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♪♪
2
00:00:04,758 --> 00:00:08,588
♪♪
3
00:00:08,586 --> 00:00:12,066
Garrod:
SKIN. WE ALL HAVE IT.
4
00:00:12,068 --> 00:00:16,098
AND SO DOES EVERY VERTEBRATE
ON THE PLANET.
5
00:00:16,103 --> 00:00:20,413
IT KEEPS THE OUTSIDE OUT
AND THE INSIDE IN.
6
00:00:20,413 --> 00:00:22,143
♪♪
7
00:00:22,137 --> 00:00:24,617
ANIMALS MAY LOOK VERY DIFFERENT
ON THE SURFACE,
8
00:00:24,620 --> 00:00:30,140
BUT WE ALL SHARE
THE SAME BASIC SKIN BLUEPRINT.
9
00:00:30,137 --> 00:00:34,277
I'M BEN GARROD, PROFESSOR
OF EVOLUTIONARY BIOLOGY,
10
00:00:34,275 --> 00:00:38,235
AND I'M FASCINATED BY THIS OFTEN
OVERLOOKED WONDER OF NATURE.
11
00:00:38,241 --> 00:00:40,241
IT'S NOT JUST THE CASE
THAT HE'S HAIRLESS.
12
00:00:40,241 --> 00:00:42,661
THE SKIN'S
TOTALLY DIFFERENT.
13
00:00:42,655 --> 00:00:45,205
NOW, GROUND-BREAKING
NEW SCIENCE...
14
00:00:45,206 --> 00:00:46,586
THIS IS REALLY
QUITE REMARKABLE.
15
00:00:46,586 --> 00:00:49,096
IT SHOULD BE A GAME-CHANGER
FOR SO MANY PEOPLE.
16
00:00:49,103 --> 00:00:51,623
THAT SOUND!
OH, IT MAKES THE HAIR
17
00:00:51,620 --> 00:00:54,070
AT THE BACK OF YOUR NECK GO UP,
DOESN'T IT?
18
00:00:54,068 --> 00:00:56,858
...IS REVEALING SKIN'S
MYSTERIES.
19
00:00:56,862 --> 00:01:01,382
IT REALLY TRANSFORMS
OUR UNDERSTANDING OF DINOSAURS.
20
00:01:01,379 --> 00:01:03,279
I'M GOING TO EXPLORE
THE NATURAL HISTORY
21
00:01:03,275 --> 00:01:05,585
OF THE BODY'S LARGEST ORGAN
22
00:01:05,586 --> 00:01:08,166
TO SEE HOW SKIN
HAS ALLOWED ANIMALS
23
00:01:08,172 --> 00:01:10,762
TO CONQUER EVERY HABITAT,
24
00:01:10,758 --> 00:01:13,308
DISAPPEAR INTO
THEIR SURROUNDINGS,
25
00:01:13,310 --> 00:01:17,830
AND DEVELOP
EXTRA-SENSORY ABILITIES.
26
00:01:17,827 --> 00:01:21,097
WE'RE EVEN DISCOVERING
THE COMPLEX ECOSYSTEM
27
00:01:21,103 --> 00:01:22,723
LIVING ON OUR SKIN.
28
00:01:22,724 --> 00:01:24,284
OH, JIM, THAT'S AWFUL.
29
00:01:24,275 --> 00:01:26,065
IT REALLY IS!
30
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IN THIS EPISODE, I'LL UNCOVER
INCREDIBLE NEW SCIENCE
31
00:01:30,172 --> 00:01:32,932
ABOUT PUFFINS AND THEIR BEAKS,
32
00:01:32,931 --> 00:01:36,001
WITNESS A DEADLY SNAKE
SEND ME A WARNING SIGNAL
33
00:01:36,000 --> 00:01:38,930
WITHOUT EVEN OPENING ITS MOUTH,
34
00:01:38,931 --> 00:01:41,861
AND LEARN TO READ
THE COLOR-CODED MESSAGES
35
00:01:41,862 --> 00:01:45,762
MANDRILLS SEND TO EACH OTHER
THROUGH THEIR FACES,
36
00:01:45,758 --> 00:01:47,898
TO MARVEL AT HOW SKIN
HAS EVOLVED,
37
00:01:47,896 --> 00:01:50,586
ALLOWING ANIMALS TO COMMUNICATE.
38
00:01:50,586 --> 00:01:53,926
I'M GOING TO REVEAL
THE SECRETS OF SKIN.
39
00:01:53,931 --> 00:01:56,931
--Captions by VITAC--
www.vitac.com
40
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
41
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♪♪
42
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ANIMALS COMMUNICATE
THROUGH SMELL,
43
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COLOR, TOUCH, AND SOUND.
44
00:02:07,793 --> 00:02:10,173
[ CALLING ]
45
00:02:10,172 --> 00:02:15,002
AND THEIR SKIN HAS ADAPTED
TO HELP THEM DO JUST THAT.
46
00:02:15,000 --> 00:02:18,210
I'M STARTING WITH
A VERY FAMILIAR PRIMATE,
47
00:02:18,206 --> 00:02:19,686
RING-TAILED LEMURS,
48
00:02:19,689 --> 00:02:21,999
WHICH USE THE SMELL
OF THEIR SKIN TO FIGURE OUT
49
00:02:22,000 --> 00:02:24,240
WHO'S WHO AND WHAT'S WHAT.
50
00:02:24,241 --> 00:02:27,481
♪♪
51
00:02:27,482 --> 00:02:29,552
WITH THEIR DISTINCT
BLACK-AND-WHITE MARKINGS
52
00:02:29,551 --> 00:02:31,971
AND THOSE UNMISSABLE
STRIPY TAILS,
53
00:02:31,965 --> 00:02:36,305
RING-TAILED LEMURS ARE HARD
TO TELL APART BY SIGHT ALONE.
54
00:02:36,310 --> 00:02:39,170
SO THEY'VE EVOLVED
A LANGUAGE OF SMELL.
55
00:02:39,172 --> 00:02:41,452
AND IT'S THE MALES
I'M REALLY INTERESTED IN.
56
00:02:41,448 --> 00:02:45,448
♪♪
57
00:02:45,448 --> 00:02:47,208
I LOVE THAT CLASSIC
LEMUR POSE!
58
00:02:47,206 --> 00:02:49,096
[ CHUCKLES ]
59
00:02:49,103 --> 00:02:51,033
SO, I'VE COME TO TWYCROSS ZOO
60
00:02:51,034 --> 00:02:55,594
TO GET CLOSE TO A GROUP
OF CAPTIVE MALES.
61
00:02:55,586 --> 00:03:01,446
THE ONE BEHIND YOU IS ZAC.
SO, HE'S GOT A VERY DARK FACE.
62
00:03:01,448 --> 00:03:05,098
AND THEN WE HAVE GOT ONE,
SOMEWHERE.
63
00:03:05,103 --> 00:03:06,453
HERE HE IS!
64
00:03:06,448 --> 00:03:09,448
SO, ZEUS, HE'S GOT
HIS LITTLE CAULIFLOWER EAR.
65
00:03:09,448 --> 00:03:11,238
WE'VE ALSO GOT ONE
WITH A SHORTER TAIL,
66
00:03:11,241 --> 00:03:14,211
SO, THIS IS ZAZU
UP HERE.
67
00:03:14,206 --> 00:03:18,336
WHILE KIRSTY, THEIR KEEPER, CAN
IDENTIFY A FEW OF THEM BY SIGHT,
68
00:03:18,344 --> 00:03:20,624
LEMURS USE
A TOTALLY DIFFERENT WAY
69
00:03:20,620 --> 00:03:23,660
OF RECOGNIZING ONE ANOTHER.
70
00:03:23,655 --> 00:03:25,615
THEY USE SCENT.
71
00:03:25,620 --> 00:03:29,070
BOTH SEXES HAVE SCENT GLANDS
IN THEIR GENITAL REGIONS,
72
00:03:29,068 --> 00:03:31,758
BUT MALES HAVE GONE
ONE STEP FURTHER
73
00:03:31,758 --> 00:03:35,968
AND EVOLVED SCENT GLANDS
ON THEIR SHOULDERS AND FOREARMS.
74
00:03:35,965 --> 00:03:37,855
THEY'LL USE THAT
TO SCENT-MARK
75
00:03:37,862 --> 00:03:40,382
ALL OF THEIR FURNITURE
IN THE ENCLOSURE.
76
00:03:40,379 --> 00:03:43,589
THEY'LL ALSO DO IT A LOT
WITH THEIR SCENT-MARKING.
77
00:03:43,586 --> 00:03:45,756
THEY'LL WIPE IT ALONG
THEIR TAILS.
78
00:03:45,758 --> 00:03:48,758
IT'S SORT OF, LIKE,
A TERRITORIAL THING.
79
00:03:48,758 --> 00:03:52,098
THE SCENT GLANDS ARE
OIL-PRODUCING SEBACEOUS GLANDS,
80
00:03:52,103 --> 00:03:54,243
LIKE WE HAVE IN OUR SKIN.
81
00:03:54,241 --> 00:03:56,141
BUT THEIRS HAVE EVOLVED
82
00:03:56,137 --> 00:03:59,337
AND ARE UNLIKE ANYTHING ELSE
IN THE ANIMAL KINGDOM,
83
00:03:59,344 --> 00:04:02,104
PRODUCING AN ENTIRE
CHEMICAL LANGUAGE.
84
00:04:02,103 --> 00:04:04,763
♪♪
85
00:04:04,758 --> 00:04:08,308
SCIENTISTS HAVE IDENTIFIED
OVER 200 CHEMICAL COMPOUNDS
86
00:04:08,310 --> 00:04:10,900
THAT MAKE UP THE SCENT
LEMURS PRODUCE,
87
00:04:10,896 --> 00:04:12,586
MEANING THAT THEY CAN ALL CREATE
88
00:04:12,586 --> 00:04:14,686
A PERSONALIZED AROMA
TO COMMUNICATE.
89
00:04:14,689 --> 00:04:17,139
♪♪
90
00:04:17,137 --> 00:04:19,477
[ LEMURS CHATTERING ]
91
00:04:19,482 --> 00:04:23,412
THE NUMBER OF COMPOUNDS
IN THE SCENT DROPS BY 10%
92
00:04:23,413 --> 00:04:25,173
IF A LEMUR IS INJURED,
93
00:04:25,172 --> 00:04:28,072
SOMETHING OTHER MALES
CAN USE TO THEIR ADVANTAGE
94
00:04:28,068 --> 00:04:30,408
BY ACTING MORE AGGRESSIVELY
TO THE WEAKER MALE.
95
00:04:30,413 --> 00:04:34,593
♪♪
96
00:04:34,586 --> 00:04:38,616
MALE RING-TAILED LEMURS
ALSO USE THEIR SMELL TO FIGHT.
97
00:04:38,620 --> 00:04:40,930
THEY RUB THEIR TAILS
IN THEIR SCENT GLANDS,
98
00:04:40,931 --> 00:04:45,621
AND THEN WAFT THE SMELL IN
THE DIRECTION OF THEIR RIVALS.
99
00:04:45,620 --> 00:04:48,280
THESE BATTLES MAINTAIN
SOCIAL STATUS
100
00:04:48,275 --> 00:04:50,445
WHILE REDUCING
PHYSICAL AGGRESSION.
101
00:04:50,448 --> 00:04:53,168
AND THEIR SCENT
DECIDES THE WINNER.
102
00:04:53,172 --> 00:04:59,002
♪♪
103
00:04:59,000 --> 00:05:04,970
♪♪
104
00:05:04,965 --> 00:05:07,855
ANOTHER GROUP OF PRIMATES
HAS DEVELOPED A DIFFERENT WAY
105
00:05:07,862 --> 00:05:11,032
OF COMMUNICATING DOMINANCE
THROUGH THEIR SKIN --
106
00:05:11,034 --> 00:05:15,004
COLOR OF THEIR RUMP AND FACE.
107
00:05:15,000 --> 00:05:19,140
THESE ARE MANDRILLS IN GABON,
WEST AFRICA.
108
00:05:19,137 --> 00:05:20,787
CHARLES DARWIN WROTE,
109
00:05:20,793 --> 00:05:23,213
"NO OTHER MEMBER IN
THE WHOLE CLASS OF MAMMALS
110
00:05:23,206 --> 00:05:26,206
IS COLORED IN SO EXTRAORDINARY
A MANNER
111
00:05:26,206 --> 00:05:30,166
AS THE ADULT MALE MANDRILL."
112
00:05:30,172 --> 00:05:32,762
PRIMATOLOGIST JO SETCHELL
HAS BEEN STUDYING
113
00:05:32,758 --> 00:05:35,338
AND PHOTOGRAPHING THESE
MANDRILLS FOR OVER 20 YEARS.
114
00:05:35,344 --> 00:05:39,724
♪♪
115
00:05:39,724 --> 00:05:41,214
JO, I LOVE THESE ANIMALS,
116
00:05:41,206 --> 00:05:43,756
ONE OF THE MOST RECOGNIZABLE
MEMBERS OF OUR PRIMATE FAMILY.
117
00:05:43,758 --> 00:05:45,098
-AREN'T THEY FABULOUS?
-THEY REALLY ARE.
118
00:05:45,103 --> 00:05:49,173
THEY HAVE THESE REMARKABLE
RED AND BLUE NOSES.
119
00:05:49,172 --> 00:05:51,212
AND THEY'RE USING THIS RED
AND BLUE SKIN
120
00:05:51,206 --> 00:05:52,656
TO COMMUNICATE
WITH ONE ANOTHER.
121
00:05:52,655 --> 00:05:54,445
WHAT ARE THEY COMMUNICATING?
122
00:05:54,448 --> 00:05:56,098
STATUS, ESSENTIALLY.
123
00:05:56,103 --> 00:06:00,283
SO, IF THEY CAN LOOK AT
THE RED COLOR OF ANOTHER MALE,
124
00:06:00,275 --> 00:06:02,715
DECIDE INSTANTLY
WHETHER HE'S DOMINANT,
125
00:06:02,724 --> 00:06:04,144
AND THEREFORE,
YOU SHOULD AVOID HIM,
126
00:06:04,137 --> 00:06:05,757
OR HE'S SUBORDINATE.
127
00:06:05,758 --> 00:06:07,208
THEN THAT AVOIDS FIGHTS.
128
00:06:07,206 --> 00:06:08,206
SO, IT PAYS OFF TO SIGNAL
129
00:06:08,206 --> 00:06:10,136
RATHER THAN TO FIGHT
IT OUT, I GUESS?
130
00:06:10,137 --> 00:06:11,407
DEFINITELY, YES.
131
00:06:11,413 --> 00:06:13,623
DO WE KNOW WHAT'S GOING
ON BENEATH THE SKIN?
132
00:06:13,620 --> 00:06:15,970
RIGHT BENEATH THAT RED SKIN
IS BLOOD,
133
00:06:15,965 --> 00:06:19,515
AND THERE'S AN AWFUL LOT OF
BLOOD VESSELS, VASCULARIZATION.
134
00:06:19,517 --> 00:06:24,477
AND SO THE RED OF THE BLOOD
IS SEEN RIGHT THROUGH THE SKIN.
135
00:06:24,482 --> 00:06:27,522
UNLIKE HUMANS, WHOSE SKIN COLOR
COMES FROM MELANIN,
136
00:06:27,517 --> 00:06:30,167
THAT INTENSE RED
OF A MALE MANDRILL'S FACE
137
00:06:30,172 --> 00:06:32,832
OWES ITSELF TO OXYGENATED
HEMOGLOBIN
138
00:06:32,827 --> 00:06:35,587
IN BLOOD VESSELS
CLOSE TO THE SKIN'S SURFACE.
139
00:06:35,586 --> 00:06:38,896
♪♪
140
00:06:38,896 --> 00:06:41,856
THE BLUE COLOR IS FORMED
BY THE STRUCTURE OF COLLAGEN
141
00:06:41,862 --> 00:06:43,412
WITHIN THE DERMIS.
142
00:06:43,413 --> 00:06:46,623
AND IT'S ALIGNED IN A WAY
THAT SCATTERS THE VISIBLE LIGHT,
143
00:06:46,620 --> 00:06:49,340
WHICH WE SEE AS BLUE.
144
00:06:49,344 --> 00:06:51,074
SO, HERE WE HAVE
ANOTHER ADULT MALE,
145
00:06:51,068 --> 00:06:53,408
AND THE FIRST ONE
WAS ALSO AN ADULT MALE,
146
00:06:53,413 --> 00:06:56,173
AND THEIR RED SKIN
IS EXTREMELY SIMILAR.
147
00:06:56,172 --> 00:06:57,342
WHAT THAT SKIN IS SAYING
148
00:06:57,344 --> 00:06:59,554
IS THAT THEY ARE
OF VERY SIMILAR DOMINANCE.
149
00:06:59,551 --> 00:07:02,171
WHEN THERE ARE TWO
THAT ARE SO SIMILAR,
150
00:07:02,172 --> 00:07:04,102
THERE MUST BE ISSUES
WITH THAT?
151
00:07:04,103 --> 00:07:05,723
YES. SO, THESE ARE
THE SORTS OF MALES
152
00:07:05,724 --> 00:07:07,284
THAT WILL FIGHT
WITH ONE ANOTHER,
153
00:07:07,275 --> 00:07:10,685
PRESUMABLY BECAUSE THEY CAN'T
TELL EASILY FROM THE RED SKIN
154
00:07:10,689 --> 00:07:12,719
WHO IS DOMINANT OVER WHOM.
155
00:07:12,724 --> 00:07:15,694
♪♪
156
00:07:15,689 --> 00:07:17,859
COLOR COMMUNICATION
FOR MALE MANDRILLS
157
00:07:17,862 --> 00:07:20,902
CAN BE A LIFE-SAVING STRATEGY.
158
00:07:20,896 --> 00:07:24,206
THOSE CANINES ARE AMONG
THE LARGEST OF ANY PRIMATE,
159
00:07:24,206 --> 00:07:27,376
REACHING UP TO 5 CENTIMETERS
IN LENGTH.
160
00:07:27,379 --> 00:07:30,549
THEY CAN INFLICT SERIOUS INJURY,
AND EVEN DEATH.
161
00:07:30,551 --> 00:07:34,861
SO FIGHTING IS A LAST RESORT.
162
00:07:34,862 --> 00:07:38,142
THESE TWO MALES
OF SIMILAR COLOR AND STATUS
163
00:07:38,137 --> 00:07:42,897
BOTH WANT THE RIGHT TO MATE
WITH THE FEMALES.
164
00:07:42,896 --> 00:07:44,856
ONLY ONE WILL BE VICTORIOUS.
165
00:07:44,862 --> 00:07:46,692
AND A SURGE OF TESTOSTERONE,
166
00:07:46,689 --> 00:07:48,999
WHICH CAUSES THE BLOOD VESSELS
TO DILATE,
167
00:07:49,000 --> 00:07:54,380
WILL MAKE HIS FACE EVEN REDDER
AND MORE ATTRACTIVE.
168
00:07:54,379 --> 00:07:56,309
AND IF YOU'RE THE MALE
WHO REACHES THE TOP
169
00:07:56,310 --> 00:07:58,760
OF THE PECKING ORDER,
YOUR FACE SAYS IT ALL.
170
00:07:58,758 --> 00:08:01,378
♪♪
171
00:08:01,379 --> 00:08:03,409
[ CHUCKLES ]
HE IS IMPRESSIVE!
172
00:08:03,413 --> 00:08:04,933
HE MUST BE TOP DOG.
173
00:08:04,931 --> 00:08:07,141
HE IS.
THIS IS AN ALPHA MALE,
174
00:08:07,137 --> 00:08:08,857
THE MOST DOMINANT
IN THE GROUP,
175
00:08:08,862 --> 00:08:10,862
AND HAS BEEN FOR ENOUGH TIME
176
00:08:10,862 --> 00:08:14,662
FOR THE RED COLOR
TO MOVE UP INTO HIS EYES.
177
00:08:14,655 --> 00:08:16,785
THESE ANIMALS LIVE IN GROUPS
OF HUNDREDS.
178
00:08:16,793 --> 00:08:19,073
HOW MANY WILL REACH
THIS STATUS?
179
00:08:19,068 --> 00:08:22,548
AS FAR AS WE KNOW, THERE'S
JUST ONE WHO LOOKS LIKE THIS.
180
00:08:22,551 --> 00:08:25,141
ONCE YOU HIT THIS LEVEL,
WHAT HAPPENS WITH
181
00:08:25,137 --> 00:08:26,787
THE INTERACTIONS BETWEEN
THE OTHER MALES,
182
00:08:26,793 --> 00:08:29,283
THE ONES THAT ARE BRIGHTLY
COLORED, BUT NOT LIKE THIS?
183
00:08:29,275 --> 00:08:34,615
ANY MALE THAT IS NOT THIS
BRIGHTLY COLORED WILL STAY AWAY.
184
00:08:34,620 --> 00:08:36,210
PRIMATES MAY USE COLOR
185
00:08:36,206 --> 00:08:39,896
AND EVEN SMELL PRODUCED
BY THE SKIN TO COMMUNICATE.
186
00:08:39,896 --> 00:08:41,786
BUT WHEN IT COMES TO DARKER
ENVIRONMENTS
187
00:08:41,793 --> 00:08:45,523
WITH POOR VISIBILITY,
ONE UNIQUE GROUP OF FISH
188
00:08:45,517 --> 00:08:48,407
HAS EVOLVED SOME REALLY
FASCINATING WAYS
189
00:08:48,413 --> 00:08:51,833
TO SEND OUT A MESSAGE
WITH THE HELP OF THEIR SKIN.
190
00:08:51,827 --> 00:08:55,447
THIS IS A BLACK GHOST KNIFEFISH.
191
00:08:55,448 --> 00:08:58,788
AT FIRST GLANCE, IT MIGHT NOT
LOOK VERY IMPRESSIVE.
192
00:08:58,793 --> 00:09:02,243
IT ISN'T BRIGHTLY COLORED,
IT DOESN'T HAVE AMAZING SPINES,
193
00:09:02,241 --> 00:09:03,551
OR ANYTHING LIKE THAT.
194
00:09:03,551 --> 00:09:06,971
IN FACT, IT'S JUST BLACK
WITH A COUPLE OF WHITE STRIPES
195
00:09:06,965 --> 00:09:10,025
AND A RATHER IMPRESSIVE-LOOKING
FRILL.
196
00:09:10,034 --> 00:09:12,764
BUT THIS LITTLE
SOUTH AMERICAN FISH,
197
00:09:12,758 --> 00:09:14,028
THANKS TO ITS SKIN,
198
00:09:14,034 --> 00:09:18,284
IS ALMOST ABLE TO DEFY
THE LAWS OF NATURE.
199
00:09:18,275 --> 00:09:21,995
BLACK GHOST KNIFEFISH HAVE
EVOLVED A HIGHLY SPECIALIZED WAY
200
00:09:22,000 --> 00:09:25,240
OF COMMUNICATING --
THEY USE ELECTRICITY.
201
00:09:25,241 --> 00:09:28,791
♪♪
202
00:09:28,793 --> 00:09:32,833
THERE ARE MORE THAN 30,000
SPECIES OF FISH ON THE PLANET,
203
00:09:32,827 --> 00:09:37,927
BUT ONLY AROUND 350 CAN PRODUCE
THEIR OWN ELECTRIC FIELD.
204
00:09:37,931 --> 00:09:39,241
STRONGLY ELECTRIC FISH,
205
00:09:39,241 --> 00:09:41,551
LIKE ELECTRIC EELS
AND SOME RAYS,
206
00:09:41,551 --> 00:09:45,281
PRODUCE AN ELECTRIC DISCHARGE
OF UP TO 800 VOLTS,
207
00:09:45,275 --> 00:09:47,995
STRONG ENOUGH TO STUN
THEIR PREY.
208
00:09:48,000 --> 00:09:51,070
WHILE WEAKLY ELECTRIC FISH,
LIKE THE BLACK GHOST KNIFEFISH,
209
00:09:51,068 --> 00:09:52,898
PRODUCE LESS THAN ONE VOLT,
210
00:09:52,896 --> 00:09:57,656
AND USE THIS TO NAVIGATE
AND COMMUNICATE.
211
00:09:57,655 --> 00:10:00,855
TO SHOW ME JUST HOW THEY USE
THEIR SKIN TO DO THIS,
212
00:10:00,862 --> 00:10:04,662
PhD STUDENT SARAH SKEELS
HAS SET UP AN EXPERIMENT.
213
00:10:04,655 --> 00:10:08,165
♪♪
214
00:10:08,172 --> 00:10:10,212
IN THE TANK,
THERE IS A SINGLE FISH,
215
00:10:10,206 --> 00:10:14,066
AND A PAIR OF ELECTRODES TO
PICK UP ITS ELECTRICAL SIGNAL.
216
00:10:14,068 --> 00:10:16,278
THESE ARE CONNECTED
TO A SPECIAL AMPLIFIER
217
00:10:16,275 --> 00:10:18,995
WHICH CONVERTS
ELECTRIC SIGNALS INTO SOUND.
218
00:10:19,000 --> 00:10:21,070
♪♪
219
00:10:21,068 --> 00:10:23,518
[ SOFT BUZZING ]
220
00:10:23,517 --> 00:10:26,207
DOESN'T SOUND MUCH, BUT THAT'S
THE AUDITORY REPRESENTATION
221
00:10:26,206 --> 00:10:27,516
OF THE FIELD THIS LITTLE FISH
IS MAKING?
222
00:10:27,517 --> 00:10:30,477
EXACTLY. SO, THEY PRODUCE
A CONTINUOUS SINE WAVE,
223
00:10:30,482 --> 00:10:33,342
AND THAT'S WHAT WE'RE HEARING,
THOSE TONAL CHANGES.
224
00:10:33,344 --> 00:10:34,554
AND IT MAY BE QUITE SUBTLE,
225
00:10:34,551 --> 00:10:37,451
BUT IT ALLOWS THEM
TO GET MORE INFORMATION
226
00:10:37,448 --> 00:10:39,208
FROM WHAT'S
IN THEIR ENVIRONMENT.
227
00:10:39,206 --> 00:10:41,826
EVERY TIME HE MOVES AWAY
FROM HIS LITTLE BRANCH,
228
00:10:41,827 --> 00:10:43,237
IT CHANGES SLIGHTLY.
229
00:10:43,241 --> 00:10:45,341
AND EVERY TIME HE COMES BACK,
AGAIN THE TONE CHANGES.
230
00:10:45,344 --> 00:10:49,214
[ SOFT BUZZING INTENSIFIES ]
231
00:10:49,206 --> 00:10:51,656
BLACK GHOST KNIFEFISH HAVE
AN ELECTRIC ORGAN
232
00:10:51,655 --> 00:10:53,545
RUNNING DOWN THE LENGTH
OF THEIR BODY,
233
00:10:53,551 --> 00:10:56,901
WHICH IS MADE UP
OF MODIFIED MUSCLE CELLS.
234
00:10:56,896 --> 00:11:00,066
EACH OF THESE CELLS DISCHARGES
A SMALL AMOUNT OF VOLTAGE,
235
00:11:00,068 --> 00:11:02,858
PRODUCING THE CONSTANT ELECTRIC
FIELD AROUND THEIR BODY.
236
00:11:02,862 --> 00:11:05,482
♪♪
237
00:11:05,482 --> 00:11:07,662
BUT IT'S THE RECEPTOR CELLS
IN THE SKIN
238
00:11:07,655 --> 00:11:09,995
THAT ACTUALLY RECEIVE
THIS ELECTRIC CHARGE,
239
00:11:10,000 --> 00:11:15,310
ALLOWING THE FISH TO SENSE THEIR
SURROUNDINGS AND COMMUNICATE.
240
00:11:15,310 --> 00:11:18,660
AND IS THAT WHY WE'RE SEEING
THIS REALLY WEIRD ANATOMY?
241
00:11:18,655 --> 00:11:20,235
THEY'RE TYPICALLY CALLED
SCALELESS FISH,
242
00:11:20,241 --> 00:11:22,381
BUT THEY ACTUALLY
HAVE VERY TINY SCALES.
243
00:11:22,379 --> 00:11:23,659
AND THIS IS
AN IMPORTANT THING,
244
00:11:23,655 --> 00:11:25,445
BECAUSE IF THEY HAD
LOTS OF BIG SCALES,
245
00:11:25,448 --> 00:11:27,168
THEY WOULD JUST INTERFERE
AND THE SIGNAL WOULDN'T BE ABLE
246
00:11:27,172 --> 00:11:29,342
TO GO VERY FAR.
247
00:11:29,344 --> 00:11:31,624
IT'S THE COMMUNICATION
BETWEEN TWO FISH
248
00:11:31,620 --> 00:11:33,550
THAT I'M REALLY INTERESTED IN.
249
00:11:33,551 --> 00:11:37,071
THEY HAVE VERY POOR VISION,
SO IT'S THEIR ELECTRIC FIELDS
250
00:11:37,068 --> 00:11:39,138
WHICH ALLOW THEM
TO SENSE ONE ANOTHER.
251
00:11:39,137 --> 00:11:43,617
[ BUZZING CONTINUES ]
252
00:11:43,620 --> 00:11:45,140
SO, THE MOMENT YOU PUT
THE SECOND FISH IN...
253
00:11:45,137 --> 00:11:46,447
[ SOFT BUZZING INTENSIFIES ]
254
00:11:46,448 --> 00:11:47,688
...YOU CAN HEAR
THERE'S SOMETHING DIFFERENT
255
00:11:47,689 --> 00:11:48,689
WITH THAT TONE.
256
00:11:48,689 --> 00:11:50,209
YEAH.
SO, IT'S A COMBINATION OF BOTH
257
00:11:50,206 --> 00:11:53,716
OF THEIR SIGNALS
THAT WE CAN NOW HEAR.
258
00:11:53,724 --> 00:11:56,004
AND IT'S REALLY INTERESTING
THAT EVERY TIME THEY GET CLOSER
259
00:11:56,000 --> 00:11:58,240
TO ONE ANOTHER, EVERY TIME
THEY'RE NEAR ONE ANOTHER,
260
00:11:58,241 --> 00:12:02,341
YOU GET THIS DIFFERENCE IN
THE SOUND BEING GENERATED HERE.
261
00:12:02,344 --> 00:12:05,104
AS WELL AS INTERPRETING
THE ELECTRIC SIGNALS
262
00:12:05,103 --> 00:12:08,213
AS AUDIBLE SOUND,
SARAH HAS AN OSCILLOSCOPE,
263
00:12:08,206 --> 00:12:10,546
WHICH DISPLAYS A GRAPH
OF THE ELECTRIC VOLTAGE
264
00:12:10,551 --> 00:12:13,211
BEING PRODUCED BY THE FISH.
265
00:12:13,206 --> 00:12:16,996
SO, YOU CAN SEE ON THE TOP LEFT,
THIS TRACE IS FROM ONE FISH.
266
00:12:17,000 --> 00:12:19,520
AND THE BOTTOM TRACE
IS FROM TWO FISH.
267
00:12:19,517 --> 00:12:21,167
SO, YOU CAN SEE
ON THE TOP ONE,
268
00:12:21,172 --> 00:12:24,142
WHEN THERE'S ONLY ONE FISH,
IT'S QUITE REGULAR.
269
00:12:24,137 --> 00:12:26,307
BUT IF YOU SEE ON THE BOTTOM,
270
00:12:26,310 --> 00:12:29,240
THERE'S A LOT OF DISTORTION
IN HERE AND HERE,
271
00:12:29,241 --> 00:12:31,791
WHERE THE SIGNALS
FROM BOTH FISH ARE COMBINING
272
00:12:31,793 --> 00:12:34,073
AND CREATING
SOME KIND OF INTERFERENCE.
273
00:12:34,068 --> 00:12:35,618
SO, ARE THEY TRYING TO
OUTDO ONE ANOTHER?
274
00:12:35,620 --> 00:12:37,830
ARE THEY TRYING TO TALK
TO ONE ANOTHER?
275
00:12:37,827 --> 00:12:39,307
WHAT'S GOING ON?
276
00:12:39,310 --> 00:12:41,930
SO, ELECTRIC COMMUNICATION CAN
BE USED FOR A NUMBER OF ROLES.
277
00:12:41,931 --> 00:12:44,031
SO, HERE, WE THINK WE HAVE
A MALE AND FEMALE,
278
00:12:44,034 --> 00:12:47,074
AND IT COULD BE USED
TO ELICIT COURTSHIP DISPLAYS.
279
00:12:47,068 --> 00:12:51,068
BUT IT CAN ALSO BE USED
TO DECIDE ON TERRITORY,
280
00:12:51,068 --> 00:12:53,718
WHO HAS, IN THIS EXAMPLE,
THE PIECES OF WOOD.
281
00:12:53,724 --> 00:12:55,794
IT'S NOT JUST TWO FISH,
EFFECTIVELY,
282
00:12:55,793 --> 00:12:57,173
TRYING TO OUTSHOUT
ONE ANOTHER.
283
00:12:57,172 --> 00:12:58,662
THERE'S SOMETHING MORE GOING ON
HERE, ISN'T THERE?
284
00:12:58,655 --> 00:13:00,405
THEY CAN PRODUCE SOMETHING
CALLED THE JAMMING RESPONSE,
285
00:13:00,413 --> 00:13:02,453
WHERE THEY WILL CHANGE
THEIR FREQUENCY
286
00:13:02,448 --> 00:13:07,238
SO BOTH OF THEM CAN SIGNAL
WITHOUT INTERRUPTING THE OTHER.
287
00:13:07,241 --> 00:13:09,141
THIS JAMMING RESPONSE
ONLY OCCURS
288
00:13:09,137 --> 00:13:10,757
WHEN FISH OF THE SAME SPECIES,
289
00:13:10,758 --> 00:13:14,068
WITH SIMILAR ELECTRIC
FREQUENCIES, GET TOO CLOSE.
290
00:13:14,068 --> 00:13:15,478
THEY CHANGE THEIR SIGNAL
291
00:13:15,482 --> 00:13:17,412
SO THEY CAN BOTH STILL
COMMUNICATE
292
00:13:17,413 --> 00:13:20,453
AND NAVIGATE THEIR SURROUNDINGS.
293
00:13:20,448 --> 00:13:23,408
SO, IT'S THEIR WAY OF FINDING
A METHOD FOR BOTH
294
00:13:23,413 --> 00:13:25,283
BEING ABLE TO BE NEAR ONE
ANOTHER WITHOUT LOSING
295
00:13:25,275 --> 00:13:26,925
THIS ABILITY TO SENSE
THEIR WORLD AROUND THEM,
296
00:13:26,931 --> 00:13:28,691
WHILE STILL COMMUNICATING
AT THE SAME TIME?
297
00:13:28,689 --> 00:13:30,139
-EXACTLY.
-IT'S VERY COMPLEX, ISN'T IT?
298
00:13:30,137 --> 00:13:33,377
YEAH, AND THE ELECTRORECEPTORS
ARE ABSOLUTELY KEY ON THE SKIN.
299
00:13:33,379 --> 00:13:34,479
WITHOUT THEM,
THEY WOULDN'T BE ABLE
300
00:13:34,482 --> 00:13:36,762
TO DO THIS KIND
OF BEHAVIOR.
301
00:13:36,758 --> 00:13:38,828
♪♪
302
00:13:38,827 --> 00:13:41,717
USING THE SKIN TO COMMUNICATE
VIA ELECTRIC SIGNALS
303
00:13:41,724 --> 00:13:43,314
IS VERY SUBTLE.
304
00:13:43,310 --> 00:13:45,860
BUT FOR MUCH MORE OBVIOUS
COMMUNICATION,
305
00:13:45,862 --> 00:13:48,002
MANY ANIMALS HAVE EVOLVED
TO USE COLOR.
306
00:13:48,000 --> 00:13:50,790
♪♪
307
00:13:50,793 --> 00:13:53,523
FROM CHAMELEONS, WHO CAN CHANGE
THE COLOR OF THEIR SKIN
308
00:13:53,517 --> 00:13:55,967
TO SHOW THEIR MOOD...
309
00:13:55,965 --> 00:13:58,095
TO SARCASTIC FRINGEHEADS,
310
00:13:58,103 --> 00:14:01,483
WHOSE GAPING, VIBRANT MOUTHS
ACT AS A WARNING SIGNAL
311
00:14:01,482 --> 00:14:04,242
TO HELP DEFEND THEIR TERRITORY
FROM RIVALS.
312
00:14:04,241 --> 00:14:06,411
♪♪
313
00:14:06,413 --> 00:14:10,213
BUT NOWHERE IS IT MORE READILY
SEEN THAN IN BIRDS.
314
00:14:10,206 --> 00:14:12,206
♪♪
315
00:14:12,206 --> 00:14:15,336
THERE ARE OVER
10,000 SPECIES OF BIRD,
316
00:14:15,344 --> 00:14:17,724
AND THEIR FEATHERS REPRESENT
A HUGE RANGE
317
00:14:17,724 --> 00:14:19,764
IN THE COLOR SPECTRUM.
318
00:14:19,758 --> 00:14:23,718
♪♪
319
00:14:23,724 --> 00:14:25,694
FEATHERS ARE MADE FROM KERATIN,
320
00:14:25,689 --> 00:14:30,719
A PROTEIN FORMED IN TINY
FOLLICLES IN THE EPIDERMIS.
321
00:14:30,724 --> 00:14:33,594
LIKE IN REPTILES,
MAMMALS, AND FISH,
322
00:14:33,586 --> 00:14:35,516
BIRDS CAN BE DIFFERENT COLORS
323
00:14:35,517 --> 00:14:38,097
BECAUSE OF THE PIGMENTS
CONTAINED IN THEIR SKIN
324
00:14:38,103 --> 00:14:41,793
AND THE WAY IN WHICH
THE KERATIN IS STRUCTURED.
325
00:14:41,793 --> 00:14:43,903
THE MOST WIDESPREAD
COLOR-PRODUCING PIGMENT
326
00:14:43,896 --> 00:14:45,926
FOUND IN NATURE IS MELANIN,
327
00:14:45,931 --> 00:14:48,171
AND IT CREATES
THE DARKEST COLORS --
328
00:14:48,172 --> 00:14:50,972
BLACKS, BROWNS, AND GRAYS.
329
00:14:50,965 --> 00:14:53,025
♪♪
330
00:14:53,034 --> 00:14:55,384
MELANIN IS PRODUCED
BY MELANOCYTES,
331
00:14:55,379 --> 00:14:59,099
SPECIALIZED SKIN CELLS
LOCATED IN THE EPIDERMIS.
332
00:14:59,103 --> 00:15:02,243
AND IT CAN BE SEEN IN ACTION
IN THIS GOLDEN PLOVER FEATHER.
333
00:15:02,241 --> 00:15:05,171
[ CHIRPING ]
334
00:15:05,172 --> 00:15:08,382
THESE SPOTS AND STRIPES
ARE PERFECT ADAPTATIONS
335
00:15:08,379 --> 00:15:13,169
FOR ALLOWING THE BIRD TO ALMOST
DISAPPEAR IN ITS SURROUNDINGS.
336
00:15:13,172 --> 00:15:16,452
IT'S A GREAT EXAMPLE
OF FEATHERY CAMOUFLAGE.
337
00:15:16,448 --> 00:15:19,308
AND IN TERMS OF WHAT IT'S SAYING
TO THE WORLD AROUND IT,
338
00:15:19,310 --> 00:15:24,450
WELL, IT'S PRETTY MUCH,
"THERE'S NOTHING TO SEE HERE."
339
00:15:24,448 --> 00:15:25,758
ANOTHER TYPE OF PIGMENT
340
00:15:25,758 --> 00:15:29,278
FOUND ACROSS THE ANIMAL KINGDOM
ARE CAROTENOIDS.
341
00:15:29,275 --> 00:15:31,405
MOST OF THE REDS, ORANGES,
AND YELLOWS
342
00:15:31,413 --> 00:15:32,763
SEEN IN BIRD FEATHERS
343
00:15:32,758 --> 00:15:35,588
ARE COLORED BY THESE
CHEMICAL COMPOUNDS.
344
00:15:35,586 --> 00:15:38,926
BUT, UNLIKE MELANIN, THEY ARE
NOT PRODUCED BY THE SKIN,
345
00:15:38,931 --> 00:15:41,141
BUT OBTAINED FROM THE FOOD
THE BIRDS EAT.
346
00:15:41,137 --> 00:15:45,027
♪♪
347
00:15:45,034 --> 00:15:46,554
CAROTENOID PIGMENTS ARE THEN
348
00:15:46,551 --> 00:15:49,971
TRANSPORTED THROUGH THE SKIN
TO THEIR FEATHERS.
349
00:15:49,965 --> 00:15:53,165
ONCE IN PLACE, THEY ABSORB
MOSTLY BLUE LIGHT
350
00:15:53,172 --> 00:15:55,832
TO PRODUCE THE ORANGE,
RED AND YELLOW COLORS
351
00:15:55,827 --> 00:15:59,787
THAT WE SEE IN THESE FEATHERS.
352
00:15:59,793 --> 00:16:02,313
YOU CAN SEE THE CAROTENOIDS
HAVE CLEARLY COLORED
353
00:16:02,310 --> 00:16:07,140
THESE LITTLE GOLDCREST
FEATHERS A FIERY ORANGE.
354
00:16:07,137 --> 00:16:09,997
AND THIS ONE IS DEFINITELY
NOT TRYING TO BLEND IN
355
00:16:10,000 --> 00:16:11,520
WITH ITS SURROUNDINGS.
356
00:16:11,517 --> 00:16:14,967
IT'S FROM THE CAP OF A MALE,
AND DURING THE BREEDING SEASON,
357
00:16:14,965 --> 00:16:18,965
THESE LITTLE CAPS FLASH ORANGE,
YELLOWS AND GOLDS.
358
00:16:18,965 --> 00:16:20,445
AND THEY'RE TRYING TO SAY,
359
00:16:20,448 --> 00:16:25,028
"STAY AWAY.
THIS IS MY TERRITORY."
360
00:16:25,034 --> 00:16:27,594
AS FOR THE IRIDESCENT COLORS
FOUND IN BIRDS,
361
00:16:27,586 --> 00:16:30,206
THEY'RE NOT CAUSED
BY PIGMENTS IN THEIR SKIN,
362
00:16:30,206 --> 00:16:34,236
BUT BY THE STRUCTURE
OF THE FEATHER ITSELF.
363
00:16:34,241 --> 00:16:37,451
KERATIN WITHIN THE FEATHER
IS ALIGNED IN SUCH A WAY
364
00:16:37,448 --> 00:16:41,068
THAT IT ALLOWS LIGHT TO TWIST,
TURN, AND SEPARATE
365
00:16:41,068 --> 00:16:43,788
INTO A RAINBOW OF COLORS.
366
00:16:43,793 --> 00:16:45,793
THIS FEATHER IS FROM
A MALE PEACOCK.
367
00:16:45,793 --> 00:16:49,073
HE'S TRYING TO SAY HIS GENES
ARE AMAZING.
368
00:16:49,068 --> 00:16:51,408
HE CAN WASTE ENERGY
IN THESE BIG, BRIGHT,
369
00:16:51,413 --> 00:16:54,863
OSTENTATIOUS FEATHERS
BECAUSE HIS GENES ARE THAT GOOD.
370
00:16:54,862 --> 00:16:58,382
BASICALLY, HE'S TELLING
EVERY OTHER FEMALE IN THE AREA,
371
00:16:58,379 --> 00:17:02,339
"YOU SHOULD MATE WITH ME."
372
00:17:02,344 --> 00:17:06,144
FROM UNDERSTANDING HOW FEATHERS
ARE COLORED IN MODERN-DAY BIRDS,
373
00:17:06,137 --> 00:17:09,477
A WHOLE NEW APPRECIATION
OF COLORATION IN EXTINCT SPECIES
374
00:17:09,482 --> 00:17:11,692
HAS BEEN POSSIBLE.
375
00:17:11,689 --> 00:17:14,789
ADVANCES IN RESEARCH
OVER THE LAST TEN YEARS OR SO
376
00:17:14,793 --> 00:17:17,663
HAVE TRANSFORMED
OUR KNOWLEDGE OF DINOSAURS,
377
00:17:17,655 --> 00:17:21,135
ALLOWING A DEEPER FOCUS
ON FOSSILIZED FEATHERS,
378
00:17:21,137 --> 00:17:23,967
AND A GREATER UNDERSTANDING
OF HOW COLOR IS PRODUCED
379
00:17:23,965 --> 00:17:28,445
RIGHT ACROSS THE ANIMAL KINGDOM
IS MAKING THIS POSSIBLE.
380
00:17:28,448 --> 00:17:30,718
PALEONTOLOGIST
PROFESSOR MIKE BENTON
381
00:17:30,724 --> 00:17:32,834
IS SHOWING ME
A FOSSILIZED FEATHER
382
00:17:32,827 --> 00:17:35,617
UNDER A SCANNING
ELECTRON MICROSCOPE.
383
00:17:35,620 --> 00:17:37,590
HE AND HIS TEAM MADE
A BREAKTHROUGH
384
00:17:37,586 --> 00:17:39,756
WHEN IT WAS DISCOVERED
THAT THE SHAPES EMBEDDED
385
00:17:39,758 --> 00:17:42,898
IN THE FOSSILS WERE MELANOSOMES.
386
00:17:42,896 --> 00:17:45,406
MELANOSOMES ARE MADE
IN MELANOCYTES,
387
00:17:45,413 --> 00:17:49,903
WHICH ARE THE MELANIN-FORMING
CELLS FOUND IN THE SKIN.
388
00:17:49,896 --> 00:17:51,306
THEY'RE THE SITE OF SYNTHESIS,
389
00:17:51,310 --> 00:17:54,340
STORAGE, AND TRANSPORT
OF MELANIN PIGMENTS,
390
00:17:54,344 --> 00:17:57,214
AND PROVIDE TISSUES WITH COLOR.
391
00:17:57,206 --> 00:17:59,616
IN SOME OF THE FOSSILS,
WE FOUND THESE
392
00:17:59,620 --> 00:18:01,480
KIND OF SAUSAGE-SHAPED ONES.
393
00:18:01,482 --> 00:18:05,412
IN OTHERS, WE FIND SPHERICAL
ONES OR BALL-SHAPED ONES.
394
00:18:05,413 --> 00:18:10,003
AND LOOKING AT EVIDENCE FROM
MODERN BIRDS AND MODERN MAMMALS,
395
00:18:10,000 --> 00:18:12,240
WE DISCOVER THERE'S
AN EXACT CORRELATION
396
00:18:12,241 --> 00:18:14,071
BETWEEN THE SHAPES
OF THE MELANOSOMES
397
00:18:14,068 --> 00:18:15,968
AND THE COLORS THAT THEY HAVE.
398
00:18:15,965 --> 00:18:18,135
EVERY TIME WE LOOKED AT A HAIR
OR A FEATHER
399
00:18:18,137 --> 00:18:21,137
FROM A MODERN CREATURE
WHERE WE KNOW THE COLOR,
400
00:18:21,137 --> 00:18:23,027
WE FOUND
THE SAUSAGE-SHAPED MELANOSOMES.
401
00:18:23,034 --> 00:18:25,664
YOU EITHER GET BLACK IF THEY'RE
VERY TIGHTLY PACKED,
402
00:18:25,655 --> 00:18:27,825
BROWN IF THEY'RE MORE LOOSELY
PACKED,
403
00:18:27,827 --> 00:18:29,857
GRAY, ALL THE WAY THROUGH
TO BLOND,
404
00:18:29,862 --> 00:18:31,762
WHERE THERE'S NOT
VERY MANY AT ALL.
405
00:18:31,758 --> 00:18:34,478
AND WHEN WE LOOKED IN
MODERN FEATHERS AND HAIRS,
406
00:18:34,482 --> 00:18:36,172
SAY, FROM
A GINGER-HAIRED PERSON,
407
00:18:36,172 --> 00:18:39,102
WE FOUND THE OTHER KIND
OF MELANIN,
408
00:18:39,103 --> 00:18:42,663
WHICH IS CHEMICALLY DIFFERENT,
AND IT GIVES ONLY GINGER COLORS.
409
00:18:42,655 --> 00:18:45,995
AND THAT CORRESPONDS TO THIS
KIND OF BALL-SHAPED MELANOSOMES.
410
00:18:46,000 --> 00:18:48,930
DOES THAT MEAN WE'RE SEEING
BROWNS AND GRAYS AND WHITES
411
00:18:48,931 --> 00:18:51,661
AND EVEN GINGERS
IN SOME OF OUR DINOSAURS?
412
00:18:51,655 --> 00:18:55,025
YES, AND I THINK THIS HAS
COMPLETELY REVOLUTIONIZED
413
00:18:55,034 --> 00:18:57,174
THE WAY WE SEE DINOSAURS.
414
00:18:57,172 --> 00:18:58,862
Garrod: DINOSAURS WERE CLEARLY
MORE COLORFUL
415
00:18:58,862 --> 00:19:00,592
THAN SCIENTISTS ONCE THOUGHT,
416
00:19:00,586 --> 00:19:04,066
AND IT'S NOT JUST BLACKS,
BROWNS, AND EVEN GINGERS.
417
00:19:04,068 --> 00:19:06,408
FOSSILIZED REMAINS INDICATE
THAT DINOSAURS
418
00:19:06,413 --> 00:19:10,173
HAD MUCH THE SAME RANGE
THAT WE SEE IN BIRDS TODAY.
419
00:19:10,172 --> 00:19:13,722
THE FACT THAT YOU GET
THE SAME RELATIONSHIP
420
00:19:13,724 --> 00:19:16,314
BETWEEN COLOR
AND MELANOSOME SHAPE
421
00:19:16,310 --> 00:19:18,210
IN ALL THE BIRDS THAT PEOPLE
HAVE LOOKED AT
422
00:19:18,206 --> 00:19:20,896
AND IN ALL THE MAMMALS
MEANS THAT, PROBABLY,
423
00:19:20,896 --> 00:19:24,546
THIS IS A GENERAL RULE
OF NATURE.
424
00:19:24,551 --> 00:19:27,281
Garrod: AND COLOR IS ONLY
HALF THE STORY.
425
00:19:27,275 --> 00:19:29,475
FROM THE FOSSIL EVIDENCE,
MIKE AND HIS TEAM
426
00:19:29,482 --> 00:19:32,032
HAVE DISCOVERED PATTERNS,
AS WELL.
427
00:19:32,034 --> 00:19:34,314
THEY'VE BEEN ABLE TO PIECE
TOGETHER TRACES
428
00:19:34,310 --> 00:19:38,340
OF DIFFERENT SHAPED MELANOSOMES,
AND CREATE A MORE ACCURATE IMAGE
429
00:19:38,344 --> 00:19:42,454
OF WHAT A DINOSAUR
WOULD HAVE LOOKED LIKE.
430
00:19:42,448 --> 00:19:44,548
THIS IS SINOSAUROPTERYX.
431
00:19:44,551 --> 00:19:46,341
WE WERE SAMPLING
ACROSS THE BODY,
432
00:19:46,344 --> 00:19:48,724
ALONG THE TAIL,
AND ACROSS THE HEAD, AND SO ON,
433
00:19:48,724 --> 00:19:50,384
AND WE WERE ABLE TO SHOW
VERY DEFINITELY
434
00:19:50,379 --> 00:19:53,719
THAT IT HAS THESE GINGER
AND WHITE STRIPES.
435
00:19:53,724 --> 00:19:56,004
SO, THE FIRST THING
WAS WE ONLY FOUND
436
00:19:56,000 --> 00:19:59,660
THE BALL-SHAPED MELANOSOMES,
THEREFORE, ALL GINGER.
437
00:19:59,655 --> 00:20:01,205
WE COULDN'T FIND ANY HINT
438
00:20:01,206 --> 00:20:04,276
OF THE SAUSAGE SHAPES
OR BLACK OR BROWN COLORS.
439
00:20:04,275 --> 00:20:07,785
AND IN THE AREAS SHOWING WHITE,
WE WERE FINDING NO MELANOSOMES.
440
00:20:07,793 --> 00:20:11,103
WHAT WAS SINOSAUROPTERYX DOING?
WHAT WAS HIS COLORATION FOR?
441
00:20:11,103 --> 00:20:12,903
AT FIRST, WE SAW THE STRIPES,
AND WE THOUGHT,
442
00:20:12,896 --> 00:20:14,236
"WELL, COULD IT BE
CAMOUFLAGE?"
443
00:20:14,241 --> 00:20:16,551
I MEAN, THAT'S A BIG FUNCTION
OF COLOR, OF COURSE.
444
00:20:16,551 --> 00:20:19,621
WE THINK OF TIGERS AND ZEBRAS
AND SO ON.
445
00:20:19,620 --> 00:20:21,170
BUT THE FACT IS THE STRIPES
446
00:20:21,172 --> 00:20:23,002
DON'T OCCUR
ACROSS THE WHOLE BODY,
447
00:20:23,000 --> 00:20:27,590
SO IT'S NOT LIKELY YOU WOULD
SIMPLY CAMOUFLAGE YOUR TAIL.
448
00:20:27,586 --> 00:20:28,786
AND SO THE OTHER FUNCTION
449
00:20:28,793 --> 00:20:30,973
THAT SEEMED QUITE OBVIOUS
WOULD BE DISPLAY.
450
00:20:30,965 --> 00:20:34,095
AND, OF COURSE, A TAIL
IS A PERFECT DISPLAY ORGAN.
451
00:20:34,103 --> 00:20:37,213
AND, PRESUMABLY, WHOEVER HAD
THE BRIGHTEST, LONGEST,
452
00:20:37,206 --> 00:20:41,166
STRIPIEST TAIL PROBABLY
WOULD WIN THE MOST MATES.
453
00:20:41,172 --> 00:20:44,382
Garrod: COLOR IS ONE WAY
TO COMMUNICATE USING YOUR SKIN.
454
00:20:44,379 --> 00:20:46,339
BUT FOR MORE AGGRESSIVE SIGNALS,
455
00:20:46,344 --> 00:20:49,524
SKIN HAS EVOLVED
TO PRODUCE ITS OWN SOUND.
456
00:20:49,517 --> 00:20:51,547
♪♪
457
00:20:51,551 --> 00:20:53,411
[ HISSING ]
458
00:20:53,413 --> 00:20:57,793
THIS IS A DESERT HORNED VIPER.
459
00:20:57,793 --> 00:21:02,033
I LOVE THIS LITTLE SNAKE.
ABSOLUTELY INCREDIBLE.
460
00:21:02,034 --> 00:21:04,414
BUT I'M NOT GONNA GET ANY
CLOSER BECAUSE IT'S VENOMOUS.
461
00:21:04,413 --> 00:21:06,003
AND, ACTUALLY, MORE THAN THAT,
462
00:21:06,000 --> 00:21:09,660
THIS LITTLE SNAKE IS DEADLY.
463
00:21:09,655 --> 00:21:11,445
AND WHAT I REALLY LOVE
ABOUT THIS SNAKE...
464
00:21:11,448 --> 00:21:12,998
[ HISSING ]
465
00:21:13,000 --> 00:21:14,790
...IS THAT NOISE.
466
00:21:14,793 --> 00:21:18,663
[ HISSING ]
467
00:21:18,655 --> 00:21:20,655
RIGHT NOW, I'M BEING TOLD,
468
00:21:20,655 --> 00:21:23,755
IN NO UNCERTAIN TERMS,
"STAY AWAY."
469
00:21:23,758 --> 00:21:25,898
"GET BACK...OR ELSE."
470
00:21:25,896 --> 00:21:27,716
[ HISSING ]
471
00:21:27,724 --> 00:21:31,694
♪♪
472
00:21:31,689 --> 00:21:37,239
DESERT HORNED VIPERS LIVE
IN THE SAHARA, IN NORTH AFRICA.
473
00:21:37,241 --> 00:21:39,791
THEY'RE SIDEWINDERS
AND ARE THE MOST ABUNDANT
474
00:21:39,793 --> 00:21:44,173
AND VENOMOUS SNAKES
IN THIS REGION.
475
00:21:44,172 --> 00:21:45,832
LIKE ALL DESERT VIPERS,
476
00:21:45,827 --> 00:21:48,337
THEY'VE EVOLVED TO COMMUNICATE
THROUGH THEIR SKIN,
477
00:21:48,344 --> 00:21:53,484
TELLING ANYONE WHO CAN HEAR THEM
THAT THEY ARE DANGEROUS.
478
00:21:53,482 --> 00:21:56,102
TO DO THIS,
THEY HAVE KEELED SCALES,
479
00:21:56,103 --> 00:21:58,933
WHICH THEY USE TO PRODUCE
A HISSING SOUND OF THEIR OWN.
480
00:21:58,931 --> 00:22:03,311
[ HISSING ]
481
00:22:03,310 --> 00:22:04,970
HE'S ARRANGING HIS BODY
482
00:22:04,965 --> 00:22:08,715
INTO A SERIES OF
PARALLEL "S"-SHAPED CURVES.
483
00:22:08,724 --> 00:22:11,244
AND ONCE HE'S DONE THAT, HE'S
RUBBING THESE LATERAL SCALES,
484
00:22:11,241 --> 00:22:14,241
THE ONES DOWN THE SIDE OF
HIS BODY, AGAINST ONE ANOTHER,
485
00:22:14,241 --> 00:22:17,001
AND THAT IS HOW
HE'S MAKING THIS NOISE.
486
00:22:17,000 --> 00:22:20,380
[ HISSING ]
487
00:22:20,379 --> 00:22:22,969
KEELED SCALES,
UNLIKE THE SMOOTH VARIETY
488
00:22:22,965 --> 00:22:24,655
FOUND IN MOST OTHER SNAKES,
489
00:22:24,655 --> 00:22:27,515
HAVE A RIDGE RUNNING DOWN
THE CENTER LINE.
490
00:22:27,517 --> 00:22:29,067
THIS GIVES THE ADDED ADVANTAGE
491
00:22:29,068 --> 00:22:31,448
OF REDUCING THE SHINE
OF THE SNAKE'S SKIN,
492
00:22:31,448 --> 00:22:35,478
HELPING WITH CAMOUFLAGE AND
KEEPING IT OUT OF HARM'S WAY.
493
00:22:35,482 --> 00:22:37,792
IT'S A GREAT NATURAL DETERRENT.
494
00:22:37,793 --> 00:22:41,003
IN THE WILD, PREDATORS KNOW
TO KEEP THEIR DISTANCE,
495
00:22:41,000 --> 00:22:44,480
AND THIS ALLOWS THE SNAKE
TO KEEP ITS PRECIOUS VENOM
496
00:22:44,482 --> 00:22:46,932
IT CAN USE TO CATCH ITS PREY.
497
00:22:46,931 --> 00:22:49,211
[ HISSING ]
498
00:22:49,206 --> 00:22:51,516
♪♪
499
00:22:51,517 --> 00:22:54,657
SOUND CAN BE AN EFFECTIVE WAY
TO CONVEY A WARNING,
500
00:22:54,655 --> 00:22:58,545
BUT SOME NOISES IN THE ANIMAL
KINGDOM AREN'T CREATED BY SKIN.
501
00:22:58,551 --> 00:23:00,451
[ INDISTINCT CONVERSATIONS ]
502
00:23:00,448 --> 00:23:04,278
MANY ANIMALS HAVE A VOICE BOX
WHICH, LIKE IN HUMANS,
503
00:23:04,275 --> 00:23:07,405
IS OFTEN USED TO PRODUCE
A WIDE ARRAY OF SOUNDS.
504
00:23:07,413 --> 00:23:12,763
THE FURTHEST A HUMAN CAN PROJECT
THEIR VOICE IS ABOUT 180 METERS.
505
00:23:12,758 --> 00:23:16,448
BUT ONE PRIMATE USES
ITS SPECIALLY ADAPTED SKIN
506
00:23:16,448 --> 00:23:20,308
TO THROW ITS VOICE MORE
THAN 10 TIMES THAT DISTANCE.
507
00:23:20,310 --> 00:23:25,310
[ GIBBONS CALLING ]
508
00:23:25,310 --> 00:23:29,450
AND I'VE COME TO TWYCROSS ZOO
TO TAKE A CLOSER LOOK.
509
00:23:29,448 --> 00:23:33,068
♪♪
510
00:23:33,068 --> 00:23:35,378
THESE BEAUTIFUL ANIMALS
ARE SIAMANGS.
511
00:23:35,379 --> 00:23:37,379
THEY'RE THE LARGEST
OF THE GIBBONS
512
00:23:37,379 --> 00:23:41,619
AND ACTUALLY ONE OF THE
LOUDEST ANIMALS ON THE PLANET.
513
00:23:41,620 --> 00:23:43,660
THEY'RE NOT MAKING A HUGE AMOUNT
OF NOISE RIGHT NOW
514
00:23:43,655 --> 00:23:45,275
BECAUSE THEY'RE HAVING
THEIR BREAKFAST,
515
00:23:45,275 --> 00:23:46,715
BUT WHEN THEY CALL,
516
00:23:46,724 --> 00:23:49,214
YOU CAN HEAR THEM
FROM OVER 2 KILOMETERS AWAY.
517
00:23:49,206 --> 00:23:50,966
AND, IF I WAS TO STAND
NEXT TO THEM,
518
00:23:50,965 --> 00:23:53,585
THEY'D BE LOUDER
THAN A ROCK CONCERT.
519
00:23:53,586 --> 00:23:57,276
[ SIAMANGS CALLING ]
520
00:23:57,275 --> 00:24:00,235
IN THEIR FOREST HOMES
OF SOUTHEAST ASIA,
521
00:24:00,241 --> 00:24:04,341
VISUAL GESTURES WOULD BE LOST
IN THE DARK CANOPY OF THE TREES,
522
00:24:04,344 --> 00:24:07,384
SO LOUD VOCALIZATIONS
PLAY AN IMPORTANT ROLE
523
00:24:07,379 --> 00:24:09,549
TO FEND OFF
NEIGHBORING SIAMANGS.
524
00:24:09,551 --> 00:24:12,621
[ SIAMANGS CALLING ]
525
00:24:12,620 --> 00:24:15,720
AND THEY CAN ONLY DO ALL THIS
BECAUSE OF THEIR SKIN.
526
00:24:15,724 --> 00:24:19,144
THEY'VE GOT THESE INCREDIBLE,
LARGE INFLATABLE THROAT SACS
527
00:24:19,137 --> 00:24:23,787
THAT REALLY HELPS THROW
THEIR VOICE AS FAR AS POSSIBLE.
528
00:24:23,793 --> 00:24:26,523
IT'S THE ELASTIN AND COLLAGEN
WITHIN THE SKIN
529
00:24:26,517 --> 00:24:29,447
THAT ALLOWS THE SIAMANGS
TO INFLATE THEIR THROAT SACS
530
00:24:29,448 --> 00:24:31,478
TO THE SIZE OF THEIR HEADS.
531
00:24:31,482 --> 00:24:34,972
BUT THIS SKIN DOESN'T GET IN THE
WAY WHEN THEY'RE NOTCALLING.
532
00:24:34,965 --> 00:24:36,405
THANKS TO ITS PHYSICAL
PROPERTIES,
533
00:24:36,413 --> 00:24:40,453
THE SKIN IS ABLE TO SPRING BACK
TO NORMAL WHEN NOT IN USE.
534
00:24:40,448 --> 00:24:45,548
♪♪
535
00:24:45,551 --> 00:24:47,451
THE ANIMAL KINGDOM HAS EVOLVED
536
00:24:47,448 --> 00:24:50,168
SO MANY AMAZING WAYS
TO COMMUNICATE
537
00:24:50,172 --> 00:24:54,762
THAT WE ARE ONLY STILL
JUST SCRATCHING THE SURFACE.
538
00:24:54,758 --> 00:24:57,858
BUT BRAND-NEW SCIENCE
HAS CHANGED OUR UNDERSTANDING
539
00:24:57,862 --> 00:25:02,172
OF HOW ONE LITTLE BIRD
COMMUNICATES USING ITS SKIN.
540
00:25:02,172 --> 00:25:04,792
THE PUFFIN.
541
00:25:04,793 --> 00:25:06,793
JAMIE DUNNING
IS AN ORNITHOLOGIST
542
00:25:06,793 --> 00:25:10,453
AND HAS BEEN WORKING WITH BIRDS
FOR OVER 10 YEARS.
543
00:25:10,448 --> 00:25:12,898
JAMIE, THESE ARE
SUCH AMAZING BIRDS.
544
00:25:12,896 --> 00:25:14,376
THEY'RE INSTANTLY
RECOGNIZABLE.
545
00:25:14,379 --> 00:25:17,829
AND THEY'RE ONE OF OUR
MOST ICONIC SEASIDE SPECIES.
546
00:25:17,827 --> 00:25:19,827
AND IT'S ALL DOWN
TO THIS BEAUTIFUL,
547
00:25:19,827 --> 00:25:21,377
VIBRANTLY COLORED BEAK.
548
00:25:21,379 --> 00:25:23,029
BUT THERE'S SO MUCH GOING ON
BEHIND THE SCENES HERE,
549
00:25:23,034 --> 00:25:24,314
ISN'T THERE?
YEAH.
550
00:25:24,310 --> 00:25:27,720
SO, THE BEAK IS ALMOST CERTAINLY
A BIG KIND OF ORNAMENT,
551
00:25:27,724 --> 00:25:30,384
A FLAG TO SUGGEST FITNESS
AND SEXUAL SELECTION
552
00:25:30,379 --> 00:25:32,689
AND HELP THEM CHOOSE MATES.
553
00:25:32,689 --> 00:25:34,619
'CAUSE BOTH MALES
AND THE FEMALES
554
00:25:34,620 --> 00:25:36,970
HAVE THIS BEAUTIFUL BILL.
555
00:25:36,965 --> 00:25:39,995
AS WITH ALL BIRDS,
THE PUFFINS' BEAKS ARE COVERED
556
00:25:40,000 --> 00:25:42,070
IN THE COMPLEX PROTEIN KERATIN,
557
00:25:42,068 --> 00:25:44,998
WHICH FORMS A HARD OUTER LAYER.
558
00:25:45,000 --> 00:25:47,170
CAROTENOIDS
HAVE BECOME CONCENTRATED
559
00:25:47,172 --> 00:25:50,932
IN THE KERATIN COVERING
TO GIVE THESE VIBRANT COLORS.
560
00:25:50,931 --> 00:25:52,381
♪♪
561
00:25:52,379 --> 00:25:53,619
IT MUST BE QUITE DIFFICULT
562
00:25:53,620 --> 00:25:55,170
IN TERMS OF THE ENERGY
EXPENDITURE, THEN,
563
00:25:55,172 --> 00:25:57,832
TO INVEST IN A BILL LIKE THIS
YEAR-ROUND?
564
00:25:57,827 --> 00:25:59,207
THIS IS ONLY
HALF THE STORY.
565
00:25:59,206 --> 00:26:00,856
SO, YOU ONLY NEED THIS
IN THE SUMMER.
566
00:26:00,862 --> 00:26:03,142
IT LOOKS VERY DIFFERENT
OVER WINTER.
567
00:26:03,137 --> 00:26:04,857
WELL, THIS IS
COMPLETELY DIFFERENT.
568
00:26:04,862 --> 00:26:07,142
IT'S LIKE A WHOLE DIFFERENT
SPECIES OF BIRD.
569
00:26:07,137 --> 00:26:08,857
THOSE BRIGHT COLORS
ARE GONE.
570
00:26:08,862 --> 00:26:11,172
THE MAJORITY OF THAT
BIG, COLORFUL BILL
571
00:26:11,172 --> 00:26:14,142
JUST FLAKES OFF OVER WINTER.
THERE'S NO NEED FOR IT.
572
00:26:14,137 --> 00:26:16,137
SO WE ONLY SEE THOSE
BRIGHTLY COLORED BILLS
573
00:26:16,137 --> 00:26:18,167
IN SUMMER AND SPRING,
THEIR BREEDING MONTHS?
574
00:26:18,172 --> 00:26:20,592
WE DO, AND THAT COINCIDES
WITH WHEN WE SEE PUFFINS,
575
00:26:20,586 --> 00:26:22,686
'CAUSE THEY ONLY COME TO LAND
DURING THE BREEDING SEASON.
576
00:26:22,689 --> 00:26:25,789
THE WINTER IS SPENT OUT
IN THE MIDDLE OF THE SEA.
577
00:26:25,793 --> 00:26:28,383
JAMIE HAS MADE
A GROUND-BREAKING DISCOVERY
578
00:26:28,379 --> 00:26:33,209
ABOUT THE SKIN
ON A PUFFIN'S BEAK.
579
00:26:33,206 --> 00:26:34,516
TO SHOW ME,
580
00:26:34,517 --> 00:26:37,027
HE'S BROUGHT A PUFFIN ALONG
WHICH DIED NATURALLY
581
00:26:37,034 --> 00:26:39,244
AND IS NOW PART OF HIS STUDY.
582
00:26:39,241 --> 00:26:41,931
♪♪
583
00:26:41,931 --> 00:26:44,971
JAMIE, THIS IS AMAZING!
IT'S SO COOL!
584
00:26:44,965 --> 00:26:47,335
I MEAN...
IT'S GLOWING.
585
00:26:47,344 --> 00:26:48,864
SO, THIS IS FLUORESCENCE.
586
00:26:48,862 --> 00:26:51,002
THIS IS THE SEASONALLY
DEVELOPED BILL.
587
00:26:51,000 --> 00:26:53,760
SO, THIS BIT ALL DROPS OFF,
INCLUDING THE FLUORESCENT BIT.
588
00:26:53,758 --> 00:26:56,658
IT'S VISIBLE WITH THIS
U.V. LAMP AND TORCH,
589
00:26:56,655 --> 00:26:58,925
BUT A LOT OF BIRDS CAN SEE
U.V. COLOR, CAN'T THEY?
590
00:26:58,931 --> 00:27:00,211
YEAH, THAT'S RIGHT.
591
00:27:00,206 --> 00:27:02,026
SO, WE HAVE THREE TYPES OF
COLOR RECEPTOR IN OUR EYE,
592
00:27:02,034 --> 00:27:04,794
OR CONE CELLS.
THAT'S RED, GREEN AND BLUE.
593
00:27:04,793 --> 00:27:07,283
AND WE MIX THOSE TO MAKE
ALL THE COLORS THAT WE CAN SEE.
594
00:27:07,275 --> 00:27:10,895
BIRDS HAVE A FOURTH.
THEY HAVE TETRACHROMATIC VISION.
595
00:27:10,896 --> 00:27:12,786
AND THAT FOURTH ONE
ALLOWS THEM TO SEE,
596
00:27:12,793 --> 00:27:14,903
TO SOME DEGREE,
IN U.V. LIGHT.
597
00:27:14,896 --> 00:27:18,966
FOR BIRDS, BEING ABLE TO SEE
U.V. LIGHT HAS ITS BENEFITS.
598
00:27:18,965 --> 00:27:21,095
IT ENABLES A METHOD
OF COMMUNICATION
599
00:27:21,103 --> 00:27:23,593
WHICH IS INVISIBLE
TO POTENTIAL PREDATORS
600
00:27:23,586 --> 00:27:27,966
BUT ALLOWS THEM TO FIND A MATE.
601
00:27:27,965 --> 00:27:29,715
AS THIS IS THE BIT
THAT FALLS OFF
602
00:27:29,724 --> 00:27:31,414
OUTSIDE OF
THE BREEDING SEASON,
603
00:27:31,413 --> 00:27:33,863
THERE'S A VERY GOOD CHANCE
THAT THIS HAS SOMETHING TO DO
604
00:27:33,862 --> 00:27:36,482
WITH SEXUAL SIGNALING
AND FITNESS
605
00:27:36,482 --> 00:27:39,032
AND LURING IN
THE OPPOSITE SEX.
606
00:27:39,034 --> 00:27:40,484
IT'S AMAZING.
607
00:27:40,482 --> 00:27:44,002
THESE LITTLE BIRDS THAT WE KIND
OF GROW UP KNOWING SO WELL
608
00:27:44,000 --> 00:27:46,690
ACTUALLY HAVE A LOAD
OF SECRETS IN THEIR SKIN
609
00:27:46,689 --> 00:27:48,139
THAT WE DIDN'T KNOW BEFORE.
610
00:27:48,137 --> 00:27:49,657
IT'S EXCITING.
611
00:27:49,655 --> 00:27:52,375
UNTIL RECENTLY, WE HAD
NO IDEA ABOUT THIS.
612
00:27:52,379 --> 00:27:59,519
♪♪
613
00:27:59,517 --> 00:28:03,307
Garrod: SKIN HAS ALLOWED ANIMALS
TO COMMUNICATE.
614
00:28:03,310 --> 00:28:05,930
FROM VIBRANT COLORS...
615
00:28:05,931 --> 00:28:07,411
TO SOUND...
616
00:28:07,413 --> 00:28:09,863
TO ELECTRICAL SENSING...
617
00:28:09,862 --> 00:28:11,592
THE SKIN DOES IT ALL.
618
00:28:11,586 --> 00:28:19,206
♪♪
619
00:28:19,206 --> 00:28:26,826
♪♪
620
00:28:26,827 --> 00:28:34,407
♪♪
621
00:28:34,413 --> 00:28:42,003
♪♪
46079
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