Original subtitles

DAN: It's going to be our embryo that goes in.

You won't have any genetic relationship to the child.

Yeah, I'm just cooking it. Nothing to do with me.

A body was recovered from the Clyde yesterday.

And it's looking like another drugs death.

Don't you touch me.

Don't you ever dare to touch me.

You don't know nothing about me or my life.

EMILY: Kaya, be careful.

Kaya, slow down.

[ Screams ]

DAN: I need you to get her social services files.

HILARY: It's exploitation, pure and simple.

And I'm having nothing to do with it.

ELEANOR: I'm new to Glasgow, actually.

I'm from Lewis.

DAN: She killed someone.

Knifed her.

Killed her unborn child.

Someone's recognized me.

What am I going to do, Hilary?

[ Dramatic music plays ]

[ Soft music plays ]

Still up for prom?

-"Pram." -[ Chuckles ]

I can't believe I'm going to prom.

I can't believe that no one's twigged on about us.

That's probably because none of them can imagine

that you'd want to spend your free periods

-shagging a pregnant lassie. -JACK: [ Chuckles ]

It's an amazing decoy.

It's not that long, now.

Where will you live, you know, after?

Don't know.

Where were you happiest?

Like, ever in your life?

I'm not prying, I'm not.

I'm just trying to help.

[ Music continues ]

Calderwood Falls.

My grandad took me there when I was tiny.

It was -- it was ages away, but worth it.

I just thought it was amazing.

You know, totally peaceful

and kinda like enchanted.

So you want to live in a waterfall?

Piss off, you.

Well, where were you happiest?

[ Chuckles ]

[ Exhales sharply ]

Right here with you.

I don't know how to help you.

You can't go on like this.

It's eating you up.

Can Emily not see the state of you?

She thinks it's work.

Why?

Why won't you tell her about Kaya?

She's nearly 24 weeks.

You have got to talk to Emily.

And decide whether you want to keep going with this.

Or else there'll be no decision to be made.

I can't.

It would fucking destroy her.

She has got her feet under the table.

This lassie will be in your lives forever.

No.

No.

I can't have that.

That's not happening.

HILARY: Well, then, tell Emily today.

Just tell her.

[ Suspenseful music plays ]

EMILY: He's upside down.

Or she is.

-Do we know which? -We do not.

They've given it to us in a sealed yellow envelope,

in case we're tempted.

-Are you? -Well, I am,

but Dan's dead against it.

-I think it would help him. -ZOE: With?

Well, getting his head around the idea

that we are actually having a baby.

[ Laughs ]

That's normal, that's men.

Well, not if you've got a new man,

but you don't have one of those.

[ Laughs ]

I'll pass that on.

ZOE: I'm serious, give him a break.

He's not going to get all excited

about little knitted cardigans, or whatever.

But it'll all change once it gets here

when Kaya's out of the house

and it's just the two of you again.

-Mm. -Right, I am calling it.

That's a boy.

What are you saying?

I don't mind.

Whatever it is, I'll take it.

[ Suspenseful music plays ]

DAN: That's her passport.

Plane tickets to London.

She's due at the clinic 9:00 tomorrow morning.

Termination's at 10:00.

I'll make it clear.

She signs the non-disclosure,

she'll get access to other funds and keys to a flat.

I'll pick her up this afternoon, and tell her what the score is.

Drive her to the airport.

You meet her there the back of five.

Not a problem.

Come on, son, just keep it together.

We've got to talk to the engineers.

Come on.

MALE ENGINEER: It's the sewer roof.

The whole thing's collapsed.

SOUTER: God, when did this happen?

MALE ENGINEER: I've only just found out.

I've had to stop all the work and make the area safe.

It's Victorian sewers,

all the way from here to Greenock.

Greenock?

Did we not know that when we started the job?

Well, of course we did.

We had it factored in to the cost of the development.

Aye, but it's only when that one section got damaged

that we put the ultrasound sound down,

that the state of the whole system's come to light.

-It all needs replaced. -Not by us, it doesn't.

Well, contractually, I'm afraid that's where the burden lies.

SOUTER: Did you not hear what he just said?

Dan? Son.

This could shaft the whole development.

[ Suspenseful music plays ]

[ Engine starts ]

[ Music continues ]

KAYA: I can't wait to see this place.

What are going to build on it?

Have you got one of they wee models

that show you what it's going to look like?

You seem stressed out of your box, man.

It's the job.

It's not the deal I thought it was.

-What's going on? -[ Phone rings ]

Dodgy area.

Aye, I know.

I used to live here.

[ Phone ringing continues ]

It's cool, you can pick it up.

[ Ringing stops ]

[ Cellphone dings ]

[ Music continues ]

Hello?

EMILY: Will you come into town?

I can't just now.

Look, I...

I know you said it was too early to buy stuff,

but I think that's exactly what you need.

EMILY: You've been so stressed.

It's something to look forward to.

I'm going in.

I'm picking up a teenie tiny bath towel,

with a teenie tiny hood.

I'll call you back.

[ Music continues ]

My head's not on it, sorry.

Can we do it another time?

[ Suspenseful music plays ]

[ Music stops ]

[ Footsteps approach ]

Talk to me.

You're not yourself.

You haven't been for weeks.

Months.

We've been through so much to get here.

I just...

I just want to enjoy it with you.

[ Doorbell rings ]

Are you expecting someone?

[ Doorbell rings ]

[ Suspenseful music plays ]

We could've got on the phone.

Aye, but you know me.

I prefer a walk and a chat.

Hi, Emily.

-EMILY: Tea? Whiskey? -SOUTER: Nah.

Nah, I'm okay, pet.

I just came to have a constitutional

with the wee man.

[ Door slides open, closed ]

So you bottled it with the lassie today.

You need shot of this, and your head back in the business.

There's only two ways to get out of a bad deal, son.

You either negotiate your way clear,

or something happens beyond your control.

Force Majeure.

Fire, flood, act of God.

Just an accident.

DAN: What?

[ Chuckles ]

Quite unexpected.

Aye, it's sad, but these things happen.

And as time goes by, people get over it.

And life goes back to what it was.

It wouldn't have anything to do with you.

It never has.

[ Slow-tempo music plays ]

[ Indistinct conversations ]

[ Grunting ]

[ Suspenseful music plays ]

Are you Tony Docherty's son?

No.

Fucking spit of that man.

[ Music continues ]

To what you suggested -- no.

DAN: No acts of God, no accidents.

Is there another plan?

[ Line clicks ]

Emily?

[ Soft music plays ]

[ Sniffles ]

[ Exhales shakily ]

[ Cries ]

[ Sniffles ]

[ Music continues ]

Oh...

oh, love, it's okay.

It's okay.

Everything's going to be okay.

We're here.

Made it, past the point of no return.

Yeah.

[ Music continues ]

[ Music stops ]

[ Soft music plays ]

[ Laughs ]

Oh.

[ Music continues ]

Prom.

Who the fuck am I kidding?

Thought you were looking forward to it?

It's ridiculous.

There I am, cutting about like,

"oh look at me, I'm in a fucking film," but...

right, how long before it all goes...

What's changed?

Well...that lassie who recognized me,

she could pop up at any time.

Any time.

Well, you can't dwell on her.

You don't even know who she is.

Well, I know she's from the island.

JANIS: Aye, and she's probably going back there.

JAMES: Have you seen her again?

JANIS: Well, then, that'll most likely be the end of it.

It's coming on three month.

Look, this was always a risk.

We talked about it, didn't we?

Even in a city, however many miles away,

Scotland's not that big.

There was always a chance that someone from the past

might recognize you.

And the planned response to that happening

was to move you on.

Which we can still do,

but that means disclosing to Dan and Emily...

No. Non-starter, definitely not.

JANIS: No, look, you're settled.

You've built something.

You're on an even keel.

You've become part of this family.

Now, you go to your dance and live your life, okay?

Let us worry about something that'll likely not happen.

[ Up-tempo music plays ]

♪ You have placed a chill in my heart ♪

♪ Take me to the desert where there's got to be ♪

Ta-da...

Oh, what?

♪ Take me to the desert, take me to the sand ♪

♪ Show me the color of your right hand ♪

-What is this? -Come on we're celebrating.

You're going to prom.

You're actually mad, this is too much.

Here. Have one of these.

Cheers.

-[ Laughs ] -Thank you.

What's that for?

[ Laughs ]

♪ Love is a temple, love is a shrine ♪

♪ Buy some love at the five and dime ♪

Okay, that's it.

-Swinging. -Hips swinging.

♪ Get it on credit if you need some more ♪

HILARY: Is Gina coming round to get ready?

It's just going to be me.

♪ A criss-cross pattern upon your face ♪

♪ A woman's just too tired to think ♪

♪ About the dirty old dishes in the kitchen sink ♪

♪ I wish I was invisible ♪

You look so beautiful.

No, I don't. I look like a fanny.

♪ When it hurts my ear ♪

♪ And it hurts my brain ♪

♪ And it makes me feel too much ♪

♪ Too much, too much ♪

What a hunk.

Mum? Eugh.

You look beautiful.

You are beautiful.

And if anyone tonight makes you feel less than that,

then they can go and... fuck themselves.

[ Laughs ]

I haven't heard you say it before.

You can't carry it off.

EMILY: Well, they can.

Because...god, you could buy and sell

every other kid in that place.

Do you want some?

♪ Love is a religious sign ♪

I'm so proud of you.

Okay, go and stand over there.

♪ I've been bought, and I've been sold ♪

♪ Love is rock, and love is roll ♪

♪ I just want someone to hold ♪

Gorgeous.

[ Camera shutter clicks ]

♪ All the night long ♪

-Emily. -EMILY: Mm-hmm?

I need to tell you something.

I don't want to lie to you,

because you've become like a mum to me.

Alright, then, it's okay, whatever it is.

Me and Jack are going out.

Not pals, we're like a couple kinda thing.

Oh.

-God, so you're... -KAYA: Aye.

But like nothing rank's happening to the wean,

'cause it's condoms all the way.

And, you know, it doesn't go all the way up, does it, so...

Like, married folk do it when one of them's pregnant,

so it can't be doing any harm.

I wouldn't do it if it was.

No. Um...

Well, I mean, oh...

thank you for telling me.

I mean, I...I...

I'm shocked, a bit, but it's...it's fine.

Well I'm shocked and all.

I don't know why he wants to shag a pregnant lassie either,

but there you go.

[ Both laugh ]

Fuck.

That was much better that time.

More natural. Just "fuck."

[ Both laugh ]

Yeah, no, it's...it's... it's good.

It's good for you to have a life of your own,

you know, away from us.

It's good. It's normal.

So are you picking Gina up, or are you meeting her there?

I'm not going with Gina.

We're not together any more.

What happened?

I'm going with Kaya.

Okay.

Is that all you've got to say?

What would you like me to say?

[ Sighs ]

You're 18.

You've worked hard for your exams,

you've got the summer ahead of you to enjoy yourself.

You know, come September, that'll be it.

You'll be away.

Mum.

Mum.

I'm not going.

[ Sighs ] Yes, you are.

No, it's not the right time.

HILARY: You're leaving school.

You're going to university.

JACK: No, I've decided.

I've already told the college.

They're holding my place.

Well, not holding, they don't defer places,

but I just need to apply again the following year.

No. Absolutely not.

This is the person I've been closest to in my whole life.

-No. -Can you stop saying no

like you have any say over who I go out with,

how I feel, or what's important to me.

Okay.

You tell me what is important to you?

Staying in Glasgow.

Supporting someone I love to do this thing,

this amazing thing for someone else.

And what do you even know about her?

Eh?

About her background?

JACK: Her background?

Can you hear yourself?

What, 'cause she's scum,

and I'm what, socially mobile?

The first person in our family to go to university.

Oh, do you know, fuck that.

-Ask her what she did. -Oh you're full of shit.

Ask her.

Go on. Tell me.

What did she do?

She's not been honest with you.

Don't make decisions -- huge, irreversible decisions --

when you don't have the full facts.

She has told you lies from start to finish --

you and Dan and Emily.

So you can phone Cambridge first thing tomorrow morning,

and tell them that you will be taking up that place.

Kaya's background is none of our business.

She's made it your business, by cheating you out of a future

you have worked your arse off for,

and that you bloody deserve.

Night, mum. You'll get over it.

Jack, she hurt someone.

She killed someone.

Jack, a woman and her baby.

Sorry, some bullshit.

I'm on my way.

Neve McKinnell.

Google it. That's the name of her victim.

They couldn't name Kaya at the time

because she was too young.

Kaya isn't even her real name.

What's going on?

Nothing. I need a lift to prom.

[ Suspenseful music plays ]

[ Engine starts ]

[ Music continues ]

[ Indistinct conversations ]

[ Engine shuts off ]

EMILY: I'll be out of the film at 11:30,

so if you've had enough, just give me a call

and I'll come pick you up.

Oh, and...

that's just in case of emergencies.

Thanks.

[ Exhales sharply ]

[ Both laugh ]

Okay.

[ Indistinct conversations in distance ]

[ Car door closes ]

[ Engine starts ]

[ Indistinct conversations ]

[ Slow-tempo music plays ]

[ Car door closes ]

[ Engine starts ]

[ Music continues ]

What's the thinking?

If you...

if you've bottled it, just tell me.

Don't leave me standing here like a fucking idiot.

-Looking sharp, Jackie Boy. -All right, Rankin?

Hi, I'm Rory.

Kaya.

I'm here with Jack, or have you changed your mind.

I don't give a fuck, man.

It's fine.

Let's go.

[ Cellphone rings ]

Can you come home?

I've...

I have done a stupid thing.

[ Indistinct conversations ]

What's wrong?

Nothing.

Just a fight with my mum.

It's okay.

I told Emily.

And she didn't mind at all,

so maybe you can stay there sometime, or...

[ Indistinct conversations, up-tempo music plays ]

Sweet Jesus.

-Is that yours, Rankin? -No.

-[ Laughs ] -No, it's not Kaya's either.

She's a surrogate.

Wow.

-Really? -Aye.

You're such a special person for doing that.

I could never do that.

I'm going for a pish.

-GIRL: Who is she? -RORY: She's a surrogate.

-Where'd you find her, Jack? -Jack?

JACK: Neve.

Who's Neve?

What the fuck happened to Neve?

[ Indistinct conversations ]

-What the fuck? -Get out.

Neve.

Is that why you're doing this?

Answer me.

Look, I've just dropped out of my future to be with you.

-Out of here. -I'm talking to my girlfriend.

Kaya. Kaya.

If you don't leave this minute, I am sending you home.

[ Breathing shallowly ]

-[ Banging on door ] -JACK: Answer me.

-[ Banging on door ] -JACK: Kaya.

Everyone else out of here as well, please.

MRS. FORD: Hi. Kaya, is it?

I'm Mrs Ford.

I'm just out here if you want to have a chat,

or a glass of water or something?

[ Suspenseful music plays ]

MRS. FORD: Are you all right?

I'm fine.

Okay.

I'll just be outside then.

[ Music continues ]

[ Door closes ]

[ Music continues ]

Hey, it's Emily.

Uh, the film's just finished and I'm heading home,

so let me know if you need a getaway car.

[ Exhales sharply ]

[ Line ringing]

[ Cellphone ringing ]

[ Line ringing]

[ Cellphone ringing ]

Oh, hi. Hi, how is it?

A&E NURSE: Hello?

Oh, sorry, who's this?

A&E NURSE: Are you the parent of the boy whose phone this is?

He's my nephew, Jack.

Jack.

Well, hello, Jack.

EMILY: What's wrong? What's happened?

A&E NURSE: He's come into A&E at St. Jacobs,

too much to drink.

Um, can you help us contact his parents?

Oh, God, yeah...

Sorry, is there a girl with him?

No. No, there's no one with him.

That's why until you called, we didn't even know his name.

His pal's brought him in and buggered off.

Idiots left him in the waiting room.

Jesus.

Why didn't you tell me?

How could I?

Dan hasn't even told Emily.

[ Cellphone rings ]

Oh, God.

[ Cellphone rings ]

CALLUM: Hi, Emily.

EMILY: Hi, Callum, look I've just spoken

to a nurse at the hospital.

Jack's drunk too much, he's in A&E.

It's Jack.

He's in St. Jacobs, too much drink.

-Oh, my God. -EMILY: Kaya's not with him.

-I'm trying to find her. -What about Kaya?

Emily says she wasn't there.

Emily called me. Is he okay?

-I'm sorry, Dan. -What for?

I told Jack.

Oh, it just doesn't make sense.

He doesn't drink.

He's out cold, he can't tell us anything.

He was looking forward to this.

They're together.

Did you know that? They're a couple.

They had a fight.

I phoned one of his school friends.

Oh, Christ.

I'm sure she's safe.

EMILY: Then why would she run off?

I mean, it's not who she is now, it's...

What?

What's going on, what is it?

I'm going to see Jack.

Dan?

Please, I'm frightened, where is she?

What are you not telling me?

I found out something about her background.

Something she did.

That she was involved in when she was younger.

Something she hadn't told us.

And had no intention of telling us.

What?

She killed someone.

Somewhere in the highlands and islands somewhere.

It was a big story at the time.

Do you remember the wee girl who was up for murder?

That's her.

[ Suspenseful music plays ]

That's impossible.

It's not.

I've done every possible check.

I told Jack about Kaya.

I told him.

It's my fault, I told him.

He must've confronted her.

EMILY: You knew?

[ Music continues ]

[ Grunts ]

[ Music continues ]

[ Siren wails ]

Hi, Detective McClelland.

You're the parents?

No, not of Kaya. Of the baby.

She's our surrogate. She's...

She's 25 weeks.

Okay, well c'mon in here with me.

[ Door buzzes ]

Look, at the moment, it sounds like Kaya's left

-of her own free will... -EMILY: No...no, she didn't.

Look, you don't understand, she was distraught,

and she doesn't have her phone, they found it near the school.

It's quite common for teenagers...

No, no, no, no.

Look, I don't know how to say this, but Kaya killed someone.

Years ago, when she was a kid, she stabbed someone.

A lassie called Neve McKinnell.

Killed her, killed the baby she was carrying.

Neve McKinnell?

The Lewis case?

You're saying Kaya's that wee girl?

Aye.

How do you know that?

I've got papers in my office.

I'm going to make a call.

Okay?

Is mum here?

JAMES: Mum? No.

This is me at my work, darling.

We picked up mum from here once.

Aye, we did.

James McKnight.

I'm here to see Carol McClelland.

-Okay. -And...sorry.

Okay.

And I can get some hot chocolate and comics for you, yeah?

-Go on. -[ Door buzzes ]

The best thing you can do is go home.

Get some sleep, if you can.

There needs to be somebody at the house.

More than likely, she'll go back there.

I know you.

Are you Carol McClelland?

I'm James McKnight, Kaya's social worker.

Oh, please, do you know where she could be?

I'm here to help find the lassie,

not get you your property back.

You, you fucking prick.

Right, at this moment in time, it's one and the same thing.

Leave your car. I'll take you.

No. Don't come home.

DAN: Emily.

EMILY: I've got nothing to say to you.

JAMES: How long's she been gone?

Four hours.

Is she who they say she is?

Scotland's Mary Bell?

Youngest ever female convicted of culpable homicide?

How did they find out?

Isn't the question, how could they not have known?

Is she a danger to herself or the baby?

JAMES: She'd fallen in love with that family.

She thought this was her reborn.

CAROL: Where was she living

before she moved in with the Docherty's?

The Lostock Flats up in Possil.

But she was only there a couple of weeks, then she met them two.

Any pals there?

None that I know of,

and before that, it was secure care.

What about other connections, like kids or staff?

Not really.

The most consistent relationship she had was with me,

or Janis, my colleague.

What about relatives?

None that she's in touch with.

-Where's her mum?

Still in Lewis.

But there's not been contact there for years.

[ Slow-tempo music plays ]

[ Exhales sharply ]

[ Sniffles ]

[ Exhales sharply ]

[ Music continues ]

[ Sighs ]

Oh, darling.

It's not your fault.

Where's Kaya?

[ Music continues ]

[ Cellphone rings ]

Any news?

No.

Listen, I'll be in, but not until later.

I had to take Frankie with me last night.

Her mum's still in rehab?

No.

She's back on the shite.

So she's either with her pals or on the street.

JANIS: Right, so what about Kaya?

I don't...where has she gone in a ball dress

-and a pair of heels? -I think she'll go home.

Home? To Lewis?

But her and Siobhan haven't spoken in years.

Well, it's still her mum.

[ Police radio chatter ]

[ Suspenseful music plays ]

[ Phone ringing ]

What's going on?

Lassie's gone.

[ Sighs ]

Disappeared.

Vanished.

Oh.

Be careful what you wish for, eh?

What the...?

Have you done something to her?

-What? -Force Majeure? Act of God?

What kind of organization are we running here anyway, eh?

Why don't you tell me?

What happened to the boy in the Possil flats?

The guy was trying to blackmail me.

I paid him off.

Then?

No idea.

He was a junkie.

It's nothing to do with me.

It's not your fault.

If something happens to that baby, it will be.

[ Suspenseful music plays ]

It's alright.

Where's she gone?

There's people out there looking for her.

Dan and Emily won't let a thing happen to that baby.

Kaya would never do anything to hurt them.

She loves them.

Or maybe she doesn't. I don't know.

I don't know her.

I'm not sure that's true.

But where has she gone?

CALLUM: Hopefully somewhere she'll feel safe.

[ Engine whirs ]

[ Suspenseful music plays ]

[ Knock on door ]

[ Music continues ]

[ Knock on door ]

[ Door opens ]

SIOBHAN: Oh, sorry.

It takes me a minute to get to the door.

MALE OFFICER: Mrs. Gordon?

We are looking for your daughter.

Why would you think she'd be here?

Has she phoned you?

Told you she's coming?

I'm not in touch with her.

Why, what's she done?

If she does make contact with you, can you phone us?

Straight away?

Yeah, of course.

But she won't.

No, she won't come here.

Why would she come here?

Well, if she does...

[ Suspenseful music plays ]

[ Rain splashing ]

[ Slow-tempo music plays ]

[ Car door closes ]

[ Music continues ]

I'm sorry.

Something's wrong,

I can feel it.

[ Line ringing]

[ Cellphone ringing ]

[ Scoffs ]

[ Line ringing]

How could you have let him go?

The state he's in.

He's an 18-year-old man.

No. He's not.

He's weak, and he's upset, and he's vulnerable.

He's fine. I trust him.

You trust him.

You don't even know him.

CALLUM: You try to make that happen.

But you're not succeeding.

Kaya!

Kaya!

[ Exhales sharply ]

[ Dramatic music plays ]

Kaya!

[ Music continues ]

Kaya!

Kaya,

Hey, Kaya, Kaya, it's okay.

It's okay. It's okay.

It's okay. You're safe.

You're safe.

I'm sorry. I'm so sorry.

[ Line ringing]

Mum. Mum.

HILARY: Jack? Are you okay?

I've found Kaya.

[ Music continues ]

[ Siren wailing ]

[ Monitors beeping ]

[ Music continues ]

[ Siren wails ]

MALE MEDIC: Kaya, I need you to stay awake for me.

Open your eyes, please. Open your eyes.

What's wrong with her? Hey, what's wrong with her?

...keep your eyes open.

-Are you dad? -JACK: What?

-Are you the baby's father? -No, no.

We've increased oxygen concentration,

but there's variable decelerations

in the fetal heartbeat.

Okay, we need to get the baby out.

No...no, no, no, you can't.

No, it's too early.

♪ Oh, sisters two ♪

♪ How may we do ♪

♪ For to preserve this day? ♪

♪ This poor youngling ♪

♪ For whom we sing ♪

♪ By-by, lullay, lullay ♪

♪ Lullay, lu-la ♪

[ Monitor beeping ]

[ Instruments rattling ]

Yeah, hiya, Kaya McDermott?

Are you mum and dad?

No, we're the intended parents of the baby she's carrying.

She's our surrogate.

Okay.

I'll just find out for you.

[ Crying ]

It's alright. It's alright.

How's she doing? Eh?

I don't know. They won't tell me anything.

Dr. Galbraith.

I understand you're the intended parents?

Yeah.

Kaya is still unconscious, but in recovery.

She has an infection,

but the baby was delivered safely,

albeit very, very early.

We'll need to take it hour by hour,

a 25 week-er is on the borderline,

but she's a decent weight...

Can we see her?

Look, I'll be honest,

we've had one or two surrogacies here before,

but never one where the NICU was involved.

So we're in slightly unchartered territory.

Kaya is the legal mother, as I'm sure you know,

and she's not in a position

to give her consent to you seeing her.

We've got an agreement signed by all the parties,

I'll just get it up on my phone...

Well, if you agreed something specific

about what would happen in these circumstances...

We didn't.

Well, not specifically this,

but the whole agreement surely...

DR. GALBRAITH: I'm sorry.

I can't let you see her.

[ Cellphone rings ]

JAMES: James McKnight.

Carol McClelland.

I'm going to see her now.

You didn't tell me about the ex.

What ex?

When you were giving me chapter and verse

about the girl's history,

you never mentioned Kian Dodds.

Doddy.

Guy who was found dead in the water.

Aye, I know who he is.

Looks like they were in a relationship.

On and off.

He was keen, she wasn't.

I'm not sure what you're getting at here,

but if she was, it was a long time ago now.

Yeah. 25 weeks.

[ Suspenseful music plays ]

[ Cellphone rings ]

Oh, give me two seconds, guys.

Hello.

Okay, I will speak.

Yeah. I will speak about Heather.

[ Music continues ]

Hi, I can take you in for a moment.

Come on. If you're really quick.

No-one's around.

No jewelry.

Not even wedding rings.

[ Slow-tempo music plays ]

[ Soft music plays ]

It's time to leave.

[ Music continues ]

[ Fog horn blows ]

[ Seagulls calling ]

[ Suspenseful music plays ]

On it.

[ Music continues ]

[ Gasps ]

[ Suspenseful music plays ]