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These are the user uploaded subtitles that are being translated: 1 00:00:01,655 --> 00:00:04,625 COMING TO YOU LIVE FROM SIX ICONIC STAGES 2 00:00:04,658 --> 00:00:08,698 ACROSS NASHVILLE INCLUDING THE GRAND OLE OPRY, RYMAN AUDITORIUM 3 00:00:08,731 --> 00:00:15,048 AND BLUEBIRD CAFE, CBS PRESENTS THE 56th ACM AWARDS WITH 4 00:00:15,083 --> 00:00:19,673 ALL-STAR PERFORMANCES AND PERFORMANCES BY MIR ANA LAMBERT, 5 00:00:19,708 --> 00:00:27,268 DOLLY PARTON, BLAKE SHELTON, CARRIE UNDERWOOD, CECE WINS, 6 00:00:27,303 --> 00:00:34,206 MAREN MORRIS AND LUKE COMBS, CHRIS STAPLETON, CARLY PEARSZE, 7 00:00:34,240 --> 00:00:38,003 KELSEY BALLERINI, KENNY CHESNEY, LITTLE BIGTOWN, ALAN JACKSON, 8 00:00:38,037 --> 00:00:42,351 AMY GRANT, CHRIS YOUNG AND KANE BROWN, ASHLEY McBRYDE, BLANCO 9 00:00:42,387 --> 00:00:48,255 BROWN, ERIC CHURCH, DARIUS RUCKER, DAN + SHAY, JIMMY ALLEN, 10 00:00:48,289 --> 00:00:52,534 BROTHERS OSBORNE, THOMAS RHETT, DIERKS BENTLEY WITH THE WAR ON 11 00:00:52,569 --> 00:01:00,024 TREATY AND MORE HOSTED BY MICKEY GUYTON AND KEERT YOU ARE KEITH 12 00:01:00,060 --> 00:01:11,105 URBAN. 13 00:01:11,140 --> 00:01:17,766 ♪ ♪ [ CHEERS AND APPLAUSE] 14 00:01:17,801 --> 00:01:23,944 ♪ I GOT SOME MONEY IN MY POCKET GOT SOME TROUBLE ON MY TAIL 15 00:01:23,980 --> 00:01:26,326 ♪ I CAN HEAR THE DOORS ARE KNOCKING, GUESS I'M 16 00:01:26,361 --> 00:01:30,019 ♪ HEADING OFF THE RAILS SINGING OOH-OOH-OOH-OOH 17 00:01:30,055 --> 00:01:34,128 ♪ OOH-OOH-OOH I'M TALKING 'BOUT YOU 18 00:01:34,162 --> 00:01:37,131 ♪ OOH-OOH-OOH, OOH-OOH-OOH I GOT SOME NEW BEST FRIENDS 19 00:01:37,165 --> 00:01:38,995 ♪ FOREVER, SEE, I MET 'EM AT THE BAR 20 00:01:39,028 --> 00:01:42,308 ♪ WHERE THE WHISKEY GOES DOWN BETTER, WHEN THEY 21 00:01:42,343 --> 00:01:46,243 ♪ DON'T KNOW WHO YOU ARE SINGING OOH-OOH-OOH-OOH 22 00:01:46,277 --> 00:01:49,143 ♪ OOH-OOH-OOH I'M TALKING 'BOUT YOU 23 00:01:49,177 --> 00:01:54,975 ♪ OOH-OOH-OOH, OOH-OOH-OOH OOH, GONNA FEEL THIS 24 00:01:55,010 --> 00:02:00,361 ♪ IN THE MORNING OOH-OOH 25 00:02:00,396 --> 00:02:09,750 ♪ 'CAUSE I'M GOING HARD TONIGHT SO BARTENDER, TAKE MY KEYS 26 00:02:09,783 --> 00:02:12,925 ♪ WHAT DO YOU WANT FROM ME BABY, I'M DRUNK AND 27 00:02:12,960 --> 00:02:15,721 ♪ I DON'T WANNA GO HOME NOT STAYING IN TO FIGHT 28 00:02:15,756 --> 00:02:21,762 ♪ I'M STAYING OUT ALL NIGHT BABY, I'M DRUNK AND 29 00:02:21,795 --> 00:02:24,937 ♪ I DON'T WANNA GO HOME WE DON'T GOTTA WAIT 30 00:02:24,972 --> 00:02:27,181 ♪ UNTIL THE WEEKEND THERE'S ALWAYS TIME FOR 31 00:02:27,216 --> 00:02:33,531 ♪ JUMPING OFF THE DEEP END SO DON'T YOU WAIT UP TONIGHT 32 00:02:33,567 --> 00:02:35,188 ♪ DON'T WORRY, I'LL BE FINE BABY, I'M DRUNK AND 33 00:02:35,223 --> 00:02:43,058 ♪ I DON'T WANNA GO HOME, YEAH [ CHEERS AND APPLAUSE] 34 00:02:43,093 --> 00:02:45,199 WE'RE IN THE BATHROOM ♪ GETTIN' TATTED 35 00:02:45,234 --> 00:02:49,203 THERE'S A LINE OUT IN THE HALL ♪ TRYNA BE MY SUGAR DADDY 36 00:02:49,237 --> 00:02:54,139 GETTIN' HANDSY IN THE STALLS ♪ SINGING OOH-OOH-OOH-OOH 37 00:02:54,174 --> 00:02:58,764 OOH-OOH-OOH ♪ I'M TALKING 'BOUT YOU 38 00:02:58,799 --> 00:03:00,697 OOH-OOH-OOH, OOH-OOH-OOH ♪ YOU LIKE MY GIN AND TONIC 39 00:03:00,731 --> 00:03:02,768 KISSES, 'CAUSE YOU ♪ KNOW THEY TASTE SO SWEET 40 00:03:02,802 --> 00:03:06,324 AND I KNOW YOU GOT YOUR ♪ MISSUS, BUT THERE 41 00:03:06,358 --> 00:03:11,224 AIN'T NO ONE LIKE ME ♪ TALKIN' 'BOUT YOU 42 00:03:11,259 --> 00:03:14,090 OOH-OOH-OOH-OOH, OOH-OOH-OOH ♪ MMM, I'M TALKING 'BOUT YOU 43 00:03:14,123 --> 00:03:19,889 OOH-OOH-OOH, OOH-OOH-OOH ♪ OOH, GONNA FEEL THIS 44 00:03:19,923 --> 00:03:26,067 IN THE MORNING ♪ OOH-OOH 45 00:03:26,102 --> 00:03:33,350 'CAUSE I'M GOING HARD TONIGHT ♪ SO BARTENDER, TAKE MY KEYS 46 00:03:33,384 --> 00:03:36,733 WHAT DO YOU WANT FROM ME ♪ BABY, I'M DRUNK AND 47 00:03:36,768 --> 00:03:39,390 I DON'T WANNA GO HOME ♪ NOT STAYING IN TO FIGHT 48 00:03:39,425 --> 00:03:45,362 I'M STAYING OUT ALL NIGHT ♪ BABY, I'M DRUNK AND 49 00:03:45,396 --> 00:03:48,711 I DON'T WANNA GO HOME ♪ WE DON'T GOTTA WAIT 50 00:03:48,745 --> 00:03:52,300 UNTIL THE WEEKEND ♪ THERE'S ALWAYS TIME FOR 51 00:03:52,335 --> 00:03:58,721 JUMPING OFF THE DEEP END ♪ SO DON'T YOU WAIT UP TONIGHT 52 00:03:58,754 --> 00:04:00,963 DON'T WORRY, I'LL BE FINE ♪ BABY, I'M DRUNK AND 53 00:04:00,998 --> 00:04:06,798 I DON'T WANNA GO HOME, YEAH ♪ OH-OH, I DON'T WANNA 54 00:04:06,831 --> 00:04:12,665 OH-OH-OH ♪ DON'T WANNA GO HOME 55 00:04:12,699 --> 00:04:14,771 SO BARTENDER, TAKE MY KEYS ♪ WHAT DO YOU WANT FROM ME 56 00:04:14,806 --> 00:04:18,774 BABY, I'M DRUNK AND ♪ I DON'T WANNA GO HOME 57 00:04:18,810 --> 00:04:22,778 NOT STAYING IN TO FIGHT ♪ I'M STAYING OUT ALL NIGHT 58 00:04:22,814 --> 00:04:25,850 BABY, I'M DRUNK AND ♪ I DON'T WANNA GO HOME 59 00:04:25,886 --> 00:04:31,167 WE DON'T GOTTA WAIT ♪ UNTIL THE WEEKEND 60 00:04:31,201 --> 00:04:34,790 ♪ THERE'S ALWAYS TIME FOR JUMPING OFF THE DEEP END 61 00:04:34,826 --> 00:04:38,863 SO DON'T YOU WAIT UP TONIGHT ♪ DON'T WORRY, I'LL BE FINE 62 00:04:38,899 --> 00:04:46,665 BABY, I'M DRUNK AND ♪ I DON'T WANNA GO HOME, YEAH 63 00:04:46,699 --> 00:04:50,737 OH-OH, I DON'T WANNA ♪ OH-OH-OH 64 00:04:50,773 --> 00:04:54,810 DON'T WANNA GO HOME ♪ OH-OH, I DON'T WANNA 65 00:04:54,846 --> 00:05:04,718 [ CHEERS AND APPLAUSE] >> PLEASE WELCOME YOUR HOSTS FOR 66 00:05:04,752 --> 00:05:07,029 TONIGHT, KEITH URBAN AND MICKEY GUYTON. 67 00:05:07,064 --> 00:05:12,966 LOVE Y'ALL! 68 00:05:13,002 --> 00:05:15,694 [APPLAUSE] >> MICKEY MICKEY! 69 00:05:15,728 --> 00:05:16,108 HEY! 70 00:05:16,143 --> 00:05:16,901 >> OH MY GOSH. 71 00:05:16,937 --> 00:05:18,420 >> HOW ARE YOU? 72 00:05:18,456 --> 00:05:19,353 >> I'M SO GOOD. 73 00:05:19,387 --> 00:05:20,906 >> SO GOOD TO SEE YOU. 74 00:05:20,940 --> 00:05:22,805 >> SO GOOD TO SEEYOU HERE. 75 00:05:22,838 --> 00:05:26,290 >> OH MY GOSH. 76 00:05:26,326 --> 00:05:27,774 >> Keith: WELCOME TO THE 56th ACADEMY OF COUNTRY MUSIC AWARDS! 77 00:05:27,810 --> 00:05:34,781 NASHVILLE IS BACK AND IT'S GREAT [ CHEERS AND APPLAUSE] 78 00:05:34,817 --> 00:05:38,060 TO BE BACK HERE LIVE AT THE GRAND OLE OPRY HOUSE WITH MICKEY 79 00:05:38,096 --> 00:05:39,338 GUYTON. 80 00:05:39,372 --> 00:05:42,031 >> Mickey: AND WHAT A FANTASTIC WAY TO KICK OFF THE SHOW WITH 81 00:05:42,064 --> 00:05:43,343 MIRANDA AND ELLE. 82 00:05:43,377 --> 00:05:45,483 BIG THANKS. 83 00:05:45,516 --> 00:05:47,139 >> Keith: THEY WERE AMAZING. 84 00:05:47,173 --> 00:05:50,798 >> AMAZING, I LOVE THAT SONG >> Mickey: I'M JUST GLAD MIRANDA 85 00:05:50,832 --> 00:05:52,524 HAS THAT CAR OUTSIDE BECAUSE WE'RE GONNA SEE HER ALL OVER 86 00:05:52,558 --> 00:05:54,456 TOWN TONIGHT. 87 00:05:54,492 --> 00:05:58,254 >> Keith: TONIGHT, WHILE WE CELEBRATE THE BEST IN COUNTRY 88 00:05:58,288 --> 00:06:02,464 MUSIC, WE'RE ALSO CELEBRATING THE PROGRESS MADE BY THIS 89 00:06:02,500 --> 00:06:05,985 GREAT CITY AND CITIES ACROSS THE COUNTRY. 90 00:06:06,019 --> 00:06:11,785 [ APPLAUSE] WE'VE ALL BEEN THROUGH SO MUCH, 91 00:06:11,819 --> 00:06:16,305 BUT I'M PROUD TO SAY WE'RE ALL ON OUR WAY BACK. 92 00:06:16,341 --> 00:06:20,069 AND WE'VE DONE IT WITH A LOT OF FIGHT AND A LOT OF HELP. 93 00:06:20,103 --> 00:06:23,555 >> Mickey: AND SPEAKING OF HELP, UP THERE IN THEIR MASKS, 94 00:06:23,589 --> 00:06:26,005 SOCIALLY DISTANCED AND VACCINATED, ARE HEALTHCARE 95 00:06:26,040 --> 00:06:31,528 WORKERS FROM VANDERBILT HEALTH. 96 00:06:31,562 --> 00:06:35,394 [ CHEERS AND APPLAUSE] A.C.M.'s CHARITABLE ARM,"“ 97 00:06:35,428 --> 00:06:37,949 LIFTING LIVES,"” HAS A LONG- STANDING PARTNERSHIP WITH 98 00:06:37,983 --> 00:06:40,917 VANDERBILT, AND WE WANT TO THANK EVERYONE THERE FOR THEIR SUPPORT 99 00:06:40,951 --> 00:06:49,167 TONIGHT. 100 00:06:49,201 --> 00:06:50,409 YOU GUYS ARE OUR ARMY RIGHT NOW AND THIS WOULD NOT BE POSSIBLE 101 00:06:50,444 --> 00:06:54,654 WITHOUT YOU SO THANK YOU ALL SO, SO, MUCH 102 00:06:54,689 --> 00:06:57,588 >> Keith: I'M SO HAPPY WE'RE DOING THIS TOGETHER, MICKEY. 103 00:06:57,624 --> 00:07:01,040 >> ME TOO. 104 00:07:01,074 --> 00:07:04,526 >> YOU'VE HAD AN IMPRESSIVE YEAR SINCE THE LAST TIME WE SHARED 105 00:07:04,562 --> 00:07:09,946 THIS STAGE, WITH A LOT OF FIRSTS-- FIRST GRAMMY NOMINATION 106 00:07:09,980 --> 00:07:11,637 YOU GOT TO PLAY ON THE GRAMMY FOR THE FIRST TIME, 107 00:07:11,672 --> 00:07:15,848 FIRST TIME HOSTING THE ACM'S, ONE OF THE MOST IMPORTANT, YOU 108 00:07:15,882 --> 00:07:17,815 HAD A BABY FOR THE FIRST TIME. 109 00:07:17,850 --> 00:07:20,473 >> HI A BABY. 110 00:07:20,509 --> 00:07:23,442 I LOVE HIM SO MUCH. 111 00:07:23,476 --> 00:07:25,548 IT HAS BEEN A CRAZY YEAR AND THIS IS THE MOST ADULT 112 00:07:25,582 --> 00:07:29,172 INTERACTION I'VE HAD IN THREE MONTHS SO I AM VERY EXCITED TO 113 00:07:29,206 --> 00:07:29,966 BE HERE. 114 00:07:30,000 --> 00:07:33,418 WITHOUT THE DIAPERS. 115 00:07:33,452 --> 00:07:34,418 >> ME TOO. 116 00:07:34,454 --> 00:07:36,178 I WILL TRY TO BE AS ADULT AS CAN I BE TONIGHT. 117 00:07:36,213 --> 00:07:38,146 THIS SHOW IS SPECIAL BECAUSE NOT ONLY ARE WE BACK IN THE ICONIC 118 00:07:38,180 --> 00:07:41,771 GRAND OLE OPRY HOUSE, WE'LL ALSO BE AT THE LEGENDARY BLUEBIRD 119 00:07:41,805 --> 00:07:45,499 CAFEÉ, THE STATION INN, AND A FEW OTHER COUNTRY MUSIC TREASURES 120 00:07:45,533 --> 00:07:47,605 ALL AROUND NASHVILLE. 121 00:07:47,639 --> 00:07:49,399 >> Mickey: AND IN A LITTLE WHILE, I'LL BE HEADING OVER 122 00:07:49,433 --> 00:07:52,471 TO ONE OF MY FAVORITE PLACES, THE MOTHER CHURCH OF COUNTRY 123 00:07:52,505 --> 00:07:55,233 MUSIC, THE HISTORIC RYMAN AUDITORIUM. 124 00:07:55,266 --> 00:07:59,408 AND I CAN'T WAIT TO GET TOGETHER WITH THE ARTISTS THAT ARE 125 00:07:59,444 --> 00:08:00,687 OVER THERE. 126 00:08:00,721 --> 00:08:01,514 >> Keith: SO, LET'S GET THINGS STARTED OVER AT THE RYMAN RIGHT 127 00:08:01,550 --> 00:08:05,519 NOW. 128 00:08:05,553 --> 00:08:09,696 HERE TO KICK THINGS OFF WITH THEIR HIT SONG, "“FAMOUS 129 00:08:09,730 --> 00:08:12,007 WITH OUR FAVORITE FRIENDS, THEY HAVE A HIT SONG, 130 00:08:12,043 --> 00:08:12,387 ACTUALLY. 131 00:08:12,422 --> 00:08:13,389 >> THEY DO. 132 00:08:13,423 --> 00:08:16,149 JOINED BY CHRIS >> Mickey: CHRIS YOUNG, JOINED 133 00:08:16,185 --> 00:08:23,363 BY A WINNER TONIGHT FOR VIDEO OF THE YEAR, KANE BROWN. 134 00:08:23,399 --> 00:08:24,711 >> THANK YOU MICKEY AND KEITH. 135 00:08:24,745 --> 00:08:26,471 IT'S GREAT TO BE BACK AT THESE ACM AWARDS PLAYING AGAIN TO A 136 00:08:26,505 --> 00:08:29,163 LIVE AUDIENCE. 137 00:08:29,197 --> 00:08:32,303 ♪ ♪ ♪ MY BUDDY BRANDON 138 00:08:32,338 --> 00:08:38,379 HOLDS A RECORD ♪ FOR SINGLE SEASON 139 00:08:38,413 --> 00:08:41,831 TOUCHDOWN THROWS ♪ AND GOOD OLD JOHNNY 140 00:08:41,865 --> 00:08:44,971 HE'S THE LIFE OF EVERY PARTY ♪ IT'S LIKE "CHEERS" 141 00:08:45,006 --> 00:08:50,668 THEY KNOW HIM EVERYWHERE HE GOES ♪ I'VE GOT SOME FAMOUS FRIENDS 142 00:08:50,701 --> 00:08:56,018 YOU'VE PROBABLY NEVER HEARD OF ♪ BUT BACK IN RUTHERFORD COUNTY 143 00:08:56,052 --> 00:09:02,196 OUR CROWD IS SECOND TO NONE ♪ YOU MIGHT NOT KNOW 'EM HERE 144 00:09:02,230 --> 00:09:05,061 IN THIS BIG CITY WE'RE IN ♪ BUT WHEN I GO BACK HOME 145 00:09:05,096 --> 00:09:09,514 I'VE GOT SOME FAMOUS FRIENDS ♪ YEAH, I DO 146 00:09:09,548 --> 00:09:15,796 ♪ ♪ [ CHEERS AND APPLAUSE] 147 00:09:15,831 --> 00:09:16,590 HOW WE FEELING? 148 00:09:16,625 --> 00:09:21,422 ♪ MY BUDDY JASON HE'S THE SHERIFF 149 00:09:21,456 --> 00:09:24,804 ♪ HE'LL FLASH HIS LIGHTS BUT LET ME GO 150 00:09:24,840 --> 00:09:29,982 ♪ MY BOY RANDY, HE'S A PREACHER MY GIRL MEGAN, SHE'S BEEN 151 00:09:30,017 --> 00:09:33,606 ♪ TEACHER OF THE YEAR I SWEAR FOR FIVE YEARS IN A ROW 152 00:09:33,642 --> 00:09:38,197 ♪ I'VE GOT SOME FAMOUS FRIENDS YOU'VE PROBABLY NEVER HEARD OF 153 00:09:38,231 --> 00:09:42,822 ♪ BUT BACK IN HAMILTON COUNTY OUR CROWD IS SECOND TO NONE 154 00:09:42,857 --> 00:09:48,207 ♪ YOU MIGHT NOT KNOW 'EM HERE IN THIS BIG CITY WE'RE IN 155 00:09:48,241 --> 00:09:53,971 ♪ BUT WHEN I GO BACK HOME I'VE GOT SOME FAMOUS FRIENDS 156 00:09:54,006 --> 00:09:58,251 ♪ YEAH, I DO, OOH ♪ ♪ 157 00:09:58,287 --> 00:10:05,984 ♪ ♪ ♪ I GOT FRIENDS IN HIGH PLACES 158 00:10:06,019 --> 00:10:10,850 ON THESE SMALL-TOWN ROADS ♪ 'CAUSE 'ROUND HERE IT'S ALL 159 00:10:10,885 --> 00:10:14,475 ABOUT THE PEOPLE THAT YOU KNOW ♪ AND I'VE GOT SOME 160 00:10:14,509 --> 00:10:20,101 FAMOUS FRIENDS YOU'VE PROBABLY ♪ NEVER HEARD OF 161 00:10:20,135 --> 00:10:24,071 BUT BACK IN DAVIDSON COUNTY ♪ OUR CROWD IS SECOND TO NONE 162 00:10:24,105 --> 00:10:28,075 YOU MIGHT NOT KNOW 'EM HERE ♪ IN THIS BIG CITY WE'RE IN 163 00:10:28,110 --> 00:10:32,459 BUT WHEN I GO BACK HOME ♪ I'VE GOT SOME FAMOUS FRIENDS 164 00:10:32,493 --> 00:10:43,677 YEAH, I DO, OOH ♪ YEAH, I DO 165 00:10:43,711 --> 00:10:48,095 MIGHT NOT KNOW 'EM HERE ♪ IN THIS BIG CITY WE'RE IN 166 00:10:48,129 --> 00:10:50,303 BUT WHEN I GO BACK HOME ♪ I GOT SOME 167 00:10:50,338 --> 00:10:55,620 FAMOUS FRIENDS, YEAH ♪ ♪ 168 00:10:55,654 --> 00:11:00,072 [ CHEERS AND APPLAUSE] ♪ I'VE GOT SOME FAMOUS FRIENDS 169 00:11:00,106 --> 00:11:03,385 I'VE GOT SOME FAMOUS FRIENDS ♪ YEAH 170 00:11:03,421 --> 00:11:12,085 [ CHEERS AND APPLAUSE] >> Keith: WOO! 171 00:11:12,119 --> 00:11:15,328 >> WELL DONE BOYS, FROM THE RYMAN AUDITORIUM, OF COURSE. 172 00:11:15,364 --> 00:11:16,951 LAST YEAR, AT THE TIME OF OUR 173 00:11:16,985 --> 00:11:23,336 SHOW, BLANCO BROWN WAS INVOLVED IN A VERY SERIOUS ACCIDENT, AND 174 00:11:23,371 --> 00:11:24,580 I'M TALKING SERIOUS TO THE POINT WHERE THEY WEREN'T 175 00:11:24,614 --> 00:11:27,341 EVEN SURE IF BLANCO WAS GOING TO WALK AGAIN. 176 00:11:27,375 --> 00:11:30,931 WE WERE SENDING HIM OUR PRAYERS AND LIGHT AND HOPE THAT HE WOULD 177 00:11:30,966 --> 00:11:32,139 HAVE A RECOVERY. 178 00:11:32,173 --> 00:11:35,004 HE NOT ONLY HAS HAD A SPEEDY RECOVERY BUT I'M HAPPY TO SAY 179 00:11:35,038 --> 00:11:37,730 THAT HE IS ACTUALLY BACK WITH US TONIGHT. 180 00:11:37,765 --> 00:11:40,700 HERE TO PRESENT THE FIRST AWARD OF THE EVENING, IN HIS SWRE 181 00:11:40,734 --> 00:11:48,017 FIRST PUBLIC APPEARANCE, PLEASE MAKE HIM WELCOME, BLANCO 182 00:11:48,052 --> 00:11:56,024 [ CHEERS AND APPLAUSE] ♪ ♪ 183 00:11:56,059 --> 00:12:00,097 [ CHEERS AND APPLAUSE] >> I'M SO BLESSED TO BE BACK ON 184 00:12:00,133 --> 00:12:03,999 THIS STAGE, AND I WANT TO THANK EVERYONE IN THE COUNTRY 185 00:12:04,033 --> 00:12:10,350 COMMUNITY FOR THEIR LOVE AND SUPPORT. 186 00:12:10,384 --> 00:12:13,732 AND TO ALL THE LIFESAVING FIRST RESPONDERS, WORDS ARE NOT 187 00:12:13,767 --> 00:12:15,527 ENOUGH. 188 00:12:15,562 --> 00:12:18,529 AND NOW, IT'S MY PLEASURE TO PRESENT THE NOMINEES FOR GROUP 189 00:12:18,565 --> 00:12:22,533 OF THE YEAR. 190 00:12:22,568 --> 00:12:24,744 >> Announcer: LADY A. 191 00:12:24,778 --> 00:12:30,508 LITTLE BIG TOWN. 192 00:12:30,542 --> 00:12:34,511 OLD DOMINION. 193 00:12:34,546 --> 00:12:36,755 THE CADILLAC THREE. 194 00:12:36,789 --> 00:12:41,760 THE HIGHWOMEN. 195 00:12:41,794 --> 00:12:53,945 >> AND THE A.C.M. GROUP OF THE YEAR GOES TO: 196 00:12:53,980 --> 00:12:58,536 OLD DOMINION. 197 00:12:58,570 --> 00:13:10,513 [ CHEERS AND APPLAUSE] ♪ ♪ 198 00:13:10,548 --> 00:13:22,524 [ CHEERS AND APPLAUSE] ♪. 199 00:13:22,559 --> 00:13:28,841 >> WOW, HEY, THANK YOU, I MEAN IF WE LOOK SURPRISED, IT IS 200 00:13:28,876 --> 00:13:31,845 BECAUSE, YOU KNOW, OBVIOUSLY EVERYONE IN THIS CATEGORY 201 00:13:31,879 --> 00:13:35,884 ESPECIALLY THIS YEAR, REALLY, REALLY, IT COULD BE ANYONE. 202 00:13:35,918 --> 00:13:40,577 SO WE'RE JUST VERY FORTUNATE TO BE STANDING HERE THIS YEAR. 203 00:13:40,611 --> 00:13:44,133 THIS CRAZY YEAR, A LOT OF SILVER LININGS THAT WE HAVE ALL 204 00:13:44,168 --> 00:13:47,240 SEARCHED FOR, YOU GUYS ARE CERTAINLY ONE, THE FRONT LINE UP 205 00:13:47,274 --> 00:13:51,174 THERE, SO THANK YOU FOR ALL THAT YOU HAVE DONE. 206 00:13:51,209 --> 00:13:57,352 THANK YOU GUYS FOR BEING AMAZING GROUPS THAT INSPIRE US 207 00:13:57,388 --> 00:14:02,980 CONSTANTLY WITH JUST, NOW HERE WE ARE JUST AMONG SUCH BAD 208 00:14:03,014 --> 00:14:06,327 ASSES, THANK YOU FOR INCLUDING NEWS THAT CATEGORY AND THANK YOU 209 00:14:06,361 --> 00:14:09,365 GUYS FOR BEING IN MY BAND. 210 00:14:09,399 --> 00:14:11,573 >> THANKS. 211 00:14:11,609 --> 00:14:16,614 [APPLAUSE] >> Announcer: NEXT, WE'RE AT THE 212 00:14:16,648 --> 00:14:18,892 RYMAN AUDITORIUM FOR MAREN MORRIS AND RYAN HURD. 213 00:14:18,927 --> 00:14:26,519 AND THEN, A SPECIAL MEDLEY FROM CARRIE UNDERWOOD. 214 00:14:26,554 --> 00:14:29,971 WHERE SHE WILL BE JOINED BY CECE PLUS, THANKS TO FORD, WE HEAD TO 215 00:14:30,006 --> 00:14:33,355 THE ICONIC NASHVILLE RIVERFRONT FOR A PERFORMANCE FROM LADY A. 216 00:14:33,389 --> 00:14:46,195 THIS IS CBS. 217 00:14:46,230 --> 00:14:47,921 WINANS, SUB VIBE TO PARAMOUNT PLUS FOR BREAKING NEWS AND A 218 00:14:47,956 --> 00:14:52,511 MOUNTAIN OF ENTERTAINMENT. 219 00:14:52,546 --> 00:14:57,344 >> THE 56th ACM AWARDS SPONSORED BY FORD, BUILT FORD 220 00:14:57,379 --> 00:14:57,793 PROUD. 221 00:15:04,903 --> 00:15:09,839 ♪ ♪ [ CHEERS AND APPLAUSE] 222 00:15:09,874 --> 00:15:11,807 >> Keith: WELCOME BACK. 223 00:15:11,841 --> 00:15:15,466 NOW, I HAD THE PLEASURE OF WORKING WITH THIS ARTIST ON A 224 00:15:15,500 --> 00:15:17,985 SONG NOMINATED FOR VOCAL EVENT OF THE YEAR. 225 00:15:18,019 --> 00:15:21,990 HE'S ALSO ONE OF OUR REIGNING ENTERTAINERS OF THE YEAR. 226 00:15:22,024 --> 00:15:23,923 PLEASE MAKE HIM WELCOME, THOMAS RHETT. 227 00:15:23,956 --> 00:15:37,038 [ APPLAUSE] ♪ ♪ 228 00:15:37,073 --> 00:15:43,494 ♪ I QUIT HUNTING WITH MY DADDY GUESS I DIDN'T MAKE THE TIME 229 00:15:43,528 --> 00:15:46,152 ♪ AND ITS BEEN A YEAR SINCE I'VE SEEN A DEER 230 00:15:46,186 --> 00:15:52,572 ♪ HAD A SMALLMOUTH ON THE LINE THE OTHER DAY 231 00:15:52,605 --> 00:15:55,298 ♪ I HOOKED A MONSTER AND AS I REELED HIM IN 232 00:15:55,332 --> 00:16:05,240 ♪ I THOUGHT 'MAN IT FEELS GOOD TO BE COUNTRY AGAIN' 233 00:16:05,274 --> 00:16:07,482 ♪ I SPENT WAY LESS TIME IN NASHVILLE 234 00:16:07,518 --> 00:16:10,761 ♪ AND MORE TIME IN L.A. 235 00:16:10,797 --> 00:16:13,248 MY BACK HOME BUDDIES ♪ THEY QUIT CALLIN' 236 00:16:13,282 --> 00:16:16,802 THOUGHT I HAD TOO MUCH ♪ ON MY PLATE 237 00:16:16,836 --> 00:16:19,495 BUT LAST NIGHT, WE ♪ CRACKED SOME COLD BEERS 238 00:16:19,529 --> 00:16:25,259 AND CRACKED ERIC CHURCH TO TEN ♪ THOUGHT, MAN, IT FEELS GOOD 239 00:16:25,293 --> 00:16:29,264 TO BE COUNTRY AGAIN ♪ YEAH, I LOVE ME SOME 240 00:16:29,298 --> 00:16:33,232 CALIFORNIA ♪ BUT IT SURE AIN'T 241 00:16:33,268 --> 00:16:36,581 TENNESSEE ♪ AND MY ROOTS DOWN THERE 242 00:16:36,615 --> 00:16:41,240 IN GEORGIA ♪ YEAH THEY STARTED MISSIN' ME 243 00:16:41,275 --> 00:16:43,760 AND I WOULDN'T CHANGE ♪ THE THINGS I'VE DONE 244 00:16:43,794 --> 00:16:49,249 OR THE PLACES THAT I'VE BEEN ♪ MAN, IT FEELS GOOD TO BE 245 00:16:49,283 --> 00:16:55,496 COUNTRY AGAIN ♪ ♪ 246 00:16:55,530 --> 00:17:01,260 ♪ MAN, IT FEELS GOOD TO BE COUNTRY AGAIN ♪ 247 00:17:01,296 --> 00:17:09,234 ♪ ♪ ♪ ♪ 248 00:17:09,269 --> 00:17:16,276 ♪ ♪ HOW WE FEELING 249 00:17:16,310 --> 00:17:19,486 ♪ ♪ ♪ DID YOU GROW UP ON A TRACTOR 250 00:17:19,520 --> 00:17:24,422 DID YOUR DADDY LET YOU DRIVE ♪ ARE YOU WHISKEY-BENT AND 251 00:17:24,457 --> 00:17:27,148 HELL-BOUND ♪ EVEN THOUGH YOUR MAMA TRIED 252 00:17:27,183 --> 00:17:33,259 DID YOU CRUISE DOWN A BACK ROAD ♪ WITH YOUR DIXIELAND DELIGHT 253 00:17:33,292 --> 00:17:39,471 ARE YOU ON THE CHATTAHOOCHEE ♪ ON A BAREFOOT, BLUE JEAN NIGHT 254 00:17:39,506 --> 00:17:41,645 ♪ EVERYBODY GOT A SMALL TOWN ANTHEM 255 00:17:41,681 --> 00:17:48,101 ♪ EVERYBODY GOT A STORY TO TELL EVERYBODY GOT A HALLELUJAH 256 00:17:48,135 --> 00:17:50,586 ♪ EVERYBODY BEEN THROUGH A LITTLE HELL 257 00:17:50,621 --> 00:17:53,243 ♪ WHEN YOU'RE ROLLIN' DOWN A TWO-LANE HIGHWAY 258 00:17:53,278 --> 00:17:58,041 ♪ AND YOU TURN YOUR RADIO ON TELL ME WHICH ONE HITS YOU, BABY 259 00:17:58,076 --> 00:18:07,500 ♪ YEAH, WHAT'S YOUR COUNTRY SONG YEAH, WHAT'S YOUR COUNTRY SONG 260 00:18:07,534 --> 00:18:09,536 ♪ DO YOUR EXES LIVE IN TEXAS ARE YOU SO LONESOME 261 00:18:09,570 --> 00:18:13,230 ♪ YOU COULD CRY ARE YOU HEARTBROKE 262 00:18:13,263 --> 00:18:16,440 ♪ 'CAUSE YOU KNOW THAT AIN'T YOUR TRUCK 263 00:18:16,473 --> 00:18:19,374 ♪ IN HER DRIVE ARE YOUR FRIENDS 264 00:18:19,407 --> 00:18:25,104 ♪ ALL IN LOW PLACES UNDERNEATH THE NEON MOON 265 00:18:25,137 --> 00:18:29,142 ♪ WERE YOU ALREADY COUNTRY BACK WHEN COUNTRY WASN'T COOL 266 00:18:29,176 --> 00:18:31,075 ♪ EVERYBODY GOT A SMALL TOWN ANTHEM 267 00:18:31,109 --> 00:18:37,011 ♪ EVERYBODY GOT A STORY TO TELL EVERYBODY GOT A HALLELUJAH 268 00:18:37,046 --> 00:18:40,221 ♪ EVERYBODY BEEN THROUGH A LITTLE HELL 269 00:18:40,257 --> 00:18:43,500 ♪ WHEN YOU'RE ROLLIN' DOWN A TWO-LANE HIGHWAY 270 00:18:43,536 --> 00:18:47,608 ♪ AND YOU TURN YOUR RADIO ON TELL ME WHICH ONE HITS YOU, BABY 271 00:18:47,643 --> 00:18:54,409 ♪ YEAH, WHAT'S YOUR COUNTRY SONG YEAH WHAT'S YOUR COUNTRY SONG 272 00:18:54,442 --> 00:19:00,932 MAKE SOME NOISE AT THE ACM'S ♪ ♪ 273 00:19:00,967 --> 00:19:05,247 ♪ ♪ ♪ WHO'S YOUR STRAWBERRY WINE 274 00:19:05,281 --> 00:19:09,250 WHAT'S YOUR FAMILY TRADITION ♪ WHAT MAKES YOU TURN IT UP 275 00:19:09,286 --> 00:19:13,255 MAKES YOU RAISE YOUR CUP ♪ EVERY TIME YOU LISTEN 276 00:19:13,289 --> 00:19:15,499 ♪ EVERYBODY GOT A SMALL TOWN ANTHEM 277 00:19:15,532 --> 00:19:21,366 ♪ EVERYBODY GOT A STORY TO TELL EVERYBODY GOT A HALLELUJAH 278 00:19:21,401 --> 00:19:24,369 ♪ EVERYBODY BEEN THROUGH A LITTLE HELL 279 00:19:24,403 --> 00:19:26,164 ♪ WHEN YOU'RE ROLLIN' DOWN A TWO-LANE HIGHWAY 280 00:19:26,199 --> 00:19:31,859 ♪ AND YOU TURN YOUR RADIO ON TELL ME WHICH ONE HITS YOU, BABY 281 00:19:31,894 --> 00:19:45,252 ♪ YEAH, WHAT'S YOUR COUNTRY SONG YEAH, WHAT'S YOUR COUNTRY SONG ♪ 282 00:19:45,287 --> 00:19:50,016 ♪ ♪ [ CHEERS AND APPLAUSE] 283 00:19:50,049 --> 00:19:53,226 >> THANK YOU SO MUCH, LOVE Y'ALL. 284 00:19:53,260 --> 00:19:55,917 >> AND NOW TO >> AND NOW, OVER TO THE 285 00:19:55,952 --> 00:20:01,647 LEGENDARY BLUEBIRD CAFEÉ FOR MIRANDA LAMBERT AND CHRIS 286 00:20:01,682 --> 00:20:04,893 STAPLETON. 287 00:20:04,926 --> 00:20:09,241 ♪ LET ME TELL YOU A STORY ABOUT AN OLD FRIEND OF MINE 288 00:20:09,277 --> 00:20:12,865 ♪ SOMEBODY LEFT HER IN A SHOPPING CART 289 00:20:12,901 --> 00:20:16,041 ♪ IN A PARKING LOT FOR US TO FIND 290 00:20:16,076 --> 00:20:23,567 ♪ JUST A FUZZY BLACK PUP SHE WAS HUNGRY AND FEELING ALONE 291 00:20:23,601 --> 00:20:31,471 ♪ WE PUT HER IN THE BACK SEAT TOLD HER WE WERE TAKING HER HOME 292 00:20:31,506 --> 00:20:37,269 ♪ RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 293 00:20:37,305 --> 00:20:48,247 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 294 00:20:48,280 --> 00:20:53,286 ♪ A FEW KIDS LATER WE MOVED OUT ON THE FARM 295 00:20:53,320 --> 00:20:55,909 ♪ AND SHE FOLLOWED THOSE KIDS AROUND, YEAH 296 00:20:55,943 --> 00:21:02,951 ♪ SHE KEPT THEM SAFE FROM HARM AND SHE LOVED TO CHASE SQUIRRELS 297 00:21:02,984 --> 00:21:11,028 ♪ AND PLAYING OUT IN THE SNOW SHE'D TAKE OFF LIKE A BULLET 298 00:21:11,061 --> 00:21:17,172 ♪ MAN, YOU SHOULD HAVE SEEN HER GO 299 00:21:17,205 --> 00:21:21,314 ♪ RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 300 00:21:21,348 --> 00:21:29,288 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 301 00:21:29,321 --> 00:21:37,260 ♪ ♪ ♪ ♪ 302 00:21:37,296 --> 00:21:45,269 ♪ ♪ ♪ ♪ 303 00:21:45,304 --> 00:21:52,586 ♪ IT WAS RAINING ON A MONDAY THE DAY THAT MAGGIE DIED 304 00:21:52,621 --> 00:21:54,760 ♪SHE WOKE UP AND COULDN'T USE HER LEGS 305 00:21:54,796 --> 00:22:01,836 ♪ SO I LAID DOWN BY HER SIDE SHE PUT HER HEAD ON MY HAND 306 00:22:01,872 --> 00:22:09,292 ♪ LIKE SHE'D DONE SO MANY TIMES I TOLD HER SHE WAS A GOOD DOG 307 00:22:09,327 --> 00:22:17,196 ♪ THEN I TOLD HER GOODBYE RUN, MAGGIE, RUN 308 00:22:17,231 --> 00:22:19,992 ♪ WITH THE HEART OF A REBEL CHILD 309 00:22:20,028 --> 00:22:29,278 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 310 00:22:29,313 --> 00:22:37,286 ♪ I HAD A REVELATION AS THE TRACTOR DUG A HOLE 311 00:22:37,320 --> 00:22:43,500 ♪ I CAN TELL YOU RIGHT NOW THAT A DOG HAS A SOUL 312 00:22:43,534 --> 00:22:50,195 ♪ AND I THOUGHT TO MYSELF AS WE BURIED HER ON THE HILL 313 00:22:50,230 --> 00:22:57,271 ♪ I NEVER KNEW ME A BETTER DOG AND I GUESS I NEVER WILL 314 00:22:57,306 --> 00:23:05,279 ♪ RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 315 00:23:05,314 --> 00:23:13,252 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 316 00:23:13,288 --> 00:23:19,500 ♪ OH, RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 317 00:23:19,536 --> 00:23:25,265 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE 318 00:23:25,299 --> 00:23:34,135 ♪ AS YOU ARE WILD [ APPLAUSE] 319 00:23:34,171 --> 00:23:35,586 >> Mickey: HEY, Y'ALL. 320 00:23:35,621 --> 00:23:37,242 I'M AT THE HISTORIC RYMAN AUDITORIUM FOR A VERY SPECIAL 321 00:23:37,277 --> 00:23:40,384 PERFORMANCE. 322 00:23:40,419 --> 00:23:42,627 MAREN MORRIS AND RYAN HURD RECENTLY COLLABORATED ON TWO 323 00:23:42,662 --> 00:23:44,353 GREAT PROJECTS. 324 00:23:44,387 --> 00:23:49,116 FIRST WAS THEIR BABY, HAYES ANDREW HURD; AND SECOND IS THEIR 325 00:23:49,151 --> 00:23:52,291 FIRST EVER DUET, "“CHASING AFTER YOU."” 326 00:23:52,326 --> 00:23:55,468 THEY'RE ONE OF MY FAVORITE MARRIED COUPLES. 327 00:23:55,502 --> 00:23:57,919 THEY'RE BOTH SO TALENTED, AND SHE'S ALWAYS BEEN THERE FOR ME. 328 00:23:57,952 --> 00:24:05,064 HERE ARE MAREN MORRIS AND RYAN HURD. 329 00:24:05,097 --> 00:24:12,829 [ APPLAUSE] ♪ ♪ 330 00:24:12,865 --> 00:24:19,215 ♪ ♪ ♪ ♪ 331 00:24:19,250 --> 00:24:21,390 ♪ ♪ ♪ YOU COME OVER WHEN 332 00:24:21,424 --> 00:24:25,221 YOUR WINE'S ALL GONE ♪ ALWAYS CATCH ME WHEN I'M 333 00:24:25,256 --> 00:24:29,226 NOT THAT STRONG ♪ THEN YOU WIND UP STAYIN' 334 00:24:29,259 --> 00:24:34,611 ALL NIGHT LONG ♪ AIN'T NOTHIN' NEW 335 00:24:34,644 --> 00:24:37,233 THEN I WAKE UP WITH YOU ♪ ON MY CHEST 336 00:24:37,268 --> 00:24:41,238 YOU GOT A WAY OF ♪ MAKIN' ME FORGET 337 00:24:41,271 --> 00:24:45,241 GIRL, WITH YOU THE ANSWER'S ♪ ALWAYS YES 338 00:24:45,276 --> 00:24:49,246 EVERY TIME YOU CALL ♪ BUT I KNOW, YEAH I KNOW 339 00:24:49,279 --> 00:24:52,007 IT'S A MATTER OF TIME ♪ 'TIL YOU WALK, 'TIL YOU WALK 340 00:24:52,041 --> 00:24:57,219 BACK OUTTA MY LIFE ♪ LEAVE ME STANDIN' HERE LONELY 341 00:24:57,253 --> 00:25:05,227 FEELIN' LIKE A FOOL, MM-MM ♪ EVERY TIME, EVERY TIME 342 00:25:05,261 --> 00:25:07,506 YOU SAY WE'RE DONE ♪ YOU COME BACK TO THE LOVE 343 00:25:07,539 --> 00:25:13,234 YOU WERE RUNNIN' FROM ♪ DON'T KNOW WHY, DON'T KNOW WHY 344 00:25:13,269 --> 00:25:17,239 I LET YOU, BUT I DO ♪ GUESS I LOVE CHASIN' 345 00:25:17,273 --> 00:25:25,247 AFTER YOU, MM-MM ♪ LISTEN, WISH I COULD QUIT YOU 346 00:25:25,281 --> 00:25:29,528 BUT IT FEEL TOO GOOD ♪ IF I COULD TURN IT OFF 347 00:25:29,561 --> 00:25:33,221 YOU KNOW I WOULD ♪ BUT SOMETHIN' 'BOUT YOU 348 00:25:33,255 --> 00:25:39,572 MAKES ME THINK WE COULD ♪ MAKE IT AFTER ALL 349 00:25:39,606 --> 00:25:43,057 BUT I KNOW, YEAH I KNOW ♪ IT'S A MATTER OF TIME 350 00:25:43,093 --> 00:25:45,232 'TIL YOU WALK, 'TIL YOU WALK ♪ BACK OUTTA MY LIFE 351 00:25:45,267 --> 00:25:53,240 LEAVE ME STANDIN' HERE LONELY ♪ FEELIN' LIKE A FOOL 352 00:25:53,275 --> 00:25:57,244 EVERY TIME, EVERY TIME ♪ YOU SAY WE'RE DONE 353 00:25:57,278 --> 00:26:00,040 YOU COME BACK TO THE LOVE ♪ YOU WERE RUNNIN' FROM 354 00:26:00,075 --> 00:26:05,252 DON'T KNOW WHY, DON'T KNOW WHY ♪ I LET YOU BUT I DO 355 00:26:05,287 --> 00:26:12,709 'CAUSE I LOVE CHASIN' AFTER YOU 356 00:26:12,742 --> 00:26:17,230 ♪ ♪ OOOH 357 00:26:17,265 --> 00:26:25,238 OH, YEAH OOOH 358 00:26:25,272 --> 00:26:29,241 ♪ YOU COME OVER WHEN YOUR WINE'S ALL GONE 359 00:26:29,277 --> 00:26:32,729 ♪ ALWAYS CATCH ME WHEN I'M NOT THAT STRONG 360 00:26:32,762 --> 00:26:37,215 ♪ THEN YOU WIND UP STAYIN' ALL NIGHT LONG 361 00:26:37,250 --> 00:26:41,220 ♪ AIN'T NOTHIN' NEW BUT I KNOW, YEAH I KNOW 362 00:26:41,253 --> 00:26:45,223 ♪ IT'S A MATTER OF TIME 'TIL YOU WALK, 'TIL YOU WALK 363 00:26:45,258 --> 00:26:49,228 ♪ BACK OUTTA MY LIFE LEAVE ME STANDIN' HERE LONELY 364 00:26:49,261 --> 00:26:53,231 ♪ FEELIN' LIKE A FOOL YEAH 365 00:26:53,266 --> 00:26:57,236 ♪ EVERY TIME, EVERY TIME YOU SAY WE'RE DONE 366 00:26:57,269 --> 00:27:00,134 ♪ YOU COME BACK TO THE LOVE YOU WERE RUNNIN' FROM 367 00:27:00,170 --> 00:27:05,451 ♪ DON'T KNOW WHY, DON'T KNOW WHY I LET YOU DO, BUT I DO 368 00:27:05,484 --> 00:27:10,663 ♪ GUESS I LOVE CHASIN' AFTER YOU 369 00:27:10,698 --> 00:27:21,259 ♪ I LOVE CHASIN' AFTER YOU ♪ ♪ 370 00:27:21,294 --> 00:27:31,304 ♪ OOOH [ CHEERS AND APPLAUSE] 371 00:27:31,338 --> 00:27:38,795 ♪ OOOH [ CHEERS AND APPLAUSE] 372 00:27:38,828 --> 00:27:43,799 >> Announcer: AND NOW, LET'S GO DOWN TO THE RIVERFRONT FOR A 373 00:27:43,834 --> 00:27:49,219 PERFORMANCE BY NOMINEE TONIGHT, LADY A. 374 00:27:49,252 --> 00:27:55,500 ♪ LADY ♪ ♪ 375 00:27:55,535 --> 00:27:59,816 LADY ♪ BOY 376 00:27:59,849 --> 00:28:05,131 I'M NOT THE KIND OF GIRL ♪ TO GO AND FIGHT FOR 377 00:28:05,165 --> 00:28:09,239 ALL YOUR ATTENTION MMM, MMM 378 00:28:09,272 --> 00:28:12,482 ♪ I'M NOT TOO AFRAID TO CALL THIS OFF 379 00:28:12,518 --> 00:28:17,211 ♪ AND GO SEE WHAT I'VE BEEN MISSING 380 00:28:17,247 --> 00:28:20,214 MMM, MMM ♪ LEAVE THE DRESS AT HOME 381 00:28:20,250 --> 00:28:25,496 'CAUSE IT MAKES ME TOO POLITE ♪ NO MORE WAITIN' BY THE PHONE 382 00:28:25,530 --> 00:28:31,501 I'M STEPPIN' OUT TONIGHT ♪ 'CAUSE I FEEL LIKE A LADY 383 00:28:31,537 --> 00:28:33,642 SIPPIN' ON TEQUILA ♪ WITH MY LEVI'S ON 384 00:28:33,676 --> 00:28:37,369 A LADY ♪ SINGIN' TO THE MUSIC 385 00:28:37,404 --> 00:28:40,719 PLAYIN' ALL NIGHT LONG ♪ YEAH, I'M FEELIN' RIGHT 386 00:28:40,752 --> 00:28:43,513 I'M LIVIN' MY LIFE ♪ I DO WHAT I LIKE 387 00:28:43,548 --> 00:28:49,210 'CAUSE I FEEL LIKE A LADY LADY 388 00:28:49,243 --> 00:28:53,213 ♪ TREAT MYSELF TO WHAT'S UP ON THE HIGHEST SHELF 389 00:28:53,248 --> 00:28:58,666 ♪ I WANT IT, I GET IT MMM, MMM 390 00:28:58,701 --> 00:29:05,226 ♪ I MIGHT LOOK LIKE I'M LONELY BUT I'M ONLY 391 00:29:05,259 --> 00:29:08,607 ♪ LOVING EVERY MINUTE OOH, BABY 392 00:29:08,643 --> 00:29:13,578 ♪ LEAVE THE HEELS AT HOME 'CAUSE THEY NEVER DO ME RIGHT 393 00:29:13,613 --> 00:29:19,516 ♪ GO OUT DANCING ON MY OWN MAN, THESE HIPS DON'T LIE 394 00:29:19,549 --> 00:29:23,243 ♪ 'CAUSE I FEEL LIKE A LADY SIPPIN' ON TEQUILA 395 00:29:23,278 --> 00:29:26,936 ♪ WITH MY LEVI'S ON A LADY 396 00:29:26,971 --> 00:29:29,112 ♪ SINGIN' TO THE MUSIC PLAYIN' ALL NIGHT LONG 397 00:29:29,145 --> 00:29:31,390 ♪ YEAH, I'M FEELIN' RIGHT I'M LIVIN' MY LIFE 398 00:29:31,423 --> 00:29:37,119 ♪ I DO WHAT I LIKE 'CAUSE I FEEL LIKE A LADY 399 00:29:37,153 --> 00:29:41,538 LADY ♪ FEEL LIKE A LADY 400 00:29:41,572 --> 00:29:49,132 A LADY, YEAH ♪ ♪ 401 00:29:49,165 --> 00:29:55,378 ♪ ♪ ♪ ♪ 402 00:29:55,413 --> 00:29:57,346 ♪ MIGHT CHANGE MY HAIR AND CHANGE MY MIND 403 00:29:57,381 --> 00:29:59,589 ♪ MIGHT CHANGE YOUR WHOLE DAMN LIFE 404 00:29:59,625 --> 00:30:03,422 ♪ I MIGHT BREAK YOUR HEART AND NOT THINK TWICE 405 00:30:03,455 --> 00:30:06,182 ♪ THAT'S RIGHT I'M A LADY 406 00:30:06,218 --> 00:30:09,116 ♪ SIPPIN' ON TEQUILA WITH MY LEVI'S ON 407 00:30:09,152 --> 00:30:13,396 ♪ A LADY SINGIN' TO THE MUSIC 408 00:30:13,432 --> 00:30:16,952 ♪ PLAYIN' ALL NIGHT LONG YEAH, I'M FEELIN' RIGHT 409 00:30:16,987 --> 00:30:18,230 ♪ I'M LIVIN' MY LIFE I DO WHAT I LIKE 410 00:30:18,263 --> 00:30:25,788 ♪ 'CAUSE I FEEL LIKE A LADY LADY, YEAH 411 00:30:25,824 --> 00:30:29,862 ♪ I FEEL LIKE FEEL LIKE A LADY 412 00:30:29,896 --> 00:30:37,041 ♪ I FEEL LIKE I FEEL LIKE A LADY 413 00:30:37,076 --> 00:30:41,769 ♪ LIKE A LADY I FEEL LIKE A LADY ♪ 414 00:30:41,805 --> 00:30:45,773 I FEEL LIKE A LADY I FEEL LIKE A LADY ♪ 415 00:30:45,808 --> 00:30:49,778 [ CHEERS AND APPLAUSE] >> Announcer: DIERKS BENTLEY IS 416 00:30:49,813 --> 00:30:53,126 COMING UP WITH THE WAR AND TREATY, PLUS DOLLY PARTON. 417 00:30:53,161 --> 00:30:56,715 THEN, CARRIE UNDERWOOD TAKES THE GRAND OLE OPRY HOUSE STAGE. 418 00:30:56,750 --> 00:31:00,893 WITH C.E.O. C.E.O. WINANS, LATER, THANKS TO FORD, AN 419 00:31:00,928 --> 00:31:04,034 EMOTIONAL PERFORMANCE BY LUKE COMBS. 420 00:31:04,068 --> 00:31:08,520 THIS IS CBS. 421 00:31:08,556 --> 00:31:09,694 >> THERE ARE MORE THAN 2,000 COUNTRY RADIO STATIONS ACROSS 422 00:31:09,729 --> 00:31:13,354 THE U.S. AND MORE THAN 76 MILLION LYAL LISTENERS. 423 00:31:13,387 --> 00:31:17,944 THE ACADEMY SALUTES THIS YEAR'S WINNERS FOR ON AIR PERSONALITIES 424 00:31:17,979 --> 00:31:26,815 OF THE YEAR. 425 00:31:26,849 --> 00:31:28,230 >> I AM SO EXCITED. 426 00:31:28,265 --> 00:31:30,198 >> BUZZ JACKSON. 427 00:31:30,232 --> 00:31:31,303 >> THANK YOU SO MUCH. 428 00:31:31,336 --> 00:31:32,545 >> STEVE, BEN AND NIKKI. 429 00:31:32,579 --> 00:31:36,790 >> THANK YOU SO MUCH, WE LOVE IT, MAN. 430 00:31:36,825 --> 00:31:39,655 >> Announcer: THE 56th ACM AWARDS 431 00:31:39,690 --> 00:31:42,416 SPONSORED BY EMGALITY. 432 00:31:47,490 --> 00:31:50,597 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 433 00:31:50,632 --> 00:31:50,736 CONTINUE. THIS IS CBS. 434 00:31:56,949 --> 00:31:59,641 >> Announcer: WELCOME BACK TO THE A.C.M. AWARDS. 435 00:31:59,675 --> 00:32:03,782 AND NOW, FROM NASHVILLE'S FAMOUS BLUEBIRD CAFEÉ, HERE'S NEW FEMAL 436 00:32:03,817 --> 00:32:07,269 ARTIST WINNER, GABBY BARRETT. 437 00:32:07,304 --> 00:32:15,278 ♪ ♪ ♪ HE'S A PHONE CALL TO 438 00:32:15,311 --> 00:32:19,281 HIS PARENTS ♪ HE'S A BIBLE BY THE BED 439 00:32:19,316 --> 00:32:23,286 HE'S THE TEE SHIRT ♪ THAT I'M WEARIN' 440 00:32:23,319 --> 00:32:30,500 HE'S THE SONG STUCK IN MY HEAD ♪ HE'S SOLID AND HE'S STEADY 441 00:32:30,534 --> 00:32:33,227 LIKE THE ALLEGHENY RUNS ♪ HE KNOWS JUST WHERE 442 00:32:33,260 --> 00:32:35,262 HE'S GOIN' ♪ AND HE'S PROUD OF 443 00:32:35,298 --> 00:32:42,925 WHERE HE'S FROM ♪ ONE OF THE GOOD ONES 444 00:32:42,961 --> 00:32:47,275 HE'S ONE OF THE GOOD ONES ♪ A LOVE-ME-LIKE-HE-SHOULD ONE 445 00:32:47,309 --> 00:32:51,278 LIKE-HE-WROTE-THE-BOOK ONE ♪ THE KIND YOU FIND WHEN YOU 446 00:32:51,314 --> 00:32:59,252 DON'T EVEN LOOK ONE ♪ ANYBODY CAN BE GOOD ONCE 447 00:32:59,287 --> 00:33:07,260 BUT HE'S GOOD ALL THE TIME ♪ HE'S ONE OF THE GOOD ONES 448 00:33:07,295 --> 00:33:10,021 AND HE'S ALL MINE ♪ WE SHOULD ALL 449 00:33:10,057 --> 00:33:15,751 FIND US ONE ♪ THEY'RE OUT THERE 450 00:33:15,786 --> 00:33:25,382 MINUS ONE ♪ SOME OF THE GOOD ONES 451 00:33:25,416 --> 00:33:32,700 YEAH, I GOT A GOOD ONE ♪ A LOVE-ME-LIKE-HE-SHOULD ONE 452 00:33:32,733 --> 00:33:39,119 LIKE-HE-WROTE-THE-BOOK ONE ♪ THE KIND YOU FIND WHEN YOU 453 00:33:39,154 --> 00:33:47,058 DON'T EVEN LOOK ♪ ANYBODY CAN BE GOOD ONCE 454 00:33:47,094 --> 00:33:59,070 BUT HE'S GOOD ALL THE TIME ♪ HE'S ONE OF THE GOOD ONES 455 00:33:59,105 --> 00:34:11,221 AND HE'S ALL MINE ♪ [ APPLAUSE] 456 00:34:11,255 --> 00:34:15,086 >> AND NOW, LET'S GO BACK TO THE GRAND OLE OPRY HOUSE. 457 00:34:15,121 --> 00:34:21,541 AND TO PRESENT OUR NEXT AWARD, DARIUS RUCKER. 458 00:34:21,576 --> 00:34:24,476 ♪ ♪ [ CHEERS AND APPLAUSE] 459 00:34:24,510 --> 00:34:27,099 >> THESE ARE THE SONGS GAVE US GREAT EMOTIONAL CONNECTIONS AND 460 00:34:27,134 --> 00:34:28,342 REASONS TO SMILE. 461 00:34:28,376 --> 00:34:32,311 HERE ARE THE NOMINEES FOR SONG OF THE YEAR. 462 00:34:32,346 --> 00:34:35,521 >> Announcer: "“BLUEBIRD,"” BY MIRANDA LAMBERT. 463 00:34:35,556 --> 00:34:46,117 SONGWRITERS: LUKE DICK, MIRANDA LAMBERT, NATALIE HEMBY"“ 464 00:34:46,152 --> 00:34:49,534 ONE NIGHT STANDARDS,"” BY ASHLEY McBRYDE. 465 00:34:49,570 --> 00:34:55,092 SONGWRITERS: ASHLEY McBRYDE, NICOLETTE HAYFORD, SHANE 466 00:34:55,126 --> 00:35:06,242 McANALLY."“ SOME PEOPLE DO,"” BY OLD 467 00:35:06,275 --> 00:35:07,483 DOMINION. 468 00:35:07,518 --> 00:35:11,108 SONGWRITERS: JESSE FRASURE, MATT RAMSEY, THOMAS RHETT, SHANE 469 00:35:11,143 --> 00:35:21,119 McANALLY."“ STARTING OVER,"” BY CHRIS 470 00:35:21,152 --> 00:35:22,809 STAPLETON. 471 00:35:22,844 --> 00:35:31,715 SONGWRITERS: CHRIS STAPLETON, MIKE HENDERSON."“ 472 00:35:31,750 --> 00:35:35,097 THE BONES,"” BY MAREN MORRIS. 473 00:35:35,132 --> 00:35:44,865 SONGWRITERS: JIMMY ROBBINS, MAREN MORRIS, LAURA VELTZ. 474 00:35:44,900 --> 00:35:51,182 >> AND THE A.C.M. SONG OF THE YEAR GOES TO:"“ 475 00:35:51,217 --> 00:35:55,083 THE BONES,"” BY MAREN MORRIS. 476 00:35:55,117 --> 00:36:03,954 ♪ ♪ [ CHEERS AND APPLAUSE] 477 00:36:03,989 --> 00:36:13,998 ♪ ♪ [ CHEERS AND APPLAUSE] 478 00:36:14,032 --> 00:36:19,072 ♪ ♪ [ CHEERS AND APPLAUSE] 479 00:36:19,106 --> 00:36:21,213 >> THANK YOU. 480 00:36:21,248 --> 00:36:24,974 THIS IS, THIS IS REALLY BITTERSWEET BECAUSE I DIDN'T 481 00:36:25,010 --> 00:36:28,081 WRITE THIS JUST BY MYSELF, AND EACH TIME I'VE BEEN SO LUCKY TO 482 00:36:28,115 --> 00:36:35,813 ACCEPT AN AWARD FOR THIS SONG, MY COWRITERS LAURA VELTZ AND 483 00:36:35,847 --> 00:36:41,233 JIMMY ROBYNS HAVE NOT BEEN ABLE TO BE HERE, THANK YOU FOR THE 484 00:36:41,268 --> 00:36:42,440 ACMS FOR KEEPING US SAFE, THIS SO MEANINGFUL TO ME, SONG OF THE 485 00:36:42,476 --> 00:36:45,030 YEAR IS SOMETHING THAT I HAVE JUST DREAMT OF FOR SO LONG. 486 00:36:45,063 --> 00:36:50,172 AND I FEEL LIKE WITH THIS SONG, WITH "THE BONES" I WROTE T I WAS 487 00:36:50,208 --> 00:36:57,284 DATING MY NOW HUSBAND, AND IT WAS JUST A SONG TO HIM. 488 00:36:57,318 --> 00:37:00,114 AND I FEEL SOMETIMES LIKE SONGS KNOW YOU BETTER THAN YOU KNOW 489 00:37:00,148 --> 00:37:01,356 THEM AT THE TIME. 490 00:37:01,391 --> 00:37:03,737 AND I FEEL LIKE THIS SONG HAS REVEALED SO MANY NEW THINGS TO 491 00:37:03,773 --> 00:37:07,914 ME THAT I DIDN'T KNOW WERE POSSIBLE THE DAY I WROTE IT. 492 00:37:07,949 --> 00:37:10,987 AND THIS HAS JUST BEEN A HELL OF A YEAR. 493 00:37:11,021 --> 00:37:15,543 AND HOPEFULLY COUNTRY MUSIC AND MAYBE EVEN THIS SONG BROUGHT YOU 494 00:37:15,577 --> 00:37:18,132 AND YOUR FAMILY AND FRIENDS SOME PEACE. 495 00:37:18,166 --> 00:37:21,791 SO THANK YOU SO MUCH. 496 00:37:21,824 --> 00:37:23,378 [ CHEERS AND APPLAUSE] >> Announcer: LET'S GO TO 497 00:37:23,413 --> 00:37:25,242 NASHVILLE'S FAMOUS STATION INN AND MALE ARTIST OF THE YEAR 498 00:37:25,277 --> 00:37:32,905 NOMINEE, DIERKS BENTLEY, JOINED BY THE WAR AND TREATY. 499 00:37:32,940 --> 00:37:36,012 WELCOME TO THE STAKES INN. 500 00:37:36,045 --> 00:37:39,842 I FIRST CAME IN THIS BAR WHEN I WAS ABOUT 19 YEARS OLD LOOKING 501 00:37:39,878 --> 00:37:41,155 FOR SOMETHING. 502 00:37:41,188 --> 00:37:44,054 AND I FOUND IT IN THE MUSIC HERE AND I FOUND IT IN THE BLUEGRASS 503 00:37:44,088 --> 00:37:46,954 COMMUNITY AND WE RECENTLY LOST THE LEADER OF THAT BLUEGRASS 504 00:37:46,987 --> 00:37:51,061 COMMUNITY AND THE OWNER OF THIS BAR, MR. JT GRAY SO WE WILL BE 505 00:37:51,096 --> 00:38:01,762 THINKING OF HIM TONIGHT AS WE SING THIS SONG. 506 00:38:01,795 --> 00:38:12,117 ♪ ♪ ♪ ♪ 507 00:38:12,150 --> 00:38:16,327 ♪ ♪ ♪ ONE MAN COME 508 00:38:16,362 --> 00:38:21,782 IN THE NAME OF LOVE ♪ ONE MAN COME AND GO 509 00:38:21,815 --> 00:38:25,786 ONE MAN COME ♪ HERE TO JUSTIFY 510 00:38:25,820 --> 00:38:33,759 ONE MAN TO OVERTHROW ♪ IN THE NAME OF LOVE 511 00:38:33,793 --> 00:38:40,972 WHAT MORE IN THE NAME OF LOVE ♪ IN THE NAME OF LOVE 512 00:38:41,007 --> 00:38:49,775 WHAT MORE IN THE NAME OF LOVE ♪ ONE MAN CAUGHT 513 00:38:49,809 --> 00:38:54,123 ON A BARBED WIRE FENCE ♪ ONE MAN, HE RESIST 514 00:38:54,159 --> 00:39:00,096 ONE MAN WASHED ♪ ON AN EMPTY BEACH 515 00:39:00,130 --> 00:39:06,239 ONE MAN BETRAYED WITH A KISS ♪ IN THE NAME OF LOVE 516 00:39:06,273 --> 00:39:17,768 WHAT MORE IN THE NAME OF LOVE ♪ IN THE NAME OF LOVE 517 00:39:17,802 --> 00:39:25,777 WHAT MORE IN THE NAME OF LOVE ♪ ♪ 518 00:39:25,811 --> 00:39:36,097 ♪ ♪ ♪ ♪ 519 00:39:36,132 --> 00:39:45,762 ♪ ♪ ♪ ♪ 520 00:39:45,797 --> 00:39:53,769 ♪ ♪ ♪ ♪ 521 00:39:53,804 --> 00:40:01,777 ♪ ♪ OOH,OOH 522 00:40:01,813 --> 00:40:09,061 ♪ OOH, OOH ♪ EARLY EVENING, APRIL 4 523 00:40:09,096 --> 00:40:10,235 SHOT RINGS OUT ♪ IN THE MEMPHIS SKY 524 00:40:10,268 --> 00:40:14,307 YEAH ♪ FREE AT LAST 525 00:40:14,342 --> 00:40:19,762 THEY TOOK YOUR LIFE ♪ BUT THEY COULD NOT TAKE 526 00:40:19,795 --> 00:40:23,972 YOUR PRIDE ♪ IN THE NAME OF LOVE 527 00:40:24,007 --> 00:40:32,463 WHAT MORE IN THE NAME OF LOVE ♪ IN THE NAME OF LOVE 528 00:40:32,498 --> 00:40:43,751 WHAT MORE IN THE NAME OF LOVE ♪ ♪ ♪ 529 00:40:43,786 --> 00:40:51,759 ♪ ♪ ♪ ♪ 530 00:40:51,793 --> 00:40:59,179 ♪ ♪ ♪ ♪ 531 00:40:59,215 --> 00:41:03,771 ♪ ♪ ♪ ♪ 532 00:41:03,806 --> 00:41:11,778 ♪ ♪ ♪ ♪ 533 00:41:11,813 --> 00:41:18,440 ♪ ♪ [ CHEERS AND APPLAUSE] 534 00:41:18,476 --> 00:41:22,202 >> Announcer: CARRIE UNDERWOOD WITH A SPECIAL PERFORMANCE 535 00:41:22,237 --> 00:41:23,757 FEATURING CECE WINANS. AND ERIC CHURCH AT THE RYMAN 536 00:41:23,791 --> 00:41:25,344 AUDITORIUM. 537 00:41:25,378 --> 00:41:27,760 PLUS, DAN + SHAY. LATER, THANKS TO FORD, WE RETURN 538 00:41:27,795 --> 00:41:31,039 TO THE NASHVILLE RIVERFRONT FOR A PERFORMANCE FROM ASHLEY 539 00:41:31,074 --> 00:41:35,181 McBRYDE. THIS IS CBS. 540 00:41:35,215 --> 00:41:37,909 >> VACCINE, VACCINE, VACCINE, VACCINE! 541 00:41:37,943 --> 00:41:41,809 I'M BEGGING OF YOU, PLEASE DON'T HESITATE. 542 00:41:41,844 --> 00:41:46,641 I KNOW I'M TRYING TO BEING FUNNY NOW, BUT I'M DEAD SERIOUS ABOUT 543 00:41:46,675 --> 00:41:47,884 THE VACCINE. 544 00:41:47,918 --> 00:41:49,367 I JUST WANT TO TO ENCOURAGE EVERYBODY BECAUSE THE SOONER WE 545 00:41:49,402 --> 00:41:53,164 GET TO FEELING BETTER, THE SOONER WE ARE GOING TO GET BACK 546 00:41:53,199 --> 00:41:56,858 TO BEING NORMAL. 547 00:41:56,893 --> 00:41:58,860 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS, 548 00:41:58,894 --> 00:42:02,001 SPONSORED BY: T-MOBILE, THE LEADER IN 5G. 549 00:42:02,036 --> 00:42:06,420 AMERICA'S LARGEST, FASTEST, AND NOW MOST RELIABLE 5G NETWORK. 550 00:42:09,215 --> 00:42:12,460 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 551 00:42:12,494 --> 00:42:14,186 CONTINUE. THIS IS CBS 552 00:42:17,327 --> 00:42:19,052 >> WELL, HEY, EVERYBODY. 553 00:42:19,088 --> 00:42:23,402 I AM SO PLEASED AND PROUD TO INTRODUCE MY DEAR FRIEND, CARRIE 554 00:42:23,436 --> 00:42:24,679 UNDERWOOD, TONIGHT. 555 00:42:24,713 --> 00:42:29,650 I HAVE ALWAYS ADMIRED CARRIE'S INCREDIBLE TALENT, BUT I AM JUST 556 00:42:29,684 --> 00:42:31,963 AS IMPRESSED WITH HER PERSONAL QUALITIES-- HER COMPASSION, 557 00:42:31,996 --> 00:42:37,762 KINDNESS, GENEROSITY, AND, MOST OF ALL, THE POWERFUL FAITH THAT 558 00:42:37,795 --> 00:42:39,003 WE BOTH SHARE. 559 00:42:39,039 --> 00:42:42,905 NOW, HER PERFORMANCE TONIGHT SPEAKS TO THAT FAITH IN A MEDLEY 560 00:42:42,938 --> 00:42:47,184 FROM HER NEW GOSPEL HYMNS ALBUM, "MY SAVIOR," WHICH I KNOW IS A 561 00:42:47,219 --> 00:42:51,396 TRUE PASSION PROJECT FOR HER. 562 00:42:51,429 --> 00:42:56,918 LADIES AND GENTLEMEN, CARRIE UNDERWOOD. 563 00:42:56,952 --> 00:43:07,411 [ CHEERS AND APPLAUSE] ♪ AMAZING GRACE 564 00:43:07,445 --> 00:43:19,423 HOW SWEET THE SOUND ♪ THAT SAVED A WRETCH 565 00:43:19,458 --> 00:43:31,746 LIKE ME ♪ I ONCE WAS LOST 566 00:43:31,780 --> 00:43:41,791 BUT NOW I'M FOUND ♪ WAS BLIND, BUT NOW 567 00:43:41,826 --> 00:43:47,416 BUT NOW I'M FOUND ♪ WAS BLIND, BUT NOW 568 00:43:47,452 --> 00:43:59,291 I SEE ♪ ♪ 569 00:43:59,326 --> 00:44:03,157 ♪ GREAT IS THY FAITHFULNESS O GOD MY FATHER 570 00:44:03,192 --> 00:44:11,407 ♪ THERE IS NO SHADOW OF TURNING WITH THEE 571 00:44:11,440 --> 00:44:19,380 ♪ THOU CHANGEST NOT THY COMPASSIONS 572 00:44:19,414 --> 00:44:23,418 ♪ THEY FAIL NOT AS THOU HAST BEEN 573 00:44:23,452 --> 00:44:31,840 ♪ THOU FOREVER WILL BE GREAT IS THY FAITHFULNESS 574 00:44:31,876 --> 00:44:39,400 ♪ GREAT IS THY FAITHFULNESS MORNING BY MORNING 575 00:44:39,434 --> 00:44:47,407 ♪ NEW MERCIES I SEE ALL I HAVE NEEDED 576 00:44:47,443 --> 00:44:55,416 ♪ THY HAND HATH PROVIDED GREAT IS THY FAITHFULNESS 577 00:44:55,451 --> 00:45:05,460 ♪ LORD, UNTO ME SUMMER AND WINTER 578 00:45:05,494 --> 00:45:11,708 ♪ LORD, UNTO ME SUMMER AND WINTER 579 00:45:16,574 --> 00:45:19,405 ♪ SPRINGTIME AND HARVEST SUN, MOON AND STARS 580 00:45:19,440 --> 00:45:25,757 ♪ IN THEIR COURSES ABOVE JOIN WITH ALL NATURE 581 00:45:25,791 --> 00:45:35,387 ♪ IN MANIFOLD WITNESS T THY GREAT FAITHFULNESS 582 00:45:35,422 --> 00:45:43,394 ♪ MERCY, AND LOVE GREAT IS THY FAITHFULNESS 583 00:45:43,429 --> 00:45:47,088 ♪ GREAT IS THY FAITHFULNESS MORNING BY MORNING 584 00:45:47,123 --> 00:45:59,411 ♪ NEW MERCIES I SEE ALL I HAVE NEEDED 585 00:45:59,445 --> 00:46:05,485 ♪ THY HAND HATH PROVIDED GREAT IS THY FAITHFULNESS 586 00:46:05,521 --> 00:46:19,155 GREAT IS THY FAITHFULNESS ♪ GREAT IS THY FAITHFULNESS 587 00:46:19,190 --> 00:46:30,822 [ CHEERS AND APPLAUSE] ♪ LORD, UNTO ME 588 00:46:30,856 --> 00:46:31,858 ♪ SO I'LL CHERISH THE OLD RUGGED CROSS 589 00:46:31,891 --> 00:46:37,795 ♪ 'TIL MY TROPHIES AT LAST I LAY DOWN 590 00:46:37,829 --> 00:46:43,007 ♪ I WILL CLING TO THE OLD RUGGED CROSS 591 00:46:43,041 --> 00:46:54,914 ♪ AND EXCHANGE IT SOMEDAY FOR A CROWN 592 00:46:54,949 --> 00:46:59,402 ♪ OOH, OOH YEAH, AH 593 00:46:59,436 --> 00:47:06,271 ♪ OOH, OOH YEAH, AH 594 00:47:06,306 --> 00:47:07,583 ♪ OOH, OOH ♪ YES, I'LL CHERISH THE 595 00:47:07,617 --> 00:47:18,905 OLD RUGGED CROSS ♪ THANK YOU, JESUS 596 00:47:18,938 --> 00:47:21,389 ♪ YES, I'LL CHERISH THE OLD RUGGED CROSS 597 00:47:21,423 --> 00:47:27,498 ♪ 'TIL MY TROPHIES AT LAST I LAY DOWN 598 00:47:27,534 --> 00:47:35,472 ♪ I WILL CLING TO THE OLD RUGGED CROSS 599 00:47:35,507 --> 00:47:38,889 ♪ AND EXCHANGE IT SOMEDAY FOR A CROWN 600 00:47:38,925 --> 00:47:47,449 ♪ YES, I'LL CHERISH THE OLD RUGGED CROSS 601 00:47:47,485 --> 00:47:59,461 ♪ AND EXCHANGE IT SOMEDAY FOR A CROWN ♪ 602 00:47:59,496 --> 00:48:10,059 [ CHEERS AND APPLAUSE] ♪ WHEN CHRIST SHALL COME 603 00:48:10,094 --> 00:48:19,481 WITH SHOUT OF ACCLAMATION ♪ AND TAKE ME HOME 604 00:48:19,516 --> 00:48:31,460 WHAT JOY SHALL FILL MY HEART ♪ THEN I SHALL BOW 605 00:48:31,494 --> 00:48:39,467 IN HUMBLE ADORATION ♪ AND THEN PROCLAIM, MY GOD 606 00:48:39,501 --> 00:48:47,476 HOW GREAT THOU ART ♪ THEN SINGS MY SOUL 607 00:48:47,510 --> 00:48:58,556 MY SAVIOR GOD TO THEE ♪ HOW GREAT THOU ART 608 00:48:58,590 --> 00:49:11,465 HOW GREAT THOU ART ♪ THEN SINGS MY SOUL 609 00:49:11,500 --> 00:49:19,472 MY SAVIOR GOD TO THEE ♪ HOW GREAT THOU ART 610 00:49:19,507 --> 00:49:29,518 HOW GREAT THOU ART ♪ HOW GREAT THOU ART 611 00:49:29,552 --> 00:49:35,420 HOW GREAT THOU ART ♪ HOW GREAT THOU ART 612 00:49:35,454 --> 00:49:43,635 [ CHEERS AND APPLAUSE] HOW GREAT THOU ART ♪ 613 00:49:43,670 --> 00:49:55,474 [ CHEERS AND APPLAUSE] [ CHEERS AND APPLAUSE] 614 00:49:55,509 --> 00:50:07,038 ♪ ♪ [ CHEERS AND APPLAUSE] 615 00:50:07,072 --> 00:50:19,637 [ CHEERS AND APPLAUSE] UNBELIEVABLE. 616 00:50:19,670 --> 00:50:23,536 OH MY GOSH. WHAT CAN I SAY ABOUT ARTISTS LIKE CARRIE 617 00:50:23,572 --> 00:50:27,300 UNDERWOOD, ONE OF OUR REIGNING ENTS TIERNS OF THE YEAR AND 618 00:50:27,333 --> 00:50:30,268 GOSPEL ICON CECE WINANS OTHER THAN THE FACT THAT THE ONLY 619 00:50:30,302 --> 00:50:34,617 THING MORE REMARKABLE THAN THEIR TALENT ARE THE WOMEN THEMSELVES. 620 00:50:34,652 --> 00:50:37,585 THANK YOU SO MUCH CARRIE AND C.E.O. C.E.O. FOR SHARING THOSE 621 00:50:37,619 --> 00:50:38,483 SONGS WITH US. 622 00:50:38,518 --> 00:50:39,380 MY WORD. 623 00:50:39,414 --> 00:50:42,762 SO GOOD. ALL RIGHT. 624 00:50:42,797 --> 00:50:46,422 HERE'S NOWR GUY THAT LIGHTS UP EVERY STAGE, WHAT AM I TALKING 625 00:50:46,456 --> 00:50:49,079 ABOUT, HE BURNS THEM DOWN, WHETHER PLAYING AN INTIMATE 626 00:50:49,114 --> 00:50:52,186 CLUB, WHETHER HE'S PLAYING THE SUPER BOWL. 627 00:50:52,221 --> 00:50:55,293 HE IS THE REAL DEAL, HE IS JUST PHENOMENAL AND HIS AUDIENCE, OF 628 00:50:55,327 --> 00:50:59,608 COURSE, ARE AS INTENTION AND IMPASSIONED AS HE IS. 629 00:50:59,641 --> 00:51:02,851 COMING FROM THE RYMAN AUDITORIUM WITH A BRAND NEW SONG CALLED A 630 00:51:02,887 --> 00:51:06,856 BUNCH OF NOTHING, ALSO NOMINATED FOR ENTERTAINER OF THE YEAR, MY 631 00:51:06,891 --> 00:51:13,070 GOOD BUDDY ERIC CHURCH. 632 00:51:13,103 --> 00:51:21,077 ♪ ♪ ♪ ♪ 633 00:51:21,112 --> 00:51:26,324 ♪ WHY THE LONG FACE THERE, SAMMY WHY'D YOU COME DRAGGIN' IN HERE 634 00:51:26,358 --> 00:51:28,739 ♪ NOW SIT DOWN, BOY BEFORE YOU HURT YOURSELF 635 00:51:28,775 --> 00:51:32,536 ♪ AND I'LL LET YOU BEND MY EAR 636 00:51:32,572 --> 00:51:33,918 ♪ LOVE IS A BITCH AIN'T IT, BUDDY 637 00:51:33,952 --> 00:51:37,094 ♪ WHEN BABY TURNS THE TABLES ON YOUR HEAD 638 00:51:37,128 --> 00:51:40,130 ♪ I KNOW YOU CAME IN HERE TO BRING BACK HER LEAVING 639 00:51:40,166 --> 00:51:45,378 ♪ I'LL LEAVE YOU WITH THIS INSTEAD 640 00:51:45,411 --> 00:51:47,242 ♪ I KNOW EVERY HOLE IN THE CLINCH RIVER 641 00:51:47,275 --> 00:51:49,795 ♪ AND I KNOW HOW TO FIND THEM BASS 642 00:51:49,829 --> 00:51:54,007 ♪ I KNOW HOW TO TUNE A SIX-STRING MARTIN 643 00:51:54,041 --> 00:51:55,353 ♪ AND KICK SATURDAY IN THE ASS 644 00:51:55,387 --> 00:51:58,701 ♪ I KNOW HOW TO MAKE THAT MOON SHINE 645 00:51:58,735 --> 00:52:00,771 ♪ I KNOW YOU WANT YOUR SUNSHINE BACK 646 00:52:00,806 --> 00:52:04,396 ♪ I KNOW A WHOLE LOTTA 'BOUT A LIL' SOMETHIN', SOMETHIN' 647 00:52:04,431 --> 00:52:07,262 ♪ AND A WHOLE BUNCH OF NOTHING 'BOUT THAT 648 00:52:07,295 --> 00:52:13,646 ♪ A WHOLE BUNCH OF NOTHING 'BOUT THAT 649 00:52:13,681 --> 00:52:15,304 ♪ ♪ ♪ ♪ 650 00:52:15,338 --> 00:52:19,998 ♪ BEFORE MY MIND TOOK A VACATION I HAD A SITUATION LIKE YOU GOT 651 00:52:20,032 --> 00:52:23,242 ♪ THEY TELL ME THAT I HAD A GOOD WOMAN GONE BAD 652 00:52:23,277 --> 00:52:26,003 ♪ BUT I CAN'T REMEMBER WHAT I FORGOT 653 00:52:26,039 --> 00:52:29,110 ♪ NOW JUST KICK BACK AND LISTEN UP, SON 654 00:52:29,146 --> 00:52:31,286 ♪ I'LL HELP YOU GET TO WHERE I AM 655 00:52:31,320 --> 00:52:35,255 ♪ GET YOU GOING FULL THROTTLE AND LEANIN' ON THE BOTTLE 656 00:52:35,289 --> 00:52:37,637 ♪ AND SOME BAIT IN A COFFEE CAN WELL 657 00:52:37,670 --> 00:52:39,293 ♪ I KNOW EVERY HOLE IN THE CLINCH RIVER 658 00:52:39,327 --> 00:52:43,125 ♪ AND I KNOW HOW TO FIND THEM BASS 659 00:52:43,159 --> 00:52:45,610 ♪ I KNOW HOW TO TUNE A SIX-STRING MARTIN 660 00:52:45,644 --> 00:52:48,474 ♪ AND KICK SATURDAY IN THE ASS 661 00:52:48,510 --> 00:52:50,960 ♪ I KNOW HOW TO MAKE THAT MOON SHINE 662 00:52:50,994 --> 00:52:54,447 ♪ I KNOW YOU WANT YOUR SUNSHINE BACK 663 00:52:54,481 --> 00:52:55,827 ♪ I KNOW A WHOLE LOTTA 'BOUT A LIL' SOMETHIN', SOMETHIN' 664 00:52:55,862 --> 00:52:59,244 ♪ AND A WHOLE BUNCH OF NOTHING 'BOUT THAT 665 00:52:59,278 --> 00:53:03,248 ♪ A WHOLE BUNCH OF NOTHING 'BOUT THAT 666 00:53:03,282 --> 00:53:07,769 ♪ I KNOW WHERE TO GO AND YOU KNOW HOW TO GET THERE 667 00:53:07,804 --> 00:53:12,360 ♪ OFF YOU GO, HIT THE ROAD BUZZ AND A POLE 668 00:53:12,396 --> 00:53:22,992 ♪ A WING AND A PRAYER ♪ ♪ 669 00:53:23,027 --> 00:53:29,344 ♪ ♪ ♪ ♪ 670 00:53:29,378 --> 00:53:31,242 >> NOW, COME ON, CHILDREN! 671 00:53:31,277 --> 00:53:37,661 ♪ ♪ ♪ ♪ 672 00:53:37,697 --> 00:53:40,699 ♪ ♪ ♪ I KNOW EVERY HOLE IN THE 673 00:53:40,733 --> 00:53:43,253 CLINCH RIVER ♪ AND I KNOW HOW TO FIND 674 00:53:43,289 --> 00:53:46,257 THEM BASS ♪ I KNOW HOW TO TUNE A 675 00:53:46,291 --> 00:53:49,121 SIX-STRING MARTIN ♪ AND KICK SATURDAY IN 676 00:53:49,155 --> 00:53:51,262 THE ASS ♪ I KNOW HOW TO MAKE 677 00:53:51,297 --> 00:53:54,817 THAT MOON SHINE ♪ I KNOW YOU WANT YOUR 678 00:53:54,851 --> 00:53:57,164 SUNSHINE BACK ♪ I KNOW A WHOLE LOTTA 'BOUT 679 00:53:57,199 --> 00:53:59,269 A LIL' SOMETHIN', SOMETHIN' ♪ AND A WHOLE BUNCH OF NOTHING 680 00:53:59,304 --> 00:54:01,652 'BOUT THAT ♪ A WHOLE BUNCH OF NOTHING 681 00:54:01,686 --> 00:54:11,282 'BOUT THAT ♪ ♪ ♪ 682 00:54:11,317 --> 00:54:13,974 ♪ A WHOLE BUNCH OF NOTHING ♪ ♪ 683 00:54:14,009 --> 00:54:18,771 ♪ A WHOLE BUNCH OF NOTHING 'BOUT THAT ♪ 684 00:54:18,806 --> 00:54:21,465 ♪ ♪ ♪ ♪ 685 00:54:21,498 --> 00:54:33,027 ♪ A WHOLE BUNCH OF NOTHING ♪ ♪ 686 00:54:33,061 --> 00:54:42,244 [ CHEERS AND APPLAUSE] >> Announcer: NOW, TAKING THE 687 00:54:42,278 --> 00:54:47,284 STAGE AT THE BLUEBIRD CAFEÉ, VOCAL DUO NOMINEES DAN + SHAY. 688 00:54:47,318 --> 00:54:50,873 ♪ ♪ ♪ HERE'S TO ALL 689 00:54:50,907 --> 00:54:52,771 THE LATE NIGHT DRUNK PHONE CALLS ♪ THAT YOU PICKED UP 690 00:54:52,806 --> 00:54:59,123 HERE'S TO ALL THE BAD DECISIONS ♪ THAT YOU DIDN'T JUDGE 691 00:54:59,157 --> 00:55:00,503 ALL THE "LOVE YOUs" AND ♪ THE "HATE YOUs" AND THE 692 00:55:00,538 --> 00:55:01,952 SECRETS THAT YOU TOLD ME ♪ HERE'S TO EVERYONE 693 00:55:07,130 --> 00:55:09,409 BUT MOSTLY US ♪ THERE'S A COUPLE BILLION 694 00:55:09,443 --> 00:55:14,931 PEOPLE IN THE WORLD ♪ AND A MILLION OTHER PLACES 695 00:55:14,965 --> 00:55:17,623 WE COULD BE ♪ BUT YOU'RE HERE WITH ME 696 00:55:17,659 --> 00:55:23,664 TAKE A MOMENT JUST TO TAKE IT IN ♪ 'CAUSE EVERY HIGH 697 00:55:23,699 --> 00:55:24,873 AND EVERY LOW ♪ LED TO THIS 698 00:55:24,907 --> 00:55:36,505 I'M JUST SO GLAD YOU EXIST OOOH 699 00:55:36,539 --> 00:55:38,920 OOOH ♪ HEY, LOOK WHAT A HELLO FROM A 700 00:55:38,956 --> 00:55:42,199 STRANGER TURNED INTO ♪ CAUGHT UP IN A MOMENT 701 00:55:42,235 --> 00:55:47,378 LIKE IT'S JUST US IN THIS ROOM ♪ ALL THE RIGHT WORDS 702 00:55:47,413 --> 00:55:48,552 AT THE RIGHT TIME ♪ AND YOU KNOW 'EM 703 00:55:48,585 --> 00:55:51,934 'CAUSE YOU KNOW ME ♪ BETTER THAN ANYONE ELSE 704 00:55:51,969 --> 00:55:56,525 WE DON'T NEED ANYONE ELSE ♪ THERE'S A COUPLE BILLION 705 00:55:56,559 --> 00:56:00,666 PEOPLE IN THE WORLD ♪ AND A MILLION OTHER PLACES 706 00:56:00,702 --> 00:56:03,842 WE COULD BE ♪ BUT YOU'RE HERE WITH ME 707 00:56:03,876 --> 00:56:08,916 TAKE A MOMENT JUST TO TAKE IT IN ♪ 'CAUSE EVERY HIGH 708 00:56:08,951 --> 00:56:11,402 AND EVERY LOW ♪ LED TO THIS 709 00:56:11,436 --> 00:56:16,510 I'M JUST SO GLAD YOU EXIST ♪ OOOH 710 00:56:16,545 --> 00:56:20,514 OOOH ♪ OOOH 711 00:56:20,548 --> 00:56:24,518 OOOH ♪ DON'T YOU EVER GO 712 00:56:24,552 --> 00:56:27,210 DON'T YOU EVER GO ♪ DON'T YOU EVER GO CHANGING 713 00:56:27,244 --> 00:56:31,559 NEVER LET ME GO ♪ NEVER LET ME GO 714 00:56:31,594 --> 00:56:32,733 NEVER LET ME GO, BABY ♪ DON'T YOU EVER GO 715 00:56:32,768 --> 00:56:36,530 DON'T YOU EVER GO ♪ DON'T YOU EVER GO CHANGING 716 00:56:36,565 --> 00:56:38,498 NEVER LET ME GO ♪ NEVER, EVER LET ME GO 717 00:56:38,532 --> 00:56:44,434 NEVER LET ME GO, BABY ♪ THERE'S A COUPLE BILLION 718 00:56:44,469 --> 00:56:46,679 PEOPLE IN THE WORLD ♪ AND A MILLION OTHER PLACES 719 00:56:46,713 --> 00:56:49,646 WE COULD BE ♪ BUT YOU'RE HERE WITH ME 720 00:56:49,681 --> 00:56:55,239 TAKE A MOMENT JUST TO TAKE IT IN ♪ JUST TO TAKE IT IN 721 00:56:55,273 --> 00:56:57,103 'CAUSE EVERY HIGH AND EVERY LOW ♪ LED TO THIS 722 00:56:57,137 --> 00:57:07,043 I'M JUST SO GLAD YOU EXIST ♪ OOOH 723 00:57:07,077 --> 00:57:11,737 OOOH I'M GLAD YOU EXIST 724 00:57:11,773 --> 00:57:13,014 [ CHEERS AND APPLAUSE] >> Announcer: ALAN JACKSON WITH 725 00:57:13,050 --> 00:57:16,880 A CLASSIC HIT, AND A PERFORMANCE BY MIRANDA LAMBERT ARE ON THE 726 00:57:16,916 --> 00:57:18,675 WAY. 727 00:57:18,710 --> 00:57:21,333 PLUS, NEW MALE ARTIST WINNER, JIMMIE ALLEN; AND NEXT, A 728 00:57:21,367 --> 00:57:24,958 SPECIAL MOMENT FEATURING A DESERVING NASHVILLE VETERAN 729 00:57:24,992 --> 00:57:31,481 WHEN LUKE COMBS TEAMS UP WITH FORD. 730 00:57:31,516 --> 00:57:32,621 THIS IS CBS. 731 00:57:32,655 --> 00:57:34,934 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS. 732 00:57:34,967 --> 00:57:38,005 SPONSORED BY: SWIFFER-- STOP CLEANING, START SWIFFERING. 733 00:57:45,150 --> 00:57:47,601 >> Announcer: WE'RE BACK AT THE GRAND OLE OPRY HOUSE WITH 734 00:57:47,635 --> 00:57:50,949 ENTERTAINER OF THE YEAR NOMINEE LUKE COMBS. 735 00:57:50,983 --> 00:57:54,193 >> THANKS TO FORD, I RECENTLY MET UP WITH A TALENTED VETERAN 736 00:57:54,228 --> 00:57:56,576 NAMED DAMON WILLIAMS FROM THE "GUITARS FOR VETS" PROGRAM. 737 00:57:56,610 --> 00:57:58,440 IT WAS AN HONOR AND A GREAT EXPERIENCE. 738 00:57:58,474 --> 00:58:04,860 TAKE A LOOK. 739 00:58:04,894 --> 00:58:06,206 LAST YEAR, A PARTNERSHIP OF THE BEST, 740 00:58:06,240 --> 00:58:09,070 IT IS A GREAT ORGANIZATION THAT HELPS VETERANS COPE WITH PTSD 741 00:58:09,106 --> 00:58:12,280 THROUGH MUSIC BY TEACHING THEM HOW TO PLAY GUITAR. 742 00:58:12,315 --> 00:58:16,527 >> FORD RECENTLY DONATED 500,000 TO GUITARS FOR VETS TO HELP THEM 743 00:58:16,561 --> 00:58:17,769 CONTINUE THEIR GREAT WORK. 744 00:58:17,804 --> 00:58:21,567 >> WE'RE VERY PROUD OF GUITARS FOR VETS FOR HAVING GRADUATED 745 00:58:21,601 --> 00:58:23,360 OVER 5,000 VETERANS FROM THE PROGRAM. 746 00:58:23,396 --> 00:58:27,918 THE DONATIONS FROM FORD ALLOW US TO BUY THOUSANDS OF GUITARS SO 747 00:58:27,952 --> 00:58:31,610 MORE VETERAN-- VETERANS CAN EXPERIENCE THE HEALING POWER OF 748 00:58:31,646 --> 00:58:32,922 MUSIC. 749 00:58:32,956 --> 00:58:35,235 >> WITH THE HELP OF GUITARS FOR VETS HAVE I BEEN ABLE TO TAKE A 750 00:58:35,269 --> 00:58:37,306 SONG THAT I HAVE WRITTEN AND SING TO MY DAUGHTER. 751 00:58:37,340 --> 00:58:39,550 >> I JUST COULDN'T HAVE DONE IT WITHOUT THE PROGRAM. 752 00:58:39,585 --> 00:58:43,001 >> WE OWE SO MUCH TO OUR TROOPS AND VETERANS SO I'M HONORED TO 753 00:58:43,036 --> 00:58:47,902 MEET UP AGAIN WITH SOME FOLKS FROM GUITARS FOR VETS AND PLAY 754 00:58:47,938 --> 00:58:52,943 SOME MUSIC TOGETHER. 755 00:58:52,976 --> 00:58:55,289 >> HEY Y'ALL, HOW ARE YOU DOING. 756 00:58:55,324 --> 00:58:55,945 >> HEY, LUKE. 757 00:58:55,980 --> 00:58:57,498 >> GOOD TO SEE Y'ALL. 758 00:58:57,534 --> 00:58:59,155 >> I HEARD YOU WROTE A SONG. 759 00:58:59,190 --> 00:59:00,157 >> I WROTE A LITTLE SOMETHING. 760 00:59:00,190 --> 00:59:02,469 >> I BROWTS A GUITAR IF YOU WANT TO PLAY IT. 761 00:59:02,503 --> 00:59:08,648 >> PLUG ME IN, COME ON. 762 00:59:08,682 --> 00:59:15,275 ♪ HOLD ON. 763 00:59:15,309 --> 00:59:20,626 ♪ ♪ IT'S ALL RIGHT. 764 00:59:20,659 --> 00:59:21,833 ♪. 765 00:59:21,867 --> 00:59:23,594 >> TO LEARN MORE ABOUT MY PARTNERSHIP WITH GUITAR FOR VETS 766 00:59:23,628 --> 00:59:31,913 AND HOW YOU CAN HELP GO TO FORDPROUDTOHODGE OR-- HONOR.COM. 767 00:59:31,947 --> 00:59:39,920 >> ALL RIGHT. 768 00:59:39,954 --> 00:59:50,309 ♪ ♪ ♪ A COLD BEER'S GOT 12 OUNCES 769 00:59:50,344 --> 00:59:55,108 A GOOD TRUCK'S GOT MAYBE 300,000 ♪ YOU ONLY GET SO MUCH 770 00:59:55,143 --> 01:00:02,632 UNTIL IT'S GONE ♪ DURACELLS IN A MAGLITE 771 01:00:02,668 --> 01:00:07,880 A NEEDLE DROP ON A 45 ♪ ARE THE KIND OF THINGS THAT 772 01:00:07,914 --> 01:00:14,679 ONLY LAST SO LONG ♪ WHEN THE NEW WEARS OFF 773 01:00:14,713 --> 01:00:21,617 AND THEY GET TO GETTING OLD ♪ SOONER OR LATER 774 01:00:21,652 --> 01:00:28,106 TIME'S GONNA TAKE ITS TOLL ♪ THEY SAY NOTHING LASTS FOREVER 775 01:00:28,141 --> 01:00:33,250 BUT THEY AIN'T SEEN US TOGETHER ♪ OR THE WAY THE MOONLIGHT 776 01:00:33,284 --> 01:00:43,224 DANCES IN YOUR EYES ♪ JUST A T-SHIRT IN THE KITCHEN 777 01:00:43,260 --> 01:00:47,228 WITH NO MAKE-UP AND A MILLION ♪ OTHER THINGS THAT I COULD 778 01:00:47,264 --> 01:00:52,440 LOOK AT MY WHOLE LIFE ♪ A LOVE LIKE THAT MAKES A MAN 779 01:00:52,476 --> 01:00:59,344 HAVE SECOND THOUGHTS ♪ MAYBE SOME THINGS LAST FOREVER 780 01:00:59,378 --> 01:01:09,389 AFTER ALL ♪ FM STATION ON THE OUTSKIRTS 781 01:01:09,423 --> 01:01:14,809 BLUE JEANS, AFTER YEARS OF ♪ SHIFT WORK 782 01:01:14,842 --> 01:01:18,813 ALL FADING OUT LIKE I ALWAYS ♪ KNEW THEY WOULD 783 01:01:18,847 --> 01:01:23,679 THE STRINGS ON THIS GUITAR ♪ THE FIRST LOVE LOST 784 01:01:23,713 --> 01:01:27,856 ON A YOUNG HEART ♪ THOSE THINGS ARE GONNA BREAK 785 01:01:27,891 --> 01:01:33,516 AFTER THE GETTING'S GOOD ♪ 'CAUSE THE NEW WEARS OFF 786 01:01:33,550 --> 01:01:43,215 AND THEY GET TO GETTING OLD ♪ YEAH, SOONER OR LATER 787 01:01:43,251 --> 01:01:47,081 TIME'S GONNA TAKE ITS TOLL ♪ THEY SAY NOTHING LASTS FOREVER 788 01:01:47,117 --> 01:01:55,193 BUT THEY AIN'T SEEN US TOGETHER ♪ OR THE WAY THE MOONLIGHT 789 01:01:55,228 --> 01:01:59,335 DANCES IN YOUR EYES ♪ JUST A T-SHIRT IN THE KITCHEN 790 01:01:59,369 --> 01:02:04,824 WITH NO MAKE-UP AND A MILLION ♪ OTHER THINGS THAT I COULD LOOK 791 01:02:04,858 --> 01:02:11,588 AT MY WHOLE LIFE ♪ A LOVE LIKE THAT MAKES A MAN 792 01:02:11,623 --> 01:02:18,010 HAVE SECOND THOUGHTS ♪ MAYBE SOME THINGS LAST FOREVER 793 01:02:18,043 --> 01:02:27,226 AFTER ALL ♪ ♪ 794 01:02:27,260 --> 01:02:34,302 ♪ ♪ ♪ THEY SAY NOTHING LASTS FOREVER 795 01:02:34,335 --> 01:02:39,478 BUT THEY AIN'T SEEN US TOGETHER ♪ OR THE WAY THE MOONLIGHT 796 01:02:39,514 --> 01:02:45,657 DANCES IN YOUR EYES ♪ AND I KNOW THERE'LL BE 797 01:02:45,692 --> 01:02:49,972 THAT MOMENT ♪ THE GOOD LORD CALLS ONE OF US 798 01:02:50,007 --> 01:02:52,907 HOME, AND ♪ ONE WON'T HAVE THE OTHER 799 01:02:52,940 --> 01:02:56,980 BY THEIR SIDE ♪ BUT HEAVEN KNOWS THAT THAT 800 01:02:57,014 --> 01:03:04,918 WON'T LAST TOO LONG ♪ MAYBE SOME THINGS LAST FOREVER 801 01:03:04,952 --> 01:03:14,963 AFTER ALL ♪ AFTER ALL 802 01:03:14,998 --> 01:03:20,865 AFTER ALL ♪ AFTER ALL 803 01:03:20,900 --> 01:03:28,666 [ CHEERS AND APPLAUSE] >> Mickey: SO, SO GOOD. 804 01:03:28,701 --> 01:03:31,255 MY FELLOW TEXAN, MIRANDA LAMBERT, IS THE MOST AWARDED 805 01:03:31,289 --> 01:03:39,297 ARTIST IN A.C.M. AWARDS HISTORY. 806 01:03:39,331 --> 01:03:40,367 I'M GOING TO SAY THAT AGAIN. 807 01:03:40,402 --> 01:03:42,094 MIRANDA LAMBERT IS THE MOST AWARDED ARTIST IN ACM 808 01:03:42,128 --> 01:03:44,923 MIRANDA LAMBERT, IS THE MOST AWARDED ARTIST IN A.C.M. AWARDS 809 01:03:44,958 --> 01:03:46,925 HISTORY. 810 01:03:46,960 --> 01:03:48,271 [ CHEERS AND APPLAUSE] I LOVE HOW SHE DESCRIBED HOW 811 01:03:48,306 --> 01:03:51,793 THE SONGS ON "“THE MARFA TAPES"” COLLABORATION WITH JACK INGRAM 812 01:03:51,827 --> 01:03:55,278 AND JON RANDALL CAME ABOUT. SHE SAID THE THREE OF THEM WOULD 813 01:03:55,313 --> 01:04:01,630 GET TOGETHER OUTDOORS IN MARFA, TEXAS, SIT AROUND THE CAMPFIRE, 814 01:04:01,664 --> 01:04:02,873 UNWIND AND WRITE SONGS TOGETHER. 815 01:04:02,907 --> 01:04:06,358 THE END RESULT FROM THEIR TIME TOGETHER: A MASTERPIECE. 816 01:04:06,393 --> 01:04:08,914 AND NOW, WITH A SPECIAL PERFORMANCE OF "“IN HIS ARMS,"” 817 01:04:08,947 --> 01:04:14,885 THE FIRST SONG FROM "“THE MARFA TAPES"” ALBUM, HERE ARE JACK, JON 818 01:04:14,920 --> 01:04:18,889 AND MIRANDA. 819 01:04:18,923 --> 01:04:28,898 [ CHEERS AND APPLAUSE] ♪ ♪ 820 01:04:28,934 --> 01:04:37,425 [ CHEERS AND APPLAUSE] ♪ ♪ 821 01:04:37,458 --> 01:04:42,568 ♪ I'VE SEEN EL PASO WHEN THE SKY WAS ON FIRE 822 01:04:42,601 --> 01:04:45,260 ♪ LOST A NIGHT IN JUAREZ A COUPLE OF TIMES 823 01:04:45,295 --> 01:04:50,195 ♪ DANCED WITH A COWBOY ON A STRAIGHT TEQUILA HIGH 824 01:04:50,231 --> 01:04:54,891 ♪ I WISH I WAS IN HIS ARMS TONIGHT 825 01:04:54,925 --> 01:05:06,867 ♪ ♪ ♪ I'VE BEEN A ROLLING STONE 826 01:05:06,902 --> 01:05:10,871 A TUMBLEWEED ♪ WAITING FOR THE RIGHT ONE 827 01:05:10,907 --> 01:05:17,534 TO COME FIND ME ♪ BUT THE WRONG ONE 828 01:05:17,568 --> 01:05:18,949 ALWAYS SET ME FREE ♪ I WISH I WAS 829 01:05:18,983 --> 01:05:26,853 IN HIS ARMS TONIGHT ♪ IS HE PLAYING IN SOME 830 01:05:26,887 --> 01:05:30,822 HOUSE BAND IN DALLAS ♪ IS HE BREAKING HORSES 831 01:05:30,856 --> 01:05:34,896 IN SAN ANTONE ♪ IS HE ALL ALONE 832 01:05:34,931 --> 01:05:38,864 IN THE NEON LIGHT ♪ I WISH I WAS 833 01:05:38,900 --> 01:05:48,909 IN HIS ARMS TONIGHT ♪ ♪ 834 01:05:48,945 --> 01:05:54,880 IN HIS ARMS TONIGHT ♪ ♪ 835 01:05:54,916 --> 01:06:02,855 ♪ ♪ ♪ IS HE PRAYING FOR RAIN 836 01:06:02,889 --> 01:06:08,411 OUT IN WEST TEXAS ♪ IS HE LOST IN THE MARFA LIGHTS 837 01:06:08,447 --> 01:06:14,867 IS HE OUT THERE LOOKING FOR ME ♪ WISHING I WAS IN 838 01:06:14,900 --> 01:06:19,251 HIS ARMS TONIGHT ♪ I WISH I WAS IN 839 01:06:19,284 --> 01:06:30,882 HIS ARMS TONIGHT ♪ ♪ 840 01:06:30,916 --> 01:06:40,202 ♪ ♪ [ CHEERS AND APPLAUSE] 841 01:06:40,237 --> 01:06:42,963 >> Mickey: WHAT A BEAUTIFUL PERFORMANCE. 842 01:06:42,998 --> 01:06:46,139 COMING UP NEXT AT THE RYMAN AUDITORIUM IS COUNTRY LEGEND 843 01:06:46,173 --> 01:06:48,831 ALAN JACKSON. PLUS, KENNY CHESNEY IN A 844 01:06:48,865 --> 01:06:50,626 PERFORMANCE YOU WON'T WANT TO MISS. 845 01:06:50,661 --> 01:06:54,320 THIS IS CBS. 846 01:06:54,355 --> 01:06:57,012 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS, 847 01:06:57,047 --> 01:06:58,186 SPONSORED BY: FORD. 848 01:06:58,221 --> 01:07:00,429 TO LEARN MORE ABOUT FORD-- PROUD TO HONOR AND SUPPORT ITS 849 01:07:00,463 --> 01:07:02,672 PARTNERS, INCLUDING GUITARS 4 VETS-- VISIT: 850 01:07:02,708 --> 01:07:04,226 www.fordproudtohoor.com. 851 01:07:07,161 --> 01:07:10,059 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 852 01:07:10,094 --> 01:07:11,992 CONTINUE. THIS IS CBS 853 01:07:15,306 --> 01:07:16,583 >> HEY FOLKS, BRAD PAISLEY HERE. 854 01:07:16,617 --> 01:07:20,795 SO, I'M OUTSIDE THE BLUEBIRD JIMMIE ALLEN, THE ACM NEW MALE 855 01:07:20,829 --> 01:07:22,590 ARTIST WINNER, IS ABOUT TO SING OUR NEW DUET, "FREEDOM WAS A 856 01:07:22,623 --> 01:07:27,594 HIGHWAY," BUT HE THINKS I'M OUT OF TOWN. 857 01:07:27,628 --> 01:07:30,769 SO, I HAVE DRIVEN UP HERE AND I'M GONNA SURPRISE HIM AND GO IN 858 01:07:30,804 --> 01:07:31,806 AND JUST START SINGING. 859 01:07:31,840 --> 01:07:32,978 I HOPE THAT'S OKAY. 860 01:07:33,014 --> 01:07:36,811 WATCH THIS. 861 01:07:36,844 --> 01:07:38,501 >> Announcer: LADIES AND GENTLEMEN, NEW MALE ARTIST 862 01:07:38,536 --> 01:07:42,505 WINNER JIMMIE ALLEN. 863 01:07:42,541 --> 01:07:45,268 ♪ ♪ ♪ ♪ 864 01:07:45,302 --> 01:07:48,684 ♪ SUNSET THROUGH A WINDSHIELD I CAN SEE IT NOW 865 01:07:48,719 --> 01:07:58,349 ♪ LIKE A PICTURE IN A FRAME OOH 866 01:07:58,384 --> 01:08:02,525 ♪ BLUE JEANS AND T-SHIRTS WHO WE WERE 867 01:08:02,561 --> 01:08:04,389 ♪ WE WORE IT LIKE A NAME ♪ I WISH I COULD GO 868 01:08:04,425 --> 01:08:06,496 BACK TO THOSE DAYS ♪ WHEN THE TOWN 869 01:08:06,530 --> 01:08:08,945 WAS THE WHOLE WORLD ♪ AND LOVE WAS 870 01:08:08,981 --> 01:08:12,673 THE GIRL NEXT DOOR ♪ SOUNDTRACK WAS 871 01:08:12,708 --> 01:08:15,643 A SONG IN THE DARK ♪ I MISS THOSE DAYS WHEN OUR 872 01:08:15,677 --> 01:08:21,925 DREAMS WERE THERE FOR CHASIN' ♪ BUT TIME WAS BETTER WASTED 873 01:08:21,958 --> 01:08:27,654 WE WERE SUMMER YOUNG ♪ AND LIVIN' FOR A FRIDAY 874 01:08:27,689 --> 01:08:37,284 AND FREEDOM WAS A HIGHWAY, OH ♪ FREEDOM WAS A HIGHWAY, OH 875 01:08:37,319 --> 01:08:39,390 ♪ ♪ BARBWIRE ON A FENCE POST 876 01:08:39,425 --> 01:08:46,087 ♪ WITH A CROSSWIND ON A ROAD NO ONE WAS ON 877 01:08:46,122 --> 01:08:49,400 YEAH, YEAH, YEAH ♪ FIVE-DEEP WITH OUR HANDS UP 878 01:08:49,435 --> 01:08:55,164 JUST SINGIN' ALONG ♪ TO A HIP-HOP SONG 879 01:08:55,199 --> 01:08:56,855 I WISH I COULD REWIND AND REPLAY ♪ WHEN THE TOWN WAS 880 01:08:56,890 --> 01:09:00,274 THE WHOLE WORLD ♪ AND LOVE WAS 881 01:09:00,307 --> 01:09:02,413 THE GIRL NEXT DOOR ♪ SOUNDTRACK WAS 882 01:09:02,448 --> 01:09:04,311 A SONG IN THE DARK ♪ I MISS THOSE DAYS WHEN OUR 883 01:09:04,346 --> 01:09:07,314 DREAMS WERE THERE FOR CHASIN' ♪ BUT TIME WAS BETTER WASTED 884 01:09:07,350 --> 01:09:14,390 WE WERE SUMMER YOUNG AND ♪ LIVIN' FOR A FRIDAY 885 01:09:14,426 --> 01:09:26,851 AND FREEDOM WAS A HIGHWAY ♪ FREEDOM WAS A HIGHWAY 886 01:09:26,886 --> 01:09:36,895 FREEDOM WAS A HIGHWAY ♪ FREEDOM WAS A HIGHWAY 887 01:09:36,930 --> 01:09:42,385 FREEDOM WAS A HIGHWAY ♪ FREEDOM WAS A HIGHWAY 888 01:09:42,418 --> 01:09:45,525 [ CHEERS AND APPLAUSE] >> PRESENTING OUR NEXT AWARD AT 889 01:09:45,560 --> 01:09:50,426 THE GRAND OLE OPRY HOUSE, HERE'S THE GREAT MARTINA McBRIDE. 890 01:09:50,462 --> 01:09:54,983 ♪ ♪ >> THANKS, BRAD. 891 01:09:55,018 --> 01:09:58,400 I AM SO PROUD TO GIVE THIS AWARD TONIGHT BECAUSE, FOR THE FIRST 892 01:09:58,435 --> 01:10:01,610 TIME IN A.C.M. AWARD SHOW HISTORY, EVERY NOMINATED 893 01:10:01,645 --> 01:10:04,820 SONG IS PERFORMED BY A WOMAN! 894 01:10:04,854 --> 01:10:08,859 THAT'S RIGHT, THIS ONE'S FOR THE GIRLS! 895 01:10:08,894 --> 01:10:10,274 [ CHEERS AND APPLAUSE] YEAH! 896 01:10:10,309 --> 01:10:13,863 HERE ARE THE NOMINEES FOR SINGLE OF THE YEAR. 897 01:10:13,899 --> 01:10:18,421 >> Announcer: "“BLUEBIRD,"” BY MIRANDA LAMBERT."“ 898 01:10:18,454 --> 01:10:24,220 I HOPE,"” BY GABBY BARRETT."“ I HOPE YOU'RE HAPPY NOW,"” BY 899 01:10:24,253 --> 01:10:31,881 CARLY PEARCE AND LEE BRICE."“ MORE HEARTS THAN MINE," BY 900 01:10:31,917 --> 01:10:38,889 INGRID ANDRESS."“ THE BONES,"” BY MAREN MORRIS. 901 01:10:38,923 --> 01:10:45,895 >> AND THE A.C.M. SINGLE OF THE YEAR GOES TO:"“ 902 01:10:45,930 --> 01:10:51,247 I HOPE YOU'RE HAPPY NOW,"” BY CARLY PEARCE AND LEE BRICE. 903 01:10:51,280 --> 01:10:59,876 [ CHEERS AND APPLAUSE] ♪ ♪ 904 01:10:59,909 --> 01:11:07,884 ♪ ♪ ♪ I HOPE. 905 01:11:07,917 --> 01:11:10,368 ♪. 906 01:11:10,404 --> 01:11:13,545 >> I CANNOT EVEN BELIEVE THIS, OH MY GOODNESS. 907 01:11:13,578 --> 01:11:15,373 I'M GOING TO TRY REALLY HARD NOT TO CRY. 908 01:11:15,408 --> 01:11:18,238 I LOVE COUNTRY MUSIC MORE THAN ANYTHING IN THE WHOLE WORLD. 909 01:11:18,274 --> 01:11:21,966 YOU WANT TO THANK MY COWRITERS LUKE COMBS, JONATHAN SINGLETON 910 01:11:22,001 --> 01:11:24,970 AND RANDY, WE WROTE THIS SONG ABOUT MY STORY. 911 01:11:25,003 --> 01:11:27,247 AND I GUESS IT RESONATED WITH EVERYBODY. 912 01:11:27,283 --> 01:11:30,319 THANK YOU SO MUCH, FOR EVERYTHING, THANK YOU TO MY 913 01:11:30,354 --> 01:11:35,082 MANAGEMENT, MY RECORD LABEL AND BUSBY, THIS-- BUSBEE, STH THE 914 01:11:35,118 --> 01:11:38,466 LAST SONG MY PRODUCER WORKED ON, THANK YOU BUSBEE. 915 01:11:38,501 --> 01:11:40,296 >> I JUST WANT TO SAY THANK YOU. 916 01:11:40,329 --> 01:11:44,921 GOD PUTS PEOPLE IN YOUR LIVES, FROM MY MANAGEMENT TO MY WIFE, 917 01:11:44,954 --> 01:11:48,545 WITHOUT PUTS UP WITH EVERYTHING, EF RADIO HE DAY AND HELPS ME AND 918 01:11:48,579 --> 01:11:49,856 SUPPORTS ME. 919 01:11:49,890 --> 01:11:55,310 RECORD LABELS AND EVERYTHING BUT PEOPLE, HE PUT PEOPLE IN MY LIFE 920 01:11:55,345 --> 01:11:58,935 SO THIS KIND OF STUFF CAN HAPPEN, THANK YOU ALL, THANK YOU 921 01:11:58,969 --> 01:11:59,625 CARLY. 922 01:11:59,659 --> 01:12:03,110 >> THANK YOU FANS, THANK YOU! 923 01:12:03,145 --> 01:12:12,430 >> Announcer: WITH HIS SMASH HI"“ KNOWING YOU," PLEASE WELCOME 924 01:12:12,466 --> 01:12:16,538 FOUR-TIME A.C.M. ENTERTAINER OF THE YEAR, KENNY CHESNEY. 925 01:12:16,573 --> 01:12:23,269 ♪ ♪ ♪ ♪ 926 01:12:23,304 --> 01:12:24,685 ♪ KNOWIN' YOU YOU PROBABLY GOT 927 01:12:24,719 --> 01:12:30,966 ♪ YOUR TOES IN THE SAND AT A BAR ON A BEACH 928 01:12:31,001 --> 01:12:37,524 ♪ IN THE SUN SOMEWHERE KNOWIN' YOU 929 01:12:37,560 --> 01:12:39,561 ♪ YOU GOT SOMETHING COLD IN YOUR HAND 930 01:12:39,595 --> 01:12:46,119 ♪ CHATTIN' UP A STRANGER WITHOUT A CARE 931 01:12:46,154 --> 01:12:52,574 ♪ KNOWIN' YOU YOU'RE STILL WILD AND FREE 932 01:12:52,609 --> 01:12:59,305 ♪ AND KNOWIN' YOU YOU'RE PROBABLY WAY OVER ME 933 01:12:59,340 --> 01:13:06,036 ♪ BUT GOD, WE WERE SO ALIVE 934 01:13:06,070 --> 01:13:10,039 ♪ I WAS A KID ON A CARNIVAL RIDE 935 01:13:10,074 --> 01:13:14,354 ♪ HOLDIN' MY BREATH 'TIL THE MOMENT 936 01:13:14,390 --> 01:13:20,465 ♪ WHEN YOU WERE GONNA LEAVE ME TOO SOON 937 01:13:20,498 --> 01:13:26,055 ♪ BUT I'D DO IT ALL OVER 'CAUSE DAMN 938 01:13:26,091 --> 01:13:31,854 ♪ IT WAS GOOD KNOWIN' YOU ♪ ♪ 939 01:13:31,890 --> 01:13:34,064 ♪ ♪ ♪ KNOWIN' YOU WAS A FREE FALL 940 01:13:34,099 --> 01:13:42,037 FROM A HUNDRED THOUSAND FEET ♪ WHEN YOU DON'T EVEN CARE 941 01:13:42,072 --> 01:13:45,938 WHERE YOU LAND ♪ AND KNOWIN' YOU 942 01:13:45,972 --> 01:13:49,390 WAS THE KIND OF RUSH ♪ THAT YOU FEEL 943 01:13:49,425 --> 01:13:56,016 WHEN YOU FINALLY ♪ GET TO SIT IN WITH THE BAND 944 01:13:56,051 --> 01:14:01,815 AND KNOWIN' YOU ♪ YOU'RE STILL A TUMBLEWEED 945 01:14:01,850 --> 01:14:08,202 I ONLY WISH THAT YOU WOULD ♪ TUMBLE BACK TO ME 946 01:14:08,235 --> 01:14:14,034 BUT GOD, WE WERE ♪ SO ALIVE 947 01:14:14,069 --> 01:14:18,418 I WAS A KID ON A ♪ CARNIVAL RIDE 948 01:14:18,453 --> 01:14:22,387 HOLDIN' MY BREATH ♪ 'TIL THE MOMENT 949 01:14:22,422 --> 01:14:30,051 WHEN YOU WERE GONNA LEAVE ME ♪ TOO SOON 950 01:14:30,086 --> 01:14:34,055 BUT I'D DO IT ALL OVER ♪ 'CAUSE DAMN, IT WAS GOOD 951 01:14:34,090 --> 01:14:38,474 KNOWIN' YOU ♪ ♪ 952 01:14:38,507 --> 01:14:44,479 ♪ ♪ ♪ ♪ 953 01:14:44,514 --> 01:14:47,412 ♪ ♪ ♪ ♪ 954 01:14:47,448 --> 01:14:50,485 ♪ KNOWIN' YOU YOU'RE STILL A TUMBLEWEED 955 01:14:50,520 --> 01:14:58,045 ♪ I ONLY WISH THAT YOU WOULD TUMBLE BACK TO ME 956 01:14:58,078 --> 01:15:06,052 ♪ 'CAUSE GOD, WE WERE SO ALIVE 957 01:15:06,087 --> 01:15:10,056 ♪ I WAS A KID ON A CARNIVAL RIDE 958 01:15:10,091 --> 01:15:14,198 ♪ HOLDIN' MY BREATH 'TIL THE MOMENT 959 01:15:14,233 --> 01:15:20,480 ♪ WHEN YOU WERE GONNA LEAVE ME TOO SOON 960 01:15:20,515 --> 01:15:26,037 ♪ BUT I'D DO IT ALL OVER 'CAUSE DAMN, IT WAS GOOD 961 01:15:26,073 --> 01:15:30,042 ♪ I'D DO IT ALL OVER 'CAUSE DAMN 962 01:15:30,077 --> 01:15:38,050 ♪ IT WAS GOOD KNOWIN' YOU ♪ ♪ 963 01:15:38,085 --> 01:15:46,162 ♪ ♪ ♪ ♪ 964 01:15:46,195 --> 01:15:53,341 ♪ ♪ ♪ ♪ 965 01:15:53,376 --> 01:15:58,036 ♪ ♪ ♪ ♪ 966 01:15:58,069 --> 01:16:06,043 ♪ ♪ ♪ ♪ 967 01:16:06,078 --> 01:16:12,256 ♪ ♪ ♪ ♪ 968 01:16:12,291 --> 01:16:18,055 ♪ ♪ ♪ ♪ 969 01:16:18,090 --> 01:16:21,715 ♪ ♪ ♪ ♪ 970 01:16:37,938 --> 01:16:41,389 >> THE THING I MISSED THE MOST DURING THIS ENTIRE TIME IN THE 971 01:16:41,423 --> 01:16:42,631 PANDEMIC IS THE MUSIC. 972 01:16:42,667 --> 01:16:47,154 >> I LOVE PLAYING TO A LIVE AUDIENCE, THERE IS NOTHING LIKE 973 01:16:47,188 --> 01:16:48,430 IT. 974 01:16:48,465 --> 01:16:51,122 >> THE COVID-19 VACCINE IS GOING TO HELP US ALL GET BACK TO THE 975 01:16:51,158 --> 01:16:52,055 MOMENT WE MISSED. 976 01:16:52,090 --> 01:16:54,850 >> IT IS TOTALLY NORMAL TO HAVE QUESTIONS. 977 01:16:54,886 --> 01:16:55,989 I DO TOO. 978 01:16:56,024 --> 01:16:58,268 >> THAT IS WHY IT IS SO IMPORTANT TO GET INVOLVED, TO 979 01:16:58,302 --> 01:17:04,757 ASK YOUR DOCTOR, TO GET THE >> Announcer: WE'RE BACK, FROM 980 01:17:04,792 --> 01:17:09,140 NASHVILLE, WITH FEMALE ARTIST AND ALBUM OF THE YEAR NOMINEE, 981 01:17:09,176 --> 01:17:14,871 ASHLEY McBRYDE. 982 01:17:14,905 --> 01:17:17,252 ♪ ♪ ♪ I'VE GOT THIS FEELING 983 01:17:17,287 --> 01:17:24,501 AND I GOT THIS SHOVEL ♪ BETWEEN ME AND YOU AND IT 984 01:17:24,536 --> 01:17:30,368 YOU'RE IN A LITTLE TROUBLE ♪ I SAW YOU SNEAKING 985 01:17:30,404 --> 01:17:37,514 AND I KNOW WHAT HAPPENED ♪ I THINK IT'S KINDA FUNNY 986 01:17:37,548 --> 01:17:40,863 YOU GOT CAUGHT ONLY ♪ I AIN'T LAUGHING 987 01:17:40,896 --> 01:17:47,592 MARTHA DIVINE ♪ MARTHA DIVINE 988 01:17:47,627 --> 01:17:56,844 YOU PUT YOUR HANDS ON THE ♪ WRONG DAMN MAN THIS TIME 989 01:17:56,878 --> 01:18:02,712 JEZEBEL ♪ YOU'RE BOUND FOR HELL 990 01:18:02,747 --> 01:18:06,128 BUT EVIDENTLY ♪ THE DEVIL WAS BUSY 991 01:18:06,163 --> 01:18:12,721 SO I MOVED YOU UP IN LINE ♪ MARTHA DIVINE 992 01:18:12,756 --> 01:18:20,453 WELL, YOU CALL HIM DARLING ♪ AND I CALL HIM DADDY 993 01:18:20,488 --> 01:18:26,217 AND DADDY SAYS HE'LL WHUP ME ♪ IF I DON'T KEEP MAMA HAPPY 994 01:18:26,252 --> 01:18:33,743 HONOR THY FATHER ♪ HONOR THY MOTHER 995 01:18:33,778 --> 01:18:38,403 BUT THE BIBLE DOESN'T SAY ♪ A DAMN THING ABOUT 996 01:18:38,436 --> 01:18:44,823 YOUR DADDY'S LOVER ♪ MARTHA DIVINE 997 01:18:44,858 --> 01:18:50,690 MARTHA DIVINE ♪ PUT YOUR HANDS ON THE WRONG 998 01:18:50,725 --> 01:18:57,939 DAMN MAN THIS TIME ♪ JEZEBEL 999 01:18:57,974 --> 01:19:05,601 YOU'RE BOUND FOR HELL ♪ BUT EVIDENTLY 1000 01:19:05,636 --> 01:19:08,846 THE DEVIL WAS BUSY ♪ SO I MOVED YOU UP IN LINE 1001 01:19:08,881 --> 01:19:14,404 MARTHA DIVINE ♪ ♪ 1002 01:19:14,439 --> 01:19:26,208 ♪ ♪ ♪ ♪ 1003 01:19:26,243 --> 01:19:29,523 ♪ ♪ ♪ ♪ 1004 01:19:29,556 --> 01:19:32,837 ♪ ♪ ♪ MAMA'S AN ANGEL 1005 01:19:32,871 --> 01:19:38,565 MY DADDY ISN'T ♪ LOOKS LIKE A LITTLE MORE 1006 01:19:38,600 --> 01:19:43,605 OF HIM RUBBED OFF ON ME ♪ THAN DIDN'T 1007 01:19:43,640 --> 01:19:50,405 WELL, I'LL LEAVE YOU TO IT ♪ THEY'LL NEVER PROVE IT 1008 01:19:50,439 --> 01:19:54,409 AND IF THEY EVER ♪ FIND OUT I'LL SAY 1009 01:19:54,444 --> 01:20:02,417 "THE DEVIL MADE ME DO IT" ♪ MARTHA DIVINE 1010 01:20:02,452 --> 01:20:08,389 MARTHA DIVINE ♪ YOU PUT YOUR HANDS ON THE 1011 01:20:08,423 --> 01:20:18,399 WRONG DAMN MAN THIS TIME ♪ MARTHA DIVINE 1012 01:20:18,434 --> 01:20:21,264 YOUR ASS IS MINE ♪ AND IT AIN'T MURDER 1013 01:20:21,298 --> 01:20:30,238 IF I BURY YOU ALIVE ♪ MARTHA DIVINE 1014 01:20:30,273 --> 01:20:34,381 >> NOW, AT THE RYMAN AUDITORIUM, HERE'S SEVEN-TIME A.C.M. WINNER, 1015 01:20:34,414 --> 01:20:38,418 ALAN JACKSON. 1016 01:20:38,453 --> 01:20:40,869 ♪ ♪ ♪ IT'S PAINTED RED 1017 01:20:40,904 --> 01:20:43,838 THE STRIPE WAS WHITE ♪ IT WAS 18 FEET 1018 01:20:43,872 --> 01:20:47,877 FROM THE BOW TO STERN LIGHT ♪ SECONDHAND 1019 01:20:47,912 --> 01:20:51,707 FROM A DEALER IN ATLANTA ♪ I RODE UP WITH DADDY 1020 01:20:51,743 --> 01:20:56,886 WHEN HE WENT THERE TO GET HER ♪ PUT ON A SHINE 1021 01:20:56,921 --> 01:20:59,198 PUT ON A MOTOR ♪ BUILT OUT OF LOVE 1022 01:20:59,233 --> 01:21:03,029 MADE FOR THE WATER ♪ RAN HER FOR YEARS 1023 01:21:03,064 --> 01:21:06,930 'TIL THE TRANSOM GOT ROTTEN ♪ A PIECE OF MY CHILDHOOD 1024 01:21:06,965 --> 01:21:09,967 WILL NEVER BE FORGOTTEN ♪ IT WAS 1025 01:21:10,002 --> 01:21:14,662 JUST AN OLD PLYWOOD BOAT ♪ A '75 JOHNSON 1026 01:21:14,697 --> 01:21:18,458 WITH ELECTRIC CHOKE ♪ A YOUNG BOY 1027 01:21:18,493 --> 01:21:22,394 TWO HANDS ON THE WHEEL ♪ I CAN'T REPLACE THE WAY 1028 01:21:22,429 --> 01:21:26,398 IT MADE ME FEEL ♪ AND I WOULD TURN HER SHARP 1029 01:21:26,432 --> 01:21:29,780 AND I WOULD MAKE IT WHINE ♪ HE'D SAY, YOU CAN'T BEAT 1030 01:21:29,814 --> 01:21:33,646 THE WAY AN OLD WOOD BOAT RIDES ♪ JUST A LITTLE LAKE 1031 01:21:33,680 --> 01:21:37,237 ACROSS THE ALABAMA LINE ♪ BUT I WAS KING OF THE OCEAN 1032 01:21:37,270 --> 01:21:44,864 WHEN DADDY LET ME DRIVE ♪ ♪ 1033 01:21:44,899 --> 01:21:56,289 ♪ ♪ ♪ I'M GROWN UP NOW 1034 01:21:56,324 --> 01:21:57,981 THREE DAUGHTERS OF MY OWN ♪ I LET THEM DRIVE MY OLD JEEP 1035 01:21:58,015 --> 01:21:59,396 ACROSS THE PASTURE AT OUR HOME ♪ MAYBE ONE DAY THEY'LL 1036 01:21:59,430 --> 01:22:02,814 REACH BACK IN THEIR FILE ♪ AND PULL OUT THAT OLD MEMORY 1037 01:22:02,847 --> 01:22:05,921 AND THINK OF ME AND SMILE ♪ AND SAY 1038 01:22:05,954 --> 01:22:10,408 IT WAS JUST AN OLD WORN OUT JEEP ♪ RUSTY OLD FLOOR BOARDS 1039 01:22:10,442 --> 01:22:14,377 HOT ON MY FEET ♪ A YOUNG GIRL 1040 01:22:14,412 --> 01:22:17,760 TWO HANDS ON THE WHEEL ♪ I CAN'T REPLACE THE WAY 1041 01:22:17,793 --> 01:22:22,420 IT MADE ME FEEL ♪ AND HE'D SAY TURN IT LEFT 1042 01:22:22,453 --> 01:22:25,630 AND STEER IT RIGHT ♪ STRAIGHTEN UP GIRL NOW 1043 01:22:25,663 --> 01:22:29,771 YOU'RE DOING JUST FINE ♪ JUST A LITTLE VALLEY BY 1044 01:22:29,805 --> 01:22:33,395 THE RIVER WHERE WE'D RIDE ♪ BUT I WAS HIGH ON A MOUNTAIN 1045 01:22:33,430 --> 01:22:46,202 WHEN DADDY LET ME DRIVE ♪ ♪ 1046 01:22:46,237 --> 01:22:49,274 ♪ ♪ ♪ FIRST STEPS 1047 01:22:49,309 --> 01:22:51,828 FIRST WORDS ♪ SEEMS LIKE YESTERDAY 1048 01:22:51,863 --> 01:23:01,942 YOU WERE JUST A GIRL ♪ SKINNED KNEES 1049 01:23:01,976 --> 01:23:04,117 CLIMBIN' TREES ♪ ALL THOSE MEMORIES 1050 01:23:04,150 --> 01:23:12,125 SO CLOSE TO ME ♪ NOW YOU'RE A WOMAN 1051 01:23:12,158 --> 01:23:18,578 ON YOUR OWN ♪ ALL IN LOVE 1052 01:23:18,613 --> 01:23:25,310 AND NEARLY GONE ♪ BUT YOU'LL ALWAYS BE MY BABY 1053 01:23:25,345 --> 01:23:40,118 NO MATTER WHERE YOU ARE ♪ YOU'LL ALWAYS BE MY BABY 1054 01:23:40,153 --> 01:23:51,233 FOREVER IN MY HEART ♪ SO I SAY A PRAYER EVERYDAY 1055 01:23:51,266 --> 01:24:00,069 THAT GOD WILL GUIDE YOU ♪ AS YOU FIND YOUR WAY 1056 01:24:00,104 --> 01:24:10,320 YOU KNOW THAT I'M NEAR ♪ ANYTIME MY LOVE IS ALWAYS HERE 1057 01:24:10,354 --> 01:24:22,780 CAUSE YOU'LL ALWAYS BE MY BABY ♪ NO MATTER WHERE YOU ARE 1058 01:24:22,815 --> 01:24:35,484 YOU'LL ALWAYS BE MY BABY ♪ O FOREVER IN MY HEART 1059 01:24:35,518 --> 01:24:45,528 FOREVER IN MY HEART ♪ [ CHEERS AND APPLAUSE] 1060 01:24:45,563 --> 01:24:52,363 FOREVER IN MY HEART ♪ [ CHEERS AND APPLAUSE] 1061 01:24:57,470 --> 01:24:58,645 >> Announcer: BLAKE SHELTON PERFORMS ON THE GRAND OLE OPRY 1062 01:24:58,679 --> 01:25:00,301 HOUSE STAGE, NEXT. 1063 01:25:00,336 --> 01:25:06,100 CARLY PEARCE DUETS WITH LEE BRICE, AND, COMING UP, A BREATH- 1064 01:25:06,135 --> 01:25:09,137 TAKING PERFORMANCE BY HOST MICKEY GUYTON. 1065 01:25:09,172 --> 01:25:10,657 THIS IS CBS. 1066 01:25:40,894 --> 01:25:43,828 >> Announcer: WE'RE BACK, IN NASHVILLE, AT THE GRAND OLE OPRY 1067 01:25:43,862 --> 01:25:49,039 HOUSE WITH SIX-TIME A.C.M. AWARD WINNER, BLAKE SHELTON. 1068 01:25:49,073 --> 01:25:54,804 ♪ ♪ ♪ ♪ 1069 01:25:54,838 --> 01:25:58,842 ♪ SHE LEFT WITHOUT LEAVIN' A NUMBER 1070 01:25:58,877 --> 01:26:03,192 ♪ SAID SHE NEEDED TO CLEAR HER MIND 1071 01:26:03,226 --> 01:26:06,506 ♪ HE FIGURED SHE'D GONE BACK TO AUSTIN 1072 01:26:06,539 --> 01:26:11,372 ♪ 'CAUSE SHE TALKED ABOUT IT ALL THE TIME 1073 01:26:11,407 --> 01:26:19,139 ♪ IT WAS ALMOST A YEAR BEFORE SHE CALLED HIM UP 1074 01:26:19,173 --> 01:26:23,626 ♪ THREE RINGS AND AN ANSWERING MACHINE 1075 01:26:23,661 --> 01:26:30,494 ♪ IS WHAT SHE GOT IF YOU'RE CALLIN' 'BOUT THE CAR 1076 01:26:30,529 --> 01:26:34,498 ♪ I SOLD IT IF THIS IS TUESDAY NIGHT 1077 01:26:34,533 --> 01:26:37,743 ♪ I'M BOWLIN' IF YOU'VE GOT SOMETHIN' TO SELL 1078 01:26:37,778 --> 01:26:42,713 ♪ YOUR WASTIN' YOUR TIME I'M NOT BUYIN' 1079 01:26:42,748 --> 01:26:47,753 ♪ IF IT'S ANYBODY ELSE WAIT FOR THE TONE 1080 01:26:47,787 --> 01:26:54,519 ♪ YOU KNOW WHAT TO DO AND P.S. 1081 01:26:54,554 --> 01:27:02,493 ♪ IF THIS IS AUSTIN I STILL LOVE YOU 1082 01:27:02,527 --> 01:27:08,015 ♪ ♪ ♪ THE TELEPHONE 1083 01:27:08,050 --> 01:27:11,949 FELL TO THE COUNTER ♪ SHE HEARD 1084 01:27:11,984 --> 01:27:17,127 BUT SHE COULDN'T BELIEVE ♪ WHAT KIND OF MAN 1085 01:27:17,162 --> 01:27:22,996 WOULD HANG ON THAT LONG ♪ WHAT KIND OF LOVE THAT MUST BE 1086 01:27:23,029 --> 01:27:31,384 SHE WAITED THREE DAYS ♪ AND THEN SHE TRIED AGAIN 1087 01:27:31,417 --> 01:27:37,252 SHE DIDN'T KNOW WHAT SHE'D SAY ♪ BUT SHE HEARD 1088 01:27:37,286 --> 01:27:42,221 THREE RINGS AND THEN ♪ IF IT'S FRIDAY NIGHT 1089 01:27:42,256 --> 01:27:48,228 I'M AT THE BALL GAME ♪ AND FIRST THING SATURDAY 1090 01:27:48,262 --> 01:27:52,231 IF IT DON'T RAIN ♪ I'M HEADED OUT TO THE LAKE 1091 01:27:52,266 --> 01:27:56,270 AND I'LL BE GONE ♪ ALL WEEKEND LONG 1092 01:27:56,305 --> 01:28:00,239 BUT I'LL CALL YOU BACK ♪ WHEN I GET HOME 1093 01:28:00,274 --> 01:28:08,247 ON SUNDAY AFTERNOON ♪ AND P.S. 1094 01:28:08,283 --> 01:28:17,463 IF THIS IS AUSTIN ♪ I STILL LOVE YOU 1095 01:28:17,498 --> 01:28:20,328 WELL THIS TIME ♪ SHE LEFT HER NUMBER 1096 01:28:20,363 --> 01:28:26,715 BUT NOT ANOTHER WORD ♪ THEN SHE WAITED BY THE PHONE 1097 01:28:26,748 --> 01:28:36,310 ON SUNDAY EVENING ♪ AND THIS IS WHAT HE HEARD 1098 01:28:36,345 --> 01:28:41,246 IF YOUR CALLIN' 'BOUT MY HEART ♪ IT'S STILL YOURS 1099 01:28:41,280 --> 01:28:45,146 I SHOULD HAVE LISTENED ♪ TO IT A LITTLE MORE 1100 01:28:45,180 --> 01:28:49,462 THEN IT WOULDN'T HAVE ♪ TAKEN ME SO LONG 1101 01:28:49,496 --> 01:28:56,226 TO KNOW WHERE I BELONG ♪ AND BY THE WAY BOY 1102 01:28:56,261 --> 01:29:02,716 THIS IS NO MACHINE ♪ YOUR TALKIN' TO 1103 01:29:02,751 --> 01:29:07,686 CAN'T YOU TELL ♪ THIS IS AUSTIN 1104 01:29:07,720 --> 01:29:20,251 AND I STILL LOVE YOU ♪ ♪ 1105 01:29:20,284 --> 01:29:25,289 ♪ ♪ ♪ ♪ 1106 01:29:25,324 --> 01:29:26,739 ♪ YEAH, I MET YOU 'FORE ANYBODY KNEW MY NAME 1107 01:29:26,774 --> 01:29:29,122 ♪ PLAYING FOR PENNIES ON THE DIVE BAR STAGE 1108 01:29:29,155 --> 01:29:32,505 ♪ SPLIT AN ALL-STAR SPECIAL ON OUR FIRST DATE 1109 01:29:32,538 --> 01:29:35,439 ♪ IN A WAFFLE HOUSE BOOTH YOUR DADDY WAS CRYING 1110 01:29:35,472 --> 01:29:38,717 ♪ WHEN HE GAVE YOU AWAY 'CAUSE ALL THOSE COUNTRY 1111 01:29:38,752 --> 01:29:44,239 SONGS I PLAYED THEY DIDN'T COME WITH A 401K 1112 01:29:44,274 --> 01:29:46,310 ♪ BUT HEY, I HAD YOU YOU CAN MAKE A SIX PACK ON 1113 01:29:46,345 --> 01:29:50,729 ♪ THE CARPET TASTE LIKE A MILLION DOLLAR BILL 1114 01:29:50,764 --> 01:29:52,627 ♪ YOU CAN MAKE A ONE BEDROOM APARTMENT 1115 01:29:52,662 --> 01:29:55,319 ♪ FEEL LIKE A HOUSE UP ON THE HILL 1116 01:29:55,354 --> 01:29:58,944 ♪ YOU CAN MAKE MY TRUCK OUT IN THE DRIVEWAY 1117 01:29:58,979 --> 01:30:01,015 ♪ ROLL LIKE A CLEANED UP CADILLAC 1118 01:30:01,050 --> 01:30:03,536 ♪ GIRL, LOOKIN' AT YOU LOOKIN' AT ME THAT WAY 1119 01:30:03,569 --> 01:30:08,229 ♪ CAN MAKE A MAN FEEL RICH ON MINIMUM WAGE 1120 01:30:08,264 --> 01:30:14,443 ♪ GIRL, YOUR LOVE IS MONEY YOUR LOVE IS MONEY 1121 01:30:14,478 --> 01:30:15,479 ♪ YEAH, YOUR LOVE CAN MAKE A MAN FEEL RICH 1122 01:30:15,512 --> 01:30:21,104 ♪ ON MINIMUM WAGE GIRL, YOUR LOVE IS MONEY 1123 01:30:21,139 --> 01:30:24,797 ♪ YOUR LOVE IS MONEY YEAH, YOUR LOVE 1124 01:30:24,832 --> 01:30:32,323 ♪ CAN MAKE A MAN FEEL RICH ON MINIMUM WAGE 1125 01:30:32,356 --> 01:30:35,533 GIRL, YOUR LOVE IS MONEY ♪ YOUR LOVE IS MONEY 1126 01:30:35,568 --> 01:30:38,743 YEAH, YOUR LOVE ♪ CAN MAKE A MAN FEEL RICH 1127 01:30:38,778 --> 01:30:48,096 ON MINIMUM WAGE [ CHEERS AND APPLAUSE] 1128 01:30:48,131 --> 01:30:53,895 >> NOW, WELCOME BACK MISS DOLLY PARTON. 1129 01:30:53,930 --> 01:30:58,762 >> TO PRESENT OUR NEXT AWARD IS AN ACTOR, WRITER, INSTAGRAM 1130 01:30:58,797 --> 01:31:02,595 STAR, FUNNIEST PERSON IN THE WHOLE WIDE WORLD, BEEN A FRIEND 1131 01:31:02,628 --> 01:31:03,664 OF MINE FOR YEARS. 1132 01:31:03,698 --> 01:31:06,564 I GOT TO SING A SONG ON HIS UPCOMING GOSPEL ALBUM. 1133 01:31:06,599 --> 01:31:08,911 THE ALBUM IS CALLED "COMPANY'S COMING." 1134 01:31:08,945 --> 01:31:11,224 I DON'T KNOW WHAT HE'S GOING TO DO TONIGHT. 1135 01:31:11,257 --> 01:31:14,122 MAYBE ONE DAY WE'LL GET TO SING OUR SONG ON A TV SHOW. 1136 01:31:14,158 --> 01:31:24,167 WOULD YOU PLEASE MAKE WELCOME MY BUDDY, LESLIE JORDAN? 1137 01:31:24,202 --> 01:31:33,417 WOULD YOU PLEASE MAKE WELCOME MY BUDDY, LESLIE JORDAN? 1138 01:31:33,453 --> 01:31:34,903 >> WOAH. 1139 01:31:34,936 --> 01:31:38,734 I NEVER DREAMED I'D BE ON THIS STAGE ANDBE INTRODUCED BY DOLLY 1140 01:31:38,769 --> 01:31:40,667 PARTON. 1141 01:31:40,702 --> 01:31:50,125 AND HERE ARE THE NOMINEES FOR THE DUO OF THE YEAR. 1142 01:31:50,158 --> 01:31:51,367 >> Announcer: BROOKS & DUNN. 1143 01:31:51,402 --> 01:31:51,885 BROTHERS OSBORNE. 1144 01:31:51,920 --> 01:31:52,783 DAN + SHAY. 1145 01:31:52,817 --> 01:31:55,889 FLORIDA GEORGIA LINE. 1146 01:31:55,923 --> 01:32:03,828 MADDIE & TAE. 1147 01:32:03,863 --> 01:32:11,871 >> AND THE A.C.M. DUO OF THE YEAR GOES TO: 1148 01:32:11,904 --> 01:32:19,878 DAN + SHAY. 1149 01:32:19,912 --> 01:32:26,850 ♪ ♪ TELY INCREDIBLE TO 1150 01:32:26,886 --> 01:32:28,577 STAND ON STAGE AT THE BLUE BIRD. 1151 01:32:28,612 --> 01:32:31,579 I REMEMBER VISITING THIS PLACE OVER TEN YEARS AGO BEFORE I 1152 01:32:31,614 --> 01:32:34,409 MOVED TO NASHVILLE AND DREAMED OF BEING A SONGWRITER IN THIS 1153 01:32:34,444 --> 01:32:35,653 TOWN. 1154 01:32:35,688 --> 01:32:39,381 STILL JUST AS EXCITED EVERY DAY TO WAKE UP AND WRITE COUNTRY 1155 01:32:39,414 --> 01:32:40,623 MUSIC. 1156 01:32:40,658 --> 01:32:43,868 THANK YOU SO TO THE ACM, THE OTHER NOMINEES IN OUR CATEGORY, 1157 01:32:43,903 --> 01:32:48,423 WE LOVE Y'ALL, EVERYBODY IS DESERVING OF THIS AWARD. 1158 01:32:48,458 --> 01:32:51,496 OUR TEAM, THANK YOU SO MUCH AND MY WIFE ABBY, I LOVE YOU. 1159 01:32:51,530 --> 01:32:55,016 >> THIS IS SO SPECIAL, I WANT TO THANK GOD FOR THIS GUY. 1160 01:32:55,051 --> 01:32:58,882 MY WIFE HANNA, MY BOYS AN COUNTRY RADIO. 1161 01:32:58,917 --> 01:33:00,677 COUNTRY FANS THANK YOU FOR BEING WITH US. 1162 01:33:00,712 --> 01:33:05,475 LOVE YOU GUYS. 1163 01:33:05,510 --> 01:33:06,787 >> LOVE >> Announcer: WITH "“I HOPE 1164 01:33:06,822 --> 01:33:12,310 YOU'RE HAPPY NOW,"” THE SONG THAT WON THEM THE A.C.M. AWARD FOR 1165 01:33:12,345 --> 01:33:14,002 MUSIC EVENT AND SINGLE OF THE YEAR, HERE ARE CARLY PEARCE AND 1166 01:33:14,036 --> 01:33:17,694 LEE BRICE. 1167 01:33:17,729 --> 01:33:20,836 ♪ ♪ ♪ IT'S ALL ON ME 1168 01:33:20,871 --> 01:33:24,219 IT'S MY MISTAKE ♪ I SAID I DON'T LOVE YOU 1169 01:33:24,252 --> 01:33:29,189 A LITTLE TOO LATE ♪ BUT I GUESS THERE AIN'T 1170 01:33:29,224 --> 01:33:30,328 EVER A RIGHT TIME ♪ AND I DON'T KNOW WHY 1171 01:33:30,363 --> 01:33:37,715 IT'S CALLED A GOOD-BYE ♪ GO RUN MY NAME 1172 01:33:37,750 --> 01:33:41,546 INTO THE GROUND ♪ TELL EVERYONE YOU KNOW 1173 01:33:41,581 --> 01:33:48,243 JUST HOW, HOW I SLAMMED ♪ THE DOOR ON OUR FOREVER 1174 01:33:48,277 --> 01:33:53,697 BUT I PROMISE YOU ♪ IT'S FOR THE BETTER 1175 01:33:53,730 --> 01:34:01,704 I HOPE YOU FIND ♪ WHAT YOU WERE LOOKING FOR 1176 01:34:01,738 --> 01:34:08,296 I HOPE YOUR HEART ♪ AIN'T HURTING ANYMORE 1177 01:34:08,332 --> 01:34:15,787 AND YOU GET MOVING ON ♪ I FIGURED IT OUT 1178 01:34:15,822 --> 01:34:24,002 AND YOU DON'T HATE ME SOMEHOW ♪ 'CAUSE I HOPE 1179 01:34:24,037 --> 01:34:35,565 YOU'RE HAPPY NOW MY FRIEND 1180 01:34:35,600 --> 01:34:36,739 ♪ WHO KNEW THIS HEART COULD BREAK THIS HARD 1181 01:34:36,774 --> 01:34:40,778 ♪ OR LOVE LIKE OURS COULD FALL APART 1182 01:34:40,813 --> 01:34:46,094 ♪ WITHOUT SO MUCH AS A WARNING I THOUGHT THAT I 1183 01:34:46,127 --> 01:34:52,894 ♪ WAS WHAT YOU WANTED WELL, I GUESS YOU FOUND 1184 01:34:52,927 --> 01:35:01,729 ♪ WHAT YOU WERE LOOKING FOR I GUESS MY HEART 1185 01:35:01,765 --> 01:35:10,980 ♪ AIN'T WORTH IT ANYMORE I'M A WRECK, I'M A MESS 1186 01:35:11,015 --> 01:35:20,748 ♪ AND I AIN'T GOT NOTHING LEFT AND SO I HOPE 1187 01:35:20,783 --> 01:35:24,719 ♪ YOU'RE HAPPY NOW ♪ ♪ 1188 01:35:24,752 --> 01:35:32,381 ♪ ♪ ♪ ♪ 1189 01:35:32,416 --> 01:35:39,250 I HOPE YOU FOUND ♪ WHAT YOU WERE LOOKING FOR 1190 01:35:39,284 --> 01:35:45,774 I GUESS MY HEART ♪ AIN'T WORTH IT ANYMORE 1191 01:35:45,809 --> 01:35:50,502 HOPE YOU BEEN MOVING ON ♪ ALL FIGURED OUT 1192 01:35:50,537 --> 01:35:57,613 AND YOU DON'T HATE ME SOMEHOW ♪ I'M A WRECK, I'M A MESS 1193 01:35:57,648 --> 01:36:08,728 AND I AIN'T GOT NOTHING LEFT ♪ SO I HOPE 1194 01:36:08,762 --> 01:36:12,836 YOU'RE HAPPY NOW ♪ HAPPY NOW 1195 01:36:12,869 --> 01:36:20,739 OH, I HOPE ♪ YOU'RE HAPPY NOW 1196 01:36:20,774 --> 01:36:33,166 ♪ ♪ [ CHEERS AND APPLAUSE] 1197 01:36:33,201 --> 01:36:35,375 >> Announcer: UP NEXT, AN UNFORGETTABLE PERFORMANCE 1198 01:36:35,409 --> 01:36:36,341 BY MICKEY GUYTON. 1199 01:36:36,376 --> 01:36:39,171 PLUS, THE AWARD FOR MALE ARTIST OF THE YEAR. 1200 01:36:39,207 --> 01:36:43,382 THEN, KEITH URBAN TAKES THE GRAND OLE OPRY HOUSE STAGE. 1201 01:36:43,417 --> 01:36:46,972 THIS IS CBS. 1202 01:36:47,007 --> 01:36:51,840 AND NOW, A SPECIAL MESSAGE FROM T-MOBILE AND 11-TIME A.C.M. 1203 01:36:51,875 --> 01:36:54,532 AWARD WINNERS, FLORIDA GEORGIA LINE! 1204 01:37:00,884 --> 01:37:02,920 >> Mickey: WELCOME BACK. 1205 01:37:02,954 --> 01:37:05,957 I'M SO THANKFUL TO THE ACADEMY FOR THE SUPPORT THEY HAVE GIVEN 1206 01:37:05,992 --> 01:37:09,375 ME OVER THE LAST FEW YEARS, AND I'M ALSO PROUD OF THEIR WORK ON 1207 01:37:09,408 --> 01:37:12,480 BEHALF OF SO MANY DIFFERENT GROUPS IN OUR COMMUNITY. 1208 01:37:12,515 --> 01:37:15,173 ONE OF THE WAYS THEY PROVIDE THAT HELP IS THROUGH THE "“A.C.M. 1209 01:37:15,207 --> 01:37:18,038 LIFTING LIVES COVID-19 RESPONSE FUND." 1210 01:37:18,073 --> 01:37:23,872 LET'S TAKE A LOOK. 1211 01:37:23,907 --> 01:37:26,287 IN MARCH 2020 COVID PANDEMIC HIT, LIVE MUSIC 1212 01:37:26,323 --> 01:37:28,220 AS WE KNOW IT SHUT DOWN. 1213 01:37:28,256 --> 01:37:30,327 >> NOBODY COULD SEE THIS DRAGGING OUT FOR A YEAR. 1214 01:37:30,360 --> 01:37:33,951 >> HOW ARE OUR FANS SUPPOSED TO TAKE CARE OF THEIR FAMILIES. 1215 01:37:33,985 --> 01:37:35,676 >> HOW WOULD THEY PAY THEIR BILLS. 1216 01:37:35,711 --> 01:37:39,783 >> WITHOUT THOSE GUYS, I DON'T GET TO HAPPEN. 1217 01:37:39,819 --> 01:37:44,582 >> ACM LIFTING LIVES COVID-19 RESPONSE FUND HAS GIVEN AWAY 3.9 1218 01:37:44,617 --> 01:37:47,101 MILLION FOR PEOPLE IN OUR COUNTRY WHO NEED IT. 1219 01:37:47,136 --> 01:37:49,034 >> IT PAID OUR MORTGAGE THAT MONTH. 1220 01:37:49,069 --> 01:37:51,555 >> IT CAME AT THE EXACT RIGHT TIME I NEEDED IT TO COME. 1221 01:37:51,588 --> 01:37:54,765 >> THE FUNDS HAVE BEEN DEPLETED BECAUSE THEY HAVE GIVEN O SO 1222 01:37:54,798 --> 01:37:56,077 MANY PEOPLE IN NEED. 1223 01:37:56,110 --> 01:37:58,457 >> IF YOU WANT THAT FEELING OF A CONCERT AGAIN, YOU HAVE TO KEEP 1224 01:37:58,493 --> 01:37:59,734 THESE PEOPLE GOING. 1225 01:37:59,770 --> 01:38:09,365 >> WHETHER YOU CAN GIVE $1, $10 OR $100, YOUR DONATION MAKES A 1226 01:38:09,399 --> 01:38:10,676 >> Mickey: THANK YOU, "LIFTING LIVES," FOR HELPING US GET 1227 01:38:10,712 --> 01:38:12,057 THROUGH SOME VERY TOUGH TIMES. 1228 01:38:12,092 --> 01:38:13,921 I WROTE THIS NEXT SONG AS A PRAYER. 1229 01:38:13,957 --> 01:38:16,925 WHEN FACED WITH PAIN AND UNCERTAINTY, I HOPE IT INSPIRES 1230 01:38:16,960 --> 01:38:22,033 YOU TO HOLD ON. 1231 01:38:22,068 --> 01:38:24,760 ♪ ♪ ♪ WHEN YOU'RE AFRAID 1232 01:38:24,795 --> 01:38:30,697 I'M RIGHT BESIDE YOU ♪ WHEN YOU'RE IN THE DARK 1233 01:38:30,731 --> 01:38:36,841 I'LL COME AND FIND YOU ♪ THERE IS NO DOOR 1234 01:38:36,876 --> 01:38:43,226 I'LL LEAVE UNOPENED ♪ AND THERE IS NO CHANCE 1235 01:38:43,261 --> 01:38:54,548 I'LL LEAVE IT BROKEN ♪ SO, HOLD ON, HOLD ON 1236 01:38:54,582 --> 01:39:00,451 DON'T LET GO ♪ HOLD ON, HOLD ON 1237 01:39:00,485 --> 01:39:05,248 I'LL BE YOUR HOPE ♪ I'LL BE YOUR LIFELINE 1238 01:39:05,283 --> 01:39:14,948 I'LL NEVER STOP FIGHTING ♪ SO HOLD ON, HOLD ON 1239 01:39:14,983 --> 01:39:27,305 HOLD ON TO ME ♪ HOLD ON TO ME 1240 01:39:27,340 --> 01:39:35,935 IF THERE'S A PRAYER ♪ I'M GONNA PRAY IT 1241 01:39:35,970 --> 01:39:42,320 WHEN THERE'S AN ANSWER ♪ I'LL BE RIGHT HERE WAITING 1242 01:39:42,354 --> 01:39:46,427 AND THERE AIN'T A STONE ♪ I WON'T TURN OVER 1243 01:39:46,462 --> 01:39:49,672 A WEIGHT TOO HEAVY ♪ ON MY SHOULDER 1244 01:39:49,707 --> 01:39:56,024 A FIRE THAT I WON'T WALK THROUGH ♪ YOU KNOW I GOT YOU, I GOT YOU 1245 01:39:56,059 --> 01:40:02,926 SO HOLD ON, HOLD ON ♪ AND DON'T LET GO 1246 01:40:02,962 --> 01:40:07,898 HOLD ON, HOLD ON ♪ I'LL BE YOUR HOPE 1247 01:40:07,931 --> 01:40:13,076 I'LL BE YOUR LIFELINE ♪ I'LL NEVER STOP FIGHTING 1248 01:40:13,109 --> 01:40:20,082 BELIEVING ♪ SO HOLD ON, HOLD ON 1249 01:40:20,117 --> 01:40:27,158 HOLD ON TO ME, YEAH ♪ HOLD ON TO ME, YEAH 1250 01:40:27,193 --> 01:40:38,894 HOLD ON TO ME, YEAH ♪ HOLD ON TO ME, YEAH 1251 01:40:38,929 --> 01:40:43,140 DON'T KNOW IF YOU'RE LISTENING ♪ BUT IF YOU CAN HERE ME 1252 01:40:43,175 --> 01:40:49,560 JUST HOLD ON, HOLD ON ♪ AND DON'T LET GO 1253 01:40:49,595 --> 01:40:55,289 HOLD ON, HOLD ON ♪ I'LL BE YOUR HOPE 1254 01:40:55,324 --> 01:41:02,917 I'LL BE YOUR LIFELINE ♪ AND I'LL NEVER STOP FIGHTING 1255 01:41:02,953 --> 01:41:11,064 BELIEVING ♪ JUST HOLD ON, HOLD ON 1256 01:41:11,099 --> 01:41:22,592 HOLD ON TO ME ♪ [ CHEERS AND APPLAUSE] 1257 01:41:22,627 --> 01:41:25,319 >> Announcer: COMING TO THE STAGE WITH OUR NEXT AWARD, 1258 01:41:25,354 --> 01:41:39,783 HERE'S THREE-TIME NOMINEE TONIGHT, INGRID ANDRESS. 1259 01:41:39,817 --> 01:41:40,886 >> WHAT'S UP, FAM? 1260 01:41:40,921 --> 01:41:42,681 A LOT OF GREAT THINGS HAVE HAPPENED TO ME EARLY IN MY 1261 01:41:42,716 --> 01:41:45,099 CAREER, AND SOMETIMES I REALLY WONDER HOW I LITERALLY GOT HERE. 1262 01:41:45,132 --> 01:41:47,962 SO, THIS IS A SPECIAL MOMENT. 1263 01:41:47,997 --> 01:41:52,381 I'M HONORED TO PRESENT THIS AWARD TO ONE OF THESE FIVE 1264 01:41:52,416 --> 01:41:55,143 SUPERSTARS, ALL MEN I RESPECT AND ADMIRE. 1265 01:41:55,177 --> 01:42:01,322 HERE ARE THE INCREDIBLE NOMINEES FOR MALE ARTIST OF THE YEAR. 1266 01:42:01,355 --> 01:42:11,953 >> Announcer: DIERKS BENTLEY. 1267 01:42:11,987 --> 01:42:22,100 ERIC CHURCH. 1268 01:42:22,136 --> 01:42:30,833 LUKE COMBS. 1269 01:42:30,868 --> 01:42:41,740 THOMAS RHETT. 1270 01:42:41,775 --> 01:42:55,962 CHRIS STAPLETON. 1271 01:42:55,997 --> 01:42:59,448 [ APPLAUSE] >> AND THE A.C.M. MALE ARTIST OF 1272 01:42:59,483 --> 01:43:12,358 THE YEAR GOES TO: THOMAS RHETT. 1273 01:43:12,393 --> 01:43:19,917 ♪ ♪ [ CHEERS AND APPLAUSE] 1274 01:43:19,952 --> 01:43:29,962 ♪ ♪ [ CHEERS AND APPLAUSE] 1275 01:43:29,996 --> 01:43:35,795 ♪ ♪ [ CHEERS AND APPLAUSE] 1276 01:43:35,829 --> 01:43:38,902 >> MAN, THIS IS ABSOLUTELY UNBELIEVABLE, ESPECIALLY SITTING 1277 01:43:38,935 --> 01:43:44,666 HERE NEXT TO DIERKS, HOLLERING HIS SHENANIGANS OVER HERE, I 1278 01:43:44,701 --> 01:43:48,877 WANT TO SAY THANK YOU SO MUCH TO THE ACMS, THIS IS INCREDIBLE. 1279 01:43:48,912 --> 01:43:52,052 TO MY WIFE, MY THREE BABY GIRLS WATCHING THIS AT HOME ON THE TV, 1280 01:43:52,087 --> 01:43:55,643 I LOVE Y'ALL SO MUCH, ALL THE HEALTH CARE WORKERS SITTING UP 1281 01:43:55,676 --> 01:43:56,368 HERE, THANK YOU, THANK YOU. 1282 01:43:56,402 --> 01:43:59,198 COME ON! 1283 01:43:59,233 --> 01:44:02,787 IT JUST FEELS INVEDDABLE-- INCREDIBLE TO BE IN 1284 01:44:02,822 --> 01:44:06,067 THIS CATEGORY, TO BE HONEST, THESE ARE LITERALLY MY HEROES 1285 01:44:06,100 --> 01:44:09,345 SITTING RIGHT HERE IN THESE SEATS, SO THANK YOU LORD, LORD 1286 01:44:09,381 --> 01:44:10,381 JESUS, WE LOVE YOU. 1287 01:44:10,416 --> 01:44:13,556 THANK YOU FOR THIS AWARD. 1288 01:44:13,591 --> 01:44:16,353 THANK YOU. 1289 01:44:16,387 --> 01:44:20,426 ♪ ♪ [ CHEERS AND APPLAUSE] 1290 01:44:20,461 --> 01:44:23,912 >> Keith: CONGRATULATIONS TO YOU. 1291 01:44:23,947 --> 01:44:24,327 PUT IT THERE, MAN. 1292 01:44:24,360 --> 01:44:25,466 TELL YOU WHAT. 1293 01:44:25,500 --> 01:44:27,019 TROPHY ROOM IS GETTING THE TROPHY ROOM, YOU'RE GOING TO 1294 01:44:27,052 --> 01:44:31,298 NEED A TROPHY HOUSE IF YOU KEEP KEEP THAT UP. 1295 01:44:31,333 --> 01:44:38,237 STILL TO COME, KELSEY BALLERINI FEATURE-- FEATURING KENNY 1296 01:44:38,271 --> 01:44:40,721 CHESNEY, THIS IS >> Announcer: YOU CAN "STREAM 1297 01:44:40,756 --> 01:44:42,551 FOR A CAUSE" WITH THE OFFICIAL 56th A.C.M. AWARDS PLAYLISTS, 1298 01:44:42,586 --> 01:44:47,073 FEATURING SONGS FROM EVERY NOMINEE, AND RAISE VALUABLE 1299 01:44:47,108 --> 01:44:48,177 FUNDS FOR A.C.M. LIFTING LIVES. 1300 01:44:48,212 --> 01:44:50,869 VISIT www.acmliftinglives.org. 1301 01:44:50,904 --> 01:44:53,804 THE 56th ACADEMY OF COUNTRY MUSIC AWARDS, SPONSORED BY: 1302 01:44:53,838 --> 01:44:56,220 THE ALL-NEW BRONCO SPORT, BUILT WILD. 1303 01:44:59,465 --> 01:45:02,710 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 1304 01:45:02,743 --> 01:45:03,435 CONTINUE. 1305 01:45:03,469 --> 01:45:03,814 THIS IS CBS. 1306 01:45:08,371 --> 01:45:15,377 ♪ ♪ 1307 01:45:15,412 --> 01:45:18,657 >> Keith: WELCOME BACK. WHAT AN AMAZING NIGHTK MICKEY. 1308 01:45:18,690 --> 01:45:19,484 >> I'M HAVING AN AMAZING TIME. 1309 01:45:19,520 --> 01:45:20,899 SO WHAT HAVE YOU GOT THERE? 1310 01:45:20,935 --> 01:45:25,007 >> I'M GOING TO PLAY. 1311 01:45:25,042 --> 01:45:25,974 >> PLAYING WHAT. 1312 01:45:26,009 --> 01:45:27,216 >> LIKE WITH MY BAND. 1313 01:45:27,251 --> 01:45:30,496 >> SO WHERE YOU GOING AND I'VE NEVER PLAYED THIS SONG WITH MY 1314 01:45:30,530 --> 01:45:32,980 BAND BEFORE SO IT WILL BE NICE TO ACTUALLY FINALLY PLAY. 1315 01:45:33,015 --> 01:45:39,435 >> SO YOU ARE LEAVING ME RIGHT NOW. 1316 01:45:39,470 --> 01:45:39,885 >> YEAH. 1317 01:45:39,918 --> 01:45:40,747 >> KEITH URBAN. 1318 01:45:40,782 --> 01:45:42,094 HERE TO >> Mickey: HERE TO PERFORM HIS 1319 01:45:42,127 --> 01:45:48,376 HIT SONG, "“TUMBLEWEED,"” IS MY TUMBLEWEED, IS MY DEAR FRIEND 15 1320 01:45:48,411 --> 01:45:58,697 TIME ACM AWARD WINNER, KEITH FREAKING URBAN. 1321 01:45:58,730 --> 01:46:04,185 ♪ ♪ ♪ ♪ 1322 01:46:04,219 --> 01:46:09,810 ♪ ♪ ♪ ♪ 1323 01:46:09,845 --> 01:46:10,916 ♪ HOTTER THAN A $2 SHOT OF WHISKEY 1324 01:46:10,949 --> 01:46:13,262 ♪ LOOKING PRETTY SITTING AT THE BAR 1325 01:46:13,296 --> 01:46:15,747 ♪ LOOKING 'ROUND THE ROOM WITH THE DEVIL ON YOUR SHOULDER 1326 01:46:15,783 --> 01:46:17,680 ♪ LIKE YOU'RE 'BOUT TO STEAL A COWBOY'S HEART 1327 01:46:17,716 --> 01:46:21,996 ♪ I'M YOUR BILLY THE KID SO BABY, LET'S GIDDY-UP, GONE 1328 01:46:22,029 --> 01:46:24,274 ♪ I AIN'T EVEN SURE JUST A WHERE YOU'RE HEADED 1329 01:46:24,307 --> 01:46:29,796 ♪ BUT I'D SURE LIKE TO TAG ALONG HEY, MISS TUMBLEWEED 1330 01:46:29,831 --> 01:46:35,734 ♪ WELL, I BELIEVE TWO TUMBLEWEEDS IS BETTER THAN ONE 1331 01:46:35,768 --> 01:46:38,046 ♪ EVERYBODY NEEDS A BUDDY WHEN THEY'RE ON THE RUN 1332 01:46:38,081 --> 01:46:42,326 ♪ HEY, MISS TUMBLEWEED LET'S RIDE THE BREEZE 1333 01:46:42,360 --> 01:46:44,466 ♪ TOWN TO TOWN JUST A-KICKING UP DUST 1334 01:46:44,501 --> 01:46:49,574 ♪ MAKE A LITTLE TROUBLE MIGHT MAKE A LITTLE LOVE 1335 01:46:49,609 --> 01:46:54,546 ♪ ♪ ♪ ♪ 1336 01:46:54,579 --> 01:46:57,997 ♪ TEACH ME YOUR GYPSY WAYS COME ON, BABY, SHOW ME THE ROPES 1337 01:46:58,032 --> 01:46:59,515 ♪ THE REAL WORLD CAN CHASE US, GIRL 1338 01:46:59,551 --> 01:47:01,828 ♪ BUT WE'LL LEAVE 'EM IN A CLOUD OF SMOKE 1339 01:47:01,863 --> 01:47:04,244 ♪ NO TELLING WHERE WE MIGHT END UP 1340 01:47:04,279 --> 01:47:07,524 ♪ REBELS LIKE YOU AND ME NOWHERE, ANYWHERE 1341 01:47:07,559 --> 01:47:10,769 ♪ EVERYWHERE, OUT THERE SOMEWHERE IN BETWEEN 1342 01:47:10,802 --> 01:47:15,394 ♪ HEY, MISS TUMBLEWEED WELL, I BELIEVE TWO TUMBLEWEEDS 1343 01:47:15,429 --> 01:47:18,362 ♪ IS BETTER THAN ONE EVERYBODY NEEDS A BUDDY 1344 01:47:18,396 --> 01:47:22,470 ♪ WHEN THEY'RE ON THE RUN HEY, MISS TUMBLEWEED 1345 01:47:22,505 --> 01:47:24,783 ♪ LET'S RIDE THE BREEZE TOWN TO TOWN 1346 01:47:24,817 --> 01:47:26,992 ♪ JUST A-KICKING UP DUST MAKE A LITTLE TROUBLE 1347 01:47:27,025 --> 01:47:31,582 ♪ MIGHT MAKE A LITTLE LOVE ♪ ♪ 1348 01:47:31,617 --> 01:47:37,588 ♪ ♪ ♪ ♪ 1349 01:47:37,622 --> 01:47:47,046 ♪ ♪ ♪ ♪ 1350 01:47:47,081 --> 01:47:57,850 ♪ ♪ ♪ OH, YEAH, THAT'S RIGHT 1351 01:47:57,885 --> 01:47:58,817 OPRY HOUSE! 1352 01:47:58,850 --> 01:48:01,060 TUMBLEWEED, TUMBLEWEED ♪ I'LL ROLL WITH YOU 1353 01:48:01,095 --> 01:48:02,716 YOU ROLL WITH ME ♪ TUMBLEWEED, TUMBLEWEED 1354 01:48:02,752 --> 01:48:05,755 I'LL ROLL WITH YOU ♪ YOU ROLL WITH ME HEY 1355 01:48:05,788 --> 01:48:08,412 TUMBLEWEED, TUMBLEWEED ♪ I'LL ROLL WITH YOU 1356 01:48:08,447 --> 01:48:11,587 YOU ROLL WITH ME ♪ TUMBLEWEED, TUMBLEWEED 1357 01:48:11,622 --> 01:48:14,176 I'LL ROLL WITH YOU ♪ YOU ROLL WITH ME 1358 01:48:14,211 --> 01:48:18,663 HEY, MISS TUMBLEWEED ♪ WELL, I BELIEVE TWO 1359 01:48:18,698 --> 01:48:22,599 TUMBLEWEEDS IS BETTER THAN ONE ♪ EVERYBODY NEEDS A BUDDY 1360 01:48:22,634 --> 01:48:25,533 WHEN THEY'RE ON THE RUN ♪ HEY, MISS TUMBLEWEED 1361 01:48:25,568 --> 01:48:29,157 LET'S RIDE THE BREEZE ♪ TOWN TO TOWN 1362 01:48:29,192 --> 01:48:30,503 JUST A-KICKING UP DUST ♪ MAKE A LITTLE TROUBLE 1363 01:48:30,537 --> 01:48:43,895 MIGHT MAKE A LITTLE LOVE ♪ [ CHEERS AND APPLAUSE] 1364 01:48:43,930 --> 01:48:45,448 >> Keith: THANK YOU SO MUCH. 1365 01:48:45,484 --> 01:48:47,002 NOW, LET'S HEAD BACK LIVE TO THE RYMAN AUDITORIUM FOR DOUBLE 1366 01:48:47,037 --> 01:48:51,041 NOMINEES TONIGHT, BROTHERS OSBORNE. 1367 01:48:51,076 --> 01:49:01,569 ♪ ♪ ♪ ♪ 1368 01:49:01,604 --> 01:49:04,296 ♪ SOME PEOPLE CLAP ON THE ONE AND THE THREE 1369 01:49:04,329 --> 01:49:07,470 ♪ SOME PEOPLE CLAP ON THE TWO AND FOUR 1370 01:49:07,506 --> 01:49:11,337 ♪ SOME PEOPLE DON'T JOIN AT ALL 'CAUSE THEY GOT NO RHYTHM 1371 01:49:11,372 --> 01:49:16,032 ♪ AND THAT'S ALRIGHT SOME PEOPLE, THEY DRINK TOO MUCH 1372 01:49:16,065 --> 01:49:22,417 ♪ SOME PEOPLE DON'T DRINK ENOUGH SOME PEOPLE ARE JUST LIKE ME 1373 01:49:22,452 --> 01:49:25,835 ♪ I HOPE Y'ALL FORGIVE 'EM I'M LIKE SCOTCH 1374 01:49:25,868 --> 01:49:28,631 ♪ AND ZYDECO BANDS I'M LIKE B-SIDE 1375 01:49:28,664 --> 01:49:31,979 ♪ TOWNES VAN ZANDT I'M ALWAYS SPEAKING MY MIND 1376 01:49:32,012 --> 01:49:36,016 ♪ WHEN I'M BETTER OFF BIING MY TONGUE 1377 01:49:36,051 --> 01:49:39,193 ♪ I'M A BAD JOKE AT THE WRONG TIME 1378 01:49:39,226 --> 01:49:42,023 ♪ HELL, I'M A LEGEND IN MY OWN MIND 1379 01:49:42,057 --> 01:49:51,032 ♪ I'M GOOD FOR SOME BUT I'M NOT FOR EVERYONE 1380 01:49:51,067 --> 01:49:53,621 ♪ IF I WAS SWEET TEA IT'D BE A BIT BITTER 1381 01:49:53,655 --> 01:49:56,623 ♪ IF YOU TOOK A DRINK YOU MIGHT RECONSIDER 1382 01:49:56,658 --> 01:49:59,627 ♪ IF I WAS A CHURCH I'D BE HANGING WITH THE SINNERS 1383 01:49:59,662 --> 01:50:03,181 ♪ TALKING 'BOUT HENDRIX AND HEAVEN 1384 01:50:03,216 --> 01:50:06,771 ♪ IF I WAS A BAR I'D BE A DIVE 1385 01:50:06,806 --> 01:50:08,567 ♪ A FREE JUKEBOX IN A DOUBLE-WIDE 1386 01:50:08,601 --> 01:50:11,604 ♪ NEON LIGHTS SAYING "COME INSIDE" 1387 01:50:11,639 --> 01:50:15,573 ♪ AND I'D BE "OPEN 24/7" I'M LIKE SCOTCH 1388 01:50:15,609 --> 01:50:18,439 ♪ AND ZYDECO BANDS I'M LIKE B-SIDE 1389 01:50:18,472 --> 01:50:22,097 ♪ TOWNES VAN ZANDT I'M ALWAYS SPEAKING MY MIND 1390 01:50:22,131 --> 01:50:25,721 ♪ WHEN I'M BETTER OFF BITING MY TONGUE 1391 01:50:25,756 --> 01:50:29,001 ♪ I'M A BAD JOKE AT THE WRONG TIME 1392 01:50:29,036 --> 01:50:31,658 ♪ HELL, I'M A LEGEND IN MY OWN MIND 1393 01:50:31,694 --> 01:50:37,319 ♪ I'M GOOD FOR SOME BUT I'M NOT FOR EVERYONE 1394 01:50:37,354 --> 01:50:43,326 ♪ ♪ ♪ ♪ 1395 01:50:43,359 --> 01:50:47,157 ♪ ♪ ♪ ♪ 1396 01:50:47,192 --> 01:50:49,676 ♪ YEAH, I'M HARD TO LOVE IT'S TRUE 1397 01:50:49,712 --> 01:50:52,680 ♪ I'M A LITTLE MORE ROUGH THAN SMOOTH 1398 01:50:52,715 --> 01:50:58,203 ♪ IT'S A WONDER I FOUND SOMEBODY LIKE ME, LIKE YOU 1399 01:50:58,237 --> 01:51:01,033 ♪ I'M LIKE SCOTCH AND ZYDECO BANDS 1400 01:51:01,068 --> 01:51:03,966 ♪ I'M LIKE B-SIDE TOWNES VAN ZANDT 1401 01:51:04,002 --> 01:51:06,832 ♪ I'M ALWAYS SPEAKING MY MIND WHEN I'M BETTER OFF 1402 01:51:06,867 --> 01:51:11,146 ♪ BITING MY TONGUE I'M A BAD JOKE 1403 01:51:11,180 --> 01:51:13,908 ♪ AT THE WRONG TIME HELL, I'M A LEGEND 1404 01:51:13,943 --> 01:51:17,739 ♪ IN MY OWN MIND I'M GOOD FOR SOME 1405 01:51:17,774 --> 01:51:23,503 ♪ BUT I'M NOT FOR EVERYONE YEAH, I'M GOOD FOR SOME 1406 01:51:23,537 --> 01:51:36,586 ♪ BUT I'M NOT FOR EVERYONE ♪ ♪ 1407 01:51:36,619 --> 01:51:42,385 [ CHEERS AND APPLAUSE] >> Announcer: XFINITY CUSTOMERS, 1408 01:51:42,418 --> 01:51:44,869 CATCH THE EXCLUSIVE PREMIERE OF"“ YOUNGER ME." 1409 01:51:44,904 --> 01:51:50,979 JUST SAY "A.C.M. AWARDS" INTO YOUR XFINITY VOICE REMOTE. 1410 01:51:51,014 --> 01:51:53,983 KELSEA BALLERINI PERFORMS WITH KENNY CHESNEY, NEXT. 1411 01:51:54,016 --> 01:51:56,640 PLUS, THE AWARD FOR ALBUM OF THE YEAR. 1412 01:51:56,675 --> 01:52:01,265 AND STILL TO COME FROM THE HEART OF NASHVILLE, LITTLE BIG TOWN. 1413 01:52:01,300 --> 01:52:04,199 THIS IS CBS. 1414 01:52:04,234 --> 01:52:07,755 LAST YEAR, A.C.M. AWARD WINNER DARIUS RUCKER TOLD US ABOUT AN 1415 01:52:07,789 --> 01:52:10,447 EXCITING MUSEUM COMING TO NASHVILLE. 1416 01:52:10,481 --> 01:52:13,381 WE ARE HAPPY TO SAY THAT THE NATIONAL MUSEUM OF AFRICAN- 1417 01:52:13,416 --> 01:52:17,039 AMERICAN MUSIC IS NOW OFFICIALLY OPEN ON LOWER BROADWAY AND 1418 01:52:17,074 --> 01:52:20,905 SHARING ITS MISSION TO EDUCATE AND PRESERVE. 1419 01:52:20,940 --> 01:52:22,458 THE ACADEMY SHARES THAT MISSION THROUGH IT'S DIVERSITY AND 1420 01:52:22,493 --> 01:52:25,323 INCLUSION TASK FORCE, WHICH IS COMMITTED TO CREATING A MORE 1421 01:52:25,359 --> 01:52:28,224 INCLUSIVE ENVIRONMENT FOR UNDERREPRESENTED GROUPS IN 1422 01:52:28,257 --> 01:52:30,570 COUNTRY MUSIC, FROM THE BOARDROOM TO THE STAGE. 1423 01:52:33,608 --> 01:52:36,853 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 1424 01:52:36,887 --> 01:52:38,543 CONTINUE. THIS IS CBS 1425 01:52:43,411 --> 01:52:44,618 >> Announcer: WE'RE BACK IN 1426 01:52:44,654 --> 01:52:47,657 NASHVILLE AT THE GRAND OLE OPRY HOUSE WITH KELSEA BALLERINI, 1427 01:52:47,690 --> 01:52:51,936 FEATURING KENNY CHESNEY. 1428 01:52:51,971 --> 01:52:57,597 ♪ ♪ ♪ ♪ 1429 01:52:57,631 --> 01:53:00,703 ♪ HALF OF MY HIGH SCHOOL GOT TOO DRUNK 1430 01:53:00,738 --> 01:53:05,019 ♪ HALF OF MY HIGH SCHOOL FELL IN LOVE 1431 01:53:05,054 --> 01:53:10,921 ♪ WITH THE GIRL NEXT DOOR IN THEIR DADDY'S FORD 1432 01:53:10,956 --> 01:53:15,581 ♪ HALF OF MY MAIN STREET'S MINI SKIRTS 1433 01:53:15,615 --> 01:53:20,069 ♪ HALF OF MY MAIN STREET'S DRESSED FOR CHURCH 1434 01:53:20,103 --> 01:53:23,313 ♪ IT COULD USE SOME RAIN AND A FRESH COAT OF PAINT 1435 01:53:23,347 --> 01:53:26,833 ♪ HALF OF MY HOMETOWN'S STILL HANGIN' AROUND 1436 01:53:26,868 --> 01:53:30,457 ♪ STILL TALKIN' ABOUT THAT ONE TOUCHDOWN 1437 01:53:30,493 --> 01:53:33,529 ♪ THEY'RE STILL WEARIN' RED AND BLACK 1438 01:53:33,564 --> 01:53:37,051 ♪ GO BOBCATS WHILE THE OTHER HALF 1439 01:53:37,086 --> 01:53:40,605 ♪ OF MY HOMETOWN THEY ALL GOT OUT 1440 01:53:40,640 --> 01:53:44,747 ♪ SOME WENT NORTH SOME WENT SOUTH 1441 01:53:44,783 --> 01:53:51,100 ♪ STILL LOOKIN' FOR A FEELIN' HALF OF US AIN'T FOUND 1442 01:53:51,134 --> 01:53:54,344 ♪ SO STAY OR LEAVE PART OF ME 1443 01:53:54,378 --> 01:54:03,905 ♪ WILL ALWAYS BE HALF OF MY HOMETOWN 1444 01:54:03,939 --> 01:54:06,149 ♪ HALF OF OUR PROM QUEENS CUT THEIR HAIR 1445 01:54:06,184 --> 01:54:09,738 ♪ HALF OF THEM THINK THAT IT AIN'T FAIR 1446 01:54:09,773 --> 01:54:17,643 ♪ THE QUARTERBACK MOVED AWAY AND NEVER CAME BACK 1447 01:54:17,677 --> 01:54:22,578 ♪ OH, HALF OF MY FAMILY IS HAPPY I LEFT 1448 01:54:22,613 --> 01:54:23,752 ♪ THE OTHER HALF WORRIES I'LL JUST FORGET 1449 01:54:23,787 --> 01:54:27,100 ♪ WHERE I CAME FROM THE SAME PLACE 1450 01:54:27,136 --> 01:54:31,278 ♪ WHERE THEY CAME FROM HALF OF MY HOMETOWN'S 1451 01:54:31,311 --> 01:54:34,694 ♪ STILL HANGIN' AROUND STILL TALKIN' ABOUT 1452 01:54:34,729 --> 01:54:38,216 ♪ THAT ONE TOUCHDOWN THEY'RE STILL WEARIN' 1453 01:54:38,250 --> 01:54:41,252 ♪ RED AND BLACK GO BOBCATS 1454 01:54:41,287 --> 01:54:44,912 ♪ WHILE THE OTHER HALF OF MY HOMETOWN 1455 01:54:44,947 --> 01:54:48,536 ♪ THEY ALL GOT OUT SOME WENT NORTH 1456 01:54:48,570 --> 01:54:53,576 ♪ SOME WENT SOUTH STILL LOOKIN' FOR A FEELIN' 1457 01:54:53,609 --> 01:54:59,099 ♪ HALF OF US AIN'T FOUND SO STAY OR LEAVE 1458 01:54:59,132 --> 01:55:06,692 ♪ PART OF ME WILL ALWAYS BE HALF OF MY HOMETOWN 1459 01:55:06,726 --> 01:55:08,659 ♪ HALF OF MY HOMETOWN BACK ROADS RAISE US 1460 01:55:08,694 --> 01:55:14,942 ♪ HIGHWAYS TAKE US MEMORIES MAKE US 1461 01:55:14,976 --> 01:55:20,015 ♪ WANNA GO BACK TO OUR HOMETOWN 1462 01:55:20,051 --> 01:55:23,225 ♪ SETTLE DOWN TALK ABOUT 1463 01:55:23,261 --> 01:55:28,300 ♪ THAT ONE TOUCHDOWN RAISE SOME KIDS 1464 01:55:28,335 --> 01:55:30,301 ♪ IN RED AND BLACK GO BOBCATS 1465 01:55:30,337 --> 01:55:33,581 ♪ WHILE THE OTHER HALF OF MY HOMETOWN 1466 01:55:33,615 --> 01:55:37,033 ♪ WAS IN THE CROWD THEY KNEW THE WORDS 1467 01:55:37,068 --> 01:55:42,279 ♪ THEY SANG THEM LOUD AND ALL I WANNA DO 1468 01:55:42,314 --> 01:55:47,768 ♪ IS MAKE THEM PROUD 'CAUSE HALF OF ME 1469 01:55:47,801 --> 01:55:56,087 ♪ WILL ALWAYS BE FROM KNOXVILLE, TENNESSEE 1470 01:55:56,121 --> 01:56:00,780 [ CHEERS AND APPLAUSE] ♪ MY HOMETOWN 1471 01:56:00,814 --> 01:56:10,824 YEAH, MY HOMETOWN [ CHEERS AND APPLAUSE] 1472 01:56:10,859 --> 01:56:17,211 YEAH, MY HOMETOWN [ CHEERS AND APPLAUSE] 1473 01:56:17,246 --> 01:56:20,627 >> AND NOW, TO PRESENT THE NEXT AWARD OF THE NIGHT, IT'S MY 1474 01:56:20,662 --> 01:56:26,634 PLEASURE TO INTRODUCE CLAY WALKER. 1475 01:56:26,668 --> 01:56:36,368 ♪ ♪ [ CHEERS AND APPLAUSE] 1476 01:56:36,403 --> 01:56:41,717 >> WHEN AN ARTIST GOES INTO THE RECORDING STUDIO, THEIR DREAM IS 1477 01:56:41,752 --> 01:56:44,444 THAT ONE DAY THEIR ALBUM WILL BE INCLUDED IN THIS CATEGORY. 1478 01:56:44,479 --> 01:56:47,792 FOR THESE FIVE ARTISTS, THAT DREAM CAME TRUE. 1479 01:56:47,828 --> 01:56:52,867 HERE ARE THE NOMINEES FOR ALBUM OF THE YEAR. 1480 01:56:52,902 --> 01:56:59,356 >> Announcer: "“BORN HERE, LIVE HERE, DIE HERE,"” BY LUKE BRYAN."“ 1481 01:56:59,390 --> 01:57:07,364 MIXTAPE VOL. 1,"” BY KANE BROWN."“ NEVER WILL,"” BY ASHLEY McBRYDE."“ 1482 01:57:07,399 --> 01:57:11,576 SKELETONS,"” BY BROTHERS OSBORNE."“ 1483 01:57:11,609 --> 01:57:18,720 STARTING OVER,"” BY CHRIS STAPLETON. 1484 01:57:18,755 --> 01:57:27,212 >> AND THE A.C.M. ALBUM OF THE YEAR GOES TO: 1485 01:57:27,247 --> 01:57:28,488 SO DESERVING. 1486 01:57:28,524 --> 01:57:33,493 CHRIS STAPLETON. 1487 01:57:33,529 --> 01:57:35,047 ♪ ♪ [ APPLAUSE] 1488 01:57:35,082 --> 01:57:43,228 >> I WANT TO THANK EVERYBODY FOR GIVING US THIS AWARD TONIGHT. 1489 01:57:43,262 --> 01:57:48,681 WE WORKED REALLY HARD MAKING MUSIC AND THINK A LOT ABOUT IT. 1490 01:57:48,716 --> 01:57:55,239 I WANT TO THANK MY WIFE AND JAIK, NIXON, EVERYBODY PLAY ON 1491 01:57:55,274 --> 01:57:56,654 THIS RECORD. 1492 01:57:56,689 --> 01:58:00,314 MIKE CAMPBELL, FINCH, MIKE HENDERSON AND ALL THOSE FOLKS 1493 01:58:00,349 --> 01:58:03,697 HAVE I WRITTEN SONGS WITH ON THIS RECORD. 1494 01:58:03,730 --> 01:58:07,217 IT MEANS A LOT TO US, IT REALLY DOES, THANK YOU, THANK YOU VERY 1495 01:58:07,252 --> 01:58:09,115 MUCH. 1496 01:58:09,150 --> 01:58:15,260 [ APPLAUSE] >> Mickey: WHAT A GREAT GROUP OF 1497 01:58:15,295 --> 01:58:16,122 ARTISTS UP FOR THAT AWARD. 1498 01:58:16,158 --> 01:58:18,850 CONGRATULATIONS TO CHRIS STAPLETON. 1499 01:58:18,884 --> 01:58:22,957 NEXT, A BIG AWARD FOR FEMALE ARTIST OF THE YEAR, AND WE GET 1500 01:58:22,992 --> 01:58:29,895 TO ENJOY SOME "“WINE, BEER, WHISKEY"” WITH LITTLE BIG TOWN. 1501 01:58:29,930 --> 01:58:32,449 >> Announcer: STREAM THE LATEST EPISODES OF YOUR FAVORITE CBS 1502 01:58:32,484 --> 01:58:37,144 ORIGINALS FOR FREE ON THE CBS APP AND SUBSCRIBE TO PARAMOUNT+ 1503 01:58:37,179 --> 01:58:40,664 FOR MORE LIVE SPORTS, BREAKING NEWS AND A MODEM OF 1504 01:58:40,698 --> 01:58:41,666 ENTERTAINMENT. 1505 01:58:47,498 --> 01:58:53,021 ♪ ♪ >> Announcer: AND NOW, WITH OUR 1506 01:58:53,055 --> 01:58:57,025 NEXT AWARD OF THE NIGHT, HERE'S POP AND CHRISTIAN MUSIC 1507 01:58:57,060 --> 01:59:03,274 SUPERSTAR, AMY GRANT. 1508 01:59:03,307 --> 01:59:07,278 [ CHEERS AND APPLAUSE] >> HERE ARE SOME LYRICS FROM A 1509 01:59:07,311 --> 01:59:13,490 SONG BY A.C.M. AWARD WINNER LAUREN ALAINA CALLED "“THE ROAD 1510 01:59:13,524 --> 01:59:16,493 LESS TRAVELED"”:"“ YOU WON'T MAKE YOURSELF A NAME 1511 01:59:16,528 --> 01:59:21,015 IF YOU FOLLOW THE RULES. 1512 01:59:21,050 --> 01:59:22,740 IF YOU TRUST YOUR REBEL HEART, RIDE IT INTO BATTLE. 1513 01:59:22,775 --> 01:59:30,610 DON'T BE AFRAID, TAKE THE ROAD LESS TRAVELED."” 1514 01:59:30,645 --> 01:59:33,095 THESE WORDS COULD BE SAID ABOUT ALL OF YOU LADIES. 1515 01:59:33,131 --> 01:59:36,203 YOU HAVE DONE THAT OUR NOMINEES FOR FEMALE ARTIST 1516 01:59:36,238 --> 01:59:36,927 OF THE YEAR. 1517 01:59:36,962 --> 01:59:46,938 >> Announcer: KELSEA BALLERINI. 1518 01:59:46,971 --> 01:59:52,149 >> Announcer: KELSEA BALLERINI. 1519 01:59:52,185 --> 02:00:02,780 MIRANDA LAMBERT. 1520 02:00:02,815 --> 02:00:11,824 ASHLEY McBRYDE. 1521 02:00:11,859 --> 02:00:22,180 MAREN MORRIS. 1522 02:00:22,215 --> 02:00:32,225 CARLY PEARCE. 1523 02:00:32,259 --> 02:00:38,747 CARLY PEARCE. 1524 02:00:39,265 --> 02:00:40,542 [ CHEERS AND APPLAUSE] >> AND THE A.C.M. FEMALE ARTIST 1525 02:00:40,578 --> 02:00:50,657 OF THE YEAR GOES TO: MAREN MORRIS. 1526 02:00:50,690 --> 02:00:57,110 [ CHEERS AND APPLAUSE] ♪ ♪ 1527 02:00:57,145 --> 02:01:08,537 [ CHEERS AND APPLAUSE] ♪ ♪ 1528 02:01:08,570 --> 02:01:10,746 >> THANK YOU GUYS SO MUCH. 1529 02:01:10,779 --> 02:01:13,542 ME AND THE LADIES WERE JUST LAUGHING OUR BUTTS OFF DURING 1530 02:01:13,576 --> 02:01:16,302 THE COMMERCIAL BREAK SO I FEEL REALLY, REALLY JUST HAPPY TO BE 1531 02:01:16,337 --> 02:01:20,238 IN A CATEGORY WITH WOMEN THAT WERE NOT ABLE TO TOUR THIS YEAR 1532 02:01:20,273 --> 02:01:24,484 BUT BROUGHT SO MUCH PEACE TO THE GAME, TO COUNTRY MUSIC THIS 1533 02:01:24,518 --> 02:01:28,246 YEAR, YOU HAVE INSPIRED ME SO MUCH TO KNOW END, AND EVEN IN A 1534 02:01:28,280 --> 02:01:32,768 YEAR WHERE NO ONE HAS GOTTEN TO PLAY SHOWS, I HAVE HEARD SOME OF 1535 02:01:32,801 --> 02:01:35,702 THE BEST MUSIC OUT OF ALL OF YOU THIS PAST YEAR. 1536 02:01:35,735 --> 02:01:43,605 SO THANK YOU SO MUCH FOR INSPIRING ME. 1537 02:01:43,640 --> 02:01:50,233 THIS CATEGORY IS NOT ABOUT WHO CAN SING THEIR AS OFF OR 1538 02:01:50,268 --> 02:01:51,545 ENTERTAINS THE BEST EVEN. 1539 02:01:51,579 --> 02:01:57,274 I KIND OF CONSIDER THIS CATEGORY TO JUST BE WHO TRIED THEIR BEST 1540 02:01:57,310 --> 02:02:00,658 IN A YEAR WHERE IT WAS VERY WEIRD AND NO ONE COULD REALLY DO 1541 02:02:00,692 --> 02:02:03,176 WHAT THEY WERE MADE TO DO. 1542 02:02:03,212 --> 02:02:07,180 BUT I REALLY APPRECIATE ALL OF MY PEERS FOR VOTING FOR ME IN 1543 02:02:07,216 --> 02:02:07,698 THIS. 1544 02:02:07,734 --> 02:02:09,355 IT MEANS SO MUCH. 1545 02:02:09,390 --> 02:02:15,016 AND I WANT TO THANK, BECAUSE I ALWAYS FORGET TO, MY MANAGER 1546 02:02:15,051 --> 02:02:18,744 JANET WEIR, SHE HAS BEEN WITH ME THROUGH EVERYTHING FROM THE 1547 02:02:18,779 --> 02:02:23,507 BEGINNINGK RANDY GOODMAN, TAYLOR LINDSAY, STEVE HODGE KSZ ALL AT 1548 02:02:23,542 --> 02:02:27,373 SONY FOR HELPING A SONG LIKE THE BONES GO IN A YEAR WHERE THE 1549 02:02:27,408 --> 02:02:30,859 WORLD SHUT DOWN, I JUST REALLY CAN'T THANK YOU ENOUGH. 1550 02:02:30,895 --> 02:02:35,658 I LOVE YOU COUNTRY MUSIC. 1551 02:02:35,693 --> 02:02:36,762 THANK Y'ALL. 1552 02:02:36,796 --> 02:02:38,385 >> HEY, EVERYBODY, THIS >> HI, I'M PHILLIP SWEET OF 1553 02:02:38,420 --> 02:02:41,007 LITTLE BIG TOWN. 1554 02:02:41,042 --> 02:02:42,595 I WISH I COULD BE WITH ALL OF YOU TONIGHT BUT I'M AT HOME 1555 02:02:42,631 --> 02:02:45,667 BECAUSE I RECENTLY TESTED POSITIVE FOR COVID. 1556 02:02:45,703 --> 02:02:47,945 BUT I'M ON MY WAY TO A FULL RECOVERY. 1557 02:02:47,980 --> 02:02:49,327 EVERYONE STAY HEALTHY. 1558 02:02:49,362 --> 02:02:53,261 WEAR YOUR MASK, GET VACCINATED AND LET'S ALL GET BACK TO LIVE 1559 02:02:53,296 --> 02:02:54,538 MUSIC. 1560 02:02:54,573 --> 02:02:57,335 AND SPEAKING OF LIVE MUSIC FROM DOWNTOWN NASHVILLE RIGHT HERE, 1561 02:02:57,369 --> 02:03:02,961 MY FRIEND AND BAND MATES KAREN, KIMBERLY AND JIMMIE, HERE'S 1562 02:03:02,996 --> 02:03:09,484 LITTLE BIG TOWN. 1563 02:03:09,520 --> 02:03:11,211 ♪ ♪ ♪ MY FRIEND NAMED JACK 1564 02:03:11,244 --> 02:03:18,460 HE'S GOT MY BACK ♪ HE ALWAYS SEEMS TO KNOW 1565 02:03:18,493 --> 02:03:22,601 RIGHT WHERE I'M AT ♪ MY FRIEND JOSE 1566 02:03:22,636 --> 02:03:27,226 HE LIKES TO PLAY ♪ HE'S ALWAYS UP FOR 1567 02:03:27,261 --> 02:03:33,198 ANYTHING I SAY ♪ LITTLE BIT OF RED 1568 02:03:33,233 --> 02:03:35,993 LOTTA BIT OF CROWN ♪ DON'T MATTER WHAT IT IS 1569 02:03:36,029 --> 02:03:39,445 I'M GONNA DRINK IT ♪ DOWN, DOWN, DOWN 1570 02:03:39,480 --> 02:03:46,626 THE WINE, THE BEER, THE WHISKEY ♪ ARE THE ONLY THINGS 1571 02:03:46,659 --> 02:03:50,630 THAT FIX ME ♪ I'M NOT SAYING IT'S A PROBLEM 1572 02:03:50,663 --> 02:03:56,842 I CAN STOP IT IF I WANNA ♪ BUT THE WINE, THE BEER 1573 02:03:56,877 --> 02:03:58,637 THE WHISKEY ♪ THEY ALWAYS GET ME 1574 02:03:58,671 --> 02:04:03,470 ♪ ♪ ♪ MY FRIEND NAMED GIN 1575 02:04:03,505 --> 02:04:07,716 SHE'S GOT SOME FRIENDS ♪ I'M TALKING BRANDY, SHERRY 1576 02:04:07,750 --> 02:04:12,755 AND THEIR BROTHER JIM ♪ MY FRIEND, THE CAPTAIN 1577 02:04:12,789 --> 02:04:16,896 WE CALL HIM MORGAN ♪ HE LIKES TO ANCHOR DOWN 1578 02:04:16,931 --> 02:04:21,798 AND HANG OVER 'TIL MORNIN' ♪ LITTLE BIT OF RED 1579 02:04:21,832 --> 02:04:26,010 LOTTA BIT OF WHITE ♪ DON'T MATTER WHAT IT IS 1580 02:04:26,043 --> 02:04:33,189 IT'S GONNA MAKE IT ALL ALRIGHT ♪ THE WINE, THE BEER 1581 02:04:33,224 --> 02:04:35,570 THE WHISKEY ♪ ARE THE ONLY THINGS 1582 02:04:35,605 --> 02:04:39,954 THAT FIX ME ♪ I'M NOT SAYING IT'S A PROBLEM 1583 02:04:39,988 --> 02:04:44,579 I CAN STOP IT IF I WANNA ♪ BUT THE WINE, THE BEER 1584 02:04:44,614 --> 02:04:47,927 THE WHISKEY ♪ THEY ALWAYS GET ME 1585 02:04:47,962 --> 02:04:54,625 ♪ ♪ ♪ ♪ 1586 02:04:54,658 --> 02:04:58,628 ♪ ♪ ♪ ♪ 1587 02:04:58,662 --> 02:05:04,185 ♪ ♪ ♪ ♪ 1588 02:05:04,220 --> 02:05:10,640 ♪ MY FRIEND NAMED TITO HE'S MY AMIGO 1589 02:05:10,675 --> 02:05:14,576 ♪ I'M GONNA FOLLOW HIM AROUND WHEREVER HE GO 1590 02:05:14,609 --> 02:05:18,649 ♪ THE WINE, THE BEER THE WHISKEY 1591 02:05:18,682 --> 02:05:23,274 ♪ YEAH, I GOT ALL MY FRIENDS HERE WITH ME 1592 02:05:23,307 --> 02:05:27,588 ♪ I'M NOT SAYING IT'S A PROBLEM I CAN STOP IT IF I WANNA 1593 02:05:27,622 --> 02:05:33,248 ♪ BUT WHO WOULD WANNA WHEN THE WINE, THE BEER 1594 02:05:33,283 --> 02:05:38,841 ♪ THE WHISKEY THEY ALWAYS GET ME 1595 02:05:38,876 --> 02:05:49,576 ♪ THEY ALWAYS GET ME THEY ALWAYS GET ME 1596 02:05:49,610 --> 02:05:59,828 ♪ YEAH, THEY ALWAYS GET ME ♪ ♪ 1597 02:05:59,862 --> 02:06:02,864 [ CHEERS AND APPLAUSE] IS WE MISS YOU 1598 02:06:02,899 --> 02:06:06,904 PHILLIP. 1599 02:06:06,938 --> 02:06:09,631 >> Mickey: WOO! 1600 02:06:09,664 --> 02:06:10,942 THIS IS NOT THE FIRST TIME THESE ARTISTS HAVE BEEN IN THIS 1601 02:06:10,976 --> 02:06:12,599 LEGENDARY VENUE. 1602 02:06:12,634 --> 02:06:15,153 >> ST NOT, BUT IT IS A NIGHT THEY WILL REMEMBER FOR THE REST 1603 02:06:15,188 --> 02:06:17,086 OF THEIR LIVES. 1604 02:06:17,121 --> 02:06:22,056 >> Mickey: HERE ARE THE NOMINEES FOR ENTERTAINER OF THE YEAR. 1605 02:06:22,091 --> 02:06:25,266 >> Announcer: LUKE BRYAN. 1606 02:06:25,301 --> 02:06:29,235 ERIC CHURCH. 1607 02:06:29,270 --> 02:06:31,859 LUKE COMBS. 1608 02:06:31,894 --> 02:06:34,310 THOMAS RHETT. 1609 02:06:34,345 --> 02:06:38,762 CHRIS STAPLETON. 1610 02:06:38,797 --> 02:06:41,489 >> Keith: AND THE A.C.M. 1611 02:06:41,524 --> 02:06:51,533 ENTERTAINER OF THE YEAR GOES TO: LUKE BRYAN. 1612 02:06:51,569 --> 02:06:58,195 ENTERTAINER OF THE YEAR GOES TO: LUKE BRYAN. 1613 02:06:58,230 --> 02:07:01,958 ♪ ♪ >> Keith: CONGRATULATIONS LUKE. 1614 02:07:01,993 --> 02:07:05,514 NOW, LUKE ISN'T HERE SO WE SET CONGRATULATIONS, LUKE, LUKEY 1615 02:07:05,547 --> 02:07:06,411 LUKE. 1616 02:07:06,445 --> 02:07:07,239 HE CAN'T BE HERE TONIGHT, IS HE AT HOME. 1617 02:07:07,274 --> 02:07:07,827 >> HEY GUYS. 1618 02:07:07,860 --> 02:07:08,828 >> BUT WE'VE GOT A ZOOM. 1619 02:07:08,862 --> 02:07:10,173 WHERE ARE YOU, LUKE? 1620 02:07:10,207 --> 02:07:14,039 >> I'M IN L.A OH MY GOD, Y'ALL GOT ME. 1621 02:07:14,073 --> 02:07:20,390 I AM AMAZINGLY SURPRISEED. 1622 02:07:20,425 --> 02:07:25,498 WHAT AN AN HONOR, TO THE ACM'S, I'M SO SORRY I COULD NOT BE 1623 02:07:25,533 --> 02:07:26,810 THERE. 1624 02:07:26,845 --> 02:07:30,228 I MISSED CERTAINLY BEING ABLETO DO MY SONGS AND ALL THE WINNERS 1625 02:07:30,262 --> 02:07:32,023 TONIGHT, CONGRATULATIONS. 1626 02:07:32,057 --> 02:07:34,680 OH MY GOD, Y'ALL GOT ME. 1627 02:07:34,716 --> 02:07:38,546 EVERYBODY AT MY RECORD LABEL, AND MY BOOKING AGENT JAY 1628 02:07:38,581 --> 02:07:45,864 WILLIAMS, OH MY GOD, ROYCE, DOUG AND CINDY, MY MANAGEMENT, CARRIE 1629 02:07:45,899 --> 02:07:48,694 EDWARDS WHO IS OFF CAMERA FREAKING OUT RIGHT NOW. 1630 02:07:48,729 --> 02:07:57,530 MY WIFE AT HOME AND MY BOYS AND OH MY GOD, CONGRATS. 1631 02:07:57,565 --> 02:08:01,293 MICKEY AND KEITH, WHAT A GREAT NIGHT YOU HAVE DONE. 1632 02:08:01,328 --> 02:08:04,953 TO ALL MY FANS OUT THERE, AND COUNTRY RADIO, WE'VE MISSED 1633 02:08:04,987 --> 02:08:06,229 TOURING. 1634 02:08:06,264 --> 02:08:10,337 WE'VE MISSED BEING ON THE ROAD WITH EVERYBODY THAT MAKES ME AN 1635 02:08:10,372 --> 02:08:11,061 ENTERTAINER. 1636 02:08:11,096 --> 02:08:13,582 MY BUS DRIVER, MY BAND, MY CREW. 1637 02:08:13,615 --> 02:08:17,344 WHAT A CHALLENGING YEAR BUT TO ALL THE FANS AND EVERYBODY, 1638 02:08:17,378 --> 02:08:22,764 WE'LL BE BACK OUT ON THE ROAD DOING WHAT WE LOVE AND WHAT AN 1639 02:08:22,797 --> 02:08:23,315 AMAZING HONOR. 1640 02:08:23,350 --> 02:08:26,283 I LOVE YOU GUYS. 1641 02:08:26,319 --> 02:08:31,876 >> THANK YOU, LUKE, CONGRATS, WHAT AN AMAZING NIGHT TONIGHT. 1642 02:08:31,911 --> 02:08:35,845 AND JUST A REMINDER, AS YOU HAVE SEEN ON THIS STAGE, PRESENTED 1643 02:08:35,880 --> 02:08:40,470 TONIGHT, COUNTRY MUSIC IS A HUGE, BIG FAMILY WHERE EVERYONE 1644 02:08:40,505 --> 02:08:42,024 IS WELCOME. 1645 02:08:42,059 --> 02:08:45,407 >> AND CONGRATULATIONS TO ALL OF OUR WINNERS AND A BIG THANK YOU 1646 02:08:45,440 --> 02:08:47,961 TO THE COUNTRY MUSIC FANS OUT THERE. 1647 02:08:47,996 --> 02:08:48,927 WE LOVE YOU SO MUCH. 1648 02:08:48,962 --> 02:08:51,895 >> AND WE WANT A TOUR AS SOON AS WE CAN. 1649 02:08:51,930 --> 02:08:54,381 NOW PLEASE MICKEY, I HAD THE BEST NIGHT TONIGHT. 1650 02:08:54,416 --> 02:08:56,935 >> I I HAD THE BEST NIGHT TOO. 1651 02:08:56,970 --> 02:08:58,212 TAKE US HOME. 1652 02:08:58,247 --> 02:09:00,836 BY GOING TO THE RYMAN AND ONCE AGAIN HERE ARE BROTHERS OSBORNE, 1653 02:09:00,871 --> 02:09:07,118 GOD BLESS Y'ALL, GOOD NIGHT. 1654 02:09:07,153 --> 02:09:14,159 ♪ ♪ ♪ GRANDADDY CALLED HER PRINCESS 1655 02:09:14,194 --> 02:09:16,748 COUNTY FAIR CALLED HER QUEEN ♪ HIGH SCHOOL CALLED 1656 02:09:16,783 --> 02:09:19,027 HER CUM LAUDE, MOST LIKELY ♪ TO SUCCEED 1657 02:09:19,060 --> 02:09:21,994 HER DADDY'S BACKWOOD CRAZY ♪ SHE'S GOT TWO 6'4" BROTHERS 1658 02:09:22,029 --> 02:09:25,792 YOU TAKE ONE STEP ♪ ONTO THAT FRONT PORCH 1659 02:09:25,827 --> 02:09:27,000 AND YOU ONE CRAZY MOTHER-- ♪ CHASE WILL LEAVE 1660 02:09:27,034 --> 02:09:29,346 YOU BREATHLESS ♪ EVERY BACK ROAD IN THIS TOWN 1661 02:09:29,381 --> 02:09:30,762 SHE'LL LOVE YOU ♪ LIKE A SUNDAY DRIVE 1662 02:09:30,796 --> 02:09:32,765 AND SHE'LL TAKE YOUR ♪ POOR HEART DOWN 1663 02:09:32,798 --> 02:09:34,421 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1664 02:09:34,456 --> 02:09:37,216 NO REDEMPTION, NO RETURN ♪ GOOD GOD, I'M EITHER GONNA 1665 02:09:37,252 --> 02:09:38,597 CRASH OR BURN DOWN ♪ DEAD MAN'S CURVE 1666 02:09:38,631 --> 02:09:41,082 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1667 02:09:41,118 --> 02:09:42,844 COUNTRY BOYS AIN'T ♪ NEVER GONNA LEARN 1668 02:09:42,877 --> 02:09:44,534 NOBODY EVER MAKES IT ♪ THROUGH THAT TURN 1669 02:09:44,569 --> 02:09:50,229 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE, OH 1670 02:09:50,265 --> 02:09:54,820 ♪ ♪ ♪ EVERY MAN'S BEEN TEMPTED 1671 02:09:54,855 --> 02:09:57,962 GREATER MEN HAVE TRIED ♪ AT BEST YOU'LL WIND UP DINNER 1672 02:09:57,997 --> 02:10:00,689 IF YOU'RE LUCKY ENOUGH ♪ TO SURVIVE 1673 02:10:00,722 --> 02:10:01,966 NOW SHE'S THE FINGER ♪ THAT YOU'RE WRAPPED AROUND 1674 02:10:02,001 --> 02:10:03,243 SHE'S WHAT EVERY ♪ COUNTRY SONG'S ABOUT 1675 02:10:03,278 --> 02:10:05,382 SHE'S THE TROUBLE ♪ THAT YOU'RE LOOKING FOR 1676 02:10:05,417 --> 02:10:06,936 SHE'S GONNA TAKE YOU DOWN AND ♪ LEAVE YOU COMING BACK FOR MORE 1677 02:10:06,970 --> 02:10:08,730 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1678 02:10:08,765 --> 02:10:12,079 NO REDEMPTION, NO RETURN ♪ GOOD GOD, I'M EITHER GONNA 1679 02:10:12,113 --> 02:10:13,702 CRASH OR BURN ♪ DOWN DEAD MAN'S CURVE 1680 02:10:13,735 --> 02:10:15,600 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1681 02:10:15,635 --> 02:10:17,568 COUNTRY BOYS AIN'T ♪ NEVER GONNA LEARN 1682 02:10:17,601 --> 02:10:19,225 NOBODY EVER MAKES IT ♪ THROUGH THAT TURN 1683 02:10:19,259 --> 02:10:22,228 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1684 02:10:22,261 --> 02:10:26,853 ♪ ♪ ♪ ♪ 1685 02:10:26,887 --> 02:10:30,201 ♪ ♪ ♪ ♪ 1686 02:10:30,235 --> 02:10:33,548 >> WHAT YOU DOING WADDLIN' UP HERE? 1687 02:10:33,583 --> 02:10:38,278 YOU A DEAD MAN ♪ ♪ 1688 02:10:38,313 --> 02:10:42,350 ♪ ♪ ♪ ♪ 1689 02:10:42,386 --> 02:10:47,287 ♪ ♪ ♪ ♪ 1690 02:10:47,322 --> 02:10:49,771 ♪ ♪ ♪ YEAH, DEAD MAN'S CURVE 1691 02:10:49,806 --> 02:10:52,533 DEAD MAN'S CURVE ♪ NO REDEMPTION, NO RETURN 1692 02:10:52,568 --> 02:10:53,637 NOBODY EVER MAKES IT ♪ THROUGH THAT TURN 1693 02:10:53,672 --> 02:10:56,123 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1694 02:10:56,158 --> 02:10:58,021 DEAD MAN'S CURVE ♪ COUNTRY BOYS AIN'T 1695 02:10:58,056 --> 02:10:59,782 NEVER GONNA LEARN ♪ NOBODY EVER MAKES IT 1696 02:10:59,817 --> 02:11:01,301 THROUGH THAT TURN ♪ DEAD MAN'S CURVE 1697 02:11:01,336 --> 02:11:05,615 DEAD MAN'S CURVE ♪ ♪ 1698 02:11:05,649 --> 02:11:09,862 ♪ DEAD MAN'S CURVE, OH ♪ ♪ 1699 02:11:09,895 --> 02:11:12,899 YOU'RE COMIN' IN WAY TOO HOT ♪ YOU DONE HIT 1700 02:11:12,934 --> 02:11:15,868 THE WRONG TURN, BOY ♪ YOU'RE A DEAD MAN 133688

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