All language subtitles for the.blacklist.s08e14.720p.hdtv.x264-syncopy-eng

_

♪♪

- SKIP: You okay?
- Mm.

Haven't slept all night.

- Did you connect with Esi?
- I did.

Uh, good news and bad news.

Good news is Esi made contact
with the Fribourg Confidence.

They've agreed to extract the drive

from Reddington's safe
deposit box at Key Atlantic.

Once they get the drive,
have Esi deliver it to Cooper.

If the intel on that drive
can help prove

Reddington is N-13, Cooper should know.

And the bad news?

72 hours ago, you were an FBI agent.

Now you're on the run
from the very same people

you used to work for.

What exactly is our plan?

We see Mr. French.

I don't know who that is.

My mother spent almost 30 years
running from Neville Townsend.

The only way she survived was
through a network of resources

that Mr. French helped her build.

He was her guardian angel.

I found his contact
in her personal effects.

He says he can help.

So we're not starting flat-footed.

[CHUCKLING] No.

We're starting with one of the
men my mother trusted the most.

AUTOMATED VOICE: Please leave a message.

[BEEP]

Voicemail.

[BEEP]

♪♪

Maybe he's at the airport.

He said meet him at his apartment.

Call him when we were down here,
and he would come meet us.

So what do you wanna do?

♪♪

[GASPS]

Something's happened. Follow me.

♪♪

Two weeks ago, Phillip went
to Stockholm on business.

Said he'd be two days.

Two days passed, and he never returned.

I called. No response.

A few days later, Phillip phoned.

He said he was in Washington.

He said something had happened

and that it wasn't safe
for me in the house.

He told me there was a key taped
to the bottom of his printer.

It unlocked this apartment,

which I didn't even know he had.

The only thing Phillip would say
about his situation

was that the daughter
of a client was in trouble.

I assume you're the daughter.

Mrs. French, your husband,

what did he tell you
he does for a living?

Phillip was a recruiter
for a data-management firm,

but that was a lie, too, wasn't it?

I'm afraid so.

Do you believe he's alive?

I have no idea.

Reddington's behind this.

He's not satisfied killing my mother.

He has to make sure I have no
access to any of her resources.

O-Okay. Slow down. W-We have money.

We need more than money, Skip.
We need assets.

Mr. French was gonna introduce me

to the people my mother trusted.

This woman doesn't know anything.

Yeah, but w-we know nothing about her.

We know she's scared and can't go home.

Which is why we're not
going to abandon her.

LIZ: Here's my number.

If you hear from your husband,
if he reaches out,

if you need anything at all.

I know you have no reason to trust me,

but I am on your husband's side.

- Where will you go?
- I don't know.

But what I do know is I'm gonna
do everything in my power

to get your husband back
and to keep you safe.

- Mom, I'm tired.
- I know, honey.

We're gonna go soon.

Why don't you stay here?

- Oh, we...
- There's plenty of room.

You and Agnes can take
the room upstairs.

Your... Your friend can have the sofa.

Unless you have some place else to go.

That's very kind of you.

We're gonna stay with our friend, Agnes.

Can you read me a story?

Oh, I can't, honey.

We didn't bring any of our books.

What if I tell you a story?

What kind of story?

A funny one.

About a girl and her friend
and the sleepover they have

in a strawberry cake factory.

That sounds awesome!

- I'll get your pajamas.
- Come.

Thank you.

♪♪

[SLEEPILY] I wish you were here.

FEMALE VOICE: I'm always
here for you, dearie.

♪♪

This is the last thing
I ever wanted for you.

I could've stopped him,

and I didn't.

I failed you.

You protected me.

♪ ...dveri ♪

♪♪

♪ Tili-tili-bom ♪

♪ Krichit nochnaya ptitsa ♪

I can't do this alone.

I know that.

It's why you've been thinking
of asking for help,

about turning to him.

You're a smart woman, Elizabeth.

Which is why this next part
will be so painful.

But if you've learned anything
from my mistakes,

it's that you can't show weakness.

You have to fight like Reddington,

be every bit as fierce

and cross whatever line it takes.

What are you saying?

I'm saying you know what you have to do.

Listen to your heart.

♪ Tili-tili-bom ♪

The enemy of your enemy...

is your friend.

♪ Pritailsya za uglom ♪

♪ I pronzayet vzglyadom ♪

[SUSPENSEFUL MUSIC PLAYS]

♪♪

Skip.

- Wake up!
- What? What?

- I know what we gotta do.
- Yeah, you mean sleep?

We're gonna take down Reddington

by teaming up with the man
he hates the most.

Synced & corrected by -robtor-
www.addic7ed.com

This is insane.
Neville Townsend spent 30 years

trying to hunt and kill your mother.

Now... Now you want him
to be our partner?

We have a common enemy.

Yeah, Townsend doesn't know
that Reddington's N-13, okay?

He thinks your mother's
the one that betrayed him,

and he thinks she's dead.

Why poke the bear?

Because if he knew the truth,

if he knew that Reddington
killed his family

and framed my mother,
he'd hate him as much as I do.

Neville Townsend's the one man
other than Reddington

who has the power and resources
to really see this through.

Even if I agreed to this... idea,

we have no idea how to find him?

His wife and children are dead,
but not his sister.

Her name is Mary Bremmer.

She's one of the very few people
in Townsend's life

that my mother was able to identify.

If we could get to her,
if we could win her trust,

she might be able to put us
in touch with Townsend.

You really need to go back to bed.

Skip, I know how to make this work.

Ask me how we recruit her.

I'm not gonna ask you that.

[GRUNTS]

♪♪

How do we recruit her?

With the help of criminals.

And I know a lot of criminals.

Before we do anything,
we need a network in place.

So, how long did you serve?

Two tours. Went private after that.

We start with protection. People we vet.

And you ran reconnaissance planes?

As well as security detail.
Sort of go where I'm needed.

And at the same time,
we need papers. All of us.

Identities with backgrounds,
travel histories,

tax records, the works.

♪ I need a hit ♪

Okay, wait. Go back to Townsend.

You said we get to him
through his sister.

How the hell is that supposed to work?

Well, first, we have to find her.

There's a bounty hunter
out of Bosnia, Adin Markovic.

He's supposed to be
the best of the best.

We find him, then he finds Bremmer.

He hopes you're happy with the results

and would like to discuss his payment.

SKIP: Liz, Bremmer's
a chemical-weapons dealer.

She doesn't trust anyone.

Why would she trust,
let alone agree, to help us?

She won't.

Which is why we have to earn her trust.

I was thinking of saving her life.

Is it in jeopardy?

Not that I know if, but it will be.

What do you know about Alban Veseli,

The Freelancer?

He's the first criminal
our Task Force put away.

He's been rotting in a hole
for seven years.

Seven years ago, Veseli
derailed a passenger train

by making it hit a curve too fast.

I thought we'd use some
of Reddington's money,

hire him a new lawyer, someone we own.

Who the hell are you?

I don't think you got a fair trial.

LIZ: The lawyer files an appeal,

claims that the court
violated his client's

6th Amendment right
to confront his accuser,

who just so happens to be
the FBI's confidential source,

Raymond Reddington.

You're telling me
the United States Government

is willingly in business
with Raymond Reddington?

SKIP: Okay, but the Feds are never gonna

put Reddington into a courtroom.

I'm a fugitive, so I'm not gonna
show up in court, either.

I ordered Agent Keen to appear.
She didn't.

So, if the case agent doesn't show

and the confidential source
doesn't show,

the judge would be...

Well, to say the least,
he'd be concerned.

JUDGE VELCHEK: Oh, I'm not
concerned. I'm offended.

I'm granting the defendant's motion

to withdraw his guilty plea,

and I am forced to dismiss
the charges against him.

Don't do this.

You want to release a mass murderer

in exchange for what?

Miss Keen arranged for your release

because she requires your services.

What does she need me to do?

I want him to kill Mary Bremmer.

So you can save her.

We get The Freelancer out of jail.

In exchange, he goes after Bremmer.

He's never gonna kill Bremmer
because we're gonna grab her.

I like it. Except you told me that

The Freelancer hides his assassinations

by masking them
as mass-casualty accidents.

There are 162 passengers on
board, and he'll kill everyone.

Wait. I thought The Freelancer
was going after Reddington.

I'm gonna backchannel information

through the Task Force
and make sure no one gets hurt

and The Freelancer goes back
to prison where he belongs.

Go back to Bremmer.

You pull her off the street,
that woman ain't gonna be happy.

I want to talk to her! Do you hear me?!

After I explain to her
that I not only saved her life,

plucked her out of the arms
of the awaiting FBI,

she might change her tune.

Mary.

My people didn't grab you to hurt you.

They grabbed you in an effort
to save your life.

In fact, she may even
thank me by offering

to make an introduction to her brother,

Neville Townsend.

Bremmer says she's thought about it.

She's willing to reach out
to her brother,

see if she can make an introduction.

[STATIC]

♪♪

Well, Miss... Keen.

This is certainly unprecedented.

- Where's Mary?
- In FBI custody.

She took her, what, to hurt me?

Talk to me, Neville. I'm right here.

I'm looking right at you.

Why did you take my sister?

Because I had no way to reach you.

Taking your sister
forced her to make contact,

to negotiate her safe return...

and to get this face-to-face
meeting with you.

- I had nothing to...
- ...do with today's capture.

- No? You're an FBI agent.
- Not anymore, I'm not.

The FBI can't help me. You can.

♪♪

KAPLAN: You're doing well, Elizabeth.

Stay strong. He'll say yes.

I don't know if I can do this.

This animal hunted my mother.

Of course you can. You know that.

What you don't know
is how ugly he really is.

How vicious he can be.

He'll want to know
you're capable of doing

what needs to get done.

He'll want to test you.

What do you mean, test?

What you've done,

coming here like this,
it's so audacious.

But if I were to even
consider an alliance,

I'd need to know, w-without
question, that I can trust you.

- You can trust me.
- I hope so.

Which is why I'm going to give
you an opportunity to prove it.

What do you mean?

It means you're going to earn
my trust by killing my sister.

I just saved your sister.

I'm not a murderer.

She knows too much.

She's made herself a liability.

She's your sister.

You can't beat Reddington without me.

That's why you're here.
You need me on your team.

This is my price.
Are you willing to pay it?

♪♪

- KAPLAN: You have to do it.
- I...

- Reddington would in a heartbeat.
- I can't. I can't.

He'd see it as nothing more
than a transaction

required to close
a business relationship.

This is a woman's life
we're talking about.

♪♪

KAPLAN: I know how difficult
this is for you,

but I also know what happens
if you don't see this through.

I failed because
I wasn't willing to play

by Raymond's rules.

You can't make that same mistake.

Dearie, you have to
redefine who you are,

what you are willing to become.

If you have any hope
of unseating Reddington,

you're going to have to
become just as ruthless.

So, either walk away now,

or shove your feelings down
and get it done with.

Besides, she's no angel.

The woman brokers chemical weapons.

♪♪

So...

what's it gonna be?

♪♪

[EXHALES SHARPLY]

[KEYPAD BEEPING, DOOR UNLOCKS]

BREMMER: How did you get in here?

What are we doing here?

Does Neville have people on the way?

[CHOKING]

♪♪

♪♪

[VOMITS]

♪♪

♪♪

[PHONE BEEPS, SPEED-DIALING]

[LINE RINGING, CLICK]

It's done.

TOWNSEND: What wonderful news.

Nice work, Agent Keen.

It looks like you've found
yourself a partner in crime.

♪♪

LIZ: Reddington is N-13.

- So you say.
- He framed my mother.

An assertion I want to believe,
but need to prove.

Elizabeth, we are not going to kill him

without asking questions first
about the Archive,

what he plans to do with it.

That is something I need
to fully understand.

How did it happen?

Your family.

Let's not do this.

Is it true that's why you don't sleep?

What did Reddington do to you?

I know the Vory ran drugs
through your ports.

I know you paid the KBG
to look the other way.

- Elizabeth.
- I know the documents

N-13 stole detailed that cover-up.

But what happened when that was exposed?

What on earth could they
have possibly done to you?

♪♪

♪♪

My ports lined the pockets
of some very powerful Russians.

When our business was exposed,

they lost not only careers,
but their fortunes.

The Vory knew the authorities
had reached out to me.

They were pressuring me
to testify against them

in exchange for immunity.

They made an example of you.

By...

...subjecting me to a fate
worse than death.

They went after your family.

I was...

I was asleep for most of it.

♪♪

Woke to the sound of my wife whimpering.

When I got downstairs,
my eldest was already gone.

My youngest, he...

...was taking his last breaths.

Their mother had been forced
to watch the whole ordeal.

Then I was forced
to watch them slaughter her.

♪♪

I spent 30 years believing the documents

your mother stole sparked the fire

that burned my life to the ground,

and every KGB informant
and asset I can buy

believes the same thing.

But if you're right,
if Reddington is N-13,

I need him to confirm it.

I need to know he has the Archive,

what he intends to do with it.

I need to know his endgame.

I need to know...

why my family had to die.

He won't talk.

We will kill him, Elizabeth.

He's not afraid of death.

Perhaps not, but he will talk.

So, we, what?

Grab him?

You help lure him out.

Through a friend, someone he trusts.

And then we talk.

And then... we kill him.

We're gonna need
a familiar face to gain access.

I think I know just the guy.

RUDDIGER: We talked about this.

I know, Ruddiger,
but things have changed.

Nothing has changed.

I have a partner.

My position hasn't changed.

Raymond is my friend.
He's like a brother.

He has seen me through two wives
and four stints in rehab.

I will never betray him.

- Hear me out.
- I am leaving.

Just please... I should never have come.

I'm only here 'cause you
tricked me into coming.

- Ruddiger, please.
- Piss off.

Don't go out that door!

It's not just me.

Red's people are not for sale.

Elizabeth insisted on
talking to you first.

- I don't like talk.
- No!

Elizabeth, what have you done?!

Tell him to stop it!

Stop! Stop!

[GRUNTING]

♪♪

You're going to call Reddington,
and you're going to set a meeting.

Let go!

You're gonna do exactly as I say.

The hell I am!

I appreciate your dedication
to your friend,

but you've obviously
never met my friend.

Her name is Dr. Perillos.

Doctor, our friend here seems
to be something of a bomb-maker.

I think you should start
with his fingers.

RUDDIGER: Oh, no. No.

No!

N-o-o-o-o!

♪♪

What the hell happened to your hand?

Oh, uh, car door.

I was cooked. Nearly lost my pinky.

You gotta be careful, Max.

I need you with all 10 digits.

What did you find?

Ah, partial print
on the Tamiya connector.

I'll get it to Cvetko.

Who could do this, Raymond?

Not Elizabeth, I'm sure.

♪♪

This is a mistake.

Don't second-guess yourself.

I'm crossing lines
I'm no longer comfortable with.

Yes, but you have to match
his single-minded devotion.

You'll fail if you don't.

♪♪

[CELLPHONE CLOSES]

You tell people you got it
when you were 14.

Why is that?

To hide the truth.

♪♪

Was he there that night?

You know that, dearie.

Just like you know that that scar

isn't only part of your past.

It's the key to your future.

♪♪

What does that mean?

[TIRES SCREECH]

♪♪

[GUNFIRE]

Raymond, go!

- Go!
- Go, go, go!

♪♪

- [GUN COCKS]
- Where is he?!

- Reddington!
- I don't know.

[GUN CLATTERS]

LIZ: Wait. Dembe? No.

It's a transaction.

It's nothing more than a transaction.

- He's a friend.
- VANDYKE: He's a body man.

Dembe was never the target,
and you know that.

Well, your other friend
Ruddiger screwed up

and we had to improvise,
so put this on him.

- Is he with Perillos?
- That is not my business.

If Dembe Zuma is with that
butcher, if she's hurt him,

- so help me God...
- He's fine.

- Dembe's fine.
- What do you mean he's fine?

I was told Perillos was working on him.

She was.

And she would have continued,
had he not escaped.

He escaped. But...

VanDyke told me Perillos...

was with the subject.
You wanted me to watch.

Watch what?

Our new subject.

The one who surrendered himself.

♪♪

RED: Not everything you thought
it would be, is it?

This moment?

You've waited for it...

and somehow, it's...

dissatisfying.

It actually exceeds expectation.

I wasn't talking to you.

We know who my assassin really is.

Don't we, Elizabeth?

It saddens me to bear witness
to this moment in your life,

this crossing of a Rubicon

from which you can never get back.

It may appear self-serving

to suggest that you instruct
the good doctor

to administer the antidote,

but I strongly suggest
that you do just that,

because I've seen
the other side of that river,

and it's a place I never,
never wanted you to go.

But perhaps you're already there.

KAPLAN: Yes, Raymond.
She's already there.

And she's strong.

And she's ready for what comes next.

Reddington was wrong about you.
We both were.

He thought you hadn't
crossed the Rubicon.

I was under the impression that you had.

Where is he?

You tell me.

- You tell me.
- I have no idea.

You see this?

This belongs to your pal, Ruddiger.

A little reminder of what
happens when you fail me.

I didn't fail you. I'm the one
who got you Reddington!

You're the one who lost him!

You came to me promising
to make Reddington suffer.

I promised to give you
the opportunity to kill him.

You could've put a bullet in his head.

Instead, you put a needle in his arm,

and you gave him the one thing
you shouldn't have... time...

And he used it to get away.

I told you I wanted answers.

I thought you understood
what that entailed.

If you're upset because I didn't
sit and watch you torture him,

let me be clear. It sickens me.

But I am doing it because I know
more than anyone in the world

that it has to be done.

There can be no space

between what you want to happen

and what you're willing to do
to make it happen.

♪♪

So you keep telling me.

♪♪

[CELLPHONE VIBRATES]

[BEEP]

RESSLER: Hey, Keen, it's me.

Look, we have Rakitin thanks to you

and that flash drive you sent Cooper.

If Reddington's really N-13,

we have a good chance of proving it.

And if we can, maybe you can come home.

That's all I care about, Liz.

I mean, no, maybe you
can't be an agent again,

but at least you can get your life back.

You and Agnes can be together.

We got to talk,
figure out how to end this.

I'm gonna be at Bentham Park
at midnight.

Meet me there.
And, Keen, you can trust me.

[CELLPHONE BEEPS]

[SIGHS]

Are you coming home tonight?

LIZ: Not tonight, honey.

But my being away so much,
I think it's about to end.

Is Mrs. French reading
"The Phantom Tollbooth" to you?

We're almost done. It's really good.

[CELLPHONE VIBRATES]

Well, you finish up
and tell me all about it

when I get home, okay?

- I love you.
- Love you, too.

[CELLPHONE VIBRATES]

Don't answer that.

He could have good news.

You should not be talking to the FBI.

- You cannot take that call.
- Hey, Keen, it's me.

Uh, I don't even know if
you're getting these messages.

I don't know who I'm talking to.

Ressler says the Task Force
has a source.

His name is Rakitin,
and he's willing to talk.

If he does, he could
expose Reddington as N-13.

He could end all of this.

I wish that were true.

But you don't need to hear his message

to know that's not the case.

Look. Rakitin's dead.
I don't know how, but...

It seems like he was poisoned.

I mean, we really thought
it was over this time.

We miss you. We just want you back.

[ENGINE STARTS]

LIZ: I told her it was over,

that I'd be coming home for good.

You're doing the best you can.

I'm responsible for
Mary Bremmer's murder,

Dembe's torture, and I got
nothing to show for it,

except for another reminder that
no matter how tight the noose,

Reddington will always
cheat the hangman.

I heard from the police today.

They found my husband's body.

They say he died of natural causes.

But you know differently.

I'm so sorry.

Phillip was a good man.

Whatever he was doing,

he was doing because he believed
it was the right thing to do.

I don't need sympathy.

I need justice.

You're the one who can get it for me.

I tried. For all of us.

I don't think I can keep trying.

I understand.

You thought you could end this.
You couldn't.

You don't know who we're dealing with.

But I do know this...

Good triumphs over evil.

I just don't think
I have what it'll take.

Of course you do.

Every mother does.

The love for her child.

- Isn't that what saved you?
- Yes.

Didn't you tell me

your mother gave up everything for you?

- Yes.
- Don't you think

you should pay that forward?

Of course. But I don't know how.

You'll figure it out.

How can you be so sure?

Because love wins.

You really believe that?

I do.

And seeing how you are with Agnes,

I believe you do, too.

[KNOCK ON DOOR]

- Elizabeth.
- Isabella, hi.

Is my father okay?

Dembe's fine.

But I did come because I think
he could use your help.

Thank God she was too young to
remember what happened to her.

I dread the day when I have to tell her.

Do you have to?

I believe in the truth.

When she's ready to hear it,
I'll tell her.

Are you going to tell her
the truth about your father?

You said he needs our help?

He needs our protection.

From Reddington.

- Did he tell you that?
- No.

He loves Reddington, but
that love is based on a lie,

one that I'm not even sure
he knows about.

Reddington isn't who he says he is.

I believe... The Bureau believes...

Reddington may be a Russian asset.

- What?
- But we need proof,

and with your help, we can get it.

So you're not here to help my father.

You're here to help yourself.

I'm here to help us both,
but most importantly,

I'm here to help our daughters.

She's beautiful.

She's innocent.

And one day, when she's ready,

you're gonna tell her
that when she was an infant,

she was abducted, used as collateral

so someone could get to your father.

And you're gonna tell her as if
it could never happen again.

But you and I both know

as long as Reddington is in our lives,

that isn't true.

I won't hurt my father.

I would never ask you to.

What do you want me to do?

I need you to call your father,
tell him you want to see him.

I haven't seen him in months.

All the better. You miss him.

You want him to spend time with Elle.

Hi. It's me.

Once you've set a meeting,
I need you to plant this device.

What do you want to hear him say?

Nothing.

I want to hear
what Reddington says to him.

You really think this will help?

I think, with any luck,

we can figure out
what Reddington's up to.

[PLAYFUL SHOUTING]

♪♪

She's gotten so big.

I know. Can you believe it?

I'm glad you called.

We miss you, Dad.

Do you? I wasn't sure.

Of course we do.

♪♪

DEMBE: Your heart can betray you.

How many times have you told me that?

RED: Anne is not betraying me.

We've run no names.
Done no background checks.

On the good people of Cottonwood Falls?

Believe me, if you're lucky,
you might find a late fee

for "Tom Sawyer" at the local library.

You're letting your guard down.

That's not what I'm doing.

Okay. It is what I'm doing.

But I'm having a splendid time doing it.

Ugh.

♪♪

[INDISTINCT SHOUTING]

♪♪

Hey. It's me.

Tell Townsend I know
how we can get to Reddington.

♪♪

[ENGINE STARTS]

[TIRES SCREECH]

I am so sorry. Are you okay?

No, I should have seen you backing out.

Oh, no, no, no, no, no. It was my fault.

It's not that bad.

Let me give you my insurance.

[LIZ SIGHS]

If we were in the city,
you'd be screaming at me.

Oh. You're not from here?

Uh, Kansas City.

I, uh...

I rented a place on Chase Lake.

I just came into town
to get some supplies.

I'm Cindi.

Hi, Cindi. I'm Anne.

Anne Foster of 429 Roslyn Place.

That's it.

Oh, let me give you my cell, too.

If those insurance people
give you any trouble,

I want you to give me a call, okay?

Okay. Seriously, if I'd
known you'd be this nice,

I would've run into you on purpose.

- Ohh. You take care.
- You, too.

I'm sorry again.

That's okay.

♪♪

[KEYPAD DIALING]

[LINE RINGING]

I'm gonna give you an address.

I'm not saying it's up there
with a nice smile or a nice ass.

But...

I think punctuality is sexy.

[DOORBELL RINGS]

Oh.

Nice smile, nice ass, and on time.

May I present to you...
the sexiest man alive.

[GASPS] Anne!

Hey. Cindi. From the accident.

Of course. I'm sorry.

I just brought this by to thank you

for being so nice about what happened.

Did you bake me a cake?

I hope you like red velvet.

Oh, you are too thoughtful. Come in.

Some friends and I are
about to play some bridge.

No, I just came to drop that off.

I don't want to intrude.

[SOFT JAZZ PLAYING ON STEREO]

Cute drawings!

Oh, thank you.

You sure you don't want
to stay for a bit?

- To have a drink?
- No.

[CHUCKLING] I'm sure we'll bump
into each other again soon.

Bye.

So much for the sexiest man alive.

I'm just saying I like punctuality.

- Maybe his plane was delayed.
- So, why hasn't he called yet?

Only because I like to make
a dramatic entrance.

Raymond! Hey.

[SOFT JAZZ PLAYING]

RED: I hope you'll go easy
on me tonight.

BRAN: You'll do fine. Gin and tonic?

- Yes.
- We've gotten a head st...

ANNE: I found two pairs and a blanket.

I found salami and cheese.

I'll get a basket for the food
and we're good to go.

Yeah, the friend's gone. It's
just him and the girlfriend.

- We gotta do this now.
- TOWNSEND: We're on our way.

Have Arkham kill the power
and land lines.

♪♪

And, Liz, remember to try
and enjoy the moment.

Just get here before
he senses something's wrong.

♪♪

ANNE: What were you saying?

Didn't you say there was an excellent

vegan sandwich shop in town?

Why don't you run into town,
order for both of us?

I'll be ready to go when you get back.

Are you sure?

[DOOR CLOSES]

♪♪

[TRUCK DOOR CLOSES, ENGINE STARTS]

♪♪

No. No, no, no, no, no.

Hey, there. What seems
to be the problem?

I just gotta check your
ground wires. It's standard.

Okay. Very good.

Vague but detailed enough.

Not sure what you mean.

You know what I mean.

I got the work order right here.

Great.

Ah!

How many are coming?

Everyone.

♪♪

♪♪

[TIRES SCREECH]

♪♪

Raymond, what are you doing here?

If you needed something else,
you could've called me.

I need you to come with me.

We've got to call it off.

Did you hear me? He knows.

- Reddington knows we're here.
- That changes nothing.

We'll have other opportunities.

There was an incident in town,

but they have eyes on Reddington.

What kind of incident? Landon.

- She's gone.
- And Reddington?

He took the woman and went
into the local police station.

No. I know what you're thinking.

They can't do this.
Innocent people will get hurt.

TOWNSEND: Oh, Raymond.
You do keep things interesting.

- How you wanna handle this?
- Put Sagan on the police scanners

and have him give us a timeframe.

If we're going to do this,
it's gonna happen now.

You've got to call it off.

There are too many innocent people.

Don't you think maybe
that's why he's there?

You can't attack a police station!

No space. Remember?

Between what you want and what
you're willing to do to get it.

Innocent people will get killed.

No space. None.

♪♪

[GUNFIRE]

♪♪

- Six people are dead.
- ♪ How low ♪

No, no, no!

♪ Are you willing to go ♪

♪ Before you reach all ♪

Innocent people. Killed and wounded.

Take your men and your guns
and your bloodshed and go.

Then come find me when you're ready,

and I'll show you the proper way
to exact revenge.

And for what? Nothing.

I'm listening to the police scanner.

He's gone. They have no idea where.

TOWNSEND: I did what
I had to do. You didn't.

The man who came after you today...

Neville Townsend.

He won't stop, will he?

You're right. There is space for me.

Between what I want and what
I'm willing to do to get it.

That's unacceptable.

Well, then maybe I'll keep
Reddington all to myself.

You said he was gone.

He is. But I think I know
how to find him.

Townsend was there,
and he can't see it...

The magic trick, how Raymond got away.

You weren't there,
but you know how he did it.

Because it's what you would have done.

♪ This means war, this means war ♪

Is there somewhere you can go?

And not to your daughter's.
They'll anticipate that.

My friend Cindi,
the one who made the cake.

She has a cabin.

See if you can go there.

Okay, sweetie.

I'll call you as soon as I know more.

I love you. Be safe.

[KNOCK ON DOOR]

♪♪

[KNOCK ON DOOR]

♪ Where to ♪

Who is it?

LIZ: Anne? It's me, Cindi.

Oh.

Oh, thank God.
I was just about to call you.

Are you okay? The whole town
is talking about what happened.

It was awful.

The whole thing. It was just...

I have this friend.

With me, he's kind and decent,

but he's done some terrible things,

and terrible people are after him.

Where is he... Your friend?

MAN ON RADIO: ...another 10 days, uh...

- [CLICK]
- WOMAN: ...starting to...

[CHUCKLES]

♪ I'm old enough to face the dawn ♪

♪♪

♪ Just call me angel
of the morning, angel ♪

Ah...

♪ Just touch my cheek
before you leave me ♪

He says the people that are
after him may come after me,

and that's why I was gonna call you.

Your cabin. No one
will look for me there.

If I could just stay there,
even just for a few days...

I-I wish that were possible.
I really do.

And maybe it can be,

after you help me find Reddington.

I need to know where he is.

♪ Maybe the sun's light will be dim ♪

You're one of them.

- Yes.
- No.

♪♪

But we do want the same thing.

He left. I don't know where he went.

[KNOCK ON DOOR]

♪ Well, it was what I wanted now ♪

Anne? Anne...

♪♪

♪ And if we're victims of the night ♪

Elizabeth.

Go on. Don't let me stop you.

Put the gun down.

Why'd you come back? What do you want?

♪ Of the morning, angel ♪

Do you want to tell her
who you really are?

Raymond...

It's okay. Just stay calm.

♪ Just call me angel ♪

You and Kate underestimate me.

Oh, so she's here, too.

Do you see her?

I do, without even having to look.

His true identity is a secret, Anne.

He's never told me who he really is.

♪ If morning's echo says we've sinned ♪

Maybe he will now,
as a deathbed confession.

♪♪

Let her go. She doesn't
have to be here for this.

Finally. We agree on something.

[GRUNTING]

Anne!

♪ I won't be blinded by the light ♪

♪ Just call me angel ♪

Anne! Anne. Here.

Hold on. Don't move. Don't move. Yeah.

All right. Just breathe.

Hold on. Just hold on.

♪ Baby ♪

♪ Just call me angel
of the morning, angel ♪

Yes. I-I need an ambulance.

There's been an accident
at 429 Roslyn Place.

- This is your moment.
- RED: Yes...

Don't hesitate. Raymond wouldn't.

RED: Anne, look at me.

Stay with me. Look at me.

Just focus on me.

Look at me.

That's it. Stay with me.

- That's it.
- Pull the trigger.

- End this now.
- Stay with me.

You can't get your life back
until you do.

RED: Stay with me.

Stay with me.

Anne. Anne.

♪ Baby, baby ♪

♪ Just call me angel
of the morning, angel ♪

♪ Just touch my cheek
before you leave me, baby ♪