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COMING TO YOU LIVE FROM
SIX ICONIC STAGES
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ACROSS NASHVILLE INCLUDING THE
GRAND OLE OPRY, RYMAN AUDITORIUM
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AND BLUEBIRD CAFE, CBS PRESENTS
THE 56th ACM AWARDS WITH
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ALL-STAR PERFORMANCES AND
PERFORMANCES BY MIR ANA LAMBERT,
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DOLLY PARTON, BLAKE SHELTON,
CARRIE UNDERWOOD, CECE WINS,
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00:00:27,303 --> 00:00:34,206
MAREN MORRIS AND LUKE COMBS,
CHRIS STAPLETON, CARLY PEARSZE,
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00:00:34,240 --> 00:00:38,003
KELSEY BALLERINI, KENNY CHESNEY,
LITTLE BIGTOWN, ALAN JACKSON,
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00:00:38,037 --> 00:00:42,351
AMY GRANT, CHRIS YOUNG AND KANE
BROWN, ASHLEY McBRYDE, BLANCO
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00:00:42,387 --> 00:00:48,255
BROWN, ERIC CHURCH, DARIUS
RUCKER, DAN + SHAY, JIMMY ALLEN,
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00:00:48,289 --> 00:00:52,534
BROTHERS OSBORNE, THOMAS RHETT,
DIERKS BENTLEY WITH THE WAR ON
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TREATY AND MORE HOSTED BY MICKEY
GUYTON AND KEERT YOU ARE KEITH
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URBAN.
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♪ ♪
[ CHEERS AND APPLAUSE]
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♪ I GOT SOME MONEY IN MY POCKET
GOT SOME TROUBLE ON MY TAIL
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♪ I CAN HEAR THE DOORS
ARE KNOCKING, GUESS I'M
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♪ HEADING OFF THE RAILS
SINGING OOH-OOH-OOH-OOH
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♪ OOH-OOH-OOH
I'M TALKING 'BOUT YOU
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♪ OOH-OOH-OOH, OOH-OOH-OOH
I GOT SOME NEW BEST FRIENDS
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♪ FOREVER, SEE, I MET 'EM
AT THE BAR
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♪ WHERE THE WHISKEY GOES DOWN
BETTER, WHEN THEY
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♪ DON'T KNOW WHO YOU ARE
SINGING OOH-OOH-OOH-OOH
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♪ OOH-OOH-OOH
I'M TALKING 'BOUT YOU
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♪ OOH-OOH-OOH, OOH-OOH-OOH
OOH, GONNA FEEL THIS
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♪ IN THE MORNING
OOH-OOH
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♪ 'CAUSE I'M GOING HARD TONIGHT
SO BARTENDER, TAKE MY KEYS
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♪ WHAT DO YOU WANT FROM ME
BABY, I'M DRUNK AND
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00:02:12,960 --> 00:02:15,721
♪ I DON'T WANNA GO HOME
NOT STAYING IN TO FIGHT
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♪ I'M STAYING OUT ALL NIGHT
BABY, I'M DRUNK AND
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♪ I DON'T WANNA GO HOME
WE DON'T GOTTA WAIT
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♪ UNTIL THE WEEKEND
THERE'S ALWAYS TIME FOR
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♪ JUMPING OFF THE DEEP END
SO DON'T YOU WAIT UP TONIGHT
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♪ DON'T WORRY, I'LL BE FINE
BABY, I'M DRUNK AND
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♪ I DON'T WANNA GO HOME, YEAH
[ CHEERS AND APPLAUSE]
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WE'RE IN THE BATHROOM
♪ GETTIN' TATTED
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THERE'S A LINE OUT IN THE HALL
♪ TRYNA BE MY SUGAR DADDY
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GETTIN' HANDSY IN THE STALLS
♪ SINGING OOH-OOH-OOH-OOH
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OOH-OOH-OOH
♪ I'M TALKING 'BOUT YOU
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OOH-OOH-OOH, OOH-OOH-OOH
♪ YOU LIKE MY GIN AND TONIC
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KISSES, 'CAUSE YOU
♪ KNOW THEY TASTE SO SWEET
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AND I KNOW YOU GOT YOUR
♪ MISSUS, BUT THERE
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AIN'T NO ONE LIKE ME
♪ TALKIN' 'BOUT YOU
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OOH-OOH-OOH-OOH, OOH-OOH-OOH
♪ MMM, I'M TALKING 'BOUT YOU
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OOH-OOH-OOH, OOH-OOH-OOH
♪ OOH, GONNA FEEL THIS
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IN THE MORNING
♪ OOH-OOH
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'CAUSE I'M GOING HARD TONIGHT
♪ SO BARTENDER, TAKE MY KEYS
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WHAT DO YOU WANT FROM ME
♪ BABY, I'M DRUNK AND
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I DON'T WANNA GO HOME
♪ NOT STAYING IN TO FIGHT
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I'M STAYING OUT ALL NIGHT
♪ BABY, I'M DRUNK AND
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I DON'T WANNA GO HOME
♪ WE DON'T GOTTA WAIT
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UNTIL THE WEEKEND
♪ THERE'S ALWAYS TIME FOR
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JUMPING OFF THE DEEP END
♪ SO DON'T YOU WAIT UP TONIGHT
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DON'T WORRY, I'LL BE FINE
♪ BABY, I'M DRUNK AND
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I DON'T WANNA GO HOME, YEAH
♪ OH-OH, I DON'T WANNA
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OH-OH-OH
♪ DON'T WANNA GO HOME
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SO BARTENDER, TAKE MY KEYS
♪ WHAT DO YOU WANT FROM ME
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BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME
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NOT STAYING IN TO FIGHT
♪ I'M STAYING OUT ALL NIGHT
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BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME
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WE DON'T GOTTA WAIT
♪ UNTIL THE WEEKEND
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00:04:31,201 --> 00:04:34,790
♪ THERE'S ALWAYS TIME FOR
JUMPING OFF THE DEEP END
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SO DON'T YOU WAIT UP TONIGHT
♪ DON'T WORRY, I'LL BE FINE
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00:04:38,899 --> 00:04:46,665
BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME, YEAH
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OH-OH, I DON'T WANNA
♪ OH-OH-OH
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DON'T WANNA GO HOME
♪ OH-OH, I DON'T WANNA
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[ CHEERS AND APPLAUSE]
>> PLEASE WELCOME YOUR HOSTS FOR
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TONIGHT, KEITH URBAN AND MICKEY
GUYTON.
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LOVE Y'ALL!
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[APPLAUSE]
>> MICKEY MICKEY!
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HEY!
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>> OH MY GOSH.
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>> HOW ARE YOU?
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>> I'M SO GOOD.
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>> SO GOOD TO SEE YOU.
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>> SO GOOD TO SEEYOU HERE.
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>> OH MY GOSH.
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>> Keith: WELCOME TO THE 56th
ACADEMY OF COUNTRY MUSIC AWARDS!
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NASHVILLE IS BACK AND IT'S GREAT
[ CHEERS AND APPLAUSE]
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TO BE BACK HERE LIVE AT THE
GRAND OLE OPRY HOUSE WITH MICKEY
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GUYTON.
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>> Mickey: AND WHAT A FANTASTIC
WAY TO KICK OFF THE SHOW WITH
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MIRANDA AND ELLE.
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BIG THANKS.
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>> Keith: THEY WERE AMAZING.
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>> AMAZING, I LOVE THAT SONG
>> Mickey: I'M JUST GLAD MIRANDA
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HAS THAT CAR OUTSIDE BECAUSE
WE'RE GONNA SEE HER ALL OVER
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TOWN TONIGHT.
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>> Keith: TONIGHT, WHILE WE
CELEBRATE THE BEST IN COUNTRY
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MUSIC, WE'RE ALSO CELEBRATING
THE PROGRESS MADE BY THIS
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GREAT CITY AND CITIES ACROSS THE
COUNTRY.
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[ APPLAUSE]
WE'VE ALL BEEN THROUGH SO MUCH,
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BUT I'M PROUD TO SAY WE'RE ALL
ON OUR WAY BACK.
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AND WE'VE DONE IT WITH A LOT OF
FIGHT AND A LOT OF HELP.
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>> Mickey: AND SPEAKING OF HELP,
UP THERE IN THEIR MASKS,
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SOCIALLY DISTANCED AND
VACCINATED, ARE HEALTHCARE
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WORKERS FROM VANDERBILT HEALTH.
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00:06:31,562 --> 00:06:35,394
[ CHEERS AND APPLAUSE]
A.C.M.'s CHARITABLE ARM,"“
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00:06:35,428 --> 00:06:37,949
LIFTING LIVES,"” HAS A LONG-
STANDING PARTNERSHIP WITH
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00:06:37,983 --> 00:06:40,917
VANDERBILT, AND WE WANT TO THANK
EVERYONE THERE FOR THEIR SUPPORT
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00:06:40,951 --> 00:06:49,167
TONIGHT.
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YOU GUYS ARE OUR ARMY RIGHT NOW
AND THIS WOULD NOT BE POSSIBLE
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WITHOUT YOU SO THANK YOU ALL SO,
SO, MUCH
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>> Keith: I'M SO HAPPY WE'RE
DOING THIS TOGETHER, MICKEY.
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>> ME TOO.
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00:07:01,074 --> 00:07:04,526
>> YOU'VE HAD AN IMPRESSIVE YEAR
SINCE THE LAST TIME WE SHARED
105
00:07:04,562 --> 00:07:09,946
THIS STAGE, WITH A LOT OF
FIRSTS-- FIRST GRAMMY NOMINATION
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00:07:09,980 --> 00:07:11,637
YOU GOT TO PLAY ON
THE GRAMMY FOR THE FIRST TIME,
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00:07:11,672 --> 00:07:15,848
FIRST TIME HOSTING THE ACM'S,
ONE OF THE MOST IMPORTANT, YOU
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00:07:15,882 --> 00:07:17,815
HAD A BABY FOR THE FIRST TIME.
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>> HI A BABY.
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I LOVE HIM SO MUCH.
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IT HAS BEEN A CRAZY YEAR AND
THIS IS THE MOST ADULT
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00:07:25,582 --> 00:07:29,172
INTERACTION I'VE HAD IN THREE
MONTHS SO I AM VERY EXCITED TO
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BE HERE.
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WITHOUT THE DIAPERS.
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>> ME TOO.
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I WILL TRY TO BE AS ADULT AS CAN
I BE TONIGHT.
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THIS SHOW IS SPECIAL BECAUSE NOT
ONLY ARE WE BACK IN THE ICONIC
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GRAND OLE OPRY HOUSE, WE'LL ALSO
BE AT THE LEGENDARY BLUEBIRD
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00:07:41,805 --> 00:07:45,499
CAFEÉ, THE STATION INN, AND A FEW
OTHER COUNTRY MUSIC TREASURES
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ALL AROUND NASHVILLE.
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>> Mickey: AND IN A LITTLE
WHILE, I'LL BE HEADING OVER
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TO ONE OF MY FAVORITE PLACES,
THE MOTHER CHURCH OF COUNTRY
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00:07:52,505 --> 00:07:55,233
MUSIC, THE HISTORIC RYMAN
AUDITORIUM.
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00:07:55,266 --> 00:07:59,408
AND I CAN'T WAIT TO GET TOGETHER
WITH THE ARTISTS THAT ARE
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00:07:59,444 --> 00:08:00,687
OVER THERE.
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00:08:00,721 --> 00:08:01,514
>> Keith: SO, LET'S GET THINGS
STARTED OVER AT THE RYMAN RIGHT
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NOW.
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HERE TO KICK THINGS OFF WITH
THEIR HIT SONG, "“FAMOUS
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00:08:09,730 --> 00:08:12,007
WITH OUR FAVORITE
FRIENDS, THEY HAVE A HIT SONG,
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ACTUALLY.
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>> THEY DO.
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JOINED BY CHRIS
>> Mickey: CHRIS YOUNG, JOINED
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BY A WINNER TONIGHT FOR VIDEO OF
THE YEAR, KANE BROWN.
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00:08:23,399 --> 00:08:24,711
>> THANK YOU MICKEY AND KEITH.
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IT'S GREAT TO BE BACK AT THESE
ACM AWARDS PLAYING AGAIN TO A
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LIVE AUDIENCE.
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♪ ♪
♪ MY BUDDY BRANDON
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HOLDS A RECORD
♪ FOR SINGLE SEASON
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TOUCHDOWN THROWS
♪ AND GOOD OLD JOHNNY
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HE'S THE LIFE OF EVERY PARTY
♪ IT'S LIKE "CHEERS"
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THEY KNOW HIM EVERYWHERE HE GOES
♪ I'VE GOT SOME FAMOUS FRIENDS
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YOU'VE PROBABLY NEVER HEARD OF
♪ BUT BACK IN RUTHERFORD COUNTY
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00:08:56,052 --> 00:09:02,196
OUR CROWD IS SECOND TO NONE
♪ YOU MIGHT NOT KNOW 'EM HERE
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00:09:02,230 --> 00:09:05,061
IN THIS BIG CITY WE'RE IN
♪ BUT WHEN I GO BACK HOME
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00:09:05,096 --> 00:09:09,514
I'VE GOT SOME FAMOUS FRIENDS
♪ YEAH, I DO
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♪ ♪
[ CHEERS AND APPLAUSE]
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00:09:15,831 --> 00:09:16,590
HOW WE FEELING?
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00:09:16,625 --> 00:09:21,422
♪ MY BUDDY JASON
HE'S THE SHERIFF
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00:09:21,456 --> 00:09:24,804
♪ HE'LL FLASH HIS LIGHTS
BUT LET ME GO
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00:09:24,840 --> 00:09:29,982
♪ MY BOY RANDY, HE'S A PREACHER
MY GIRL MEGAN, SHE'S BEEN
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♪ TEACHER OF THE YEAR
I SWEAR FOR FIVE YEARS IN A ROW
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♪ I'VE GOT SOME FAMOUS FRIENDS
YOU'VE PROBABLY NEVER HEARD OF
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00:09:38,231 --> 00:09:42,822
♪ BUT BACK IN HAMILTON COUNTY
OUR CROWD IS SECOND TO NONE
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♪ YOU MIGHT NOT KNOW 'EM HERE
IN THIS BIG CITY WE'RE IN
155
00:09:48,241 --> 00:09:53,971
♪ BUT WHEN I GO BACK HOME
I'VE GOT SOME FAMOUS FRIENDS
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♪ YEAH, I DO, OOH
♪ ♪
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♪ ♪
♪ I GOT FRIENDS IN HIGH PLACES
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ON THESE SMALL-TOWN ROADS
♪ 'CAUSE 'ROUND HERE IT'S ALL
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00:10:10,885 --> 00:10:14,475
ABOUT THE PEOPLE THAT YOU KNOW
♪ AND I'VE GOT SOME
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00:10:14,509 --> 00:10:20,101
FAMOUS FRIENDS YOU'VE PROBABLY
♪ NEVER HEARD OF
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00:10:20,135 --> 00:10:24,071
BUT BACK IN DAVIDSON COUNTY
♪ OUR CROWD IS SECOND TO NONE
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00:10:24,105 --> 00:10:28,075
YOU MIGHT NOT KNOW 'EM HERE
♪ IN THIS BIG CITY WE'RE IN
163
00:10:28,110 --> 00:10:32,459
BUT WHEN I GO BACK HOME
♪ I'VE GOT SOME FAMOUS FRIENDS
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00:10:32,493 --> 00:10:43,677
YEAH, I DO, OOH
♪ YEAH, I DO
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MIGHT NOT KNOW 'EM HERE
♪ IN THIS BIG CITY WE'RE IN
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00:10:48,129 --> 00:10:50,303
BUT WHEN I GO BACK HOME
♪ I GOT SOME
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00:10:50,338 --> 00:10:55,620
FAMOUS FRIENDS, YEAH
♪ ♪
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[ CHEERS AND APPLAUSE]
♪ I'VE GOT SOME FAMOUS FRIENDS
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00:11:00,106 --> 00:11:03,385
I'VE GOT SOME FAMOUS FRIENDS
♪ YEAH
170
00:11:03,421 --> 00:11:12,085
[ CHEERS AND APPLAUSE]
>> Keith: WOO!
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00:11:12,119 --> 00:11:15,328
>> WELL DONE BOYS, FROM THE
RYMAN AUDITORIUM, OF COURSE.
172
00:11:15,364 --> 00:11:16,951
LAST YEAR, AT THE TIME OF OUR
173
00:11:16,985 --> 00:11:23,336
SHOW, BLANCO BROWN WAS INVOLVED
IN A VERY SERIOUS ACCIDENT, AND
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00:11:23,371 --> 00:11:24,580
I'M TALKING SERIOUS TO
THE POINT WHERE THEY WEREN'T
175
00:11:24,614 --> 00:11:27,341
EVEN SURE IF BLANCO WAS GOING TO
WALK AGAIN.
176
00:11:27,375 --> 00:11:30,931
WE WERE SENDING HIM OUR PRAYERS
AND LIGHT AND HOPE THAT HE WOULD
177
00:11:30,966 --> 00:11:32,139
HAVE A RECOVERY.
178
00:11:32,173 --> 00:11:35,004
HE NOT ONLY HAS HAD A SPEEDY
RECOVERY BUT I'M HAPPY TO SAY
179
00:11:35,038 --> 00:11:37,730
THAT HE IS ACTUALLY BACK WITH US
TONIGHT.
180
00:11:37,765 --> 00:11:40,700
HERE TO PRESENT THE FIRST AWARD
OF THE EVENING, IN HIS SWRE
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00:11:40,734 --> 00:11:48,017
FIRST PUBLIC APPEARANCE, PLEASE
MAKE HIM WELCOME, BLANCO
182
00:11:48,052 --> 00:11:56,024
[ CHEERS AND APPLAUSE]
♪ ♪
183
00:11:56,059 --> 00:12:00,097
[ CHEERS AND APPLAUSE]
>> I'M SO BLESSED TO BE BACK ON
184
00:12:00,133 --> 00:12:03,999
THIS STAGE, AND I WANT TO THANK
EVERYONE IN THE COUNTRY
185
00:12:04,033 --> 00:12:10,350
COMMUNITY FOR THEIR LOVE
AND SUPPORT.
186
00:12:10,384 --> 00:12:13,732
AND TO ALL THE LIFESAVING FIRST
RESPONDERS, WORDS ARE NOT
187
00:12:13,767 --> 00:12:15,527
ENOUGH.
188
00:12:15,562 --> 00:12:18,529
AND NOW, IT'S MY PLEASURE TO
PRESENT THE NOMINEES FOR GROUP
189
00:12:18,565 --> 00:12:22,533
OF THE YEAR.
190
00:12:22,568 --> 00:12:24,744
>> Announcer: LADY A.
191
00:12:24,778 --> 00:12:30,508
LITTLE BIG TOWN.
192
00:12:30,542 --> 00:12:34,511
OLD DOMINION.
193
00:12:34,546 --> 00:12:36,755
THE CADILLAC THREE.
194
00:12:36,789 --> 00:12:41,760
THE HIGHWOMEN.
195
00:12:41,794 --> 00:12:53,945
>> AND THE A.C.M. GROUP OF THE
YEAR GOES TO:
196
00:12:53,980 --> 00:12:58,536
OLD DOMINION.
197
00:12:58,570 --> 00:13:10,513
[ CHEERS AND APPLAUSE]
♪ ♪
198
00:13:10,548 --> 00:13:22,524
[ CHEERS AND APPLAUSE]
♪.
199
00:13:22,559 --> 00:13:28,841
>> WOW, HEY, THANK YOU, I MEAN
IF WE LOOK SURPRISED, IT IS
200
00:13:28,876 --> 00:13:31,845
BECAUSE, YOU KNOW, OBVIOUSLY
EVERYONE IN THIS CATEGORY
201
00:13:31,879 --> 00:13:35,884
ESPECIALLY THIS YEAR, REALLY,
REALLY, IT COULD BE ANYONE.
202
00:13:35,918 --> 00:13:40,577
SO WE'RE JUST VERY FORTUNATE TO
BE STANDING HERE THIS YEAR.
203
00:13:40,611 --> 00:13:44,133
THIS CRAZY YEAR, A LOT OF SILVER
LININGS THAT WE HAVE ALL
204
00:13:44,168 --> 00:13:47,240
SEARCHED FOR, YOU GUYS ARE
CERTAINLY ONE, THE FRONT LINE UP
205
00:13:47,274 --> 00:13:51,174
THERE, SO THANK YOU FOR ALL THAT
YOU HAVE DONE.
206
00:13:51,209 --> 00:13:57,352
THANK YOU GUYS FOR BEING AMAZING
GROUPS THAT INSPIRE US
207
00:13:57,388 --> 00:14:02,980
CONSTANTLY WITH JUST, NOW HERE
WE ARE JUST AMONG SUCH BAD
208
00:14:03,014 --> 00:14:06,327
ASSES, THANK YOU FOR INCLUDING
NEWS THAT CATEGORY AND THANK YOU
209
00:14:06,361 --> 00:14:09,365
GUYS FOR BEING IN MY BAND.
210
00:14:09,399 --> 00:14:11,573
>> THANKS.
211
00:14:11,609 --> 00:14:16,614
[APPLAUSE]
>> Announcer: NEXT, WE'RE AT THE
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00:14:16,648 --> 00:14:18,892
RYMAN AUDITORIUM FOR MAREN
MORRIS AND RYAN HURD.
213
00:14:18,927 --> 00:14:26,519
AND THEN, A SPECIAL MEDLEY FROM
CARRIE UNDERWOOD.
214
00:14:26,554 --> 00:14:29,971
WHERE SHE WILL BE JOINED BY CECE
PLUS, THANKS TO FORD, WE HEAD TO
215
00:14:30,006 --> 00:14:33,355
THE ICONIC NASHVILLE RIVERFRONT
FOR A PERFORMANCE FROM LADY A.
216
00:14:33,389 --> 00:14:46,195
THIS IS CBS.
217
00:14:46,230 --> 00:14:47,921
WINANS, SUB VIBE TO PARAMOUNT
PLUS FOR BREAKING NEWS AND A
218
00:14:47,956 --> 00:14:52,511
MOUNTAIN OF ENTERTAINMENT.
219
00:14:52,546 --> 00:14:57,344
>> THE 56th ACM AWARDS
SPONSORED BY FORD, BUILT FORD
220
00:14:57,379 --> 00:14:57,793
PROUD.
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00:15:04,903 --> 00:15:09,839
♪ ♪
[ CHEERS AND APPLAUSE]
222
00:15:09,874 --> 00:15:11,807
>> Keith: WELCOME BACK.
223
00:15:11,841 --> 00:15:15,466
NOW, I HAD THE PLEASURE OF
WORKING WITH THIS ARTIST ON A
224
00:15:15,500 --> 00:15:17,985
SONG NOMINATED FOR VOCAL EVENT
OF THE YEAR.
225
00:15:18,019 --> 00:15:21,990
HE'S ALSO ONE OF OUR REIGNING
ENTERTAINERS OF THE YEAR.
226
00:15:22,024 --> 00:15:23,923
PLEASE MAKE HIM
WELCOME, THOMAS RHETT.
227
00:15:23,956 --> 00:15:37,038
[ APPLAUSE]
♪ ♪
228
00:15:37,073 --> 00:15:43,494
♪ I QUIT HUNTING WITH MY DADDY
GUESS I DIDN'T MAKE THE TIME
229
00:15:43,528 --> 00:15:46,152
♪ AND ITS BEEN A YEAR
SINCE I'VE SEEN A DEER
230
00:15:46,186 --> 00:15:52,572
♪ HAD A SMALLMOUTH ON THE LINE
THE OTHER DAY
231
00:15:52,605 --> 00:15:55,298
♪ I HOOKED A MONSTER
AND AS I REELED HIM IN
232
00:15:55,332 --> 00:16:05,240
♪ I THOUGHT 'MAN IT FEELS GOOD
TO BE COUNTRY AGAIN'
233
00:16:05,274 --> 00:16:07,482
♪ I SPENT WAY LESS TIME
IN NASHVILLE
234
00:16:07,518 --> 00:16:10,761
♪ AND MORE TIME IN L.A.
235
00:16:10,797 --> 00:16:13,248
MY BACK HOME BUDDIES
♪ THEY QUIT CALLIN'
236
00:16:13,282 --> 00:16:16,802
THOUGHT I HAD TOO MUCH
♪ ON MY PLATE
237
00:16:16,836 --> 00:16:19,495
BUT LAST NIGHT, WE
♪ CRACKED SOME COLD BEERS
238
00:16:19,529 --> 00:16:25,259
AND CRACKED ERIC CHURCH TO TEN
♪ THOUGHT, MAN, IT FEELS GOOD
239
00:16:25,293 --> 00:16:29,264
TO BE COUNTRY AGAIN
♪ YEAH, I LOVE ME SOME
240
00:16:29,298 --> 00:16:33,232
CALIFORNIA
♪ BUT IT SURE AIN'T
241
00:16:33,268 --> 00:16:36,581
TENNESSEE
♪ AND MY ROOTS DOWN THERE
242
00:16:36,615 --> 00:16:41,240
IN GEORGIA
♪ YEAH THEY STARTED MISSIN' ME
243
00:16:41,275 --> 00:16:43,760
AND I WOULDN'T CHANGE
♪ THE THINGS I'VE DONE
244
00:16:43,794 --> 00:16:49,249
OR THE PLACES THAT I'VE BEEN
♪ MAN, IT FEELS GOOD TO BE
245
00:16:49,283 --> 00:16:55,496
COUNTRY AGAIN
♪ ♪
246
00:16:55,530 --> 00:17:01,260
♪ MAN, IT FEELS GOOD TO BE
COUNTRY AGAIN ♪
247
00:17:01,296 --> 00:17:09,234
♪ ♪
♪ ♪
248
00:17:09,269 --> 00:17:16,276
♪ ♪
HOW WE FEELING
249
00:17:16,310 --> 00:17:19,486
♪ ♪
♪ DID YOU GROW UP ON A TRACTOR
250
00:17:19,520 --> 00:17:24,422
DID YOUR DADDY LET YOU DRIVE
♪ ARE YOU WHISKEY-BENT AND
251
00:17:24,457 --> 00:17:27,148
HELL-BOUND
♪ EVEN THOUGH YOUR MAMA TRIED
252
00:17:27,183 --> 00:17:33,259
DID YOU CRUISE DOWN A BACK ROAD
♪ WITH YOUR DIXIELAND DELIGHT
253
00:17:33,292 --> 00:17:39,471
ARE YOU ON THE CHATTAHOOCHEE
♪ ON A BAREFOOT, BLUE JEAN NIGHT
254
00:17:39,506 --> 00:17:41,645
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
255
00:17:41,681 --> 00:17:48,101
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
256
00:17:48,135 --> 00:17:50,586
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
257
00:17:50,621 --> 00:17:53,243
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
258
00:17:53,278 --> 00:17:58,041
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
259
00:17:58,076 --> 00:18:07,500
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH, WHAT'S YOUR COUNTRY SONG
260
00:18:07,534 --> 00:18:09,536
♪ DO YOUR EXES LIVE IN TEXAS
ARE YOU SO LONESOME
261
00:18:09,570 --> 00:18:13,230
♪ YOU COULD CRY
ARE YOU HEARTBROKE
262
00:18:13,263 --> 00:18:16,440
♪ 'CAUSE YOU KNOW
THAT AIN'T YOUR TRUCK
263
00:18:16,473 --> 00:18:19,374
♪ IN HER DRIVE
ARE YOUR FRIENDS
264
00:18:19,407 --> 00:18:25,104
♪ ALL IN LOW PLACES
UNDERNEATH THE NEON MOON
265
00:18:25,137 --> 00:18:29,142
♪ WERE YOU ALREADY COUNTRY
BACK WHEN COUNTRY WASN'T COOL
266
00:18:29,176 --> 00:18:31,075
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
267
00:18:31,109 --> 00:18:37,011
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
268
00:18:37,046 --> 00:18:40,221
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
269
00:18:40,257 --> 00:18:43,500
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
270
00:18:43,536 --> 00:18:47,608
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
271
00:18:47,643 --> 00:18:54,409
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH WHAT'S YOUR COUNTRY SONG
272
00:18:54,442 --> 00:19:00,932
MAKE SOME NOISE AT THE ACM'S
♪ ♪
273
00:19:00,967 --> 00:19:05,247
♪ ♪
♪ WHO'S YOUR STRAWBERRY WINE
274
00:19:05,281 --> 00:19:09,250
WHAT'S YOUR FAMILY TRADITION
♪ WHAT MAKES YOU TURN IT UP
275
00:19:09,286 --> 00:19:13,255
MAKES YOU RAISE YOUR CUP
♪ EVERY TIME YOU LISTEN
276
00:19:13,289 --> 00:19:15,499
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
277
00:19:15,532 --> 00:19:21,366
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
278
00:19:21,401 --> 00:19:24,369
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
279
00:19:24,403 --> 00:19:26,164
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
280
00:19:26,199 --> 00:19:31,859
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
281
00:19:31,894 --> 00:19:45,252
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH, WHAT'S YOUR COUNTRY SONG ♪
282
00:19:45,287 --> 00:19:50,016
♪ ♪
[ CHEERS AND APPLAUSE]
283
00:19:50,049 --> 00:19:53,226
>> THANK YOU SO MUCH, LOVE
Y'ALL.
284
00:19:53,260 --> 00:19:55,917
>> AND NOW TO
>> AND NOW, OVER TO THE
285
00:19:55,952 --> 00:20:01,647
LEGENDARY BLUEBIRD CAFEÉ FOR
MIRANDA LAMBERT AND CHRIS
286
00:20:01,682 --> 00:20:04,893
STAPLETON.
287
00:20:04,926 --> 00:20:09,241
♪ LET ME TELL YOU A STORY
ABOUT AN OLD FRIEND OF MINE
288
00:20:09,277 --> 00:20:12,865
♪ SOMEBODY LEFT HER IN
A SHOPPING CART
289
00:20:12,901 --> 00:20:16,041
♪ IN A PARKING LOT
FOR US TO FIND
290
00:20:16,076 --> 00:20:23,567
♪ JUST A FUZZY BLACK PUP
SHE WAS HUNGRY AND FEELING ALONE
291
00:20:23,601 --> 00:20:31,471
♪ WE PUT HER IN THE BACK SEAT
TOLD HER WE WERE TAKING HER HOME
292
00:20:31,506 --> 00:20:37,269
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
293
00:20:37,305 --> 00:20:48,247
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
294
00:20:48,280 --> 00:20:53,286
♪ A FEW KIDS LATER
WE MOVED OUT ON THE FARM
295
00:20:53,320 --> 00:20:55,909
♪ AND SHE FOLLOWED THOSE
KIDS AROUND, YEAH
296
00:20:55,943 --> 00:21:02,951
♪ SHE KEPT THEM SAFE FROM HARM
AND SHE LOVED TO CHASE SQUIRRELS
297
00:21:02,984 --> 00:21:11,028
♪ AND PLAYING OUT IN THE SNOW
SHE'D TAKE OFF LIKE A BULLET
298
00:21:11,061 --> 00:21:17,172
♪ MAN, YOU SHOULD HAVE
SEEN HER GO
299
00:21:17,205 --> 00:21:21,314
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
300
00:21:21,348 --> 00:21:29,288
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
301
00:21:29,321 --> 00:21:37,260
♪ ♪
♪ ♪
302
00:21:37,296 --> 00:21:45,269
♪ ♪
♪ ♪
303
00:21:45,304 --> 00:21:52,586
♪ IT WAS RAINING ON A MONDAY
THE DAY THAT MAGGIE DIED
304
00:21:52,621 --> 00:21:54,760
♪SHE WOKE UP AND COULDN'T
USE HER LEGS
305
00:21:54,796 --> 00:22:01,836
♪ SO I LAID DOWN BY HER SIDE
SHE PUT HER HEAD ON MY HAND
306
00:22:01,872 --> 00:22:09,292
♪ LIKE SHE'D DONE SO MANY TIMES
I TOLD HER SHE WAS A GOOD DOG
307
00:22:09,327 --> 00:22:17,196
♪ THEN I TOLD HER GOODBYE
RUN, MAGGIE, RUN
308
00:22:17,231 --> 00:22:19,992
♪ WITH THE HEART
OF A REBEL CHILD
309
00:22:20,028 --> 00:22:29,278
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
310
00:22:29,313 --> 00:22:37,286
♪ I HAD A REVELATION
AS THE TRACTOR DUG A HOLE
311
00:22:37,320 --> 00:22:43,500
♪ I CAN TELL YOU RIGHT NOW
THAT A DOG HAS A SOUL
312
00:22:43,534 --> 00:22:50,195
♪ AND I THOUGHT TO MYSELF
AS WE BURIED HER ON THE HILL
313
00:22:50,230 --> 00:22:57,271
♪ I NEVER KNEW ME A BETTER DOG
AND I GUESS I NEVER WILL
314
00:22:57,306 --> 00:23:05,279
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
315
00:23:05,314 --> 00:23:13,252
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
316
00:23:13,288 --> 00:23:19,500
♪ OH, RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
317
00:23:19,536 --> 00:23:25,265
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE
318
00:23:25,299 --> 00:23:34,135
♪ AS YOU ARE WILD
[ APPLAUSE]
319
00:23:34,171 --> 00:23:35,586
>> Mickey: HEY, Y'ALL.
320
00:23:35,621 --> 00:23:37,242
I'M AT THE HISTORIC RYMAN
AUDITORIUM FOR A VERY SPECIAL
321
00:23:37,277 --> 00:23:40,384
PERFORMANCE.
322
00:23:40,419 --> 00:23:42,627
MAREN MORRIS AND RYAN HURD
RECENTLY COLLABORATED ON TWO
323
00:23:42,662 --> 00:23:44,353
GREAT PROJECTS.
324
00:23:44,387 --> 00:23:49,116
FIRST WAS THEIR BABY, HAYES
ANDREW HURD; AND SECOND IS THEIR
325
00:23:49,151 --> 00:23:52,291
FIRST EVER DUET, "“CHASING AFTER
YOU."”
326
00:23:52,326 --> 00:23:55,468
THEY'RE ONE OF MY FAVORITE
MARRIED COUPLES.
327
00:23:55,502 --> 00:23:57,919
THEY'RE BOTH SO TALENTED, AND
SHE'S ALWAYS BEEN THERE FOR ME.
328
00:23:57,952 --> 00:24:05,064
HERE ARE MAREN MORRIS AND RYAN
HURD.
329
00:24:05,097 --> 00:24:12,829
[ APPLAUSE]
♪ ♪
330
00:24:12,865 --> 00:24:19,215
♪ ♪
♪ ♪
331
00:24:19,250 --> 00:24:21,390
♪ ♪
♪ YOU COME OVER WHEN
332
00:24:21,424 --> 00:24:25,221
YOUR WINE'S ALL GONE
♪ ALWAYS CATCH ME WHEN I'M
333
00:24:25,256 --> 00:24:29,226
NOT THAT STRONG
♪ THEN YOU WIND UP STAYIN'
334
00:24:29,259 --> 00:24:34,611
ALL NIGHT LONG
♪ AIN'T NOTHIN' NEW
335
00:24:34,644 --> 00:24:37,233
THEN I WAKE UP WITH YOU
♪ ON MY CHEST
336
00:24:37,268 --> 00:24:41,238
YOU GOT A WAY OF
♪ MAKIN' ME FORGET
337
00:24:41,271 --> 00:24:45,241
GIRL, WITH YOU THE ANSWER'S
♪ ALWAYS YES
338
00:24:45,276 --> 00:24:49,246
EVERY TIME YOU CALL
♪ BUT I KNOW, YEAH I KNOW
339
00:24:49,279 --> 00:24:52,007
IT'S A MATTER OF TIME
♪ 'TIL YOU WALK, 'TIL YOU WALK
340
00:24:52,041 --> 00:24:57,219
BACK OUTTA MY LIFE
♪ LEAVE ME STANDIN' HERE LONELY
341
00:24:57,253 --> 00:25:05,227
FEELIN' LIKE A FOOL, MM-MM
♪ EVERY TIME, EVERY TIME
342
00:25:05,261 --> 00:25:07,506
YOU SAY WE'RE DONE
♪ YOU COME BACK TO THE LOVE
343
00:25:07,539 --> 00:25:13,234
YOU WERE RUNNIN' FROM
♪ DON'T KNOW WHY, DON'T KNOW WHY
344
00:25:13,269 --> 00:25:17,239
I LET YOU, BUT I DO
♪ GUESS I LOVE CHASIN'
345
00:25:17,273 --> 00:25:25,247
AFTER YOU, MM-MM
♪ LISTEN, WISH I COULD QUIT YOU
346
00:25:25,281 --> 00:25:29,528
BUT IT FEEL TOO GOOD
♪ IF I COULD TURN IT OFF
347
00:25:29,561 --> 00:25:33,221
YOU KNOW I WOULD
♪ BUT SOMETHIN' 'BOUT YOU
348
00:25:33,255 --> 00:25:39,572
MAKES ME THINK WE COULD
♪ MAKE IT AFTER ALL
349
00:25:39,606 --> 00:25:43,057
BUT I KNOW, YEAH I KNOW
♪ IT'S A MATTER OF TIME
350
00:25:43,093 --> 00:25:45,232
'TIL YOU WALK, 'TIL YOU WALK
♪ BACK OUTTA MY LIFE
351
00:25:45,267 --> 00:25:53,240
LEAVE ME STANDIN' HERE LONELY
♪ FEELIN' LIKE A FOOL
352
00:25:53,275 --> 00:25:57,244
EVERY TIME, EVERY TIME
♪ YOU SAY WE'RE DONE
353
00:25:57,278 --> 00:26:00,040
YOU COME BACK TO THE LOVE
♪ YOU WERE RUNNIN' FROM
354
00:26:00,075 --> 00:26:05,252
DON'T KNOW WHY, DON'T KNOW WHY
♪ I LET YOU BUT I DO
355
00:26:05,287 --> 00:26:12,709
'CAUSE I LOVE CHASIN'
AFTER YOU
356
00:26:12,742 --> 00:26:17,230
♪ ♪
OOOH
357
00:26:17,265 --> 00:26:25,238
OH, YEAH
OOOH
358
00:26:25,272 --> 00:26:29,241
♪ YOU COME OVER WHEN
YOUR WINE'S ALL GONE
359
00:26:29,277 --> 00:26:32,729
♪ ALWAYS CATCH ME WHEN I'M
NOT THAT STRONG
360
00:26:32,762 --> 00:26:37,215
♪ THEN YOU WIND UP STAYIN'
ALL NIGHT LONG
361
00:26:37,250 --> 00:26:41,220
♪ AIN'T NOTHIN' NEW
BUT I KNOW, YEAH I KNOW
362
00:26:41,253 --> 00:26:45,223
♪ IT'S A MATTER OF TIME
'TIL YOU WALK, 'TIL YOU WALK
363
00:26:45,258 --> 00:26:49,228
♪ BACK OUTTA MY LIFE
LEAVE ME STANDIN' HERE LONELY
364
00:26:49,261 --> 00:26:53,231
♪ FEELIN' LIKE A FOOL
YEAH
365
00:26:53,266 --> 00:26:57,236
♪ EVERY TIME, EVERY TIME
YOU SAY WE'RE DONE
366
00:26:57,269 --> 00:27:00,134
♪ YOU COME BACK TO THE LOVE
YOU WERE RUNNIN' FROM
367
00:27:00,170 --> 00:27:05,451
♪ DON'T KNOW WHY, DON'T KNOW WHY
I LET YOU DO, BUT I DO
368
00:27:05,484 --> 00:27:10,663
♪ GUESS I LOVE CHASIN'
AFTER YOU
369
00:27:10,698 --> 00:27:21,259
♪ I LOVE CHASIN' AFTER YOU
♪ ♪
370
00:27:21,294 --> 00:27:31,304
♪ OOOH
[ CHEERS AND APPLAUSE]
371
00:27:31,338 --> 00:27:38,795
♪ OOOH
[ CHEERS AND APPLAUSE]
372
00:27:38,828 --> 00:27:43,799
>> Announcer: AND NOW, LET'S GO
DOWN TO THE RIVERFRONT FOR A
373
00:27:43,834 --> 00:27:49,219
PERFORMANCE BY NOMINEE TONIGHT,
LADY A.
374
00:27:49,252 --> 00:27:55,500
♪ LADY
♪ ♪
375
00:27:55,535 --> 00:27:59,816
LADY
♪ BOY
376
00:27:59,849 --> 00:28:05,131
I'M NOT THE KIND OF GIRL
♪ TO GO AND FIGHT FOR
377
00:28:05,165 --> 00:28:09,239
ALL YOUR ATTENTION
MMM, MMM
378
00:28:09,272 --> 00:28:12,482
♪ I'M NOT TOO AFRAID
TO CALL THIS OFF
379
00:28:12,518 --> 00:28:17,211
♪ AND GO SEE
WHAT I'VE BEEN MISSING
380
00:28:17,247 --> 00:28:20,214
MMM, MMM
♪ LEAVE THE DRESS AT HOME
381
00:28:20,250 --> 00:28:25,496
'CAUSE IT MAKES ME TOO POLITE
♪ NO MORE WAITIN' BY THE PHONE
382
00:28:25,530 --> 00:28:31,501
I'M STEPPIN' OUT TONIGHT
♪ 'CAUSE I FEEL LIKE A LADY
383
00:28:31,537 --> 00:28:33,642
SIPPIN' ON TEQUILA
♪ WITH MY LEVI'S ON
384
00:28:33,676 --> 00:28:37,369
A LADY
♪ SINGIN' TO THE MUSIC
385
00:28:37,404 --> 00:28:40,719
PLAYIN' ALL NIGHT LONG
♪ YEAH, I'M FEELIN' RIGHT
386
00:28:40,752 --> 00:28:43,513
I'M LIVIN' MY LIFE
♪ I DO WHAT I LIKE
387
00:28:43,548 --> 00:28:49,210
'CAUSE I FEEL LIKE A LADY
LADY
388
00:28:49,243 --> 00:28:53,213
♪ TREAT MYSELF TO
WHAT'S UP ON THE HIGHEST SHELF
389
00:28:53,248 --> 00:28:58,666
♪ I WANT IT, I GET IT
MMM, MMM
390
00:28:58,701 --> 00:29:05,226
♪ I MIGHT LOOK LIKE I'M LONELY
BUT I'M ONLY
391
00:29:05,259 --> 00:29:08,607
♪ LOVING EVERY MINUTE
OOH, BABY
392
00:29:08,643 --> 00:29:13,578
♪ LEAVE THE HEELS AT HOME
'CAUSE THEY NEVER DO ME RIGHT
393
00:29:13,613 --> 00:29:19,516
♪ GO OUT DANCING ON MY OWN
MAN, THESE HIPS DON'T LIE
394
00:29:19,549 --> 00:29:23,243
♪ 'CAUSE I FEEL LIKE A LADY
SIPPIN' ON TEQUILA
395
00:29:23,278 --> 00:29:26,936
♪ WITH MY LEVI'S ON
A LADY
396
00:29:26,971 --> 00:29:29,112
♪ SINGIN' TO THE MUSIC
PLAYIN' ALL NIGHT LONG
397
00:29:29,145 --> 00:29:31,390
♪ YEAH, I'M FEELIN' RIGHT
I'M LIVIN' MY LIFE
398
00:29:31,423 --> 00:29:37,119
♪ I DO WHAT I LIKE
'CAUSE I FEEL LIKE A LADY
399
00:29:37,153 --> 00:29:41,538
LADY
♪ FEEL LIKE A LADY
400
00:29:41,572 --> 00:29:49,132
A LADY, YEAH
♪ ♪
401
00:29:49,165 --> 00:29:55,378
♪ ♪
♪ ♪
402
00:29:55,413 --> 00:29:57,346
♪ MIGHT CHANGE MY HAIR
AND CHANGE MY MIND
403
00:29:57,381 --> 00:29:59,589
♪ MIGHT CHANGE YOUR
WHOLE DAMN LIFE
404
00:29:59,625 --> 00:30:03,422
♪ I MIGHT BREAK YOUR HEART
AND NOT THINK TWICE
405
00:30:03,455 --> 00:30:06,182
♪ THAT'S RIGHT
I'M A LADY
406
00:30:06,218 --> 00:30:09,116
♪ SIPPIN' ON TEQUILA
WITH MY LEVI'S ON
407
00:30:09,152 --> 00:30:13,396
♪ A LADY
SINGIN' TO THE MUSIC
408
00:30:13,432 --> 00:30:16,952
♪ PLAYIN' ALL NIGHT LONG
YEAH, I'M FEELIN' RIGHT
409
00:30:16,987 --> 00:30:18,230
♪ I'M LIVIN' MY LIFE
I DO WHAT I LIKE
410
00:30:18,263 --> 00:30:25,788
♪ 'CAUSE I FEEL LIKE A LADY
LADY, YEAH
411
00:30:25,824 --> 00:30:29,862
♪ I FEEL LIKE
FEEL LIKE A LADY
412
00:30:29,896 --> 00:30:37,041
♪ I FEEL LIKE
I FEEL LIKE A LADY
413
00:30:37,076 --> 00:30:41,769
♪ LIKE A LADY
I FEEL LIKE A LADY ♪
414
00:30:41,805 --> 00:30:45,773
I FEEL LIKE A LADY
I FEEL LIKE A LADY ♪
415
00:30:45,808 --> 00:30:49,778
[ CHEERS AND APPLAUSE]
>> Announcer: DIERKS BENTLEY IS
416
00:30:49,813 --> 00:30:53,126
COMING UP WITH THE WAR AND
TREATY, PLUS DOLLY PARTON.
417
00:30:53,161 --> 00:30:56,715
THEN, CARRIE UNDERWOOD TAKES THE
GRAND OLE OPRY HOUSE STAGE.
418
00:30:56,750 --> 00:31:00,893
WITH C.E.O. C.E.O. WINANS,
LATER, THANKS TO FORD, AN
419
00:31:00,928 --> 00:31:04,034
EMOTIONAL PERFORMANCE BY LUKE
COMBS.
420
00:31:04,068 --> 00:31:08,520
THIS IS CBS.
421
00:31:08,556 --> 00:31:09,694
>> THERE ARE MORE THAN 2,000
COUNTRY RADIO STATIONS ACROSS
422
00:31:09,729 --> 00:31:13,354
THE U.S. AND MORE THAN 76
MILLION LYAL LISTENERS.
423
00:31:13,387 --> 00:31:17,944
THE ACADEMY SALUTES THIS YEAR'S
WINNERS FOR ON AIR PERSONALITIES
424
00:31:17,979 --> 00:31:26,815
OF THE YEAR.
425
00:31:26,849 --> 00:31:28,230
>> I AM SO EXCITED.
426
00:31:28,265 --> 00:31:30,198
>> BUZZ JACKSON.
427
00:31:30,232 --> 00:31:31,303
>> THANK YOU SO MUCH.
428
00:31:31,336 --> 00:31:32,545
>> STEVE, BEN AND NIKKI.
429
00:31:32,579 --> 00:31:36,790
>> THANK YOU SO MUCH, WE LOVE
IT, MAN.
430
00:31:36,825 --> 00:31:39,655
>> Announcer: THE 56th ACM
AWARDS
431
00:31:39,690 --> 00:31:42,416
SPONSORED BY EMGALITY.
432
00:31:47,490 --> 00:31:50,597
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
433
00:31:50,632 --> 00:31:50,736
CONTINUE.
THIS IS CBS.
434
00:31:56,949 --> 00:31:59,641
>> Announcer: WELCOME BACK TO
THE A.C.M. AWARDS.
435
00:31:59,675 --> 00:32:03,782
AND NOW, FROM NASHVILLE'S FAMOUS
BLUEBIRD CAFEÉ, HERE'S NEW FEMAL
436
00:32:03,817 --> 00:32:07,269
ARTIST WINNER, GABBY BARRETT.
437
00:32:07,304 --> 00:32:15,278
♪ ♪
♪ HE'S A PHONE CALL TO
438
00:32:15,311 --> 00:32:19,281
HIS PARENTS
♪ HE'S A BIBLE BY THE BED
439
00:32:19,316 --> 00:32:23,286
HE'S THE TEE SHIRT
♪ THAT I'M WEARIN'
440
00:32:23,319 --> 00:32:30,500
HE'S THE SONG STUCK IN MY HEAD
♪ HE'S SOLID AND HE'S STEADY
441
00:32:30,534 --> 00:32:33,227
LIKE THE ALLEGHENY RUNS
♪ HE KNOWS JUST WHERE
442
00:32:33,260 --> 00:32:35,262
HE'S GOIN'
♪ AND HE'S PROUD OF
443
00:32:35,298 --> 00:32:42,925
WHERE HE'S FROM
♪ ONE OF THE GOOD ONES
444
00:32:42,961 --> 00:32:47,275
HE'S ONE OF THE GOOD ONES
♪ A LOVE-ME-LIKE-HE-SHOULD ONE
445
00:32:47,309 --> 00:32:51,278
LIKE-HE-WROTE-THE-BOOK ONE
♪ THE KIND YOU FIND WHEN YOU
446
00:32:51,314 --> 00:32:59,252
DON'T EVEN LOOK ONE
♪ ANYBODY CAN BE GOOD ONCE
447
00:32:59,287 --> 00:33:07,260
BUT HE'S GOOD ALL THE TIME
♪ HE'S ONE OF THE GOOD ONES
448
00:33:07,295 --> 00:33:10,021
AND HE'S ALL MINE
♪ WE SHOULD ALL
449
00:33:10,057 --> 00:33:15,751
FIND US ONE
♪ THEY'RE OUT THERE
450
00:33:15,786 --> 00:33:25,382
MINUS ONE
♪ SOME OF THE GOOD ONES
451
00:33:25,416 --> 00:33:32,700
YEAH, I GOT A GOOD ONE
♪ A LOVE-ME-LIKE-HE-SHOULD ONE
452
00:33:32,733 --> 00:33:39,119
LIKE-HE-WROTE-THE-BOOK ONE
♪ THE KIND YOU FIND WHEN YOU
453
00:33:39,154 --> 00:33:47,058
DON'T EVEN LOOK
♪ ANYBODY CAN BE GOOD ONCE
454
00:33:47,094 --> 00:33:59,070
BUT HE'S GOOD ALL THE TIME
♪ HE'S ONE OF THE GOOD ONES
455
00:33:59,105 --> 00:34:11,221
AND HE'S ALL MINE ♪
[ APPLAUSE]
456
00:34:11,255 --> 00:34:15,086
>> AND NOW, LET'S GO BACK TO
THE GRAND OLE OPRY HOUSE.
457
00:34:15,121 --> 00:34:21,541
AND TO PRESENT OUR NEXT AWARD,
DARIUS RUCKER.
458
00:34:21,576 --> 00:34:24,476
♪ ♪
[ CHEERS AND APPLAUSE]
459
00:34:24,510 --> 00:34:27,099
>> THESE ARE THE SONGS GAVE US
GREAT EMOTIONAL CONNECTIONS AND
460
00:34:27,134 --> 00:34:28,342
REASONS TO SMILE.
461
00:34:28,376 --> 00:34:32,311
HERE ARE THE NOMINEES FOR SONG
OF THE YEAR.
462
00:34:32,346 --> 00:34:35,521
>> Announcer: "“BLUEBIRD,"” BY
MIRANDA LAMBERT.
463
00:34:35,556 --> 00:34:46,117
SONGWRITERS: LUKE DICK, MIRANDA
LAMBERT, NATALIE HEMBY"“
464
00:34:46,152 --> 00:34:49,534
ONE NIGHT STANDARDS,"” BY ASHLEY
McBRYDE.
465
00:34:49,570 --> 00:34:55,092
SONGWRITERS: ASHLEY McBRYDE,
NICOLETTE HAYFORD, SHANE
466
00:34:55,126 --> 00:35:06,242
McANALLY."“
SOME PEOPLE DO,"” BY OLD
467
00:35:06,275 --> 00:35:07,483
DOMINION.
468
00:35:07,518 --> 00:35:11,108
SONGWRITERS: JESSE FRASURE, MATT
RAMSEY, THOMAS RHETT, SHANE
469
00:35:11,143 --> 00:35:21,119
McANALLY."“
STARTING OVER,"” BY CHRIS
470
00:35:21,152 --> 00:35:22,809
STAPLETON.
471
00:35:22,844 --> 00:35:31,715
SONGWRITERS: CHRIS STAPLETON,
MIKE HENDERSON."“
472
00:35:31,750 --> 00:35:35,097
THE BONES,"” BY MAREN MORRIS.
473
00:35:35,132 --> 00:35:44,865
SONGWRITERS: JIMMY ROBBINS,
MAREN MORRIS, LAURA VELTZ.
474
00:35:44,900 --> 00:35:51,182
>> AND THE A.C.M. SONG OF THE
YEAR GOES TO:"“
475
00:35:51,217 --> 00:35:55,083
THE BONES,"” BY MAREN MORRIS.
476
00:35:55,117 --> 00:36:03,954
♪ ♪
[ CHEERS AND APPLAUSE]
477
00:36:03,989 --> 00:36:13,998
♪ ♪
[ CHEERS AND APPLAUSE]
478
00:36:14,032 --> 00:36:19,072
♪ ♪
[ CHEERS AND APPLAUSE]
479
00:36:19,106 --> 00:36:21,213
>> THANK YOU.
480
00:36:21,248 --> 00:36:24,974
THIS IS, THIS IS REALLY
BITTERSWEET BECAUSE I DIDN'T
481
00:36:25,010 --> 00:36:28,081
WRITE THIS JUST BY MYSELF, AND
EACH TIME I'VE BEEN SO LUCKY TO
482
00:36:28,115 --> 00:36:35,813
ACCEPT AN AWARD FOR THIS SONG,
MY COWRITERS LAURA VELTZ AND
483
00:36:35,847 --> 00:36:41,233
JIMMY ROBYNS HAVE NOT BEEN ABLE
TO BE HERE, THANK YOU FOR THE
484
00:36:41,268 --> 00:36:42,440
ACMS FOR KEEPING US SAFE, THIS
SO MEANINGFUL TO ME, SONG OF THE
485
00:36:42,476 --> 00:36:45,030
YEAR IS SOMETHING THAT I HAVE
JUST DREAMT OF FOR SO LONG.
486
00:36:45,063 --> 00:36:50,172
AND I FEEL LIKE WITH THIS SONG,
WITH "THE BONES" I WROTE T I WAS
487
00:36:50,208 --> 00:36:57,284
DATING MY NOW HUSBAND, AND IT
WAS JUST A SONG TO HIM.
488
00:36:57,318 --> 00:37:00,114
AND I FEEL SOMETIMES LIKE SONGS
KNOW YOU BETTER THAN YOU KNOW
489
00:37:00,148 --> 00:37:01,356
THEM AT THE TIME.
490
00:37:01,391 --> 00:37:03,737
AND I FEEL LIKE THIS SONG HAS
REVEALED SO MANY NEW THINGS TO
491
00:37:03,773 --> 00:37:07,914
ME THAT I DIDN'T KNOW WERE
POSSIBLE THE DAY I WROTE IT.
492
00:37:07,949 --> 00:37:10,987
AND THIS HAS JUST BEEN A HELL OF
A YEAR.
493
00:37:11,021 --> 00:37:15,543
AND HOPEFULLY COUNTRY MUSIC AND
MAYBE EVEN THIS SONG BROUGHT YOU
494
00:37:15,577 --> 00:37:18,132
AND YOUR FAMILY AND FRIENDS SOME
PEACE.
495
00:37:18,166 --> 00:37:21,791
SO THANK YOU SO MUCH.
496
00:37:21,824 --> 00:37:23,378
[ CHEERS AND APPLAUSE]
>> Announcer: LET'S GO TO
497
00:37:23,413 --> 00:37:25,242
NASHVILLE'S FAMOUS STATION INN
AND MALE ARTIST OF THE YEAR
498
00:37:25,277 --> 00:37:32,905
NOMINEE, DIERKS BENTLEY, JOINED
BY THE WAR AND TREATY.
499
00:37:32,940 --> 00:37:36,012
WELCOME
TO THE STAKES INN.
500
00:37:36,045 --> 00:37:39,842
I FIRST CAME IN THIS BAR WHEN I
WAS ABOUT 19 YEARS OLD LOOKING
501
00:37:39,878 --> 00:37:41,155
FOR SOMETHING.
502
00:37:41,188 --> 00:37:44,054
AND I FOUND IT IN THE MUSIC HERE
AND I FOUND IT IN THE BLUEGRASS
503
00:37:44,088 --> 00:37:46,954
COMMUNITY AND WE RECENTLY LOST
THE LEADER OF THAT BLUEGRASS
504
00:37:46,987 --> 00:37:51,061
COMMUNITY AND THE OWNER OF THIS
BAR, MR. JT GRAY SO WE WILL BE
505
00:37:51,096 --> 00:38:01,762
THINKING OF HIM TONIGHT AS WE
SING THIS SONG.
506
00:38:01,795 --> 00:38:12,117
♪ ♪
♪ ♪
507
00:38:12,150 --> 00:38:16,327
♪ ♪
♪ ONE MAN COME
508
00:38:16,362 --> 00:38:21,782
IN THE NAME OF LOVE
♪ ONE MAN COME AND GO
509
00:38:21,815 --> 00:38:25,786
ONE MAN COME
♪ HERE TO JUSTIFY
510
00:38:25,820 --> 00:38:33,759
ONE MAN TO OVERTHROW
♪ IN THE NAME OF LOVE
511
00:38:33,793 --> 00:38:40,972
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
512
00:38:41,007 --> 00:38:49,775
WHAT MORE IN THE NAME OF LOVE
♪ ONE MAN CAUGHT
513
00:38:49,809 --> 00:38:54,123
ON A BARBED WIRE FENCE
♪ ONE MAN, HE RESIST
514
00:38:54,159 --> 00:39:00,096
ONE MAN WASHED
♪ ON AN EMPTY BEACH
515
00:39:00,130 --> 00:39:06,239
ONE MAN BETRAYED WITH A KISS
♪ IN THE NAME OF LOVE
516
00:39:06,273 --> 00:39:17,768
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
517
00:39:17,802 --> 00:39:25,777
WHAT MORE IN THE NAME OF LOVE
♪ ♪
518
00:39:25,811 --> 00:39:36,097
♪ ♪
♪ ♪
519
00:39:36,132 --> 00:39:45,762
♪ ♪
♪ ♪
520
00:39:45,797 --> 00:39:53,769
♪ ♪
♪ ♪
521
00:39:53,804 --> 00:40:01,777
♪ ♪
OOH,OOH
522
00:40:01,813 --> 00:40:09,061
♪ OOH, OOH
♪ EARLY EVENING, APRIL 4
523
00:40:09,096 --> 00:40:10,235
SHOT RINGS OUT
♪ IN THE MEMPHIS SKY
524
00:40:10,268 --> 00:40:14,307
YEAH
♪ FREE AT LAST
525
00:40:14,342 --> 00:40:19,762
THEY TOOK YOUR LIFE
♪ BUT THEY COULD NOT TAKE
526
00:40:19,795 --> 00:40:23,972
YOUR PRIDE
♪ IN THE NAME OF LOVE
527
00:40:24,007 --> 00:40:32,463
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
528
00:40:32,498 --> 00:40:43,751
WHAT MORE IN THE NAME OF LOVE ♪
♪ ♪
529
00:40:43,786 --> 00:40:51,759
♪ ♪
♪ ♪
530
00:40:51,793 --> 00:40:59,179
♪ ♪
♪ ♪
531
00:40:59,215 --> 00:41:03,771
♪ ♪
♪ ♪
532
00:41:03,806 --> 00:41:11,778
♪ ♪
♪ ♪
533
00:41:11,813 --> 00:41:18,440
♪ ♪
[ CHEERS AND APPLAUSE]
534
00:41:18,476 --> 00:41:22,202
>> Announcer: CARRIE UNDERWOOD
WITH A SPECIAL PERFORMANCE
535
00:41:22,237 --> 00:41:23,757
FEATURING CECE WINANS.
AND ERIC CHURCH AT THE RYMAN
536
00:41:23,791 --> 00:41:25,344
AUDITORIUM.
537
00:41:25,378 --> 00:41:27,760
PLUS, DAN + SHAY.
LATER, THANKS TO FORD, WE RETURN
538
00:41:27,795 --> 00:41:31,039
TO THE NASHVILLE RIVERFRONT FOR
A PERFORMANCE FROM ASHLEY
539
00:41:31,074 --> 00:41:35,181
McBRYDE.
THIS IS CBS.
540
00:41:35,215 --> 00:41:37,909
>> VACCINE, VACCINE, VACCINE,
VACCINE!
541
00:41:37,943 --> 00:41:41,809
I'M BEGGING OF YOU, PLEASE DON'T
HESITATE.
542
00:41:41,844 --> 00:41:46,641
I KNOW I'M TRYING TO BEING FUNNY
NOW, BUT I'M DEAD SERIOUS ABOUT
543
00:41:46,675 --> 00:41:47,884
THE VACCINE.
544
00:41:47,918 --> 00:41:49,367
I JUST WANT TO TO ENCOURAGE
EVERYBODY BECAUSE THE SOONER WE
545
00:41:49,402 --> 00:41:53,164
GET TO FEELING BETTER, THE
SOONER WE ARE GOING TO GET BACK
546
00:41:53,199 --> 00:41:56,858
TO BEING NORMAL.
547
00:41:56,893 --> 00:41:58,860
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS,
548
00:41:58,894 --> 00:42:02,001
SPONSORED BY: T-MOBILE, THE
LEADER IN 5G.
549
00:42:02,036 --> 00:42:06,420
AMERICA'S LARGEST, FASTEST, AND
NOW MOST RELIABLE 5G NETWORK.
550
00:42:09,215 --> 00:42:12,460
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
551
00:42:12,494 --> 00:42:14,186
CONTINUE.
THIS IS CBS
552
00:42:17,327 --> 00:42:19,052
>> WELL, HEY, EVERYBODY.
553
00:42:19,088 --> 00:42:23,402
I AM SO PLEASED AND PROUD TO
INTRODUCE MY DEAR FRIEND, CARRIE
554
00:42:23,436 --> 00:42:24,679
UNDERWOOD, TONIGHT.
555
00:42:24,713 --> 00:42:29,650
I HAVE ALWAYS ADMIRED CARRIE'S
INCREDIBLE TALENT, BUT I AM JUST
556
00:42:29,684 --> 00:42:31,963
AS IMPRESSED WITH HER PERSONAL
QUALITIES-- HER COMPASSION,
557
00:42:31,996 --> 00:42:37,762
KINDNESS, GENEROSITY, AND, MOST
OF ALL, THE POWERFUL FAITH THAT
558
00:42:37,795 --> 00:42:39,003
WE BOTH SHARE.
559
00:42:39,039 --> 00:42:42,905
NOW, HER PERFORMANCE TONIGHT
SPEAKS TO THAT FAITH IN A MEDLEY
560
00:42:42,938 --> 00:42:47,184
FROM HER NEW GOSPEL HYMNS ALBUM,
"MY SAVIOR," WHICH I KNOW IS A
561
00:42:47,219 --> 00:42:51,396
TRUE PASSION PROJECT FOR HER.
562
00:42:51,429 --> 00:42:56,918
LADIES AND GENTLEMEN, CARRIE
UNDERWOOD.
563
00:42:56,952 --> 00:43:07,411
[ CHEERS AND APPLAUSE]
♪ AMAZING GRACE
564
00:43:07,445 --> 00:43:19,423
HOW SWEET THE SOUND
♪ THAT SAVED A WRETCH
565
00:43:19,458 --> 00:43:31,746
LIKE ME
♪ I ONCE WAS LOST
566
00:43:31,780 --> 00:43:41,791
BUT NOW I'M FOUND
♪ WAS BLIND, BUT NOW
567
00:43:41,826 --> 00:43:47,416
BUT NOW I'M FOUND
♪ WAS BLIND, BUT NOW
568
00:43:47,452 --> 00:43:59,291
I SEE
♪ ♪
569
00:43:59,326 --> 00:44:03,157
♪ GREAT IS THY FAITHFULNESS
O GOD MY FATHER
570
00:44:03,192 --> 00:44:11,407
♪ THERE IS NO SHADOW
OF TURNING WITH THEE
571
00:44:11,440 --> 00:44:19,380
♪ THOU CHANGEST NOT
THY COMPASSIONS
572
00:44:19,414 --> 00:44:23,418
♪ THEY FAIL NOT
AS THOU HAST BEEN
573
00:44:23,452 --> 00:44:31,840
♪ THOU FOREVER WILL BE
GREAT IS THY FAITHFULNESS
574
00:44:31,876 --> 00:44:39,400
♪ GREAT IS THY FAITHFULNESS
MORNING BY MORNING
575
00:44:39,434 --> 00:44:47,407
♪ NEW MERCIES I SEE
ALL I HAVE NEEDED
576
00:44:47,443 --> 00:44:55,416
♪ THY HAND HATH PROVIDED
GREAT IS THY FAITHFULNESS
577
00:44:55,451 --> 00:45:05,460
♪ LORD, UNTO ME
SUMMER AND WINTER
578
00:45:05,494 --> 00:45:11,708
♪ LORD, UNTO ME
SUMMER AND WINTER
579
00:45:16,574 --> 00:45:19,405
♪ SPRINGTIME AND HARVEST
SUN, MOON AND STARS
580
00:45:19,440 --> 00:45:25,757
♪ IN THEIR COURSES ABOVE
JOIN WITH ALL NATURE
581
00:45:25,791 --> 00:45:35,387
♪ IN MANIFOLD WITNESS
T THY GREAT FAITHFULNESS
582
00:45:35,422 --> 00:45:43,394
♪ MERCY, AND LOVE
GREAT IS THY FAITHFULNESS
583
00:45:43,429 --> 00:45:47,088
♪ GREAT IS THY FAITHFULNESS
MORNING BY MORNING
584
00:45:47,123 --> 00:45:59,411
♪ NEW MERCIES I SEE
ALL I HAVE NEEDED
585
00:45:59,445 --> 00:46:05,485
♪ THY HAND HATH PROVIDED
GREAT IS THY FAITHFULNESS
586
00:46:05,521 --> 00:46:19,155
GREAT IS THY FAITHFULNESS
♪ GREAT IS THY FAITHFULNESS
587
00:46:19,190 --> 00:46:30,822
[ CHEERS AND APPLAUSE]
♪ LORD, UNTO ME
588
00:46:30,856 --> 00:46:31,858
♪ SO I'LL CHERISH
THE OLD RUGGED CROSS
589
00:46:31,891 --> 00:46:37,795
♪ 'TIL MY TROPHIES AT LAST
I LAY DOWN
590
00:46:37,829 --> 00:46:43,007
♪ I WILL CLING TO THE
OLD RUGGED CROSS
591
00:46:43,041 --> 00:46:54,914
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN
592
00:46:54,949 --> 00:46:59,402
♪ OOH, OOH
YEAH, AH
593
00:46:59,436 --> 00:47:06,271
♪ OOH, OOH
YEAH, AH
594
00:47:06,306 --> 00:47:07,583
♪ OOH, OOH
♪ YES, I'LL CHERISH THE
595
00:47:07,617 --> 00:47:18,905
OLD RUGGED CROSS
♪ THANK YOU, JESUS
596
00:47:18,938 --> 00:47:21,389
♪ YES, I'LL CHERISH THE
OLD RUGGED CROSS
597
00:47:21,423 --> 00:47:27,498
♪ 'TIL MY TROPHIES AT LAST
I LAY DOWN
598
00:47:27,534 --> 00:47:35,472
♪ I WILL CLING TO THE
OLD RUGGED CROSS
599
00:47:35,507 --> 00:47:38,889
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN
600
00:47:38,925 --> 00:47:47,449
♪ YES, I'LL CHERISH THE
OLD RUGGED CROSS
601
00:47:47,485 --> 00:47:59,461
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN ♪
602
00:47:59,496 --> 00:48:10,059
[ CHEERS AND APPLAUSE]
♪ WHEN CHRIST SHALL COME
603
00:48:10,094 --> 00:48:19,481
WITH SHOUT OF ACCLAMATION
♪ AND TAKE ME HOME
604
00:48:19,516 --> 00:48:31,460
WHAT JOY SHALL FILL MY HEART
♪ THEN I SHALL BOW
605
00:48:31,494 --> 00:48:39,467
IN HUMBLE ADORATION
♪ AND THEN PROCLAIM, MY GOD
606
00:48:39,501 --> 00:48:47,476
HOW GREAT THOU ART
♪ THEN SINGS MY SOUL
607
00:48:47,510 --> 00:48:58,556
MY SAVIOR GOD TO THEE
♪ HOW GREAT THOU ART
608
00:48:58,590 --> 00:49:11,465
HOW GREAT THOU ART
♪ THEN SINGS MY SOUL
609
00:49:11,500 --> 00:49:19,472
MY SAVIOR GOD TO THEE
♪ HOW GREAT THOU ART
610
00:49:19,507 --> 00:49:29,518
HOW GREAT THOU ART
♪ HOW GREAT THOU ART
611
00:49:29,552 --> 00:49:35,420
HOW GREAT THOU ART
♪ HOW GREAT THOU ART
612
00:49:35,454 --> 00:49:43,635
[ CHEERS AND APPLAUSE]
HOW GREAT THOU ART ♪
613
00:49:43,670 --> 00:49:55,474
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
614
00:49:55,509 --> 00:50:07,038
♪ ♪
[ CHEERS AND APPLAUSE]
615
00:50:07,072 --> 00:50:19,637
[ CHEERS AND APPLAUSE]
UNBELIEVABLE.
616
00:50:19,670 --> 00:50:23,536
OH MY GOSH. WHAT CAN I SAY
ABOUT ARTISTS LIKE CARRIE
617
00:50:23,572 --> 00:50:27,300
UNDERWOOD, ONE OF OUR REIGNING
ENTS TIERNS OF THE YEAR AND
618
00:50:27,333 --> 00:50:30,268
GOSPEL ICON CECE WINANS OTHER
THAN THE FACT THAT THE ONLY
619
00:50:30,302 --> 00:50:34,617
THING MORE REMARKABLE THAN THEIR
TALENT ARE THE WOMEN THEMSELVES.
620
00:50:34,652 --> 00:50:37,585
THANK YOU SO MUCH CARRIE AND
C.E.O. C.E.O. FOR SHARING THOSE
621
00:50:37,619 --> 00:50:38,483
SONGS WITH US.
622
00:50:38,518 --> 00:50:39,380
MY WORD.
623
00:50:39,414 --> 00:50:42,762
SO GOOD. ALL RIGHT.
624
00:50:42,797 --> 00:50:46,422
HERE'S NOWR GUY THAT LIGHTS UP
EVERY STAGE, WHAT AM I TALKING
625
00:50:46,456 --> 00:50:49,079
ABOUT, HE BURNS THEM DOWN,
WHETHER PLAYING AN INTIMATE
626
00:50:49,114 --> 00:50:52,186
CLUB, WHETHER HE'S PLAYING THE
SUPER BOWL.
627
00:50:52,221 --> 00:50:55,293
HE IS THE REAL DEAL, HE IS JUST
PHENOMENAL AND HIS AUDIENCE, OF
628
00:50:55,327 --> 00:50:59,608
COURSE, ARE AS INTENTION AND
IMPASSIONED AS HE IS.
629
00:50:59,641 --> 00:51:02,851
COMING FROM THE RYMAN AUDITORIUM
WITH A BRAND NEW SONG CALLED A
630
00:51:02,887 --> 00:51:06,856
BUNCH OF NOTHING, ALSO NOMINATED
FOR ENTERTAINER OF THE YEAR, MY
631
00:51:06,891 --> 00:51:13,070
GOOD BUDDY ERIC CHURCH.
632
00:51:13,103 --> 00:51:21,077
♪ ♪
♪ ♪
633
00:51:21,112 --> 00:51:26,324
♪ WHY THE LONG FACE THERE, SAMMY
WHY'D YOU COME DRAGGIN' IN HERE
634
00:51:26,358 --> 00:51:28,739
♪ NOW SIT DOWN, BOY
BEFORE YOU HURT YOURSELF
635
00:51:28,775 --> 00:51:32,536
♪ AND I'LL LET YOU
BEND MY EAR
636
00:51:32,572 --> 00:51:33,918
♪ LOVE IS A BITCH
AIN'T IT, BUDDY
637
00:51:33,952 --> 00:51:37,094
♪ WHEN BABY TURNS THE TABLES ON
YOUR HEAD
638
00:51:37,128 --> 00:51:40,130
♪ I KNOW YOU CAME IN HERE TO
BRING BACK HER LEAVING
639
00:51:40,166 --> 00:51:45,378
♪ I'LL LEAVE YOU WITH THIS
INSTEAD
640
00:51:45,411 --> 00:51:47,242
♪ I KNOW EVERY HOLE IN THE
CLINCH RIVER
641
00:51:47,275 --> 00:51:49,795
♪ AND I KNOW HOW TO FIND
THEM BASS
642
00:51:49,829 --> 00:51:54,007
♪ I KNOW HOW TO TUNE A
SIX-STRING MARTIN
643
00:51:54,041 --> 00:51:55,353
♪ AND KICK SATURDAY IN
THE ASS
644
00:51:55,387 --> 00:51:58,701
♪ I KNOW HOW TO MAKE
THAT MOON SHINE
645
00:51:58,735 --> 00:52:00,771
♪ I KNOW YOU WANT YOUR
SUNSHINE BACK
646
00:52:00,806 --> 00:52:04,396
♪ I KNOW A WHOLE LOTTA 'BOUT
A LIL' SOMETHIN', SOMETHIN'
647
00:52:04,431 --> 00:52:07,262
♪ AND A WHOLE BUNCH OF NOTHING
'BOUT THAT
648
00:52:07,295 --> 00:52:13,646
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT
649
00:52:13,681 --> 00:52:15,304
♪ ♪
♪ ♪
650
00:52:15,338 --> 00:52:19,998
♪ BEFORE MY MIND TOOK A VACATION
I HAD A SITUATION LIKE YOU GOT
651
00:52:20,032 --> 00:52:23,242
♪ THEY TELL ME THAT I HAD A
GOOD WOMAN GONE BAD
652
00:52:23,277 --> 00:52:26,003
♪ BUT I CAN'T REMEMBER
WHAT I FORGOT
653
00:52:26,039 --> 00:52:29,110
♪ NOW JUST KICK BACK AND
LISTEN UP, SON
654
00:52:29,146 --> 00:52:31,286
♪ I'LL HELP YOU GET TO
WHERE I AM
655
00:52:31,320 --> 00:52:35,255
♪ GET YOU GOING FULL THROTTLE
AND LEANIN' ON THE BOTTLE
656
00:52:35,289 --> 00:52:37,637
♪ AND SOME BAIT IN A COFFEE CAN
WELL
657
00:52:37,670 --> 00:52:39,293
♪ I KNOW EVERY HOLE IN THE
CLINCH RIVER
658
00:52:39,327 --> 00:52:43,125
♪ AND I KNOW HOW TO FIND
THEM BASS
659
00:52:43,159 --> 00:52:45,610
♪ I KNOW HOW TO TUNE A
SIX-STRING MARTIN
660
00:52:45,644 --> 00:52:48,474
♪ AND KICK SATURDAY IN
THE ASS
661
00:52:48,510 --> 00:52:50,960
♪ I KNOW HOW TO MAKE
THAT MOON SHINE
662
00:52:50,994 --> 00:52:54,447
♪ I KNOW YOU WANT YOUR
SUNSHINE BACK
663
00:52:54,481 --> 00:52:55,827
♪ I KNOW A WHOLE LOTTA 'BOUT
A LIL' SOMETHIN', SOMETHIN'
664
00:52:55,862 --> 00:52:59,244
♪ AND A WHOLE BUNCH OF NOTHING
'BOUT THAT
665
00:52:59,278 --> 00:53:03,248
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT
666
00:53:03,282 --> 00:53:07,769
♪ I KNOW WHERE TO GO
AND YOU KNOW HOW TO GET THERE
667
00:53:07,804 --> 00:53:12,360
♪ OFF YOU GO, HIT THE ROAD
BUZZ AND A POLE
668
00:53:12,396 --> 00:53:22,992
♪ A WING AND A PRAYER
♪ ♪
669
00:53:23,027 --> 00:53:29,344
♪ ♪
♪ ♪
670
00:53:29,378 --> 00:53:31,242
>> NOW, COME ON, CHILDREN!
671
00:53:31,277 --> 00:53:37,661
♪ ♪
♪ ♪
672
00:53:37,697 --> 00:53:40,699
♪ ♪
♪ I KNOW EVERY HOLE IN THE
673
00:53:40,733 --> 00:53:43,253
CLINCH RIVER
♪ AND I KNOW HOW TO FIND
674
00:53:43,289 --> 00:53:46,257
THEM BASS
♪ I KNOW HOW TO TUNE A
675
00:53:46,291 --> 00:53:49,121
SIX-STRING MARTIN
♪ AND KICK SATURDAY IN
676
00:53:49,155 --> 00:53:51,262
THE ASS
♪ I KNOW HOW TO MAKE
677
00:53:51,297 --> 00:53:54,817
THAT MOON SHINE
♪ I KNOW YOU WANT YOUR
678
00:53:54,851 --> 00:53:57,164
SUNSHINE BACK
♪ I KNOW A WHOLE LOTTA 'BOUT
679
00:53:57,199 --> 00:53:59,269
A LIL' SOMETHIN', SOMETHIN'
♪ AND A WHOLE BUNCH OF NOTHING
680
00:53:59,304 --> 00:54:01,652
'BOUT THAT
♪ A WHOLE BUNCH OF NOTHING
681
00:54:01,686 --> 00:54:11,282
'BOUT THAT ♪
♪ ♪
682
00:54:11,317 --> 00:54:13,974
♪ A WHOLE BUNCH OF NOTHING
♪ ♪
683
00:54:14,009 --> 00:54:18,771
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT ♪
684
00:54:18,806 --> 00:54:21,465
♪ ♪
♪ ♪
685
00:54:21,498 --> 00:54:33,027
♪ A WHOLE BUNCH OF NOTHING
♪ ♪
686
00:54:33,061 --> 00:54:42,244
[ CHEERS AND APPLAUSE]
>> Announcer: NOW, TAKING THE
687
00:54:42,278 --> 00:54:47,284
STAGE AT THE BLUEBIRD CAFEÉ,
VOCAL DUO NOMINEES DAN + SHAY.
688
00:54:47,318 --> 00:54:50,873
♪ ♪
♪ HERE'S TO ALL
689
00:54:50,907 --> 00:54:52,771
THE LATE NIGHT DRUNK PHONE CALLS
♪ THAT YOU PICKED UP
690
00:54:52,806 --> 00:54:59,123
HERE'S TO ALL THE BAD DECISIONS
♪ THAT YOU DIDN'T JUDGE
691
00:54:59,157 --> 00:55:00,503
ALL THE "LOVE YOUs" AND
♪ THE "HATE YOUs" AND THE
692
00:55:00,538 --> 00:55:01,952
SECRETS THAT YOU TOLD ME
♪ HERE'S TO EVERYONE
693
00:55:07,130 --> 00:55:09,409
BUT MOSTLY US
♪ THERE'S A COUPLE BILLION
694
00:55:09,443 --> 00:55:14,931
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
695
00:55:14,965 --> 00:55:17,623
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
696
00:55:17,659 --> 00:55:23,664
TAKE A MOMENT JUST TO TAKE IT IN
♪ 'CAUSE EVERY HIGH
697
00:55:23,699 --> 00:55:24,873
AND EVERY LOW
♪ LED TO THIS
698
00:55:24,907 --> 00:55:36,505
I'M JUST SO GLAD YOU EXIST
OOOH
699
00:55:36,539 --> 00:55:38,920
OOOH
♪ HEY, LOOK WHAT A HELLO FROM A
700
00:55:38,956 --> 00:55:42,199
STRANGER TURNED INTO
♪ CAUGHT UP IN A MOMENT
701
00:55:42,235 --> 00:55:47,378
LIKE IT'S JUST US IN THIS ROOM
♪ ALL THE RIGHT WORDS
702
00:55:47,413 --> 00:55:48,552
AT THE RIGHT TIME
♪ AND YOU KNOW 'EM
703
00:55:48,585 --> 00:55:51,934
'CAUSE YOU KNOW ME
♪ BETTER THAN ANYONE ELSE
704
00:55:51,969 --> 00:55:56,525
WE DON'T NEED ANYONE ELSE
♪ THERE'S A COUPLE BILLION
705
00:55:56,559 --> 00:56:00,666
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
706
00:56:00,702 --> 00:56:03,842
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
707
00:56:03,876 --> 00:56:08,916
TAKE A MOMENT JUST TO TAKE IT IN
♪ 'CAUSE EVERY HIGH
708
00:56:08,951 --> 00:56:11,402
AND EVERY LOW
♪ LED TO THIS
709
00:56:11,436 --> 00:56:16,510
I'M JUST SO GLAD YOU EXIST
♪ OOOH
710
00:56:16,545 --> 00:56:20,514
OOOH
♪ OOOH
711
00:56:20,548 --> 00:56:24,518
OOOH
♪ DON'T YOU EVER GO
712
00:56:24,552 --> 00:56:27,210
DON'T YOU EVER GO
♪ DON'T YOU EVER GO CHANGING
713
00:56:27,244 --> 00:56:31,559
NEVER LET ME GO
♪ NEVER LET ME GO
714
00:56:31,594 --> 00:56:32,733
NEVER LET ME GO, BABY
♪ DON'T YOU EVER GO
715
00:56:32,768 --> 00:56:36,530
DON'T YOU EVER GO
♪ DON'T YOU EVER GO CHANGING
716
00:56:36,565 --> 00:56:38,498
NEVER LET ME GO
♪ NEVER, EVER LET ME GO
717
00:56:38,532 --> 00:56:44,434
NEVER LET ME GO, BABY
♪ THERE'S A COUPLE BILLION
718
00:56:44,469 --> 00:56:46,679
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
719
00:56:46,713 --> 00:56:49,646
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
720
00:56:49,681 --> 00:56:55,239
TAKE A MOMENT JUST TO TAKE IT IN
♪ JUST TO TAKE IT IN
721
00:56:55,273 --> 00:56:57,103
'CAUSE EVERY HIGH AND EVERY LOW
♪ LED TO THIS
722
00:56:57,137 --> 00:57:07,043
I'M JUST SO GLAD YOU EXIST
♪ OOOH
723
00:57:07,077 --> 00:57:11,737
OOOH
I'M GLAD YOU EXIST
724
00:57:11,773 --> 00:57:13,014
[ CHEERS AND APPLAUSE]
>> Announcer: ALAN JACKSON WITH
725
00:57:13,050 --> 00:57:16,880
A CLASSIC HIT, AND A PERFORMANCE
BY MIRANDA LAMBERT ARE ON THE
726
00:57:16,916 --> 00:57:18,675
WAY.
727
00:57:18,710 --> 00:57:21,333
PLUS, NEW MALE ARTIST WINNER,
JIMMIE ALLEN; AND NEXT, A
728
00:57:21,367 --> 00:57:24,958
SPECIAL MOMENT FEATURING
A DESERVING NASHVILLE VETERAN
729
00:57:24,992 --> 00:57:31,481
WHEN LUKE COMBS TEAMS UP WITH
FORD.
730
00:57:31,516 --> 00:57:32,621
THIS IS CBS.
731
00:57:32,655 --> 00:57:34,934
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS.
732
00:57:34,967 --> 00:57:38,005
SPONSORED BY: SWIFFER-- STOP
CLEANING, START SWIFFERING.
733
00:57:45,150 --> 00:57:47,601
>> Announcer: WE'RE BACK AT THE
GRAND OLE OPRY HOUSE WITH
734
00:57:47,635 --> 00:57:50,949
ENTERTAINER OF THE YEAR NOMINEE
LUKE COMBS.
735
00:57:50,983 --> 00:57:54,193
>> THANKS TO FORD, I RECENTLY
MET UP WITH A TALENTED VETERAN
736
00:57:54,228 --> 00:57:56,576
NAMED DAMON WILLIAMS FROM THE
"GUITARS FOR VETS" PROGRAM.
737
00:57:56,610 --> 00:57:58,440
IT WAS AN HONOR AND A GREAT
EXPERIENCE.
738
00:57:58,474 --> 00:58:04,860
TAKE A LOOK.
739
00:58:04,894 --> 00:58:06,206
LAST
YEAR, A PARTNERSHIP OF THE BEST,
740
00:58:06,240 --> 00:58:09,070
IT IS A GREAT ORGANIZATION THAT
HELPS VETERANS COPE WITH PTSD
741
00:58:09,106 --> 00:58:12,280
THROUGH MUSIC BY TEACHING THEM
HOW TO PLAY GUITAR.
742
00:58:12,315 --> 00:58:16,527
>> FORD RECENTLY DONATED 500,000
TO GUITARS FOR VETS TO HELP THEM
743
00:58:16,561 --> 00:58:17,769
CONTINUE THEIR GREAT WORK.
744
00:58:17,804 --> 00:58:21,567
>> WE'RE VERY PROUD OF GUITARS
FOR VETS FOR HAVING GRADUATED
745
00:58:21,601 --> 00:58:23,360
OVER 5,000 VETERANS FROM THE
PROGRAM.
746
00:58:23,396 --> 00:58:27,918
THE DONATIONS FROM FORD ALLOW US
TO BUY THOUSANDS OF GUITARS SO
747
00:58:27,952 --> 00:58:31,610
MORE VETERAN-- VETERANS CAN
EXPERIENCE THE HEALING POWER OF
748
00:58:31,646 --> 00:58:32,922
MUSIC.
749
00:58:32,956 --> 00:58:35,235
>> WITH THE HELP OF GUITARS FOR
VETS HAVE I BEEN ABLE TO TAKE A
750
00:58:35,269 --> 00:58:37,306
SONG THAT I HAVE WRITTEN AND
SING TO MY DAUGHTER.
751
00:58:37,340 --> 00:58:39,550
>> I JUST COULDN'T HAVE DONE IT
WITHOUT THE PROGRAM.
752
00:58:39,585 --> 00:58:43,001
>> WE OWE SO MUCH TO OUR TROOPS
AND VETERANS SO I'M HONORED TO
753
00:58:43,036 --> 00:58:47,902
MEET UP AGAIN WITH SOME FOLKS
FROM GUITARS FOR VETS AND PLAY
754
00:58:47,938 --> 00:58:52,943
SOME MUSIC TOGETHER.
755
00:58:52,976 --> 00:58:55,289
>> HEY Y'ALL, HOW ARE YOU DOING.
756
00:58:55,324 --> 00:58:55,945
>> HEY, LUKE.
757
00:58:55,980 --> 00:58:57,498
>> GOOD TO SEE Y'ALL.
758
00:58:57,534 --> 00:58:59,155
>> I HEARD YOU WROTE A SONG.
759
00:58:59,190 --> 00:59:00,157
>> I WROTE A LITTLE SOMETHING.
760
00:59:00,190 --> 00:59:02,469
>> I BROWTS A GUITAR IF YOU WANT
TO PLAY IT.
761
00:59:02,503 --> 00:59:08,648
>> PLUG ME IN, COME ON.
762
00:59:08,682 --> 00:59:15,275
♪ HOLD ON.
763
00:59:15,309 --> 00:59:20,626
♪
♪ IT'S ALL RIGHT.
764
00:59:20,659 --> 00:59:21,833
♪.
765
00:59:21,867 --> 00:59:23,594
>> TO LEARN MORE ABOUT MY
PARTNERSHIP WITH GUITAR FOR VETS
766
00:59:23,628 --> 00:59:31,913
AND HOW YOU CAN HELP GO TO
FORDPROUDTOHODGE OR-- HONOR.COM.
767
00:59:31,947 --> 00:59:39,920
>> ALL RIGHT.
768
00:59:39,954 --> 00:59:50,309
♪ ♪
♪ A COLD BEER'S GOT 12 OUNCES
769
00:59:50,344 --> 00:59:55,108
A GOOD TRUCK'S GOT MAYBE 300,000
♪ YOU ONLY GET SO MUCH
770
00:59:55,143 --> 01:00:02,632
UNTIL IT'S GONE
♪ DURACELLS IN A MAGLITE
771
01:00:02,668 --> 01:00:07,880
A NEEDLE DROP ON A 45
♪ ARE THE KIND OF THINGS THAT
772
01:00:07,914 --> 01:00:14,679
ONLY LAST SO LONG
♪ WHEN THE NEW WEARS OFF
773
01:00:14,713 --> 01:00:21,617
AND THEY GET TO GETTING OLD
♪ SOONER OR LATER
774
01:00:21,652 --> 01:00:28,106
TIME'S GONNA TAKE ITS TOLL
♪ THEY SAY NOTHING LASTS FOREVER
775
01:00:28,141 --> 01:00:33,250
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
776
01:00:33,284 --> 01:00:43,224
DANCES IN YOUR EYES
♪ JUST A T-SHIRT IN THE KITCHEN
777
01:00:43,260 --> 01:00:47,228
WITH NO MAKE-UP AND A MILLION
♪ OTHER THINGS THAT I COULD
778
01:00:47,264 --> 01:00:52,440
LOOK AT MY WHOLE LIFE
♪ A LOVE LIKE THAT MAKES A MAN
779
01:00:52,476 --> 01:00:59,344
HAVE SECOND THOUGHTS
♪ MAYBE SOME THINGS LAST FOREVER
780
01:00:59,378 --> 01:01:09,389
AFTER ALL
♪ FM STATION ON THE OUTSKIRTS
781
01:01:09,423 --> 01:01:14,809
BLUE JEANS, AFTER YEARS OF
♪ SHIFT WORK
782
01:01:14,842 --> 01:01:18,813
ALL FADING OUT LIKE I ALWAYS
♪ KNEW THEY WOULD
783
01:01:18,847 --> 01:01:23,679
THE STRINGS ON THIS GUITAR
♪ THE FIRST LOVE LOST
784
01:01:23,713 --> 01:01:27,856
ON A YOUNG HEART
♪ THOSE THINGS ARE GONNA BREAK
785
01:01:27,891 --> 01:01:33,516
AFTER THE GETTING'S GOOD
♪ 'CAUSE THE NEW WEARS OFF
786
01:01:33,550 --> 01:01:43,215
AND THEY GET TO GETTING OLD
♪ YEAH, SOONER OR LATER
787
01:01:43,251 --> 01:01:47,081
TIME'S GONNA TAKE ITS TOLL
♪ THEY SAY NOTHING LASTS FOREVER
788
01:01:47,117 --> 01:01:55,193
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
789
01:01:55,228 --> 01:01:59,335
DANCES IN YOUR EYES
♪ JUST A T-SHIRT IN THE KITCHEN
790
01:01:59,369 --> 01:02:04,824
WITH NO MAKE-UP AND A MILLION
♪ OTHER THINGS THAT I COULD LOOK
791
01:02:04,858 --> 01:02:11,588
AT MY WHOLE LIFE
♪ A LOVE LIKE THAT MAKES A MAN
792
01:02:11,623 --> 01:02:18,010
HAVE SECOND THOUGHTS
♪ MAYBE SOME THINGS LAST FOREVER
793
01:02:18,043 --> 01:02:27,226
AFTER ALL
♪ ♪
794
01:02:27,260 --> 01:02:34,302
♪ ♪
♪ THEY SAY NOTHING LASTS FOREVER
795
01:02:34,335 --> 01:02:39,478
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
796
01:02:39,514 --> 01:02:45,657
DANCES IN YOUR EYES
♪ AND I KNOW THERE'LL BE
797
01:02:45,692 --> 01:02:49,972
THAT MOMENT
♪ THE GOOD LORD CALLS ONE OF US
798
01:02:50,007 --> 01:02:52,907
HOME, AND
♪ ONE WON'T HAVE THE OTHER
799
01:02:52,940 --> 01:02:56,980
BY THEIR SIDE
♪ BUT HEAVEN KNOWS THAT THAT
800
01:02:57,014 --> 01:03:04,918
WON'T LAST TOO LONG
♪ MAYBE SOME THINGS LAST FOREVER
801
01:03:04,952 --> 01:03:14,963
AFTER ALL
♪ AFTER ALL
802
01:03:14,998 --> 01:03:20,865
AFTER ALL
♪ AFTER ALL
803
01:03:20,900 --> 01:03:28,666
[ CHEERS AND APPLAUSE]
>> Mickey: SO, SO GOOD.
804
01:03:28,701 --> 01:03:31,255
MY FELLOW TEXAN, MIRANDA
LAMBERT, IS THE MOST AWARDED
805
01:03:31,289 --> 01:03:39,297
ARTIST IN A.C.M. AWARDS HISTORY.
806
01:03:39,331 --> 01:03:40,367
I'M GOING TO SAY THAT AGAIN.
807
01:03:40,402 --> 01:03:42,094
MIRANDA LAMBERT IS THE MOST
AWARDED ARTIST IN ACM
808
01:03:42,128 --> 01:03:44,923
MIRANDA LAMBERT, IS THE MOST
AWARDED ARTIST IN A.C.M. AWARDS
809
01:03:44,958 --> 01:03:46,925
HISTORY.
810
01:03:46,960 --> 01:03:48,271
[ CHEERS AND APPLAUSE]
I LOVE HOW SHE DESCRIBED HOW
811
01:03:48,306 --> 01:03:51,793
THE SONGS ON "“THE MARFA TAPES"”
COLLABORATION WITH JACK INGRAM
812
01:03:51,827 --> 01:03:55,278
AND JON RANDALL CAME ABOUT.
SHE SAID THE THREE OF THEM WOULD
813
01:03:55,313 --> 01:04:01,630
GET TOGETHER OUTDOORS IN MARFA,
TEXAS, SIT AROUND THE CAMPFIRE,
814
01:04:01,664 --> 01:04:02,873
UNWIND AND WRITE SONGS TOGETHER.
815
01:04:02,907 --> 01:04:06,358
THE END RESULT FROM THEIR TIME
TOGETHER: A MASTERPIECE.
816
01:04:06,393 --> 01:04:08,914
AND NOW, WITH A SPECIAL
PERFORMANCE OF "“IN HIS ARMS,"”
817
01:04:08,947 --> 01:04:14,885
THE FIRST SONG FROM "“THE MARFA
TAPES"” ALBUM, HERE ARE JACK, JON
818
01:04:14,920 --> 01:04:18,889
AND MIRANDA.
819
01:04:18,923 --> 01:04:28,898
[ CHEERS AND APPLAUSE]
♪ ♪
820
01:04:28,934 --> 01:04:37,425
[ CHEERS AND APPLAUSE]
♪ ♪
821
01:04:37,458 --> 01:04:42,568
♪ I'VE SEEN EL PASO
WHEN THE SKY WAS ON FIRE
822
01:04:42,601 --> 01:04:45,260
♪ LOST A NIGHT IN JUAREZ
A COUPLE OF TIMES
823
01:04:45,295 --> 01:04:50,195
♪ DANCED WITH A COWBOY
ON A STRAIGHT TEQUILA HIGH
824
01:04:50,231 --> 01:04:54,891
♪ I WISH I WAS
IN HIS ARMS TONIGHT
825
01:04:54,925 --> 01:05:06,867
♪ ♪
♪ I'VE BEEN A ROLLING STONE
826
01:05:06,902 --> 01:05:10,871
A TUMBLEWEED
♪ WAITING FOR THE RIGHT ONE
827
01:05:10,907 --> 01:05:17,534
TO COME FIND ME
♪ BUT THE WRONG ONE
828
01:05:17,568 --> 01:05:18,949
ALWAYS SET ME FREE
♪ I WISH I WAS
829
01:05:18,983 --> 01:05:26,853
IN HIS ARMS TONIGHT
♪ IS HE PLAYING IN SOME
830
01:05:26,887 --> 01:05:30,822
HOUSE BAND IN DALLAS
♪ IS HE BREAKING HORSES
831
01:05:30,856 --> 01:05:34,896
IN SAN ANTONE
♪ IS HE ALL ALONE
832
01:05:34,931 --> 01:05:38,864
IN THE NEON LIGHT
♪ I WISH I WAS
833
01:05:38,900 --> 01:05:48,909
IN HIS ARMS TONIGHT
♪ ♪
834
01:05:48,945 --> 01:05:54,880
IN HIS ARMS TONIGHT
♪ ♪
835
01:05:54,916 --> 01:06:02,855
♪ ♪
♪ IS HE PRAYING FOR RAIN
836
01:06:02,889 --> 01:06:08,411
OUT IN WEST TEXAS
♪ IS HE LOST IN THE MARFA LIGHTS
837
01:06:08,447 --> 01:06:14,867
IS HE OUT THERE LOOKING FOR ME
♪ WISHING I WAS IN
838
01:06:14,900 --> 01:06:19,251
HIS ARMS TONIGHT
♪ I WISH I WAS IN
839
01:06:19,284 --> 01:06:30,882
HIS ARMS TONIGHT
♪ ♪
840
01:06:30,916 --> 01:06:40,202
♪ ♪
[ CHEERS AND APPLAUSE]
841
01:06:40,237 --> 01:06:42,963
>> Mickey: WHAT A BEAUTIFUL
PERFORMANCE.
842
01:06:42,998 --> 01:06:46,139
COMING UP NEXT AT THE RYMAN
AUDITORIUM IS COUNTRY LEGEND
843
01:06:46,173 --> 01:06:48,831
ALAN JACKSON.
PLUS, KENNY CHESNEY IN A
844
01:06:48,865 --> 01:06:50,626
PERFORMANCE YOU WON'T WANT TO
MISS.
845
01:06:50,661 --> 01:06:54,320
THIS IS CBS.
846
01:06:54,355 --> 01:06:57,012
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS,
847
01:06:57,047 --> 01:06:58,186
SPONSORED BY: FORD.
848
01:06:58,221 --> 01:07:00,429
TO LEARN MORE ABOUT FORD-- PROUD
TO HONOR AND SUPPORT ITS
849
01:07:00,463 --> 01:07:02,672
PARTNERS, INCLUDING GUITARS 4
VETS-- VISIT:
850
01:07:02,708 --> 01:07:04,226
www.fordproudtohoor.com.
851
01:07:07,161 --> 01:07:10,059
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
852
01:07:10,094 --> 01:07:11,992
CONTINUE.
THIS IS CBS
853
01:07:15,306 --> 01:07:16,583
>> HEY FOLKS, BRAD PAISLEY HERE.
854
01:07:16,617 --> 01:07:20,795
SO, I'M OUTSIDE THE BLUEBIRD
JIMMIE ALLEN, THE ACM NEW MALE
855
01:07:20,829 --> 01:07:22,590
ARTIST WINNER, IS ABOUT TO SING
OUR NEW DUET, "FREEDOM WAS A
856
01:07:22,623 --> 01:07:27,594
HIGHWAY," BUT HE THINKS I'M OUT
OF TOWN.
857
01:07:27,628 --> 01:07:30,769
SO, I HAVE DRIVEN UP HERE AND
I'M GONNA SURPRISE HIM AND GO IN
858
01:07:30,804 --> 01:07:31,806
AND JUST START SINGING.
859
01:07:31,840 --> 01:07:32,978
I HOPE THAT'S OKAY.
860
01:07:33,014 --> 01:07:36,811
WATCH THIS.
861
01:07:36,844 --> 01:07:38,501
>> Announcer: LADIES AND
GENTLEMEN, NEW MALE ARTIST
862
01:07:38,536 --> 01:07:42,505
WINNER JIMMIE ALLEN.
863
01:07:42,541 --> 01:07:45,268
♪ ♪
♪ ♪
864
01:07:45,302 --> 01:07:48,684
♪ SUNSET THROUGH A WINDSHIELD
I CAN SEE IT NOW
865
01:07:48,719 --> 01:07:58,349
♪ LIKE A PICTURE IN A FRAME
OOH
866
01:07:58,384 --> 01:08:02,525
♪ BLUE JEANS AND T-SHIRTS
WHO WE WERE
867
01:08:02,561 --> 01:08:04,389
♪ WE WORE IT LIKE A NAME
♪ I WISH I COULD GO
868
01:08:04,425 --> 01:08:06,496
BACK TO THOSE DAYS
♪ WHEN THE TOWN
869
01:08:06,530 --> 01:08:08,945
WAS THE WHOLE WORLD
♪ AND LOVE WAS
870
01:08:08,981 --> 01:08:12,673
THE GIRL NEXT DOOR
♪ SOUNDTRACK WAS
871
01:08:12,708 --> 01:08:15,643
A SONG IN THE DARK
♪ I MISS THOSE DAYS WHEN OUR
872
01:08:15,677 --> 01:08:21,925
DREAMS WERE THERE FOR CHASIN'
♪ BUT TIME WAS BETTER WASTED
873
01:08:21,958 --> 01:08:27,654
WE WERE SUMMER YOUNG
♪ AND LIVIN' FOR A FRIDAY
874
01:08:27,689 --> 01:08:37,284
AND FREEDOM WAS A HIGHWAY, OH
♪ FREEDOM WAS A HIGHWAY, OH
875
01:08:37,319 --> 01:08:39,390
♪ ♪
BARBWIRE ON A FENCE POST
876
01:08:39,425 --> 01:08:46,087
♪ WITH A CROSSWIND
ON A ROAD NO ONE WAS ON
877
01:08:46,122 --> 01:08:49,400
YEAH, YEAH, YEAH
♪ FIVE-DEEP WITH OUR HANDS UP
878
01:08:49,435 --> 01:08:55,164
JUST SINGIN' ALONG
♪ TO A HIP-HOP SONG
879
01:08:55,199 --> 01:08:56,855
I WISH I COULD REWIND AND REPLAY
♪ WHEN THE TOWN WAS
880
01:08:56,890 --> 01:09:00,274
THE WHOLE WORLD
♪ AND LOVE WAS
881
01:09:00,307 --> 01:09:02,413
THE GIRL NEXT DOOR
♪ SOUNDTRACK WAS
882
01:09:02,448 --> 01:09:04,311
A SONG IN THE DARK
♪ I MISS THOSE DAYS WHEN OUR
883
01:09:04,346 --> 01:09:07,314
DREAMS WERE THERE FOR CHASIN'
♪ BUT TIME WAS BETTER WASTED
884
01:09:07,350 --> 01:09:14,390
WE WERE SUMMER YOUNG AND
♪ LIVIN' FOR A FRIDAY
885
01:09:14,426 --> 01:09:26,851
AND FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
886
01:09:26,886 --> 01:09:36,895
FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
887
01:09:36,930 --> 01:09:42,385
FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
888
01:09:42,418 --> 01:09:45,525
[ CHEERS AND APPLAUSE]
>> PRESENTING OUR NEXT AWARD AT
889
01:09:45,560 --> 01:09:50,426
THE GRAND OLE OPRY HOUSE, HERE'S
THE GREAT MARTINA McBRIDE.
890
01:09:50,462 --> 01:09:54,983
♪ ♪
>> THANKS, BRAD.
891
01:09:55,018 --> 01:09:58,400
I AM SO PROUD TO GIVE THIS AWARD
TONIGHT BECAUSE, FOR THE FIRST
892
01:09:58,435 --> 01:10:01,610
TIME IN A.C.M. AWARD
SHOW HISTORY, EVERY NOMINATED
893
01:10:01,645 --> 01:10:04,820
SONG IS PERFORMED BY A WOMAN!
894
01:10:04,854 --> 01:10:08,859
THAT'S RIGHT, THIS ONE'S FOR THE
GIRLS!
895
01:10:08,894 --> 01:10:10,274
[ CHEERS AND APPLAUSE]
YEAH!
896
01:10:10,309 --> 01:10:13,863
HERE ARE THE NOMINEES FOR SINGLE
OF THE YEAR.
897
01:10:13,899 --> 01:10:18,421
>> Announcer: "“BLUEBIRD,"” BY
MIRANDA LAMBERT."“
898
01:10:18,454 --> 01:10:24,220
I HOPE,"” BY GABBY BARRETT."“
I HOPE YOU'RE HAPPY NOW,"” BY
899
01:10:24,253 --> 01:10:31,881
CARLY PEARCE AND LEE BRICE."“
MORE HEARTS THAN MINE," BY
900
01:10:31,917 --> 01:10:38,889
INGRID ANDRESS."“
THE BONES,"” BY MAREN MORRIS.
901
01:10:38,923 --> 01:10:45,895
>> AND THE A.C.M. SINGLE OF THE
YEAR GOES TO:"“
902
01:10:45,930 --> 01:10:51,247
I HOPE YOU'RE HAPPY NOW,"” BY
CARLY PEARCE AND LEE BRICE.
903
01:10:51,280 --> 01:10:59,876
[ CHEERS AND APPLAUSE]
♪ ♪
904
01:10:59,909 --> 01:11:07,884
♪ ♪
♪ I HOPE.
905
01:11:07,917 --> 01:11:10,368
♪.
906
01:11:10,404 --> 01:11:13,545
>> I CANNOT EVEN BELIEVE THIS,
OH MY GOODNESS.
907
01:11:13,578 --> 01:11:15,373
I'M GOING TO TRY REALLY HARD NOT
TO CRY.
908
01:11:15,408 --> 01:11:18,238
I LOVE COUNTRY MUSIC MORE THAN
ANYTHING IN THE WHOLE WORLD.
909
01:11:18,274 --> 01:11:21,966
YOU WANT TO THANK MY COWRITERS
LUKE COMBS, JONATHAN SINGLETON
910
01:11:22,001 --> 01:11:24,970
AND RANDY, WE WROTE THIS SONG
ABOUT MY STORY.
911
01:11:25,003 --> 01:11:27,247
AND I GUESS IT RESONATED WITH
EVERYBODY.
912
01:11:27,283 --> 01:11:30,319
THANK YOU SO MUCH, FOR
EVERYTHING, THANK YOU TO MY
913
01:11:30,354 --> 01:11:35,082
MANAGEMENT, MY RECORD LABEL AND
BUSBY, THIS-- BUSBEE, STH THE
914
01:11:35,118 --> 01:11:38,466
LAST SONG MY PRODUCER WORKED ON,
THANK YOU BUSBEE.
915
01:11:38,501 --> 01:11:40,296
>> I JUST WANT TO SAY THANK YOU.
916
01:11:40,329 --> 01:11:44,921
GOD PUTS PEOPLE IN YOUR LIVES,
FROM MY MANAGEMENT TO MY WIFE,
917
01:11:44,954 --> 01:11:48,545
WITHOUT PUTS UP WITH EVERYTHING,
EF RADIO HE DAY AND HELPS ME AND
918
01:11:48,579 --> 01:11:49,856
SUPPORTS ME.
919
01:11:49,890 --> 01:11:55,310
RECORD LABELS AND EVERYTHING BUT
PEOPLE, HE PUT PEOPLE IN MY LIFE
920
01:11:55,345 --> 01:11:58,935
SO THIS KIND OF STUFF CAN
HAPPEN, THANK YOU ALL, THANK YOU
921
01:11:58,969 --> 01:11:59,625
CARLY.
922
01:11:59,659 --> 01:12:03,110
>> THANK YOU FANS, THANK YOU!
923
01:12:03,145 --> 01:12:12,430
>> Announcer: WITH HIS SMASH HI"“
KNOWING YOU," PLEASE WELCOME
924
01:12:12,466 --> 01:12:16,538
FOUR-TIME A.C.M. ENTERTAINER OF
THE YEAR, KENNY CHESNEY.
925
01:12:16,573 --> 01:12:23,269
♪ ♪
♪ ♪
926
01:12:23,304 --> 01:12:24,685
♪ KNOWIN' YOU
YOU PROBABLY GOT
927
01:12:24,719 --> 01:12:30,966
♪ YOUR TOES IN THE SAND
AT A BAR ON A BEACH
928
01:12:31,001 --> 01:12:37,524
♪ IN THE SUN SOMEWHERE
KNOWIN' YOU
929
01:12:37,560 --> 01:12:39,561
♪ YOU GOT SOMETHING COLD
IN YOUR HAND
930
01:12:39,595 --> 01:12:46,119
♪ CHATTIN' UP A STRANGER
WITHOUT A CARE
931
01:12:46,154 --> 01:12:52,574
♪ KNOWIN' YOU
YOU'RE STILL WILD AND FREE
932
01:12:52,609 --> 01:12:59,305
♪ AND KNOWIN' YOU
YOU'RE PROBABLY WAY OVER ME
933
01:12:59,340 --> 01:13:06,036
♪ BUT GOD, WE WERE
SO ALIVE
934
01:13:06,070 --> 01:13:10,039
♪ I WAS A KID ON A
CARNIVAL RIDE
935
01:13:10,074 --> 01:13:14,354
♪ HOLDIN' MY BREATH
'TIL THE MOMENT
936
01:13:14,390 --> 01:13:20,465
♪ WHEN YOU WERE GONNA LEAVE ME
TOO SOON
937
01:13:20,498 --> 01:13:26,055
♪ BUT I'D DO IT ALL OVER
'CAUSE DAMN
938
01:13:26,091 --> 01:13:31,854
♪ IT WAS GOOD KNOWIN' YOU
♪ ♪
939
01:13:31,890 --> 01:13:34,064
♪ ♪
♪ KNOWIN' YOU WAS A FREE FALL
940
01:13:34,099 --> 01:13:42,037
FROM A HUNDRED THOUSAND FEET
♪ WHEN YOU DON'T EVEN CARE
941
01:13:42,072 --> 01:13:45,938
WHERE YOU LAND
♪ AND KNOWIN' YOU
942
01:13:45,972 --> 01:13:49,390
WAS THE KIND OF RUSH
♪ THAT YOU FEEL
943
01:13:49,425 --> 01:13:56,016
WHEN YOU FINALLY
♪ GET TO SIT IN WITH THE BAND
944
01:13:56,051 --> 01:14:01,815
AND KNOWIN' YOU
♪ YOU'RE STILL A TUMBLEWEED
945
01:14:01,850 --> 01:14:08,202
I ONLY WISH THAT YOU WOULD
♪ TUMBLE BACK TO ME
946
01:14:08,235 --> 01:14:14,034
BUT GOD, WE WERE
♪ SO ALIVE
947
01:14:14,069 --> 01:14:18,418
I WAS A KID ON A
♪ CARNIVAL RIDE
948
01:14:18,453 --> 01:14:22,387
HOLDIN' MY BREATH
♪ 'TIL THE MOMENT
949
01:14:22,422 --> 01:14:30,051
WHEN YOU WERE GONNA LEAVE ME
♪ TOO SOON
950
01:14:30,086 --> 01:14:34,055
BUT I'D DO IT ALL OVER
♪ 'CAUSE DAMN, IT WAS GOOD
951
01:14:34,090 --> 01:14:38,474
KNOWIN' YOU
♪ ♪
952
01:14:38,507 --> 01:14:44,479
♪ ♪
♪ ♪
953
01:14:44,514 --> 01:14:47,412
♪ ♪
♪ ♪
954
01:14:47,448 --> 01:14:50,485
♪ KNOWIN' YOU
YOU'RE STILL A TUMBLEWEED
955
01:14:50,520 --> 01:14:58,045
♪ I ONLY WISH THAT YOU WOULD
TUMBLE BACK TO ME
956
01:14:58,078 --> 01:15:06,052
♪ 'CAUSE GOD, WE WERE
SO ALIVE
957
01:15:06,087 --> 01:15:10,056
♪ I WAS A KID ON A
CARNIVAL RIDE
958
01:15:10,091 --> 01:15:14,198
♪ HOLDIN' MY BREATH
'TIL THE MOMENT
959
01:15:14,233 --> 01:15:20,480
♪ WHEN YOU WERE GONNA LEAVE ME
TOO SOON
960
01:15:20,515 --> 01:15:26,037
♪ BUT I'D DO IT ALL OVER
'CAUSE DAMN, IT WAS GOOD
961
01:15:26,073 --> 01:15:30,042
♪ I'D DO IT ALL OVER
'CAUSE DAMN
962
01:15:30,077 --> 01:15:38,050
♪ IT WAS GOOD KNOWIN' YOU
♪ ♪
963
01:15:38,085 --> 01:15:46,162
♪ ♪
♪ ♪
964
01:15:46,195 --> 01:15:53,341
♪ ♪
♪ ♪
965
01:15:53,376 --> 01:15:58,036
♪ ♪
♪ ♪
966
01:15:58,069 --> 01:16:06,043
♪ ♪
♪ ♪
967
01:16:06,078 --> 01:16:12,256
♪ ♪
♪ ♪
968
01:16:12,291 --> 01:16:18,055
♪ ♪
♪ ♪
969
01:16:18,090 --> 01:16:21,715
♪ ♪
♪ ♪
970
01:16:37,938 --> 01:16:41,389
>> THE THING I MISSED THE MOST
DURING THIS ENTIRE TIME IN THE
971
01:16:41,423 --> 01:16:42,631
PANDEMIC IS THE MUSIC.
972
01:16:42,667 --> 01:16:47,154
>> I LOVE PLAYING TO A LIVE
AUDIENCE, THERE IS NOTHING LIKE
973
01:16:47,188 --> 01:16:48,430
IT.
974
01:16:48,465 --> 01:16:51,122
>> THE COVID-19 VACCINE IS GOING
TO HELP US ALL GET BACK TO THE
975
01:16:51,158 --> 01:16:52,055
MOMENT WE MISSED.
976
01:16:52,090 --> 01:16:54,850
>> IT IS TOTALLY NORMAL TO HAVE
QUESTIONS.
977
01:16:54,886 --> 01:16:55,989
I DO TOO.
978
01:16:56,024 --> 01:16:58,268
>> THAT IS WHY IT IS SO
IMPORTANT TO GET INVOLVED, TO
979
01:16:58,302 --> 01:17:04,757
ASK YOUR DOCTOR, TO GET THE
>> Announcer: WE'RE BACK, FROM
980
01:17:04,792 --> 01:17:09,140
NASHVILLE, WITH FEMALE ARTIST
AND ALBUM OF THE YEAR NOMINEE,
981
01:17:09,176 --> 01:17:14,871
ASHLEY McBRYDE.
982
01:17:14,905 --> 01:17:17,252
♪ ♪
♪ I'VE GOT THIS FEELING
983
01:17:17,287 --> 01:17:24,501
AND I GOT THIS SHOVEL
♪ BETWEEN ME AND YOU AND IT
984
01:17:24,536 --> 01:17:30,368
YOU'RE IN A LITTLE TROUBLE
♪ I SAW YOU SNEAKING
985
01:17:30,404 --> 01:17:37,514
AND I KNOW WHAT HAPPENED
♪ I THINK IT'S KINDA FUNNY
986
01:17:37,548 --> 01:17:40,863
YOU GOT CAUGHT ONLY
♪ I AIN'T LAUGHING
987
01:17:40,896 --> 01:17:47,592
MARTHA DIVINE
♪ MARTHA DIVINE
988
01:17:47,627 --> 01:17:56,844
YOU PUT YOUR HANDS ON THE
♪ WRONG DAMN MAN THIS TIME
989
01:17:56,878 --> 01:18:02,712
JEZEBEL
♪ YOU'RE BOUND FOR HELL
990
01:18:02,747 --> 01:18:06,128
BUT EVIDENTLY
♪ THE DEVIL WAS BUSY
991
01:18:06,163 --> 01:18:12,721
SO I MOVED YOU UP IN LINE
♪ MARTHA DIVINE
992
01:18:12,756 --> 01:18:20,453
WELL, YOU CALL HIM DARLING
♪ AND I CALL HIM DADDY
993
01:18:20,488 --> 01:18:26,217
AND DADDY SAYS HE'LL WHUP ME
♪ IF I DON'T KEEP MAMA HAPPY
994
01:18:26,252 --> 01:18:33,743
HONOR THY FATHER
♪ HONOR THY MOTHER
995
01:18:33,778 --> 01:18:38,403
BUT THE BIBLE DOESN'T SAY
♪ A DAMN THING ABOUT
996
01:18:38,436 --> 01:18:44,823
YOUR DADDY'S LOVER
♪ MARTHA DIVINE
997
01:18:44,858 --> 01:18:50,690
MARTHA DIVINE
♪ PUT YOUR HANDS ON THE WRONG
998
01:18:50,725 --> 01:18:57,939
DAMN MAN THIS TIME
♪ JEZEBEL
999
01:18:57,974 --> 01:19:05,601
YOU'RE BOUND FOR HELL
♪ BUT EVIDENTLY
1000
01:19:05,636 --> 01:19:08,846
THE DEVIL WAS BUSY
♪ SO I MOVED YOU UP IN LINE
1001
01:19:08,881 --> 01:19:14,404
MARTHA DIVINE
♪ ♪
1002
01:19:14,439 --> 01:19:26,208
♪ ♪
♪ ♪
1003
01:19:26,243 --> 01:19:29,523
♪ ♪
♪ ♪
1004
01:19:29,556 --> 01:19:32,837
♪ ♪
♪ MAMA'S AN ANGEL
1005
01:19:32,871 --> 01:19:38,565
MY DADDY ISN'T
♪ LOOKS LIKE A LITTLE MORE
1006
01:19:38,600 --> 01:19:43,605
OF HIM RUBBED OFF ON ME
♪ THAN DIDN'T
1007
01:19:43,640 --> 01:19:50,405
WELL, I'LL LEAVE YOU TO IT
♪ THEY'LL NEVER PROVE IT
1008
01:19:50,439 --> 01:19:54,409
AND IF THEY EVER
♪ FIND OUT I'LL SAY
1009
01:19:54,444 --> 01:20:02,417
"THE DEVIL MADE ME DO IT"
♪ MARTHA DIVINE
1010
01:20:02,452 --> 01:20:08,389
MARTHA DIVINE
♪ YOU PUT YOUR HANDS ON THE
1011
01:20:08,423 --> 01:20:18,399
WRONG DAMN MAN THIS TIME
♪ MARTHA DIVINE
1012
01:20:18,434 --> 01:20:21,264
YOUR ASS IS MINE
♪ AND IT AIN'T MURDER
1013
01:20:21,298 --> 01:20:30,238
IF I BURY YOU ALIVE
♪ MARTHA DIVINE
1014
01:20:30,273 --> 01:20:34,381
>> NOW, AT THE RYMAN AUDITORIUM,
HERE'S SEVEN-TIME A.C.M. WINNER,
1015
01:20:34,414 --> 01:20:38,418
ALAN JACKSON.
1016
01:20:38,453 --> 01:20:40,869
♪ ♪
♪ IT'S PAINTED RED
1017
01:20:40,904 --> 01:20:43,838
THE STRIPE WAS WHITE
♪ IT WAS 18 FEET
1018
01:20:43,872 --> 01:20:47,877
FROM THE BOW TO STERN LIGHT
♪ SECONDHAND
1019
01:20:47,912 --> 01:20:51,707
FROM A DEALER IN ATLANTA
♪ I RODE UP WITH DADDY
1020
01:20:51,743 --> 01:20:56,886
WHEN HE WENT THERE TO GET HER
♪ PUT ON A SHINE
1021
01:20:56,921 --> 01:20:59,198
PUT ON A MOTOR
♪ BUILT OUT OF LOVE
1022
01:20:59,233 --> 01:21:03,029
MADE FOR THE WATER
♪ RAN HER FOR YEARS
1023
01:21:03,064 --> 01:21:06,930
'TIL THE TRANSOM GOT ROTTEN
♪ A PIECE OF MY CHILDHOOD
1024
01:21:06,965 --> 01:21:09,967
WILL NEVER BE FORGOTTEN
♪ IT WAS
1025
01:21:10,002 --> 01:21:14,662
JUST AN OLD PLYWOOD BOAT
♪ A '75 JOHNSON
1026
01:21:14,697 --> 01:21:18,458
WITH ELECTRIC CHOKE
♪ A YOUNG BOY
1027
01:21:18,493 --> 01:21:22,394
TWO HANDS ON THE WHEEL
♪ I CAN'T REPLACE THE WAY
1028
01:21:22,429 --> 01:21:26,398
IT MADE ME FEEL
♪ AND I WOULD TURN HER SHARP
1029
01:21:26,432 --> 01:21:29,780
AND I WOULD MAKE IT WHINE
♪ HE'D SAY, YOU CAN'T BEAT
1030
01:21:29,814 --> 01:21:33,646
THE WAY AN OLD WOOD BOAT RIDES
♪ JUST A LITTLE LAKE
1031
01:21:33,680 --> 01:21:37,237
ACROSS THE ALABAMA LINE
♪ BUT I WAS KING OF THE OCEAN
1032
01:21:37,270 --> 01:21:44,864
WHEN DADDY LET ME DRIVE
♪ ♪
1033
01:21:44,899 --> 01:21:56,289
♪ ♪
♪ I'M GROWN UP NOW
1034
01:21:56,324 --> 01:21:57,981
THREE DAUGHTERS OF MY OWN
♪ I LET THEM DRIVE MY OLD JEEP
1035
01:21:58,015 --> 01:21:59,396
ACROSS THE PASTURE AT OUR HOME
♪ MAYBE ONE DAY THEY'LL
1036
01:21:59,430 --> 01:22:02,814
REACH BACK IN THEIR FILE
♪ AND PULL OUT THAT OLD MEMORY
1037
01:22:02,847 --> 01:22:05,921
AND THINK OF ME AND SMILE
♪ AND SAY
1038
01:22:05,954 --> 01:22:10,408
IT WAS JUST AN OLD WORN OUT JEEP
♪ RUSTY OLD FLOOR BOARDS
1039
01:22:10,442 --> 01:22:14,377
HOT ON MY FEET
♪ A YOUNG GIRL
1040
01:22:14,412 --> 01:22:17,760
TWO HANDS ON THE WHEEL
♪ I CAN'T REPLACE THE WAY
1041
01:22:17,793 --> 01:22:22,420
IT MADE ME FEEL
♪ AND HE'D SAY TURN IT LEFT
1042
01:22:22,453 --> 01:22:25,630
AND STEER IT RIGHT
♪ STRAIGHTEN UP GIRL NOW
1043
01:22:25,663 --> 01:22:29,771
YOU'RE DOING JUST FINE
♪ JUST A LITTLE VALLEY BY
1044
01:22:29,805 --> 01:22:33,395
THE RIVER WHERE WE'D RIDE
♪ BUT I WAS HIGH ON A MOUNTAIN
1045
01:22:33,430 --> 01:22:46,202
WHEN DADDY LET ME DRIVE
♪ ♪
1046
01:22:46,237 --> 01:22:49,274
♪ ♪
♪ FIRST STEPS
1047
01:22:49,309 --> 01:22:51,828
FIRST WORDS
♪ SEEMS LIKE YESTERDAY
1048
01:22:51,863 --> 01:23:01,942
YOU WERE JUST A GIRL
♪ SKINNED KNEES
1049
01:23:01,976 --> 01:23:04,117
CLIMBIN' TREES
♪ ALL THOSE MEMORIES
1050
01:23:04,150 --> 01:23:12,125
SO CLOSE TO ME
♪ NOW YOU'RE A WOMAN
1051
01:23:12,158 --> 01:23:18,578
ON YOUR OWN
♪ ALL IN LOVE
1052
01:23:18,613 --> 01:23:25,310
AND NEARLY GONE
♪ BUT YOU'LL ALWAYS BE MY BABY
1053
01:23:25,345 --> 01:23:40,118
NO MATTER WHERE YOU ARE
♪ YOU'LL ALWAYS BE MY BABY
1054
01:23:40,153 --> 01:23:51,233
FOREVER IN MY HEART
♪ SO I SAY A PRAYER EVERYDAY
1055
01:23:51,266 --> 01:24:00,069
THAT GOD WILL GUIDE YOU
♪ AS YOU FIND YOUR WAY
1056
01:24:00,104 --> 01:24:10,320
YOU KNOW THAT I'M NEAR
♪ ANYTIME MY LOVE IS ALWAYS HERE
1057
01:24:10,354 --> 01:24:22,780
CAUSE YOU'LL ALWAYS BE MY BABY
♪ NO MATTER WHERE YOU ARE
1058
01:24:22,815 --> 01:24:35,484
YOU'LL ALWAYS BE MY BABY
♪ O FOREVER IN MY HEART
1059
01:24:35,518 --> 01:24:45,528
FOREVER IN MY HEART ♪
[ CHEERS AND APPLAUSE]
1060
01:24:45,563 --> 01:24:52,363
FOREVER IN MY HEART ♪
[ CHEERS AND APPLAUSE]
1061
01:24:57,470 --> 01:24:58,645
>> Announcer: BLAKE SHELTON
PERFORMS ON THE GRAND OLE OPRY
1062
01:24:58,679 --> 01:25:00,301
HOUSE STAGE, NEXT.
1063
01:25:00,336 --> 01:25:06,100
CARLY PEARCE DUETS WITH LEE
BRICE, AND, COMING UP, A BREATH-
1064
01:25:06,135 --> 01:25:09,137
TAKING PERFORMANCE BY HOST
MICKEY GUYTON.
1065
01:25:09,172 --> 01:25:10,657
THIS IS CBS.
1066
01:25:40,894 --> 01:25:43,828
>> Announcer: WE'RE BACK, IN
NASHVILLE, AT THE GRAND OLE OPRY
1067
01:25:43,862 --> 01:25:49,039
HOUSE WITH SIX-TIME A.C.M. AWARD
WINNER, BLAKE SHELTON.
1068
01:25:49,073 --> 01:25:54,804
♪ ♪
♪ ♪
1069
01:25:54,838 --> 01:25:58,842
♪ SHE LEFT WITHOUT
LEAVIN' A NUMBER
1070
01:25:58,877 --> 01:26:03,192
♪ SAID SHE NEEDED
TO CLEAR HER MIND
1071
01:26:03,226 --> 01:26:06,506
♪ HE FIGURED SHE'D
GONE BACK TO AUSTIN
1072
01:26:06,539 --> 01:26:11,372
♪ 'CAUSE SHE TALKED ABOUT IT
ALL THE TIME
1073
01:26:11,407 --> 01:26:19,139
♪ IT WAS ALMOST A YEAR
BEFORE SHE CALLED HIM UP
1074
01:26:19,173 --> 01:26:23,626
♪ THREE RINGS AND AN
ANSWERING MACHINE
1075
01:26:23,661 --> 01:26:30,494
♪ IS WHAT SHE GOT
IF YOU'RE CALLIN' 'BOUT THE CAR
1076
01:26:30,529 --> 01:26:34,498
♪ I SOLD IT
IF THIS IS TUESDAY NIGHT
1077
01:26:34,533 --> 01:26:37,743
♪ I'M BOWLIN'
IF YOU'VE GOT SOMETHIN' TO SELL
1078
01:26:37,778 --> 01:26:42,713
♪ YOUR WASTIN' YOUR TIME
I'M NOT BUYIN'
1079
01:26:42,748 --> 01:26:47,753
♪ IF IT'S ANYBODY ELSE
WAIT FOR THE TONE
1080
01:26:47,787 --> 01:26:54,519
♪ YOU KNOW WHAT TO DO
AND P.S.
1081
01:26:54,554 --> 01:27:02,493
♪ IF THIS IS AUSTIN
I STILL LOVE YOU
1082
01:27:02,527 --> 01:27:08,015
♪ ♪
♪ THE TELEPHONE
1083
01:27:08,050 --> 01:27:11,949
FELL TO THE COUNTER
♪ SHE HEARD
1084
01:27:11,984 --> 01:27:17,127
BUT SHE COULDN'T BELIEVE
♪ WHAT KIND OF MAN
1085
01:27:17,162 --> 01:27:22,996
WOULD HANG ON THAT LONG
♪ WHAT KIND OF LOVE THAT MUST BE
1086
01:27:23,029 --> 01:27:31,384
SHE WAITED THREE DAYS
♪ AND THEN SHE TRIED AGAIN
1087
01:27:31,417 --> 01:27:37,252
SHE DIDN'T KNOW WHAT SHE'D SAY
♪ BUT SHE HEARD
1088
01:27:37,286 --> 01:27:42,221
THREE RINGS AND THEN
♪ IF IT'S FRIDAY NIGHT
1089
01:27:42,256 --> 01:27:48,228
I'M AT THE BALL GAME
♪ AND FIRST THING SATURDAY
1090
01:27:48,262 --> 01:27:52,231
IF IT DON'T RAIN
♪ I'M HEADED OUT TO THE LAKE
1091
01:27:52,266 --> 01:27:56,270
AND I'LL BE GONE
♪ ALL WEEKEND LONG
1092
01:27:56,305 --> 01:28:00,239
BUT I'LL CALL YOU BACK
♪ WHEN I GET HOME
1093
01:28:00,274 --> 01:28:08,247
ON SUNDAY AFTERNOON
♪ AND P.S.
1094
01:28:08,283 --> 01:28:17,463
IF THIS IS AUSTIN
♪ I STILL LOVE YOU
1095
01:28:17,498 --> 01:28:20,328
WELL THIS TIME
♪ SHE LEFT HER NUMBER
1096
01:28:20,363 --> 01:28:26,715
BUT NOT ANOTHER WORD
♪ THEN SHE WAITED BY THE PHONE
1097
01:28:26,748 --> 01:28:36,310
ON SUNDAY EVENING
♪ AND THIS IS WHAT HE HEARD
1098
01:28:36,345 --> 01:28:41,246
IF YOUR CALLIN' 'BOUT MY HEART
♪ IT'S STILL YOURS
1099
01:28:41,280 --> 01:28:45,146
I SHOULD HAVE LISTENED
♪ TO IT A LITTLE MORE
1100
01:28:45,180 --> 01:28:49,462
THEN IT WOULDN'T HAVE
♪ TAKEN ME SO LONG
1101
01:28:49,496 --> 01:28:56,226
TO KNOW WHERE I BELONG
♪ AND BY THE WAY BOY
1102
01:28:56,261 --> 01:29:02,716
THIS IS NO MACHINE
♪ YOUR TALKIN' TO
1103
01:29:02,751 --> 01:29:07,686
CAN'T YOU TELL
♪ THIS IS AUSTIN
1104
01:29:07,720 --> 01:29:20,251
AND I STILL LOVE YOU
♪ ♪
1105
01:29:20,284 --> 01:29:25,289
♪ ♪
♪ ♪
1106
01:29:25,324 --> 01:29:26,739
♪ YEAH, I MET YOU 'FORE
ANYBODY KNEW MY NAME
1107
01:29:26,774 --> 01:29:29,122
♪ PLAYING FOR PENNIES
ON THE DIVE BAR STAGE
1108
01:29:29,155 --> 01:29:32,505
♪ SPLIT AN ALL-STAR SPECIAL
ON OUR FIRST DATE
1109
01:29:32,538 --> 01:29:35,439
♪ IN A WAFFLE HOUSE BOOTH
YOUR DADDY WAS CRYING
1110
01:29:35,472 --> 01:29:38,717
♪ WHEN HE GAVE YOU AWAY
'CAUSE ALL THOSE COUNTRY
1111
01:29:38,752 --> 01:29:44,239
SONGS I PLAYED
THEY DIDN'T COME WITH A 401K
1112
01:29:44,274 --> 01:29:46,310
♪ BUT HEY, I HAD YOU
YOU CAN MAKE A SIX PACK ON
1113
01:29:46,345 --> 01:29:50,729
♪ THE CARPET TASTE LIKE A
MILLION DOLLAR BILL
1114
01:29:50,764 --> 01:29:52,627
♪ YOU CAN MAKE A
ONE BEDROOM APARTMENT
1115
01:29:52,662 --> 01:29:55,319
♪ FEEL LIKE A HOUSE
UP ON THE HILL
1116
01:29:55,354 --> 01:29:58,944
♪ YOU CAN MAKE MY TRUCK
OUT IN THE DRIVEWAY
1117
01:29:58,979 --> 01:30:01,015
♪ ROLL LIKE A
CLEANED UP CADILLAC
1118
01:30:01,050 --> 01:30:03,536
♪ GIRL, LOOKIN' AT YOU
LOOKIN' AT ME THAT WAY
1119
01:30:03,569 --> 01:30:08,229
♪ CAN MAKE A MAN FEEL RICH
ON MINIMUM WAGE
1120
01:30:08,264 --> 01:30:14,443
♪ GIRL, YOUR LOVE IS MONEY
YOUR LOVE IS MONEY
1121
01:30:14,478 --> 01:30:15,479
♪ YEAH, YOUR LOVE
CAN MAKE A MAN FEEL RICH
1122
01:30:15,512 --> 01:30:21,104
♪ ON MINIMUM WAGE
GIRL, YOUR LOVE IS MONEY
1123
01:30:21,139 --> 01:30:24,797
♪ YOUR LOVE IS MONEY
YEAH, YOUR LOVE
1124
01:30:24,832 --> 01:30:32,323
♪ CAN MAKE A MAN FEEL RICH
ON MINIMUM WAGE
1125
01:30:32,356 --> 01:30:35,533
GIRL, YOUR LOVE IS MONEY
♪ YOUR LOVE IS MONEY
1126
01:30:35,568 --> 01:30:38,743
YEAH, YOUR LOVE
♪ CAN MAKE A MAN FEEL RICH
1127
01:30:38,778 --> 01:30:48,096
ON MINIMUM WAGE
[ CHEERS AND APPLAUSE]
1128
01:30:48,131 --> 01:30:53,895
>> NOW, WELCOME BACK MISS DOLLY
PARTON.
1129
01:30:53,930 --> 01:30:58,762
>> TO PRESENT OUR NEXT AWARD IS
AN ACTOR, WRITER, INSTAGRAM
1130
01:30:58,797 --> 01:31:02,595
STAR, FUNNIEST PERSON IN THE
WHOLE WIDE WORLD, BEEN A FRIEND
1131
01:31:02,628 --> 01:31:03,664
OF MINE FOR YEARS.
1132
01:31:03,698 --> 01:31:06,564
I GOT TO SING A SONG ON HIS
UPCOMING GOSPEL ALBUM.
1133
01:31:06,599 --> 01:31:08,911
THE ALBUM IS CALLED "COMPANY'S
COMING."
1134
01:31:08,945 --> 01:31:11,224
I DON'T KNOW WHAT HE'S GOING TO
DO TONIGHT.
1135
01:31:11,257 --> 01:31:14,122
MAYBE ONE DAY WE'LL GET TO SING
OUR SONG ON A TV SHOW.
1136
01:31:14,158 --> 01:31:24,167
WOULD YOU PLEASE MAKE WELCOME MY
BUDDY, LESLIE JORDAN?
1137
01:31:24,202 --> 01:31:33,417
WOULD YOU PLEASE MAKE WELCOME MY
BUDDY, LESLIE JORDAN?
1138
01:31:33,453 --> 01:31:34,903
>> WOAH.
1139
01:31:34,936 --> 01:31:38,734
I NEVER DREAMED I'D BE ON THIS
STAGE ANDBE INTRODUCED BY DOLLY
1140
01:31:38,769 --> 01:31:40,667
PARTON.
1141
01:31:40,702 --> 01:31:50,125
AND HERE ARE THE NOMINEES FOR
THE DUO OF THE YEAR.
1142
01:31:50,158 --> 01:31:51,367
>> Announcer: BROOKS & DUNN.
1143
01:31:51,402 --> 01:31:51,885
BROTHERS OSBORNE.
1144
01:31:51,920 --> 01:31:52,783
DAN + SHAY.
1145
01:31:52,817 --> 01:31:55,889
FLORIDA GEORGIA LINE.
1146
01:31:55,923 --> 01:32:03,828
MADDIE & TAE.
1147
01:32:03,863 --> 01:32:11,871
>> AND THE A.C.M. DUO OF THE
YEAR GOES TO:
1148
01:32:11,904 --> 01:32:19,878
DAN + SHAY.
1149
01:32:19,912 --> 01:32:26,850
♪ ♪
TELY INCREDIBLE TO
1150
01:32:26,886 --> 01:32:28,577
STAND ON STAGE AT THE BLUE BIRD.
1151
01:32:28,612 --> 01:32:31,579
I REMEMBER VISITING THIS PLACE
OVER TEN YEARS AGO BEFORE I
1152
01:32:31,614 --> 01:32:34,409
MOVED TO NASHVILLE AND DREAMED
OF BEING A SONGWRITER IN THIS
1153
01:32:34,444 --> 01:32:35,653
TOWN.
1154
01:32:35,688 --> 01:32:39,381
STILL JUST AS EXCITED EVERY DAY
TO WAKE UP AND WRITE COUNTRY
1155
01:32:39,414 --> 01:32:40,623
MUSIC.
1156
01:32:40,658 --> 01:32:43,868
THANK YOU SO TO THE ACM, THE
OTHER NOMINEES IN OUR CATEGORY,
1157
01:32:43,903 --> 01:32:48,423
WE LOVE Y'ALL, EVERYBODY IS
DESERVING OF THIS AWARD.
1158
01:32:48,458 --> 01:32:51,496
OUR TEAM, THANK YOU SO MUCH AND
MY WIFE ABBY, I LOVE YOU.
1159
01:32:51,530 --> 01:32:55,016
>> THIS IS SO SPECIAL, I WANT TO
THANK GOD FOR THIS GUY.
1160
01:32:55,051 --> 01:32:58,882
MY WIFE HANNA, MY BOYS AN
COUNTRY RADIO.
1161
01:32:58,917 --> 01:33:00,677
COUNTRY FANS THANK YOU FOR BEING
WITH US.
1162
01:33:00,712 --> 01:33:05,475
LOVE YOU GUYS.
1163
01:33:05,510 --> 01:33:06,787
>> LOVE
>> Announcer: WITH "“I HOPE
1164
01:33:06,822 --> 01:33:12,310
YOU'RE HAPPY NOW,"” THE SONG THAT
WON THEM THE A.C.M. AWARD FOR
1165
01:33:12,345 --> 01:33:14,002
MUSIC EVENT AND SINGLE OF THE
YEAR, HERE ARE CARLY PEARCE AND
1166
01:33:14,036 --> 01:33:17,694
LEE BRICE.
1167
01:33:17,729 --> 01:33:20,836
♪ ♪
♪ IT'S ALL ON ME
1168
01:33:20,871 --> 01:33:24,219
IT'S MY MISTAKE
♪ I SAID I DON'T LOVE YOU
1169
01:33:24,252 --> 01:33:29,189
A LITTLE TOO LATE
♪ BUT I GUESS THERE AIN'T
1170
01:33:29,224 --> 01:33:30,328
EVER A RIGHT TIME
♪ AND I DON'T KNOW WHY
1171
01:33:30,363 --> 01:33:37,715
IT'S CALLED A GOOD-BYE
♪ GO RUN MY NAME
1172
01:33:37,750 --> 01:33:41,546
INTO THE GROUND
♪ TELL EVERYONE YOU KNOW
1173
01:33:41,581 --> 01:33:48,243
JUST HOW, HOW I SLAMMED
♪ THE DOOR ON OUR FOREVER
1174
01:33:48,277 --> 01:33:53,697
BUT I PROMISE YOU
♪ IT'S FOR THE BETTER
1175
01:33:53,730 --> 01:34:01,704
I HOPE YOU FIND
♪ WHAT YOU WERE LOOKING FOR
1176
01:34:01,738 --> 01:34:08,296
I HOPE YOUR HEART
♪ AIN'T HURTING ANYMORE
1177
01:34:08,332 --> 01:34:15,787
AND YOU GET MOVING ON
♪ I FIGURED IT OUT
1178
01:34:15,822 --> 01:34:24,002
AND YOU DON'T HATE ME SOMEHOW
♪ 'CAUSE I HOPE
1179
01:34:24,037 --> 01:34:35,565
YOU'RE HAPPY NOW
MY FRIEND
1180
01:34:35,600 --> 01:34:36,739
♪ WHO KNEW THIS HEART
COULD BREAK THIS HARD
1181
01:34:36,774 --> 01:34:40,778
♪ OR LOVE LIKE OURS
COULD FALL APART
1182
01:34:40,813 --> 01:34:46,094
♪ WITHOUT SO MUCH AS A WARNING
I THOUGHT THAT I
1183
01:34:46,127 --> 01:34:52,894
♪ WAS WHAT YOU WANTED
WELL, I GUESS YOU FOUND
1184
01:34:52,927 --> 01:35:01,729
♪ WHAT YOU WERE LOOKING FOR
I GUESS MY HEART
1185
01:35:01,765 --> 01:35:10,980
♪ AIN'T WORTH IT ANYMORE
I'M A WRECK, I'M A MESS
1186
01:35:11,015 --> 01:35:20,748
♪ AND I AIN'T GOT NOTHING LEFT
AND SO I HOPE
1187
01:35:20,783 --> 01:35:24,719
♪ YOU'RE HAPPY NOW
♪ ♪
1188
01:35:24,752 --> 01:35:32,381
♪ ♪
♪ ♪
1189
01:35:32,416 --> 01:35:39,250
I HOPE YOU FOUND
♪ WHAT YOU WERE LOOKING FOR
1190
01:35:39,284 --> 01:35:45,774
I GUESS MY HEART
♪ AIN'T WORTH IT ANYMORE
1191
01:35:45,809 --> 01:35:50,502
HOPE YOU BEEN MOVING ON
♪ ALL FIGURED OUT
1192
01:35:50,537 --> 01:35:57,613
AND YOU DON'T HATE ME SOMEHOW
♪ I'M A WRECK, I'M A MESS
1193
01:35:57,648 --> 01:36:08,728
AND I AIN'T GOT NOTHING LEFT
♪ SO I HOPE
1194
01:36:08,762 --> 01:36:12,836
YOU'RE HAPPY NOW
♪ HAPPY NOW
1195
01:36:12,869 --> 01:36:20,739
OH, I HOPE
♪ YOU'RE HAPPY NOW
1196
01:36:20,774 --> 01:36:33,166
♪ ♪
[ CHEERS AND APPLAUSE]
1197
01:36:33,201 --> 01:36:35,375
>> Announcer: UP NEXT, AN
UNFORGETTABLE PERFORMANCE
1198
01:36:35,409 --> 01:36:36,341
BY MICKEY GUYTON.
1199
01:36:36,376 --> 01:36:39,171
PLUS, THE AWARD FOR MALE ARTIST
OF THE YEAR.
1200
01:36:39,207 --> 01:36:43,382
THEN, KEITH URBAN TAKES THE
GRAND OLE OPRY HOUSE STAGE.
1201
01:36:43,417 --> 01:36:46,972
THIS IS CBS.
1202
01:36:47,007 --> 01:36:51,840
AND NOW, A SPECIAL MESSAGE FROM
T-MOBILE AND 11-TIME A.C.M.
1203
01:36:51,875 --> 01:36:54,532
AWARD WINNERS, FLORIDA GEORGIA
LINE!
1204
01:37:00,884 --> 01:37:02,920
>> Mickey: WELCOME BACK.
1205
01:37:02,954 --> 01:37:05,957
I'M SO THANKFUL TO THE ACADEMY
FOR THE SUPPORT THEY HAVE GIVEN
1206
01:37:05,992 --> 01:37:09,375
ME OVER THE LAST FEW YEARS, AND
I'M ALSO PROUD OF THEIR WORK ON
1207
01:37:09,408 --> 01:37:12,480
BEHALF OF SO MANY DIFFERENT
GROUPS IN OUR COMMUNITY.
1208
01:37:12,515 --> 01:37:15,173
ONE OF THE WAYS THEY PROVIDE
THAT HELP IS THROUGH THE "“A.C.M.
1209
01:37:15,207 --> 01:37:18,038
LIFTING LIVES COVID-19 RESPONSE
FUND."
1210
01:37:18,073 --> 01:37:23,872
LET'S TAKE A LOOK.
1211
01:37:23,907 --> 01:37:26,287
IN MARCH 2020
COVID PANDEMIC HIT, LIVE MUSIC
1212
01:37:26,323 --> 01:37:28,220
AS WE KNOW IT SHUT DOWN.
1213
01:37:28,256 --> 01:37:30,327
>> NOBODY COULD SEE THIS
DRAGGING OUT FOR A YEAR.
1214
01:37:30,360 --> 01:37:33,951
>> HOW ARE OUR FANS SUPPOSED TO
TAKE CARE OF THEIR FAMILIES.
1215
01:37:33,985 --> 01:37:35,676
>> HOW WOULD THEY PAY THEIR
BILLS.
1216
01:37:35,711 --> 01:37:39,783
>> WITHOUT THOSE GUYS, I DON'T
GET TO HAPPEN.
1217
01:37:39,819 --> 01:37:44,582
>> ACM LIFTING LIVES COVID-19
RESPONSE FUND HAS GIVEN AWAY 3.9
1218
01:37:44,617 --> 01:37:47,101
MILLION FOR PEOPLE IN OUR
COUNTRY WHO NEED IT.
1219
01:37:47,136 --> 01:37:49,034
>> IT PAID OUR MORTGAGE THAT
MONTH.
1220
01:37:49,069 --> 01:37:51,555
>> IT CAME AT THE EXACT RIGHT
TIME I NEEDED IT TO COME.
1221
01:37:51,588 --> 01:37:54,765
>> THE FUNDS HAVE BEEN DEPLETED
BECAUSE THEY HAVE GIVEN O SO
1222
01:37:54,798 --> 01:37:56,077
MANY PEOPLE IN NEED.
1223
01:37:56,110 --> 01:37:58,457
>> IF YOU WANT THAT FEELING OF A
CONCERT AGAIN, YOU HAVE TO KEEP
1224
01:37:58,493 --> 01:37:59,734
THESE PEOPLE GOING.
1225
01:37:59,770 --> 01:38:09,365
>> WHETHER YOU CAN GIVE $1, $10
OR $100, YOUR DONATION MAKES A
1226
01:38:09,399 --> 01:38:10,676
>> Mickey: THANK YOU, "LIFTING
LIVES," FOR HELPING US GET
1227
01:38:10,712 --> 01:38:12,057
THROUGH SOME VERY TOUGH TIMES.
1228
01:38:12,092 --> 01:38:13,921
I WROTE THIS NEXT SONG AS A
PRAYER.
1229
01:38:13,957 --> 01:38:16,925
WHEN FACED WITH PAIN AND
UNCERTAINTY, I HOPE IT INSPIRES
1230
01:38:16,960 --> 01:38:22,033
YOU TO HOLD ON.
1231
01:38:22,068 --> 01:38:24,760
♪ ♪
♪ WHEN YOU'RE AFRAID
1232
01:38:24,795 --> 01:38:30,697
I'M RIGHT BESIDE YOU
♪ WHEN YOU'RE IN THE DARK
1233
01:38:30,731 --> 01:38:36,841
I'LL COME AND FIND YOU
♪ THERE IS NO DOOR
1234
01:38:36,876 --> 01:38:43,226
I'LL LEAVE UNOPENED
♪ AND THERE IS NO CHANCE
1235
01:38:43,261 --> 01:38:54,548
I'LL LEAVE IT BROKEN
♪ SO, HOLD ON, HOLD ON
1236
01:38:54,582 --> 01:39:00,451
DON'T LET GO
♪ HOLD ON, HOLD ON
1237
01:39:00,485 --> 01:39:05,248
I'LL BE YOUR HOPE
♪ I'LL BE YOUR LIFELINE
1238
01:39:05,283 --> 01:39:14,948
I'LL NEVER STOP FIGHTING
♪ SO HOLD ON, HOLD ON
1239
01:39:14,983 --> 01:39:27,305
HOLD ON TO ME
♪ HOLD ON TO ME
1240
01:39:27,340 --> 01:39:35,935
IF THERE'S A PRAYER
♪ I'M GONNA PRAY IT
1241
01:39:35,970 --> 01:39:42,320
WHEN THERE'S AN ANSWER
♪ I'LL BE RIGHT HERE WAITING
1242
01:39:42,354 --> 01:39:46,427
AND THERE AIN'T A STONE
♪ I WON'T TURN OVER
1243
01:39:46,462 --> 01:39:49,672
A WEIGHT TOO HEAVY
♪ ON MY SHOULDER
1244
01:39:49,707 --> 01:39:56,024
A FIRE THAT I WON'T WALK THROUGH
♪ YOU KNOW I GOT YOU, I GOT YOU
1245
01:39:56,059 --> 01:40:02,926
SO HOLD ON, HOLD ON
♪ AND DON'T LET GO
1246
01:40:02,962 --> 01:40:07,898
HOLD ON, HOLD ON
♪ I'LL BE YOUR HOPE
1247
01:40:07,931 --> 01:40:13,076
I'LL BE YOUR LIFELINE
♪ I'LL NEVER STOP FIGHTING
1248
01:40:13,109 --> 01:40:20,082
BELIEVING
♪ SO HOLD ON, HOLD ON
1249
01:40:20,117 --> 01:40:27,158
HOLD ON TO ME, YEAH
♪ HOLD ON TO ME, YEAH
1250
01:40:27,193 --> 01:40:38,894
HOLD ON TO ME, YEAH
♪ HOLD ON TO ME, YEAH
1251
01:40:38,929 --> 01:40:43,140
DON'T KNOW IF YOU'RE LISTENING
♪ BUT IF YOU CAN HERE ME
1252
01:40:43,175 --> 01:40:49,560
JUST HOLD ON, HOLD ON
♪ AND DON'T LET GO
1253
01:40:49,595 --> 01:40:55,289
HOLD ON, HOLD ON
♪ I'LL BE YOUR HOPE
1254
01:40:55,324 --> 01:41:02,917
I'LL BE YOUR LIFELINE
♪ AND I'LL NEVER STOP FIGHTING
1255
01:41:02,953 --> 01:41:11,064
BELIEVING
♪ JUST HOLD ON, HOLD ON
1256
01:41:11,099 --> 01:41:22,592
HOLD ON TO ME ♪
[ CHEERS AND APPLAUSE]
1257
01:41:22,627 --> 01:41:25,319
>> Announcer: COMING TO THE
STAGE WITH OUR NEXT AWARD,
1258
01:41:25,354 --> 01:41:39,783
HERE'S THREE-TIME NOMINEE
TONIGHT, INGRID ANDRESS.
1259
01:41:39,817 --> 01:41:40,886
>> WHAT'S UP, FAM?
1260
01:41:40,921 --> 01:41:42,681
A LOT OF GREAT THINGS HAVE
HAPPENED TO ME EARLY IN MY
1261
01:41:42,716 --> 01:41:45,099
CAREER, AND SOMETIMES I REALLY
WONDER HOW I LITERALLY GOT HERE.
1262
01:41:45,132 --> 01:41:47,962
SO, THIS IS A SPECIAL MOMENT.
1263
01:41:47,997 --> 01:41:52,381
I'M HONORED TO PRESENT THIS
AWARD TO ONE OF THESE FIVE
1264
01:41:52,416 --> 01:41:55,143
SUPERSTARS, ALL MEN I RESPECT
AND ADMIRE.
1265
01:41:55,177 --> 01:42:01,322
HERE ARE THE INCREDIBLE NOMINEES
FOR MALE ARTIST OF THE YEAR.
1266
01:42:01,355 --> 01:42:11,953
>> Announcer: DIERKS BENTLEY.
1267
01:42:11,987 --> 01:42:22,100
ERIC CHURCH.
1268
01:42:22,136 --> 01:42:30,833
LUKE COMBS.
1269
01:42:30,868 --> 01:42:41,740
THOMAS RHETT.
1270
01:42:41,775 --> 01:42:55,962
CHRIS STAPLETON.
1271
01:42:55,997 --> 01:42:59,448
[ APPLAUSE]
>> AND THE A.C.M. MALE ARTIST OF
1272
01:42:59,483 --> 01:43:12,358
THE YEAR GOES TO:
THOMAS RHETT.
1273
01:43:12,393 --> 01:43:19,917
♪ ♪
[ CHEERS AND APPLAUSE]
1274
01:43:19,952 --> 01:43:29,962
♪ ♪
[ CHEERS AND APPLAUSE]
1275
01:43:29,996 --> 01:43:35,795
♪ ♪
[ CHEERS AND APPLAUSE]
1276
01:43:35,829 --> 01:43:38,902
>> MAN, THIS IS ABSOLUTELY
UNBELIEVABLE, ESPECIALLY SITTING
1277
01:43:38,935 --> 01:43:44,666
HERE NEXT TO DIERKS, HOLLERING
HIS SHENANIGANS OVER HERE, I
1278
01:43:44,701 --> 01:43:48,877
WANT TO SAY THANK YOU SO MUCH TO
THE ACMS, THIS IS INCREDIBLE.
1279
01:43:48,912 --> 01:43:52,052
TO MY WIFE, MY THREE BABY GIRLS
WATCHING THIS AT HOME ON THE TV,
1280
01:43:52,087 --> 01:43:55,643
I LOVE Y'ALL SO MUCH, ALL THE
HEALTH CARE WORKERS SITTING UP
1281
01:43:55,676 --> 01:43:56,368
HERE, THANK YOU, THANK YOU.
1282
01:43:56,402 --> 01:43:59,198
COME ON!
1283
01:43:59,233 --> 01:44:02,787
IT JUST FEELS
INVEDDABLE-- INCREDIBLE TO BE IN
1284
01:44:02,822 --> 01:44:06,067
THIS CATEGORY, TO BE HONEST,
THESE ARE LITERALLY MY HEROES
1285
01:44:06,100 --> 01:44:09,345
SITTING RIGHT HERE IN THESE
SEATS, SO THANK YOU LORD, LORD
1286
01:44:09,381 --> 01:44:10,381
JESUS, WE LOVE YOU.
1287
01:44:10,416 --> 01:44:13,556
THANK YOU FOR THIS AWARD.
1288
01:44:13,591 --> 01:44:16,353
THANK YOU.
1289
01:44:16,387 --> 01:44:20,426
♪ ♪
[ CHEERS AND APPLAUSE]
1290
01:44:20,461 --> 01:44:23,912
>> Keith: CONGRATULATIONS TO
YOU.
1291
01:44:23,947 --> 01:44:24,327
PUT IT THERE, MAN.
1292
01:44:24,360 --> 01:44:25,466
TELL YOU WHAT.
1293
01:44:25,500 --> 01:44:27,019
TROPHY ROOM IS GETTING
THE TROPHY ROOM, YOU'RE GOING TO
1294
01:44:27,052 --> 01:44:31,298
NEED A TROPHY HOUSE IF YOU KEEP
KEEP THAT UP.
1295
01:44:31,333 --> 01:44:38,237
STILL TO COME, KELSEY BALLERINI
FEATURE-- FEATURING KENNY
1296
01:44:38,271 --> 01:44:40,721
CHESNEY, THIS IS
>> Announcer: YOU CAN "STREAM
1297
01:44:40,756 --> 01:44:42,551
FOR A CAUSE" WITH THE OFFICIAL
56th A.C.M. AWARDS PLAYLISTS,
1298
01:44:42,586 --> 01:44:47,073
FEATURING SONGS FROM EVERY
NOMINEE, AND RAISE VALUABLE
1299
01:44:47,108 --> 01:44:48,177
FUNDS FOR A.C.M. LIFTING LIVES.
1300
01:44:48,212 --> 01:44:50,869
VISIT www.acmliftinglives.org.
1301
01:44:50,904 --> 01:44:53,804
THE 56th ACADEMY OF COUNTRY
MUSIC AWARDS, SPONSORED BY:
1302
01:44:53,838 --> 01:44:56,220
THE ALL-NEW BRONCO SPORT, BUILT
WILD.
1303
01:44:59,465 --> 01:45:02,710
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
1304
01:45:02,743 --> 01:45:03,435
CONTINUE.
1305
01:45:03,469 --> 01:45:03,814
THIS IS CBS.
1306
01:45:08,371 --> 01:45:15,377
♪ ♪
1307
01:45:15,412 --> 01:45:18,657
>> Keith: WELCOME BACK.
WHAT AN AMAZING NIGHTK MICKEY.
1308
01:45:18,690 --> 01:45:19,484
>> I'M HAVING AN AMAZING TIME.
1309
01:45:19,520 --> 01:45:20,899
SO WHAT HAVE YOU GOT THERE?
1310
01:45:20,935 --> 01:45:25,007
>> I'M GOING TO PLAY.
1311
01:45:25,042 --> 01:45:25,974
>> PLAYING WHAT.
1312
01:45:26,009 --> 01:45:27,216
>> LIKE WITH MY BAND.
1313
01:45:27,251 --> 01:45:30,496
>> SO WHERE YOU GOING AND I'VE
NEVER PLAYED THIS SONG WITH MY
1314
01:45:30,530 --> 01:45:32,980
BAND BEFORE SO IT WILL BE NICE
TO ACTUALLY FINALLY PLAY.
1315
01:45:33,015 --> 01:45:39,435
>> SO YOU ARE LEAVING ME RIGHT
NOW.
1316
01:45:39,470 --> 01:45:39,885
>> YEAH.
1317
01:45:39,918 --> 01:45:40,747
>> KEITH URBAN.
1318
01:45:40,782 --> 01:45:42,094
HERE TO
>> Mickey: HERE TO PERFORM HIS
1319
01:45:42,127 --> 01:45:48,376
HIT SONG, "“TUMBLEWEED,"” IS MY
TUMBLEWEED, IS MY DEAR FRIEND 15
1320
01:45:48,411 --> 01:45:58,697
TIME ACM AWARD WINNER, KEITH
FREAKING URBAN.
1321
01:45:58,730 --> 01:46:04,185
♪ ♪
♪ ♪
1322
01:46:04,219 --> 01:46:09,810
♪ ♪
♪ ♪
1323
01:46:09,845 --> 01:46:10,916
♪ HOTTER THAN A $2
SHOT OF WHISKEY
1324
01:46:10,949 --> 01:46:13,262
♪ LOOKING PRETTY
SITTING AT THE BAR
1325
01:46:13,296 --> 01:46:15,747
♪ LOOKING 'ROUND THE ROOM
WITH THE DEVIL ON YOUR SHOULDER
1326
01:46:15,783 --> 01:46:17,680
♪ LIKE YOU'RE 'BOUT TO
STEAL A COWBOY'S HEART
1327
01:46:17,716 --> 01:46:21,996
♪ I'M YOUR BILLY THE KID
SO BABY, LET'S GIDDY-UP, GONE
1328
01:46:22,029 --> 01:46:24,274
♪ I AIN'T EVEN SURE JUST A
WHERE YOU'RE HEADED
1329
01:46:24,307 --> 01:46:29,796
♪ BUT I'D SURE LIKE TO TAG ALONG
HEY, MISS TUMBLEWEED
1330
01:46:29,831 --> 01:46:35,734
♪ WELL, I BELIEVE TWO
TUMBLEWEEDS IS BETTER THAN ONE
1331
01:46:35,768 --> 01:46:38,046
♪ EVERYBODY NEEDS A BUDDY
WHEN THEY'RE ON THE RUN
1332
01:46:38,081 --> 01:46:42,326
♪ HEY, MISS TUMBLEWEED
LET'S RIDE THE BREEZE
1333
01:46:42,360 --> 01:46:44,466
♪ TOWN TO TOWN
JUST A-KICKING UP DUST
1334
01:46:44,501 --> 01:46:49,574
♪ MAKE A LITTLE TROUBLE
MIGHT MAKE A LITTLE LOVE
1335
01:46:49,609 --> 01:46:54,546
♪ ♪
♪ ♪
1336
01:46:54,579 --> 01:46:57,997
♪ TEACH ME YOUR GYPSY WAYS
COME ON, BABY, SHOW ME THE ROPES
1337
01:46:58,032 --> 01:46:59,515
♪ THE REAL WORLD
CAN CHASE US, GIRL
1338
01:46:59,551 --> 01:47:01,828
♪ BUT WE'LL LEAVE 'EM IN
A CLOUD OF SMOKE
1339
01:47:01,863 --> 01:47:04,244
♪ NO TELLING WHERE
WE MIGHT END UP
1340
01:47:04,279 --> 01:47:07,524
♪ REBELS LIKE YOU AND ME
NOWHERE, ANYWHERE
1341
01:47:07,559 --> 01:47:10,769
♪ EVERYWHERE, OUT THERE
SOMEWHERE IN BETWEEN
1342
01:47:10,802 --> 01:47:15,394
♪ HEY, MISS TUMBLEWEED
WELL, I BELIEVE TWO TUMBLEWEEDS
1343
01:47:15,429 --> 01:47:18,362
♪ IS BETTER THAN ONE
EVERYBODY NEEDS A BUDDY
1344
01:47:18,396 --> 01:47:22,470
♪ WHEN THEY'RE ON THE RUN
HEY, MISS TUMBLEWEED
1345
01:47:22,505 --> 01:47:24,783
♪ LET'S RIDE THE BREEZE
TOWN TO TOWN
1346
01:47:24,817 --> 01:47:26,992
♪ JUST A-KICKING UP DUST
MAKE A LITTLE TROUBLE
1347
01:47:27,025 --> 01:47:31,582
♪ MIGHT MAKE A LITTLE LOVE
♪ ♪
1348
01:47:31,617 --> 01:47:37,588
♪ ♪
♪ ♪
1349
01:47:37,622 --> 01:47:47,046
♪ ♪
♪ ♪
1350
01:47:47,081 --> 01:47:57,850
♪ ♪
♪ OH, YEAH, THAT'S RIGHT
1351
01:47:57,885 --> 01:47:58,817
OPRY HOUSE!
1352
01:47:58,850 --> 01:48:01,060
TUMBLEWEED, TUMBLEWEED
♪ I'LL ROLL WITH YOU
1353
01:48:01,095 --> 01:48:02,716
YOU ROLL WITH ME
♪ TUMBLEWEED, TUMBLEWEED
1354
01:48:02,752 --> 01:48:05,755
I'LL ROLL WITH YOU
♪ YOU ROLL WITH ME HEY
1355
01:48:05,788 --> 01:48:08,412
TUMBLEWEED, TUMBLEWEED
♪ I'LL ROLL WITH YOU
1356
01:48:08,447 --> 01:48:11,587
YOU ROLL WITH ME
♪ TUMBLEWEED, TUMBLEWEED
1357
01:48:11,622 --> 01:48:14,176
I'LL ROLL WITH YOU
♪ YOU ROLL WITH ME
1358
01:48:14,211 --> 01:48:18,663
HEY, MISS TUMBLEWEED
♪ WELL, I BELIEVE TWO
1359
01:48:18,698 --> 01:48:22,599
TUMBLEWEEDS IS BETTER THAN ONE
♪ EVERYBODY NEEDS A BUDDY
1360
01:48:22,634 --> 01:48:25,533
WHEN THEY'RE ON THE RUN
♪ HEY, MISS TUMBLEWEED
1361
01:48:25,568 --> 01:48:29,157
LET'S RIDE THE BREEZE
♪ TOWN TO TOWN
1362
01:48:29,192 --> 01:48:30,503
JUST A-KICKING UP DUST
♪ MAKE A LITTLE TROUBLE
1363
01:48:30,537 --> 01:48:43,895
MIGHT MAKE A LITTLE LOVE ♪
[ CHEERS AND APPLAUSE]
1364
01:48:43,930 --> 01:48:45,448
>> Keith: THANK YOU SO MUCH.
1365
01:48:45,484 --> 01:48:47,002
NOW, LET'S HEAD BACK LIVE TO THE
RYMAN AUDITORIUM FOR DOUBLE
1366
01:48:47,037 --> 01:48:51,041
NOMINEES TONIGHT, BROTHERS
OSBORNE.
1367
01:48:51,076 --> 01:49:01,569
♪ ♪
♪ ♪
1368
01:49:01,604 --> 01:49:04,296
♪ SOME PEOPLE CLAP
ON THE ONE AND THE THREE
1369
01:49:04,329 --> 01:49:07,470
♪ SOME PEOPLE CLAP
ON THE TWO AND FOUR
1370
01:49:07,506 --> 01:49:11,337
♪ SOME PEOPLE DON'T JOIN AT ALL
'CAUSE THEY GOT NO RHYTHM
1371
01:49:11,372 --> 01:49:16,032
♪ AND THAT'S ALRIGHT
SOME PEOPLE, THEY DRINK TOO MUCH
1372
01:49:16,065 --> 01:49:22,417
♪ SOME PEOPLE DON'T DRINK ENOUGH
SOME PEOPLE ARE JUST LIKE ME
1373
01:49:22,452 --> 01:49:25,835
♪ I HOPE Y'ALL FORGIVE 'EM
I'M LIKE SCOTCH
1374
01:49:25,868 --> 01:49:28,631
♪ AND ZYDECO BANDS
I'M LIKE B-SIDE
1375
01:49:28,664 --> 01:49:31,979
♪ TOWNES VAN ZANDT
I'M ALWAYS SPEAKING MY MIND
1376
01:49:32,012 --> 01:49:36,016
♪ WHEN I'M BETTER OFF
BIING MY TONGUE
1377
01:49:36,051 --> 01:49:39,193
♪ I'M A BAD JOKE
AT THE WRONG TIME
1378
01:49:39,226 --> 01:49:42,023
♪ HELL, I'M A LEGEND
IN MY OWN MIND
1379
01:49:42,057 --> 01:49:51,032
♪ I'M GOOD FOR SOME
BUT I'M NOT FOR EVERYONE
1380
01:49:51,067 --> 01:49:53,621
♪ IF I WAS SWEET TEA
IT'D BE A BIT BITTER
1381
01:49:53,655 --> 01:49:56,623
♪ IF YOU TOOK A DRINK
YOU MIGHT RECONSIDER
1382
01:49:56,658 --> 01:49:59,627
♪ IF I WAS A CHURCH
I'D BE HANGING WITH THE SINNERS
1383
01:49:59,662 --> 01:50:03,181
♪ TALKING 'BOUT
HENDRIX AND HEAVEN
1384
01:50:03,216 --> 01:50:06,771
♪ IF I WAS A BAR
I'D BE A DIVE
1385
01:50:06,806 --> 01:50:08,567
♪ A FREE JUKEBOX
IN A DOUBLE-WIDE
1386
01:50:08,601 --> 01:50:11,604
♪ NEON LIGHTS SAYING
"COME INSIDE"
1387
01:50:11,639 --> 01:50:15,573
♪ AND I'D BE "OPEN 24/7"
I'M LIKE SCOTCH
1388
01:50:15,609 --> 01:50:18,439
♪ AND ZYDECO BANDS
I'M LIKE B-SIDE
1389
01:50:18,472 --> 01:50:22,097
♪ TOWNES VAN ZANDT
I'M ALWAYS SPEAKING MY MIND
1390
01:50:22,131 --> 01:50:25,721
♪ WHEN I'M BETTER OFF
BITING MY TONGUE
1391
01:50:25,756 --> 01:50:29,001
♪ I'M A BAD JOKE
AT THE WRONG TIME
1392
01:50:29,036 --> 01:50:31,658
♪ HELL, I'M A LEGEND
IN MY OWN MIND
1393
01:50:31,694 --> 01:50:37,319
♪ I'M GOOD FOR SOME
BUT I'M NOT FOR EVERYONE
1394
01:50:37,354 --> 01:50:43,326
♪ ♪
♪ ♪
1395
01:50:43,359 --> 01:50:47,157
♪ ♪
♪ ♪
1396
01:50:47,192 --> 01:50:49,676
♪ YEAH, I'M HARD TO LOVE
IT'S TRUE
1397
01:50:49,712 --> 01:50:52,680
♪ I'M A LITTLE MORE
ROUGH THAN SMOOTH
1398
01:50:52,715 --> 01:50:58,203
♪ IT'S A WONDER I FOUND
SOMEBODY LIKE ME, LIKE YOU
1399
01:50:58,237 --> 01:51:01,033
♪ I'M LIKE SCOTCH
AND ZYDECO BANDS
1400
01:51:01,068 --> 01:51:03,966
♪ I'M LIKE B-SIDE
TOWNES VAN ZANDT
1401
01:51:04,002 --> 01:51:06,832
♪ I'M ALWAYS SPEAKING MY MIND
WHEN I'M BETTER OFF
1402
01:51:06,867 --> 01:51:11,146
♪ BITING MY TONGUE
I'M A BAD JOKE
1403
01:51:11,180 --> 01:51:13,908
♪ AT THE WRONG TIME
HELL, I'M A LEGEND
1404
01:51:13,943 --> 01:51:17,739
♪ IN MY OWN MIND
I'M GOOD FOR SOME
1405
01:51:17,774 --> 01:51:23,503
♪ BUT I'M NOT FOR EVERYONE
YEAH, I'M GOOD FOR SOME
1406
01:51:23,537 --> 01:51:36,586
♪ BUT I'M NOT FOR EVERYONE
♪ ♪
1407
01:51:36,619 --> 01:51:42,385
[ CHEERS AND APPLAUSE]
>> Announcer: XFINITY CUSTOMERS,
1408
01:51:42,418 --> 01:51:44,869
CATCH THE EXCLUSIVE PREMIERE OF"“
YOUNGER ME."
1409
01:51:44,904 --> 01:51:50,979
JUST SAY "A.C.M. AWARDS" INTO
YOUR XFINITY VOICE REMOTE.
1410
01:51:51,014 --> 01:51:53,983
KELSEA BALLERINI PERFORMS WITH
KENNY CHESNEY, NEXT.
1411
01:51:54,016 --> 01:51:56,640
PLUS, THE AWARD FOR ALBUM OF THE
YEAR.
1412
01:51:56,675 --> 01:52:01,265
AND STILL TO COME FROM THE HEART
OF NASHVILLE, LITTLE BIG TOWN.
1413
01:52:01,300 --> 01:52:04,199
THIS IS CBS.
1414
01:52:04,234 --> 01:52:07,755
LAST YEAR, A.C.M. AWARD WINNER
DARIUS RUCKER TOLD US ABOUT AN
1415
01:52:07,789 --> 01:52:10,447
EXCITING MUSEUM COMING TO
NASHVILLE.
1416
01:52:10,481 --> 01:52:13,381
WE ARE HAPPY TO SAY THAT THE
NATIONAL MUSEUM OF AFRICAN-
1417
01:52:13,416 --> 01:52:17,039
AMERICAN MUSIC IS NOW OFFICIALLY
OPEN ON LOWER BROADWAY AND
1418
01:52:17,074 --> 01:52:20,905
SHARING ITS MISSION TO EDUCATE
AND PRESERVE.
1419
01:52:20,940 --> 01:52:22,458
THE ACADEMY SHARES THAT MISSION
THROUGH IT'S DIVERSITY AND
1420
01:52:22,493 --> 01:52:25,323
INCLUSION TASK FORCE, WHICH IS
COMMITTED TO CREATING A MORE
1421
01:52:25,359 --> 01:52:28,224
INCLUSIVE ENVIRONMENT FOR
UNDERREPRESENTED GROUPS IN
1422
01:52:28,257 --> 01:52:30,570
COUNTRY MUSIC, FROM THE
BOARDROOM TO THE STAGE.
1423
01:52:33,608 --> 01:52:36,853
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
1424
01:52:36,887 --> 01:52:38,543
CONTINUE.
THIS IS CBS
1425
01:52:43,411 --> 01:52:44,618
>> Announcer: WE'RE BACK IN
1426
01:52:44,654 --> 01:52:47,657
NASHVILLE AT THE GRAND OLE OPRY
HOUSE WITH KELSEA BALLERINI,
1427
01:52:47,690 --> 01:52:51,936
FEATURING KENNY CHESNEY.
1428
01:52:51,971 --> 01:52:57,597
♪ ♪
♪ ♪
1429
01:52:57,631 --> 01:53:00,703
♪ HALF OF MY HIGH SCHOOL
GOT TOO DRUNK
1430
01:53:00,738 --> 01:53:05,019
♪ HALF OF MY HIGH SCHOOL
FELL IN LOVE
1431
01:53:05,054 --> 01:53:10,921
♪ WITH THE GIRL NEXT DOOR
IN THEIR DADDY'S FORD
1432
01:53:10,956 --> 01:53:15,581
♪ HALF OF MY MAIN STREET'S
MINI SKIRTS
1433
01:53:15,615 --> 01:53:20,069
♪ HALF OF MY MAIN STREET'S
DRESSED FOR CHURCH
1434
01:53:20,103 --> 01:53:23,313
♪ IT COULD USE SOME RAIN
AND A FRESH COAT OF PAINT
1435
01:53:23,347 --> 01:53:26,833
♪ HALF OF MY HOMETOWN'S
STILL HANGIN' AROUND
1436
01:53:26,868 --> 01:53:30,457
♪ STILL TALKIN' ABOUT
THAT ONE TOUCHDOWN
1437
01:53:30,493 --> 01:53:33,529
♪ THEY'RE STILL WEARIN'
RED AND BLACK
1438
01:53:33,564 --> 01:53:37,051
♪ GO BOBCATS
WHILE THE OTHER HALF
1439
01:53:37,086 --> 01:53:40,605
♪ OF MY HOMETOWN
THEY ALL GOT OUT
1440
01:53:40,640 --> 01:53:44,747
♪ SOME WENT NORTH
SOME WENT SOUTH
1441
01:53:44,783 --> 01:53:51,100
♪ STILL LOOKIN' FOR A FEELIN'
HALF OF US AIN'T FOUND
1442
01:53:51,134 --> 01:53:54,344
♪ SO STAY OR LEAVE
PART OF ME
1443
01:53:54,378 --> 01:54:03,905
♪ WILL ALWAYS BE
HALF OF MY HOMETOWN
1444
01:54:03,939 --> 01:54:06,149
♪ HALF OF OUR PROM QUEENS
CUT THEIR HAIR
1445
01:54:06,184 --> 01:54:09,738
♪ HALF OF THEM THINK
THAT IT AIN'T FAIR
1446
01:54:09,773 --> 01:54:17,643
♪ THE QUARTERBACK MOVED AWAY
AND NEVER CAME BACK
1447
01:54:17,677 --> 01:54:22,578
♪ OH, HALF OF MY FAMILY
IS HAPPY I LEFT
1448
01:54:22,613 --> 01:54:23,752
♪ THE OTHER HALF WORRIES
I'LL JUST FORGET
1449
01:54:23,787 --> 01:54:27,100
♪ WHERE I CAME FROM
THE SAME PLACE
1450
01:54:27,136 --> 01:54:31,278
♪ WHERE THEY CAME FROM
HALF OF MY HOMETOWN'S
1451
01:54:31,311 --> 01:54:34,694
♪ STILL HANGIN' AROUND
STILL TALKIN' ABOUT
1452
01:54:34,729 --> 01:54:38,216
♪ THAT ONE TOUCHDOWN
THEY'RE STILL WEARIN'
1453
01:54:38,250 --> 01:54:41,252
♪ RED AND BLACK
GO BOBCATS
1454
01:54:41,287 --> 01:54:44,912
♪ WHILE THE OTHER HALF
OF MY HOMETOWN
1455
01:54:44,947 --> 01:54:48,536
♪ THEY ALL GOT OUT
SOME WENT NORTH
1456
01:54:48,570 --> 01:54:53,576
♪ SOME WENT SOUTH
STILL LOOKIN' FOR A FEELIN'
1457
01:54:53,609 --> 01:54:59,099
♪ HALF OF US AIN'T FOUND
SO STAY OR LEAVE
1458
01:54:59,132 --> 01:55:06,692
♪ PART OF ME WILL ALWAYS BE
HALF OF MY HOMETOWN
1459
01:55:06,726 --> 01:55:08,659
♪ HALF OF MY HOMETOWN
BACK ROADS RAISE US
1460
01:55:08,694 --> 01:55:14,942
♪ HIGHWAYS TAKE US
MEMORIES MAKE US
1461
01:55:14,976 --> 01:55:20,015
♪ WANNA GO BACK
TO OUR HOMETOWN
1462
01:55:20,051 --> 01:55:23,225
♪ SETTLE DOWN
TALK ABOUT
1463
01:55:23,261 --> 01:55:28,300
♪ THAT ONE TOUCHDOWN
RAISE SOME KIDS
1464
01:55:28,335 --> 01:55:30,301
♪ IN RED AND BLACK
GO BOBCATS
1465
01:55:30,337 --> 01:55:33,581
♪ WHILE THE OTHER HALF
OF MY HOMETOWN
1466
01:55:33,615 --> 01:55:37,033
♪ WAS IN THE CROWD
THEY KNEW THE WORDS
1467
01:55:37,068 --> 01:55:42,279
♪ THEY SANG THEM LOUD
AND ALL I WANNA DO
1468
01:55:42,314 --> 01:55:47,768
♪ IS MAKE THEM PROUD
'CAUSE HALF OF ME
1469
01:55:47,801 --> 01:55:56,087
♪ WILL ALWAYS BE
FROM KNOXVILLE, TENNESSEE
1470
01:55:56,121 --> 01:56:00,780
[ CHEERS AND APPLAUSE]
♪ MY HOMETOWN
1471
01:56:00,814 --> 01:56:10,824
YEAH, MY HOMETOWN
[ CHEERS AND APPLAUSE]
1472
01:56:10,859 --> 01:56:17,211
YEAH, MY HOMETOWN
[ CHEERS AND APPLAUSE]
1473
01:56:17,246 --> 01:56:20,627
>> AND NOW, TO PRESENT THE NEXT
AWARD OF THE NIGHT, IT'S MY
1474
01:56:20,662 --> 01:56:26,634
PLEASURE TO INTRODUCE CLAY
WALKER.
1475
01:56:26,668 --> 01:56:36,368
♪ ♪
[ CHEERS AND APPLAUSE]
1476
01:56:36,403 --> 01:56:41,717
>> WHEN AN ARTIST GOES INTO THE
RECORDING STUDIO, THEIR DREAM IS
1477
01:56:41,752 --> 01:56:44,444
THAT ONE DAY THEIR ALBUM WILL BE
INCLUDED IN THIS CATEGORY.
1478
01:56:44,479 --> 01:56:47,792
FOR THESE FIVE ARTISTS, THAT
DREAM CAME TRUE.
1479
01:56:47,828 --> 01:56:52,867
HERE ARE THE NOMINEES FOR ALBUM
OF THE YEAR.
1480
01:56:52,902 --> 01:56:59,356
>> Announcer: "“BORN HERE, LIVE
HERE, DIE HERE,"” BY LUKE BRYAN."“
1481
01:56:59,390 --> 01:57:07,364
MIXTAPE VOL. 1,"” BY KANE BROWN."“
NEVER WILL,"” BY ASHLEY McBRYDE."“
1482
01:57:07,399 --> 01:57:11,576
SKELETONS,"” BY BROTHERS
OSBORNE."“
1483
01:57:11,609 --> 01:57:18,720
STARTING OVER,"” BY CHRIS
STAPLETON.
1484
01:57:18,755 --> 01:57:27,212
>> AND THE A.C.M. ALBUM OF THE
YEAR GOES TO:
1485
01:57:27,247 --> 01:57:28,488
SO DESERVING.
1486
01:57:28,524 --> 01:57:33,493
CHRIS STAPLETON.
1487
01:57:33,529 --> 01:57:35,047
♪ ♪
[ APPLAUSE]
1488
01:57:35,082 --> 01:57:43,228
>> I WANT TO THANK EVERYBODY FOR
GIVING US THIS AWARD TONIGHT.
1489
01:57:43,262 --> 01:57:48,681
WE WORKED REALLY HARD MAKING
MUSIC AND THINK A LOT ABOUT IT.
1490
01:57:48,716 --> 01:57:55,239
I WANT TO THANK MY WIFE AND
JAIK, NIXON, EVERYBODY PLAY ON
1491
01:57:55,274 --> 01:57:56,654
THIS RECORD.
1492
01:57:56,689 --> 01:58:00,314
MIKE CAMPBELL, FINCH, MIKE
HENDERSON AND ALL THOSE FOLKS
1493
01:58:00,349 --> 01:58:03,697
HAVE I WRITTEN SONGS WITH ON
THIS RECORD.
1494
01:58:03,730 --> 01:58:07,217
IT MEANS A LOT TO US, IT REALLY
DOES, THANK YOU, THANK YOU VERY
1495
01:58:07,252 --> 01:58:09,115
MUCH.
1496
01:58:09,150 --> 01:58:15,260
[ APPLAUSE]
>> Mickey: WHAT A GREAT GROUP OF
1497
01:58:15,295 --> 01:58:16,122
ARTISTS UP FOR THAT AWARD.
1498
01:58:16,158 --> 01:58:18,850
CONGRATULATIONS TO
CHRIS STAPLETON.
1499
01:58:18,884 --> 01:58:22,957
NEXT, A BIG AWARD FOR FEMALE
ARTIST OF THE YEAR, AND WE GET
1500
01:58:22,992 --> 01:58:29,895
TO ENJOY SOME "“WINE, BEER,
WHISKEY"” WITH LITTLE BIG TOWN.
1501
01:58:29,930 --> 01:58:32,449
>> Announcer: STREAM THE LATEST
EPISODES OF YOUR FAVORITE CBS
1502
01:58:32,484 --> 01:58:37,144
ORIGINALS FOR FREE ON THE CBS
APP AND SUBSCRIBE TO PARAMOUNT+
1503
01:58:37,179 --> 01:58:40,664
FOR MORE LIVE SPORTS, BREAKING
NEWS AND A MODEM OF
1504
01:58:40,698 --> 01:58:41,666
ENTERTAINMENT.
1505
01:58:47,498 --> 01:58:53,021
♪ ♪
>> Announcer: AND NOW, WITH OUR
1506
01:58:53,055 --> 01:58:57,025
NEXT AWARD OF THE NIGHT, HERE'S
POP AND CHRISTIAN MUSIC
1507
01:58:57,060 --> 01:59:03,274
SUPERSTAR, AMY GRANT.
1508
01:59:03,307 --> 01:59:07,278
[ CHEERS AND APPLAUSE]
>> HERE ARE SOME LYRICS FROM A
1509
01:59:07,311 --> 01:59:13,490
SONG BY A.C.M. AWARD WINNER
LAUREN ALAINA CALLED "“THE ROAD
1510
01:59:13,524 --> 01:59:16,493
LESS TRAVELED"”:"“
YOU WON'T MAKE YOURSELF A NAME
1511
01:59:16,528 --> 01:59:21,015
IF YOU FOLLOW THE RULES.
1512
01:59:21,050 --> 01:59:22,740
IF YOU TRUST YOUR REBEL HEART,
RIDE IT INTO BATTLE.
1513
01:59:22,775 --> 01:59:30,610
DON'T BE AFRAID, TAKE THE ROAD
LESS TRAVELED."”
1514
01:59:30,645 --> 01:59:33,095
THESE WORDS COULD BE SAID ABOUT
ALL OF YOU LADIES.
1515
01:59:33,131 --> 01:59:36,203
YOU HAVE DONE THAT
OUR NOMINEES FOR FEMALE ARTIST
1516
01:59:36,238 --> 01:59:36,927
OF THE YEAR.
1517
01:59:36,962 --> 01:59:46,938
>> Announcer: KELSEA BALLERINI.
1518
01:59:46,971 --> 01:59:52,149
>> Announcer: KELSEA BALLERINI.
1519
01:59:52,185 --> 02:00:02,780
MIRANDA LAMBERT.
1520
02:00:02,815 --> 02:00:11,824
ASHLEY McBRYDE.
1521
02:00:11,859 --> 02:00:22,180
MAREN MORRIS.
1522
02:00:22,215 --> 02:00:32,225
CARLY PEARCE.
1523
02:00:32,259 --> 02:00:38,747
CARLY PEARCE.
1524
02:00:39,265 --> 02:00:40,542
[ CHEERS AND APPLAUSE]
>> AND THE A.C.M. FEMALE ARTIST
1525
02:00:40,578 --> 02:00:50,657
OF THE YEAR GOES TO:
MAREN MORRIS.
1526
02:00:50,690 --> 02:00:57,110
[ CHEERS AND APPLAUSE]
♪ ♪
1527
02:00:57,145 --> 02:01:08,537
[ CHEERS AND APPLAUSE]
♪ ♪
1528
02:01:08,570 --> 02:01:10,746
>> THANK YOU GUYS SO MUCH.
1529
02:01:10,779 --> 02:01:13,542
ME AND THE LADIES WERE JUST
LAUGHING OUR BUTTS OFF DURING
1530
02:01:13,576 --> 02:01:16,302
THE COMMERCIAL BREAK SO I FEEL
REALLY, REALLY JUST HAPPY TO BE
1531
02:01:16,337 --> 02:01:20,238
IN A CATEGORY WITH WOMEN THAT
WERE NOT ABLE TO TOUR THIS YEAR
1532
02:01:20,273 --> 02:01:24,484
BUT BROUGHT SO MUCH PEACE TO THE
GAME, TO COUNTRY MUSIC THIS
1533
02:01:24,518 --> 02:01:28,246
YEAR, YOU HAVE INSPIRED ME SO
MUCH TO KNOW END, AND EVEN IN A
1534
02:01:28,280 --> 02:01:32,768
YEAR WHERE NO ONE HAS GOTTEN TO
PLAY SHOWS, I HAVE HEARD SOME OF
1535
02:01:32,801 --> 02:01:35,702
THE BEST MUSIC OUT OF ALL OF YOU
THIS PAST YEAR.
1536
02:01:35,735 --> 02:01:43,605
SO THANK YOU SO MUCH FOR
INSPIRING ME.
1537
02:01:43,640 --> 02:01:50,233
THIS CATEGORY IS NOT ABOUT WHO
CAN SING THEIR AS OFF OR
1538
02:01:50,268 --> 02:01:51,545
ENTERTAINS THE BEST EVEN.
1539
02:01:51,579 --> 02:01:57,274
I KIND OF CONSIDER THIS CATEGORY
TO JUST BE WHO TRIED THEIR BEST
1540
02:01:57,310 --> 02:02:00,658
IN A YEAR WHERE IT WAS VERY
WEIRD AND NO ONE COULD REALLY DO
1541
02:02:00,692 --> 02:02:03,176
WHAT THEY WERE MADE TO DO.
1542
02:02:03,212 --> 02:02:07,180
BUT I REALLY APPRECIATE ALL OF
MY PEERS FOR VOTING FOR ME IN
1543
02:02:07,216 --> 02:02:07,698
THIS.
1544
02:02:07,734 --> 02:02:09,355
IT MEANS SO MUCH.
1545
02:02:09,390 --> 02:02:15,016
AND I WANT TO THANK, BECAUSE I
ALWAYS FORGET TO, MY MANAGER
1546
02:02:15,051 --> 02:02:18,744
JANET WEIR, SHE HAS BEEN WITH ME
THROUGH EVERYTHING FROM THE
1547
02:02:18,779 --> 02:02:23,507
BEGINNINGK RANDY GOODMAN, TAYLOR
LINDSAY, STEVE HODGE KSZ ALL AT
1548
02:02:23,542 --> 02:02:27,373
SONY FOR HELPING A SONG LIKE THE
BONES GO IN A YEAR WHERE THE
1549
02:02:27,408 --> 02:02:30,859
WORLD SHUT DOWN, I JUST REALLY
CAN'T THANK YOU ENOUGH.
1550
02:02:30,895 --> 02:02:35,658
I LOVE YOU COUNTRY MUSIC.
1551
02:02:35,693 --> 02:02:36,762
THANK Y'ALL.
1552
02:02:36,796 --> 02:02:38,385
>> HEY, EVERYBODY, THIS
>> HI, I'M PHILLIP SWEET OF
1553
02:02:38,420 --> 02:02:41,007
LITTLE BIG TOWN.
1554
02:02:41,042 --> 02:02:42,595
I WISH I COULD BE WITH ALL OF
YOU TONIGHT BUT I'M AT HOME
1555
02:02:42,631 --> 02:02:45,667
BECAUSE I RECENTLY TESTED
POSITIVE FOR COVID.
1556
02:02:45,703 --> 02:02:47,945
BUT I'M ON MY WAY TO A FULL
RECOVERY.
1557
02:02:47,980 --> 02:02:49,327
EVERYONE STAY HEALTHY.
1558
02:02:49,362 --> 02:02:53,261
WEAR YOUR MASK, GET VACCINATED
AND LET'S ALL GET BACK TO LIVE
1559
02:02:53,296 --> 02:02:54,538
MUSIC.
1560
02:02:54,573 --> 02:02:57,335
AND SPEAKING OF LIVE MUSIC FROM
DOWNTOWN NASHVILLE RIGHT HERE,
1561
02:02:57,369 --> 02:03:02,961
MY FRIEND AND BAND MATES KAREN,
KIMBERLY AND JIMMIE, HERE'S
1562
02:03:02,996 --> 02:03:09,484
LITTLE BIG TOWN.
1563
02:03:09,520 --> 02:03:11,211
♪ ♪
♪ MY FRIEND NAMED JACK
1564
02:03:11,244 --> 02:03:18,460
HE'S GOT MY BACK
♪ HE ALWAYS SEEMS TO KNOW
1565
02:03:18,493 --> 02:03:22,601
RIGHT WHERE I'M AT
♪ MY FRIEND JOSE
1566
02:03:22,636 --> 02:03:27,226
HE LIKES TO PLAY
♪ HE'S ALWAYS UP FOR
1567
02:03:27,261 --> 02:03:33,198
ANYTHING I SAY
♪ LITTLE BIT OF RED
1568
02:03:33,233 --> 02:03:35,993
LOTTA BIT OF CROWN
♪ DON'T MATTER WHAT IT IS
1569
02:03:36,029 --> 02:03:39,445
I'M GONNA DRINK IT
♪ DOWN, DOWN, DOWN
1570
02:03:39,480 --> 02:03:46,626
THE WINE, THE BEER, THE WHISKEY
♪ ARE THE ONLY THINGS
1571
02:03:46,659 --> 02:03:50,630
THAT FIX ME
♪ I'M NOT SAYING IT'S A PROBLEM
1572
02:03:50,663 --> 02:03:56,842
I CAN STOP IT IF I WANNA
♪ BUT THE WINE, THE BEER
1573
02:03:56,877 --> 02:03:58,637
THE WHISKEY
♪ THEY ALWAYS GET ME
1574
02:03:58,671 --> 02:04:03,470
♪ ♪
♪ MY FRIEND NAMED GIN
1575
02:04:03,505 --> 02:04:07,716
SHE'S GOT SOME FRIENDS
♪ I'M TALKING BRANDY, SHERRY
1576
02:04:07,750 --> 02:04:12,755
AND THEIR BROTHER JIM
♪ MY FRIEND, THE CAPTAIN
1577
02:04:12,789 --> 02:04:16,896
WE CALL HIM MORGAN
♪ HE LIKES TO ANCHOR DOWN
1578
02:04:16,931 --> 02:04:21,798
AND HANG OVER 'TIL MORNIN'
♪ LITTLE BIT OF RED
1579
02:04:21,832 --> 02:04:26,010
LOTTA BIT OF WHITE
♪ DON'T MATTER WHAT IT IS
1580
02:04:26,043 --> 02:04:33,189
IT'S GONNA MAKE IT ALL ALRIGHT
♪ THE WINE, THE BEER
1581
02:04:33,224 --> 02:04:35,570
THE WHISKEY
♪ ARE THE ONLY THINGS
1582
02:04:35,605 --> 02:04:39,954
THAT FIX ME
♪ I'M NOT SAYING IT'S A PROBLEM
1583
02:04:39,988 --> 02:04:44,579
I CAN STOP IT IF I WANNA
♪ BUT THE WINE, THE BEER
1584
02:04:44,614 --> 02:04:47,927
THE WHISKEY
♪ THEY ALWAYS GET ME
1585
02:04:47,962 --> 02:04:54,625
♪ ♪
♪ ♪
1586
02:04:54,658 --> 02:04:58,628
♪ ♪
♪ ♪
1587
02:04:58,662 --> 02:05:04,185
♪ ♪
♪ ♪
1588
02:05:04,220 --> 02:05:10,640
♪ MY FRIEND NAMED TITO
HE'S MY AMIGO
1589
02:05:10,675 --> 02:05:14,576
♪ I'M GONNA FOLLOW HIM AROUND
WHEREVER HE GO
1590
02:05:14,609 --> 02:05:18,649
♪ THE WINE, THE BEER
THE WHISKEY
1591
02:05:18,682 --> 02:05:23,274
♪ YEAH, I GOT ALL MY
FRIENDS HERE WITH ME
1592
02:05:23,307 --> 02:05:27,588
♪ I'M NOT SAYING IT'S A PROBLEM
I CAN STOP IT IF I WANNA
1593
02:05:27,622 --> 02:05:33,248
♪ BUT WHO WOULD WANNA
WHEN THE WINE, THE BEER
1594
02:05:33,283 --> 02:05:38,841
♪ THE WHISKEY
THEY ALWAYS GET ME
1595
02:05:38,876 --> 02:05:49,576
♪ THEY ALWAYS GET ME
THEY ALWAYS GET ME
1596
02:05:49,610 --> 02:05:59,828
♪ YEAH, THEY ALWAYS GET ME
♪ ♪
1597
02:05:59,862 --> 02:06:02,864
[ CHEERS AND APPLAUSE]
IS WE MISS YOU
1598
02:06:02,899 --> 02:06:06,904
PHILLIP.
1599
02:06:06,938 --> 02:06:09,631
>> Mickey: WOO!
1600
02:06:09,664 --> 02:06:10,942
THIS IS NOT THE FIRST TIME THESE
ARTISTS HAVE BEEN IN THIS
1601
02:06:10,976 --> 02:06:12,599
LEGENDARY VENUE.
1602
02:06:12,634 --> 02:06:15,153
>> ST NOT, BUT IT IS A NIGHT
THEY WILL REMEMBER FOR THE REST
1603
02:06:15,188 --> 02:06:17,086
OF THEIR LIVES.
1604
02:06:17,121 --> 02:06:22,056
>> Mickey: HERE ARE THE NOMINEES
FOR ENTERTAINER OF THE YEAR.
1605
02:06:22,091 --> 02:06:25,266
>> Announcer: LUKE BRYAN.
1606
02:06:25,301 --> 02:06:29,235
ERIC CHURCH.
1607
02:06:29,270 --> 02:06:31,859
LUKE COMBS.
1608
02:06:31,894 --> 02:06:34,310
THOMAS RHETT.
1609
02:06:34,345 --> 02:06:38,762
CHRIS STAPLETON.
1610
02:06:38,797 --> 02:06:41,489
>> Keith: AND THE A.C.M.
1611
02:06:41,524 --> 02:06:51,533
ENTERTAINER OF THE YEAR GOES TO:
LUKE BRYAN.
1612
02:06:51,569 --> 02:06:58,195
ENTERTAINER OF THE YEAR GOES TO:
LUKE BRYAN.
1613
02:06:58,230 --> 02:07:01,958
♪ ♪
>> Keith: CONGRATULATIONS LUKE.
1614
02:07:01,993 --> 02:07:05,514
NOW, LUKE ISN'T HERE SO WE SET
CONGRATULATIONS, LUKE, LUKEY
1615
02:07:05,547 --> 02:07:06,411
LUKE.
1616
02:07:06,445 --> 02:07:07,239
HE CAN'T BE HERE TONIGHT, IS HE
AT HOME.
1617
02:07:07,274 --> 02:07:07,827
>> HEY GUYS.
1618
02:07:07,860 --> 02:07:08,828
>> BUT WE'VE GOT A ZOOM.
1619
02:07:08,862 --> 02:07:10,173
WHERE ARE YOU, LUKE?
1620
02:07:10,207 --> 02:07:14,039
>> I'M IN L.A
OH MY GOD, Y'ALL GOT ME.
1621
02:07:14,073 --> 02:07:20,390
I AM AMAZINGLY SURPRISEED.
1622
02:07:20,425 --> 02:07:25,498
WHAT AN AN HONOR, TO THE ACM'S,
I'M SO SORRY I COULD NOT BE
1623
02:07:25,533 --> 02:07:26,810
THERE.
1624
02:07:26,845 --> 02:07:30,228
I MISSED CERTAINLY BEING ABLETO
DO MY SONGS AND ALL THE WINNERS
1625
02:07:30,262 --> 02:07:32,023
TONIGHT, CONGRATULATIONS.
1626
02:07:32,057 --> 02:07:34,680
OH MY GOD, Y'ALL GOT ME.
1627
02:07:34,716 --> 02:07:38,546
EVERYBODY AT MY RECORD LABEL,
AND MY BOOKING AGENT JAY
1628
02:07:38,581 --> 02:07:45,864
WILLIAMS, OH MY GOD, ROYCE, DOUG
AND CINDY, MY MANAGEMENT, CARRIE
1629
02:07:45,899 --> 02:07:48,694
EDWARDS WHO IS OFF CAMERA
FREAKING OUT RIGHT NOW.
1630
02:07:48,729 --> 02:07:57,530
MY WIFE AT HOME AND MY BOYS AND
OH MY GOD, CONGRATS.
1631
02:07:57,565 --> 02:08:01,293
MICKEY AND KEITH, WHAT A GREAT
NIGHT YOU HAVE DONE.
1632
02:08:01,328 --> 02:08:04,953
TO ALL MY FANS OUT THERE, AND
COUNTRY RADIO, WE'VE MISSED
1633
02:08:04,987 --> 02:08:06,229
TOURING.
1634
02:08:06,264 --> 02:08:10,337
WE'VE MISSED BEING ON THE ROAD
WITH EVERYBODY THAT MAKES ME AN
1635
02:08:10,372 --> 02:08:11,061
ENTERTAINER.
1636
02:08:11,096 --> 02:08:13,582
MY BUS DRIVER, MY BAND, MY CREW.
1637
02:08:13,615 --> 02:08:17,344
WHAT A CHALLENGING YEAR BUT TO
ALL THE FANS AND EVERYBODY,
1638
02:08:17,378 --> 02:08:22,764
WE'LL BE BACK OUT ON THE ROAD
DOING WHAT WE LOVE AND WHAT AN
1639
02:08:22,797 --> 02:08:23,315
AMAZING HONOR.
1640
02:08:23,350 --> 02:08:26,283
I LOVE YOU GUYS.
1641
02:08:26,319 --> 02:08:31,876
>> THANK YOU, LUKE, CONGRATS,
WHAT AN AMAZING NIGHT TONIGHT.
1642
02:08:31,911 --> 02:08:35,845
AND JUST A REMINDER, AS YOU HAVE
SEEN ON THIS STAGE, PRESENTED
1643
02:08:35,880 --> 02:08:40,470
TONIGHT, COUNTRY MUSIC IS A
HUGE, BIG FAMILY WHERE EVERYONE
1644
02:08:40,505 --> 02:08:42,024
IS WELCOME.
1645
02:08:42,059 --> 02:08:45,407
>> AND CONGRATULATIONS TO ALL OF
OUR WINNERS AND A BIG THANK YOU
1646
02:08:45,440 --> 02:08:47,961
TO THE COUNTRY MUSIC FANS OUT
THERE.
1647
02:08:47,996 --> 02:08:48,927
WE LOVE YOU SO MUCH.
1648
02:08:48,962 --> 02:08:51,895
>> AND WE WANT A TOUR AS SOON AS
WE CAN.
1649
02:08:51,930 --> 02:08:54,381
NOW PLEASE MICKEY, I HAD THE
BEST NIGHT TONIGHT.
1650
02:08:54,416 --> 02:08:56,935
>> I I HAD THE BEST NIGHT TOO.
1651
02:08:56,970 --> 02:08:58,212
TAKE US HOME.
1652
02:08:58,247 --> 02:09:00,836
BY GOING TO THE RYMAN AND ONCE
AGAIN HERE ARE BROTHERS OSBORNE,
1653
02:09:00,871 --> 02:09:07,118
GOD BLESS Y'ALL, GOOD NIGHT.
1654
02:09:07,153 --> 02:09:14,159
♪ ♪
♪ GRANDADDY CALLED HER PRINCESS
1655
02:09:14,194 --> 02:09:16,748
COUNTY FAIR CALLED HER QUEEN
♪ HIGH SCHOOL CALLED
1656
02:09:16,783 --> 02:09:19,027
HER CUM LAUDE, MOST LIKELY
♪ TO SUCCEED
1657
02:09:19,060 --> 02:09:21,994
HER DADDY'S BACKWOOD CRAZY
♪ SHE'S GOT TWO 6'4" BROTHERS
1658
02:09:22,029 --> 02:09:25,792
YOU TAKE ONE STEP
♪ ONTO THAT FRONT PORCH
1659
02:09:25,827 --> 02:09:27,000
AND YOU ONE CRAZY MOTHER--
♪ CHASE WILL LEAVE
1660
02:09:27,034 --> 02:09:29,346
YOU BREATHLESS
♪ EVERY BACK ROAD IN THIS TOWN
1661
02:09:29,381 --> 02:09:30,762
SHE'LL LOVE YOU
♪ LIKE A SUNDAY DRIVE
1662
02:09:30,796 --> 02:09:32,765
AND SHE'LL TAKE YOUR
♪ POOR HEART DOWN
1663
02:09:32,798 --> 02:09:34,421
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1664
02:09:34,456 --> 02:09:37,216
NO REDEMPTION, NO RETURN
♪ GOOD GOD, I'M EITHER GONNA
1665
02:09:37,252 --> 02:09:38,597
CRASH OR BURN DOWN
♪ DEAD MAN'S CURVE
1666
02:09:38,631 --> 02:09:41,082
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1667
02:09:41,118 --> 02:09:42,844
COUNTRY BOYS AIN'T
♪ NEVER GONNA LEARN
1668
02:09:42,877 --> 02:09:44,534
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1669
02:09:44,569 --> 02:09:50,229
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE, OH
1670
02:09:50,265 --> 02:09:54,820
♪ ♪
♪ EVERY MAN'S BEEN TEMPTED
1671
02:09:54,855 --> 02:09:57,962
GREATER MEN HAVE TRIED
♪ AT BEST YOU'LL WIND UP DINNER
1672
02:09:57,997 --> 02:10:00,689
IF YOU'RE LUCKY ENOUGH
♪ TO SURVIVE
1673
02:10:00,722 --> 02:10:01,966
NOW SHE'S THE FINGER
♪ THAT YOU'RE WRAPPED AROUND
1674
02:10:02,001 --> 02:10:03,243
SHE'S WHAT EVERY
♪ COUNTRY SONG'S ABOUT
1675
02:10:03,278 --> 02:10:05,382
SHE'S THE TROUBLE
♪ THAT YOU'RE LOOKING FOR
1676
02:10:05,417 --> 02:10:06,936
SHE'S GONNA TAKE YOU DOWN AND
♪ LEAVE YOU COMING BACK FOR MORE
1677
02:10:06,970 --> 02:10:08,730
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1678
02:10:08,765 --> 02:10:12,079
NO REDEMPTION, NO RETURN
♪ GOOD GOD, I'M EITHER GONNA
1679
02:10:12,113 --> 02:10:13,702
CRASH OR BURN
♪ DOWN DEAD MAN'S CURVE
1680
02:10:13,735 --> 02:10:15,600
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1681
02:10:15,635 --> 02:10:17,568
COUNTRY BOYS AIN'T
♪ NEVER GONNA LEARN
1682
02:10:17,601 --> 02:10:19,225
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1683
02:10:19,259 --> 02:10:22,228
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1684
02:10:22,261 --> 02:10:26,853
♪ ♪
♪ ♪
1685
02:10:26,887 --> 02:10:30,201
♪ ♪
♪ ♪
1686
02:10:30,235 --> 02:10:33,548
>> WHAT YOU DOING WADDLIN' UP
HERE?
1687
02:10:33,583 --> 02:10:38,278
YOU A DEAD MAN
♪ ♪
1688
02:10:38,313 --> 02:10:42,350
♪ ♪
♪ ♪
1689
02:10:42,386 --> 02:10:47,287
♪ ♪
♪ ♪
1690
02:10:47,322 --> 02:10:49,771
♪ ♪
♪ YEAH, DEAD MAN'S CURVE
1691
02:10:49,806 --> 02:10:52,533
DEAD MAN'S CURVE
♪ NO REDEMPTION, NO RETURN
1692
02:10:52,568 --> 02:10:53,637
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1693
02:10:53,672 --> 02:10:56,123
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1694
02:10:56,158 --> 02:10:58,021
DEAD MAN'S CURVE
♪ COUNTRY BOYS AIN'T
1695
02:10:58,056 --> 02:10:59,782
NEVER GONNA LEARN
♪ NOBODY EVER MAKES IT
1696
02:10:59,817 --> 02:11:01,301
THROUGH THAT TURN
♪ DEAD MAN'S CURVE
1697
02:11:01,336 --> 02:11:05,615
DEAD MAN'S CURVE
♪ ♪
1698
02:11:05,649 --> 02:11:09,862
♪ DEAD MAN'S CURVE, OH
♪ ♪
1699
02:11:09,895 --> 02:11:12,899
YOU'RE COMIN' IN WAY TOO HOT
♪ YOU DONE HIT
1700
02:11:12,934 --> 02:11:15,868
THE WRONG TURN, BOY
♪ YOU'RE A DEAD MAN
133688
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