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1
00:08:08,822 --> 00:08:10,415
Hello, Prague.
2
00:08:17,956 --> 00:08:22,052
This is sort of a little
bit of my life story here.
3
00:08:22,210 --> 00:08:24,713
Because the reason I start
the way I start,
4
00:08:24,879 --> 00:08:27,302
with my friend Richard Harvey,
here on clarinet.
5
00:08:32,637 --> 00:08:35,811
And the amazing
Nick Glennie-Smith on...
6
00:08:36,349 --> 00:08:38,226
...accordion, OK.
7
00:08:41,104 --> 00:08:43,653
Thirty five years ago
or maybe a little more,
8
00:08:43,815 --> 00:08:45,988
just after leaving school,
I met these two,
9
00:08:46,151 --> 00:08:47,949
and we started
making music then,
10
00:08:48,111 --> 00:08:50,614
and we're still making music
and...
11
00:08:51,656 --> 00:08:53,784
Actually I'm not sure
if it's getting any better,
12
00:08:54,159 --> 00:08:55,786
but the friendship
is still there
13
00:08:55,952 --> 00:08:57,579
and the friendship is
the important part.
14
00:08:57,912 --> 00:09:01,007
So much of my life and so much
of my music is all about,
15
00:09:02,083 --> 00:09:03,676
you know, friendships
you've made.
16
00:09:05,170 --> 00:09:07,423
So let's treat this like
a little dinner party,
17
00:09:07,589 --> 00:09:10,638
just you and me, and we're just
here, we're just having a chat,
18
00:09:10,800 --> 00:09:12,768
and we're just gonna
play you a bit of music.
19
00:09:13,470 --> 00:09:17,020
The next thing we're gonna do
is actually from a friend
20
00:09:17,182 --> 00:09:21,483
that I truly seriously miss,
the late great Tony Scott.
21
00:09:26,024 --> 00:09:29,619
And tonight, with the amazing
Czech National Choir,
22
00:09:29,778 --> 00:09:31,405
we're gonna do Crimson Tide.
23
00:21:46,889 --> 00:21:49,483
So yes,
it wasn't all Crimson Tide.
24
00:21:49,642 --> 00:21:51,269
There was a little
Angels and Demons.
25
00:21:51,977 --> 00:21:55,151
And tonight,
I really want to make this about
26
00:21:55,314 --> 00:21:57,032
the musicians that I work with.
27
00:21:57,191 --> 00:22:00,491
And there's no one greater...
28
00:22:01,737 --> 00:22:05,332
One of the truly, if not. . .
Oh yeah, come on.
29
00:22:05,950 --> 00:22:08,294
My friend Satnam Ramgotra,
30
00:22:08,452 --> 00:22:11,831
the most amazing drummer
I have ever had the honour...
31
00:22:13,624 --> 00:22:15,171
...to ride on a bus with.
32
00:22:17,753 --> 00:22:20,347
And the little devil over there
is Lucy,
33
00:22:22,883 --> 00:22:25,227
and she's got an angel
on her shoulder named Holly.
34
00:22:29,223 --> 00:22:34,070
So from one Scott brother
to another Scott brother.
35
00:22:36,564 --> 00:22:38,942
I'm a musician
which means partly
36
00:22:39,108 --> 00:22:41,736
I'm unemployable for a real job.
37
00:22:42,194 --> 00:22:45,744
I'm up at night
and I sleep during the day.
38
00:22:46,449 --> 00:22:48,793
Or I have a 9 to 5 job
which starts at 9 in the evening
39
00:22:48,951 --> 00:22:51,329
and goes until 5 in the morning
or something like that.
40
00:22:51,495 --> 00:22:54,419
So, when somebody phones me
at 9 o'clock in the morning,
41
00:22:54,582 --> 00:22:57,677
I'm very, very vulnerable,
and they know it.
42
00:22:57,835 --> 00:23:01,305
So, Ridley Scott when he phoned
me at 9 in the morning
43
00:23:01,463 --> 00:23:04,387
and said to me, "Hans, do you
want to do a Gladiator movie?"
44
00:23:04,550 --> 00:23:06,097
I just started laughing.
45
00:23:07,011 --> 00:23:11,312
Because to me a gladiator movie
was men in skirts and sandals
46
00:23:11,473 --> 00:23:13,646
and it was basically,
we were going to do a comedy.
47
00:23:14,643 --> 00:23:17,772
And he said,
"It's not really like that."
48
00:23:17,897 --> 00:23:19,899
And he started
telling me the story,
49
00:23:20,065 --> 00:23:22,739
and as he was telling me
the story
50
00:23:22,902 --> 00:23:26,406
I could see what amazing vision
he had.
51
00:23:26,572 --> 00:23:28,745
And we were really gonna do
a gladiator movie
52
00:23:28,908 --> 00:23:30,330
that was going to be great.
53
00:23:31,869 --> 00:23:36,375
We finished talking after about
an hour and I got off the phone,
54
00:23:37,166 --> 00:23:38,884
and my wife's looking at me
and she's going,
55
00:23:39,043 --> 00:23:40,761
"What did you and Ridley
talk about?"
56
00:23:40,920 --> 00:23:43,924
By this point I was really
excited and I said to her,
57
00:23:44,089 --> 00:23:47,468
"You won't believe it but we're
gonna do a gladiator movie."
58
00:23:48,427 --> 00:23:51,556
And she just paused,
and she looked at me and went,
59
00:23:51,722 --> 00:23:53,599
"Oh, you boys."
60
00:23:55,893 --> 00:23:59,147
The weird thing is that
she was absolutely right.
61
00:23:59,313 --> 00:24:02,283
And I told Ridley about this
62
00:24:02,441 --> 00:24:05,570
and we started
really questioning the idea
63
00:24:05,736 --> 00:24:09,240
that we had no female soul
in this movie.
64
00:24:09,406 --> 00:24:11,124
We needed to get a muse.
65
00:24:11,283 --> 00:24:13,706
We were talking about this
in the cutting room
66
00:24:13,869 --> 00:24:17,464
and Pietro Scalia our editor,
he's got like three CDs,
67
00:24:17,623 --> 00:24:19,751
I'm not kidding,
he had three CDs on his shelf.
68
00:24:20,334 --> 00:24:23,053
One of them was Dead can Dance,
and he picked it up and he goes,
69
00:24:23,212 --> 00:24:24,839
"What about Lisa Gerrard?"
70
00:24:25,589 --> 00:24:29,935
To make the story very short,
I phoned Lisa in Australia.
71
00:24:30,427 --> 00:24:33,852
She said she'll come and she was
going to come for three days.
72
00:24:34,723 --> 00:24:36,817
And the three days
turned into three months,
73
00:24:36,976 --> 00:24:38,649
and the three months...
74
00:24:38,811 --> 00:24:41,360
God, hang on,
this was sixteen years ago.
75
00:24:41,522 --> 00:24:44,901
So, we're still friends,
you know.
76
00:24:45,067 --> 00:24:48,947
These little movies make these
little families and you get
77
00:24:49,113 --> 00:24:52,208
to meet really interesting
people through music.
78
00:24:52,908 --> 00:24:54,626
Tonight,
ladies and gentlemen,
79
00:24:54,785 --> 00:24:57,584
Czarina Russell is going to do
Gladiator for us.
80
00:24:57,746 --> 00:24:59,919
And Mike Einziger
from the band Incubus.
81
00:25:02,418 --> 00:25:03,635
Guthrie Govan.
82
00:25:11,427 --> 00:25:13,100
Oh, yeah,
and Steve Mazzaro.
83
00:25:13,262 --> 00:25:16,732
In the middle of Gladiator we've
got this guitar concerto,
84
00:25:16,890 --> 00:25:19,188
this crooked guitar concerto
going on.
85
00:25:19,351 --> 00:25:21,194
It's an experiment.
86
00:25:21,353 --> 00:25:23,196
It will either work
or it won't work.
87
00:25:23,355 --> 00:25:26,985
But ladies and gentlemen
let me not bore you any longer.
88
00:25:27,484 --> 00:25:30,488
Because in the immortal words
of Gladiator,
89
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you will not be entertained.
90
00:25:32,489 --> 00:25:33,911
Here we go, Gladiator.
91
00:38:29,516 --> 00:38:32,144
Ladies and gentlemen,
Czarina Russell.
92
00:38:37,357 --> 00:38:41,612
All right,
so from Rome to Paris,
93
00:38:42,529 --> 00:38:43,826
Da Vinci Code.
94
00:38:46,616 --> 00:38:50,792
It wasn't really about the novel
that inspired me,
95
00:38:50,954 --> 00:38:53,582
the thing that really
inspired me was Paris.
96
00:38:53,748 --> 00:38:55,625
But what really
inspired me there
97
00:38:55,792 --> 00:38:57,760
was when we were shooting
at the Louvre,
98
00:38:57,919 --> 00:39:00,763
and then next to the Louvre
is this beautiful pyramid,
99
00:39:00,922 --> 00:39:04,677
this very provocative modern
pyramid built by I. M. Pei.
100
00:39:05,468 --> 00:39:06,890
And that really gave me
101
00:39:07,637 --> 00:39:10,265
the idea of how I wanted
to attack the whole thing.
102
00:39:10,432 --> 00:39:12,981
Then I wrote this tune
for Ron Howard
103
00:39:13,143 --> 00:39:14,770
called Chevaliers de Sangreal.
104
00:39:15,645 --> 00:39:17,192
I actually wrote it
very quickly,
105
00:39:17,313 --> 00:39:19,111
I just wouldn't play it
to him forever.
106
00:39:19,649 --> 00:39:21,993
Eventually he was starting
to get very nervous
107
00:39:22,152 --> 00:39:24,746
and I played it to him,
and he loved it,
108
00:39:24,904 --> 00:39:28,750
and it became really our main
theme for The Da Vinci Code.
109
00:39:28,908 --> 00:39:32,833
And tonight we're gonna go
and do it in sort of the version
110
00:39:32,996 --> 00:39:34,714
that it was originally
thought of,
111
00:39:34,873 --> 00:39:36,546
where we have an ancient...
112
00:39:36,958 --> 00:39:40,337
No, no, you're not ancient,
your instrument is ancient.
113
00:39:40,795 --> 00:39:45,517
The very young Rusanda Panfili
is going to be playing
114
00:39:45,675 --> 00:39:50,351
her old violin, while we do
a sort of electronic thing,
115
00:39:50,513 --> 00:39:51,389
so you get the...
116
00:39:51,556 --> 00:39:53,479
I love it when two cultures
sort of collide
117
00:39:53,641 --> 00:39:55,769
and then become something
really interesting.
118
00:39:55,935 --> 00:39:57,107
I think every sentence
119
00:39:57,270 --> 00:39:58,817
is getting me more
into trouble here, right?
120
00:39:59,314 --> 00:40:02,659
OK, I'll just shut up.
Here is Da Vinci Code.
121
00:51:44,435 --> 00:51:48,360
Buyi she has such an amazing
voice, she moves me.
122
00:51:50,232 --> 00:51:51,609
She moves you.
123
00:51:52,026 --> 00:51:52,948
But...
124
00:51:55,863 --> 00:51:58,958
- From Soweto to Prague.
- To Prague.
125
00:52:00,159 --> 00:52:02,002
Every night we play this game,
126
00:52:02,161 --> 00:52:05,836
it was a long time ago when
I first met Lebo in Los Angeles.
127
00:52:05,998 --> 00:52:07,671
He was a refugee from
South Africa.
128
00:52:08,250 --> 00:52:12,175
Things were bad in South Africa.
So things have changed.
129
00:52:12,963 --> 00:52:18,094
So every night I just like
to remind both, him and me,
130
00:52:18,844 --> 00:52:20,642
from Soweto to Prague.
131
00:52:21,639 --> 00:52:24,859
It's been a journey,
it's been a journey.
132
00:52:26,435 --> 00:52:27,482
Thank you.
133
00:52:27,936 --> 00:52:32,783
You could go to see the play and
you see an actor do his part,
134
00:52:32,942 --> 00:52:35,115
you see the movie
and you hear his voice,
135
00:52:35,277 --> 00:52:39,874
but this, ladies and gentlemen,
this is the true Lion King.
136
00:52:42,493 --> 00:52:44,621
And one thing
I always have to add,
137
00:52:44,912 --> 00:52:46,880
Lion King was written
for my daughter Zoe,
138
00:52:47,039 --> 00:52:48,837
who's somewhere here
in the audience.
139
00:52:48,999 --> 00:52:50,546
I want to say it a lot
during the day,
140
00:52:50,709 --> 00:52:53,804
but it's sort of nice to say it
in front of ten thousand people.
141
00:52:53,962 --> 00:52:57,432
Zoe Zimmer, I love you
from the bottom of my heart.
142
00:52:58,759 --> 00:52:59,760
Thank you.
143
00:53:08,227 --> 00:53:11,071
Meanwhile,
just cast your eye over there.
144
00:53:12,398 --> 00:53:15,117
In the string section
is young Tina Guo.
145
00:53:16,193 --> 00:53:19,697
Not quite the same but all
the way from China to Prague,
146
00:53:20,156 --> 00:53:21,954
but it's not quite
the same story.
147
00:53:24,243 --> 00:53:26,086
Everybody works so hard,
148
00:53:26,245 --> 00:53:30,000
but I'm always astonished
at her playing.
149
00:53:30,374 --> 00:53:33,469
So, this very trivial piece
150
00:53:33,627 --> 00:53:36,972
she is going to perform
as a cello concerto tonight,
151
00:53:37,131 --> 00:53:40,431
and I'm honoured for you to be
playing this, thank you Tina.
152
01:08:09,627 --> 01:08:11,595
Now you know,
that piece is only in there,
153
01:08:11,754 --> 01:08:14,428
so that I get to play the timps
and make a lot of noise,
154
01:08:14,591 --> 01:08:17,310
because everybody
wants to play the timps.
155
01:08:18,178 --> 01:08:22,183
But the true heroes
of this piece are over there.
156
01:08:22,766 --> 01:08:27,522
Young Nathan Stornetta,
from Switzerland.
157
01:08:33,318 --> 01:08:34,911
And I just have to take a moment
158
01:08:35,069 --> 01:08:36,992
to tell you about the guy
next to him.
159
01:08:38,031 --> 01:08:41,752
That is Gary Kettel,
he is a true legend.
160
01:08:42,494 --> 01:08:45,873
He's played on more film scores
than anybody else,
161
01:08:46,039 --> 01:08:48,542
for John Williams,
for John Barry.
162
01:08:48,958 --> 01:08:51,427
I mean, are there any other
Johns left?
163
01:08:52,170 --> 01:08:54,514
Truly, I mean,
this man is amazing.
164
01:08:54,672 --> 01:08:56,345
I'll go and play a little piano.
165
01:13:06,549 --> 01:13:09,143
Young Yolanda Charles.
166
01:13:09,844 --> 01:13:13,644
The beauty's on duty.
Thank you so much.
167
01:13:14,265 --> 01:13:16,142
You are so wicked.
168
01:24:47,875 --> 01:24:49,172
Thank you very much.
169
01:24:50,836 --> 01:24:54,761
That was a piece from a movie
called The Thin Red Line.
170
01:24:55,841 --> 01:24:59,596
And I know Johnny Marr
really likes this piece,
171
01:24:59,762 --> 01:25:01,139
and that's why it's in the set.
172
01:25:01,305 --> 01:25:04,935
Because like that, I get to have
my friend Johnny come out.
173
01:25:06,143 --> 01:25:09,363
Ladies and gentlemen,
Johnny Marr.
174
01:25:11,649 --> 01:25:16,155
But it doesn't just end there.
175
01:25:16,487 --> 01:25:21,243
So Johnny, Andrew Kawczynski,
Steve Mazzaro,
176
01:25:22,409 --> 01:25:24,286
Mike and Ann Marie,
177
01:25:24,453 --> 01:25:27,002
and of course Satnam, would we
go anywhere without Satnam?
178
01:25:27,164 --> 01:25:30,259
We sort of formed a band with
Pharrell a while back to do
179
01:25:30,417 --> 01:25:33,296
a superhero movie,
Spider-Man.
180
01:25:34,630 --> 01:25:36,303
So we all wrote this next piece,
181
01:25:36,465 --> 01:25:40,140
this is truly the band
at its finest.
182
01:25:40,302 --> 01:25:44,102
And of course what would we
write if not a clarinet concerto
183
01:25:44,264 --> 01:25:46,437
in a very classical way?
184
01:25:47,059 --> 01:25:50,154
So this next piece is called
Electro.
185
01:31:16,012 --> 01:31:16,808
The.
186
01:31:19,600 --> 01:31:20,772
Dark.
187
01:31:23,228 --> 01:31:24,229
Knight.
188
01:44:29,221 --> 01:44:30,973
Let me tell you one last story,
189
01:44:32,767 --> 01:44:35,566
about twelve years ago,
maybe thirteen,
190
01:44:36,479 --> 01:44:37,822
Chris Nolan phoned me
191
01:44:37,980 --> 01:44:40,574
and asked me if I wanted
to do a Batman movie.
192
01:44:40,733 --> 01:44:42,701
Of course I wanted to do
a Batman movie,
193
01:44:42,860 --> 01:44:46,034
and more than that I wanted
to work with Chris Nolan.
194
01:44:47,365 --> 01:44:48,582
But I had a problem,
195
01:44:48,741 --> 01:44:51,244
I didn't know how to be Batman
and split my personality
196
01:44:51,410 --> 01:44:55,916
and become the suave
and elegant Bruce Wayne.
197
01:44:56,457 --> 01:44:59,256
So Chris suggested that I call
my friend James Newton Howard,
198
01:44:59,419 --> 01:45:04,391
who's one of the most brilliant,
elegant and wonderful composers.
199
01:45:05,383 --> 01:45:09,263
And off we went to London
with our friend Mel Wesson.
200
01:45:11,973 --> 01:45:15,853
The four of us together came up
with Batman Begins,
201
01:45:16,018 --> 01:45:18,441
we never thought about a sequel
or anything like this.
202
01:45:22,650 --> 01:45:25,324
A few years went by and one day
Chris turned up at my studio,
203
01:45:25,486 --> 01:45:27,784
and he started telling me
the story of the Joker.
204
01:45:28,906 --> 01:45:32,752
And he told me a story
of anarchy,
205
01:45:33,703 --> 01:45:38,334
he told me a story of a punk
attitude to music and to acting.
206
01:45:40,334 --> 01:45:42,883
And I said to him, "Who's going
to be the actor in this,
207
01:45:43,045 --> 01:45:44,672
who's going to play this Joker?"
208
01:45:44,839 --> 01:45:46,933
And he said to me,
"Heath Ledger."
209
01:45:48,425 --> 01:45:50,974
And Heath gave
this incredible performance,
210
01:45:51,137 --> 01:45:54,812
totally fearless, totally on
the edge, totally out there.
211
01:45:56,433 --> 01:46:00,188
Every day, when we saw it daily,
we were just like, "Amazing."
212
01:46:01,689 --> 01:46:03,817
Just before he finished
the movie,
213
01:46:03,983 --> 01:46:07,408
we found out that
our Heath had died.
214
01:46:09,405 --> 01:46:11,373
And I thought I should tone
the music down,
215
01:46:11,532 --> 01:46:13,830
I thought it was all too much
and I suddenly realised
216
01:46:13,993 --> 01:46:17,338
that the only way to really show
respect to this performance,
217
01:46:17,496 --> 01:46:21,842
to give respect to the man,
was to keep the edges in it.
218
01:46:22,668 --> 01:46:26,093
The razor blades, the steel,
the broken glass.
219
01:46:28,091 --> 01:46:29,843
And a few years went by
and Chris said,
220
01:46:30,009 --> 01:46:31,977
"Come on, we've got
to finish the trilogy.
221
01:46:32,136 --> 01:46:33,729
We owe it to ourselves."
222
01:46:33,888 --> 01:46:36,482
And so, Dark Knight Rises
came about.
223
01:46:38,059 --> 01:46:39,982
Somehow we found
the playfulness again,
224
01:46:40,144 --> 01:46:43,068
the experimentation,
all that stuff was all back.
225
01:46:43,648 --> 01:46:45,321
We did the movie,
we finished it,
226
01:46:45,483 --> 01:46:48,077
we went to New York,
we had an amazing premier.
227
01:46:49,111 --> 01:46:51,409
The next morning
we got on a plane
228
01:46:51,572 --> 01:46:54,166
and we arrived at dawn
in London
229
01:46:54,325 --> 01:46:56,123
and I went to my apartment.
230
01:46:57,161 --> 01:47:00,415
And a journalist was on
the phone and he asked me
231
01:47:02,500 --> 01:47:05,504
what I felt about
the mass shooting
232
01:47:05,669 --> 01:47:07,421
while they were showing
our movie,
233
01:47:08,797 --> 01:47:11,767
in the small town in Colorado
called Aurora?
234
01:47:12,176 --> 01:47:15,146
I hadn't heard of it
and I said, "Devastated."
235
01:47:15,304 --> 01:47:17,306
The first word
that popped into my head.
236
01:47:17,848 --> 01:47:21,068
And I realised everybody
was going to use that word,
237
01:47:21,227 --> 01:47:23,355
and I don't use words.
238
01:47:23,521 --> 01:47:26,320
Words aren't the way
I express myself.
239
01:47:26,482 --> 01:47:30,407
All day I was thinking about
the victims and their families,
240
01:47:30,569 --> 01:47:33,573
and the loneliness they must
have experienced.
241
01:47:33,739 --> 01:47:36,583
So that night I phoned the choir
and I said,
242
01:47:36,742 --> 01:47:41,589
"Can we do something? Can we do
a piece of music with no words,
243
01:47:41,747 --> 01:47:44,842
that should feel like
we're stretching our arms out
244
01:47:45,001 --> 01:47:49,381
all the way across the Atlantic,
for the small town in Colorado?"
245
01:47:50,047 --> 01:47:52,266
And let them
not feel alone any more,
246
01:47:52,425 --> 01:47:54,427
let them know we're
thinking of them,
247
01:47:54,594 --> 01:47:57,393
let them know we're feeling
for their hearts.
248
01:48:00,307 --> 01:48:02,401
And the world hasn't gotten
any better,
249
01:48:02,935 --> 01:48:04,937
and tonight we're here
in Prague.
250
01:48:05,855 --> 01:48:07,983
And we're stretching
our arms out,
251
01:48:08,899 --> 01:48:11,948
and we're playing and singing
from our hearts for you.
252
01:48:13,154 --> 01:48:17,910
Ladies and gentlemen,
this is Aurora.
19464
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