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STARTS, YOU KNOW, I THINK RIGHT
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ABOUT NOW.
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TELL US WHAT'S GOING ON AND HIT
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US WITH THAT CARPET, GIRL.
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ITH THAT CARPET, GIRL.
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LISTERS.
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WE ARE BRINGING YOU THE ACCESS
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GET READY FOR AN UNFORGETTABLE
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NIGHT.
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LIVE FROM E AT THE OSCARS STARTS
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RIGHT ABOUT NOW.
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>> IT IS OSCAR SUNDAY.
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ALWAYS DAPPER, KARAMO.
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ARE YOU READY FOR THIS
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>> I HAVE TO TAKE A MOMENT AND
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SAY HOW STUNNING YOU LACK
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TONIGHT.
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JUST GORGEOUS.
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>> THANK YOU
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I'M WEARING THIS BEAUTIFUL GOWN.
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THANK YOU SO MUCH FOR SAYING
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THAT
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YOU LOOK TO HANDSOME
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WHO ARE YOU WEARING?
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>> I'M WEARING TOM SWEENEY
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THIS IS AN AMAZING YEAR FOR THE
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OSCARS
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HISTORY MAKING NOMINATION,
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SHATTERING RECORDS FOR DIVERSITY
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AND JUST TO STATE THE OBVIOUS,
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YOU'RE BACK AT THE CARPET.
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THE RETURN OF THE RED CARPET
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I'M SO EXCITED FOR THE FASHION
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WE'RE ABOUT TO SEE THAT WILL
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DESCEND ON THE CARPET TONIGHT.
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LET'S GET THIS PARTY STARTED
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>> THANKFULLY, WE HAVE A DREAM
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TEAM OF EXPERTS READY TO GIVE US
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THE INSIDE FASHION SCOOP ON
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EVERY SINGLE ARRIVAL
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YOU KNOW WHO I'M TALKING ABOUT
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NINA PARKER, BRAD AND DANA
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HEY, YOU GUYS.
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>> LOOKING GOOD GIRL
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>> YOU TOO
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I'VE BEEN WATCHING YOU
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MA
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AMAZING SHOW
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LOVING EVERY MINUTE OF IT.
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>> LISTEN, G, THE SUN IS OUT
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WE'RE LIVE HERE AT THE HISTORIC
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ROOSEVELT IN HOLLYWOOD
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WE'LL BE BREAKING DOWN EVERY
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SINGLE FASHION LOOK THAT WILL
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WALK THE CARPET TONIGHT.
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I AM NINA PARKER
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TELL US ABOUT THIS LOOK.
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>> I'M WEARING CARTIER JEWELRY
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ANKLES OUT
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>> WHO ARE YOU WEARING
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>> IT'S DRIPPING IN LUMINOUS
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DIAMONDS
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>> YOU ARE
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THOSE SHOES ARE PRETTY
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PHENOMENAL
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>> WHAT ABOUT THIS DIAMOND
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SITUATION?
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>> IT'S HARD SITTING DOWN.
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IT TOOK A LOT OF HAND SDTITCHING
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BUT WE GOT IT TOGETHER
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>> STUNNING AND WORTH THE PAIN
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>> HAPPY OSCAR SUNDAY, EVERY
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ONE.
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NOW FOR SOME MOVIE FANS IT'S ALL
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ABOUT OSCAR GOLD
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FOR US IT'S ALL ABOUT THE
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FASHION.
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WE'LL BE TRACKING EVERY SINGLE
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ARRIVAL AND GIVING YOU ALL THE
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DETAILS BEHIND EACH LOOK
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>> THAT'S RIGHT.
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ALL WEEK WE HAVE BEEN GETTING
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INTEL FROM TOP STYLISTSTYLISTS
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I'VE BEEN TOLD ON GOOD AUTHORITY
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WE CAN EXPECT TO SEE SOME BOLD
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FASHION MOMENTS ON THE CARPET
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TONIGHT.
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>> I CAN'T WAIT.
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WE HAVE A LOT OF TIDBITS FROM
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STYLISTS THAT YOU HAVE TO MAKE
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SURE AND TUNE IN AND SEE IF WE
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GOT IT RIGHT
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EARLIER TODAY AT OUR FABULOUS
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BRUNCH, WE END UP WITH THREE RED
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CARPET ICONS INTO OUR OWN E
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FASHION HALL OF FAME
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WE ASK YOU TO CHOOSE OUR FINAL
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INDUCTEE
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REGINA KING, BRAD PITT AND
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CHARLIZE THERON. THERON.
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LAYDY GAGA YOU ARE INDUCTED INTO
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THE E FASHION HALL OF FAME
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>> RAIN ON ME.
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>> SHE DOES BRING IT WITH THE
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FASHION EVERY SINGLE TIME.
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>> DON'T GET ME STARTED.
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WE WON'T GET TO ANYBODY ELSE
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>> I KNOW YOU HAVE A LOT OF
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INTEL.
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WE WERE JUST TALKING ABOUT THAT.
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WHAT CAN WE LOOK FORWARD TO ON
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THE CARPET TONIGHT
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>> I GOT A FUN BIT OF SCOOP
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FROMFROM
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ANGELA BASSETT STYLIST
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SHE SENT ME THIS VIDEO OF HER
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GETTING DRESSED.
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>> SHE DOESN'T WANT ME TO REVEAL
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THE ENTIRE LOOK, BUT I CAN LET
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YOU KNOW WHAT COLOR WE'RE GOING
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TO WEAR.
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SEE YOU SOON
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>> HOW CUTE IS THIS.
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>> IN THAT COLOR
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WE GOT TO TALK ABOUT THIS COLOR.
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>> NO.
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>> WE'RE MOVING ON
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>> WE HAVE TO STAY RIGHT HERE.
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>> I THINK RED IS GOING TO BE A
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TREND TONIGHT.
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>> JENNIFER'S MISSION WAS TO TOP
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THE 2018 LOOK WHEN SHE HAD THAT
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AMAZING DRESS.
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THIS ONE WILL FEATURE OODLE AND
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CLOUDS OF CHIFFON.
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HER STYLIST IS ANGELA'S PLUS ONE
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FOR THE OSCARS
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>> THAT'S CUTE
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I LOVE THAT.
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ANGELA HAS OPINIOBEEN DOING THE
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HAIR LATELY.
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I CAN'T WAIT TO SEE HER.
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>> I CAN'T WAIT.
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>> THIS SOUNDS LIKE A BIG
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MOMENT
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>> IT'S GOING TO BE A BIG
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MOMENT
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ANGELA STARTED ON THE CARPET
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I CAN'T WAIT TO SEE HER.
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>> JENNIFER IS GORGEOUS.
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WHOA
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>> I'M JUST FASCINATED WITH THE
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CLUTCHES
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THEY HAD ME.
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THAT'S A BIG DEAL ON THIS
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CARPET
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YOU HAVE TO HIDE YOUR LIQUOR IN
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THERE.
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YOUR LIPSTICK.
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IT HAS TO BE BIG FLENOUGH AND
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CUTE
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WE HAVE TO CHECK BACK WITH
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GULIANA.
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S
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>> YOU KNOW YOU'LL HAVE A FRONT
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ROW SEAT
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SHE'S ALWAYS SO LOVELY TO TALK
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TO
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I CANNOT WAIT TO SEE HER ON THE
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RED CARPET
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IT IS OSCAR SUNDAY
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THE STARS ARE BEGINS TO DESCEND
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ON THE CARPET AND THIS NIGHT
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WILL BE FULL OF SURPRISES
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INCLUDING A SPECIAL SURPRISE FOR
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KARAMO
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DON'T MISS IT WHEN "LIVE WITH E"
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RETURNS.
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SURPRISE
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WHO ARE YOU WEARING?
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>> THANK YOU
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I'M TRYING
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DO A LITTLE SOMETHING.
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GOT TO REPRESENT FOR YOU BOYS.
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FASHION SHCHIC T-SHIRTS.
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HE GETS THE TITLE.
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LOOKING GORGEOUS
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>> THIS IS FEELING SO GOOD
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I WAS JUST WITH THEM
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WE'RE SHOOTING "QUEER EYE" THIS
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NEXT SEASON.
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I WAS LIKE WHO ARE WE ZOOMING
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HERE
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NO WONDER NO ONE GAVE ME
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INFORMATION.
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>> THANK YOU
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WE ARE THE GUYS KNOWN FOR TASTE
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AND CLASS.
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WHO DRO YOU THINK WILL LOOK THE
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BEST
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>> DON'T PUT ME ON THE SPOT.
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VIOLA.
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>> I'LL GO
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I'LL GO.
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I KNOW THAT KARAMO BROWN WILL
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LOOK THE BEST.
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>>REGINA KING NOMINATED.
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>> SHE'S GOING TO PRESENT.
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I LOVE YOU GUYS.
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I CAN'T WAIT TO SEE YOU IN
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AUSTIN FOR A FEW DAYS.
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I LOVE YOU
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THAT MAKES ME SO GOOD.
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>> LOVE YOU.
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>> DON'T GO TO TOO MANY AFTER
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PARTIES TONIGHT.
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DRINK A LOT OF WATER
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>> YOU GOT ME.
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I LOVE YOU FOREVER FOR THAT.
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>> SO GOOD
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KARAMO, SO GOOD FLAP WAS SO MUCH
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FUN.
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HOLLYWOOD'S A LISTERS ARE
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STARTING TO ARRIVE
225
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YOU CAN FEEL THE AMAZING ENERGY
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IN THE AIR
227
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THIS NIGHT IS DEFINITELY WILL BE
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ONE FOR THE HISTORY BOOKS.
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WE'LL GIVE YOU A FRONT ROW SEAT
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TO WITNESS THE ACTION,
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LITERALLY.
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AS SOON AS THE CELEBRITIES LIT
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THE RED CARPET, THIS IS ONE OF
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THE STOPS THEY WILL MAKE
235
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THAT'S GOING BE SUPER EXCITING
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PICTURES ARE RIGHT THERE AND
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THEY COME OVER HERE.
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WE'LL HAVE GREAT CONVERSATION.
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I'M LOOKING FORWARD TO THAT.
240
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RIGHT NOW WE'LL CHECK IN WITH
241
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OUR FASHION PANEL.
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HEY, NINA.
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>> I'M SO VERY EXCITED ABOUT
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TONIGHT.
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I'M LOOKING FORWARD TO SEEING
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HOLLYWOOD'S BIGGEST, BRIGHTEST
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STAR
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WE GET TO SEE THEM LIVE AND IN
249
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PERSON
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JUST WATCHING PEOPLE BEHIND
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GI
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GIULIANA AND THE PEOPLE IN THE
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BACKGROUNDS.
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>> THAT WAS FUN.
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>> IS IT A TIE
256
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I CAN'T TELL
257
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I LIKE IT.
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>> CAN WE TALK ABOUT HOW
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INCREDIBLE HE IS IN THE SOUND OF
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METAL.
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HE -- THAT PERFORMANCE IS JUST
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LIKE IT'S HAEARTBREAKING
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IT'S RIVETING.
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IT'S SUCH A BEAUTIFUL
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PERFORMANCE.
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SUCH A GREAT FILM AS WELL.
267
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SEEING THE STORY TOLD ABOUT
268
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ADDICTION AND SEEING IT THROUGH
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THE EYES OF NOT RELAPSE OF
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SOMEBODY WHO IS LIKE REALLY
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TRYING TO WHO IS STAYING SOBER
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WITH VERY POWERFUL AS A SOBER
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PERSON TO WATCH THAT
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00:11:39,070 --> 00:11:43,080
I LOVE HIS PERFORMANCE
275
00:11:39,070 --> 00:11:43,080
I ALSO JUST LOVE THIS FILM AND
276
00:11:43,080 --> 00:11:46,169
ALSO PAUL'S PERFORMANCE AS WELL.
277
00:11:43,080 --> 00:11:46,169
GREAT, GREAT FILM.
278
00:11:46,169 --> 00:11:51,129
>> I FEEL LIKE WE'LL BE HEARING
279
00:11:46,169 --> 00:11:51,129
A LOT ABOUT "THE SOUND OF METAL"
280
00:11:51,129 --> 00:11:54,159
TONIGHT AND THE STARS IN IT.
281
00:11:51,129 --> 00:11:54,159
I'M GLAD HE WAS THE FIRST PERSON
282
00:11:54,159 --> 00:11:58,159
WE SAW
283
00:11:54,159 --> 00:11:58,159
>> ME TOO.
284
00:11:58,159 --> 00:12:03,210
>> I THINK YOU HAVE TO BUY FLAIL
285
00:11:58,159 --> 00:12:03,210
PAINT.
286
00:12:03,210 --> 00:12:08,049
>> PUNK ROCK, BABY
287
00:12:03,210 --> 00:12:08,049
>> WE HAVE A LOT STILL MORE TO
288
00:12:08,049 --> 00:12:22,100
COME
289
00:12:08,049 --> 00:12:22,100
MAKE SURE THAT YOU STAY TUNED.
290
00:12:22,100 --> 00:12:27,139
>>> OUR NEXT GUEST HAS BEEN
291
00:12:22,100 --> 00:12:27,139
ACTING FOR FOUR DECADES AND
292
00:12:27,139 --> 00:12:33,039
TONIGHT HE CELEBRATES HIS FIRST
293
00:12:27,139 --> 00:12:33,039
OSCAR NOMINATION AS A COACH IN
294
00:12:33,039 --> 00:12:39,080
"SOUND OF METAL."
295
00:12:33,039 --> 00:12:39,080
HI, YOU TWO.
296
00:12:39,080 --> 00:12:41,259
>> GOOD MORNING.
297
00:12:39,080 --> 00:12:41,259
>> IT'S GOOD TO BE SEEN.
298
00:12:41,259 --> 00:12:46,230
>> "SOUND OF METAL."
299
00:12:41,259 --> 00:12:46,230
ONE OF MY FAVORITE PICTURES OF
300
00:12:46,230 --> 00:12:50,120
THE YEAR.
301
00:12:46,230 --> 00:12:50,120
BEFORE WE GET INTO THE MOVIE, I
302
00:12:50,120 --> 00:12:54,279
KNOW YOU'RE AGENT WHO HAPPENED
303
00:12:50,120 --> 00:12:54,279
TO BE VERY BEAUTIFUL AND RIGHT
304
00:12:54,279 --> 00:12:59,279
HERE.
305
00:12:54,279 --> 00:12:59,279
YOUR AGENT, LONG TIME AGTS WHO I
306
00:12:59,279 --> 00:13:01,220
IS YOUR WIFE.
307
00:12:59,279 --> 00:13:01,220
SHE FOUGHT VERY HARD FOR YOU TO
308
00:13:01,220 --> 00:13:04,029
GET THIS ROLE.
309
00:13:01,220 --> 00:13:04,029
CAN YOU TELL ME A BIT ABOUT
310
00:13:04,029 --> 00:13:08,039
THAT?
311
00:13:04,029 --> 00:13:08,039
>> I GOT THE AUDITION, PUT IT ON
312
00:13:08,039 --> 00:13:10,009
TAPE, SENT IT IN AND I FORGOT
313
00:13:08,039 --> 00:13:10,009
ABOUT IT.
314
00:13:10,009 --> 00:13:12,009
THAT'S HOW IT'S GONE FOR 40
315
00:13:10,009 --> 00:13:12,009
YEARS.
316
00:13:12,009 --> 00:13:18,039
THEN SHE DECIDED TO MAKE A
317
00:13:12,009 --> 00:13:18,039
FOLLOW UP CALL AND ASKED THEM IF
318
00:13:18,039 --> 00:13:20,269
THEY HAD SEEN IT.
319
00:13:18,039 --> 00:13:20,269
THEY HAD TOO MANY.
320
00:13:20,269 --> 00:13:23,129
THEY WERE UNUNDATED.
321
00:13:20,269 --> 00:13:23,129
>> THEY WERE GOING TO START
322
00:13:23,129 --> 00:13:29,100
LOOKING FOR A NAME FOR STAR.
323
00:13:23,129 --> 00:13:29,100
>> SHE BEGGED THEM.
324
00:13:29,100 --> 00:13:34,039
TEN MINUTES LATER THEY CALLED
325
00:13:29,100 --> 00:13:34,039
AND SAID DARIUS, THE DIRECTOR IS
326
00:13:34,039 --> 00:13:37,019
ON THE PHONE AND THE REST IS
327
00:13:34,039 --> 00:13:37,019
LIKE HISTORY.
328
00:13:37,019 --> 00:13:40,210
>> I KNOW YOUR FRIENDS SAID THEY
329
00:13:37,019 --> 00:13:40,210
THOUGHT YOU WROTE THE SCREENPLAY
330
00:13:40,210 --> 00:13:43,149
BECAUSE THERE WAS SO MANY
331
00:13:40,210 --> 00:13:43,149
PARALLELS BETWEEN YOU AND YOUR
332
00:13:43,149 --> 00:13:44,220
CHARACTER.
333
00:13:43,149 --> 00:13:44,220
TELL ME ABOUT THAT.
334
00:13:44,220 --> 00:13:51,080
>> I HAD BEEN WRITING A
335
00:13:44,220 --> 00:13:51,080
SCREENPLAY FOR 40 YEARS.
336
00:13:51,080 --> 00:13:59,269
EVERY GUY THAT SELLS FOOD OR
337
00:13:51,080 --> 00:13:59,269
WAITER AND SO LITTLE DID I KNOW
338
00:13:59,269 --> 00:14:03,120
THAT DARIUS WAS WRITING A SCRIPT
339
00:13:59,269 --> 00:14:03,120
AT THE SAME TIME.
340
00:14:03,120 --> 00:14:06,009
I TOOK MINE AND THREW IT IN THE
341
00:14:03,120 --> 00:14:06,009
GARBAGE BECAUSE HE HAD DONE
342
00:14:06,009 --> 00:14:12,139
EVERYTHING I NEEDED TO DO.
343
00:14:06,009 --> 00:14:12,139
>> AS THE HEARING SON OF DEAF
344
00:14:12,139 --> 00:14:16,029
PARENTS, TELL ME ABOUT "SOUND OF
345
00:14:12,139 --> 00:14:16,029
METAL," I KNOW YOU SAID THEY
346
00:14:16,029 --> 00:14:20,159
REALLY GOT IT RIGHT.
347
00:14:16,029 --> 00:14:20,159
TELL US A LITTLE BIT ABOUT THAT.
348
00:14:20,159 --> 00:14:24,179
>> HE WORKED ON IT FOR 14 YEARS.
349
00:14:20,159 --> 00:14:24,179
HE VETTED IT WITH DEAF PEOPLE
350
00:14:24,179 --> 00:14:31,250
ACROSS THE COUNTRY AND STILL HAD
351
00:14:24,179 --> 00:14:31,250
A LEARNING CURVE AS WE STARTED
352
00:14:31,250 --> 00:14:34,269
FILMING IT.
353
00:14:31,250 --> 00:14:34,269
HAVING THREE DEAF ADVISERS ON
354
00:14:34,269 --> 00:14:39,070
THE SET.
355
00:14:34,269 --> 00:14:39,070
AND DEAF COMMUNITY HAS A SAYING,
356
00:14:39,070 --> 00:14:42,220
NOTHING ABOUT US WITHOUT US.
357
00:14:39,070 --> 00:14:42,220
HE WAS VERY INCLUSIVE IN THAT
358
00:14:42,220 --> 00:14:44,230
WAY.
359
00:14:42,220 --> 00:14:44,230
I THINK THAT'S WHAT HE DID
360
00:14:44,230 --> 00:14:49,009
RIGHT.
361
00:14:44,230 --> 00:14:49,009
SHOWING DEAF PEOPLE IN A DEAF
362
00:14:49,009 --> 00:14:52,149
SOBER HOUSE, OF ALL THINGS,
363
00:14:49,009 --> 00:14:52,149
THAT'S SOMETHING YOU WILL NEVER
364
00:14:52,149 --> 00:14:56,029
SEE OR NEVER HAD SEEN.
365
00:14:52,149 --> 00:14:56,029
THAT'S WHERE HE DID THE RIGHT
366
00:14:56,029 --> 00:14:57,120
THING.
367
00:14:56,029 --> 00:14:57,120
>> THANK YOU SO MUCH.
368
00:14:57,120 --> 00:14:59,200
LEST OF LUCK TONIGHT.
369
00:14:57,120 --> 00:14:59,200
THANK YOU FOR JOINING US AS
370
00:14:59,200 --> 00:15:01,230
WELL.
371
00:14:59,200 --> 00:15:01,230
>> THANK YOU VERY MUCH.
372
00:15:01,230 --> 00:15:02,269
MY PLEASURE.
373
00:15:01,230 --> 00:15:02,269
SURE.
374
00:15:02,269 --> 00:15:06,200
>> I GOT TO FIRST SAY THANK YOU
375
00:15:02,269 --> 00:15:06,200
FOR EXPOSING US TO ASL.
376
00:15:06,200 --> 00:15:09,129
IT'S SO GREAT.
377
00:15:06,200 --> 00:15:09,129
I'M LEARNING ASL RIGHT NOW.
378
00:15:09,129 --> 00:15:12,139
IT'S REALLY AMAZING.
379
00:15:09,129 --> 00:15:12,139
IT IS.
380
00:15:12,139 --> 00:15:26,049
JOINING ME ALSO RIGHT NOW IS
381
00:15:12,139 --> 00:15:26,049
"ROTTEN TOMATOES" IS JACKELINE.
382
00:15:26,049 --> 00:15:28,210
THERE'S SO MUCH THAT MAKES
383
00:15:26,049 --> 00:15:28,210
TONIGHT SPECIAL AND UNIQUE
384
00:15:28,210 --> 00:15:37,000
COMPARED TO PREVIOUS YEARS.
385
00:15:28,210 --> 00:15:37,000
DO YOU THINK PAUL CAN UPSET
386
00:15:37,000 --> 00:15:40,269
DANIEL KALUUYA?
387
00:15:37,000 --> 00:15:40,269
>> HE'S IN THE FRONT-RUNNER.
388
00:15:40,269 --> 00:15:45,120
THEY ALL TALK ABOUT PAUL EETS
389
00:15:40,269 --> 00:15:45,120
PMPS AND HOW AS A JOURNEYMAN
390
00:15:45,120 --> 00:15:47,250
THEY LOVE IT.
391
00:15:45,120 --> 00:15:47,250
I CAN'T WAIT TO SEE WHAT ROLES
392
00:15:47,250 --> 00:15:53,090
HE DOES AFTER THIS.
393
00:15:47,250 --> 00:15:53,090
>> I APOLOGIZE FOR
394
00:15:53,090 --> 00:15:55,289
MISPRONOUNCING HIS NAME.
395
00:15:53,090 --> 00:15:55,289
LET'S GO OVER TO NINA.
396
00:15:55,289 --> 00:15:58,110
>> IT'S A LOT OF NAMES TO
397
00:15:55,289 --> 00:15:58,110
REMEMBER.
398
00:15:58,110 --> 00:16:00,179
WE GET IT.
399
00:15:58,110 --> 00:16:00,179
WE HAVE ALL BEEN THERE.
400
00:16:00,179 --> 00:16:03,009
WE HAVE TALKED ABOUT BEST
401
00:16:00,179 --> 00:16:03,009
SUPPORTING ACTORS.
402
00:16:03,009 --> 00:16:06,279
IT'S TIME TO TALK ABOUT BEST
403
00:16:03,009 --> 00:16:06,279
SUPPORTING ACTRESS.
404
00:16:06,279 --> 00:16:19,139
LET'S DO THERE.
405
00:16:06,279 --> 00:16:19,139
SHE'S THE BREAK OUT STAR IN THE
406
00:16:19,139 --> 00:16:26,250
MOVIE AND THE RED CARPET.
407
00:16:19,139 --> 00:16:26,250
I LOVE WHAT SHE'S DOING WITH HER
408
00:16:26,250 --> 00:16:28,259
STYLIST.
409
00:16:26,250 --> 00:16:28,259
I'M SURE TONIGHT WILL BE EPIC.
410
00:16:28,259 --> 00:16:32,129
GLENN CLOSE IS A RED CARPET
411
00:16:28,259 --> 00:16:32,129
STYLE ONICON.
412
00:16:32,129 --> 00:16:34,269
I LOVE HER.
413
00:16:32,129 --> 00:16:34,269
>> WHO DOESN'T?
414
00:16:34,269 --> 00:16:43,000
>> LOVE GLENN.
415
00:16:34,269 --> 00:16:43,000
SHE'S GOING TO GO GLAMOROUS BUT
416
00:16:43,000 --> 00:16:50,049
IT WILL NOT BE A GOWN.
417
00:16:43,000 --> 00:16:50,049
SHE'S IN LONDON TOO.
418
00:16:50,049 --> 00:17:03,210
SHOOEGS CHANNELLED HOLLYWOOD
419
00:16:50,049 --> 00:17:03,210
THIS ENTIRE SEASON.
420
00:17:03,210 --> 00:17:07,240
I CAN'T WAIT TO SEE.
421
00:17:03,210 --> 00:17:07,240
>> YES.
422
00:17:07,240 --> 00:17:14,140
DON'T WE HAVE ONE MORE PERSON?
423
00:17:07,240 --> 00:17:14,140
>> HOW CAN I FORGET HER?
424
00:17:14,140 --> 00:17:19,000
>> WE HAVE ONE MORE PERSON.
425
00:17:14,140 --> 00:17:19,000
>> ALTHOUGH SHE SAID IN HER
426
00:17:19,000 --> 00:17:30,069
AWARDING SPEECH THAT SHE CALLED
427
00:17:19,000 --> 00:17:30,069
ALL BRITS SNOBBISH, SHE'S SO EL
428
00:17:30,069 --> 00:17:32,059
GENT
429
00:17:30,069 --> 00:17:32,059
ELEGANT
430
00:17:32,059 --> 00:17:36,099
ELEGANT, BEAUTIFUL.
431
00:17:32,059 --> 00:17:36,099
>> JUST LIKE A KNOCK OUT
432
00:17:36,099 --> 00:17:42,140
PERFORMANCE.
433
00:17:36,099 --> 00:17:42,140
>> LISTEN, WE CANNOT WAIT TO SEE
434
00:17:42,140 --> 00:17:47,039
WHAT LOOKS THESE BEST SUPPORTING
435
00:17:42,140 --> 00:17:47,039
BASIC PRESSES BRING TO THE RED
436
00:17:47,039 --> 00:17:49,190
CARPET.
437
00:17:47,039 --> 00:17:49,190
LIVE FROM E IS THE ONLY PLACE TO
438
00:17:49,190 --> 00:17:52,019
GET ALL THE INSIDE SCOOP ON ALL
439
00:17:49,190 --> 00:17:52,019
OF OSCAR SUNDAY.
440
00:17:52,019 --> 00:17:56,039
WE'LL BRING YOU ACTION AND
441
00:17:52,019 --> 00:17:56,039
FASHION.
442
00:17:56,039 --> 00:17:59,240
WE'RE BRINGING YOU GLITZ AND
443
00:17:56,039 --> 00:17:59,240
GLAM.
444
00:17:59,240 --> 00:18:00,079
MAKE SURE YOU STAY WITH US.
445
00:18:19,049 --> 00:18:22,220
>>> WELCOME BACK.
446
00:18:19,049 --> 00:18:22,220
WE'RE LIVE ON E.
447
00:18:22,220 --> 00:18:24,089
CELEBRATING THE OFFICIAL RETURN
448
00:18:22,220 --> 00:18:24,089
OF THE RED CARPET.
449
00:18:24,089 --> 00:18:28,170
WE'RE TALKING TO ALL OF YOUR
450
00:18:24,089 --> 00:18:28,170
FAVORITE CELEBS AS THEY ARRIVE.
451
00:18:28,170 --> 00:18:31,170
WE'RE BRINGING YOU ALL THE
452
00:18:28,170 --> 00:18:31,170
ACTION AND FASHION ALL NIGHT
453
00:18:31,170 --> 00:18:33,170
LONG.
454
00:18:31,170 --> 00:18:33,170
I THINK RIGHT NOW WHAT WE WANT
455
00:18:33,170 --> 00:18:36,170
TO DO IS TALK A BIT ABOUT SOCIAL
456
00:18:33,170 --> 00:18:36,170
MEDIA, SHALL WE?
457
00:18:36,170 --> 00:18:39,180
>> PLEASE.
458
00:18:36,170 --> 00:18:39,180
>> PEOPLE ARE POSTING ALREADY.
459
00:18:39,180 --> 00:18:43,079
REESE WITHERSPOON JUST POSTED A
460
00:18:39,180 --> 00:18:43,079
LITTLE SOMETHING SOMETHING.
461
00:18:43,079 --> 00:18:47,170
IT'S OSCAR SUNDAY.
462
00:18:43,079 --> 00:18:47,170
LOOKS LIKE SHE'S TAKING IT A
463
00:18:47,170 --> 00:18:49,160
LITTLE CASUAL.
464
00:18:47,170 --> 00:18:49,160
>> I THINK SHE'S ON ZOOM.
465
00:18:49,160 --> 00:18:58,150
>> YEAH, RIGHT.
466
00:18:49,160 --> 00:18:58,150
LAURA DERN IS SWABBING HER OWN
467
00:18:58,150 --> 00:19:02,109
NOSE FOR OSCAR PREP.
468
00:18:58,150 --> 00:19:02,109
>> CAN YOU BELIEVE HOW FAMILIAR
469
00:19:02,109 --> 00:19:11,099
THAT LOOKS NOW?
470
00:19:02,109 --> 00:19:11,099
SHE HAS A KQ TIP TO HER NOSE.
471
00:19:11,099 --> 00:19:14,029
>> ALSO GLENN CLOSE.
472
00:19:11,099 --> 00:19:14,029
I CAN'T SEE ANYTHING NOW.
473
00:19:14,029 --> 00:19:17,009
YOU HAVE TO TELL ME WHAT SHE'S
474
00:19:14,029 --> 00:19:17,009
DOING.
475
00:19:17,009 --> 00:19:18,150
>> I THINK SHE'S IN HAIR AND
476
00:19:17,009 --> 00:19:18,150
MAKEUP.
477
00:19:18,150 --> 00:19:26,140
I KNOW THE LOOK SHE WILL BE
478
00:19:18,150 --> 00:19:26,140
WEARING LATER.
479
00:19:26,140 --> 00:19:28,170
SHE'S GETTING SOMETHING ON HER
480
00:19:26,140 --> 00:19:28,170
FEET.
481
00:19:28,170 --> 00:19:30,269
THE BEST THING TO DO TO NUMB
482
00:19:28,170 --> 00:19:30,269
YOUR FEET PAIN.
483
00:19:30,269 --> 00:19:34,009
IT WORKS.
484
00:19:30,269 --> 00:19:34,009
ANYONE WEARING HEELS.
485
00:19:34,009 --> 00:19:37,089
>> MY FEET STILL HURT FROM THE
486
00:19:34,009 --> 00:19:37,089
LAST TIME I WORE HEELS.
487
00:19:37,089 --> 00:19:40,029
>> THAT'S WHY WE SITTING IN
488
00:19:37,089 --> 00:19:40,029
THESE CHAIRS NOW, CHILD.
489
00:19:40,029 --> 00:19:43,240
LET'S GO OVER TO THE RED CARPET
490
00:19:40,029 --> 00:19:43,240
AND SEE WHAT ELSE IS GOING ON.
491
00:19:43,240 --> 00:19:50,089
G, WHAT'S HAPPENING?
492
00:19:43,240 --> 00:19:50,089
>> ANYMY NEXT GUEST EARNED HER 1
493
00:19:50,089 --> 00:20:01,210
OSCAR THIS YEAR.
494
00:19:50,089 --> 00:20:01,210
IT'S HIT SONGWRITER, DIANE
495
00:20:01,210 --> 00:20:03,200
WARREN.
496
00:20:01,210 --> 00:20:03,200
>> GREAT TO SEE YOU.
497
00:20:03,200 --> 00:20:09,140
>> I LOVE YOUR SONG.
498
00:20:03,200 --> 00:20:09,140
IT WAS WRITTEN WITH LAURA
499
00:20:09,140 --> 00:20:14,180
MAUSINI.
500
00:20:09,140 --> 00:20:14,180
>> I DIDN'T QUITE WORK IN AN
501
00:20:14,180 --> 00:20:22,269
ITALIAN MOVIE.
502
00:20:14,180 --> 00:20:22,269
>> I REACHED OUT TO LAURA.
503
00:20:22,269 --> 00:20:30,029
>> LAW PAUSINI.
504
00:20:22,269 --> 00:20:30,029
I REALLY APPRECIATE IT.
505
00:20:30,029 --> 00:20:31,079
>> YOU'LL BE ABLE TO KNOW WHAT
506
00:20:30,029 --> 00:20:31,079
SHE'S SAYING.
507
00:20:31,079 --> 00:20:32,150
>> YES, EXACTLY.
508
00:20:31,079 --> 00:20:32,150
>> TELL ME ABOUT THAT PROCESS.
509
00:20:32,150 --> 00:20:34,079
IT'S A VERY DIFFERENT PROCESS
510
00:20:32,150 --> 00:20:34,079
FOR YOU.
511
00:20:34,079 --> 00:20:36,259
>> THE PROCESS WASN'T THAT
512
00:20:34,079 --> 00:20:36,259
DIFFERENT.
513
00:20:36,259 --> 00:20:41,240
I GOT REALLY INSPIRED BY READING
514
00:20:36,259 --> 00:20:41,240
A SCRIPT AND IT'S EASY TO BE
515
00:20:41,240 --> 00:20:43,099
INSPIRED BY SUCH A BEAUTIFUL
516
00:20:41,240 --> 00:20:43,099
STORY.
517
00:20:43,099 --> 00:20:48,150
I WROTE THE SONG AND I JUST
518
00:20:43,099 --> 00:20:48,150
LOVED THE LINE, I WANT YOU TO
519
00:20:48,150 --> 00:20:52,250
KNOW YOU'RE SEEN IS A SIMPLE
520
00:20:48,150 --> 00:20:52,250
LINE.
521
00:20:52,250 --> 00:20:56,240
IT'S VERY MEANINGFUL.
522
00:20:52,250 --> 00:20:56,240
WE ARE LIVING IN A TIME WHERE
523
00:20:56,240 --> 00:21:01,099
PEOPLE DON'T FEEL SEEN AND FEEL
524
00:20:56,240 --> 00:21:01,099
INVISIBLE.
525
00:21:01,099 --> 00:21:04,170
ONCE LAURA WAS ON BOARD.
526
00:21:01,099 --> 00:21:04,170
>> THAT IS WHAT WAS DIFFERENT
527
00:21:04,170 --> 00:21:10,269
ABOUT IT.
528
00:21:04,170 --> 00:21:10,269
YOU WROTE IT IN ENGLISH AND LAW
529
00:21:10,269 --> 00:21:12,130
LAURA TRANSLATED.
530
00:21:10,269 --> 00:21:12,130
>> YEAH.
531
00:21:12,130 --> 00:21:17,220
>> I THINK IT'S THE FIRST TIME
532
00:21:12,130 --> 00:21:17,220
AN ITALIAN SONG HAS BEEN
533
00:21:17,220 --> 00:21:18,279
NOMINATED.
534
00:21:17,220 --> 00:21:18,279
I'M NOT GOING TO LIE, I'D LIKE
535
00:21:18,279 --> 00:21:21,230
TO WIN FINALLY.
536
00:21:18,279 --> 00:21:21,230
YOU NEVER KNOW.
537
00:21:21,230 --> 00:21:26,089
OH, MY GOSH.
538
00:21:21,230 --> 00:21:26,089
THAT'S MY SONG OVER THERE.
539
00:21:26,089 --> 00:21:28,099
>> YOU CAN SAY HELLO.
540
00:21:26,089 --> 00:21:28,099
WE LOVE IT.
541
00:21:28,099 --> 00:21:32,150
WE LOVE IT.
542
00:21:28,099 --> 00:21:32,150
>> SPEAKING OF, YOU SAID I LOVE
543
00:21:32,150 --> 00:21:34,099
TO WIP.
544
00:21:32,150 --> 00:21:34,099
WE TALKED ABOUT THIS BEFORE.
545
00:21:34,099 --> 00:21:39,039
YOU'VE BEEN NOMINATED MANY TIMES
546
00:21:34,099 --> 00:21:39,039
AND IN SEARCH OF THE OSCAR.
547
00:21:39,039 --> 00:21:44,240
I WANT TO READ THIS.
548
00:21:39,039 --> 00:21:44,240
THIS IS THE FAKE DATING PROFILE
549
00:21:44,240 --> 00:21:51,000
THAT YOU CREATED WHERE YOU SAID
550
00:21:44,240 --> 00:21:51,000
YOU LIKE THEM SHORT, SMALL,
551
00:21:51,000 --> 00:21:57,069
SMOOTH AND GOLDEN.
552
00:21:51,000 --> 00:21:57,069
IS OSCAR GOING TO SWIPE RIGHT
553
00:21:57,069 --> 00:21:58,079
TONIGHT?
554
00:21:57,069 --> 00:21:58,079
SDPLI
555
00:21:58,079 --> 00:22:02,000
>> I HOPE HE SWIPES RIGHT.
556
00:21:58,079 --> 00:22:02,000
IS THAT THE GOOD ONE?
557
00:22:02,000 --> 00:22:05,119
I HAVEN'T BEEN ON THERE.
558
00:22:02,000 --> 00:22:05,119
>> I HAVEN'T EITHER.
559
00:22:05,119 --> 00:22:09,009
I'M MARRIED.
560
00:22:05,119 --> 00:22:09,009
THAT'S WHAT THE KIDS SAY.
561
00:22:09,009 --> 00:22:12,059
>> I'D LOVE TO MEET HIM.
562
00:22:09,009 --> 00:22:12,059
I THINK WE'LL GET ALONG AND HAVE
563
00:22:12,059 --> 00:22:16,119
A BEAUTIFUL LIFE TOGETHER.
564
00:22:12,059 --> 00:22:16,119
>> DIANE, THANK YOU SO MUCH.
565
00:22:16,119 --> 00:22:18,269
IT'S ALWAYS SO GREAT TO SEE YOU.
566
00:22:16,119 --> 00:22:18,269
HAVE FUN TONIGHT.
567
00:22:18,269 --> 00:22:21,140
BEST OF LUCK.
568
00:22:18,269 --> 00:22:21,140
>> THANK YOU.
569
00:22:21,140 --> 00:22:23,259
>> BYE.
570
00:22:21,140 --> 00:22:23,259
NINA, OVER TO YOU.
571
00:22:23,259 --> 00:22:27,269
>> YES, GIRL, YOU WANT THEM TO
572
00:22:23,259 --> 00:22:27,269
SWIPE RIGHT, NOT LEFT.
573
00:22:27,269 --> 00:22:32,200
YOU GET LEFT, IT MIGHT BE NUMBER
574
00:22:27,269 --> 00:22:32,200
13.
575
00:22:32,200 --> 00:22:34,089
SHE WAS GREAT.
576
00:22:32,200 --> 00:22:34,089
>> SHE WAS AMAZING.
577
00:22:34,089 --> 00:22:39,069
>> I LOVE THE SILVER TURTLE NECK
578
00:22:34,089 --> 00:22:39,069
WITH THE SUIT OVER THE TOP.
579
00:22:39,069 --> 00:22:42,059
>> A LOT OF GLITTER.
580
00:22:39,069 --> 00:22:42,059
I THINK WE MIGHT -- I KNOW YOU
581
00:22:42,059 --> 00:22:45,160
WERE SAYING RED WILL BE A LIT.
582
00:22:42,059 --> 00:22:45,160
I THINK WE'LL SEE A LOT OF
583
00:22:45,160 --> 00:22:46,279
SHINY.
584
00:22:45,160 --> 00:22:46,279
PEOPLE HAVE BEEN IN THE HOUSE.
585
00:22:46,279 --> 00:22:53,160
PEOPLE WANT TO BE SPARKLY.
586
00:22:46,279 --> 00:22:53,160
>> YEAH.
587
00:22:53,160 --> 00:22:56,269
>> RIGHT.
588
00:22:53,160 --> 00:22:56,269
FULL CONFESSION, I HAVE BEEN
589
00:22:56,269 --> 00:23:00,220
SEARCHING FOR A SEQUIN TURTLE
590
00:22:56,269 --> 00:23:00,220
NECK ONLINE BECAUSE THIS IS LIKE
591
00:23:00,220 --> 00:23:10,230
A WHOLE TREND HAPPENING.
592
00:23:00,220 --> 00:23:10,230
DAN LEVY WORE VALENTINO COUTURE.
593
00:23:10,230 --> 00:23:14,029
I JUST NEED TO DO IT.
594
00:23:10,230 --> 00:23:14,029
NOW DIANE WARREN IS DOING IT.
595
00:23:14,029 --> 00:23:17,170
>> HAVE YOU FOUND IT YET?
596
00:23:14,029 --> 00:23:17,170
>> NO, GIRL.
597
00:23:17,170 --> 00:23:26,109
>> WE GOT TO JUST MAKE IT THEN.
598
00:23:17,170 --> 00:23:26,109
>> NINA PARKER FOR MACY'S.
599
00:23:26,109 --> 00:23:29,289
IT'S A ONE OFF TURTLE NECK.
600
00:23:26,109 --> 00:23:29,289
>> WE'LL SQUEEZE YOU IN IN.
601
00:23:29,289 --> 00:23:33,140
I PROMISE YOU.
602
00:23:29,289 --> 00:23:33,140
>> ALL RIGHT.
603
00:23:33,140 --> 00:23:39,230
RIGHT NOW WE ARE GOING TO GO
604
00:23:33,140 --> 00:23:39,230
OVER TO KARAMO.
605
00:23:39,230 --> 00:23:45,210
>> YOU GOING TO SKEEZQUEEZE ME I
606
00:23:39,230 --> 00:23:45,210
THERE BECAUSE I LOVE THE NINA
607
00:23:45,210 --> 00:23:51,190
PARKER FROM MACY'S.
608
00:23:45,210 --> 00:23:51,190
PLUG, BABY.
609
00:23:51,190 --> 00:23:53,279
DO WE THINK SHE'LL WIN?
610
00:23:51,190 --> 00:23:53,279
THIS IS NUMBER 11.
611
00:23:53,279 --> 00:23:57,059
>> 12.
612
00:23:53,279 --> 00:23:57,059
THIS IS MAKING HER THE SUSAN
613
00:23:57,059 --> 00:24:06,210
LUCCI OF ORIGINAL SONGS.
614
00:23:57,059 --> 00:24:06,210
"HOW DO AI LIVE."
615
00:24:06,210 --> 00:24:11,119
"I HAD THE TIME OF MY LIFE."
616
00:24:06,210 --> 00:24:11,119
I'M NOT GOING TO LIE, I THINK
617
00:24:11,119 --> 00:24:17,019
LESLIE WILL BE TAKING IT HOME.
618
00:24:11,119 --> 00:24:17,019
>> WHEN YOU SAY ALL OF DIANE'S
619
00:24:17,019 --> 00:24:21,019
SONGS, IT BRINGS BACK THESE
620
00:24:17,019 --> 00:24:21,019
AMAZING MEMORIES OF MY LIFE.
621
00:24:21,019 --> 00:24:23,279
WE ALL KNOW ABOUT THOSE SONGS.
622
00:24:21,019 --> 00:24:23,279
WE'LL TRY FIGURE IT OUT.
623
00:24:23,279 --> 00:24:25,170
THE OSCARS WILL BE STARTING
624
00:24:23,279 --> 00:24:25,170
SOON.
625
00:24:25,170 --> 00:24:38,019
WE'LL BE RIGHT BACK
626
00:24:25,170 --> 00:24:38,019
>>> WELCOME BACK.
627
00:24:38,019 --> 00:24:44,099
I LET DIANE WARREN GET AWAY.
628
00:24:38,019 --> 00:24:44,099
WE'RE SO BUSY TALKING ABOUT YOUR
629
00:24:44,099 --> 00:24:46,259
BEAUTIFUL SONGS, WE'RE SO
630
00:24:44,099 --> 00:24:46,259
BEAUTIFUL TALKING ABOUT THE
631
00:24:46,259 --> 00:24:52,089
QUEST FOR OSCAR THAT I LET YOU
632
00:24:46,259 --> 00:24:52,089
GO AND DIDN'T ASK WHO THIS
633
00:24:52,089 --> 00:25:02,180
AMAZING TUXEXDO IS BY.
634
00:24:52,089 --> 00:25:02,180
>> VALENTINO.
635
00:25:02,180 --> 00:25:08,220
LAURA GOES VALENTINO WILL DRESS
636
00:25:02,180 --> 00:25:08,220
YOU.
637
00:25:08,220 --> 00:25:12,059
IVE NEVER BEEN DRESSED BEFORE.
638
00:25:08,220 --> 00:25:12,059
I HAVE A BLACK SUIT WITH THE
639
00:25:12,059 --> 00:25:18,079
SAME FROG ON IT.
640
00:25:12,059 --> 00:25:18,079
>> YOU'RE CHANGING FOR THE
641
00:25:18,079 --> 00:25:21,180
PERFORMANCE IN A LITTLE BIT?
642
00:25:18,079 --> 00:25:21,180
>> YEAH.
643
00:25:21,180 --> 00:25:23,279
>> THIS IS STUNNING.
644
00:25:21,180 --> 00:25:23,279
REALLY BEAUTIFUL.
645
00:25:23,279 --> 00:25:29,039
I LET YOU GO AND THEY WERE TALK
646
00:25:23,279 --> 00:25:29,039
ABOUT HOW AMAZING THIS LOOK IS.
647
00:25:29,039 --> 00:25:31,160
I SAID I GOT TO GET DIANE BACK
648
00:25:29,039 --> 00:25:31,160
HERE.
649
00:25:31,160 --> 00:25:36,089
THANK YOU FOR COMING BACK.
650
00:25:31,160 --> 00:25:36,089
>> I WAS JUST RIGHT THERE.
651
00:25:36,089 --> 00:25:40,190
>> NO, NO, IT WAS VERY
652
00:25:36,089 --> 00:25:40,190
THOUGHTFUL.
653
00:25:40,190 --> 00:25:45,069
THANK YOU.
654
00:25:40,190 --> 00:25:45,069
EVERYTHING VALENTION.
655
00:25:45,069 --> 00:25:46,160
LOVE IT.
656
00:25:45,069 --> 00:25:46,160
BEAUTIFUL.
657
00:25:46,160 --> 00:25:47,259
BEAUTIFUL.
658
00:25:46,160 --> 00:25:47,259
LOVE IT.
659
00:25:47,259 --> 00:25:53,180
GETTING ALL THE FASHION SCOOP
660
00:25:47,259 --> 00:25:53,180
HERE.
661
00:25:53,180 --> 00:25:54,170
BRAD, ARE YOU LOVING IT RIGHT
662
00:25:53,180 --> 00:25:54,170
NOW?
663
00:25:54,170 --> 00:25:58,029
>> YEAH BECAUSE FIRST OF ALL,
664
00:25:54,170 --> 00:25:58,029
THAT COLLECTION IS SO INSANE.
665
00:25:58,029 --> 00:26:01,190
I'M LIKE I'M DYING TO GET MY
666
00:25:58,029 --> 00:26:01,190
HANDS ON ONE OF THOSE TURTLE
667
00:26:01,190 --> 00:26:03,069
NECKS.
668
00:26:01,190 --> 00:26:03,069
SHE LOOKS AMAZING.
669
00:26:03,069 --> 00:26:08,279
THAT'S SUCH A GREAT WAY TO SHOW
670
00:26:03,069 --> 00:26:08,279
UP APT THE OST OSCARS AND I'M A
671
00:26:08,279 --> 00:26:10,220
OF HER SONGS.
672
00:26:08,279 --> 00:26:10,220
>> ME TOO.
673
00:26:10,220 --> 00:26:14,009
I JUST WANTED TO SET THE TONE
674
00:26:10,220 --> 00:26:14,009
EARLY ON IN THE SHOW THAT WE'RE
675
00:26:14,009 --> 00:26:17,029
GOING TO GET THE ANSWERS YOU
676
00:26:14,009 --> 00:26:17,029
GUYS WANT.
677
00:26:17,029 --> 00:26:23,079
ALL THE ANSWERS HOWEVER WE HAVE
678
00:26:17,029 --> 00:26:23,079
TO DO IT.
679
00:26:23,079 --> 00:26:30,039
>> SHE WAS JUST RIGHT THERE.
680
00:26:23,079 --> 00:26:30,039
SHE'S LIKE I GOT HER BACK HER.
681
00:26:30,039 --> 00:26:35,069
SHE WAS LIKE I WAS RIGHT THERE.
682
00:26:30,039 --> 00:26:35,069
YOU YELLED DIANE AND I CAME
683
00:26:35,069 --> 00:26:37,200
BACK.
684
00:26:35,069 --> 00:26:37,200
>> SHE WAS IN MIDDLE OF AN
685
00:26:37,200 --> 00:26:41,119
INTERVIEW AND PER PUBLICIST AND
686
00:26:37,200 --> 00:26:41,119
I WAS LIKE IS THERE ANY WAY WE
687
00:26:41,119 --> 00:26:45,200
COULD DO ANOTHER QUICK INTERVIEW
688
00:26:41,119 --> 00:26:45,200
WITH DIANE.
689
00:26:45,200 --> 00:26:48,160
>> OF COURSE.
690
00:26:45,200 --> 00:26:48,160
>> SHE WAS NEARBY.
691
00:26:48,160 --> 00:26:51,220
>> YES.
692
00:26:48,160 --> 00:26:51,220
>> I LOVE YOU FOR GETTING THAT
693
00:26:51,220 --> 00:26:53,119
SCOOP.
694
00:26:51,220 --> 00:26:53,119
>> IF YOU NEED ANYTHING ELSE,
695
00:26:53,119 --> 00:26:54,190
I'M HERE.
696
00:26:53,119 --> 00:26:54,190
>> WE DO.
697
00:26:54,190 --> 00:27:01,150
>> JUST LET ME KNOW.
698
00:26:54,190 --> 00:27:01,150
>> ANY FASHION CRED YOU CAN GET
699
00:27:01,150 --> 00:27:04,119
US THAT HAVEN'T COME IN, LET US
700
00:27:01,150 --> 00:27:04,119
KNOW.
701
00:27:04,119 --> 00:27:13,250
LOOKS SO FUN DOWN THERE.
702
00:27:04,119 --> 00:27:13,250
>> WE'RE GOING TO CHECK IN WITH
703
00:27:13,250 --> 00:27:17,059
KARAMO.
704
00:27:13,250 --> 00:27:17,059
>> I LOVE HOW BRAD TROLLS ALL OF
705
00:27:17,059 --> 00:27:20,210
US.
706
00:27:17,059 --> 00:27:20,210
THIS IS WHAT HAPPENS HERE.
707
00:27:20,210 --> 00:27:24,160
DIANE DOES LOOK AMAZING.
708
00:27:20,210 --> 00:27:24,160
WE'RE BREAKING DOWN THE BIGGEST
709
00:27:24,160 --> 00:27:26,059
KATS GOIR
710
00:27:24,160 --> 00:27:26,059
KATS GOIRS OF THE FLIGHT.
711
00:27:26,059 --> 00:27:32,119
ONE OF THE MOST EXCITEING IS BES
712
00:27:26,059 --> 00:27:32,119
ACTOR CATEGORY.
713
00:27:32,119 --> 00:27:36,150
>> I GAVE HER A SONG SHE DIDN'T
714
00:27:32,119 --> 00:27:36,150
WRITE BECAUSE I THINK SHE WROTE
715
00:27:36,150 --> 00:27:40,109
EVERYTHING.
716
00:27:36,150 --> 00:27:40,109
SHE WROTE NEWSICMUSIC TO MY HEAR
717
00:27:40,109 --> 00:27:50,000
NOT THE TIME OF MY LIFE.
718
00:27:40,109 --> 00:27:50,000
CHADWICK BOSEMAN AND GARY OLDMAN
719
00:27:50,000 --> 00:28:02,119
FOR MANK.
720
00:27:50,000 --> 00:28:02,119
THIS WILL BE SUCH AN INCREDIBLE
721
00:28:02,119 --> 00:28:08,150
EVENING AND ANTHONY HOPKINS
722
00:28:02,119 --> 00:28:08,150
MIGHT MAKE HISTORY AS THE OLDEST
723
00:28:08,150 --> 00:28:12,029
NOMINEE TO WIN.
724
00:28:08,150 --> 00:28:12,029
THEY WILL MAKE NEWS.
725
00:28:12,029 --> 00:28:24,000
>> RUNNING THE COMPETITION IS
726
00:28:12,029 --> 00:28:24,000
GARY OLDMAN WHO IS NOMINATED FOR
727
00:28:24,000 --> 00:28:27,069
"MANK."
728
00:28:24,000 --> 00:28:27,069
HE WILL TOLD DANIEL DAY LEWIS.
729
00:28:27,069 --> 00:28:30,079
ALL LEADING MEN DID WONDERFUL
730
00:28:27,069 --> 00:28:30,079
AND DESERVING.
731
00:28:30,079 --> 00:28:32,119
WHAT ARE YOUR PREDICTIONS.
732
00:28:30,079 --> 00:28:32,119
I GOT TO KNOW.
733
00:28:32,119 --> 00:28:37,089
>> SO FAR IT'S REALLY BEEN
734
00:28:32,119 --> 00:28:37,089
CHADWICK SORT OF THEME THIS
735
00:28:37,089 --> 00:28:40,069
YEAR.
736
00:28:37,089 --> 00:28:40,069
HE'S REALLY RUN AWAY WITH IT
737
00:28:40,069 --> 00:28:43,140
WITH THE CRITICS CLOISHOICE.
738
00:28:40,069 --> 00:28:43,140
IT'S NOT JUST BECAUSE OF LEGACY.
739
00:28:43,140 --> 00:28:46,059
HE REALLY EARNED IT WITH THIS
740
00:28:43,140 --> 00:28:46,059
PERFORMANCE.
741
00:28:46,059 --> 00:28:51,000
THIS BEING HIS FIRST TIME BEING
742
00:28:46,059 --> 00:28:51,000
NOMINATED FOR OSCAR DESPITE HIS
743
00:28:51,000 --> 00:28:54,170
INCREDIBLE PERFORMANCES
744
00:28:51,000 --> 00:28:54,170
THROUGHOUT HIS CAREER.
745
00:28:54,170 --> 00:29:00,099
>> NEXT UP, RIZ AHMED IS MAKING
746
00:28:54,170 --> 00:29:00,099
DOUBLE HISTORY AS THE FIRST TWO
747
00:29:00,099 --> 00:29:03,259
ASIAN TO BE NOMINATED.
748
00:29:00,099 --> 00:29:03,259
RIZ SPENT CLOSE TO A YEAR
749
00:29:03,259 --> 00:29:07,200
LEARNING SIGN LANGUAGE AND HOW
750
00:29:03,259 --> 00:29:07,200
TO BE A DRUMMER FOR THERE ROLE.
751
00:29:07,200 --> 00:29:12,200
THAT'S SOME SERIOUS COMMITMENT.
752
00:29:07,200 --> 00:29:12,200
DEFINITELY A TOUGH CATEGORY.
753
00:29:12,200 --> 00:29:16,000
WE'LL WILL TUNING IN TO SEE WHO
754
00:29:12,200 --> 00:29:16,000
TAKES HOME THE OSCAR BUT ALL
755
00:29:16,000 --> 00:29:18,240
EYES ARE ON THE RED CARPET.
756
00:29:16,000 --> 00:29:18,240
WE'RE BRINGING YOU ALL THE
757
00:29:18,240 --> 00:29:23,029
ACTION WHEN LIVE FROM E RETURNS.
758
00:29:18,240 --> 00:29:23,029
GOING BE A GOOD NIGHT.
759
00:29:23,029 --> 00:29:23,200
>> I KNOW.
760
00:29:37,099 --> 00:29:40,220
>>> WELCOME BACK THE LIVE ON E
761
00:29:37,099 --> 00:29:40,220
ON OSCAR SUNDAY.
762
00:29:40,220 --> 00:29:47,039
THERE'S SO MUCH ACTION ON THE
763
00:29:40,220 --> 00:29:47,039
RED CARPET PUBUT A LOT OF LOYAL
764
00:29:47,039 --> 00:29:51,079
HOLLYWOOD A LISTERS HAVE BEEN
765
00:29:47,039 --> 00:29:51,079
DEBUTING THEIR LOOKS ON SOCIAL
766
00:29:51,079 --> 00:29:56,140
MEDIA.
767
00:29:51,079 --> 00:29:56,140
TAKE A LOOK AT ALISON BRIE.
768
00:29:56,140 --> 00:29:59,170
YOU GUYS HAVE THOUGHTS?
769
00:29:56,140 --> 00:29:59,170
>> SHE GOT A LITTLE PERSONALIZED
770
00:29:59,170 --> 00:30:01,150
CASHMERE SWEATER THERE.
771
00:29:59,170 --> 00:30:01,150
>> I LIKE IT.
772
00:30:01,150 --> 00:30:05,170
>> SHE'S GREAT IN THE FILM.
773
00:30:01,150 --> 00:30:05,170
>> I THINK IT'S CUTE.
774
00:30:05,170 --> 00:30:07,049
I'M HERE FOR IT.
775
00:30:05,170 --> 00:30:07,049
>> I CAN'T WAIT TO SEE HER LOOK.
776
00:30:07,049 --> 00:30:14,000
>> WHO WE HAVE NEXT IS MARIA
777
00:30:07,049 --> 00:30:14,000
FROM --
778
00:30:14,000 --> 00:30:19,150
>> OH.
779
00:30:14,000 --> 00:30:19,150
BEAUTIFUL.
780
00:30:19,150 --> 00:30:23,190
>> IT'S CUSTOM DRESS IN SILK
781
00:30:19,150 --> 00:30:23,190
SATIN AND FRENCH TOOL WITH A
782
00:30:23,190 --> 00:30:26,140
DEEP V NECKLINE.
783
00:30:23,190 --> 00:30:26,140
WE SEE THAT.
784
00:30:26,140 --> 00:30:31,069
TAILORED CLASSIC.
785
00:30:26,140 --> 00:30:31,069
IT'S EMBROIDERED WITH WHITE
786
00:30:31,069 --> 00:30:34,029
CRYSTALS AND TWO DIFFERENT SIZES
787
00:30:31,069 --> 00:30:34,029
OF BEADS.
788
00:30:34,029 --> 00:30:38,240
>> WHITE SEEMS TO BE BIG TREND.
789
00:30:34,029 --> 00:30:38,240
>> 100 METERS.
790
00:30:38,240 --> 00:30:41,200
THE SKIRT IS ENTIRELY RUFFLED
791
00:30:38,240 --> 00:30:41,200
AND LAYERED BY HAND.
792
00:30:41,200 --> 00:30:44,200
>> WE'LL SEE A LOOK LATER.
793
00:30:41,200 --> 00:30:44,200
>> WE'LL SEE A LOOK.
794
00:30:44,200 --> 00:30:47,220
>> NAILED IT.
795
00:30:44,200 --> 00:30:47,220
>> BEAUTIFUL.
796
00:30:47,220 --> 00:30:50,009
>> I LOVE THAT YOU CAN TEXT
797
00:30:47,220 --> 00:30:50,009
THESE PEOPLE.
798
00:30:50,009 --> 00:30:53,210
>> MY PHONE IS THIS SLOW.
799
00:30:50,009 --> 00:30:53,210
>> I'M SAYING YOU HAVE ACCESS TO
800
00:30:53,210 --> 00:30:58,269
THINGS THAT THE REST OF US HAVE
801
00:30:53,210 --> 00:30:58,269
TO GOOGLE, GIRL.
802
00:30:58,269 --> 00:31:09,230
WE GOT TO GO OVER TO KARAMO.
803
00:30:58,269 --> 00:31:09,230
>> YOU READY THIS?
804
00:31:09,230 --> 00:31:22,049
>> I'M READY.
805
00:31:09,230 --> 00:31:22,049
>> WE KNOW THE NOMINEES.
806
00:31:22,049 --> 00:31:30,220
SHE PLAYS THE GRANDMOTHER IN MAN
807
00:31:22,049 --> 00:31:30,220
"MINARI.
808
00:31:30,220 --> 00:31:36,200
I GOT TO GIVE IT UP FOR OLIVIA
809
00:31:30,220 --> 00:31:36,200
COALMAN
810
00:31:36,200 --> 00:31:43,210
COLEMAN FOR HER OSCAR WIN.
811
00:31:36,200 --> 00:31:43,210
THIS IS FILM WITH AN UNRELIABLE
812
00:31:43,210 --> 00:31:44,210
NARRATER.
813
00:31:43,210 --> 00:31:44,210
I LOVE HER.
814
00:31:44,210 --> 00:31:48,019
DID YOU GET CHANCE TO SEE THE
815
00:31:44,210 --> 00:31:48,019
FAVORITE?
816
00:31:48,019 --> 00:31:49,210
>> I DID.
817
00:31:48,019 --> 00:31:49,210
SO GOOD.
818
00:31:49,210 --> 00:32:00,130
>> ALSO WE HAVE MISS GLENN CLOSE
819
00:31:49,210 --> 00:32:00,130
COMEING IN FOR HER NEXT
820
00:32:00,130 --> 00:32:05,019
NOMINATION, NUMBER EIGHT.
821
00:32:00,130 --> 00:32:05,019
SHE'S ALSO NOMINATED FOR A
822
00:32:05,019 --> 00:32:06,289
RAZZI.
823
00:32:05,019 --> 00:32:06,289
WE WANT TO SEE HER TAKE IT HOME.
824
00:32:06,289 --> 00:32:08,259
I DON'T THINK IT WILL BE
825
00:32:06,289 --> 00:32:08,259
TONIGHT.
826
00:32:08,259 --> 00:32:13,089
MARIA, THAT LOOK.
827
00:32:08,259 --> 00:32:13,089
CHA
828
00:32:13,089 --> 00:32:16,160
WHAT DID YOU THINK OF THAT
829
00:32:13,089 --> 00:32:16,160
DRESS?
830
00:32:16,160 --> 00:32:23,099
>> IT WAS GIVING ME VANITY FAIR.
831
00:32:16,160 --> 00:32:23,099
YOU'RE RIGHT, WHITE IS IN
832
00:32:23,099 --> 00:32:30,119
TONIGHT.
833
00:32:23,099 --> 00:32:30,119
>> SHE MADE A TON OF HEADLINES.
834
00:32:30,119 --> 00:32:32,109
>> SHE'S BEEN DOING IT RIGHT ALL
835
00:32:30,119 --> 00:32:32,109
SEASON.
836
00:32:32,109 --> 00:32:36,259
I'M EXCITED FOR HER TONIGHT.
837
00:32:32,109 --> 00:32:36,259
WE'LL BE SEEING VERY SOON.
838
00:32:36,259 --> 00:32:42,059
NINA OVER TO YOU.
839
00:32:36,259 --> 00:32:42,059
>> LET'S TALK ABOUT BEST SONG
840
00:32:42,059 --> 00:32:45,180
NOMINEE, TIANA THOMAS.
841
00:32:42,059 --> 00:32:45,180
THIS LOOK SHE HAS ON THE RED
842
00:32:45,180 --> 00:32:48,170
CARPET.
843
00:32:45,180 --> 00:32:48,170
WE WERE ALL GAG OVER THIS LOOK.
844
00:32:48,170 --> 00:32:51,180
>> INCREDIBLE.
845
00:32:48,170 --> 00:32:51,180
>> SHE LOOKS INCREDIBLE.
846
00:32:51,180 --> 00:32:55,109
>> WHITE AGAIN.
847
00:32:51,180 --> 00:32:55,109
>> IT'S WINNING TONIGHT.
848
00:32:55,109 --> 00:33:03,140
>> COMING WITH HER BEHIND HER.
849
00:32:55,109 --> 00:33:03,140
THIS LOOK WITH THE PLUNGING
850
00:33:03,140 --> 00:33:06,000
DETAILS, THE NECKLINE.
851
00:33:03,140 --> 00:33:06,000
THAT DIAMOND.
852
00:33:06,000 --> 00:33:09,210
>> THAT DIAMOND.
853
00:33:06,000 --> 00:33:09,210
BEYOND THAT, THE POSING.
854
00:33:09,210 --> 00:33:16,059
GIVING FACE.
855
00:33:09,210 --> 00:33:16,059
>> THE AMPHETAMINE TERSFEATHERS
856
00:33:16,059 --> 00:33:17,240
ARE A NICE TOUCH.
857
00:33:16,059 --> 00:33:17,240
>> I THINK WHEN SHE TAKES OFF
858
00:33:17,240 --> 00:33:21,029
THAT JACKET, WE'LL SEE MORE
859
00:33:17,240 --> 00:33:21,029
DETAIL.
860
00:33:21,029 --> 00:33:27,019
SHE LOOKS PHENOMENAL.
861
00:33:21,029 --> 00:33:27,019
LET'S HEAD BACK OVER TO GIULIANA
862
00:33:27,019 --> 00:33:31,109
OVER ON THE RED CARPET.
863
00:33:27,019 --> 00:33:31,109
>> WE FIRST FELL IN LOVE WITH
864
00:33:31,109 --> 00:33:43,059
HIM AS GLEN ON THE WALKING DEAD.
865
00:33:31,109 --> 00:33:43,059
I'M SO EXCITED ABOUT THIS.
866
00:33:43,059 --> 00:33:49,130
STEPHEN IS JOINING US.
867
00:33:43,059 --> 00:33:49,130
MINARA IS ONE OF MY FAVORITE
868
00:33:49,130 --> 00:33:51,259
MOVIES.
869
00:33:49,130 --> 00:33:51,259
IT'S A MOVIE THAT STAY TSS WITH
870
00:33:51,259 --> 00:33:55,009
YOU.
871
00:33:51,259 --> 00:33:55,009
YOU PLAY JACOB WHO IS A KOREAN
872
00:33:55,009 --> 00:34:01,250
IMMIGRANT FARMER WHO MOVES HIS
873
00:33:55,009 --> 00:34:01,250
FAMILY TOLL A FARM A FARM IN ARK
874
00:34:01,250 --> 00:34:04,289
YOU SAID IT HELPED YOU
875
00:34:01,250 --> 00:34:04,289
RE-EXAMINE YOUR HONE CHILDHOOD?
876
00:34:04,289 --> 00:34:11,050
>> YEAH.
877
00:34:04,289 --> 00:34:11,050
I HAVE MY OWN KIDS.
878
00:34:11,050 --> 00:34:12,190
WHEN YOU HAVE YOUR OWN CHILDREN
879
00:34:11,050 --> 00:34:12,190
THINK THEY HELP YOU RE-EXAMINE
880
00:34:12,190 --> 00:34:14,150
OUGHT THINGS YOU THOUGHT YOU
881
00:34:12,190 --> 00:34:14,150
REMEMBERED.
882
00:34:14,150 --> 00:34:17,269
IT WAS REFRESHING TO SEE MY
883
00:34:14,150 --> 00:34:17,269
PARENTS GENERATION THROUGH CLEAR
884
00:34:17,269 --> 00:34:21,039
EYES.
885
00:34:17,269 --> 00:34:21,039
>> SPEAKING OF YOUR PARENTS, YOU
886
00:34:21,039 --> 00:34:26,260
KNOW YOU JOKE THAT YOU'RE STILL
887
00:34:21,039 --> 00:34:26,260
SEARCH FOR YOUR MOTHER'S
888
00:34:26,260 --> 00:34:28,050
APPROVAL
889
00:34:26,260 --> 00:34:28,050
APPROVAL.
890
00:34:28,050 --> 00:34:30,070
YOU SAID IS MOM WATCHING TONIGHT
891
00:34:28,050 --> 00:34:30,070
AND DOES MOM APPROVE.
892
00:34:30,070 --> 00:34:33,230
YOU'RE HERE ON THE OSCARS RED
893
00:34:30,070 --> 00:34:33,230
CARPET, NOMINATED.
894
00:34:33,230 --> 00:34:36,289
>> MY NO, MA'AM HAS BEEN SO
895
00:34:33,230 --> 00:34:36,289
SUPPORTIVE AND SO LOVING AND
896
00:34:36,289 --> 00:34:39,280
SHE'S ACTUALLY AT HOME WATCHING
897
00:34:36,289 --> 00:34:39,280
OUR CHILDREN.
898
00:34:39,280 --> 00:34:41,159
>> SHE IS?
899
00:34:39,280 --> 00:34:41,159
>> SHE CAME.
900
00:34:41,159 --> 00:34:45,119
SHE MADE IT OUT HERE.
901
00:34:41,159 --> 00:34:45,119
WE'RE REALLY THANKFUL AND
902
00:34:45,119 --> 00:34:47,150
BLESSED TO HAVE THE PARENTS HERE
903
00:34:45,119 --> 00:34:47,150
AND THE GRANDPARENTS.
904
00:34:47,150 --> 00:34:50,159
LOOKING FORWARD TO TALKING TO
905
00:34:47,150 --> 00:34:50,159
HER ABOUT IT.
906
00:34:50,159 --> 00:34:53,099
>> DO YOU WANT TO SAY HELLO.
907
00:34:50,159 --> 00:34:53,099
MAYBE SHE'S WATCHING LIVE.
908
00:34:53,099 --> 00:35:01,000
>> I LOVE YOU.
909
00:34:53,099 --> 00:35:01,000
>> THIS MOVIE IS SO SPECIAL TO
910
00:35:01,000 --> 00:35:02,250
SO MANY PEOPLE.
911
00:35:01,000 --> 00:35:02,250
HOW DID THIS FEEL KNOWING THAT
912
00:35:02,250 --> 00:35:05,059
SO MANY PEOPLE HAVE EMBRACED
913
00:35:02,250 --> 00:35:05,059
THIS FILM?
914
00:35:05,059 --> 00:35:13,289
>> IT FEELS REALLY WONDERFUL.
915
00:35:05,059 --> 00:35:13,289
I THINK IT'S A TESTAMENT TO
916
00:35:13,289 --> 00:35:18,269
ISAAC'S INCREDIBLE WRITING.
917
00:35:13,289 --> 00:35:18,269
WE ALL TRY TO TELL SOMETHING
918
00:35:18,269 --> 00:35:23,090
HONEST AND TRUE FROM THE
919
00:35:18,269 --> 00:35:23,090
HUMANITY THAT WE ALL SHARE.
920
00:35:23,090 --> 00:35:28,280
I'M GLAD IT'S CONNECTING.
921
00:35:23,090 --> 00:35:28,280
>> WE'RE SO HAPPY, WHAT ARE YOU
922
00:35:28,280 --> 00:35:31,230
FEELING RIGHT NOW IN.
923
00:35:28,280 --> 00:35:31,230
>> I HAVEN'T BEEN OUTSIDE IN
924
00:35:31,230 --> 00:35:33,289
YEAR.
925
00:35:31,230 --> 00:35:33,289
I'VE BEEN OUTSIDE BUT TO SEE YOU
926
00:35:33,289 --> 00:35:36,090
AND ALL THESE PEOPLE IS KIND OF
927
00:35:33,289 --> 00:35:36,090
STRANGE.
928
00:35:36,090 --> 00:35:39,179
I JUST DID AN INTERVIEW LIVE
929
00:35:36,090 --> 00:35:39,179
FIVE SEXDS BEFORE THIS WHERE I
930
00:35:39,179 --> 00:35:43,010
STUMBLED THROUGH THE WHOLE THING
931
00:35:39,179 --> 00:35:43,010
BECAUSE I HAVEN'T TALKED TO
932
00:35:43,010 --> 00:35:44,280
PEOPLE IN LONG TIME.
933
00:35:43,010 --> 00:35:44,280
THIS IS CRAZY.
934
00:35:44,280 --> 00:35:48,190
>> YOU KNOW WHAT, MAYBE THAT WAS
935
00:35:44,280 --> 00:35:48,190
A LITTLE WARM UP BECAUSE YOU
936
00:35:48,190 --> 00:35:50,110
WERE PERFECTION IN THIS
937
00:35:48,190 --> 00:35:50,110
INTERVIEW.
938
00:35:50,110 --> 00:35:53,000
>> PERFECTION.
939
00:35:50,110 --> 00:35:53,000
SUCH A PLEASURE TO TALK TO.
940
00:35:53,000 --> 00:35:55,150
THANK YOU SO MUCH.
941
00:35:53,000 --> 00:35:55,150
BEST OF LUCK TONIGHT.
942
00:35:55,150 --> 00:35:58,170
>> THANK YOU.
943
00:35:55,150 --> 00:35:58,170
>> ALL RIGHT.
944
00:35:58,170 --> 00:35:59,019
WE'LL BE RIGHT BACK LIVE ON E.
945
00:36:14,199 --> 00:36:20,170
>>> WELCOME BACK TO LIVE ON E.
946
00:36:14,199 --> 00:36:20,170
MY NEXT GUEST HAS TWO CHANCES TO
947
00:36:20,170 --> 00:36:29,190
WIN AN OSCAR TONIGHT.
948
00:36:20,170 --> 00:36:29,190
IT'S LESLIE ODAM JUNIOR.
949
00:36:29,190 --> 00:36:34,190
SO GOOD TO SEE YOU.
950
00:36:29,190 --> 00:36:34,190
>> GOOD TO SEE YOU.
951
00:36:34,190 --> 00:36:37,110
THERE IS NOT YOUR FIRST TIME.
952
00:36:34,190 --> 00:36:37,110
>> NOT MY FIRST.
953
00:36:37,110 --> 00:36:41,219
MAYBE MY 19th OR 20th.
954
00:36:37,110 --> 00:36:41,219
I NEED AN HOUR INTERVIEW WITH
955
00:36:41,219 --> 00:36:43,239
YOU BECAUSE WE HAVE SO MUCH TO
956
00:36:41,219 --> 00:36:43,239
TALK ABOUT.
957
00:36:43,239 --> 00:36:50,099
GOLDEN GLOBES.
958
00:36:43,239 --> 00:36:50,099
WE CHATTED ON ZOOM.
959
00:36:50,099 --> 00:36:53,059
SINCE THE GLOBES, SOMETHING HAS
960
00:36:50,099 --> 00:36:53,059
CHANGED.
961
00:36:53,059 --> 00:36:58,000
A LOT HAS CHANGED.
962
00:36:53,059 --> 00:36:58,000
YOU JUST WELCOMED A FOUR WEEK
963
00:36:58,000 --> 00:37:01,059
OLD.
964
00:36:58,000 --> 00:37:01,059
>> BABY BOY.
965
00:37:01,059 --> 00:37:05,150
HE WAS FOUR WEEKS WHEN HE WAS
966
00:37:01,059 --> 00:37:05,150
BORN.
967
00:37:05,150 --> 00:37:06,289
HE'S BIGGER.
968
00:37:05,150 --> 00:37:06,289
SDP
969
00:37:06,289 --> 00:37:08,159
>> YOU'RE RIGHT.
970
00:37:06,289 --> 00:37:08,159
HE'S FOUR WEEKS.
971
00:37:08,159 --> 00:37:11,110
>> IT'S AMAZING.
972
00:37:08,159 --> 00:37:11,110
HE'S THE SWEETEST.
973
00:37:11,110 --> 00:37:14,119
HE'S A DREAM BABY.
974
00:37:11,110 --> 00:37:14,119
WE'RE ENJOYING EVERY SECOND.
975
00:37:14,119 --> 00:37:18,119
>> YOU HAVE A LITTLE GIRL WHO
976
00:37:14,119 --> 00:37:18,119
JUST TURNED FOUR.
977
00:37:18,119 --> 00:37:20,159
>> YEAH.
978
00:37:18,119 --> 00:37:20,159
>> SO KPIETSEXCITING TOO.
979
00:37:20,159 --> 00:37:22,219
>> GIRL.
980
00:37:20,159 --> 00:37:22,219
>> PARENTS NIGHT OUT.
981
00:37:22,219 --> 00:37:27,250
>> IT'S PARENTS NIGHT OUT.
982
00:37:22,219 --> 00:37:27,250
A LITTLE DATE NIGHT TONIGHT.
983
00:37:27,250 --> 00:37:31,219
>> IT'S DAETTE NIGHT.
984
00:37:27,250 --> 00:37:31,219
YOU SAID WHEN YOU WERE MAKING
985
00:37:31,219 --> 00:37:34,159
"ONE NIGHT IN MIAMI" YOU GOT
986
00:37:31,219 --> 00:37:34,159
GOOSE BUMPS.
987
00:37:34,159 --> 00:37:36,159
YOU SAID IT WAS UNLIKE ANY OTHER
988
00:37:34,159 --> 00:37:36,159
EXPERIENCE.
989
00:37:36,159 --> 00:37:43,110
TELL US ABOUT THAT.
990
00:37:36,159 --> 00:37:43,110
>> IT REMINDED ME OF THE
991
00:37:43,110 --> 00:37:45,090
THEATER.
992
00:37:43,110 --> 00:37:45,090
IT'S ONLY AN EXPERIENCE I HAVE
993
00:37:45,090 --> 00:37:49,219
GOTTEN IN THE THEATER AND MAYBE
994
00:37:45,090 --> 00:37:49,219
IT'S BECAUSE THE SHOW STARTED.
995
00:37:49,219 --> 00:37:52,170
KENT POWERS WROTE THIS AS A
996
00:37:49,219 --> 00:37:52,170
PLAY.
997
00:37:52,170 --> 00:37:57,099
I THINK IT'S PLAY FIVE
998
00:37:52,170 --> 00:37:57,099
CONFIDENCE ALREADY.
999
00:37:57,099 --> 00:38:04,000
GETTING TO ARGUE WITH HIM A BIT.
1000
00:37:57,099 --> 00:38:04,000
IT WAS MAMGICGIC IN THE ROOM.
1001
00:38:04,000 --> 00:38:09,139
>> YOU AND REGINA KING ARE
1002
00:38:04,000 --> 00:38:09,139
CLOSE.
1003
00:38:09,139 --> 00:38:13,150
WHEN YOU SEE HER TONIGHT --
1004
00:38:09,139 --> 00:38:13,150
>> SHE'S GETTING HUGGED.
1005
00:38:13,150 --> 00:38:18,050
THAT'S WHAT I CAN TELL YOU.
1006
00:38:13,150 --> 00:38:18,050
I HAVEN'T SEEN HER SINCE THE
1007
00:38:18,050 --> 00:38:20,119
FILM CAME OUT.
1008
00:38:18,050 --> 00:38:20,119
IT'S BEEN A STRANGE BUT
1009
00:38:20,119 --> 00:38:23,099
WONDERFUL TIME.
1010
00:38:20,119 --> 00:38:23,099
THE FACT WE HAVE GONE THROUGH
1011
00:38:23,099 --> 00:38:28,070
WHAT WE HAVE GONE THROUGH BUT
1012
00:38:23,099 --> 00:38:28,070
CELEBRATE THE WHOLE TIME HAS
1013
00:38:28,070 --> 00:38:31,079
BEEN SO SPECIAL.
1014
00:38:28,070 --> 00:38:31,079
>> YOU'RE IN THE OSCAR RECORD
1015
00:38:31,079 --> 00:38:35,079
BOOKS AS THE FIRST MAN TO GET
1016
00:38:31,079 --> 00:38:35,079
NOMINATED FOR SONG WRITE AND
1017
00:38:35,079 --> 00:38:41,280
ACTING IN THE SAME YEAR.
1018
00:38:35,079 --> 00:38:41,280
WHAT WOULD YOU TELL LESLIE WHO
1019
00:38:41,280 --> 00:38:45,219
ALMOST QUIT ACTING ONCE UPON A
1020
00:38:41,280 --> 00:38:45,219
TIME.
1021
00:38:45,219 --> 00:38:48,150
>> DON'T DO IT.
1022
00:38:45,219 --> 00:38:48,150
HANG IN IT.
1023
00:38:48,150 --> 00:38:50,199
I ALMOST QUIT RIGHT BEFORE IT
1024
00:38:48,150 --> 00:38:50,199
GOT GOOD.
1025
00:38:50,199 --> 00:38:52,050
I WOULD TELL HIM TO DO WHAT HE
1026
00:38:50,199 --> 00:38:52,050
DID.
1027
00:38:52,050 --> 00:38:56,050
HA HE DID WAS HE REACHED OUT.
1028
00:38:52,050 --> 00:38:56,050
WHEN YOU FEEL LONELY, WHEN YOU
1029
00:38:56,050 --> 00:39:01,099
FEEL DEPRESSED LIKE YOU NEED
1030
00:38:56,050 --> 00:39:01,099
HELP TO TAKE ANOTHER STEP, REACH
1031
00:39:01,099 --> 00:39:03,099
OUT TO SOMEBODY TO HELP YOU TAKE
1032
00:39:01,099 --> 00:39:03,099
THE NEXT STEP.
1033
00:39:03,099 --> 00:39:06,099
>> SOMEONE WHO HELPED YOU KEEP
1034
00:39:03,099 --> 00:39:06,099
ONGOING.
1035
00:39:06,099 --> 00:39:13,250
>> MY FATHER-IN-LAW.
1036
00:39:06,099 --> 00:39:13,250
I MET WITH HIM AT MARIE
1037
00:39:13,250 --> 00:39:18,219
CALLENDAR AND OVER CHICKEN POT
1038
00:39:13,250 --> 00:39:18,219
PIE, HE HELPED ME NOT QUIT ON
1039
00:39:18,219 --> 00:39:20,159
MYSELF.
1040
00:39:18,219 --> 00:39:20,159
>> WE'RE SO HAPPY TO SEE THE TWO
1041
00:39:20,159 --> 00:39:24,010
OF YOU.
1042
00:39:20,159 --> 00:39:24,010
CONGRATULATIONS ON SO MANY
1043
00:39:24,010 --> 00:39:25,099
THINGS.
1044
00:39:24,010 --> 00:39:25,099
PROFESSIONALLY AND PERSONALLY AS
1045
00:39:25,099 --> 00:39:26,219
WELL.
1046
00:39:25,099 --> 00:39:26,219
THANK YOU FOR STOPPING BY.
1047
00:39:26,219 --> 00:39:28,260
>> THANKS FOR MAKING TIME.
1048
00:39:26,219 --> 00:39:28,260
YOU LOOK BEAUTIFUL.
1049
00:39:28,260 --> 00:39:31,150
>> SPEAKING OF, WHO ARE YOU
1050
00:39:28,260 --> 00:39:31,150
WEARING TONIGHT?
1051
00:39:31,150 --> 00:39:34,150
ENOUGH ABOUT MY DRESS.
1052
00:39:31,150 --> 00:39:34,150
WHO ARE YOU TWO WEARING TONIGHT?
1053
00:39:34,150 --> 00:39:40,219
>> I'M THE LUCKY MAN.
1054
00:39:34,150 --> 00:39:40,219
I'M WEARING CARTIER JEWELRY AND
1055
00:39:40,219 --> 00:39:45,260
OMEGA WATCH.
1056
00:39:40,219 --> 00:39:45,260
>> WHO ARE YOU WEARING?
1057
00:39:45,260 --> 00:39:48,099
YOU LOOK BEAUTIFUL.
1058
00:39:45,260 --> 00:39:48,099
THE TWO OF YOU LOOK BEAUTIFUL.
1059
00:39:48,099 --> 00:39:51,239
>> WE FEEL LUCKY.
1060
00:39:48,099 --> 00:39:51,239
WE'RE NORMALLY IN SWEAT PANTS
1061
00:39:51,239 --> 00:39:54,099
WITH SPIT UP ALL OVER US.
1062
00:39:51,239 --> 00:39:54,099
THIS IS A BIG STEP FORWARD.
1063
00:39:54,099 --> 00:39:58,210
>> THIS IS GREAT DATE NIGHT.
1064
00:39:54,099 --> 00:39:58,210
>> BEST OF LUCK.
1065
00:39:58,210 --> 00:40:01,139
SO NICE TO SEE YOU.
1066
00:39:58,210 --> 00:40:01,139
GOOD NIGHT, YOU GUYS.
1067
00:40:01,139 --> 00:40:01,190
HAVE FUN.
1068
00:40:26,190 --> 00:40:32,250
>> WE'RE GOING TO GO BACK TO
1069
00:40:26,190 --> 00:40:32,250
NINA AT THE HOLLYWOOD ROOSEVELT
1070
00:40:32,250 --> 00:40:37,139
HOTEL.
1071
00:40:32,250 --> 00:40:37,139
>> I DIDN'T KNOW CHICKEN POT PIE
1072
00:40:37,139 --> 00:40:41,030
COULD SOOTH THE SOUL LIKE THAT.
1073
00:40:37,139 --> 00:40:41,030
I'M SO HAPPY FOR HIM AND
1074
00:40:41,030 --> 00:40:43,239
NICOLETTE.
1075
00:40:41,030 --> 00:40:43,239
JUST HAD A BABY FOUR WEEKS AGO.
1076
00:40:43,239 --> 00:40:45,250
HOW FANTASTIC DOES SHE LOOK.
1077
00:40:43,239 --> 00:40:45,250
>> AMAZING.
1078
00:40:45,250 --> 00:40:48,030
>> AS A MOTHER, THIS IS
1079
00:40:45,250 --> 00:40:48,030
IMPOSSIBLE.
1080
00:40:48,030 --> 00:40:51,269
HOW DID SHE LOOK THIS AMAZING IN
1081
00:40:48,030 --> 00:40:51,269
THIS GORGEOUS DRESS?
1082
00:40:51,269 --> 00:40:54,159
AND JUST SO HAPPY.
1083
00:40:51,269 --> 00:40:54,159
AND THE TWO OF THEM TOGETHER.
1084
00:40:54,159 --> 00:40:57,210
>> THEY'RE GLOWING.
1085
00:40:54,159 --> 00:40:57,210
>> THAT TUX, INCREDIBLE.
1086
00:40:57,210 --> 00:41:01,130
>> WE WERE WONDERING -- I KNOW
1087
00:40:57,210 --> 00:41:01,130
YOU SAID HE'S BEEN DOING A LOT
1088
00:41:01,130 --> 00:41:04,099
OF COLOR.
1089
00:41:01,130 --> 00:41:04,099
I DIDN'T EXPECT GOLD, SO I'M
1090
00:41:04,099 --> 00:41:07,110
SUPEREXCITED TO SEE IT.
1091
00:41:04,099 --> 00:41:07,110
>> HE'S ONE OF MY NEW STYLE
1092
00:41:07,110 --> 00:41:08,289
CRUSHES.
1093
00:41:07,110 --> 00:41:08,289
I LOVE EVERYTHING HE'S DOING
1094
00:41:08,289 --> 00:41:13,179
WITH HIS STYLIST AND THEY ARE
1095
00:41:08,289 --> 00:41:13,179
JUST TURNING IT OUT.
1096
00:41:13,179 --> 00:41:16,130
THEY'VE HAD SUCH A GREAT AWARD
1097
00:41:13,179 --> 00:41:16,130
SEASON RUN.
1098
00:41:16,130 --> 00:41:21,159
AND THIS IS OBVIOUSLY THE CHERRY
1099
00:41:16,130 --> 00:41:21,159
ON THE ICE CREAM SUN DE.
1100
00:41:21,159 --> 00:41:24,179
IT IS GORGEOUS AND SHE IS
1101
00:41:21,159 --> 00:41:24,179
STUNNING.
1102
00:41:24,179 --> 00:41:29,050
>> JUST THE EPITOME OF BLACK
1103
00:41:24,179 --> 00:41:29,050
EXCELLENCE.
1104
00:41:29,050 --> 00:41:31,130
I LOVE SEEING THEM DAY IN AND
1105
00:41:29,050 --> 00:41:31,130
DAY OUT.
1106
00:41:31,130 --> 00:41:35,070
>> NINA, THANK YOU SO MUCH.
1107
00:41:31,130 --> 00:41:35,070
OUR NEXT GUEST MADE "PROMISING
1108
00:41:35,070 --> 00:41:38,090
YOUNG WOMAN" AND BECAME THE
1109
00:41:35,070 --> 00:41:38,090
FIRST BRITISH FEMALE TO BE
1110
00:41:38,090 --> 00:41:41,289
NOMINATED FOR BEST DIRECTOR.
1111
00:41:38,090 --> 00:41:41,289
SHE HAS THREE NOMINATIONS,
1112
00:41:41,289 --> 00:41:48,260
INCLUDING WRITING AND PRODUCING.
1113
00:41:41,289 --> 00:41:48,260
IT'S EMERALD FADELL.
1114
00:41:48,260 --> 00:41:50,179
YOU ARE LOOKING BEAUTIFUL THIS
1115
00:41:48,260 --> 00:41:50,179
EVENING.
1116
00:41:50,179 --> 00:41:52,150
>> THANK YOU.
1117
00:41:50,179 --> 00:41:52,150
>> I SAW YOU COMING OVER.
1118
00:41:52,150 --> 00:41:54,280
YOU'RE VERY EXCITED.
1119
00:41:52,150 --> 00:41:54,280
IT SEEMED LIKE YOU WERE JUST
1120
00:41:54,280 --> 00:41:57,090
OWNING THE RED CARPET, ENJOYING
1121
00:41:54,280 --> 00:41:57,090
EVERY SECOND OF IT.
1122
00:41:57,090 --> 00:42:00,130
>> WELL, IT'S JUST -- I MEAN,
1123
00:41:57,090 --> 00:42:00,130
IT'S NOT EVERY DAY YOU GET TO
1124
00:42:00,130 --> 00:42:04,250
WALK THE OSCARS RED CARPET.
1125
00:42:00,130 --> 00:42:04,250
SO, I FEEL LIKE, YEAH, IT'S THE
1126
00:42:04,250 --> 00:42:09,019
MOST EXCITING DAY OF MY LIFE.
1127
00:42:04,250 --> 00:42:09,019
>> EMERALD, THERE'S BEEN SUCH
1128
00:42:09,019 --> 00:42:10,190
INCREDIBLE FEEDBACK AROUND YOUR
1129
00:42:09,019 --> 00:42:10,190
FILM.
1130
00:42:10,190 --> 00:42:13,139
WHAT DOES THAT MEAN TO YOU AND
1131
00:42:10,190 --> 00:42:13,139
WHAT IS SOME OF THE FEEDBACK
1132
00:42:13,139 --> 00:42:17,019
THAT MAYBE HAS STAYED WITH YOU?
1133
00:42:13,139 --> 00:42:17,019
>> IT'S JUST HONESTLY IT'S ALL
1134
00:42:17,019 --> 00:42:19,110
BEEN INCREDIBLE.
1135
00:42:17,019 --> 00:42:19,110
AND I JUST NEVER EXPECTED --
1136
00:42:19,110 --> 00:42:24,039
NONE OF US EXPECTED -- WE MADE
1137
00:42:19,110 --> 00:42:24,039
THIS MOVIE IN 23 DAYS.
1138
00:42:24,039 --> 00:42:26,269
WE NEVER EXPECTED IT TO GET TO
1139
00:42:24,039 --> 00:42:26,269
THE STAGE.
1140
00:42:26,269 --> 00:42:30,170
I THINK WHAT'S BEEN SO MOVING IS
1141
00:42:26,269 --> 00:42:30,170
PEOPLE'S CANDOR AND THE
1142
00:42:30,170 --> 00:42:32,139
CONVERSATIONS IT'S OPENED UP FOR
1143
00:42:30,170 --> 00:42:32,139
LOTS OF PEOPLE.
1144
00:42:32,139 --> 00:42:35,190
IT'S JUST ALL BEEN REALLY
1145
00:42:32,139 --> 00:42:35,190
OVERWHELMING BUT IN A VERY
1146
00:42:35,190 --> 00:42:42,230
POSITIVE WAY.
1147
00:42:35,190 --> 00:42:42,230
>> AND YOUR STAR IN THE FILM IS
1148
00:42:42,230 --> 00:42:51,230
CAREY MULLIGAN.
1149
00:42:42,230 --> 00:42:51,230
WE KNOW CAREY IS A BRILLIANT AK
1150
00:42:51,230 --> 00:42:54,260
STRESS.
1151
00:42:51,230 --> 00:42:54,260
>> SHE'S SO GOOD BUT SHE'S ALSO
1152
00:42:54,260 --> 00:42:56,190
INCREDIBLY FUNNY.
1153
00:42:54,260 --> 00:42:56,190
THAT'S THE THING.
1154
00:42:56,190 --> 00:43:04,110
I THINK DRAMATIC ACTORS RARELY
1155
00:42:56,190 --> 00:43:04,110
GET TO BE FUNNY AND SHE IS
1156
00:43:04,110 --> 00:43:06,110
DYNAMITE AT COMEDY.
1157
00:43:04,110 --> 00:43:06,110
>> A LOT OF WRITERS HAVE THEIR
1158
00:43:06,110 --> 00:43:10,019
GO-TO THING THEY GO TO TO GET IN
1159
00:43:06,110 --> 00:43:10,019
THAT WRITING ZONE, A CERTAIN
1160
00:43:10,019 --> 00:43:14,039
PLAYLIST, A CERTAIN TIME OF THE
1161
00:43:10,019 --> 00:43:14,039
DAY THEY WRITE.
1162
00:43:14,039 --> 00:43:18,289
WHAT IS YOURS SF?
1163
00:43:14,039 --> 00:43:18,289
>> MINE IS LISTENING TO BRITNEY
1164
00:43:18,289 --> 00:43:19,260
SPEARS.
1165
00:43:18,289 --> 00:43:19,260
>> REALLY?
1166
00:43:19,260 --> 00:43:26,010
>> AND EATING PIZZA OUT OF A BIN
1167
00:43:19,260 --> 00:43:26,010
BECAUSE I'VE RUN OUT OF OF FOOD.
1168
00:43:26,010 --> 00:43:30,139
THAT SORT OF VIBE.
1169
00:43:26,010 --> 00:43:30,139
>> I'M OBSESSED.
1170
00:43:30,139 --> 00:43:34,269
BRITNEY AND PIZZA.
1171
00:43:30,139 --> 00:43:34,269
>> BRITNEY AND GARBAGE PIZZA.
1172
00:43:34,269 --> 00:43:37,210
>> THROUGHOUT THIS AWARD SEASON,
1173
00:43:34,269 --> 00:43:37,210
YOU'VE BEEN CREATING THESE FUN
1174
00:43:37,210 --> 00:43:40,079
CHARACTER DESCRIPTIONS,
1175
00:43:37,210 --> 00:43:40,079
EXPLAINING WHAT LOOK YOU'RE
1176
00:43:40,079 --> 00:43:43,090
SERVING ON THAT PARTICULAR RED
1177
00:43:40,079 --> 00:43:43,090
CARPET.
1178
00:43:43,090 --> 00:43:45,219
YOU GUYS HAVE TO SEE THESE
1179
00:43:43,090 --> 00:43:45,219
DESCRIPTIONS.
1180
00:43:45,219 --> 00:43:49,050
THEY'RE SO FUNNY.
1181
00:43:45,219 --> 00:43:49,050
WHAT LOOK ARE WE DESCRIBING
1182
00:43:49,050 --> 00:43:52,130
TONIGHT?
1183
00:43:49,050 --> 00:43:52,130
>> SO, TONIGHT I AM SUSAN, YOUR
1184
00:43:52,130 --> 00:43:56,039
POTTERY TEACHER WHO HAS A
1185
00:43:52,130 --> 00:43:56,039
BUSINESS OPPORTUNITY FOR YOU,
1186
00:43:56,039 --> 00:43:59,059
WHICH IS ABSOLUTELY NOT A
1187
00:43:56,039 --> 00:43:59,059
PYRAMID SCHEME.
1188
00:43:59,059 --> 00:44:02,219
>> I LOVE YOU SO MUCH.
1189
00:43:59,059 --> 00:44:02,219
I LOVE THAT YOU JUST COME UP
1190
00:44:02,219 --> 00:44:05,059
WITH THIS ON THE SPOT.
1191
00:44:02,219 --> 00:44:05,059
LOVE IT SO MUCH.
1192
00:44:05,059 --> 00:44:06,210
THANK YOU SO MUCH.
1193
00:44:05,059 --> 00:44:06,210
BEST OF LUCK TONIGHT.
1194
00:44:06,210 --> 00:44:10,070
>> THANK YOU SO MUCH.
1195
00:44:06,210 --> 00:44:10,070
>> YOU ARE AMAZING, SO TALENTED.
1196
00:44:10,070 --> 00:44:11,239
WHAT'S NEXT FOR YOU BEFORE I LET
1197
00:44:10,070 --> 00:44:11,239
YOU GO.
1198
00:44:11,239 --> 00:44:17,179
I FAUX HAD YOU HAVE A LOT OF
1199
00:44:11,239 --> 00:44:17,179
PROJECTS IN THE WORKS.
1200
00:44:17,179 --> 00:44:21,170
>> WE ARE ABOUT TO START
1201
00:44:17,179 --> 00:44:21,170
REHEARSALS ON CINDERELLA.
1202
00:44:21,170 --> 00:44:23,199
IT'S HEAVEN.
1203
00:44:21,170 --> 00:44:23,199
>> I BET IT IS.
1204
00:44:23,199 --> 00:44:25,210
THANK YOU SO MUCH.
1205
00:44:23,199 --> 00:44:25,210
>> HAVE A LOVELY EVENING.
1206
00:44:25,210 --> 00:44:29,030
>> YOU TOO.
1207
00:44:25,210 --> 00:44:29,030
>>> THERE ARE SOME PEOPLE WHO
1208
00:44:29,030 --> 00:45:05,280
CAN SAY ANYTHING AND IT SOUNDS
1209
00:44:29,030 --> 00:45:05,280
COMING TO YOU LIVE FROM THE
1210
00:45:05,280 --> 00:45:09,210
OSCARS RED CARPET.
1211
00:45:05,280 --> 00:45:09,210
HE IS THE YOUNG STAR OF THE FILM
1212
00:45:09,210 --> 00:45:16,199
WHO STOLE YOUR HEART.
1213
00:45:09,210 --> 00:45:16,199
IT'S CHRISTINA OH AND ALLEN KIM
1214
00:45:16,199 --> 00:45:18,159
JOINING ME.
1215
00:45:16,199 --> 00:45:18,159
SO GOOD TO SEE YOU TOO.
1216
00:45:18,159 --> 00:45:22,170
>> NICE TO SEE YOU TOO.
1217
00:45:18,159 --> 00:45:22,170
>> CHRISTINA, I HAVE TO SAY YOU
1218
00:45:22,170 --> 00:45:24,139
ASSEMBLED THIS WORLD FAMOUS
1219
00:45:22,170 --> 00:45:24,139
CAST.
1220
00:45:24,139 --> 00:45:27,050
HOW DID YOU FIND THIS YOUNG
1221
00:45:24,139 --> 00:45:27,050
SUPERSTAR RIGHT HERE?
1222
00:45:27,050 --> 00:45:31,150
>> WE HAVE AN AMAZING CAST AND
1223
00:45:27,050 --> 00:45:31,150
DIRECTOR BY THE NAME OF JULIA
1224
00:45:31,150 --> 00:45:34,070
KIM.
1225
00:45:31,150 --> 00:45:34,070
SHE DID A NATIONWIDE, ALMOST
1226
00:45:34,070 --> 00:45:37,260
GLOBALWIDE SEARCH TO FIND OUR
1227
00:45:34,070 --> 00:45:37,260
DAVID CHARACTER.
1228
00:45:37,260 --> 00:45:43,219
AND WHEN ISAAC AND I SAW LITTLE
1229
00:45:37,260 --> 00:45:43,219
ALLEN'S TAPE, WE SAID THIS IS
1230
00:45:43,219 --> 00:45:45,010
THE KID.
1231
00:45:43,219 --> 00:45:45,010
THIS IS THE KID.
1232
00:45:45,010 --> 00:45:48,019
THAT'S HOW IT HAPPENED.
1233
00:45:45,010 --> 00:45:48,019
>> I BET.
1234
00:45:48,019 --> 00:45:50,099
ALLEN.
1235
00:45:48,019 --> 00:45:50,099
>> YEAH?
1236
00:45:50,099 --> 00:45:52,179
>> WHAT WAS YOUR FAVORITE PART
1237
00:45:50,099 --> 00:45:52,179
OF WORKING ON THIS MOVIE?
1238
00:45:52,179 --> 00:45:54,110
>> ALMOST EVERYTHING.
1239
00:45:52,179 --> 00:45:54,110
I JUST LOVED EVERYTHING.
1240
00:45:54,110 --> 00:45:56,000
>> YOU LOVED EVERYTHING ABOUT
1241
00:45:54,110 --> 00:45:56,000
IT.
1242
00:45:56,000 --> 00:45:57,119
>> YEAH.
1243
00:45:56,000 --> 00:45:57,119
>> I BET.
1244
00:45:57,119 --> 00:45:59,030
IT WAS A GREAT EXPERIENCE.
1245
00:45:57,119 --> 00:45:59,030
>> YEAH.
1246
00:45:59,030 --> 00:46:01,090
>> YOU JUST TURNED NINE THE
1247
00:45:59,030 --> 00:46:01,090
OTHER DAY.
1248
00:46:01,090 --> 00:46:02,150
HAPPY BIRTHDAY.
1249
00:46:01,090 --> 00:46:02,150
>> THANK YOU.
1250
00:46:02,150 --> 00:46:04,030
>> I KNOW THAT YOU WANTED A
1251
00:46:02,150 --> 00:46:04,030
BIKE.
1252
00:46:04,030 --> 00:46:05,289
DID YOU GET THE BIKE FOR YOUR
1253
00:46:04,030 --> 00:46:05,289
BIRTHDAY?
1254
00:46:05,289 --> 00:46:08,190
>> YES.
1255
00:46:05,289 --> 00:46:08,190
>> YOU DID.
1256
00:46:08,190 --> 00:46:10,099
>> YES.
1257
00:46:08,190 --> 00:46:10,099
>> AWESOME.
1258
00:46:10,099 --> 00:46:13,119
HOW WAS YOUR BIRTHDAY?
1259
00:46:10,099 --> 00:46:13,119
>> IT WAS REALLY GOOD.
1260
00:46:13,119 --> 00:46:16,000
>> WHAT WERE SOME OF THE BEST
1261
00:46:13,119 --> 00:46:16,000
PARTS OF YOUR BIRTHDAY?
1262
00:46:16,000 --> 00:46:20,059
>> I MOSTLY STAYED INSIDE BUT I
1263
00:46:16,000 --> 00:46:20,059
WENT OUT FOR DINNER.
1264
00:46:20,059 --> 00:46:25,039
AND I GOT A FITBIT, A FITBIT FOR
1265
00:46:20,059 --> 00:46:25,039
KIDS.
1266
00:46:25,039 --> 00:46:27,219
>> YES!
1267
00:46:25,039 --> 00:46:27,219
I JUST GOT MY SON ONE TOO.
1268
00:46:27,219 --> 00:46:29,269
THOSE ARE SO COOL.
1269
00:46:27,219 --> 00:46:29,269
THEY TRACK YOUR STEPS.
1270
00:46:29,269 --> 00:46:31,260
THEY DO ALL SORTS OF STUFF.
1271
00:46:29,269 --> 00:46:31,260
>> YEAH.
1272
00:46:31,260 --> 00:46:38,070
AND THEN A NEW BIKE, OBVIOUSLY.
1273
00:46:31,260 --> 00:46:38,070
AND I GOT A NEW iPAD.
1274
00:46:38,070 --> 00:46:43,130
IT WAS A iPAD MINI5 AND THAT WAS
1275
00:46:38,070 --> 00:46:43,130
REALLY COOL.
1276
00:46:43,130 --> 00:46:45,260
>> I BET.
1277
00:46:43,130 --> 00:46:45,260
THAT'S SOME REALLY GOOD GIFTS
1278
00:46:45,260 --> 00:46:46,219
THERE.
1279
00:46:45,260 --> 00:46:46,219
GREAT GIFTS.
1280
00:46:46,219 --> 00:46:50,039
>> YEAH.
1281
00:46:46,219 --> 00:46:50,039
>> CHRISTINA, THIS MOVIE IS JUST
1282
00:46:50,039 --> 00:46:51,050
SO BEAUTIFUL.
1283
00:46:50,039 --> 00:46:51,050
>> THANK YOU.
1284
00:46:51,050 --> 00:46:55,019
>> AND I MOVED TO THIS COUNTRY
1285
00:46:51,050 --> 00:46:55,019
WHEN I WAS A LITTLE GIRL, AND I
1286
00:46:55,019 --> 00:46:58,039
SHARED A ROOM WITH A GRANDMOTHER
1287
00:46:55,019 --> 00:46:58,039
FOR A FEW YEARS WHO CAME OVER TO
1288
00:46:58,039 --> 00:47:00,219
THE STATES FROM ITALY.
1289
00:46:58,039 --> 00:47:00,219
AND I KNOW THAT YOU PROBABLY
1290
00:47:00,219 --> 00:47:03,079
HEAR THIS A LOT FROM PEOPLE,
1291
00:47:00,219 --> 00:47:03,079
THAT SO MANY PEOPLE CAN RELATE
1292
00:47:03,079 --> 00:47:07,130
TO THIS MOVIE AND SO MANY PEOPLE
1293
00:47:03,079 --> 00:47:07,130
HAVE EMBRACED THIS MOVIE.
1294
00:47:07,130 --> 00:47:11,119
HOW DOES THAT MAKE YOU FEEL?
1295
00:47:07,130 --> 00:47:11,119
>> HONESTLY, HEARING STORIES
1296
00:47:11,119 --> 00:47:16,079
LIKE THAT ARE THE MOST MOVING TO
1297
00:47:11,119 --> 00:47:16,079
ME, AND IT MAKES ME VERY PROUD
1298
00:47:16,079 --> 00:47:20,210
OF BEING INVOLVED IN THIS FILM.
1299
00:47:16,079 --> 00:47:20,210
IT MIRRORS MY OWN CHILDHOOD WITH
1300
00:47:20,210 --> 00:47:25,179
MY GRANDMA LIVING WITH US AND
1301
00:47:20,210 --> 00:47:25,179
SPENDING EIGHT LOT
1302
00:47:25,179 --> 00:47:28,000
SPENDING A LOT OF TIME WITH HER.
1303
00:47:25,179 --> 00:47:28,000
IT'S THE REASON WE TELL THESE
1304
00:47:28,000 --> 00:47:30,039
STORIES.
1305
00:47:28,000 --> 00:47:30,039
AT FIRST WE JUST SET OUT TO MAKE
1306
00:47:30,039 --> 00:47:34,190
A MOVIE BECAUSE IT'S SO MOVING
1307
00:47:30,039 --> 00:47:34,190
AND ISAAC'S SCRIPT WAS SO
1308
00:47:34,190 --> 00:47:36,110
MEANINGFUL.
1309
00:47:34,190 --> 00:47:36,110
AFTER HEARING THE STORIES FROM
1310
00:47:36,110 --> 00:47:39,190
PEOPLE LIKE YOU AND HOW YOU
1311
00:47:36,110 --> 00:47:39,190
CONNECT TO IT, IT HAS BEEN A
1312
00:47:39,190 --> 00:47:42,090
HUMBLING EXPERIENCE.
1313
00:47:39,190 --> 00:47:42,090
I'M VERY, VERY GRATEFUL TO YOU
1314
00:47:42,090 --> 00:47:45,159
FOR WATCHING THE FILM.
1315
00:47:42,090 --> 00:47:45,159
>> WE'RE GRATEFUL TO YOU.
1316
00:47:45,159 --> 00:47:48,170
I KNOW EVERYONE WATCHING AT HOME
1317
00:47:45,159 --> 00:47:48,170
LOVES THE MOVIE.
1318
00:47:48,170 --> 00:47:52,000
IT'S JUST A SPECIAL MOVIE.
1319
00:47:48,170 --> 00:47:52,000
BEFORE I LET THE TWO OF YOU GO.
1320
00:47:52,000 --> 00:47:53,170
ALLEN, THIS IS YOUR FIRST
1321
00:47:52,000 --> 00:47:53,170
OSCARS.
1322
00:47:53,170 --> 00:47:57,210
A LOT OF NOMINEES AND PRESENTERS
1323
00:47:53,170 --> 00:47:57,210
ARE GOING TO BE HERE TONIGHT.
1324
00:47:57,210 --> 00:48:00,039
ANYONE YOU'RE LOOKING FORWARD TO
1325
00:47:57,210 --> 00:48:00,039
SEEING?
1326
00:48:00,039 --> 00:48:03,050
>> NO, NOT REALLY.
1327
00:48:00,039 --> 00:48:03,050
I'M FINE WITH ANYBODY.
1328
00:48:03,050 --> 00:48:05,179
>> YOU'RE JUST HAPPY TO SEE
1329
00:48:03,050 --> 00:48:05,179
EVERYONE?
1330
00:48:05,179 --> 00:48:07,230
>> YES.
1331
00:48:05,179 --> 00:48:07,230
>> HOW ABOUT YOUR CAST MATES
1332
00:48:07,230 --> 00:48:09,150
THOUGH?
1333
00:48:07,230 --> 00:48:09,150
I BET YOU REALLY WANT TO SEE
1334
00:48:09,150 --> 00:48:10,150
THEM AGAIN?
1335
00:48:09,150 --> 00:48:10,150
>> YES.
1336
00:48:10,150 --> 00:48:13,260
>> ARE YOU EXCITED TO SEE STEVEN
1337
00:48:10,150 --> 00:48:13,260
AND NEIL?
1338
00:48:13,260 --> 00:48:15,039
>> UH-HUH.
1339
00:48:13,260 --> 00:48:15,039
>> I BET.
1340
00:48:15,039 --> 00:48:20,019
YOU LOOK THE PART THOUGH.
1341
00:48:15,039 --> 00:48:20,019
YOU LOOK FOR HANDSOME FOR THE
1342
00:48:20,019 --> 00:48:21,179
OSCAR RED CARPET.
1343
00:48:20,019 --> 00:48:21,179
THANK YOU SO MUCH.
1344
00:48:21,179 --> 00:48:23,239
WE APPRECIATE IT AGAIN.
1345
00:48:21,179 --> 00:48:23,239
>> OF COURSE.
1346
00:48:23,239 --> 00:48:26,190
>> THANKS FOR COMING BY AND
1347
00:48:23,239 --> 00:48:26,190
TALKING TO US.
1348
00:48:26,190 --> 00:48:28,139
BYE.
1349
00:48:26,190 --> 00:48:28,139
HAVE A GOOD NIGHT.
1350
00:48:28,139 --> 00:48:30,130
BYE.
1351
00:48:28,139 --> 00:48:30,130
SEE YOU.
1352
00:48:30,130 --> 00:48:33,000
>> HE'S TRYING TO GET BACK TO
1353
00:48:30,130 --> 00:48:33,000
THAT iPAD AND THAT FITBIT.
1354
00:48:33,000 --> 00:48:35,269
HE'S NOT WORRIED ABOUT US.
1355
00:48:33,000 --> 00:48:35,269
>> HE DIDN'T WANT TO SEE ANYONE.
1356
00:48:35,269 --> 00:48:37,289
>> I LOVE ALLEN.
1357
00:48:35,269 --> 00:48:37,289
HE IS THE CUTEST.
1358
00:48:37,289 --> 00:48:40,039
I LOVE HIM.
1359
00:48:37,289 --> 00:48:40,039
>> HE'S INCREDIBLE IN THE FILM.
1360
00:48:40,039 --> 00:48:42,150
>> YES.
1361
00:48:40,039 --> 00:48:42,150
>> JUST ABSOLUTELY AMAZING.
1362
00:48:42,150 --> 00:48:46,190
HE'S ACTUALLY BEEN DRESSED BY
1363
00:48:42,150 --> 00:48:46,190
TOM BROWN FOR ALMOST ALL OF
1364
00:48:46,190 --> 00:48:49,099
AWARD SEASON.
1365
00:48:46,190 --> 00:48:49,099
HE'S WEARING TOM BROWN AGAIN
1366
00:48:49,099 --> 00:48:50,280
TONIGHT.
1367
00:48:49,099 --> 00:48:50,280
>> IT'S SO AGE APPROPRIATE TOO.
1368
00:48:50,280 --> 00:48:53,130
IT'S JUST THE CUTEST WITH HIS
1369
00:48:50,280 --> 00:48:53,130
LITTLE SHORTS.
1370
00:48:53,130 --> 00:48:55,260
>> IT IS.
1371
00:48:53,130 --> 00:48:55,260
>> THERE'S NO JOKE BEING DRESSED
1372
00:48:55,260 --> 00:48:58,190
BY TOM BROWN.
1373
00:48:55,260 --> 00:48:58,190
THAT KID'S GOT A FASHION FUTURE
1374
00:48:58,190 --> 00:49:00,079
IF NOTHING.
1375
00:48:58,190 --> 00:49:00,079
WOW.
1376
00:49:00,079 --> 00:49:04,179
>> HE GOT A BIKE, A FITBIT, iPAD
1377
00:49:00,079 --> 00:49:04,179
AND CUSTOM TOM BROWN.
1378
00:49:04,179 --> 00:49:07,219
>> LOOK AT THE POSE.
1379
00:49:04,179 --> 00:49:07,219
HE IS GROWN GROWN WITH HIS POSE
1380
00:49:07,219 --> 00:49:10,239
ON THE CHIN.
1381
00:49:07,219 --> 00:49:10,239
WHO TAUGHT HIM HOW TO POSE LIKE
1382
00:49:10,239 --> 00:49:14,050
THAT?
1383
00:49:10,239 --> 00:49:14,050
THAT IS A GROWN MAN POSE RIGHT
1384
00:49:14,050 --> 00:49:17,010
THERE.
1385
00:49:14,050 --> 00:49:17,010
>> GEORGE CLOONEY, 1980s.
1386
00:49:17,010 --> 00:49:19,260
>> THIS IS WHAT IT'S ABOUT
1387
00:49:17,010 --> 00:49:19,260
THOUGH, HAVING FUN AND HAVING A
1388
00:49:19,260 --> 00:49:25,219
GOOD TIME.
1389
00:49:19,260 --> 00:49:25,219
AND, YOU KNOW, FOR ME, I DO FEEL
1390
00:49:25,219 --> 00:49:28,150
LIKE THIS IS A BIG REUNION FOR A
1391
00:49:25,219 --> 00:49:28,150
LOT OF PEOPLE.
1392
00:49:28,150 --> 00:49:30,179
THEY TALKED ABOUT HIM
1393
00:49:28,150 --> 00:49:30,179
RECONNECTING WITH STEVEN.
1394
00:49:30,179 --> 00:49:33,039
THIS IS GOING TO BE A REUNION OF
1395
00:49:30,179 --> 00:49:33,039
SORTS.
1396
00:49:33,039 --> 00:49:36,000
I FEEL LIKE IT'S GOING TO BE
1397
00:49:33,039 --> 00:49:36,000
LIKE FAMILY TIME.
1398
00:49:36,000 --> 00:49:38,289
>> I FEEL LIKE THAT WITH YOU
1399
00:49:36,000 --> 00:49:38,289
GUYS BEING BACK AGAIN.
1400
00:49:38,289 --> 00:49:40,289
>> WE'VE BEEN DOING A LOT OF
1401
00:49:38,289 --> 00:49:40,289
ZOOMS.
1402
00:49:40,289 --> 00:49:44,289
>> A LOT OF ZOOMS.
1403
00:49:40,289 --> 00:49:44,289
IRL, FULL ON GLAMOUR.
1404
00:49:44,289 --> 00:49:48,289
>> I KNOW WE TALKED TO STEVEN
1405
00:49:44,289 --> 00:49:48,289
EARLIER, BUT SEEING HIM ON THE
1406
00:49:48,289 --> 00:49:52,019
CARPET, HE LOOKS LIKE HE MIGHT
1407
00:49:48,289 --> 00:49:52,019
WANT TO GET BACK TO HIS BIKE AND
1408
00:49:52,019 --> 00:49:53,159
FITBIT.
1409
00:49:52,019 --> 00:49:53,159
STEVEN WAS LIKE I HAVEN'T BEEN
1410
00:49:53,159 --> 00:49:56,210
AROUND PEOPLE FOR A YEAR.
1411
00:49:53,159 --> 00:49:56,210
IT'S AN ADJUSTMENT GETTING BACK
1412
00:49:56,210 --> 00:49:57,239
AROUND PEOPLE AGAIN.
1413
00:49:56,210 --> 00:49:57,239
>> IT IS.
1414
00:49:57,239 --> 00:49:59,239
IT DEFINITELY IS.
1415
00:49:57,239 --> 00:49:59,239
ONCE YOU'VE BEEN IN QUARANTINE
1416
00:49:59,239 --> 00:50:02,250
AND DOING ALL THE THINGS THAT
1417
00:49:59,239 --> 00:50:02,250
WE'VE BEEN DOING, TO COME BACK
1418
00:50:02,250 --> 00:50:05,230
OUT AND MAKE CONVERSATION WITH
1419
00:50:02,250 --> 00:50:05,230
PEOPLE IS A LOT.
1420
00:50:05,230 --> 00:50:10,190
>> AND FOR YOUR FIRST TIME OUT
1421
00:50:05,230 --> 00:50:10,190
TO BE SOMETHING SO FORMAL.
1422
00:50:10,190 --> 00:50:14,079
IT'S NOT LIKE YOU'RE BREAKING IN
1423
00:50:10,190 --> 00:50:14,079
GOING TO A BIRTHDAY PARTY IN THE
1424
00:50:14,079 --> 00:50:16,219
BACKYARD.
1425
00:50:14,079 --> 00:50:16,219
IT TABS A LITTLE BIT OF
1426
00:50:16,219 --> 00:50:18,280
ADJUSTMENT.
1427
00:50:16,219 --> 00:50:18,280
WE'VE GOT TO HEAD BACK TO JULIE
1428
00:50:18,280 --> 00:50:23,099
ON THE RED CARPET.
1429
00:50:18,280 --> 00:50:23,099
>> MY NEXT GUEST NEEDS NO
1430
00:50:23,099 --> 00:50:27,030
INTRODUCTION, GLENN CLOSE.
1431
00:50:23,099 --> 00:50:27,030
GLENN, SO GREAT TO SEE YOU.
1432
00:50:27,030 --> 00:50:30,030
SO EXCITED TO SEE YOU.
1433
00:50:27,030 --> 00:50:30,030
HOW ARE YOU FEELING TON RED
1434
00:50:30,030 --> 00:50:31,269
CARPET RIGHT NOW?
1435
00:50:30,030 --> 00:50:31,269
>> I'M FEELING GREAT.
1436
00:50:31,269 --> 00:50:34,210
MY SHOES ARE COMFORTABLE.
1437
00:50:31,269 --> 00:50:34,210
>> YOU LOOK FABULOUS.
1438
00:50:34,210 --> 00:50:37,139
>> IT'S NOT TWO MILES LONG, SO
1439
00:50:34,210 --> 00:50:37,139
THAT'S LOVELY.
1440
00:50:37,139 --> 00:50:41,150
>> THAT'S RIGHT, THAT'S RIGHT.
1441
00:50:37,139 --> 00:50:41,150
DEFINITELY A DIFFERENT
1442
00:50:41,150 --> 00:50:43,019
REIMAGINED RED CARPET.
1443
00:50:41,150 --> 00:50:43,019
HAVE YOU HEARD ANYTHING ABOUT
1444
00:50:43,019 --> 00:50:45,090
TONIGHT AND HOW THE TELECAST IS
1445
00:50:43,019 --> 00:50:45,090
GOING TO BE DIFFERENT?
1446
00:50:45,090 --> 00:50:48,269
>> WELL, I THINK I KNOW AS MUCH
1447
00:50:45,090 --> 00:50:48,269
AS ANYBODY ELSE KNOWS SO, I'M
1448
00:50:48,269 --> 00:50:51,219
REALLY, REALLY EXCITED.
1449
00:50:48,269 --> 00:50:51,219
I THINK IT'LL BE VERY, VERY
1450
00:50:51,219 --> 00:50:53,070
DIFFERENT.
1451
00:50:51,219 --> 00:50:53,070
I THINK -- I'VE BEEN THINKING A
1452
00:50:53,070 --> 00:50:58,260
LOT AS WE WALK IN TONIGHT, WE
1453
00:50:53,070 --> 00:50:58,260
ARE -- WE ARE IN THE MIDDLE OF
1454
00:50:58,260 --> 00:51:01,170
AN INDUSTRY THAT'S REINVENTING
1455
00:50:58,260 --> 00:51:01,170
ITSELF IN MANY WAYS.
1456
00:51:01,170 --> 00:51:08,170
>> THAT'S RIGHT.
1457
00:51:01,170 --> 00:51:08,170
THAT'S RIGHT.
1458
00:51:08,170 --> 00:51:11,030
HILL BILL
1459
00:51:08,170 --> 00:51:11,030
"HILLBILLY ELEGY" PAIRS YOU WITH
1460
00:51:11,030 --> 00:51:13,070
RON HOWARD.
1461
00:51:11,030 --> 00:51:13,070
25 YEARS.
1462
00:51:13,070 --> 00:51:17,000
HOW WAS IT REUNITING WITH RON
1463
00:51:13,070 --> 00:51:17,000
HOWARD AGAIN?
1464
00:51:17,000 --> 00:51:20,059
>> IT WAS EFFORTLESS.
1465
00:51:17,000 --> 00:51:20,059
WHEN YOU GO THROUGH A INITIAL
1466
00:51:20,059 --> 00:51:22,139
WONDERFUL EXPERIENCE WITH
1467
00:51:20,059 --> 00:51:22,139
SOMEBODY IN OUR PROFESSION, IT'S
1468
00:51:22,139 --> 00:51:25,250
LIKE NO TIME HAS PASSED.
1469
00:51:22,139 --> 00:51:25,250
BECAUSE YOU HAD AN INTENSE
1470
00:51:25,250 --> 00:51:28,210
EXPERIENCE, YOU RESPECT EACH
1471
00:51:25,250 --> 00:51:28,210
OTHER, YOU RESPECT EACH OTHERS'
1472
00:51:28,210 --> 00:51:30,019
WORK.
1473
00:51:28,210 --> 00:51:30,019
IT WAS WONDERFUL.
1474
00:51:30,019 --> 00:51:32,269
IT WAS WONDERFUL BEING BACK WITH
1475
00:51:30,019 --> 00:51:32,269
RON.
1476
00:51:32,269 --> 00:51:37,039
>> YOU'VE BEEN KNOWN TO KEEP
1477
00:51:32,269 --> 00:51:37,039
VARIOUS COSTUMES OR PROPS FROM
1478
00:51:37,039 --> 00:51:39,099
VARIOUS MOVIES.
1479
00:51:37,039 --> 00:51:39,099
WHAT DID YOU KEEP FROM THIS ONE?
1480
00:51:39,099 --> 00:51:47,059
>> I KEPT -- I HAVE ACTUALLY
1481
00:51:39,099 --> 00:51:47,059
OVER 800 COSTUME ITEMS THAT IS
1482
00:51:47,059 --> 00:51:53,159
HOUSED AT INDIANA UNIVERSITY.
1483
00:51:47,059 --> 00:51:53,159
SO, I KEPT ALL OF MAMAW'S
1484
00:51:53,159 --> 00:51:58,010
T-SHIRTS AND HER BAGGY JEANS AND
1485
00:51:53,159 --> 00:51:58,010
NIKES.
1486
00:51:58,010 --> 00:51:59,210
>> THAT'S GREAT.
1487
00:51:58,010 --> 00:51:59,210
THAT'S SO GREAT.
1488
00:51:59,210 --> 00:52:01,289
THIS IS YOUR EIGHTH NOMINATION.
1489
00:51:59,210 --> 00:52:01,289
IF YOU WIN TONIGHT, HAVE YOU
1490
00:52:01,289 --> 00:52:04,199
THOUGHT ABOUT WHERE YOU ARE
1491
00:52:01,289 --> 00:52:04,199
GOING TO PUT THE OSCAR?
1492
00:52:04,199 --> 00:52:08,199
>> I ACTUALLY HAVEN'T, BUT YOU
1493
00:52:04,199 --> 00:52:08,199
KNOW, I HAVE THIS FANTASY.
1494
00:52:08,199 --> 00:52:11,199
AND I THINK I'M GOING TO DO IT.
1495
00:52:08,199 --> 00:52:11,199
THAT I MIGHT TAKE IT TO THE
1496
00:52:11,199 --> 00:52:13,239
LOCAL LIBRARY FOR PEOPLE TO LOOK
1497
00:52:11,199 --> 00:52:13,239
AT.
1498
00:52:13,239 --> 00:52:16,210
I MIGHT TAKE IT TO THE COFFEE
1499
00:52:13,239 --> 00:52:16,210
SHOP THAT I GO TO A LOT SO THAT
1500
00:52:16,210 --> 00:52:20,150
PEOPLE CAN SEE WHAT IT'S LIKE,
1501
00:52:16,210 --> 00:52:20,150
SO THAT YOU KIND OF CAN BRING
1502
00:52:20,150 --> 00:52:23,110
THIS WORLD INTO EVERYDAY LIFE.
1503
00:52:20,150 --> 00:52:23,110
THAT'S WHAT I WILL DO.
1504
00:52:23,110 --> 00:52:27,079
>> I WAS GOING TO SAY, CAN WE
1505
00:52:23,110 --> 00:52:27,079
NOT MAKE THAT A FANTASY?
1506
00:52:27,079 --> 00:52:29,090
CAN WE MAKE IT REALITY.
1507
00:52:27,079 --> 00:52:29,090
>> YEAH.
1508
00:52:29,090 --> 00:52:32,090
>> THAT WOULD BE SUCH A
1509
00:52:29,090 --> 00:52:32,090
BEAUTIFUL THING AND WOULD BE SO
1510
00:52:32,090 --> 00:52:35,090
APPRECIATED BY SO MANY PEOPLE.
1511
00:52:32,090 --> 00:52:35,090
BEFORE I LET YOU GO, I HAVE TO
1512
00:52:35,090 --> 00:52:37,090
ASK FOR A MOMENT.
1513
00:52:35,090 --> 00:52:37,090
YOUR INSTAGRAM.
1514
00:52:37,090 --> 00:52:39,139
YOU HAVE FUN ON SOCIAL MEDIA.
1515
00:52:37,090 --> 00:52:39,139
YOU DO.
1516
00:52:39,139 --> 00:52:41,159
YOU DO.
1517
00:52:39,139 --> 00:52:41,159
WHAT DO YOU FIND SO ENTERTAINING
1518
00:52:41,159 --> 00:52:45,039
ABOUT IT?
1519
00:52:41,159 --> 00:52:45,039
>> WELL, I DON'T KNOW.
1520
00:52:45,039 --> 00:52:50,070
SOMETIMES I DON'T DO IT FOR A
1521
00:52:45,039 --> 00:52:50,070
WHILE BECAUSE IT'S NOT KIND OF
1522
00:52:50,070 --> 00:52:53,119
NATURAL TO ME.
1523
00:52:50,070 --> 00:52:53,119
IF I THINK I CAN DO SOMETHING
1524
00:52:53,119 --> 00:52:55,250
THAT OTHER PEOPLE MIGHT BE
1525
00:52:53,119 --> 00:52:55,250
INTERESTED IN OR I CAN CRACK
1526
00:52:55,250 --> 00:52:59,079
MYSELF UP OR IT'S A BEAUTIFUL
1527
00:52:55,250 --> 00:52:59,079
SUNSET OR SOME BEAUTIFUL -- YOU
1528
00:52:59,079 --> 00:53:00,019
KNOW, WHATEVER.
1529
00:52:59,079 --> 00:53:00,019
>> YEAH.
1530
00:53:00,019 --> 00:53:03,190
>> SO, IT'S -- YOU KNOW,
1531
00:53:00,019 --> 00:53:03,190
WHATEVER KIND OF COMES INTO MY
1532
00:53:03,190 --> 00:53:04,239
HEAD.
1533
00:53:03,190 --> 00:53:04,239
SOMETIMES IT WORKS.
1534
00:53:04,239 --> 00:53:07,099
SOMETIMES IT DOESN'T.
1535
00:53:04,239 --> 00:53:07,099
BUT I DECIDED THAT IF I WAS
1536
00:53:07,099 --> 00:53:10,210
GOING TO DO IT, IT HAS TO JUST
1537
00:53:07,099 --> 00:53:10,210
BASICALLY BE ME.
1538
00:53:10,210 --> 00:53:13,050
SO, FOR BETTER OR WORSE, THAT'S
1539
00:53:10,210 --> 00:53:13,050
WHAT YOU GET.
1540
00:53:13,050 --> 00:53:15,179
>> JUST KEEP IT ALL FANTASTIC.
1541
00:53:13,050 --> 00:53:15,179
>> YES.
1542
00:53:15,179 --> 00:53:19,010
>> YOU REALLY ARE JUST SUCH A
1543
00:53:15,179 --> 00:53:19,010
BRILLIANT ACTRESS, ONE OF OUR
1544
00:53:19,010 --> 00:53:23,030
FAVORITE ACTRESSES.
1545
00:53:19,010 --> 00:53:23,030
HOW DO YOU CHOOSE A ROLE?
1546
00:53:23,030 --> 00:53:24,119
I IMAGINE SO MUCH MATERIAL COMES
1547
00:53:23,030 --> 00:53:24,119
YOUR WAY.
1548
00:53:24,119 --> 00:53:27,110
WHAT IS IT ABOUT A ROLE THAT HAS
1549
00:53:24,119 --> 00:53:27,110
TO -- THAT SPEAKS TO YOU?
1550
00:53:27,110 --> 00:53:30,090
>> WELL, FIRST OF ALL, I HAVE TO
1551
00:53:27,110 --> 00:53:30,090
LOVE THE WRITING.
1552
00:53:30,090 --> 00:53:36,219
AND THAT'S KIND OF FEMORAL.
1553
00:53:30,090 --> 00:53:36,219
YOU EITHER GET A -- FIRST TEN
1554
00:53:36,219 --> 00:53:40,050
PAGES, YOU SAY, YEAH, I'M GOING
1555
00:53:36,219 --> 00:53:40,050
TO KEEP READING OR NO, THIS
1556
00:53:40,050 --> 00:53:43,099
DOESN'T INTEREST ME OR NO, I'M
1557
00:53:40,050 --> 00:53:43,099
GOING TO HAVE TO SLOG THROUGH
1558
00:53:43,099 --> 00:53:45,119
THIS.
1559
00:53:43,099 --> 00:53:45,119
I ALSO DON'T WANT TO GO OVER
1560
00:53:45,119 --> 00:53:49,190
TERRITORY I'VE BEEN OVER BEFORE,
1561
00:53:45,119 --> 00:53:49,190
KIND OF PSYCHOLOGICALLY AND
1562
00:53:49,190 --> 00:53:51,130
EMOTIONALLY.
1563
00:53:49,190 --> 00:53:51,130
SO, I'M ALWAYS UP FOR SOMETHING
1564
00:53:51,130 --> 00:53:52,170
NEW.
1565
00:53:51,130 --> 00:53:52,170
>> YOU'RE ALWAYS UP FOR
1566
00:53:52,170 --> 00:53:53,280
SOMETHING NEW.
1567
00:53:52,170 --> 00:53:53,280
WE LOVE IT.
1568
00:53:53,280 --> 00:53:57,139
THANK YOU FOR STOPPING BY AND
1569
00:53:53,280 --> 00:53:57,139
TALKING TO ME TONIGHT.
1570
00:53:57,139 --> 00:53:59,139
I APPRECIATE IT.
1571
00:53:57,139 --> 00:53:59,139
BEST OF LUCK TONIGHT.
1572
00:53:59,139 --> 00:54:03,030
>> JUST AN ICON.
1573
00:53:59,139 --> 00:54:03,030
CAN YOU IMAGINE GOING TO YOUR
1574
00:54:03,030 --> 00:54:06,090
LIBRARY AND THERE'S GLENN
1575
00:54:03,030 --> 00:54:06,090
CLOSE'S OSCAR?
1576
00:54:06,090 --> 00:54:12,010
I'M COMING OUT HERE TO CHECK OUT
1577
00:54:06,090 --> 00:54:12,010
"STEWART LITTLE" AND THERE'S AN
1578
00:54:12,010 --> 00:54:13,079
OSCAR?
1579
00:54:12,010 --> 00:54:13,079
>> JUST STOOD THERE.
1580
00:54:13,079 --> 00:54:16,130
>> WHAT A WAY TO GET PEOPLE TO
1581
00:54:13,079 --> 00:54:16,130
READ.
1582
00:54:16,130 --> 00:54:19,230
>> OR SHOW UP AT THE COFFEE
1583
00:54:16,130 --> 00:54:19,230
SHOP.
1584
00:54:19,230 --> 00:54:20,139
>> YEAH.
1585
00:54:19,230 --> 00:54:20,139
>> RIGHT.
1586
00:54:20,139 --> 00:54:23,230
>> THAT'S A BIG BOOST.
1587
00:54:20,139 --> 00:54:23,230
>> HOW DID YOU GUYS LIKE HER
1588
00:54:23,230 --> 00:54:25,090
BOOST?
1589
00:54:23,230 --> 00:54:25,090
>> OH, MY GOSH.
1590
00:54:25,090 --> 00:54:33,039
>> ARMANI PREVE.
1591
00:54:25,090 --> 00:54:33,039
>> SILK ORGANZA MESH ENCRUSTED
1592
00:54:33,039 --> 00:54:36,019
CRYSTAL BEADS.
1593
00:54:33,039 --> 00:54:36,019
IT TOOK ONLY THREE WEEKS TO
1594
00:54:36,019 --> 00:54:40,010
MAKE.
1595
00:54:36,019 --> 00:54:40,010
IT WAS AN HOMAGE TO GLENN'S AND
1596
00:54:40,010 --> 00:54:43,019
MR. ARMANI'S LONG TIME
1597
00:54:40,010 --> 00:54:43,019
COLLABORATIONS.
1598
00:54:43,019 --> 00:54:50,150
THE TOUCH I LOVE ARE THE GLOVES.
1599
00:54:43,019 --> 00:54:50,150
MR. ARMANI'S MUM WORE A LOT OF
1600
00:54:50,150 --> 00:54:52,099
GLOVES.
1601
00:54:50,150 --> 00:54:52,099
AND GLENN THOUGHT IT WAS
1602
00:54:52,099 --> 00:54:54,110
SANITARY TO WEAR THEM TO AN
1603
00:54:52,099 --> 00:54:54,110
EVENT LIKE TONIGHT.
1604
00:54:54,110 --> 00:54:57,119
>> I DIDN'T EVEN THINK ABOUT
1605
00:54:54,110 --> 00:54:57,119
THAT.
1606
00:54:57,119 --> 00:54:58,199
>> MAYBE IT'S GOING TO BE A
1607
00:54:57,119 --> 00:54:58,199
TREND TONIGHT.
1608
00:54:58,199 --> 00:55:01,239
>> I THINK SHE LOOKS GLAMOROUS
1609
00:54:58,199 --> 00:55:01,239
AND GORGEOUS.
1610
00:55:01,239 --> 00:55:03,269
THAT WAS A MESMERIZING
1611
00:55:01,239 --> 00:55:03,269
INTERVIEW.
1612
00:55:03,269 --> 00:55:06,110
>> YEAH, I COULDN'T
1613
00:55:03,269 --> 00:55:06,110
STOPWATCHING.
1614
00:55:06,110 --> 00:55:09,150
>> THERE WERE SO MANY GREAT
1615
00:55:06,110 --> 00:55:09,150
TIDBITS IN THERE TOO ABOUT HOW
1616
00:55:09,150 --> 00:55:12,139
HE DOESN'T WANT TO GO BACK TO
1617
00:55:09,150 --> 00:55:12,139
PSYCHOLOGICAL AREAS SHE'S
1618
00:55:12,139 --> 00:55:14,190
TOUCHED ON AS AN ACTRESS.
1619
00:55:12,139 --> 00:55:14,190
THAT'S INCREDIBLE.
1620
00:55:14,190 --> 00:55:51,119
>> YOU COULD APPLY THAT TO L
1621
00:55:14,190 --> 00:55:51,119
.
1622
00:55:51,119 --> 00:55:55,090
>>> WELCOME BACK TO THE OSCAR
1623
00:55:51,119 --> 00:55:55,090
RED CARPET.
1624
00:55:55,090 --> 00:55:57,230
BOTH OF THESE LADIES ARE STARS
1625
00:55:55,090 --> 00:55:57,230
IN KOREA.
1626
00:55:57,230 --> 00:56:11,030
I'M JOINED BY BEST SUPPORTING
1627
00:55:57,230 --> 00:56:11,030
ACTRESS NOMINEE.
1628
00:56:11,030 --> 00:56:21,019
WHAT DOES IT FEEL LIKE TO BE ON
1629
00:56:11,030 --> 00:56:21,019
THIS OSCAR CARPET?
1630
00:56:21,019 --> 00:56:23,130
>> I'M SO EXCITED.
1631
00:56:21,019 --> 00:56:23,130
>> VERY EXCITED?
1632
00:56:23,130 --> 00:56:27,079
>> THIS IS OUR FIRST TIME HERE.
1633
00:56:23,130 --> 00:56:27,079
I DON'T KNOW HOW WE'LL FEEL
1634
00:56:27,079 --> 00:56:31,050
LATER ON WHAT IT'S GOING TO BE.
1635
00:56:27,079 --> 00:56:31,050
>> WHY IS IT SO SPECIAL FOR YOU
1636
00:56:31,050 --> 00:56:37,050
TO BE HERE TONIGHT, PART OF SUCH
1637
00:56:31,050 --> 00:56:37,050
A BEAUTIFUL MOVIE, "MINARI" AND
1638
00:56:37,050 --> 00:56:40,179
THE FACT THAT SO MANY PEOPLE
1639
00:56:37,050 --> 00:56:40,179
HAVE EMBRACED IT AND TO SEE IT'S
1640
00:56:40,179 --> 00:56:44,099
NOMINATED AND BELOVED BY MANY.
1641
00:56:40,179 --> 00:56:44,099
HOW IS THAT SPECIAL TO YOU?
1642
00:56:44,099 --> 00:56:48,260
>> EVERYONE ALL OVER THE WORLD
1643
00:56:44,099 --> 00:56:48,260
KNOWS ABOUT OSCARS.
1644
00:56:48,260 --> 00:56:51,130
AND THEY ARE FAMOUS AWARDS AND
1645
00:56:48,260 --> 00:56:51,130
CEREMONY.
1646
00:56:51,130 --> 00:56:54,230
>> YES.
1647
00:56:51,130 --> 00:56:54,230
>> SO, AS A KOREAN, AS AN ASIAN
1648
00:56:54,230 --> 00:57:00,199
WOMAN, I THINK IN KOREA I'M THE
1649
00:56:54,230 --> 00:57:00,199
FIRST NOMINEE FOR THE OSCARS.
1650
00:57:00,199 --> 00:57:03,059
SO, IT'S A VERY HISTORICAL
1651
00:57:00,199 --> 00:57:03,059
MOMENT FOR US.
1652
00:57:03,059 --> 00:57:08,110
SO, OF COURSE WE ARE VERY
1653
00:57:03,059 --> 00:57:08,110
EXCITED AND VERY STRANGE TO ME
1654
00:57:08,110 --> 00:57:11,239
ACTUALLY.
1655
00:57:08,110 --> 00:57:11,239
>> IT'S VERY STRANGE TO YOU,
1656
00:57:11,239 --> 00:57:13,269
ACTUALLY.
1657
00:57:11,239 --> 00:57:13,269
>> DO YOU AGREE?
1658
00:57:13,269 --> 00:57:17,250
>> YEAH, YEAH, AGREE.
1659
00:57:13,269 --> 00:57:17,250
>> HOW WAS IT SHOOTING THIS
1660
00:57:17,250 --> 00:57:20,010
FILM?
1661
00:57:17,250 --> 00:57:20,010
I KNOW IT WAS A SHORT AMOUNT OF
1662
00:57:20,010 --> 00:57:22,280
TIME, ONLY 25 DAYS.
1663
00:57:20,010 --> 00:57:22,280
WHAT WAS THAT EXPERIENCE LIKE?
1664
00:57:22,280 --> 00:57:27,219
>> SHORT AMOUNT OF TIME, SHORT
1665
00:57:22,280 --> 00:57:27,219
AMOUNT OF MONEY.
1666
00:57:27,219 --> 00:57:32,289
SO, WE WENT ALMOST TOGETHER.
1667
00:57:27,219 --> 00:57:32,289
WE RENTED AIRBNB AND WE LIVED
1668
00:57:32,289 --> 00:57:34,280
TOGETHER.
1669
00:57:32,289 --> 00:57:34,280
SHE WAS PLAYING MY DAUGHTER, AND
1670
00:57:34,280 --> 00:57:40,110
THERE'S SOME -- OUR FRIEND THERE
1671
00:57:34,280 --> 00:57:40,110
WAS TRANSLATOR.
1672
00:57:40,110 --> 00:57:43,050
SO, WE MADE A FAMILY TOGETHER, I
1673
00:57:40,110 --> 00:57:43,050
THINK.
1674
00:57:43,050 --> 00:57:44,210
THAT'S WHAT'S SPECIAL ABOUT THIS
1675
00:57:43,050 --> 00:57:44,210
MOVIE.
1676
00:57:44,210 --> 00:57:48,119
WE BECAME A REAL FAMILY.
1677
00:57:44,210 --> 00:57:48,119
>> YOU BECAME A REAL FAMILY.
1678
00:57:48,119 --> 00:57:52,170
AND YOUR CHARACTER, PLAYING THE
1679
00:57:48,119 --> 00:57:52,170
GRANDMOTHER IN THE FILM WHO
1680
00:57:52,170 --> 00:57:54,119
COMES AND LIVES WITH YOUR
1681
00:57:52,170 --> 00:57:54,119
FAMILY.
1682
00:57:54,119 --> 00:57:55,179
>> MY DAUGHTER.
1683
00:57:54,119 --> 00:57:55,179
>> YES, YES.
1684
00:57:55,179 --> 00:58:00,139
>> MY MOM.
1685
00:57:55,179 --> 00:58:00,139
>> YOU KNOW, FOR ME, THAT -- I
1686
00:58:00,139 --> 00:58:02,000
LOVE THAT PART OF THE MOVIE
1687
00:58:00,139 --> 00:58:02,000
BECAUSE WHEN I WAS A LITTLE GIRL
1688
00:58:02,000 --> 00:58:06,269
I MOVED TO AMERICA FROM ITALY.
1689
00:58:02,000 --> 00:58:06,269
AND MY GRANDMOTHER LIVED WITH
1690
00:58:06,269 --> 00:58:07,150
US.
1691
00:58:06,269 --> 00:58:07,150
>> YES.
1692
00:58:07,150 --> 00:58:09,030
>> AND WE SHARED A ROOM.
1693
00:58:07,150 --> 00:58:09,030
AND I JUST -- THAT WAS SUCH A
1694
00:58:09,030 --> 00:58:13,150
SPECIAL TIME IN MY LIFE.
1695
00:58:09,030 --> 00:58:13,150
SO, I REALLY CONNECTED TO YOUR
1696
00:58:13,150 --> 00:58:16,090
CHARACTER.
1697
00:58:13,150 --> 00:58:16,090
AND TELL ME, AS A REAL LIFE
1698
00:58:16,090 --> 00:58:19,110
GRANDMOTHER, HOW ARE YOU THE
1699
00:58:16,090 --> 00:58:19,110
SAME AND HOW ARE YOU DIFFERENT
1700
00:58:19,110 --> 00:58:22,059
FROM THE CHARACTER YOU PLAY IN
1701
00:58:19,110 --> 00:58:22,059
THE FILM?
1702
00:58:22,059 --> 00:58:25,219
>> WELL, ACTUALLY I'M NOT LIVING
1703
00:58:22,059 --> 00:58:25,219
WITH MY GRANDSON.
1704
00:58:25,219 --> 00:58:28,289
THAT'S THE DIFFERENCE BETWEEN
1705
00:58:25,219 --> 00:58:28,289
MOVIE AND THIS.
1706
00:58:28,289 --> 00:58:31,280
>> YES.
1707
00:58:28,289 --> 00:58:31,280
>> AND THEN I'M SURE THAT HE'S
1708
00:58:31,280 --> 00:58:38,139
NOT GOING -- MY GRANDSON WILL
1709
00:58:31,280 --> 00:58:38,139
NOT GIVE ME THE MOUNTAIN DEW AS
1710
00:58:38,139 --> 00:58:42,079
A TEASE.
1711
00:58:38,139 --> 00:58:42,079
>> YES, YES.
1712
00:58:42,079 --> 00:58:47,090
IF YOU HAVEN'T SEEN IT, THERE IS
1713
00:58:42,079 --> 00:58:47,090
A SCENE WHERE YOUR GRANDSON
1714
00:58:47,090 --> 00:58:51,079
GIVES YOU A CUP OF --
1715
00:58:47,090 --> 00:58:51,079
>> YEAH.
1716
00:58:51,079 --> 00:58:53,179
>> YEAH.
1717
00:58:51,079 --> 00:58:53,179
>> JUST SEE THE MOVIE.
1718
00:58:53,179 --> 00:58:55,179
WE THINK IT'S MOUNTAIN DEW, BUT
1719
00:58:53,179 --> 00:58:55,179
IT'S NOT.
1720
00:58:55,179 --> 00:58:58,179
IT'S A GREAT MOVIE FOR MANY
1721
00:58:55,179 --> 00:58:58,179
REASONS.
1722
00:58:58,179 --> 00:59:00,099
THANK YOU SO MUCH TO THE TWO OF
1723
00:58:58,179 --> 00:59:00,099
YOU.
1724
00:59:00,099 --> 00:59:03,010
THANK YOU FOR BEING HERE.
1725
00:59:00,099 --> 00:59:03,010
WE REALLY APPRECIATE IT.
1726
00:59:03,010 --> 00:59:06,269
HAVE A WONDERFUL NIGHT.
1727
00:59:03,010 --> 00:59:06,269
BEST OF LUCK TONIGHT.
1728
00:59:06,269 --> 00:59:09,260
>> THANK YOU, THANK YOU.
1729
00:59:06,269 --> 00:59:09,260
>> LET'S CHECK IN WITH YOU.
1730
00:59:09,260 --> 00:59:12,039
WHAT'S GOING ON?
1731
00:59:09,260 --> 00:59:12,039
>> FIRST OF ALL, THEY ARE SO
1732
00:59:12,039 --> 00:59:13,039
BEAUTIFUL.
1733
00:59:12,039 --> 00:59:13,039
THAT'S WHAT I SAY.
1734
00:59:13,039 --> 00:59:16,019
I LOVE THE DIVERSITY RIGHT NOW.
1735
00:59:13,039 --> 00:59:16,019
AS WE'RE CELEBRATING THE
1736
00:59:16,019 --> 00:59:18,269
DIVERSITY OF THE OSCARS, WE HAVE
1737
00:59:16,019 --> 00:59:18,269
TO REMEMBER STOP ASIAN HATE.
1738
00:59:18,269 --> 00:59:21,199
WE ARE LIVING IN A TIME WHERE WE
1739
00:59:18,269 --> 00:59:21,199
HAVE TO ACKNOWLEDGE THOSE
1740
00:59:21,199 --> 00:59:23,150
THINGS.
1741
00:59:21,199 --> 00:59:23,150
BUT MY GOSH, THEY'RE STUNNING.
1742
00:59:23,150 --> 00:59:28,110
>> I LOVE, LOVE, LOVE -- I CALL
1743
00:59:23,150 --> 00:59:28,110
HER Y.J.
1744
00:59:28,110 --> 00:59:33,090
SHE'S INCREDIBLE AS THE
1745
00:59:28,110 --> 00:59:33,090
GRANDMOTHER.
1746
00:59:33,090 --> 00:59:36,059
SOMEBODY SHE'S UP AGAINST
1747
00:59:33,090 --> 00:59:36,059
TONIGHT FOR BEST SUPPORTING
1748
00:59:36,059 --> 00:59:40,179
ACTRESS IS GLENN CLOSE.
1749
00:59:36,059 --> 00:59:40,179
>> GLENN CLOSE, EIGHT-TIME
1750
00:59:40,179 --> 00:59:43,239
NOMINEE, OSCAR CHANCES.
1751
00:59:40,179 --> 00:59:43,239
I AM READY FOR HER TO WIN.
1752
00:59:43,239 --> 00:59:45,119
WHAT DO YOU THINK WE CAN EXPECT
1753
00:59:43,239 --> 00:59:45,119
TONIGHT?
1754
00:59:45,119 --> 00:59:49,000
>> GLENN CLOSE HAS BEEN
1755
00:59:45,119 --> 00:59:49,000
NOMINATED FOR OSCAR PERFORMANCES
1756
00:59:49,000 --> 00:59:51,210
EVERYONE LOVES.
1757
00:59:49,000 --> 00:59:51,210
OF COURSE WE KNOW "FATAL
1758
00:59:51,210 --> 00:59:54,159
ATTRACTION."
1759
00:59:51,210 --> 00:59:54,159
A COUPLE YEARS AGO, PEOPLE
1760
00:59:54,159 --> 00:59:58,179
THOUGHT SHE WAS GOING TO GET IT
1761
00:59:54,159 --> 00:59:58,179
WITH "THE WIFE."
1762
00:59:58,179 --> 01:00:02,099
BUT HER FELLOW NOMINEE OLIVIA
1763
00:59:58,179 --> 01:00:02,099
COLMAN TOOK IT.
1764
01:00:02,099 --> 01:00:07,000
IF SHE GETS THE WIN, SHE WOULD
1765
01:00:02,099 --> 01:00:07,000
TIE AL PACINO ON WINNING IT FOR
1766
01:00:07,000 --> 01:00:10,110
THE 8th TIME.
1767
01:00:07,000 --> 01:00:10,110
SHE WAS AN ICON WHO TOOK A FEW
1768
01:00:10,110 --> 01:00:13,099
NOMINATIONS TO GET IT TOO.
1769
01:00:10,110 --> 01:00:13,099
>> WE LOVE ALL THE NOMINEES, BUT
1770
01:00:13,099 --> 01:00:17,150
IT WOULD BE EPIC TONIGHT.
1771
01:00:13,099 --> 01:00:17,150
WE HAVE TO TALK ABOUT EM RAL FA
1772
01:00:17,150 --> 01:00:19,139
NELL.
1773
01:00:17,150 --> 01:00:19,139
WHAT AN AMAZING MOMENT.
1774
01:00:19,139 --> 01:00:20,190
WHAT DO YOU THINK HER CHANCES
1775
01:00:19,139 --> 01:00:20,190
ARE.
1776
01:00:20,190 --> 01:00:25,179
>> FIRST OF ALL, ALSO A NEW MOM
1777
01:00:20,190 --> 01:00:25,179
AND LOOKING GORGEOUS TONIGHT.
1778
01:00:25,179 --> 01:00:29,289
SHE'S NOMINATED FOR BEST
1779
01:00:25,179 --> 01:00:29,289
ORIGINAL SCREENPLAY, BEST
1780
01:00:29,289 --> 01:00:35,000
DIRECTOR, AND BEST PICTURE.
1781
01:00:29,289 --> 01:00:35,000
SHE IS JUST RADIANT IN THAT
1782
01:00:35,000 --> 01:00:36,230
DRESS.
1783
01:00:35,000 --> 01:00:36,230
>> HISTORY MAKING.
1784
01:00:36,230 --> 01:00:40,070
SHE'S STUNNING.
1785
01:00:36,230 --> 01:00:40,070
WOMEN CAN DO IT ALL.
1786
01:00:40,070 --> 01:00:40,250
RIGHT?
1787
01:00:40,070 --> 01:00:40,250
RIGHT?
1788
01:00:40,250 --> 01:00:44,019
SHE IS ON THAT CARPET.
1789
01:00:40,250 --> 01:00:44,019
SHE'S ALIKE I'M GOING TO DO WHAT
1790
01:00:44,019 --> 01:00:45,289
I'VE GOT TO DO.
1791
01:00:44,019 --> 01:00:45,289
I'M GOING TO MAKE HISTORY.
1792
01:00:45,289 --> 01:00:47,280
I'M GOING TO HAVE A BABY.
1793
01:00:45,289 --> 01:00:47,280
TRUST AND BELIEVE.
1794
01:00:47,280 --> 01:00:51,079
>> SHE'S ALSO A ACTRESS.
1795
01:00:47,280 --> 01:00:51,079
I REMEMBER HER FROM "THE
1796
01:00:51,079 --> 01:00:54,230
MIDWIFE" ON THE TV SIDE.
1797
01:00:51,079 --> 01:00:54,230
SHE ALSO WHEREON THE SECOND
1798
01:00:54,230 --> 01:01:00,239
SEASON OF "KILLING EVE" AND
1799
01:00:54,230 --> 01:01:00,239
RECENTLY ON "THE CROWN" SHE
1800
01:01:00,239 --> 01:01:04,159
PLAYED CAMILLA PARKER BOLES.
1801
01:01:00,239 --> 01:01:04,159
I CANNOT HOLD THAT AGAINST HER.
1802
01:01:04,159 --> 01:01:08,190
>> LET'S BE HONEST.
1803
01:01:04,159 --> 01:01:08,190
SHE IS WELL DESERVED OF THE
1804
01:01:08,190 --> 01:01:11,099
NOMINATIONS TONIGHT.
1805
01:01:08,190 --> 01:01:11,099
I REALLY HOPE SHE MAKES HISTORY.
1806
01:01:11,099 --> 01:01:17,099
>> SHE WOULD BE THE FIRST
1807
01:01:11,099 --> 01:01:17,099
BRITISH WOMAN TO TAKE HOME AN
1808
01:01:17,099 --> 01:01:53,070
OSCAR FOR BEST DIRECTOR.
1809
01:01:17,099 --> 01:01:53,070
WHAT'S SO GREAT IS HER
1810
01:01:53,070 --> 01:01:55,090
>>> HEY GUYS.
1811
01:01:53,070 --> 01:01:55,090
WELCOME BACK.
1812
01:01:55,090 --> 01:01:58,039
WE ARE 90 MINUTES AWAY FROM THE
1813
01:01:55,090 --> 01:01:58,039
OSCARS ON ABC.
1814
01:01:58,039 --> 01:02:05,050
SHE JUST HIT THE CARPET.
1815
01:01:58,039 --> 01:02:05,050
WE SEE MARIA FROM "BORAT."
1816
01:02:05,050 --> 01:02:08,039
I KNOW WE SAW A SHOT ON
1817
01:02:05,050 --> 01:02:08,039
INSTAGRAM, BUT THIS IS THE FULL
1818
01:02:08,039 --> 01:02:11,130
GOWN.
1819
01:02:08,039 --> 01:02:11,130
>> WHAT A DRESS, RIGHT?
1820
01:02:11,130 --> 01:02:14,260
LOUIS VUITTON, IT'S CUSTOM MADE
1821
01:02:11,130 --> 01:02:14,260
FOR HER.
1822
01:02:14,260 --> 01:02:17,269
SHE ACTUALLY SAID HERSELF SHE
1823
01:02:14,260 --> 01:02:17,269
HASN'T SEEN A RED CARPET.
1824
01:02:17,269 --> 01:02:21,019
SHE'S DONE IT ALL VIRTUALLY, SO
1825
01:02:17,269 --> 01:02:21,019
THIS IS HER FIRST TIME.
1826
01:02:21,019 --> 01:02:24,070
FOR THE 360 FULL LENGTH SHE'S
1827
01:02:21,019 --> 01:02:24,070
ABSOLUTELY NAILED IT.
1828
01:02:24,070 --> 01:02:28,110
HER STYLIST WHO IS HOPEFULLY
1829
01:02:24,070 --> 01:02:28,110
GOING TO BE WITH US LATER TO
1830
01:02:28,110 --> 01:02:31,130
BREAK DOWN THE WHOLE.
1831
01:02:28,110 --> 01:02:31,130
>> I LOVE THE PRINCESS VIBES
1832
01:02:31,130 --> 01:02:35,150
THEY'RE DOING WITH HER, VERY
1833
01:02:31,130 --> 01:02:35,150
ROMANTIC, VERY ETHEREAL, VERY
1834
01:02:35,150 --> 01:02:37,159
BEAUTIFUL.
1835
01:02:35,150 --> 01:02:37,159
IT'S JUST THAT RED CARPET
1836
01:02:37,159 --> 01:02:40,079
FANTASY WE LOVE TO SEE.
1837
01:02:37,159 --> 01:02:40,079
>> AND IT COULDN'T BE MORE
1838
01:02:40,079 --> 01:02:43,139
DIFFERENT THAN HER CHARACTER.
1839
01:02:40,079 --> 01:02:43,139
IF I'VE EVER SEEN A
1840
01:02:43,139 --> 01:02:45,000
CHARACTER-TO-CARPET
1841
01:02:43,139 --> 01:02:45,000
TRANSFORMATION, IT'S THIS ONE.
1842
01:02:45,000 --> 01:02:46,139
>> RIGHT.
1843
01:02:45,000 --> 01:02:46,139
TOTALLY.
1844
01:02:46,139 --> 01:02:55,070
>> LET'S HEAD OVER TO JULIANNA.
1845
01:02:46,139 --> 01:02:55,070
>> "MINARI" IS ONE OF THE MOST
1846
01:02:55,070 --> 01:02:59,110
BELOVED PICTURES OF THE YEAR.
1847
01:02:55,070 --> 01:02:59,110
THE DIRECTOR LEE ISAAC CHUNG IS
1848
01:02:59,110 --> 01:03:03,010
JOINING ME WITH HIS WIFE
1849
01:02:59,110 --> 01:03:03,010
VALERIE.
1850
01:03:03,010 --> 01:03:03,190
HELLO.
1851
01:03:03,010 --> 01:03:03,190
>> HI.
1852
01:03:03,190 --> 01:03:05,239
>> SO GREAT TO SEE THE TWO OF
1853
01:03:03,190 --> 01:03:05,239
YOU TONIGHT.
1854
01:03:05,239 --> 01:03:07,230
>> THANKS SO MUCH.
1855
01:03:05,239 --> 01:03:07,230
IT'S EXCITING, EXCITING DAY.
1856
01:03:07,230 --> 01:03:10,110
>> I BET IT IS.
1857
01:03:07,230 --> 01:03:10,110
TELL ME SOME OF THE EMOTIONS
1858
01:03:10,110 --> 01:03:12,179
GOING THROUGH YOUR MIND.
1859
01:03:10,110 --> 01:03:12,179
>> WELL, WE'VE BEEN QUARANTINED
1860
01:03:12,179 --> 01:03:16,010
FOR ABOUT A YEAR AND A HALF.
1861
01:03:12,179 --> 01:03:16,010
TO SUDDENLY COME OUT IN THIS WAY
1862
01:03:16,010 --> 01:03:19,179
IS QUITE SHOCKING IN A WAY.
1863
01:03:16,010 --> 01:03:19,179
>> AND TO COME OUT EXACTLY IN A
1864
01:03:19,179 --> 01:03:25,280
WAY THAT, OBVIOUSLY HERE FOR
1865
01:03:19,179 --> 01:03:25,280
YOUR AMAZING FILM, "MINARI," --
1866
01:03:25,280 --> 01:03:28,170
>> THANK YOU SO MUCH.
1867
01:03:25,280 --> 01:03:28,170
>> -- ONE OF MY ABSOLUTE
1868
01:03:28,170 --> 01:03:30,179
FAVORITES.
1869
01:03:28,170 --> 01:03:30,179
THIS MOVIE MEANS SO MUCH TO SO
1870
01:03:30,179 --> 01:03:34,170
MANY PEOPLE.
1871
01:03:30,179 --> 01:03:34,170
IT'S A BELOVED MOVIE TO SO MANY.
1872
01:03:34,170 --> 01:03:38,190
WHAT DOES THAT MEAN TO YOU
1873
01:03:34,170 --> 01:03:38,190
KNOWING THE WAY IT'S BEEN
1874
01:03:38,190 --> 01:03:40,030
EMBRACED?
1875
01:03:38,190 --> 01:03:40,030
>> IT TOUCHES ME SO MUCH.
1876
01:03:40,030 --> 01:03:44,059
IT'S SO PERSONAL TO ME AND I'M
1877
01:03:40,030 --> 01:03:44,059
SO PLEASED PEOPLE ARE CONNECTING
1878
01:03:44,059 --> 01:03:47,119
TO IT ON A HUMAN, EMOTIONAL
1879
01:03:44,059 --> 01:03:47,119
LEVEL.
1880
01:03:47,119 --> 01:03:50,179
IT JUST SHOWS ME WE'RE ALL MORE
1881
01:03:47,119 --> 01:03:50,179
CONNECTED THAN WE THINK.
1882
01:03:50,179 --> 01:03:53,170
>> AND YOU SHOT THE FILM IN A
1883
01:03:50,179 --> 01:03:53,170
PRETTY SHORT TIME FRAME.
1884
01:03:53,170 --> 01:03:55,110
>> YES.
1885
01:03:53,170 --> 01:03:55,110
>> CAN YOU TELL US SOME OF THOSE
1886
01:03:55,110 --> 01:03:58,219
CHALLENGES THAT YOU ENCOUNTERED?
1887
01:03:55,110 --> 01:03:58,219
>> SURE.
1888
01:03:58,219 --> 01:04:01,289
YEAH.
1889
01:03:58,219 --> 01:04:01,289
WE NEED A LONG INTERVIEW FOR
1890
01:04:01,289 --> 01:04:03,110
THAT.
1891
01:04:01,289 --> 01:04:03,110
WE SHOT FOR 25 DAYS, AND EVERY
1892
01:04:03,110 --> 01:04:06,269
DAY WAS -- WE WERE WORKING ON
1893
01:04:03,110 --> 01:04:06,269
INSTINCT, TRYING TO MAKE NO
1894
01:04:06,269 --> 01:04:10,139
MISTAKES.
1895
01:04:06,269 --> 01:04:10,139
AND IT'S INCREDIBLE THAT WE
1896
01:04:10,139 --> 01:04:12,099
BROUGHT IT ALL THE WAY HERE.
1897
01:04:10,139 --> 01:04:12,099
I GIVE ALL CREDIT TO MY CAST AND
1898
01:04:12,099 --> 01:04:17,070
CREW FOR WHAT THEY DELIVERED.
1899
01:04:12,099 --> 01:04:17,070
>> AND AN INCREDIBLE CAST
1900
01:04:17,070 --> 01:04:19,019
INDEED.
1901
01:04:17,070 --> 01:04:19,019
TELL ME ABOUT ASSEMBLING THAT
1902
01:04:19,019 --> 01:04:21,119
WORLD FAMOUS CAST.
1903
01:04:19,019 --> 01:04:21,119
>> A LOT OF IT WAS THROUGH
1904
01:04:21,119 --> 01:04:25,219
PEOPLE WHO WE KNOW.
1905
01:04:21,119 --> 01:04:25,219
SO, THERE WAS A LOT OF JUST
1906
01:04:25,219 --> 01:04:27,250
FRIENDSHIPS THAT WENT INTO
1907
01:04:25,219 --> 01:04:27,250
ASSEMBLING THIS CAST.
1908
01:04:27,250 --> 01:04:30,030
AND THE KIDS WERE ABSOLUTE
1909
01:04:27,250 --> 01:04:30,030
DISCOVERIES.
1910
01:04:30,030 --> 01:04:33,130
THEY HAD NEVER ACTED BEFORE.
1911
01:04:30,030 --> 01:04:33,130
WE HAD AN AMAZING CASTING
1912
01:04:33,130 --> 01:04:39,150
DIRECTOR WHO DISCOVERED THEM.
1913
01:04:33,130 --> 01:04:39,150
IT'S A FAIRY TALE PROCESS.
1914
01:04:39,150 --> 01:04:42,139
>> THANK YOU FOR BRINGING THIS
1915
01:04:39,150 --> 01:04:42,139
BEAUTIFUL MOVIE INTO OUR LIVES.
1916
01:04:42,139 --> 01:04:44,199
HAVE A WONDERFUL TIME TONIGHT.
1917
01:04:42,139 --> 01:04:44,199
BEST OF LUCK.
1918
01:04:44,199 --> 01:04:46,150
>> THANK YOU SO MUCH.
1919
01:04:44,199 --> 01:04:46,150
>> THANK YOU, THANK YOU.
1920
01:04:46,150 --> 01:04:51,000
>>> TONIGHT THERE HAS BEEN SO
1921
01:04:46,150 --> 01:04:51,000
MANY DIVERSITY AND HISTORY MADE.
1922
01:04:51,000 --> 01:05:01,039
I WANT TO TALK ABOUT CHLOE ZHAO.
1923
01:04:51,000 --> 01:05:01,039
IF SHE WIN, SHE'LL BE THE FIRST
1924
01:05:01,039 --> 01:05:03,079
WOMAN OF COLOR TO WIN IN THIS
1925
01:05:01,039 --> 01:05:03,079
CATEGORY.
1926
01:05:03,079 --> 01:05:05,219
IT'S AMAZING.
1927
01:05:03,079 --> 01:05:05,219
WE WANT TO CELEBRATE THAT.
1928
01:05:05,219 --> 01:05:08,219
WHAT DO YOU THINK HER CHANCES
1929
01:05:05,219 --> 01:05:08,219
ARE?
1930
01:05:08,219 --> 01:05:13,010
>> CHLOE ZHAO HAS SWEPT THE
1931
01:05:08,219 --> 01:05:13,010
AWARD THIS IS YEAR.
1932
01:05:13,010 --> 01:05:22,010
IT'S BEEN ALL "NOMADLAND."
1933
01:05:13,010 --> 01:05:22,010
SHE'S NOMINATED FOR BEST
1934
01:05:22,010 --> 01:05:24,280
DIRECTOR, PRODUCING THIS FOR
1935
01:05:22,010 --> 01:05:24,280
BEST PICTURE.
1936
01:05:24,280 --> 01:05:28,210
IF SHE SWEEPS ALL FOUR, SHE
1937
01:05:24,280 --> 01:05:28,210
WOULD TIE WALT DISNEY FOR THE
1938
01:05:28,210 --> 01:05:33,210
MOST FOLKS TO WIN IN ONE NIGHT.
1939
01:05:28,210 --> 01:05:33,210
HE WON FOUR BACK IN 1957.
1940
01:05:33,210 --> 01:05:35,250
SHE MAY DO THAT TONIGHT AS A
1941
01:05:33,210 --> 01:05:35,250
WOMAN.
1942
01:05:35,250 --> 01:05:37,280
>> HOW DO YOU RETAIN THAT
1943
01:05:35,250 --> 01:05:37,280
INFORMATION?
1944
01:05:37,280 --> 01:05:41,179
>> I DON'T.
1945
01:05:37,280 --> 01:05:41,179
>> I WISH I WAS WITH YOU IN HIGH
1946
01:05:41,179 --> 01:05:43,090
SCHOOL.
1947
01:05:41,179 --> 01:05:43,090
TO YOUR POINT THE FACT SHE COULD
1948
01:05:43,090 --> 01:05:46,010
TIE AND IT'S BEEN SO LONG,
1949
01:05:43,090 --> 01:05:46,010
THAT'S EXTRAORDINARY.
1950
01:05:46,010 --> 01:05:51,110
WHAT TYPE OF MESSAGE DOES IT
1951
01:05:46,010 --> 01:05:51,110
SEND TO WOMEN WHEN THEY WERE
1952
01:05:51,110 --> 01:05:54,030
ENTERING THE INDUSTRY WHEN WE
1953
01:05:51,110 --> 01:05:54,030
KNOW IT CAN BE SEXIST?
1954
01:05:54,030 --> 01:05:58,170
>> TALKED ABOUT SUN DANCE HAVING
1955
01:05:54,030 --> 01:05:58,170
SO MANY FEMALE DIRECTORS BUT
1956
01:05:58,170 --> 01:06:03,119
COULDN'T MAKE THAT FILM.
1957
01:05:58,170 --> 01:06:03,119
THIS IS CHLOE'S THIRD FILM AFTER
1958
01:06:03,119 --> 01:06:07,230
GRADUATING FROM NYU WHERE SHE
1959
01:06:03,119 --> 01:06:07,230
WAS TAUGHT BY NONE OTHER THAN
1960
01:06:07,230 --> 01:06:09,210
SPIKE LEE.
1961
01:06:07,230 --> 01:06:09,210
HE HAS BEEN A HUGE FAN OF HER
1962
01:06:09,210 --> 01:06:12,139
WORK AS WELL.
1963
01:06:09,210 --> 01:06:12,139
I LOVE SHE GOT TO WORK WITH
1964
01:06:12,139 --> 01:06:17,050
FRANCES McDORMANT ON THIS.
1965
01:06:12,139 --> 01:06:17,050
>> WHEN YOU START SEEING THOSE
1966
01:06:17,050 --> 01:06:20,050
PAIRINGS, THAT'S WHEN YOU KNOW
1967
01:06:17,050 --> 01:06:20,050
MAGIC IS HAPPENING.
1968
01:06:20,050 --> 01:06:23,090
I DID KNOW THE TIDBIT ABOUT
1969
01:06:20,050 --> 01:06:23,090
SPIKE LEE, THAT SHE LEARNED A
1970
01:06:23,090 --> 01:06:26,139
LOT FROM BEING A LEGEND.
1971
01:06:23,090 --> 01:06:26,139
WE TALKED ABOUT EARLIER SHE LEFT
1972
01:06:26,139 --> 01:06:30,039
HOME AT 15 TO STUDY IN THE UK.
1973
01:06:26,139 --> 01:06:30,039
WHAT AFFECT DO YOU THINK THAT
1974
01:06:30,039 --> 01:06:33,119
HAD ON HER TALENT AND HER CAREER
1975
01:06:30,039 --> 01:06:33,119
AND HOW SHE'S APPROACHING THIS.
1976
01:06:33,119 --> 01:06:36,179
>> SHE SEEMS TO BE A WONDER LUST
1977
01:06:33,119 --> 01:06:36,179
DIRECTOR.
1978
01:06:36,179 --> 01:06:39,190
WHEN YOU LOOK AT THE PREVIOUS
1979
01:06:36,179 --> 01:06:39,190
ONE, THE WRITER, SHE HAS NEVER
1980
01:06:39,190 --> 01:06:43,230
SEEN A VAST LANDSCAPE ACROSS THE
1981
01:06:39,190 --> 01:06:43,230
SETTING SUN THAT SHE DIDN'T WANT
1982
01:06:43,230 --> 01:06:45,179
TO FRAME BEAUTIFULLY WITH THE
1983
01:06:43,230 --> 01:06:45,179
SHOT.
1984
01:06:45,179 --> 01:07:25,079
AND HER CIN.
1985
01:06:45,179 --> 01:07:25,079
>>> WELCOME BACK TO OSCAR
1986
01:07:25,079 --> 01:07:34,150
SUNDAY.
1987
01:07:25,079 --> 01:07:34,150
I THINK WE HAVE A FIRST LOOK AT
1988
01:07:34,150 --> 01:07:38,139
DANIEL KA LIEULUUYA.
1989
01:07:34,150 --> 01:07:38,139
>> HE'S WEARING CARTIER
1990
01:07:38,139 --> 01:07:40,239
DIAMONDS.
1991
01:07:38,139 --> 01:07:40,239
HE LOOKS SO CHIC.
1992
01:07:40,239 --> 01:07:44,230
>> I LOVE HE LOOKS -- YOU KNOW,
1993
01:07:40,239 --> 01:07:44,230
THIS FOLES MORE LIKE HIM TO ME.
1994
01:07:44,230 --> 01:07:48,050
THERE'S BEEN A COUPLE TIMES HE
1995
01:07:44,230 --> 01:07:48,050
HAD THE BOW TIES ON.
1996
01:07:48,050 --> 01:07:50,039
I FEEL LIKE THIS IS REALLY WHO
1997
01:07:48,050 --> 01:07:50,039
HE IS.
1998
01:07:50,039 --> 01:07:53,010
>> I WAS SAYING EARLIER IN THE
1999
01:07:50,039 --> 01:07:53,010
SHOW.
2000
01:07:53,010 --> 01:07:55,250
DANIEL HAS BEEN LOVING HIS
2001
01:07:53,010 --> 01:07:55,250
JEWELRY AND DIAMONDS THIS
2002
01:07:55,250 --> 01:07:58,039
SEASON.
2003
01:07:55,250 --> 01:07:58,039
SO, HE'S CLEARLY FEATURING
2004
01:07:58,039 --> 01:08:05,219
THOSE.
2005
01:07:58,039 --> 01:08:05,219
AND BOW TEGA IS ONE OF THE MOST
2006
01:08:05,219 --> 01:08:08,170
SOUGHT AFTER THIS YEAR.
2007
01:08:05,219 --> 01:08:08,170
EVERYONE WANTS TO WAESH IT.
2008
01:08:08,170 --> 01:08:10,230
>> IF YOU GET TO WEAR IT, YOU'RE
2009
01:08:08,170 --> 01:08:10,230
SPECIAL.
2010
01:08:10,230 --> 01:08:17,149
>> YOU KNOW HE'S SPECIAL.
2011
01:08:10,230 --> 01:08:17,149
I LOVE THOSE PINKY RINGS HE'S
2012
01:08:17,149 --> 01:08:19,229
OBSESSED WITH.
2013
01:08:17,149 --> 01:08:19,229
>> WE'RE SEEING MORE DIAMONDS.
2014
01:08:19,229 --> 01:08:23,039
I THINK WE'RE GOING TO SEE MORE
2015
01:08:19,229 --> 01:08:23,039
DIAMONDS ON THE BOYS AS WELL.
2016
01:08:23,039 --> 01:08:25,119
WE'RE SEEING THEM ON BRAD.
2017
01:08:23,039 --> 01:08:25,119
IT'S A GREAT LOOK.
2018
01:08:25,119 --> 01:08:28,060
>> IT'S FUNNY.
2019
01:08:25,119 --> 01:08:28,060
IT STARTED OFF PEOPLE DOING
2020
01:08:28,060 --> 01:08:33,050
WATCHES, THEN THE BROACHES.
2021
01:08:28,060 --> 01:08:33,050
NOW IT'S DIAMOND NECKLACES AND
2022
01:08:33,050 --> 01:08:35,239
CHAINS AND RINGS AND WE'RE GOING
2023
01:08:33,050 --> 01:08:35,239
NUTS.
2024
01:08:35,239 --> 01:08:38,199
I LOVE IT.
2025
01:08:35,239 --> 01:08:38,199
>> I LOVE HOW THE GUYS ARE
2026
01:08:38,199 --> 01:08:41,100
COMING OUT WITH MORE AND MORE
2027
01:08:38,199 --> 01:08:41,100
ACCESSORIES AND THEY'RE CATERING
2028
01:08:41,100 --> 01:08:44,000
TO THAT AS WELL.
2029
01:08:41,100 --> 01:08:44,000
IT'S GREAT.
2030
01:08:44,000 --> 01:08:48,039
HOW WE STEAL THEIR HOODIES,
2031
01:08:44,000 --> 01:08:48,039
WE'RE GONE STEAL THEIR NECKLACES
2032
01:08:48,039 --> 01:08:52,090
AND JEWELRY TOO.
2033
01:08:48,039 --> 01:08:52,090
RIGHT NOW WE'VE GOT TO GO OVER.
2034
01:08:52,090 --> 01:08:59,279
>> I LOVE THE FACT MEN ARE
2035
01:08:52,090 --> 01:08:59,279
ACCESSORIZING, YOU KNOW WHAT I
2036
01:08:59,279 --> 01:09:02,060
MEAN?
2037
01:08:59,279 --> 01:09:02,060
A LITTLE AK SAYSCCESSORIZING NEV
2038
01:09:02,060 --> 01:09:03,260
HURT ANYBODY.
2039
01:09:02,060 --> 01:09:03,260
THIS IS A CATEGORY WHERE WE'RE
2040
01:09:03,260 --> 01:09:06,029
ALL HIGHLY ANTICIPATING WHAT IS
2041
01:09:03,260 --> 01:09:06,029
GOING TO HAPPEN.
2042
01:09:06,029 --> 01:09:09,050
I WANT YOUR THOUGHTS.
2043
01:09:06,029 --> 01:09:09,050
>> IT'S REALLY CRAZY ABOUT BEST
2044
01:09:09,050 --> 01:09:11,010
PICTURE.
2045
01:09:09,050 --> 01:09:11,010
WE HAVE AN INCREDIBLE SET OF
2046
01:09:11,010 --> 01:09:15,250
NOMINEES THAT MAY NOT HAVE MADE
2047
01:09:11,010 --> 01:09:15,250
IT TO THIS NIGHT IF NOT FOR THE
2048
01:09:15,250 --> 01:09:23,289
GLOBAL BOX OFFICE PAUSE.
2049
01:09:15,250 --> 01:09:23,289
SO MANY STORIES LIKE
2050
01:09:23,289 --> 01:09:25,250
"NOMADLAND," "MINARI," THEY'RE
2051
01:09:23,289 --> 01:09:25,250
GREAT STORIES BUT MIGHT HAVE
2052
01:09:25,250 --> 01:09:31,029
BEEN PUSHED OUT BY "WEST SIDE
2053
01:09:25,250 --> 01:09:31,029
STORY" AND "DOOM."
2054
01:09:31,029 --> 01:09:35,090
LOOK AT THE FILMS AND HOW THEY
2055
01:09:31,029 --> 01:09:35,090
TOUCH ON SOCIAL ISSUES RIGHT
2056
01:09:35,090 --> 01:09:37,189
NOW.
2057
01:09:35,090 --> 01:09:37,189
"MINARI" AND ASIAN HATE SO MUCH.
2058
01:09:37,189 --> 01:09:40,210
>> THAT'S WHAT I LOVE ABOUT THE
2059
01:09:37,189 --> 01:09:40,210
BEST PICTURE CATEGORY.
2060
01:09:40,210 --> 01:09:43,260
IT'S SOMETHING FOR THE FIRST
2061
01:09:40,210 --> 01:09:43,260
TIME YOU FELT THERE WAS MESSAGES
2062
01:09:43,260 --> 01:09:46,210
COMING ACROSS.
2063
01:09:43,260 --> 01:09:46,210
AS YOU DISCUSSED WE ARE IN A
2064
01:09:46,210 --> 01:09:50,119
TIME RIGHT NOW WHERE WE HAVE TO
2065
01:09:46,210 --> 01:09:50,119
DISCUSS STOP ASIAN HATE, WE HAVE
2066
01:09:50,119 --> 01:09:51,229
TO UNDERSTAND BLACK LIVES
2067
01:09:50,119 --> 01:09:51,229
MATTER.
2068
01:09:51,229 --> 01:09:54,069
IF YOU CAN DO THAT WHILE ALSO
2069
01:09:51,229 --> 01:09:54,069
BEING ENTERTAINED, HOW MUCH FUN
2070
01:09:54,069 --> 01:09:56,159
IS THAT?
2071
01:09:54,069 --> 01:09:56,159
OUT OF THESE MOVIES WHICH ONE DO
2072
01:09:56,159 --> 01:09:58,199
YOU THINK IS GOING TO BE THE ONE
2073
01:09:56,159 --> 01:09:58,199
THAT IS GOING TO WIN?
2074
01:09:58,199 --> 01:10:03,140
>> TAKING IT HOME TONIGHT
2075
01:09:58,199 --> 01:10:03,140
PREDICTABLY WOULD BE "NO
2076
01:10:03,140 --> 01:10:06,050
MADLAND."
2077
01:10:03,140 --> 01:10:06,050
IT'S GOT THE CRITICS CHOICE.
2078
01:10:06,050 --> 01:10:10,010
HOWEVER WE HAVE SEEN THIS STORY
2079
01:10:06,050 --> 01:10:10,010
BEFORE WITH A LITTLE FILM CALLED
2080
01:10:10,010 --> 01:10:14,250
"LA LALAND" THAT ENDED UP LOSING
2081
01:10:10,010 --> 01:10:14,250
SOME OSCAR NIGHT.
2082
01:10:14,250 --> 01:10:16,229
I'M NOT GOING TO COUNT MY
2083
01:10:14,250 --> 01:10:16,229
CHICKENS.
2084
01:10:16,229 --> 01:10:25,100
I'M STILL BETTING ON
2085
01:10:16,229 --> 01:10:25,100
"NOMADLAND."
2086
01:10:25,100 --> 01:10:28,000
BUT "TRIAL OF THE CHICAGO 7,"
2087
01:10:25,100 --> 01:10:28,000
THEY LIVED THROUGH THOSE
2088
01:10:28,000 --> 01:10:31,279
MOMENTS.
2089
01:10:28,000 --> 01:10:31,279
>> I LOVE THE FACT SACHA BARON
2090
01:10:31,279 --> 01:10:35,229
COHEN IS GIVING US SOMETHING
2091
01:10:31,279 --> 01:10:35,229
NEW.
2092
01:10:35,229 --> 01:10:44,140
TO GO FROM "BORAT" TO THIS.
2093
01:10:35,229 --> 01:10:44,140
>> HE'S MADE HISTORY WITH "THE
2094
01:10:44,140 --> 01:10:49,199
GOD FATHER" AS THE ONLY TWO
2095
01:10:44,140 --> 01:10:49,199
SEQUELS TO BE NOMINATED.
2096
01:10:49,199 --> 01:10:52,250
I THINK HE ALSO HAS A VERY GOOD
2097
01:10:49,199 --> 01:10:52,250
CHANCE OF WINNING THAT CATEGORY.
2098
01:10:52,250 --> 01:10:59,039
I'M NOT BETTING ON IT, BUT HE
2099
01:10:52,250 --> 01:10:59,039
COULD.
2100
01:10:59,039 --> 01:11:00,170
>> I LOVE THAT WE HAVE ALL THIS
2101
01:10:59,039 --> 01:11:00,170
INSIDE INFORMATION RIGHT NOW.
2102
01:11:00,170 --> 01:11:01,199
THIS IS GREAT.
2103
01:11:00,170 --> 01:11:01,199
WE WANT TO HEAD TO YOU GUYS.
2104
01:11:01,199 --> 01:11:03,210
>> JACQUELINE HAS ALL THE
2105
01:11:01,199 --> 01:11:03,210
INFORMATION.
2106
01:11:03,210 --> 01:11:06,140
>> ALL THE CHEESE.
2107
01:11:03,210 --> 01:11:06,140
>> I NEED TO WATCH THE
2108
01:11:06,140 --> 01:11:09,079
SCREENERS, JACQUELINE.
2109
01:11:06,140 --> 01:11:09,079
>> I TOLD YOU, GIRL.
2110
01:11:09,079 --> 01:11:12,210
>> YOU HELP ME OUT WITH THEM
2111
01:11:09,079 --> 01:11:12,210
DRESSES, GIRL, WE WILL GET YOU
2112
01:11:12,210 --> 01:11:17,079
CAUGHT UP ON OSCAR TRIVIA.
2113
01:11:12,210 --> 01:11:17,079
>> SHE MEANS THOSE DRESSES AT
2114
01:11:17,079 --> 01:11:18,250
MACY'S.
2115
01:11:17,079 --> 01:11:18,250
>> SOMEBODY DON'T LOVE YOU LIKE
2116
01:11:18,250 --> 01:11:21,090
HE LOVES ME, YOU DOING IT WRONG.
2117
01:11:18,250 --> 01:11:21,090
>> AMEN.
2118
01:11:21,090 --> 01:11:24,260
>> AMEN.
2119
01:11:21,090 --> 01:11:24,260
YOU GUYS, THAT WAS THE MOST
2120
01:11:24,260 --> 01:11:30,060
NOMINATED BLACK ACTRESS IN
2121
01:11:24,260 --> 01:11:30,060
HISTORY, VIOLA DAVIS HAS BEEN A
2122
01:11:30,060 --> 01:11:33,260
RED CARPET REGULAR SINCE HER
2123
01:11:30,060 --> 01:11:33,260
DEBUT IN 2009.
2124
01:11:33,260 --> 01:11:36,090
SHE HAS GIVEN US MEMORABLE
2125
01:11:33,260 --> 01:11:36,090
MOMENTS.
2126
01:11:36,090 --> 01:11:40,050
WE HAVE TO TAKE A LOOK AT HOW
2127
01:11:36,090 --> 01:11:40,050
HER FASHION HAS EVOLVED THROUGH
2128
01:11:40,050 --> 01:11:41,149
THE YEARS.
2129
01:11:40,050 --> 01:11:41,149
>> WITH PLEASURE.
2130
01:11:41,149 --> 01:11:46,100
ONE OF MY FAVORITES.
2131
01:11:41,149 --> 01:11:46,100
LET'S START IN 2009 WITH THIS
2132
01:11:46,100 --> 01:11:51,060
GORGEOUS METALLIC REAM GOWN.
2133
01:11:46,100 --> 01:11:51,060
IT WAS HER FIRST OSCARS RED
2134
01:11:51,060 --> 01:11:54,189
CARPET WHERE SHE WAS NOMINATED
2135
01:11:51,060 --> 01:11:54,189
FOR BEST SUPPORTING ACTRESS IN
2136
01:11:54,189 --> 01:11:59,149
THE ROLE -- FOR SUPPORTING ROLE
2137
01:11:54,189 --> 01:11:59,149
IN THE MOVIE "DOUBT" WHICH WAS
2138
01:11:59,149 --> 01:12:01,109
UNBELIEVABLE.
2139
01:11:59,149 --> 01:12:01,109
SHE WAS SO INCREDIBLE.
2140
01:12:01,109 --> 01:12:05,000
>> LOVE THE NATURAL HAIR WITH
2141
01:12:01,109 --> 01:12:05,000
THAT AS WELL.
2142
01:12:05,000 --> 01:12:05,279
>> YEAH.
2143
01:12:05,000 --> 01:12:05,279
WE'RE GOING TO SEE THE
2144
01:12:05,279 --> 01:12:08,170
SILHOUETTE COME THROUGH AS HER
2145
01:12:05,279 --> 01:12:08,170
FASHION EVOLVES AS WELL.
2146
01:12:08,170 --> 01:12:14,010
BUT HER LOOK IN 2012 IS ONE OF
2147
01:12:08,170 --> 01:12:14,010
MY PERSONAL FAVES.
2148
01:12:14,010 --> 01:12:17,229
THIS IS VERA WANG.
2149
01:12:14,010 --> 01:12:17,229
AND WHAT I LOVE ABOUT THIS GOWN
2150
01:12:17,229 --> 01:12:21,050
IS AGAIN THAT THIS BEAUTIFUL
2151
01:12:17,229 --> 01:12:21,050
BOLD COLOR THAT WE'RE GOING TO
2152
01:12:21,050 --> 01:12:24,060
SEE SHE KIND OF CONTINUES ALL
2153
01:12:21,050 --> 01:12:24,060
THE WAY THROUGH, WHICH I LOVE
2154
01:12:24,060 --> 01:12:26,079
ABOUT HER.
2155
01:12:24,060 --> 01:12:26,079
SHE EMBRACES COLOR.
2156
01:12:26,079 --> 01:12:30,000
SHE EMBRACES THESE BEAUTIFUL,
2157
01:12:26,079 --> 01:12:30,000
SOPHISTICATED SILHOUETTES.
2158
01:12:30,000 --> 01:12:33,210
AND AS WE SEE HER FASHION
2159
01:12:30,000 --> 01:12:33,210
EVOLVE, YOU CAN JUST SEE SHE IS
2160
01:12:33,210 --> 01:12:37,060
JUST A RED CARPET QUEEN.
2161
01:12:33,210 --> 01:12:37,060
>> AND SHE IS A PERSON WHO WEARS
2162
01:12:37,060 --> 01:12:40,130
THE DRESS.
2163
01:12:37,060 --> 01:12:40,130
THE DRESS DOES NOT WEAR HER.
2164
01:12:40,130 --> 01:12:41,239
>> ABSOLUTELY.
2165
01:12:40,130 --> 01:12:41,239
>> THERE'S SOME PEOPLE YOU SEE,
2166
01:12:41,239 --> 01:12:44,079
YOU'RE LIKE, GIRL, I CAN'T SEE
2167
01:12:41,239 --> 01:12:44,079
YOU IN THAT THING.
2168
01:12:44,079 --> 01:12:48,260
BUT SHE REALLY COMMANDS THE RED
2169
01:12:44,079 --> 01:12:48,260
CARPET.
2170
01:12:48,260 --> 01:12:50,199
>> AND THE COLORS SHE'S WORN
2171
01:12:48,260 --> 01:12:50,199
HAVE BEEN SPECTACULAR.
2172
01:12:50,199 --> 01:12:55,109
>> THE HOT PINK MICHAEL COORS.
2173
01:12:50,199 --> 01:12:55,109
>> THE GREENS AND BLUES AND
2174
01:12:55,109 --> 01:12:57,229
PRINTS AS WELL.
2175
01:12:55,109 --> 01:12:57,229
SHE CAN DO IT SO WELL.
2176
01:12:57,229 --> 01:13:00,159
THE DRESS NEVER WEARS HER.
2177
01:12:57,229 --> 01:13:00,159
>> EVERY SINGLE TIME, GUYS.
2178
01:13:00,159 --> 01:13:03,010
WE'VE GOT TO HEAD OVER TO
2179
01:13:00,159 --> 01:13:03,010
JULIANNA.
2180
01:13:03,010 --> 01:13:10,210
>> SHE IS THE FILMMAKER BEHIND
2181
01:13:03,010 --> 01:13:10,210
BEST PICTURE NOMINEE
2182
01:13:10,210 --> 01:13:13,039
"NOMADLAND."
2183
01:13:10,210 --> 01:13:13,039
PLEASE WELCOME CHLOE ZHAO.
2184
01:13:13,039 --> 01:13:18,119
>> WE HAVE THE STAR OF
2185
01:13:13,039 --> 01:13:18,119
"NOMADLAND."
2186
01:13:18,119 --> 01:13:20,229
>> THANK YOU FOR STOPPING BY E.
2187
01:13:18,119 --> 01:13:20,229
WE APPRECIATE IT.
2188
01:13:20,229 --> 01:13:23,199
TELL EVERYONE AT HOME, KIND OF
2189
01:13:20,229 --> 01:13:23,199
PAINT THE PICTURE HERE, THE
2190
01:13:23,199 --> 01:13:25,119
OSCAR RED CARPET.
2191
01:13:23,199 --> 01:13:25,119
HOW DOES IT FEEL?
2192
01:13:25,119 --> 01:13:28,100
>> HOW DOES IT FEEL?
2193
01:13:25,119 --> 01:13:28,100
>> IT'S SURREAL.
2194
01:13:28,100 --> 01:13:30,229
>> SURREAL.
2195
01:13:28,100 --> 01:13:30,229
>> NOTHING I EVER EXPECTED THAT
2196
01:13:30,229 --> 01:13:35,029
WOULD HAPPEN TO ME.
2197
01:13:30,229 --> 01:13:35,029
>> NOTHING YOU EVER EXPECTED
2198
01:13:35,029 --> 01:13:37,229
WOULD HAPPEN TO YOU.
2199
01:13:35,029 --> 01:13:37,229
IT'S PRETTY GREAT, ISN'T IT?
2200
01:13:37,229 --> 01:13:40,109
>> IT'S AWESOME, YES.
2201
01:13:37,229 --> 01:13:40,109
>> WHAT SHE SAID.
2202
01:13:40,109 --> 01:13:44,279
AND I'M NOT AN ACTOR.
2203
01:13:40,109 --> 01:13:44,279
IT'S NOT ACTING THAT'S OSCAR
2204
01:13:44,279 --> 01:13:47,180
WORTHY.
2205
01:13:44,279 --> 01:13:47,180
IT'S MY NOMADIC LIFESTYLE THAT'S
2206
01:13:47,180 --> 01:13:51,260
OSCAR WORTHY.
2207
01:13:47,180 --> 01:13:51,260
>> THAT'S RIGHT, THAT'S RIGHT.
2208
01:13:51,260 --> 01:13:55,060
SPEAKING OF, IT'S SUCH A
2209
01:13:51,260 --> 01:13:55,060
BRILLIANT PICTURE.
2210
01:13:55,060 --> 01:13:58,060
CHLOE, YOU WERE ALMOST CRAFTING
2211
01:13:55,060 --> 01:13:58,060
THE STORY IN THE FIELD, RIGHT,
2212
01:13:58,060 --> 01:14:00,260
YOU SAID, AND ALMOST LIKE A
2213
01:13:58,060 --> 01:14:00,260
DOCUMENTARY IN PART.
2214
01:14:00,260 --> 01:14:05,029
WHY WAS THAT IMPORTANT TO YOU?
2215
01:14:00,260 --> 01:14:05,029
>> WELL, ACTUALLY THEY SAY THAT
2216
01:14:05,029 --> 01:14:09,039
THE GREATEST MAGIC TRICK IS TO
2217
01:14:05,029 --> 01:14:09,039
MAKE YOU FEEL LIKE IT JUST
2218
01:14:09,039 --> 01:14:11,090
HAPPENED.
2219
01:14:09,039 --> 01:14:11,090
WE ACTUALLY HAD AN ENTIRE
2220
01:14:11,090 --> 01:14:15,130
AMAZING PRODUCING TEAM THAT
2221
01:14:11,090 --> 01:14:15,130
MAKES THINGS -- A LOT OF
2222
01:14:15,130 --> 01:14:18,039
PLANNING GOES INTO IT.
2223
01:14:15,130 --> 01:14:18,039
WHEN WE GET THERE, WE GET TO
2224
01:14:18,039 --> 01:14:20,060
PLAY AND BE SPONTANEOUS.
2225
01:14:18,039 --> 01:14:20,060
IT'S IMPORTANT BECAUSE THE LIVES
2226
01:14:20,060 --> 01:14:25,229
OF THESE WONDERFUL PEOPLE,
2227
01:14:20,060 --> 01:14:25,229
SOMETIMES TO CAPTURE IT, WE HAVE
2228
01:14:25,229 --> 01:14:30,029
TO HAVE THAT FREEDOM.
2229
01:14:25,229 --> 01:14:30,029
>> AND YOU KNOW, I KNOW, CHLOE,
2230
01:14:30,029 --> 01:14:32,079
THIS MOVIE IS SO IMPORTANT TO
2231
01:14:30,029 --> 01:14:32,079
YOU.
2232
01:14:32,079 --> 01:14:33,270
IT REALLY HAS A PIECE OF YOUR
2233
01:14:32,079 --> 01:14:33,270
HEART.
2234
01:14:33,270 --> 01:14:37,010
HOW DID THIS EXPERIENCE CHANGE
2235
01:14:33,270 --> 01:14:37,010
YOU AS A PERSON?
2236
01:14:37,010 --> 01:14:41,289
>> YOU KNOW, I FEEL LIKE
2237
01:14:37,010 --> 01:14:41,289
SOMETIMES FILM MAKING COULD BE A
2238
01:14:41,289 --> 01:14:48,100
QUITE LONELY AND TRANSIENT
2239
01:14:41,289 --> 01:14:48,100
EXISTENCE.
2240
01:14:48,100 --> 01:14:50,289
WE GO FROM MOVIES TO MOVIES TO
2241
01:14:48,100 --> 01:14:50,289
MOVIES.
2242
01:14:50,289 --> 01:14:54,220
HAVING BEEN WITH A LOT OF
2243
01:14:50,289 --> 01:14:54,220
NOMADS, WHO ALSO LIVE A
2244
01:14:54,220 --> 01:14:57,119
TRANSIENT LIFE, BUT THERE'S A
2245
01:14:54,220 --> 01:14:57,119
GREAT SENSE OF COMMUNITY THAT
2246
01:14:57,119 --> 01:14:59,260
THEY'VE BUILT FOR THEMSELVES,
2247
01:14:57,119 --> 01:14:59,260
THAT YOU FEEL LIKE YOU'RE PART
2248
01:14:59,260 --> 01:15:06,130
OF SOMETHING BIGGER.
2249
01:14:59,260 --> 01:15:06,130
AND I TRY TO SEE THINGS THE SAME
2250
01:15:06,130 --> 01:15:07,119
WAY.
2251
01:15:06,130 --> 01:15:07,119
>> FOUR NOMINATIONS TONIGHT.
2252
01:15:07,119 --> 01:15:09,100
WHAT DOES IT MEAN TO ALL OF YOU,
2253
01:15:07,119 --> 01:15:09,100
YOU KNOW, ESPECIALLY HOW MUCH
2254
01:15:09,100 --> 01:15:13,090
EVERYONE HAS LOVED THIS FILM.
2255
01:15:09,100 --> 01:15:13,090
WHAT DOES IT MEAN TO YOU TO HAVE
2256
01:15:13,090 --> 01:15:16,170
FOUR NOMINATIONS TONIGHT?
2257
01:15:13,090 --> 01:15:16,170
>> THAT --
2258
01:15:16,170 --> 01:15:19,180
>> WELL, FROM MY POINT OF VIEW,
2259
01:15:16,170 --> 01:15:19,180
IT'S JUST ALREADY BEEN SUCH A
2260
01:15:19,180 --> 01:15:21,220
GREAT JOURNEY.
2261
01:15:19,180 --> 01:15:21,220
WE WERE TALKING ABOUT IT ON THE
2262
01:15:21,220 --> 01:15:25,229
WAY HERE GETTING TO KNOW THESE
2263
01:15:21,220 --> 01:15:25,229
GUYS AND HAVING THEM OPEN THEIR
2264
01:15:25,229 --> 01:15:32,180
HEARTS AND STORIES TO US IS
2265
01:15:25,229 --> 01:15:32,180
REALLY BEEN WONDERFUL.
2266
01:15:32,180 --> 01:16:06,250
OSCA
2267
01:15:32,180 --> 01:16:06,250
>>> WE ARE LIVE ON E.
2268
01:16:06,250 --> 01:16:10,210
THE COUNT CONDITION IS ON.
2269
01:16:06,250 --> 01:16:10,210
THE ANTICIPATION IS BUILDING.
2270
01:16:10,210 --> 01:16:22,220
THE OSCARS ARE LIVE ON ABC ON
2271
01:16:10,210 --> 01:16:22,220
8:00 EASTERN, 5:00 PACIFIC.
2272
01:16:22,220 --> 01:16:28,210
IT IS BEST ACTRESS NOMINEE VIOLA
2273
01:16:22,220 --> 01:16:28,210
DAVIS JOINED BY HER HUSBAND
2274
01:16:28,210 --> 01:16:30,119
JULIUS.
2275
01:16:28,210 --> 01:16:30,119
NICE TO SEE YOU TWO.
2276
01:16:30,119 --> 01:16:33,239
>> NICE TO SEE YOU TWO.
2277
01:16:30,119 --> 01:16:33,239
>> HOW DOES IT FEEL ON THE OSCAR
2278
01:16:33,239 --> 01:16:34,220
RED CARPET.
2279
01:16:33,239 --> 01:16:34,220
>> CALM.
2280
01:16:34,220 --> 01:16:37,210
>> CALM.
2281
01:16:34,220 --> 01:16:37,210
>> IF PEOPLE WERE HERE, THEY
2282
01:16:37,210 --> 01:16:40,100
WOULD KNOW HOW ABSOLUTELY
2283
01:16:37,210 --> 01:16:40,100
GROUNDBREAKING CALM IS.
2284
01:16:40,100 --> 01:16:44,039
>> FROM PAST YEARS, RIGHT?
2285
01:16:40,100 --> 01:16:44,039
IT'S VERY DIFFERENT ON THIS RED
2286
01:16:44,039 --> 01:16:44,260
CARPET.
2287
01:16:44,039 --> 01:16:44,260
>> YES.
2288
01:16:44,260 --> 01:16:46,170
>> IT'S VERY CHILL TONIGHT.
2289
01:16:44,260 --> 01:16:46,170
>> YES.
2290
01:16:46,170 --> 01:16:49,090
>> YEAH.
2291
01:16:46,170 --> 01:16:49,090
HOW DOES IT FEEL BEING HERE
2292
01:16:49,090 --> 01:16:51,220
TONIGHT, PART OF SUCH AN
2293
01:16:49,090 --> 01:16:51,220
INCREDIBLE MOVIE.
2294
01:16:51,220 --> 01:16:57,039
AND YOUR PERFORMANCE, I MEAN.
2295
01:16:51,220 --> 01:16:57,039
>> IT'S AN EXCLAMATION POINT ON
2296
01:16:57,039 --> 01:17:00,289
AN ALREADY FABULOUS EXPERIENCE
2297
01:16:57,039 --> 01:17:00,289
IN EVERY SINGLE WAY.
2298
01:17:00,289 --> 01:17:06,119
THE ACTORS INVOLVED, GEORGE C.
2299
01:17:00,289 --> 01:17:06,119
WOLF, NETFLIX, DENZEL, TODD
2300
01:17:06,119 --> 01:17:09,109
BLACK, CHADWICK.
2301
01:17:06,119 --> 01:17:09,109
IT COULD NOT HAVE BEEN A BETTER
2302
01:17:09,109 --> 01:17:12,039
EXPERIENCE AND NOW IT'S JUST
2303
01:17:09,109 --> 01:17:12,039
CONTINUING.
2304
01:17:12,039 --> 01:17:14,220
>> AND YOU ARE SO BRILLIANT IN
2305
01:17:12,039 --> 01:17:14,220
THIS FILM.
2306
01:17:14,220 --> 01:17:19,000
JULIUS, I GOT TO ASK YOU, WE
2307
01:17:14,220 --> 01:17:19,000
KNOW SHE'S A BRILLIANT ACTRESS.
2308
01:17:19,000 --> 01:17:22,140
WAS THERE ANYTHING IN THIS FILM
2309
01:17:19,000 --> 01:17:22,140
IN PARTICULAR THAT SHOCKED EVEN
2310
01:17:22,140 --> 01:17:32,130
YOU MAYBE THAT YOU WENT WOW?
2311
01:17:22,140 --> 01:17:32,130
>> WELL, YOU KNOW, IT WAS REALLY
2312
01:17:32,130 --> 01:17:38,090
A CHOICE OF PUTTING THE GOAL IN.
2313
01:17:32,130 --> 01:17:38,090
IT WAS AMAZING, AND IT COMPLETED
2314
01:17:38,090 --> 01:17:44,140
THE TRANSFORMATION WITH THE SUIT
2315
01:17:38,090 --> 01:17:44,140
AND THE MAKE UP.
2316
01:17:44,140 --> 01:17:47,170
BUT THOSE TEETH -- THOSE GRILLS
2317
01:17:44,140 --> 01:17:47,170
WERE AMAZING.
2318
01:17:47,170 --> 01:17:51,250
>> GRILLS IS WHAT THEY CALL
2319
01:17:47,170 --> 01:17:51,250
THEM.
2320
01:17:51,250 --> 01:17:54,260
>> YOU WERE LIKE I'M TAKING THIS
2321
01:17:51,250 --> 01:17:54,260
TRANSFORMATION VERY SERIOUSLY.
2322
01:17:54,260 --> 01:17:57,170
I NEED THIS TO BE AS AUTHENTIC
2323
01:17:54,260 --> 01:17:57,170
AS POSSIBLE.
2324
01:17:57,170 --> 01:17:59,090
TELL ME ABOUT YOUR APPROACH TO
2325
01:17:57,170 --> 01:17:59,090
THAT.
2326
01:17:59,090 --> 01:18:02,090
>> THE APPROACH TO THAT IS THE
2327
01:17:59,090 --> 01:18:02,090
APPROACH EVERY ACTOR HAS TO HAVE
2328
01:18:02,090 --> 01:18:04,130
TO IT.
2329
01:18:02,090 --> 01:18:04,130
YOU HAVE TO HONOR THE PERSON.
2330
01:18:04,130 --> 01:18:06,250
THEY SAID SHE WAS A CERTAIN
2331
01:18:04,130 --> 01:18:06,250
SIZE.
2332
01:18:06,250 --> 01:18:13,010
THEY SAID THAT SHE HAD A MOUTH
2333
01:18:06,250 --> 01:18:13,010
FULL OF GOLD TEETH.
2334
01:18:13,010 --> 01:18:16,210
THEY SAID SHE LOOKED A CERTAIN
2335
01:18:13,010 --> 01:18:16,210
WAY, HORSE HAIR WIGS.
2336
01:18:16,210 --> 01:18:20,010
SO, GUESS WHAT.
2337
01:18:16,210 --> 01:18:20,010
I HAD GOLD TEETH, HORSE HAIR
2338
01:18:20,010 --> 01:18:23,090
WIGS AND I WAS A CERTAIN SIZE.
2339
01:18:20,010 --> 01:18:23,090
I DIDN'T WANT TO CHANGE HER IN
2340
01:18:23,090 --> 01:18:26,039
ANY WAY BECAUSE THEN I WOULD BE
2341
01:18:23,090 --> 01:18:26,039
APOLOGIZING AND I WOULD BE
2342
01:18:26,039 --> 01:18:27,289
WATERING IT DOWN.
2343
01:18:26,039 --> 01:18:27,289
SO, YEAH.
2344
01:18:27,289 --> 01:18:32,229
>> AND SOMEONE THAT WE'VE BEEN
2345
01:18:27,289 --> 01:18:32,229
HONORING, OF COURSE, IS THE LATE
2346
01:18:32,229 --> 01:18:35,270
CHADWICK BOSEMAN.
2347
01:18:32,229 --> 01:18:35,270
AND I KNOW THAT HE WAS SO
2348
01:18:35,270 --> 01:18:40,100
SPECIAL TO YOU.
2349
01:18:35,270 --> 01:18:40,100
HOW DOES IT FEEL TO YOU, HAVING
2350
01:18:40,100 --> 01:18:45,239
BEEN SO CLOSE TO HIM AND KNOWING
2351
01:18:40,100 --> 01:18:45,239
THAT SO MANY PEOPLE JUST LOVE
2352
01:18:45,239 --> 01:18:49,239
HIM SO MUCH AND HAVE BEEN
2353
01:18:45,239 --> 01:18:49,239
HONORING HIM SO MUCH?
2354
01:18:49,239 --> 01:18:54,270
I MEAN ALWAYS THROUGHOUT THE
2355
01:18:49,239 --> 01:18:54,270
YEARS WE'VE LOVED HIM, HE'S SO
2356
01:18:54,270 --> 01:18:57,229
TALENTED, HE'S SUCH A -- YOU
2357
01:18:54,270 --> 01:18:57,229
ALWAYS HEAR WHAT AN INCREDIBLE
2358
01:18:57,229 --> 01:19:00,029
PERSON HE WAS.
2359
01:18:57,229 --> 01:19:00,029
BUT WHAT DOES IT MEAN TO YOU
2360
01:19:00,029 --> 01:19:03,000
THROUGHOUT THIS AWARD SEASON
2361
01:19:00,029 --> 01:19:03,000
SEEING ALL THE LOVE THAT'S
2362
01:19:03,000 --> 01:19:06,079
POURING IN?
2363
01:19:03,000 --> 01:19:06,079
>> IT FEELS RIGHT ONLY BECAUSE I
2364
01:19:06,079 --> 01:19:08,159
KNOW HIM.
2365
01:19:06,079 --> 01:19:08,159
IT WAS LIKE I SAID BEFORE, HE
2366
01:19:08,159 --> 01:19:13,000
WAS AUTHENTICITY ON STEROIDS.
2367
01:19:08,159 --> 01:19:13,000
SOMETIMES PEOPLE HONOR PEOPLE
2368
01:19:13,000 --> 01:19:17,229
WHO ACTUALLY WERE NOT REALLY
2369
01:19:13,000 --> 01:19:17,229
NICE OR REALLY THE PERSONA DID
2370
01:19:17,229 --> 01:19:22,199
NOT MATCH THE REAL PERSON.
2371
01:19:17,229 --> 01:19:22,199
THIS, IT MATCHES A PERSON.
2372
01:19:22,199 --> 01:19:26,199
I'M TELLING YOU, THIS PERSON,
2373
01:19:22,199 --> 01:19:26,199
THIS HUMAN BEING, THIS ARTIST
2374
01:19:26,199 --> 01:19:29,180
DID NOT MISTAKE HIS PRESENCE FOR
2375
01:19:26,199 --> 01:19:29,180
THE EVENT.
2376
01:19:29,180 --> 01:19:33,180
HE ABSOLUTELY HONORED THE WORK.
2377
01:19:29,180 --> 01:19:33,180
AND A LOT OF PEOPLE ENTER THIS
2378
01:19:33,180 --> 01:19:35,189
BUSINESS BECAUSE THEY WANT TO BE
2379
01:19:33,180 --> 01:19:35,189
FAMOUS ACTORS.
2380
01:19:35,189 --> 01:19:39,100
THEY DON'T WANT TO BE ACTORS.
2381
01:19:35,189 --> 01:19:39,100
THEY WANT TO BE FAMOUS ACTORS.
2382
01:19:39,100 --> 01:19:41,250
HE ENTERED IT BECAUSE HE JUST
2383
01:19:39,100 --> 01:19:41,250
WANTED TO BE AN ARTIST.
2384
01:19:41,250 --> 01:19:44,039
>> THAT'S RIGHT.
2385
01:19:41,250 --> 01:19:44,039
A GREAT ARTIST.
2386
01:19:44,039 --> 01:19:47,050
YOU'RE A GREAT ARTIST.
2387
01:19:44,039 --> 01:19:47,050
BEFORE I LET YOU GO, I KNOW I'M
2388
01:19:47,050 --> 01:19:50,130
ABOUT TO TOSS BACK TO THE PANEL.
2389
01:19:47,050 --> 01:19:50,130
THEY'VE BEEN TALKING ABOUT WHAT
2390
01:19:50,130 --> 01:19:52,119
FASHION THEY'VE BEEN LOOKING
2391
01:19:50,130 --> 01:19:52,119
FORWARD TO TONIGHT.
2392
01:19:52,119 --> 01:19:56,060
I KNOW THEY'RE GOING TO ASK
2393
01:19:52,119 --> 01:19:56,060
ABOUT THE TWO OF YOU BECAUSE YOU
2394
01:19:56,060 --> 01:19:59,279
BOTH LOOK TO BEAUTIFUL.
2395
01:19:56,060 --> 01:19:59,279
TELL US ABOUT YOUR LOOKS THIS
2396
01:19:59,279 --> 01:20:03,140
EVENING.
2397
01:19:59,279 --> 01:20:03,140
>> ALEXANDER McQUEEN, BABY.
2398
01:20:03,140 --> 01:20:07,090
>> ALEXANDER McQUEEN.
2399
01:20:03,140 --> 01:20:07,090
>> FOREVER MARK JEWELRY.
2400
01:20:07,090 --> 01:20:09,180
>> LOVE THE TWO OF YOU.
2401
01:20:07,090 --> 01:20:09,180
THANK YOU SO MUCH.
2402
01:20:09,180 --> 01:20:12,229
HAVE THE BEST TIME TONIGHT.
2403
01:20:09,180 --> 01:20:12,229
THANK YOU, THANK YOU.
2404
01:20:12,229 --> 01:20:14,170
NINA, RIGHT?
2405
01:20:12,229 --> 01:20:14,170
AM I RIGHT?
2406
01:20:14,170 --> 01:20:17,109
>> YES.
2407
01:20:14,170 --> 01:20:17,109
>> DID I READ YOUR MIND, NINA?
2408
01:20:17,109 --> 01:20:19,090
>> YOU ASK ALL THE QUESTIONS
2409
01:20:17,109 --> 01:20:19,090
THAT WE WANT TO KNOW.
2410
01:20:19,090 --> 01:20:24,270
AND LISTENING TO VIOLA DAVIS IS
2411
01:20:19,090 --> 01:20:24,270
A CRASH COURSE IN JUST
2412
01:20:24,270 --> 01:20:31,050
EVERYTHING IN ESSENCE.
2413
01:20:24,270 --> 01:20:31,050
>> LITERALLY I SAID THAT.
2414
01:20:31,050 --> 01:20:34,130
Y'ALL HEAR THIS?
2415
01:20:31,050 --> 01:20:34,130
>> WE GOT TO GO BACK OVER TO
2416
01:20:34,130 --> 01:20:38,220
JULIANNA.
2417
01:20:34,130 --> 01:20:38,220
I THINK SHE'S GOT SOMEBODY ELSE.
2418
01:20:38,220 --> 01:20:40,119
>> OH!
2419
01:20:38,220 --> 01:20:40,119
SORRY!
2420
01:20:40,119 --> 01:20:41,270
THIS IS SO REAL.
2421
01:20:40,119 --> 01:20:41,270
WE ARE LIVE.
2422
01:20:41,270 --> 01:20:47,079
I WAS SO EXCITED TO SEE MARIA
2423
01:20:41,270 --> 01:20:47,079
OVER HERE BECAUSE SHE DELIVERED
2424
01:20:47,079 --> 01:20:50,029
ONE OF THE MOST WILDEST AND
2425
01:20:47,079 --> 01:20:50,029
SHOCKING PERFORMANCES OVER THE
2426
01:20:50,029 --> 01:20:52,270
YEAR.
2427
01:20:50,029 --> 01:20:52,270
SHE IS NOMINATED FOR BEST
2428
01:20:52,270 --> 01:20:56,140
SUPPORTING ACTRESS, MARIA
2429
01:20:52,270 --> 01:20:56,140
BAKALOVA.
2430
01:20:56,140 --> 01:20:58,189
NICE TO SEE YOU.
2431
01:20:56,140 --> 01:20:58,189
>> NICE TO SEE YOU.
2432
01:20:58,189 --> 01:21:02,039
I'M SUPER EXCITED TO BE HERE.
2433
01:20:58,189 --> 01:21:02,039
HUMBLED, EXCITED, ALL OF THE
2434
01:21:02,039 --> 01:21:05,029
FEELINGS IN ONE MIXTURE.
2435
01:21:02,039 --> 01:21:05,029
>> WE HAVE SO MUCH TO TALK ABOUT
2436
01:21:05,029 --> 01:21:07,119
RIGHT NOW.
2437
01:21:05,029 --> 01:21:07,119
YOU HAVE BEEN ACTING NOT VERY
2438
01:21:07,119 --> 01:21:09,010
LONG, BUT THEN YOU'RE NOMINATED
2439
01:21:07,119 --> 01:21:09,010
TONIGHT.
2440
01:21:09,010 --> 01:21:12,270
AND YOU WERE DOING MORE DRAMA
2441
01:21:09,010 --> 01:21:12,270
BUT YET YOU'RE NOMINATED FOR
2442
01:21:12,270 --> 01:21:15,270
THIS COMEDIC ROLE, OF COURSE.
2443
01:21:12,270 --> 01:21:15,270
HOW DOES IT FEEL TO YOU RIGHT
2444
01:21:15,270 --> 01:21:18,020
NOW?
2445
01:21:15,270 --> 01:21:18,020
>> IT FEELS -- I DON'T KNOW --
2446
01:21:18,020 --> 01:21:20,270
LIKE A DREAM BECAUSE IT'S BEEN A
2447
01:21:18,020 --> 01:21:20,270
LONG TIME ACTING.
2448
01:21:20,270 --> 01:21:24,189
IT'S BEEN 12 YEAR OF ACTING, BUT
2449
01:21:20,270 --> 01:21:24,189
YOU'RE RIGHT.
2450
01:21:24,189 --> 01:21:30,210
IN THE DRAMATIC WORLD.
2451
01:21:24,189 --> 01:21:30,210
"BORAT" WAS MY FIRST COMEDY I'VE
2452
01:21:30,210 --> 01:21:33,020
EVER DONE.
2453
01:21:30,210 --> 01:21:33,020
IT'S ONE OF THESE THINGS LIKE AM
2454
01:21:33,020 --> 01:21:35,270
I DREAMING?
2455
01:21:33,020 --> 01:21:35,270
AM I LIVING THIS DREAM?
2456
01:21:35,270 --> 01:21:37,180
>> IT'S AMAZING.
2457
01:21:35,270 --> 01:21:37,180
>> THANK YOU.
2458
01:21:37,180 --> 01:21:40,060
>> SUCH A BIG MOVIE THAT SO MANY
2459
01:21:37,180 --> 01:21:40,060
PEOPLE SAW.
2460
01:21:40,060 --> 01:21:42,000
HOW LONG HAVE YOU BEEN DOING
2461
01:21:40,060 --> 01:21:42,000
MOVIES?
2462
01:21:42,000 --> 01:21:44,279
BECAUSE MOVIES, YOU HAVEN'T BEEN
2463
01:21:42,000 --> 01:21:44,279
DOING AS LONG, RIGHT?
2464
01:21:44,279 --> 01:21:49,039
WHEN WAS YOUR FIRST MOVIE?
2465
01:21:44,279 --> 01:21:49,039
>> 2016.
2466
01:21:49,039 --> 01:21:50,229
>> 2016.
2467
01:21:49,039 --> 01:21:50,229
THAT'S AMAZING.
2468
01:21:50,229 --> 01:21:53,119
>> YES.
2469
01:21:50,229 --> 01:21:53,119
SO, IT HASN'T BEEN ALL THAT
2470
01:21:53,119 --> 01:21:56,189
LONG.
2471
01:21:53,119 --> 01:21:56,189
>> AND NOW HERE WE ARE 2021, FOR
2472
01:21:56,189 --> 01:22:03,270
AN OSCAR YOU'RE NOMINATED
2473
01:21:56,189 --> 01:22:03,270
MASSACHUSETTS.
2474
01:22:03,270 --> 01:22:04,289
MARIA, AMAZING.
2475
01:22:03,270 --> 01:22:04,289
>> THANK YOU VERY MUCH.
2476
01:22:04,289 --> 01:22:06,069
>> IS YOUR FAMILY WATCHING
2477
01:22:04,289 --> 01:22:06,069
TONIGHT?
2478
01:22:06,069 --> 01:22:08,060
>> THEY ARE WATCHING AND MY
2479
01:22:06,069 --> 01:22:08,060
COUNTRY IS WATCHING.
2480
01:22:08,060 --> 01:22:11,279
EVERYBODY IS EXCITED TO WATCH
2481
01:22:08,060 --> 01:22:11,279
THAT DREAMS ARE POSSIBLE IF YOU
2482
01:22:11,279 --> 01:22:13,199
BELIEVE IN THEM AND DARE TO
2483
01:22:11,279 --> 01:22:13,199
ACHIEVE THEM.
2484
01:22:13,199 --> 01:22:16,270
I'M FEELING GRATEFUL FOR ALL THE
2485
01:22:13,199 --> 01:22:16,270
RECOGNITION AND BEING HERE.
2486
01:22:16,270 --> 01:22:19,260
>> WHAT DOES YOUR FAMILY THINK
2487
01:22:16,270 --> 01:22:19,260
ABOUT THIS?
2488
01:22:19,260 --> 01:22:23,079
I KNOW YOU'VE TALKED ABOUT YOUR
2489
01:22:19,260 --> 01:22:23,079
MOTHER AND HER REACTION TO THE
2490
01:22:23,079 --> 01:22:24,239
FILM.
2491
01:22:23,079 --> 01:22:24,239
IS IT TRUE SHE WANTED YOU TO BE
2492
01:22:24,239 --> 01:22:27,170
A JOURNALIST?
2493
01:22:24,239 --> 01:22:27,170
>> YES, MY FAMILY WANTED ME TO
2494
01:22:27,170 --> 01:22:30,100
BE A JOURNALIST.
2495
01:22:27,170 --> 01:22:30,100
I WANTED TO BE A JOURNALIST.
2496
01:22:30,100 --> 01:22:32,229
IF I COULDN'T GET TO THE
2497
01:22:30,100 --> 01:22:32,229
UNIVERSITY FOR ACTING, I WAS
2498
01:22:32,229 --> 01:22:34,250
GOING TO BE A JOURNALIST.
2499
01:22:32,229 --> 01:22:34,250
>> WOW.
2500
01:22:34,250 --> 01:22:38,180
>> BUT I ACHIEVED ONE OF MY
2501
01:22:34,250 --> 01:22:38,180
SE
147205
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