All language subtitles for 4 Secrets.Of.Skin.

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:04,760 ♪♪ 2 00:00:04,758 --> 00:00:08,588 ♪♪ 3 00:00:08,586 --> 00:00:12,066 Garrod: SKIN. WE ALL HAVE IT. 4 00:00:12,068 --> 00:00:16,098 AND SO DOES EVERY VERTEBRATE ON THE PLANET. 5 00:00:16,103 --> 00:00:20,413 IT KEEPS THE OUTSIDE OUT AND THE INSIDE IN. 6 00:00:20,413 --> 00:00:22,143 ♪♪ 7 00:00:22,137 --> 00:00:24,617 ANIMALS MAY LOOK VERY DIFFERENT ON THE SURFACE, 8 00:00:24,620 --> 00:00:30,140 BUT WE ALL SHARE THE SAME BASIC SKIN BLUEPRINT. 9 00:00:30,137 --> 00:00:34,277 I'M BEN GARROD, PROFESSOR OF EVOLUTIONARY BIOLOGY, 10 00:00:34,275 --> 00:00:38,235 AND I'M FASCINATED BY THIS OFTEN OVERLOOKED WONDER OF NATURE. 11 00:00:38,241 --> 00:00:40,241 IT'S NOT JUST THE CASE THAT HE'S HAIRLESS. 12 00:00:40,241 --> 00:00:42,661 THE SKIN'S TOTALLY DIFFERENT. 13 00:00:42,655 --> 00:00:45,205 NOW, GROUND-BREAKING NEW SCIENCE... 14 00:00:45,206 --> 00:00:46,586 THIS IS REALLY QUITE REMARKABLE. 15 00:00:46,586 --> 00:00:49,096 IT SHOULD BE A GAME-CHANGER FOR SO MANY PEOPLE. 16 00:00:49,103 --> 00:00:51,623 THAT SOUND! OH, IT MAKES THE HAIR 17 00:00:51,620 --> 00:00:54,070 AT THE BACK OF YOUR NECK GO UP, DOESN'T IT? 18 00:00:54,068 --> 00:00:56,858 ...IS REVEALING SKIN'S MYSTERIES. 19 00:00:56,862 --> 00:01:01,382 IT REALLY TRANSFORMS OUR UNDERSTANDING OF DINOSAURS. 20 00:01:01,379 --> 00:01:03,279 I'M GOING TO EXPLORE THE NATURAL HISTORY 21 00:01:03,275 --> 00:01:05,585 OF THE BODY'S LARGEST ORGAN 22 00:01:05,586 --> 00:01:08,166 TO SEE HOW SKIN HAS ALLOWED ANIMALS 23 00:01:08,172 --> 00:01:10,762 TO CONQUER EVERY HABITAT, 24 00:01:10,758 --> 00:01:13,308 DISAPPEAR INTO THEIR SURROUNDINGS, 25 00:01:13,310 --> 00:01:17,830 AND DEVELOP EXTRA-SENSORY ABILITIES. 26 00:01:17,827 --> 00:01:21,097 WE'RE EVEN DISCOVERING THE COMPLEX ECOSYSTEM 27 00:01:21,103 --> 00:01:22,723 LIVING ON OUR SKIN. 28 00:01:22,724 --> 00:01:24,284 OH, JIM, THAT'S AWFUL. 29 00:01:24,275 --> 00:01:26,065 IT REALLY IS! 30 00:01:26,068 --> 00:01:30,168 IN THIS EPISODE, I'LL UNCOVER INCREDIBLE NEW SCIENCE 31 00:01:30,172 --> 00:01:32,932 ABOUT PUFFINS AND THEIR BEAKS, 32 00:01:32,931 --> 00:01:36,001 WITNESS A DEADLY SNAKE SEND ME A WARNING SIGNAL 33 00:01:36,000 --> 00:01:38,930 WITHOUT EVEN OPENING ITS MOUTH, 34 00:01:38,931 --> 00:01:41,861 AND LEARN TO READ THE COLOR-CODED MESSAGES 35 00:01:41,862 --> 00:01:45,762 MANDRILLS SEND TO EACH OTHER THROUGH THEIR FACES, 36 00:01:45,758 --> 00:01:47,898 TO MARVEL AT HOW SKIN HAS EVOLVED, 37 00:01:47,896 --> 00:01:50,586 ALLOWING ANIMALS TO COMMUNICATE. 38 00:01:50,586 --> 00:01:53,926 I'M GOING TO REVEAL THE SECRETS OF SKIN. 39 00:01:53,931 --> 00:01:56,931 --Captions by VITAC-- www.vitac.com 40 00:01:56,931 --> 00:01:59,901 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 41 00:01:59,896 --> 00:02:01,716 ♪♪ 42 00:02:01,724 --> 00:02:04,284 ANIMALS COMMUNICATE THROUGH SMELL, 43 00:02:04,275 --> 00:02:07,785 COLOR, TOUCH, AND SOUND. 44 00:02:07,793 --> 00:02:10,173 [ CALLING ] 45 00:02:10,172 --> 00:02:15,002 AND THEIR SKIN HAS ADAPTED TO HELP THEM DO JUST THAT. 46 00:02:15,000 --> 00:02:18,210 I'M STARTING WITH A VERY FAMILIAR PRIMATE, 47 00:02:18,206 --> 00:02:19,686 RING-TAILED LEMURS, 48 00:02:19,689 --> 00:02:21,999 WHICH USE THE SMELL OF THEIR SKIN TO FIGURE OUT 49 00:02:22,000 --> 00:02:24,240 WHO'S WHO AND WHAT'S WHAT. 50 00:02:24,241 --> 00:02:27,481 ♪♪ 51 00:02:27,482 --> 00:02:29,552 WITH THEIR DISTINCT BLACK-AND-WHITE MARKINGS 52 00:02:29,551 --> 00:02:31,971 AND THOSE UNMISSABLE STRIPY TAILS, 53 00:02:31,965 --> 00:02:36,305 RING-TAILED LEMURS ARE HARD TO TELL APART BY SIGHT ALONE. 54 00:02:36,310 --> 00:02:39,170 SO THEY'VE EVOLVED A LANGUAGE OF SMELL. 55 00:02:39,172 --> 00:02:41,452 AND IT'S THE MALES I'M REALLY INTERESTED IN. 56 00:02:41,448 --> 00:02:45,448 ♪♪ 57 00:02:45,448 --> 00:02:47,208 I LOVE THAT CLASSIC LEMUR POSE! 58 00:02:47,206 --> 00:02:49,096 [ CHUCKLES ] 59 00:02:49,103 --> 00:02:51,033 SO, I'VE COME TO TWYCROSS ZOO 60 00:02:51,034 --> 00:02:55,594 TO GET CLOSE TO A GROUP OF CAPTIVE MALES. 61 00:02:55,586 --> 00:03:01,446 THE ONE BEHIND YOU IS ZAC. SO, HE'S GOT A VERY DARK FACE. 62 00:03:01,448 --> 00:03:05,098 AND THEN WE HAVE GOT ONE, SOMEWHERE. 63 00:03:05,103 --> 00:03:06,453 HERE HE IS! 64 00:03:06,448 --> 00:03:09,448 SO, ZEUS, HE'S GOT HIS LITTLE CAULIFLOWER EAR. 65 00:03:09,448 --> 00:03:11,238 WE'VE ALSO GOT ONE WITH A SHORTER TAIL, 66 00:03:11,241 --> 00:03:14,211 SO, THIS IS ZAZU UP HERE. 67 00:03:14,206 --> 00:03:18,336 WHILE KIRSTY, THEIR KEEPER, CAN IDENTIFY A FEW OF THEM BY SIGHT, 68 00:03:18,344 --> 00:03:20,624 LEMURS USE A TOTALLY DIFFERENT WAY 69 00:03:20,620 --> 00:03:23,660 OF RECOGNIZING ONE ANOTHER. 70 00:03:23,655 --> 00:03:25,615 THEY USE SCENT. 71 00:03:25,620 --> 00:03:29,070 BOTH SEXES HAVE SCENT GLANDS IN THEIR GENITAL REGIONS, 72 00:03:29,068 --> 00:03:31,758 BUT MALES HAVE GONE ONE STEP FURTHER 73 00:03:31,758 --> 00:03:35,968 AND EVOLVED SCENT GLANDS ON THEIR SHOULDERS AND FOREARMS. 74 00:03:35,965 --> 00:03:37,855 THEY'LL USE THAT TO SCENT-MARK 75 00:03:37,862 --> 00:03:40,382 ALL OF THEIR FURNITURE IN THE ENCLOSURE. 76 00:03:40,379 --> 00:03:43,589 THEY'LL ALSO DO IT A LOT WITH THEIR SCENT-MARKING. 77 00:03:43,586 --> 00:03:45,756 THEY'LL WIPE IT ALONG THEIR TAILS. 78 00:03:45,758 --> 00:03:48,758 IT'S SORT OF, LIKE, A TERRITORIAL THING. 79 00:03:48,758 --> 00:03:52,098 THE SCENT GLANDS ARE OIL-PRODUCING SEBACEOUS GLANDS, 80 00:03:52,103 --> 00:03:54,243 LIKE WE HAVE IN OUR SKIN. 81 00:03:54,241 --> 00:03:56,141 BUT THEIRS HAVE EVOLVED 82 00:03:56,137 --> 00:03:59,337 AND ARE UNLIKE ANYTHING ELSE IN THE ANIMAL KINGDOM, 83 00:03:59,344 --> 00:04:02,104 PRODUCING AN ENTIRE CHEMICAL LANGUAGE. 84 00:04:02,103 --> 00:04:04,763 ♪♪ 85 00:04:04,758 --> 00:04:08,308 SCIENTISTS HAVE IDENTIFIED OVER 200 CHEMICAL COMPOUNDS 86 00:04:08,310 --> 00:04:10,900 THAT MAKE UP THE SCENT LEMURS PRODUCE, 87 00:04:10,896 --> 00:04:12,586 MEANING THAT THEY CAN ALL CREATE 88 00:04:12,586 --> 00:04:14,686 A PERSONALIZED AROMA TO COMMUNICATE. 89 00:04:14,689 --> 00:04:17,139 ♪♪ 90 00:04:17,137 --> 00:04:19,477 [ LEMURS CHATTERING ] 91 00:04:19,482 --> 00:04:23,412 THE NUMBER OF COMPOUNDS IN THE SCENT DROPS BY 10% 92 00:04:23,413 --> 00:04:25,173 IF A LEMUR IS INJURED, 93 00:04:25,172 --> 00:04:28,072 SOMETHING OTHER MALES CAN USE TO THEIR ADVANTAGE 94 00:04:28,068 --> 00:04:30,408 BY ACTING MORE AGGRESSIVELY TO THE WEAKER MALE. 95 00:04:30,413 --> 00:04:34,593 ♪♪ 96 00:04:34,586 --> 00:04:38,616 MALE RING-TAILED LEMURS ALSO USE THEIR SMELL TO FIGHT. 97 00:04:38,620 --> 00:04:40,930 THEY RUB THEIR TAILS IN THEIR SCENT GLANDS, 98 00:04:40,931 --> 00:04:45,621 AND THEN WAFT THE SMELL IN THE DIRECTION OF THEIR RIVALS. 99 00:04:45,620 --> 00:04:48,280 THESE BATTLES MAINTAIN SOCIAL STATUS 100 00:04:48,275 --> 00:04:50,445 WHILE REDUCING PHYSICAL AGGRESSION. 101 00:04:50,448 --> 00:04:53,168 AND THEIR SCENT DECIDES THE WINNER. 102 00:04:53,172 --> 00:04:59,002 ♪♪ 103 00:04:59,000 --> 00:05:04,970 ♪♪ 104 00:05:04,965 --> 00:05:07,855 ANOTHER GROUP OF PRIMATES HAS DEVELOPED A DIFFERENT WAY 105 00:05:07,862 --> 00:05:11,032 OF COMMUNICATING DOMINANCE THROUGH THEIR SKIN -- 106 00:05:11,034 --> 00:05:15,004 COLOR OF THEIR RUMP AND FACE. 107 00:05:15,000 --> 00:05:19,140 THESE ARE MANDRILLS IN GABON, WEST AFRICA. 108 00:05:19,137 --> 00:05:20,787 CHARLES DARWIN WROTE, 109 00:05:20,793 --> 00:05:23,213 "NO OTHER MEMBER IN THE WHOLE CLASS OF MAMMALS 110 00:05:23,206 --> 00:05:26,206 IS COLORED IN SO EXTRAORDINARY A MANNER 111 00:05:26,206 --> 00:05:30,166 AS THE ADULT MALE MANDRILL." 112 00:05:30,172 --> 00:05:32,762 PRIMATOLOGIST JO SETCHELL HAS BEEN STUDYING 113 00:05:32,758 --> 00:05:35,338 AND PHOTOGRAPHING THESE MANDRILLS FOR OVER 20 YEARS. 114 00:05:35,344 --> 00:05:39,724 ♪♪ 115 00:05:39,724 --> 00:05:41,214 JO, I LOVE THESE ANIMALS, 116 00:05:41,206 --> 00:05:43,756 ONE OF THE MOST RECOGNIZABLE MEMBERS OF OUR PRIMATE FAMILY. 117 00:05:43,758 --> 00:05:45,098 -AREN'T THEY FABULOUS? -THEY REALLY ARE. 118 00:05:45,103 --> 00:05:49,173 THEY HAVE THESE REMARKABLE RED AND BLUE NOSES. 119 00:05:49,172 --> 00:05:51,212 AND THEY'RE USING THIS RED AND BLUE SKIN 120 00:05:51,206 --> 00:05:52,656 TO COMMUNICATE WITH ONE ANOTHER. 121 00:05:52,655 --> 00:05:54,445 WHAT ARE THEY COMMUNICATING? 122 00:05:54,448 --> 00:05:56,098 STATUS, ESSENTIALLY. 123 00:05:56,103 --> 00:06:00,283 SO, IF THEY CAN LOOK AT THE RED COLOR OF ANOTHER MALE, 124 00:06:00,275 --> 00:06:02,715 DECIDE INSTANTLY WHETHER HE'S DOMINANT, 125 00:06:02,724 --> 00:06:04,144 AND THEREFORE, YOU SHOULD AVOID HIM, 126 00:06:04,137 --> 00:06:05,757 OR HE'S SUBORDINATE. 127 00:06:05,758 --> 00:06:07,208 THEN THAT AVOIDS FIGHTS. 128 00:06:07,206 --> 00:06:08,206 SO, IT PAYS OFF TO SIGNAL 129 00:06:08,206 --> 00:06:10,136 RATHER THAN TO FIGHT IT OUT, I GUESS? 130 00:06:10,137 --> 00:06:11,407 DEFINITELY, YES. 131 00:06:11,413 --> 00:06:13,623 DO WE KNOW WHAT'S GOING ON BENEATH THE SKIN? 132 00:06:13,620 --> 00:06:15,970 RIGHT BENEATH THAT RED SKIN IS BLOOD, 133 00:06:15,965 --> 00:06:19,515 AND THERE'S AN AWFUL LOT OF BLOOD VESSELS, VASCULARIZATION. 134 00:06:19,517 --> 00:06:24,477 AND SO THE RED OF THE BLOOD IS SEEN RIGHT THROUGH THE SKIN. 135 00:06:24,482 --> 00:06:27,522 UNLIKE HUMANS, WHOSE SKIN COLOR COMES FROM MELANIN, 136 00:06:27,517 --> 00:06:30,167 THAT INTENSE RED OF A MALE MANDRILL'S FACE 137 00:06:30,172 --> 00:06:32,832 OWES ITSELF TO OXYGENATED HEMOGLOBIN 138 00:06:32,827 --> 00:06:35,587 IN BLOOD VESSELS CLOSE TO THE SKIN'S SURFACE. 139 00:06:35,586 --> 00:06:38,896 ♪♪ 140 00:06:38,896 --> 00:06:41,856 THE BLUE COLOR IS FORMED BY THE STRUCTURE OF COLLAGEN 141 00:06:41,862 --> 00:06:43,412 WITHIN THE DERMIS. 142 00:06:43,413 --> 00:06:46,623 AND IT'S ALIGNED IN A WAY THAT SCATTERS THE VISIBLE LIGHT, 143 00:06:46,620 --> 00:06:49,340 WHICH WE SEE AS BLUE. 144 00:06:49,344 --> 00:06:51,074 SO, HERE WE HAVE ANOTHER ADULT MALE, 145 00:06:51,068 --> 00:06:53,408 AND THE FIRST ONE WAS ALSO AN ADULT MALE, 146 00:06:53,413 --> 00:06:56,173 AND THEIR RED SKIN IS EXTREMELY SIMILAR. 147 00:06:56,172 --> 00:06:57,342 WHAT THAT SKIN IS SAYING 148 00:06:57,344 --> 00:06:59,554 IS THAT THEY ARE OF VERY SIMILAR DOMINANCE. 149 00:06:59,551 --> 00:07:02,171 WHEN THERE ARE TWO THAT ARE SO SIMILAR, 150 00:07:02,172 --> 00:07:04,102 THERE MUST BE ISSUES WITH THAT? 151 00:07:04,103 --> 00:07:05,723 YES. SO, THESE ARE THE SORTS OF MALES 152 00:07:05,724 --> 00:07:07,284 THAT WILL FIGHT WITH ONE ANOTHER, 153 00:07:07,275 --> 00:07:10,685 PRESUMABLY BECAUSE THEY CAN'T TELL EASILY FROM THE RED SKIN 154 00:07:10,689 --> 00:07:12,719 WHO IS DOMINANT OVER WHOM. 155 00:07:12,724 --> 00:07:15,694 ♪♪ 156 00:07:15,689 --> 00:07:17,859 COLOR COMMUNICATION FOR MALE MANDRILLS 157 00:07:17,862 --> 00:07:20,902 CAN BE A LIFE-SAVING STRATEGY. 158 00:07:20,896 --> 00:07:24,206 THOSE CANINES ARE AMONG THE LARGEST OF ANY PRIMATE, 159 00:07:24,206 --> 00:07:27,376 REACHING UP TO 5 CENTIMETERS IN LENGTH. 160 00:07:27,379 --> 00:07:30,549 THEY CAN INFLICT SERIOUS INJURY, AND EVEN DEATH. 161 00:07:30,551 --> 00:07:34,861 SO FIGHTING IS A LAST RESORT. 162 00:07:34,862 --> 00:07:38,142 THESE TWO MALES OF SIMILAR COLOR AND STATUS 163 00:07:38,137 --> 00:07:42,897 BOTH WANT THE RIGHT TO MATE WITH THE FEMALES. 164 00:07:42,896 --> 00:07:44,856 ONLY ONE WILL BE VICTORIOUS. 165 00:07:44,862 --> 00:07:46,692 AND A SURGE OF TESTOSTERONE, 166 00:07:46,689 --> 00:07:48,999 WHICH CAUSES THE BLOOD VESSELS TO DILATE, 167 00:07:49,000 --> 00:07:54,380 WILL MAKE HIS FACE EVEN REDDER AND MORE ATTRACTIVE. 168 00:07:54,379 --> 00:07:56,309 AND IF YOU'RE THE MALE WHO REACHES THE TOP 169 00:07:56,310 --> 00:07:58,760 OF THE PECKING ORDER, YOUR FACE SAYS IT ALL. 170 00:07:58,758 --> 00:08:01,378 ♪♪ 171 00:08:01,379 --> 00:08:03,409 [ CHUCKLES ] HE IS IMPRESSIVE! 172 00:08:03,413 --> 00:08:04,933 HE MUST BE TOP DOG. 173 00:08:04,931 --> 00:08:07,141 HE IS. THIS IS AN ALPHA MALE, 174 00:08:07,137 --> 00:08:08,857 THE MOST DOMINANT IN THE GROUP, 175 00:08:08,862 --> 00:08:10,862 AND HAS BEEN FOR ENOUGH TIME 176 00:08:10,862 --> 00:08:14,662 FOR THE RED COLOR TO MOVE UP INTO HIS EYES. 177 00:08:14,655 --> 00:08:16,785 THESE ANIMALS LIVE IN GROUPS OF HUNDREDS. 178 00:08:16,793 --> 00:08:19,073 HOW MANY WILL REACH THIS STATUS? 179 00:08:19,068 --> 00:08:22,548 AS FAR AS WE KNOW, THERE'S JUST ONE WHO LOOKS LIKE THIS. 180 00:08:22,551 --> 00:08:25,141 ONCE YOU HIT THIS LEVEL, WHAT HAPPENS WITH 181 00:08:25,137 --> 00:08:26,787 THE INTERACTIONS BETWEEN THE OTHER MALES, 182 00:08:26,793 --> 00:08:29,283 THE ONES THAT ARE BRIGHTLY COLORED, BUT NOT LIKE THIS? 183 00:08:29,275 --> 00:08:34,615 ANY MALE THAT IS NOT THIS BRIGHTLY COLORED WILL STAY AWAY. 184 00:08:34,620 --> 00:08:36,210 PRIMATES MAY USE COLOR 185 00:08:36,206 --> 00:08:39,896 AND EVEN SMELL PRODUCED BY THE SKIN TO COMMUNICATE. 186 00:08:39,896 --> 00:08:41,786 BUT WHEN IT COMES TO DARKER ENVIRONMENTS 187 00:08:41,793 --> 00:08:45,523 WITH POOR VISIBILITY, ONE UNIQUE GROUP OF FISH 188 00:08:45,517 --> 00:08:48,407 HAS EVOLVED SOME REALLY FASCINATING WAYS 189 00:08:48,413 --> 00:08:51,833 TO SEND OUT A MESSAGE WITH THE HELP OF THEIR SKIN. 190 00:08:51,827 --> 00:08:55,447 THIS IS A BLACK GHOST KNIFEFISH. 191 00:08:55,448 --> 00:08:58,788 AT FIRST GLANCE, IT MIGHT NOT LOOK VERY IMPRESSIVE. 192 00:08:58,793 --> 00:09:02,243 IT ISN'T BRIGHTLY COLORED, IT DOESN'T HAVE AMAZING SPINES, 193 00:09:02,241 --> 00:09:03,551 OR ANYTHING LIKE THAT. 194 00:09:03,551 --> 00:09:06,971 IN FACT, IT'S JUST BLACK WITH A COUPLE OF WHITE STRIPES 195 00:09:06,965 --> 00:09:10,025 AND A RATHER IMPRESSIVE-LOOKING FRILL. 196 00:09:10,034 --> 00:09:12,764 BUT THIS LITTLE SOUTH AMERICAN FISH, 197 00:09:12,758 --> 00:09:14,028 THANKS TO ITS SKIN, 198 00:09:14,034 --> 00:09:18,284 IS ALMOST ABLE TO DEFY THE LAWS OF NATURE. 199 00:09:18,275 --> 00:09:21,995 BLACK GHOST KNIFEFISH HAVE EVOLVED A HIGHLY SPECIALIZED WAY 200 00:09:22,000 --> 00:09:25,240 OF COMMUNICATING -- THEY USE ELECTRICITY. 201 00:09:25,241 --> 00:09:28,791 ♪♪ 202 00:09:28,793 --> 00:09:32,833 THERE ARE MORE THAN 30,000 SPECIES OF FISH ON THE PLANET, 203 00:09:32,827 --> 00:09:37,927 BUT ONLY AROUND 350 CAN PRODUCE THEIR OWN ELECTRIC FIELD. 204 00:09:37,931 --> 00:09:39,241 STRONGLY ELECTRIC FISH, 205 00:09:39,241 --> 00:09:41,551 LIKE ELECTRIC EELS AND SOME RAYS, 206 00:09:41,551 --> 00:09:45,281 PRODUCE AN ELECTRIC DISCHARGE OF UP TO 800 VOLTS, 207 00:09:45,275 --> 00:09:47,995 STRONG ENOUGH TO STUN THEIR PREY. 208 00:09:48,000 --> 00:09:51,070 WHILE WEAKLY ELECTRIC FISH, LIKE THE BLACK GHOST KNIFEFISH, 209 00:09:51,068 --> 00:09:52,898 PRODUCE LESS THAN ONE VOLT, 210 00:09:52,896 --> 00:09:57,656 AND USE THIS TO NAVIGATE AND COMMUNICATE. 211 00:09:57,655 --> 00:10:00,855 TO SHOW ME JUST HOW THEY USE THEIR SKIN TO DO THIS, 212 00:10:00,862 --> 00:10:04,662 PhD STUDENT SARAH SKEELS HAS SET UP AN EXPERIMENT. 213 00:10:04,655 --> 00:10:08,165 ♪♪ 214 00:10:08,172 --> 00:10:10,212 IN THE TANK, THERE IS A SINGLE FISH, 215 00:10:10,206 --> 00:10:14,066 AND A PAIR OF ELECTRODES TO PICK UP ITS ELECTRICAL SIGNAL. 216 00:10:14,068 --> 00:10:16,278 THESE ARE CONNECTED TO A SPECIAL AMPLIFIER 217 00:10:16,275 --> 00:10:18,995 WHICH CONVERTS ELECTRIC SIGNALS INTO SOUND. 218 00:10:19,000 --> 00:10:21,070 ♪♪ 219 00:10:21,068 --> 00:10:23,518 [ SOFT BUZZING ] 220 00:10:23,517 --> 00:10:26,207 DOESN'T SOUND MUCH, BUT THAT'S THE AUDITORY REPRESENTATION 221 00:10:26,206 --> 00:10:27,516 OF THE FIELD THIS LITTLE FISH IS MAKING? 222 00:10:27,517 --> 00:10:30,477 EXACTLY. SO, THEY PRODUCE A CONTINUOUS SINE WAVE, 223 00:10:30,482 --> 00:10:33,342 AND THAT'S WHAT WE'RE HEARING, THOSE TONAL CHANGES. 224 00:10:33,344 --> 00:10:34,554 AND IT MAY BE QUITE SUBTLE, 225 00:10:34,551 --> 00:10:37,451 BUT IT ALLOWS THEM TO GET MORE INFORMATION 226 00:10:37,448 --> 00:10:39,208 FROM WHAT'S IN THEIR ENVIRONMENT. 227 00:10:39,206 --> 00:10:41,826 EVERY TIME HE MOVES AWAY FROM HIS LITTLE BRANCH, 228 00:10:41,827 --> 00:10:43,237 IT CHANGES SLIGHTLY. 229 00:10:43,241 --> 00:10:45,341 AND EVERY TIME HE COMES BACK, AGAIN THE TONE CHANGES. 230 00:10:45,344 --> 00:10:49,214 [ SOFT BUZZING INTENSIFIES ] 231 00:10:49,206 --> 00:10:51,656 BLACK GHOST KNIFEFISH HAVE AN ELECTRIC ORGAN 232 00:10:51,655 --> 00:10:53,545 RUNNING DOWN THE LENGTH OF THEIR BODY, 233 00:10:53,551 --> 00:10:56,901 WHICH IS MADE UP OF MODIFIED MUSCLE CELLS. 234 00:10:56,896 --> 00:11:00,066 EACH OF THESE CELLS DISCHARGES A SMALL AMOUNT OF VOLTAGE, 235 00:11:00,068 --> 00:11:02,858 PRODUCING THE CONSTANT ELECTRIC FIELD AROUND THEIR BODY. 236 00:11:02,862 --> 00:11:05,482 ♪♪ 237 00:11:05,482 --> 00:11:07,662 BUT IT'S THE RECEPTOR CELLS IN THE SKIN 238 00:11:07,655 --> 00:11:09,995 THAT ACTUALLY RECEIVE THIS ELECTRIC CHARGE, 239 00:11:10,000 --> 00:11:15,310 ALLOWING THE FISH TO SENSE THEIR SURROUNDINGS AND COMMUNICATE. 240 00:11:15,310 --> 00:11:18,660 AND IS THAT WHY WE'RE SEEING THIS REALLY WEIRD ANATOMY? 241 00:11:18,655 --> 00:11:20,235 THEY'RE TYPICALLY CALLED SCALELESS FISH, 242 00:11:20,241 --> 00:11:22,381 BUT THEY ACTUALLY HAVE VERY TINY SCALES. 243 00:11:22,379 --> 00:11:23,659 AND THIS IS AN IMPORTANT THING, 244 00:11:23,655 --> 00:11:25,445 BECAUSE IF THEY HAD LOTS OF BIG SCALES, 245 00:11:25,448 --> 00:11:27,168 THEY WOULD JUST INTERFERE AND THE SIGNAL WOULDN'T BE ABLE 246 00:11:27,172 --> 00:11:29,342 TO GO VERY FAR. 247 00:11:29,344 --> 00:11:31,624 IT'S THE COMMUNICATION BETWEEN TWO FISH 248 00:11:31,620 --> 00:11:33,550 THAT I'M REALLY INTERESTED IN. 249 00:11:33,551 --> 00:11:37,071 THEY HAVE VERY POOR VISION, SO IT'S THEIR ELECTRIC FIELDS 250 00:11:37,068 --> 00:11:39,138 WHICH ALLOW THEM TO SENSE ONE ANOTHER. 251 00:11:39,137 --> 00:11:43,617 [ BUZZING CONTINUES ] 252 00:11:43,620 --> 00:11:45,140 SO, THE MOMENT YOU PUT THE SECOND FISH IN... 253 00:11:45,137 --> 00:11:46,447 [ SOFT BUZZING INTENSIFIES ] 254 00:11:46,448 --> 00:11:47,688 ...YOU CAN HEAR THERE'S SOMETHING DIFFERENT 255 00:11:47,689 --> 00:11:48,689 WITH THAT TONE. 256 00:11:48,689 --> 00:11:50,209 YEAH. SO, IT'S A COMBINATION OF BOTH 257 00:11:50,206 --> 00:11:53,716 OF THEIR SIGNALS THAT WE CAN NOW HEAR. 258 00:11:53,724 --> 00:11:56,004 AND IT'S REALLY INTERESTING THAT EVERY TIME THEY GET CLOSER 259 00:11:56,000 --> 00:11:58,240 TO ONE ANOTHER, EVERY TIME THEY'RE NEAR ONE ANOTHER, 260 00:11:58,241 --> 00:12:02,341 YOU GET THIS DIFFERENCE IN THE SOUND BEING GENERATED HERE. 261 00:12:02,344 --> 00:12:05,104 AS WELL AS INTERPRETING THE ELECTRIC SIGNALS 262 00:12:05,103 --> 00:12:08,213 AS AUDIBLE SOUND, SARAH HAS AN OSCILLOSCOPE, 263 00:12:08,206 --> 00:12:10,546 WHICH DISPLAYS A GRAPH OF THE ELECTRIC VOLTAGE 264 00:12:10,551 --> 00:12:13,211 BEING PRODUCED BY THE FISH. 265 00:12:13,206 --> 00:12:16,996 SO, YOU CAN SEE ON THE TOP LEFT, THIS TRACE IS FROM ONE FISH. 266 00:12:17,000 --> 00:12:19,520 AND THE BOTTOM TRACE IS FROM TWO FISH. 267 00:12:19,517 --> 00:12:21,167 SO, YOU CAN SEE ON THE TOP ONE, 268 00:12:21,172 --> 00:12:24,142 WHEN THERE'S ONLY ONE FISH, IT'S QUITE REGULAR. 269 00:12:24,137 --> 00:12:26,307 BUT IF YOU SEE ON THE BOTTOM, 270 00:12:26,310 --> 00:12:29,240 THERE'S A LOT OF DISTORTION IN HERE AND HERE, 271 00:12:29,241 --> 00:12:31,791 WHERE THE SIGNALS FROM BOTH FISH ARE COMBINING 272 00:12:31,793 --> 00:12:34,073 AND CREATING SOME KIND OF INTERFERENCE. 273 00:12:34,068 --> 00:12:35,618 SO, ARE THEY TRYING TO OUTDO ONE ANOTHER? 274 00:12:35,620 --> 00:12:37,830 ARE THEY TRYING TO TALK TO ONE ANOTHER? 275 00:12:37,827 --> 00:12:39,307 WHAT'S GOING ON? 276 00:12:39,310 --> 00:12:41,930 SO, ELECTRIC COMMUNICATION CAN BE USED FOR A NUMBER OF ROLES. 277 00:12:41,931 --> 00:12:44,031 SO, HERE, WE THINK WE HAVE A MALE AND FEMALE, 278 00:12:44,034 --> 00:12:47,074 AND IT COULD BE USED TO ELICIT COURTSHIP DISPLAYS. 279 00:12:47,068 --> 00:12:51,068 BUT IT CAN ALSO BE USED TO DECIDE ON TERRITORY, 280 00:12:51,068 --> 00:12:53,718 WHO HAS, IN THIS EXAMPLE, THE PIECES OF WOOD. 281 00:12:53,724 --> 00:12:55,794 IT'S NOT JUST TWO FISH, EFFECTIVELY, 282 00:12:55,793 --> 00:12:57,173 TRYING TO OUTSHOUT ONE ANOTHER. 283 00:12:57,172 --> 00:12:58,662 THERE'S SOMETHING MORE GOING ON HERE, ISN'T THERE? 284 00:12:58,655 --> 00:13:00,405 THEY CAN PRODUCE SOMETHING CALLED THE JAMMING RESPONSE, 285 00:13:00,413 --> 00:13:02,453 WHERE THEY WILL CHANGE THEIR FREQUENCY 286 00:13:02,448 --> 00:13:07,238 SO BOTH OF THEM CAN SIGNAL WITHOUT INTERRUPTING THE OTHER. 287 00:13:07,241 --> 00:13:09,141 THIS JAMMING RESPONSE ONLY OCCURS 288 00:13:09,137 --> 00:13:10,757 WHEN FISH OF THE SAME SPECIES, 289 00:13:10,758 --> 00:13:14,068 WITH SIMILAR ELECTRIC FREQUENCIES, GET TOO CLOSE. 290 00:13:14,068 --> 00:13:15,478 THEY CHANGE THEIR SIGNAL 291 00:13:15,482 --> 00:13:17,412 SO THEY CAN BOTH STILL COMMUNICATE 292 00:13:17,413 --> 00:13:20,453 AND NAVIGATE THEIR SURROUNDINGS. 293 00:13:20,448 --> 00:13:23,408 SO, IT'S THEIR WAY OF FINDING A METHOD FOR BOTH 294 00:13:23,413 --> 00:13:25,283 BEING ABLE TO BE NEAR ONE ANOTHER WITHOUT LOSING 295 00:13:25,275 --> 00:13:26,925 THIS ABILITY TO SENSE THEIR WORLD AROUND THEM, 296 00:13:26,931 --> 00:13:28,691 WHILE STILL COMMUNICATING AT THE SAME TIME? 297 00:13:28,689 --> 00:13:30,139 -EXACTLY. -IT'S VERY COMPLEX, ISN'T IT? 298 00:13:30,137 --> 00:13:33,377 YEAH, AND THE ELECTRORECEPTORS ARE ABSOLUTELY KEY ON THE SKIN. 299 00:13:33,379 --> 00:13:34,479 WITHOUT THEM, THEY WOULDN'T BE ABLE 300 00:13:34,482 --> 00:13:36,762 TO DO THIS KIND OF BEHAVIOR. 301 00:13:36,758 --> 00:13:38,828 ♪♪ 302 00:13:38,827 --> 00:13:41,717 USING THE SKIN TO COMMUNICATE VIA ELECTRIC SIGNALS 303 00:13:41,724 --> 00:13:43,314 IS VERY SUBTLE. 304 00:13:43,310 --> 00:13:45,860 BUT FOR MUCH MORE OBVIOUS COMMUNICATION, 305 00:13:45,862 --> 00:13:48,002 MANY ANIMALS HAVE EVOLVED TO USE COLOR. 306 00:13:48,000 --> 00:13:50,790 ♪♪ 307 00:13:50,793 --> 00:13:53,523 FROM CHAMELEONS, WHO CAN CHANGE THE COLOR OF THEIR SKIN 308 00:13:53,517 --> 00:13:55,967 TO SHOW THEIR MOOD... 309 00:13:55,965 --> 00:13:58,095 TO SARCASTIC FRINGEHEADS, 310 00:13:58,103 --> 00:14:01,483 WHOSE GAPING, VIBRANT MOUTHS ACT AS A WARNING SIGNAL 311 00:14:01,482 --> 00:14:04,242 TO HELP DEFEND THEIR TERRITORY FROM RIVALS. 312 00:14:04,241 --> 00:14:06,411 ♪♪ 313 00:14:06,413 --> 00:14:10,213 BUT NOWHERE IS IT MORE READILY SEEN THAN IN BIRDS. 314 00:14:10,206 --> 00:14:12,206 ♪♪ 315 00:14:12,206 --> 00:14:15,336 THERE ARE OVER 10,000 SPECIES OF BIRD, 316 00:14:15,344 --> 00:14:17,724 AND THEIR FEATHERS REPRESENT A HUGE RANGE 317 00:14:17,724 --> 00:14:19,764 IN THE COLOR SPECTRUM. 318 00:14:19,758 --> 00:14:23,718 ♪♪ 319 00:14:23,724 --> 00:14:25,694 FEATHERS ARE MADE FROM KERATIN, 320 00:14:25,689 --> 00:14:30,719 A PROTEIN FORMED IN TINY FOLLICLES IN THE EPIDERMIS. 321 00:14:30,724 --> 00:14:33,594 LIKE IN REPTILES, MAMMALS, AND FISH, 322 00:14:33,586 --> 00:14:35,516 BIRDS CAN BE DIFFERENT COLORS 323 00:14:35,517 --> 00:14:38,097 BECAUSE OF THE PIGMENTS CONTAINED IN THEIR SKIN 324 00:14:38,103 --> 00:14:41,793 AND THE WAY IN WHICH THE KERATIN IS STRUCTURED. 325 00:14:41,793 --> 00:14:43,903 THE MOST WIDESPREAD COLOR-PRODUCING PIGMENT 326 00:14:43,896 --> 00:14:45,926 FOUND IN NATURE IS MELANIN, 327 00:14:45,931 --> 00:14:48,171 AND IT CREATES THE DARKEST COLORS -- 328 00:14:48,172 --> 00:14:50,972 BLACKS, BROWNS, AND GRAYS. 329 00:14:50,965 --> 00:14:53,025 ♪♪ 330 00:14:53,034 --> 00:14:55,384 MELANIN IS PRODUCED BY MELANOCYTES, 331 00:14:55,379 --> 00:14:59,099 SPECIALIZED SKIN CELLS LOCATED IN THE EPIDERMIS. 332 00:14:59,103 --> 00:15:02,243 AND IT CAN BE SEEN IN ACTION IN THIS GOLDEN PLOVER FEATHER. 333 00:15:02,241 --> 00:15:05,171 [ CHIRPING ] 334 00:15:05,172 --> 00:15:08,382 THESE SPOTS AND STRIPES ARE PERFECT ADAPTATIONS 335 00:15:08,379 --> 00:15:13,169 FOR ALLOWING THE BIRD TO ALMOST DISAPPEAR IN ITS SURROUNDINGS. 336 00:15:13,172 --> 00:15:16,452 IT'S A GREAT EXAMPLE OF FEATHERY CAMOUFLAGE. 337 00:15:16,448 --> 00:15:19,308 AND IN TERMS OF WHAT IT'S SAYING TO THE WORLD AROUND IT, 338 00:15:19,310 --> 00:15:24,450 WELL, IT'S PRETTY MUCH, "THERE'S NOTHING TO SEE HERE." 339 00:15:24,448 --> 00:15:25,758 ANOTHER TYPE OF PIGMENT 340 00:15:25,758 --> 00:15:29,278 FOUND ACROSS THE ANIMAL KINGDOM ARE CAROTENOIDS. 341 00:15:29,275 --> 00:15:31,405 MOST OF THE REDS, ORANGES, AND YELLOWS 342 00:15:31,413 --> 00:15:32,763 SEEN IN BIRD FEATHERS 343 00:15:32,758 --> 00:15:35,588 ARE COLORED BY THESE CHEMICAL COMPOUNDS. 344 00:15:35,586 --> 00:15:38,926 BUT, UNLIKE MELANIN, THEY ARE NOT PRODUCED BY THE SKIN, 345 00:15:38,931 --> 00:15:41,141 BUT OBTAINED FROM THE FOOD THE BIRDS EAT. 346 00:15:41,137 --> 00:15:45,027 ♪♪ 347 00:15:45,034 --> 00:15:46,554 CAROTENOID PIGMENTS ARE THEN 348 00:15:46,551 --> 00:15:49,971 TRANSPORTED THROUGH THE SKIN TO THEIR FEATHERS. 349 00:15:49,965 --> 00:15:53,165 ONCE IN PLACE, THEY ABSORB MOSTLY BLUE LIGHT 350 00:15:53,172 --> 00:15:55,832 TO PRODUCE THE ORANGE, RED AND YELLOW COLORS 351 00:15:55,827 --> 00:15:59,787 THAT WE SEE IN THESE FEATHERS. 352 00:15:59,793 --> 00:16:02,313 YOU CAN SEE THE CAROTENOIDS HAVE CLEARLY COLORED 353 00:16:02,310 --> 00:16:07,140 THESE LITTLE GOLDCREST FEATHERS A FIERY ORANGE. 354 00:16:07,137 --> 00:16:09,997 AND THIS ONE IS DEFINITELY NOT TRYING TO BLEND IN 355 00:16:10,000 --> 00:16:11,520 WITH ITS SURROUNDINGS. 356 00:16:11,517 --> 00:16:14,967 IT'S FROM THE CAP OF A MALE, AND DURING THE BREEDING SEASON, 357 00:16:14,965 --> 00:16:18,965 THESE LITTLE CAPS FLASH ORANGE, YELLOWS AND GOLDS. 358 00:16:18,965 --> 00:16:20,445 AND THEY'RE TRYING TO SAY, 359 00:16:20,448 --> 00:16:25,028 "STAY AWAY. THIS IS MY TERRITORY." 360 00:16:25,034 --> 00:16:27,594 AS FOR THE IRIDESCENT COLORS FOUND IN BIRDS, 361 00:16:27,586 --> 00:16:30,206 THEY'RE NOT CAUSED BY PIGMENTS IN THEIR SKIN, 362 00:16:30,206 --> 00:16:34,236 BUT BY THE STRUCTURE OF THE FEATHER ITSELF. 363 00:16:34,241 --> 00:16:37,451 KERATIN WITHIN THE FEATHER IS ALIGNED IN SUCH A WAY 364 00:16:37,448 --> 00:16:41,068 THAT IT ALLOWS LIGHT TO TWIST, TURN, AND SEPARATE 365 00:16:41,068 --> 00:16:43,788 INTO A RAINBOW OF COLORS. 366 00:16:43,793 --> 00:16:45,793 THIS FEATHER IS FROM A MALE PEACOCK. 367 00:16:45,793 --> 00:16:49,073 HE'S TRYING TO SAY HIS GENES ARE AMAZING. 368 00:16:49,068 --> 00:16:51,408 HE CAN WASTE ENERGY IN THESE BIG, BRIGHT, 369 00:16:51,413 --> 00:16:54,863 OSTENTATIOUS FEATHERS BECAUSE HIS GENES ARE THAT GOOD. 370 00:16:54,862 --> 00:16:58,382 BASICALLY, HE'S TELLING EVERY OTHER FEMALE IN THE AREA, 371 00:16:58,379 --> 00:17:02,339 "YOU SHOULD MATE WITH ME." 372 00:17:02,344 --> 00:17:06,144 FROM UNDERSTANDING HOW FEATHERS ARE COLORED IN MODERN-DAY BIRDS, 373 00:17:06,137 --> 00:17:09,477 A WHOLE NEW APPRECIATION OF COLORATION IN EXTINCT SPECIES 374 00:17:09,482 --> 00:17:11,692 HAS BEEN POSSIBLE. 375 00:17:11,689 --> 00:17:14,789 ADVANCES IN RESEARCH OVER THE LAST TEN YEARS OR SO 376 00:17:14,793 --> 00:17:17,663 HAVE TRANSFORMED OUR KNOWLEDGE OF DINOSAURS, 377 00:17:17,655 --> 00:17:21,135 ALLOWING A DEEPER FOCUS ON FOSSILIZED FEATHERS, 378 00:17:21,137 --> 00:17:23,967 AND A GREATER UNDERSTANDING OF HOW COLOR IS PRODUCED 379 00:17:23,965 --> 00:17:28,445 RIGHT ACROSS THE ANIMAL KINGDOM IS MAKING THIS POSSIBLE. 380 00:17:28,448 --> 00:17:30,718 PALEONTOLOGIST PROFESSOR MIKE BENTON 381 00:17:30,724 --> 00:17:32,834 IS SHOWING ME A FOSSILIZED FEATHER 382 00:17:32,827 --> 00:17:35,617 UNDER A SCANNING ELECTRON MICROSCOPE. 383 00:17:35,620 --> 00:17:37,590 HE AND HIS TEAM MADE A BREAKTHROUGH 384 00:17:37,586 --> 00:17:39,756 WHEN IT WAS DISCOVERED THAT THE SHAPES EMBEDDED 385 00:17:39,758 --> 00:17:42,898 IN THE FOSSILS WERE MELANOSOMES. 386 00:17:42,896 --> 00:17:45,406 MELANOSOMES ARE MADE IN MELANOCYTES, 387 00:17:45,413 --> 00:17:49,903 WHICH ARE THE MELANIN-FORMING CELLS FOUND IN THE SKIN. 388 00:17:49,896 --> 00:17:51,306 THEY'RE THE SITE OF SYNTHESIS, 389 00:17:51,310 --> 00:17:54,340 STORAGE, AND TRANSPORT OF MELANIN PIGMENTS, 390 00:17:54,344 --> 00:17:57,214 AND PROVIDE TISSUES WITH COLOR. 391 00:17:57,206 --> 00:17:59,616 IN SOME OF THE FOSSILS, WE FOUND THESE 392 00:17:59,620 --> 00:18:01,480 KIND OF SAUSAGE-SHAPED ONES. 393 00:18:01,482 --> 00:18:05,412 IN OTHERS, WE FIND SPHERICAL ONES OR BALL-SHAPED ONES. 394 00:18:05,413 --> 00:18:10,003 AND LOOKING AT EVIDENCE FROM MODERN BIRDS AND MODERN MAMMALS, 395 00:18:10,000 --> 00:18:12,240 WE DISCOVER THERE'S AN EXACT CORRELATION 396 00:18:12,241 --> 00:18:14,071 BETWEEN THE SHAPES OF THE MELANOSOMES 397 00:18:14,068 --> 00:18:15,968 AND THE COLORS THAT THEY HAVE. 398 00:18:15,965 --> 00:18:18,135 EVERY TIME WE LOOKED AT A HAIR OR A FEATHER 399 00:18:18,137 --> 00:18:21,137 FROM A MODERN CREATURE WHERE WE KNOW THE COLOR, 400 00:18:21,137 --> 00:18:23,027 WE FOUND THE SAUSAGE-SHAPED MELANOSOMES. 401 00:18:23,034 --> 00:18:25,664 YOU EITHER GET BLACK IF THEY'RE VERY TIGHTLY PACKED, 402 00:18:25,655 --> 00:18:27,825 BROWN IF THEY'RE MORE LOOSELY PACKED, 403 00:18:27,827 --> 00:18:29,857 GRAY, ALL THE WAY THROUGH TO BLOND, 404 00:18:29,862 --> 00:18:31,762 WHERE THERE'S NOT VERY MANY AT ALL. 405 00:18:31,758 --> 00:18:34,478 AND WHEN WE LOOKED IN MODERN FEATHERS AND HAIRS, 406 00:18:34,482 --> 00:18:36,172 SAY, FROM A GINGER-HAIRED PERSON, 407 00:18:36,172 --> 00:18:39,102 WE FOUND THE OTHER KIND OF MELANIN, 408 00:18:39,103 --> 00:18:42,663 WHICH IS CHEMICALLY DIFFERENT, AND IT GIVES ONLY GINGER COLORS. 409 00:18:42,655 --> 00:18:45,995 AND THAT CORRESPONDS TO THIS KIND OF BALL-SHAPED MELANOSOMES. 410 00:18:46,000 --> 00:18:48,930 DOES THAT MEAN WE'RE SEEING BROWNS AND GRAYS AND WHITES 411 00:18:48,931 --> 00:18:51,661 AND EVEN GINGERS IN SOME OF OUR DINOSAURS? 412 00:18:51,655 --> 00:18:55,025 YES, AND I THINK THIS HAS COMPLETELY REVOLUTIONIZED 413 00:18:55,034 --> 00:18:57,174 THE WAY WE SEE DINOSAURS. 414 00:18:57,172 --> 00:18:58,862 Garrod: DINOSAURS WERE CLEARLY MORE COLORFUL 415 00:18:58,862 --> 00:19:00,592 THAN SCIENTISTS ONCE THOUGHT, 416 00:19:00,586 --> 00:19:04,066 AND IT'S NOT JUST BLACKS, BROWNS, AND EVEN GINGERS. 417 00:19:04,068 --> 00:19:06,408 FOSSILIZED REMAINS INDICATE THAT DINOSAURS 418 00:19:06,413 --> 00:19:10,173 HAD MUCH THE SAME RANGE THAT WE SEE IN BIRDS TODAY. 419 00:19:10,172 --> 00:19:13,722 THE FACT THAT YOU GET THE SAME RELATIONSHIP 420 00:19:13,724 --> 00:19:16,314 BETWEEN COLOR AND MELANOSOME SHAPE 421 00:19:16,310 --> 00:19:18,210 IN ALL THE BIRDS THAT PEOPLE HAVE LOOKED AT 422 00:19:18,206 --> 00:19:20,896 AND IN ALL THE MAMMALS MEANS THAT, PROBABLY, 423 00:19:20,896 --> 00:19:24,546 THIS IS A GENERAL RULE OF NATURE. 424 00:19:24,551 --> 00:19:27,281 Garrod: AND COLOR IS ONLY HALF THE STORY. 425 00:19:27,275 --> 00:19:29,475 FROM THE FOSSIL EVIDENCE, MIKE AND HIS TEAM 426 00:19:29,482 --> 00:19:32,032 HAVE DISCOVERED PATTERNS, AS WELL. 427 00:19:32,034 --> 00:19:34,314 THEY'VE BEEN ABLE TO PIECE TOGETHER TRACES 428 00:19:34,310 --> 00:19:38,340 OF DIFFERENT SHAPED MELANOSOMES, AND CREATE A MORE ACCURATE IMAGE 429 00:19:38,344 --> 00:19:42,454 OF WHAT A DINOSAUR WOULD HAVE LOOKED LIKE. 430 00:19:42,448 --> 00:19:44,548 THIS IS SINOSAUROPTERYX. 431 00:19:44,551 --> 00:19:46,341 WE WERE SAMPLING ACROSS THE BODY, 432 00:19:46,344 --> 00:19:48,724 ALONG THE TAIL, AND ACROSS THE HEAD, AND SO ON, 433 00:19:48,724 --> 00:19:50,384 AND WE WERE ABLE TO SHOW VERY DEFINITELY 434 00:19:50,379 --> 00:19:53,719 THAT IT HAS THESE GINGER AND WHITE STRIPES. 435 00:19:53,724 --> 00:19:56,004 SO, THE FIRST THING WAS WE ONLY FOUND 436 00:19:56,000 --> 00:19:59,660 THE BALL-SHAPED MELANOSOMES, THEREFORE, ALL GINGER. 437 00:19:59,655 --> 00:20:01,205 WE COULDN'T FIND ANY HINT 438 00:20:01,206 --> 00:20:04,276 OF THE SAUSAGE SHAPES OR BLACK OR BROWN COLORS. 439 00:20:04,275 --> 00:20:07,785 AND IN THE AREAS SHOWING WHITE, WE WERE FINDING NO MELANOSOMES. 440 00:20:07,793 --> 00:20:11,103 WHAT WAS SINOSAUROPTERYX DOING? WHAT WAS HIS COLORATION FOR? 441 00:20:11,103 --> 00:20:12,903 AT FIRST, WE SAW THE STRIPES, AND WE THOUGHT, 442 00:20:12,896 --> 00:20:14,236 "WELL, COULD IT BE CAMOUFLAGE?" 443 00:20:14,241 --> 00:20:16,551 I MEAN, THAT'S A BIG FUNCTION OF COLOR, OF COURSE. 444 00:20:16,551 --> 00:20:19,621 WE THINK OF TIGERS AND ZEBRAS AND SO ON. 445 00:20:19,620 --> 00:20:21,170 BUT THE FACT IS THE STRIPES 446 00:20:21,172 --> 00:20:23,002 DON'T OCCUR ACROSS THE WHOLE BODY, 447 00:20:23,000 --> 00:20:27,590 SO IT'S NOT LIKELY YOU WOULD SIMPLY CAMOUFLAGE YOUR TAIL. 448 00:20:27,586 --> 00:20:28,786 AND SO THE OTHER FUNCTION 449 00:20:28,793 --> 00:20:30,973 THAT SEEMED QUITE OBVIOUS WOULD BE DISPLAY. 450 00:20:30,965 --> 00:20:34,095 AND, OF COURSE, A TAIL IS A PERFECT DISPLAY ORGAN. 451 00:20:34,103 --> 00:20:37,213 AND, PRESUMABLY, WHOEVER HAD THE BRIGHTEST, LONGEST, 452 00:20:37,206 --> 00:20:41,166 STRIPIEST TAIL PROBABLY WOULD WIN THE MOST MATES. 453 00:20:41,172 --> 00:20:44,382 Garrod: COLOR IS ONE WAY TO COMMUNICATE USING YOUR SKIN. 454 00:20:44,379 --> 00:20:46,339 BUT FOR MORE AGGRESSIVE SIGNALS, 455 00:20:46,344 --> 00:20:49,524 SKIN HAS EVOLVED TO PRODUCE ITS OWN SOUND. 456 00:20:49,517 --> 00:20:51,547 ♪♪ 457 00:20:51,551 --> 00:20:53,411 [ HISSING ] 458 00:20:53,413 --> 00:20:57,793 THIS IS A DESERT HORNED VIPER. 459 00:20:57,793 --> 00:21:02,033 I LOVE THIS LITTLE SNAKE. ABSOLUTELY INCREDIBLE. 460 00:21:02,034 --> 00:21:04,414 BUT I'M NOT GONNA GET ANY CLOSER BECAUSE IT'S VENOMOUS. 461 00:21:04,413 --> 00:21:06,003 AND, ACTUALLY, MORE THAN THAT, 462 00:21:06,000 --> 00:21:09,660 THIS LITTLE SNAKE IS DEADLY. 463 00:21:09,655 --> 00:21:11,445 AND WHAT I REALLY LOVE ABOUT THIS SNAKE... 464 00:21:11,448 --> 00:21:12,998 [ HISSING ] 465 00:21:13,000 --> 00:21:14,790 ...IS THAT NOISE. 466 00:21:14,793 --> 00:21:18,663 [ HISSING ] 467 00:21:18,655 --> 00:21:20,655 RIGHT NOW, I'M BEING TOLD, 468 00:21:20,655 --> 00:21:23,755 IN NO UNCERTAIN TERMS, "STAY AWAY." 469 00:21:23,758 --> 00:21:25,898 "GET BACK...OR ELSE." 470 00:21:25,896 --> 00:21:27,716 [ HISSING ] 471 00:21:27,724 --> 00:21:31,694 ♪♪ 472 00:21:31,689 --> 00:21:37,239 DESERT HORNED VIPERS LIVE IN THE SAHARA, IN NORTH AFRICA. 473 00:21:37,241 --> 00:21:39,791 THEY'RE SIDEWINDERS AND ARE THE MOST ABUNDANT 474 00:21:39,793 --> 00:21:44,173 AND VENOMOUS SNAKES IN THIS REGION. 475 00:21:44,172 --> 00:21:45,832 LIKE ALL DESERT VIPERS, 476 00:21:45,827 --> 00:21:48,337 THEY'VE EVOLVED TO COMMUNICATE THROUGH THEIR SKIN, 477 00:21:48,344 --> 00:21:53,484 TELLING ANYONE WHO CAN HEAR THEM THAT THEY ARE DANGEROUS. 478 00:21:53,482 --> 00:21:56,102 TO DO THIS, THEY HAVE KEELED SCALES, 479 00:21:56,103 --> 00:21:58,933 WHICH THEY USE TO PRODUCE A HISSING SOUND OF THEIR OWN. 480 00:21:58,931 --> 00:22:03,311 [ HISSING ] 481 00:22:03,310 --> 00:22:04,970 HE'S ARRANGING HIS BODY 482 00:22:04,965 --> 00:22:08,715 INTO A SERIES OF PARALLEL "S"-SHAPED CURVES. 483 00:22:08,724 --> 00:22:11,244 AND ONCE HE'S DONE THAT, HE'S RUBBING THESE LATERAL SCALES, 484 00:22:11,241 --> 00:22:14,241 THE ONES DOWN THE SIDE OF HIS BODY, AGAINST ONE ANOTHER, 485 00:22:14,241 --> 00:22:17,001 AND THAT IS HOW HE'S MAKING THIS NOISE. 486 00:22:17,000 --> 00:22:20,380 [ HISSING ] 487 00:22:20,379 --> 00:22:22,969 KEELED SCALES, UNLIKE THE SMOOTH VARIETY 488 00:22:22,965 --> 00:22:24,655 FOUND IN MOST OTHER SNAKES, 489 00:22:24,655 --> 00:22:27,515 HAVE A RIDGE RUNNING DOWN THE CENTER LINE. 490 00:22:27,517 --> 00:22:29,067 THIS GIVES THE ADDED ADVANTAGE 491 00:22:29,068 --> 00:22:31,448 OF REDUCING THE SHINE OF THE SNAKE'S SKIN, 492 00:22:31,448 --> 00:22:35,478 HELPING WITH CAMOUFLAGE AND KEEPING IT OUT OF HARM'S WAY. 493 00:22:35,482 --> 00:22:37,792 IT'S A GREAT NATURAL DETERRENT. 494 00:22:37,793 --> 00:22:41,003 IN THE WILD, PREDATORS KNOW TO KEEP THEIR DISTANCE, 495 00:22:41,000 --> 00:22:44,480 AND THIS ALLOWS THE SNAKE TO KEEP ITS PRECIOUS VENOM 496 00:22:44,482 --> 00:22:46,932 IT CAN USE TO CATCH ITS PREY. 497 00:22:46,931 --> 00:22:49,211 [ HISSING ] 498 00:22:49,206 --> 00:22:51,516 ♪♪ 499 00:22:51,517 --> 00:22:54,657 SOUND CAN BE AN EFFECTIVE WAY TO CONVEY A WARNING, 500 00:22:54,655 --> 00:22:58,545 BUT SOME NOISES IN THE ANIMAL KINGDOM AREN'T CREATED BY SKIN. 501 00:22:58,551 --> 00:23:00,451 [ INDISTINCT CONVERSATIONS ] 502 00:23:00,448 --> 00:23:04,278 MANY ANIMALS HAVE A VOICE BOX WHICH, LIKE IN HUMANS, 503 00:23:04,275 --> 00:23:07,405 IS OFTEN USED TO PRODUCE A WIDE ARRAY OF SOUNDS. 504 00:23:07,413 --> 00:23:12,763 THE FURTHEST A HUMAN CAN PROJECT THEIR VOICE IS ABOUT 180 METERS. 505 00:23:12,758 --> 00:23:16,448 BUT ONE PRIMATE USES ITS SPECIALLY ADAPTED SKIN 506 00:23:16,448 --> 00:23:20,308 TO THROW ITS VOICE MORE THAN 10 TIMES THAT DISTANCE. 507 00:23:20,310 --> 00:23:25,310 [ GIBBONS CALLING ] 508 00:23:25,310 --> 00:23:29,450 AND I'VE COME TO TWYCROSS ZOO TO TAKE A CLOSER LOOK. 509 00:23:29,448 --> 00:23:33,068 ♪♪ 510 00:23:33,068 --> 00:23:35,378 THESE BEAUTIFUL ANIMALS ARE SIAMANGS. 511 00:23:35,379 --> 00:23:37,379 THEY'RE THE LARGEST OF THE GIBBONS 512 00:23:37,379 --> 00:23:41,619 AND ACTUALLY ONE OF THE LOUDEST ANIMALS ON THE PLANET. 513 00:23:41,620 --> 00:23:43,660 THEY'RE NOT MAKING A HUGE AMOUNT OF NOISE RIGHT NOW 514 00:23:43,655 --> 00:23:45,275 BECAUSE THEY'RE HAVING THEIR BREAKFAST, 515 00:23:45,275 --> 00:23:46,715 BUT WHEN THEY CALL, 516 00:23:46,724 --> 00:23:49,214 YOU CAN HEAR THEM FROM OVER 2 KILOMETERS AWAY. 517 00:23:49,206 --> 00:23:50,966 AND, IF I WAS TO STAND NEXT TO THEM, 518 00:23:50,965 --> 00:23:53,585 THEY'D BE LOUDER THAN A ROCK CONCERT. 519 00:23:53,586 --> 00:23:57,276 [ SIAMANGS CALLING ] 520 00:23:57,275 --> 00:24:00,235 IN THEIR FOREST HOMES OF SOUTHEAST ASIA, 521 00:24:00,241 --> 00:24:04,341 VISUAL GESTURES WOULD BE LOST IN THE DARK CANOPY OF THE TREES, 522 00:24:04,344 --> 00:24:07,384 SO LOUD VOCALIZATIONS PLAY AN IMPORTANT ROLE 523 00:24:07,379 --> 00:24:09,549 TO FEND OFF NEIGHBORING SIAMANGS. 524 00:24:09,551 --> 00:24:12,621 [ SIAMANGS CALLING ] 525 00:24:12,620 --> 00:24:15,720 AND THEY CAN ONLY DO ALL THIS BECAUSE OF THEIR SKIN. 526 00:24:15,724 --> 00:24:19,144 THEY'VE GOT THESE INCREDIBLE, LARGE INFLATABLE THROAT SACS 527 00:24:19,137 --> 00:24:23,787 THAT REALLY HELPS THROW THEIR VOICE AS FAR AS POSSIBLE. 528 00:24:23,793 --> 00:24:26,523 IT'S THE ELASTIN AND COLLAGEN WITHIN THE SKIN 529 00:24:26,517 --> 00:24:29,447 THAT ALLOWS THE SIAMANGS TO INFLATE THEIR THROAT SACS 530 00:24:29,448 --> 00:24:31,478 TO THE SIZE OF THEIR HEADS. 531 00:24:31,482 --> 00:24:34,972 BUT THIS SKIN DOESN'T GET IN THE WAY WHEN THEY'RE NOTCALLING. 532 00:24:34,965 --> 00:24:36,405 THANKS TO ITS PHYSICAL PROPERTIES, 533 00:24:36,413 --> 00:24:40,453 THE SKIN IS ABLE TO SPRING BACK TO NORMAL WHEN NOT IN USE. 534 00:24:40,448 --> 00:24:45,548 ♪♪ 535 00:24:45,551 --> 00:24:47,451 THE ANIMAL KINGDOM HAS EVOLVED 536 00:24:47,448 --> 00:24:50,168 SO MANY AMAZING WAYS TO COMMUNICATE 537 00:24:50,172 --> 00:24:54,762 THAT WE ARE ONLY STILL JUST SCRATCHING THE SURFACE. 538 00:24:54,758 --> 00:24:57,858 BUT BRAND-NEW SCIENCE HAS CHANGED OUR UNDERSTANDING 539 00:24:57,862 --> 00:25:02,172 OF HOW ONE LITTLE BIRD COMMUNICATES USING ITS SKIN. 540 00:25:02,172 --> 00:25:04,792 THE PUFFIN. 541 00:25:04,793 --> 00:25:06,793 JAMIE DUNNING IS AN ORNITHOLOGIST 542 00:25:06,793 --> 00:25:10,453 AND HAS BEEN WORKING WITH BIRDS FOR OVER 10 YEARS. 543 00:25:10,448 --> 00:25:12,898 JAMIE, THESE ARE SUCH AMAZING BIRDS. 544 00:25:12,896 --> 00:25:14,376 THEY'RE INSTANTLY RECOGNIZABLE. 545 00:25:14,379 --> 00:25:17,829 AND THEY'RE ONE OF OUR MOST ICONIC SEASIDE SPECIES. 546 00:25:17,827 --> 00:25:19,827 AND IT'S ALL DOWN TO THIS BEAUTIFUL, 547 00:25:19,827 --> 00:25:21,377 VIBRANTLY COLORED BEAK. 548 00:25:21,379 --> 00:25:23,029 BUT THERE'S SO MUCH GOING ON BEHIND THE SCENES HERE, 549 00:25:23,034 --> 00:25:24,314 ISN'T THERE? YEAH. 550 00:25:24,310 --> 00:25:27,720 SO, THE BEAK IS ALMOST CERTAINLY A BIG KIND OF ORNAMENT, 551 00:25:27,724 --> 00:25:30,384 A FLAG TO SUGGEST FITNESS AND SEXUAL SELECTION 552 00:25:30,379 --> 00:25:32,689 AND HELP THEM CHOOSE MATES. 553 00:25:32,689 --> 00:25:34,619 'CAUSE BOTH MALES AND THE FEMALES 554 00:25:34,620 --> 00:25:36,970 HAVE THIS BEAUTIFUL BILL. 555 00:25:36,965 --> 00:25:39,995 AS WITH ALL BIRDS, THE PUFFINS' BEAKS ARE COVERED 556 00:25:40,000 --> 00:25:42,070 IN THE COMPLEX PROTEIN KERATIN, 557 00:25:42,068 --> 00:25:44,998 WHICH FORMS A HARD OUTER LAYER. 558 00:25:45,000 --> 00:25:47,170 CAROTENOIDS HAVE BECOME CONCENTRATED 559 00:25:47,172 --> 00:25:50,932 IN THE KERATIN COVERING TO GIVE THESE VIBRANT COLORS. 560 00:25:50,931 --> 00:25:52,381 ♪♪ 561 00:25:52,379 --> 00:25:53,619 IT MUST BE QUITE DIFFICULT 562 00:25:53,620 --> 00:25:55,170 IN TERMS OF THE ENERGY EXPENDITURE, THEN, 563 00:25:55,172 --> 00:25:57,832 TO INVEST IN A BILL LIKE THIS YEAR-ROUND? 564 00:25:57,827 --> 00:25:59,207 THIS IS ONLY HALF THE STORY. 565 00:25:59,206 --> 00:26:00,856 SO, YOU ONLY NEED THIS IN THE SUMMER. 566 00:26:00,862 --> 00:26:03,142 IT LOOKS VERY DIFFERENT OVER WINTER. 567 00:26:03,137 --> 00:26:04,857 WELL, THIS IS COMPLETELY DIFFERENT. 568 00:26:04,862 --> 00:26:07,142 IT'S LIKE A WHOLE DIFFERENT SPECIES OF BIRD. 569 00:26:07,137 --> 00:26:08,857 THOSE BRIGHT COLORS ARE GONE. 570 00:26:08,862 --> 00:26:11,172 THE MAJORITY OF THAT BIG, COLORFUL BILL 571 00:26:11,172 --> 00:26:14,142 JUST FLAKES OFF OVER WINTER. THERE'S NO NEED FOR IT. 572 00:26:14,137 --> 00:26:16,137 SO WE ONLY SEE THOSE BRIGHTLY COLORED BILLS 573 00:26:16,137 --> 00:26:18,167 IN SUMMER AND SPRING, THEIR BREEDING MONTHS? 574 00:26:18,172 --> 00:26:20,592 WE DO, AND THAT COINCIDES WITH WHEN WE SEE PUFFINS, 575 00:26:20,586 --> 00:26:22,686 'CAUSE THEY ONLY COME TO LAND DURING THE BREEDING SEASON. 576 00:26:22,689 --> 00:26:25,789 THE WINTER IS SPENT OUT IN THE MIDDLE OF THE SEA. 577 00:26:25,793 --> 00:26:28,383 JAMIE HAS MADE A GROUND-BREAKING DISCOVERY 578 00:26:28,379 --> 00:26:33,209 ABOUT THE SKIN ON A PUFFIN'S BEAK. 579 00:26:33,206 --> 00:26:34,516 TO SHOW ME, 580 00:26:34,517 --> 00:26:37,027 HE'S BROUGHT A PUFFIN ALONG WHICH DIED NATURALLY 581 00:26:37,034 --> 00:26:39,244 AND IS NOW PART OF HIS STUDY. 582 00:26:39,241 --> 00:26:41,931 ♪♪ 583 00:26:41,931 --> 00:26:44,971 JAMIE, THIS IS AMAZING! IT'S SO COOL! 584 00:26:44,965 --> 00:26:47,335 I MEAN... IT'S GLOWING. 585 00:26:47,344 --> 00:26:48,864 SO, THIS IS FLUORESCENCE. 586 00:26:48,862 --> 00:26:51,002 THIS IS THE SEASONALLY DEVELOPED BILL. 587 00:26:51,000 --> 00:26:53,760 SO, THIS BIT ALL DROPS OFF, INCLUDING THE FLUORESCENT BIT. 588 00:26:53,758 --> 00:26:56,658 IT'S VISIBLE WITH THIS U.V. LAMP AND TORCH, 589 00:26:56,655 --> 00:26:58,925 BUT A LOT OF BIRDS CAN SEE U.V. COLOR, CAN'T THEY? 590 00:26:58,931 --> 00:27:00,211 YEAH, THAT'S RIGHT. 591 00:27:00,206 --> 00:27:02,026 SO, WE HAVE THREE TYPES OF COLOR RECEPTOR IN OUR EYE, 592 00:27:02,034 --> 00:27:04,794 OR CONE CELLS. THAT'S RED, GREEN AND BLUE. 593 00:27:04,793 --> 00:27:07,283 AND WE MIX THOSE TO MAKE ALL THE COLORS THAT WE CAN SEE. 594 00:27:07,275 --> 00:27:10,895 BIRDS HAVE A FOURTH. THEY HAVE TETRACHROMATIC VISION. 595 00:27:10,896 --> 00:27:12,786 AND THAT FOURTH ONE ALLOWS THEM TO SEE, 596 00:27:12,793 --> 00:27:14,903 TO SOME DEGREE, IN U.V. LIGHT. 597 00:27:14,896 --> 00:27:18,966 FOR BIRDS, BEING ABLE TO SEE U.V. LIGHT HAS ITS BENEFITS. 598 00:27:18,965 --> 00:27:21,095 IT ENABLES A METHOD OF COMMUNICATION 599 00:27:21,103 --> 00:27:23,593 WHICH IS INVISIBLE TO POTENTIAL PREDATORS 600 00:27:23,586 --> 00:27:27,966 BUT ALLOWS THEM TO FIND A MATE. 601 00:27:27,965 --> 00:27:29,715 AS THIS IS THE BIT THAT FALLS OFF 602 00:27:29,724 --> 00:27:31,414 OUTSIDE OF THE BREEDING SEASON, 603 00:27:31,413 --> 00:27:33,863 THERE'S A VERY GOOD CHANCE THAT THIS HAS SOMETHING TO DO 604 00:27:33,862 --> 00:27:36,482 WITH SEXUAL SIGNALING AND FITNESS 605 00:27:36,482 --> 00:27:39,032 AND LURING IN THE OPPOSITE SEX. 606 00:27:39,034 --> 00:27:40,484 IT'S AMAZING. 607 00:27:40,482 --> 00:27:44,002 THESE LITTLE BIRDS THAT WE KIND OF GROW UP KNOWING SO WELL 608 00:27:44,000 --> 00:27:46,690 ACTUALLY HAVE A LOAD OF SECRETS IN THEIR SKIN 609 00:27:46,689 --> 00:27:48,139 THAT WE DIDN'T KNOW BEFORE. 610 00:27:48,137 --> 00:27:49,657 IT'S EXCITING. 611 00:27:49,655 --> 00:27:52,375 UNTIL RECENTLY, WE HAD NO IDEA ABOUT THIS. 612 00:27:52,379 --> 00:27:59,519 ♪♪ 613 00:27:59,517 --> 00:28:03,307 Garrod: SKIN HAS ALLOWED ANIMALS TO COMMUNICATE. 614 00:28:03,310 --> 00:28:05,930 FROM VIBRANT COLORS... 615 00:28:05,931 --> 00:28:07,411 TO SOUND... 616 00:28:07,413 --> 00:28:09,863 TO ELECTRICAL SENSING... 617 00:28:09,862 --> 00:28:11,592 THE SKIN DOES IT ALL. 618 00:28:11,586 --> 00:28:19,206 ♪♪ 619 00:28:19,206 --> 00:28:26,826 ♪♪ 620 00:28:26,827 --> 00:28:34,407 ♪♪ 621 00:28:34,413 --> 00:28:42,003 ♪♪ 46079

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.