All language subtitles for The.Nest.S01E03_English

DAN: It's going to be
our embryo that goes in.

You won't have any genetic
relationship to the child.

Yeah, I'm just cooking it.
Nothing to do with me.

A body was recovered
from the Clyde yesterday.

And it's looking like
another drugs death.

Don't you touch me.

Don't you ever dare to touch me.

You don't know nothing
about me or my life.

EMILY: Kaya, be careful.

Kaya, slow down.

[ Screams ]

DAN: I need you to get her
social services files.

HILARY: It's exploitation,
pure and simple.

And I'm having nothing
to do with it.

ELEANOR: I'm new to Glasgow,
actually.

I'm from Lewis.

DAN: She killed someone.

Knifed her.

Killed her unborn child.

Someone's recognized me.

What am I going to do, Hilary?

[ Dramatic music plays ]

[ Soft music plays ]

Still up for prom?

-"Pram."
-[ Chuckles ]

I can't believe
I'm going to prom.

I can't believe that no one's
twigged on about us.

That's probably because
none of them can imagine

that you'd want to spend
your free periods

-shagging a pregnant lassie.
-JACK: [ Chuckles ]

It's an amazing decoy.

It's not that long, now.

Where will you live,
you know, after?

Don't know.

Where were you happiest?

Like, ever in your life?

I'm not prying, I'm not.

I'm just trying to help.

[ Music continues ]

Calderwood Falls.

My grandad took me there
when I was tiny.

It was --
it was ages away, but worth it.

I just thought it was amazing.

You know, totally peaceful

and kinda like enchanted.

So you want to live
in a waterfall?

Piss off, you.

Well, where were you happiest?

[ Chuckles ]

[ Exhales sharply ]

Right here with you.

I don't know how to help you.

You can't go on like this.

It's eating you up.

Can Emily not see
the state of you?

She thinks it's work.

Why?

Why won't you tell her
about Kaya?

She's nearly 24 weeks.

You have got to talk to Emily.

And decide whether you want
to keep going with this.

Or else there'll be no decision
to be made.

I can't.

It would fucking destroy her.

She has got her feet
under the table.

This lassie will be
in your lives forever.

No.

No.

I can't have that.

That's not happening.

HILARY: Well, then,
tell Emily today.

Just tell her.

[ Suspenseful music plays ]

EMILY: He's upside down.

Or she is.

-Do we know which?
-We do not.

They've given it to us
in a sealed yellow envelope,

in case we're tempted.

-Are you?
-Well, I am,

but Dan's dead against it.

-I think it would help him.
-ZOE: With?

Well, getting his head
around the idea

that we are actually
having a baby.

[ Laughs ]

That's normal, that's men.

Well, not if you've got
a new man,

but you don't have
one of those.

[ Laughs ]

I'll pass that on.

ZOE: I'm serious,
give him a break.

He's not going to get
all excited

about little knitted cardigans,
or whatever.

But it'll all change
once it gets here

when Kaya's out of the house

and it's just
the two of you again.

-Mm.
-Right, I am calling it.

That's a boy.

What are you saying?

I don't mind.

Whatever it is, I'll take it.

[ Suspenseful music plays ]

DAN: That's her passport.

Plane tickets to London.

She's due at the clinic
9:00 tomorrow morning.

Termination's at 10:00.

I'll make it clear.

She signs the non-disclosure,

she'll get access to other funds
and keys to a flat.

I'll pick her up this afternoon,
and tell her what the score is.

Drive her to the airport.

You meet her there
the back of five.

Not a problem.

Come on, son,
just keep it together.

We've got to talk
to the engineers.

Come on.

MALE ENGINEER:
It's the sewer roof.

The whole thing's collapsed.

SOUTER:
God, when did this happen?

MALE ENGINEER:
I've only just found out.

I've had to stop all the work
and make the area safe.

It's Victorian sewers,

all the way from here
to Greenock.

Greenock?

Did we not know
that when we started the job?

Well, of course we did.

We had it factored in
to the cost of the development.

Aye, but it's only when
that one section got damaged

that we put
the ultrasound sound down,

that the state of the whole
system's come to light.

-It all needs replaced.
-Not by us, it doesn't.

Well, contractually, I'm afraid
that's where the burden lies.

SOUTER: Did you not hear
what he just said?

Dan? Son.

This could shaft
the whole development.

[ Suspenseful music plays ]

[ Engine starts ]

[ Music continues ]

KAYA: I can't wait
to see this place.

What are going to build on it?

Have you got one of
they wee models

that show you what
it's going to look like?

You seem stressed
out of your box, man.

It's the job.

It's not the deal
I thought it was.

-What's going on?
-[ Phone rings ]

Dodgy area.

Aye, I know.

I used to live here.

[ Phone ringing continues ]

It's cool, you can pick it up.

[ Ringing stops ]

[ Cellphone dings ]

[ Music continues ]

Hello?

EMILY:
Will you come into town?

I can't just now.

Look, I...

I know you said it was too early
to buy stuff,

but I think that's
exactly what you need.

EMILY:
You've been so stressed.

It's something
to look forward to.

I'm going in.

I'm picking up
a teenie tiny bath towel,

with a teenie tiny hood.

I'll call you back.

[ Music continues ]

My head's not on it, sorry.

Can we do it another time?

[ Suspenseful music plays ]

[ Music stops ]

[ Footsteps approach ]

Talk to me.

You're not yourself.

You haven't been for weeks.

Months.

We've been through so much
to get here.

I just...

I just want to enjoy it
with you.

[ Doorbell rings ]

Are you expecting someone?

[ Doorbell rings ]

[ Suspenseful music plays ]

We could've got on the phone.

Aye, but you know me.

I prefer a walk and a chat.

Hi, Emily.

-EMILY: Tea? Whiskey?
-SOUTER: Nah.

Nah, I'm okay, pet.

I just came to have
a constitutional

with the wee man.

[ Door slides open, closed ]

So you bottled it
with the lassie today.

You need shot of this, and
your head back in the business.

There's only two ways
to get out of a bad deal, son.

You either negotiate
your way clear,

or something happens
beyond your control.

Force Majeure.

Fire, flood, act of God.

Just an accident.

DAN: What?

[ Chuckles ]

Quite unexpected.

Aye, it's sad,
but these things happen.

And as time goes by,
people get over it.

And life goes back
to what it was.

It wouldn't have anything
to do with you.

It never has.

[ Slow-tempo music plays ]

[ Indistinct conversations ]

[ Grunting ]

[ Suspenseful music plays ]

Are you Tony Docherty's son?

No.

Fucking spit of that man.

[ Music continues ]

To what you suggested -- no.

DAN: No acts of God,
no accidents.

Is there another plan?

[ Line clicks ]

Emily?

[ Soft music plays ]

[ Sniffles ]

[ Exhales shakily ]

[ Cries ]

[ Sniffles ]

[ Music continues ]

Oh...

oh, love, it's okay.

It's okay.

Everything's going to be okay.

We're here.

Made it, past the point
of no return.

Yeah.

[ Music continues ]

[ Music stops ]

[ Soft music plays ]

[ Laughs ]

Oh.

[ Music continues ]

Prom.

Who the fuck am I kidding?

Thought you were looking
forward to it?

It's ridiculous.

There I am, cutting about like,

"oh look at me,
I'm in a fucking film," but...

right, how long
before it all goes...

What's changed?

Well...that lassie
who recognized me,

she could pop up at any time.

Any time.

Well, you can't dwell on her.

You don't even know who she is.

Well, I know
she's from the island.

JANIS: Aye, and she's probably
going back there.

JAMES: Have you seen her again?

JANIS: Well, then, that'll most
likely be the end of it.

It's coming on three month.

Look, this was always a risk.

We talked about it, didn't we?

Even in a city,
however many miles away,

Scotland's not that big.

There was always a chance
that someone from the past

might recognize you.

And the planned response
to that happening

was to move you on.

Which we can still do,

but that means disclosing
to Dan and Emily...

No. Non-starter,
definitely not.

JANIS:
No, look, you're settled.

You've built something.

You're on an even keel.

You've become part
of this family.

Now, you go to your dance
and live your life, okay?

Let us worry about something
that'll likely not happen.

[ Up-tempo music plays ]

♪ You have placed a chill
in my heart ♪

♪ Take me to the desert
where there's got to be ♪

Ta-da...

Oh, what?

♪ Take me to the desert,
take me to the sand ♪

♪ Show me the color
of your right hand ♪

-What is this?
-Come on we're celebrating.

You're going to prom.

You're actually mad,
this is too much.

Here.
Have one of these.

Cheers.

-[ Laughs ]
-Thank you.

What's that for?

[ Laughs ]

♪ Love is a temple,
love is a shrine ♪

♪ Buy some love
at the five and dime ♪

Okay, that's it.

-Swinging.
-Hips swinging.

♪ Get it on credit
if you need some more ♪

HILARY: Is Gina coming round
to get ready?

It's just going to be me.

♪ A criss-cross pattern
upon your face ♪

♪ A woman's just too tired
to think ♪

♪ About the dirty old dishes
in the kitchen sink ♪

♪ I wish I was invisible ♪

You look so beautiful.

No, I don't.
I look like a fanny.

♪ When it hurts my ear ♪

♪ And it hurts my brain ♪

♪ And it makes me
feel too much ♪

♪ Too much, too much ♪

What a hunk.

Mum? Eugh.

You look beautiful.

You are beautiful.

And if anyone tonight
makes you feel less than that,

then they can go and...
fuck themselves.

[ Laughs ]

I haven't heard
you say it before.

You can't carry it off.

EMILY: Well, they can.

Because...god,
you could buy and sell

every other kid
in that place.

Do you want some?

♪ Love is a religious sign ♪

I'm so proud of you.

Okay, go and stand over there.

♪ I've been bought,
and I've been sold ♪

♪ Love is rock,
and love is roll ♪

♪ I just want someone
to hold ♪

Gorgeous.

[ Camera shutter clicks ]

♪ All the night long ♪

-Emily.
-EMILY: Mm-hmm?

I need to tell you something.

I don't want to lie to you,

because you've become
like a mum to me.

Alright, then, it's okay,
whatever it is.

Me and Jack are going out.

Not pals, we're like
a couple kinda thing.

Oh.

-God, so you're...
-KAYA: Aye.

But like nothing rank's
happening to the wean,

'cause it's condoms
all the way.

And, you know, it doesn't go
all the way up, does it, so...

Like, married folk do it
when one of them's pregnant,

so it can't be doing any harm.

I wouldn't do it if it was.

No. Um...

Well, I mean, oh...

thank you for telling me.

I mean, I...I...

I'm shocked, a bit,
but it's...it's fine.

Well I'm shocked and all.

I don't know why he wants to
shag a pregnant lassie either,

but there you go.

[ Both laugh ]

Fuck.

That was much better that time.

More natural.
Just "fuck."

[ Both laugh ]

Yeah, no, it's...it's...
it's good.

It's good for you
to have a life of your own,

you know, away from us.

It's good. It's normal.

So are you picking Gina up,
or are you meeting her there?

I'm not going with Gina.

We're not together any more.

What happened?

I'm going with Kaya.

Okay.

Is that all you've got to say?

What would you like me to say?

[ Sighs ]

You're 18.

You've worked hard
for your exams,

you've got the summer ahead
of you to enjoy yourself.

You know, come September,
that'll be it.

You'll be away.

Mum.

Mum.

I'm not going.

[ Sighs ] Yes, you are.

No, it's not the right time.

HILARY:
You're leaving school.

You're going to university.

JACK: No, I've decided.

I've already told the college.

They're holding my place.

Well, not holding,
they don't defer places,

but I just need to apply
again the following year.

No. Absolutely not.

This is the person I've been
closest to in my whole life.

-No.
-Can you stop saying no

like you have any say over
who I go out with,

how I feel,
or what's important to me.

Okay.

You tell me what
is important to you?

Staying in Glasgow.

Supporting someone I love
to do this thing,

this amazing thing
for someone else.

And what do you
even know about her?

Eh?

About her background?

JACK: Her background?

Can you hear yourself?

What, 'cause she's scum,

and I'm what,
socially mobile?

The first person in our family
to go to university.

Oh, do you know, fuck that.

-Ask her what she did.
-Oh you're full of shit.

Ask her.

Go on. Tell me.

What did she do?

She's not been honest with you.

Don't make decisions --
huge, irreversible decisions --

when you don't have
the full facts.

She has told you lies
from start to finish --

you and Dan and Emily.

So you can phone Cambridge
first thing tomorrow morning,

and tell them that you will be
taking up that place.

Kaya's background
is none of our business.

She's made it your business,
by cheating you out of a future

you have worked
your arse off for,

and that you bloody deserve.

Night, mum.
You'll get over it.

Jack, she hurt someone.

She killed someone.

Jack, a woman and her baby.

Sorry, some bullshit.

I'm on my way.

Neve McKinnell.

Google it.
That's the name of her victim.

They couldn't name Kaya
at the time

because she was too young.

Kaya isn't even her real name.

What's going on?

Nothing.
I need a lift to prom.

[ Suspenseful music plays ]

[ Engine starts ]

[ Music continues ]

[ Indistinct conversations ]

[ Engine shuts off ]

EMILY: I'll be out of the film
at 11:30,

so if you've had enough,
just give me a call

and I'll come pick you up.

Oh, and...

that's just in case
of emergencies.

Thanks.

[ Exhales sharply ]

[ Both laugh ]

Okay.

[ Indistinct conversations
in distance ]

[ Car door closes ]

[ Engine starts ]

[ Indistinct conversations ]

[ Slow-tempo music plays ]

[ Car door closes ]

[ Engine starts ]

[ Music continues ]

What's the thinking?

If you...

if you've bottled it,
just tell me.

Don't leave me standing here
like a fucking idiot.

-Looking sharp, Jackie Boy.
-All right, Rankin?

Hi, I'm Rory.

Kaya.

I'm here with Jack,
or have you changed your mind.

I don't give a fuck, man.

It's fine.

Let's go.

[ Cellphone rings ]

Can you come home?

I've...

I have done a stupid thing.

[ Indistinct conversations ]

What's wrong?

Nothing.

Just a fight with my mum.

It's okay.

I told Emily.

And she didn't mind at all,

so maybe you can
stay there sometime, or...

[ Indistinct conversations,
up-tempo music plays ]

Sweet Jesus.

-Is that yours, Rankin?
-No.

-[ Laughs ]
-No, it's not Kaya's either.

She's a surrogate.

Wow.

-Really?
-Aye.

You're such a special person
for doing that.

I could never do that.

I'm going for a pish.

-GIRL: Who is she?
-RORY: She's a surrogate.

-Where'd you find her, Jack?
-Jack?

JACK: Neve.

Who's Neve?

What the fuck happened to Neve?

[ Indistinct conversations ]

-What the fuck?
-Get out.

Neve.

Is that why you're doing this?

Answer me.

Look, I've just dropped out
of my future to be with you.

-Out of here.
-I'm talking to my girlfriend.

Kaya. Kaya.

If you don't leave this minute,
I am sending you home.

[ Breathing shallowly ]

-[ Banging on door ]
-JACK: Answer me.

-[ Banging on door ]
-JACK: Kaya.

Everyone else out of here
as well, please.

MRS. FORD: Hi.
Kaya, is it?

I'm Mrs Ford.

I'm just out here if you want
to have a chat,

or a glass of water
or something?

[ Suspenseful music plays ]

MRS. FORD: Are you all right?

I'm fine.

Okay.

I'll just be outside then.

[ Music continues ]

[ Door closes ]

[ Music continues ]

Hey, it's Emily.

Uh, the film's just finished
and I'm heading home,

so let me know
if you need a getaway car.

[ Exhales sharply ]

[ Line ringing]

[ Cellphone ringing ]

[ Line ringing]

[ Cellphone ringing ]

Oh, hi.
Hi, how is it?

A&E NURSE: Hello?

Oh, sorry, who's this?

A&E NURSE: Are you the parent
of the boy whose phone this is?

He's my nephew, Jack.

Jack.

Well, hello, Jack.

EMILY: What's wrong?
What's happened?

A&E NURSE: He's come
into A&E at St. Jacobs,

too much to drink.

Um, can you help us contact
his parents?

Oh, God, yeah...

Sorry,
is there a girl with him?

No.
No, there's no one with him.

That's why until you called,
we didn't even know his name.

His pal's brought him in
and buggered off.

Idiots left him
in the waiting room.

Jesus.

Why didn't you tell me?

How could I?

Dan hasn't even told Emily.

[ Cellphone rings ]

Oh, God.

[ Cellphone rings ]

CALLUM: Hi, Emily.

EMILY: Hi, Callum,
look I've just spoken

to a nurse
at the hospital.

Jack's drunk too much,
he's in A&E.

It's Jack.

He's in St. Jacobs,
too much drink.

-Oh, my God.
-EMILY: Kaya's not with him.

-I'm trying to find her.
-What about Kaya?

Emily says
she wasn't there.

Emily called me.
Is he okay?

-I'm sorry, Dan.
-What for?

I told Jack.

Oh, it just doesn't make sense.

He doesn't drink.

He's out cold,
he can't tell us anything.

He was looking forward to this.

They're together.

Did you know that?
They're a couple.

They had a fight.

I phoned one of
his school friends.

Oh, Christ.

I'm sure she's safe.

EMILY:
Then why would she run off?

I mean, it's not
who she is now, it's...

What?

What's going on,
what is it?

I'm going to see Jack.

Dan?

Please, I'm frightened,
where is she?

What are you not telling me?

I found out something
about her background.

Something she did.

That she was involved in
when she was younger.

Something she hadn't told us.

And had no intention
of telling us.

What?

She killed someone.

Somewhere in the highlands
and islands somewhere.

It was a big story at the time.

Do you remember the wee girl
who was up for murder?

That's her.

[ Suspenseful music plays ]

That's impossible.

It's not.

I've done every possible check.

I told Jack about Kaya.

I told him.

It's my fault, I told him.

He must've confronted her.

EMILY: You knew?

[ Music continues ]

[ Grunts ]

[ Music continues ]

[ Siren wails ]

Hi, Detective McClelland.

You're the parents?

No, not of Kaya.
Of the baby.

She's our surrogate.
She's...

She's 25 weeks.

Okay, well c'mon
in here with me.

[ Door buzzes ]

Look, at the moment,
it sounds like Kaya's left

-of her own free will...
-EMILY: No...no, she didn't.

Look, you don't understand,
she was distraught,

and she doesn't have her phone,
they found it near the school.

It's quite common
for teenagers...

No, no, no, no.

Look, I don't know how to say
this, but Kaya killed someone.

Years ago, when she was a kid,
she stabbed someone.

A lassie called Neve McKinnell.

Killed her, killed the baby
she was carrying.

Neve McKinnell?

The Lewis case?

You're saying
Kaya's that wee girl?

Aye.

How do you know that?

I've got papers in my office.

I'm going to make a call.

Okay?

Is mum here?

JAMES: Mum? No.

This is me at my work,
darling.

We picked up mum
from here once.

Aye, we did.

James McKnight.

I'm here to see
Carol McClelland.

-Okay.
-And...sorry.

Okay.

And I can get some hot chocolate
and comics for you, yeah?

-Go on.
-[ Door buzzes ]

The best thing you can do
is go home.

Get some sleep, if you can.

There needs to be somebody
at the house.

More than likely,
she'll go back there.

I know you.

Are you Carol McClelland?

I'm James McKnight,
Kaya's social worker.

Oh, please, do you know
where she could be?

I'm here to help find
the lassie,

not get you
your property back.

You, you fucking prick.

Right, at this moment in time,
it's one and the same thing.

Leave your car.
I'll take you.

No.
Don't come home.

DAN: Emily.

EMILY: I've got nothing
to say to you.

JAMES:
How long's she been gone?

Four hours.

Is she who they say she is?

Scotland's Mary Bell?

Youngest ever female
convicted of culpable homicide?

How did they find out?

Isn't the question,
how could they not have known?

Is she a danger to herself
or the baby?

JAMES: She'd fallen in love
with that family.

She thought this was her reborn.

CAROL: Where was she living

before she moved in
with the Docherty's?

The Lostock Flats up in Possil.

But she was only there a couple
of weeks, then she met them two.

Any pals there?

None that I know of,

and before that,
it was secure care.

What about other connections,
like kids or staff?

Not really.

The most consistent relationship
she had was with me,

or Janis, my colleague.

What about relatives?

None that she's in touch with.

-Where's her mum?

Still in Lewis.

But there's not been
contact there for years.

[ Slow-tempo music plays ]

[ Exhales sharply ]

[ Sniffles ]

[ Exhales sharply ]

[ Music continues ]

[ Sighs ]

Oh, darling.

It's not your fault.

Where's Kaya?

[ Music continues ]

[ Cellphone rings ]

Any news?

No.

Listen, I'll be in,
but not until later.

I had to take Frankie
with me last night.

Her mum's still in rehab?

No.

She's back on the shite.

So she's either with her pals
or on the street.

JANIS:
Right, so what about Kaya?

I don't...where has she gone
in a ball dress

-and a pair of heels?
-I think she'll go home.

Home? To Lewis?

But her and Siobhan
haven't spoken in years.

Well, it's still her mum.

[ Police radio chatter ]

[ Suspenseful music plays ]

[ Phone ringing ]

What's going on?

Lassie's gone.

[ Sighs ]

Disappeared.

Vanished.

Oh.

Be careful
what you wish for, eh?

What the...?

Have you done something to her?

-What?
-Force Majeure? Act of God?

What kind of organization
are we running here anyway, eh?

Why don't you tell me?

What happened to the boy
in the Possil flats?

The guy was trying
to blackmail me.

I paid him off.

Then?

No idea.

He was a junkie.

It's nothing to do with me.

It's not your fault.

If something happens
to that baby, it will be.

[ Suspenseful music plays ]

It's alright.

Where's she gone?

There's people out there
looking for her.

Dan and Emily won't let a thing
happen to that baby.

Kaya would never do anything
to hurt them.

She loves them.

Or maybe she doesn't.
I don't know.

I don't know her.

I'm not sure that's true.

But where has she gone?

CALLUM: Hopefully somewhere
she'll feel safe.

[ Engine whirs ]

[ Suspenseful music plays ]

[ Knock on door ]

[ Music continues ]

[ Knock on door ]

[ Door opens ]

SIOBHAN: Oh, sorry.

It takes me a minute
to get to the door.

MALE OFFICER: Mrs. Gordon?

We are looking
for your daughter.

Why would you think
she'd be here?

Has she phoned you?

Told you she's coming?

I'm not in touch with her.

Why, what's she done?

If she does make contact
with you, can you phone us?

Straight away?

Yeah, of course.

But she won't.

No, she won't come here.

Why would she come here?

Well, if she does...

[ Suspenseful music plays ]

[ Rain splashing ]

[ Slow-tempo music plays ]

[ Car door closes ]

[ Music continues ]

I'm sorry.

Something's wrong,

I can feel it.

[ Line ringing]

[ Cellphone ringing ]

[ Scoffs ]

[ Line ringing]

How could you have let him go?

The state he's in.

He's an 18-year-old man.

No. He's not.

He's weak, and he's upset,
and he's vulnerable.

He's fine.
I trust him.

You trust him.

You don't even know him.

CALLUM: You try
to make that happen.

But you're not succeeding.

Kaya!

Kaya!

[ Exhales sharply ]

[ Dramatic music plays ]

Kaya!

[ Music continues ]

Kaya!

Kaya,

Hey, Kaya, Kaya,
it's okay.

It's okay. It's okay.

It's okay. You're safe.

You're safe.

I'm sorry.
I'm so sorry.

[ Line ringing]

Mum. Mum.

HILARY:
Jack? Are you okay?

I've found Kaya.

[ Music continues ]

[ Siren wailing ]

[ Monitors beeping ]

[ Music continues ]

[ Siren wails ]

MALE MEDIC: Kaya, I need you
to stay awake for me.

Open your eyes, please.
Open your eyes.

What's wrong with her?
Hey, what's wrong with her?

...keep your eyes open.

-Are you dad?
-JACK: What?

-Are you the baby's father?
-No, no.

We've increased
oxygen concentration,

but there's
variable decelerations

in the fetal heartbeat.

Okay, we need to get
the baby out.

No...no, no, no, you can't.

No, it's too early.

♪ Oh, sisters two ♪

♪ How may we do ♪

♪ For to preserve this day? ♪

♪ This poor youngling ♪

♪ For whom we sing ♪

♪ By-by, lullay, lullay ♪

♪ Lullay, lu-la ♪

[ Monitor beeping ]

[ Instruments rattling ]

Yeah, hiya, Kaya McDermott?

Are you mum and dad?

No, we're the intended parents
of the baby she's carrying.

She's our surrogate.

Okay.

I'll just find out for you.

[ Crying ]

It's alright.
It's alright.

How's she doing? Eh?

I don't know.
They won't tell me anything.

Dr. Galbraith.

I understand
you're the intended parents?

Yeah.

Kaya is still unconscious,
but in recovery.

She has an infection,

but the baby
was delivered safely,

albeit very, very early.

We'll need to take it
hour by hour,

a 25 week-er
is on the borderline,

but she's a decent weight...

Can we see her?

Look, I'll be honest,

we've had one or two
surrogacies here before,

but never one
where the NICU was involved.

So we're in slightly
unchartered territory.

Kaya is the legal mother,
as I'm sure you know,

and she's not in a position

to give her consent
to you seeing her.

We've got an agreement
signed by all the parties,

I'll just get it up
on my phone...

Well, if you agreed
something specific

about what would happen
in these circumstances...

We didn't.

Well, not specifically this,

but the whole
agreement surely...

DR. GALBRAITH: I'm sorry.

I can't let you see her.

[ Cellphone rings ]

JAMES: James McKnight.

Carol McClelland.

I'm going to see her now.

You didn't tell me about the ex.

What ex?

When you were giving me
chapter and verse

about the girl's history,

you never mentioned
Kian Dodds.

Doddy.

Guy who was found dead
in the water.

Aye, I know who he is.

Looks like they were
in a relationship.

On and off.

He was keen, she wasn't.

I'm not sure what
you're getting at here,

but if she was,
it was a long time ago now.

Yeah. 25 weeks.

[ Suspenseful music plays ]

[ Cellphone rings ]

Oh, give me two seconds, guys.

Hello.

Okay, I will speak.

Yeah.
I will speak about Heather.

[ Music continues ]

Hi, I can take you in
for a moment.

Come on.
If you're really quick.

No-one's around.

No jewelry.

Not even wedding rings.

[ Slow-tempo music plays ]

[ Soft music plays ]

It's time to leave.

[ Music continues ]

[ Fog horn blows ]

[ Seagulls calling ]

[ Suspenseful music plays ]

On it.

[ Music continues ]

[ Gasps ]

[ Suspenseful music plays ]