
I HAVE A 4:00EDITOR'S MEETING,
1572
01:01:07,418 --> 01:01:09,795
BUT I WILL, UH,I WILL MEET YOU THERE.
1573
01:01:09,837 --> 01:01:11,547
SOUNDS LIKE A PLAN.
1574
01:01:11,589 --> 01:01:13,090
TERRIFIC.
1575
01:01:14,049 --> 01:01:15,009
OKAY, I'M ON MY WAY.
1576
01:01:15,050 --> 01:01:16,427
UH, WOULD YOU MIND
1577
01:01:16,469 --> 01:01:17,762
TAKING THESETO HUGO FOR ME? THANKS.
1578
01:01:17,803 --> 01:01:18,971
WHAT IS IT?
1579
01:01:19,013 --> 01:01:21,599
UM, THEY'RE CROISSANTS.
1580
01:01:21,599 --> 01:01:23,183
I LOST A BET.
1581
01:01:36,697 --> 01:01:37,782
OH!
1582
01:01:37,782 --> 01:01:38,783
CROISSANTS!
1583
01:01:38,783 --> 01:01:40,493
-[CHUCKLING] FROM JACK.-AH, HE'S MAN OF HONOR.
1584
01:01:40,535 --> 01:01:41,952
I'M NOT EVENCRGOING TO ASK
1585
01:01:41,952 --> 01:01:42,912
WHAT THE BET WAS.
1586
01:01:42,953 --> 01:01:44,372
WELL, THERE'SA GOOD CHOICE.
1587
01:01:44,414 --> 01:01:45,456
HEY, WHERE ISEVERYTHING?
1588
01:01:45,498 --> 01:01:47,249
WELL, IT WENTTO THE GALLERY.
1589
01:01:47,292 --> 01:01:48,876
THEY'RE COMINGFOR THE LAST LOAD.
1590
01:01:48,918 --> 01:01:50,127
I THOUGHT WE WEREGOING TO HELP.
1591
01:01:50,127 --> 01:01:51,671
WELL, YOU ARE.
1592
01:01:52,463 --> 01:01:54,299
I THOYOU SEE, THIS COULDGOINBE YOUR BEST WORK.
1593
01:01:54,340 --> 01:01:55,258
HUGO...
1594
01:01:55,300 --> 01:01:56,634
THE FIRSTSTEP BACK IS,
1595
01:01:56,634 --> 01:01:58,761
YOU TAKE THE BRUSH.
1596
01:01:58,803 --> 01:01:59,845
THE FIRSTALEXA CAN FINISH IT.
1597
01:01:59,887 --> 01:02:01,681
NO, ALEXA HAS HER OWNLIFE TO PAINT,
1598
01:02:01,722 --> 01:02:02,723
YOU NEED TO FINISH YOURS.
1599
01:02:02,765 --> 01:02:04,809
WHAT IF I CAN'T?
1600
01:02:05,810 --> 01:02:06,769
OF COURSE YOU CAN.
1601
01:02:06,811 --> 01:02:09,772
NOW, WHILE YOU ARE HERE,ALLOW YOURSELF TO BE...
1602
01:02:09,814 --> 01:02:11,732
THE ARTIST.
1603
01:02:11,774 --> 01:02:12,817
HMM?
1604
01:02:13,818 --> 01:02:15,110
TAKE THE BRUSH.
1605
01:02:16,070 --> 01:02:17,780
HMM?
1606
01:02:20,283 --> 01:02:24,119
AND ALEXA AND I WILL BEPUTTING TOGETHER THE GALLERY
1607
01:02:24,161 --> 01:02:25,996
FOR A BRILLIANT SHOW...
1608
01:02:26,038 --> 01:02:28,123
RIGHT, NOW,THE MOST IMPORTANT THING
1609
01:02:28,123 --> 01:02:31,168
ABOUT HANGING A PAINTING
1610
01:02:31,211 --> 01:02:32,503
RIGHT, NOW,IS THE LIGHT.RTANT THING
1611
01:02:32,503 --> 01:02:33,879
AND, UH...
1612
01:02:33,921 --> 01:02:36,382
[TURNS CLASSICAL MUSIC]
1613
01:02:36,424 --> 01:02:39,344
...YOU CAN MAKEA REALLY BAD PAINTING
1614
01:02:39,344 --> 01:02:42,972
LOOK LIKE A MASTERPIECEWITH THE RIGHT LIGHT, HUH?
1615
01:02:45,057 --> 01:02:46,351
...YOU CAN MAKE[DOOR CLOSES] PAINTING
1616
01:02:46,351 --> 01:02:48,686
[♪]
1617
01:03:14,920 --> 01:03:18,007
[CHATTING]
1618
01:03:22,428 --> 01:03:24,597
OH, MY GOODNESS.
1619
01:03:25,890 --> 01:03:27,933
OH, WOW.
1620
01:03:29,352 --> 01:03:31,521
[♪]
1621
01:03:31,562 --> 01:03:34,524
ART, LIKE LOVE,HAS NO CURE,
1622
01:03:34,565 --> 01:03:37,193
BUT IF IT IS TRUE,IT WILL STAY WITH YOU.
1623
01:03:37,235 --> 01:03:38,403
HMM?
1624
01:03:38,403 --> 01:03:39,237
ARE YOU TRYING
1625
01:03:39,279 --> 01:03:40,113
TO SELL US A PAINTING, HUGO?
1626
01:03:40,155 --> 01:03:41,739
OF COURSE! OF COURSE!
1627
01:03:41,739 --> 01:03:43,074
BUT I MEAN EVERY WORD.
1628
01:03:43,074 --> 01:03:45,076
OF COURSE! OF COURSE![LAUGHS]
1629
01:03:47,162 --> 01:03:49,205
ONE DAY, YOU'LL BEHANGING YOUR WORK HERE.
1630
01:03:49,247 --> 01:03:50,831
MAYBE. ONE DAY.
1631
01:03:50,873 --> 01:03:52,958
WHEN THE SEMESTER'S OVER,YOU CAN COME TO NEW YORK?
1632
01:03:53,001 --> 01:03:54,169
I CAN APPLYTO GRAD SCHOOL.
1633
01:03:54,210 --> 01:03:55,295
WE CAN HAVE THE WHOLESUMMER TOGETHER,
1634
01:03:55,336 --> 01:03:56,587
AND I'LL SHOW YOUALL THE SIGHTS,
1635
01:03:56,629 --> 01:03:58,173
STARTING WITHTHE STATUE OF LIBERTY,
1636
01:03:58,214 --> 01:03:59,215
WHICH IS ACTUALLY--
1637
01:03:59,257 --> 01:04:00,091
--FRENCH.
1638
01:04:00,091 --> 01:04:02,677
[LAUGHING TOGETHER]
1639
01:04:05,763 --> 01:04:07,432
--FROH, EXCUSEZ-MOI.
1640
01:04:08,766 --> 01:04:09,725
KATHRYN!
1641
01:04:10,601 --> 01:04:12,353
OH, HUGO.
1642
01:04:12,395 --> 01:04:13,188
YOU MADE IT.
1643
01:04:13,229 --> 01:04:14,522
WELL, I REALIZEDIT WAS SOMETHING
1644
01:04:14,564 --> 01:04:16,566
I JUST DID NOTWANT TO MISS.
1645
01:04:16,566 --> 01:04:17,858
I'M SO HAPPY YOU CAME.
1646
01:04:17,858 --> 01:04:19,152
I JUST DID NOTCOME, I'LL SHOW YOU SOMETHING.
1647
01:04:19,194 --> 01:04:20,570
I'M SO HAPPOKAY. CAME.
1648
01:04:24,199 --> 01:04:25,158
OH...
1649
01:04:25,158 --> 01:04:26,617
YES?
1650
01:04:26,617 --> 01:04:27,702
OH, WOW.OH...
1651
01:04:28,619 --> 01:04:29,955
OH, DID I MAKE YOU CRY?
1652
01:04:29,955 --> 01:04:30,830
OH...
1653
01:04:30,830 --> 01:04:31,789
HMM?
1654
01:04:31,789 --> 01:04:33,083
[SIGHS, CHUCKLING]
1655
01:04:33,124 --> 01:04:34,960
YOU'VE MADE ME, UH...
1656
01:04:34,960 --> 01:04:37,503
YOU'VE MADE ME LOOKSO FULL OF LIFE, AND...
1657
01:04:37,545 --> 01:04:39,047
WELL, I PAINT WHAT I SEE.
1658
01:04:39,089 --> 01:04:41,299
IT'S JUST THAT, UM,...
1659
01:04:41,299 --> 01:04:43,843
IT'S JUST THATI'VE FELT SO SAD, AND...
1660
01:04:43,884 --> 01:04:44,844
WELL, LOOK,
1661
01:04:44,885 --> 01:04:46,137
YOU CAN SEE BOTH.
1662
01:04:46,179 --> 01:04:48,890
LIFE AND LOVE,IT'S COMPLICATED.
1663
01:04:48,932 --> 01:04:49,975
THAT'S WHATMAKES IT GREAT.
1664
01:04:49,975 --> 01:04:52,060
[SIGHS HEAVILY]
1665
01:04:53,311 --> 01:04:54,812
THAT'S WHATTHANK YOU, HUGO.
1666
01:04:54,812 --> 01:04:56,814
MON PLAISIR, MADAME.
1667
01:05:06,157 --> 01:05:07,158
OH, YEAH,THERE WE GO,
1668
01:05:07,158 --> 01:05:08,409
I SEE IT, YUP.
1669
01:05:08,409 --> 01:05:10,996
IT'S A HAMBURGERAND A SPATULA.
1670
01:05:10,996 --> 01:05:11,913
OH, NO, WAIT A MINUTE,
1671
01:05:11,913 --> 01:05:15,208
IT'S A GRILLED CHEESEAND A SPATULA.
1672
01:05:15,250 --> 01:05:16,501
OH, NO, WAIT YOU MUST BE HUNGRY.
1673
01:05:16,542 --> 01:05:17,418
[CHUCKLES]
1674
01:05:17,418 --> 01:05:20,005
IT'S SUPPOSED TO BETWO PEOPLE IN LOVE,
1675
01:05:20,005 --> 01:05:21,756
AT LEAST THAT'S[CHUCKLES]WHAT HUGO SAYS.
1676
01:05:21,756 --> 01:05:23,508
OH, YEAH, OKAY,I SEE IT NOW--
1677
01:05:23,508 --> 01:05:25,051
-REALLY?LEAST THAT'S[CHUCKLES]-NO.HAT HUGO SAYS.
1678
01:05:27,678 --> 01:05:29,305
I DIDN'T KNOWY,YOU WERE COMING.
1679
01:05:29,305 --> 01:05:31,266
YEAH, UH,HUGO INVITED ME.
1680
01:05:31,307 --> 01:05:32,267
I DIDN'T KNOWY,YOU WERE HUH.NG.
1681
01:05:33,393 --> 01:05:34,936
WHERE'S NICOLE?
1682
01:05:34,936 --> 01:05:36,604
UM, HE SAIDTHERE WASN'T ENOUGH ROOM
1683
01:05:36,646 --> 01:05:38,314
WHERE'S NFOR A PLUS-ONE.
1684
01:05:38,356 --> 01:05:40,233
[TSKS] HMM.
1685
01:05:40,275 --> 01:05:42,027
HE NEVER GIVES UP.
1686
01:05:42,068 --> 01:05:45,030
THERE'S SOMETHINGTO BE SAID ABOUT THAT.
1687
01:05:46,197 --> 01:05:47,573
WHERE'SYOUR PLUS-ONE?
1688
01:05:47,615 --> 01:05:49,534
HE HAD BUSINESS,HE'LL BE HERE LATER.
1689
01:05:49,534 --> 01:05:51,244
GREAT.
1690
01:05:52,537 --> 01:05:53,621
SO... PUBLISHING.
1691
01:05:53,663 --> 01:05:55,040
YUP.
1692
01:05:55,040 --> 01:05:56,792
YUP, PUBLISHING.
1693
01:05:56,833 --> 01:05:58,584
LET ME GUESSHOW YOU GUYS MET.YUP.
1694
01:05:58,584 --> 01:06:00,879
IT'S A QUAINTLITTLE BOOKSHOP IN SOHO.
1695
01:06:00,921 --> 01:06:02,923
YOU WALK IN,YOUR EYES MEET,T.YUP.
1696
01:06:02,923 --> 01:06:05,383
YOU BOTH REACHFOR THE SAME RENOIR BOOK--
1697
01:06:05,383 --> 01:06:06,217
YOU WALK IN,YOUR EYES MEET,T.YCLOSE.
1698
01:06:06,217 --> 01:06:08,553
EDITORS' CONVENTION,500 PEOPLE.
1699
01:06:08,553 --> 01:06:09,721
OH, HOT.
1700
01:06:09,763 --> 01:06:12,682
BE STILLMY BEATING HEART.
1701
01:06:12,724 --> 01:06:14,559
HOW DID YOUAND NICOLE MEET?
1702
01:06:14,600 --> 01:06:17,228
UM, SORT OF A SIMILARROMANTIC STORY.
1703
01:06:17,270 --> 01:06:18,563
WE WERE BOTHIN THE WAITING AREA
1704
01:06:18,563 --> 01:06:19,898
OF A DENTAL OFFICE.
1705
01:06:19,940 --> 01:06:22,108
WE WERE BOTHHMM! HMM.AITING AREA
1706
01:06:23,526 --> 01:06:24,945
YOU REMEMBER HOW WE MET?
1707
01:06:24,986 --> 01:06:26,905
ART HISTORY CLASS.
1708
01:06:26,905 --> 01:06:28,865
NO, ACTUALLY,WE MET BEFORE THAT.
1709
01:06:28,907 --> 01:06:29,908
REALLY?
1710
01:06:29,908 --> 01:06:30,826
YEAH.
1711
01:06:30,826 --> 01:06:32,410
YOU WERE PAINTINGON THE PONT DES ARTS BRIDGE.
1712
01:06:32,452 --> 01:06:35,914
I PEDALED PAST YOU,YOU SMILED, WAVED.
1713
01:06:35,914 --> 01:06:37,207
I DON'T REMEMBER THAT.
1714
01:06:37,248 --> 01:06:39,125
YEAH, THAT'S THE WHOLEREASON I ENROLLEDVED.
1715
01:06:39,167 --> 01:06:40,669
IN THAT ART HISTORY CLASS.
1716
01:06:40,669 --> 01:06:42,378
HOW COME YOU NEVERTOLD ME THAT?
1717
01:06:42,420 --> 01:06:44,756
IN THAT AWELL, I AM NOW.S.
1718
01:06:45,841 --> 01:06:47,217
MOM!
1719
01:06:47,258 --> 01:06:49,845
JP'S COMING TO NEW YORKFOR SUMMER BREAK!
1720
01:06:49,886 --> 01:06:51,137
WOW.
1721
01:06:51,179 --> 01:06:52,681
I KNOW, RIGHT?AND--
1722
01:06:52,723 --> 01:06:54,015
-THERE'S MORE?-LOTS MORE.
1723
01:06:54,057 --> 01:06:55,100
LOOK WHAT HE GAVE ME.
1724
01:06:55,141 --> 01:06:57,728
[MUTTERING] DON'T BE A RING...-IT'S GONNA BE A RING...
1725
01:06:57,769 --> 01:06:59,437
A LOCK.
1726
01:06:59,479 --> 01:07:01,106
WE'RE PUTTING ITON THE BRIDGE,
1727
01:07:01,147 --> 01:07:02,565
AND I DON'T CAREIF THEY CUT IT OFF,
1728
01:07:02,608 --> 01:07:04,109
OR MELT IT DOWN...
1729
01:07:04,150 --> 01:07:06,277
IT'S OURS.
1730
01:07:07,445 --> 01:07:08,947
[CLINKING GLASS FOR ATTENTION]
1731
01:07:08,947 --> 01:07:09,740
HELLO!
1732
01:07:09,740 --> 01:07:11,617
MESDAMES ET MESSIEURS!
1733
01:07:11,617 --> 01:07:13,076
THANK YOU!
1734
01:07:13,118 --> 01:07:15,871
THANK YOU ALLFOR JOINING ME HERE TODAY,
1735
01:07:15,912 --> 01:07:18,123
MY FRIENDS, MY COLLEAGUES.
1736
01:07:18,123 --> 01:07:20,500
WE HAVE SHAREDMANY MOMENTS TOGETHER,
1737
01:07:20,541 --> 01:07:23,587
SOME GOOD, SOME NOT SO GOOD...
1738
01:07:23,629 --> 01:07:25,046
[CHUCKLING]
1739
01:07:25,088 --> 01:07:28,967
BUT, AS THE GREATJOHN W. GARDNER SAID,
1740
01:07:29,009 --> 01:07:32,470
"LIFE IS THE ART OF DRAWINGWITHOUT THE ERASER."
1741
01:07:32,470 --> 01:07:34,430
[HUGO CHUCKLES]
1742
01:07:34,472 --> 01:07:38,226
"LIFMANY OF YOU HAVE ASKED MEWWHAT DEFINES MY ART...
1743
01:07:39,227 --> 01:07:41,104
WHAT A QUESTION.I CAN'T ANSWER.
1744
01:07:41,146 --> 01:07:45,233
ART IS NOT WHAT YOU SEE,
1745
01:07:45,233 --> 01:07:47,528
BUT WHAT YOU MAKE OTHERS SEE.
1746
01:07:47,569 --> 01:07:52,491
SO, EAT, DRINK, ENJOY THE WORK,
1747
01:07:52,533 --> 01:07:55,661
AND IF YOU FIND SOMETHINGYOU CAN'T LIVE WITHOUT,
1748
01:07:55,661 --> 01:07:56,620
DON'T!
1749
01:07:56,620 --> 01:08:00,541
AND IF YOU FIND SOMETHING[LAUGHTER AND APPLAUSE]
1750
01:08:01,625 --> 01:08:03,334
[LINDSEY'S CELL PHONE RINGS]
1751
01:08:03,376 --> 01:08:05,796
YOU, UH, SEE ANYTHING
1752
01:08:05,837 --> 01:08:06,922
YOU CAN'T LIVE WITHOUT?
1753
01:08:27,108 --> 01:08:28,735
[SIGHS]
1754
01:08:28,735 --> 01:08:30,028
HEY.
1755
01:08:31,321 --> 01:08:35,534
SO, UM, ARE YOUGOING TO TELL HER?
1756
01:08:35,534 --> 01:08:37,202
WHAT?
1757
01:08:37,202 --> 01:08:40,080
THAT YOU'RE STILLIN LOVE WITH HER.
1758
01:08:40,121 --> 01:08:41,707
I COULDN'T HELPBUT NOTICE.
1759
01:08:45,794 --> 01:08:47,921
NO.
1760
01:08:47,963 --> 01:08:50,549
I'M NOTGOING TO TELL HER.
1761
01:08:50,549 --> 01:08:52,300
JACK...
1762
01:08:52,342 --> 01:08:55,387
WE RARELY GET A SECOND CHANCE.
1763
01:08:55,387 --> 01:08:57,055
HER LIFE IS THERE,
1764
01:08:57,055 --> 01:08:58,223
MY LIFE IS HERE.
1765
01:08:58,223 --> 01:08:59,057
HER LIWHAT...HERE,
1766
01:08:59,057 --> 01:09:00,892
WHAT'S THE POINT?SHE'S LEAVING.
1767
01:09:00,892 --> 01:09:03,019
SO YOU'RE JUSTGOING TO BURY YOUR FEELINGS?
1768
01:09:03,061 --> 01:09:04,062
WHAT'S THE POINT?SHE'SYEAH.ING.
1769
01:09:04,104 --> 01:09:05,731
IT'S BEEN WORKING FOR ME SO FAR.
1770
01:09:05,731 --> 01:09:06,732
HAS IT?
1771
01:09:06,732 --> 01:09:09,526
BECAUSE IN ALL THE YEARSI'VE STAYED AT YOUR HOTEL,
1772
01:09:09,568 --> 01:09:11,069
YOU'VE BEEN ALONE.
1773
01:09:11,111 --> 01:09:12,571
OR WITH A DIFFERENT GIRL
1774
01:09:12,613 --> 01:09:15,407
THAT YOU DON'T SEEM TO CAREALL THAT MUCH ABOUT.
1775
01:09:15,407 --> 01:09:16,408
KATHRYN!
1776
01:09:16,408 --> 01:09:18,243
SOMEONE WANTSTO BUY YOUR PORTRAIT.
1777
01:09:18,284 --> 01:09:19,244
OH, DEAR.
1778
01:09:19,244 --> 01:09:20,579
HAVE THEY HADTOO MUCH CHAMPAGNE?
1779
01:09:20,621 --> 01:09:21,788
WELL, I TOLD THEMIT'S NOT FOR SALE,
1780
01:09:21,830 --> 01:09:23,081
BUT THEY WANTTO MEET YOU ANYWAY.
1781
01:09:23,081 --> 01:09:24,082
AW...
1782
01:09:24,124 --> 01:09:25,542
BUT THEY WANTPARDON, JACK.T YOU ANYWAY.
1783
01:09:38,555 --> 01:09:40,557
WELL, LOOKS LIKEMY PLUS-ONE
1784
01:09:40,599 --> 01:09:42,934
JUST TURNED INTOA MINUS-ONE.
1785
01:09:42,934 --> 01:09:44,395
WORK.
1786
01:09:44,436 --> 01:09:49,065
JUST TWELL, HERE'S TO THE PLUSESA MINUAND THE MINUSES.
1787
01:09:53,445 --> 01:09:56,114
WELL, HUGOSHOULD BE HAPPY.
1788
01:09:56,114 --> 01:09:57,783
YEAH, SOLD OUT.
1789
01:09:57,824 --> 01:09:59,910
I WISH I COULD DO THATAT THE HOTEL.
1790
01:09:59,910 --> 01:10:01,370
UH, YOU WERE SOLD OUT
1791
01:10:01,370 --> 01:10:03,247
I WISH I COULD THE NIGHTAT THE HOTEL.TRENT CHECKED IN.
1792
01:10:03,289 --> 01:10:05,832
OH... RIGHT,ABOUT THAT.UH, YOU WERE SOLD OUT
1793
01:10:05,874 --> 01:10:08,084
YOU GAVE HIMTHAT ROOM ON PURPOSE.
1794
01:10:08,084 --> 01:10:09,878
WHAT? NO.I WOULD NEVER...
1795
01:10:09,920 --> 01:10:11,129
YOU GAVE HIMTHAT ROOYES, YOU DID!
1796
01:10:11,129 --> 01:10:12,464
ALL RIGHT, I'M SORRY--
1797
01:10:12,464 --> 01:10:13,465
YOU GAVE HIMTHAT RNO, YOU'RE NOT.
1798
01:10:13,465 --> 01:10:15,384
HEY, YOU KNOW, THAT ROOMISN'T EVEN THAT SMALL.
1799
01:10:15,426 --> 01:10:16,468
YOU GAVE HIMTHAT IT WAS A CLOSET.
1800
01:10:16,510 --> 01:10:18,595
I'VE STAYED IN ROOMSWAY SMALLER THAN THAT.
1801
01:10:18,637 --> 01:10:20,222
-SERIOUSLY?-YEAH!
1802
01:10:20,264 --> 01:10:21,932
YOU REMEMBERMY DORM ROOM.
1803
01:10:21,973 --> 01:10:23,975
OH, YEAH,THAT WAS BAD.
1804
01:10:23,975 --> 01:10:24,726
[CHUCKLES]
1805
01:10:24,726 --> 01:10:26,019
OH, REMEMBERTHAT POSTER YOU HAD
1806
01:10:26,061 --> 01:10:27,646
OF THE DOGS[CHUCKLES]PLAYING POKER?
1807
01:10:27,688 --> 01:10:30,566
I STILL HAVE IT,I LOVE THAT POSTER.
1808
01:10:30,607 --> 01:10:33,152
[LAUGHING]THAT LITTLE BULLDOG?
1809
01:10:33,194 --> 01:10:36,405
THAT BULLDOG WHO'S HOLDINGTHE POCKET ACE
1810
01:10:36,405 --> 01:10:39,241
IN HIS LITTLE,UM... UH... HAND?
1811
01:10:39,283 --> 01:10:40,242
THAT BULLDOG WHO'S HOLDINGTHE POCKET ACEPAW?
1812
01:10:40,284 --> 01:10:41,993
FOOT? WHATEVER.
1813
01:10:42,035 --> 01:10:44,830
THAT DOGCAN HANDLE HIS CARDS.
1814
01:10:47,333 --> 01:10:49,501
OH, BOY...
1815
01:10:49,501 --> 01:10:52,171
HERE WE GO.
1816
01:10:54,923 --> 01:10:58,802
OH... YOU, ME, LOCKS,
1817
01:10:58,844 --> 01:11:00,512
AND A BRIDGE.
1818
01:11:00,554 --> 01:11:02,723
I FEEL LIKEWE'VE DONE THIS BEFORE.
1819
01:11:02,764 --> 01:11:06,685
TOO MANY LOCKS,NOT ENOUGH KEYS.
1820
01:11:06,685 --> 01:11:11,022
YOU KNOW, I DIDN'T DROPTHAT LOCK ON PURPOSE THAT DAY.
1821
01:11:11,065 --> 01:11:13,692
TOO MANY LOCKS,I WAS SCARED.NOT ENOUGH KEYS.
1822
01:11:13,734 --> 01:11:15,194
I KNOW.
1823
01:11:16,695 --> 01:11:17,779
[SIGHS HEAVILY]
1824
01:11:17,821 --> 01:11:20,532
I GUESS I COULD HAVE JUMPEDON A PLANE TO NEW YORK,
1825
01:11:20,574 --> 01:11:24,536
MADE SOME GRANDROMANTIC GESTURE.
1826
01:11:24,536 --> 01:11:27,039
I WAITED TOO LONG.
1827
01:11:27,039 --> 01:11:29,750
WE HAD OUR MOMENT,AND I LET IT SLIP AWAY.
1828
01:11:29,791 --> 01:11:32,253
WE BOTH DID.
1829
01:11:34,755 --> 01:11:37,174
I COULD GOTTEN A JOBAT A HOTEL IN NEW YORK.
1830
01:11:37,174 --> 01:11:39,218
I COULD HAVECOME HERE.
1831
01:11:39,218 --> 01:11:41,137
I COULD GOTTEN A JOBSO, WHAT STOPPED US?RK.
1832
01:11:44,473 --> 01:11:47,101
MAYBE THAT'S ALLWE WERE SUPPOSED TO BE.
1833
01:11:53,565 --> 01:11:56,068
THANK YOU FOR A NICE NIGHT.
1834
01:11:56,110 --> 01:11:57,319
HEY, YOU WOULDN'THAPPEN TO BE HUNGRY
1835
01:11:57,361 --> 01:11:58,570
BY ANY CHANCE?
1836
01:11:58,570 --> 01:11:59,488
STARVING.
1837
01:11:59,530 --> 01:12:01,157
AH. COME ON,FOLLOW ME.
1838
01:12:02,283 --> 01:12:05,327
HEY, YOU STILL THROWING PASTAUP ON THE CEILING?
1839
01:12:05,369 --> 01:12:06,912
OF COURSE. YOU?
1840
01:12:06,912 --> 01:12:08,164
THAT'S THE ONLY WAYTO KNOW IF IT'S DONE.
1841
01:12:08,205 --> 01:12:11,333
[CHUCKLES] NICE TO KNOWSOME THINGS NEVER CHANGE.
1842
01:12:11,375 --> 01:12:13,877
WELL, CHANGEIS GOOD, RIGHT?
1843
01:12:13,919 --> 01:12:14,878
[DOUBTFULLY] EH...
1844
01:12:14,920 --> 01:12:18,674
DOESN'T REALLY SOUNDLIKE A RINGING ENDORSEMENT.
1845
01:12:18,715 --> 01:12:19,633
[SIGHS HEAVILY]
1846
01:12:19,675 --> 01:12:21,093
I GUESS I'M SCARED.
1847
01:12:21,093 --> 01:12:22,929
OF WHAT?
1848
01:12:25,597 --> 01:12:27,641
LOSING CONTROL OF EVERYTHING.
1849
01:12:27,641 --> 01:12:29,936
YOU KNOW, I'M SAYING GOODBYETO ALEXA.
1850
01:12:29,936 --> 01:12:31,853
IF I SAY GOODBYELOSING TO MY BUSINESS,YTHING.
1851
01:12:31,896 --> 01:12:33,189
WHAT DO I HAVE LEFT?
1852
01:12:34,481 --> 01:12:35,482
YOURSELF?
1853
01:12:36,650 --> 01:12:39,236
OKAY, SO IF SOMEONEWANTED TO BUY YOUR HOTEL,
1854
01:12:39,278 --> 01:12:40,571
WOULD YOU SELL IT?
1855
01:12:40,612 --> 01:12:45,492
WELL... THAT WOULD DEPENDON HOW MUCH THEY WERE OFFERING.
1856
01:12:45,534 --> 01:12:48,412
YOU KNOW, I COULD ALWAYSSTART A NEW HOTEL.
1857
01:12:48,454 --> 01:12:49,956
SO MUCH FORTHAT COMMITMENT.
1858
01:12:49,956 --> 01:12:51,040
NO, COME ON.
1859
01:12:51,040 --> 01:12:53,042
LINDSEY, THESE AREORTHINGS, OKAY?MMITMENT.
1860
01:12:53,042 --> 01:12:56,045
THINGS... THINGSNO, COME ON.CAN BE REPLACED.
1861
01:12:56,087 --> 01:12:57,004
LINDSEY, THESE AREORTHINGS, OPEOPLE CAN'T.
1862
01:12:57,046 --> 01:13:00,591
YEAH, BUT WHAT IFTHAT THING IS WHO YOU ARE?
1863
01:13:00,632 --> 01:13:02,176
THIS ISN'T WHO YOU ARE.
1864
01:13:03,760 --> 01:13:05,304
YOU HARDLY KNOW MEANYMORE, JACK.
1865
01:13:05,304 --> 01:13:06,680
UH... I THINK I DO.
1866
01:13:06,722 --> 01:13:08,515
YOU HARDLY KNOW YOU'RE THAT GIRLANYMORE, JACK.ON THE BRIDGE
1867
01:13:08,557 --> 01:13:11,435
WITH HER PAINTBOXAND BIG DREAMS.
1868
01:13:12,394 --> 01:13:13,855
YEAH, WELL, ALL THAT'S LEFTOF THAT DREAM
1869
01:13:13,855 --> 01:13:16,607
IS A MAGAZINEABOUT OTHER PEOPLE'S ART.
1870
01:13:16,648 --> 01:13:19,151
YEAH, IT SOUNDS LIKE'S LEFTYOU'VE GOT TO LEARN TO LET GO.
1871
01:13:19,151 --> 01:13:20,194
ALL RIGHT?
1872
01:13:20,236 --> 01:13:21,195
IF YOU CAN'T LET GO,
1873
01:13:21,237 --> 01:13:22,905
THEN YOU'LL NEVER GETTO THE OTHER SIDE.
1874
01:13:22,947 --> 01:13:25,407
TRUST ME, I SHOULD KNOW.
1875
01:13:28,285 --> 01:13:31,914
[♪]
1876
01:13:34,291 --> 01:13:35,793
[LINDSEY AND JACK LAUGHING]
1877
01:13:40,547 --> 01:13:41,673
THIS IS NICE.
1878
01:13:41,673 --> 01:13:42,508
YEAH.
1879
01:13:42,508 --> 01:13:43,760
ANYTIME.
1880
01:13:46,178 --> 01:13:47,972
THERE YOU ARE.H.
1881
01:13:49,140 --> 01:13:50,141
OH.
1882
01:13:50,141 --> 01:13:51,683
HOW WAS YOUR MEETING?
1883
01:13:51,726 --> 01:13:52,810
IT WAS GOOD,IT WAS GOOD--OH.
1884
01:13:52,852 --> 01:13:54,228
I'M SORRY I MISSED THE SHOW,
1885
01:13:54,270 --> 01:13:56,105
AND I WAS HOPINGTO TAKE YOU TO DINNER,
1886
01:13:56,105 --> 01:13:58,065
BUT I SEE THATI'M A LITTLE LATE.
1887
01:13:58,107 --> 01:13:59,400
AND I WAS HOPINGOH, YEAH, THIS WAS...,
1888
01:13:59,400 --> 01:14:01,110
THIS WAS JUST KIND OFSPUR OF THE MOMENT.
1889
01:14:05,322 --> 01:14:06,615
AND I WAS HOPLISTEN, UH,OH, YEAH, THION THE BRIGHT SIDE,
1890
01:14:06,657 --> 01:14:08,284
I SWITCHED YOUTO ANOTHER ROOM.
1891
01:14:08,325 --> 01:14:10,912
OH, GOOD.UH, SMALLER, RIGHT?
1892
01:14:10,953 --> 01:14:12,371
[CHUCKLING] NO, NO, UH...
1893
01:14:12,371 --> 01:14:13,414
A SUITE,
1894
01:14:13,455 --> 01:14:14,999
COMPLIMENTS OF THE OWNER.
1895
01:14:15,041 --> 01:14:16,208
I APPRECIATE THAT,THANK YOU.
1896
01:14:16,250 --> 01:14:19,045
UM, JACK...IS THE BAR OPEN?
1897
01:14:19,045 --> 01:14:20,171
ABSOLUTELY.
1898
01:14:20,212 --> 01:14:22,006
AS SOON AS.I PUT ON AN APRON.
1899
01:14:22,048 --> 01:14:23,549
[CLEARS THROAT]
1900
01:14:23,549 --> 01:14:25,134
GREAT.
1901
01:14:27,219 --> 01:14:29,847
[CLEA[♪]THROAT]
1902
01:14:32,141 --> 01:14:33,350
WE CAN TURNPOV
1903
01:14:33,392 --> 01:14:35,394
INTO SOMETHINGBIGGER AND BETTER,
1904
01:14:35,394 --> 01:14:37,730
AND ISN'T THAT WHAT YOU WANTEDWHEN YOU STARTED IT?
1905
01:14:37,730 --> 01:14:40,149
UH, I'M PRETTY SUREWHEN I STARTED,
1906
01:14:40,191 --> 01:14:41,901
ALL I WANTED WASTO PAY THE RENT.
1907
01:14:41,901 --> 01:14:43,903
THAT WON'T BEA PROBLEM ANYMORE.
1908
01:14:43,903 --> 01:14:44,821
AND MY STAFF?
1909
01:14:44,862 --> 01:14:46,530
I CAN TAKESOME OF THEM ON.
1910
01:14:46,530 --> 01:14:47,699
HOW ABOUT ALL OF THEM?
1911
01:14:47,740 --> 01:14:49,784
DO YOU HAVE AN OFFICE DOGYOU WANT US TAKE ON AS WELL?N.
1912
01:14:49,826 --> 01:14:53,079
NO, BUT THERE'S A PIGEONTHAT LIVES ON THE WINDOW LEDGE.
1913
01:14:53,079 --> 01:14:55,665
HMM. ALL RIGHT, PIGEON GETSA CORNER OFFICE,
1914
01:14:55,707 --> 01:14:57,499
BUT THAT'SAS FAR AS I GO.
1915
01:14:57,499 --> 01:15:00,753
DOES ANYONEEVER SAY NO TO YOU?
1916
01:15:00,753 --> 01:15:02,254
BUT THAT'SAS FAR AS MM...
1917
01:15:02,254 --> 01:15:04,131
DOES ANYONEEVER SAY NO TO YOU?THAT'S GREAT.
1918
01:15:04,131 --> 01:15:07,218
YOU, ACTUALLY,STILL HAVE NOT SAID YES.
1919
01:15:07,218 --> 01:15:09,261
NOW, LINDSEY,I GET IT.NO TO YOU?THAT'S GREAT.
1920
01:15:09,303 --> 01:15:12,348
I MEAN, THIS MAGAZINESTILL IS YOUR BABY. YES.
1921
01:15:12,389 --> 01:15:14,559
YEAH, WELL...
1922
01:15:14,559 --> 01:15:16,352
BABIES GROW UP, RIGHT?
1923
01:15:16,352 --> 01:15:19,271
THEY LEAVE THE NESTAND FLY AWAY,H, WELL...
1924
01:15:19,313 --> 01:15:20,272
AND MAYBE...GROW UP, RIGHT?
1925
01:15:20,314 --> 01:15:23,025
MAYBE IT'S TIME FOR METO SAY GOODBYE.
1926
01:15:23,067 --> 01:15:24,652
IS THAT A YES?
1927
01:15:25,945 --> 01:15:27,113
THAT'S...
1928
01:15:27,989 --> 01:15:29,406
THAT'S A YES.
1929
01:15:29,448 --> 01:15:30,366
I'M IN.
1930
01:15:30,407 --> 01:15:31,618
CONGRATULATIONS.
1931
01:15:31,659 --> 01:15:32,952
I AM SO THRILLED,THAT'S WONDERFUL.
1932
01:15:32,994 --> 01:15:34,829
THANK YOU.
1933
01:15:34,871 --> 01:15:36,288
SORRY, COULDN'T HELPBUT OVERHEAR.
1934
01:15:36,288 --> 01:15:37,289
CONGRATULATIONS.
1935
01:15:37,331 --> 01:15:38,750
THANK YOU.
1936
01:15:38,791 --> 01:15:40,292
WELL, THANK YOUVERY MUCH, JACK,
1937
01:15:40,334 --> 01:15:41,127
AND I SAY,
1938
01:15:41,127 --> 01:15:42,504
WE GO AND CELEBRATE.
1939
01:15:42,504 --> 01:15:43,379
NOW?
1940
01:15:43,379 --> 01:15:45,256
MM-HMM. TOPOF THE EIFFEL TOWER.
1941
01:15:45,297 --> 01:15:46,465
NOW?I MADE US A RESERVATION
1942
01:15:46,465 --> 01:15:47,967
ON THE CHANCEYOU WOULD SAY YES.
1943
01:15:48,009 --> 01:15:49,844
WELL, ONCE AGAIN,SORRY TO INTERRUPT,
1944
01:15:49,886 --> 01:15:51,888
BUT THE EIFFEL TOWERIS GONNA BE CLOSED.
1945
01:15:51,929 --> 01:15:53,014
NOT TONIGHTIT'S NOT.
1946
01:15:53,014 --> 01:15:55,266
AH, YOU MUST HAVE FRIENDSIN HIGH PLACES.
1947
01:15:55,266 --> 01:15:57,059
THANKFULLY I DO. TONIGHTSO...?IT'S NOT.
1948
01:15:58,310 --> 01:16:00,104
AH, YOU MUST HAVE FRIENDSYOU KNOW, IF YOU DON'T MIND,
1949
01:16:00,146 --> 01:16:01,981
I THINK I'LL GO FOR A WALK.
1950
01:16:02,023 --> 01:16:04,191
I'VE GOT A LOT TO THINK ABOUT.
1951
01:16:04,233 --> 01:16:05,527
SURE,THAT'S PROBABLY...
1952
01:16:05,568 --> 01:16:06,986
SURE.A GOOD IDEA.
1953
01:16:07,028 --> 01:16:08,821
GOODNIGHT.AND GOODNIGHT.
1954
01:16:08,821 --> 01:16:10,281
GOODNIGHT.
1955
01:16:21,501 --> 01:16:23,044
SORRY TO CALL YOUGHT.SO LATE.AND GOODNIGHT.
1956
01:16:23,085 --> 01:16:24,336
IS EVERYTHINGALL RIGHT?
1957
01:16:24,336 --> 01:16:26,005
WELL, I HOPE SO.
1958
01:16:26,005 --> 01:16:27,048
[CLEARS THROAT]
1959
01:16:29,551 --> 01:16:31,553
[GASPS]
1960
01:16:33,137 --> 01:16:35,264
YOU FOUND IT.
1961
01:16:35,306 --> 01:16:36,516
[SIGHS TEARFULLY]
1962
01:16:37,934 --> 01:16:38,976
OH...
1963
01:16:40,937 --> 01:16:44,607
[GASPS] I NEVER THOUGHTI'D SEE IT AGAIN.
1964
01:16:48,194 --> 01:16:49,236
THANK YOU.
1965
01:16:53,157 --> 01:16:55,159
[KEYPAD CLICKS TAPPING RAPIDLY]
1966
01:16:58,413 --> 01:17:00,873
OH, YOU'RE UP.
1967
01:17:00,873 --> 01:17:02,834
AND...
1968
01:17:02,875 --> 01:17:04,711
I WANT DETAILS.
1969
01:17:04,752 --> 01:17:08,381
STARTING WITH THE MOMENTI SAW YOU LEAVE THE GALLERY,
1970
01:17:08,381 --> 01:17:09,799
WITH JACK.
1971
01:17:09,841 --> 01:17:10,717
STARTING WITH THE MOMENTI SA[CHUCKLES] UH...GALLERY,
1972
01:17:10,717 --> 01:17:12,969
DO I INTERROGATE YOUWHEN YOU COME IN LATE?
1973
01:17:13,010 --> 01:17:14,971
STARTING WITH THE MOMENTI SAARE YOU KIDDING?GALLERY,
1974
01:17:17,139 --> 01:17:21,268
WE WALKED, WE TALKED, WE ATE,
1975
01:17:21,311 --> 01:17:24,146
TRENT SHOWED UP, AND...
1976
01:17:24,146 --> 01:17:26,691
I DECIDED TO SELL THE MAGAZINE.
1977
01:17:28,318 --> 01:17:29,569
TRENT SHOWHAT?P, AND...
1978
01:17:29,569 --> 01:17:30,653
MOM, ARE YOU SURE?
1979
01:17:33,490 --> 01:17:37,660
I'VE BEEN TRYING TO KEEPEVERYTHING THE SAME,
1980
01:17:37,702 --> 01:17:40,288
YOU, OUR LIFE.
1981
01:17:40,330 --> 01:17:43,082
BUT THINGS CHANGE.
1982
01:17:43,124 --> 01:17:45,835
THEY GROW UP,
1983
01:17:45,877 --> 01:17:48,045
AND THAT'S OKAY.
1984
01:17:52,759 --> 01:17:54,469
I'M PROUD OF YOU.
1985
01:17:54,511 --> 01:17:56,263
IT'S GOING TO BE GREAT.
1986
01:17:56,304 --> 01:17:57,347
I KNOW IT.
1987
01:17:57,389 --> 01:18:00,057
THANKS, SWEETIE.
1988
01:18:00,099 --> 01:18:01,100
WOW...
1989
01:18:01,100 --> 01:18:02,435
LOOK AT YOU.
1990
01:18:02,477 --> 01:18:05,355
A FEW DAYS AGO, YOU WEREIN THE LONELY APARTMENT,
1991
01:18:05,397 --> 01:18:07,607
HIDING ART IN THE CLOSET,
1992
01:18:07,649 --> 01:18:10,818
AND NOW YOU ARE IN PARIS,
1993
01:18:10,860 --> 01:18:12,445
WITH TWO MEN HALFIN LOVE WITH YOU.
1994
01:18:12,445 --> 01:18:14,281
[LAUGHS]NO ONE'S IN LOVE WITH ME,
1995
01:18:14,322 --> 01:18:15,323
NOT EVEN HALF IN LOVE WITH ME.
1996
01:18:16,283 --> 01:18:17,284
JACK IS.
1997
01:18:19,076 --> 01:18:21,078
[SCOFFS] THAT'S RIDICULOUS.
1998
01:18:21,120 --> 01:18:22,455
IS IT?
1999
01:18:22,497 --> 01:18:24,291
OH, YOU'VE BEEN IN PARISFOUR DAYS,
2000
01:18:24,332 --> 01:18:25,917
AND YOU'RE AN EXPERT ON LOVE?
2001
01:18:25,917 --> 01:18:28,170
I'M AN EXPERT ON YOU.
2002
01:18:40,056 --> 01:18:41,391
I WAS HOPINGAND YOU'RE AN EXPETO SEE YOU?
2003
01:18:41,433 --> 01:18:42,767
BEFORE I LEFT.
2004
01:18:42,809 --> 01:18:44,477
LOOK...
2005
01:18:44,519 --> 01:18:45,562
[GASPING]
2006
01:18:45,603 --> 01:18:46,979
YOU FOUND IT!
2007
01:18:47,021 --> 01:18:48,064
HUGO DID.
2008
01:18:48,106 --> 01:18:48,898
AFTER THE SHOW,
2009
01:18:48,940 --> 01:18:50,024
HE WENT BACKWITH A FLASHLIGHT
2010
01:18:50,066 --> 01:18:51,109
AND SEARCHED FOR HOURS.
2011
01:18:51,151 --> 01:18:52,485
I'M SO GLAD.
2012
01:18:54,196 --> 01:18:57,031
YOU KNOW, I THOUGHT I'D BE SADIF I SAW IT AGAIN,
2013
01:18:57,074 --> 01:18:59,451
BUT IT'S JUST THE OPPOSITE.
2014
01:18:59,492 --> 01:19:01,494
IT REMINDS ME OF HOW HAPPYJAMES AND I WERE
2015
01:19:01,494 --> 01:19:03,037
ON THAT BRIDGE.
2016
01:19:03,080 --> 01:19:04,038
IT REMINDS ME OF HOW HAPPYJAMES AI FOUND SOMETHING
2017
01:19:04,081 --> 01:19:05,332
I THOUGHT WAS LOST FOREVER.
2018
01:19:05,332 --> 01:19:06,624
HOPE.
2019
01:19:06,666 --> 01:19:08,000
HE WAS THE LOVE OF MY LIFE,
2020
01:19:08,000 --> 01:19:10,337
AND I KNOW HE'D WANT METO FIND LOVE AGAIN.
2021
01:19:10,337 --> 01:19:12,255
I'M SURE HE WOULD.
2022
01:19:12,255 --> 01:19:14,924
AND YOU SHOULD, TOO, MY DEAR.
2023
01:19:18,053 --> 01:19:21,306
IS HE WHAT YOU'RE LOOKING FOR?
2024
01:19:23,016 --> 01:19:24,392
OR IS HEJUST AN EXCUSE
2025
01:19:24,392 --> 01:19:25,893
TO AVOID WHAT'S REALLYIN YOUR HEART?
2026
01:19:25,935 --> 01:19:28,355
OR IS HEI'M NOT SURE WHAT YOU MEAN.SE
2027
01:19:28,355 --> 01:19:30,232
I THINK YOU DO.
2028
01:19:32,067 --> 01:19:35,028
IF YOU LOVED SOMEONE ENOUGHITO KEEP AWAY FROM PARIS,N.SE
2029
01:19:35,028 --> 01:19:37,739
THEN NOTHING SHOULDKEEP YOU FROM THAT LOVE.
2030
01:19:40,617 --> 01:19:42,410
OH, MY GOODNESS,LISTEN TO ME...
2031
01:19:42,452 --> 01:19:46,039
ONE RUSTED LOCK,AND I'M GIVING OUT ADVICE.
2032
01:19:46,081 --> 01:19:48,166
IT JUST GOES BY SO QUICKLY.
2033
01:19:49,042 --> 01:19:49,876
PARIS?
2034
01:19:49,876 --> 01:19:51,711
LIFE.
2035
01:19:55,340 --> 01:19:56,216
HI!
2036
01:19:56,258 --> 01:19:58,218
I JUST WANTEDTO SAY GOODBYE!
2037
01:19:58,218 --> 01:20:01,221
I HAVE A FEELING YOU'LL BESEEING A LOT MORE OF HER HERE.
2038
01:20:01,221 --> 01:20:02,347
YES, WELL, IT'S JUSTA TRAIN RIDE AWAY,
2039
01:20:02,347 --> 01:20:03,890
AND I DO LOVE THE TRAIN.
2040
01:20:03,890 --> 01:20:04,975
YES, WELL, IT'S JUST[GIGGLES]IDE AWAY,
2041
01:20:04,975 --> 01:20:06,977
WHEN I COME BACK, I'D LOVETO SEE ALL YOUR PAINTINGS.
2042
01:20:06,977 --> 01:20:08,228
I'LL GIVE YOUIT'S JUSTA PRIVATE SHOWING.AWAY,
2043
01:20:08,270 --> 01:20:09,062
WHEN I COME BACK, I'D LOVETO SEE ABRILLIANT.INTINGS.
2044
01:20:09,104 --> 01:20:10,063
AND WHEN DO YOU LEAVE?
2045
01:20:10,063 --> 01:20:11,523
TONIGHT.
2046
01:20:11,564 --> 01:20:12,941
WELL, YOU'LL HAVE TO LET MEKNOW HOW IT ALL TURNS OUT.
2047
01:20:12,983 --> 01:20:16,444
OH, I'M SURE HUGO WILL BEGIVING YOU EVERY LAST DETAIL.
2048
01:20:16,486 --> 01:20:18,030
I'M COUNTING ON IT.
2049
01:20:18,071 --> 01:20:19,489
[CHUCKLING]
2050
01:20:20,698 --> 01:20:22,910
I'M SO GLADWE'RE DOING THIS.
2051
01:20:22,951 --> 01:20:24,494
ONE LAST WALK.
2052
01:20:24,536 --> 01:20:26,204
DON'T SAY"ONE LAST WALK."
2053
01:20:26,246 --> 01:20:27,289
DID I SAY "LAST"?
2054
01:20:27,330 --> 01:20:30,292
I MEANT, "FIRST WALKOF THE LAST DAY."
2055
01:20:30,333 --> 01:20:31,960
YOU'VE COMEA LONG WAY, MOM.
2056
01:20:32,002 --> 01:20:33,586
WE'VE COME A LONG WAY.
2057
01:20:33,628 --> 01:20:35,755
OH, LOOK ATALL THIS LOVE!
2058
01:20:35,797 --> 01:20:36,882
I WONDER HOW MANYOF THESE PEOPLE
2059
01:20:36,924 --> 01:20:38,926
ARE ACTUALLYSTILL TOGETHER.
2060
01:20:38,926 --> 01:20:40,218
ALL OF THEM.
2061
01:20:40,260 --> 01:20:41,636
ARE ACTUALLYIN SOME WAY. TOGETHER.
2062
01:20:43,889 --> 01:20:45,473
THAT'S NOT WHAT YOU SAIDLAST TIME.
2063
01:20:46,474 --> 01:20:50,312
WELL, MAYBE I'M LESSUN-ROMANTIC THAN I THOUGHT.
2064
01:20:51,104 --> 01:20:52,856
"LESS UN-ROMANTIC."
2065
01:20:52,898 --> 01:20:54,482
DOUBLE-NEGATIVE.
2066
01:20:54,482 --> 01:20:57,735
YOU DO REALIZE THAT MEANS...ROMANTIC.
2067
01:20:58,987 --> 01:21:02,115
YOU'RE SUPPOSEDTO FALL IN LOVE IN PARIS.
2068
01:21:02,157 --> 01:21:03,158
[GIGGLES]
2069
01:21:03,200 --> 01:21:05,118
OKAY, UH, LET'S HIT THE LOUVRE.
2070
01:21:05,118 --> 01:21:06,954
OR, UM...
2071
01:21:06,954 --> 01:21:08,038
WE'LL TAKE A SELFIE
2072
01:21:08,080 --> 01:21:09,081
AT THE CLOCK TOWERAT THE SORBONNE,
2073
01:21:09,122 --> 01:21:10,623
UNLESS YOU DID THATLAST TIME YOU WERE HERE.
2074
01:21:10,665 --> 01:21:11,792
"SELFIE?"
2075
01:21:11,834 --> 01:21:13,126
WE DIDN'T HAVESELFIES.
2076
01:21:13,168 --> 01:21:14,795
WE DIDN'T HAVE PHONES.
2077
01:21:14,795 --> 01:21:15,796
YOU'RE OLD.
2078
01:21:15,796 --> 01:21:16,839
W[LAUGHING]AVE PHONES.
2079
01:21:19,341 --> 01:21:22,385
DON'T WORRY,I'LL BE WITH HER EVERY DAY.
2080
01:21:22,427 --> 01:21:24,012
NOT HELPING, JP.
2081
01:21:24,054 --> 01:21:25,638
I JUST MEANI WILL LOOK AFTER HER.
2082
01:21:25,638 --> 01:21:27,265
THANK YOU.
2083
01:21:27,307 --> 01:21:28,600
THAT MEANS A LOT.
2084
01:21:29,601 --> 01:21:32,104
I'LL LEAVE YOU TWOTO SAY GOODBYE.
2085
01:21:34,732 --> 01:21:36,734
-BON VOYAGE.-A LA PROCHAINE.
2086
01:21:42,489 --> 01:21:44,157
I LIKE HIM.
2087
01:21:44,157 --> 01:21:45,492
I LOVE HIM.
2088
01:21:45,533 --> 01:21:46,659
I LII KNOW.
2089
01:21:46,701 --> 01:21:49,454
YOU'RE NOT GOINGTO TALK ME OUT OF IT?
2090
01:21:49,496 --> 01:21:51,289
I COULDN'T ANYWAY.
2091
01:21:51,331 --> 01:21:52,290
AND NO.
2092
01:21:53,166 --> 01:21:55,668
THIS WHOLE TRIP,IT'S BEEN...
2093
01:21:55,711 --> 01:21:56,712
SO MUCH FUN.
2094
01:21:56,754 --> 01:21:58,338
YOU SURE YOU DON'TWANT ME TO STAY
2095
01:21:58,338 --> 01:21:59,923
AND HELP YOUSET UP YOUR ROOM?
2096
01:21:59,965 --> 01:22:01,549
DID I HEAR A HELICOPTER?
2097
01:22:01,591 --> 01:22:03,301
I'LL MAKE YOUR BEDWITH HOSPITAL CORNERS.
2098
01:22:03,343 --> 01:22:06,096
I APPRECIATE THAT,BUT, UM...
2099
01:22:06,096 --> 01:22:08,515
IT'S TIME FOR METO MAKE MY OWN BED.
2100
01:22:08,515 --> 01:22:10,183
NOW, GO. YOU HAVE,JUST ENOUGH TIME
2101
01:22:10,183 --> 01:22:12,352
TO SAY BYE TO HUGOBEFORE YOUR FLIGHT.
2102
01:22:12,394 --> 01:22:13,436
I LOVE YOU.
2103
01:22:13,478 --> 01:22:15,313
I LOVE YOU, TOO, SWEETIE.
2104
01:22:17,107 --> 01:22:18,275
I'LL TALK TO YOUTOMORROW.
2105
01:22:18,316 --> 01:22:19,192
MOM...
2106
01:22:19,234 --> 01:22:20,610
DID I SAY TOMORROW?I MEANT THE NEXT DAY.
2107
01:22:23,321 --> 01:22:24,489
HI!
2108
01:22:30,245 --> 01:22:31,204
HUGO!
2109
01:22:31,246 --> 01:22:33,248
MM? GOOD!
2110
01:22:33,290 --> 01:22:35,292
I THOUGHT YOU SOLD OUT.
2111
01:22:35,333 --> 01:22:38,796
WELL, I ALWAYS KEEPA FEW OF MY FAVORITES,
2112
01:22:38,837 --> 01:22:40,255
YOU KNOW THAT.
2113
01:22:43,884 --> 01:22:44,885
YOUR BEST WORK.
2114
01:22:44,927 --> 01:22:46,804
SO FAR.
2115
01:22:46,845 --> 01:22:49,598
YOU REALLY DOALWAYS SAY THAT.
2116
01:22:49,640 --> 01:22:51,892
WELL, THIS TIME,IT MIGHT EVEN BE TRUE.
2117
01:22:51,934 --> 01:22:55,604
WHAT DO YOU THINK WILL HAPPENWHEN ALL THE LOCKS COME OFF?
2118
01:22:55,646 --> 01:22:57,397
[SIGHS] WELL, PEOPLEALWAYS FIND A WAY
2119
01:22:57,397 --> 01:22:59,357
TO SHOW LOVE.
2120
01:22:59,399 --> 01:23:03,403
[SIGHS] WELL, PEOPLEALWAYSYOU KNOW, MUSIC, ART.
2121
01:23:03,403 --> 01:23:06,114
MAYBE EVENTHE INELOQUENT WORDS
2122
01:23:06,156 --> 01:23:08,033
OF A SAPPY TEENAGER,
2123
01:23:08,033 --> 01:23:11,244
OR AN AGING ARTIST, OR...
2124
01:23:11,244 --> 01:23:14,497
OF A HOTEL OWNER.ER,
2125
01:23:14,540 --> 01:23:16,333
WANT ME TO SHIP IT TO YOU?
2126
01:23:16,374 --> 01:23:17,292
KEEP IT HERE.
2127
01:23:17,334 --> 01:23:18,501
GOOD, I WAS HOPINGYOU'D SAY THAT.
2128
01:23:18,501 --> 01:23:20,462
I HAVE A SPECIAL PLACE FOR IT.
2129
01:23:20,462 --> 01:23:23,048
GOOGOOD, THEN I'LL SEE ITYWHEN I COME BACK.
2130
01:23:23,090 --> 01:23:24,424
I'LL COUNT THE DAYS.ACE FOR IT.
2131
01:23:24,466 --> 01:23:25,634
ME TOO.
2132
01:23:25,676 --> 01:23:27,260
I'M GOINGTO MISS YOU, HUGO.
2133
01:23:27,260 --> 01:23:29,096
I KNOW.
2134
01:23:29,137 --> 01:23:30,263
TAKE CARE OF MY GIRL.
2135
01:23:30,263 --> 01:23:32,265
OH, SHE WILL DO FINE.
2136
01:23:32,265 --> 01:23:34,852
YOU DID.CARE OF MY GIRL.
2137
01:23:37,646 --> 01:23:39,064
THERE WE GO.
2138
01:23:39,106 --> 01:23:39,940
GREAT.
2139
01:23:39,940 --> 01:23:41,358
WELL, THANK YOU AGAINFOR THE UPGRADE.
2140
01:23:41,399 --> 01:23:42,651
DON'T MENTION IT.
2141
01:23:42,693 --> 01:23:44,778
AND I'LL BE SURETO RECOMMEND THE HOTEL
2142
01:23:44,778 --> 01:23:45,904
TO ALL MY ASSOCIATES.
2143
01:23:45,946 --> 01:23:47,698
AND I'AND WE WILL BE SURE TO PUTTO RECALL OF YOUR MAGAZINES
2144
01:23:47,740 --> 01:23:48,657
IN OUR LOBBY.
2145
01:23:48,699 --> 01:23:50,283
OH, YOU'LL NEEDA BIGGER LOBBY FOR THAT.
2146
01:23:50,283 --> 01:23:51,284
[CHUCKLING]
2147
01:23:51,326 --> 01:23:53,621
OH, YOU'LL NEEDHEY, GOOD LUCKA BIGGER LOBBY FWITH EVERYTHING.
2148
01:23:53,621 --> 01:23:55,330
YEAH, YOU TOO.
2149
01:23:56,457 --> 01:23:57,750
[CELL PHONE RINGS]OH.
2150
01:23:58,709 --> 01:23:59,502
YUP.
2151
01:23:59,543 --> 01:24:01,545
OH, HOLD ON ONE SEC.THERE SHE IS.
2152
01:24:01,587 --> 01:24:02,796
I'LL SEE YOUWHEN I'M BACK IN NEW YORK.
2153
01:24:02,796 --> 01:24:04,297
-GREAT.-BYE-BYE.
2154
01:24:04,297 --> 01:24:05,173
I'LL SEE YOU THEN.
2155
01:24:05,173 --> 01:24:06,216
BYE.
2156
01:24:08,552 --> 01:24:09,595
SO...I'LL SEE YOU THEN.
2157
01:24:10,846 --> 01:24:12,848
THIS IS IT, I GUESS.
2158
01:24:12,890 --> 01:24:14,642
YEAH, I GUESS, UH...
2159
01:24:14,642 --> 01:24:16,351
I GUESS IT IS.
2160
01:24:16,394 --> 01:24:18,311
UM, LINDSEY, I GOT YOUYA LITTLE SOMETHING.
2161
01:24:18,311 --> 01:24:19,354
BEFORE YOU GO.
2162
01:24:19,397 --> 01:24:21,231
UM, LINDSEY, I GOT YOUYYOU SHOULDN'T HAVE.
2163
01:24:22,733 --> 01:24:23,817
[GASPS]
2164
01:24:25,528 --> 01:24:27,613
I'VE BEEN HOLDINGONTO IT LONG ENOUGH,
2165
01:24:27,613 --> 01:24:29,490
AND NOW IT'S YOUR TURN.
2166
01:24:30,449 --> 01:24:31,367
I'VE BEEN HOLDINGYOU KEPT IT?NG ENOUGH,
2167
01:24:31,409 --> 01:24:34,244
I ALWAYS THOUGHT IT'D BEWORTH SOMETHING SOMEDAY.
2168
01:24:36,414 --> 01:24:38,206
UM...
2169
01:24:38,248 --> 01:24:41,669
LISTEN, LINDSEY...
2170
01:24:43,086 --> 01:24:44,713
I...
2171
01:24:44,755 --> 01:24:46,507
I JUST WANTED TO SAY THAT...
2172
01:24:46,507 --> 01:24:48,133
I'M...
2173
01:24:48,175 --> 01:24:49,009
I'M IN--
2174
01:24:49,009 --> 01:24:50,260
JACK!
2175
01:24:50,302 --> 01:24:51,929
IT'S STARTING TO SNOW.
2176
01:24:53,972 --> 01:24:55,933
I HEARD YOU WERE LEAVING.
2177
01:24:55,974 --> 01:24:56,725
YES.
2178
01:24:56,767 --> 01:24:59,853
DO COME BACKAND VISIT US SOMEDAY.
2179
01:24:59,853 --> 01:25:01,730
I WILL.
2180
01:25:05,526 --> 01:25:06,569
GOODBYE, JACK.
2181
01:25:07,528 --> 01:25:09,488
GOODBYE, LINDSEY.
2182
01:25:19,873 --> 01:25:22,835
[♪]
2183
01:25:54,116 --> 01:25:55,993
AND... I'M BACK.
2184
01:26:11,634 --> 01:26:12,593
[SIGHING]
2185
01:26:12,635 --> 01:26:16,764
FIVE-LETTER WORDFOR "VALENTINE..."
2186
01:26:16,764 --> 01:26:18,098
"CUPID."
2187
01:26:21,644 --> 01:26:23,896
[SIGHS]
2188
01:26:36,575 --> 01:26:41,914
NINE-LETTER WORDFOR "HEARTBREAK..."
2189
01:26:41,955 --> 01:26:43,957
"ARTICHOKE."
2190
01:26:48,671 --> 01:26:51,549
[♪]
2191
01:27:18,451 --> 01:27:19,994
YOU'RE BACK!
2192
01:27:19,994 --> 01:27:20,786
I'M BACK!
2193
01:27:20,786 --> 01:27:22,455
[LAUGHING IN DELIGHT]
2194
01:27:22,496 --> 01:27:24,540
AND I BROUGHT YOUCHOCOLATE AND PERFUME.
2195
01:27:24,582 --> 01:27:26,167
HMM, NOT A BOYFRIEND?
2196
01:27:26,167 --> 01:27:26,959
SORRY.
2197
01:27:27,001 --> 01:27:28,002
HI!
2198
01:27:28,002 --> 01:27:29,003
HOW'S ALEXA?
2199
01:27:29,003 --> 01:27:30,004
ARE YOU SAD?
2200
01:27:30,004 --> 01:27:32,548
ACTUALLY, I'M OKAY.
2201
01:27:32,590 --> 01:27:34,717
SO THERE'S A CUREFOR EMPTY NEST SYNDROME.
2202
01:27:34,758 --> 01:27:36,927
THERE'S NO CURE,BUT THERE IS SKYPE.
2203
01:27:36,970 --> 01:27:38,054
HEY, GUYS.
2204
01:27:38,096 --> 01:27:41,182
SO, YOU REALLYSAID YES TO TRENT.
2205
01:27:41,182 --> 01:27:42,725
I REALLY DID,
2206
01:27:42,766 --> 01:27:46,395
AND IF YOU WANT TO STAY ONWITH THE MAGAZINE, YOU CAN.
2207
01:27:46,437 --> 01:27:47,521
ARE YOU KIDDING ME?
2208
01:27:47,563 --> 01:27:48,522
I CAN'T BELIEVEI'M GOING TO BE WORKING
2209
01:27:48,522 --> 01:27:50,358
WITH THE HOTTEST GUYON THE PLANET.
2210
01:27:50,399 --> 01:27:52,901
BECAUSE THAT IS THE MOSTIMPORTANT THING.
2211
01:27:52,901 --> 01:27:55,071
I'M SURE I'LL GET TIREDOF LOOKING AT HIM,
2212
01:27:55,113 --> 01:27:56,239
BECAUSE THAT IS THE MOSTAFTER 10 OR 20 YEARS.NG.
2213
01:27:56,280 --> 01:27:57,615
[CHUCKLING]
2214
01:28:11,379 --> 01:28:12,421
HE'S HERE.
2215
01:28:12,463 --> 01:28:13,839
SEND HIM IN.
2216
01:28:21,472 --> 01:28:23,349
HEY...
2217
01:28:23,391 --> 01:28:25,018
HEY, YOU.
2218
01:28:25,059 --> 01:28:26,060
COME HERE.
2219
01:28:30,398 --> 01:28:31,565
WOW, SO...
2220
01:28:31,607 --> 01:28:32,859
YOU READY FOR ALL THIS?
2221
01:28:33,943 --> 01:28:34,944
ABOUT THAT...
2222
01:28:34,986 --> 01:28:37,321
WHAT, YOU DIDN'TCHANGE YOUR MIND, DID YOU?
2223
01:28:37,363 --> 01:28:39,407
NO, THE MAGAZINE'SSTILL YOURS,
2224
01:28:39,448 --> 01:28:41,034
TO MAKE BIGGER AND BETTER.
2225
01:28:41,075 --> 01:28:42,076
GREAT.
2226
01:28:42,076 --> 01:28:43,077
IT'S JUST...
2227
01:28:43,077 --> 01:28:44,913
GI'M NOT STAYING ON.
2228
01:28:44,913 --> 01:28:46,080
WHAT?IT'S JUST...
2229
01:28:46,122 --> 01:28:47,706
WHAT? WHY?WHAT HAPPENED?
2230
01:28:48,582 --> 01:28:50,293
PARIS, I GUESS.
2231
01:28:51,460 --> 01:28:52,962
THE TRUTH IS,
2232
01:28:53,004 --> 01:28:54,088
I STARTED AN ART MAGAZINE
2233
01:28:54,130 --> 01:28:58,092
BECAUSE I WASN'T BRAVE ENOUGHTO BE AN ARTIST.
2234
01:28:58,134 --> 01:28:59,260
WHOA...
2235
01:28:59,260 --> 01:29:02,972
I'VE NEVER REALLY ADMITTED THATOUT LOUD BEFORE. UM...
2236
01:29:03,014 --> 01:29:05,934
I... I WANT TO PAINT AGAIN.
2237
01:29:05,934 --> 01:29:09,270
AND I KNOW I MAY NOTBE GOOD ENOUGH.
2238
01:29:09,312 --> 01:29:10,814
MAYBE I'LL JUST END UPWITH A CAT
2239
01:29:10,855 --> 01:29:12,190
SKETCHING PEOPLE IN THE PARK,
2240
01:29:12,231 --> 01:29:15,276
BUT AT LEAST I'LL HAVE TRIED.
2241
01:29:15,276 --> 01:29:16,485
PAINT?
2242
01:29:16,527 --> 01:29:17,736
YEAH.
2243
01:29:17,779 --> 01:29:19,322
YOU'RE SURE ABOUT ALL THIS?
2244
01:29:19,363 --> 01:29:20,198
NO.
2245
01:29:20,239 --> 01:29:22,075
NO.
2246
01:29:22,116 --> 01:29:23,534
BUT I'M DOING IT ANYWAY.
2247
01:29:23,534 --> 01:29:25,494
SO I GET THE MAGAZINE, BUT...
2248
01:29:25,536 --> 01:29:26,662
BUT I'BUT NOT YOU.NYWAY.
2249
01:29:27,705 --> 01:29:29,791
I'M SORRY.
2250
01:29:31,125 --> 01:29:32,501
YEAH, ME TOO.
2251
01:29:34,087 --> 01:29:35,797
I GUESS SOMEONECAN SAY NO TO ME.
2252
01:29:35,839 --> 01:29:38,257
I DOUBT IT'LL EVERHAPPEN AGAIN.
2253
01:29:38,299 --> 01:29:39,968
YEAH.
2254
01:29:39,968 --> 01:29:41,427
OKAY. ALL RIGHT.
2255
01:29:41,469 --> 01:29:42,721
[CLEARING THROAT]
2256
01:29:42,762 --> 01:29:43,722
WOW.
2257
01:29:43,763 --> 01:29:47,809
UM, YOU SHOULD PROBABLYHAVE YOUR LAWYERS
2258
01:29:47,809 --> 01:29:50,269
CHECK THAT OUT,
2259
01:29:50,311 --> 01:29:52,313
UM, YOU SHOULD PROBABLYAND, UH...LAWYERS
2260
01:29:52,313 --> 01:29:54,648
THAT'LL BE THAT.
2261
01:29:58,111 --> 01:29:59,988
GOODBYE, LINDSEY.
2262
01:29:59,988 --> 01:30:01,072
GOODBYE.
2263
01:30:06,327 --> 01:30:08,204
[SIGHS] ALL RIGHT.
2264
01:30:25,346 --> 01:30:27,390
[♪]
2265
01:30:40,028 --> 01:30:41,362
[KEYING IN PHONE NUMBER]
2266
01:30:44,658 --> 01:30:47,952
HEY, NICOLE,CAN I COME SEE YOU?
2267
01:30:47,994 --> 01:30:50,204
WE NEED TO TALK.
2268
01:30:50,246 --> 01:30:52,456
ABOUT US.
2269
01:30:55,251 --> 01:30:57,378
TELL ME YOU'RE NOT ALONE ON VALENTINE'S DAY.
2270
01:30:57,378 --> 01:31:00,549
VALENTINE'S DAY...
2271
01:31:00,549 --> 01:31:01,591
IS THAT TODAY?
2272
01:31:02,634 --> 01:31:05,428
MOM, JP AND I PUT OUR LOCK ON THE BRIDGE TODAY.
2273
01:31:05,469 --> 01:31:07,055
IT WAS BEAUTIFUL,
2274
01:31:07,055 --> 01:31:09,558
AND I DON'T CARE IF THEY CUT IT OFF.
2275
01:31:09,558 --> 01:31:12,351
PEOPLE WILL ALWAYS FIND A WAYTO SHOW THEIR LOVE.
2276
01:31:14,521 --> 01:31:16,940
'LEX? UH,I'LL TALK TO YOU TOMORROW.
2277
01:31:16,981 --> 01:31:18,149
HAVE FUN WITH JP TONIGHT, OKAY?
2278
01:31:18,191 --> 01:31:19,984
HAPPY VALENTINES DAY.I LOVE YOU.
2279
01:31:20,026 --> 01:31:21,402
I LOVE YOU, TOO.
2280
01:31:30,954 --> 01:31:32,413
[RATTLING]
2281
01:31:32,413 --> 01:31:33,707
JACK?
2282
01:31:33,748 --> 01:31:34,833
HEY.
2283
01:31:34,874 --> 01:31:36,042
UH, HAPPY VALENTINE'S DAY.
2284
01:31:36,084 --> 01:31:37,669
WHAT ARE YOU DOING HERE?
2285
01:31:37,711 --> 01:31:38,587
THIS IS, UH...
2286
01:31:38,628 --> 01:31:40,714
THIS IS A GRAND ROMANTICGESTURE GONE AWRY.
2287
01:31:40,755 --> 01:31:41,590
IT'S FREEZING!
2288
01:31:41,631 --> 01:31:43,216
GET INSIDE!
2289
01:31:43,257 --> 01:31:44,843
OKAY... OKAY, YEAH...
2290
01:31:44,884 --> 01:31:45,844
OKAY, I GOT IT.
2291
01:31:45,885 --> 01:31:49,347
OKAY. OKAY...
2292
01:31:51,265 --> 01:31:52,684
[SHIVERING] I THOUGHT...
2293
01:31:52,684 --> 01:31:53,893
I THOUGHT YOU WEREGOING TO NOTICE ME
2294
01:31:53,935 --> 01:31:55,103
A LOT SOONER THAN THAT.HT...
2295
01:31:55,103 --> 01:31:56,145
[LAUGHING] WOW...
2296
01:31:56,187 --> 01:31:58,607
NO ONE DOES ROMANCEQUITE LIKE YOU.
2297
01:31:58,648 --> 01:32:00,984
NO ONE DOES ROMANCEQUITE LIKE US.
2298
01:32:02,276 --> 01:32:03,653
BUSINESS FLOWERS?
2299
01:32:03,653 --> 01:32:06,656
THESE ARE DEFINITELY NOTBUSINESS FLOWERS.
2300
01:32:08,282 --> 01:32:09,242
OKAY, I...BUSINESS FLOWERS?
2301
01:32:09,242 --> 01:32:12,120
I SHOULD HAVE COMETO FOLLOW YOU 20 YEARS AGO,
2302
01:32:12,161 --> 01:32:14,498
I SHOULD HAVE COME TO FOLLOW YOUOKAY, I...TWO DAYS AGO.OWERS?
2303
01:32:16,583 --> 01:32:19,127
BUT I'M HERE NOW.
2304
01:32:19,168 --> 01:32:21,671
AND I'M ASKINGFOR ANOTHER CHANCE.
2305
01:32:23,089 --> 01:32:26,259
I THINK SOMETHINGCAN BE ARRANGED.
2306
01:32:31,640 --> 01:32:34,643
[♪]
2307
01:32:41,483 --> 01:32:43,192
NOW, THAT'SYOUR BEST WORK.
2308
01:32:43,234 --> 01:32:44,819
HUGO... YOU ALWAYSSAY THAT.
2309
01:32:45,820 --> 01:32:47,030
HEY!
2310
01:32:47,071 --> 01:32:48,490
WE'RE HEADING BACK TO CAMPUS,DO YOU WANNA GRAB LUNCH FIRST?
2311
01:32:48,490 --> 01:32:49,491
OH, THANKS, SWEETIE,
2312
01:32:49,491 --> 01:32:50,784
BUT I THINK I'M GOING TO STAYAND FINISH THIS.
2313
01:32:50,825 --> 01:32:53,161
HAVE FUN.
2314
01:32:53,161 --> 01:32:54,329
BEAUTIFUL, MADAME.
2315
01:32:54,329 --> 01:32:55,997
THANK YOU, JP.
2316
01:32:55,997 --> 01:32:56,998
I'LL SEE YOU MONDAY?
2317
01:32:56,998 --> 01:32:58,542
TTANGO MONDAY.
2318
01:33:00,001 --> 01:33:01,670
[CHUCKLING FONDLY] MONDAY?
2319
01:33:01,670 --> 01:33:02,754
YOUNG LOVE.
2320
01:33:02,796 --> 01:33:04,631
NOTHING LIKE IT.
2321
01:33:04,631 --> 01:33:07,216
WELL, OLD LOVE'S NOT SO BAD.
2322
01:33:07,259 --> 01:33:09,553
HEY, WILL YOUNOTHING LIKE IT.CLOSE UP FOR ME?
2323
01:33:09,594 --> 01:33:11,805
I HAVE TO MEETKATHRYN FOR TEA.
2324
01:33:11,846 --> 01:33:12,847
TEA?
2325
01:33:12,889 --> 01:33:15,016
WELL, SHE'S HAVING TEA,I'M HAVING EVERYTHING BUT.
2326
01:33:15,058 --> 01:33:16,935
UH... ROUGE.
2327
01:33:16,935 --> 01:33:20,647
MORE REDON THE BRIDGE, HMM?
2328
01:33:20,689 --> 01:33:21,648
UH.SALUT.GE.
2329
01:33:21,690 --> 01:33:23,525
SALUT.
2330
01:33:23,525 --> 01:33:26,027
[♪]
2331
01:33:38,373 --> 01:33:40,041
THIS LOOKS FAMILIAR.
2332
01:33:40,041 --> 01:33:42,711
YES, IT DOES.
2333
01:33:46,005 --> 01:33:48,217
THIS LOOSHALL WE TRY THIS AGAIN?
2334
01:33:48,217 --> 01:33:51,886
YES, AND THIS TIME,I BROUGHT EXTRA LOCKS.
2335
01:33:51,886 --> 01:33:53,722
HOW MANY?
2336
01:33:53,722 --> 01:33:54,973
LOTS.
2337
01:33:55,014 --> 01:33:56,225
[CHUCKLES] GOOD.
2338
01:33:57,476 --> 01:34:01,313
ALL RIGHT,THIS IS IT.
2339
01:34:01,355 --> 01:34:02,814
ANY LAST WORDS?
2340
01:34:02,856 --> 01:34:06,193
JUST THOSE THREE.
2341
01:34:08,528 --> 01:34:10,239
"OOH LA LA"?
2342
01:34:10,280 --> 01:34:13,032
UH, NO.
2343
01:34:13,074 --> 01:34:15,994
I WAS THINKING...
2344
01:34:16,035 --> 01:34:18,747
"I LOVE YOU."
2345
01:34:21,583 --> 01:34:23,668
I LOVE YOU, TOO.
2346
01:34:32,469 --> 01:34:33,928
[LAUGHING]
2347
01:34:33,970 --> 01:34:37,182
WELL, IT MAY HAVETAKEN US A WHILE...
2348
01:34:37,224 --> 01:34:39,268
BUT WE GOT HERE.
2349
01:34:39,268 --> 01:34:40,769
WE DID.
2350
01:34:44,148 --> 01:34:48,402
[♪]
2351
01:35:01,790 --> 01:35:05,794
[♪]
145047
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