Original subtitles

Do you know this?

Bitna, eat this.

I just need one.

I think we're going to need ketchup.

It's good.

It's been a while since I used this instrument

The key is a bit higher than normal

Let's skip the intro

and start with UNBREAKABLE.

I'll first try and listen to UNBREAKABLE.

I'll just listen.

This, UNBREAKABLE...

All the strings that are originally buried, should we remove them?

Yeah, let's remove them.

A song that you can notice right away as having changed a lot.

Isn't PARADISE not so suitable for one of the first songs?

TAKE MY HAND?

I think that one comes up too early.

I think doing it this way might be good.

Manipulator, I'm sorry but

Can you edit that?

100%

Strings can't fill in 100%

When the strings are not firing off, we as usual

need to fill in that gap

and I think we'll have to have good teamwork for this.

Next.

Bark Matic.

How is it played?

I'll try listening to this one too.

For Bark Matic, we only have the version where we took the original string parts and replaced it with the real ones

Could you

use the female voice

This? One more time?

Choir

I think that would be better.

Hello.

Let's go with HAZE next.

Let's listen to HAZE.

Let's keep this one as-is.

And next

SO WHAT

followed by PARADISE, and then HAZE

I'll say a few words and then

The Smile in Wine, followed by LOVE SONG

No let's just eat light like this

Let's just eat this and eat properly after we're done.

(At curtain call) When the instrument players leave, the conductor will stay in place

and call the players back to the stage

How long is the time in between?

In classic performances, mostly

they come right back out.

Let's go with that in our performance too.

Yes, good work.

It's tough, it's tough.

But it is working out somehow.

Koreans are scary.

Let's eat.

Are you going?

Do you want pork belly?

Hello, Osaka.

Finally today

is the second day of Bio-rhythm The Symphony.

This second performance today means a lot to me too

as much as the first performance did.

My fans who have been there for me

for the past 15 years of my career as a singer

are here.

Also, many of my colleagues who I've been doing music with since I was young

are here too.

And those who have worked with me in Japan since I was a rookie are here.

And my mother is here too.

And

my band, who stands behind me giving amazing performance as ever.

Yeah.

Yesterday, I had this thought.

I don't want to miss this time passing by.

Today,

I'm going to let go of

this passing time

without any hesitation and regrets.

Instead, I promise you that every stage that I'll perform today

would be your best of all time concert.