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1
00:00:01,568 --> 00:00:03,470
LABELS.
2
00:00:04,104 --> 00:00:07,007
YOU KNOW WHY I HATE THEM?
3
00:00:07,241 --> 00:00:09,843
BECAUSE AS A SOCIETY,
WE USE THEM
4
00:00:09,943 --> 00:00:12,346
ON EACH OTHER WAY
TOO MUCH.
5
00:00:12,446 --> 00:00:16,049
I MEAN, I'VE LIVED
MY WHOLE LIFE AS A LABEL.
6
00:00:16,149 --> 00:00:19,052
YOU KNOW, FIRST
IT WAS THE TWIN,
7
00:00:19,152 --> 00:00:22,089
AND THEN...THE ADDICT,
8
00:00:22,189 --> 00:00:25,092
AND THEN THERE'S
MY LATEST LABEL,
9
00:00:25,192 --> 00:00:28,595
THE D.A.'s DAUGHTER...
10
00:00:28,695 --> 00:00:32,132
BUT HERE'S THE THING
ABOUT LABELS:
11
00:00:32,232 --> 00:00:34,301
YES, THEY LEND THEMSELVES
12
00:00:34,401 --> 00:00:36,436
TO FUN, CUTE HASHTAGS.
13
00:00:36,537 --> 00:00:39,339
HEY, YOUR FOOD IS
COMIN' RIGHT UP.
14
00:00:39,439 --> 00:00:42,042
SPENCER: THANKS.
MAN: HEY, MAN, YOU KILLED
IT DURING HOMECOMING GAME.
15
00:00:42,142 --> 00:00:44,878
THEY COULD NOT TOUCH YOU!
SPENCER: I APPRECIATE THAT.
THANK YOU.
16
00:00:44,945 --> 00:00:47,814
THINK I CAN GET A SELFIE
WITH SURE-TO-BE MVP?
17
00:00:47,915 --> 00:00:51,151
DON'T KNOW ABOUT ALL
THAT MVP STUFF, BUT SURE.
18
00:00:51,251 --> 00:00:53,153
[CAMERA CLICKS]
THANKS, MAN.
19
00:00:53,253 --> 00:00:55,255
RIGHT, RIGHT.
20
00:00:55,355 --> 00:00:57,925
[GIRLS GIGGLE]
SPENCER: HEY. OH, OK.
21
00:00:58,025 --> 00:01:01,929
OLIVIA: BUT LABELS RARELY
GIVE YOU THE WHOLE PICTURE
ABOUT A PERSON,
22
00:01:02,029 --> 00:01:05,098
AND THE WHOLE PICTURE
MAKES A DIFFERENCE.
23
00:01:06,366 --> 00:01:09,002
[WHISTLE BLOWS]
24
00:01:10,571 --> 00:01:13,207
MAN: THAT BULLET
DIDN'T SLOW HIM DOWN.
25
00:01:13,307 --> 00:01:15,642
OH, NO, NOT ONE BIT,
NOT ONE BIT.
26
00:01:15,742 --> 00:01:17,344
YO, THANKS FOR MAKING
THE TRIP OUT HERE TO
27
00:01:17,444 --> 00:01:19,413
SEE SPENCER IN PERSON.
I APPRECIATE THAT.
28
00:01:19,513 --> 00:01:21,415
HEY, TEXAS NORTHERN TECH
DOESN'T PLAY AROUND
WHEN IT COMES
29
00:01:21,515 --> 00:01:24,017
TO THE RIGHT
SENIOR RECRUITS,
AND RIGHT NOW,
30
00:01:24,117 --> 00:01:26,420
SPENCER JAMES IS
TOP OF THAT LIST.
31
00:01:26,520 --> 00:01:28,922
BILLY: YES, SIR.
MAN: MAN.
32
00:01:29,022 --> 00:01:31,959
IF I HAD THAT KINDA TALENT
WHEN I WAS HIS AGE, I WOULDN'T
HAVE KNOWN HOW TO ACT.
33
00:01:32,059 --> 00:01:34,328
DID YOU EVER GET
THAT CHARGERS TATTOO
REMOVED FROM YOUR ASS?
34
00:01:34,428 --> 00:01:36,330
SHOOT, I WEAR IT
WITH PRIDE.
35
00:01:36,430 --> 00:01:38,532
[BILLY CHUCKLES]
MAN: I DO. YOU KNOW ME.
36
00:01:38,632 --> 00:01:40,033
HEH HEH!
37
00:01:40,133 --> 00:01:41,568
TIMES HAVE CHANGED.
BILLY: YEAH.
38
00:01:41,668 --> 00:01:43,170
THESE CATS HAVE IT
MAD EASY NOW
39
00:01:43,270 --> 00:01:45,339
WITH SOCIAL MEDIA
AND PRESS COVERAGE.
40
00:01:45,439 --> 00:01:47,140
NO MORE OLD-FASHIONED
RECRUITING.
41
00:01:47,241 --> 00:01:50,978
NOW THEY OUT HERE
MAKIN' A VIRAL NAME
FOR THEMSELVES AT 16.
42
00:01:51,078 --> 00:01:52,779
NOW, WITH THAT WHOLE
NCAA RULING
43
00:01:52,880 --> 00:01:55,782
ON STUDENT-ATHLETES
AND PAID ENDORSEMENTS...
44
00:01:55,883 --> 00:01:59,386
IT'S A WHOLE NEW COLLEGE
BALL GAME OUT THERE.
45
00:01:59,486 --> 00:02:01,188
BILLY:
WHAT ABOUT THE FAMILY?
46
00:02:01,288 --> 00:02:02,723
MAN: EVERYBODY'S GOOD,
YOU KNOW.
47
00:02:02,823 --> 00:02:04,224
GOT A LITTLE BABY--
SPENCER: WHAT'S GOOD, COACH?
48
00:02:04,324 --> 00:02:06,226
THERE HE IS.
SPENCER JAMES.
49
00:02:06,326 --> 00:02:08,262
THIS IS ROMELO--
SPENCER: BARNUM.
50
00:02:08,362 --> 00:02:09,763
IT'S AN HONOR
TO MEET YOU, SIR.
51
00:02:09,863 --> 00:02:12,165
YOUR LEGACY LOOMS
LARGE IN THESE HALLS.
52
00:02:12,266 --> 00:02:14,902
LOOK AT THAT.
YOU MADE AN IMPRESSION
ON THE FIELD.
53
00:02:15,002 --> 00:02:17,604
UH, ACTUALLY, I MEANT
YOUR SENIOR-YEAR PRANK
AGAINST INGLEWOOD.
54
00:02:17,704 --> 00:02:19,506
NOBODY'S BEEN ABLE
TO TOP IT SINCE.
55
00:02:19,606 --> 00:02:20,874
ROMELO: HEH HEH HEH!
BILLY: OOH.
56
00:02:20,974 --> 00:02:22,176
DID THEY EVER FIND THAT GOAT?
57
00:02:22,276 --> 00:02:23,844
I PLEAD THE FIFTH.
58
00:02:23,944 --> 00:02:25,412
[BILLY AND SPENCER CHUCKLE]
59
00:02:25,512 --> 00:02:26,813
YOU ALWAYS GO THAT HARD
TRAINING, SON?
60
00:02:26,914 --> 00:02:28,315
YES, SIR.
GAME, PRACTICE--
61
00:02:28,415 --> 00:02:30,851
IT DON'T MATTER.
YOU SHOW UP,
YOU GIVE 150%.
62
00:02:30,951 --> 00:02:32,653
ALL RIGHT, NOW.
I LIKE THAT.
63
00:02:32,753 --> 00:02:34,354
I'M LOOKIN' FORWARD
TO HEARING MORE
64
00:02:34,454 --> 00:02:35,789
ABOUT THIS WORK ETHIC
AT OUR MEETING TODAY.
65
00:02:35,889 --> 00:02:38,492
SPENCER: ABSOLUTELY.
ROMELO: ALL RIGHT.
66
00:02:38,592 --> 00:02:41,995
[EXHALES SHARPLY]
IS THIS REALLY
HAPPENING, COACH?
67
00:02:42,095 --> 00:02:45,766
MAN, YOU'VE BEEN WORRIED
ABOUT RECRUITER INTEREST
ALL YEAR.
68
00:02:45,866 --> 00:02:47,201
NOW YOU GOT IT.
69
00:02:47,301 --> 00:02:49,236
THIS IS YOUR CHANCE.
70
00:02:49,336 --> 00:02:52,539
GO GET
YOUR DREAM, SON.
71
00:03:02,549 --> 00:03:06,253
[MEN GROANING AND LASER FIRE
ON VIDEO GAME]
72
00:03:06,353 --> 00:03:08,956
YOU KNOW, I HEARD
VITAMIN D IS
73
00:03:09,056 --> 00:03:10,958
REALLY GOOD
FOR THE HUMAN BODY,
74
00:03:11,058 --> 00:03:13,660
YOU KNOW, LIKE
THE REAL KIND,
75
00:03:13,760 --> 00:03:15,929
LIKE FROM THE SUN?
76
00:03:16,029 --> 00:03:18,732
[GRUNTING SOUND EFFECTS]
77
00:03:18,832 --> 00:03:20,234
-JORDAN?
-WHAT?
78
00:03:20,334 --> 00:03:21,735
DUDE, IT'S BEEN, LIKE,
79
00:03:21,835 --> 00:03:24,271
NEARLY TWO WEEKS OF YOU
IN THESE SAME PAJAMAS
80
00:03:24,371 --> 00:03:25,973
ON THE SAME COUCH
IN THAT SAME SPOT.
81
00:03:26,073 --> 00:03:28,375
-OK, AND YOU CARE WHY?
-WELL, WEREN'T YOU CLEARED
82
00:03:28,475 --> 00:03:30,377
FOR, LIKE, LIGHT
PHYSICAL ACTIVITY?
83
00:03:30,477 --> 00:03:32,379
I MEAN, I KNOW IT'S NOT
YOU BACK ON THE FIELD
84
00:03:32,479 --> 00:03:34,681
WITH YOUR HELMET ON, BUT,
I MEAN, IT'S SOMETHING.
85
00:03:34,781 --> 00:03:38,819
YEAH, AND PLAYING
INJUSTICE 2 IS MY LIGHT
PHYSICAL ACTIVITY, LIV.
86
00:03:38,919 --> 00:03:40,988
HAVE YOU HEARD
FROM SIMONE?
87
00:03:41,088 --> 00:03:43,423
NO. SHE'S OFF THE GRID.
88
00:03:43,524 --> 00:03:45,425
MOM SNITCHED
ABOUT OUR MARRIAGE
TO HER PARENTS
89
00:03:45,526 --> 00:03:47,561
BEFORE WE HAD A CHANCE
TO TELL 'EM OURSELVES,
90
00:03:47,661 --> 00:03:51,265
SO I'M SURE THEY'VE
GOT HER IN A CONVENT
IN TANZANIA BY NOW.
91
00:03:51,365 --> 00:03:53,534
NO, I'M SURE THEY FOUND
A CONVENT CLOSER.
92
00:03:53,634 --> 00:03:55,736
LAURA: THERE'S
NO STATUTE OF LIMITATIONS
93
00:03:55,836 --> 00:03:57,771
ON A FRAUDULENT MARRIAGE.
94
00:03:57,871 --> 00:03:59,473
WELL, I DON'T CARE
WHAT THE COST IS.
95
00:03:59,573 --> 00:04:01,008
I JUST WANT
THIS ANNULMENT EXPEDITED.
96
00:04:01,108 --> 00:04:02,442
YES, FINE, I'LL HOLD.
97
00:04:02,543 --> 00:04:04,044
YOU DO KNOW I CAN
HEAR YOU, RIGHT?
98
00:04:04,144 --> 00:04:06,180
[DOOR CLOSES]
LAURA: YOU KNOW WHAT?
99
00:04:06,280 --> 00:04:08,715
JUST BE QUIET.
BILLY: HOW'S EVERYBODY DOING?
100
00:04:08,815 --> 00:04:10,450
THAT GOOD, HUH?
101
00:04:10,551 --> 00:04:12,152
-I HAVE A WORD?
-I'M JUST--I--
102
00:04:12,252 --> 00:04:14,621
CAN I HAVE A WORD?
103
00:04:14,721 --> 00:04:16,723
[FOOTSTEPS RETREAT]
104
00:04:16,823 --> 00:04:19,092
[QUIETLY]
SO, OK, I KNOW THAT
YOU'RE ANGRY WITH JORDAN,
105
00:04:19,193 --> 00:04:21,595
AND SO AM I, BUT DO WE
REALLY HAVE TO WORRY
106
00:04:21,695 --> 00:04:24,298
ABOUT THIS ANNULMENT
THING, LIKE, RIGHT NOW?
107
00:04:24,398 --> 00:04:27,000
UH, OUR UNDERAGE SON
108
00:04:27,100 --> 00:04:28,802
GOT MARRIED IN VEGAS
AND LIED ABOUT IT.
109
00:04:28,902 --> 00:04:31,171
YOU BET YOUR ASS WE DO.
BILLY: I'M JUST SAYING,
110
00:04:31,271 --> 00:04:33,173
CAN WE MAYBE PUT
A PIN IN IT
111
00:04:33,273 --> 00:04:35,175
AND FOCUS
ON HIS RECOVERY?
112
00:04:35,275 --> 00:04:37,144
-I'M GETTING HIM
THROUGH HIS RECOVERY.
-OK.
113
00:04:37,244 --> 00:04:40,681
BUT LUCKILY,
BECAUSE I'M A WOMAN, I AM
CAPABLE OF MULTITASKING.
114
00:04:40,781 --> 00:04:43,684
LAURA: I AM ANNULLING
THE MARRIAGE.
115
00:04:46,220 --> 00:04:48,989
[POP MUSIC PLAYING]
116
00:04:49,089 --> 00:04:51,692
MALE SINGER: ♪ NOW LET'S
JUST FIND A WAY... ♪
117
00:04:51,792 --> 00:04:55,028
OK, UM,
NEWTON'S SECOND LAW
OF MOTION STATES
118
00:04:55,128 --> 00:04:58,832
THAT THE ACCELERATION
OF AN OBJECT IS
DEPENDENT ON WHAT?
119
00:04:58,932 --> 00:05:00,801
UH, THE OBJECT'S MASS
120
00:05:00,901 --> 00:05:03,504
AND THE AMOUNT OF FORCE
APPLIED TO THE OBJECT?
121
00:05:03,604 --> 00:05:06,373
-MM-MMM.
-DAMN! I COULDA SWORE
I KNEW THAT ONE.
122
00:05:06,473 --> 00:05:08,942
MAN, I KNEW IT!
I WAS RIGHT.
123
00:05:09,042 --> 00:05:10,944
GIRL, YOU CANNOT READ.
LAYLA: WHAT?
124
00:05:11,044 --> 00:05:13,647
OH. SORRY, I TOTALLY
READ THAT WRONG.
125
00:05:13,747 --> 00:05:15,148
WHAT'S UP WITH YOU?
126
00:05:15,249 --> 00:05:18,151
NOTHING. I'M JUST...
[SIGHS]
127
00:05:18,252 --> 00:05:20,320
LIKE, HOW DID I MISS
THAT MY BEST FRIEND WAS
128
00:05:20,420 --> 00:05:22,289
STRUGGLING WITH HER
SOBRIETY FOR MONTHS?
129
00:05:22,389 --> 00:05:24,992
BECAUSE SHE HID IT WELL?
LAYLA: YEAH, WELL, IT'S
THE SECOND TIME
130
00:05:25,092 --> 00:05:27,194
I'VE MISSED THE SIGNS.
COOP: HEY, YOU'VE
BEEN THERE FOR HER
131
00:05:27,294 --> 00:05:28,896
MORE THAN YOU'RE GIVING
YOURSELF CREDIT FOR.
132
00:05:28,996 --> 00:05:30,397
NOT WHEN IT
REALLY COUNTED.
133
00:05:30,497 --> 00:05:32,099
SO WHAT YOU
GONNA DO ABOUT IT?
134
00:05:32,199 --> 00:05:33,901
I MEAN, LOOK, ALL I
KNOW IS GUILT DOES
135
00:05:34,001 --> 00:05:36,270
NOTHIN' BUT WEIGH YOU
DOWN, SO YOU EITHER GOT
TO FIND SOMETHIN'
136
00:05:36,370 --> 00:05:38,238
POSITIVE TO DO WITH IT
OR LET IT GO.
137
00:05:38,338 --> 00:05:40,407
SORRY. I FEEL LIKE I'M
WASTING YOUR TIME.
138
00:05:40,507 --> 00:05:42,776
YOU SHOULD PROBABLY
FIND A STUDY PARTNER
WHO CAN ACTUALLY READ
139
00:05:42,876 --> 00:05:45,579
THE RIGHT ANSWERS.
I'LL SEE YA.
140
00:05:45,679 --> 00:05:47,581
[FOOTSTEPS RETREAT]
141
00:05:47,681 --> 00:05:50,584
[BOTH LAUGH]
DILLON: OK, SO WE TALKIN'
142
00:05:50,684 --> 00:05:53,153
HALLE STORM
OR ALEXANDRA SHIPP STORM?
143
00:05:53,253 --> 00:05:56,056
GIRL: WHO'S HALLE?
DILLON: DON'T LET
MY MOM HEAR YOU SAY THAT.
144
00:05:56,156 --> 00:05:58,225
[BOTH CHUCKLE]
GRACE: HEAR WHO SAY WHAT?
145
00:05:58,325 --> 00:06:01,061
OH, HEY, MOM.
NO, JASMYN'S, UH,
146
00:06:01,161 --> 00:06:03,830
FILM EDUCATION IS
SERIOUSLY LACKING.
147
00:06:03,931 --> 00:06:05,365
I SEE.
148
00:06:05,465 --> 00:06:07,901
NICE TO MEET YOU, JASMYN.
JASMYN: YOU, TOO.
149
00:06:08,001 --> 00:06:10,103
-YOU READY, DILLON?
-YEP.
150
00:06:10,204 --> 00:06:11,705
ARE YOU WAITING
FOR SOMEONE?
151
00:06:11,805 --> 00:06:13,140
YEAH, MY DAD.
152
00:06:13,240 --> 00:06:15,108
HE'S NORMALLY ON TIME.
MUST BE TRAFFIC.
153
00:06:15,209 --> 00:06:16,844
OH. WELL,
WE'LL WAIT HERE
154
00:06:16,944 --> 00:06:19,479
WITH YOU UNTIL HE GETS HERE.
[JASMYN CHUCKLES]
155
00:06:19,580 --> 00:06:21,949
GRACE: SO, HOW WAS
COMIC BOOK CAMP?
156
00:06:22,049 --> 00:06:25,986
AWESOME! DILLON'S
"KING CRENSHAW" COMIC
IS GONNA BE SO GOOD.
157
00:06:26,086 --> 00:06:28,121
[JASMYN CHUCKLES]
GRACE: OH.
158
00:06:28,222 --> 00:06:30,090
I TOLD YOU. HE'S HERE.
159
00:06:30,190 --> 00:06:33,060
HEY, BABY.
I'M SORRY I'M LATE.
160
00:06:33,160 --> 00:06:34,828
PRINCIPAL CARTER.
161
00:06:34,928 --> 00:06:36,496
MS. JAMES.
162
00:06:37,698 --> 00:06:39,633
HEY, DAD.
163
00:06:44,938 --> 00:06:48,509
JABARI: YO, ALL I'M ASKIN'
IS WHO NAMES THEIR CHILD
ROMELO ON PURPOSE?
164
00:06:48,609 --> 00:06:53,046
NHANI: HEH! WAIT, WAIT, WAIT.
ISN'T TNT's PROGRAM KNOWN AS
"THE BAD BOYS OF FOOTBALL"?
165
00:06:53,146 --> 00:06:57,050
I MEAN...ARE THERE
A LOT OF FLAGS
ON THE PLAY?
166
00:06:57,150 --> 00:06:58,252
JABARI: YES.
167
00:06:58,352 --> 00:07:00,220
BIG PERSONALITIES?
YES.
168
00:07:00,320 --> 00:07:02,656
[CHUCKLES]
UNREFINED ARROGANCE? YES.
169
00:07:02,756 --> 00:07:04,491
THEY'RE
A CHAMPIONSHIP-WINNING TEAM
170
00:07:04,591 --> 00:07:06,793
AND A PIPELINE TO THE NFL,
WHICH IS THE GOAL.
171
00:07:06,894 --> 00:07:09,630
I CAN'T LET THE NEXT
24 HOURS PASS WITHOUT
LOCKIN' DOWN AN OFFER.
172
00:07:09,730 --> 00:07:12,132
HAVEN'T OTHER RECRUITERS
BEEN HOVERING THESE
LAST COUPLE WEEKS?
173
00:07:12,232 --> 00:07:14,334
HOVERIN', YEAH,
BUT NO ACTUAL OFFERS,
174
00:07:14,434 --> 00:07:16,537
NOT SINCE THE SHOOTIN'.
LOOK, I NEED THIS.
175
00:07:16,637 --> 00:07:19,506
DAWG, YOU'RE
THE HOTTEST PLAYER IN
SOUTH L.A. RIGHT NOW.
176
00:07:19,606 --> 00:07:22,042
THAT RECRUITER TOOK
HIS BYE WEEK
177
00:07:22,142 --> 00:07:23,544
TO FLY IN
AND MEET YOU.
178
00:07:23,644 --> 00:07:26,180
COME ON, SPENCE.
YOU GOT THIS ON LOCK.
179
00:07:26,280 --> 00:07:29,183
NHANI:
MAYBE SEMI-LOCK.
180
00:07:39,793 --> 00:07:40,761
OLIVIA: WELL,
THAT'S WHAT HE GETS
181
00:07:40,861 --> 00:07:41,929
FOR BEING A MISOGYNIST.
182
00:07:41,995 --> 00:07:43,030
OH, YOU DAMN STRAIGHT.
183
00:07:43,130 --> 00:07:44,131
[BOTH CHUCKLE]
JOY: MMM.
184
00:07:46,333 --> 00:07:49,036
SO,
HOW YOU DOING?
185
00:07:50,237 --> 00:07:51,738
I'M GOOD.
186
00:07:51,939 --> 00:07:53,140
YEAH.
187
00:07:53,207 --> 00:07:55,843
LET'S TRY THAT
AGAIN.
188
00:07:57,044 --> 00:07:58,745
TOUGH MORNING.
189
00:07:58,846 --> 00:08:01,181
NO REAL REASON.
JUST, UM...
190
00:08:01,281 --> 00:08:04,318
YOU KNOW, IT'S JUST
HARDER TO FIGHT THE URGE
TO WANT TO TAKE SOMETHING.
191
00:08:04,418 --> 00:08:06,854
MM-HMM. THAT'S OK.
OUR SOBRIETY IS
192
00:08:06,954 --> 00:08:09,756
A "ONE DAY AT A TIME"
KINDA THING.
193
00:08:09,857 --> 00:08:11,058
I KNOW.
194
00:08:11,158 --> 00:08:13,594
BUT THE GOOD PART IS
YOU'RE BEING HONEST,
195
00:08:13,694 --> 00:08:16,029
EVEN ON YOUR HARD DAYS.
196
00:08:16,129 --> 00:08:17,798
THAT'S PROGRESS, LIV.
197
00:08:18,899 --> 00:08:21,301
THAT KIND OF SOUNDED
LIKE A COMPLIMENT.
198
00:08:21,401 --> 00:08:23,303
-IT DID NOT. ME?
-MM-HMM. YEAH, IT DID.
199
00:08:23,403 --> 00:08:25,305
-[LAUGHING]
-WHAT'S WRONG WITH ME?
200
00:08:25,405 --> 00:08:27,441
-[CHUCKLES]
-UM,
201
00:08:27,541 --> 00:08:29,943
WELL, I SHOULD
PROBABLY HEAD OUT
BECAUSE I HAVE TO--
202
00:08:30,043 --> 00:08:33,881
WELL, MY FRIEND KIA IS
ORGANIZING A FLOWER VIGIL
FOR TAMIKA PRATT.
203
00:08:33,981 --> 00:08:35,849
YEAH.
204
00:08:35,949 --> 00:08:38,018
YOU KNOW,
WHENEVER I THINK
ABOUT THOSE DAMN COPS
205
00:08:38,118 --> 00:08:42,089
STILL BEIN' ON THE JOB,
IT JUST...MAKES
MY BLOOD BOIL.
206
00:08:42,189 --> 00:08:44,791
YEAH, MINE, TOO,
ALTHOUGH I'M
HOPING, YOU KNOW,
207
00:08:44,892 --> 00:08:47,928
COVERING THE EVENT
FOR "LIV THE TRUTH"
WILL HELP RAISE AWARENESS.
208
00:08:48,028 --> 00:08:49,730
GOOD...
209
00:08:49,830 --> 00:08:52,432
BUT I NEED YOU
TO PACE YOURSELF
210
00:08:52,533 --> 00:08:54,434
BECAUSE SOMETIMES
FIXATING ON SOLVING
211
00:08:54,535 --> 00:08:57,938
OTHER PEOPLE'S PROBLEMS
TO AVOID YOUR ISSUES,
212
00:08:58,038 --> 00:09:00,174
THAT CAN BE
AN ADDICTION, TOO.
213
00:09:00,274 --> 00:09:02,309
YOU UNDERSTAND?
OLIVIA: YEAH.
214
00:09:02,409 --> 00:09:04,578
JOY: OK.
215
00:09:04,678 --> 00:09:06,146
HEY.
216
00:09:06,246 --> 00:09:07,848
HEY.
217
00:09:09,483 --> 00:09:11,351
JOY: HEY!
SPENCER: HEY. HEY.
218
00:09:11,418 --> 00:09:13,854
MY FAVORITE
STUDENT-ATHLETE.
219
00:09:13,954 --> 00:09:15,856
I HEAR THAT YOUR ARM
AND YOUR FOOTBALL
CAREER ARE BACK
220
00:09:15,956 --> 00:09:18,025
ON TRACK, SO CONGRATS.
SPENCER: THANK YOU.
221
00:09:18,125 --> 00:09:20,093
THANKS FOR
EVERYTHING YOU DID
AT THE HOSPITAL, TOO.
222
00:09:20,194 --> 00:09:21,762
OH.
223
00:09:21,862 --> 00:09:24,431
HEY, YOU HEARD
FROM JORDAN?
I KEEP GETTING
224
00:09:24,531 --> 00:09:26,500
ONE-WORD REPLIES
EVERY TIME I
CHECK IN ON HIM.
225
00:09:26,600 --> 00:09:29,570
NO, HE'S IN A FUNK
WE CAN'T SEEM TO GET
HIM OUT OF, SO...
226
00:09:29,670 --> 00:09:32,806
I SHOULD GET TO WORK.
I'LL KEEP ON HIM.
227
00:09:38,178 --> 00:09:39,580
OK, NEXT COFFEE,
228
00:09:39,680 --> 00:09:42,316
I WANT ALL THE TEA
ON YOU TWO.
229
00:09:42,416 --> 00:09:44,184
-NO.
-AND BEFORE YOU EVEN TRY
230
00:09:44,284 --> 00:09:46,520
TO DENY IT,
I HAVE EYES.
231
00:09:46,620 --> 00:09:49,523
[PERSISTENT KNOCKING
ON DOOR]
232
00:09:50,991 --> 00:09:53,193
YEAH, HOLD ON.
233
00:09:56,864 --> 00:09:59,066
WHY ARE YOU HERE?
234
00:10:00,367 --> 00:10:02,436
GOOD TO SEE YOU, TOO.
235
00:10:02,536 --> 00:10:05,439
YOUR DAD TEXTED ME.
[JORDAN GRUNTS]
236
00:10:08,976 --> 00:10:11,245
[JORDAN SIGHS]
JJ: BIG J.
237
00:10:11,345 --> 00:10:12,646
WHAT'S UP, BROTHER?
238
00:10:12,746 --> 00:10:14,748
[SIGHS]
MY DAD TEXT YOU, TOO?
239
00:10:14,848 --> 00:10:16,550
UH, NAH, SPENCE CALLED,
240
00:10:16,650 --> 00:10:18,585
BUT I WAS GONNA
SWING BY ANYWAY.
241
00:10:18,685 --> 00:10:20,454
WELL, NEWSFLASH,
GENTLEMEN, I'M FINE.
242
00:10:20,554 --> 00:10:22,456
SO YOU CAN BOTH
REPORT IN
243
00:10:22,556 --> 00:10:25,459
AND CLOSE MY DOOR ON
THE WAY OUT. THANKS.
244
00:10:25,559 --> 00:10:28,462
I WAS GONNA HIT
THE FIELD,
245
00:10:28,562 --> 00:10:30,163
DO SOME LIGHT
PASSING DRILLS
246
00:10:30,264 --> 00:10:32,132
OR SOMETHIN'.
WHY DON'T YOU JOIN?
247
00:10:32,232 --> 00:10:34,301
-NO, I'M GOOD.
-AW, COME ON, MAN.
248
00:10:34,401 --> 00:10:36,737
HEY, I'LL EVEN
JOIN, TOO, HUH?
249
00:10:36,837 --> 00:10:39,173
IT'LL BE GOOD,
GET THAT BODY
BACK IN SHAPE.
250
00:10:39,273 --> 00:10:41,875
JJ, WHY DON'T YOU FOCUS
ON GETTING YOUR BODY
BACK IN SHAPE
251
00:10:41,975 --> 00:10:45,412
AND, I DON'T KNOW,
FIGURE OUT HOW TO NOT
TO SUCK SO BAD
252
00:10:45,512 --> 00:10:47,814
AS QB1 SO WE DON'T LOSE
ANOTHER GAME?
253
00:10:49,583 --> 00:10:51,818
DAMN.
254
00:10:51,919 --> 00:10:54,621
[VIDEO-GAME LASERS FIRING]
255
00:10:58,392 --> 00:11:00,861
YO, DUDE,
WHAT THE HELL?
256
00:11:02,629 --> 00:11:04,531
[SIGHS]
HMM.
257
00:11:04,631 --> 00:11:07,401
OH, IF YOU WANT THIS
BACK, UH, IT'LL BE
ON THE FIELD
258
00:11:07,501 --> 00:11:10,571
WITH ME...AND ASHER.
259
00:11:14,141 --> 00:11:16,844
[DOOR OPENS]
260
00:11:19,479 --> 00:11:21,849
[HIP-HOP MUSIC PLAYING]
261
00:11:21,949 --> 00:11:24,418
I BELIEVE THE TERM
"ABOLISH"
262
00:11:24,518 --> 00:11:27,821
IN THE DECLARATION
OF INDEPENDENCE
MEANS ELIMINATE,
263
00:11:27,921 --> 00:11:29,489
NOT CHANGE.
264
00:11:29,590 --> 00:11:31,491
NEGRO, CAN YOU, UH,
MAKE SOME NOISE
265
00:11:31,592 --> 00:11:32,826
NEXT TIME
YOU APPROACH?
266
00:11:36,997 --> 00:11:38,932
LUCKY GUESS.
PREACH: HEY, LISTEN,
267
00:11:39,032 --> 00:11:40,934
IF YOU WANT TO STAY
ALIVE WHILE LOCKED UP,
YOU LEARN
268
00:11:41,034 --> 00:11:43,637
TO STUDY PEOPLE
AND HOW THEY RELATE
TO EACH OTHER,
269
00:11:43,737 --> 00:11:46,173
TO THE CAGES
THEY'RE IN,
270
00:11:46,273 --> 00:11:47,975
HOW THEY REPEAT
PATTERNS.
271
00:11:48,075 --> 00:11:50,077
I MEAN, THAT'S
BASICALLY WHAT
SOCIAL STUDIES IS.
272
00:11:50,177 --> 00:11:54,548
AND HERE I THOUGHT
YOU ONLY READ THAT CREEPY
GREEK MYTHOLOGY STUFF.
273
00:11:54,648 --> 00:11:58,118
THIS RIGHT HERE IS
YOUR STRONGEST MUSCLE.
274
00:11:58,218 --> 00:12:01,688
YOU KEEP THAT EXERCISED,
THEY CAN'T STOP US.
275
00:12:01,788 --> 00:12:03,624
HEY, MAN, LOOK, YOU KNOW
I REALLY NEED TO PASS
276
00:12:03,724 --> 00:12:06,093
THIS G.E.D. TO ACCELERATE
THE MUSIC THING.
277
00:12:06,193 --> 00:12:09,162
I NEED A TUTOR.
PREACH: WHAT THE HELL
I LOOK LIKE, JOE CLARK?
278
00:12:09,263 --> 00:12:12,566
MAN, DON'T BE RIDICULOUS.
YOU AND MORGAN FREEMAN
DON'T LOOK NOTHIN' ALIKE.
279
00:12:12,666 --> 00:12:15,269
WHAT IF I PAID YOU,
IN CASH?
280
00:12:15,369 --> 00:12:17,104
YOU GOT BILLS
TO PAY, RIGHT?
281
00:12:17,204 --> 00:12:19,806
AND I KNOW IT'S BEEN HARD
TRYIN' TO GET A JOB
SINCE YOU GOT OUT.
282
00:12:19,907 --> 00:12:22,743
THIS COULD BE A WIN
FOR BOTH OF US.
283
00:12:25,445 --> 00:12:27,147
MO: I'M JUST STATING
THE FACTS.
284
00:12:27,247 --> 00:12:29,516
IF THERE WAS NOTHING TO HIDE,
THE BODYCAM FOOTAGE
285
00:12:29,616 --> 00:12:30,951
WOULD HAVE BEEN
RELEASED ALREADY
286
00:12:31,051 --> 00:12:32,619
[DOOR OPENS]
AND THE OFFICERS ARRESTED.
287
00:12:32,719 --> 00:12:34,855
UNTIL THAT HAPPENS...
LAURA: HEY, HONEY.
288
00:12:34,955 --> 00:12:36,356
THERE IS NO JUSTICE.
[TV CLICKS OFF]
289
00:12:36,456 --> 00:12:37,691
HOW WAS, UH, COFFEE
WITH JOY?
290
00:12:37,791 --> 00:12:39,393
TAMIKA'S INVESTIGATION
IS BEING HANDLED
291
00:12:39,493 --> 00:12:40,928
THROUGH YOUR OFFICE,
RIGHT?
292
00:12:41,028 --> 00:12:43,497
"COFFEE WAS GREAT, MOM.
THANKS FOR ASKING."
293
00:12:43,597 --> 00:12:45,766
YES, WE ARE
HANDLING THINGS
294
00:12:45,866 --> 00:12:47,801
AND NO, I CANNOT
DISCUSS IT WITH YOU.
295
00:12:47,901 --> 00:12:50,804
WELL, I'M JUST SAYING
THAT IF THE D.A. DID
296
00:12:50,904 --> 00:12:52,973
WANT TO MAKE A STATEMENT,
IT DOESN'T GET MUCH EASIER
297
00:12:53,073 --> 00:12:55,576
THAN CHATTING
WITH YOUR DAUGHTER
FOR HER PODCAST.
298
00:12:55,676 --> 00:12:57,678
OLIVIA, DON'T EVEN
JOKE ABOUT IT.
299
00:12:57,778 --> 00:12:59,947
THIS INVESTIGATION
IS...
300
00:13:00,047 --> 00:13:02,249
VERY...DELICATE.
301
00:13:02,349 --> 00:13:05,085
I CAN'T BE PERCEIVED
TO HAVE ANY CONFLICT
OF INTEREST.
302
00:13:05,185 --> 00:13:06,887
YEAH, NO.
OF--OF COURSE.
303
00:13:06,987 --> 00:13:09,923
I WILL KEEP YOUR NAME
OUT OF IT, I PROMISE.
304
00:13:20,434 --> 00:13:23,036
[MUMBLING INDISTINCTLY]
305
00:13:23,136 --> 00:13:25,038
CAN I GIVE YOU
A HAND?
306
00:13:25,138 --> 00:13:27,407
UH, I CAN MANAGE.
307
00:13:27,508 --> 00:13:30,110
OH, I NEVER SAID
THAT YOU COULDN'T.
308
00:13:30,210 --> 00:13:32,112
THANK YOU
309
00:13:32,212 --> 00:13:33,614
FOR WAITING
WITH JASMYN EARLIER.
310
00:13:33,714 --> 00:13:35,315
I'M NORMALLY
NEVER LATE.
311
00:13:35,415 --> 00:13:38,218
JASMYN'S
AN IMPRESSIVE YOUNG LADY.
312
00:13:38,318 --> 00:13:39,887
MUST GET IT FROM HER MOM.
313
00:13:39,987 --> 00:13:43,624
YEAH...SHE DOES.
314
00:13:45,392 --> 00:13:46,760
THAT WAS A JOKE.
315
00:13:46,860 --> 00:13:48,762
[CHUCKLES]
YEAH, I--I KNOW.
316
00:13:48,862 --> 00:13:50,731
HER--HER MOTHER
PASSED AWAY LAST YEAR.
317
00:13:50,831 --> 00:13:53,300
OH, GOD.
I'M SORRY.
318
00:13:53,400 --> 00:13:55,169
I DIDN'T KNOW.
319
00:13:55,269 --> 00:13:57,871
IT'S OK. I'M--I'M
GETTING USED
TO SAYING IT.
320
00:13:57,971 --> 00:14:00,107
BUT JASMYN, SHE STILL
HAS A TOUGH TIME,
321
00:14:00,207 --> 00:14:02,476
AND MY SISTER
WHO WAS HELPING US
OUT, SHE JUST MOVED
322
00:14:02,576 --> 00:14:05,312
TO SEATTLE
A FEW WEEKS AGO, SO
I THINK JAS IS HAVIN'
323
00:14:05,412 --> 00:14:07,114
A HARD TIME
WITH THAT, TOO.
324
00:14:07,214 --> 00:14:11,785
I'M SORRY. YOU--
YOU DIDN'T SIGN UP FOR
A WHOLE THERAPY SESSION.
325
00:14:11,885 --> 00:14:14,288
OH--HEH!--TRUST ME.
IF THERE'S ANYBODY
326
00:14:14,388 --> 00:14:17,491
WHO UNDERSTANDS
NAVIGATING KIDS
THROUGH TOUGH TRANSITIONS,
327
00:14:17,591 --> 00:14:19,059
IT'S ME.
328
00:14:21,662 --> 00:14:24,298
I'M SORRY TO HEAR
ABOUT YOUR WIFE.
329
00:14:24,398 --> 00:14:28,435
I APPRECIATE THAT.
330
00:14:28,535 --> 00:14:31,438
YOU KNOW, I THOUGHT
JAS AND I HAD FINALLY
FOUND OUR RHYTHM,
331
00:14:31,538 --> 00:14:34,141
BUT IT JUST SEEMS
LIKE THE MORE I
TRY TO CONNECT,
332
00:14:34,241 --> 00:14:36,476
THE MORE SHE JUST
PUSHES ME AWAY.
333
00:14:36,577 --> 00:14:38,412
SHE'S ADJUSTING
TO A LOT.
334
00:14:38,512 --> 00:14:41,615
MAYBE DOUBLE DOWN ON
THE EXTRA QUALITY TIME
WITH HER,
335
00:14:41,715 --> 00:14:44,284
REMIND HER YOU'LL
ALWAYS BE HERE.
336
00:14:44,384 --> 00:14:45,986
YEAH.
337
00:14:46,086 --> 00:14:48,155
[SNIFFS]
338
00:14:48,255 --> 00:14:49,823
[MUSIC PLAYING]
339
00:14:49,923 --> 00:14:51,725
ROMELO: SURE I CAN'T
GET YOU ANYTHING?
340
00:14:51,825 --> 00:14:53,360
NO, I'M GOOD.
THANK YOU.
341
00:14:53,460 --> 00:14:56,163
ALL RIGHT,
SO TALK TO ME, SON.
342
00:14:56,263 --> 00:14:59,633
I'M SURE YOU
GOT MAD QUESTIONS
ABOUT TNT's PROGRAM.
343
00:14:59,733 --> 00:15:01,802
UH, I GUESS I'M JUST
CURIOUS AS TO WHY
344
00:15:01,902 --> 00:15:03,670
TNT DIDN'T SHOW ME
NO INTEREST
LAST YEAR.
345
00:15:03,770 --> 00:15:06,306
I WAS ONE
OF THE TOP PLAYERS
IN THE COUNTRY.
346
00:15:06,406 --> 00:15:08,108
FAIR QUESTION.
347
00:15:08,208 --> 00:15:10,344
WELL, I'LL GIVE IT
TO YOU STRAIGHT.
348
00:15:10,444 --> 00:15:11,845
-OK.
-LAST YEAR,
349
00:15:11,945 --> 00:15:13,413
YOU WEREN'T
A GOOD FIT FOR US.
350
00:15:13,514 --> 00:15:15,649
HEH! I'M
THE SAME PLAYER
I WAS BEFORE.
351
00:15:15,749 --> 00:15:19,553
TURNS OUT WE HAD YOU
ALL WRONG OFF THE FIELD.
352
00:15:19,653 --> 00:15:22,322
IT ALL CLICKED FOR ME
AFTER YOUR SHOOTING.
353
00:15:22,422 --> 00:15:25,058
HEH! Y'ALL WANT ME
'CAUSE I GOT SHOT?
354
00:15:25,158 --> 00:15:27,060
I WANT YOU BECAUSE
YOU HAVE AN EDGE
355
00:15:27,160 --> 00:15:29,263
THAT TNT LIKES
IN ITS PLAYERS.
356
00:15:29,363 --> 00:15:33,267
THAT EDGE, THAT
"TAKE NO PRISONERS"
KINDA ATTITUDE--
357
00:15:33,367 --> 00:15:35,636
THAT'S WHAT WE NEED
WHEN OUR BACK IS UP
AGAINST THE WALL
358
00:15:35,736 --> 00:15:37,971
IN THE FOURTH QUARTER.
359
00:15:38,071 --> 00:15:40,474
I AIN'T A PART
OF NO GANG,
360
00:15:40,574 --> 00:15:43,343
AND THAT SHOOTING WAS
AN ISOLATED INCIDENT.
361
00:15:43,443 --> 00:15:44,545
DOESN'T MATTER.
362
00:15:44,645 --> 00:15:46,513
WHAT MATTERS IS
THE IMAGE I CAN
363
00:15:46,613 --> 00:15:49,750
TAKE BACK TO MY BOSSES
AT TNT AND SELL.
364
00:15:49,850 --> 00:15:51,752
"BAD BOY" SPENCER JAMES?
365
00:15:51,852 --> 00:15:53,820
NOW THAT'S AN IMAGE
I CAN PACKAGE.
366
00:15:53,921 --> 00:15:56,323
YOU KNOW, FOR SOMEONE
YOU NOT FRIENDS WITH
367
00:15:56,423 --> 00:15:59,059
NO MORE, YOU DEEP
IN HIS BUSINESS.
368
00:15:59,159 --> 00:16:01,562
MAN, WHATEVER.
WHY DON'T YOU MIND
YOUR BUSINESS AND EXPLAIN
369
00:16:01,662 --> 00:16:04,898
THIS COMPARATIVE GOVERNMENT
STUFF TO ME IN A WAY
THAT I CAN UNDERSTAND?
370
00:16:04,998 --> 00:16:07,234
-I BEEN TRYING.
-WELL, TRY HARDER, OK?
371
00:16:07,334 --> 00:16:09,937
'CAUSE I ONLY GOT A FEW
MORE MINUTES BEFORE I GOT
TO BE AT THE FLOWER VIGIL.
372
00:16:10,037 --> 00:16:12,940
ROMELO: YOU ALSO NEED MORE
OF A SOCIAL MEDIA PRESENCE.
373
00:16:13,040 --> 00:16:15,976
NOW, THAT'S WHERE
THE GAME AND THE FAME
PLAYS OUT THESE DAYS.
374
00:16:16,076 --> 00:16:19,847
WE CAN HELP FIX THAT,
UNOFFICIALLY, OF COURSE.
375
00:16:19,947 --> 00:16:22,149
-FIX IT HOW?
-TNT CAN HELP YOU
376
00:16:22,249 --> 00:16:24,985
BUILD A PROFILE BEFITTING
A TNT STAR ATHLETE,
377
00:16:25,085 --> 00:16:27,187
HOOK YOU UP WITH
THE FOLKS AT INSTAGRAM,
378
00:16:27,287 --> 00:16:30,390
HELP YOU GET THOSE
ENDORSEMENTS, YOU KNOW?
SPENCER: YEAH, I KNOW.
379
00:16:30,490 --> 00:16:32,726
CREATE SOME
REAL BUZZ AROUND
380
00:16:32,826 --> 00:16:35,662
♪BadBoySpencerJames.
381
00:16:35,762 --> 00:16:38,031
I JUST WANT
TO PLAY FOOTBALL.
382
00:16:38,131 --> 00:16:42,102
AND I'M TELLIN' YOU
HOW WE GET YOU THERE.
383
00:16:42,202 --> 00:16:45,272
I'M ACTUALLY, UH,
LATE FOR A VIGIL.
MY BAD.
384
00:16:45,372 --> 00:16:48,075
I'MMA HAVE TO HEAD OUT.
YOU MIND IF I THINK
ON WHAT YOU JUST SAID?
385
00:16:48,175 --> 00:16:50,077
YEAH.
386
00:16:50,177 --> 00:16:52,212
UH, SON,
387
00:16:52,312 --> 00:16:55,649
YOUR, UH,
SOCIAL JUSTICE THING
IS COMMENDABLE.
388
00:16:55,749 --> 00:16:57,384
JUST...
389
00:16:57,484 --> 00:17:00,020
DON'T LET IT GET
IN THE WAY OF
YOUR NFL DREAMS.
390
00:17:00,120 --> 00:17:02,189
YOU REALLY WANT
TO HELP YOUR PEOPLE?
391
00:17:02,289 --> 00:17:04,291
ACHIEVE THE DREAM.
392
00:17:13,367 --> 00:17:18,138
MALE SINGER:
♪ COCOA BUTTER KISSES
WIPE MY TEARS AWAY ♪
393
00:17:18,238 --> 00:17:19,806
HEY.
394
00:17:20,574 --> 00:17:23,210
WHERE IS EVERYBODY?
I THOUGHT THERE'D BE
A BIGGER CROWD.
395
00:17:23,310 --> 00:17:27,347
[SIGHS]
SADLY, THIS WAS PRETTY
MUCH WHAT I EXPECTED.
396
00:17:27,447 --> 00:17:30,217
THE CRIES
OF INJUSTICE AROUND
BLACK WOMEN'S MURDERS
397
00:17:30,317 --> 00:17:32,553
ARE ALWAYS
SO MUCH QUIETER:
398
00:17:32,653 --> 00:17:36,223
SANDRA BLAND,
BREONNA TAYLOR,
REM'MIE FELLS.
399
00:17:36,323 --> 00:17:39,326
SADLY, I COULD
GO ON FOR DAYS
WITH THAT LIST.
400
00:17:39,426 --> 00:17:42,696
MO: KIA, I THINK
THE FAMILY'S READY
TO GET STARTED.
401
00:17:42,796 --> 00:17:44,798
ALL RIGHT, LET'S DO IT.
THE STAGE IS READY.
MO: OK.
402
00:17:44,898 --> 00:17:46,667
OH, MO, THIS IS
MY FRIEND, OLIVIA BAKER.
403
00:17:46,767 --> 00:17:48,602
SHE'S GONNA BE COVERING
OUR EVENT ON HER PODCAST.
404
00:17:48,669 --> 00:17:51,805
OH, THAT'S RIGHT.
THE D.A.'s DAUGHTER.
405
00:17:51,905 --> 00:17:54,041
DOES YOUR MOTHER
KNOW YOU'RE HERE?
406
00:17:54,141 --> 00:17:55,809
SHE DOES.
407
00:17:55,909 --> 00:17:57,544
I LISTEN
TO YOUR PODCAST,
408
00:17:57,644 --> 00:17:59,546
AND IT'S KIDS
LIKE YOU AND KIA
409
00:17:59,646 --> 00:18:02,850
THAT GIVE ME HOPE
FOR THIS NEXT
GENERATION.
410
00:18:02,950 --> 00:18:05,252
'SCUSE US.
411
00:18:07,588 --> 00:18:11,191
SINGER: ♪ SHE'S A QUEEN
FROM ANOTHER PLACE ♪
412
00:18:11,291 --> 00:18:13,994
♪ WHY ARE YOU
SO DISPLACED? ♪
413
00:18:14,094 --> 00:18:17,631
♪ SHE'S A GODDESS
WALKING ON EARTH ♪
414
00:18:17,698 --> 00:18:19,399
NAVEAH:
MY COUSIN TAMIKA
415
00:18:19,499 --> 00:18:22,302
IS SO MUCH MORE
THAN JUST A HASHTAG.
416
00:18:22,402 --> 00:18:25,639
SHE WAS MY ROCK,
THE ONE PERSON I CAN CALL
417
00:18:25,739 --> 00:18:30,444
IN TIME OF NEED, AND SHE'D
ALWAYS HAVE MY BACK,
NO QUESTIONS ASKED.
418
00:18:30,544 --> 00:18:33,847
IF SHE CARED ABOUT YOU--
WHICH, LET'S FACE IT,
419
00:18:33,947 --> 00:18:35,983
APPLIES TO EVERYONE
IN HER LIFE--
420
00:18:36,083 --> 00:18:41,054
SHE ALWAYS KEPT IT 100,
NO MATTER HOW MUCH THAT
TRUTH MIGHT HAVE STUNG.
421
00:18:42,556 --> 00:18:45,125
TAMIKA, TODAY
WE GIVE YOU FLOWERS
422
00:18:45,225 --> 00:18:47,261
BECAUSE THE COPS
WHO MURDERED YOU
423
00:18:47,361 --> 00:18:50,397
ROBBED US OF THE OPPORTUNITY
TO DO SO IN PERSON,
424
00:18:50,497 --> 00:18:53,100
AND BY BLATANTLY HIDING
THE BODYCAM FOOTAGE,
425
00:18:53,200 --> 00:18:55,903
THEY'RE ROBBING YOU
OF JUSTICE.
426
00:18:56,003 --> 00:18:59,406
MY BEAUTIFUL BLACK WOMEN,
427
00:18:59,506 --> 00:19:02,609
THESE FLOWERS ARE
ALSO FOR YOU.
428
00:19:02,709 --> 00:19:05,712
THEY'RE HERE TO SAY
WE LOVE YOU,
429
00:19:05,812 --> 00:19:10,884
WE SEE YOU, AND WE WILL
ALWAYS PROTECT YOU.
430
00:19:10,984 --> 00:19:13,353
[APPLAUSE]
431
00:19:17,591 --> 00:19:19,560
[APPLAUSE ABATES]
432
00:19:22,596 --> 00:19:26,867
WAKIN' UP BELIEVIN'
THE WORLD IS OUR OYSTER,
433
00:19:26,967 --> 00:19:30,304
LOVIN' LIFE AS WE STROLL
DOWN THE STREET,
434
00:19:30,404 --> 00:19:32,840
WALKIN' LIKE WE GOT CLOUDS
UNDER OUR FEET,
435
00:19:32,940 --> 00:19:34,641
DAYDREAMIN'
436
00:19:34,741 --> 00:19:38,245
OF THE GOLIATHS WE KNOW
WE CAN DEFEAT.
437
00:19:38,345 --> 00:19:40,614
THAT'S WHAT TAMIKA
DESERVED--
438
00:19:40,714 --> 00:19:43,150
A FUTURE FULL OF POSSIBILITIES,
LIKE FALLIN' IN LOVE
439
00:19:43,250 --> 00:19:45,452
OVER THE DOPEST
CONVERSATION,
440
00:19:45,552 --> 00:19:50,157
MAKIN' IT TO HER COLLEGE
GRADUATION OR, SHOOT,
JUST MAKING IT...
441
00:19:50,257 --> 00:19:53,427
TO ANOTHER
MORNING SALUTATION.
442
00:19:53,527 --> 00:19:55,562
THAT'S WHAT TAMIKA
DESERVED--
443
00:19:55,662 --> 00:19:59,366
A WORLD THAT LOVED HER
AS BEAUTIFUL AND AS BLACK
AS SHE WAS,
444
00:19:59,466 --> 00:20:02,035
NOT A POLICE SYSTEM
THAT JUDGED AND FAILED HER,
445
00:20:02,135 --> 00:20:05,138
NOT A GROWN MAN
WITH A BADGE AND A GUN
446
00:20:05,239 --> 00:20:07,574
THAT WAS SCARED OF HER.
THE ACKNOWLEDGEMENT OF
447
00:20:07,674 --> 00:20:10,110
THE BRILLIANCE THAT WAS HER...
KIA: YOU OK?
448
00:20:10,210 --> 00:20:12,613
COOP: THAT'S WHAT
TAMIKA DESERVED.
449
00:20:12,713 --> 00:20:15,415
THAT'S WHAT ALL OF US
BLACK WOMEN DESERVE
450
00:20:15,516 --> 00:20:18,118
BECAUSE OUR LOVE,
DESPITE WHAT IT ENDURES,
451
00:20:18,218 --> 00:20:21,488
OUR BODIES CONTINUE
TO NURTURE AND REASSURE;
452
00:20:21,588 --> 00:20:25,559
OUR MINDS, OUR STRENGTH
THE CONSTANT CURE,
453
00:20:25,659 --> 00:20:27,995
SO A "THANK YOU"
454
00:20:28,095 --> 00:20:30,631
IS WHAT TAMIKA DESERVED.
455
00:20:30,731 --> 00:20:33,233
THE POEMS, THE PRAISES,
456
00:20:33,333 --> 00:20:35,369
THE FLOWERS--
THOSE ARE ALL GIFTS
457
00:20:35,469 --> 00:20:37,471
THAT SHOULD HAVE BEEN
LEFT AT HER FEET,
458
00:20:37,571 --> 00:20:40,874
NOT A BULLET AND CONFUSION
AS SHE DARED TO SLEEP.
459
00:20:40,974 --> 00:20:43,143
THIS IS WHY WE'RE
ALL HERE TODAY,
460
00:20:43,243 --> 00:20:45,946
BECAUSE HER STORY IS
NOT COMPLETE.
461
00:20:46,046 --> 00:20:49,283
JUSTICE IS WHAT
SHE DESERVES,
462
00:20:49,383 --> 00:20:51,652
AND UNTIL SHE GETS IT,
463
00:20:51,752 --> 00:20:53,453
WE'RE GONNA FIGHT.
464
00:20:53,554 --> 00:20:56,156
RIGHT HERE IN THESE STREETS,
WE GONNA FIGHT.
465
00:20:56,256 --> 00:20:59,326
AND I WANT Y'ALL
TO TAKE YOUR FLOWER
466
00:20:59,426 --> 00:21:02,029
AND RAISE IT UP
IN THE AIR RIGHT NOW
467
00:21:02,129 --> 00:21:04,665
IF YOU FEELIN' ME.
468
00:21:19,112 --> 00:21:21,014
[OLIVIA SIGHS]
469
00:21:21,114 --> 00:21:23,483
NOPE,
DON'T DO THAT.
470
00:21:23,584 --> 00:21:24,985
DON'T COMPARE.
471
00:21:25,085 --> 00:21:26,687
YOU AND TAMIKA
ARE DIFFERENT.
472
00:21:26,787 --> 00:21:28,755
AM I THAT OBVIOUS?
473
00:21:28,856 --> 00:21:30,390
YOU'RE THAT HARD
ON YOURSELF.
474
00:21:30,490 --> 00:21:32,092
YOU KNOW, THE TRUTH IS
IS THAT WE'RE NOT
475
00:21:32,192 --> 00:21:34,094
THAT DIFFERENT.
476
00:21:34,194 --> 00:21:37,097
WE'RE BOTH YOUNG
BLACK WOMEN,
477
00:21:37,197 --> 00:21:40,434
WE BOTH DRANK,
WE BOTH DROVE,
478
00:21:40,534 --> 00:21:42,603
AND, I MEAN,
THE ONLY DIFFERENCE
IS THAT TAMIKA HAD
479
00:21:42,703 --> 00:21:45,305
THE GOOD SENSE
TO PULL OVER AND TRY
TO SLEEP IT OFF,
480
00:21:45,405 --> 00:21:47,941
AND I JUST KEPT DRIVING
UNTIL I CRASHED.
481
00:21:48,041 --> 00:21:51,311
-I KNOW.
-AND BECAUSE I'M
THE WHITE D.A.'s DAUGHTER,
482
00:21:51,411 --> 00:21:54,181
THE COPS OFFERED
ME A RIDE HOME,
483
00:21:54,281 --> 00:21:56,683
AND TAMIKA GOT
A DEATH SENTENCE.
484
00:21:56,783 --> 00:21:59,520
[VOICE BREAKING]
HOW IS THAT FAIR?
485
00:21:59,620 --> 00:22:00,954
IT'S NOT.
486
00:22:01,054 --> 00:22:03,090
-IT'S NOT FAIR.
-IT'S NOT FAIR,
487
00:22:03,190 --> 00:22:06,827
AND IT'S ALSO NOT
YOUR FAULT THAT YOU'RE
ALIVE AND TAMIKA ISN'T.
488
00:22:06,927 --> 00:22:09,830
YEAH, WELL...
TAMIKA ISN'T ALIVE
489
00:22:09,930 --> 00:22:12,533
TO FIGHT
FOR HER OWN JUSTICE...
490
00:22:12,633 --> 00:22:14,735
BUT I AM.
491
00:22:14,835 --> 00:22:17,237
I OWE THAT TO HER.
492
00:22:24,778 --> 00:22:26,346
[CHUCKLES]
493
00:22:26,446 --> 00:22:28,348
UH, ALL RIGHT, ENOUGH
WITH THIS SUSPENSE.
494
00:22:28,448 --> 00:22:30,717
WHAT'S--WHAT HAPPENED
WITH SPENCER?
495
00:22:30,817 --> 00:22:32,519
HE'S A SMART KID,
496
00:22:32,619 --> 00:22:36,523
WHO'S GOING
TO OVERTHINK HIMSELF
OUT OF THIS OPPORTUNITY.
497
00:22:36,623 --> 00:22:38,725
-WHAT DO YOU MEAN?
-YOU NEED TO CONVINCE HIM
498
00:22:38,825 --> 00:22:41,995
TO LEAN INTO WHATEVER
IMAGE IS GONNA GET HIM
THE OFFER FROM TNT.
499
00:22:42,095 --> 00:22:43,797
WHATEVER IMAGE SPENCER
LEANS INTO IS GONNA
500
00:22:43,897 --> 00:22:46,900
FOLLOW HIM INTO THE NFL
AND FOR THE REST OF HIS LIFE.
501
00:22:47,000 --> 00:22:50,437
AND HE CAN THANK ME
FOR IT WHEN HE LANDS
HIS FIRST PRO CONTRACT.
502
00:22:50,537 --> 00:22:53,407
LOOK, I KNOW WHAT PLAYERS
YOU USUALLY GO FOR AT TNT.
503
00:22:54,041 --> 00:22:57,177
YOUR INTEREST IN SPENCER
MADE ME THINK YOU WERE
CLEANING UP YOUR ACT.
504
00:22:57,277 --> 00:23:00,147
I MEAN, TIMES HAVE CHANGED.
THE NFL IS CHANGING.
505
00:23:00,247 --> 00:23:02,850
THE LEAGUE NEEDS SOMEBODY
LIKE SPENCER JAMES.
506
00:23:02,916 --> 00:23:05,452
COME ON, BILLY.
NOW, YOU KNOW DAMN WELL
507
00:23:05,552 --> 00:23:08,121
AIN'T NOTHIN'
REALLY CHANGED.
508
00:23:08,222 --> 00:23:10,123
YES, EVERYONE IS BUSY
509
00:23:10,224 --> 00:23:12,426
APOLOGIZING TO KAP NOW,
510
00:23:12,526 --> 00:23:14,595
BUT HAS ANYONE ACTUALLY
OFFERED HIM
511
00:23:14,695 --> 00:23:20,834
HIS SPOT BACK
IN THE LEAGUE?
512
00:23:20,934 --> 00:23:22,536
[HIP-HOP MUSIC PLAYING]
513
00:23:22,636 --> 00:23:24,471
MALE SINGER:
♪ I'LL SIT BACK AND... ♪
514
00:23:24,571 --> 00:23:26,907
DILLON: JASMYN'S HERE.
CAN I SAY HEY?
515
00:23:27,007 --> 00:23:30,010
♪ ALL AROUND TOWN, CAN'T TAME US
BUT CAN YOU BLAME US? ♪
516
00:23:30,110 --> 00:23:32,012
HEY.
517
00:23:32,112 --> 00:23:34,348
JASMYN: HEY.
DILLON: OH, HEY.
518
00:23:34,448 --> 00:23:36,683
[GRACE CHUCKLES]
CARTER: HEY.
519
00:23:36,783 --> 00:23:39,386
-HEY.
-THIRD TIME IN ONE DAY.
520
00:23:39,486 --> 00:23:41,722
AT THIS POINT,
WE MIGHT AS WELL
SYNC CALENDARS.
521
00:23:41,822 --> 00:23:44,725
HEH! ACTUALLY, THIS STOP
WAS KINDA IMPROMPTU.
522
00:23:44,825 --> 00:23:46,860
JAS BAILED ON
THE POOL PARTY,
SO I FIGURED
523
00:23:46,960 --> 00:23:49,263
I'D TAKE YOU UP
ON YOUR ADVICE
524
00:23:49,363 --> 00:23:51,532
AND DO THE WHOLE
QUALITY-TIME THING.
525
00:23:51,632 --> 00:23:53,333
-HOW'S IT GOIN'?
-IT'S OK,
526
00:23:53,433 --> 00:23:55,536
YOU DON'T COUNT
HER GRUMPINESS
AND THE FACT THAT SHE
527
00:23:55,636 --> 00:23:57,538
DIDN'T WANT
TO EAT ANYTHING.
528
00:23:57,638 --> 00:24:00,641
APPARENTLY SHE HAS
A STOMACHACHE...AGAIN.
529
00:24:00,741 --> 00:24:02,910
IT'S KINDA BEEN
AN ISSUE ALL WEEK.
530
00:24:03,010 --> 00:24:04,978
DAD, SERIOUSLY?
531
00:24:05,078 --> 00:24:06,947
WHAT? WHAT'D I SAY?
532
00:24:07,047 --> 00:24:09,316
EXCUSE ME.
[SCOFFS]
533
00:24:09,416 --> 00:24:11,652
CARTER: JAS.
[JASMYN SCOFFS]
534
00:24:11,752 --> 00:24:13,687
DILLON: UM,
WHAT JUST HAPPENED?
535
00:24:13,787 --> 00:24:15,856
BABY, CAN YOU GO
CHECK ON MY TEA?
536
00:24:15,956 --> 00:24:17,724
SINGER: ♪ I'M DOWN HERE
SMILIN' IN THE BOOTH ♪
537
00:24:17,824 --> 00:24:19,960
♪ REMINISCIN' 'BOUT
LATE-NIGHT DEDICATION ♪
538
00:24:20,527 --> 00:24:22,229
SEE WHAT I MEAN?
539
00:24:22,329 --> 00:24:24,798
HAVE YOU HAD THE TALK
WITH HER YET...
540
00:24:24,898 --> 00:24:26,633
ABOUT MENSTRUAL CYCLES?
541
00:24:26,700 --> 00:24:28,468
I'M ALMOST POSITIVE
YOUR DAUGHTER STARTED
542
00:24:28,569 --> 00:24:30,771
HER PERIOD THIS WEEK,
AND SHE'S PROBABLY
543
00:24:30,871 --> 00:24:33,473
TOO EMBARRASSED TO TALK
TO YOU ABOUT IT.
544
00:24:33,574 --> 00:24:36,810
[SIGHS]
THE POOL PARTY,
545
00:24:36,910 --> 00:24:39,279
THE MOOD SWINGS,
THE STOMACHACHES.
546
00:24:39,379 --> 00:24:41,348
OH, MY GOD.
HOW DID I MISS IT?
547
00:24:41,448 --> 00:24:43,350
UH, BECAUSE
YOU'RE HUMAN,
548
00:24:43,450 --> 00:24:45,252
AND YOU'RE A MAN.
549
00:24:45,352 --> 00:24:47,487
-YOU--
-I COULD GO TALK TO HER.
550
00:24:47,588 --> 00:24:49,189
NO, NO, NO, NO.
I--I GOT IT.
551
00:24:49,289 --> 00:24:50,691
I'M--I'M
ACTUALLY PREPARED.
552
00:24:50,791 --> 00:24:53,227
I--I GOT POWERPOINT,
I GOT FLASH CARDS.
553
00:24:53,327 --> 00:24:55,062
I'M--I'M READY.
554
00:24:55,162 --> 00:24:56,330
-OK.
-YOU THINK
555
00:24:56,430 --> 00:24:58,365
JANELLE MONAE'S
"PYNK" IS TOO MUCH?
556
00:24:58,465 --> 00:25:00,167
UH...
557
00:25:00,267 --> 00:25:03,504
MAYBE JUST START WITH
THE TALK, YOU KNOW?
558
00:25:03,604 --> 00:25:06,473
SEE HOW THAT GOES.
559
00:25:08,075 --> 00:25:11,178
SPENCER: I DON'T KNOW, MAN.
MAYBE COACH BARNUM'S RIGHT.
560
00:25:11,278 --> 00:25:13,981
I'M RUNNIN' OUTTA TIME
AND OPTIONS.
561
00:25:14,081 --> 00:25:17,885
I MEAN, THE GOAL WAS
TO GET IN THE DOOR,
RIGHT, WHATEVER IT TAKES?
562
00:25:17,985 --> 00:25:21,722
YEAH, JUST MAKE SURE
YOU CAN LOOK YOURSELF IN
THE MIRROR EACH MORNING.
563
00:25:21,822 --> 00:25:24,424
ALL I KNOW IS THERE'S
A LOT OF POTENTIAL MONEY
564
00:25:24,525 --> 00:25:26,727
ON THE LINE WITH
THIS NEW NCAA RULE.
565
00:25:26,827 --> 00:25:28,629
I DON'T FULLY UNDERSTAND
IT ALL YET, BUT
566
00:25:28,729 --> 00:25:31,231
ANY CHANCE TO PROVIDE
FOR MOMS IS A CHANCE
I GOTTA TAKE.
567
00:25:31,331 --> 00:25:33,934
[BILLY SIGHS]
[KNOCK ON DOOR]
568
00:25:34,034 --> 00:25:36,036
[DROPS PAMPHLET]
569
00:25:36,136 --> 00:25:38,205
[SIGHS]
570
00:25:38,305 --> 00:25:40,407
[DOOR OPENS]
571
00:25:40,507 --> 00:25:42,409
HEY. WHAT'S UP, MAN?
JORDAN: HEY, UH,
572
00:25:42,509 --> 00:25:44,545
SORRY FOR JUST
SHOWIN' UP.
573
00:25:44,645 --> 00:25:46,480
HEY, DAD.
BILLY: HEY.
574
00:25:46,580 --> 00:25:48,015
GLAD TO SEE YOU MADE IT
UP OFF THE COUCH.
575
00:25:48,115 --> 00:25:49,850
[DOOR CLOSES]
JORDAN: YEAH, UM, AM I
576
00:25:49,950 --> 00:25:51,685
INTERRUPTING SOMETHING OR--
BILLY: NO, NO, NO.
577
00:25:51,785 --> 00:25:53,520
Y'ALL, UH, Y'ALL
KICK IT. I'LL, UH,
578
00:25:53,620 --> 00:25:55,522
I CAN TALK TO YOU LATER.
SPENCER: ALL RIGHT.
579
00:25:55,622 --> 00:25:58,825
BILLY: ALL RIGHT, YOUNG MAN.
JORDAN: OK.
580
00:26:01,528 --> 00:26:04,064
OK, SERIOUSLY, WHAT--
WHAT DID I JUST INTERRUPT?
581
00:26:04,164 --> 00:26:06,099
NAW.
NO, MAN, YOU GOOD.
582
00:26:06,200 --> 00:26:08,802
[SIGHS]
SO WHAT'S UP?
583
00:26:08,902 --> 00:26:11,705
HOW YOU BEEN?
JORDAN: NOT GREAT.
584
00:26:13,440 --> 00:26:15,475
TNT.
THEY ARE SOME BEASTS.
585
00:26:15,576 --> 00:26:18,111
-YEAH.
-I DIDN'T THINK YOU WERE
CONSIDERING TEXAS SCHOOLS.
586
00:26:18,212 --> 00:26:20,113
I WASN'T, TILL ONE
OF THEIR RECRUITERS
587
00:26:20,214 --> 00:26:22,349
CAME TO TOWN, SORTA
MADE ME AN OFFER.
588
00:26:22,449 --> 00:26:23,550
JORDAN: WHAT?
SPENCER: HEH! YEAH.
589
00:26:23,650 --> 00:26:24,852
DUDE, THAT'S--
THAT'S AWESOME!
590
00:26:24,952 --> 00:26:27,087
WAIT. WHY--WHY
DIDN'T YOU TELL ME?
591
00:26:27,187 --> 00:26:29,256
I DON'T KNOW, MAN.
I DIDN'T WANT TO
THROW IT IN YOUR FACE
592
00:26:29,356 --> 00:26:33,160
WITH EVERYTHING
YOU GOT GOIN' ON,
NOT BEIN' ABLE TO PLAY.
593
00:26:33,260 --> 00:26:36,363
LISTEN, SPENCE,
I DON'T NEED EVERYONE
TIPTOEING AROUND ME.
594
00:26:36,463 --> 00:26:38,465
WE DON'T KNOW WHAT
YOU NEED, J.
595
00:26:38,565 --> 00:26:41,468
YOU'RE NOT TALKIN'
TO NOBODY.
596
00:26:44,171 --> 00:26:47,274
[EXHALES SHARPLY]
HOW DID YOU DO IT,
SPENCE?
597
00:26:47,374 --> 00:26:50,077
WHENEVER YOU
THOUGHT YOU...
598
00:26:50,177 --> 00:26:53,714
WOULD NEVER PLAY AGAIN,
HOW--HOW DID YOU DEAL?
599
00:26:53,814 --> 00:26:56,016
I MEAN, ONE MINUTE,
I'M--I'M RIDIN' HIGH
600
00:26:56,116 --> 00:26:59,553
IN THE MIDDLE OF
MY HOMECOMING GAME,
AND THE NEXT...
601
00:26:59,653 --> 00:27:03,023
EVERYTHING JUST WENT
TO HELL SO FAST.
602
00:27:03,123 --> 00:27:05,158
YOU TAKE IT DAY BY DAY.
603
00:27:05,259 --> 00:27:08,695
YOU FEEL WHAT YOU FEEL
AND THEN YOU
KEEP IT MOVIN'.
604
00:27:08,795 --> 00:27:11,698
YOU CAN'T FOCUS ON
THE UNCERTAINTY, MAN.
605
00:27:11,798 --> 00:27:14,701
YOU GOT TO GET UP
AND REMIND YOURSELF
606
00:27:14,801 --> 00:27:17,237
THAT YOUR LIFE AIN'T
OVER, YOU FEEL ME?
607
00:27:17,337 --> 00:27:20,240
[SCOFFS, SIGHS]
608
00:27:20,340 --> 00:27:23,243
UM...
[DROPS PAMPHLET]
609
00:27:23,343 --> 00:27:25,546
LOOK, MAN,
I'M--I'M SORRY
610
00:27:25,646 --> 00:27:29,383
THAT I MADE YOU FEEL
LIKE YOU COULDN'T SHARE
YOUR DOPE NEWS WITH ME.
611
00:27:29,483 --> 00:27:32,553
YOU KNOW, WHATEVER HAPPENS
WITH ME AND FOOTBALL,
612
00:27:32,653 --> 00:27:35,155
I'M ALWAYS GONNA
CELEBRATE MY BOY'S WINS.
613
00:27:35,255 --> 00:27:37,224
I KNOW.
614
00:27:37,324 --> 00:27:39,393
[SLAP HANDS, SNAP FINGERS]
615
00:27:39,493 --> 00:27:41,728
[SNIFFS, EXHALES]
616
00:27:41,828 --> 00:27:44,531
DAMN.
I JUST REALIZED.
617
00:27:44,631 --> 00:27:47,234
I OWE SOMEBODY ELSE
AN APOLOGY AND
A CELEBRATION.
618
00:27:47,334 --> 00:27:49,536
[RUBS PALMS TOGETHER]
619
00:27:55,843 --> 00:27:57,711
HEY.
620
00:27:57,811 --> 00:27:59,479
-YOU STALKING ME?
-WELL, IT'S NOT HARD.
621
00:27:59,580 --> 00:28:03,050
YOU'RE LITERALLY
ALWAYS EITHER HERE OR IN
THE STUDIO THESE DAYS.
622
00:28:03,150 --> 00:28:06,687
UM, I'M SORRY
FOR LEAVING YOU WITHOUT
A STUDY PARTNER TODAY.
623
00:28:06,787 --> 00:28:09,122
I JUST HAD
TO CLEAR MY HEAD,
624
00:28:09,223 --> 00:28:11,024
BUT CLEARLY,
YOU FOUND A STRATEGY
625
00:28:11,124 --> 00:28:12,926
THAT WORKS BETTER THAN ME.
COOP: UH, NO.
626
00:28:13,026 --> 00:28:15,195
ACTUALLY, THE NOTECARDS
WERE PREACH'S IDEA.
627
00:28:15,295 --> 00:28:18,632
HUH. OK.
WHO'D HAVE THOUGHT?
628
00:28:18,732 --> 00:28:21,368
...SAY THE DREAM STARTS NOW,
THAT MEANS MY PATH TO...
629
00:28:21,468 --> 00:28:24,037
IS THAT ALSO
PREACH'S IDEA?
630
00:28:24,137 --> 00:28:28,041
NO. THIS IS JUST
SOMETHIN' SPENCER
NEEDS RIGHT NOW.
631
00:28:28,141 --> 00:28:29,843
WAIT.
I'M--I'M SO CONFUSED.
632
00:28:29,943 --> 00:28:32,846
I THOUGHT WE WERE STILL,
LIKE, A SPENCER-FREE ZONE.
633
00:28:32,946 --> 00:28:35,015
WE ARE. THAT FRIENDSHIP
IS IN THE PAST,
634
00:28:35,115 --> 00:28:38,285
BUT THAT DON'T MEAN
ALL THE CARIN' JUST
MAGICALLY VANISHED.
635
00:28:38,385 --> 00:28:40,320
YEAH,
TELL ME ABOUT IT.
636
00:28:40,420 --> 00:28:43,357
I REALIZED TODAY
AT TAMIKA'S VIGIL
THAT I DON'T WANT
637
00:28:43,457 --> 00:28:46,460
THE LAST THING THAT'S
SHARED BETWEEN ME AND
SPENCER TO BE ANGER.
638
00:28:46,560 --> 00:28:49,463
ME DOIN' HIM
THIS SOLID JUST...
639
00:28:49,563 --> 00:28:52,432
ALLOWS OUR FRIENDSHIP
TO REST IN PEACE.
640
00:28:57,037 --> 00:28:58,739
[JABARI SIGHS]
641
00:28:58,839 --> 00:29:00,741
SO NOBODY ELSE IS
PISSED OFF
642
00:29:00,841 --> 00:29:03,076
THAT COACH CALLS US
IN FOR AN IMPROMPTU
PRACTICE?
643
00:29:03,177 --> 00:29:05,846
I'M STILL TRYIN'
TO FIGURE OUT WHY WE
NOT ON THE FIELD.
644
00:29:07,648 --> 00:29:10,551
BILLY:
HERE THEY ARE.
645
00:29:12,152 --> 00:29:15,455
-HEY, WHAT'S GOIN' ON, COACH?
-GO AHEAD, NOW. HAVE A SEAT.
646
00:29:15,556 --> 00:29:17,758
[DOOR CLOSES]
647
00:29:19,626 --> 00:29:23,163
WELCOME TO FINANCIAL
LITERACY 101.
648
00:29:23,263 --> 00:29:25,232
JABARI: WHAT?
BILLY: LISTEN UP.
649
00:29:25,332 --> 00:29:27,768
NOW, THE DIFFERENCE BETWEEN
THE HAVES AND THE HAVE NOTS
650
00:29:27,868 --> 00:29:31,772
IN THIS WORLD USUALLY COMES DOWN
TO FINANCIAL LITERACY.
651
00:29:31,872 --> 00:29:34,741
WELL, THE SAME HOLDS TRUE
IN THE WORLD OF FOOTBALL.
652
00:29:34,842 --> 00:29:37,711
UH, IT USED TO BE THAT PLAYERS
DIDN'T THINK THEY NEEDED
653
00:29:37,811 --> 00:29:40,714
TO KNOW THIS STUFF
UNTIL IT WAS TIME FOR THE PROS.
654
00:29:40,814 --> 00:29:43,917
BUT NOW THE GAME'S CHANGED
WITH COLLEGE ATHLETES,
655
00:29:44,017 --> 00:29:47,120
AND I WANT TO MAKE SURE
THAT YOU GUYS ARE PROTECTED;
656
00:29:47,221 --> 00:29:48,922
PROTECTED AND PREPARED.
657
00:29:49,022 --> 00:29:51,258
THE LAST THING I WANT IS
FOR YOU GUYS TO MAKE MISTAKES
658
00:29:51,358 --> 00:29:54,161
BECAUSE YOU DON'T HAVE
ENOUGH MONEY OR, EVEN WORSE,
659
00:29:54,261 --> 00:29:56,029
YOU DON'T UNDERSTAND MONEY.
660
00:29:56,129 --> 00:29:58,565
THERE ARE PEOPLE OUT THERE
THAT CAN SMELL THAT,
661
00:29:58,665 --> 00:30:00,934
AND THEY WILL TAKE
ADVANTAGE OF YOU.
662
00:30:01,034 --> 00:30:04,137
AND I'LL BE DAMNED
IF I, UH, HAVE ANYBODY
TREATIN' YOU LIKE THAT,
663
00:30:04,238 --> 00:30:05,973
SO KNOWLEDGE IS POWER.
664
00:30:06,073 --> 00:30:08,942
I'M GONNA GIVE YOU
THAT KNOWLEDGE HERE,
EVERY SATURDAY,
665
00:30:09,042 --> 00:30:11,945
FOR THE NEXT 6 WEEKS.
PASS THESE OUT.
666
00:30:13,814 --> 00:30:15,816
[GRACE AND DILLON CHUCKLE]
667
00:30:15,916 --> 00:30:17,284
BOOM, BOOM!
668
00:30:17,384 --> 00:30:18,719
OH, YOU ARE SAVAGE.
669
00:30:18,819 --> 00:30:20,187
HOW YOU GONNA JUST
JUMP ME LIKE THAT?
670
00:30:20,287 --> 00:30:22,289
THAT'S THE WHOLE POINT
OF THE GAME, BABY.
671
00:30:22,389 --> 00:30:24,625
GET YOUR CHECKERS CROWNED
SO YOU CAN MAKE
SOME MOVES, TOO.
672
00:30:24,725 --> 00:30:26,460
[CHUCKLING]
DILLON: OK. ALL RIGHT.
673
00:30:26,560 --> 00:30:28,662
GRACE: HA HA HA HA!
[KNOCK ON DOOR]
674
00:30:29,863 --> 00:30:31,765
GRACE: AND DON'T
FORGET, I HAVE EYES
675
00:30:31,865 --> 00:30:34,835
IN THE BACK OF MY HEAD,
SO DON'T TRY ANYTHING.
676
00:30:37,738 --> 00:30:39,640
PRINCIPAL CARTER.
677
00:30:39,740 --> 00:30:42,009
A GIFT FOR TODAY.
678
00:30:42,109 --> 00:30:45,112
CARTER: I, UM--
WELL, YOU WERE RIGHT.
679
00:30:45,212 --> 00:30:47,414
GRACE: I'M ALWAYS RIGHT.
[BOTH CHUCKLE]
680
00:30:47,514 --> 00:30:50,317
UH, THAT IS VERY SWEET,
BUT VERY UNNECESSARY.
681
00:30:50,417 --> 00:30:53,320
I HAVE A DAUGHTER
WHO'S ON VIDEO CHAT
WITH HER FRIENDS
682
00:30:53,420 --> 00:30:57,191
RIGHT NOW, TALKIN'
ABOUT HOW DOPE HER DAD IS,
683
00:30:57,291 --> 00:30:59,960
SO THEY ARE
VERY NECESSARY.
684
00:31:00,060 --> 00:31:03,764
UH, WELL, THANK YOU.
685
00:31:03,864 --> 00:31:06,266
YEAH, WELL,
LOOK AT US.
686
00:31:06,366 --> 00:31:09,403
YOU DO REALIZE WE'RE
GOIN' ON ALMOST 24 HOURS
WITHOUT FIGHTING?
687
00:31:09,503 --> 00:31:11,605
OH, THERE'S STILL TIME.
[CHUCKLES]
688
00:31:11,705 --> 00:31:15,008
HEH! YEAH. I GUESS YOU'RE RIGHT.
GRACE: HA HA!
689
00:31:15,108 --> 00:31:17,911
SPENCER: OH, FOR REAL.
WE'RE GONNA HAVE TO GET HIM
A SECOND-GRADE MATH BOOK.
690
00:31:18,011 --> 00:31:20,214
[ALL CHUCKLE]
[PHONE VIBRATES]
691
00:31:22,216 --> 00:31:24,117
HEY, I'LL CATCH UP
WITH Y'ALL.
692
00:31:24,218 --> 00:31:27,120
JABARI: YEAH.
NHANI: ALL RIGHT.
693
00:31:35,262 --> 00:31:36,830
SO THIS IS THE DREAM.
694
00:31:36,897 --> 00:31:39,499
I'M SPENCER JAMES, AND MY DREAM
IS TO PLAY IN THE NFL,
695
00:31:39,600 --> 00:31:41,502
SO WHEN I SAY
THE DREAM STARTS NOW,
696
00:31:41,602 --> 00:31:43,637
THAT MEANS MY PATH
TO GREATNESS STARTS NOW.
697
00:31:43,737 --> 00:31:46,306
THAT MEANS PUTTING WORK BOTH
ON AND OFF THE FIELD.
698
00:31:46,406 --> 00:31:48,775
THAT MEANS MAKING VARSITY
BY NINTH GRADE.
699
00:31:48,876 --> 00:31:51,111
IT MEANS BEING A REAL PLAYER
700
00:31:51,211 --> 00:31:53,380
AND CARING FOR MY TEAMMATES
AS MUCH AS THE GAME.
701
00:31:53,480 --> 00:31:55,549
IT MEANS BEING
THE BEST I CAN BE
702
00:31:55,649 --> 00:31:58,185
IN MY HEART,
SOUL, AND MIND
703
00:31:58,285 --> 00:32:00,721
BECAUSE WHEN THAT'S NOT RIGHT,
THEN THE REST DON'T MATTER.
704
00:32:00,821 --> 00:32:02,222
GIRL:
I KNOW THAT'S RIGHT.
705
00:32:02,322 --> 00:32:03,857
SAY IT WITH YOUR
WHOLE CHEST, SPENCE.
706
00:32:03,957 --> 00:32:05,359
WE DREAMIN' BIG, BABY!
707
00:32:05,459 --> 00:32:08,529
SHH, COOP!
WE'RE RECORDING.
708
00:32:08,629 --> 00:32:10,531
I'M SPENCER JAMES,
709
00:32:10,631 --> 00:32:14,735
AND THAT'S MY DREAM,
AND THE DREAM STARTS NOW.
710
00:32:24,711 --> 00:32:27,047
[LINE RINGS]
711
00:32:31,051 --> 00:32:33,320
YOU HAVE
THE TAMIKA FOOTAGE.
712
00:32:33,420 --> 00:32:35,856
HOW CAN YOU NOT
RELEASE IT?
713
00:32:35,956 --> 00:32:37,591
-OLIVIA--
-DON'T!
714
00:32:37,691 --> 00:32:39,593
DON'T HIDE BEHIND
YOUR WHOLE
715
00:32:39,693 --> 00:32:41,662
"I CAN'T DISCUSS
ACTIVE" WHATEVER.
716
00:32:41,728 --> 00:32:45,032
SHE WASN'T
MUCH OLDER THAN ME.
SHE COULD HAVE BEEN ME.
717
00:32:45,132 --> 00:32:48,068
-I UNDERSTAND
YOU'RE UPSET, BUT--
-THERE'S NO "BUT."
718
00:32:48,168 --> 00:32:51,038
I DID FAR WORSE
THAN TAMIKA, AND I
GOT TO WALK AWAY!
719
00:32:51,138 --> 00:32:53,240
ARE YOU GOING
TO LISTEN TO ME?
720
00:32:53,340 --> 00:32:55,742
THERE IS NOT A DAY
THAT GOES BY THAT I
721
00:32:55,843 --> 00:32:58,545
DON'T GRIEVE
FOR TAMIKA
AND HER FAMILY,
722
00:32:58,645 --> 00:33:01,748
BUT HEAR ME WHEN I
SAY THIS TO YOU:
723
00:33:01,849 --> 00:33:04,184
YOUR SITUATION
WITH THE COPS
724
00:33:04,284 --> 00:33:07,521
AND TAMIKA'S WERE
VERY, VERY DIFFERENT.
725
00:33:07,621 --> 00:33:09,223
WELL, I GUESS WE'LL
NEVER KNOW BECAUSE YOU
726
00:33:09,323 --> 00:33:11,491
AND THE COPS WON'T
RELEASE THE FOOTAGE.
727
00:33:11,592 --> 00:33:13,093
BUT, HEY,
728
00:33:13,193 --> 00:33:15,229
AT LEAST YOUR DAUGHTER'S
SAFE AT HOME.
729
00:33:15,329 --> 00:33:18,532
TAMIKA'S MOTHER
CAN'T SAY THE SAME.
730
00:33:27,441 --> 00:33:29,343
ROMELO:
ALL RIGHT, SON.
731
00:33:29,443 --> 00:33:32,880
YOU READY TO BE
IN BUSINESS WITH TNT?
732
00:33:34,147 --> 00:33:35,916
WITH ALL DUE
RESPECT, SIR...
733
00:33:36,016 --> 00:33:39,753
THE QUESTION IS, IS TNT
READY TO BE IN BUSINESS
WITH SPENCER JAMES?
734
00:33:39,853 --> 00:33:44,291
LOOK, IF Y'ALL WANT ME,
YOU GOTTA TAKE ME
THE WAY I AM.
735
00:33:44,391 --> 00:33:48,996
I'M NOT
A GANGBANGER, AND I'M NOT
A SOCIAL JUSTICE WARRIOR.
736
00:33:49,096 --> 00:33:51,932
I'M JUST ME, AND THE KID
WHO WORKED HIS WAY
737
00:33:52,032 --> 00:33:54,268
BACK TO PEAK PERFORMANCE
AFTER GETTING SHOT,
738
00:33:54,368 --> 00:33:57,104
THE KID WHO TOOK
A BULLET FOR HIS FRIEND,
739
00:33:57,204 --> 00:33:59,106
THE SAME KID WHO CONVINCED
THE SCHOOL BOARD
740
00:33:59,206 --> 00:34:02,109
TO GIVE SOUTH CRENSHAW
ANOTHER CHANCE.
741
00:34:02,209 --> 00:34:04,545
THAT'S THE KID TNT
SHOULD WANT ON THEIR FIELD
742
00:34:04,645 --> 00:34:08,382
IN THE FOURTH QUARTER
WITH THEIR BACKS UP
AGAINST THE WALL.
743
00:34:08,482 --> 00:34:10,684
[ROMELO SIGHS]
744
00:34:10,784 --> 00:34:13,520
I GOT TO TALK IT OVER
WITH THE BOSSES AT TNT.
745
00:34:13,620 --> 00:34:16,156
MAYBE THE OFFER WILL
COME, MAYBE IT WON'T.
746
00:34:16,256 --> 00:34:19,393
BILLY: AND WE'RE OK WITH THAT.
ROMELO: BUT...
747
00:34:23,864 --> 00:34:27,267
I RESPECT THE HELL
OUTTA THE STAND
YOU JUST TOOK, SON.
748
00:34:31,104 --> 00:34:34,641
[PATS SPENCER'S BACK TWICE]
749
00:34:34,741 --> 00:34:38,745
NAVEAH: MY COUSIN TAMIKA
IS SO MUCH MORE THAN
JUST A HASHTAG.
750
00:34:38,846 --> 00:34:41,148
TAMIKA, TODAY
WE GIVE YOU FLOWERS
751
00:34:41,248 --> 00:34:43,650
BECAUSE THE COPS
WHO MURDERED YOU
752
00:34:43,750 --> 00:34:46,653
ROBBED US OF THE OPPORTUNITY
TO DO SO IN PERSON.
753
00:34:46,753 --> 00:34:50,557
COOP: A WORLD THAT LOVED HER
AS BEAUTIFUL AND AS BLACK
AS SHE WAS,
754
00:34:50,657 --> 00:34:52,759
NOT A POLICE SYSTEM
THAT JUDGED AND FAILED HER.
755
00:34:52,860 --> 00:34:55,762
THE ACKNOWLEDGEMENT
OF THE BRILLIANCE THAT WAS HER--
756
00:34:55,863 --> 00:34:57,431
THAT'S WHAT
TAMIKA DESERVED.
757
00:34:57,531 --> 00:35:02,269
MY COUSIN TAMIKA IS SO MUCH
MORE THAN JUST A HASHTAG.
758
00:35:03,804 --> 00:35:06,139
[KNOCK ON DOOR]
759
00:35:06,240 --> 00:35:09,009
-HEY.
-LAYLA. HI.
760
00:35:09,109 --> 00:35:10,511
SORRY. I DIDN'T WANT
TO INTERRUPT ANYTHING.
761
00:35:10,611 --> 00:35:12,246
I JUST WANTED
TO DROP SOMETHING OFF.
762
00:35:12,346 --> 00:35:15,582
UM, I'M--NOW'S NOT
REALLY A GOOD TIME.
763
00:35:15,682 --> 00:35:17,584
I KIND OF HAVE A LOT
GOING ON AND I JUST--
I HAVE TO FINISH
764
00:35:17,684 --> 00:35:19,953
EDITING THIS REEL
ON THE FLOWERS
FOR TAMIKA EVENT.
765
00:35:20,053 --> 00:35:21,955
I'LL BE QUICK.
766
00:35:22,055 --> 00:35:25,225
JUST...
767
00:35:25,325 --> 00:35:28,729
UM, YOU GAVE THAT BACK
TO ME WHEN...
768
00:35:28,829 --> 00:35:31,098
YOU WERE AT YOUR LOWEST
AND REALLY NEEDED HELP,
769
00:35:31,198 --> 00:35:35,636
AND I TOTALLY MISSED
WHAT YOU WERE TRYING
TO TELL ME AND...
770
00:35:35,736 --> 00:35:38,639
NO AMOUNT OF SORRY
IS EVER GONNA
MAKE UP FOR THAT,
771
00:35:38,739 --> 00:35:43,343
BUT I STAND BY WHAT I
SAID THE DAY I
GAVE IT TO YOU.
772
00:35:43,443 --> 00:35:45,812
YOUR COURAGE
INSPIRES ME,
773
00:35:45,913 --> 00:35:49,516
AND YOUR COURAGE
HELPED ME FIGHT
FOR MY OWN RECOVERY,
774
00:35:49,616 --> 00:35:52,853
AND THAT'S HOW I KNOW
YOU'RE GONNA KEEP
FIGHTING FOR YOURS.
775
00:35:54,888 --> 00:35:57,457
A GOOD FRIEND
TOLD ME THAT...
776
00:35:57,558 --> 00:35:59,960
GUILT DOES NOTHING
BUT WEIGH YOU DOWN,
777
00:36:00,060 --> 00:36:02,696
THAT YOU GOTTA FIND
SOMETHING POSITIVE
TO DO WITH IT
778
00:36:02,796 --> 00:36:06,300
OR JUST...LET IT GO.
779
00:36:06,400 --> 00:36:09,036
TREY SONGZ: ♪ HOW MANY
MOTHERS HAVE TO CRY? ♪
780
00:36:09,136 --> 00:36:10,571
OLIVIA: LABELS.
781
00:36:10,671 --> 00:36:12,940
SONGZ:
♪ HOW MANY BROTHERS GOTTA DIE? ♪
782
00:36:13,040 --> 00:36:14,942
OLIVIA:
YOU KNOW WHY I HATE THEM?
783
00:36:15,042 --> 00:36:16,944
BECAUSE, AS A SOCIETY,
WE USE THEM
784
00:36:17,044 --> 00:36:19,980
ON EACH OTHER
WAY TOO MUCH.
785
00:36:20,080 --> 00:36:24,685
I MEAN, I'VE LIVED
MY WHOLE LIFE AS A LABEL.
786
00:36:24,785 --> 00:36:27,487
YOU KNOW,
FIRST IT WAS THE TWIN.
787
00:36:27,588 --> 00:36:29,690
SONGZ: ♪ HOW MANY MORE LIVES? ♪
OLIVIA: AND THEN
788
00:36:29,790 --> 00:36:32,125
THE ADDICT.
SONGZ: ♪ HOW MANY MORE TIMES? ♪
789
00:36:32,226 --> 00:36:34,494
OLIVIA: AND THEN THERE'S
MY LATEST LABEL--
790
00:36:34,595 --> 00:36:36,496
THE D.A.'s DAUGHTER.
SINGER: ♪ TAKE A LOOK AROUND ♪
791
00:36:36,597 --> 00:36:38,465
OLIVIA: WHERE IS IT?
SONGZ: ♪ CAN YOU SEE IT NOW? ♪
792
00:36:38,565 --> 00:36:40,234
OLIVIA: BUT HERE'S
THE THING ABOUT LABELS.
793
00:36:40,334 --> 00:36:41,935
SONGZ: ♪ 'CAUSE WHEN
THEY KILLIN' MINE ♪
794
00:36:42,035 --> 00:36:43,937
OLIVIA: YES,
THEY LEND THEMSELVES
795
00:36:44,037 --> 00:36:46,740
TO FUN, CUTE HASHTAGS,
796
00:36:46,840 --> 00:36:50,944
BUT LABELS RARELY GIVE YOU
THE WHOLE PICTURE
ABOUT A PERSON,
797
00:36:51,044 --> 00:36:53,747
AND THE WHOLE PICTURE
MAKES A DIFFERENCE.
798
00:36:53,847 --> 00:36:58,552
MAN, CAN'T BELIEVE
THAT LITTLE PUNK CARTER
ENDED UP BACK HERE.
799
00:36:58,652 --> 00:37:00,053
HE AIN'T
SO LITTLE ANYMORE.
800
00:37:00,153 --> 00:37:01,922
AND NOW YOU GOTTA
REPORT TO HIM?
801
00:37:02,022 --> 00:37:03,423
[SCOFFS]
YEAH.
802
00:37:03,524 --> 00:37:05,058
AFTER THAT ASS-WHUPPIN'
YOU GAVE HIM
803
00:37:05,158 --> 00:37:06,760
BEFORE HOMECOMING
IN NINTH GRADE?
804
00:37:06,860 --> 00:37:09,062
[CHUCKLING]
805
00:37:10,697 --> 00:37:13,333
MAN, KARMA IS
A BITCH.
806
00:37:13,400 --> 00:37:14,801
SO...
807
00:37:14,902 --> 00:37:16,970
SO THEN THAT FIGHT
REALLY HAPPENED?
808
00:37:17,070 --> 00:37:19,306
IT WASN'T REALLY
A FIGHT. HEH!
809
00:37:19,873 --> 00:37:22,142
YOU HAD HIM PINNED UP
AGAINST THE LOCKER.
810
00:37:22,242 --> 00:37:24,311
BUSTED HIS LIP
PRETTY DAMN GOOD.
811
00:37:24,411 --> 00:37:26,647
HEH! NO ONE KNEW
WHAT GOT INTO YOU.
812
00:37:26,747 --> 00:37:29,550
IT WAS LIKE
YOU JUST SNAPPED.
813
00:37:31,051 --> 00:37:33,053
HEY, HOLD UP.
814
00:37:33,153 --> 00:37:35,122
YOU REALLY DON'T
REMEMBER?
815
00:37:35,222 --> 00:37:37,124
OLIVIA:
THE WHOLE PICTURE
816
00:37:37,224 --> 00:37:40,661
IS THE ONLY WAY
TO THE TRUTH.
817
00:37:40,761 --> 00:37:43,864
OLIVIA: THE WHOLE PICTURE
IS THE ONLY WAY
818
00:37:43,964 --> 00:37:45,666
TO REAL ACCOUNTABILITY.
819
00:37:45,766 --> 00:37:48,135
JJ: WHAT'S UP WITH
THE URGENT SUMMONS?
820
00:37:48,235 --> 00:37:49,570
HAD TO MAKE SURE
Y'ALL WOULD COME.
821
00:37:49,670 --> 00:37:53,340
ASH: WELL, WE DID.
WHAT'S SO IMPORTANT?
822
00:37:53,440 --> 00:37:55,342
-AN APOLOGY.
-IT'S ALL GOOD, MAN.
823
00:37:55,442 --> 00:37:58,345
NO, IT'S NOT, ALL RIGHT?
YOU'RE QB1--
824
00:37:58,445 --> 00:38:01,515
HEH!--WHICH IS
FRICKIN' HUGE,
825
00:38:01,615 --> 00:38:04,318
AND I SHOULD HAVE
CELEBRATED THAT, SO...
826
00:38:04,418 --> 00:38:08,055
CONGRATULATIONS, MAN.
WE'RE GONNA MAKE IT
TO STATE WITH YOU.
827
00:38:08,155 --> 00:38:09,957
WITH BOTH OF YOU,
828
00:38:10,057 --> 00:38:12,059
AND, UM,
829
00:38:12,159 --> 00:38:14,561
YOU KNOW, I'MMA DO
MY PART, TOO,
830
00:38:14,661 --> 00:38:17,998
FROM, UH, FROM--
FROM THE SIDELINE,
831
00:38:18,098 --> 00:38:21,034
SO...
ASH: HEY...
832
00:38:21,134 --> 00:38:23,003
WHAT ARE WE
WAITING FOR?
833
00:38:23,103 --> 00:38:25,005
SONGZ: ♪ WHERE YOUR RAGE
WHILE MY PEOPLE DIE? ♪
834
00:38:25,105 --> 00:38:28,208
♪ WE AIN'T SLAVES,
LET MY PEOPLE FLY ♪
835
00:38:28,308 --> 00:38:30,544
♪ NOW IT'S TIME,
WATCH MY PEOPLE RISE ♪
836
00:38:30,644 --> 00:38:32,913
♪ HOW MANY MOTHERS
HAVE TO CRY? ♪
837
00:38:33,013 --> 00:38:34,815
KEEP THAT SPIRAL TIGHT.
838
00:38:34,915 --> 00:38:37,150
SONGZ: ♪ HOW MANY BROTHERS
GOTTA DIE? ♪
839
00:38:37,251 --> 00:38:40,153
♪ HOW MANY MORE TIMES? ♪
BACKGROUND SINGERS: ♪ OOH, HOW ♪
840
00:38:40,254 --> 00:38:42,856
JJ: HA HA HA!
SONGZ: ♪ HOW MANY MORE TIMES? ♪
JORDAN: ATTA BOY. DO IT.
841
00:38:42,956 --> 00:38:45,459
OLIVIA: THE WHOLE PICTURE...
SONGZ: ♪ HOW MANY MORE TIMES? ♪
842
00:38:45,559 --> 00:38:47,628
OLIVIA: IS THE ONLY WAY
TO REALLY START THE HEALING.
843
00:38:47,728 --> 00:38:50,631
-♪ HOW MANY MORE TIMES? ♪
-♪ OOH, HOW? ♪
844
00:38:50,731 --> 00:38:53,800
-♪ HOW MANY MORE LIVES? ♪
-♪ OOH, HOW? ♪
845
00:38:53,901 --> 00:38:56,637
- ♪ HOW MANY MORE TIMES? ♪
-♪ HOW MANY TIMES? ♪
846
00:38:56,737 --> 00:38:59,039
-♪ HOW MANY MOTHERS
HAVE TO CRY? ♪
847
00:38:59,139 --> 00:39:02,609
♪ TELL ME, HOW MANY
BROTHERS GOTTA DIE? ♪
848
00:39:02,709 --> 00:39:05,212
♪ TELL ME, HOW MANY
MORE TIMES? ♪
849
00:39:05,312 --> 00:39:06,947
-♪ OOH, HOW? ♪
-♪ OH, LORD ♪
850
00:39:07,047 --> 00:39:09,216
-♪ HOW MANY MORE TIMES? ♪
-♪ HOW MANY TIMES? ♪
851
00:39:09,750 --> 00:39:12,653
OLIVIA:
SO FORGET #TamikaPratt.
852
00:39:12,753 --> 00:39:15,189
FORGET #IAmTamika.
853
00:39:15,289 --> 00:39:17,691
FORGET THE LABELS.
854
00:39:17,791 --> 00:39:20,194
WE NEED
THE WHOLE PICTURE...
855
00:39:20,294 --> 00:39:22,729
-♪ HOW MANY MORE TIMES? ♪
-♪ HOW MANY ♪
856
00:39:22,829 --> 00:39:25,832
-SO HERE IT IS.
-♪ ...TIMES? ♪
857
00:39:25,933 --> 00:39:27,334
[POLICE RADIO, INDISTINCT]
858
00:39:27,401 --> 00:39:29,036
MAN:
WAKE UP, MA'AM.
859
00:39:29,136 --> 00:39:30,604
I SAID WAKE UP!
860
00:39:30,704 --> 00:39:32,306
TAMIKA: WHAT?
MAN: I NEED YOU
861
00:39:32,406 --> 00:39:34,374
TO GET OUT OF THE CAR.
TAMIKA: I JUST WANT TO--
862
00:39:34,474 --> 00:39:35,909
I'M JUST TRYING TO SL--
MAN: COME ON.
863
00:39:36,009 --> 00:39:37,344
I'M NOT GONNA ASK AGAIN!
LET'S GO!
864
00:39:37,444 --> 00:39:38,912
-I JUST WANT TO CALL MY COUSIN.
-COME ON!
865
00:39:39,012 --> 00:39:40,914
[BOTH GRUNTING]
TAMIKA: WHY CAN'T I GO HOME?
866
00:39:41,014 --> 00:39:43,617
MAN: STOP FIGHTING US!
YOU'RE ONLY HURTING YOURSELF!
867
00:39:43,717 --> 00:39:45,319
TAMIKA: I JUST WANT TO SLEEP!
I'M TIRED!
868
00:39:45,419 --> 00:39:47,321
-[GRUNTS]
-NAVEAH WILL GET ME!
869
00:39:47,421 --> 00:39:49,323
PLEASE! LET ME CALL HER!
MAN: YOU HEARD ME!
870
00:39:49,423 --> 00:39:51,124
-AAH!
-WILL Y'ALL LEARN, HUH?
871
00:39:51,225 --> 00:39:53,327
TAMIKA: SLEEPING ON THE SIDE
OF THE ROAD IS NOT A CRIME!
872
00:39:53,427 --> 00:39:55,329
-STOP RESISTING!
-I JUST WANT TO SLEEP!
873
00:39:55,429 --> 00:39:57,331
GET OFF OF ME!
[MAN GRUNTS]
874
00:39:57,431 --> 00:39:59,533
TAMIKA: GET OFF OF ME!
[TWO GUNSHOTS]
875
00:39:59,633 --> 00:40:01,335
[CLICK]
876
00:40:03,637 --> 00:40:07,007
TAMIKA WAS A 21-YEAR-OLD GIRL
FROM SOUTH L.A.,
877
00:40:07,107 --> 00:40:09,510
ONLY CHILD OF...
878
00:40:09,610 --> 00:40:12,813
ROSANNA AND LASHAWN PRATT.
879
00:40:17,017 --> 00:40:19,620
SHE WAS A COUSIN...
880
00:40:19,720 --> 00:40:22,122
A GODMOTHER...
881
00:40:22,222 --> 00:40:25,125
A FRIEND.
882
00:40:25,225 --> 00:40:27,628
SHE DREAMT OF BEING
AN ENGINEER
883
00:40:27,728 --> 00:40:30,631
AND WAS HEADED BACK
TO SPELMAN THIS FALL...
884
00:40:32,132 --> 00:40:34,735
BUT SHE NEVER
MADE IT THERE
885
00:40:34,835 --> 00:40:36,537
BECAUSE THE COPS,
886
00:40:36,637 --> 00:40:39,406
WHO ARE MEANT
TO SERVE AND PROTECT,
887
00:40:39,506 --> 00:40:41,775
SAW HER AS A "Y'ALL,"
888
00:40:41,875 --> 00:40:44,978
AS LESS THAN.
889
00:40:45,078 --> 00:40:46,780
AND MY LABEL,
890
00:40:46,880 --> 00:40:49,650
AS THE WHITE D.A.'s DAUGHTER,
LIKELY SAVED MY LIFE
891
00:40:49,750 --> 00:40:52,352
IN A SIMILAR RUN-IN.
[SNIFFLES]
892
00:40:52,452 --> 00:40:54,521
BUT HER LABEL, AS JUST
ANOTHER BLACK WOMAN
893
00:40:54,621 --> 00:40:58,225
IN AMERICA,
COST TAMIKA HERS,
894
00:40:58,325 --> 00:41:01,295
AND THAT IS UNACCEPTABLE.
895
00:41:01,395 --> 00:41:04,231
POLICING IN THIS COUNTRY
EVOLVED FROM SLAVE PATROLS.
896
00:41:04,331 --> 00:41:07,234
IT NEVER WAS
AND IT NEVER WILL BE NEUTRAL.
897
00:41:07,334 --> 00:41:10,103
[SNIFFLES]
THERE HAS TO BE
898
00:41:10,204 --> 00:41:12,606
A BETTER WAY TO SERVE
AND PROTECT.
899
00:41:12,706 --> 00:41:14,608
I MEAN, THERE HAS TO BE
A BETTER SYSTEM
900
00:41:14,708 --> 00:41:17,311
THAT ALLOWS US
TO MAKE MISTAKES
901
00:41:17,411 --> 00:41:19,813
AND STILL GET TO LIVE,
902
00:41:20,247 --> 00:41:23,016
AND IT'S TIME TO FIGHT
FOR THAT BETTER SYSTEM.
903
00:41:23,116 --> 00:41:26,019
IT IS TIME TO BURN DOWN
THE HOUSE AND REBUILD IT
904
00:41:26,119 --> 00:41:29,890
TO LOOK LIKE
THE NON-PUNITIVE PROGRAMS,
905
00:41:29,990 --> 00:41:33,427
THE COMMUNITY-BASED
VIOLENCE PREVENTION PROGRAMS,
906
00:41:33,527 --> 00:41:36,430
MENTAL HEALTH PROGRAMS,
EDUCATION.
907
00:41:36,530 --> 00:41:39,666
EDUCATION, EDUCATION, EDUCATION.
908
00:41:39,766 --> 00:41:43,670
IT'S TIME TO DEFUND
THE POLICE...
909
00:41:43,770 --> 00:41:47,975
AND IT'S TIME TO REALLY
GET JUSTICE FOR TAMIKA.
910
00:42:19,640 --> 00:42:21,742
MAN: GREG, MOVE YOUR HEAD!
69751
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