Original subtitles

♪

(indistinct P. A. Announcement)

[DON] Oh, she'lllike some flowers.

Yeah. Oh, uh... Uh, hey there.

I-I'm sorry to botheryou. Would you mind

keeping an eye on mycart for a minute?

Daffodils are mywife's favorite.

[DESTINY] Pretty sure theyput this thing outside

so you could grab your flowerson the way in to the store.

DON: I-I'd just really like

to surprise her. She'swaiting in the car.

I promise, it'llonly be a minute.

[DESTINY] I'm not supposedto, but make it quick.

[DON] Thank you.

(Destiny chuckles) -SUE: No.

We-we have to put our foot down.

The call center is nota tourist attraction.

I appreciate thecouncilman's interest,

but we can't havehim and his cronies

parading through the office.

No, just tell him no, please.

Listen,

let me call you back.

It's fine. Go on right ahead.

[SUE] No, no, no, no!

No, no, wait! W-W-Wait!(tires screeching)

Stop! Stop! (Screams)

DON: God, no!

(tires screeching)

Ma'am, are you okay?

I've got a pulse.

DON: Oh, my God.

You said you weregonna stay in the car.

DESTINY: She's alive.

- I-I'm calling 911.- DON: W-Wait,

start with the address.

- Always give the address first.- (line ringing)

(indistinct chatter)

DESTINY: Car was parkedover by the dumpster.

He hit the gas, then hehit her. Looked pretty bad.

- BOBBY: And he just took off?- DESTINY: Didn't even slow down.

DON: Hey, you're gonna be okay,sweetie. Okay? Help is here.

- You're gonna be fine, okay? Everything...- BOBBY: Sir?

Sir, why don't you just stepback, let my team have a look.

CHIMNEY: One, two, three.

HEN: Airway's clear, buther breathing's labored.

- CHIMNEY: Definitely a broken femur here.- (Sue groans)

I know her.

HEN: What?

BUCK: It's Sue Blevins.

- BOBBY: From the call center.- CHIMNEY: Yeah. Maddie's boss.

HEN: Head injury

is pretty severe.Pupils are uneven.

- Possible subdural hematoma.- DON: Oh, man. Oh, boy.

HEN: We need oxygen over here.

- DON: Oh, come on, Sue.- HEN: We can run an IV en route.

- Sue, can you hear me?- DON: Oh, come on, Sue.

CHIMNEY: Most likely abroken rib, maybe two.

- (coughs)- DON: Oh, come on.

Probable puncturedlung, as well.

- HEN: Let's get her on the board.- EDDIE: One, two, three.

(Hen grunts)

DON: Oh, man.

Oh, come on, Sue. Come on.

SUE: Nine...

(weakly): One

(wheezing) What's she saying?

Nine... one

911?

- We're here, Sue.- (Sue coughing)

We got you.

Nine... one... (coughs)

DESTINY: He wasinside buying flowers

for her while someonewas trying to kill her.

(Sue groaning)

BUCK: Thought thiswas an accident.

The guy never tookhis foot off the gas,

like he wanted that lady dead.

SUE (weakly): Nine... one...

♪ ♪

And I'm gonna needsome new sneakers.

Mine are getting too small.

What? Didn't wejust buy you those?

It seems like allwe have to do is buy

a pair of sneakers forhis feet to shoot up

- to the next size. (Chuckles)- Yeah, it's a vicious cycle.

He's growing up.

And you both have done

a fantastic job raising us.

Letting us be our ownindependent people.

This conversation justtook an unexpected turn.

(chuckles) To the scripted side.

(Michael chuckles)

I think it's time Igot a place of my own.

You're moving out?This is gonna be great.

MAY: I-I've got ajob. Money in savings.

I'm ready to live on my own.

Well, this is a big step.

- Mm-hmm.- Are you sure you're ready?

I am.

Well, okay, then.

Really?

Yeah. Really?

Well, it seems like you'vegiven this some thought,

and you're an adult.

- Free to make your own decisions.- (door opens)

- (door closes)- Okay. Okay. All right, well,

if you're reallyserious about this,

there are a few vacancies

- in the building across the street from me.- MAY: Mm.

Oh, with the telescope view.

(chuckles) No.

- Good morning, everybody. Hey.- Morning.

You missed the big announcement.

- Oh?- Everything okay?

- Yeah.- You're late.

Well, I was just checking upon a case from last night.

- It was a hit-and-run. Victim was Sue Blevins.- (gasps)

MADDIE: It doesn't make

any sense. Who wouldwant to hurt Sue?

A security guard onlysaw the accident.

Didn't know whathappened before.

Maybe some kind ofparking lot rage thing?

I was talking to her.

Last night, wewere on the phone.

She was in the car,waiting for Don.

She just hung up...

Oh, God.

I-I've got to call Don.He must be beside himself.

Well, do you want togo to the hospital?

- I'm sure she's out of surgery.- JOSH: No.

She'd want me here.

"The calls don't stop,and we can't, either."

Did she say anything toyou when you were there?

No. She, uh, she justkept on saying "911."

I don't know how thisplace runs without her.

It's got you.

And it's got all of us, andwe're not gonna let her down

because we all owe Sue a lot.

I owe her my life.

("SexyBack" by Justin Timberlakefeaturing Timbaland playing)

♪ Yeah ♪

♪ I'm bringin' sexy back ♪

- ♪ Yeah ♪- ♪ Them other boys don't know ♪

- ♪ How to act ♪- ♪ Yeah ♪

♪ I think you're special,what's behind your back? ♪

- ♪ Yeah ♪- ♪ So turn around... ♪

Hi.

- I'm Josh Russo. I...- Yeah, the temp.

Uh, freelance stenographer.

Have a website and everything.

Why don't I show youwhere you'll be working.

Sorry about the mess. Andthanks for coming in so late.

When we scheduledyou to come in,

we thought we'd be alittle more settled.

Just need a quiet space,

a power outlet andan ergonomic chair.

You do have one of those,don't you? (Chuckles softly)

It's four days ofplanning sessions

from the partners' retreat.

I'd have called you earlier,

but it took us allday just to find them.

We'd transcribe them in-house,

but the partners canget a little salty.

I got no problemwith a little salt.

Just usually prefer itwith a wedge of lime

and a good glass of tequila.

- But not while I'm on the clock.- I'll leave you to it.

- (chuckles)- Oh, and we might be here

after hours, but Idon't know how late.

Oh, it's fine. I'm a night owl.

♪ ♪

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WOMAN: This is a good deal.

You're the one whowanted to expand.

MAN: Well, it soundsgood, you know,

but I just can't dealwith running into Jimmy

- in the men's room every day.- WOMAN: What's wrong with him?

MAN: His face. It'sjust, there's something

(chuckles) -The Germans

have a word forit. A face in need

- of a punch.- Backpfeifengesicht.

WOMAN: Okay, let's moveon to section seven,

article 12-C.

MAN: Oh, come on. Butdoes he have to come

- on the executive golf trip?- WOMAN: I thought he was

- really good at golf, though.- MAN: It's not about

how good he is.

MAN: She did what with her boss?

While his wife wasin the next room?

(shudders)

MAN: So, she comesinto my office, and...

WOMAN: Wait, hang on.

(groans softly)Recording was halted.

(fire alarm blaring)

Hello?

Is anybody still here?

Damn it.

This building before, andI don't know what to do,

and I-I'm kind offreaking out here.

It's okay.

Take a deep breath.

We're gonna getyou out of there.

I don't know, Michael.

- (drink pouring)- If you have concerns,

maybe you should discussthem with your daughter.

Yes. Without me.

Okay. Talk later.

Michael's worried about Maymoving into her own place?

He thinks we shouldtalk her out of it.

Have a family meeting.Present a united front.

(chuckles): I saidno, thank you.

Hmm.

You're surprised.

Well, it just seems like...

A fight I would havewith my daughter? I know.

No, Athena, that's notwhat I was gonna say.

It wasn't gonna be a criticism.

Well, maybe it should be.

(sighs) I keep thinking

about the argument sheand I had about Laila.

And that's not the relationshipI ever wanted to have

with my daughter. She'sjust too much like me.

And if I try tohold on too tight,

I'm just gonna drive her away.

Athena, you are not Beatrice.

You're not your mother.

In that moment, itfelt like I was.

BUCK: Hey, so,

what do you know aboutthe 911 call center?

(chuckles): Uh, next to nothing.

Your sister works there, right?

Yeah, she does. Uh, herboss, Sue, is really great.

She's actually been at thecall center since it opened.

- Since the '60s?- No.

That's-that's when theycreated the number. Call center

here in L. A. Didn'topen till 1984.

And did you know dispatchers

aren't even classifiedas first responders

in most parts of the country?

Which is crazy.

Uh, only changed herein California last year.

Interesting.

- Yeah?- Hey. So, um, the other night,

Sue was hit by a car.

Uh, driver just took off.

That's awful.

Did you know

less than ten percent ofhit-and-runs ever get solved?

Yes, though it doesn't feel

like you're just citinganother interesting fact now.

So, police have no leads.

I checked.

And I figured maybe the public

could help, but thepublic would need to know

about the hit-and-run.

Oh.

Maybe if they sawit on the news?

It just so happensI have, uh, a friend

- who's also a fantastic reporter.- (chuckles)

And I-I thought maybeshe could do me a favor.

If I'm gonna sell thisto my assignment editor,

I'm gonna need a better hookthan just a hit-and-run.

Okay. Uh, like what?

Tell me more aboutthe call center.

JOSH: Sue took a pretty bad hit.

A concussion, plus some prettysevere internal injuries.

But she's out of surgery,and Don says she did well.

God. I think I took thatcall. I didn't know.

JOSH: There's noway for you to know.

Woman who called it innever said Sue's name.

- What about the guy who hit her?- Police are still looking.

I'm... I'm not surewhat else we...

Uh, if people needsomeone to talk to?

Yes. Counselors are availableif anyone needs to talk.

And I'm here ifyou need anything.

I'll update you as I get moreinformation, but until then...

Just keep Sue in your thoughts.

Okay. (Sniffles)

SUE: Josh, don't goany further, okay?

I need you to climb. Go up.

- (alarm blaring)- No...

(coughs) Up?

No, that sounds likea really stupid idea.

Doesn't smoke rise?

I should go down.

Yeah, I'm going down. -Don't.

Listen to me.

The fire.

I think it's comingfrom the floor below.

What do I do now?

JOSH: Sir, youneed to calm down.

KEITH: No! This womanis trying to kill me!

I thought you said shewas blocking your car in?

Yeah, she is, witha baseball bat!

Get out of that car andtell me where my child is!

I told you, I ain'tseen Tracie in a month.

(siren whoops) - I swear fore God,Keith, I'm not playing with you!

- Probably longer.- Liar!

- (car door closes)- Come on out, coward!

If you hit that vehicle,I have to arrest you.

- Oh, thank you.- My daughter's missing!

I know he did something to her!

I understand you're upset,

but getting yourself arrestedwill not solve anything.

Why are you talking to her?!She's been terrorizing me

for the past half an hour.You need to arrest her!

Shut your mouth and that window.

Tell me about your daughter.

Tracie. Just turned 21.

She's been gone for two days.

Hasn't been home,hasn't been to work.

Her friends haven'theard from her.

I'm losing my mind here.

You think he knows where she is?

She broke it off withhim a few weeks back.

And he's not the type wholikes to be told "no."

Talk and don't eventhink about lying to me.

Uh, I don't know where she is.

I haven't seen ortalked to her in weeks.

Where have you beenthe last two days?

Moving into my mama's basement.

A million people saw me there.

I'm gonna need you tostart making a list

of those million people.

Okay.

Did you file a police report?

They asked me if I was sureshe didn't just run away.

Then they said they'dget back to me.

I'm not holding my breath.

Didn't seem like my girlwas a high priority.

Well, she is now.

(sighs)

RANSONE: Hey.

You looking for me?

You know there's nothingin that case file

aside from a photoand the initial

statement from her mother?

This is Nelson's case, right?

Would be if he wereworking it. Instead,

he decided to wait and see.

Maybe she'll justcome back on her own.

She's not the kindof missing girl

that makes the evening news.

Solid job, solid family.

No history of drugs or alcohol.

- Oh. There's an ex.- Yeah, with an alibi.

I was gonna go by herplace of business,

- talk to the folks there.- Well, you want some company?

I'm sure Nelson won't mind.

I'm sure Nelson won't notice.

TAYLOR: Sue Blevins remains incritical condition at this hour.

Police currently haveno leads and fear

this case could end uplike most hit-and-runs

in our city... unsolved.

This is great. Maybe nowthey'll catch this guy.

I still can't believethe driver just took off.

Yeah. Happens all the time.

People getting away with murder.

Sue's not dead, Jamal.

She's gonna pull through.

WOMAN: Crash cart

- coming in!- Starting compressions.

All right, O2 sats.Inject her, perfusion.

- Still no pulse.- All right, let's prep her for moving out.

- (chatter continues)- Don?

I was sitting with her,waiting for her to wake up,

and I thought she wasstarting to speak,

and then, this alarm went off,

and everybody camerushing in there.

- Go! Go!- Watch out! Coming through!

- Where are you taking her?- Emergency surgery.

She's bleeding internally. Thedoctor'll explain in a second.

- Is she gonna be okay?- We'll do our best.

It's all right. It's all right.

Josh, I need youto climb. Go up.

JOSH: Doesn't smoke rise?

- (alarm blaring)- I should go down.

Yeah, I'm going down. -Don't.

Listen to me.

(coughing) Oh, God.

Someone else is here.

- In the stairwell?- There's a woman. (Coughs)

I think she might've fallentrying to get out of here.

- Is she breathing?- I think so?

(alarm continues blaring)

Fire's getting closer!

You need to getout of there, Josh.

I can't leave her.She could die.

Okay, here's whatyou need to do.

Roll her onto her back.

Now push her up soshe's sitting up.

Get behind her andgive her a hug.

Grab her wrists andlift her to her feet.

Don't use your back.

No, I'm lifting with my legs.

Learned that last year in theparking lot of IKEA. (Exhales)

Make sure her knees are lockedso you can get in front of her.

Put your back against her chest.

Now bend your knees andlift her onto your back.

Get her arms all the way

- over your shoulders.- (grunts, panting)

What now?

Move. Fast as you can.

Don't go down. Thereshould be less smoke

- a few floors up.- Okay.

Heading up.

(grunting)

(coughs)

(alarm continues blaring)

♪ ♪

A few more. You can do this.

I'm at 34.

You're almost there.

Just passed 35.

36. -That's far enough.

You should beclear of the smoke.

Just a few more steps.

(coughing)

What... What do I do?

Find a wall andhelp her slide down.

(grunting)

Are you okay?

Yeah. (Panting)

I think so.

LAFD is en route andshould be there soon.

I'll stay on the lineuntil they get there.

(sirens wailing, horns honking)

(panting)

(breathing heavily)

(echoes): We gotthem. Here they are.

Can you walk?

- M-Maybe.- Get up.

CHIMNEY: Checking forrespiration and O2 sats.

Let's put her on twoliters of oxygen.

- (coughing)- You okay?

Thank you.

I'm the wrong guy to thank.

I just showed up aftersome Good Samaritan

carried you up five flights.

Hey, Cap, where's our hero?

I think this ladywants to say thank you.

Long gone. On his way to the ER.

Sorry. Guess we just missed him.

JOSH: She's still in surgery.

Probably for the next few hours.

Don sent me home. Hedidn't want me up all night

when I'm supposedto work tomorrow.

- So maybe you should stay home.- I can't.

Look, I know that you wantto take care of the place

and all of us whileshe's not there,

but you need to takecare of yourself, too.

It's like she always says,

"We've all got peoplewe love out there.

The best thing wecan do is our jobs."

I remember yousaying that to me.

I got it from her.

I got all my beststuff from her.

(exhales)

I'm really scared, Maddie.

Me, too.

But you know what?

W-We are just gonna haveall the faith in her

that she's had inall of us, right?

She's gonna pull through this.

HEN: I didn't even know

- there was a missing girls case.- Exactly.

That's the problem.

I'm a police officer,and I didn't know

there was a missing girl.

That mother came to us for help,and they couldn't be bothered.

"Wait and see if she turns up."

We wouldn't be waitingand seeing if that was

a 20-something-year-oldwhite woman.

We'd be out combing the streets.

Mm-hmm. You know,when I was a kid,

the cops used to do a communityoutreach in my neighborhood.

They'd, like, you know, playbasketball with the kids,

do little dances with them.

Always coming to thecookout, so to speak.

But to this day, Ihave never seen police

hooping with kidsin Beverly Hills.

You know, it makes you wonder,why, why do they need to know us

to do the job thatthey're paid for?

Tens of thousandsof missing people.

And we just write them off.

You thinking aboutthat little girl?

The one who disappearedwhen you were a kid?

No.

I'm thinking aboutmy little girl.

May wants to move out,get a place of her own.

I bet you shut thatdown real quick.

Why does everybody thinkI'm such a hard-ass

that all I know howto do is say no?

Don't answer that.

(laughs softly)

I told her it would be okay.

You know, giving Nia back

was the hardestthing I've ever done.

- Mm.- And not just because

I loved her as my own,

or that she had becomepart of the family.

It was the fear

that she was going backinto a bad situation.

That someone would hurt her,

and I wouldn't bethere to protect her.

Well, May's an adult.

I have to accept that Ican't protect her anymore.

All the bad things that yousee in the world, Athena,

and your... your baby birdis trying to leave the nest?

You're allowed to be scared.

You know what scares me more?

Becoming that voice

inside my daughter's headthat makes her doubt herself.

Then don't.

Be the voice that teachesher to protect herself

when the world doesn't.

If she wants to leave the nest

be the voice thatteaches her how to fly.

TAYLOR: But now, veteran911 dispatcher Sue Blevins

- finds herself in her own harrowing crisis.- You know her, right?

The hostage thing atdispatch last year?

Oh, we go furtherback than that.

According to witnesses,

Blevins was hit bya red Vero Galaxy,

prompting a 911 call...

I checked the log.

Tracie signed out of theemployee lot at 6:07.

I thought you wereopen till 9:00.

For sales. Servicedepartment closes at 6:00.

Girls are usually gone by 6:15.

- The girls?- Meredith works the desk with Tracie.

It's like what Itold Mrs. Webber.

We finished work. Iwas ready to leave.

She wanted to hit theladies' room first,

and so we said good night.

That was the lasttime I saw her.

Okay, good.

Now I want you to tell me whatyou didn't tell her mother.

RANSONE: What was shedoing at a casino?

ATHENA: Winning, apparently.

Her coworker said she'd goa couple of nights a week,

clean up playing poker.

So, what, she washustling guys at cards?

I didn't say that.I said she was good.

Whatever the guys assumed abouther skills, that's on them.

What about this guy?

They're talking,

but she keeps a good distance.

Never looks at him.

I'm guessing they probablydidn't come in together.

No... but they left together.

RANSONE: Mm. Hmm.

Too much to drink?

Waitress said she didn'tserve her alcohol.

Two iced teas and a water.

RANSONE: She's clearly tipsy.

Right there... when she leansdown and grabs her purse.

RANSONE: He moves his hand.He put something in her drink.

And then walks her out the door.

RANSONE: Maybe we'll get lucky,

and he'll drivetowards the camera.

Who knew you werethe optimistic type?

There he is.

Oh, plate's obscured.He must have

one of those blocker covers.

Looks like a Galaxy.What do you think?

Burgundy or red?

Red.

That was definitive.

What's the time stamp on that?

8:47.

9:02.

A red Vero Galaxy spottedfleeing the scene.

- What scene? Casino?- No.

Hit-and-run.

I think Sue Blevinssaw our kidnapper.

Hey!

Got here as fast as Icould. Y-You find something?

I talked to one ofthe security guards.

She let me see the parkinglot surveillance footage.

There's something weird here.

Let me see.

Maybe I should just tell you.

Uh, why?

Because you know her.

Uh, come on, I-letme see anyway.

Wow, he, uh,

he really didn't slow down.

I just can't figure out whyshe's running towards the car.

Maybe she saw somethingshe wasn't supposed to.

Uh, she-she seesthe guy in his car.

She gets out to confront him.

He runs her over.

But what could she have seen?

I mean, look at wherethe car was parked.

Only thing over thereare the dumpsters.

You know, I-I heard

about this illegalplastic surgery clinic

a few months back.

Guy was tossing evidencein the dumpster.

What if our driver did, too?

Should we call the police?

Eventually.

I mean, we're already here.

I do happen to havegloves in my car.

(horn honks)

(over speaker): Don'teven think about it, Buck.

♪

Oh, Athena!

Finally. Uh, you findanything in the dumpster?

We found a handbag and the I. D.

- Of the missing girl.- I still don't understand

what this girl hasto do with Sue.

Tracie Webber was kidnapped

less than a mile awayfrom the supermarket.

We think she might have beenin the car that hit Sue.

That would explain why thedriver was gunning for her.

So she couldn't tellanyone what she saw.

"911."

Nine... one...

(coughing): One.

When we got on the scene,Sue was trying to talk.

Don thought she was saying 911,but maybe it was about the car.

A license plate number?

They don't startwith three digits,

unless it's a vanity plate.

What if it wasn't a "one"?

More like a-a "wuh," you know?

Nine, one, "wuh."

Okay, let's run it.

Red Vero Galaxy.

Partial plate.

Nine, one...

William.

Station lawyers arealready on their way.

Might want to callyour cameraman instead.

(printer whirring)

Yes.

A kidnapping alert, statewide.

Red Vero Galaxy.California license plate.

Nine, one, William, Adam,

Lincoln, Tom, Nora.

(phones vibrating)

TAYLOR: Police now believeBlevins was hit while attempting

to thwart a kidnappingin progress.

The young woman'sname is Tracie Webber.

She was reportedmissing three days ago.

She was last seen with this man,

Patrick Ryan Boyd...

MAN: Pretty sure I saw that car.

WOMAN: I think Ijust saw the car!

WOMAN 2: I-I'm on the 405.That kind of car's next to me.

No, ma'am, it's not aminivan we're looking for.

But thank you for calling.

MAN 2: A car matches the...

WOMAN 3: I went ablock past the 101,

heading southbound.

♪

WILLIAMS: 5-Adam-32,we've located a red Galaxy

parked near thecontainer yard at Garvey

and 43rd Street.

Plate on the vehicleis nine, one,

William, Adam,Lincoln, Tom, Nora.

We got blood leadinginto the yard.

Moving in to search.

Affirmative. All unitsemergency traffic.

Additional units respondto Garvey and 43rd.

- 5-Adam-38, copy.- 5-Adam-19, en route.

5-Adam-26, copy.

Copy, 5-Adam-38, 5-Adam-19

and 5-Adam-26 responding.

BRANFORD: Searchingthe container yard.

♪ ♪

(container creaking)

WILLIAMS: Dispatch,we've located the victim.

BRANFORD: I thinkshe's been drugged.

R.A. unit is en route.

(siren wailing)

(tool whirring)

BOBBY: Dispatch, 118 ison scene, at the gate.

Where exactly do you need us?

118, stand by at your location

and stage until thescene is secure.

BOBBY: Copy that, staging.

♪

It's been longenough, hasn't it?

Cap, that girl's been drugged.

- We need to get in there.- Yeah, they got the suspect yet?

Officers now advising the sceneis clear for you to respond.

Okay, let's move!

118, on the move, coming to you.

JOSH: 5-Adam-32, 118approaching your location.

I thought it was this way!

Aren't they this way?

Did Dispatch giveus a box number?

- No.- WILLIAMS: Hey!

Over here!

All right, guys, let'sgo! Let's get in there.

No sign of the suspect?

Nothing. Must've scared him off.

Dispatch, this is 118...

BOBBY: Dispatch, 118,

we are at the containerwith the victim.

Copy. Advise the boxcar number?

Container box number

228, copy.

(indistinct radio chatter)

Fresh bruises onher wrists, Cap.

Pretty hard to tell howlong he's had her in here.

HEN: Not labeled.

Could be fentanyl or Ativan

or bleach for all we know.

CHIMNEY: And howmany injections?

She's about to stopbreathing any second now.

Prep the naloxone. Ifit's not an opioid,

one dose will not hurt her.

And it could actually help.

CHIMNEY: She's got severedehydration. Pushing fluids.

- Dispatch, backup has arrived.- JOSH: Copy, units on scene

searching the areafor the suspect

who's possibly stillin the general area.

One gigantic area.

Let's contain thiscontainer yard, shall we?

Units, let's set a perimeter.

5-Adam-32, take thenorthwest corner.

5-Adam-38, take northeast.

5-Adam-19, show youtaking southeast.

5-Adam-26, on southwest.

Units, with yourdirection of travel,

update dispatch withcontainer box numbers.

Once in place, notify dispatchand begin to circle back

to unit 228.

- She's almost ready, Cap.- BOBBY: Okay, good.

5-Adam-26. On the move

to containers 101, 87 and 97.

5-Adam-38, report?

5-Adam-38. We're atthe northeast corner,

clocking containers264, 263, 259.

5-Adam-19, what's your location?

5-Adam-19.

We're at box numbers 282,

290, 301.

5-Adam-32, report.

Copy. We're atcontainer 94, 96, 99.

No visual yet.

Anyone got a birdup? Need a bird.

On that. Calling air support.

(overlapping chatter)

- 255...- 570...

358...

(overlapping chatter continues)

- WILLIAMS: Halt!- BRANFORD: Dispatch, we've got movement.

We have visual of thesuspect, several rows away.

WILLIAMS: In pursuit.

JOSH: 5-Adam-32,

update your location.

WILLIAMS: 5-Adam-32 at containernumber 35, but we lost visual.

BRANFORD: We could really useair support's eyes in the sky.

Ascertaining with PiperTech an ETA on the air unit.

No ETA yet for the helicopter.

They'll call usback with an update.

OFFICER: Suspect insight near unit 85.

SWAT has been activated.

But they're ten minutes out.

BRANFORD: We lostvisual of the suspect.

WILLIAMS: Dispatch,I think we're lost.

We're in a maze.

Lots of the same thingin every direction.

Linda? ETA on my bird?

They're sayingthey're unavailable.

Negative. Tell them I'vegot an armed suspect

and officers who are asgood as sitting ducks.

I need an aerial visual assist.

OFFICER: Dispatch, we're blinddown here. We need eyes in the sky.

OFFICER 2: Dispatch,we're all turned around.

Not even sure wherewe're at anymore.

- Dispatch...- We lost visual.

Location, location, location.

First rule of dispatch,I don't have theirs,

and I just have to make do?

We are their eyes in the sky.

BRANFORD: We're atcontainer 94, 96, 99.

JOSH (echoing): Partialperimeter, direction of travel.

- WILLIAMS: 87 and 97...- JOSH: Numbers.

OFFICER: Clockingcontainers 264, 263, 259.

JOSH: Breadcrumbs inthe form of box numbers.

(overlapping chatter)

BRANFORD: We're atcontainer 94, 96, 99...

Yes.

5-Adam-32, advise the containerbox numbers you're near

and where the suspectwas last seen.

We're near number 90.

JOSH: We are theireyes in the sky.

No.

118, what's your status?

BOBBY: Dispatch, 118 isready to move the victim.

Negative, negative.Hold your location.

Dispatch? Officers onthe scene have advised

area is clear. -Negative.

Suspect is circling back.

Close yourselfinside, hunker down.

(bullets ricocheting)

BOBBY: Everybody down!

EDDIE: Cap, you okay?

BOBBY: Yeah, yeah,I'm okay, thanks to...

Dispatch, we are taking fire.

Units, 118 taking fireat box number 228.

Repeat, shots firedat fire personnel.

Suspect is armed and dangerous.

BRANFORD: 5-Adam-26.We're on our way.

Copy, westbounddirection of travel.

5-Adam-32, be advised,suspect is headed your way.

SWAT's en route,one minute before

they head out outside the yard.

It'll be over by then.

Our firefighters,they don't have guns

or-or bulletproof vests.

Adam-19, show youresponding from southeast.

38, show you en route.

EDDIE: Cap, we're losing her.

BOBBY: We need totransport the victim now.

5-Adam-26, circleback to boxcar 432.

BRANFORD: We lostvisual of the suspect.

38, continue asouthwest trajectory.

(echoing): 5-Adam-32,

change direction oftravel to southbound.

5-Adam-38, take northeast. 26,circle back to container 80.

- We're gonna box him in.- BRANFORD: No visual yet.

Northeast corner'sclear. No sign of him.

19, hold your position.He's locked in

on three sides.

BRANFORD: Holding our position.

WILLIAMS: Holding our position.

32, he's headed your way.

All units, we havehim surrounded.

BRANFORD: Wait,we have movement.

Drop it!

WILLIAMS: 5-Adam-32.

We're out with thesuspect. One at gunpoint.

BRANFORD: Dispatch,suspect in custody.

Code 4.

(exhales)

Copy. Code 4.

Suspect in custody.

118, officers advising the sceneis now clear for transport.

BOBBY: Dispatch,118 is on the move.

And thanks, for having our back.

That's why we're here.

(elevator bell dings)

(indistinct chatter)

Josh Russo?

I'm Sue Blevins. (Grunts)

- (laughs)- JOSH: You're you.

The voice that saved my life.

- Thank you.- You're welcome.

So that call, which was, like,the worst moment of my life,

that was just a daythat ends in Y for you.

(both chuckle) - Well, we'renot quite that blasé about it,

but yes, that's the job.

You're really good at it.

How did you know tosend me upstairs?

Well, initial fire callcame from two floors below,

that's why you couldsmell the smoke.

I was afraid that thestairwell was fully engulfed.

So sending you toan unfinished floor,

well, it seemed safer thanasking you to walk through fire.

Though, as it turns out,

you were willing to dothat to help a stranger.

(scoffs) Still not surewhere that came from.

I've never been the heroic type.

Well, all evidenceto the contrary.

I'm just a freelancestenographer.

- It's a real thing.- Oh.

That I kind of don'twant to do anymore.

Not sure what I'd do instead.

Well, you have experiencelistening and typing all day.

Maybe you want my job?

(laughs softly)

But only if we can dosomething about these chairs.

(both laugh)

Sweetie, you'regonna need some time.

- I know you don't think so. You g...- (knocking on door)

JOSH: Heard you were awake.

Finally.

- Josh.- Come on in, kid.

Look, I'm trying to talk thisone into taking a few weeks off,

but all she wants to do istalk about going back to work.

Help me talk somesense into her.

JOSH: Please. She doesn't know

how to not work.

I mean, who tries to stopa kidnapping off duty?

Well, it wasn't asif I planned it.

No, Josh, we-we haveto put our foot down.

The call center is nota tourist attraction.

I appreciate thecouncilman's interest,

but we can't havehim and his cronies

parading through the office.

No, just tell him no, please.

Listen, uh, letme call you back.

No. No, no, no, no, no!

No, no! Wait! W-W-Wait!

- (tires screeching)- Stop! Stop!

Is the girl okay?

She's safe.(exhales)

Thanks to you.

ATHENA: Ransone.

- AVERY: Where's Tracie?- RANSONE: Looking forward to seeing you.

TRACIE: Mom?

AVERY: I'm here, baby.

- (indistinct P. A. Announcement)- (door closes)

♪ ♪

ATHENA: Heard shewasn't the first girl.

RANSONE: Probably the third.

We got lucky.

We found her just in time.

ATHENA: I'm not surehow lucky she feels.

You changed your mindabout me moving out?

No. I know thatthis is something

that's important to you, butknowing that you're okay?

That's what's important to me.

So I've made a list ofacceptable neighborhoods,

what to look for in abuilding, what to avoid.

These are my conditions.

Oh. This is a lot of conditions.

Some are negotiable.Some are not.

Starting with no first-floorapartments, no balconies.

Also, once you'venarrowed down the field,

I want to take a look in person,meet your building manager.

Run a background check?

I just want to keep you safe.

I know.

Tracie Webber is currentlyhospitalized with injuries

described as significantbut not life-threatening.

(knocking on door) - And her kidnapperPatrick - Ryan Boyd is in custody tonight.

Boyd was apprehendedafter a massive effort

by police, fire and EMS.

Coordinated by thepeople Sue Blevins...

Hey, uh, you're here,but you're on my TV.

I'm a rerun.

They aired the samesegment at 10:00 and 11:00.

A gift from my boss. Hewants to have lunch tomorrow.

Uh, maybe you'll geta promotion, huh?

Maybe, but that's notwhat we're celebrating.

No? Uh, okay.

What are we celebrating?

Justice.

For Tracie Webberand Sue Blevins.

I hear they'reboth gonna be okay.

(laughs softly)

- JOSH: Welcome back to Sue!- (applause)

(cheering)

(whooping)

All units stand by.

Dispatcher with I. D. Number17, advise your status.

(Sue exhales)

Dispatcher Blevins

back in service.

- BOBBY: Dispatcher Blevins...- OTHERS: Welcome back!

BUCK: Oh, Sue, it'sgood to hear your voice.

- HEN: Welcome back, Sue.- EDDIE: You rock, Blevins. Welcome back.

MAN: It wasn't thesame without you.

- WOMAN: We missed you.- ATHENA: Glad to have you back, - Blevins.

WOMAN: Welcome back, Blevins.

MAN: It's greatto have you back.

Thank you, everyone.

You're not gonna getrid of me that easy.

(laughter)

(laughs, sniffles)

Now back to work.

(phone ringing)

911. What's your emergency?

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